Welcome our three new lighting partners: Cerno, Siemon & Salazar & Revelite
59
Maya Romanoff is honored to have materials inducted into the Permanent Collection at the Musée des Arts Décoratifs 47
A passion for quality, innovation and an intense respect for people, animals and the environment.
MAYA ROMANOFF
DANI LEATHER
Tiles of Genuine Seashell
Museé des Arts Décoratifs, Lourve Permanent Collection
Flexi Mother of Pearl Mosaic ™
Photography by Dani Leather:
Equi chandelier
As you count down the hours before you leave on your summer vacation, think about how quickly it will go by… Will you even make time to notice the details? Will you have a moment to even clear your mind? Or will you stop and let all your senses take in the beauty of the space and moments that surround you? You see, it’s the details that matter. It’s the details that give you the rest you really need, and we at M-Geough are all about the details! I guess you could say that when you walk into our showroom, we want you to feel like it’s a VACATION!
Soon you’ll be sitting around the sandy beaches of New England and sipping on the finest rose of the summer. Perhaps you’ll be hiking up the mountains of Vermont or catching a round of golf on the courses of Maine. The wind will be blowing gently, smells of the ocean will roll in to intoxicate your senses. AHHH…the life! We are so lucky to have these opportunities to connect with our region and the beauty it brings, while reminding us that New England is unique.
In this summer issue, we invite you to look closer at the details that make many of our manufactures as unique as a summer in New England. From the inception of each company we represent, people & quality are at the core. In an ever-changing world, these two things have proven to stand the test of time, while always guiding us to not only a better future but a sustainable one. Our partners create beautiful pieces, but many of them also endeavor to do this in a way that generates the least waste and impact on our planet. This commitment is just one small way to ensure that we can experience special and thoughtfully crafted furnishings. We hope that as you read this issue you too might be inspired to find your own way to join these craftspeople in taking care of this one-of-akind place we call home so that all may enjoy the joys of summer for generations to come.
See you on the beach or here in the showroom!
ERIC HAYDEL Creative Director
Letter
from the EDITOR
TIMELESS DESIGN: A SUSTAINABLE FUTURE
This issue of M|G Magazine celebrates a movement that's both stylish and impactful: sustainable design. It's about creating beautiful, functional homes that are also kind to the earth. We all know the environmental challenges we face. But the good news is, the design world is embracing a more mindful approach. More and more people are looking for ways to furnish their homes with pieces that reflect their values.
Sustainable furniture isn't just about saving trees (although that's important too!). It's also about quality and craftsmanship. These pieces are built to last, unlike mass-produced furniture that ends up in landfills. Plus, many eco-friendly companies use recycled materials, safe work practices, and organic textiles. So, you're making a statement about style, longevity, and social responsibility all at once.
So, what makes furniture eco-friendly? Here's the deal: When it comes to sustainability, there's a lot to consider. First, think about the materials. Are they recycled or sustainably sourced? Look for companies that use reclaimed wood or organic fabrics. Second, is the company transparent about their practices? Do they share how their furniture is made? This shows a commitment to ethical production. Finally, consider how long this piece will last. Furniture that's built to last stays out of landfills.
for years to come.
Eco-friendly furniture doesn't have to sacrifice style! There are tons of amazing high-end brands out there that are creating sustainable furniture that's also luxurious and stylish. These pieces are an investment in your home and the planet, and they'll add a touch of timeless beauty to your space
This movement isn't a fad, it's the future. By supporting sustainable brands, we can shape the design industry and make a real difference. Remember, beautiful design and environmental responsibility can go hand-in-hand. Let's create homes that are gorgeous and eco-conscious, one room at a time.
We hope this issue inspires you to think differently about design. Sustainability isn't just a trend, it's a way of living with intention and creating a positive impact.
Happy reading!
ANDREW LEVINE Brand Marketing Manager andrew@m-geough.com
&Sustainable Stylish
WWW.PHOENIXDAY.COM
PRESIDENT | CREATIVE DIRECTOR
ERIC HAYDEL
BRAND MARKETING MANAGER
ANDREW LEVINE
CONTRIBUTING WRITERS
HALEY ABRAM
COPY EDITOR
SUSAN M-GEOUGH
CONTRIBUTING PHOTOGRAPHERS & DESIGNERS
HALEY ABRAM
SUSIE ATKINSON
ALDOUS BERTRAM
HENRY BOURNE
MEGHAN CARNEY
CERNO GROUP
DANI LEATHER
THE FOOD PROJECT
VEERE GRENNEY
SCOTT KEARNAN
KARIN LIDBECK-BRENT
MAYA ROMANOFF
READ MCKENDREE
KATIE ROSENFELD & COMPANY
SINGULART
M | G TEAM
PRESIDENT | CREATIVE DIRECTOR
ERIC HAYDEL
ERIC@M-GEOUGH.COM
VICE PRESIDENT
SUSAN M-GEOUGH
SUSAN@M-GEOUGH.COM
O Hara Studio .
SENIOR SALES | FURNITURE & LIGHTING
MICHAEL REBOLO
MICHAEL@M-GEOUGH.COM
SENIOR SALES | FABRICS & WALLCOVERING
KRISTINA EICHOLZER
FABRICS @M-GEOUGH.COM
SENIOR SALES | CONTRACT
STACEY WHITE STACEY @M-GEOUGH.COM
BRAND MARKETING MANAGER ANDREW LEVINE ANDREW@M-GEOUGH.COM
EXECUTIVE ASSISTANT | OFFICE MANAGER
KELLY SHORT ADMIN @M-GEOUGH.COM
FABRICS & WALLCOVERING
REANNA MARTH FABRICS @M-GEOUGH.COM
CHAIR OF THE BOARD
JIM M-GEOUGH JIM@M-GEOUGH.COM
SUBSCRIPTION CUSTOMER SERVICE INFO@M-GEOUGH.COM
ADVERTISING SALES INFO@M-GEOUGH.COM
CONTACT THE EDITOR
If you have comments or suggestions of products you would like to see, please contact: INFO@M-GEOUGH.COM
His favorite dog house to nap in: Dog House by Mulligan's
His favorite table to stand on: Calligraphy Coffee Table by Jasper
His favorite chair to sit in: Louis XIII Muttonbone Lounge Chair by Minton-Spidell
Jim & Susan M-Geough
Boston Design Week
2024 Lifetime Achievement Award Recipients
PROFILES
Mulligans handcrafts each piece made to order right here in SoCal and can be customized in terms in design, dimensions and finish.
Mulligan’s is one of the last companies in the USA that produces handcrafted wicker furniture. Our wicker is made to last generations.
Check out our:
Mulligans handcrafts each piece made to order right here in SoCal and can be customized in terms in design, dimensions and finish.
Mulligans handcrafts each piece made to order right here in SoCal and can be customized in terms in design, dimensions and finish.
Mulligan’s is one of the last companies in the USA that produces handcrafted wicker furniture. Our wicker is made to last generations.
Mulligan’s is one of the last companies in the USA that produces handcrafted wicker furniture. Our wicker is made to last generations.
Check out our:
Wakefield Coffee Table
Check out our:
Newport Wicker Chair
Wakefield Coffee Table
Wakefield Coffee Table
Newport Wicker Chair
Beaufort Pedestal
Savannah Wicker Dining Chair
CCerno - verb (Latin)
1. To resolve, distinguish, decide, sift, determine, to perceive.
CERNO GROUP
WELCOME OUR 3 NEW LIGHTING PART NERS
CERNO
We started Cerno because we love to design and build things. Our passion for design and manufacturing is fueled by a shared belief in the infinite power of human creativity. We believe that each finished product that we produce is a celebration of the inventive minds and industrious hands that brought it to life. The process of taking an intangible concept and developing it into a fully resolved finished light fixture is intoxicating. One could liken it to an artist’s final stroke to complete a painting or a mechanic repairing the seemingly irreparable. It’s this visceral sense of accomplishment that inspires us to continue designing and building things.
Cerno is a family, friendship and homage to our pasts. Twenty-five years ago we were kids growing up in Laguna Beach, California. Our
values are inevitably a product of our heritage. Laguna Beach’s creative culture and its natural environment played a significant role in shaping the professional and aesthetic ideals that guide Cerno today. Believing that something that does not exist can exist, is the most important step in the creative process. Growing up we saw this phenomenon proven time and time again by our parents, grandparents and friends. Although we attribute our drive and influences to different sources, Daniel’s late grandfather, Steve, influenced all of us. Steve grew up on an extremely rural homestead where the existence of most objects depended on people’s ability to create and fix them. For all of his 101 years he embodied the saying “where there’s a will there’s a way,” and today we share this mentality with the rest of the Cerno team.
SIEMON & SALAZAR
Caleb Siemon grew up surrounded by a family of artists and designers. His early immersion in the arts led him to take a glass-blowing class in high school; he was hooked. He honed his glass blowing at the Rhode Island School of Design (RISD). After school, he apprenticed in Murano, Italy, under master glass blower and sculptor Pino Signoretto. After a transformative experience working in Murano for a few years, in 1999, Caleb returned home to California to open his own studio. Quickly, he realized he needed help and called Carmen Salazar, a good friend from RISD and a skilled sculptor and designer. While building their studio and brand, they fell in love and married a few years later.
A friendship, love story, and obsession with glass, art, and design is where the Siemon and Salazar adventure begins.
Carmen Salazar grew up outside Washington, DC. Her parents were not artists; they were involved in the sciences and engineering. However, her folks instilled a love and appreciation for the arts early in childhood by taking Carmen and her siblings to every museum and show that came through DC. At RISD, while exploring architecture, photography, and sculpture, she too fell in love with the art and process of glass blowing. Carmen also continued her education after founding Siemon & Salazar and received a Master’s Degree in Architecture from SCI-Arc.
After ten years of creating a collection of artisanal vessels, in 2009, they launched their first line of hand-blown glass lighting. 2009 is also when they fatefully met the founders of Cerno, who had recently started a lighting company. Over the next decade, both Cerno and Siemon & Salazar evolved and grew. In 2022, Caleb, Carmen, Bret, Daniel, and Nick started exploring collaborating more, and those conversations turned into the two companies teaming up and Cerno acquiring Siemon and Salazar.
At Cerno's headquarters, with Caleb leading the design effort, we built out an Italian inspired glass studio, which is where all of our glass is blown today by Caleb, Carmen, and a team of skilled glass blowers that have been on the part of our story for a long time.
REVELITE
When Herb Seymour, artist, collector and inventor, decided to illuminate his prestigious collection of works from California Plein Air painters, he became frustrated with the ineffectiveness of available art lighting. After purchasing and testing numerous styles, the inventor took control and set to work to solve the problem. When an introduction between Mr. Seymour and the founders of Cerno was made, the brand Revelite was born that would realize Mr. Seymour’s vision with today’s technology.
Cerno assembled a team of mechanical, electrical, optical and industrial design engineers to hone Mr. Seymour’s initial concept. Armed with a comprehensive understanding of what the solution must achieve, even illumination and high color accuracy from a luminaire that virtually disappears, the team developed and patented a revolutionary Art Light. No other art light on the market has two independently aimable and dimmable light modules that are calibrated specifically to an artwork’s dimensions. There is something poetic about illuminating old world masters with state of the art technology. Art revealed with science.
Revelite is the art and display lighting division of Cerno. Nick Sheridan, Dan Wacholder and Bret Englander began Cerno with a passion to design and build, thriving on taking intangible concepts and developing them into fully resolved luminaires. Childhood friends, the founders grew up in Laguna Beach, California, experiencing a creative culture and natural environment that played a significant role in shaping the professional and aesthetic ideals that guide Cerno today. The art colony of Laguna Beach, home to early California Impressionists, imparted an appreciation for art and artists fitting for the formation of Revelite.
DESIGN HARMONY
DESIGN HARMONY
SUSTAINABILITY
SUSTAINABILITY
Cerno’s Founders have a friendship dating back to when the three of them were young kids. Their bond was rooted in a passion for being outside and enjoying nature. They also shared a passion back then and now for building things. They believe that sustainability is not just about what is best for the environment but a moral obligation to respect nature and the raw materials it provides. It’s also smart business.
VERTICAL MANUFACTURING
Cerno is a vertically integrated manufacturer. We are in control of our entire process and get to constantly improve and refine how we make things and strive to do it in the most sustainable way possible.
BUILT TO LAST
There are many different layers to sustainability. However, we believe that the most sustainable aspect of our process is building products to last a lifetime. We are fundamentally opposed to the idea that everything we consume is disposable. We strive to make light fixtures to endure years of use and designs that will aesthetically pass the test of time.
SERVICEABILITY
We design our lights to be serviceable for the life of the product. Should something go wrong we guarantee that we will fix any light that we have made. We are committed to keeping these lights out of a landfill.
We support people that want to fix items themselves.
MATERIAL YIELD
We constantly work to get the highest material yield possible, limiting waste. Examples of this include using CNC technology to maximize yield on all our CNC routers and lasers.
During the design process, we talk about material yield; if reducing something by 1” in length will increase material yield by 100%, we consider this.
We design products to take
advantage of our drop and extra material. For example, the Plura family is often made from drop material from other fixtures that we make.
We do not overbuild things. Other companies often use extra material to bulk up a design to increase weight and perceived value. This practice goes against our commitment to clean, modern design, and we always try to use the right amount of material to resolve our designs without using more material than necessary.
RECYCLE
We recycle all of our metal and plastics that we do not use.
BUY AMERICAN ACT COMPLIANT
All Cerno products (including Revelite and Siemon & Salazar) are manufactured and assembled in our factory in Aliso Viejo, California, and meet the requirements of the Buy American Act (BAA).
“Buy American Act Compliant” is a badge Cerno and our entire team wears proudly. Cerno, Revelite, and Siemon & Salazar’s compliance is the by-product of doing what we love; designing and making things. We are a vertical manufacturer with raw materials coming into our factory and finished products going out. America’s rich heritage of skilled craftspeople making some of the best products in the world has always been a source of inspiration for us, and we are dedicated to continuing this tradition.
SOLAR POWERED
Cerno installed a solar power system that now powers our facility and returns excess energy to the grid.
PLANTING TREES
Cerno’s team has planted hundreds of trees locally to help restore a local aqueduct that helps naturally filter
rainwater that ultimately ends up in the ocean in our hometown of Laguna beach.
GIVE AWAY
We give away nearly all of the lumber we cannot use to local craftsmen.
DONATION
We donate a portion of our profits to the Conservation Fund and other like-minded organizations that helps preserve our natural resources and advocates for responsible farming.
CLICK HERE TO VIEW video about the Laguna Canyon Foundation working with Cerno to clean up the pollution build up over the last 40 years and restore the wildlife and wetlands of Eliso Creek, CA.
ORIGAMI CHEST
DANI LEATHER
A passion for quality, innovation and an intense respect for people, animals and the environment. Since 1950, DANI has recognized and distinguished itself for its way of being, thinking and working.
DANI has chosen to be a sustainable company, acknowledging social and environmental responsibility as the principles that guide its business actions.
The ethical and strategic value of socio-environmental responsibility is reflected in research, innovation, inclusion and redistribution projects, reported annually in the “Sustainability Report”.
DANI LEATHER BACK TO THE ORIGIN, FORWARD TO THE FUTURE
QUALITY IS RESPECT FOR MATTER, MAN AND THE ENVIRONMENT
Every week Dani processes 30,000 fresh and salted hides to shape the most creative and daring ideas of stylists and designers, embellish the interiors of the most prestigious cars and give comfort and warmth to homes all over the world.
Not only aesthetics but also reliability. To give life to products that last over time, DANI’s care starts from raw
material sourcing and continues with scrupulous quality controls along the entire production chain.
Every day striving to improve for the good of all of us, combining its production processes with sustainable solutions, to do its part and accomplish a challenge, that of taking care of the planet, of its resources and future generations.
The numbers, system and product certifications issued by independent third-party organizations tell this story that makes DANI the first transparent, responsible and credible tannery in the world.
With its two business units, DANI Automotive and DANI Home Style and Fashion, the company meets the requirements of a wide range of sectors. Production is full-cycle and takes place in-house, guaranteeing the control, quality and reliability of products and production processes. With its two plants dedicated to operations (cutting, stitching, various customizations), the company offers a broad service that supports the biggest brands in leather processing.
Tanning production is based on the recovery of a by-product, bovine leather, from the food chain. The ultimate goal is to transform it into a raw material for manufacturers of premium materials. However, in one of the early stages of hide processing, the stage of traditional hair removal, there is a considerable use of environmentally impactful chemicals. It is in these stages that DANI's R&D has focused on improving, in a revolutionary way, the chemical technology aspect of the process, replacing the products normally used with others of lower environmental impact. At times even eliminating some of these products.
A NEW PRODUCTION PHILOSOPHY FOR A GREEN REVOLUTION
We believe that our customers' trust is gained and strengthened not only by what we do, but by how we do it. What are DANI's choices that revolutionize these processes and pathways? We have eliminated sulfides, replacing them with a much less impactful product, hydrogen peroxide. Hydrated lime has been replaced by another alkalizer that has a product LCA with significantly better characteristics. All surfactants normally present in these two phases are eliminated and replaced, improving the purification phase and the specific characteristics on the processed leathers.
THESE CHOICES RESULT IN GREAT ADVANTAGES
The elimination of the unpleasant odor, from the hair removal operation, significantly decreases and at the end of the process, highlights, the characteristic scent of real leather. After the oxidation process, the leathers appear perfectly and completely clean,
Freya Large Clear Quartz Pulls
BACK TO THE ORIGIN, FORWARD TO THE FUTURE
resulting in better dyeability. The lower presence of sulfates and CO2 in wastewater greatly simplifies the purification process waste water. As the water no longer contains sulfides, the crust, fleshings, and pezzamino become more easily processed into reusable by-products. By eliminating hydrated lime, in which production releases CO2, we improve the environmental impact. Finally, this new process production philosophy also allows important water savings ranging from 20% to 30%. "Back to the origin" is a great new milestone in our philosophy, based on
the desire and courage to always challenge ourselves to what’s best for the people and the planet.
FROM WASTE WATER TO OLIVAE LEATHER
Italy is one of the largest global producers of leather and olive oil: their combination creates a sustainable novelty. The Olivae collection was born out of the Olive Mill Wastewaters (OMW): a double example of circularity within the food chain.
A NEW GENERATION OF SUSTAINABLE LEATHERS 100% MADE IN ITALY
Olivae leather exploits the natural tanning properties of olives, thanks to the virtuous recovery, waste is generated in abundance by the olive mills during pressing.
This innovative bio-based technology from renewable sources offers sustainable chrome- and glutaraldehyde-free, high-performance leathers with a wide variety of textures, finishes and colours.
GUARANTEE OF TRANSPARENCY FOR THE MARKET
The European Union has definitively approved the new directive on the communication of sustainability by companies, requiring detailed, consistent and transparent information. A communication line that is part of DANI’s DNA: "sustainability has always been a core value for every business decision, the foundation of all improvements in the production field."
TRACEABILITY OF THE SUPPLY CHAIN OF RAW HIDES
Traceability refers to the ability to monitor and verify the origin of the raw material all the way to the finished product, with the intent of ensuring the sustainable origin of the raw hides, in accordance with ethical and environmental standards.
This verification, in addition to proving an intentional and ethical purchase of raw hides from areas that are not at risk of deforestation, also allows us to know that the animals have lived respectfully and achieved compliance with international standards and regulations. This involves accurate recording of information regarding where the animals came from, the conditions under which they were raised, and the general treatment they received.
As a guarantee of compliance with these conditions, DANI has obtained and continues to maintain TS SC 410 "Raw Material Traceability for all hides" certification and the "Animal Welfare Risk" analysis tool, verified by the ICEC certifying body.
They verify the countries of origin of the slaughterhouses and farms where the raw hides and skins come from.
Thanks to internal reworking on the purchase value of hides and skins related to 2023, this map guarantees and reinforces our commitment.
2022 SUSTAINABILITY REPORT
The document summarizes DANI's achievements and projects undertaken in the past year related to sustainable development. It emphasizes respect for people, the planet, and prosperity.
The report highlights a global challenge that is
intensifying and serves as a springboard for reflection. It prompts readers to consider their contributions towards building a better world and ensuring everyone has the opportunity for environmental, social, and economic sustainability.
DANI's commitment to a circular economy model is underscored. This model prioritizes low CO2 emissions,
byproduct recovery, resource efficiency, climate change resilience, addressing inequality, and initiatives supporting youth and developing societies.
The report emphasizes the need for a multidimensional approach to tackle economic, environmental, and social inequalities in pursuit of truly sustainable, balanced, and inclusive development. This approach requires a broad set of instruments, including budgetary policies and various structural investments.
VISIT OUR MINI-SITE DEDICATED TO OUR 2022 SUSTAINABILITY REPORT HERE.
Clementine, Sea Blue
Araminta, Garnet
Interiors by
Susie Atkinson
Quarante
Chairs upholstered in Cascade Feather | Cushions
(left to right) upholstered in Fresco Chia, Cascade Petal, Fresco Peppercorn | Mauve Taupe & White Herringbone Merino Wool Throw
This extraordinary milestone stands as a testament to Maya Romanoff's 55 years of unwavering commitment to unparalleled craftsmanship, innovation, and artistic brilliance within the realm of interior design. Renowned for its meticulous preservation and exhibition of decorative arts, the Musee des Arts Décoratifs has meticulously curated Maya Romanoff's collections, showcasing the zenith of timeless elegance, sophistication, and sustainability to a global audience
in the design world, this is the ultimate recognition."
Nestled within the prestigious halls of the Musée des Arts Décoratifs lies a testament to enduring creativity and innovation: Maya Romanoff's illustrious presence in its permanent collection. Evoking a symphony of opulence and sophistication, Maya Romanoff stands as a vanguard in the realm of luxury interior design, reshaping conventional notions with its avant-garde approach to materials, craftsmanship, and aesthetics.
Each creation is a masterpiece, meticulously crafted to transcend mere wallcoverings, becoming veritable works of art that captivate the senses and elevate the ambiance of any space. With a legacy spanning over half a century, Maya Romanoff's inclusion in the Musée des Arts Décoratifs pays homage to its unwavering dedication to pushing boundaries, inspiring awe and reverence among designers and art aficionados worldwide.
1, 6, 7 - Mother of Pearl Aphrodite - Tiles of Genuine Seashell
4, 8, 9 - Flexi Mother of Pearl - Tiles of Genuine Seashell
ILLUMINATING IDEAS
LIVEN UP YOUR SPACE WITH A STATEMENT CHANDELIER OR PENDANT! Our collection features a variety of modern, coastal, and mid-century inspired designs to match your style. Just like the perfect accessory, a chandelier or pendant can elevate your space and add a touch of personality.
FIND A LIGHTING FIXTURE THAT REFLECTS YOUR TASTE AND CREATES A LASTING IMPRESSION. We are confident you'll find the perfect piece (or a few) to brighten your home.
Cerno
Gaviota
Cerno
Capistrano
Siemon & Salazar
Happy Large Clear
Siemon & Salazar
Happy Large Opaline
Siemon & Salazar
Happy Large Amber
Boyd Lighting
Lily Pendant 5
McLain Wiesand
Marguerite Lantern
Grag Studios
Stem Mount Uplight - 3714.31
Matthew Studio Parker
Grag Studios
Stem Mount Uplight - 3712.25
McLain Wiesand Yves Chandelier
McLain Wiesand
3-Sided Marie Lantern
Siemon & Salazar
Banded Stone Pendant
Siemon & Salazar
Banded Aqua Pendant
Siemon & Salazar
Banded Borrego Pendant
BIRD CAGE WALK WALLPAPER
PRISCILLA”WALLPAPER
A BOOK IN REVIEW ALDOUS BERTRAM
ALDOUS BERTRAM IS A FULL SERVICE
RESIDENTIAL INTERIOR DESIGN FIRM BASED IN CHARLESTON, SC
1. The imitation or evocation of Chinese motifs and techniques in Western art, furniture, and architecture, especially in the 18th century. [Definition from Oxford Languages]
DRAGONS & PAGODAS
A CELEBRATION OF CHINOISERI E
A gorgeously illustrated survey of chinoiserie from the 18th century to today
They say you can’t judge a book by its cover, but in the case of Dragons & Pagodas: A Celebration of Chinoiserie, it would be a most appropriate thing to do! Written and illustrated by art historian Aldous Bertram, the beautiful watercolor on the front cover provides
a hint of the fantastical exploration of chinoiserie that awaits discovery inside.
“My primary aim is to celebrate the historical depth and staggering range of a style that is sometimes misunderstood as frivolous or peripheral,” Bertram explains in the Preface. “Furthermore, I hope to show that the passion
A collection of antique European and Chinese porcelain and faience is displayed around the walls of the porcelain room of Andrew Gn’s Paris Apartment
The Chinese Room in Claydon House, designed in 1769
of an
A perfect example
18th century chinoiserie bedroom, complete with hand painted wallpaper. The furniture are copies of Chinese furniture by William and John Linnell.
for chinoiserie is alive and well in the twentyfirst century, frequently starring in freshly iconic interiors across the fashion and design worlds.”
Dragons & Pagodas explores the fascinating history of chinoiserie, a cultural phenomenon that first swept across Europe and America in the seventeenth and eighteenth centuries,
revolutionizing taste and creating a new decorating style that has remained unwavering in popularity to this day. The scarcity of firsthand knowledge left Europeans to develop their own ideas of what they imagined China to be like, and the sensational account of Marco Polo’s twelfth-century visit to the East largely set the tone. Colorful, charming, and whimsical imagery
A display of Chinese export porcelain at Alvøen Manor, Norway
depicting China as an enchanted and exotic world of fantasy emerged, igniting a mania that has raged for three centuries. “… the chinoiserie flame has at various times flickered and flared, but it has proved far too pretty and peculiar to be forgotten for long,” writes Bertram.
Dragons & Pagodas is organized by theme, including porcelain, color and pattern, flora, fauna, and architecture. Each chapter is bursting with images ranging from grand European summer palaces and whimsical pagoda follies to charming details of screens, porcelain figurines, and ornate plasterwork. Complete with Bertram’s own chinoiserie-inspired watercolors and collages,
Dragons & Pagodas is an irresistible confection and an example of chinoiserie in its own right.
Today we are taking a sneak peek! Chinoiserie was born of the rare flashes of otherworldly Eastern beauty that escaped the shroud of mystery surrounding China in centuries past. It wasn’t until I set out on the journey toward a PhD at Cambridge University that I realized all the things I loved fell under the umbrella of chinoiserie. While studying the influence of China on English garden design and architecture in the eighteenth century, I had a very clear vision of what a beautiful and exciting book the subject would make. Welcome to Dragons & Pagodas.
Wicker pagodas for Amanda Lindroth’s tabletop collection, designed by Bertram
Chinoiserie murals in the Palm Beach apartment of Amanda Lindroth, painted by Bertram in 2015. Inspired by The Chinese Room at Claydon House. (Full tour HERE)
The Chinese porcelain displayed in Andrew Gn’s Paris salon is from the Transitional and Khang Hy periods
Watercolor by Aldous Bertram
I feel lucky to have grown up visiting stately English country houses, developing a taste for classic English decorating, in which chinoiserie items are as natural and expected as paneled walls and Robert Adam fireplaces. No great house is without a collection of blue-and-white vases, a lacquer cabinet, one or two rooms of floral Chinese wallpaper, a Chippendale chair with an Indian chintz cushion, and an ivory pagoda. The same can be said of the great American houses where elegant Georgian traditions with all their chinoiserie trimmings are constantly reinvented. But it is the royal palaces of Europe, where kings and queens of many generations reveled in chinoiserie on a truly extravagant scale, that really bring magic to these pages.
The invention and development of what rapidly became a wildly popular fashion forms the focus of the first chapter, followed by an exploration of the key themes that together make up chinoiserie. Porcelain and lacquer, birds and flowers, palm trees and pineapples, dragons and pagodas: these are just some of the ingredients of this fantastic decorative style, each with its own story to tell.
I have strived to present at least a taste of all the greatest creations in the chinoiserie genre exotic visions of China that are sometimes distant in both place and time but all masterpieces of their kind. I am thrilled to include many of my own photographs throughout the book, shot on various pilgrimages to vast palaces,
dining room at Seend Manor, Wilshire (full tour HERE)
precarious pagodas, and dream-like pavilions. Also on display are watercolors that I painted in homage to the inspired and delicate designs of eighteenthcentury illustrators.
My primary aim is to celebrate the historical depth and staggering range of a style that is sometimes misunderstood as frivolous or peripheral. Furthermore, I hope to show that the passion for chinoiserie is alive and well in the twentyfirst century, frequently starring in freshly iconic
interiors across the fashion and design worlds. Finally, Dragons & Pagodas endeavors to provide a visual feast that may inspire new converts to the seductive world of chinoiserie.
This is absolutely a book you will want to add to your library and gift this holiday season! Dragons & Pagodas: A Celebration of Chinoiserie was published by Vendome and is available for purchase HERE. You can learn more about Aldous Bertram and purchase his artwork via his WEBSITE.
Image on Left - Vogue, September 15, 1972
– In the New York City home of Françoise and Oscar de la Renta
Chinese wallpaper panels seen in the Paris apartment of Pierre Bergé. They were previously installed in the iconic Palm Beach salon of Mona von Bismark.
by Casey Kaplan
Rama Table
Rama is Indonesian for Butterfly - this intricate design is comprised of individually hand-welded aluminum butterflies that are finished in Silver Leaf, Platinum Leaf or Gold Leaf finish.
Empowering Artists, Redefining Art Commerce
In today’s interconnected world, where art enthusiasts seek platforms that embody values of diversity and accessibility, SINGULART emerges as an innovator in the art market. As the leading online art gallery, SINGULART transcends traditional boundaries, connecting artists with collectors, no matter where they are in the world. Founded with a vision to democratize the art market and empower artists from diverse backgrounds, the online gallery has catalyzed a revolution in how art is accessed, appreciated, and acquired.
“We saw an opportunity in the art market, identifying that many artists are not well established digitally. Thanks to SINGULART, we have created a global platform that artists might not have with traditional galleries, as well as creating an international market for art lovers all over the world.”
- Véra Kempf, Co-founder of SINGULART
In 2017, Vera Kempf, Brice Lecompte, and Denis Fayolle founded SINGULART, the online art gallery. With a mission to provide global visibility for artists in a landscape dominated by traditional players, SINGULART dared to disrupt. By 2021, it made history by securing the largest amount ever recorded in the arts sector, expanding its reach to the US, resulting in a thriving brand with a dedicated community of art creators and more than £100m in sales.
The online art gallery fosters a global community of artists, art lovers, and collectors. Showcasing more than 9000 artists from 146 countries, they draw millions of art enthusiasts to the site each month and have evolved beyond a traditional gallery; it acts as an artistic ecosystem - connecting creators and collectors from around the world.
Artwork: Self
Portrait of 2021 by Amanda Flowers by Kate Wilson
Empowering Artists, Redefining Art Commerce
In 2022, SINGULART took industry-leading steps to measure its environmental impact, focusing on understanding and reducing its carbon footprint. The online art gallery worked with experts to assess its carbon emissions, aiming to formulate a clear action plan to reduce its environmental impact. The brand is committed to implementing strategies particularly focusing on reducing emissions related to freight by allowing art enthusiasts to search and discover artworks in regions closest to them.
Moreover, SINGULART recognizes that true sustainability extends beyond environmental stewardship; it encompasses social responsibility as well.
In a world where marginalized voices often struggle for representation, SINGULART actively promotes diversity and inclusion within the art community. By showcasing artists from diverse cultural backgrounds, genders, and identities, they foster a rich tapestry of perspectives that celebrates the beauty of art in all its forms.
“I wanted to build a company that emphasizes equal opportunities to all. SINGULART empowers artists and gives them equal possibilities, no matter where they come from. It's a joy to see how disruptive our artists are. The freedom they have to express whatever they want or have to say is inspiring.” - Brice Lecompte, Co-founder of SINGULART
For Ta Byrne, a journey that began in the rice fields in Thailand eventually led to a flourishing career as an artist. In her own words, Byrne reflects on her remarkable journey as an artist on SINGULART:
“I left school at 12 to work in the rice fields. At 13, I worked in a sweat factory in Bangkok making shirts. At 14, I drove a pick-up truck seven days a week, 14 hours a day, selling vegetables. At 22, I had my own business selling pickup trucks. It was pure chance that a cheeky little drawing I did later in life changed my life forever and got me into art. My work is hanging on walls in 66 countries, thanks to SINGULART and the team, including the store in Stuttgart, where I’m delighted to showcase my work.” Ta Byrne, Thailand
The platform's dedication to diversity, equality, and inclusion permeates every facet of its operations. Recognizing the historically exclusionary nature of the art world, it has taken proactive steps to dismantle barriers and amplify underrepresented voices. Through targeted initiatives and partnerships, it actively seeks out artists from marginalized communities, providing them with a stage to showcase their talent and share their stories with a global audience. By elevating diverse perspectives and narratives, SINGULART not only enriches the artistic landscape but also fosters a more equitable and inclusive society.
Artwork: Swimming Pink, Laredo by Gary Komarin
Artist Ta Byrne
Empowering Artists, Redefining Art Commerce
Images top left clockwise: Artwork: Life From Both Sides by Kris Gebhardt | Artwork: Good Vibes XVII by Katherine Evans | SINGULART C0-founders Véra Kempf and Brice Lecompte.
“Works created by women artists represent only 11% of museum collections in the United States. The art world has been predominantly male for centuries—women are still starkly underrepresented. At SINGULART, we are proud to report that 49% of the artists and designers we represent are women. ” - Véra Kempf, Co-founder of SINGULART
From celebrating artists of different ethnicities and cultural backgrounds to promoting gender equality and LGBTQ+ representation, the site embraces diversity in all its forms. By creating a space where all voices are heard and valued, artists are empowered to authentically express themselves and clients are encouraged to engage with art in a more meaningful and inclusive way.
SINGULART recognizes that fostering diversity and inclusion is not only the right thing to do but also essential for driving innovation and creativity in the arts sector. Bringing together artists from diverse backgrounds has powered cross-cultural dialogue, collaboration, and the diffusion of groundbreaking artworks.
One of SINGULART's most compelling features is its global reach. Through its online platform, art lovers gain access to a vast array of artworks spanning continents. Whether seeking a fashion-inspired painting from a Parisian atelier or a serene landscape from a coastal village in Asia, the site offers an unparalleled selection. This offering not only enriches the art-buying experience but also fosters cross-cultural interaction and appreciation.
SINGULART serves as a bridge between artists and collectors. It unites them in a shared vision of artistic excellence and social responsibility and by leveraging technology, it has redefined the art-buying experience, making it more accessible, transparent, and inclusive than ever before.
“As the luxury design industries increasingly embrace sustainability and diversity as core values, SINGULART emerges as a natural partner for designers, architects, and luxury brands seeking to align with these principles. Their seasoned Art Consultants have many years of experience working with top luxury interior designers helping them curate a variety of artworks that fit all project types in the residential and commercial spaces”.
SINGULART’s consultants can help guide industry professional designers by educating them and their clients on the latest art market trends, providing confidence to new or seasoned art collectors when purchasing from their roster of artists.
Through its global reach, commitment to diversity, and dedication to cultural impact, SINGULART empowers artists, enriches communities, and inspires positive change. Navigating the complexities of today's world, SINGULART serves as a testament to the transformative power of art.
Bijou Ceiling Mounted Bar with Canopy
Two piece glass with gold edge. Flat black finish. Currently on display in the showroom!
COLOR TRENDS & THREADS
As we step into the fresh canvas of captivating new color trends, a world unfolds, poised to ignite sparks of creativity and invigorate design concepts.
Behr, Benjamin Moore, Glidden, and Sherwin Williams have released their 2024 colors of the year, unveiling a splendid spectrum of color that transports you to various natural landscapes,
encompassing tranquility, vibrancy, and limitless inspiration. M-Geough has put together some of our best fabrics and paired them with sustainable produce and flowers to match with the newly selected colors of the year.
The theme of the year seems to be uplifting and refreshing, and M-Geough is doing plenty of exactly that.
COLOR TRENDS & THREADS
Spring Selections for Sustainability
INSPIRED
by the 2024 Colors of the Year
Spring Selections for Sustainability
COLOR
Spring Selections for Sustainability
CLIMATE REPORT CARD
MASSACHUSETTS
Executive Agencies led by the Executive Office of Energy and Environmental Affairs (EEA) have assessed the Commonwealth’s progress in meeting its climate mandates and goals to achieve net zero greenhouse gas emissions and build resilience to climate change. Overall, Massachusetts has made significant progress and is well positioned for 2025, but a strong policy response to existing and emerging challenges will be needed to meet the Commonwealth’s ambitious 2030 targets.
The assessments in this report card outline both the progress and the emerging challenges in more detail as the Healey-Driscoll Administration hones in on implementing the 2025/2030 Clean Energy and Climate Plan (CECP) and its climate resilience and environmental justice goals. Each sector’s assessment includes a set of quantitative metrics that capture aspects of progress in the sector and were used as part of the rating process. Although greenhouse gas (GHG) emissions reductions are the primary yardstick by which climate mitigation progress is legally measured—and how compliance with the Commonwealth’s previous commitments is determined—estimates of Massachusetts’ total GHG emissions are published with an approximate two to threeyear lag due to data availability. In turn, other metrics can offer more real-time indicators of progress, which can provide valuable insight to determine where adjustments are needed to achieve future emissions limits and climate goals. The values shown below are taken from the latest available data.
The metrics in this report card capture important facets of each major sector contributing GHG emissions and advancing resilience and environmental justice. They are based on data that can be collected and tracked on a recurring basis to build an evolving picture over time. However, they often do not capture the whole picture. The effectiveness of efforts to make climate progress through policies and programs is often mediated by economic and other dynamics at the regional, national, and even global levels. The assessment therefore also considers broader challenges and efforts to meet the moment.
TARGETS
Where available, metrics are measured against targets, which are based on a future potential scenario for how the Commonwealth can meet its emissions limits and climate goals. For example, the actual number of EVs on the road in 2022 can be compared to the 2025/2030 CECP target of 60,000 EVs in 2022 and 200,000 on the road by 2025. It is important to note there are many possible paths to achieving our overall emissions limits. Targets are often derived from modeling that considers a range of such futures. Using its “phased” scenario modeling, the 2025/2030 and 2050 CECPs outline some targets that collectively represent one possible path that the Commonwealth can use to meet its emissions limits and climate goals. Some metrics do not have associated targets, as explained in the sector assessments. As policies evolve, individual targets may change or become less relevant. Such cases are discussed in the sector sections.
UNDERSTANDING THE DATA
Progress towards targets is often not linear. For instance, adoption of new technologies often follows an s-curve, where adoption is initially slow, accelerates as the technology becomes more widespread, and then slows again as it saturates the market. In this way, the past progress of a metric is not always indicative of future progress even when measured over the same length of time. The sector assessments take such dynamics into consideration, looking not only at individual target values for 2025 and 2030, but also at the broader pattern of how changes are anticipated to be made.
More broadly, the metrics for each sector are just one component in assessing climate progress. Generating a rating for each sector relies not only on numbers, but also on the expected evolution of programs and policies, the broader economic and technological landscape, and expert assessment of the most salient challenges and opportunities. The assessments and ratings presented below are a culmination of this multi-faceted process.
CHALLENGES AND MEETING THE MOMENT
Massachusetts’ climate goals are ambitious by design. Our clean energy and climate plans identify a path to Net Zero in which the sharpest emissions reductions will occur between 2025 and 2030. Further, the impacts of climate change are becoming more intense. As a result, significant action must happen now to mitigate and adapt to climate change.
The Healey-Driscoll Administration is rising to the challenge. The state is implementing key programs, launching new initiatives, and leveraging the unparalleled federal funding to achieve its climate goals. It is working with its regional partners to craft regional solutions. It is engaging with communities to empower local solutions. This report card summarizes the magnitude of the task while also inviting stakeholders into the solutions we are working to deploy.
This graphic presents a snapshot of Massachusetts’ gross GHG emissions in 2020. It also contains information on 2020 biogenic emissions and carbon removed by natural and working lands.
For more information on clean energy and climate data, please visit the clean energy & climate dashboard, CLICK HERE.
SUSTAINABLE FOOD SYSTEMS
The Food Project’s mission is to create a thoughtful and productive community of youth and adults from diverse backgrounds who work together to build a sustainable food system. Our community produces healthy food for residents of the city and suburbs, provides youth leadership opportunities, and inspires and supports others to create change in their own communities. The Food Project also operates a 'Builda-Garden' initiative to support low to moderate income households in Roxbury, Dorchester, and Mattapan and organizations who want to grow their own food. They provide you with: A raised-bed garden filled with healthy, safe soil, 12 free seedlings in May of your first year, free garden planning
and planting workshops, growing guide, ongoing support through drop-in open hours at the Dudley Greenhouse and an annual sale for gardeners to purchase high-quality seedlings, compost, and other supplies to keep our neighbors’ gardens growing.
In addition to farming outdoor land in the neighborhood on the West Cottage Street and Langdon Street Farms, since 2010, The Food Project has managed the lush 10,000-squarefoot Dudley Greenhouse in partnership with the Greenhouse Advisory Committee, an elected body of neighborhood residents. The Dudley Greenhouse was built by, and is owned by the Dudley Neighbors Land Trust. It was a project that came out of years of community organizing efforts led by The Dudley Street Neighborhood Association. Each year, 200 neighborhood residents and community groups grow produce in the greenhouse for the benefit of the Dudley neighborhood.
To learn more about The Food Project, please visit https://thefoodproject.org
Written
and photography by
Haley Abram
HIGH PERFORMANCE & COMMERCIAL GRADE FABRIC
TRAVEL
THE 17 BEST BRUNCH SPOTS IN BOSTON RIGHT NOW
Make the most of the weekend with chocolate-covered pancakes, breakfast pizzas, and much more. Behold a guide to restaurants across the city that dish out fabulous brunch menus, full of sweet and savory standouts that actually make it worthwhile to crawl out of bed. Your rewards include decadent doughnuts and breakfast pizzas, a drag queen-headlined “Disco Brunch” in Dorchester, and a Southie “Breakfast Test Kitchen” full of epicurean experiments.
1. Aquitaine
Bon matin! Rise, shine, and get thee to this French stalwart in the South End that’s just fancy enough to make weekend brunch feel like a bit of an occasion. What delicious delights did you wake up for? Omelettes with Lyonnaise potatoes, brioche French toast, malted Belgian waffles topped with Chantilly cream and berries, and moules-frites in a Sancerre wine-spiked broth with shallots and crème fraîche—that’s what. Très bon.. Saturdays and Sundays; 569 Tremont St., Boston, 617424-8577, aquitaineboston.com
2. Blend
This Dorchester hangout brings big gay-bar energy to its weekly “Disco Brunch,” when diva tunes get cranked to 11 and drag queens lip sync for their lives, or at the very least, to take home a little extra bacon. Speaking of, you’ll find plenty of sizzling strips—plus some hangover-curing eats (21+ French Toast, covered in maple bourbon syrup) and hangover-causing coffee cocktails (like the Fruity Pebbles Cold Brew, infused with breakfast cereal, vodka, and Irish cream). All the energy you need to cruise through the afternoon dance parties that follow. Sundays; 1310 Dorchester Ave., Boston, 617-265-8846, blenddorchester.com
3. Boston Chops
If the scent of a sizzling steak is what it takes to bait you out of bed on a weekend, be tempted by this beefy brunch menu. Besides the expected prime cuts, carnivores can find a steak and egg burrito with chipotle aioli and chimichurri dip; bowls of linguini bolognese loaded with veal, beef, and pancetta; and, yes, one hell of a burger. Add a Bloody Mary to the mix—as well as a giant, ice cream-topped sticky bun—then enjoy on the pleasant patio.
Sundays; 1375 Washington St., Boston, 617-227-5011, bostonchops.com
4. Brassica Kitchen + Café
This fantastic, funky, fermentation-forward Jamaica Plain cafe serves A-plus breakfast sandwiches on weekdays, including fried chicken on a biscuit with pickled jalapeños and a tamari hollandaise. On weekends, though, a fuller brunch menu ups the ante: the French toast is made with Brassica’s outstanding doughnuts, the cheesy eggs and rice are loaded up with shallots and chili sauce, and a list of kicky cocktails is available, including black tea spiked with Cynar, lemon, and honey. (The covered back patio is a big selling point, too.)
Saturdays and Sundays; 3710 Washington St., Jamaica Plain, 617-477-4519, brassicakitchen.com
5. Café Luna
Its name nods to the moon, but this Cambridge café actually earned its neighborhood-hangout rep for morning fare: both weekday breakfast spreads and a superpopular, wide-ranging brunch menu on weekends. The latter’s lineup includes signature omelets with fixings like fig, prosciutto, and goat cheese; double-thick Belgian waffles with lemon curd, lemon mascarpone, and blueberry compote; and a “surf and turf BLT” of steak and butter-poached lobster. FYI, lines get long, and reservations are very much recommended. Saturdays and Sundays; 612 Main St., Cambridge, 617-576-3400, cafeluna-centralsq.com
6. Cafe Sauvage
You know, it really says something when a brunch spot can get us out of bed without the promise of booze. Cafe Sauvage has charmed us that much, though, since opening last October. The pretty, youthful-feeling newcomer to Back Bay offers a contemporary French cafe menu with a slightly more multicultural lens: besides a croque madame and French onion soup, you’ll find a pork banh mi with sour pickles, nuoc cham, and vadouvan dijonnaisse; a fried chicken sandwich with spicy harissa sauce; and thirst-quenching glasses of bissap, a traditional African hibiscus juice. Mimosa? Don’t know her, or need her here.
Saturdays and Sundays; 25 Massachusetts. Ave., Boston, 857-277-0075, cafesauvage.com
7. Citrus & Salt
Between his contestant-mentor gig on Hell’s Kitchen and restaurant-rehabbing work on Bar Rescue, you’ve probably seen blue-haired chef Jason Santos on your TV. Maybe you’ll spot him in the kitchen during weekend brunch service at Citrus & Salt, his colorful, coastal-inspired cantina. Either way, it’s worth showing up just for the Mexican chocolate French toast with bananamango salsa; blue corn and tequila waffles paired with fried chicken, jalapeño-BBQ syrup, and watermelon salsa; and soft-serve mimosas. They’re all stars in their own right.
Saturdays and Sundays; 142 Berkeley St., Back Bay, Boston, 833-324-8787, citrusandsaltboston. com
8. Darryl’s Corner Bar & Kitchen
Live music is a brunch-time tradition at this hallowed South End street-corner spot, which is beloved for its Southern-style comfort food and history of hosting fantastic jazz bands. Here, toes tap under the table while forks up top dig into the fixings from an all-you-can-eat brunch buffet: we’re talking catfish cheddar grits, Cajun home fries, candied yams, BBQ ribs, and more. Sounds like heaven to us!
Come for the kitschy, colorful interior, covered in vintage bric-a-brac and parlaying a campy spin on a 1950s-suburban-kitchen aesthetic. Stay for the all-day breakfast grub, which seems like the work of a stoned Suzy Homemaker: Chocolate ganache-stuffed French toast with a cheesecake glaze; hot bowls of spicy Buffalo mac ‘n’ cheese; and toasted, powdered sugar-dusted doughnuts that are used to sandwich scrambled eggs and sausage. This quirky, New Hampshire-founded brand has local outposts in Boston’s Back Bay as well as a few local ‘burbs.
Open daily; Multiple locations, thefriendlytoast. com
10. Grana
Grana is grand—starting with the elegant, sweeping interior inside the Financial District’s Langham hotel, which used to be the Federal Reserve Bank of Boston. The spot certainly looks like a place where out-of-towners on business trips might wheel and deal over the weekend, but it’s also a lovely setting for the rest of us to wear something freshly ironed and feast on Italian-leaning standouts, such as zucchini bread French toast with mascarpone icing and sour cherry syrup, or an oversized meatball with fried spaghetti. What to really go big? Opt for the threecourse brunch prix fixe with a family-style finish of assorted Italian cookies and pastries.
Saturdays and Sundays; 250 Franklin St., Boston, 617-956-8765, langhamhotels.com
CALVIN FABRICS
This venerable, decades-spanning stalwart in Harvard Square, which happens to have one of the best patios around, remains a fine-dining favorite in a trendingcasual industry. It’s the kind of place that is excellent for entertaining the in-laws over mignonette-dabbed oysters or boards bearing local cheeses; waffles topped with fried chicken, decadent foie gras butter and wild apple purée; and one hell of a steak and eggs plate. Don’t relegate Harvest to special occasions, though. It’s fine, but not fussy—and the pastries from chef Josh Livsey, a finalist from the Food Network’s Holiday Baking Championship, are a thing to behold. (Hibiscus pavlova, anyone?)
Saturdays and Sundays; 44 Brattle St., Cambridge, 617-868-2255, harvestcambridge.com
Once upon a time, “going Greek” on a weekend meant hitting up a frat party. Now, though, we’re older, wiser, and much more inclined to rush the brunch service at Krasi, a hot Hellenic restaurant in the Back Bay. Instead of cold pizza, we’ll find baklava muffins, savory pita pies, and lalagites, or lemon-mizithra-filled fried pancakes; and instead of kegs of cheap beer, it’s all about the country’s largest list of all-Greek wines and cocktails like the Bloody Mitsos, a Mary-inspired mix that uses mastiha liqueur, spicy feta-stuffed olives, and crispy chicken skins. (Digging that cocktail creativity? You’l love the Krasi crew’s new bar downstairs.) Saturdays and Sunday, 48 Gloucester St., 617-5360230, krasiboston.com
13. Lincoln Tavern & Restaurant
Weekday brunch? Say no more. In the era of increased telecommuting, this Best of Boston 2023 brunch winner offers a daily bright spot for anyone who might now be able to escape their desk for a quick dose of Fruity Pebble pancakes (soaked in cereal-milk anglaise, natch) or wood-fired pizzas topped with everything from Buffalo chicken to butternut squash. The weekend brunch menu is even more expansive, although it doesn’t come with quite the same side of hooky. Daily; 425 W Broadway, South Boston, 617-765-8636, lincolnsouthboston.com
14. Myers + Chang
Indecisive? Spread yourself thin with this Asian icon’s dim sum brunch menu. It offers a smattering of bites, from cold (papaya salad with peanuts and mint), to sweet (lemon-ginger mousse with a house made fortune cookie), to savory (braised pork belly buns with brandy hoisin)–plus wonderfully spongy bao, potsticker-style dumplings, and bowls of noodles. Restaurateur Joanne Chang’s Flour empire offers plenty of lovely morning pastries, but this is her spot where you can build a more substantive brunch-time meal. (And yes, brunch is served on Fridays and Saturdays, for those who like to kick the weekend off early.)
Fridays and Saturdays, 1145 Washington St., Boston, 617-542-5200, myersandchang.com
15. The Neighborhood
When you think of exciting, attention-grabbing brunch dishes, cream of wheat is probably not the first thing to come to mind. But the rich, warm bowls offered at this 1983-founded, family-owned Somerville stalwart are famous for a reason. Don’t believe us? You will soon. But the daytime-only operation offers plenty of other reasons to head over–from fabulous, fluffy pancakes to some Portuguese-American seafood specialties. The place is friendly, low on frills, and full of neighborhoodlegend charm.
The fancy-hotel-brunch is a genre that never loses its appeal, but you don’t need to book an overnight at the regal Fairmont Copley Plaza to reserve a seat at its swanky restaurant, where chocolate-glazed pancakes, smoked salmon pizza with crème fraîche and tobiko toppings, and a succulent Maine lobster roll tossed in roasted lemon and parsley aioli are all on the itinerary. The patio is postcard-pretty, too, so you’ll look fabulous snapping selfies while sipping cocktails like the Curious George, bourbon with vermouth and banana liqueur. Saturdays and Sundays; 138 St. James Ave., Boston, 617-585-7222, oaklongbarkitchen.com
17. Terra
The brunch-time garden party of your Back Bay dreams? You’ll find it at Terra, the rooftop restaurant at Eataly. Between the glass-enclosed, greenhouse-like interior and plant-filled patio, it’s exactly the kind of environment where you want to sip on a seasonal bellini (white vermouth, rosé lambrusco, and apple purée for spring) or eye-opening espresso martini variation (we like the Frangelico-splashed Women in Coffee, which supports small communities of plantation workers around the globe). Oh, and this garden has quite a grill, too—a wood-fired kitchen centerpiece that turns out porcini-rubbed strip steak for pairing with eggs, say. What a breath of fresh air.800 Boylston St., Boston, 617-807-7300, eataly.com
PEAKS TEXTILE & WALLPAPER
6 OUTDOOR PLACES YOU MUST SEE IN 2024
We’ve explored so many amazing spots this year, it was hard picking just 6, but these were definitely some of our absolute favorites.
ON VIEW IN THE SHOWROOM
1. Purgatory Chasm
198 Purgatory Rd, Sutton, MA
The chasm runs for a quarter mile between granite walls rising as high as 70 feet.
It’s believed to have its origin in the sudden release of dammed-up glacial meltwater near the end of the last Ice Age, approximately 14,000-19,000 years ago ��
2. Bass Hole Boardwalk Off Center Street, Yarmouth Port, MA
This quarter mile boardwalk extends out over the marsh. When the tide is out you walk over marshlands and can see crabs scurrying around, and when the tide is in you are walking over water. It is a hidden gem, and a beautiful spot for catching a sunrise or sunset.
3. Dinosaur Footprints Route 5, Holyoke, MA
You can see and touch real dinosaur footprint fossils from 200 million years ago at Dinosaur Footprints in Holyoke, MA!
This @thetrustees property features the first dinosaur prints ever scientifically described. Paleontologists believe the prints were left by some of the earliest known dinosaurs, from small plant-eaters to large meateaters up to 20 feet long..
4. New England Peace Pagoda 100 Cave Hill Rd, Leverett, MA
Built entirely by volunteer labor, the Peace Pagoda was inaugurated in 1985, and is one of only 80 Peace Pagoda’s worldwide.
The New England Peace Pagoda is a place for people of all faiths and backgrounds to come together in peace.
5. Spectacle Island
A Boston Harbor Island that is about 4 miles offshore. Take a 30-minute ferry ride from Long Wharf and enjoy a day hiking and swimming on the island with fantastic views of Boston.
6. Halibut Point State Park Gott Ave, Rockport, MA
An old granite quarry that butts up to the Rockport shoreline. The quarry is now filled with ground water, and has beautiful trails and exciting tidal pools in Halibut Point Reservation (another beautiful @
WELL TRAVELED
Old Bombay in Slate
Old Bombay in Azul
Old Bombay in Green
Old Bombay in Tangerine
Eric Haydel in collaboration with Waterhouse Wallhangings
SKETCH BOOK
PYRAMIDE DU LOUVRE & THE LOUVRE PALACE
The Pyramide du Louvre Palace was designed to divorce itself from the surrounding buildings while also employing low-iron glass to limit distorted views of the Louvre Palace.
The Louvre pyramid greets visitors by drawing them down to a central entry point before ascending into the museum’s 600,000 square feet of galleries and halls
OUR BOOKSHELF
Five Books Past and Present to Inspire
Your Seasonal Reading List
Bunny Williams: Life in the Garden
by Bunny Williams, Photographs by Annie Schlechter
This is Bunny Williams’ most ambitious book to date. Inviting us into her impressive grounds with charming personal anecdotes, expert advice, and hundreds of stunning photographs–printed on two different speciality stocks–Bunny Williams illustrates every aspect of the gardens surrounding her eighteenthcentury manor house in Northwestern Connecticut in different lights and seasons.
A popular stop on the Garden Conservancy circuit, Williams’ property boasts a parterre garden,year-round conservatory, extensive vegetable garden, orchard, woodlands, an aviary with exotic fowl, and a rustic poolside Greek Revival–style folly. Each section of the garden is accompanied by a directory of featured plants—from native ferns and succulents to a wide variety of flowering specimens.
Sustainable
Interior Design by
Chloe Bullock
Welcome to Your World: How the Built Environment Shapes Our Lives by
Sarah Williams Goldhagen
Taking us on a fascinating journey through some of the world’s best and worst landscapes, buildings, and cityscapes, Sarah Williams Goldhagen draws from recent research in cognitive neuroscience and psychology to demonstrate how people’s experiences of the places they build are central to their wellbeing, their physical health, their communal and social lives, and even their very sense of themselves. From this foundation, Goldhagen presents a powerful case that societies must use this knowledge to rethink what and how they build: the world needs betterdesigned, healthier environments that address the complex range of human individual and social needs.
The Architecture of Happiness by
Alain De Botton
What does it mean to be a sustainable interior designer? Where do you start? This book demystifies how to be a sustainable interior designer, both within practice and on design projects. It gives you the tools to educate clients that sustainable practice isn’t necessarily more expensive, and what the options available to them are in terms of design concept, materials and finishes. Importantly, the book also looks at sustainable supply chains, particularly important when specifying FF+E. Where to start being sustainable can be a difficult decision. Acting as a primer for interior designers at any stage of their career, it outlines what you really need – and don’t need – to know. Inspirational case studies from around the world sit alongside crucial guidance on the benefits of being sustainable and how to work with enlightened clients. There is information on how sustainable design contributes to health and wellbeing, all backed up by authoritative best practice guidance.
One of the great but often unmentioned causes of both happiness and misery is the quality of our environment: the kinds of walls, chairs, buildings, and streets that surround us. And yet a concern for architecture is too often described as frivolous, even self-indulgent. Alain de Botton starts from the idea that where we are heavily influences who we can be, and argues that it is architecture's task to stand as an eloquent reminder of our full potential.
Design A Healthy Home: 100 Ways to Transform Your Space for Physical & Mental Wellbeing
by Oliver Heath
Using the latest evidence and research in wellbeing and Biophilic Design, learn how to transform every space in your home to create a restorative and nurturing environment. Discover the many benefits of connecting to nature, maximizing natural light, improving air quality, and the right way to add color, texture, and pattern to create spaces that improve relaxation, recuperation, social connections, and sleep.
Top Five Reasons to Rebrand Your Company
Change is hard and WE as a design community are encouraged to lead the charge, set the example, and build our environments for the future. These changes are especially hard when it comes to changing the way we run our business practices. But it was once said, “be the change,” so here are three great ways to think about your business in a more sustainable way:
1
2
Build out a three-step plan. A simple and straightforward plan can help guide you and your team on a path to create healthy and happy business changes. If your company is enacting sustainability efforts for the first time, it’s a good idea to start with simple goals that can be met. These can help you build early momentum with your eco-friendliness.
Work and purchase with companies who source their own materials and tap talent within their communities. So much of our responsibility as designers is to champion new talent and keep our trades in business. Much like your business, these small businesses fuel and economy.
3
4
Charitable giving can be a crucial part of your sustainability strategy. For example, when your company donates unused items to the community, you prevent them from entering a landfill. Monetary charitable donations or team volunteering opportunities can also be part of your sustainability mission.
Recycle where you can, collaborate with other businesses who might be able to use your extras for their gain.
5 Finally, share office supplies and resources with fellow business or other design firms.
M|G EVENTS
NANTUCKET BY DESIGN
JULY 15 -18, 2024
NANTUCKET, MA
NEWPORT DESIGN WEEK
JULY 24 - 28, 2024
NEWPORT, RI
IIDA NE DESIGN AWARDS
SEPTEMBER 12, 2024, 5:30-8:00PM
SOWA POWER STATION | 550 HARRISON AVE, BOSTON, MA 02118
PORSCHE NORTH AMERICA ART EVENT
SEPTEMBER 17, 2024
BDC, ONE DESIGN CENTER PLACE BOSTON, MA 02210
FALL MARKET
OCTOBER 8 & 9, 2024, 9:00-5:00PM
BDC, ONE DESIGN CENTER PLACE BOSTON, MA 02210
NEW ENGLAND DESIGN HALL OF FAME PARTY
OCTOBER 9, 2024
BDC, ONE DESIGN CENTER PLACE BOSTON, MA 02210
HIGH POINT MARKET
OCTOBER 26 - 30, 2024
HIGH POINT MARKET AUTHORITY
164 SOUTH MAIN STREET, SUITE 700 HIGH POINT, NC 27260
26TH ANNUAL FASHION SHOW | IIDA
NOVEMBER 7, 2024, 6:00 - 11:00 PM ROADRUNNER
89 GUEST STREET, BOSTON, MA, 02135
BOUTIQUE DESIGN NEW YORK | BDNY
NOVEMBER 10-11, 2024
JAVITS CONVENTION CENTER
655 WEST 34TH STREET
MANHATTAN, NEW YORK CITY 10014
HOLIDAY STROLL
DECEMBER 3, 2024
BDC, ONE DESIGN CENTER PLACE BOSTON, MA 02210
BEST OF BOSTON HOME EVENT WITH BOSTON MAGAZINE
DECEMBER 5,, 2024
BDC, ONE DESIGN CENTER PLACE BOSTON, MA 02210
LEARN MORE ABOUT EVENTS JOIN OUR MAILING LIST HERE
