FABRICS & WALLPAPER (R-L - TOP/MIDDLE/BOTTOM) 1) Twigs Fabrics & Wallpaper: Botanical Ferns, Greens 2) DuFour Ltd: Imari, Smoke 3) Marvic: La Chasse, Pink 4) Waterhouse Wallhangings: LAF TSM-118 5) Maya Romanoff: Ajiro Burst of Happiness, Tailored Blue 6) Maya Romanoff: Beadazzled Leaf, Bianca Gold Leaf 7) Marvic: Les Oiseaux, Raspberry 8) Waterhouse Wallhangings & Eric Haydel: Far East, Navy 9) Bramalta: a selection of Hoffman & Clessidra fabrics
112
OUR BOOKSHELF:
Five books past and present to inspire your seasonal reading list
113 IN PRACTICE: Business Refresh
114 M|G EVENTS
115 ARCHIVEs
LINEN WRAPPED TABLES
WrappedSeasCoffeeTable
Barnum Table
A
s the days get longer, the sun is a bit brighter and Fridays become a part of our weekends, we welcome, SUMMER! With every edition of the magazine, we strive to provide an engaging and immersive experience that connects you with our brands, tells their stories and provides inspiration for long days to come. So, sit back, relax, and enjoy flipping through the pages of our fourth issue.
In late spring of 22’, I was fortunate to spend several hours in the New York showroom with design legend Dakota Jackson hearing about his soon-to-be released new collection. Dakota previewed his sketches on an iPad and walked through the construction process as if we were standing together in the factory. These few hours will forever be something that has altered my understanding of the furniture making process and how an idea becomes reality. Dakota, very soft spoken, has spent the last 50 years commanding attention with his “magical” designs. They often defy logic and appear to float in thin air…coming from a family of magicians, this should be of no surprise. We are thrilled to celebrate his accomplishments and the launch of his newest collection in this issue.
Jim, Susan, and I along with our team, are thrilled to continue to lead the conversation about the incredible quality and design integrity that is at the heart of our brands. We have made that the forefront of our company for the last 73 years; in the coming months we are excited to announce a few new partnerships along with the return of a curated collection of antiques and accessories. As we continue to push forward, we are always reminded that we have seen waves at different heights, but the ship is forever sailing forward.
Lots of new products coming to the floor and a couple new tricks are up our sleeve, but for now you rest…we will see you soon.
From the entire team at M-Geough and your entire client base here in New England, CONGRATS Dakota!
Happy Summer,
ERIC HAYDEL Creative Director eric@m-geough.com
Welcome to the summer edition of M|G, your digital design inspiration.
As Diana Vreeland famously said, "the eye must travel,” and in this issue we’re celebrating MAXIMALISM.
WHAT DOES MAXIMALISM MEAN IN INTERIOR DESIGN?
Maximalism design is a relatively new style that has its roots in minimalism. It’s all about being bold and daring with your choices, making a statement, and being fearless when it comes to your decor.
BE DARING! First, don't be afraid to mix and match different styles, experiment! A maximalist interior should reflect your personality. Maximalist design often incorporates various colors, textures, and patterns. This can create a visually arresting effect that really makes a space pop to convey a specific mood or atmosphere.
With this in mind, we have an abundance of content this season including this issue’s COLOUR STORIES, depicting maximalism at its core as if these exuberant and
in the industry. Among many manufacturers, M-Geough is pleased to represent Matthew Studios, and had the pleasure to d0 an extensive Q & A with the owner Katherine Wildt. The crystal tables and hardware are the hidden gems (pun intended) of the home. We then delve into the Scottish History of Johnston’s of Elgin and showcase one of their
newest lambswool fabric collections of Stripe, Check and Houndstooth which can only be described as excitingly vivid with exceptional boldness.
As the days get longer, I suggest taking a look at the DINE and DINE OUT sections as we offer a guide of great places to visit for Afternoon Tea and Coastal Dining. There’s something about sharing tiny sandwiches and tea in a British tea room that's so endearing. It’s simple, sweet and not about eating a whole meal, but rather to enjoy each other's company. This delightful activity holds a special place in my heart and has become a tradition whenever my mom and I are on vacation as pictured on the left with us at the Ritz Carlton in New Orleans.
Of course, we have lots more to share, we work hard in each issue of M|G Magazine not just to bring you our regular M-Geough "eye candy" of handmade luxury products, but also a wealth of other quality content. So pull up a hammock in the shade (or a M-Geough chair on the dock), and enjoy summer with us!
ANDREW LEVINE Brand Marketing Manager andrew@m-geough.com
OF OBJECTS SPLENDOR
PARKER MATTHEW STUDIOS
01
02
THE LILY PENDANT 5 BOYD LIGHTING
03 STEM MOUNT UPLIGHT GRAG STUDIOS
ARDEN SCONCE MATTHEW STUDIOS
THE LEAF PENDANT BOYD LIGHTING
05
PRESIDENT | CREATIVE DIRECTOR
ERIC HAYDEL
BRAND MARKETING MANAGER
ANDREW LEVINE
CONTRIBUTING WRITERS
HALEY ABRAM
DEVRA FIRST
KITKEMP.COM
JACQUELINE TERREBONNE
SLOCUM HALL DESIGN GROUP
COPY EDITOR
SUSAN M-GEOUGH
KRISTINA EICHOLZER
CONTRIBUTING DESIGNERS & PHOTOGRAPHERS
HALEY ABRAM
BEN PENTREATH STUDIO
REAGAN BYRNE
CARRIER & COMPANY
MARIANNE COTTERILL
DEIRDRE DYSON BESPOKE RUGS & CARPETS
TILTON FENWICK
PAT GREENHOUSE
NICOLE HOLLIS
JOSEPHINE LIU
JOEY LUCAS
JULIE LIPPERT PHOTOGRAPHY
LUCAS STUDIO INC.
MARK D. SIKES INTERIORS
JAMES MERRELL
MCCULLY & CRANE
JEANNE LAINE MAISON
NATASHA MOUSTACHE
BEN PENTREATH
MARCO RICCA
LIGNE ROSET
WPA POOL | GETTY IMAGES ENTERTAINMENT
Waterhouse Wallhangings & Thomas Strahan
waterhousewallhangings.com
O Hara Studio . products you would like to see, please contact: INFO@M-GEOUGH.COM
CURVED EMOTIONS
"There is always an emotional element to anything that you make."
01 FEEL THE DESERT HEAT suddenly cool as you watch the sunset from the No. 2769 sofa. It's upholstered in what is now called Mojave Dusk Blue. Each A. Rudin piece is exemplary in design and workmanship, skillfully using traditional techniques. A curved back, a softened line or the gently rolled arm of a sofa creates a sense of drawing room ease that’s timeless, perfectly appropriate for transitional or modern interiors. Beauty takes many forms, yet the finest things always share in a quality of quiet grace, of great simplicity and perfected craftsmanship. A. Rudin interprets classic seating to suit personal tastes and today’s interiors.
Curved Sofa (2769) | A. Rudin
OSCAR DE LA RENTA
03 A VERY PRETTY UNDERSTATED
provencal designed sofa with lovely curved front arms and legs finished in Bleached Aged Oak.
Lille Sofa (6141) | Julian Chichester
02 AN EXTREMELY COMFORTABLE long sleek Vladimir Kagan inspired sofa. The frame sits on low Brass wrapped feet. Brass is hand applied and is therefore unique in its appearance. Due to the size and shape of this sofa along with how material generally comes off a roll, using the minimum meterage advised, seams will run on the sofa.
Parrot Sofa (6133) | Julian Chichester
05 THIS PIECE CAN SIT ANYWHERE in the room or in front of a window with striking effect. Invites tete-a-tete conversation with friends. Nailhead and piping detail. Hand carved wood base. The structure is constructed out of walnut wood.
Wedgewood Sofa | Erinn V. 3 4 5 2
04 THE SOPHISTICATED, architectural and tailored designs created by A. Rudin are based on classic style and corresponding to current desires and needs, all the while remaining timeless.
Sectional (2769) | A. Rudin
COLOUR STORIES
BOASTFULBLUES
GLOBAL GREENS
PUNCHY PINKS
TEXTILES & WALLCOVERINGS
WALLPAPER: (Top-Bottom) 1) DuFour Ltd: Priscilla, Rose 2) Waterhouse Wallhangings: Petite Pillement, Old Rose 3) Thomas Strahan Collection: Chantung, Coral FLOWERS: (L-R) 4) Jacques Bouvet et Cie.: Cap Ferrat, Cranberry 5) Bramalta Fabrics: Foglia, Pink 6) Korla Fabrics: Pine Flower, Rose Pink 7) Hazelton House: Abbotsford, Raspberry (Handblock) 8) Korla Fabrics: Penico, Indigo Rust 9) Bramalta Fabrics: Forcella, Berry 10) Marvic Textiles: Cap Ferrat, Rose 11) Jasper: Indian Flower, Pink Green 12) TDC: Manihi, Coral LEAVES & VASE: (L-R) 13) Bramalta Fabrics: Spina, Pink 14) Borderline: Vite, Pink 15) Korla Fabrics: Breeze, Rose 16) Borderline: Le Tapis Vert, Crimson
FURNITURE/LIGHTING/ACCENTS
17) Robert James Collection: Bayroc (S) Dining Table (7053)
BOASTFUL BLUES
TEXTILES & WALLCOVERINGS
WALLPAPER: (Top-Bottom) 1) Jasper: Indian Flower, Blue 2) Paper Mills: Kyoto, Indigo 3) Waterhouse Wallhangings: Pomegranate, Blue on Cream LAMP SHADES: (L-R) 4) Hazelton House: Borgia, Riviera Blue (Handblock) 5) Jasper: Remy, Deep Ocean 6) Bramalta Fabrics: Ainu, Blue on Natural Linen COLUMNS: (L-R) 7) Waterhouse Wallhangings: Flower Trellis, Pewter Cornflower 8) Maya Romanoff: Island Weaves, Clear Skies 9) Dogwood Fabrics: Calvet Damask, Patina
FURNITURE/LIGHTING/ACCENTS (L-R) 10) Christopher Spitzmiller: Three Ball Medium Table Lamp, Pale Blue Green with 23k Gold Base 11) Christopher Spitzmiller: David Large Lamp, Delft Blue Marble with 23k Gold Base 12) Christopher Spitzmiller: Cameron Lamp, Mixed Luster with 23k Gold Base
& GLOBAL GREENS
TEXTILES & WALLCOVERINGS
WALLPAPER: (Top-Bottom) 1) Thomas Strahan Collection: Biskara, Lime 2) Jasper: Devonshire, Green 3) Paper Mills: Little Havana, Perdido PILLOWS: (L-R) 4) Borderline: Dandelion Puff, Lime on Oyster 5) Hazelton House: Oriental Pheasants, Multi (Handblock) 6) Jacques Bouvet et Cie.: Quarante, Citrus SOFA: (Top-Bottom) 7) Jasper: Woodblock Flower, Green 8) Marvic Textiles: Safari, Apple
Offering the highest quality furniture. We are your partner for expedited lead times and custom designs.
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PROFILES
DAKOTA JACKSON
DAKOTA JACKSON INC. | LUXURY CUSTOM FURNITURE DESIGN
IN CONVERSATION
"I start every day in the studio with excitement. All that I felt fifty years ago, is something I continue to feel -that I can't wait to see what we come up with next."
-Dakota Jackson
The furniture designer Dakota Jackson spent his youth performing onstage alongside his father, a professional magician, at resorts in the Catskills, New York. Following Jackson's own pursuit as a magician, he applied his 'sleight of hand' to furniture-making. His early pieces drew inspiration from magic, featuring moving parts and hidden compartments. In 1974, Jackson's work caught the eye of Yoko Ono, who commissioned him to create a desk for the musician John Lennon. Other notable early commissions, including the dramatic 'Eclipse' bed for fashion designer Diane Von Furstenberg, provided Jackson with a launchpad to build his business into a major design and manufacturing enterprise.
For over fifty years, Dakota Jackson furniture continues to be treasured worldwide by residential, contract and institutional clients, and has been featured in collections of the most esteemed museums and galleries. The company's success is a result of the luxurious blending of exquisite materials, impeccable workmanship and a dedication to creating goodwill through meticulously serving the needs and expectations of its clientele.
We had the privilege of speaking with Dakota Jackson to learn more about the experiences and influences that have shaped his life-long career in design. Jackson shares how he found his own voice, how he has navigated the business through over fifty years of an evolving industry, and invites us into his design process.
What were your formative years like, as an entertainer in the Catskill Mountains in New York?
The Catskills was a very exciting place to be during the summer in the 1950s and 1960s. The nightclub was a key feature of each hotel. Performers would move from hotel to hotel, including the Fallsview and the Concord and Grossinger's -- sometimes going on stage at multiple venues in one night. I had the privilege of being backstage and experiencing the excitement of watching various entertainers prepare their act. I recall that when my father, Jack Malon, was introduced, the orchestra would play "Everything's Coming Up Roses." He would walk to mid stage, the music would cut out, the spotlight would go on, and there was my father in perfectly pressed black tie.
When I hit my mid teens I started performing professionally as well. I would entertain the young adults -typically in a smaller theater in the hotel, at state fairs, and on children's television shows. These were 'coming of age' years not unlike in the film Dirty Dancing. I was jettisoned into this world of entertainment and excitement and I would wait for summer with great anticipation.
How did magic inform your earliest furniture designs?
When I moved into a raw, industrial loft in the wholesale flower market district of New York City, in 1970, the loft space had to be made livable. It was there that I discovered a gift for building, envisioning a space, and working with materials. My interest in making objects had grown and I began to drift away from being an entertainer.
I carried with me a number of tenets from the world of illusions: the illusion of infinite possibility, of spontaneity, of normalcy, and of power. I was fascinated by the objects that sparked wonder: a magic wand, a top hat, a box to 'cut a woman in half'. It was very exciting to realize I could take these elements and transport them into a whole new world. I
Diane Von Furstenberg Eclipse Bed at SCAD Museum -1974
John Lennon Desk at SCAD Museum - 1974
IN CONVERSATION
thought in a very theatrical fashion. I wanted the objects I was building to be experienced as larger than life, with wonderful names attached to them -- some of my earliest collections were New Wonders of the World, Furniture as Deadly Weapons, and Executive Secrets.
Can you describe the early years of building the business?
During this same period of the early 70s, I experimented with dance and performance art -- performing with the choreographers Laura Dean and Trisha Brown and the Tokyo Kid Brothers. I was part of what was then a tight community of New York artists, dancers, performers and musicians. Among this group, I became known as a magician who builds magical objects. The breakthrough was a call in 1974 from Yoko Ono, asking if I would build a desk for John Lennon's 34th birthday that would have various features and hidden compartments. My initial clientele consisted of art collectors, business magnates, fashion designers, musicians, and the film industry. I had a plan to expand my design/build business, from the world of private commissions to the world of interior designers and architects -- a desire to reach a broader range of clientele.
I began to formulate the idea of becoming an industrialist; I wanted to build factories and so on. I moved my factory
to Long Island City in 1978, where over the next ten years it expanded to 125,000 square feet with a team of 150 factory workers and administrative staff. I was preoccupied with the thought that good ideas created jobs. It was this community of designers, builders, engineers, and people in marketing and sales for whom I wanted to be responsible. Our business channels expanded to include residential, corporate, hospitality and institutional. Each step carried with it a progression in the design development, and determined how the factory needed to be adapted.
I formed three companies by 1979. The first was to develop my work as a designer and builder. The second was an antique restoration company. The third was the early stages of developing a piano manufacturing business working with the key foreman from Steinway & Sons. By 1981, I determined that my focus would remain in the realm of furniture design and manufacturing. I opened my first proprietary showroom in New York in 1984, after which point we began to expand in the market and pick up different U.S. cities, as well as fabricating for an international clientele.
Dakota Jackson, Inc. celebrates over 50 years of design and manufacturing. What are your measurements of success?
Steinway Black Diamond Macassar Model D-side
Success is a combination of drive, discipline, the ability to work through innumerable challenges, and maintaining a singular vision of the brand. From the start, I have dedicated myself to creating pieces that are the finest of their time -- like the most impeccably engineered watches. There is a tremendous amount of detail that goes into each piece. I have always been committed to the development of a very clear voice, to the desire to push further into my craft and to my interest in bringing young designers along. And most importantly, I wanted to build as secure and safe a world as I could for my family -- my wife, RoseLee Goldberg, and our children Zoë Jackson and Pierce Jackson.
I am fascinated by how we work, and how we entertain. Some of the early pieces that most successfully define the company's design vision are the Saturn Stool, the Self-Winding Cocktail Table, the Kezu seating collection, and the Vikter Chair. Another goal of mine was to
produce an 'every person's' chair, which became the Library Chair; it was commissioned for the main branch of the San Francisco Public Library and is used in more than 100 libraries throughout the world. Desks also hold a major interest for me, in discovering how we work at the very highest levels. Some of my favorites are the T-Bird, the B-1, the Executive Suite, the Partners and the soon to be introduced Falcon.
with it another way of thinking about how we live -- both how we experience life as individuals, and how we gather.
Tell us a bit about how the business has overcome challenges and has continued to be an industry leader in 2023.
The challenge of growing and sustaining a business is to stay true to your ideals, to look to innovate and to keep a thread between the two. At every turn there are obstacles: world issues, economic issues, and competitors. The furniture industry evolves far more slowly than other industries like fashion. A piece of
Another achievement that has been very meaningful to me, is the development of a series of special edition pianos for Steinway & Sons. Most recent is the Black Diamond Grand Concert Piano, an edition of 96 pianos inspired by the great international pianist Lang Lang. Other worlds that have held fascination are houses of worship, and the cruise ship industry. Each of these areas and the pieces included in them, carry
The Executive Suite Chairmans Desk
IN CONVERSATION
furniture demands many levels of consideration, including: What is the need, and how does the piece address that? What types of materials and techniques will be employed to build it? Wellconsidered design is going to last for many, many years. Therefore the rush to the marketplace needs to be tempered.
The Library Chair, for instance, took four years of development. This included the initial design phase, determination of the manufacturing techniques for large scale production, consideration of comfort and how the chair performs in a range of situations, structural testing and assessment, the need to meet institutional standards, and durability over many years. A piece can last for many years in the marketplace, and can take several years to gain traction. The gestation period has to be allowed for each piece, or group of pieces, that we are designing.
I personally built many of the pieces through the mid-1970s. I developed a keen sense of design, materials, process and what the human body is capable of achieving. This early foundation carried throughout my entire career. I have an innate understanding of how things are made. I am able to design and have the technology follow us, rather than have to adapt to the technology.
Have you seen any shift in what your clients are looking for in recent years?
Clients come to us for the unexpected, but also for the superior quality of the materials, the level of finish we produce, and the proprietary techniques. Part of growth is new and fresh ideas, and yet staying consistent so that clients can come to us with confidence that what they commission is not only beautiful but it will last -- that it will become the legacy of a family.
I am fascinated by the different aspects of how we live, how we work, how we engage with others, and the various items that are required to service those. It is always from an idiosyncratic point of view, inspired by my earliest experiences and influences. My newest designs continue to contain surprises and intriguing functions, and capture the aura of magic, spontaneity, and infinite possibility.
Can you share any exciting plans you have for the company in 2023 and beyond?
A wide range of new products are launching in the next year. In lounge seating, we have the SmartSet collection, and in institutional and corporate settings, there is the Squeeze chair. In the executive suite, we will launch the Falcon collection. There is also Fjord, a new group of casegoods that range from the bedroom, to the dining room, to the executive suite, and we are expanding the Modern collection, with a return to shifting components. I have been recently reenergized to work closely with clients on new commissions, which are often the launchpad for new collections.
I start every day in the studio with excitement. All that I felt fifty years ago, is something I continue to feel -- that I can't wait to see what we come up with next. GUI Dining Table
Library Chair
ICON
RE INVENT ED
DAKOTA JACKSON NEW PRODUCT SELECTIONS ARRIVING FALL 2023. NOW AVAILABLE TO PRE-ORDER:
Top Row L-R: 1) Falcon Desk 2) Pi Seat 3) Canyon Dining Table 4) SmartSet Mirror | Middle Row L-R: 5) International Cocktail Table 6) Looking Glass Side
WHEN IT COMES TO QUALITY , OUR PHILOSOPHY IS SIMPLE : HANDMADE
1842
James Johnston embodied the essence of the modern entrepreneura concept idolized by Victorian Britain.
During the mid-1800s, he established our brand's relationship with luxury yarns - Alpaca wool in 1842, Vicuna fibre in 1849, Merino wool in 1851, and Camel hair in 1861.
1851
Driven by a quest for true excellence, James sourced yarns from China, Mongolia, Afghanistan, India, Peru, and Australia alongside our native Scottish wools. In 1851, we bought a bale of Cashmere fibre from F. Buxton of Basinghall Street, London and became the first Scottish company to weave with this precious yarn. More than 170 years later, this remains one of our most popular luxury fibers.
1799
In 1799, Alexander Johnston invested in international shipping to ensure his wool reached distant markets, building on his father's success. Embracing the opportunities of the sea and maritime trade, he established clients in Canada and Jamaica. Considering himself both 'merchant and manufacturer', Alexander nurtured Johnstons of Elgin's spirit of global adventure.
1849
This year saw us receive our first import of Vicuna from Peru, sold to Johnstons of Elgin by James Jack, founder of one of Britain's most important international wool trading businesses.
1851
In October 1851, we received our first delivery of Australian Merino Wool - Bales of 'Sydney wool' from F. Buxton of London.
THE HISTORY JOHNSTONS OF ELGIN
THE HISTORY OF JOHNSTONS ELGIN
1880
By 1880, France was the centre of our European market with more than 20 customers, mainly in Paris. The brand was also exporting to Italy and Belgium.
1855
Johnstons of Elgin attended the 1855 International Exhibition in Paris, France.
1890
James Johnston's brother Edward shared his passion for international adventure. During the 1890s, he founded Seville Football Club in Spain, which remains one of the most successful clubs in Europe.
1880
Setting his compass to explore further, Alexander Johnston's son James honed his knowledge and continued investing in shipping. He became an active director of the Elgin and Lossiemouth Harbour Company. In 1867. Japan reopened its borders to American and Western trade allowing Japanese clients to experience our Scottish plaids, rugs, and tweeds in 'various patterns or colors.
1915
Our archives show orders from the French Service D 'Intendance Francaise during WWI for 'French Grey' and 'French Blue' cloth for French and Belgian Allied soldiers' uniforms.
Our global outlook has continued, and in 1978 and 1994, our efforts were recognized with the Queen's Awards for Export.
1950s
Our Cashmere and fine woolens have made their way around the globe over the years, and one, in particular, made its way back to us after more than 70 years. During an official engagement in the early 1950s, Johnstons of Elgin presented Pattie Menzies, wife of Australia's longest-serving Prime Minister Sir Robert Menzies, with a delicate Cashmere shawl.
1980
Our Hawick Mill was established in 1980, marking our move into knitwear manufacturing. Soon afterwards, Manager and Director Jim Porteous took on a selling role, traveling to France, Belgium, Italy and the Far East to promote this new aspect of our business.
1920s
Early in our history, we recognized the demands of a new generation of travelers. Technologies such as trains, steamboats and cars offered opportunities for speed and adventure but featured chilly draughts. In I857, we crafted a 'Double Alpaca Railway Wrapper' for Lord George GordonLennox of Gordon Castle, and by 1910 we were designing and manufacturing Car Rugs.
1978
We were proud to receive the Queen's Award for Export Achievement in 1978, 1994, and 2002.
1997
Following a devastating flood at our Elgin Weaving Mill, we travelled to the US, Korea, Japan, Germany, Italy, France and London, making personal visits to our partners to maintain relationships that have continued to thrive.
THE HISTORY JOHNSTONS OF ELGIN
THE HISTORY OF JOHNSTONS ELGIN
2016
Johnstons of Elgin's transition to a more integrated lifestyle brand began in 2016, cemented by our London Fashion Week debut in 2018. Johnstons of Elgin's exceptional craftsmanship continues to be appreciated worldwide.
2015
We have worked with natural, renewable, biodegradable fibers since 1797, and our commitment to sustainability is at the heart of our brand's values. We aim to tread lightly and reduce our environmental footprint year on year, but we know we still have work to do.
2021
In April 2021, we were proud to receive the Queen's Award for Enterprise, for our work on sustainability. The Queen's Award for Enterprise is the most prestigious business awards program in the world, and the Sustainable Development category recognizes organizations developing products and services that have a positive impact on the environment, society and the economy.
2019
We established the first course in Sustainable Pasture Management, managed for us by the SFA, in 2019. Called "Haraaca™" (the Mongolian word for swallow), this course teaches nomadic herders" children sustainable herding methods. It combines modern sustainability theories with the traditional skills passed down through generations embedded within their centuries-old nomadic culture.
2022
Our Scottish heart has been combined with a global outlook from our founding. Today, we have 5 offices worldwide, and our products are sold in 65 countries. Our exemplary relationships with our international clients, fine suppliers, trade partners and customers remain at the forefront of who we are. Our international relations and human connections proudly embody our 225-year heritage.
Woven at Johnston of Elgin mill in Scotland, this collection consists of three fabric designs - Stripe, Check and Houndstooth - all made from 100% lambswool to ensure durability, comfort and warmth. 'It has been a wonderful process to help Johnstons design a capsule collection that combines my love of strong pattern and colour with the absolute best of Scottish woolen weaving! - Ben Pentreath
Furniture:
Floor
Upholstery:
Photography: James Merrell | Styling: Marianne Cotterill
Ligne Roset | Artwork : Mccully & Crane
Rug: Deirdre Dyson Bespoke Rugs & Carpets
Jeanne Laine Maison, Ben Pentreath, Ben Pentreath Studio
JOHNSTONS OF
We at Johnstons of Elgin are proud of our rich Scottish heritage, and all stages of our manufacturing processes continue to take place in our own mills, deep in rural Scotland. The thistle in our "wood cut" logo designed in the 1930's places that commitment to Scottish manufacturing right at the very heart of our identity.
In addition to Scotland's breathtaking beauty, there are considerable benefits to
our unique location in terms of sustainability. Scotland's soft, free-flowing water is one example of those benefits. Internationally renowned for its crucial role in the making of Scottish whiskey, our local water allows us to make the world's softest cashmere products while using very few chemicals compared to other countries. Our mills are located on the banks of the Rivers Lossie and Teviot, which provide us with a plentiful supply of this natural key ingredient.
To Indulge in Design is to
Create it
Piece by Piece
B eje wel ed
MATTHEW STUDIOS FOUNDER AND DESIGNER KATHERINE WILDT, A NEW YORK-BASED LIGHTING DESIGNER OF CRYSTAL, LIGHTING AND HOME ACCESSORIES
SHE SAYS IS “INSPIRED BY THE NATURAL ARCHITECTURE AND GEOMETRY OF CRYSTAL.”
MATTHEW STUDIOS
Please tell us a brief history of Matthew Studios from how it started and how the company has evolved to the present day.
1. When did you first get involved with the company?
I started it in 2008. It started as an artistic hobby project. It grew overnight. My first order, was making Rock Crystal lamps for Tory Burch stores all over the world
2. What inspires your designs?
Nature. Vintage home and jewelry. Fine Art. Architectural details.
3. How many artists/craftspeople do you currently work with and how do you discover new talent?
We have a small team of 8 people. We are always looking for people that are driven, artistic and happy to be part of a upbeat and positive place to work.
4. Take us through the process at Matthew Studios from deciding on the design to the end product?
I personally design all the time. I have multiple sketch books and files of inspiration images. Sometimes an idea is generated from a truck detail, while stopped waiting for a light in an UBER. Sometimes, it's a detail of a fence on the walk to drop my daughter at school. I bring designs to market, that stick with me- that resonate on a intuitive level.
5. Tell us a bit about how new technologies have influenced your production process – both negatively and positively?
I still like to draw by hand- it helps me work out details. However, I love the technical drawing process also because I can 3D print ideas I am working out. 3D prints are an amazing way to adjust and improve the concept. PS. My dog loves them too. He recently went into my work bag and I found him chewing on my latest 3D print. LOL.
NATURAL ARCHITECTURE
Founded in 2008 by Katherine Wildt, the brand started with a sketch book, some watercolor and a passion for gemstones. The first prototype was fabricated on Katherine's kitchen table in her small NYC apartment, where she lived with her beloved house-rabbit Matthew…the inspiration behind the brand. Over ten years, the brand has grown world-wide, and works with a roster of world-renowned designers, celebrities, and inspiring homeowners.
6. The past couple of years presented many challenges for businesses. What were some of the obstacles you faced and how did you work through them?
The biggest obstacle was working in New York City through shutdown. Our studio building was shut down for a while. I had to mobilize business from a work from home scenario. Since we make things, this was a challenge. I personally brought truckloads of tools and materials, to our production people's homes. I am proud of this- since I was also in the same position as my employees. A lot of us were home-schooling young kids, including me- as a single mom.
We also had vendor supply issues- some of our local craftsmen where impacted personally and some of our vendors went out of business. It was so scary, and sad- but I also felt very empowered that I could keep my business going and retain all of our employees.
I feel like customers will wait for quality. I also feel that spending on our homes, and with specialty craftsmen matters more.
We need to support each other in the creative community.
7. Do you see a significant shift or difference in East Coast vs. West Coast design aesthetic? If so, what stands out?
Yes, I notice on the East Coast we still like Polished Nickel. I find that we have a lot more custom finish metal requests on the West Coast. I also notice the need for minor customizations on the West Coast- seems more prominent.
8. Can you share any exciting plans Matthew Studios has for 2023?
We are coming off 2022 as a growth period for us. We have several new products coming to market this year. I have been very excited about connecting to customers again, having studio visits again!
European furniture was grandiose and chunky because of the sprawling land compared to American furniture being much scaled down due to the harsh weather in both the extreme winters and summers.
THE HISTORY OF FURNITURE & WHERE IT ALL STARTED
M - GEOUGH AT THE MFA, BOSTON
KNOCK, KNOCK!!
SKETCH BOOK
ANTIQUE CHAIR PARTS
R oya l Fashion
On the rainy morning of May 6, royals, VIP guests and the world turned their attention to Westminster Abbey for the long-awaited coronation of King Charles III and Queen Consort Camilla of the United Kingdom.
Cameras from all over were waitning to capture this most formal of daytime affairs. The parade of ceremonial robes and brightly-color suits appear to be dancing across marble floor. Even pop stars like Katy Perry, moved with elegance and grace. A royal fashion shoot would have been a better description even than a coronation.
From runway to showroom, here are some of the fashion moments we loved.
All The Royal Fashion From
King Charles III’s Coronation
Photography
Excellent Taste Starts with you
1
KATE MIDDLETON, PRINCESS OF WALES
1) Jacques Bouvet: Treasure, Ruby 2) Jacques Bouvet: Treasure, Sapphire 3) Twigs: Ferns, Gold & Gray 4) Maya Romanoff: Ajiro Sunburst, Teak Luster 5) Calvin: Crupet, White 6) Eric Haydel: Graham, Ocean
2
ANNE, PRINCESS ROYAL
1) Jasper: Remy, Red 2) Johnstons of Elgin: Luna Sateen, Flaxen 3) Dogwood: 1267-5, Topiary 4) Calvin: Linoko, Ivory 5) Marvic: Titian, Pine 6) Dogwood: Meander, Gardenia 7) M-Geough Collection: Las Palmas Finials, Antibes
TAMIM BIN HAMAD AL THANI AND JAWAHER BINT HAMAD BIN SUHAIM AL-THANI
1) Jasper Leather: Ombre, Khaki 2) Jasper Leather: Evora, Beige 3) Maya Romanoff: Serigraph Brocade, Adorned Vanilla 4) Jasper: Zamora, Ivory 5) Matthew Studios: Freya Large Pull, Clear Quartz/Brass 6) Matthew Studios: Thea Extra Large Knob, Clear Quartz/Brass 7) Johnstons of Elgin: Herringbone Merino Throw, Fawn/White
Hand Made in the Blue Ridge Mountains of North Carolina
M THE CORONATION OF KING CHARLES III &
Marvic Textiles is honored to have supplied fabric for the 100 Congregation Chairs at the Coronation of King Charles III.
Marvic’s exquisitely made velvet Safari Midnight was used to upholster these special chairs, which were designed by bespoke cabinetmakers NEJ Stephenson and positioned in Westminster Abbey for the service. This fine quality, plain cotton velvet has then been embellished with the embroidered cyphers of Their Majesties on each chair.
Frames of several of the chairs were made by young graduates for the Prince’s Foundation at the Snowdon School of Furniture, celebrating and upholding traditional skills of craftsmanship, values which Marvic Textiles is also proud to uphold. Their unique velvet espouses many such qualities, being woven by a specialist
weaver in Italy whose family business has been running for over a century. The intricacy of the weave and attention to detail used throughout the manufacturing process results in the most beautiful lustre and finish. Marvic’s Safari velvet has formed a core part of its collections for over 20 years, and is highly regarded throughout the interior design industry.
The Safari velvet collection is available in 50 different colourways, and is suitable for both upholstery and drapery. To request a cutting of Safari Midnight, please click here.
Written by: Kit Kemp, Founder and Creative Director of Firmdale Hotels and Kit Kemp Design Studio
I was recently in a design meeting with Simeon Turnbull from Rosebank Fabrics. Simeon is a master at fabric design. His depth of knowledge is incredible and covers the whole process from design to production. We regularly work together, delving into his archives and revamping old designs; recolouring them, altering the scale or putting them on a different base cloth. It gives them a new life and brings them up to the present day.
Recently, this wonderful naval design caught my eye. As with all the best designs, it tells a story that sparks your imagination. It led me to research its history, which is fascinating.
The detail is incredible. Just look at the wonderful ships named, in all their glory. Apparently it took “exactly 900 days from its inception to its production on cloth” and was designed by Philip Stockford for Rosebank Fabrics.
Let us take a closer look at the design details:
"The sea as a basis for a fabric design is not new but we were obsessed with the desire to produce a record of the navy which would be worthy of its great traditions…Since the true spirit of the navy is manifested in its sailors, we felt the need to pay tribute to the Admirals."
The first panel depicts English ships of the 14th Century (King Edward III’s reign). The banner at the bottom reads “great oaks from little acorns grow”
In the second panel we see “Henri Grace de Dieu”, which was Henry VIII’s flagship and a contemporary of the Mary Rose. Henry VIII founded the royal navy by setting up a board of Admiralty in 1512. Dover castle can be seen in the background.
“Heart
In the final panel we see
Amongst the larger panels, four smaller panels can be seen, which depict the great ships of the Ironclad era. These are surrounded with a wave motif and feature anchors and the Admiralty crest in each corner. The first is H.M.S. Warrior (1860, Queen Victoria).
The third panel depicts H.M.S. Royal Sovereign (1637, Charles I) and the banner at the bottom reads
of Oak are our Ships”.
H.M.S. Victory (1765, King George III).
Next up we have H.M.S. Dreadnought (1904, Edward VII) anchored in Portland Harbour
Wooden Era: Panel 1
Wooden Era: Panel 2 Wooden
Wooden Era: Panel 4
Ironclad Era: Panel 1
Ironclad Era: Panel 2
Enduring Style ... It is what AND Who we are
third ship is H.M.S.
a
To pay tribute to the marine architects and craftsmen, Bow and Stern illustrations are set within rope panels.
Along the edge are thirty-two renowned ship badges. A mariner’s compass links each group and there is a design based on the ‘double chain’ knot in the centre.
between the
the
This rare and beautiful design documents British naval history and celebrates the many precious lives involved. I can’t wait to use the fabric as a tribute to Rosebank Fabrics, to the designer Philip Stockford and to the story behind the design.
POP IN THE SHOWROOM TO SEE THE QUEEN’S NAVEE ON DISPLAY!
The
Ark Royal (1937, King George VI) with
submarine and Motor Torpedo Boat. You can see the Rock of Gibraltar in the background.
In
two famous ships are ribbons inscribed with
names of twenty-eight famous Naval battles, all significant milestones in British history.
Ironclad Era: Panel 3
Ironclad Era: Panel 4
As Seen in the Boston Globe
A social experience that looks good on the ‘gram, it is the perfect nonmeal for our time.
In a stately room of the Boston Public Library, with domed ceilings painted Wedgewood blue and arched windows overlooking the Italianate courtyard, my son and I eye each other gleefully through the triple tiers of a tea tray. The bottom plate holds an elegant geometry of sandwiches: rectangles of pumpernickel overlaid with smoked salmon, curried chicken salad embraced by perfect circles of whole wheat, squares topped with thin slices of cucumber and lemon cream, lobster salad on spheres of brioche. The top offers scones with Devonshire cream, raspberry preserves, and lemon curd. And in the middle — the best part, at least as far as one of us is concerned — are macarons, petits fours, alfajores, mini cheesecakes, and other tiny, clever, pretty sweets. “Pinkies up!,” my kid chortles, swigging hot cocoa, then removes his jacket to get to work.
Afternoon tea wasn’t part of my childhood, but now it is part of his. For many families it is both treat and longstanding tradition. On Mother’s Day, after a holiday performance of “The Nutcracker,” to mark a special occasion, generations might gather at a fancy hotel or tea parlor for finger sandwiches, a hot cuppa, and the pleasure of one another’s company. This in-betweenmeals meal has been a custom since the 1800s, when artificial lighting was introduced, dinner was served later, and upper-class folk found themselves peckish during their social calls. Not many things stay in fashion for that long, but judging by the wait times to get a reservation, afternoon tea is pulling it off. Thanks in part to “Bridgerton” buzz and coronation curiosity, if you’d like to have tea on a weekend, at this point you’ll be booking well into July at many local spots.
But there’s more to it than Anglophilia. Afternoon tea is the perfect nonmeal for our times. “Afternoon tea is the new happy hour,” declared last year’s edition of Pinterest Predicts, an annual report highlighting rising trends on the visual app. “In 2022, people will choose [D]arjeeling with a friend over drinks after work. Afternoon tea is more than a meal — it’s a moment, an aesthetic, a pose. Searches for ‘tea party aesthetic’ and ‘drinking tea pose’ are climbing across all age groups.”
According to Yelp’s June 2022 State of the Restaurant Industry Report, experience-focused dining is exploding, with a rise in concepts like
conveyor-belt sushi, dinner theater, and supper clubs. Afternoon tea seems made for social media, a chance to dress up and take selfies with beautiful food in eye-catching settings — architecturally significant libraries, as with the BPL’s Courtyard Tea Room; historic inns with lovely gardens, as at Lexington’s Inn at Hastings Park; museums like Boston Tea Party Ships & Museum, serving cream tea at Abigail’s Tea Room; quirky bungalows decorated with individual style, like the lavishly pink, floral, and festive Fancy That Tea House & Tea Shoppe in Walpole. It also offers a sense of occasion and festivity for the increasing number of people who don’t drink or are cutting back on alcohol. (According to market research company NielsenIQ, 66 percent of millennials said they were making efforts to reduce consumption in 2019; more than 87 percent of millennials are also tea drinkers, per the Tea Association of the USA.)
by
Written
Devra First | Photography by Pat Greenhouse
In February, the two opened Silver Dove Afternoon Tea — an intimate sliver of a room with just 24 seats near Government Center. There’s not as much daylight between tearoom and cocktail bar as it might seem. “What afternoon tea does for the guest is similar to what a good cocktail bar does,” Brewster says. “What we’re trying to do is recapture the romance of a bygone era, and it’s a similar era — the late 1800s to the turn of the century.”
On a recent afternoon, the green velvet banquette hosts a younger crowd for asparagus canapes, coronation chicken salad, vanilla macarons, chocolate bombes, and the requisite scones. Guests pour oolongs and pu-erhs from gold-rimmed white teapots emblazoned with Silver Dove’s logo. Some sip glasses of bubbly. And there are craft cocktails, too, thanks to a cordials license — from the summery British Pimm’s Cup to an Old Fashioned riff made with lapsang souchong tincture to, yes, an espresso martini. (Morgan got his start in the hospitality industry as a barista.)
Silver Dove isn’t the only new afternoon tea in town. Along with mainstays like the long-running Wenham Tea House, local options now include Beacon Hill
When businesses reopened after the lifting of COVID restrictions, some hotels stopped offering afternoon tea — perhaps most notably the Four Seasons on Boylston Street, which closed its beloved Bristol Lounge. Two former bartenders at Drink, Patrick Brewster and Lee Morgan, saw an opportunity. Brewster had always wanted to open a cocktail bar, but the cost of a full liquor license in Boston and other hurdles made that impractical. “I put pen to paper and realized this was something that could work,” Brewster says.
Books & Cafe (opened in late 2022) and a second branch of Belmont’s Vintage Tea & Cake Co. in Lexington (opened earlier this year).
This reflects a nationwide rebound, says Angela Renals, founder of Destination Tea, a website devoted to afternoon tea with a directory of places to partake across the country. More than 11 percent of afternoon teas in the United States disappeared because of the pandemic, she says. “In 2022, the comeback began. As of now, in 2023, we have 76 new tearooms. It’s still down 6 percent-ish from 2018, but it’s a major comeback if you consider how unique and rare a tearoom is.” Renals sees new interest in afternoon tea exploding, especially among a younger crowd. Destination Tea’s biggest demographic is 25- to 34-year-olds. Before the pandemic, she says, the website had about 380 visitors a day. Now it gets anywhere from 900 to 1,000. The top page people visit: the “What to Wear” section of her “Afternoon Tea 101″ for newbies. “This says to me that people are just learning about it.”
Just please don’t call it “high tea”: That refers to dinner with tea and possibly dessert. “It’s hearty, like meat pies and cheese and bread and fish with pickled vegetables,”
Pina Occasion Table
17.25” dia x 18.5”H or 21.5”H
SHORE LEAVE SHORE LEAVE
AN UNDERGROUND TROPICAL
ESCAPE IN BOSTON'S SOUTH END
Shore Leave is an underground tropical escape in the South End located at 11 William E. Mullins Way at Harrison Avenue. In naval terminology, shore leave is the permitted time that sailors get to spend on dry land for a little rest and relaxation after being at sea for long periods of time; Shore Leave reflects this notion of freedom and escape, drawing inspiration from the layered flavors and textures the team would crave if awarded their own tropical island vacation.
Tucked away down a narrow hallway at the back of Shore Leave, No Relation is a nine-seat, secret sushi restaurant nestled within the newly opened neighborhood tiki bar. Chef Colin Lynch leads the inventive omakase menu, where Japanese technique and his creative interpretation of a sushiya are presented each evening over approximately 14 courses.
The drink menu, in a folder shaped like a coconut that only adds to the tiki ambiance, is extensive. A drink that truly wows with its presentation, the Road to Guadalajara comes in a ceramic volcano with a fire lit in the center. These tropical flavors are maintained by a team that selects the fruits that are in season and often purees them for the restaurant’s drinks. Tiki mugs can be seen displayed around the bar, including anything from a skeleton face to more traditional mugs, and are for sale to collectors who come in for a bite.
Photography: Reagan Byrne & Natasha Moustach
COASTAL DINING
Looking for new ideas or to reconnect with some old favorites this summer?
Take a road trip and explore great eats and drinks from the Southern tip of New England to the Northern Coast.
Peter Ott’s | Camden, ME
Surf Portsmouth | Portsmouth, NH
River House | Portsmouth, NH
CK Pearl | Essex, MA
Porto Boston | Boston, MA
The Red Inn | Provincetown, MA
SoNo Seaport Seafood | Norwalk, CT
Ocean House | Dennis Port, MA
CK Pearl | Essex, MA
Unfussy seafood plates served in comfortable surrounds with a full bar & riverside deck seating.
D NE OUT
Ocean House | Dennis Port, MA
New American menu with a Pan-Asian flair in an elegant space overlooking Nantucket Sound.
D NE OUT
Peter Ott’s | Camden, ME
Veteran waterfront restaurant serving American fare, known for its steaks, pastas & local seafood.
Porto Boston | Boston, MA
Region-hopping Mediterranean fish fare from star chef Jody Adams, with a raw bar & ample patio.
The Red Inn | Provincetown, MA
Award-winning coastal cuisine, offers spectacular views of Provincetown Harbor, Cape Cod Bay, the lighthouses of Long Point, and the sandy cliffs along the shores of the Outer Cape.
River House | Portsmouth, NH
Easygoing spot for a broad seafood menu & drinks in harborside digs with a scenic deck on the river.
DINE OUT
Surf Portsmouth | Portsmouth, NH
Creative, coastal cuisine with global accents in a comfortable setting with a patio & a lively vibe.
SoNo Seaport Seafood | Norwalk, CT
Classic summer venue for New England-style seafood, with picnic tables overlooking Norwalk Harbor.
Newport Wicker Chair & Barrister’s Bookcase
Featured in this beautiful sitting room by Lucas Studio INC is the Harbinger by hand
Schofield Sofa, covered in J. Samuel's Belgian Linen.
Fabric: Pattern Berber in the color Optic White.
Photo by Joey Luke.
& BOLTS
LUXURY DEFINED A Panel Discussion from Boston
Design Week
Written by Slocum Hall Design Group |
What is luxury? It’s a term often associated with comfort and elegance, but how you define it is as unique as you are. This is especially true when it comes to designing and building your home. This month, as part of Boston Design Week, David Boronkay spoke about luxury design alongside industry experts, Sarah Lawson of S+H Construction and Amy Mizner of Mizner + Montero. The event was moderated by Eric Haydel of M-Geough at the M-Geough showroom in the Boston Design Center. Covering everything from interiors to building to location, this panel unpacked the many
characteristics of luxury and how it looks from each trade perspective.
So, how do we at SHDG define luxury? It comes down to understanding what each homeowner values most. For some, it may be a home with plenty of space for entertaining, but requires little maintenance or outdoor upkeep. For others, it may be an outsized kitchen with the very latest in custombuilt storage. Still, for others, it’s an elegantly appointed smart home with an abundance of natural light. Regardless of what luxury means to you, a common thread we see across the board is flexibility, quality, and peace of mind: the flexibility to make necessary decisions while having the
Photography by Julie Lippert Photography
ability to choose quality products and trade professionals, all with the peace of mind that the end result is exactly what you hoped for.
When we start any new project with a client, one of our first steps is understanding how they define luxury, the large and small details the homeowner wants to see in their new space. We help them navigate the process and suggest the best ways to design their spaces to achieve their desired outcome.
When we began designing this new construction home in Weston, our client had a vision of large, inviting spaces for family gatherings and ten-foot ceilings throughout. The result is an open floor
plan on the main floor, complete with retractable sliding doors that bridge the gap between indoor and outdoor living, making this the ideal space for gatherings.
Renovating this Residence in Waban, the now empty-nesters wanted a house to accommodate their needs as they age. The interior was gutted, and the floor plan reconfigured, creating a large, modern kitchen for entertaining and a multi-room owner’s suite. A new elevator was added, as was an attached garage allowing our clients to remain in their home indefinitely without concern for the challenges of walking up and down stairs as they aged.
WELL TRAVELED
Old Bombay in Slate
Old Bombay in Azul
Old Bombay in Green
Old Bombay in Tangerine
Eric Haydel in collaboration with Waterhouse Wallhangings
Unexpected Materials , added influences , is
what we do ...
SCULPTURAL SPHERES
Christopher Spitzmiller Michael Table Lamp
Shown in Duck Egg with 23k Gold Water Gilt Base, Brass Double Socket Cluster, and Off-White Vellum Paper shade.
MINIMALIST SHAPES
Boyd Lighting Eclipse Mirror
The perfect round mirror eclipsing a soft halo of warm indirect light in the surrounding metal spinning. Designed by Schuyler Sweet.
SHAPELY BULBS
McLain Wiesand Carousel Chandelier
Shown in Blackbole Gold Frame with Hand Antiqued Convex Mirrors with Upholstery Cording.
Lighting
NATURAL MATERIALS
Matthew Studios Veronica Table Lamp
Inspired by vintage 70s lamps, this modern update is all handpieced and each is unique. Shown with Amethyst base and Polished Chrome.
Phoenix Day Claude Pin Up Sconce
Design by Charles De Lisle
OUTDOOR SPACES
McLean Lighting St. Petersburg Wall Mount
Suitable for Exterior Use
A HEADSHOT IS WORTH A THOUSAND WORDS
by Haley Abram
In a world overrun with imagery and content, it pays to stand out. Setting yourself apart from the pack and finding a niche is the foundation of most business and branding strategies for success. Unfortunately, we have long left the days of in-person first impressions. With social media firmly seated as a key element to most businesses, people are able to make their first judgments based on your online appearance– and this can start with your headshot.
For most professionals, a headshot is one of the first ways a potential employer, customer or partner is introduced to you. This impression is important because it sets the tone for the type of person you appear to be. What sort of clothes are you wearing? Are you smiling or serious? Are you in an office or a natural setting? All of these things inform the judgments someone begins to make, so you want to consider how each element of your photo best represents you.
A lot more than what you look like can be reflected in a photo. When done properly, a person’s personality can be quite apparent. The setting, styling and expression you have can create a discernible feeling in the image, so sharing with your photographer what you want to evoke is key to a successful portrait. Do you want clean and simple, no frills or fuss? How about an environmental setting in your office with views of the city? If you are associated with a business or a brand, that entity’s identity will be connected to yours and influence your choices as well. Bringing a clear vision to your photographer is very helpful, and they should also offer advice and best practices from their experience to create a successful session.
Obviously a solo portrait is the first introduction you give, but this can, and should, be extended to your team or your brand’s overall imagery. If you have a really strong headshot, you need your team to as well! Consistent, quality imagery creates a cohesive feel across your platforms and further emphasizes the values your company represents. Think about the words you would use to describe what you do and how you do it– this is what your images should reflect.
There is no shortage of photographers for this job, so be sure to explore your options. Take recommendations from colleagues who have had successful experiences or reach out to those who have headshots you admire. It’s time to be noticed, so book a session and let your photos do the talking.
Haley Abram is a freelance photographer based in Boston, MA specializing in portraiture, lifestyle and
events. She has experience working in printed and online media with her photojournalism background in addition to her work in events and editorial for private clients. You can see more of her work and connect with her at www.haleyabram.com.
Photo courtesy of Haley Abram
SUMMER
Interior design professionals create the spaces where people live, work, heal, learn, socialize, and play. Designers’ decisions also impact the interior design industry comprised of designers, manufacturers, dealers, contractors, consultants, tradespeople, artisans, and workers around the world.
Through this wide reach, interior designers play a significant role in reducing global carbon emissions and regenerating ecosystems to help avert the climate crisis. Interior design professionals are also in a unique position to improve people’s lives and support wellness and prosperity in our communities.
We have a professional obligation to our peers, the public, and future generations to strive for a just, healthy, and sustainable society.
The Interior Design Pledge for Positive Impact calls upon designers to understand, assess, and maximize the positive impact of our work by making three interconnected commitments:
DESIGN FOR CLIMATE:
The climate crisis is the greatest single threat to health and economic prosperity on the planet, and disproportionately affects vulnerable communities. Interior design professionals reduce the negative impacts of climate change by committing to:
– Reduce emissions, including operational and embodied carbon, to the maximum extent on all projects.
– Optimize design processes to reduce waste and the depletion of natural resources.
– Design for adaptability and resilience.
– Design for responsible end-of-life, deconstruction, and decommissioning processes.
DESIGN FOR HEALTH:
Both human and ecological health are essential components of a thriving society, and essential for the future of humanity on the planet. Interior design professionals support holistic health and safety by committing to:
– Improve physical health by eliminating toxic and hazardous substances and creating healthy and regenerative environmental conditions.
– Nurture the mental wellness and wellbeing of people who use our spaces.
– Building social health by fostering better connections between people and strengthening community.
– Promote ecological health by preferring processes that restore and regenerate air, water, and other natural systems.
DESIGN FOR EQUITY:
Social equity and climate justice are central to cohesive, safe, and resilient communities. Interior design professionals promote diversity, inclusion, and equity by committing to:
– Design to benefit people with different backgrounds and needs, equally and fairly.
– Include and reflect the perspectives of underrepresented communities in our work process.
– Make design choices that directly support the health and prosperity of vulnerable communities in our work product.
– Prioritize access and a positive experience for all people, regardless of visible and invisible differences. Sign the Interior Pledge for
SOME DAYS YOU NEED TO JUST GET LOST, GET INSPIRED & GET RECHARGED.
The Decorators Club
An organization of 125 professional women supporting interior design education in NYC, founded in 1914.
The Maximalist Dreamer
Dreamy interiors that make my heart sing
Luxe In The Cottage Luxury Decor
SAY Carbon Yachts
Emission luxurious and electric Yachting options
#PioneersofLightness
Furniture made in Los Angeles since 1912
This is a space to share classic decoration designs.
Pedro Argüello
A. Rudin
The Nostalgic Maximalist
"More is more, less is a bore" A daily pick of thriving interiors
Taft Alexander Charleston, SC based antiques dealer, home staging, interior inspiration
Luxury Riads Hôtels For Dream Holidays in Marrakech Morroco LUXXU | Modern Design & Living A New Concept of Furniture and Lighting
OUR BOOKSHELF
Five Books Past and Present to Inspire Your Seasonal Reading List
Living Wild: How to plant style your home and cultivate happiness by
Hilton Carter
In Living Wild, bestselling plant stylist, author, designer and family man Hilton Carter explores multiple ways to style your home with plants—and cultivate happiness along the way.
The therapeutic benefits of living with and tending plants are well known—they offer a connection to the natural world that nurtures our mental and physical health. In Living Wild, Hilton Carter shows how to create a lush, stylish space with flourishing plants that bring life to your home and happiness to your life. He discusses interior design choices—choosing the right color scheme, textures, and materials to showcase gorgeous greenery—then takes a deep dive into styling. From picking the perfect planter to statement plants and taking in centerpieces, living art and hanging planters plus outdoors spaces and plants for kids along the way, Living Wild is packed with interior design and styling ideas that blur the boundary beside inside and out. Finally, we visit 8 unique homes that have been plant styled by Hilton and take a detailed look at his top ten designer plants, along with care and info tips.
Richard Mishaan Design, Vendome, (November 2022) by Richard Mishaan with Jacqueline Terrebonne
Richard Mishaan is renowned for his masterly integration of textiles, palettes rich in complementary shades, natural materials forged by artisans, surfaces bedecked with talismanic curios, a strategic sense of when and where to place a mirror, and a deep knowledge of both the fine and decorative arts. His many influences, including his upbringing in Colombia, coupled with his idiosyncratic perspective, explain why his sophisticated clientele return repeatedly as their lives evolve. In Richard Mishaan Design, his working methods are revealed in projects as varied as the conversion of a 400-year-old barn in the Hamptons into a warm, inviting family home and the transformation of an ultra-modern, glass-walled New York City apartment into a comfortable yet sophisticated aerie.
The Gardens of Bunny Mellon by
Linda Jane Holden
Throughout her long and storied life, Rachel “Bunny” Mellon’s greatest passion was garden design. She and her husband, Paul Mellon, one of the wealthiest men in America, maintained homes in New York, Cape Cod, Nantucket, Antigua, and Upperville, Virginia, and she designed the gardens at all of them. She also designed gardens for some of her dearest friends, including the Rose Garden and the East Garden at the White House, at the request of President Kennedy, and the gardens at both the Paris home and the château of couturier Hubert de Givenchy. All of these gardens are featured in The Gardens of Bunny Mellon, illustrated with Mellon’s own garden plans, sketches, and watercolors, as well as with archival photographs and specially commissioned photographs of Oak Spring, the Mellon estate in Upperville. Author Linda Holden’s text is based on extensive interviews with Mellon before her death in 2014.
365 Days of Creativity: Inspire Your Imagination with Art Every Day by Lorna Scobie
365 Days of Creativity is a thoughtful and inspiring book designed to help you carve out moments of self-expression and unlock your creative potential.
Lorna Scobie shows you how to experiment, explore and let go of your artistic inhibitions, encouraging you to look for creative inspiration wherever you go.
A
Newport Summer: Off Bellevue by
Ruthie Sommers (Author), Nick Mele (Photographer)
An intimate love letter to summertime in Newport from photographer Nick Mele, the “modern-day Slim Aarons,” and interior designer Ruthie Sommers.
TOP 5:
Summer is the best time to revisit and give care to your most outward business tool, your website! This is your cover page and how the public connects with who and what you are as a business owner and creative professional. A business website is a badge of trust, and people only buy from businesses they know, like, and trust. According to HubSpot, 97% of online users will search to find local businesses. So, while it might be quicker to create a Facebook page or even rely on Instagram, you would be able to command more authority and trust with a business website.
1
HERE ARE FIVE TIPS TO IMPROVING YOUR BADGE OF TRUST!
Update your Headshots and Lifestyle Images, make sure you seem approachable, yet professional.
2
Re-write your bio to make use it’s the most up to date, don’t forget to include your accomplishments, recent publications, or community involvement.
3
Re-Organize your list of projects, showing the most recent projects first. Considering retiring those that are out of date or could be seen as unrelatable to today’s marketplace.
4
Make sure your website is mobile compatible. Never assume that one design will work for both desktop and mobile viewing.
5
Connect your social media. Your website should provide a road map to a viewer, always give them more information than less.
M|G EVENTS
PORTLAND COMMERCIAL PRODUCT PARADE
SEPTEMBER 14, 2023
LOCATION: TBD
HIGH POINT MARKET
OCTOBER 14 - 18, 2023
HIGH POINT MARKET AUTHORITY
164 SOUTH MAIN STREET, SUITE 700 HIGH POINT, NC 27260
IIDA NE DESIGN AWARDS
SEPTEMBER 21, 2023, 5:30-8:00PM
SOWA POWER STATION | 550 HARRISON AVE, BOSTON, MA 02118
FALL MARKET
OCTOBER 3 - 4, 2023
BDC, ONE DESIGN CENTER PLACE BOSTON, MA 02210
25TH ANNUAL FASHION SHOW | IIDA
NOVEMBER 9, 2023, 7:00-11:00PM
LOCATION: TBD
BOUTIQUE DESIGN NEW YORK | BDNY
NOVEMBER 12-13, 2023
JAVITS CONVENTION CENTER
655 WEST 34TH STREET
MANHATTAN, NEW YORK CITY 10014
HOLIDAY STROLL
DATE: TBD
BDC, ONE DESIGN CENTER PLACE BOSTON, MA 02210
...JIM M-GEOUGH ON THE LEFT IN THE M-GEOUGH SHOWROOM ON BOYLSTON STREET, BOSTON IN 1980!!
MAKE SURE YOU'RE ON OUR MAILING
“THROUGH THE BAC, WE’RE EXPERIENCING A RENAISSANCE IN OUR INDUSTRY.”
- MAHESH DAAS, PRESIDENT OF THE BOSTON ARCHITECTURAL COLLEGE
M-Geough was delighted to host this event for the BAC School of Interior Architecture + Design alumni community!
