Exhibition Catalog: The Enso Circle Continuing Residents, April 2024

Created and led by Michelle Belto & Lyn Belisle www.theensocircle.com

Introduction

Collections and found objects hold a special place in the hearts of many Continuing Residents this term. We are avid explorers of the world around us, uncovering beauty and wonder in our journeys. Whether scouring secondhand shops, scrolling through Pinterest, or wandering nature’s trails, we eagerly gather, sort, study, and contemplate the treasures we find, extracting details and stories from the mundane to the fantastical.

Our pursuits extend beyond physical objects to encompass our experiences and the people we encounter. Even when life presents challenges or interrupts our routines, we maintain our spirit of observation, reflection, and discovery, finding joy in the everyday moments and connections with others.

This catalog celebrates the diverse explorations of our fellow CRs, inviting you to immerse yourself in their courageously shared stories. Take a moment to pause and appreciate the richness of their journeys.

May your own garden of discoveries flourish as you accompany us through the fruits of our term.

Heather Tinkham Program Administrator

April, 2024

“Remaining

in this circle we realize the benediction of our togetherness. Not always knowing our own direction, we feel held as we venture forward offering our voices and strength to one another. We find the community that is home allowing us to come home to ourselves.”

Ingrid Tegnér Enso Circle Continuing Resident

Enso Circle Continuing Residents

Flo Bartell - Los Osos, CA

Anna Boedecker - Concord, NH

Ann Bonestell - Los Osos, CA

Gail Byrnes - Ipswich, MA

Sue Conner - Oak Hills, CA

Mary Frances Spears - San Antonio, TX

Sandi Hall - Vacaville, CA

Jasmine Kindle - San Antonio, TX

Wally Lafaiete - Helotes, TX

Ann Leach - Joplin, MO

Vanessa Martin-Langone - Toluca Lake, CA

Marian McKenzie-Cone - Timaru, New Zealand

Nadine Rusinek-Bloomfield - Toronto, Canada

Pamela Stratton - Rockport, MA

Ingrid Tegner - Bellingham, WA

Heather Tinkham - St Paul, MN

Michelle Trachtman - Crownsville, MD

Sarah Treanor - Akron, OH

Stan Unser - San Antonio, TX

Circle of Collectors

Over the past 12 weeks the Enso Circle Continuing Residents delved into the theme of “Circle of Collectors.” This theme, a fusion of Lyn Belisle’s focus on circles and Michelle Belto’s concept of found objects, prompted deep introspection into the significance of collecting for artists. Throughout the residency, artists explored the myriad ways in which they collect found objects, bits of nature, stories, scraps of songs, and other inspirations, as well as, how these collections inform their artistic voice and practice.

Drawing inspiration from Rick Rubin’s assertion to “Look for what you notice, but no one else sees,” participants reflected on the unique insights and perspectives embedded within their collections. These collections, whether tangible objects or intangible “aha” moments, were recognized as essential components of their creative identity, influencing and informing their artistic endeavors.

Moreover, discussions centered on the role of collections in shaping artistic vision and expression. Participants took a closer look into the ways in which their collections serve as reservoirs of inspiration, providing fertile ground for the creation of new content and ideas. The resonance of visual discovery platforms, like Pinterest, were also explored, highlighting the innate human inclination towards visual content and creative ideation.

Throughout the residency, participants expanded upon the notion of collecting beyond mere acquisition, viewing it as a deeply ingrained aspect of artistic exploration and self-expression. By engaging with their collections in a meaningful way, artists discovered new dimensions to their creative practice, unlocking the clues to their unique artistic voice and vision. As the residency progressed, participants harnessed these insights to enrich their work, forging deeper connections between their collections and their evolving artistic identity within the Enso Circle community.

FLO BARTELL

About the Artist & the Work

For several months, I have been gathering items to symbolize moments and milestones in my life: lace reminiscent of pieces my mother crocheted, computer parts to signify technological advancements, photographs, and more. I intend to use these items as elements in collages or incorporate them into sculptural pieces. Additionally, for my “The Cost of War” encaustic painting, I sourced gas ration stamps from World War II.

During World War II, mandatory rationing of goods was implemented to support the war effort, profoundly impacting my youth and continuing to influence my perspectives on consumption and resource utilization. Memories of rationing evoke the collective anxieties experienced by all Americans during that era. We were all connected by knowing someone in the military or someone who had perished.

My painting serves as a representation of my recollections from that time and pays homage to the countless sacrifices made by individuals.

p

“COST OF WAR”: Encaustic with ration stamps on wood - 12” x 12” - NFS

ANNA BOEDECKER

About the Artist & the Work

“We shall not cease from exploration, and the end of all our exploring will be to arrive where we started and know the place for the first time.” - T. S. Eliot

A local gallery owner publicized me as a “mixed media and fabric artist.” Somehow seeing that in black and white gave me a new perspective on my creative adventures. It highlighted the connection between the mixed media work I’ve done (especially altered and handmade books) and the fabric and fiber art I’ve been playing with more recently. There are common color palettes, themes and aesthetics across all of my best work.

I brought that insight consciously into my art practice this term. I was at a dead-end in my fabric art. I returned to paper collage, where my artistic journey began. I then challenged myself to interpret the themes that emerged in fabric and fiber, using the same color palette.

Those explorations, and Lyn Belisle’s Pilgrim’s Scroll class, led me to my final pieces for this term. They combine paper collage with fabric, fiber and natural elements. I’ve chosen one of these for this catalog. Compassion is an homage to Kwan Yin and the healing power of nature.

GAIL BYRNES

About the Artist & the Work

Over the years, I’ve amassed a diverse collection of natural treasures, including driftwood, shells, stones, crystals, roots, and various plants. These items hold a special significance for me, as many of them find their way into my artwork. I’m deeply convinced that there exists a profound and sacred harmony when the realms of art and nature intertwine.

Each piece I collect carries its own unique story and energy, infused by the natural world from which it originated. As I incorporate these elements into my creations, I feel a deep connection to the earth and all its wonders. It’s as though each artwork becomes a testament to the beauty and mystery of the natural world, capturing a moment in time where human creativity harmonizes with the rhythms of nature.

For me, the act of merging art and nature is not simply about aesthetics; it’s about honoring the inherent wisdom and beauty of the world around us. It’s a celebration of the interconnectedness of all living things and a reminder of our responsibility to cherish and protect the planet that sustains us. In this way, my artwork becomes not only a reflection of my own experiences and creativity but also a tribute to the profound and enduring relationship between humanity and the natural world.

SUE CONNER

About the Artist & the Work

“...the lengthening shadows needn’t be depressing, but rather a chance to stop and notice the everyday glories you’ve been too distracted to see...You don’t have to follow any particular faith or wisdom tradition to realize that the sacred and miraculous are everywhere... even though we... tend to walk around not noticing them.” - Susan Cain

Today, I choose to notice. I look more closely at the people, places, and things that are overlooked and discarded. And so, this series unfolded. It began with a goal of walking 100 days and collecting the often unappreciated objects, both man-made and from nature, then creating hand-stitched 4x4 compositions in which the individual piece included at least one of each. The initial intent – to honor the rich, untold stories that lie within the found objects. Observing the artifacts side by side in each composition suggested the idea of juxtaposition and the title for the series was realized.

In coming to terms with being in my twilight years, I am not disheartened - I approach every day as a gift and find refuge in the creative process. My hope is that others will in turn find refuge when viewing the results.

MARY FRANCES SPEARS

About the Artist & the Work

This winter our travels took us to the desert southwest. Spending time in areas managed by the Bureau of Land Management and National Recreation Areas was a unique and awe-inspiring experience. I was introduced to dualities that I had never considered. It’s a landscape of both tranquility and intensity where snow covered mountains overlook canyons carved by ancient rivers revealing layers of history. A place where life giving rain often comes in the form of ferocious storms.

While the desert may excel at managing limited resources, we still have much to learn. In this painting “Stormy Sunset at Lake Mead,” the water lines glow even in the darkness. The setting sun shines on the mineral laden canyon against a wall of rain.

Five states compete for water rights from the mighty Colorado river. While the river runs at historic lows, Lake Mead and Lake Powell experience a new, lower normal. Having dropped by 160 feet over the last two decades, with alfalfa demanding as much as 43% of the river’s resources across all 5 states we cannot continue to grow the same crops in these arid regions. We must adapt to survive.

p “STORMY SUNSET ON LAKE MEAD”: Cold wax and oils on birch panel - 16” x 16” - $575

About the Artist & the Work

“Mom’s Nest” is a poignant tribute to my mother, who recently departed unexpectedly at the age of 90. Crafted from coiled cotton fabric, this vessel embodies the essence of a nest, reminiscent of the nurturing haven my mother provided throughout her life. The unique shape draws inspiration from nesting dolls, reflecting the layers of love and memories she encapsulated within her being.

A small strip of dark brown fabric, extracted from a dress I meticulously crafted for her to wear at each of her grandchildren’s weddings, adorns this piece. This fabric holds within it the threads of cherished moments and familial bonds, weaving a tapestry of love and legacy.

The textured thread used in “Mom’s Nest” is Scrubbie yarn, a material my mother famously fashioned into oddly shaped washcloths despite her rheumatoid arthritic hands. These Scrubbies, crafted with love and perseverance, served as tokens of affection for family, friends, and even strangers she encountered on her journey through life. In her ever-prepared manner, she carried several in her purse, a gesture of kindness “just in case” they were needed.

Nestled within this vessel lie precious mementos of my mother’s life - a Scrubbie imbued with her spirit, her wedding rings symbolizing a lifelong commitment, and heartfelt notes from loved ones echoing the depth of their affection.

As an artist, “Mom’s Nest” represents a departure from the confines of my sewing machine and an exploration of new creative realms. Through this process, I’ve discovered that true artistry emanates not from the tools at my disposal but from the depths of my soul. Each stitch, each detail, is infused with a profound sense of love and reverence, paying homage to the extraordinary woman who continues to inspire me from beyond the veil.

“MOM’S NEST”: Cotton fabric, sisal rope, cotton & metallic threads, Scrubbie yarn - 10”x10”

JASMINE KINDLE

About the Artist & the Work

Every birth holds the seeds of multiple deaths; childhood fades, and homes become houses -memories, bittersweet bouquets of yesterday.

Although my children are grown, I still see them dancing amid fairy rings, planning tea parties for mad hatters, and dreaming of being Little Women.

Requiem is the latest piece in a collection of work created over the last year that tells a story of exquisite transformation, profound loss, and inspiring love.

For as long as I can remember, the fairy statue in the photograph has been carried from home to home by both of my children. She now sits tucked away in my youngest daughter’s room, one wing broken, a reminder that innocence does not last forever.

This term, I expanded my mixed-media practice by incorporating my photography into hand-built structures using wax, paint, dried foliage, collected treasures, and other remnants of the past.

“Come away, o human child!

To the waters and the wild

With a fairy, hand in hand

For the world’s more full of weeping than you can understand.”

William Butler Yeats

About the Artist & the Work

I am truly grateful for the invaluable lessons and inspiration I’ve gained from the Enso Circle community. Each day, I find myself deeply moved and motivated by the talented artists within this group. While I’ve been immersing myself in creating assemblages and exploring the enchanting world of Encaustic medium, I recently felt a pull to revisit watercolor painting techniques. I believe they provide an excellent foundation for my encaustic artworks.

To my delight, several of my recent art pieces have been selected for exhibition at prestigious venues such as the Bristol Museum in Rhode Island, the Frisco Discovery Center and the San Angelo Museum of Fine Arts in Texas. This recognition has been both humbling and exhilarating, affirming the significance of my artistic journey. “Fire”, the watercolor painting next page, was recently in an exhibition at the Bristol Museum.

In my exploration of watercolor painting, I stumbled upon the captivating instructional videos of British watercolor artist, Paul Clark. His teaching resonates deeply with me, igniting a newfound passion for the medium. So much so, that I’ve made the decision to embark on a journey to Ibiza, Spain at the end of April 2024 to attend one of his week-long watercolor workshops.

I am eagerly anticipating the opportunity to further refine my skills and return to Texas inspired to create more!

About the Artist & the Work

ANN LEACH

As I approach my next birthday, I have been looking back on the highlights and lowlights of my amazing life and wanted to capture them artistically.

I discovered a fabric book-making class called Nushu: The Secret Language of Women. The Nushu women would record their emotions and concerns on items like scrolls, quilts, or books. Interpreted literally, Nushu means ‘women’s writing’.

Embracing the example of these elders, I found myself creating a personal visual language through each page of memory using stitching, mark-making, and designing with embellishments. As a visual learner, I loved capturing life in such a creative and visual way.

Life’s experiences come in many colors and it was a fulfilling process to capture mine in this manner, thanks to the guidance of the Nushu women.

VANESSA

MARTIN-LANGONE

About the Artist & the Work

Within the realm of abstraction, I embark on a profound exploration of the enigmatic essence that defines our humanity, delving deep into the mysteries that defy easy comprehension. This journey leads me into the intricate labyrinth of our existence, where I strive to unearth fragments of our being that linger beyond the grasp of words or logic. In this quest to unravel the ineffable, I encounter a mesmerizing interplay of color, light, and shadow, each element weaving its own narrative within the vast canvas of consciousness.

With every brushstroke and line, I navigate the ethereal terrain of the soul, tracing the contours of our collective journey through the intricacies of existence. These artistic gestures serve as whispers of insight, offering glimpses into the innermost chambers of our being and the timeless questions that resonate within us all.

Through the fluid language of abstraction, I seek to capture the essence of human experience - the fleeting moments of joy, the depths of sorrow, the yearning for connection, and the ceaseless pursuit of meaning. Each composition becomes a reflection of the soul's eternal dance, a testament to the beauty and complexity inherent in our shared voyage through life.

In this boundless expanse of creation, I find solace and wonder, as I bear witness to the ever-unfolding mystery of what it means to be human. It is through the transformative power of art that I navigate this sacred terrain, embracing the uncertainty and embracing the boundless potential that resides within us all.

p “INCOGNITA”: Quadriptych mixed media on cradled wood panels - 16” x 20" - NFS

About the Artist & the Work

MARIAN MCKENZIE-CONE

Reflecting on the profound joy of family bonds and the privilege of cherishing grandchildren is a journey filled with gratitude and reflection. As they turn 18, it’s a poignant moment to honor their growth and individuality within our family.

Each grandchild inspires me to create art that captures their unique journey into adulthood. This catalog showcases the culmination of this endeavor, exploring their interests, aspirations, and cherished moments shared over 18 years.

Comprising carefully curated photographs spanning their formative years, the artwork provides insight into their personality and experiences. From snapshots of childhood snuggles to depictions of their passions like rock climbing, each image reflects the depth of our bond.

Symbolic elements like a football representing their sporting achievements and a map tracing their life’s journey further enrich the narrative. These tangible tokens offer a reflection of their journey and the love they’ve received along the way.

Crafted with meticulous care, the artwork serves as a sanctuary of memories, incorporating various materials and symbolic elements imbued with significance. It invites viewers to reflect on the interconnectedness of family and the enduring legacy of love.

NADINE

RUSINEK-BLOOMFIELD

About the Artist & the Work

The Enso Circle Continuing Residency this term gave me the inspiration and courage necessary to take unexpected artistic risks. Maybe this is the map to “unstuckness”.

I experimented with accretion, embroidery and collage. I incorporated my poetry. My work moved into the feminine; with explorations of how women heal and hold grief. The notion of repair and mending - which draws on the Hebrew tradition of ‘Tikkun Olam’ (healing the world) and the red threads of Kabbalah (mysticism) are in here too. My work moved toward the illustrative and archetypal…a lace and embroidered universe.

We can move forward with our mythological maps, this is how we navigate hope. All the transformative mystical, creative energy of the cosmic seemed to carry me across the work this term.

This piece felt important to me as an artist for many reasons.

p “THREADS”: Birch substrate, rice paper, collage, encaustic, personal poetry, thread, oils, pan pastel, gold leaf - 8” x 8” - NFS

About the Artist & the Work

PAMELA STRATTON

I’ve been exploring three-dimensional forms this term, with a focus on circles and our collections of found objects. Kathryn and I have spent years collecting pottery shards and beach glass on our walks along the Atlantic shores of our hometown, Rockport, Massachusetts. These shards have remained in jars and various containers for years.

For this session, I decided to create a sculpture evoking the sea, incorporating circular forms and our collected pottery. The shards, smoothed and rounded by years of being tossed by the tides, hold a special significance. With my background in mosaic making, I aimed to create a pleasing arrangement without cutting the tiles.

When I look at the sculpture, I can hear the surf, feel the breeze against my face, and sense the damp sand under my feet. It is a tangible “Remembrance” of the places these objects originated from and the joy we experienced in gathering them.

It’s amazing how art can transport us back to those moments on the shore!

p “REMEMBRANCE”: Carved polystyrene foam, plaster, paper and encaustic wax with embedded found pottery shards - 10” x 14” x 5” - NFS

About the Artist & the Work

INGRID TEGNÉR

Throughout this term, we explored the symbolic depths of circles, unraveling their intricate meanings. Within this exploration, I grapple with the enigmatic nature of my own circle - a journey spanning generations, concealed yet profoundly ingrained. It traces back to my ancestors’ brave voyage from Sweden to the United States, driven by the pursuit of opportunities. Today, it finds resonance as my grandchildren flourish in Sweden, reconnecting with our familial roots. This narrative resonates with a broader human quest for a better life, forming a circle encompassing identity, memory, and place. It’s a tale woven with the threads of stories and photographs I diligently gather, transcending the personal to become universally relatable - a tapestry of shared experiences and aspirations.

A century ago, my paternal grandparents departed Sweden for Washington state, planting seeds of a new life in foreign soil. Despite my own stint in Sweden, my allegiance remained with America. Yet, the subsequent generation, my children, felt the tug of their ancestral homeland, eventually returning to Sweden. Now, it serves as the cherished home for my grandchildren, reshaping what was once deemed the “old country” by my parents into the present and future sanctuary for our descendants.

During this residency, I embarked on an artistic odyssey, venturing into uncharted territories of expression. Revisiting photography, a medium with which I’m intimately acquainted, I drew inspiration from contemporary imagery that evoked the essence of eras past. This creative journey seamlessly melded the echoes of history with the vibrant hues of the present, breathing new life into my artistic practice.

HEATHER TINKHAM

About the Artist & the Work

“Child” and “Maiden” are two of the five figures in a series in which I explore the meaning of feminine archetypes in my life. In completing these pieces, I discovered that my experiences diverged from the stereotypes for those stages in life in unexpected ways, and have become pieces of the ways in which I experience the world rather than a linear progression of aging.

“Child” embodies a spirit of adventure and new experiences, full of learning about the world and being in the moment. She has an exuberant energy that wraps her in warmth and delight.

“Maiden” is my second attempt at that idea; what I did at first turned out to be more the “Mystic” archetype, and was included in last term’s catalog. “Maiden” was inspired by the way we seek to learn about what it means to be female and accepted in the world, while we exist in our space as a unique and, in my case, contrary individual. She wants to do the pretty things, yet the brightest point of her is her heart that shines through from within.

p“MAIDEN” (bottom): Figurative hand-stitched fiber - 8” x 16” - NFS q“CHILD” (top): Figurative hand-stitched fiber - 8” x 14”

MICHELLE TRACHTMAN

About the Artist & the Work

When tasked this semester to come up with something to do with the themes of circles, community, and collections the Venn diagrams quickly came to mind. As a retired speech therapist, I spent many years helping people use language again after a brain injury. Creating a piece to represent verbal/nonverbal communication just made sense.

The Venn diagram, in this context provides a visual representation that enhances the understanding of a conversation. A conversation being an interactive exchange of thoughts, ideas, information, or feelings between two or more people. Conversations can occur verbally, through spoken language, or non-verbally, In keeping with the theme this piece is circular - it represents conversation which connotes community and, a conversation being a collection of thoughts and ideas.

This densely embroidered piece is my interpretation of how to represent this term’s themes. It utilizes French Knots, and multiple layers of seed stitch. The black connecting lines represent the give and take of conversation.

p “CONVERSATIONS”: Sashiko cotton thread, silk thread & perle cotton thread - 10” Round - NFS

About the Artist & the Work

SARAH TREANOR

This piece is all about wonder. I am always experimenting with new media – chasing curiosity as I go. As a kid, I remember spending endless hours outdoors… riding bikes, building forts, making up fantasy worlds that we lived in until dinnertime. In my teens, I spent hours writing and drawing under my favorite trees. Still today, I find my inspiration and sense of wonder outdoors… while hiking, bird watching, or sleeping in hammock beneath the trees. Making art is how I honor and deepen that connection to nature and my own childlike curiosity.

“The Big Bang” is what I titled this piece because it feels like the initial spark into something more expansive to come. The process involved layering eco-print and cyanotype printing and altering the ratio of cyanotype chemicals to push the color tones. There were also some happy accidents (like the bleached out “starry sky” areas from a washing soda spill). It tells a piece of my story… my lifelong love of nature, art, and wondering “what if?”.

p “THE BIG BANG”: Ecoprint & cyanotype on wood panel - 6" x 8" - NFS

About the Artist & the Work

My primary goal as an artist is to foster viewer engagement and connection. When I encounter images that ignite my creativity, I embark on a journey to weave narratives that resonate and inspire. This process involves a series of transformative steps, including digital adjustments, photo transfers, and ultimately, the creation of a painted rendition. By merging abstract and figurative elements, I intentionally introduce a level of ambiguity that encourages viewers to immerse themselves in the artwork and construct their own interpretations and stories.

“La Llorona,” draws inspiration from the haunting Hispanic legend of a weeping woman condemned to wander in search of her drowned children. According to the tale, she may snatch other children near bodies of water if they are not careful. In this artwork, I have employed a unique approach by combining AIgenerated figures with two distinct abstract compositions, each transformed to evoke a sense of mystery and emotion.

Through the juxtaposition of these elements, I aim to capture the essence of the La Llorona legend while inviting viewers to contemplate its deeper meanings and implications. By leaving room for interpretation, I hope to spark curiosity and dialogue, allowing each observer to uncover their own narrative within the layers of symbolism and emotion present in the artwork. Ultimately, “La Llorona” serves as a testament to the power of storytelling and the enduring allure of folklore in shaping our understanding of the human experience.

p“LA LLORONA”: Photo transfer, fiber, acrylic, metal foil and oil on canvas - 30” x 30” - $1200

The Enso Founders

LYN BELISLE

WWW.LYNBELISLE.COM

Lyn Belisle is an award-winning teacher, artist, designer, and writer, who has taught a range of fine arts, humanities, English, and graphic design throughout her career. Lyn teaches mixedmedia workshops at Lyn Belisle Studio in San Antonio. She also teaches nationally, recently in Taos, Santa Fe, Provincetown, and Washington State.

Her signature media are earthenware, paper, encaustic,

and fiber. She has had six oneperson gallery exhibits since 2011, and recently retired from the faculty at the Computer Science Department at Trinity University.

Lyn is an active member of the San Antonio Art League, the Fiber Artists of San Antonio, the San Antonio Potters’ Guild, the Encaustic Art institute, the International Encaustic Artists, and The American Craft Council.

The Enso Founders

MICHELLE BELTO

WWW.MICHELLEBELTO.COM

An artist and teacher for over forty years, Michelle Belto has exhibited internationally and founded community arts initiatives. Her artistic focus on the interplay of time and memory is evident in her use of wax, creating complex surfaces that evoke eras of remembered experiences.

Before stepping back to focus on her visual art practice, Belto

held a thirteen-year position as adjunct faculty at Southwest School of Art, creating a full national and international teaching schedule.

Her innovative work has garnered awards and recognition, culminating in her exploration of Ordinary Prayers in an upcoming exhibition at the Nave Museum, June 2024.

p“UNWAVERING FAITH” - Wax, resin, cold wax, pigment, oil, collage on wood panel - 20” x 16” x 1.5" - NFS

Reading: Create Anyway

Book

Continuing Residents within the Enso Group experienced transformative benefits from reading David Limrite’s “Create Anyway.” His book not only served as a guide but also as a catalyst for personal and creative growth within the community. Through its pages, residents discovered profound insights into overcoming creative blocks, embracing vulnerability, and cultivating resilience in their artistic endeavors.

One significant benefit was the encouragement to persist in their creative pursuits despite challenges or self-doubt. Limrite’s emphasis on “creating anyway” resonated deeply with the residents, empowering them to push through obstacles and

maintain a consistent practice. This mindset shift fostered a renewed sense of determination and dedication among the community members.

Furthermore, the book provided practical strategies and exercises to ignite creativity and spark inspiration. Residents found the prompts and techniques offered by Limrite invaluable in breaking free from creative ruts and exploring new artistic territories.

Moreover, “Create Anyway” facilitated a sense of camaraderie and mutual support within the Enso Group. Shared reflections on the book’s teachings sparked meaningful discussions and collaborations, enriching the creative journey for all involved.

Insights from Enso’s Continuing Residents on “Create Anyway”:

“I have adopted his message, ‘show up and begin’. I also draw inspiration from other artists or a class when I get stuck. The idea of not feeling like every piece needs to be a masterpiece is freeing and helps me move forward.”

Sue Conner (on Chapter 11)

“My resilience has developed to just get paint or a scribble on paper to begin the motion of creating when I don’t know what to do. I go through photos I’ve taken and use those for inspiration too.”

Vanessa Martin-Langone (on Chapter 12)

“I have been reflecting on what I really enjoy in my art and it seems more and more at this stage of my life to be making art for my grandchildren that includes things from the past with their interests of today.”

Marian Cone (on Chapter 10)

“The courage to take risks comes from abandoning that external focus and creating what’s meaningful to me. Because my voice matters.”

Anna Boedecker (on Chapter 2)

“I think Chapter 5 is one I really relate to, as I am often caught in this feeling that all the other undone stuff will muddy up my mind in the studio if it’s hanging around. So I out other stuff first. Truthfully, it doesn’t ever actually do that! Once I’m in the studio, all the other life stuff disappears.”

Sarah Treanor (on Chapter 5)

In the vast realm of artistry, there are those whose creative endeavors transcend the mere act of creation, infusing their work with the essence of their very being. Ann Bonestell, known affectionately as CCAnn in the Enso Circle, is one such luminary whose artistic journey continues to enrich our lives with its depth, beauty, and profound meaning. Today, as we celebrate her presence among us, we pause to reflect on the indelible mark she has made on the canvas of our collective experience.

Ann’s creative journey is a testament to the power of inspiration drawn from the realms of poetry and vintage photography. The verses of Sufi poets Rumi and Hafiz serve as guiding stars, illuminating her path with their wisdom and grace. Their words, like brushstrokes on a canvas, infuse her work with a richness that speaks to the depths of the human soul.

Her collection of antique and vintage photographs serves as both muse and medium, inviting us to embark on journeys of exploration and discovery. Each assemblage and encaustic painting is a doorway to another time, another place, another story waiting to be told. Through her art, Ann invites us to see the world through her eyes - to glimpse the beauty and wonder that surrounds us, waiting to be uncovered and celebrated.

opposites, weaving narratives that speak to the complexity of the human experience. Through the language of color, texture, and form, she creates stories that resonate with our shared humanity, inviting us to pause, reflect, and connect with the world around us.

Beyond her artistic endeavors, Ann lives her life as a masterpiece - a testament to her unwavering commitment to adding beauty to the world. Her courage, resilience, and boundless creativity inspire all who have the privilege of knowing her. As Heather Tinkham beautifully expressed, Ann’s life itself is a work of art - an embodiment of the values and principles she holds dear.

In the Enso tribe and beyond, Ann is a cherished presence - a source of inspiration, wisdom, and compassion. Her dedication to the creative process is infectious, inspiring others to embrace their own artistic journeys with passion and purpose. Sue Conner’s words capture the essence of Ann’s impact - a friend whose kindness and gentleness light up the lives of those around her, leaving an enduring legacy of love and creativity.

But perhaps what sets Ann apart is her commitment to working from an archetypal place - a place where universal truths meet personal expression. In her art, she seeks to explore the intricate dance of

As we celebrate Ann’s living legacy, we are reminded of the transformative power of art to uplift, inspire, and unite us. Her journey is far from over, and we look forward to the countless masterpieces she has yet to create and the lives she will continue to touch with her boundless talent and generosity of spirit. Here’s to CCAnnmay her light continue to shine brightly, illuminating the world with its beauty and grace!

“We think of our creative work as making physical objects, but how we live our lives can be impressive works of art that we gift to those around us. Ann’s courage in doing her series review and her open sharing exemplified the bounty of her creative spirit. Her smile, perseverance, and light are a wonder to experience.”

Heather Tinkham

“Ann, AKA CCAnn, has been a constant and dedicated presence in our Enso tribe. She demonstrates her passion for the creative process through her generous contributions of her time and thought. I am blessed to call her my friend. Her kind and gentle nature is an example for us all.”

Sue Conner

“I was so inspired by Ann’s presentation of her work. So often, we do not get the chance to know what’s behind an artist’s work... what a pleasure it was to get to know what lies beneath the surface of some of her creations. I found myself both relating to and sparked by her beautiful work process and the stories she weaves into everything she makes.”

Sarah Trenor

pAnn Bonestell’s assemblages and encaustic paintings are a doorway to another time, another place, another story waiting to be told. To see more of her artwork visit www.bonestellstudios.com

p“Her collection of antique and vintage photographs serves as both muse and medium, inviting us to embark on journeys of exploration and discovery.”

“I am honored to know Ann Bonestell. I am inspired by her, and I stand in awe of the ways in which she expresses her spirit in her art and with her words. I admire and respect her mindful, storytelling approach to making art. She brings her sharp intellect, wisdom, and creative use of material to each of her pieces and generously shares so much of herself in her beautiful, authentic work. And Ann’s generosity extends to her support of other artists. Thank you, Ann, for being a cheerleader to us all. ”

Flo Bartell

“I met Ann online at least 15 years ago and we’ve corresponded back and forth regularly since then about art and life - we just clicked! She is smart and generous and curious. It was such a pleasure to get to hug her in person at the Morro Bay Encaustic Convergence two years ago and to actually work with her in a class. I love Ann’s courage and optimism and sense of humor, which matches mine in quirkiness. Ann has depths that are profound and precious. She’s an integral part of the Continuing Residents and a calm and constant inspiration to us all.”

Lyn Belisle

Floride Bartell

Flo.bartell@gmail.com

www.flobartell.com

Biographies & Contact Information

Anne Boedecker

annelboedecker@yahoo.com

www.arthealsthesoul.com

Ann Bonestell

abonestell@gmail.com

www.bonestellstudios.com

Gail Byrnes

gailbyrnes@gmail.com

www.harmoniahealingarts.com

Sue Conner

runbalance@gmail.com

www.sueconnerartist.com

Mary Frances Spears

me@maryfrancesart.com

www.maryfrancesart.com

Sandi Hall

SandiSays@icloud.com

Jasmine Kindle

jasminelivkiret76@gmail.com

Instagram: @chronically_creative8

Wally (Waldinei) Lafaiete

waldinei@hotmail.com

www.creativesparks.art

Vanessa Martin-Langone

vanessalangone@gmail.com

www.vanessamartinlangone.com

Marian McKenzie-Cone marian@planetnz.com

Nadine Rusinek-Bloomfield

Nadinerusinekbloomfield@gmail.com

Instagram: @nadinebloomfieldart

Pamela Stratton

pamstratton63@gmail.com

www.pamstrattonmosaics.com

Instagram: @pamsstrattonmosaics

Ingrid Tegnér

studio@ingridtegner.com

www.ingridtegner.com

Instagram: @salviarte

Heather Tinkham

heather@tiglioarts.com

www.tiglioarts.com

Michelle Trachtman

michelle.trachtman@gmail.com

Sarah Treanor

sarah@streanor.com

www.streanor.com

Stan Unser

stanunser@aol.com

www.stanunser.com

Ann Leach

ann@annleach.com

www.AnnLeach.com

FLO BARTELL

uwww.flobartell.com

Encouraged by my family of artists, artisans, and musicians, I've always been a maker, a tactile person. During my childhood…when I wasn't romping or hanging from a tree…I enjoyed making art from material I found in my backyard, around the house, and in my mother's sewing basket. And I knitted, sewed, and painted.

Now I work primarily in encaustic to create dimensional paintings and sculpture, satisfying my "maker" needs on many levels as I combine wax with fiber, paper, wire, and other found material. I teach encaustic painting and sculpture at my home studio on California's Central Coast.

ANNA BOEDECKER

uwww.arthealsthesoul.com

I found my way to art after many years as a quilter and crafter. Expressive art facilitated growth and healing during a time of profound grief. Since then I have shared the transformative power of art through workshops and retreats exploring mixed media and other modalities that lend themselves to free expression.

Buddhist principles and practices inform my creative life. My art practice is a spiritual practice that embraces the beauty of impermanence and imperfection. I incorporate botanically-dyed fabric, found objects and repurposed elements into mixed media and fabric art. Drawing inspiration from the landscapes of New Hampshire my work reflects a deep spiritual connection to the natural world. It has been described as earthy, reverent and mystical.

ANN BONESTELL

uwww.bonestellstudios.com

Inspiration for my work often comes in the form of poetry and I am particularly moved by the work of Sufi poets Rumi and Hafiz. Additionally, my collection of antique and vintage photographs often provides fertile ground for story. Often, a photograph will send me on a journey of exploration and research, a catalyst for the creative imagination.

I seek to work from an archetypal place, exploring ways to represent the things that we all know and feel. I like to probe the world of opposites, illustrating either a unified holistic vision or, conversely, one that describes a sense of separateness or isolation. I attempt to create a narrative in my pieces, whether simply in the language of color, texture and shape or, more elaborately, by suggesting a life, a place, a person, or a social statement.

GAIL BYRNERS

uwww.harmoniahealingarts.com

I inherited an old treadle sewing machine when I was 16, which began my passion for creating. I was an avid sewer for many years, and eventually did fiber arts, including weaving. I worked with clay for several years, and photography for a decade, having several solo shows. My work was largely about reflections and the macro world. More recently I have begun working with collage, and mixed media, and love combining different modalities. I have been an acupuncturist and shamanic practitioner for many years and enjoy experimenting with light, energy, and flow in my art and my work.

SUE CONNER

uwww.sueconnerartist.com

My life has been essentially about my journey to seek and maintain balance rather than to attain perfection. As my artwork continues to evolve, I remain committed to what I believe is important about the act of creating -- experimenting, discovering, making mistakes, appreciating success. The pure and simple joy realized through my creative process, is manifested throughout my artwork, and in turn contributes to achieving balance in life. My studio space is my sanctuary – a place where time almost stops. It is here that I find my focus and remember what is important – being compassionate and understanding, being mindful and grateful.

MARY FRANCES SPEARS

uwww.maryfrancesart.com

I began life surrounded by colors and textures of fibers and fabrics passed down by my grandmother. My grandfather, a naturalist, instilled a love and wonder of nature. I currently travel full time recording and responding to our public lands and historic places. With an eye to conservation, I try to capture a moment or story that shares my hope of preserving our lands for generations. Artistic influences include Kandinsky, Cézanne and O’Keeffe. Each one innovative in the approach to their environment.

SANDI HALL

uSandiSays@icloud.com

Sandi is a native Californian that delights in the discovery of nature. She and her husband, Barry, are working on visiting every state and National Park in the country.Sandi discovered her passion to create art later in life. She enjoys using recycled fabrics and treasures she has discovered in nature. The steady and most important aspect in Sandi’s work is prayer. She prays for its’ recipient as she works, which adds a personal and spiritual importance to each piece created.

“Color brings me joy.

Nature brings me inspiration.

Creating art feeds my soul.”

JASMINE KINDLE

u@chronically_creative8

Jasmine, a self-taught mixed-media artist based in San Antonio, Texas, specializes in collage and assemblage. Through experimentation with diverse mediums such as paint, pastels, and found objects, she explores themes of turbulence in body and mind, turning anxieties into embodied meditation. Using art as a gateway to uncomfortable subjects like grief and mental illness, she believes in the transformative power of storytelling. Influenced by nature, mythology, and contemporary poetry, her work delves into identity and societal norms. Jasmine is also a homeschool educator and intuitive coach, supporting neurodivergent people through expressive arts and meditation. With experience teaching yoga and facilitating workshops, she fosters healing and connection in her community.

WALLY LAFAIETE

uwww.creativesparks.art

I’ve journeyed through the realms of Marketing and Communications for over two decades, honing my skills and passion. Transitioning from São Paulo, Brazil to California in the late 90s, I embraced Graphic Design courses, igniting my creative spirit. This journey led me to the captivating world of New Media Art and ultimately sparked my interest in Photography. In 2016, my photographic endeavors opened doors to a role as Creative Editor for a local magazine, prompting me to open my own studio. Yet, amidst the hustle, my heart gravitates towards art that delicately intertwines disparate elements, weaving subtle narratives and connection - be it through encaustic and assemblage art or my newfound passion for watercolor.

ANN LEACH

uwww.AnnLeach.com

I am a life coach/therapist and always use creativity as a vehicle for expression as either a graphic recorder or doodler, creating visualmaps of next steps for my clients. I have supported local artists for years as a volunteer locally but just began exploring my own creativity in 2011 after losing everything to the EF 5 tornado that hit my town. I was board president of the local arts center at the time and saw firsthand the power of the arts to heal.

I have been hooked on art journaling, collage, and spirit dolls as mymediums for personal healing ever since.

VANESSA MARTIN-LANGONE

uwww.vanessamartinlangone.com

Originating from Ireland, my artistic journey began at my grandmother’s table, where painting brought me such joy as a young child. With a career spanning from animation to interior design, creativity has remained a constant thread in my life. As an artist, I relish in the process and journey of creation, from blank canvas to a finished work. Through every stroke and mark, I am attuned to inner rhythms, driving my intrinsic passion for artistic expression.

MARIAN MCKENZIE-CONE

umarian@planetnz.com

I work as a multi media artist with a range of materials and perspectives, acrylics, inks, paper clay, plaster bandage, wax, canvas, photography, found objects, family memories. My main themes are to do with family and relationships through the generations.

I have had several showings and catalog entries over many years. Have Teaching in primary, preschool and special needs, and Art and Visual art diplomas. I use collections of materials saved over time to influence my work, and make assemblages from these collections.

I live in Timaru, New Zealand and love travel and learning of the many wonderful cultures the world is made up of, each one being unique and in need of our understanding.

NADINE RUSINEK-BLOOMFIELD

I live and work in Toronto, Canada. I am a registered Expressive Arts Therapist and Psychotherapist, OCSWSSW. I consider myself to be a mixed media artist and writer. I have come to know that it is crucial to lean into the ‘graceful danger of imagination’. I was thrilled to be invited to Enso Continuing Residency in order to grow as an artist and also to support others in community. I am pulled toward encaustic’s propensity for forgiveness. This is grace, and one I seek in my work. I work into the wax my photography, painting & writing to become an archaeologist of my own story. A revisionist of memory, the shaper of my world. Letting the viewer discover themselves in the images. This allows beauty, connection and healing. There is a particular beauty in transformation and transcendence.

PAMELA STRATON

uwww.pamstrattonmosaics.com

I am a mixed media mosaic artist. living in Rockport, MA. I select themes from the simple surprises in nature’s beauty. The way sun light spotlights a shape, the ripple of water in a pond, or the amazing patterns left in the sand from the outgoing tide. I relish the exploration of materials and new techniques and never tire of experimenting. Currently I am incorporating tissue paper and reed, encaustic wax and eco printing into my mosaics and sculptures. I hope people will appreciate and enjoy the unique textures and amazing enduring quality of the material. Perhaps they will get lost in the flow as they tell their story, and sing their ancient song.

INGRID TEGNÉR

uwww.ingridtegner.com

Ingrid Tegnér is an artist and poetry facilitator. Artistic expression has helped her throughout her life, especially during times of intense stress and she believes that regularly engaging in the creative process is essential for maintaining emotional strength and spiritual balance. Helping others find their creative voice began when she was a social worker facilitating poetry therapy. She continues to lead poetry groups, and she has taught a variety of art classes over the years in both California and Texas. She now resides in the Pacific Northwest.

HEATHER TINKHAM

uwww.tiglioarts.com

I create fiber/mixed media 2D and 3D art to express aspects of our deeply human experiences in their conflicting yet intimately integrated ways. These unique, one of a kind pieces are designed to intrigue and capture your imagination. My art challenges the labels we so heavily rely on, focusing on the core essences of ideas, and bringing more honesty and authenticity into a world that is increasingly busy and chaotic. Ideally, my pieces end up like drops of water at the intersections of a grand spider web, magnifying the heart of the matter and focusing our attention on questions that are not easily answered yet are haunting familiar. My art practices incorporate experimentation, study, failure, expression, discovery, analysis, and observation. I see life as a balanced system of elements that sustain growth and evolution, where

MICHELLE TRACHTMAN

umichelle.trachtman@gmail.com

As a child I loved to sit and color and play with paper dolls! Eventually I craved doing something more creative. I fell in love with working with fiber and stitch. I learned to needlepoint, to make traditional hooked rugs, fabric collage/art quilts and art dolls.More recently I’ve wanted to connect more with Spirit through my artwork and started making spirit dolls. This series theme changed many times and ended up being about aging.Creating this way is freeing and has added to my desire to work with natural elements, mixed media, and sculptural creations.

SARAH TRENOR

uwww.streanor.com

Sarah Treanor has spent a majority of her life using art to transform grief and trauma into hope and purpose. Having lost both parents young, death has given her a unique reverence for life from a young age. Growing up on the Texas Gulf Coast, the visual aesthetic of coastal life has always influenced her. Rusty oil refineries abut glasslike ocean waters, buildings worn hard by sand and salt air; all of these produce feelings of imperfect beauty - visuals that resonate with her belief that we all get worn by life, yet remain beautiful creations. In all that she makes, she pulls from worlds of minimalism and mess, serenity and chaos; weaving it all into a cohesive, poetic honoring of life.

STAN UNSER

uwww.stanunser.com

I’ve been making artwork since my retirement in 2015 and am influenced by multiple class instructors including Michelle and Lyn at the Enso Circle. One class taught me to photo transfer using dissolving paper. After learning oil painting, I started using that to finish over the photo transfers. Now I use Photoshop, a larger printer, and various mixed media processes including encaustic which I learned from Michelle.

Are you ready to ignite your creativity?

For further information regarding the Enso Circle and to peruse past catalogs, we warmly invite you to explore our website: www.theensocircle.com

Delve into the depths of our community’s artistic endeavors, immerse yourself in the rich tapestry of creativity that defines our collective ethos, and behold the evolution of our shared vision. Visit our digital repository to unearth a treasure trove of inspiration, where each stroke of the brush, each fiber art, and each assemblage piece tells a story of passion, innovation, and boundless imagination.

Explore, engage, and be inspired as we continue to chart new territories of artistic exploration together.

www.theensocircle.com

On Our Work Tables

pSarah Treanor

pVanessa Martin-Langone

pPamela Straton

pMichelle Trachtman

pJasmine Kindle

pStan Unser

pNadine Rusinek-Bloomfield

pGail Byrnes