Fall Concert - 9/17/2025

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Symphonic Band

THE LEWIS-PALMER HIGH SCHOOL

MUSIC DEPARTMENT

proudly presents

The Fall Concert

Featuring the...

Symphonic Band and Jazz Band

September 17, 2025 7:00 PM

Lewis-Palmer High School Auditorium

Mr. Sam Anderson, director

Jazz Band

Steppin’

Mean

Flute

Kyosuke Bugg

Eleanor Flinn

Katelyn Jones

Andrew Kandrak*

Jodi Mayfield

Cassie Reever

Oboe

Camille Apineru*

Finn Jones

Clarinet

Mirabel Barr*

Mylee Bemis (bass)

Olivia Johnson

Zoe Johnson

Lila Knapp

Lewis-Palmer High School Symphonic Band

Saxophone

Lilly Bolton, alto*

Bryce Harris, alto

Chia-Hsuan Yu, tenor

Trumpet

Corey Cinalli

Silas Ewer

Isaac Grosjean

Grant Hamershock*

Samuel Hunt

Hosanna Kirkbride

Claire Lidington

Saxophones

Ella Armstrong,

Mirabel Barr, alto

Horn

Tessa Berthelotte

Brooke Tuck*

Trombone

Jack Bucheit

Grace Guerra*

Michael Hollist

Milo Ribaudo

Euphonium

Connor Antenor*

Ayslyn Hawk

Andrew Kandrak, alto

Cooper Wentworth, alto

Erin O’Connors, tenor

Jodi Mayfield, tenor

Abigail Meggett, tenor

Brekkan Kelly, bari

Michael Nunez, bari

Elsa Conley

Grace Kovar, bass

Piano

Brianna Chester

Vocal

Noelle Garcia

Tuba Viktor Soucek*

Percussion

Trajon Bruce

Brodie Davis*

Bodie McNeill

*principal

Names are ordered alphabetically to emphasize the importance of each performer

Special thanks to Brie Chester for percussion help!

Trumpets

Samuel Hunt

Evan Marsh

Tyler Smith

Jaxson Warman

Bass

Camille Apineru

Chia-Hsuan Yu

Drums

Elle Ruth Adams

PROGRAM NOTES:

Dance Episodes:

Inspired by the folk dance settings of Dvorak, Tchaikovsky, Brahms, and many other classical composers, James Curnow’s Dance Episodes is based on his own original melody that leaps and bounds with agility and spirit. This unique piece combines a European style folk melody with the rhythmic drive and energy of folk dances, to present a set of continuous contrasting variations.

-Program Note from the publisher

As Summer Was Just Beginning:

James Byron Dean (1931-1955) experienced the brightest and briefest movie career ever. In 16 months he made three movies: East of Eden, Rebel Without a Cause, and Giant. Only the first had been released when he was killed in a car accident at age 24. His death on September 30, 1955, sparked an unparalleled outpouring of sorrow. For three years after his death, Warner Brothers received more letters to him than to any living actor. And the James Dean phenomenon has never really ended. Thousands still come to the little town of Fairmount, Indiana, to see the farm where he grew up and to visit his grave there. His familiar image appears worldwide on posters and T-shirts. He has been the subject of many books, songs, TV documentaries, plays, movies, and hundreds of magazine articles. Forty years after his death, James Dean is still a hero to his own generation and to succeeding generations who keep his legend alive.

A bronze bust of James Dean by artist Kenneth Kendall stands near Griffith Park Observatory in Los Angeles, California. There is a Greek inscription on the right shoulder which, when translated reads, "As Summer Was Just Beginning." This sentiment, from a painting by John La Farge, is a Greek epitaph concerning the deathof a young person. I chose it as the title for this piece.

I loosely based the main melody (heard at the beginning and at measures 33 and 57) on an old British Isles folksong, "The Winter it is past, and the Summer's here at last." I chose it because Dean's Quaker heritage goes back to England, Ireland and Scotland, and because this simple bittersweet song about summer seemed appropriate for remembering James Dean.

-Program Note from the composer

Ghost Dancing:

In January 1889, a Northern Paiute Native American, Wovoka, had a revelation during a total eclipse of the sun. It was a genesis of a religious movement that would become known as the “Ghost Dance”. It was this dance that the Native Americans believed would reunite them with friends and relatives in the ghost world. Wovoka’s teachings spread quickly, and as the movement proliferated from tribe to tribe, it soon took on proportions beyond its original intent. The unity and fervor that the Ghost Dance movement inspired, however, spurred only fear and hysteria among white settlers that ultimately contributed to the events ending in the massacre at Wounded Knee where, on December 29, 1890, the U.S. Cavalry killed over 150 men, women, and children of the Lakota Sioux.

Musically, Ghost Dancing attempts to create an atmosphere of intensity, passion, and reflection. There are two main basic themes, the first that is stated immediately following the short, percussive introduction. With homage to Bartok, parallel augmented triads and quarter-note rhythms are featured, reminiscent of the great composer’s many works for young pianists. The second theme is introduced by the bass voices, followed by a short two-way canonic statement of the first theme. A slower middle section is a variation of the main theme, followed by a short timpani solo and a return to the second theme before a final burst of the main themethis time in a three-way canon.

-Program Note from the composer

Upcoming LPHS Band Events:

Wednesday, September 24—Jazz Improvisation Workshop, 3:30pm at LPHS

Thursday, September 25—D38/D12 Combined Concert, 7:00pm at LPHS

Friday, September 26—Home Football Game vs. Mead, 7:00pm at Don Breese Stadium

Friday, October 17—Home Football Game vs. Palmer, 7:00pm at Don Breese Stadium

Tuesday, October 21—Wind Symphony Rehearsal, 7:00pm at LPHS

Wednesday, October 22—Theme Concert, 7:00pm at LPHS

Lewis-Palmer High School Administration

Amber Whetstine, Superintendent Jeffrey Zick, Principal

Brooke Mendez, Assistant Principal Richard Thiele, Assistant Principal

Nick Baker, Assistant Principal / Athletic Director

Stacy Roshek, Assistant Principal / Activities Director

Lewis-Palmer High School Performing Arts Faculty

Kris Lilley, Theater Madeline Smith, Choir Sam Anderson, Band

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Fall Concert - 9/17/2025 by lphsbands - Issuu