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10/ projects

TENT

01 / monolith / 2021 02 / zwischen / 2018 03 / hortus / 2021 04 / food systems / 2022 05 / sauna workshop / 2020 06 / metal work / 2022

/ productive city / 2021 08 / oasis / 2022 09 / recycled hut / 2022 10 / bayer @ lentos / 2022

Programm

Detailzeichnungen und Planansichten für eine Außenbereichtoilette. Segelspanntuch definiert vorgelagerten Raum und Terasse. Kamin im entstehenden Außenbereich. Sitzstufen zum Wasser hin.

Bauort

Untere Donauinsel Alberner Schotterbank 48.160766 16.511714

Materialität Wachauer Marmor. (Antransport über die Donau möglich) Segelspannleinen. Formrohre Stahl Stahlseil

Planinhalt

Plan 1:25 Planansicht 1:50 Detail I 2:1 Detail II 1:2 Detail III 1:1 Detail IV 2:1 Teilansicht Textil 1:25 Faltschnitt 1:25 Schnitt AA‘ 1:25 mit Detail V 1:4

2 people / 1 emotion / 250cm x 250 cm x 250 cm

Within the limited space of a constructed cube set-up (250cm x 250cm x 250cm) 2 people act out a chosen emotion and record the short performance in three essential stages, key moments. The emotion (trust) sets the bodies in movement. The movement of one influences the other.

We are in a constant search for balance. This in-between space is an ever transforming void related to its environment, human and objective. Can it be drawn, measured, and translated?

2018 Studio with Christina Condak and Christina Jauernik

Projektpartner: Johanna Syré @Academy of Fine Arts

GARDEN STUDY / GARDEN OF CYRUS

The Persian ancient „Garden of Cyrus“ was situated at the center of the palace area of Pasargadae, Iran. Pasargadae was the capital of the Achaemenid Empire under Cyrus the Great, who ordered its construction in the 600th century before Christ. When Cyrus the Great created the garden in the center it was a powerful statement, symolizing authority fertility and legitimacy. Paradies on Earth.

“More than being a space for leisure or agriculture, Iranian Gardens were the only spatial configuration wherein any form of life was possible; They were in fact life-sustaining camps in the literal tabula rasa of the Iranian plateau.” (Khosravi Hamed, Geopolitics of Tabula Rasa)

OF CYRUS / plan drawing

GARDEN DESIGN / GARDEN OF the CYPRESS

Mediterranean plants are embedded into the topography, constituting a high degree of care in the first years, especially in wintertimes. In the future condition of the city of Vienna they will survive and thrive in the upcoming heat.

Looking at the edges of the site, where a lot of traffic takes place a new form of framing emerges. Using the ramp as an existing infrastructure, strings will be spanned between the ground and the bridge. Ivy is able to grow there. An organic and light wall develops.

In contrast to the persian paradise gardens, where even the word paradise translating to „walled or enclosed space“ indicates a harsh line between inside and outside. Here the edges are semi- permeable and have depth. A third space is created, neither inside nor outside. Horizontal and vertical permeability is achieved.

systems

GARDEN OF CONSERVATION

The story of a laboratory

Conservation has always played a huge role within the human edible consumption. But not only in a sense of seasonal availability the preservation of food critically questions our constant demands for goods. In times of climate change, overfishing and intense agricultural human impact certain foods might not be available to future generations at all.

In this speculative project a variety of machines are installed on the facade of a living unit within an urban setting. The different machines and containments conserve foods and afterwards display the produced goods. Using mostly century-old, but also modern techniques, the processes of conservation are conducted simultaneously. The prominent placement of the laboratory as well as the products of the processes serve catching the attention of the urban public.

Is this a garden of conservation or conversation?

GARDEN OF CONSERVATION / renderings

GARDEN OF CONSERVATION / renderings

GARDEN OF CONSERVATION

booklet for Tallin Biennale

/sauna workshop

EASA is an international voluntary network of architecture students, whose goal is the free exchange of ideas and the cultivation of more radical architectural practices. The main output of EASA is the annual summer school, where workshops, lectures and seminars dissect the central theme chosen for the specific assembly.

This workshop took place in the city Valga, Estonia. The city which is situated directly at the border to Latvia, suffers from decentralization, vacancy and emigration. EASA residency tries to constitute an interaction with the locals with discussions and small interventions.

The sauna is situated at the end of a broadened river. Being above water, one can hear the river float under one’s feet when sitting in the heat accumulated by the sauna stove. There is splashing sound of a small waterfall behind you, the vibrations of the cars passing the bridge above and right in front of you the view over the untouched riverbeds.

SAUNA in VALGA / photo

SAUNA in VALGA /

photo: Stefan Pavlovski

small metal case / iron and brass

production of an oasis

the structure is built up for then beeing burnt. fruitful humus is being produced. plants will be able to grow. the left parts of the framework serve as protection and climbing aid. the scaffolding can be used again afterwards. one complete cycle usuaelly takes up to two weeks.

production of an oasis / view

project partner: Jonathan Moser Course of Luciano Parodi @Academy of fine Arts

production of an oasis / stages of one cycle

production of an oasis / detail of scaffolding

production of an oasis / plan

/productive city

production spaces in Ottakring and Hernals / map

THE PRODUCTIVE CITY

Working and living in close proximity and density is something that might be one of the crucial features of urbanity. Looking at Vienna especially the 16th and 17th district fulfilled this definition. In the last years a lot of these small businesses are moving away into the outskirts. The districts become merely part of a sleeping city. Small shops are dying out, global products are flooding the market. The groundfloor city level is empty and dead.

Against this background, we searched for these small businesses that are still operating in Ottakring and Hernals. This resulted in a map as well as a list. Part of our cataloguing also included developing categories of typologies of the production spaces we found, as well as interviews and mappings of the spaces itself. In the end we exhibited the produced work at „Kunsttankstelle“ in the Grundsteingasse, 1160 Vienna.

project partner: Sidika Cuporoglu, Salome Schramm, Johanna Syré studio project with Christina Condak and Daniele Herold @Academy of fine Arts

production spaces in Ottakring and Hernals / list

production spaces in Ottakring and Hernals / typologies

production spaces in Ottakring and Hernals / exhibiton

the structure consists of a framework that is the filled with recycled materials. outdoor fabrics create spaces neither inside nor out.

recycled hut / detail of framework recycled hut / rendered details

stein

blechdach stahlraster aus HEA trägern L-träger

treppe, stahl/messing/holz tonne, zerschnitten,

vertikale HEA-träger mit punktfundamenten

glas, metall, steinplatten anbringung siehe details

fußboden holz unterkonstruktion abstandshalter zu boden recyclingbeton oder stein

blech, verschweißt gitter, mit tonne verschweißt tonne, stahl stütze mit punktfundament

1:1 detail L-profil, halterung beispiel glas und stein

1 HEA-träger, stahl

2 L-träger, stahl, aufgebogen, 50 x 80 mm

3 sechskant-holzschraube, unverzinkt, länge nach anforderung, hier 6 x 70mm

4 holzleiste, 35 x 10 mm

5 wiederverwendetes material, hier:

/bayer @ lentos

Ausstellungsdisplay

„Herbert & Joella Bayer“

@ Lentos Kunstmuseum Linz

work at and with Nicole Six and Paul Petritsch

Exhibitiondesign with Nicole Six und Paul Petritsch (Mitarbeit) @Lentos Linz

Exhibiton Design /photgraph of Paul Petritsch

Exhibiton Design /photgraph of Paul Petritsch