BEA2068_TANLIJUN_1002058351_PORTFOLIO

BEA 2068 DESIGN STUDIO 4

P O R T -

F O L I O

CONTENTS

PROJECT 01

SITE ANALYSIS

-SITE ANALYSIS BOARD

-SITE MODEL

PROJECT 02

DESIGNING THE CULTURAL STREET

-DISECTION OF TELUK INTAN COLLAGE AND MODEL

-SITE RESPONSE

-CASE STUDY ABOUT CULTURAL STREET

-DESIGN INTENTION / CONCEPT / IDEATION

-TECHNICAL DRAWINGS

-RENDERED DRAWING

PROJECT 03

TOURISM HUB & MUSEUM

-DESIGN INTENTION / CONCEPT / IDEATION

-TECHNICAL DRAWINGS

-RENDERED DRAWING

-MODEL

-PRESENTATION BOARD

-PROGRESS

-CONCLUSION

PROJECT 1

HERITAGE OF TELUK INTAN

Background study of Teluk Intan

Teluk Intan, situated in the Hilir Perak district of Malaysia, seamlessly combines commercial vibrancy, historical richness, a eco-tourism. Formerly Teluk Anson, the town is now a flourishing commercial hub, where modern enterprises coexist with the his embodied by the Leaning Tower of Teluk Intan. Amidst this, eco-tourism is gaining prominence, as the region's natural beauty a becomes a focal point for sustainable travel. Visitors can explore not only the architectural wonders and commercial opportuni eco-friendly activities, promoting environmental conservation and appreciation for the local ecosystems. This integration of c eco-tourism makes Teluk Intan a multifaceted destination catering to a diverse range of interests.

TIMELINE OF TELUK INTAN

HUMAN & CULTURE SITE ANALYSIS

I) Macro Study | Population

ii) Micro Study

History

Previously known as the Teluk Mak Intan after a renowned female Mandailing Trader. Teluk Intan has historical roots dating back to the 16th century during the Malacca Sultanate. In 1882, Hugh Low, the then British Counsellor in Perak, proposed to the Perak State Assembly that Teluk Mak Intan be renamed "Teluk Anson" in honour of the contribution of the then British Governor in Penang, General Archibald Anson. The Perak State Assembly officially changed the name of Teluk Mak Intan to "Teluk Anson" on 14 November 1882 after a discussion. On January 1, 1982, on the occasion of the 100th anniversary of the establishment of Teluk Intan, the then Sultan of Perak changed its name to "Teluk Intan".

River cruises along the Perak River offer not only a picturesque tour but also a journey through the cultural tapestry woven by the river's presence. Teluk Intan's history can be traced back to the early days of human settlement in the region. The area around the Perak River was likely inhabited by indigenous communities. After Independence in the year 1957, the tower became an official national monument. From the outside, however, it has been disguised to look like an 8-storey Chinese pagoda. The water tank is no longer used and is empty now. The gradual tilt of the Leaning Tower was not part of its original design but resulted from the settling of its foundation over the years. Between 1889 and 1895, the Perak River flooded, and the soil became soft after a long period of soaking, so that the tower gradually tilted towards the town and sank into the soil, and later became the "Leaning Tower" we see today.

HUMAN & CULTURE SITE ANALYSIS

Transportation

Most prefer to work in the factory because the salary is increasing. The 1960s around 100 beca operate. According to a news article in 2021, Beca number starting to decline. Locals having a hard time finding profit.

Observation: There are no more beca around now.

Job Opportunity

Job opportunities are limited, prompting many young people to seek better prospects elsewhere. Numerous local businesses, such as Hawayi, have been passed down from the previous generation to the next. The majority of the local population here is engaged in various trade and commerce activities. This reflects a cultural and economic reliance on family businesses, where each stall or shop carries a unique story of familial succession and dedication to sustaining the community's economic landscape.

Community Issues

Most locals are less interested in the heritage’s history The community does not see the value of historical architecture to be turn into a product of tourism. They were caught in a dilemma either they leave teluk intan for high salary job or they remain staying in Teluk Intan for family. Less job opportunity. Vacillating helpful Segregation of cultural merging fabric in relation of religion Most shophouses are being occupied by the Chinese but eco- tourism are leaning to the Malays more.

Development Direction

On going project: Flood immigration project (Strengthen the edge of the river) Drainage being constructed deeper to avoid flood Renovations (Glutton Square (Done), Pusat penjaja di Jln Maharani, Pasar Besar Teluk Intan, Taman Rekreasi Riverfront) Tourist Package (example: 2D1N) Cultural Street and Art Street

Aim: To introduce Teluk Intan’s rich cultural history, environment and it’s awareness

Activity centre

Menara Condong Changeable space: Weekend: the streets are for pasar malam, the open space near menara Condong people gather to have a picnic Chinese New Year: A stage is set up for performances and lively festivities (Singing and dancing)

Holidays: Malay vendors set up stalls to sell clothing. Padang Speedy, Stadium, Arena Football Matches

TOPOLOGIES PROGRAMMERS SITE ANALYSIS

I) Zoning

iii) Temporary/changeable spaces

ii) Activitiy typology

Pasar malam

During daytime, the road will be used as normal road for vehicles, however during nighttime, there will be night market fully occupy the road. This night market only happens on Saturday.

Padang Speedy

During daytime, it will be used as just a normal field, maybe some people will play football. However, there are more family recreational picnic happens at the field.

CULTURAL MAPPING GAME BOARD

SITE MODEL

PROJECT 2

This layer mainly talk about the captivating story behind this famous heritage from its simple start to becoming a marvel of architecture. It also shows that " in the blink of an eye things change" .

This layer mainly show there are vibrant traditions and festivities in Teluk Intan . From rattan making to lantern festival, the town is a lively canvas of cultural richness.

This layer shows the changing world of craftsmanship as we explore the shift from handmade traditions to the wonders of technology.

DISECTION OF TELUK INTAN COLLAGE

The Leaning Chronicle :

CulturefestCanvas:

CraftingFutures:

Transformation Era

Chinese

Transformation Craft Heritage Old Era

Indian Traditional Craft Heritage Era

Malay

Future Craft

SITE RESPONSE + DESIGN CONCEPT

BUBBLE DIAGRAM

MOOD BOARD

Concept

The Heritage Avenue is designed to blend tradition with modernity creating a vibrant space that celebrates Teluk Intan’s rich cultural heritage while embrace contemporary elements to engage visitors and foster community interaction. This street serves a way to preserve and showcase the city’s unque heritage.

Design Intention

Design Intention 1 : Site

Design Intention 2 : Building Typolgy

Design Intention 3 : Building Programme

-To design and create a vibrant and culturally immersive destination that celebrate the rich heritage of Teluk Intan.

-To design a street as heritage avenue that create culturally immersive space that can engage local community abd attract visi

IssueStatement:

LackofInfo

-To design a street featuring information center, artisan workshop,cultural activities and fostering dynamic experience.

Lackofinformationcounter LackofTourist AwarenessCultural Lackspacetogather Lackofloadingarea

NearMenaraCondong,severalnoteworthychallengeshavebeenidentified,includingalackofculturalawareness,limitedexhibitionspaces,and inadequategatheringareas.Pedestrianinfrastructurealsorequ

TRADITIONAL

GROUND FLOOR BUBBLE DIAGRAM

Legends

FIRST FLOOR BUBBLE DIAGRAM

Legends

TECHNICAL DRAWING

RENDERED DRAWING

P R E S E N T A T I O N B O A R D

‘ArtisanArcade’

Concept

TheHeritageAvenueisdesignedtoblend traditionwithmodernitycreatingavibrantspace that celebrates Teluk Intan’s rich cultural heritagewhileembracecontemporaryelementsto engagevisitorsandfostercommunityinteraction. Thisstreetservesawaytopreserveand showcasethecity’sunqueheritage.

IssueStatement:

Near Menara Condong, several noteworthy challengeshavebeenidentified,includingalack ofculturalawareness,limitedexhibitionspaces, and inadequate gathering areas. Pedestrian infrastructurealsorequiresattention.

DesignIntention

DesignIntention1:Site

-Todesignandcreateavibrantandculturally immersivedestinationthatcelebratetherich heritageofTelukIntan.

DesignIntention2:BuildingTypolgy

-Todesignastreetasheritageavenuethat createculturallyimmersivespacethatcanengage localcommunityabdattractvisitors.

DesignIntention3:BuildingProgramme

-Todesignastreetfeaturinginformationcenter, artisanworkshop,culturalactivitiesandfostering dynamicexperience.

DesignDevelopment

DesignIdea1

MaterialStudies

ParametricDesign-SubstanceMaterial

Itsdynamicdesignenhancesvisualappeal. Additionally,theparametricfacadeservesasa functionalelement,providingshadingand insulation.

RotatableWindScreen-WoodMaterial

Canasactivedesigntoletwindinwheneverrotate androtatebackifunused.

DesignIdea4

Thezigzagshapecanbeuseindesigningthe roofforbettersunshading.Theskylightatthe roofcanactaspassivedesigntoletnatural lightingcomein.

DesignIdea3

Thezigzagshapecanbeactasarchitecture interactionsuchasusingforparametricfacade lookslikemovingfacade.

StructureConnectionJoineries

WoodenJoineries

Byplacingametalplatandconnectthe woodenbeamtotheexisitingcolumn.

BoltandNutJoineries

Byscrewingtheboltandnuttothebamboo itcanactassupporttoholdthebeam structureofbamboo.

BambooPartitionWall-BambooMaterial

Canactastemporarystructure,canbedisposed orkeepeasily.Longlastingandsustainable material.

Strength

-Strategiclocationbecauselocatednear manyheritagesiteandcommercial building -Canhave4easementforP2site

Weakness

-Hotduringafternoonneedshading device

Theshapeisfoundandinspiredinbamboo weaving,shapestransformlikemagic.Startwith diamonds,endwithzigzags.

DesignIdea2

Thezigzagshapecanbeusetoseperateeach zoneeffectivelyanduseasatemporary structure.

-Soundpollutionduetobeingparellelin busyroad

Oppurtunity -Mayattracttouristfromheritagenearby. -Canmaximizetheuseof4easement.

Thread

-Lackofzebracrossing -Nomotorcycleandbicycleparking

InteriorPerspective

CulturalShadowExperienceFoodCourt

Gallery

PerformanceStage

SmallPavilion FrontFacade

RotatablePartitionWall

ParametricFacade

CulturalShadowExperienceFoodCourt

InteriorPerspective ExplodedAxonometric Skylight ExteriorPerspective

GroundFloorSlab

GroundFloor BambooColumn andBeam

FirstFloor

ColumnandFacade RoofStructure Roof

M O D E

PROJECT 3

SITE RESPONSE + DESIGN CONCEPT

BUBBLE DIAGRAM + MOOD BOARD

Concept

The Tourism Nexus Plaza serves as a welcoming open space designed for visitors to mingle, unwind, and immerse themselves in the local culture. This area combines leisure with cultural discovery, offering a unique environment where the arts and daily life intersect. The plaza is an essential part of the theater complex, designed to be a lively spot where tourists and community members can gather before or after a performance, during exhibitions, or simply to enjoy a leisurely day out.

Design Intention 1 : Site

--To design and create a vibrant and culturally immersive destination that celebrate the rich heritage of Teluk Intan. Design Intention

Design Intention 2 : Building Typolgy

Design Intention 3 : Building Programme

-To design a building that create culturally immersive space and a place that can engage local community and a place to let tourist to gather.

IssueStatement:

-To design a building featuring information center, artisan workshop,theatre and fostering dynamic experience.

Lackexhibitspace LackofInfo Lackofinformationcounter LackofTourist AwarenessCultural Lackspacetogather Lackofloadingarea

InTelukIntannearMenaraCondong,urgentarchitecturalattentionisneededtoaddresschallengessuchasalackofculturalawareness,limited exhibitionspaces,andinadequategatheringareas,alongsidethepressingneedforimprovedpedestrianinfrastructure.

DesignIdea

DesignDevelopment

1.InitialForm:Begin witharegular architecturalformas thefoundation.

4.Maximize Natural Light: To maximize naturallightpenetration.

2.Transformation:Integrate bambooweavingintotheentrance andopeningstoharnessnatural airflow.

5.ReflectiveShapeDesign: Optimizingpassivedesignfor maximumnaturallightthroughout theday.

7.Floating Theatre Concept: Push the architectural form inward to create a floating theatre space on the upper levels.

Extract

8.Form

Incorporate the theatre seamlessly into the design to offer a positive view from MenaraCohndong.

DesignIdea1:EmbracingTradition

IdentifythetraditionofTelukIntan: BambooWeaving.

DesignIdea2:ExploringFormand Shape Utilizethezigzagshapeextracted fromthetraditionofTelukIntan's bambooweaving.

DesignIdea5:CreatingComplexGeometries

Integrationofthezigzaganddiamondshapes, deriveanoctagonalform.

Extract

DesignIdea4:SynthesizingForms

-Combinethezigzaganddiamondshapes todevelopintegrateddesignelement whilefocusandcreateaninnovative spatialconfiguration.

Integratethediamondshape extractedfromthetraditionof TelukIntan'sbambooweaving.

TECHNICAL DRAWINGS

RENDERED DRAWINGS

MODEL

I O N

STAGE 2 DESIGN IDEA PROGRESS OF DESIGN

STAGE 1 DESIGN IDEA

STAGE 3 DESIGN IDEA

FINAL DESIGN APPROACH

CONCLUSION

In conclusion, the new tourist center in Teluk Intan has successfully addressed the previous shortfall in attracting tourists by providing essential information and enhancing the area's appeal. This center not only enriches the visit to Menara Condong but also ensures smooth access between the P2 and P3 sites, encompassing both the visitor center and museum. Building on this success, it is recommended to further augment Teluk Intan's attractions with a site dedicated to younger visitors, such as a theme park focused on traditional crafts. This approach would not only make Teluk Intan more appealing to families but also help in preserving and showcasing the region's rich cultural heritage. The establishment of the tourist center has effectively solved the initial challenge of low tourist numbers by creating a centralized, informative, and engaging hub.

END