LE GRAND MAG issue 47 | Summer 2023

AIRCRAFT AS BOLD AS YOUR AMBITION

Exceptional comfort in refined surroundings

Relax in your personal suite offering you ultimate comfort and balanced privacy. From the moment you book to the moment you arrive at your destination, First delivers exclusive luxury with the finest attention to detail.

Discover more at ba.com/first

LONDON TO NEW

Formerly

Estimate: $5,000,000 – $7,000,000 USD

Estimate: $2,800,000 – $3,200,000 USD

1967 Ferrari 275 GTB/4 by Scaglietti

Owned by Steve McQueen

1972 Ferrari 365 GTB/4 Daytona Spider by Scaglietti

CEO Bruno Facchetti

CHIEF FINANCIAL OFFICER Robert Willcox BUSINESS DEVELOPMENT Tom Scott CHIEF TECHNOLOGY OFFICER Stephen Smith

HEADQUARTER

CHIEF ADMINISTRATIVE OFFICER William Wilson CHIEF REVENUE OFFICER Hugh Coyle

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HEAD OF OPERATIONS AND BUSINESS DEVELOPMENT George Bowle

CHIEF DATA OFFICER Ben Thompson

SENIOR ADVISOR Enrico Roselli

DIRECTOR OF PARTERSHIPS AND EVENTS Valerie Bernard

NEWSROOM

CHIEF EDITOR Kristina Bauraite

ART DIRECTOR William Clark

Ludovica Pozzi, Patrick White, Matt Smith, Tom Bolton, Valerie Butler, Rita Medici, Sir William Walton, Margot Foubourg, Maggie Langwaltz, Thomas Rossi , Charles O’Sullivan, Marta Marcucci, Nick Tedson, Nick Wurth, Scott Weiner, Lauren Touley, Paolo Magni, Alessandra Borghi, Will Hoffman, Jurgen Wells, Magnus McStuart, Pat Johansson, Luke Smith, Harrison Ludwing Jefferson, Lorenzo Rossi, Paola Beltrandi, Michelle Rubie, Roland Buguillé, Gianfilippo Versari, Marlene Schultz, Robbie Krall, Roberta Wurttstrasse, Julie Mulberry, Giorgio Beltrami, Peggy Sloane, Norbert Karnig, Matteo Bondi, Giorgio Mudd, Stephen Downey, Ludwig Dott, Melanie Gerlis, Laura Verdi, Geoge Johnson, Bernard Ford, Alessia Giorgetti, Barbara Beltrandi, Giorgia Zucchi, Alessandro Bersani, Thom Sutton, Charles Cavalieri, Matthew Jones, Richard Taylor, Buck Brown, Cameron Parker, Stefania Owen, Paul Holmes, Charles Shaw, Roger Webb, Simon Bailey, Caroline Singht, John Anderson, Mason Gray, Ralph Dixon, Alexander Powell, Barack Stephenson, Marella De Giorgi, Giovanni Lustri.

MARKETING

Gianfilippo Versari

TRENDS FORECASTER

Paola Valpreda

STYLING

Paola Boccherini, Ludovica Dal Pozzo, Matteo Sforza, Margot Bouche, Valerie de Gourmerau

DOCUMENTATION DEPARTMENT & RESEARCH

Celine Benvenuti, Patrick O’Graady, Matthew Yeo, Debbie Curtis, Colette Chan, Federico Colussi, Valeria Bellini, Giovanni della Biglia, Donald Drake

PHOTOGRAPHERS

Nestor Wallace, Scott Coleridge, Susie Allgood, Justine Wong Shelley Wilson, Nick Seitz, Jack Milton, Dan Blacks, Fujico Makuani

SALES

FAIRS & EVENTS NEWS COVERAGE

Patrick Rogers, Lisa Girard, Kristina Belair, Liz Welt, Stepanie Newman, Luca Facchetti, Luis Facchetti, Alden Thong, Hank Baker, Tom Page, Mark MacSherry, Lisa Bow

SPECIAL CORRESPONDENTS

Linda Bove, William McCoy, Alessandra Marini,Silvio De Santis, Giuseppe Putilli, Chang Wong,Emil Gurgen, Giorgio Branca.

NEWSROOM sales@legrandmag.com newsroom@legrandmag.com

SPECIAL INITIATIVES

U.S.A.CAMPAIGNS : Victor Moreno-Barberà

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OPERATIONS & CIRCULATION

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ASSOCIATE DIRECTOR OF LOGISTICS : Anita Rossini

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EXPERIENCES PRODUCTION AND MARKETING : Pam Adams, John Star, Rosaria Bellini Giorgia Beltrandi, Silvia Gatti

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INTELLECTUAL PROPERTY, COPYRIGHTS & LEGAL : Ryker Schneider

DIGITAL EFFICIENCY

CREATIVE DEVELOPMENT AND PROGRAMMING, SOCIAL MEDIA : George Smith

SOCIAL MEDIA TEAM MANAGER : Melinda Kelsey

SOCIAL MEDIA CONTENTS : Thomas Pascoli, Marcel Moth, George Red, Patrick Bond, Claire Bertrand, Lio Belle

DIGITAL ENGAGEMENT SPECIALIST: Patty Ford

WESITE : Olga Webberth

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DIGITAL RETAIL STRATEGY IN CHINA : George Mine

DIRECTOR, AUDIENCE DEVELOPMENT AND ANALYTICS : William Chase

This museum-quality, rare Empire clock in gilt and patinated bronze with Eros leaning on a large lyre while gazing in the distance is a model by bronze caster and gilder Claude Galle (1759-1815).

GILDED AGE

This rare Empire clock in gilt and patinated bronze with Eros leaning on a large lyre is by Claude Galle. The sculpted and carved sculpture of Eros and his lyre form the main focus of this museum-quality clock. All the details and quality of making reveal the hand of the renowned bronze caster and gilder: Eros stands on the base of the clock, with one foot on a stool and his clothes draped around his body. He plucks his lyre, which contains the clockwork movement, while gazing into the distance. The clock has a quadrangular plinth in gilt and patinated bronze mounted with garlands, swans, butterflies and torches and resting on four ball feet with butterfly wings. Next to Eros is the arrows which he shoots to make people fall in love, a fire that warms and ignites the heart, and by his left foot are a quiver and a torch, all typical symbols of the god. In the middle of the lyre is the clockwork, which has a white enamel annular dial, signed Bailly à Paris, a clockmaker on Rue Menars and Rue Richelieu in 1810, wrapped around an openwork rosette with palmettes and foliage. The movement with anchor escapement and silk thread suspension strikes the hour and half hours on a bell. The white enamel dial features Roman numerals and blued-steel Breguet-style hands indicate the hours and minutes. In exceptional and perfectly working conditions, this Empire clock comes with its original mercury gilding. The clock has been cleaned and serviced by a professional clock maker, and comes complete with its pendulum, key and bell. This model is also known entirely gilded or with variations in the arrangement of the patina. In his book “Les ouvriers du temps”, Jean-Dominique Augarde wrote about a version of this clock signed by Claude Galle. (Images courtesy of Apollo Art & Antiques)

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This clock created in Paris, Empire period circa 1810 is 38 x 30 x 16 cm and weighs 7.4 kg, and comes with its pendulum, key and bell.

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This model is also known entirely gilded or with variations in the arrangement of the patina, according to author Jean-Domnique Augarde.

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The white enamel annular dial is signed Bailly à Paris, centred by an openwork rosette with palmettes and foliage.

Sponsor Principale della Stagione

Fondazionedidirittoprivato

OPERA SEASON 2022 • 2023

BORIS GODUNOV by Modest P. Musorgskij

7 - 29 December 2022

SALOME by Richard Strauss

14 - 31 January 2023

LES CONTES D’HOFFMANN by Jacques Offenbach

15 - 31 March 2023

ANDREA CHÉNIER

by Umberto Giordano

3 - 27 May 2023

I VESPRI SICILIANI by Giuseppe Verdi

28 January - 21 February 2023

LI ZITE ‘NGALERA by Leonardo Vinci

4 - 21 April 2023

LA BOHÈME by Giacomo Puccini

4 - 26 March 2023

LUCIA DI LAMMERMOOR by Gaetano Donizetti

13 April - 5 May 2023

Accademia Project

RUSALKA by Antonín Dvořák 6 - 22 June 2023

LE NOZZE DI FIGARO

by Wolfgang Amadeus Mozart

30 September - 20 October 2023

MACBETH by Giuseppe Verdi 17 June - 8 July 2023

PETER GRIMES

by Benjamin Britten

18 October - 2 November 2023

IL BARBIERE DI SIVIGLIA by Gioachino Rossini

4 - 18 September 2023

L’AMORE DEI TRE RE by Italo Montemezzi

28 October - 12 November 2023

BALLET S EAS ON 2022 • 2023

LO SCHIACCIANOCI

Choreography by Rudolf Nureyev

Music by Pëtr Il’ič Čajkovskij

17 December 2022 - 11 January 2023

LE CORSAIRE

Choreography by Manuel Legris

Music by Adolphe Adam and others 28 February - 17 March 2023

SPETTACOLO DELLA SCUOLA DI BALLO DELL’ACCADEMIA

TEATRO ALLA SCALA 14 - 16 April 2023

ROMEO E GIULIETTA

Choreography by Kenneth MacMillan

Music by Sergej Prokof’ev 24 June - 7 July 2023

DAWSON / DUATO / KRATZ / KYLIÁN

ANIMA ANIMUS

Choreography by David Dawson

Music by Ezio Bosso

REMANSO

Choreography by Nacho Duato

Music by Enrique Granados

SOLITUDE SOMETIMES

Choreography by Philippe Kratz - Music by Thom Yorke & Radiohead

BELLA FIGURA

Choreography by Jiří Kylián

Music by Lukas Foss, Giovanni Battista Pergolesi, Alessandro Marcello, Antonio Vivaldi, Giuseppe Torelli

3 - 9 February 2023

SERATA WILLIAM FORSYTHE BLAKE WORKS I / BLAKE WORKS V

Choreography by William Forsythe - Music by James Blake 10 - 30 May 2023

IL LAGO DEI CIGNI

Choreography by Rudolf Nureyev

Music by Pyotr Ilyich Tchaikovsky 15 - 27 September 2023

www.teatroallascala.org

GALA FRACCI

7 June 2023

ONEGIN

Choreography by John Cranko

Music by Pyotr Ilyich Tchaikovsky

5 - 25 November 2023

A watch designed to turn pressure into an ally in any situation, and an invitation to expand yet further the horizons of the deep.

DEEPSEA CHALLENGE

WITH WATERPROOFNESS GUARANTEED TO 11,000 METRES IS A NEW MILESTONE

Rolex Oyster Perpetual in the world of divers’ watches

Customers are encouraged to feel the fabrics, notice and compare textures and discover how each house style interacts, moves and wears in differing real-life environments. The customer dictates much of the direction of the service. Questions are asked to determine whether a single or a double-breasted suit is preferred, the country of climate it will mostly be worn in and the desired style. All these nuances are used to guide the customer through the process ensuring that the finished product is fit for purpose are well as drapes perfectly.

GIORGIO ARMANI MADE TO MEASURE

www.armani.com

An extensive choice of suits to customise according to client taste, where he can choose from a wide selection of fabrics, details and fits, for an exclusive, personalised garment. Meticulous workmanship demonstrating skill and precision that gives life to unique, evergreen clothing; the perfect embodiment of a unique combination of modern and classic that always makes the style of brand stand out.

The suit has no time’: said Giorgio Armani on his new made-to-order line. Giorgio Amrani Made to Measure, a work of skill and calculated precision that brings to life timeless pieces, perfectly embodying a unique blend of contemporary and classic. Made to Measure has some of the benefits of bespoke but without the complexities of the bespoke experience, plus the long waiting time and the hefty price tag. Instead, your garment is crafted from an existing model that is adapted to fit you. At Armani, customers are invited to choose from a range of styles of jacket, trousers and coats to find great bases to work from. Adjustments are made for fit, and you are guided through the stages of constructing a sartorial garment: there are fabrics to choose from and details to select, such as buttons and linings. A wide choice of day and evening wear to customise according to your taste, choosing from a vast selection of fabrics and details. Meticulous workmanship demonstrating skill and precision that gives life to unique, evergreen clothing; the perfect embodiment of a unique combination of modern and classicthat always

makes the style of brand stand out.

One of the most notable things about Armani’s made-to-measure service is the sheer complexity and varying configurations of personalisation and customisation available. Buttons, linings, materials, pockets, adjusters, loops and pleats can all be tweaked, changed, moved around and realigned to customer requirements. If you’re in need of a little guidance, Armani’s fleet of tailors are always on hand to offer advice guidance throughout the whole process.

Choose from two “families” of garments in the “Soho” for a contemporary feel or the “Wall Street” for a more traditional shape. Browse the fabric panels including premium wools and cashmeres in herringbone, houndstooth and Prince of Wales check. Looking for something seasonal? Then flick through Armani owned checks and pinstripes. Add a touch of real luxury and exclusivity by opting for vicuña, a rare fabric made from the wool of the vicuña, a relative of the llama and native of South America. Finally, customise with linings and buttons.

Those finer details are seen through the making of the suit where lapels, sleeves and buttonholes are finished by deft hands to ensure quality and craftsmanship from trouser cuff to ticket pocket. What truly denotes an Armani suit is the mantra the label espouses. This pertains to style, fit and silhouettes through to the minute detail and the end level of quality and assurance.

This service is designed for the decisive woman and man, for whom elegance is an attitude, like a way of expressing his modernity.

Photo Credits: Laura Sciacovelli

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Voted “No 1 Best Resort Hotel in Europe” by readers of Conde Nast Traveler 2010

13th Century Castle hidden from the World amidst 350 acres of its own private estate

Located on the 2nd largest lake in Ireland Lough Corrib, 30 minutes from Galway city

Easy driving distance from Dublin and Shannon airports

Luxury hotel since 1939

83 individually designed bedrooms

Once the country estate of Lord Ardilaun and the Guinness family

Three dining options available to suit all guests

A host of activities from Golf to the Ancient Art of Falconry available on the estate

TOUCH OF CRUDE

www.prada.com

The Spring/Summer 2023 Prada campaign situates the men’s and women’s collections within a continuum, ever-unfolding, enigmatic fragments of stories reflecting facets of humanity, sides of personae, and echoes of realities.

The Spring/Summer 2023 women’s show initiated a collaboration between Prada and film director Nicolas Winding Refn - an immersive environment devised within the performative space of the runway show. At the centre of this exchange is an exclusive new short-format feature film, directed by NWR, exploring the lives of women and the scope of fluid modern femininity: when a woman moves into a new house she is visited by a mysterious entity, a Black Box, which upon peering through its peephole unlocks multiple universes, each viewed from different woman’s perspective.

The campaign further evolves this ongoing interrelationship, fashion photography echoing the language of cinematography, a fusion of creative ideologies that is fundamentally Prada. Photographed by David Sims, these images draw upon the characteristics of classic Hollywood and European movies - their images are frames within divergent stories, glimpses of an unseen narrative and an unknown script, a tension between different views, and different lives. The notion of Prada characters peoples the campaign with an ensemble cast of faces with immediate resonance and international renown: the actors Vincent Cassel, Jaehyun Jeong, Louis Partridge, Hunter Schafer, Letitia Wright, alongside the models Guinevere van Seenus and Rachel Williams.

Actors and models by their very nature encapsulate an otherness - the campaign plays off that multifaceted nature, where plurality adds complexity. Alongside, crude contradicts - it implies simplicity, directness and purity. Its touch is here in stark sets, like cinematic projections of realities - evocations of interiors, impressions of actuality, traces of lives.

“I always loved aesthetics. Not particularly fashion, but an idea of beauty.” Miuccia Prada

Happenings Top-List

the big-name global events

THE ULTIMATE CALENDAR

EVENTS & SPOTS

ONE-STOP GUIDE

WORDL ECONOMIC FORUM DAVOS

DUBAI

INTERNATIONAL HORSE FAIR

JANUARY FEBRUARY

SNOW POLO SAINT MORITZ

Every last weekend in January, St. Moritz turns into the world capital of polo,on the frozen lake of St. Moritz.

The Snow Polo World Cup St. Moritz is the world’s only highgoal tournament on snow. High-class polo played against the magnificent backdrop of the snow-capped mountains of the Engadin Valley and social events in the first-class hotels in St. Moritz.

The International Organization for Public-Private Cooperation. The Forum engages the foremost political, business, cultural and other leaders of society to shape global, regional and industry agendas. Progress happens by bringing together people from all walks of life who have the drive and the influence to make positive change.

JANUARY

WHITE TURF SAINT MORITZ

Noble thoroughbred horses from all over Europe and international jockeys as well as a fantastic supporting program will again inspire guests from all over the world in On the frozen St. Moritzersee.

THE ICE SAINT MORITZ

The International Concours of Elegance

The I.C.E. St. Moritz is a cultural & lifestyle automotive event, held in the most unconventional venue

FEBRUARY

FEBRUARY

CRICKET ON ICE ST. MORITZ

Cricket on Ice, the most prestigious annual event in the domestic Swiss cricketing calendar, takes place on the lake of St Moritz.

SAUDI INTERNATIONAL AIRSHOW

Saudi International Airshow connects the Aviation and Aerospace industry to Saudi Arabia.

450 Exhibitors, 45.000 international Trade Attendees, + 100 aircrafts, 100.000 sqm of exhibit space.

FEBRUARY

MARCH

WATCHES & WONDERS GENEVA

Watches and Wonders

Geneva and its 48 exhibiting Maisons are the largest watchmaking event of the year. International Exhibition of Luxury Watches. Exclusively for professionals in Fine Watchmaking

For over a decade and a half, Dubai International Horse Fair (DIHF) has been the equestrian industry’s pivotal gathering ground. The only and most established trade show in the region connecting a diverse array of equestrian suppliers with the region’s avid enthusiasts, owners, breeders, stables and clubs.

MARCH

FERRARI CHALLENGE TROFEO PIRELLI

Over 1000 drivers have taken part in it, 100s of races have been run, while the overtaking, the thrills and the fun are incalculable. The most renowned single-marque championship, that has been bringing together dream cars and esteemed clients on the world’s most picturesque tracks. The Ferrari Challenge is divided into two continental series: Europe and North America series. A further English national series was addedrecently, same as the Japanese series.

SINGAPORE YACHT SHOW

MARCH APRIL

ABU DHABI AIR EXPO

The Abu Dhabi Air Expo brings together major players in Aviation & Aerospace and offers a unique platform for industry leadership through its high-level conference, latest developments and innovations in a remarkable and convenient location, downtown in Abu Dhabi, the UAE Capital.

MILAN’S SALON DEL MOBILE

The global benchmark event for the furnishing and design sector.

More than 2,300 of the most dynamic and creative companies on the global market. Over 370,000 professional visitors from 188 countries, along with more than 5,000 international journalists and around 27,500 members of the public. 550 young designers from 31 different countries.

The premier boat and yacht show in Asia, significantly contributing to the development of the fastgrowing ASEAN maritime and luxury lifestyle markets through innovation and creating opportunities –and a touch of glamour.

APRIL

GUARDS POLO CLUB

Nearby are the renowned Savill and Valley Gardens, at Windsor Castle. A spectacular location, impressive fixtures list and the Club’s unrivalled, close relationship with the Royal Family ensures that Guards Polo Club is one of the most famous polo clubs in the world. There are currently some 1,000 Social (Non Playing) Members and about 160 Playing Members, among whom are some of the highest rated players in the world.

EBACE GENEVA

The European Business Aviation Convention & Exhibition (EBACE) is a premier event and the annual meeting place for the European business aviation community. The exhibition brings together business leaders, government officials, manufacturers, flight department personnel, avionics firms, fractional providers, charter/lease companies and all manner of people involved in nearly every aspect of business aviation.

POLO PARK ZURICH

Entrepreneurial spirit, innovation and development. The polo club with the most members and the most important training center for polo in all of Switzerland. The more than 7,5 hectare flat area made it possible to create a large main field and secondary fields on which games can be played from May to the end of September.

ROYAL ASCOT

A racecourse rich in history and heritage, hosting one of the world’s most prestigious race meeting’s, Royal Ascot, as well as 21 racedays and numerous nonracing events each year. Founded in 1711 by Queen Anne who, when riding out from Windsor Castle, came across a piece of land “ideal for horses to gallop at full stretch” and thus Ascot Racecourse was born.

MILLEMIGLIA

Almost a century of history looking at the future Since its origins, the 1000 Miglia has represented the expression of the bold, innovative and pioneering spirit, which has made the race unique and its brand, the historic Red Arrow, unmistakable. It is along this path that the brand continues to renew itself, driven by great objectives: to protect the 1000 Miglia heritage and extend its fame, in order to become a synonym of Italian excellence at an international level.

CONCOURS DE SAVILE ROW, LONDON

Stunning cars, world-class tailoring. The world’s greatest cars on Savile Row, and its bespoke tailoring history. Some of the greatest cars ever made, matched with specific tailors to continue a long tradition of car manufacturers pairing with the craftsmanship of Savile Row.

BRITISH CLASSIC CAR SAINT MORITZ

It is renowned as an elegant highlight for friends of classic cars from the UK. It has been combining elegance and class in the extravagant Alpine metropolis of St. Moritz. Every year more than 100 British classic cars dated up to 1980 meet for excursions, a regularity test rally, and the Concours d’Elégance. Newer vehicles with special features that enrich the field of BCCM participants are admitted to the Youngtimer Class by invitation.

GOODWOOD FESTIVAL OF SPEED

The world’s greatest celebration of motorsport and car culture ! Held in the beautiful parkland surrounding Goodwood House, the Festival of Speed presented by Mastercard is motorsport’s ultimate summer garden party, an intoxicating celebration of the world’s most glamorous sport.

YACHING FESTIVAL CANNES

Construction of the first golf course initiates. First main avenues inaugurated.

PEEBLE BEACH COUNCOURS D’ELEGANCE

It is the flagship of Pebble Beach Automotive Week. The world’s premier celebration of the automobile. Each year, the finest collector cars gather on the 18th fairway of Pebble Beach Golf Links to compete to be named Best of Show — the ultimate award for automobiles. Experts critique their elegance, technical merit, and history. In tandem with the competition between extraordinary historic automobiles, the Concours also serves as host to some of the most anticipated concepts and new car debuts.

MONACO YACHT SHOW

The ultimate destination to experience the latest designs & innovations in yachting, taking place from September 27th to 30th in the iconic Port Hercule of Monaco. This year’s edition promises to be spectacular, with 120 of the world’s most exclusive and high-end superyachts and megayachts on display including 40 world premieres.

IAA MOBILITY

The world’s largest and most important mobility event offers manufacturers, suppliers, tech companies, service providers and startups a wide range of opportunities to present themselves and their services to a broad international B2B and B2C audience.

SEPTEMBER

SEPTEMBER

PURE LIFE EXPERIENCES

PURE Life Experiences is the world’s leading experiential travel show, and a community with the attitude, commitment and the belief that travel can be more than just an industry. Every year it brings experiential travel’s most inspiring names together in Marrakech; to build relationships and find new ways of doing business while Changing Worlds, for both travellers and local communities.

MILANS FASHION WEEK

The streets of Milan literally become a runway during Fashion Week. The Ultimate trade show held semi-annually in Milan, Italy. Many designers showcase new designs and upcoming collections. It is one of the most important worldwide.

LONDON FASHION WEEK

Twice a year, in June and September. Showcasing over 250 designers to a global audience of influential media and retailers, it is one of the ‘Big Four’ fashion weeks, along with New York, Milan, and Paris.

BULL DAYS

Best community of Lamborghini cars owners in the world. Among estates, castles, prestigious hotels, gala dinners, product presentations, dream locations and breathtaking views, each edition has been able to touch the true spirit of the Lamborghini owner. Year after year Bull Days has become an unstoppable escalation, from the beauties of the Italian NorthEast, to those of Siena, Pisa and the Tuscan landscapes known all over the globe, up to Monte-Carlo, in the fabulous French Riviera.

CHRISTIES AUCTIONS

Christie’s is a world-leading art and luxury business. Renowned and trusted for its live and online auctions, as well as its bespoke private sales.

PARIS FASHION WEEK

Paris Fashion Week news, schedule, calendar of events, videos, dates, VR experiences, shopping, live streams, and more.

DECEMBER ALL YEAR

ART BASEL MIAMI

Basel fair brings the international artworld together. It features over 200 leading galleries and more than 4,000 artists from five continents. Many high-quality exhibitions take place concurrently in and around Basel, creating a region-wide art week.

RM SOTHEBYS

FEBRUARY & SEPTEMBER JUNE & SEPTEMBER ALL YEAR ALL YEAR

RM Sotheby’s is the number one classic car auction house in the world. Cars for auction include rare antique, classic, and sports & racing cars.

London’s most exclusive private members club

APOLLO’S

MUSE, LONDON

Apollo’s Muse, London’s most exclusive Private Members’ Club, opens in Mayfair offering guests thoughtfully selected wines, Champagnes and delectable dishes, alongside breath-taking interiors, featuring one-of-akind, 2,000-year-old Greek and Roman artworks.

Visualised by Richard Caring, Mayfair’s billionaire club mogul, Apollo’s Muse is set against a backdrop of magnificent floor-to-ceiling marble and original sculptures, rivalling some of the world’s most famed museums and galleries. Perfect for indulgence lovers like Bacchus himself, Apollo’s Muse is located within Bacchanalia, the impressive Greco-Italian restaurant that opened in November 2022.

Whilst selecting from a Champagne, wine and cocktail menu, guests can marvel at a series of priceless antiquities, including a Roman marble Venus (circa 1st/2nd century AD), a Greek funerary Lekythos (circa 4th century AD) and the club’s namesake: Apollo’s Muse (2nd century AD). The wine list boasts unique and rare vintages from the world’s best wineries, with a focus on French and Italian wines and collections of old Burgundy, Bordeaux and Barolos, hand selected by London’s most prestigious connoisseurs. Bespoke, classic and non-alcoholic cocktails are offered for the guests’ enjoyment. A work of art itself, the Bacchanalia Martini features an intriguing concoction of Bacchanalia Gin and various derivatives of an olive tree – fruit, leaves and oil. The bar team tasted over 100 olives to pick the right ones to garnish the martini and settled on four: green kalamata, red kalamata, smoked olive and lemon-stuffed olive. The final step is a spritz of aromatic Citizen of Soil olive oil and olive leaf essence. To complement the drinks, internationally renowned chef Athinagoras Kostakos curated a menu of small, shareable plates of lavish dishes including Caviar Jacket Potato, ‘Nduja Beef Tartare Cone, Members’ Only BLT, Burrata Tortellini, Lobster Brioche Bun and a Guilty Wagyu Burger. Mirrored tables, velvet-clad bar stools, bespoke Murano wine glasses, and gold-leaf-inspired napkin rings add to the room’s overstated magnificence. Seating is intentionally cosy, with the club’s team hoping to gently introduce members they think may share common interests, whether professional or personal. Members will have access to a private concierge to assist with any bespoke requests within London and beyond.

For entertainment, Apollo’s Muse will offer a line-up of incredible, world-renowned events and monthly wine dinners, as well as weekly live music and quarterly headline acts.

Image Credit: Johnny Stephens Photography

The Apollo’s Muse interior with its floor-to-ceiling marble, ancient Roman and Greek statues and gold is a definition of “more is more”.

Image Credit: Johnny Stephens Photography

A GEM MIRACLE

www.phillips.com

Phillips to offer a Magnificent Sapphire and Diamond Necklace by Bulgari - a work of art that embodies a miraculous and singular occurrence in nature, savoir faire from an illustrious Italian jewelry house, and the utmost caliber of a rare gemstone collection.

The Magnificent Sapphire and Diamond Necklace by Bulgari was realised in 2004, after the House came into possession of an exceptional and rare ‘Royal Blue’ sapphire from Sri Lanka. Coming to the auction market for the very first time from an esteemed private collection, the unheated cushion-shaped sapphire weighing 118.35 carats is among the largest sapphires ever offered at auctions in the past three decades. Accompanied by SSEF and Gübelin gemological reports and appendix letters expressing the rarity and exceptionality of the stone, this sapphire was awarded 98 out of 100 Gübelin Points, which places it on the highest ‘Exceptional’ grade. Moreover, it received the ‘Royal Blue’ colour grading by Gübelin Gem Lab, promising an even saturation rarely seen in unheated blue sapphire of this size. The rich and homogenous colour is the first thing that draws one’s eyes towards it, yet upon closer inspection, its high transparency easily inspires awed admiration from the most seasoned connoisseurs.

The necklace assumes absolute symmetry that reminds of classic noble and royal jewels. Centring on a single coloured gemstone of impressive size, the diamondset necklace employs a stone arrangement that is found in earlier works from the thirties to the fifties. Each circular link is formed by carefully selected tapered baguette diamonds instead of brilliant-cut diamonds, connected by pearshaped diamonds at their points to afford the lightness of an otherwise substantial necklace. The repeating circular links are typical of Bulgari’s ‘modulo’ jewellery designs, where a single element is produced in series and then connected to each other. The Parentesi Collection, inspired by details of the Eternal City pavements, is one of the house’s most successful modular designs.

“A holy grail for any collector, with a classic and elegant design typical of Bulgari that emphasizes the beauty and extraordinariness of the gem.” Benoît Repellin, Worldwide Head of Jewellery, Phillips

The unusual horizontal setting gives it timelessa modern appeal

A lot happened in 1897: Queen Victoria celebrated her diamond jubilee; the Blackwall Tunnel opened; and the novel Dracula was published. It was also when Harrods Estates opened.

Since then, we’ve assisted the residents of Knightsbridge and surrounding areas with luxury properties – always providing the highest level of service.

Here’s to the next 125 years.

D&G SHADES

Kylie Jenner, a successful entrepreneur and one of the most followed and beloved figures in the global star system, is the face of the campaign. The star is no stranger to the fashion industry and perfectly represents Dolce&Gabanna’s aesthetics and spirit.

Shot in a Californian home’s pool, these typical Hollywood images are permeated with seduction and style. Los Angeles, late at night, the pool of a mansion: this is the setting where Kylie Jenner was captured in seductive shots that evoke glamorous parties with purely Hollywood vibes wearing a black dress with elegant gloves.

Kylie wears DG Elastic and DG Crossed styles – both as sunglasses and optical glasses, creations that can enhance the style and sensuality of her looks. D&G’s eyewear collection is inspired by their ready-towear fashion collections - known for their bold, striking designs that feature exquisite materials, intricate detailing, and unique shapes while also being infused with deep Italian heritage. The new DG Elastic family features a geometric design and square profiles. The temples are wide and embellished with a print that recalls the iconic Dolce&Gabbana elastic logo. The DG Crossed styles resonate femininity with their recognisable character and iconic shapes.

The signature shots by Mert&Marcus are animated by seduction and magnetism, character and unmistakable style. The Campaign also features Michele Morrone, the Italian actor with 15.6 million followers, as the male protagonist for the men’s eyewear images: whether they are sunglasses or prescription glasses, these become the perfect accessory to enhance the wearer’s personality in a continuous game of glances and complicity.

D&G’s eyewear designs often feature ornate embellishments, such as crystallised detailing, baroque-inspired patterns, and colourful enamel accents.

Kylie Jenner perfectly embodies seduction and magnetism - essentials of the campaign - blending the modernity of her personality with a truly unmistakable style.

DG Crossed Sunglasses, a new chapter for the D&G Crossed Family: iconic D&G feminine shapes combined with the signature monogram.

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The new Dolce&Gabbana Eyewear Collection makes a statement with contemporary bold lines, shapes and colours for a glamorous Dolce&Gabbana glow.

Dolce&Gabbana presents its new Spring/Summer 2023 Eyewear campaign by Mert Alas and Marcus Piggott, the duo behind the most iconic images in contemporary fashion. In charge of styling were Alexandra Rose and Mackenzie Grandquist, with hair by Jesus Guerrero and makeup by Ariel Tejada.

Echoing the joyful mood of the occasion, the collection

NEW GUCCI COLLECTION

www.gucci.com

IncelebrationofthefestiveseasonthatprecedesChineseNewYearandthe arrivalofSpring,theHousepresentedavibrantcapsulecollectionfullof playfulandrefinediterationsofthe2023zodiacsignoftherabbit—ananimal representingintelligence,healthandlongevity.

Responding to the cheerful mood of the festivities, the collection sees a fanciful use of colour, print, and embellishment across ready-to-wear, bags, shoes, accessories, jewellery, and timepieces. Each item represents Gucci’s hallmarks and the uplifting spirit of the new year’s promises. Diverse depictions of the rabbit appear across the lineup, woven into knitwear, on embroidered patches, or in a distinctive spray-paint-style version seen on T-shirts, leather loafers, and G-Timeless watches. Womenswear presents a refined selection of printed silk blouses and skirts, along with boldly geometric pieces in contrasting hues. Most notably, there are waterlily paisley-patterned blouses and skirts. The men’s selection furthers the theme of playful graphic patterns in sporty silhouettes. To pay homage to the year of the rabbit, the capsule collection features men’s jackets and silk shirts adorned with bunny prints. Within the campaign, the children’s selection channels mini versions of adults’ styles through the rabbit’s whimsical and dynamic spirit of the collection. Shoes conjure the essence of the rabbit with ear-like bows adorning heels and fleece textures enriching loafers. Special renditions of the House’s signature handbags from Gucci Diana totes in green and multicolour bunny and flower tapestry with hand-painted stripes that give the accessory an unusual look to Gucci Horsebit 1955 shoulder bags featuring precious leathers, tweeds, and studded details, complete the capsule.

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Gucci celebrates the Year of the Rabbit with its 2023 Lunar New Year collection shot in the spring fields of flowers.

Printed silk blouses and skirts dominate in this lively capsule collection’s womeswear section.

Revisited Gucci Horsebit 1955 shoulder bag from Lunar New Year 2023 collection.

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is an eclectic mix of color, print and details across Ready-to-Wear, bags, shoes and accessories.

Animal motifs, sometimes accompanied by signature emblems or floral patterns, express the House’s fascination with the beauty of the natural world.

From clothing and handbags to shoes and watches, the Gucci’s Lunar New Year capsule colection is vibrant, hopeful, relaxed - and full of novelty.

In the campaign film and images, captured by Art Director/Photographer Max Siedentopf, vibrant colours set an exuberant tone, echoing the joyful spirit of the occasion that anticipates Spring’s arrival. Models Emma Pei and Ruiqi Jiang pose with the new refined yet extravagant looks with the flowery meadow as a backdrop. To animate the collection, a cast of friends encounter rabbits in a fantastical field of flowers—the uplifting hues of the blooms amplifying the mood. Playful moments alternate with more sentimental ones in this dream-like meadow, with the soft light of the sunrise heralding the dawn of a new year. (Images courtesy of Gucci)

The men’s selection spotlights playful graphic patterns with bunny prints in sporty silhouettes.

No single colour defines the palette: silks, wool and denim soothe the soul with a range of pastel and earthy tones.

Screener GG Sneaker in Beige and ebony GG Supreme canvas and beige and hibiscus red GG Supreme canvas.

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PERPETUAL EXCELLENCE

www.rolex.com

For more than a century, Rolex’s quest for excellence through continuous improvement and innovation has underpinned all of the company’s activities in its watchmaking and all its engagements. As part of Perpetual Excellence, Rolex seeks partnerships with individuals and organisations in the arts and in sport who set the highest standards of performance. Rolex’s support for equestrianism extends across the three Olympic disciplines of show jumping, eventing and dressage.The brand’s longstanding relationship with equestrian sport is highlighted by its partnerships with the world’s premier events and competitions, and its role as founding supporter of two of the most demanding challenges for competitors in the sport: The Rolex Grand Slam of Show Jumping, launched in 2013; The Rolex Grand Slam of Eventing, launched in 2001. The four Majors that comprise the Rolex Grand Slam of Show Jumping are all partners of the brand: The Dutch Masters (Netherlands) in March; Main Sponsor since 2014; CHIO Aachen (Germany) in May; Main Sponsor since 1999; CSIO Spruce Meadows ‘Masters’ Tournament (Canada) in September; Presenting Sponsor since 1989; CHI Geneva (Switzerland) in December; Presenting Sponsor since 1996.

Through its support of the finest international riders, competitions and institutions, Rolex encourages the development of equestrianism.

© Rolex/Peggy Schroeder

© Rolex/Ashley Neuhof

ROLEX GRAND SLAM OF SHOW JUMPING (Clockwise from top left) Harry Charles Riding Valkiry De Zance at Chi RWHS; Daniel Deusser riding Bingo Ste Hermelle at the Dutch Masters; Martin Fuchs riding Leone Jei at CHI Geneva; Steve Guerdat riding Venard De Cerisy Second at Chi RWHS

© Rolex/Kit Houghton

© Rolex/Kit Houghton

KIM FOR D&G

www.dolcegabbana.com

The SS23 Collection created from a unique reinterpretation of Dolce&Gabbana’s archives from the 1990s and 2000s, which include legendary garments that have inspired Kim throughout her life and career. Portrayed by renowned photographer duo Mert&Marcus, Kim Kardashian is the muse and face of the new SpringSummer 2023 Women’s ADV Campaign.

The result is a series of signature shots, in which sensuality and elegance are amplified by a dense black and white effect that brings the viewer in an intimate dimension.

The camera follows Kim through the rooms of an Italian villa: the spaces, imbued with the history of its objects and of those who have lived there, serve as the perfect backdrop for the new muse and the Collection. Fresco interiors, carved mirrors and period furnishings provide the backdrop for the collection linking the past and future with an allusion of sensuality. The clothes and accessories come from a singular reinterpretation of the Dolce&Gabbana 1990s and 2000s archives to which belong the same legendary garments that have so often inspired Kim throughout her life and career.

Shot after shot, the new Campaign is a journey through Dolce&Gabbana’s most authentic DNA, in which new meanings meet the unmistakable characters that have made the brand’s history: a universal language that gives voice to everyone’s desires and aspirations. The campaign retraces the history of Dolce&Gabbana from its origins, reinterpreting what it means to be Italian, its femininity and sensuality. It’s message is clear and strong: “fashion always looks forward, yet if it starts with a defined signature style it will never become obsolete”. (Images courtesy of Dolce&Gabbana)

Since the 1990s the corset is an integral part of Dolce&Gabbana style, over the years, turning it into an item worn on the outside.

A balance between symbolism, tradition, imagination and pure fashion, the Sicily bag is a symbol of Dolce&Gabbana DNA.

The distinct sensuality plays with elegance through a precise choice of silhouettes that enhance feminine beauty in all its forms and expressions.

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“The simplicity and tailoring, for me, has always been so important. Obviously, I love the glitz but when something is tailored properly, it changes everything, no matter how simple or ornate it is.” D. Dolce

FASTEST TOUCHDOWN TO DOWNTOWN

OPERATED BY

LONDON HELI SHUTTLE

The Mare collection does more than just meet the necessities of a holiday outfit; it enhances it by pairing elegance with exotic flare.

GIORGIO ARMANI MARE

www.armani.com

The Giorgio Armani Mare Spring/Summer 2023 collection embodies vacation charm, enveloped with an enigmatic touch of exoticism. This selection of ensembles recalls a sartorial allure reminiscent of the lighthearted and carefree atmosphere of sun-soaked vacation destinations. The collection speaks to the joyous and unburdened spirits of those on long-awaited holiday getaways in a calm, effortless manner and offers smooth, fluid styling to embrace and complement the figure. The marine-inspired colour scheme radiates the serenity of sandy beaches and blue waters, gently washing over you with a relaxing mood.

The women’s line boasts a plethora of options, from shirts and tunics to flowy trousers, sarong-style skirts, and long dresses. The vibrant hues of blue and purple reflect the vivacious spirit of summer. For warmer days, the collection thought about mini tops, body suits, and shorts in breezy fabrics. The lightweight layers of linen, délavé linen, silk, and cotton were used for most of the items. Jersey and crochet materials accentuate the silhouette of the dresses and skirts designed for evening occasions. The long dress in ribbed viscose jersey in the top right corner of the page serves as an example of how effortless yet sensual style is the ideal ally for fashionable outfits to flaunt along the seafront.

Images Courtesy of Giorgio Armani

The

The many items in this collection are versatile and can be worn at any time of day, from a lazy breakfast by the pool to an early evening cocktail or even a romantic dinner. A lightly oversized, tailored cut is noticeable in the eveningwear section of the collection. The house calls this concept ‘liquid’. Glamour and ease fuse in shimmering spiderweb vests, bejewelled bra tops, and swirly pareo skirts. A good example of this essential union is a mesh and crystal top made from cotton crochet mesh and highlighted with clear pavé crystals. The clean lines and easy style make it perfect to wear over bandeau tops or T-shirts in striking layering. For a more chic yet effortless look, there is a printed bodice long dress with all-over decorative two-toned crystals. The dazzling crystals illuminate the lines of the garment, creating a sophisticated allure. A pleated motif that falls from the waist adds movement to the garment, completing an exquisite, elegant style that is perfect for showing off on special occasions.

The high-heeled jewel sandals add a splash of colour and shine; fuchsia, gold, glossy satin, and rhinestones complete evening looks with a sensual, sophisticated touch. Flat and wedge cotton espadrilles in shades of sand and blue with an embroidered logo can be worn both on vacation and in

the city. For a more minimalistic look, Mare offers flat macramé sandals. The swimwear, which comes in one-piece and two-piece items, showcases a fun flair. Knots and bows, contrasting trim, cut-out details, sheer tulle insert portions that create a cut-out effect, and an all-over ‘GA’ logo jacquard add to the true spirit of the holiday wear. Quintessential holiday accessories such as raffia purses, printed silk scarves, silk and cotton jacquard sarongs, and beach towels complement the womenswear’s offerings. The men’s selection of this capsule collection makes the almost imperceptible vein of exoticism even more obvious. Linen, a trustworthy summer fabric, stars in menswear. Light shirts, waistcoats, silky pants, and loose-fitting, almost flowy jackets take centre stage in the vacation repertoire. Adorned in geometric motifs, monograms, tie design-inspired patterns, and chevrons, the pieces exude a subdued holiday elegance. Sophisticated single-breasted jacquard jackets with a geometric-inspired motif, a recurring theme of the resort collection, are made for comfortable daytime wear. They are fully unlined and feature four unique welt pockets with a deliberately soft effect to accentuate the laid-back spirit. The piece that reflects the inspiration of the collection, a faded-linen melange blouson shirt, offers style, versatility, and a transformative spirit. This blouson shirt, made from a crisp linen melange fabric with a faded effect and available in the bright colours of the collection, combines elements of outerwear, such as a half-zip closure and pouch pocket, with the fluid, slinky silhouette typical of summer shirts. The collection also includes shirts, polo shirts, and Bermuda shorts in linen and délavé linen finishes, ensuring a chic and decidedly holiday-like look: refinement with a touch

The crisp linen melange fabric, faded effects, the typical blue and purple hues of the season, and fluid, slinky silhouettes are the features of the collection’s casual spirit.

A double-breasted suit in viscose, linen, and silk is constructed in a new regular-fit style that reinterprets the brand’s iconic designs with a more modern twist.

A leather-trimmed linen travel bag with an embossed Giorgio Armani logo will carry all the necessities for a quick weekend getaway.

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fundamental components that define the Armani aesthetic—natural elegance and refinement—inspire Mare, a cohesive collection that portrays a picture of festive elegance.

of time-worn charm. It strikes a balance between sophistication and simplicity, displaying Armani’s signature calm confidence. Geometric patterns and monograms adorn the men’s swimwear attire, available mostly in hues of blue from navy to aqua to an airbrushed-effect print in azure. A wide array of accessories, including linen hats, monogram strap sandals, suede espadrilles, and sterling silver jewellery with knurling effects, complete the menswear collection. Once again, Giorgio Armani successfully blends functionality and a high-fashion concept in the Mare Spring/Summer 2023 collection, making it ideal for the mindfully selective traveller. (Images credit: Courtesy of Giorgio Armani; Photos by Bruno & Nico Vanmossevelde)

EVENINGWEAR OFFERS

A sheer tulle bodysuit with Swarovski crystals is perfect for layering under a jacket or to light up evening looks.

DAYTIME ESSENTIALS

Featuring a relaxed, flowing fit that softly hugs the figure without restricting it, this silksatin trouser ensemble in a delicate patchwork print with a floral motif is the quintessential Armani holiday day look.

DELICATE ACCESSORIES

Made of satin, the highheeled sandals feature a woven motif topped with small, shiny metal rings.

“The secret is to remain true to your aesthetic vision so that people can see that you really believe passionately in what you are doing.” Giorgio Armani

Photo Credits: Bruno + Nico Van Mossevelde

ULTIMATE EMERALD SIGNATURE

Following the tradition of Mr. Winston’s pioneering spirit, Harry Winston developed its own alloys: Zalium and Winstonium. The former is a zirconium based alloy that is extremely corrosion-resistant and lighter than steel, while the latter is a special platinum, containing more rhodium, which allows for a shinier finish.

The blue colour associated with the Hope Diamond is used throughout Harry Winston creations and Salons worldwide. The Emerald shape, like emerald-cut diamonds, serves as the House’s logo, also comes to life in the Ultimate Emerald Signature timepiece collection with octagonal cases. The three arches adorning the case shapes of most collections are direct references to the entryway of New York Fifth Avenue Flagship Salon while the Cluster motif and technique are reinterpreted through watch designs. The Ultimate Emerald Signature is part of of Harry Winston’s High Jewellery Timepieces collection, and there has been a new version since 2021.

Recently, the brand opened a 355-square-metre salon, which exudes the elegance and intimacy of a private estate. The House’s iconic soft taupe and grey color palette is used throughout the interior, complementing classic elements such as custom designed lacquer, bronze accents and antique bronze furniture with pristine marble floors and bespoke crystal chandeliers. Shoppers can browse in the dedicated galleries, or have a highly discreet and personalised experience in the private selling rooms. In December 2021, Harry Winston also opened its second retail salon in Beijing in a 461-square metre space at the China World Trade Center. “The opening of our new China World Trade Center salon marks the House’s second location in Beijing and our sixth in China,” said Nayla Hayek, CEO of Harry Winston, Inc. “Beijing, an epicentre for fashion and luxury, is an incredibly important market for the House. This salon will be our second largest in China, and through this opening, we are excited to have a larger presence in the city.”

106 brilliant-cut and 22 baguette-cut blue sapphires, 86 brilliant-cut, 24 marquise-cut and 16 baguette-cut diamonds surround 1 emerald-cut blue sapphire.

The 32 by 46 mm watch case is in 18k white gold and is water-resistant to 3 bar. The dial is set with 38 diamonds and 60 blue sapphires all brilliant-cut.

The Emerald Signature high jewellery timepiece collection include pendant designs.

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For its timepieces, Harry Winston only uses diamonds with a clarity grade from Internally Flawless to Very, Very Slightly Included (unless otherwise specified), and colour from the top three grades (D, E, F).

www.harrywinston.com

COCO CHANEL

www.chanel.com

The highlight of Chanel’s unprecedented high jewellery collection is an emblematic and exceptional necklace set with a 55.55-carat diamond, stated Patrice Leguéreau, Director of the Chanel Fine Jewellery Creation Studio.

To celebrate the 100th year of the N°5 perfume’s fame, Patrice Leguéreau, Director of the Chanel Fine Jewellery Creation Studio, has imagined the “Collection N°5”, the first High Jewelry collection ever to be dedicated to a perfume. From the bottle to the sillage, these 123 extraordinary pieces express the different facets of the N°5 perfume. In 1921, the first “perfume for women with the scent of a woman” composed by Ernest Beaux and Gabrielle Chanel made a sound of commotion. The modernity of the fragrance, the purity of the bottle and the mystery of the name, the N°5 perfume was nothing short of a revolution. In 1932, Mademoiselle shattered the codes of French High Jewelry with her one and only collection in platinum and diamonds. These “Bijoux de Diamants” introduced new ways of wearing jewelry and took jewelry into a new realm... that of allure. In 2021, Leguéreau decided to bring these two domains together with the Collection N°5. “Gabrielle Chanel approached these two universes with the same visionary values, focusing on audacity and the quest for excellence. I wanted to rediscover that creative gesture with this collection, which has been conceived like a journey through the meanderings of the N°5 perfume’s soul, from the architecture of the bottle to the olfactive explosion of the fragrance. The highlight of this unprecedented collection is an emblematic and exceptional necklace set with a 55.55-carat diamond.” The Creation Studio magnifies five of the N°5 perfume’s identifying elements through compositions of rare and exceptional gemstones. With 100 years of fame behind it, only a rich, unique and mysterious perfume like the N°5 perfume could inspire such a majestic collection of High Jewellery.

HIGHER GROUND

www.louisvuitton.com

Born in the Jura region of France, Louis Vuitton was a teenager when he decided to embark on a journey on foot across France to Paris where he would become a legendary master trunk-maker. In honour of his courageous spirit, Bravery is a collection of 90 emblematic pieces that retraces that remarkable saga in a metaphorical manner, from the birth of travel to modern times.

Pictured here, La Passion necklace is inspired by the mallettage that lines the interiors of the Maison’s traditional trunks, this lattice necklace in white gold set with diamonds and a precious collection of 75 round rubies was designed to feel like a second skin. La Constellation d’Hercule is tribute to the birth of Louis on August 4th, 1821, these colourful pieces of organic magnificence reference a constellation only visible at that time of year through the unique pairing of tanzanites, opals, tsavorites, and a mist of LV Monogram Star and Flower-cut diamonds. L’Elan Vital expresses the strength of character that led Louis to leave his native Jura for Paris, this fluid, rope-like necklace is reminiscent of the way trunks were carried on a journey, reinterpreted using more than 2,500 brilliant-cut diamonds. L’Aventure

Marking the 200th anniversary of Mr. Louis Vuitton’s birth in 1821, the Bravery High Jewellery collection pays tribute to an exceptional destiny by reinterpreting the Maison’s signatures.

represents the 400 kilometres of roads and forests that separate the Jura region from Paris, this necklace intersperses Colombian emeralds in three rows of platinum, yellow gold and white gold which are entirely pavé-set with diamonds in Damier checkerboard stone marquetry. The necklace is further enhanced by the presence of a 3+ carat LV Monogram Flower and a 5.21 carat DFL pear-shaped diamond of remarkable colour and purity. The Arrow is both a metaphor for Louis’ journey and a literal interpretation of the V in his name, the diagonally pavé-set Arrow necklace features a central V set with custom-cut rubies, sapphires and diamonds in an ode to the personal emblem of the founder’s grandson Gaston-Louis Vuitton. Reflecting Louis’ early use of his personal signature, Le Mythe is a multilayered piece of jewellery combining several emblematic Louis Vuitton motifs: the Damier pattern, trunk lockinspired details, studs, rope, and the now-iconic Monogram flower. As an epilogue to this collection and the light that guides Mr. Louis Vuitton on his journey, La Star Du Nord set depicts the metaphorical figure of the North Star with two rows of refined, graphic diamonds punctuated by a knot reminiscent of those used on the interior of trunks.

Credit Images: ©Louis Vuitton

FLAWLESS NECKLACE

www.graff.com

Graff has unveiled an exceptional new creation during Paris Couture: a necklace of incomparable beauty and craftsmanship. Featuring an extraordinary and rare 50 carat D Flawless oval diamond, accompanied by 100 carats of pear shape, emerald cut, oval, round and baguette cut diamonds, the breathtaking piece was presented in Paris, alongside a selection of unique Graff high jewellery pieces.

The design explores and expands upon contemporary motifs first seen in the Tribal collection, which launched in 2021.

Myriad layers of diamonds and contrasting diamond cuts sculpt the light into brave, new forms, enhancing the necklace’s exhilarating sense of depth and perspective.

Centering on the magnificent 50 carat oval diamond, every element of the powerful, abstract design is intended to emphasise the elegant, rounded silhouette of the centre stone. Like the ripples that emanate outwards when a stone is dropped in water, the design tempo increases as the stones graduate in size upon the necklace until they reach a crescendo: the centre motif, where the full force of the 50 carat diamond is concentrated.

For over half a century Graff has represented the rarest gemstones. Generations of the Graff family have employed their expertise and experience, personally selecting every stone and – uniquely among diamond houses – presiding over every step of its journey.

The purity of the 50 carat diamond meant that the setting had to be impeccably crafted. Combining contemporary diamond design with Graff’s renowned hand craftsmanship, emerald cut diamonds create a graphic frame around the magnificent oval diamond, accompanied by sleek rows of calibré cut diamonds that radiate outwards. The pendant is designed to appear as if the D Flawless diamond is floating upon the diamond surround, with nothing visibly holding it in place. Suspended beneath the centre stone, a multi-layered fringe of oval and pear shape diamonds heightens its plunging presence, with the reverse of the necklace as beautifully executed as the front.

“When you have the very best stones, you can produce a marvellous piece of jewellery,” - Laurence Graff.

CHANEL NO. 5 HIGH JEWELLERY

www.chanel.com

To celebrate the 100th year of the N°5 perfume’s fame, Patrice Leguéreau, Director of the Chanel Fine Jewellery Creation Studio, has imagined the“Collection N°5”,the first High Jewellery collection ever to be dedicated to a perfume. From the bottle to the sillage, these 123 extraordinary pieces express the different facets of the N°5 perfume. In 1921, the first “perfume for women with the scent of a woman” composed by Ernest Beaux and Gabrielle Chanel made a sound of commotion. The modernity of the fragrance, the purity of the bottle and the mystery of the name, the N°5 perfume was nothing short of a revolution.

In 1932, Mademoiselle shattered the codes of French High Jewellery with her one and only collection in platinum and diamonds. These “Bijoux de Diamants” introduced new ways of wearing jewellery and took jewellery into a new realm... that of allure. In 2021, Patrice Leguéreau decided to bring these two domains together with the “Collection N°5”. “Gabrielle Chanel approached these two universes with the same visionary values, focusing on audacity and the quest for excellence. I wanted to rediscover that creative gesture with this collection, which has been conceived like a journey through the meanderings of the N°5 perfume’s soul, from the architecture of the bottle to the olfactive explosion of the

The Graphic N°5 ring from this Chanel high jewellery collection is in white gold with diamonds: 1 emeraldcut diamond 1.51-carat E VVS2, and 1 round-cut diamond 0.30-carat E IF.

fragrance. The highlight of this unprecedented collection is an emblematic and exceptional necklace set with a 55.55-carat diamond.” Daring creativity, noble materials, and an accentuated femininity together with an intimate character and a powerful timelessness, the “Collection N°5” reflects the main features of the iconic perfume. Through the 123 flexible and architectural pieces of jewellery, Chanel offers its vision of the contrast between the graphic design of the bottle and the sensuality of the fragrance. Driven by a powerful and sensual line, the outline of the number ‘5’ becomes one of the signatures of the collection drawing a joyful line between some of the pieces

THE ETERNAL TWINS

www.graff.com

The Eternal Twins, two completely identical 50.23-carat gems cut from a 269-carat rough discovered in Botswana’s Karowe mine, have been set in a pair of earrings incorporating a total of 132.53 carats of exceptional diamonds. Graff’s master craftsmen and design team have combined true artistry with luminosity of astronomical proportions in the creation of these beautiful jewels. The first jeweller to receive the Queen’s Award to Industry and Export in 1973, Graff is synonymous with the ‘all-diamond’ jewel, involved with every stage of a diamond’s life, from mining and cutting to designing and manufacturing..

The Karowe mine in Botswana has produced some of the most exceptional stones of the last century, and when it brought a 269-carat rough into the hands of Graff’s gemologists, it created the opportunity to turn it into something truly remarkable. It could have produced dozens of spectacular stones, but Graff saw the potential for two immaculate, identical 50 carat stones of astonishing colour and clarity: The Eternal Twins, a mirror-matching set of diamonds, each of an astonishing 50 carats. Obtaining two identical emerald cut diamonds from the same stone had never before been attempted on such a scale. Thus, Graff gem-cutters embarked on a complex and

When the Karowe mine in Botswana brought a 269 carat rough into the hands of Graff’s gemologists, it created the possibility of something truly remarkable, a mirrormatching set of diamonds, each of an astonishing 50 carats.

potentially risky operation: meticulously lasering the rough to extract a pair of perfectly proportioned Flawless gems. The long, smooth facets of the emerald cut leave no room for error, especially at this magnitude. Any flaws become more visible, and achieving the optimal play of light between the facets requires mathematical precision on the part of the cutters and polishers. The polishing team worked meticulously, alternating between the stones to ensure they were indistinguishable. When the twins were set into a magnificent pair of earrings, the historic feat was achieved, two D Flawless 50.23 carat diamonds of perfect symmetry, both alive with fire and radiance.

THE RETRO ALLURE

www.gucci.com

Unveiling the latest Gucci eyewear collection, a new set of images and video take the viewer on a dreamlike car ride alongside Billie Eilish, an artist whose embrace of authenticity and self-expression speaks to the core values of the House. Considered by many to be the voice of her generation, the award-winning singer-songwriter dares viewers to join her on a suspenseful trip through a series of bold portraits that reflects her distinctive style within the new campaign envisioned by Alessandro Michele and captured by photographer Harley Weir under the art direction of Lina Kutsovskaya.

In a nod to the atmosphere of the film noir genre, the campaign for the second release of Gucci’s eyewear collection features a visual approach distinguished by unbalanced compositions, a rich palette, and contrasted lighting effects. The narrative explores the idea of automobiles as symbolic extensions of those who drive them, revealing their intentions, motivations, and personality.

Blending retro allure and modern sophistication, the new eyewear collection is enveloped in the campaign’s mysterious mood. In the first visual, Billie Eilish wears caravan sunglasses in black acetate enriched with a gold-toned Gucci script logo. The artist is also captured sporting an ‘80s-inspired oversized sun mask with a bold and unique frame elevated by the Gucci script logo on the temples and a cat-eye design in pink. As a subtle nod to the runway show, the light pink acetate temples of these cat eye-shaped sunglasses are decorated with the word ‘Gucci’ surrounded by two stars—instilling the style with the essence of Hollywood. (Images courtesy of

Gucci)

Bille

Eilish debuted as the face of the Gucci eyewear campaign. An avid supporter of the brand, Eilish has often frequented the red carpet in head-to-toe custom looks for years. In 2020, when Eilish won 5 Grammys, she stepped out in metallic silk pyjamas with a Gucci crystal face mask to match. As Eilish’s style transformed from logomania hype to classic and editorial, her custom Gucci looks developed alongside her: an old-Hollywood movie star in a dramatic black ruffled gown at the Oscars, a Gilded Age goddess in a custom corseted gown made entirely from up-cycled materials at the Met Gala. Reinterpreting the House’s timeless aesthetic, the eyewear styles perfectly reflect the alluring and cinematic mood of the campaign, becoming part of an intriguing plot ready to be unravelled by the viewer.

The Prince of Wales is the heir to the throne and the eldest son of His Majesty The King and Diana, Princess of Wales. His Royal Highness is married to The Princess of Wales, Catherine, with whom he has three children, Prince George, Princess Charlotte and Prince Louis. The family’s official residence is Kensington Palace. His Royal Highness undertakes a number of charitable activities and projects and carries out public and official duties in support of The King, in the UK and overseas.

The Environment

Protecting the natural environment for future generations is one of Prince William’s key priorities. His Royal Highness is Patron of a number of charities which are focused on conservation and through The Royal Foundation of The Prince and Princess of Wales, he has spearheaded global initiatives to protect our natural world.

Most recently, in 2020, His Royal Highness launched The Earthshot Prize –a global environmental prize and platform to discover, award, celebrate and scale ground-breaking solutions to repair and regenerate the planet every year until 2030. The Prize comprises five Earthshot challenges which will have the greatest impact on the biggest environmental challenges facing our planet. The first awards ceremony took place in London in October 2021. Prince William founded United for Wildlife with The Royal Foundation in 2014 to promote collaborative work across the transport and finance sectors to make it impossible for traffickers to transport, finance or profit from illegal wildlife products.

Homelessness

The Prince of Wales is a passionate advocate for the homeless and those at risk of homelessness. His first patronage was Centrepoint, the UK’s leading youth homelessness charity, and he has used his platform to highlight individual’s stories and encourage collaboration to tackle this solvable issue. He is also Patron of The Passage, which works to prevent homelessness and aims to transform the lives of those who have experienced homelessness.

In June 2022, His Royal Highness partnered with The Big Issue to sell magazines alongside one of their vendors in order to shine a spotlight on the magazine and bring homelessness up the public agenda.

The Armed Forces

Having completed seven-and-a-half years of full-time military service, promoting the important role and the welfare of those who are serving or who have served their country in the Armed Forces is a key focus for His Royal Highness’s charitable activities. Through his programme of official engagements, The Prince of Wales has shone a light on the ongoing challenges facing service personnel making the transition to civilian life.

Royal Patronages

The Prince of Wales is Patron of a number of organisations which have close association with his specific charitable interests, and where he feels his support can make a difference. These broadly reflect his commitment to promoting better protection of the natural world, alongside his support for those in society who are facing the most difficult of times, including as a result of homelessness. As their Royal Patron, His Royal Highness will support their key projects and initiatives, spotlight their work through his programme of official engagements and where appropriate convene organisations to work in support of each other.

The Royal Foundation

The Prince of Wales, together with his wife, The Princess of Wales, also directs his charitable activities through The Royal Foundation. The Foundation develops programmes and charitable projects based on the interests of Their Royal Highnesses by working with organisations which are already making a proven impact in their respective fields. The Royal Foundation mobilises leaders, businesses and people so that together we can address society’s greatest challenges. The organisation’s work is built on world-class research, long-term partnerships, and measurable, scalable impact.

Working Members of the Royal Family continue to support The King in his many State and national duties, as they did for Her Majesty Queen Elizabeth for many years. They also carry out important work in the areas of public and charitable service in their own right.

Each year working Members of the Royal Family carry out over 2,000 official engagements in the UK and overseas. These engagements vary greatly, from visits to community initiatives, to welcoming visiting Heads of State, meeting guests at official Garden Parties and presenting members of the public with their honours at Investiture ceremonies.

Overseas visits

Members of the Royal Family often carry out official duties in the UK and overseas where the Monarch cannot be present in person, such as State funerals or national festivities,

or undertake visits to strengthen Britain’s diplomatic and economic relations. Supporting the charity sector

The Royal Family also plays an important role in supporting and encouraging the public and charity sectors. About 3,000 organisations list a member of the Royal Family as patron or president.

The huge range of these organisations - covering every subject from education to the environment, hospitals to housing - allows members of the Royal Family to meet people from a wide spectrum of national and local life, and to learn more about the challenges they face.

2,000: the number of official engagements carried out by the Royal Family each year in the UK and overseas.

70,000: the number of people entertained each year to dinners, lunches, receptions and garden parties at the Royal residences.

100,000: the number of letters received and answered each year by the Royal Family.

Some members of the Royal Family have also established their own charities such as The Duke of Edinburgh’s Award Scheme and The Princess Royal Trust for Carers, a charity which provides advice and support for people acting as carers.

Supporting the Armed Forces

The Royal Family also plays an important role in recognising and supporting the work of the Armed Services. Members of the Royal Family have official relationships with many units of the Forces, paying regular visits to soldiers, sailors and airmen serving at home and abroad.

Buckingham Palace has served as the official London residence of the UK’s sovereigns since 1837 and today is the administrative headquarters of the Monarch. Although in use for the many official events and receptions held by The King, the State Rooms at Buckingham Palace are open to visitors every summer. Buckingham Palace has 775 rooms. These include 19 State rooms, 52 Royal and guest bedrooms, 188 staff bedrooms, 92 offices and 78 bathrooms. In measurements, the building is 108 metres long across the front, 120 metres deep (including the central quadrangle) and 24 metres high.

Buckingham Palace today

Today, Buckingham Palace is very much a working building and the centrepiece of the UK’s constitutional monarchy, serving as the venue for many royal events and ceremonies from entertaining foreign Heads of States to celebrating achievement at Investitures and receptions.

More than 50,000 people visit the Palace each year as guests to State banquets, lunches, dinners, receptions and Garden Parties. Her Majesty also holds weekly audiences with the Prime Minister and receives newly-appointed foreign Ambassadors at Buckingham Palace.

Receptions are held at the Palace throughout the year to recognise the work of industry, government, charities, sport, the Commonwealth and many more areas of life.

Buckingham Palace is often a focal point for significant national celebrations and commemorations.

In 2002, a music concert was staged in the garden of Buckingham Palace to mark The Queen’s Golden Jubilee, which included a unforgettable performance of ‘God Save The Queen’ by Brian May from the roof of the Palace and at Her Majesty’s Diamond Jubilee celebrations in 2012 members of the public were invited to have a special picnic in the Buckingham Palace garden. To mark The Queen’s Platinum Jubilee in 2022, there was a special ‘Party at the Palace’, which included a spectacular drone show.

The balcony of Buckingham Palace is one of the most famous in the world. The first recorded Royal balcony appearance took place in 1851, when Queen Victoria stepped onto it during celebrations for the opening of the Great Exhibition. Since then, Royal Balcony appearances have marked many occasions from The Queen’s annual official birthday celebrations to watch the RAF Flypast at the end of Trooping the Colour, Royal Weddings, as well as special events of national significance such as the 75th anniversary of the Battle of Britain.

Whilst Buckingham Palace is seen as the administrative hub of the Monarchy, it is also very much a family home, in addition to holding The Queen’s Gallery and the Royal Mews. The Queen gave birth to Prince Charles and Prince Andrew at the Palace, and to this day notice of royal births and deaths are still attached to the front railings for members of the public to read. The christenings of The Prince of Wales, The Princess Royal, The Duke of York and Prince William took place in the Music Room and many Royal Weddings have been celebrated at Buckingham Palace, most recently The Duke and Duchess of Cambridge’s.

The site where Buckingham Palace now stands was originally a mulberry garden planted by King James I (r. 1603-25) to rear silkworms. Unfortunately, he chose the wrong kind of mulberry bush, and silk production never took off in Britain

The offices of those who support the day-to-day activities and duties of The Queen and their immediate family, such as the Private Secretary’s Office and the Privy Purse and Treasurer’s Office are located at Buckingham Palace.

ROYAL

THEIR ROYAL HIGHNESSES

PRINCE WILLIAM AND PRINCESS CATHERINE, PRINCE AND PRINCESS OF WALES.

Every time the Duke and Duchess Of Cambridge defined elegance.

Fifty-five of the world’s best riders took part in the 12th edition of Saut Hermès at the Grand Palais Éphémère, the CSI 5*-certified show jumping competition.

THE 12TH SAUT HERMÈS

During the high point of the Saut Hermès in March 2022, the €25,500 Prix Hermès Sellier CSI 5*, the accumulator competition with jumps measuring 1m50, there were 22 clear rounds out of the 53 competing horse and rider pairings. Swiss rider Martin Fuchs (SUI) took the win as the only competitor to go clear in a sub-57-second time (56’’94). The recent European team champion and world No. 3 partnered with The Sinner, a 14-year-old gelding. “It was a bit of a tricky course with some very tight bends. When walking the course, I didn’t think there would be so many riders taking all the options. However, wearing No. 28, I was able to see the rounds posted by several riders before me and I knew that I’d have to take the bends as tight as possible to win it! My horse Sinner was fabulous today. I’m delighted to take the win here at the Saut Hermès. I love this competition!”

COURSES

DESIGNED BY the Spaniard Santiago Varela Ullastres, in charge of the Saut Hermès at the Grand Palais courses since 2018.

DEFENDING CHAMPION

Among the competitors are the Frenchman Simon Delestre and his gelding Hermès Ryan, who together won the Grand Prix Hermès two years in a row.

YOUNG RIDERS

Jennifer Hochstadter (LIE), 18, Lily Atwood (GBR), 20, Jeanne Sadran (FRA), 20, Sanne Tijssen (NED), 23 and Harry Charles (GBR), 22.

© Prix Hermes Sellier, CSI 5, Martin Fuchs, 18 March 2022, credit Christophe Taniere

© Jessica Rodrigues

© Freddie Barbera

© Nacho Alegre

EMPIRE CLOCK “NYMPHE À LA COQUILLE”

www.apolloartantiques.nl

This Empire clock from Paris, circa 1810, depicts “Nymphe À La Coquille”, who some sources refer to as Venus. However, she can be Latona, a daughter of Titans in Greco-Roman mythology. Zeus conceived her with the divine twins Artemis and Apollo. Hera, Zeus’ jealous wife, wanted to prevent Latona’s delivery. Even after Latona’s delivery she was thwarted, as by the Lycian farmers who did not want Latona to stay and scoop water from a shallow pool with a conch to quench her thirst, as told in the “Metamorphoses” by Roman poet Ovid.

Empire clock “Nymphe à la Coquille”

The 8-day movement with a wire suspension pendulum strikes the hour and half hour on a bell. The clock is in excellent and perfect working condition, and has recently been serviced by a professional clock maker. 51 cm high, 52 cm wide, 16 cm deep, weighing 17.1 kg, the clock comes complete with its pendulum, key and bell.

This spectacular and large gilt bronze Empire clock “Nymphe à la Coquille”, attributed to Claude Galle, has a bastion-shaped case which holds the movement of this clock. On top of this case we see a scene of a young woman sitting on a meadow full with flowers. She is holding a shell in her right hand which she is using to take water from a small pond. This scene is clearly inspired by the marble sculpture “Nymphe à la Coquille”. This sculpture, which was previously owned by Camille Borghèse, is currently

This Empire clock from Paris, circa 1810, has gilt bronze ornamentation in the form of two river gods, mascarons and palmettes. The sculpture of the woman has clearly been sculpted and chiseled by a great master, like Claude Galle.

Copyright: Apollo Art Antiques

in the collection of the Louvre Museum in Paris. The movement of this clock has a white enameled dial with black enameled Roman numerals. Beside it are figurative plaques of Tritons blowing their horns. And to the side of the clock case we see two dolphins. The base of this Empire clock “Nymphe á la Coquille” has a beautifully chiseled bas-relief showing us a classic processional scene with Amor on his chariot, and groups of women, probably on their way to a wedding ceremony.

THE BEAUTY QUEST

Beauty is a matter of balance. The designer’s ongoing quest to celebrate his feminine muses swings between delicacy and ruggedness for the Spring Summer 2023 collection. Ethereal and soft-spoken yet confident and determined, this season’s youthful ladies embody the image of purity, their rich attire best telegraphing the house’s exceptional craftsmanship. The surface of Ermanno Scervino’s creations serves like a multilayered patina protecting women’s intimacy and projecting an alluring light of determination. Ermanno Scervino continues to stand firmly behind the idea of the sublime blend of haute couture and prêt-à-porter, creating the new concept of coutureà-porter, where know-how intertwines with creative experimentation and cutting-edge technology in the name of excellence. An authentic Italian spirit with roots in the traditions of craftsmanship that serves as the life force for unique pieces that embody the dynamic, international spirit of the modern woman. The maison pays homage to its DNA by choosing to represent Spring Summer 2023 through a rigorous campaign that speaks of Italian tailoring, thus emphasizing the founding values of the brand. For spring, designer Ermanno Daelli said he wanted to think of the younger generation by applying his mastery to a more playful approach to dressing: “Girls are girls: They rightly want to discover themselves, feel free, experiment. That’s why I wanted to play with tops and short skirts, but most of all I focused on technology.”

Satin robe coats and workwear-inflected raw cotton pantsuits are covered in liquidlooking shimmering sequins; naïf floral embroideries adorn lingerie-inspired see-through slipdresses, their middle textile layer dotted in tiny crystals. Leather strapless midi gowns are embellished with sculptural roses gracing the neckline and utilitarian pocketed parkas. Cotton knits best exemplify Ermanno Scervino’s extensive research into and mastery of materials manipulation having handiwork collide with technology, in an artisanal dialogue between present and future.

Evanescent sequin-covered miniskirts are paired with off-shouldered knits, their thickness and tactile quality exalted by webbing floral embroideries, while oversize cardigans bearing 3D patterns and enriched with sequins add a suave note to the cargo pants in satin.

The print of the season is camouflage in cream and beige, the jacket a kind of utilitywear version in waterproof fabric with patch pockets.

“The only natural leather I used was for the cream-colored pieces because the dye didn’t convince us,” said Daelli. “We’ll see what happens with the next trials.” A soft, lightweight synthetic leather material is used for a double trench coat with embroidered floral motifs and other pieces.

Expanding the colour horizons, the signature blacks and whites, are juxtaposed with charming candy tones including baby pink, citrusy yellow and light blue. The theme of light and lightness carries into the collection in the form of a diaphanous off-theshoulder dress that could have been on loan from the three graces in Sandro Botticelli’s “Primavera.” The ruffle blouses in white or powder blue, the fluttery ribbons and rosettes adorning slipdresses, or the swirly embroideries on a sheer minidress that is styled with a pink woolly cap continue to follow the trend. Finally, macramé lace, a hallmark of Scervino, is superimposed on chiffon with heat-sealed micro-crystals and worked in patchwork, yellow, pink, and beige. Extremely Barbiecore.

The Maggie bag, an icon of the Maison, the new coloured minibags, the highheeled boots, donning flats and cowgirl boots complete the looks proposal which sees the debut of L.G.R x Ermanno Scervino five-style capsule collection made of

oval-shaped acetate and metal sunglasses.

Determination, charisma and sensuality are the topics of the Ermanno Scervino Spring Summer 2023 campaign where Vittoria Ceretti is portrayed in shots that tell the contemporary soul of the maison.

The images, in black and white or in ethereal shades, enhance shapes and proportions: the fluid and very long trousers, the rigorous and sculpted trench coat, and the giant geometric bag. The masculine suits, the invisible make-up and the movement express an urban, active and, therefore, contemporary femininity. Vittoria Ceretti becomes the spokesperson and symbol of Ermanno Scervino’s aesthetic idea and, with her gaze straight into the camera, she lets herself be observed with ease inside perfectly cut clothes. Through the play of light and the intensity of the surfaces, Luigi & Iango’s shots enclose the strength and love behind the constant search for beauty.

The Pre-Fall 2023 collection is linear, with flawless shapes, as rigorous as a canvas where the designer paints his precious designs, operates fabrics, drapes lambskin, and cuts out jersey and knitwear. Soft oversize coats envelop thin silhouettes in leggings and mini-skirts, while masculine tailored jackets match flowing trousers that seem stolen from a man’s wardrobe due to their size. It is not only a sophisticated style game. It is a hint at a behaviour, like the spontaneous and informal gesture of a woman slipping into her beloved apparel while easily keeping her hands in her pockets. In this season, the woman by Ermanno Scervino wears alpaca and cashmere wool, very naturally taking shelter inside a light, warm shearling coat. Their intimate elegance and private, indiscrete fascination remind of scenes from the movie “BUtterfield 8”, starring Elizabeth Taylor and Laurence Harvey, which inspired Ermanno Scervino to design eco-furs as soft as dressing gowns, styled according to tradition and with attention to the environment.Under these warm clothes enveloping the body, the grace and femininity of Scervino’s woman remain unchanged with mohair, alpaca, flannel and chiffon roses delicately budding on the outerwear collars and along the necklines of the dresses.

The combination of suits with understated makeup in Ermanno Scervino’s spring 2023 campaign exudes contemporary femininity.

Photo: Luigi & Iango.

The Fall Winter 2023 is a tribute to Ava Gardner, the diva of the Golden Age of Hollywood. Made famous by the actress and re-proposed as an alternative to tops and shirts, the pointed bra takes the main stage.

Wearing a pinstripe suit, Vittoria Ceretti poses for Ermanno Scervino spring-summer 2023 campaign.

Photo: Luigi & Iango.

HYKE’S GENIUS

In devising their second Moncler Genius collection, HYKE expanded upon themes from the first season, delving further into the archive to explore pieces such as the 1960 Lionel Terray down coat and other historic Moncler items, reinterpreting them in high-tech fabrics and new craftsmanship techniques.

The result of the collaboration is a compact 14-piece capsule collection that infuses HYKE’s signature pared-down silhouettes and sense of offkilter pragmatism with Moncler’s down, playing with the layering of lengths and shapes. The clear usefulness and radical simplicity continue to make appearances throughout the project and reflect HYKE’s philosophy of determination to stick to the heritage not ignoring the evolution.

The play between sleek and puffed sets the tone: streamlined shell jackets and vests, either long or cropped, are matched by oversized quilted puffers. The voluminous jackets are countered by pleated dresses and sweatpants. The focus on function means a multiplication of pockets and taped details, and the use of industry leading technical fabrics and finishes: GORETEX INFINIUMTM and micro ripstop nylon outerwear, thermo-heated quilting, double closures and YKK AQUASEAL® zippers. The utilitarian feel is heightened by a strict palette of black and neutral hues. Disruptive newness comes in the form of abstract outdoor prints - a first for the minimal block-colored tradition of 4 MONCLER HYKE - they swirl across pieces in shades reminiscent of sand, stone and cloud. The extreme straightforwardness of the lines is a signature, just like HYKE’s details: side slits and long puller tapes.

Men and women’s wardrobes are deftly synchronized and fluid, creating a sense of unity that is another expression of metropolitan functionalism. Sweatshirts and sweatpants, long sleeve t-shirts and pleated dresses complete the offer, with bush hats and HYKE Desertyx boots topping off the city safari look. The message is one of effectiveness and continuity, drawing evolution out of heritage. (Images courtesy of Moncler)

The use of technical materials and simple designs allow the Japanese fashion label to remain truthful to its beliefs - minimalist aesthetics and clear cuts.

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Re-imagined vintage silhouettes take into consideration the history of the items and the transition of designs for one’s current lifestyle today.

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HYKE’s clean, utilitarian vision and interest in the performance aspect of clothing are an ideal match for the spirit of Moncler.

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Hideaki Yoshihara and Yukiko Ode of the cult Japanese brand HYKE are purveyors of a distinctive aesthetic that merges minimal design and uttermost function, keeping a refined and rarefied look.

INNATE BEAUTY

www.sergiorossi.com, www.area.nyc

The new capsule collection AREA x Sergio Rossi rewrites the rules of a new femininity: more empowered, bold and more inclusive than ever. Eclectic, sensual and undeniably glamorous: the new spring-summer 2023 collection is more seductive than ever before.

Sergio Rossi, synonymous with Italian craftsmanship, femininity, and elegance and New AREA, the New York based design studio, beloved for its Swarovski crystal-encrusted separates, have come together for a special collaboration, finding beauty in unexpected and challenging places. The capsule collection, was presented during AREA’s SS23 during New York Fashion Week on February 11. The 20 exclusive styles, based on iconic Sergio Rossi shapes, feature signature AREA details, such as feathers, crystals, and bows.

Including sandals, gladiators, pumps and slingback in yellow, dragon fruit, black, white and denim, this see now, buy now capsule collection is a true celebration of the Sergio Rossi femininity – with a twist. Amazona, the gladiator-style sandals, exude captivating femininity. An eye-catching twist, for the woman who loves to stand out. The bold Marquise silhouette offers a unique femininity thanks to the structure with a large bow, embellished with rhinestones along the sides. For enhancing the most glam evening looks with an unexpected touch of style. The Shibari Sandals offer a bold perspective with a suggestive design featuring over-the-knee crisscross laces. The shoe’s sensuality is elevated by the embellished chrome heel. They are a style musthave to capture everyone’s attention. This new femininity is multifaceted and both brands, Sergio Rossi and AREA, encourage everyone to explore it and embody it in a way that makes them feel sexy and empowered.

The campaign, titled (OSSESSIONI) LE SCARPE, was shot in New York by Collier Schorr, styled by Katie Burnett and stars Maaike Klaasen.

“With this collaboration, Sergio Rossi continues to build on a long lineage of collaborations but in this case with one of the most influential brands into the

Statement

Two

Amazona sandals in black satin with feathers along the front and back are a symbol of AREA x Sergio Rossi design and expertise.

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feathers along the back of the shoe elevate the bold highheeled silhouette of this Amazona model.

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of the signature AREA details, crystals and bows, come to adorn the Marquise Sandal Heel.

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“I strongly believe in this partnership that explores the multiple facets of femininity, finding beauty in all its form and expressions.” Riccardo Sciutto, Group CEO of Sergio Rossi comments.

Exploring perceptions of femininity and beauty are an ongoing reference for AREA; the ways in which these ideals evolve and change across time and cultures is a driving inspirational force for the brand. Through examining and challenging the evolution of beauty ideals, AREA celebrates duality and togetherness. The brand shares its name and spirit with the iconic 80s Manhattan nightclub, known for its fusion of art and performance in conceptually-themed nights.

fashion industry. We have the best partner to reshape the rules of femininity together”, says Riccardo Sciutto, Group CEO of Sergio Rossi comments. “This collaboration embodies the synergy of heritage and expertise infused with modernity and innovation,” adds Piotrek Panszczyk, Area Co-Founder and Creative Director.

The collaboration is not Sergio Rossi’s first high fashion rodeo. The footwear founder produced shoes for Dolce & Gabbana, Versace, and Alaïa in the ‘90s. Look closely, and you will spot Rossi’s shoes in your favorite Frederico Fellini films — the director enlisted the designer to create heels worn in La Dolce Vita and Roma.

AREA is a fashion and accessories design studio specializing in quality craftsmanship, textile development, and innovative embellishment. The designers explore history, aspiration, and conceptualized ideas of glamour through AREA. Since its launch, the brand has garnered a cult following with their modern and timeless take on beauty and glamour. AREA has grown beyond its Downtown roots, spreading its ethos of inclusiveness and irreverent glamour around the globe.

Sergio Rossi, part of Lanvin Group, has a premium worldwide distribution network comprising 64 stores in prime luxury locations in EMEA, Japan and Greater China. Sergio Rossi has best- in-class manufacturing capabilities with environmental protection and social responsibility, located in San Mauro Pascoli on the north-eastern coast of Italy (within an industrial region with very strong shoemaking heritage) and can accommodate significant production increases, supporting the creation from the sketches to the final product.

5.

A seductive twist and unexpected bow structure with rhinestones along the sides add dynamism to the silhouette.

Maaike Klaasen stars in the campaign of the first ever collaboration between AREA and Sergio Rossi.

Multiple straps, matching feathers along the edges and the sensual high heel - for femininity that knows no bounds.

AREA’s signature style is multi-faceted; witty, inherently glamorous, playfully decadent and injected with a pop energy.

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6.

Max

and

HORIZONS

www.maxmara.com

In the summer, when the aristocrats closed their grand villas, bohemians of every type flocked to the Riviera. On sun-soaked beaches, masterpieces were conceived, manifestos thrashed out and a timeless look was forged: Riviera style. No one wore it better than Renée Perle, the silent muse and lover of photographer Jacques-Henri Lartigue. She deserves a much bigger credit; the kohl-rimmed eyes, the perfectly painted Cupid’s bow, the finger-waved hair are so intrinsically her. So too the archetypal looks which are the backbone of Max Mara’s collection; backless tanks, voluminous canvas sailor pants, floppy wide-brimmed sun hats and long, languid skirts which hug the hip then slide into pools of godets.

As Perle personifies fashion, so Eileen Gray personifies architecture. Gray’s E1027, a seaside villa for herself and her lover, showcase her uniquely feminine take on modernism. Challenging the rigid rectilinearity of the masculine masters, Gray’s floorplan incorporates the occasional curve. Max Mara follows suit with sinuous bias cutting and the brave new femininity also manifests itself in extravagant organza bows printed with flowers in Perlesque “art vernaculaire”style. At Max Mara, each piece is designed not just to be worn, but to be lived in. Max Mara presents a series of total looks in lino greggiounprocessed, undyed linen that looks like burlap, sometimes with raw fringed hems. The classic architectonic coats take on the soft allure of sun-bleached beach robes. Gray’s “architecture for inner life” features accents in a particular shade of inky Mediterranean blue that stirs the heart; Max Mara presents its take on washed cotton drill bleu de travail in the same evocative colour. At the glittering blue horizon, Perle, Gray and Max Mara meet.

Mara imagines Renee Perle

Eileen Gray, two underestimated historical muses with a shared vision of modernity, making the leap from muse to maestro.

DREAMBOULE

THE FUSION OF ARTS

Watchmaking heritage, alchemy of liquids and high jewelry

MAKE EVERY DAY COUNT

www.rolex.com

Calibre 3255 is a self-winding mechanical movement entirely developed and manufactured by Rolex, with patents such as the Paraflex shock absorbers and Chronergy escapement that provide stability and anti-magnetism. What’s more is that the blue Parachrom hairspring, manufactured by Rolex in a paramagnetic alloy. Insensitive to magnetic fields, the Parachrom hairspring offers great stability in the face of temperature variations and remains up to 10 times more precise than a traditional hairspring in case of shocks. Calibre 3255 is fitted with a self-winding module featuring a Perpetual rotor. Thanks to its barrel architecture and the escapement’s superior efficiency, the power reserve of this movement extends to approximately 70 hours.

The Day-Date’s calendar displays the day of the week spelt out in full in an arc-shaped window at 12 o’clock in addition to the date in a separate window at 3 o’clock. This display relies on disc mechanisms; the day and date change simultaneously and instantaneously. The indication of the day of the week is available in a choice of 26 languages. The Day-Date is also equipped with a mechanism allowing rapid adjustment of the day and the date using the winding crown.

Like all Rolex watches, the Day-Date is covered by the Superlative Chronometer certification redefined by Rolex in 2015. This exclusive designation testifies that every watch leaving the brand’s workshops has successfully undergone a series of tests conducted by Rolex in its own laboratories and according to its own criteria. These certification tests apply to the fully assembled watch, after casing the movement,

guaranteeing superlative performance on the wrist in terms of precision, power reserve, waterproofness and self-winding. The Superlative Chronometer status is symbolised by the green seal that comes with every Rolex watch and is coupled with an international 5-year guarantee. The precision of every movement – officially certified as a chronometer by the Swiss Official Chronometer Testing Institute (COSC) – is tested a second time by Rolex after being cased for a precision within −2/+2 seconds per day, much stricter than that accepted by COSC for official certification of the movement alone. Rolex checks the waterproofness, the self-winding capacity and the power reserve of 100 per cent of Rolex watches. These tests systematically complement the qualification testing during development and production, in order to ensure the watches’ reliability, robustness, and resistance to magnetism and shocks.

顶级奢侈国度

Heritage Values. The Ultra-Luxury Industry Conferences

LE GRAND MAG B2B acclaims long-lasting values, unrivalled heritage of time-honored craftsmanship and creative masteries, and takes great care in divulging the savoir-faire that has sometimes been passed on for centuries. Ultra-Luxury imperatives that inspire excellence and constitute the pillars of performance and long-term success.

WATCHES & WONDERS 2023

From excentric colours to square-themed dials, here are all the trends the LGM team spotted at Watches & Wonders 2023.

Chopard Alpine Eagle 41 XPS

Panerai

Hautlence Linear Series 2

Grand Seiko Tentagraph

Jaeger-LeCoultre Rendez-Vous Dazzling Star

Jaeger-LeCoultre Reverso

Chanel j12

Baume Mercier Riviera

Rolex-Yacht-Master-42RLX-Titanium

Hublot MP13 Tourbillon Cartier Tank

Roger-Dubuis-Excalibur Patek-Philippe-Calatrava

Bell & Ross_green_gold

Bulgari Octo Roma

Cartier-Prive-Tank-Normale Skeleton-Platinum

Jaeger-LeCoultre Polaris Mariner

Tag Heuer Aquaracer Zenith Pilot Hublot MP13 Tourbillon

From the encounter between art and wine, celebrating beauty.

ROLEX PRESTIGE

This year, a new jewel shines on the surface of the sea: for the first time, the Yacht-Master 42 is available in yellow gold – an inspired and original refinement to the emblematic sailing timepiece that in no way alters its course. Two years ago, the Submariner and Submariner Date debuted a redesigned and 41 mm case, which houses calibre 3230 and calibre 3235, respectively. In 2019, Day-Date 36, in 18 ct yellow, white or Everose gold, had distinctive new dials and gem-set bezels on some versions.

The Submariner and Submariner Date have a redesigned and slightly larger, 41 mm case, equipped respectively with calibre 3230 and calibre 3235.

The new version of the Yacht-Master 42 is equipped with calibre 3235, which powers the display of display the hours, minutes, seconds and date.

The Day-Date 36 in 18 ct yellow gold with a green ombré dial is powered by calibre 3255.

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New versions of Rolex icons, such as the Submariner, Yacht-Master and Day-Date, remain steadfast in their pursuit of innovation, reliability and precision through in-house movements and precious materials.

© Rolex/Alain Costa

Rolex/Alain Costa

© Rolex/Alain Costa

LA D MY DIOR

To celebrate the 20th anniversary of the La D de Dior, created in 2003, the precious dial and bracelet of the iconic timepiece have been adorned with the geometric lines of cannage, a pattern so dear to Christian Dior. Cannage, a symbol of elegance, featured on the Napoleon III chairs that welcomed Monsieur Dior’s guests at 30 Avenue Montaigne, the House’s iconic address. Appreciated by the founding-couturier for the simplicity of its beauty, the emblematic motif was destined to become a key Dior reference, flourishing on numerous creations.

This year, the La D de Dior is available in a new version named La D My Dior, distinguished by the graphic lines of this signature design. Entirely hand-engraved, the yellow gold mesh requires two days of work. A specialized engraver perpetuates traditional gestures, combining exceptional craftsmanship with virtuoso technical expertise. First, the artisan engraves the Satine motif inspired by haute couture fabrics along the bracelet and loop. Then comes the engraving of the cannage lines, an operation demanding extreme dexterity to ensure the precision of the geometric angles and parallels of the classic pattern.

The strap is defined by Dior as a “ribbon that tells the time,” and features hand-engraved geometric lines that continue to the dial in a captivating interplay of shapes and ornamentation. No matter which design a buyer opts

for – one is set with brilliant diamonds while the other showcases delicate drawings reflecting the delicacy of a strip of silk – the case on these watches is a testimony to the skill of Dior’s master watchmakers.

Designed by Victoire de Castellane, the artistic director of Dior Joaillerie, La D My Dior is a continuation of the coveted La D de Dior - an exquisite display of femininity, combining materials, colours, and dimensions.

The watch is available in gold or silver plated steel and comes in two different sizes – 19mm and 25mm. It is adorned with a Milanese 18K yellow gold bracelet hand-engraved with the satin and Cannage motifs and unfolding 18K yellow gold buckle. Cannage-engraved satin motif dial features polished dauphine hands and antiglare sapphire crystal. Equipped with a quartz movement, the La D My Dior has two functions: hours and minutes and is water resistant up to 30 metres. The 18K yellow gold crown of a diamond model is set with 13 brilliantcut diamonds (0.03 ct); 40 brilliant-cut diamonds (0.32 ct) decorate the 18K yellow gold bezel.

@Nicolas Alain Cope

PHENOMENA OF A STAR

www.

Visible only at certain times of year and under the right conditions, the shooting stars have fascinated mankind since the dawn of time – and now have inspired the watchmakers of Jaeger-LeCoultre. Mastering all three measures of time – solar, lunar and sidereal – the watchmakers of La Grande Maison have perpetually innovated to create the most advanced and precise mechanisms that represent or even predict celestial phenomena. The Rendez-Vous Dazzling Star recreates this enchanting celestial phenomenon on the wrist, thanks to an entirely new mechanism conceived and developed within the Manufacture. Activated by the movement of the wrist, the shooting star appears on the dial at random moments – usually four to six times per hour – its unpredictability making it even more special. To enjoy the enchanting display more often, the star may also be summoned on demand by turning the winding crown several time Entirely made of blue Aventurine, the dial of the new Rendez-Vous Dazzling Star exquisitely captures the beauty of a star-studded night sky. In the centre, framed by a ring of diamonds, three discs are layered over each other. The first layer, an oval of Aventurine, conceals the shooting star when it is inactive. Beneath it is a circular disc of Aventurine with a cut-out of the shooting star; when activated, this disc spins, sending the star on its curving path across the upper dial. As the star passes, the cut-out reveals the deepest layer of the dial – a fixed disc of golden metal with a glowing gradient finish that accentuates the sense of movement.

Made of blue Aventurine, the dial of the new Rendez-Vous Dazzling Star captures the beauty of a star-studded night sky. In the centre, framed by a ring of diamonds, three discs are layered over each other. The first layer, an oval of Aventurine, conceals the shooting star when it is inactive. Beneath it is a circular disc of Aventurine with a cut-out of the shooting star; when activated, this disc spins, sending the star on its curving path across the upper dial. As the star passes, the cut- out reveals the deepest layer of the dial – a fixed disc of golden metal with a glowing gradient finish that accentuates the sense of movement. Loyal to the codes of the Rendez-Vous collection, this central display is surrounded by a ring of applied numerals in the signature Floral font and applied hemispherical hour markers. The time is indicated on these scales by golden

Since the earliest days of the Manufacture, astronomical functions have played a major role in JaegerLeCoultre’s portfolio of complicated timepieces –ranging from simple forms of moon phase display to highly complex perpetual calendars.

Floral hands. Surrounding the 36mm pink gold case, the Dazzling RendezVous bezel forms two concentric rings. There is an airy quality to these glittering circles, thanks to the prong setting of the outer ring of 36 stones. A classical jewellery technique introduced in the Rendez-Vous collection in 2019, it is an exquisite testament to Jaeger-LeCoultre’s gem-setting expertise. Fine gold claws hold the diamonds high, allowing light to pass through them from every angle, maximising the presence of each stone while minimising the visible metal. The upper surfaces of the lugs are set with diamonds and an inverted diamond is set into the crown. The rich blue of the dial is complemented by a shiny blue alligator strap with a folding buckle, or by a fully-set pink gold bracelet. The bracelet’s lozenge-shaped links are grainset with a total of 436 diamonds (4.88 carats).

Dream Pink.

The co-creation of luxury meanings in today’s circular economy is often rooted not only into product but also business model innovation, i.e. the way consumers obtain the same product. Accessbased and pre-owned options are the two most relevant emerging alternatives to luxury consumption today. But, how can rented or pre-owned products allow status and sustainability signaling?

Access-based business models have made luxury products more affordable to a broader market. Instead of ownership, consumers acquire consumption time (and pay only a fraction of the product’s retail price).

Rent the Runaway is probably the most well-known player in liquid fashion. The data-driven company is a synonym for rental for most of the young crowds who aim at switching their outfits with the blink of an Instagram post. Indeed, on the one side consumers are willing to use their clothes or gowns for posting fresh images and pretending to be owners of infinite and up-to-date wardrobes. On the other side, this frivolous need is somehow veiled behind a strong conviction that piling up one-off clothes is unethical and irresponsible for the environment. While we understand the business opportunity for a company such as Rent the Runaway, what is more difficult to digest is an example such as the one of Ralph Lauren creating The Lauren Look, a luxury rental service where consumers can pay a $125 subscription fee per month to access an ever-changing selection of dresses, pants, and tops branded Lauren by Ralph Lauren, and crafted by expert stylists. As mentioned by the company CEO Patrice Louvet in an interview to Fashion network the project was much more forward-looking. Indeed: “The closet of the future will include a mix of new seasonal fashion, unique customized pieces and wardrobe staples, alongside pre-owned and rented clothing.” The brand can leverage this project to scout emerging trends, engage consumers in a dialogue that can start through rental and follow multiple paths, and promote a responsible consumption approach in one of the most polluting industries worldwide. But what about the implications from the consumer’s perspective? The signaling ability of rented luxury products may be diluted. We run some pilot experiments to investigate the effect of access-based luxury on signaling effects, based on consumers’ self-perceptions. Our preliminary findings prove that consumers experience high status when they publicly display a luxury product, no matter whether the product is rented or owned. However, when products are rented, increased status feelings come at the cost of feeling dishonest: signaling with rental products leads to equally high feelings of dishonesty than signaling with counterfeits. Not only, but when customers already own other similarly positioned luxury items, dishonesty self-perception drops and rental can be interpreted like a solution to enhance variety and enable more sophisticated consumption choices: possession of long-lasting iconic luxury items and rental of fad products in order to accomplish to emerging fashion patterns and maintain a position of trend setting. In this way, liquid access to luxury items might become a way to find a compromise between the planned obsolescence effect which is typical of fashion (Davis, 1992) and the persistent value associated to true luxury items. By priming customers in an environmental conscious choice set, we also proved that dishonesty self-perception can further reduce and the intention to reveal the temporary access to the product enhance as a result of a more responsible behavior.

The environmental responsible driver is especially important also in the pre-owned market. This increasingly relevant business model, accounting for more than 40B in market value in 2022, according to Bain-Altagamma Luxury study, is sustained by another

Newbusinessmodelshavemadeluxuryproducts moreinclusivetoabroadermarket.Withaccessbasedbusinessmodel,insteadofownership, consumersacquireconsumptiontime.Platforms sellingpre-ownedproducts,whilegranting inclusivityforconsumers,allowbrandstodevelop circularandmoresustainablebusinessmodels.

important driver of consumer willingness to pay, that has to do with the ability of the product to convey objective uniqueness. Sustainability has, indeed, a greater positive impact for second-hand luxury products, while in the case of vintage purchases, it is overtaken by consumers’ need for uniqueness. Interestingly, though, the pre-owned market is not just a way to extend the luxury opportunities to new customers, such as the environmental-conscious ones, but also the relationship with a brand’s current customer base, as proven for instance by Vestiaire Collective, which has launched the “Brand Approved” program to promote circular fashion. The first brand to promptly embrace the challenge has been Alexander McQueen. The mechanism is pretty simple: the most loyal customers have been contacted by the company and asked if they want to resell some of their used items from the brand. The fashion house evaluated them and - if considered appropriate – it assigned them a repurchase price. Once the items were received and authenticated by Alexander McQueen, the customer received a credit note to buy new items at selected Alexander McQueen boutiques. On its turn, Vestiaire Collective assigned a near field communication (NFC) tag to each of the garments, providing potential new buyers information confirming the authenticity of the item, on sale on the page dedicated to the “Brand Approved” initiative of the app and on the Vestiaire Collective website.

The CEO of Alexander McQueen, Emmanuel Gintzburger, commented in an interview that the Maison is committed to a move towards circular practice, both in the design studio and in the development of new business models, by challenging a linear economy and setting a new and more sustainable standard for the future.

Balenciaga is another brand that has undertaken this new responsible model. Indeed, at the end of last year, the French brand, part of Kering Group, has launched a new program called Re-Sell in collaboration with the second-hand platform Reflaunt. The program is built to create a virtuous system of circularity around Balenciaga products. Indeed, it allows customers to receive an extra credit when reselling Balenciaga branded accessories to be used within Balenciaga stores. This mechanics of the program is virtuous for multiple reasons. First, it grants the opportunity of a second life to a luxury product that is meant to last, and it makes the product accessible for a new and, in many cases, younger clientele. Also, it gives the brand the opportunity to use this model as a customer relationship management tool. Thanks to the extra credit system the brand can re-engage existent clients with new assortment, or a new experience offered at the store level. At the same time, the extra-credit can be a good way to attract younger clients who are more sensitive to the circular and sustainable practices of luxury companies. These younger clients are thrilled by the opportunity of contributing to the development and implementation of sustainable projects from luxury brands and thus they might engage in an active conversation and relationship with them. These are just two examples of innovative and very promising initiatives to embed circularity at the heart of the fashion and luxury ecosystem and promote more responsible and conscious consumption.

PRODUCT SIGNALING EFFECTS IN ACCESS-BASED AND PRE-OWNED LUXURY CONSUMPTION.

PAOLA CILLO Professor of Innovation Management Bocconi University

EMANUELA PRANDELLI Professor of Technology & Innovation Management Bocconi University

THE ART OF IMAGINATION

A MERCEDES-BENZ FOR MONCLER VOYAGE

Chief Design Officer Mercedes-Benz Group AG

Redefining its collaboration model Moncler Genius into a platform for co-creation, Moncler challenged the boundaries of possibility at the intersection of Art, Design, Entertainment, Music, Sport, and Culture. Mercedes-Benz enthusiastically accepted the challenge. The PROJECT MONDO G was born. The art piece was unveiled at the immersive live show “The Art of Genius” at Olympia London. The collaboration recreates the iconic Mercedes-Benz G-Class with the distinctive design codes of Moncler by merging the characteristic G-Class features with Moncler’s puffer jacket. PROJECT MONDO G is an example of a new creation of outstanding automotive and fashion design.

Mercedes-Benz and Moncler share a passion for innovation, concise design language and a first-mover approach to cross-cultural collaborations. These values and attributes define both partners, who now came together to showcase the creative opportunities and where the merging of the two brands’ worlds can take you. The theme “Art of Imagination” is an inspirational message to dream big and to explore their own firsts: breaking new ground, put the impossible in reach, and discover without limits. The collaborative art piece PROJECT MONDO G marks Moncler’s first automotive partnership.The art piece, designed exclusively for the collaboration of Mercedes-Benz and Moncler, merges the characteristic features of the iconic Mercedes-Benz off-roader G-Class with the styledefining Moncler puffer jacket. Building a spectacular contrast with the angular design of the G-Class and the soft, flowing lines of the quilted textile. Unmistakable and inimitable with functionality at their core, both functional products have developed into lifestyle items of luxurious value over the past decades. The fusion of opposites gives rise to a sculptural object: PROJECT MONDO G invites to experience the transformation of a formerly pure utility focused object into a design. A closer look reveals further characteristic features that have a concrete connection to the original products and additionally create exciting contrasts: the rough patina is the visible trace of use, which refer to functionality and practicality. This forms the visual counterpoint to the perfect, high-gloss reflective surfaces that underpin the claim to luxury. Nor is it by chance that the PROJECT MONDO G bears the huge zipper, another deliberately striking and eye-catching element.

Mercedes-Benz, a major player in the global fashion industry since 1995, becomes the first automotive partner to collaborate with Moncler.

The zipper running on top of the roof is a practical reference to the versatility and variability of both products, vehicle and jacket.

The impressive dimensions of PROJECT MONDO G are: 4.6 m length, 2.8 m height, 3.4 m width (with wheels) and 2.5 tons weight.

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“Two strong luxury brands offer an extraordinary new experience by combining automotive and fashion world united in one piece.” Gorden Wagener,

© Mercedes-Benz

© Mercedes-Benz

© Mercedes-Benz

“The collaboration with Moncler inspired us to create a real iconic sculpture on wheels – a very bold design statement: our PROJECT MONDO G. Based on our design philosophy Sensual Purity, this art piece merges extremely contrasting forms and surfaces: spacecraft shiny materials with a used patina look; strong geometry of the G-Class with organic forms of Moncler puffer jackets.” Gorden Wagener, Chief Design Officer Mercedes-Benz Group AG

www.mercedes-benz.com and www.moncler.com

PROJECT MONDO G is the hero showcar of the campaign that accompanies the Mercedes-Benz and Moncler co-creation with social media, out of home (OOH) and PR assets for a broad global activation. The visualization stages an otherworldly winter landscape inspired by the main themes of outdoor durability and limitless discovery opportunities with the off-roader G-Class as a basis of PROJECT MONDO G and the puffer jacket of Moncler. The look and feel is an imaginary universe with low gravity that interprets the art piece with fashionable moments by models wearing conceptual looks designed with Moncler collection items. The campaign was lensed by the recognized director and photographer Thibaut Grevet. (Images courtesy Mercedes-Benz and Moncler)

THE MAIN THEME

Surreal, yet elevated destination; outdoor durability and limitless opportunities for discovery.

THE SHOW SETTING

Performers danced in a low-gravity chamber whilst frozen visuals glided across transparent LED screens and smoke billowed.

THE IDEA BEHIND

The campaign set design mirrors the art piece reveal at the “The Art of Genius” show presenting the ability of the G-Class and the Moncler puffer jacket to withstand even the harshest conditions.

“Diverse sectors creating a language that defines a new way to experience the brand.” Remo Ruffini, Chairman and CEO of Moncler

© Mercedes-Benz

© Mercedes-Benz

© Mercedes-Benz

© Mercedes-Benz

Each year, as soon as spring returns, the Japanese come out to admire the cherry trees in bloom. A poetic ritual that Guerlain now celebrates yearly with an exceptional, limited and numbered edition of the fragrance Cherry Blossom.

For the House, this is the perfect opportunity to combine original artistic collaboration with the most virtuosic creators of artistic crafts. This year is an especially outstanding occasion, as it marks the 170th anniversary of the iconic Bee Bottle.

For its precious 2023 Millésime, Guerlain has asked the Ateliers Vermont, a prestigious Parisian embroidery house, to create the magical adornment of its Bee Bottle. A delicate cherry tree branch in blossom, nestled on a grosgrain bow, which expresses both the peerless expertise of French Haute Couture and the timeless poetry of the most moving of Japanese traditions.

A poetic tribute to the Japanese ritual of hanami, Cherry Blossom was born in 2000. Ever since, like the sakuras on the island of the Rising Sun, this tender, pink-hued eau de toilette has blossomed time and again at Guerlain.

To capture the dazzling, fleeting beauty of cherry trees in spring, the Guerlain Perfumers drew on their full artistry, since the delicate flower does not yield its essence. Perfumers must therefore invent a fragrance which can express both the infinite grace of its flower-laden branches and the emotion of those who gaze at them...

SPRING REBORN

www.guerlain.com

CHERRY BLOSSOM MILLÉSIME 2023 BY LES ATELIERS VERMONT, THE POETIC CELEBRATION OF ETERNAL REBIRTH OF SPRING

From the Okinawa archipelago in the south in January to the island of Hokkaido in the north of the country in April, the Land of the Rising Sun follows the blooming of snowypetaled, pink-tinged sakuras on the branches of cherry trees throughout the land.

To celebrate a poetic ritual the Japanese call hanami (literally “flower viewing”), friends and families get together to admire sakuras. Under the cherry trees, the delicate blooms fall without wilting, “flower rafts” float on streams, and petals flutter in the breeze like delicate butterflies...

This contemplation of the beauty of sakuras expresses an aesthetic emotion that is deeply anchored within Japanese culture: mono no aware, which could be translated as “a sensitivity to ephemera” or, according to the French poet Jacques Roubaud, “the feeling of things”.

The blossoming cherry tree a radiant sun its petals like a woman’s lips.

First, bergamot, an olfactory signature of the House, sheds its golden light on the fragrance. A fresh, subtle green tea accord recalls another of Japan’s ancient rituals, while threading the luminous overture with the heart of the fragrance through its floral tones.

In the heart notes, the Guerlain Perfumers, artisans of the sublime, have embroidered the delicate petals of the sakura blossom one by one onto the precious olfactory materials of their palette... Tender facets of almond, cherry, and powdery lilac, enhanced by a pearl-white jasmine, conjure their airy corollas.

Carried by a breeze of white musks, these flowers fluttering on slender branches herald the rebirth of spring with the most delicate of fragrances. To offer the most poetic of adornments to this springtime scent, Guerlain has called on virtuosos of artistic craftsmanship of the Ateliers Vermont. The cherry tree branch is embroidered on a thin gauze with a slender golden thread which traces its elegant lines with its asperities and movements. Then, one by one, the golden pearls and tubes that form the body of the branch are assembled by the nimble fingers of the embroiderer. Sparkling and precious, the branch is now ready to bloom. This slender, scintillating branch is set on a sumptuous, powder pink grosgrain bow, matching the scent’s tender hue. This bow is itself made in a precise and controlled folding. The delicate adornment is then passed on to the renowned Dames de Table of the Ateliers Guerlain to be fastened to the Bee Bottle. (Images courtesy of Guerlain)

“Each creation is a communion of two elements: of the craft of embroidery and of the bottle of the House of Guerlain, the essence of Haute Couture perfumery.” Jean-Eudes Néton, Ateliers Vermont

Leonardo3 Museum

The World of Leonardo da Vinci

Piazza della Scala , Milan

enter the mind of the genius

exhibition open daily

9:30-20:00 weekdays

9:30-21:00 weekends and holidays

audio guide in Chinese , English , French , German , Italian , Portuguese , Russian and Spanish

leonardo3museum

leonardo3_museum

Toy Store

LA SCALA TV IS BORN

The new place to find operas, ballets and concerts streamed – live and on demand –  from the legendary Teatro alla Scala

Main Sponsor LaScalaTv

Find out more on lascala.tv

THE LATEST FERRARI’S ICON

www.ferrari.com

The Ferrari Daytona SP3 sports a naturally-aspirated V12, mid-rearmounted in typical racing car style. Undisputedly the most iconic of all Maranello’s engines, this power unit delivers 840 cv – making it the most powerful engine ever built by Ferrari – along with 697 Nm of torque and maximum revs of 9500 rpm. The chassis is built entirely from composite materials using Formula 1 technologies that have not been seen in a road car since the LaFerrari, Maranello’s last supercar. The seat is an integral part of the chassis to reduce weight and guarantee the driver a driving position similar to that of a competition car. Just like 1960s racing cars that

In the 2022 Red Dot Award: Product Design awards, the Ferrari Daytona SP3 received the Red Dot: Best of the Best, while the 812 Competizione, 812 Competizione A and 296 GTB got the Red Dot award.

inspired it, the aerodynamic research and design focused on achieving maximum efficiency purely using passive aero solutions. Thanks to unprecedented features, such as chimneys that extract low-pressure air from the underbody, the Ferrari Daytona SP3 is the most aerodynamically efficient car ever built by Ferrari without resorting to active aero devices. Because of the clever integration of these technical innovations, the car can accelerate from zero to 100km/h in 2.85s and from zero to 200km/h in just 7.4s: exhilarating performance, an extreme set-up, and the intoxicating V12 soundtrack deliver unparalleled driving pleasure.

65°, 6496 cc

kW (840 cv) at 9250 rpm

697 Nm at 7250 rpm

F1 dual-clutch gearbox, 7 speed transmission and gearbox

With the patronage ofi

Sponsored by

In collaboration with

MILO MANARA VITE D’ARTISTA

Attenzione all’Ambiente

Digitalizzazione delle Comunicazioni

Trasparenza per i Cittadini

THE LAST V12 FROM LAMBORGHINI

www.lamborghini.com

Just before Lamborghini’s first hybrid super sports car makes its debut, the Italian firm is celebrating its renowned naturally-aspirated V12 with the Invencible coupé and Auténtica roadster: two unique, one-off cars that highlight the marque’s DNA and represent the very peak of Lamborghini’s exclusive accent on personalisation, by involving the customer from the very beginning to create models that are truly bespoke. The two unmistakable one-off cars were styled by Lamborghini Centro Stile as the quintessence of maximum creativity using the V12 platform, reflecting the design cues that have contributed to the company’s iconic significance.

V12,

12-cylinder 6.5

Powertrain

780 CV at 6,750 rpm

Max. Power Output

l

Seven-speed ISR

Gearbox

720 Nm at 6,750 rpm

Max. Torque

Invencible pays tribute to masterpieces of Lamborghini design: the Sesto Elemento, a homage to lightness and motorsport characterised by a large rear wing; the Reventón with its unique aeronautical style; and the Veneno, which takes the quest for aerodynamic perfection to an extreme. The car shares the same carbon fibre monocoque from the Aventador, produced in Sant’Agata Bolognese, along with full carbon bodywork that incorporates design and technologies successfully tested by Lamborghini in motorsport. The imposing bonnet reprises that of the Essenza SCV12, along with the pronounced front splitter complete with vertical struts designed to manage airflow in the most efficient way. The hexagon, a motif of modern Lamborghini design, is integrated harmoniously yet conspicuously into the distinctive visual elements of the car, starting with the striking front and rear light assembly highlighted by innovative hexagonal LED running lights. On the bonnet, the air intakes are

The interior is dominated by clean lines, with a minimalist dashboard enhanced by hexagonal 3D-printed air vents and no instrumentation on the console, to underline the lightness of the cabin and focus attention on pure driving enjoyment.

Longitudinally in the rear

Engine mounted

Four-wheel drive

Drivetrain

reminiscent of those on the Sesto Elemento, and the same cues are repeated in the central triple exhaust with Inconel tips: a special high-performance steel alloy derived from the aerospace industry. The Invencible coupé is characterised by the subtle contrast between the dominant shade of red and the carbon-look elements enhanced by red ‘flakes’. The Rosso Efesto bodywork is complemented by sills and doorframes in carbon, just like the brake callipers in Rosso Mars, which sit behind single-nut wheels with carbon fibre fairings to ventilate the brake assembly. On the classic scissor doors, there are two prominent hexagonal tricolours: a tribute to the Italian flag that is echoed on the door linings as well as on the steering wheel. The interior, in the same colour as the bodywork, contrasts with the Rosso Alala leather and Nero Cosmus Alcantara, accentuated by personalised embroidery in Rosso Alala and Nero Ade. The dashboard features a Lamborghini logo in Rosso Efesto.

JAGUAR VISION GT SV

Designed as the ultimate virtual endurance racer, the Jaguar Vision GT SV pays homage to its illustrious forebears not only in a host of styling and surfacing references but in its unique circuit board livery which nods to milestones such as the Le Mans debuts of the C-type and D-type in 1951 and 1954 respectively.

A maximum speed of 255mph, an aerodynamic design honed to perfection and race-winning powertrain technology define the Jaguar Vision Gran Turismo SV – the latest all-electric virtual race car developed for Gran Turismo, and built in the real-world as full-scale design study. ‘Virtual world testing’ and hours ‘behind the wheel’ enabled the design and engineering teams to optimise the Vision GT SV and create the perfect electric gaming endurance race car.

THE JAGUAR GRAN TURISMO SV HAS A DRAG COEFFICIENT OF CD 0.398, LOW FOR A RACE CAR, BUT ALSO GENERATES 483KG OF DOWNFORCE AT 200MPH.

The lightweight composite body structure houses four electric motors, generating a combined output of 1,903PS (1,400kW) and 3,360Nm of instant torque with the traction and dynamics benefits of intelligent all-wheel drive and torque vectoring. Acceleration from 0-60mph takes 1.65 seconds, on the way to a maximum speed of 255mph. The Vision GT Coupé’s elegant silhouette is still recognisable in the GT SV, and – even with the additional motor driving the front axle – the wheelbase remains unchanged at 2,721mm. Measuring 5,540mm, the GT SV is 861mm longer – a change driven entirely by aerodynamics. To deliver the increased downforce needed for greater traction for faster cornering and increased high speed stability on long straights, the GT SV has a new front splitter and a new deployable rear wing. The single most effective aero feature developed for the GT SV is its deployable rear wing, inspired by endurance racing cars from Jaguar’s rich lineage, including the XJR-14. The wing’s main, fixed, section wraps over and around the back of the car, blending smoothly into the rear haunches. The wing is designed as an integral element of the sculpted bodywork while also providing the aerodynamic performance required for endurance racing: two moveable sections automatically rise at speed to deliver extra downforce when needed but drop back to their nominal positions to minimise drag.

Jaguar Racing engineers developed the GT SV’s extraordinary quad-motor all-electric propulsion system. They also designed the system for the first Jaguar Vision GT car, applying all of their knowledge and experience from developing the Jaguar I-TYPE over six successive seasons. The work was split into two main projects: A second 407PS (300kW) motor to the front axle to deliver the higher power and torque ratings required. Then the thermal management system was further improved to cope with the higher loads and to ensure that sustained high speeds and extreme acceleration could be maintained throughout an endurance race. With one motor driving each wheel, the GT SV’s propulsion system generates a combined output of 1,903PS (1,400kW) and 3,360Nm torque. Each motor has its own single-speed transmission: these are designed to give the strength and robustness needed

The thermal management system is enhanced by an additional liquid nitrogen circuit which provides extra capacity to enable the battery to provide maximum power for longer while remaining within its ideal temperature range. The nitrogen cooling is also linked to the boost button within the cabin to ensure that even during the most demanding operating conditions the battery will not exceed its upper temperature limit.

Interior components are precisely crafted from advanced lightweight materials, including the new TYPEFIBRE fabrics used to cover the two sculpted composite seats. TYPEFIBRE is an innovative system of performance materials being developed by Jaguar to deliver a lighter alternative to leather.

for the high torque ratings, together with minimal mass and friction for optimum efficiency, and the capability to deliver the car’s 255mph top speed.

As well as electric all-wheel drive the one motor per wheel configuration also enables infinite control of lateral and longitudinal torque distribution, delivering a step-change in torque vectoring capability for even greater traction, agility, and control. Power comes from a state-of-the-art lithium-ion battery pack which is housed low down in the GT SV’s light, stiff body structure, delivering a low centre of gravity, a low roll centre and near-perfect weight distribution.

FERRARI PUROSANGUE

www.ferrari.com

The Purosangue’s engine (code-named F140IA) maintains the architecture of Ferrari’s 12-cylinders: a 65° angle between its cylinder banks, a 6.5-litre capacity, dry sump and high-pressure direct injection. Eighty percent of the maximum torque is on tap at just 2100 rpm and it peaks at 716 Nm at 6250 rpm. Maximum power of 725 cv is reached at 7750 rpm and throttle response is characteristic of a real sports car. The engine’s direct injection system comprises two high-pressure fuel pumps (350 bar) that deliver petrol to the injectors in the combustion chambers. The ignition system, comprising 12 coils and spark plugs, is constantly monitored by the ECU which has an ion-sensing system that measures ionising currents to control ignition timing. It has a single- and a multi-spark function to make the combustion as efficient as possible at all revs. The ECU also controls combustion in the

The Purosangue’s chassis is larger but lighter than Ferrari’s previous 4-seaters, with improved torsional rigidity (+30%) and beam stiffness (+25%), improving noise, vibration and hardness characteristics.

chamber to ensure that the engine is always working at peak thermodynamic efficiency, thanks to a sophisticated strategy that recognises the octane rating (RON) of the fuel in the tank and adjusting the advance to suit. The engine strategy includes a new patented function derived from Ferrari’s Formula expertise that optimises the torque during transient acceleration manoeuvres in the low and mid-range. The layout of the 8-speed, oil-bath dual-clutch transmission was optimised through the adoption of a dry sump and a compact clutch assembly which takes 15 mm off the installed height in the car which, in turn, lowers the centre of gravity by the same amount. The new clutch’s performance is 35 percent higher, transmitting up to 1200 Nm in dynamic torque during gear shifts. Thanks to new-generation actuation hydraulics, clutch fill times are now faster so that total gear

shift times have been reduced by 18 percent. New gear ratios mean that the spacings are shorter and very progressive, and a longer top ratio is geared for greater economy in motorway driving. Down shifts have been calibrated to optimise smooth shifting with a specific focus on driving pleasure and emphasising the sound of the new V12 engine.

The Purosangue boasts the world’s first: Ferrari active suspension technology enabled by Multimatic’s True Active Spool Valve (TASV) System, combining electric motor actuation with a high-precision spool valve hydraulic damper into one fully integrated system. It uses accelerometers and position sensors on each suspension corner and interfaces with the Side Slip Control (SSC) 8.0 and the 6w-CDS sensor. Together with Ferrari’s proprietary control logic, it electronically manages every performance element of the fully active suspension system.

The Purosangue exploits the new 8-speed DCT’s potential: mechanical, power and control. With larger tyres, ratios are shorter to the benefit of progressive performance during acceleration. The eighth gear provides relaxed, long-distance driving.

The Purosangue offers an array of driver assistance (ADAS) features as standard, many of which were developed in collaboration with Bosch®, including Adaptive Cruise Control (ACC), Automatic Emergency Brake System (AEB), Auto High Beam (HBA/HBAM), Lane Departure Warning (LDW), Lane Keeping Assist (LKA), Blind Spot Detection (BSD), Rear Cross Traffic Alert (RCTA), Traffic Sign Recognition (TSR), Driver Drowsiness and Attention (DDA), and rearview parking camera (NSW).

A function being made available for the first time on a Ferrari is HDC (Hill Descent Control), which helps the driver to maintain and control the car’s speed, shown on the dash, on steep descents. When HDC is activated, it controls the braking system to guarantee that the car’s speed does not exceed that set on the display. It can, however, be manually overridden by using the accelerator pedal.

2023 SAVILE ROW

www.concoursonsavilerow.com

Concours on Savile Row returns in 2023, and it promises to be even bigger and better than the inaugural edition in 2022. It will showcase more tailors, more automobile manufacturers, and more special features, all right in the heart of London’s Mayfair district, a traditional home and sanctuary of British style.

Following a highly successful first outing for the Concours on Savile Row, organisers Hothouse Media and The Pollen Estate have announced that the second edition will take place on the famous East Mayfair, London street on Wednesday the 24th and Thursday 25th May 2023. The unique event drew over 6000 visitors to the renowned tailoring street in 2022, where 35 cars were on display from manufacturers and private collectors. The line-up was deliberately eclectic, with hypercars – including UK debuts for the McLaren Artura and the Czinger 21C – displayed amongst greats from some of the world’s most famed collections. The event celebrated the long history that car manufacturers and tailors share, with many partnerships and collaborations entered into over the two days. Tailoring houses along Savile Row hosted a series of talks, tastings and activations over the two days alongside their partnered manufacturers, exploring the relationship between craftsmanship and the art of bespoke, which inextricably links the realms of tailoring and automobiles. Looking forward to 2023, Geoff Love, UK Managing Director of organisers Hothouse Media, said “We were delighted with the reception that the inaugural running of the Concours on Savile Row received and the demand to make it an annual event has been overwhelming. For 2023 we will again focus on celebrating the highly skilled crafts associated with the very best bespoke tailoring and bespoke car manufacturing. Creating an environment whereby the sponsors, manufacturers and tailors can connect with one another and with a really high quality audience was a key part in the success of 2022 and something we plan to build on with some exciting new developments.”

Savile Row will be closed to traffic from 10 a.m. to 8 p.m. throughout the two days of Concours in anticipation of this year’s event’s visitors and spectators.

1.

Tailors, shoemakers and art galleries will open doors for receptions and activities to explore the relationship between the two industries.

2.

The Concours on Savile Row 2023 will showcase more than 40 worldclass cars, from pre-war thoroughbreds to electric hypercars.

3.

A collaboration between tailors and the automotive world celebrates craftsmanship and the art of bespoke, showcasing heritage, skills, and relationships to a global audience

4.

Disintegrating-Lamborghini EssenzaSCV12by Fabian Oefner. “Perfect examples of how mechanical art can be powerfully beautiful”

-Maximilian Büsser, M.A.D.Gallery Founder.

TO INVENT TIME

The Swiss artist Fabian Oefner`s work explores the boundaries between time, space and reality. He creates fictional moments and spaces, that look and feel absolutely real, yet are not. Through this, Oefner dissects the different components of reality and gives us a clearer understanding of how we perceive and define it. Inspired by science, Oefner`s approach to art is highly methodical and at the same time playful for unexpected moments to happen. He creates carefully orchestrated works, that are planned down to the last detail as well as pieces, that use a loose framework for art to happen. In his highly acclaimed Disintegrating series, the artist portrays performance cars, that seem to blow apart. He creates these artificial moments in time by photographing every piece of the dismantled car individually and arranging them digitally into one photograph. Spending hundreds of hours on each piece, the photographs become a hyperrealistic rendition of a moment, that never existed. Oefner explains that photography usually captures moments in time, but his Disintegrating series is all about inventing a moment in time. “What you see in these images, is a moment that never existed in real life,” says Oefner. “What looks like a car falling apart is in fact a moment in time that has been created artificially by blending hundreds of individual images together. There is a unique pleasure about artificially building a moment… Freezing a moment in time is stupefying.”

The series fool the observer into seeing the images as computer-generated renderings rather than the real photographs that they are. Oefner says: “I have always been fascinated by the clean, crisp looks of 3D renderings. So I tried to use that certain type of aesthetic and combine it with the strength of real photography. These images are also about capturing time: either in stopping it as in the Hatch series or inventing it as in the Disintegrating series.” The images show exploded views of intricate models of classic sports cars. The photographer first sketched on paper where the individual pieces would go, before taking apart the model cars piece by piece, from the body shell right down to the minuscule screws. Each car contained over a thousand components. Then, according to his initial sketch, he placed each piece individually with the aid of fine needles and pieces of string. After meticulously working out the angle of each shot and establishing the right lighting, he photographed the components and took thousands of photographs to create each Disintegrating image. All these individual

photos were then blended in post-production to create one single image. With the wheels acting as a reference point, each part was masked in Photoshop, cut and then pasted into the final image. “These are possibly the ‘slowest high-speed’ images ever captured,” says Oefner. “It took almost two months to create an image that looks as if it was captured in a fraction of a second.

Fabian Oefner has carved out his reputation by fusing the fields of art and science, creating images appealing to heart and mind. He first intended to become a car designer, but in the end, photography won.

Later, Oefner created one of his highly acclaimed Disintegrating images with a real car - a long-time dream came true. And not just any car: the iconic 1972 Lamborghini Miura SV. The creation of the image took almost two years. During that time, Oefner and his team travelled to the workshops surrounding the Lamborghini Factory in Sant’Agata, Italy to capture each piece of the car as it was being restored. The final image, Disintegrating X - Lamborghini Miura SV, consisting of more than 1500 photographs shows a new level of hyper-reality, that is unprecedented in the artist’s previous work.

Disintegrating04-AudiAuto UnionTypeC(1936-1937)by Fabian Oefner. Mechanical art can be powerful, thoughtprovoking and simply beautiful.

Disintegrating02 by Fabian Oefner. “I create hyperrealistic objects and photographs, that challenge our idea of space, time and reality,” says the artist.

Disintegrating07-Bugatti57SC

“In my art, I dissect the different components of reality to give us a better understanding of how we define reality,” he says.

(1934-1940) by Fabian Oefner.

THE MOST VALUABLE AUTOMOBILE

www.rmsothebys.com and www.mercedes-benz.com

Campaigned by the Works team of Mercedes-Benz as an out-and-out racer, the competition-spec 300 SLR was almost instantly rendered redundant after the crash at Le Mans forced the company’s hand. The rolling chassis that were left did not go to waste, however. Uhlenhaut had already begun plans for a tin-top version of the 300 SLR—even before the incident at Le Mans—instructing that two cars be built based on the W196 chassis, to compete in the Carrera Panamericana. The firm’s unexpected departure from top-flight racing quashed any plans for production of the 300 SLR coupé on a greater scale but allowed Uhlenhaut to transform the now-stillborn SLR Coupé project from the toughest endurance racing car into the greatest prototype road car the world had ever seen.

Remarkably, Uhlenhaut would go on to develop two of the W196-based 300 SLR mulo rolling chassis as road-going cars. Beneath its skin, the 300 SLR in coupé form was derived from a racing car. Its uncompromising driving position, accessed via the innovative “gull-wing” doors, forced occupants to fold themselves into position—most drivers had to remove the quick-release steering wheel to fit inside. Just like the F1 car, the mechanical workings of the 300 SLR dominate its interior space, with pilots straddling a large drivetrain tunnel with pedals on either side.

Mercedes-Benz

Inboard drum brakes are accommodated in the engine bay, to help reduce unsprung weight. The accelerator pedal is dressed in leather to reduce foot slippage while driving. A heating system is as rudimentary as a hinged flap on the engine firewall that allows heat to escape from

the engine bay and into the cabin. A large fuel tank fills the boot, crowned by two spare wheels—surely the sign of a racing car fit to do battle over great distances. The weight of the 300 SLR ‘Uhlenhaut Coupé’ was rated at just 998 kg from the factory—an incredible feat of engineering, made possible by extensive use of ultra-lightweight “Elektron” magnesium material for the bodywork.

The 3.0-litre, front-mounted, straight-eight engine connects to one of the car’s most distinguishing features: twin exhausts that exit via side-mounted gills positioned halfway across the length of the 300 SLR. Upon firing into life, the engine roars through these near-unsilenced pipes, and it is said that Uhlenhaut became hard of hearing in later life because of the noise of his fearsome coupé creation. Indeed, the English-born designer was hardly shy when it came to driving the car. Of the two made, he assumed ownership of one to use as his company car.

Retained by Mercedes-Benz from new, then restored by Tony Merrick in 1986, the car attended the Oldtimer Grand Prix at the Nürburgring in 1986, before appearing in a feature article in Road & Track magazine, later appearing at and the Geneva International Motor Show in 1988. Extended display at several noteworthy museums followed, with the occasional appearance at high-level motorsport and concours d’elegance events, including outings at the Goodwood Festival of Speed, the 1999 German Grand Prix at Hockenheim, and the Pebble Beach Concours d’Elegance in 2001, as well as appearing in the Mercedes-Benz SLR McLaren brochure when launched in 2003. (Images courtesy

of RM Sotheby’s)

used the car for demonstration drives around Europe with dignitaries such as the Duke of Kent and Lord Brabazon, and is known to have been used by the company in the U.S.A. between 1961 and 1963.

The 300 SLR Uhlenhaut Coupé sold for a record price of 135 million EUR to a private collector. This icon of automotive history is an absolute rarity – one of just two prototypes built at the time. Named after its creator and chief engineer, Rudolf Uhlenhaut, it is considered to be one of the finest examples of automotive engineering and design by automotive experts and enthusiasts worldwide. Proceeds of this auction will be used as seed capital to fund “beVisioneers: The Mercedes-Benz Fellowship”. The second original 300 SLR Coupé remains in company ownership and will continue to be displayed at the Mercedes-Benz Museum in Stuttgart.

DIMENSION ENGINE PERFORMANCE

FUEL CONSUMPTION

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THE ROLLS-ROYCE BOAT TAIL

www.rolls-roycemotorcars.com

Right after the Sweptail was revealed, Rolls-Royce had a number of clients asking for custom vehicles of their own, leading the company to create a full-on coachbuilding division of the brand. Three particular customers had very similar visions of what they wanted, and after four years of development, the new Boat Tail was born. The three cars would share a common body, but each would then be individually, highly personalised, reflecting the confluence between the vision, capability and ambition of the marque and each of the individual commissioning patrons. The blue one, the protagonist of this article, is the first of the three Coachbuilt Boat Tails.

The Boat Tail is based on Rolls-Royce’s own Architecture of Luxury, a modular platform that underpins the current Phantom, Cullinan and Ghost, and does not share anything with BMW. This means that RollsRoyce’s designers can create anything they want without any engineering compromises, and the AoL platform is designed to support full electrification in the future. Rolls-Royce has not revealed full specs yet, but we know this model shares the same twin-turbo 6.75-litre V12 as the rest of the Rolls lineup. The most eye-catching feature of this vehicle is the enormous, hand-painted Azur blue bonnet, graduating down to a lighter shade. Up front, a painted Rolls-Royce

The icing on the cake is a parasol that slots into the rear of the Boat Tail. With a stainless-steel shaft and aluminium coupling, the high tensile fabric is stretched over carbon-fibre stays and is wind tunnel-tested.

pantheon grille replaces the traditional stainless-steel finish for the first time in the modern era. The rear deck inconspicuously houses a highly ambitious concept never seen before in the automotive world. At the press of a button, the deck opens in a sweeping butterfly gesture, to reveal an intricate and generous hosting suite. Its complex movement was inspired by cantilever concepts explored by renowned architect Santiago Calatrava. The chest is appointed with the perfect accoutrements for a true Rolls-Royce al fresco dining experience; one side dedicated to aperitifs, the other, cuisine, complete with cutlery engraved with the name ‘Boat Tail’, made by Christofle in Paris.

Rolls-Royce Boat Tail presents a wonderful new aesthetic for the marque, balancing previously unseen levels of sculpture with discrete, sometimes playful functionality. Boat Tail is a fully homologated, road-legal motor car that was created to be driven, it was only fully released by the marque once it had undergone the same rigorous dynamic testing as all other Rolls-Royces, including high speed analysis to ensure the contents of the rear hosting suite are sufficiently fastened and therefore silent under power. Indeed, each client has stipulated that they wish to drive their Boat Tail immediately upon receipt.

1,813

four-seat convertible

aluminium spaceframe platform

At nearly 5.8m long, its generosity of proportion and clarity of surface present a graceful and relaxed stance. The front profile is centred on a new treatment of Rolls-Royce’s iconic pantheon grille and lights. A strong horizontal graphic with deep-set daytime running lights forms Boat Tail’s intense brow line and frames classical round headlamps, a design feature recalled from the design archives of Rolls-Royce.

In the profile, nautical references are very suggestive. The wrap-around windscreen recalls the visor on motor launches, while the gentle rearward lean of the A-pillar, the large, crisp volumes at the front and the tapered rear create a gesture that recalls a motor launch rising out of water under power. A progressive negative sculpture in the lower bodyside creates a lithe impression while making a historical reference to the running boards of heritage Rolls-Royce designs. Viewed from the dead rear, the body resolves in a gentle sharpening of the form. As with the front, a horizontal emphasis is established at the rear with wide, deep-set lamps – a break from the expected vertical Rolls-Royce lamp iconography. Indeed, it is at the rear where the nautical references become more apparent. The aft deck, a modern interpretation of the wooden rear decks of

While Rolls-Royce use a sill section of the architecture as the resonance chambers for the sound system’s bass speakers, in the Boat Tail the entire floor structure is utilised, creating an exceptional audio experience.

20

historical Boat Tails, incorporates large swathes of wood. Caleidolegno veneer is applied in a feat of Rolls-Royce engineering; the grey and black material which is typically housed in the interior, has been specially adapted to be used on the exterior, with no compromise to the aesthetic. The open pore material features a linear wood grain which is visually elongated by brushed stainless steel pinstripe inlays, serving as an optical nod to the typical wooden construction of yachts – both old and new. The veneer treatment extends to the lower transom area resolving the taper and overall volume astern. From the rear, one perceives a strong graphical composition marked by further horizontal emphasis, accentuating Boat Tail’s great width. Deep-set lamps establish a dramatically low reference point, evoking the dipped stern and proud bow of a motor launch under power and on plane.

An explicit architectural influence is discovered in Boat Tail’s unconventional fixed-canopy roof. Adding to the sculptural form, the sweeping roofline concludes in delicate structural elements that touch down on the rear, redolent of flying buttresses. Of course, if inclement weather is encountered while the roof is removed, a temporary tonneau is stowed for static transitory shelter.

photo courtesy of Kaare Byberg

Dél

I c IE u SE m E n T P ar

ISIE n

Intemporalité, service & élégance, The Peninsula Paris vous ouvre ses portes. Pour plus d’informations : peninsula.com/paris.

PU+RA HPE

www.lancia.com

Lancia reveals Pu+Ra HPE — a 100% electric car, with a brand vision in terms of range with over 700 km, little more than 10 minutes of charging time and energy consumption less than 10 kWh per 100 km. Lancia Pu+Ra HPE is the first car inspired by the world of furniture, thanks to the collaboration with Cassina, a leader in the upscale furniture industry, for a typically Italian “home feeling” experience. Lancia Pu+Ra HPE is the first car equipped with the S.A.L.A. virtual interface that we will find on the new Ypsilon. And thanks to S.A.L.A, Lancia will be the first Stellantis brand to adopt Chameleon and TAPE (Tailored Predictive Experience) technologies, which centralise the audio, climate control and lighting functions, enabling the environment inside the car to be adapted at the touch of a button or by the sound of your voice. Starting with the new Ypsilon, Lancia cars of the future will be inspired by the Lancia Pu+Ra HPE. Lancia will launch the New Ypsilon in 2024, in both hybrid and electric versions, from 2026 only 100% electric cars will be launched, and from 2028 the brand will exclusively sell electric models.

The concept car is named Lancia Pu+Ra HPE: “Pu+Ra” refers to the brand’s new, pure and radical design language, while HPE stands for High Performance Electric, for a car that is Eco-sustainable, Exciting and Evolved. The bluish-green colour – with a warm gilt hue, produced using liquid metal with the latest generation pigments – pays tribute to the historic Lancia Flaminia Azzurro Vincennes. The past and future collide in the fluid lateral lines that descend towards the rear of the car, recalling the Aurelia and Flaminia with a streamlined design, based on its aerodynamics, sustainability and fluidity of volumes. The badges on the sides include the new Lancia logo, an expression of the brand’s new visual identity. The dialogue between past and future can also be found in the rear, where we see the iconic round lights, inspired by the brand’s bluntest and most radical spirit, while a clear reference is further made to the legendary Lancia Stratos, with the iconic new Lancia lettering placed between the lights. The innovative circular roof provides a broad, panoramic view, with a clear reference to architectural elements, so characteristic of the new Lancia design language. Lancia Pu+Ra HPE is the first full expression of “Sustainability by Lancia”, where every single element reflects the idea of an elegant and simultaneously sustainable “home feeling” in the interior, in perfect Lancia style.

Sustainability by Lancia consists of four values: a reinterpretation of tradition, Italian spirit, eclecticism and “home feeling”. Revisiting tradition is expressed in the reinterpretation of the panno Lancia wool cloth upholstery used for seats in collaboration with Cassina, which feature the new and eclectic ocher velvet with GreenGuard® certification based on low emissions of chemicals and GWP environmental impact. The innovative material MARM \ MORE, a tribute to the Italian spirit, covers the door panels. The iconic table made of biobased cellulose acetate, which is used in the fashion world, stands for eclecticism. “Home feeling” is a car’s cosy environment that takes inspiration from Italian homes.

“Today Lancia presents Lancia Pu+Ra HPE, the brand vision for the next 10 years that takes the brand into the era of electric mobility.”— Luca Napolitano, CEO of the Lancia brand.

70% OF THE TOUCHABLE SURFACES ARE MADE WITH ECO SUSTAINABLE MATERIALS

your partner for :

• mountain landing training (MOU)

• flight school

• VIP flights

• scenic flights

THE NEW AC COBRA GT ROADSTER

www.accars.eu

With a clean sheet design, the AC Cobra GT Roadster is a cutting-edge modern sports car, produced by AC cars using the latest technology and engineering processes. The new model’s styling is a measured development of the historic car’s shape, albeit with some modern attributes, and it artfully preserves the original proportions. With work from the Icona Design Group, the beautiful carbon composite body delivers crisp styling details and an overall aesthetic that is perfectly balanced and highly evocative of the cars that left AC Cars’ Thames Ditton factory in the 1960s. The first limited production new AC Cobra is due in 2024.

The new AC Cobra uses a highly advanced extruded aluminium spaceframe chassis, produced specifically by AC Cars with support from Cecomp s.p.a. in Italy, which means the two-seater will provide a benchmark in driving and dynamics. Extremely light and stiff, and with exceptional torsional rigidity, the chassis allows for better packaging of the powertrain, steering and suspension. The new chassis has a wheelbase of 2570mm, 284 mm longer than the AC Cobra Mk. VI, yet the car’s overall length has grown only 110mm, up to 4225mm. The car’s track has also been optimised to give it a wider stance, which, along with the car’s weight distribution and centre of gravity, has drastically improved handling and agility. In keeping with the original AC Cobra’s competition pedigree, the car’s suspension configuration and geometry have been developed in close

The new Advanced Driver Information Center (ADIC) technology shows all relevant engine information in direct eyeline, without disrupting the outstanding interior design or creating unwanted reflections on the windscreen.

collaboration with a professional UK race team. Tuned to be compliant yet responsive, it suits the nature of this high-performance sports car and makes the most of the car’s lightweight design. Using a V8 engine developing up to 654bhp (663PS) and 575lb ft (780Nm), and with the choice of a 6-speed manual or 10-speed automatic gearbox in a car weighing under 1500kg, acceleration will be nothing less than spectacular – with a 0-60mph sprint of approximately 3.4sec.

Improved ergonomics mean that the cabin suits drivers of all sizes, with the space afforded by the new chassis design providing a high level of comfort. The cabin fusses both analogue instrumentation and digital technology to enhance the driving experience.

Highly equipped as standard, the new AC Cobra has electric windows, climate control and a sat nav/infotainment system.

THE NEW VIRTUAL REALITY

“For the first time, we were able to set aside the boundaries of materiality and physics and give free rein to our creativity. Because of the virtual space, there are no limits to what we can create.”

Design Officer

Mercedes-Benz Group AG

Mercedes-Benz combines two things in Project SMNR: a passion for League of Legends Esports and extraordinary design expertise. The result is a unique virtual showcar – created in a joint co- creation process with Riot Games, the game developer of the global game title League of Legends.

INSPIRED BY THE DYNAMIC WORLD OF LEAGUE OF LEGENDS , THE MERCEDES DESIGNERS HAVE CREATED A VEHICLE THAT REDEFINES THE BOUNDARY BETWEEN REALITY AND FICTION IN AN UNPRECEDENTED PROCESS.

Project SMNR embodies the Mercedes-Benz’s design philosophy of Sensual Purity. Due to the purely virtual environment, the design is free from production constraints and the laws of physics. The resulting use of new materials, known as ‘metamaterials’, pushes the limits of what is possible. For example, the two-seater vehicle has a dynamic silhouette with a centrally located driver’s cockpit and increased ground clearance. The wheels in the conventional sense have been replaced by energy fields and are fluidly integrated into the overall design of the vehicle.

The flexible energy fields make it possible to completely dissolve the axles and bring their absence into focus. In addition, the spokes run inwards and accentuate the sculptural axle tunnel. In combination with the noticeably short rear section, this enhances the showcar’s powerful and energetic appearance. In places where one would expect supporting structures or solid materiality, the design surprises with bioluminescent energy particles and flowing structures.

— Gorden Wagener, Chief

The vehicle design was inspired by the world of gaming in general and LoL Esports in particular. It is based on two unique elements: the ‘Energetic Core’ and the ‘Zoning Molecules’. As a solid core, the ‘Energetic Core’ supports not only the wheels, which consist of energy fields, but also the centrally located passenger cell.

The ‘Zoning Molecules’ are a semi-transparent layer of molecules that permanently adapt to the environment. The ‘Zoning Molecules’ in the vehicle can thus give Project SMNR any conceivable shape and adapt to the solid Energetic Core, as the central design element, at any time.

The semi-transparent layer not only allow a view of the interior of the showcar, but also creates a completely new impression of design language and exterior appearance. The designation ‘Zoning Molecules’ indirectly comes from the game ‘League of Legends’. The ‘zone’ is the area controlled by a team –zoning is the corresponding verb and describes the mastery of a certain area. The bioluminescent elements are what bring Project SMNR to life by allowing fluid changes in form and movement. This is because each energy particle represents a player and their avatar, which in League of Legends is called a ‘Summoner’. Consequently, the individual particles are not only part of the design, but also a source of energy for the vehicle. It is the players, fans and their Summoners that drive the rhythmically pulsating heart of Project SMNR and thus illuminate the different areas of the vehicle.

Mercedes-Benz’s purely virtual showcar was presented for the first time at the 2022 League of Legends (LoL) World Championship Final in San Francisco.

Boundless design possibilities in virtual space allowed for the design of a sculptural two-seater coupé, which is characterized by its semi-transparent materiality.

Project SMNR (Summoner) is driven by the energy of the worldwide fan community: each player and their avatar, called ‘Summoner’, are represented by an energy particle in the vehicle.

THE NEW LAMBORGHINI REVUELTO

www.lamborghini.com

Lamborghini presents Revuelto, the first super sports V12 hybrid plug-in HPEV (High Performance Electrified Vehicle). Revuelto defines a new paradigm in terms of performance, sportiness and driving pleasure from its unprecedented new architecture; innovative design; maximum-efficiency aerodynamics; and a new carbon frame concept. An output of 1015 CV is delivered from the combined power of an entirely new combustion engine together with three electric motors, alongside a double-clutch gearbox that makes its debut on a 12-cylinder Lamborghini for the first time.

The powertrain combines high specific power elements: the new 127 CV/liter combustion engine works synergically with two front axial flux motors that deliver an outstanding weight-to-power ratio, with a radial flux electric motor positioned above the first eightspeed double-clutch gearbox debuting on a 12-cylinder Lamborghini. The three electric motors are powered by a lithium-ion high specific power (4500 W/kg) battery pack that also supports a fully-electric drive mode. The extensive use of carbon fiber and lightweight materials, combined with the potent engine power, contributes to achieving the best weight-to-power ratio in the history of

The new hybrid powertrain makes it possible to maximise the electric motor support and introduce new driving modes, including electric 4WD, for a total of 13 different driving experiences.

Lamborghini: 1.75 kg/CV. The new Revuelto combines these attributes to deliver performance figures at the peak of its segment: acceleration from 0-100 km/h in only 2.5 seconds and a top speed of more than 350 km/h. These numbers combine with its exceptional dynamism thanks to the introduction of electric torque vectoring, and four-wheel drive available also in fully-electric drive mode, ensuring the Revuelto super sports car expresses its amplified qualities both on track and in daily driving. Revuelto offers the most potential for personalization: 400 bodywork colors and other options allow the creation of an entirely individual super sports car.

IN THE GRANDSPHERE OF THINGS

www.audi.com

Audi presented the Audi grandsphere concept and the Audi A6 Avant e-tron concept in Italy for the first time at Milan Design Week this year. The reduced design spoke an aesthetic design language focused on people. The spacious 5.35-metre-long Audi grandsphere concept sedan showcased elegance, entertainment and automated driving, while the A6 Avant e-tron concept provided a glimpse of Audi’s future electrically powered A6 Luxury Class. Under the name “Audi x Poliform – Vision of a mobile private sphere”, the Italian furniture manufacturer offered a virtual presentation of its interior design for the Audi urbanspere concept.

Audi skysphere, Audi grandsphere, and Audi urbansphere are the three concept cars that the brand with the four rings has developed to showcase its vision for the world of premium mobility of tomorrow. In the process, Audi is creating a vehicle experience that goes far beyond the purpose of merely spending time in a car to get from point A to point B. Sphere number 1: The electrically driven roadster Audi skysphere concept debuted in August 2021. It presented a spectacular vision of a self-driving GT that transforms into a self-driving sports car with a variable wheelbase. Just a few weeks later, Audi unveiled the second model in the sphere series, the Audi grandsphere concept, at the IAA 2021. This large 4-seater sedan exemplified the brand’s ambition to define the future of progressive luxury. What both concept cars have in common with the Audi urbansphere is that the entire concept is based on level 4 autonomous vehicle technology. Audi is currently working with CARIAD, Volkswagen Group’s software business, to introduce this technology within the second half of the decade. Even the “sphere” in the name sends a signal: the heart of the Audi skysphere, grandsphere, and urbansphere concept vehicles lies in its interior. That makes the inner space the foundation of the vehicle’s design and technology and therefore the occupants’ living and experience sphere while on the road. Their needs and desires shape this space, its architecture,

Audi Head Designer Marc Lichte: “I can’t imagine a more suitable place than the Milan Design Week to show the diverse way that design impacts each and every area of our lives. Only here does modern design meet traditional craftsmanship – and Italian elegance, international influences.”

and all of the integrated functions. As a result of this shift, the design process itself also changes. At the beginning of all discussions, the focus is solely on the interior. Only then are the package, exterior lines, and proportions designed, along with the technological specifications, turning the automobile into a complete work of art. Oliver Hoffmann, Member of the Board for Technical Development, explains, “We are working on concepts that will define high class mobility for the future. One example is the Audi grandsphere concept, which we recently exhibited. It offers autonomous driving and unprecedented freedom. By getting rid of the steering wheel, pedals, and displays, we developed an interior with a completely new sense of space. Passengers have an unobstructed view and access to all the functions of the digital ecosystem. That extends from individually tailored infotainment offerings to varied route configurations to restaurant and hotel options. The way we see it, Audi is putting its customers’ wishes into focus for the future.” not only does it change the interior space of the traditional driveroriented cockpit and passenger seats into a spacious lounge, it also opens up new levels of freedom for all the passengers: communication or relaxation, work or withdrawal into a private sphere as desired. The Audi grandsphere concept transforms from being strictly an automobile in an “experience device”.

7-SPEED PORSCHE DOPPELKUPPLUNG

The 4.0-litre 6-cylinder boxer engine of up to 386 kW (525 PS) has new camshafts, with a single-throttle intake system and rigid valve drive from motorsport. The 7-speed Porsche Doppelkupplung has a shorter overall gear ratio. The 911 GT3 RS goes from zero to 100 km/h in 3.2 seconds and reaches a top speed of 296 km/h in seventh gear.

Continuously adjustable wing elements in the front and on the t wo-part rear wing, in combination with a number of other aerodynamic measures, provide 409 kg of total downforce at 200 km/h. This means that the new 911 GT3 RS generates twice as much downforce as its 991.2-generation predecessor and three times as much as a current 911 GT3. At 285 km/h, total downforce is 860 kg.

The new 911 GT3 RS showcases many functional aerodynamic elements. The swan-neck-supported rear wing is significantly larger, as the rear wing consists of a fixed main wing and an upper, hydraulically adjustable part. For the first time on a Porsche production vehicle, the upper edge of the rear wing is higher than the car’s roof. Instead of a front spoiler, there is a front splitter that divides the air flowing over and underneath. Sideblades accurately direct air outwards. Front wheel arch ventilation is provided via louvred openings in the front wings. Inlets behind the front wheels reduce the dynamic pressure in the wheel arches. Sideblades behind the intake guides air to the side of the vehicle, while air from the centrally positioned radiator flows out via large nostrils on the front lid. Fins on the roof also direct the air away, ensuring cooler intake temperatures in the rear.

The openings in the rear side panel are used exclusively to improve aerodynamics and not to draw in process air. The rear wheel arch features an intake and a sideblade for optimised airflow. The rear diffuser comes from the 911 GT3 and has been slightly adapted. The multi-link rear axle has been adjusted with modified spring rates. The driver assistance systems and rear-axle steering have an even more dynamic set-up.

PORSCHE

A drag reduction system (DRS) is fitted in a production Porsche for the first time. To achieve low drag and higher speeds on straight sections of the track, the DRS allows the wings to be flattened out at the push of a button, within a specific operating range. Airbrake is activated during emergency braking at high speeds: the wing elements at the front and rear are set to maximum, creating an aerodynamic deceleration effect that significantly supports the wheel brakes.

Since the wheel arches are subject to powerful airflows, the components of the double-wishbone front axle are designed with teardrop-shaped profiles. Downforce on the front axle is increased by about 40 kg at top speed and are otherwise only used in high-end motorsport applications. The track is 29 millimetres wider than the 911 GT3), while the doublewishbone front axle links are longer, too.

There are three driving modes: Normal, Sport and Track. In Track mode, the basic settings can be individually adjusted. Among other settings, the rebound and compression damping of the front and rear axles can be adjusted separately and in several stages. The rear differential can also be adjusted via rotary controls on the steering wheel. This is done quickly and intuitively with an operating and display concept also borrowed from motorsport.

911 GT3 RS

CENTRAL RADIATOR CONCEPT AT THE CAR’S NOSE IS INSPIRED BY THE MOTORSPORT WORLD, FREEING UP THE SIDES FOR EVEN MORE AERODYNAMIC FEATURES.

THE NEW AUDI CONCEPT

With an electric drive, quick-charging technology from Audi’s PPE, the Audi activesphere joins the sphere family of concept vehicles. With no local emissions, a range of over 600 km, and extremely fast charging times thanks to 800-volt technology, it combines the sustainability, dynamics and long-distance capability of state-of-the-art electric vehicles.

Standing 4.98 meters long , the Audi activesphere concept, is more than a sports car, with impressive ground clearance, and large 22-inch wheels announcing its off-road talent. The Sportback rear can turn into an open cargo bed (“active back”) at the touch of a button.

Its dimensions – 4.98 meters long, 2.07 meters wide, and 1.60 meters high – make the Audi activesphere concept a member of the premium segment. Typical of an electric car, the wheelbase is a generous 2.97 meters, providing maximum legroom for passengers. The front and rear overhangs are correspondingly short for a much more compact impression than the mere numbers indicate. From all perspectives, the Audi activesphere concept appears monolithic, as if from a single mold.

Large 22-inch wheels and striking ground clearance, the flat cabin so typical of an Audi, and a dynamic roof arch give the car proportions that are distinctly reminiscent of a sports car. The 285/55 tires are voluminous enough for all types of terrain, and their contoured tread highlights the activesphere’s talent for off-road use. The wheels feature movable segments:

The heart of the drive technology in all future PPE models will be the 800-volt charging technology. This ensures that the battery can be charged with up to 270 kW in a very short time at fast-charging stations. This revolutionary technology will enter the high-volume midrange and luxury segments with the PPE for the very first time. The PPE technology enables charging times that come close to a conventional refueling stop for a combustion engine car. Just 10 minutes is sufficient time to take enough energy on board to power the car for more than 300 kilometers. And in less than 25 minutes, the 100 kWh battery charges from 5 to 80 percent. Together with its range of well over 600 kilometers, the activesphere thus positions itself as unconditionally suitable for long distances, when need be.

The transparent rear window slides are almost flush with the roof of the Audi activesphere. At the same time, the lower, vertical segment of the rear folds horizontally – this opens up an ample cargo bed called the active back that features brackets for e-bikes, for example. The lateral surfaces of the rear, the C-pillars, remain in position to maintain the activesphere’s dynamic silhouette.

when used off-road, they open for optimum ventilation, and they close on-road for optimum aerodynamics. The elegant, stylish camera mirrors on the two front doors are also designed specifically to minimize drag. The exterior look specifically signals the vehicle’s off-road capability and, with its voluminous wheel arches, portrays the variable, electronically controlled quattro all-wheel drive. The Audi activesphere’s ground clearance is also variable; ideal for offroad use, it can be increased by 40 millimeters from the basic height of 208 millimeters, or lowered by the same amount when driving on-road. This benefits both the center of gravity and aerodynamics when driving fast. The approach angle of the Audi activesphere – relevant for off-road drives – is 18.9 degrees, the departure angle 28.1 degrees.

The variable ground clearance is reminiscent of an Audi

“The most important technical innovation in the Audi activesphere is our adaptation of augmented reality for mobility. Audi dimensions creates the perfect synthesis between the surroundings and digital reality,” says Oliver Hoffmann, Member of the Board of Management for Technical Development

The autonomous chauffeuring capability on suitable terrain gives drivers and passengers a new level of freedom, which, thanks to the new display and operating technology, can be used in the activesphere in a variety of ways. The innovative operating concept, Audi dimensions, combines the physical and virtual worlds (i.e., mixed reality) by displaying digital content in the occupants’ fields of vision in real time.High-tech headsets provide a view of the real environment and the route, while simultaneously displaying 3D content and interactive elements– individually configurable for drivers and passengers. This means all driver-relevant information, such as driving status and navigation, can be displayed. And in the interior, headset users can see control panels and other virtual displays in a tidy, minimalist design that remains hidden to the unaided eye. Mixed reality optics gives users the ability to interact precisely with these real zones.

model family that has attracted an enthusiastic, loyal fan base in the C and later B segments since 2000 – the Audi allroad. From the first generation, this family also features air-spring suspension with variable ground clearance and a visually offset floor assembly with underride guard elements as a significant design feature. Equally significant for all allroad models is the Avant package option. The activesphere marks the first time that a car with a Sportback hatchback incorporates the design elements and technical equipment of an allroad. For this reason, Audi calls the new body variant “active Sportback” in contrast to the allroad. The lighting units echo the logo of the brand with the four rings by enlarging and isolating the intersection of two rings to form a pupil –the Audi eye. In the activesphere, this signature is now varied – on-road and offroad driving modes each have their own variant.

THE PUREST BLACK BADGE

www.rolls-roycemotorcars.com

In the words of Torsten Müller-Ötvös, Chief Executive Officer of Rolls-Royce Motor Cars, Rolls Royce Black Badge Goast is “a product that represents a new kind of Black Badge motor car, one that seizes on the minimalist, Post Opulent design treatment that has recast the legend of Ghost but amplifies and subverts it with the application of black. Our most advanced motor car yet has been reengineered to characterise the alter ego of Rolls-Royce: assertive, dynamic and potent. This is the purest Black Badge motor car in the marque’s history. This is Black Badge Ghost.”

21-inch alloy with carbon fibre barrel

Key to its potent character is the Architecture of Luxury, Rolls-Royce’s proprietary all-aluminium spaceframe architecture that debuted with Phantom. This sub-structure not only delivers extraordinary body stiffness, but its flexibility and scalability allowed Ghost to be equipped with all-wheel drive, four-wheel steering and the award-winning Planar Suspension system. For Black Badge, these peerless engineering qualities have been comprehensively re-engineered, including the fitting of more voluminous air springs to alleviate body roll under more assertive cornering.

The capacity of the Rolls-Royce twin-turbocharged 6.75-litre V12 engine was deemed sufficient. However, the flexibility of this celebrated power plant has been exploited to generate an extra 29PS, creating a total output of 600PS. The sense of a single infinite gear has also been dramatised with the addition of a further 50NM of torque, for a total of 900NM. The powertrain has also received Bespoke transmission and

throttle treatments to further enhance the engine’s increased power reserves. The ZF eight-speed gearbox and both front- and rear-steered axles work collaboratively to adjust the levels of feedback to the driver, depending on throttle and steering inputs.

As with all products in the marque’s Black Badge portfolio, the ‘Low’ button situated on the gear selection stalk unlocks Black Badge Ghost’s full suite of technologies. This is asserted by the amplification of the motor car’s engine through an entirely new exhaust system, subtly announcing its potency. All 900NM of torque is available from just 1700rpm and, once underway in Low Mode, gearshift speeds are increased by 50% when the throttle is depressed to 90%, delivering Black Badge Ghost’s abundant power reserves with dramatic immediacy.

The Bespoke Collective of designers, engineers and craftspeople created a vivid driving personality that matched Black Badge Ghost’s visual intent without compromising the marque’s effortless ride proclivities and acoustic tuning.

To bolster confidence when exploiting Black Badge Ghost, the braking bite point has been raised and pedal travel decreased.

The Black Badge Ghost is not just one of the most technologically advanced Rolls-Royce, but also the most aesthetically pure. In the first twelve months, it has become one of the fastest-selling products in the marque’s history, representing more than 3,500 commissions worldwide.

The car started a new conversation in its relentless pursuit of minimalism and purity. Named ‘Post Opulence’ by Rolls-Royce designers, this aesthetic movement is characterised by reduction and substance. However, a rebellious group of clients sought to create a disruptive expression of Ghost by permanently cloaking it in a shade so pure that its very classification as a colour remains a subject of debate: black. It is the dark side of Post Opulence: minimalism in extremis.

Clients are free to select any of the marque’s 44,000 ‘readyto-wear’ colours or create their own entirely unique Bespoke hue. However, the overwhelming majority of women and men who requested this darker expression of Ghost have selected the signature Black. To create what is the motor car industry’s darkest black, 100lbs (45kg) of paint is atomised and applied to an electrostatically charged body in white before being oven dried. The motor car then receives two layers of clear coat before being handpolished by a team of four craftsmen to produce the marque’s signature high-gloss piano finish. Instead of simply painting the Spirit of Ecstasy and Pantheon Grille a specific chrome electrolyte is introduced to the traditional chrome plating process that is co-deposited on the stainless-steel substrate, darkening the finish. Its final thickness

At between three and five hours in duration, the special painting operation is entirely unknown in mass production, creating an intensity simply unattainable elsewhere in the automotive industry. It is this depth of darkness that serves as the perfect canvas for clients to add a highcontrast, hand-painted Coachline, which has done much to create the Black Badge ‘black and neon’ aesthetic that has come to characterise this vivid family of Rolls-Royce motor cars.

The Technical Fibre ‘Waterfall’ section of the individual rear seats can receive the Black Badge family motif: the symbol that represents potential infinity - a Lemniscate. Rendered in aerospace-grade aluminium on the lid of Black Badge Ghost’s Champagne cooler, it is applied between the third and fourth layer of a total of six layers of lacquer, creating the illusion that the symbol is floating above the Technical Fibre veneer.

is just one micrometre – around one hundredth of the width of a human hair. Each of these components is precisionpolished by hand to achieve a mirror-black chrome finish before it is fitted to the motor car.

Designed in the Black Badge house style and reserved for Black Badge Ghost, the barrel of each Bespoke 21-inch composite wheel is made up of 22 layers of carbon fibre laid on three axes, then folded back on themselves at the outer edges of the rim, forming a total of 44 layers of carbon fibre for greater strength. A 3D-forged aluminium hub is bonded to the rim using aerospace-grade titanium fasteners and finished with the marque’s hallmark Floating Hubcap, ensuring the Double R monogram remains upright at all times. A lightl lacquer applied to protect the finish allows us to see the technical complexity of the wheels’ unique carbon fibre construction.

BLACK BADGE, THE HIGHLY SUCCESSFUL ALTER EGO OF ROLLS-ROYCE, THAT REPRESENTS MORE THAN 27% OF WORLDWIDE COMMISSIONS, IS CODIFIED BY THE MATHEMATICAL SYMBOL THAT REPRESENTS A POTENTIAL INFINITY.

WINTER RACE

www.winterace.it

The ten-year competition for unfolds along a route, in Italy and in Austria, of 400 km in two stages during the day.The event enjoys the patronage of the Municipality of Cortina d’Ampezzo and Veneto The Land of Venice.There are 50 cars built within 1976 that will thrill drivers and the public. The race includes detection tests with pressure switch that will “revive” the fire of the competition and will exalt the driving ability of the pilot and navigation of the co-pilot.

The 10th edition of WinteRace took place from 9 to 11 March 2023

The tenth edition of WinteRace which is reserved to 70 cars, promises to be exciting and full of news.

Among the biggest news are the number of Dolomite passes to cross, the return to the splendid Bressanone with a visit to the historic Abbey of Novacella and the enchanting Lienz in Austria in the historical center with a warm welcome of people in local costumes.

AThe 400 kilometers of route, in Italian and Austrian territory, are divided into two stages of about 200 km each. 70 crews admitted to the regularity race: 45 with historic cars and 25 with iconic cars from 1976 until today. They will be involved in 2 legs for a total of 400 kilometers between Italy and Austria and 60-time trials that they will have to face in order to write their name in the Hall of Fame of the event. “The WinteRace – remember the organizers Rossella Labate and Stefano Sangalli – is registered in the calendar of the A.S.I. (Automotoclub Storico Italiano) on behalf of the Club Veneto AutoMoto d’Epoca Giannino Marzotto. The crews we have admitted to the start will bring cars representing 12 brands. We would like to underline the participation of pre-war cars such as a 1925 OM 665 Sport and a 1927 Bugatti Type 37 and among the Icon ones, on the occasion of the 110 th anniversary of the Car Company, there are no less than 7 Aston Martin DBX 707, the most powerful SUV in the world. We are also proud that the WinteRace continues to be appreciated internationally: for this edition the foreigners in the competition are from Mexico, Chile, Switzerland, the United Kingdom and Holland. We are ready to experience with them the emotions that we have tried to arouse with the WinteRace and that they will certainly be able to generate”.

The WinterRace is supported by:

“Platinum” Sponsors: ASTON MARTIN VERONA, Italian importer; GIRARD-PERREGAUX, Swiss brand of watchmaking; HAND PICKED, luxury denim brand Made in Italy; VILEBREQUIN, leading brand in prestigious beachwear and denim.

“Gold” Sponsors: COTTON SOUND, specialized in hypoallergenic cotton wool products; CAMPOMARZIO 70, high-end fragrances; FRANZ KRALER, Luxury Store Cortina – Dobbiaco; GRAND HOTEL SAVOIA*****; POMES, extra virgin olive oil; 120% LINO, leader in men’s and women’s linen clothing.

Partners: Aktaruszone; Auto e Moto d’Epoca, Encry Champagne, Filette acqua, Garedepoca.com.

The event enjoys the sponsorship of the Municipality of Cortina d’Ampezzo, San Candido, the City of Bressanone, the Sonnenstadt Lienz and is promoted by Veneto The Land of Venice.

Media Partners: LE GRAND MAG

QUATTRORUOTE

RUOTECLASSICHE

The WinteRace is one of the most anticipated regularity races of the winter calendar A.S.I./F.I.V.A. presented by the Circolo Veneto AutoMoto d’Epoca “Giannino Marzotto”.

HAPPY BIRTHDAY, 356

“We created a very special birthday present in the form of the Porsche Vision 357, one which uses the 356 as a basis to underscore the significance of our design DNA,” Michael Mauer, Vice President Style Porsche, says.

75 years ago, on 8 June 1948, the 356 No. 1 Roadster became the first automobile bearing the name Porsche to receive its general operating permit – the birth of the sports car brand. Porsche is now embarking on its anniversary year with the Porsche Vision 357 and a reference to the Porsche 356 – the dream of Ferry Porsche of a sports car. As an homage to this, the design study brings the monolithic form into the present day.

With its monolithic form, the narrow passenger cell with an abruptly sloping flyline and broad shoulders, the proportions of the Porsche Vision 357 evoke the lines of the 356. The windscreen sharply wraps around the A-pillars. As in its historic forebear, Porsche is pushing the boundaries of glass production: early 356s had a split windscreen with a bar down the middle. The split design was replaced in model year 1952 by a one-piece windscreen with a bend down the centre. The A-pillars of the Porsche Vision 357 are black and visually unite the side window surfaces into a single unit. This DLO (daylight opening) graphic resembles the visor of a helmet. The functional details are integrated and underpin the sculptural character of the vehicle. This includes the concealed door openers by the side windows and the tail lights, which sit behind a patterned array of points in the body itself. Another

Built on the technology platform of the 368 kW (500 PS; Fuel consumption combined (WLTP) 13.2 l/100 km, CO emissions combined (WLTP) 299 g/km) 718 Cayman GT4 RS, the Porsche Vision 357 represents outstanding sports car performance. The exterior design study was the highlight of the special exhibition “75 Years of Porsche sports cars” at the “DRIVE” Forum in Berlin and will be presented at further international events over the course of the year.

The “75” anniversary logo adorns the doors and the front of the design study like a start number. And that is far from the only detail from the world of racing: there’s nothing behind the lower area of the front wheels, which allows better ventilation of the wheel arches. The wrap-around, jointless front bonnet is fastened with quick-release mechanisms. Threaded rods stabilise the large front spoiler.

nod to the original is the grille pattern in the rear, in which the third brake light is integrated. Like all current Porsche models, the Vision 357 features a four-point light signet in front. The round design of the headlights is a throwback to the characteristic lights of the 356. There are parallels in the paintwork: the two-tone look with Ice Grey Metallic and Grivola Grey Metallic in the nether regions of the front end hearkens back to the grey tones that were already popular in the 1950s. The wide track makes a bullish impression and enhances driving stability. The 20-inch wheels are made of magnesium and are equipped with aerodynamically advantageous carbon fibre hubcaps and central locks. Visually, they also recall a legendary Porsche wheel: the 356 A and 356 B with drum brakes had rims with the notably large bolt circle of 205 millimetres.

THE TAKE-OFF OF VX4 EVTOL

www.vertical-aerospace.com

Vertical Aerospace, a global aerospace and technology company that is pioneering zero-emissions aviation, announced further progress on its path to certification for the VX4, including securing the first-ever Design Organisation Approval issued to an eVTOL manufacturer by the UK Civil Aviation Authority. UK and European aerospace companies cannot hold a Type Certificate without being granted a DOA. The DOA authorises Vertical to conduct design activities and issue design approvals within the DOA’s scope of approval. As an approved Design Organisation, Vertical will have increasing authority and privileges as the company progress through the design and certification programme of the VX4. This approval means the CAA is satisfied that Vertical can design safe and reliable aircraft and aviation-related products to the highest standards. This is expected to streamline the steps towards obtaining Type Certification. “I am immensely proud that Vertical is the first British electric aircraft company in history to receive a DOA from the UK aviation regulator. This approval is a critical step forward in our mission to decarbonise air travel and bring the UK’s first electric aircraft to market. We are grateful for the CAA’s commitment to advancing sustainable aviation, which allows us to build on the UK’s proud aerospace tradition,” said Stephen Fitzpatrick, Vertical’s Founder and CEO. Vertical has now formally commenced its certification journey with four aviation regulators in the UK, Europe, USA and Japan.

Vertical Aerospace has just celebrated “wheels up” for the first time as its VX4 eVTOL prototype conducted its very first airborne test. The moment marked a significant milestone as Vertical continues to progress successfully through its intensive flight test programme. The programme is expected to continue for several months, completing different stages which will involve reaching higher altitudes and speeds and demonstrating the transition from vertical to horizontal forward flight. Engineers and flight technicians watched on as Chief Test Pilot, Justin Paines, took to the controls for the aircraft’s maiden take-off which saw the eight sets of aerodynamic propellers lift the aircraft from the ground at hover-thrust, while tethered to the ground for safety. Paines, said: “This test represented the culmination of many months preparation by a huge team and being at the controls of the VX4 for the first time was an honour and a proud moment for us all.” The company, unlike many of its competitors, decided to conduct its first flight tests with a pilot on board to prove it could meet the most stringent safety standards. To do this, Vertical Aerospace received regulatory approval in the form of a “Permit to Fly” from the Civil Aviation

Authority, after demonstrating the test could be conducted safely. The permit and the results of these early tests allow the teams at Vertical to progress confidently on their mission to certify the VX4 by 2025. It is hoped the aircraft will carry a pilot and four passengers and is expected to have a range of up to 100 miles with the ability to cruise at speeds of around 150 miles per hour, with a top speed of 200 miles per hour.

The company has already received more than 1,400 conditional pre-orders from some of the world’s leading airlines, operators, lessors and tourist groups including Virgin Atlantic, American Airlines, Japan Airlines and Air Asia and recently announced that American Airlines has conditionally committed to making a pre-payment for its first 50 deliveries of the VX4, a strong vote of confidence from the industry.

Vertical Aerospace is the first British company to start flight tests with a new aircraft in over 20 years, with its full-scale, piloted prototype of zero-emission VX4 eVtTOL aircraft.

In the words of Stephen Fitzpatrick, Founder & CEO of Vertical, “This moment represents a small step for Vertical Aerospace, but it’s a giant leap forward for British aviation. For more than 100 years the UK has been a global leader in aviation and today, in the 21st century, Britain is leading the world in the development of zero carbon aircraft.”

THE NEW AGUSTA UPDATES

The launch of the Agusta VIP brand in late 2021 confirmed Leonardo’s commitment to provide its private transport helicopter users with distinguished characteristics and to stay at the forefront of the private helicopter sector.

As recently announced during Heli-Expo 2023, the world’s largest trade show dedicated to the helicopter industry, the success of Leonardo’s offer for the VIP/corporate transport marketleveraging the exclusive Agusta brand value proposition - grows further in Latin America with sales of three helicopters to SynerJet Latina SA, a new distributor responsible for Colombia, Peru, Chile and Paraguay.

Agusta, presented during major business aviation events in Europe, Latin and North America, updates the distinctive look that made it a sought-after brand by adding more solutions and services, accompanied with technological advances. New options and services dedicated to VIP/corporate helicopter operators under Agusta include the Interior Moods layouts, a new integrated maintenance service plan and a dedicated Agusta section in the Leonardo Customer Portal. The Interior Moods offer three options inspired by iconic cities. The layouts feature specific colours, materials, seat configurations and on-board options. They allow customers to select their ideal environment, mirroring their own distinctive wants, while meeting their needs. From the sense of warmth, harmony and pureness of “Florence,” to the juxtaposition of opposites like tradition and innovation of “London,” to the energy and passion of the cosmopolitan “New York.” Next, to meet the needs of corporate rotorcraft operators, the AGUSTAFORYOU helicopter service increases aircraft

THE AW139

HALMARK OF ELEGANCE

This market leader in its class embodies the style and sophistication and surpasses all other intermediate helicopters in capability, speed and ride quality. Its large and unobstructed cabin is capable of comfortably carrying up to 10 passengers and is easily accessible via an automatically deployed footstep. It also offers ample room for accessories, including telecommunications, entertainment systems, dedicated workspace, refreshment area and stowage. It is the corporate helicopter, to move in a city context, to reach the building where the company board will meet.

The fastest helicopters, the latest in technology, highly customized solutions and configurations, inimitable Italian Style guarantee to keep Agusta brand in the lead of the private transport helicopter users sector.

LEONARDO

GLOBAL LEADER IN THE MULTIENGINE VIP HELICOPTER MARKET BY DELIVERIES: A GLOBAL FLEET OF MORE THAN 900 HELICOPTERS; 40% SHARE OF THE MARKET

availability and reduces inventory costs while optimising expenses by covering both scheduled and unscheduled maintenance of airframe/avionics components and other items. Further, on the Leonardo Helicopter Customer Portal, VIP operators will have an area where they can check in on the progress and status of their aircraft manufacturing and testing, with images and in real time. All advancements are aimed at delivering clear answers to meet exclusivity requirement, making ownership and operation of Agusta helicopters a true 360-degree experience from day one.

THE PERFECT PLACE

INTO THE FUTURE

Joerg P.Mueller, Head of Urban Air Mobility (UAM)

INFRASTRUCTURE

UTM is a key enabler of UAM IN DEPTH

Balkiz Sarihan, Head of UAM Strategy Execution and Partnerships at Airbus

INTERVIEW

David Solar, Head of General Aviation And VTOL Department from EASA INFOGRAPHIC

RETHINKING THE SKY

The global concern for the future of the planet makes large cities, together with manufacturers and regulators, consider a more sustainable, quieter low-altitude flight model, one that can respond to the urgent transportation problems in evidence todaay. Airbus embraces the future of UAM holistically - a successful service cannot be achieved by focusing on the vehicle alone. Its objective: to propose to the market a safe, zero emission product with low sound levels that is harmoniously integrated into the lower airspace to deliver real benefits to citydwellers and beyond. On the pags which follow, read all the details making this turn-of-the-century fantasy into reaality, step by step.

Years in the making, the idea for an efficient air transport service between urban and suburban environments is called CityAirbus. With the belief that city commuting can be moved into the sky in a sustainable way, the Airbus team began creating a multirotor design based on electric motors. Following the successful development of

two electric eVTOL demonstrators, CityAirbus and Vahana – along with technology to improve sound emissions across Airbus’ portfolio of products, CityAirbus NextGen was born. The lessons learned from this double-demonstrator approach have been essential to the creation of this new generation of eVTOL.

CityAirbus NextGen

URBAN AIR MOBILITY

Certifiable to the highest safety standards according to the EASA SC-VTOL Enhanced category

Safe, sustainable, and integrated urban air mobility

Fixed Wings

V-shaped tail

4-seater aircraft

8 electrically powered propellers

Cruise speed of 120 Km/h

80 km operational range

Covering up to 95% of highly requested journeys in and around cities

Sustainability

Noise-friendly design

• Below 65cB(A) on flyover

• Below 70dB(A) during landing

Zero-emission flight operations (CO2, NOX)

SAFE, SUSTAINABLE AND INTEGRATED URBAN AIR MOBILITY

CityAirbus NextGen is an all-electric, 4-seat multicopter concept with an 80-km range and a cruise speed of 120 km/h – perfect for urban air mobility.

www.airbus.com

CityAirbus NextGen is designed to offer best-in-class economic performance in operations and support. The unique configuration incorporates the following design elements: fixed wing, V-shaped tail, eight electric-powered propellers, no moving surfaces or tilting elements and a spacious cabin with four seats and easy boarding. Noise-friendly designs to drive CityAirbus NextGen’s sound levels to new lows: below 65 dB(A) fly-over and below 70 dB(A) landing. CityAirbus NextGen meets the highest certification requirements (EASA SC-VTOL Enhanced Category). Building on the expertise of partners in multiple urban environments, the prototype for CityAirbus NextGen is set to become a technological lever in the creation of a more efficient sustainable urban ecosystem. CityAirbus NextGen is an all-electric, four-seat vertical takeoff and landing (eVTOL) prototype. Based on a lift and cruise concept, it boasts an 80-km operational range and a cruise speed of 120 km/h –making it perfectly suited to zero-emission flight operations for a variety of applications in our cities and communities.

V-shaped tail fixed wings

80-km operational range cruise speed of 120 km/h

fully electric, zero emissions flight

eight electrically powered propellers as part of its distributed propulsion system

optimised for hover and cruise efficiency, while not requiring moving surfaces or tilting parts during transition sound levels below 65 dB(A) during fly-over and below 70 dB(A) during

designed to carry up to four passengers

VOLOCOPTER BRINGS URBAN AIR MOBILITY TO LIFE

www.volocopter.com

Just like self-driving cars, autonomous aircrafts are expected to launch commercially in the next couple of years, and they’re set to pave the way for all. Compared to ground vehicles, autonomous aircraft will initially navigate through uncongested skies, and need not account for pedestrians, cyclists, or other road users. Instead, they will share the airspace with other highly automated aircraft, all communicating with each other. In fact, most aircraft already operate using smart systems like autopilots, which automatically execute direct routes or help with landing. Autonomous air mobility can and will build on that, according to Volocopter.

Autonomous flight is a core element of the Volocopter mission statement, and the VoloCity was designed to ultimately take to the skies as an autonomous air taxi. From the very beginning, Volocopter’s intention was for its aircraft to one day fly solo in the commercial skies. Today, the company is working closely with autonomous technology leaders like Near Earth Autonomy on the beyond visual line of sight (BVLOS) capabilities of its VoloDrones. But why is this an intrinsic part of Volocopter’s vision? Urban air mobility needs to be tailored to the challenges of flying within a city – tall buildings, narrow roads, moving obstacles. And while highly trained pilots will be more than capable of navigating this environment, Volocopter will also be deploying smart, redundant assistance systems to ensure maximum safety right from day one. And by gradually moving toward full autonomy will continue to promote more flexible and even safer urban operations. Furthermore, autonomy will lower costs and thus boost affordability, availability and help scale eVTOL operations. To make autonomous air traffic a reality, however, a number of steps must first be taken. As this is a novel kind of mobility, regulations are still being compiled and may well not be set in stone for a good few years yet. Volocopter is working closely with Europe’s aviation authorities and other experts in the field to bring urban air mobility to life and share its insights. Just as it takes time to develop an

Volocopter’s aircrafts are already designed to one day fly autonomously, and the company is actively working on making this a reality in terms of regulations, technology, and public acceptance.

autonomous operations rulebook, the practice will not be implemented overnight. Volcopter is gradually increasing the degree of automation its aircraft will offer: first, through the number of control functions (like speed control or autopilot). Second, by preparing for unforeseen future events and the decisions that will have to be made. In short, this is a gradual process that will be moderated by technological, regulatory, and economic considerations. As it gears up to offer fully autonomous flights, Volocopter will collect data from piloted flights in an operational environment that will flow into the VoloIQ data lakes, as well as offer training, and test autonomous applications. Only then will the company launch autonomous flights. In the envisaged fully autonomous VoloCity air taxi, several sensors will ensure a 360-degree view and detect objects in its flight path. An independent monitoring system will keep an eye on all components at any given time, whether radio communication, propulsion, or a flight plan. The flight management system will make decisions and automate predefined processes that are always on time, accurate, and safe. Even without a data connection back to the ground, the VoloCity will be connected to Europe’s digital airspace management system U-SPACE and the Mission Control Center, ensuring smooth and safe flights for all. And the passengers? Well, all they need to do is sit back and enjoy the view on their super-quick journeys.

USING ITS SENSORS, ENVIRONMENTAL DATA AND ITS A.I. “BRAIN”, AUTONOMOUS AIR TAXIS NAVIGATES STANDARD ROUTES.

(NBAA-BACE), taking place from Oct. 17-19 in Las Vegas. View fixed-wing aircraft of all sizes – from single-engine airplanes and turboprops to long-range jets. See today’s helicopters and tomorrow’s advanced air mobility (AAM) aircraft.

NBAA-BACE is the biggest and most productive event of the year for business aviation.

G600’S NEW MILESTONE

www.gulfstream.com

G600 successfully demonstrated steep-approach landings into London City Airport, which which requires the certification due to its short runway and stringent noise-abatement requirements, as well as Lugano Airport, whose short runway situated in the mouth of a valley, requires an extremely steep approach, and Sion Airport in Switzerland, with low-speed handling and short-field landing capability. “The takeoff and landing performance we demonstrated in Europe was key in the process of securing customers’ access to even more locations worldwide, saving them even more valuable hours per year,” said Burns. “Our customers already benefit from Gulfstream’s high-speed performance advantage when flying, and the investment we’ve made in flight testing and continuous improvement delivers even more value with increased flexibility.” The G600 also set its speed record from London to Seattle, completing its 4,235-nm/7,843-km flight in just 8 hours and 39 minutes. It landed with fuel reserves exceeding National Business Aviation Association minimums under Instrument Flight Rules. The flight is pending approval by the U.S. National Aeronautic Association and Fédération Aéronautique Internationale in Switzerland for recognition as world records. In addition, the G600 received FAA and EASA certification of improved takeoff performance operations on grooved runways in wet conditions.

The G600 can be configured in four living areas for up to 19 passengers or three living areas with a crew compartment for up to 13 passengers, and customers can also choose from a forward or aft galley configuration. The interior features award-winning seat designs, bestin-class cabin altitude, 100 percent fresh purified air, whisper-quiet noise levels and 14 Gulfstream panoramic oval windows, the largest in the industry. As with all

Gulfstream aircraft, each cabin is custom-made by Gulfstream artisans who handcraft the cabinetry, furnishings and finishes. “Our awardwinning bespoke interiors and the individuals who create and install them are the best in the business. In fact, we have received direct feedback from this newest G600 customer citing an ‘outstanding’ experience, and I’m excited for our customers to experience the unparalleled quality and excellence produced by the world-class team at our Dallas facility,” said Burns. The G600 features Gulfstream’s next-generation Symmetry Flight Deck with active control sidesticks, the most extensive use of touchscreen technology in the business aviation industry and other advanced safety features including Gulfstream’s Enhanced Flight Vision System. With its ability to travel 6,600 nautical miles/12,223 kilometers at Mach 0.85 and 5,600 nm/10,371 km at Mach 0.90, the G600 has set more than 35 city-pair speed records. To date, Gulfstream has made more than 70 G600 deliveries to customers around the world. The addition of G600 completions to the Gulfstream Dallas facility is a component of Gulfstream’s larger growth strategy, which includes Gulfstream Customer Support’s expansion to Fort Worth Alliance Airport in Texas with an allnew, modern and sustainable service center, set to open later this year. Gulfstream Customer Support also recently announced a new service center in Mesa, Arizona, to support customers operating in and through the U.S. West Coast. In addition to Dallas, Gulfstream outfits large-cabin interiors in Savannah and Appleton, Wisconsin. Completions for the super-midsize Gulfstream G280 are also performed at the Dallas facility. “We are seeing tremendous demand for our next-generation aircraft,” said Mark Burns, president, Gulfstream. “Expanding G600 completions to Dallas is positioning us well for the future.”

Credit Images: © Gulfstream

The delivery of the first Gulfstream G600 will be outfitted at its Dallas, Texas, facility. In response to growing demand, Gulfstream expanded completions operations to the Dallas facility in summer 2021 to enhance interior outfitting capabilities for customers.

THE NEXT KING RISES

When facing adversity—we persevere. When confronting new challenges—we push ahead. When the obstacles, barriers and uncertainties mount…

We rise above.

ULTRA LONG-RANGE FALCON 10X

www.dassaultfalcon.com

Dassault Aviation launches Falcon 10x, featuring industry’s largest cabin and most advanced technology on a business jet. Featuring a range of 7,500 nautical miles, the Falcon 10X will fly nonstop from New York to Shanghai, Los Angeles to Sydney, Hong Kong to New York or Paris to Santiago. Top speed will be Mach 0.925. The 10X will have a cabin cross section larger than some regional jets. Its cabin will be 6-feet, 8-inches (2.03 m) tall and 9 feet, 1 inch wide (2.77 m). Pressurization will also be the best on the market, with passengers experiencing a 3,000-foot cabin

pressure altitude while flying at 41,000 feet. A next-generation filtration system will provide 100 percent pure air. The aircraft will be at least as quiet as the Falcon 8X, currently the quietest business jet in service. The twin-engine aircraft will be powered by business aviation’s most advanced and efficient engine, the in-development Rolls Royce Pearl® 10X. The 10X is the latest, largest and most powerful version of the Pearl series, delivering more than 18,000 pounds of thrust. The Falcon 10X will enter service at the end of 2025.

We are Dreamliners.

We have the most modern long-haul fleet, made up entirely of the Boeing 787 Dreamliner, one of the most advanced and sustainable aircraft in the world.

Larger windows allowing 60% more natural light

20% lower emissions and fuel consumption

Quieter, 60% less noise impact

Better cabin pressurization: better sleep and less jet lag

Up to 40 minutes less flight time

LIGHTER, FASTER, QUIETER

www.airbuscorporatehelicopters.com

The ACH160 is the most modern interpretation of the Airbus vision, featuring leading-edge styling for exceptional performance, and a number of interior options that allow operators to choose their respective levels of luxury. Airbus Helicopters’ creative teams worked on the cabins, providing 20% greater volume per passenger compared to previous generation medium twin helicopters, 35% larger windows and 15% lower fuel burn than its nearest competitor. The ACH160 family is designed in three versions – Line, Line with Lounge package, and Exclusive. Ideal for short journeys, the Line package includes plenty of storage space and individual bucket seats that can be specified in different materials. In

The intuitive Helionix flight deck with two to four multifunction screens display real-time information. The functions can be divided in multiple modes, so the pilot and copilot can monitor different systems simultaneously.

the Line with Lounge Package rear-facing bench seating is available with forward-facing armchairs. Created by Airbus Helicopters Design Studio and Pegasus Design, Exclusive features deep leather armchairs/bench seats, wood detailing with as many as eight coats of varnish, carpet, and luxury interior trim.

The ACH160’s design lays claim to sixty-eight new patents. This rotorcraft comes with enhanced safety features and sets a new standard for passenger comfort. Innovations include the canted Fenestron for greater useful load and a flat attitude in flight, and sound-reducing Blue Edge rotor blades for quieter operations. At the controls, the Helionix flight deck gives the pilot control and confidence.

EXPERIENCE THE WORLD IN A BELL 505

Whatever your adventure, the Bell 505 can take you there. From beach shores to mountain peaks, experience the world from the air and explore its most remote and beautiful places.

BELL 505 bell.co/j94

UNITED GOES SUPERSONIC

United becomes the first U.S. airline to sign an aircraft purchase agreement with Boom Supersonic. Slated to carry passengers in 2029, the net-zero carbon aircraft will fly on 100% sustainable aviation fuel (SAF).

United will purchase 15 of Boom’s Overture airliners, once Overture meets United’s demanding safety, operating and sustainability requirements, with an option for 35 more aircraft. Through innovation and collaboration, United and Boom are realizing a shared mission to connect the world safely and sustainably. At speeds twice as fast as today’s passenger jets, United’s new Overture fleet will open countless possibilities for new experiences and human connection.

“United continues on its trajectory to build a more innovative, sustainable airline and today’s advancements in technology are making it more viable for that to include supersonic planes,” said Scott Kirby, CEO of United Airlines. “Boom’s vision for the future of commercial aviation, combined with the industry’s most robust route network in the world, will give business and leisure travellers access to a stellar flight experience. Our mission has always been about connecting people and now working with

Overture will only fly at supersonic speeds over the ocean, eliminating community exposure to sonic booms. In addition to a four-engine design that reduces noise, Overture is equipped with the latest noisereducing technologies, ensuring no increase to existing noise contours. The overall impact of Overture on airport communities will be similar to the long-haul aircraft it replaces.

The Overture onboard experience is designed for comfort, productivity and privacy, featuring in-seat entertainment screens, ample personal space, and contactless technology. The world’s fastest airliner, optimized for speed, safety and sustainability, has a capacity of 65-80 passengers. Single-stage noise reduction fan guarantees a quiet operation.

Boom, we’ll be able to do that on an even greater scale.” Overture travels at twice the speed of today’s fastest passenger jets, leaving no destination out of reach. It shortens a flight time from New York to Frankfurt from 7:20h to 4:15h, Los Angeles to Sydney from 14:30h to 8:30h, and San Francisco to Tokyo from 10:15h to 6:00h (times are approximate and subject to change). “The world’s first order of net-zero carbon supersonic aircraft marks a significant step toward our mission to create a more accessible world. At speeds twice as fast, United passengers will experience all the advantages of life lived in person, from deeper, more productive business relationships to longer, more relaxing vacations to far-off destinations,” added Blake Scholl, founder and CEO of Boom Supersonic.

OVERTURE JET WILL BE 201 FEET LONG WITH WINGSPAN OF 106 FEET, HAVE A CRUISING ALTITUDE OF 60,000 FEET, RANGE OF 4,250NM WITH FULL PAYLOAD, AND ACHIEVE SPEEDS OF MACH 1.7.

eVtol & Advanced Air Mobility (AAM ) Top 10 Key Players

The European Union Aviation Safety Agency (EASA) published rules for the operation of air taxis in cities, the first comprehensive proposal for such regulations to be issued world-wide. The proposed new regulatory framework covers the technical domains of airworthiness, air operations, flight crew licensing and rules of the air. They complement existing EU regulatory material for operations of Unmanned Aircraft Systems (UAS), the unmanned traffic management system known in Europe as U-space and the certification of aircraft capable of Vertical Take-Off and Landing (VTOL), as well as EASA guidance on the design of vertiports. “With this, EASA becomes the first aviation regulator worldwide to release a comprehensive regulatory framework for operations of VTOL-capable aircraft, which will offer air taxi and similar services,” said EASA Executive Director Patrick Ky. “The publication reinforces the leadership EASA is showing in this area of innovation. At the same time, we have done our best to address general societal concerns and the expectations of EU citizens with respect to safety, security, privacy, environment and noise.” Manufacturers in Europe have signalled to EASA that they will be ready for certification of VTOL aircraft in the next few years. These aircraft will enable new air mobility concepts in the framework of the ‘smart, green and digital’ cities initiative led by the European Commission. EASA’s latest proposals will establish a harmonised set of regulations and rules at EU level for this new mobility by air of people and cargo. The overall objective is to foster the development of a new ecosystem for urban air mobility (UAM), to achieve the safe and secure integration of certified UAS and VTOL-capable aircraft operations in the EU, and to enable operators to safely operate VTOL-capable aircraft in the single European sky.

In winter 2022, Groupe ADP, Skyports and Volocopter commissioned Europe’s first fully integrated vertiport terminal for the urban air mobility (UAM) industry at the Groupe ADP, RATP Group and Choose Paris Region-run Re.Invent Air Mobility testbed at Pontoise-Cormeilles airfield.

Delta Air Lines is embarking on a multi-year, multi-market commercial and operational partnership with Joby Aviation, Inc. to provide home-to-airport transportation service to Delta customers, beginning in New York and Los Angeles.

Airbus Helicopters has started construction of a test centre for CityAirbus NextGen, with the company representatives, politicians, and business leaders attending the ceremony. The building is scheduled to be completed in the first quarter of 2023. Occupying a surface area of 1,000 square metres, the new structure will be used for testing systems for electric takeoff and landing vehicles (eVTOLs).

With the purchase of 100 Lilium Jets, SAUDIA, the national flag carrier of Saudi Arabia, intends to launch a ser-

vice including new electric point-topoint connections as well as feeder connections to SAUDIA’s hubs for business class guests.

CAE announced that BETA Technologies selected CAE as its partner of choice to design and develop its pilot and maintenance technician training programme for the ALIA eVTOL aircraft.

IN THE AIR free press

Archer Aviation Inc. aims to fly full transition flights by year end, as the work which the team put in during

the first half of this year to upgrade and test the aircraft’s Tilt Propeller System (TPS) is proving successful. The first British aerospace company to manufacture a new aircraft in over 20 years, Vertical celebrated the very first airborne test of its electric VX4.

The Chinese startup Ehang has reported that the project specific certification plan for its 2-seat EH216-S has been approved by the Civil Aviation Administration of China (CAAC).

Volocopter

Joby208 Proplights Cruise2

Archer

CityAirbus NextGen

Ehang eVTOL Beta Alia

BETA Technologies

Lilium eVTOL

CityAirbus Demonstrator

Vertical Aerospace Helipad Joby Volocopter

>100

The number of miles the Vertical Aerospace’s eVTOL VX4 is projected to be capable of travelling while transporting a pilot and up to four passengers.

The number of combined years of engineering experience of the most experienced and senior team in the eVTOL industry, that Vertical has focused on building over the past years.

>30

1,700 25

The top speeds the Vertical Aerospace’s eVTOL VX4 will be capable of achieving while producing minimal noise and zero operating emissions.

People. 1 x Pilot, 4 x Passengers

The founding year

The number of up to 200 VX4 conditional pre-orders for which Marubeni reserved aircraft delivery slots and became first customer in Asia to make a pre-delivery payment.

Vertical was founded Stephen Fitzpatrick, best known as the founder of the Ovo Group, a leading energy and technology group and Europe’s largest independent energy retailer.

The number of different civil and military aircraft and propulsion systems Vertical certified and supported.

1,400

The number of pre-ordered aircraft from global customers. It makes Vertical a market leader by pre-order book value. Customers include American Airlines, Virgin Atlantic, Avolon, Bristow, Marubeni, Iberojet and FLYINGGROUP, etc.

£14m

> 1 MW Electric

The amount Vertical secured from the ATI through a joint initiative with the UK government, to further progress the development of its battery. technology.

15,000 sq.ft

The size of Vertical Energy Centre, presumably the UK’s most advanced aerospace battery facility, where teams are developing proprietary battery technology.

220Wh / kg

The parameters of the battery system that will enable VX4 to conduct back-to-back missions, with fast-charging cycles in-between.

THE FLIGHT TEST PROGRAMME WILL CONTINUE REACHING HIGHER ALTITUDES, SPEEDS AND THE TRANSITION FROM VERTICAL TO HORIZONTAL FLIGHT.

THE DEVELOPMENT OF VX4

www.vertical-aerospace.com

Vertical Aerospace (Vertical), a global aerospace and technology company that is pioneering zero-emissions aviation, announces further progress on its path to certification for the VX4, including securing the first ever Design Organisation Approval (DOA) issued to an eVTOL manufacturer by the UK Civil Aviation Authority. The process for achieving DOA involved a rigorous assessment of Vertical’s procedures, its quality management system, the competence of its technical workforce, and the necessary facilities and equipment to support the design activities to certify the VX4 aircraft.

Stephen Fitzpatrick, Vertical’s Founder and CEO, said “I am immensely proud that Vertical is the first

British electric aircraft company in history to receive a DOA from the UK aviation regulator. This approval is a critical step forward in our mission to decarbonise air travel and bring the UK’s first electric aircraft to market.

The VX4 will transform the way people travel. For example, it will transport passengers from Heathrow Airport to Canary Wharf in just 13 minutes, while a car ride to the same destination takes one hour and 22 minutes.

We are grateful for the CAA’s commitment to advancing sustainable aviation, which allows us to build on the UK’s proud aerospace tradition.”

“Receiving a DOA from the CAA is a huge testament to our team and the hard work we are doing to ensure safety is at the core of the VX4. It represents a significant milestone on our journey to Type Certification,” added Paul Harper, Vertical’s Head of Certification

UP IN THE AIR

On 26 September 2022 Vertical saw its VX4 eVTOL aircraft take off from the ground for the very first time. It becomes the first British company to start flight tests with a new aircraft in over 20 years, with its full- scale, piloted prototype The moment marked a significant milestone as Vertical continues to progress successfully through its intensive flight test programme. The programme is expected to continue for several months, completing different stages which will involve reaching higher altitudes and speeds and demonstrating the transition from vertical to horizontal forward flight. Engineers and flight technicians watched on as Chief Test Pilot, Justin Paines, took to the controls for the aircraft’s maiden take-off which saw the eight sets of aerodynamic propellers lift the aircraft from the ground at hover-thrust, while tethered to the ground for safety.

“This test represented the culmination of many months preparation by a huge team and being at the controls of the VX4 for the first time was an honour and a proud moment for us all,”, said Paines.

The company, unlike many of its competitors, decided to conduct its first flight tests with a pilot on board to prove it could meet the most stringent safety standards. To do this, Vertical Aerospace received regulatory approval in the form of a “Permit to Fly” from the Civil Aviation Authority (CAA), after demonstrating the test could be conducted safely.

The permit and the positive results of these early tests allow the teams at Vertical to progress confidently on their mission to certify the VX4 by 2025.

It is hoped the aircraft will carry a pilot and four passengers and is expected to have a range of up to 100 miles with the ability to cruise at speeds of around 150 miles per hour, with a top speed of 200 miles per hour.

The company has already received more than 1,400 conditional preorders from some of the world’s leading airlines, operators, lessors and

VERTICAL AEROSPACE

Vertical Aerospace is pioneering electric aviation. The company was founded in 2016 by Stephen Fitzpatrick, an established entrepreneur best known as the founder of the Ovo Group, a leading energy and technology group and Europe’s largest independent energy retailer. Over the past years, Vertical has focused on building the most experienced and senior team in the eVTOL industry, who have over 1,700 combined years of engineering experience, and have certified and supported over 30 different civil and military aircraft and propulsion systems. Vertical’s top-tier partner ecosystem is expected to de-risk operational execution and its pathway to certification allows for a lean cost structure and enables production at scale. Vertical has a market-leading pre-order book by value for more than 1,400 aircraft from global customers creating multiple potential near term and actionable routes to market.

tourist groups including Virgin Atlantic, American Airlines, Japan Airlines and Air Asia and recently announced that American Airlines has conditionally committed to make a pre-payment for its first 50 deliveries of the VX4, a strong vote of confidence from the industry.

Stephen Fitzpatrick, Founder & CEO, Vertical, said “This moment represents a small step for Vertical Aerospace, but it’s a giant leap

forward for British aviation. For more than 100 years the UK has been a global leader in aviation and today, in the 21st century, Britain is leading the world in the development of zero carbon aircraft.”

Vertical’s test programme is also supported by the Aerospace Technology Institute, a UK governmentindustry programme designed to promote transformative technology in air transport.

AHEAD OF THE CURVE

People and design working beautifully together. The purpose built airport for BUSINESS, for PRIVACY, for LONDON. farnboroughairport.com

Video production, Corporate video, Corporate video production, Brand Films, Brand video, Travel films, Explainer films, Animation, Motion Graphics, animation Films, Travel films, YouTube films, Marketing Films, Live Action, Live Streaming, Property Films, Marketing Films, Marketing Agency Films, TV spots, TV commercials, PR films, Conference openers, Openers Exhibition Openers, Expo openers, virtual conferences

The Racer is a high-speed helicopter demonstrator that aims to leverage increased speed to deliver significant added value for citizens and operators. The simple, safe and proven aerodynamic formula seeks to achieve the best trade-off between speed, cost-efficiency and mission performance.

THE GULFSTREAM G650ER™

www.gulfstream.com

The G650ER holds the record for the farthest fastest flight in business aviation history - 15 h 23 min from Singapore to Tucson, Arizona. The cabin’s configurations can seat up to 10 passengers and sleep up to 10. With an optimised cabin altitude, flying at 41,000 feet (12,497 Meters) feels like 3,290 feet (1,003 Meters).

© Andreas Agazzi, @aviation_fineart

FLYING BOAT

Jekta is working to develop a zero-emissions-at-source amphibious aircraft enabling greater access to air transport for communities living close to water.

The PHA-ZE 100 (Passenger Hydro Aircraft Zero Emission 100), available in 2028, will be able to cruise up to 100 miles at 10,000 feet, according to Alafinov.

The PHA-ZE 100 is an electrically-powered amphibious flying boat that will be certified to the standards of fixed-wing passenger aircraft. Of all-composite construction, it features a single-step, planning hull, strut-braced, high-aspect-ratio tapered wings ending in drag-reducing upturned, swept wingtips, and wheeled, retractable tricycle landing gear. Power comes from ten electric motors supplied with energy from batteries or hydrogen fuel cells.

Engines reach 400KW at peak operations (15-20 sec), and work at 160KW180KW during the cruise phase. Initial flight endurance on battery power is projected at one hour, with a 30-minute reserve.

The PHA-ZE 100 will operate from coastal waters in wave up to 1.2m high, lakes, waterways, and runways. Its flying boat hull and underwing stabilising floats ensure safe, stable water handling, while wheeled landing gear provides flexibility for amphibious operations. It also provides selfbeaching capability, simplifying maintenance and aircraft handling. The aircraft is available in seven configurations, including 19-seat alleconomy commuter, mixed economy/freight, VIP, and ambulance options, optimising the PHA-ZE 100’s spacious, stand-up cabin. The model has space for three crew members but is also single owner/operator capable. Jekta is aiming to reduce the per-passenger-per-hour fuel costs by nearly 80% compared with similar aircrafts.

Low maintenance and fuel costs, much-reduced noise, no pollution impact, and minimal aviation infrastructure requirements combine to make the PHA-ZE 100 an optimal platform for sustainable and new operations.

“Luxury travel is about the destination but also how to get there,” George Alafinov, CEO of Switzerlandbased Jekta says. “Suddenly, areas that were difficult to reach are to accessible.”

www.jekta.swiss

Luxury has a rendez-vous with yachting in Cannes Book your exlusive VIP programme to discover the Cannes Yachting Festival: helicopter transfers, personalized tour, visit of yachts, VIP club…

ORIENT EXPRESS YACHT

In 1867, Georges Nagelmackers boarded the transatlantic ships connecting Europe to America and set off on a journey of discovery to the United States. Fascinated by the grandeur of these huge boats, the founder of Orient Express trains explored the luxurious travellers’ suites, with their rich and sumptuous decor, adorned with exceptional marquetry. He experienced the social scene in the restaurants and the unique ambience of the lounges, libraries and entertainment venues. This sea travel experience would later inspire the 1883 launch of his now legendary train: the Orient Express. 140 years after the launch of its first luxury trains, the Orient Express legend continues with the unveiling of the world’s largest sailing ship, Orient Express Silenseas. This revolution in maritime history is an ambitious undertaking that pushes the limits of what is possible. The result of a unique French partnership between world leader in hospitality Accor, a group that with its 5,300 properties and 10,000 food and beverage venues across 110 countries has one of the industry’s most diverse and fully integrated hospitality ecosystems, and Chantiers de l’Atlantique, a globally leading shipbuilding company focussing on the highest environmental performance, as well as equipment for offshore wind farms, this extraordinary sailing yacht of the future with spectacular interiors will set sail in 2026.

Inspired by the Golden Age of the French Riviera, Orient Express Silenseas will echo the glorious era when writers, artists, painters, princesses and movie stars spent time between Monte-Carlo, the beaches of SaintTropez, Cap d’Antibes, Cannes and its famous Croisette and discovered a refinement tinged with exquisite insouciance and joie de vivre, inviting them to extreme escapades.

A 220-meter-long ocean treasure with a tonnage of 22,300 UMS, Orient Express Silenseas will feature 54 Suites measuring on average 70-squaremeters, including a monumental 1,415-square-meter Presidential Suite (including a 530-square-meter private terrace), two swimming pools including a lap pool, two restaurants and a speakeasy bar. The singular cruise ship will celebrate the Art of Travel à la Orient Express: the quintessence of luxury, absolute comfort and dreams.

A tribute to artists and culture, Orient Express Silenseas will invite guests to experience incredible shows in its Amphitheatre-Cabaret and a private recording studio will give a voice to the most beautiful melodies. This unique travel experience, guided by the winds, will feature spa treatments, meditation sessions and stopover explorations to discover cultural treasures that allow guests to completely unplug from reality and stop time.

Capitalizing on the experience of these experts in ocean racing, Orient Express Silenseas will sail with a revolutionary technological design known as ‘SolidSail’: three rigid sails with a surface area of 1,500 meters each will be hoisted on a balestron rig, with three tilting masts reaching more than 100 meters high, able to ensure up to 100% of the propulsion in suitable weather conditions. This hybrid propulsion formula will combine wind power with a state-of-the-art engine running on liquefied natural gas (LNG) and plans to use green hydrogen once the technology is approved for ocean passenger ships, launching a new, more environmentally friendly vision of sea travel.

The latest feat from the Chantiers de l’Atlantique is a true sailing yacht of the future combining the finest French talents. Renowned architect Maxime d’Angeac will

design the interior layout and decor and Nantes-based design company Stirling Design International will handle the exterior architecture. Hetland Maritime also assisted Accor in creating the project and in the ongoing discussions with Chantiers de l’Atlantique.

“With a signed letter of intent to order two ships, Chantiers de l’Atlantique is proud to herald a new era in the shipbuilding industry with Silenseas,” said Laurent Castaing, Managing Director, Chantiers de l’Atlantique. “This concept, born in our design offices in 2018, is the quintessence of our savoir-faire in the fields of naval architecture, the construction of sophisticated hulls, as well as the design of luxurious spaces. In addition, the installation of three SolidSail rigs, a revolutionary 1,500-square-meter unit wind propulsion system, for which we have developed and tested the first prototype, will contribute significantly to the propulsion of the ship. Combined with a hybrid propulsion system running on liquefied natural gas (LNG), Silenseas will thus become the ship of reference in terms of environmentally-friendly operation and design. “ Chantiers de l’Atlantique is an essential leader in the fields of design, integration, testing and turnkey delivery of cruise ships, military vessels, electrical substations for offshore wind farms and fleet services. Thanks to its research and development, Chantiers de l’Atlantique now offers cruise ship designs at the forefront of environmental performance. It also offers equipment for offshore wind power, which makes it a major player in the energy transition.

The entire project will be financed up to 70-80% by commercial banks, with the remainder provided by a consortium of equity partners in which Accor will have a minority stake.

“With Orient Express Silenseas, we are beginning a new chapter in our history, taking the experience and excellence of luxury travel and transposing it onto the world’s most beautiful seas,” said Sébastien Bazin, Chairman and CEO, Accor. “This exceptional sailing yacht, with roots in Orient Express’ history, will offer unparalleled service and refined design spaces, reminiscent of the golden age of mythical cruises. Innovation is at the heart of this ultramodern ship that will revolutionize the maritime world with new technology to meet today’s sustainability challenges. It is a boat designed to make dreams a reality, a showcase for the best of French savoir-faire.”

© Maxime d’Angeac & Martin Darzacq for Orient Express, Accor

SANLORENZO SP110

The SP110 embodies Sanlorenzo’s vision in which the founding principles of sustainability, comfort and exclusivity converge, projecting the shipyard into the future with a boat that completely moves away from conventional models in the same market segment and sets a new benchmark for the models that will follow.

The SP110 is the first jet-powered superyacht in the shipyard’s SP series - or ‘Smart Performance’ range - and represents Sanlorenzo’s entry into the sports yacht market. Highlights include a jet-propulsion system - the model is capable of reaching up to 40 knots - and a two-storey atrium visible from the aft deck. The first hull was launched in May 2022 and christened Almax.

The 33.5-metre open coupé offers the best performance at the lowest fuel consumption. The water jet propulsion ensures top efficiency and comfort at every speed range.

The project was born from a collaboration between Bernardo Zuccon, who worked on the exterior, Tilli Antonelli behind Sanlorenzo product development, Marco Arnaboldi designing the hull and Piero Lissoni helming the interiors. Built with a teak deck, a GRP hull, and a GRP superstructure, the SP110 features a split-level interior set-up that creates a two-storey glass atrium visible from the aft deck. A split-level deck, as noted by Piero Lissoni, creates a feeling of lightness and space. A three-cabin and two-saloon configuration is granted by an eight-metre beam with living spaces illuminated by vast expanses of glass. The exterior design identifies the new range while maintaining continuity with Sanlorenzo’s tradition.

The design features a generous 50 square metre aft deck lounge that is well-connected to the interior of the boat via a sliding glass window. Up at the bow, there is a dining area

TO ENSURE SIGNIFICANT WEIGHT SAVINGS

The double-edged flank guarantees on the one hand a width for buoyancy that maintains the highest performance and comfort even in rough seas, and on the other hand offers a considerable surface area that can be exploited both outdoors and indoors. The windows on the outside pick up the colour of the hull making the surface homogeneous while maintaining an excellent luminosity inside.

Fundamental to the realisation of SP110 is the hull, designed by Marco Arnaboldi and optimised for use with hydrojet propulsion. This type of propulsion is an advantage over propeller propulsion because it is less sensitive to variations in the boat’s weight and therefore more versatile. The study of water lines has resulted in a surprisingly efficient hull with a maximum beam of over 8 metres for a total length of 33 metres.

and sunbathing zone. Tender storage is found under the deck of the cockpit.

Power comes from a jet propulsion set-up with triple Volvo IPS MAN V12 2,200hp engines. The SP110 can reach a top speed of 40 knots with a cruising speed of 36 knots. Depending on the conditions and the owner’s needs, a fractional propulsion system allows the yacht to move around using just one engine, a pair or all three, thus allowing great flexibility, low consumption and a different autonomy depending on the desired speed. Compared to similarly sized motor yachts, her cruising speed is 13.98 knots above the average, her top speed is 16.27 knots above the average and her volume is 43.89 GT above the average. Onboard solar panels supply power: 6kW monocrystalline solar panels are fitted on the wheelhouse, and the energy recovered in this method can power the yacht’s hotel load for several hours.

LIGHTENED MATERIALS LIKE THE LAMINATED GLASS WERE USED FOR THE BIG SURFACES OF THE WINDOWS , WHICH COVER ALMOST 80% OF THE BOAT.

SW 108 H YBRID

EXPLORING THE PLANET

www.camperandnicholsons.com

The 126-metre Octopus, built by Lürssen to a design by Espen diameterino, is one of the largest superyachts in the world. Up until her sale in 2021, she was kept incredibly private, with few images of her interior ever released to the public. After a recent refit, she is now available for charter.

For the audacious and daring, nothing is off limits. With an ice-class hull, two helipads, a huge toy list including seven tenders, an ROV, and even her own marina, she is the perfect base from which to launch your extensive land and sea explorations. Onboard, science is just as important as luxury. In the past, she has been a hub for oceanographic explorers searching for lost shipwrecks and maritime artefacts, and the new owner is keen to continue this legacy of marine protection and discovery.

The yacht is fully equipped for fulfilling any whim. From the bridge deck’s vast swimming pool to the gym and wellness area, cinema, library, observation lounge, and glass-bottomed aquarium, no matter the occasion or inclination, you’ll find it onboard. Taking water toys to the next level, Octopus will also be equipped with a submarine starting in early 2023.

A comfortable home away from home during an expedition, Octopus can accommodate 12 guests across three decks, with multiple possibilities for families, groups of friends, or researchers across a lavish master suite – complete with private elevator and observation deck – two VIP apartments, and seven double and three twin staterooms. Despite her size

and unlike other boats of these measurements and purpose, Octopus remains feeling cosy, a perfect setting for intimate groups and conversation.

Another difference between Octopus and newer boats of this size is the beach club arrangement. It is an amenity favoured and often given great attention on new builds, but aboard Octopus this area has a distinct purpose - to facilitate scuba diving, watersports, and easy embarkation to the tenders. “The platforms port and starboard are like little marina landings,” describes Jacqui Lockhart, European Head of Charter Marketing at Camper & Nicholsons. Octopus has her own marina home to seven tenders, which allows her largest tender, a 54ft Delta motor yacht, to be launched and gives access to the submarine dock. The swim platform lowers allowing the tender bay to flood, so the tender can then reverse out of the yacht. “It’s like something from a Bond movie!”

Octopus is powered by two-hybrid ABB Industry AG E-Motors that limit her environmental footprint wherever she roams. She can reach a top speed of 19 knots and has a globe-trotting range of 12,500 nautical miles when cruising at 12 knots. “Octopus can be self-sufficient for about a month. She has an ice class 1A hull and with helipads to expedite arrival and departure, she’s perfect for adventures to the further corners of the planet,” advises Lockhart. “A lot of yachts carry the expedition label but few can truly stand up to the test.”

Octopus marks the dawn of a new era, where even the most remote and inaccessible is now attainable, and in total comfort.

Photo courtesy of Camper & Nicholsons International

In the photo above, taken by the yacht’s own onboard photographer, the 126.2m Octopus explores the icy waters of Antarctica as part of a crossplanet charter expedition. (Image courtesy of Camper & Nicholsons International)

NEW ERA FOR LIVING ON WATER

www.oceancoyacht.com

Oceanco revealed Aeolus, the design for a revolutionary yacht working in harmony with future changes to the environment and to lifestyle. Aligning with the Oceanco NXT initiative, the design, presented during the 2023 Dubai International Boat Show, shows that the authentic sustainability of the future is beautiful and stylish, both in terms of technical capability as well as materials used onboard. Aeolus heralds a new era for dwellings on water. With her long bow and aft - orientated superstructure, made up of three distinct living areas, she delivers both a strikingly elegant proportion and a timeless modernity.

Njord by Bergman Design House

Aeolus is a floating sanctuary, with a design that allows for a seamless transition between destinations and modes of living. At the heart of her design is a reference to the J Class sailing yachts of the last century. An absolute harmony between the ocean and wind power. Her hull launches two dynamic, forward-orientated buttresses to frame an opening onto the sea. A unique benefit of the 360-degree experience, Aeolus’s hull design approach opens up an otherwise blocked-off space usually given over to suites that are often vacant. Her three distinct, glass-clad, layered decks invite you to actively participate in the surrounding seascape, socialize as well as enjoy private time with the ocean always in view. Moving slowly but effortlessly up through the pod-like formations to the owner’s private oasis, this is where she truly resonates with those onboard like no other; the purest of sanctuaries.

The private owner’s deck, with a bar and relaxation area located above, can be reserved just for you or opened up for socializing. The next level down, or upper deck, is home to the cocoon-like master suite with its unobstructed panoramic vistas, not to mention a sunken bath and private seating nook. The aft part of the upper deck is given over to a multifunctional space for relaxing, dining with guests or hosting a business function; fully glazed with stunning views, it has a symmetry of layout that reminds one of the great ocean liners from the Golden Age.

Named after the Greek god of the wind, Aeolus, she presents herself in feminine form as a spectacular Oceanco yacht. She is decadent yet not indulgent. Confident yet not arrogant. Provocative yet not boastful.

The main deck features an integrated pool and lounging area to the stern with stairs descending to the beach club. The first point of entry on Aeolus is the main deck lounge, with a staircase leading up to an inner atrium. Two guest suites are situated forward on the main deck, adjacent to the gym and exterior atrium, which is open from above and provides farreaching views to both sides, right next to the ocean.

Two VIP suites and two guest suites are located on the lower deck, located a short walk from the expansive and multifunctional beach club with its flanking fold-down terraces that offer waterside lounging opportunities from a choice of seating areas. The sit-up bar is positioned underneath the twinkling of the pool skylight above, while a nearby private space can be adapted for a variety of needs.

All decks are connected by a central feature elevator and staircase that effortlessly extend down to the beach club, where tenders await to transport you and your guests ashore.

Aeolus’s interior focuses on introducing fully sustainable and traceable materials, including biomaterials. Responsible replacements for exotic hardwoods will be installed for lowerimpact flooring, for example. Her interior will feature Desserto, a premium vegan leather alternative that is made from climatepositive cactus plants. Linens onboard will be sourced from

Oliveri Homes, which exclusively works with Global Organic Textile Standard cottons and uses non-toxic processes and dyes to create its materials.

Aeolus’s easily adaptable technical architecture can accommodate the alterations to layout, configuration and specifications needed to integrate future technologies and alternative fuels in the least invasive way possible.

Together with Aeolus’s technical partners ABB and MTU, Oceanco and Lateral have developed an adaptable architecture to enable a future-proofed pathway to net zero. The Energy Transition Platform (ETP) ensures multiple technical pathways can be pursued as technologies mature during the energy transition timeline. Aeolus is configured in her initial configuration to be state of the art today; fully procurable and warrantable as an advanced diesel electric architecture. In her final ‘end state’, Aeolus would be configured with a 100% alternative fuel hybrid of fuel cells and internal combustion power generation. Critically, during her lifespan, a pre-strategized and intermediate upgrade can be implemented, dependent upon the advancement and availability of technology.

OCEANCO’S AEOLUS IS DESIGNED WITH A FUTURE - PROOFED PATHWAY TO NET ZERO

PROJECT ATALAY

www.uldasyachtdesign.com

Set to redefine the 50-metre range, project ATALAY is a versatile yacht concept coming from the creative minds of Turkish shipyard Alia Yachts. 499GT Project ATALAY is a full displacement motor yacht made for a visionary owner ready to transcend boundaries. Designed by Uldas Yacht Design, a renowned and highly regarded design agency within the superyacht inner circle, ATALAY is a truly innovative project.

With modern lines, bold aluminium superstructure and steel hull, ATALAY’s ingenious ergonomics offer well balanced indoor and outdoor spaces. Project ATALAY features an extended beach club with a large pool, a hot tub on the bridge deck, and wide social areas. With exceptional amenities, elevated luxury comforts, and premium custom design ATALAY is set to explore the world.

H2 Yacht Design created interior includes the largest owner suite available in this yacht range on the market. Five staterooms, with two designated as VIP and a possibility for the third, accommodate 10 guests.

TONY CASTRO YACHT DESIGN

www.tonycastroyachts.com

Tony Castro Design has always been at the forefront of the application of technology in Yacht design and today employs the latest technologies to design and develop state of the art custom yachts.

From the early 1970’s when Tony received his BSc in naval architecture from Strathclyde University and an MSc from Glasgow University in Aero/Hydrodynamics, Tony has amassed a wealth of experience through the design and engineering of some 500 yachts, working with some of the top yards worldwide in all materials, from classic timber to advanced composites.

Embracing the benefits that new technology brings, we have extensive experience in utilising the latest software to create automotive quality 3D surfaces, Collaborative Project Management, Virtual reality visualisation, CAM / CAE machined tools and video conferencing. The addition of Oculus Rift technology to our extensive 3D modelling capabilities enables realistic walks through yachts very early

in the design process, allowing clear reviews of volumes, heights, sight lines, stairs and more - opening new capabilities to evaluate design for production, potentially reducing assembly and manufacturing hours.

That said, you can have all the latest design tools at your disposal, but at the end of day all this technology is only as good as those who use them! In an industry where players come and go, we hope our near 40 years of experience and commercial continuity, reassures you we are a safe custodian to interpret your design requirements into beautiful functional yachts.

Tony Castro is a worldclass designer with a career spanning 35 years of numerous successes and awards in both Sailing and Motoryachts. Tony Castro, is based on the South Coast of England in Southampton

We also understand that it’s not just the process that is important, but also about quality of people in the industry. 38 years within the industry teaches discernment and insight into companies and individuals. When working with our clients dreams, and handling large sums of money, it is important to know which suppliers to choose and which yards you can count on.

“DESIGN IS NOT JUST WHAT IT LOOKS AND FEELS LIKE . DESIGN IS HOW IT WORKS AND THAT TAKES EXPERIENCE ”

Tony Castro had a passion for sailing in his early childhood and had already won many championships in various classes as a teenager. When he started designing yachts, his racing experience came in handy, giving him a good basis for understanding the dynamics of the boat. In 1981, the designer opened his own studio, the Tony Castro. His sporting past never let him go: many of Tony Castro’s racing sailing boats set world records and were the first to arrive at the most significant regattas. The designers of the Tony Castro studio create yachts with stylish exterior and interior and hulls that have excellent hydrodynamics.

Abercrombie & Kent, we appreciate that your idea of a perfect holiday may differ from someone else’s.

That’s why we specialise in tailor-made travel. We make it our business to understand exactly what you are looking for – and then make sure we deliver it.

By focusing on the little details and leveraging our contacts, we believe a great holiday can be elevated into the experience of a lifetime.

Whether you are looking for a family adventure, a fabulous honeymoon, a cultural tour or an exhilarating safari, or simply to relax on a beautiful beach, we’d love to help you find it.

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Lower Ground Floor 020 7173 6440

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THE ART OF YACHT DESIGN

Each Reichel/Pugh’s yacht is a result of the client’s vision blended with the passion and dedication of the R/P team. Having invested a considerable amount of effort in validating performance predictions (VPPs) for a range of modern yachts, R/P is here to set new paradigms for the cutting edge.

Founded by John Reichel and Jim Pugh in 1983, Reichel/Pugh was built on a simple vision: deliver industry leading designs and exceptional client service. For 40 years, the company has continually made a significant worldwide impact on the sport of sailing by focusing on four key principles:

• Designing a graceful aesthetic that outperforms the competition.

• Applying technological innovation through research and development.

• Constantly evolving their designs with experience.

• Exceeding the expectations of their clients’ visions.

The Reichel/Pugh reputation for iconic beauty and outstanding performance matches the owner’s aspirations to win while standing apart from the rest of the fleet. Whether it is a Superyacht or a racing yacht, Reichel/Pugh designs offer an unparalleled experience from concept to competition.

The company’s impressive and wide-ranging design portfolio contains such highlights as the 1992 America’s Cup winner, America3 and the superlative Melges One Designs, including the 32, 24, 20 and 14 which continue to set the benchmark for high-performance, one design racing.

Racing yachts from the Reichel/Pugh drawing board have long defined many of the world’s historic ocean races and set new standards of innovation. From their 1999 record-setting ultra-light Transpac sled Pyewacket to the high-tech cantingkeel and multiple Sydney Hobart winning super maxis Wild Oats XI and Alfa Romeo, Rachel/Pugh designs have not only stood the test of offshore racing but paved the way for new standards in technology and safety and continue to be perennial podium finishers.

Since 1996 Reichel/Pugh designs have taken Line Honors twelve times in the gruelling Rolex Sydney – Hobart race while also correcting to first in flee six times. R/P designs have reset the course record three times in 1996, 2005 and 2012. Reichel/Pugh has had 39 Maxi Yacht Rolex Cup class champions since 1997.

This racing experience has led the Reichel/Pugh team to develop breakthrough superyachts, notably including Visione (45m), Nilaya (34m) and Hetairos (67m) as well as two Wallycento designs; Galateia and 2014 Wally Class winner Magic Carpet3. These yachts have redefined what a superyacht is today; fusing our racing heritage, technical innovation and sleek styling to create yachts that offer stunning lines, luxurious accommodations and unsurpassed performance.

Reichel/Pugh continues to make a significant impact on the sport of sailing by leading the way in how high-performance sailing vessels look and perform. Their portfolio represents some of the world’s most innovative yachts owned by the most discerning clientele in the world. These exceptional designs have boasted such awards as “Most Innovative Yacht of the Year,” “Sailing Yacht of the Year” and “Notable Contribution to the Technical Advancement of Sailing Superyachts.”

The interior of the RP 44m superyacht will adopt a contemporary look, with wooden panels and a full-length deckhouse skylight that allows plenty of natural light inside.

The RP 42m project: a continuous glass roof containing integrated energy-producing solar panels sweeps over both the salon and cockpit creating panoramic views.

This 44m sailing superyacht, designed by Reichel Pugh Yacht Design and featuring an interior by Design Unlimited, is now in build at Vitters Shipyard. The delivery is in spring 2024.

era classical

35m Classic Racer superyacht is a mix of a bygone

elegance of her exterior, and a modern interior, with very clean lines and a low profile yet dominating deckhouse.

HYDROFOILER SL3 BY MANTA5

www.manta5.com

“Having no hull or pontoon is a welcome trade-off. Just like improving your skills on a land bike it encourages learning and improving, and ultimately to loving every session. Falling off and getting wet when starting out is all part of the fun. Typically with the SL3 it takes less than an hour to go from novice to confident. From there, anyone can add fresh and salt water to their routine,” says CEO Mark Robotham.

2.5kw Motor & Throttle

Dual Layer IPX67 Battery

10 Levels

Pedal Assist Settings

Less Than 1 Hour

From novice to competent rider

The SL3 is made from carbon fibre and aircraft-grade aluminium, making it buoyant and light enough to carry to the water without the need for a trailer. In addition, a new hardwearing monocoque chassis, structural drivetrain and sealed gearboxes are designed to withstand the harsh marine environment. Dual layer IPX67 battery housings and safety tilt sensors cut motor power as soon as the bike falls are all built into the available models.

“The SL3 was designed with hire operators in mind, and we’ve rolled that through as the standard offering for recreational buyers. For a product to be in the hands of hire and tourism operators it has to be damn near bulletproof” says Head of Product Hayden Reeves.

To fly on the water’s surface using hydrofoils requires a substantial amount of power – around 400+ watts continuously. Combining both human power and a variable electric assist motor has made foil biking possible for the masses, enabling the average rider to adjust the

4.5 Hours

Ride Time

Modular Design

For easy transport and assembly

motor assistance as and when they need it. The result is an unprecedented ride time, up to 4.5 hours – the longest ride duration of any e-foiling product on the market today. When the swell picks up the new SL3 kicks into gear and turns those conditions into a playground for thrill seekers. The SL3 competently takes on moving mountains and pierces over and down swell. “Consider the vast range of bicycles on land and consider the potential to recreate these categories on water at various price points. It’s our dream to commoditise foil biking and build a new sport in the process.” says Mark Robotham, CEO.

The SL3 has an enhanced throttle only ride mode like a jet ski alternative, as well as patent-pending mechanical designs that allow new riders to progress from novice to competent within minutes on this electric hydrofoil.

“I want these bikes to go well beyond just being a leisure product - I want it to be a sports product. If you can race it, then it’s competitive, and if it’s competitive, then one day it could be an Olympic sport,” Guy Howard-Willis, Founder & Director of Manta5 states.

A limited number of Hydrofoiler SL3’s will be available via authorised resellers early 2023. For more information about upcoming demo opportunities and events visit manta5.com.

PAGANI, ACT III

‘Utopia’ ... For the philosopher Thomas More in 1516, Utopia was a place that did not exist, and ever since the name has been given to the idealized places of which we dream. But for those who make their own future, for creators, utopia exists, it is ‘merely’ a case of finding it!

Re E e & I eriors Showcase

PROJECT DISCOVERY 390

ENJOYS SPECTACULAR VIEWS TO THE MEDITERRANEAN SEA, MARBELLA & PUERTO BANÚS (MÁLAGA, SPAIN)

Plot: 7.365 sqm

Beds: 7 + staff apartment

Unmatched in design, this turn-key project is a unique masterpiece in terms of grandeur, position and sophistication, located on a superb southeast-facing plot with breathtaking open views towards the Mediterranean Sea and Bay of Marbella.

On the ground floor you will be welcomed by a grandiose entrance hall leading to an imposing living room with double height ceiling and an adjacent sitting room and panoramic formal dining room on the opposite side. A modern panoramic open-style kitchen and family room of more than 100m2 with an informal dining and lounge area will be the favorite room of this floor.

The right wing has been destinated for guests and counts with 2 bedrooms with full bathrooms en suite, dressing areas and terraces with access to the pool. Furthermore, a guest suite with walk-in dressing room and full en suite bathroom complements this level. At the outdoors, you will be seduced by a spectacular outdoor pool of 158sqm with hot tub from where to enjoy the stunning panoramic sea views.

The three floors are connected by an elegant staircase and an elevator is also available. The entire left wing of the upper level features the luxurious 150sqm-sized master bedroom, a gorgeous walk-through dressing room, his and her bathrooms, as well as a private terrace from where to enjoy the breath-taking views of the ocean.

On the other side and connected through a sophisticated double-height corridor more guest or family bedroom suites that are bathed in natural light and take in the wonderful sea views can be found.

Entertainment and relaxation have also been thought of and the entire lower floor has been destinated to pleasure. The spacious multipurpose room can easily accommodate a cinema room or a games room. The impressive spa includes a heated indoor pool with powerjets, Hammam, sauna and dressing room. The gym area offers spectacular views across the greenery of the landscaped garden and gives access to this level terrace and garden.

The left wing contains a fabulous garage that will fit 8 cars and 2 buggies, laundry area, storage and machinery rooms. Furthermore, a staff apartment complements this outstanding property.

www.lazagaleta.com

La Zagaleta. Marbella - Ronda Road, Km 38,5 - Benahavís (Spain) Tel.: +34 952 855 450 • sales@lazagaleta.com

The multidisciplinary studio with a highly defined style, is led by a 40-yearold architect Javier Cuevas. Sticking to his mantra, “no dogmas, no limits”, the architect follows his passion for designing residential housing and towers. Cuevas spreads his vision and reimagines visual language working together with international celebrities and royal families in the Middle East. CREATO produce dynamic, functional and socially adapting designs; a borderless and cosmopolitan architecture that connects the world from East to West.

ICON VILLA

www.creatoarquitectos.com

CREATO, a leading international studio dedicated to contemporary and pragmatic architecture, presents Icon Villa. The villa is one of many completed and ongoing residential projects in various countries such as the UAE, Qatar, Brazil, France, the UK, the US, and Mexico.

Icon Villa, currently under construction, takes up two adjoining lots of a total of 1570 square metres in a gated community in Zapopan, Mexico. The sculptural quality of the project challenges the limits of design and architecture.

The signature CREATO slopes, reminiscent of sails, waves and wind, give an effect of lightness and airiness. Natural light enhances smooth exterior lines, while artificial lighting makes Icon Villa a beacon of innovation. The white colour of the outside walls makes them a perfect canvas for the light blue reflection of the swimming pool.

The house consists of three levels: a 1190 square metres basement, a 700 square metres first floor and an 837 square metres upper floor. The areas are thoughtfully separated and spread out throughout the villa to accommodate the needs of the inhabitants. The recreational amenities are planned in the basement. The spacious area houses a bowling alley, a gym, a bar, a sauna, car showrooms and other amenities. A living room, dining room, wine cellar and swimming pool can be conveniently found on the first floor. The upper floor, offering the most privacy, is dedicated to rest and a night zone.

Inspired by the villa’s immediate surroundings, the natural interior material palette consists of stone, concrete, wood, and bronze and features various tones of warm browns and greys. The choice of oak joinery and leather furnishings provides a relaxed, elegant feel. The fluid exterior lines find their way into the house. The rounded corners and curves of the interior echo the outside design and reaffirm a nautical feel.

1.

Creating for the future, CREATO employs architecture to motivate people to live a better life now.

2. Modern but practical architecture makes Icon Villa immediately inviting and relaxing.

The ultimate goal was to create a surprising but cosy house, comfortable and inspiring for those who inhabit it.

3.

Breaking the paradigms of traditional architecture, Icon Villa reinvents the concept of a house; boasting intelligently designed spaces, it is destined to become an icon in the city.

WAKE UP WORLD

Waking up in a Hästens bed is an eye-opener about the value of perfect sleep. It’s built with the ultimate combination of nature’s materials – together with tireless craftsmanship. You can’t see it. But you’ll definitely feel it. 24 hours a day.

GETTY READY

The sale of more than 1,500 fine and decorative art objects from the entire Getty collection realised over $150 million, all of which will benefit the couple’s charity, The Ann & Gordon Getty Foundation for the Arts. This success ranks The Ann & Gordon Getty Collection among the top three collections of both fine and decorative arts to sell at Christie’s, alongside The Collection of Yves Saint Laurent and Pierre Bergé and The Collection of Peggy and David Rockefeller. Jonathan Rendell, Christie’s Deputy Chairman, said, “It is especially gratifying to see the strength in interest across the board from Chinese Works of Art, to English and Continental Furniture, to textiles, table decorations and handbags. The Getty sales are proof that the market continues to value great connoisseurship and that quality is timeless.” Kicking off the whirlwind series was the evening sale of Volume 1: Important Pictures and Decorative Arts on Thursday 20 October, which sold 100% of the lots at 128% above the low estimate. The live auction drew nearly 2 million viewers online and achieved a final total of $79,408,900. Volume 2: Old Master, 19th and 20th Century Paintings took place the next day, Friday 21 October. The sale totalled $33,871,230, 145% above the low estimate. Volume 3: English and European Furniture, Porcelain and Silver followed on Saturday 22 October and realised a final total of $13,408,320, 264% above the low estimate. The live sales concluded on Sunday 23 October with Volume 4: Chinese Works of Art, English and European Furniture and Decorative Arts. Featuring 176 lots, the sale totalled $12,831,336. The online auctions offered nearly 900 lots across six separate sales, and realised a total of more than $10 million. This brought the sale of The Ann & Gordon Getty Collection to a grand total of over $150 million.

Dining Room of Ann and Gordon Getty’s San Francisco Residence, © 2022

Visko Hatfield for Christie’s, photo Christie’s Images Ltd. 2022

Parlor designed by Sister Parish in Ann and Gordon Getty’s San Francisco Residence, photo Christie’s Images Ltd. 2022

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Parlor designed by Sister Parish in Ann and Gordon Getty’s San Francisco Residence, photo Christie’s Images Ltd. 2022

3.

The Ann & Gordon Getty Collection auctioned by Christie’s New York achieved a total in excess of $150 million with all proceeds benefiting the couple’s foundation for arts and science organisations.

© 2022 Visko Hatfield for Christie’s, Christie’s Images Ltd. 2022

Christie’s Images Ltd. 2022

Christie’s Images Ltd. 2022

The Blue Marnie Basin

Launched earlier this year, the Marnie basin has quickly become one of London Basin Company’s most popular designs.

As vibrant and vivacious as the original, they have now launched the ‘Blue Marnie’. Inspired by India’s kaleidoscope of colours the basin features the same intricate floral pattern of pinks, blues and greens, but set against a beautiful azure background rather than bright yellow.

Basins are at the heart of what this company, founded by interior designers Anna Callis and her daughter Nathalie, does. Each one is hand thrown by skilled craftsmen using the finest porcelain, before it is pressed, polished, trimmed, dried and smoothed to perfection. A variety of techniques are then used to intricately decorate the basins, from hand-painting to engraving, to create the final basin design. It is then fired at 1,300 degrees, up to three times, to maximise its durability. During firing, a series of chemical reactions take place that minimise porosity and complete densification in a process known as “burning”. These porcelain basins have an extremely strong surface that is resilient so they are able to withstand the rigours of everyday use.

Designed to complement their porcelain basins, London Basin Company offers single and double vanity units in a range of special finishes with a choice of bespoke tops. Taps and mirrors complete the look.

Dedicated to creating luxurious bathroom interiors, London Basin Company create richly decorated porcelain basins, designed to form the centrepiece of contemporary bathrooms and cloakrooms. Handmade using a combination of traditional and contemporary craft processes, the basins have a bold, distinctive style, helping transform the bathroom from a purely functional space to a decorative haven.

London Basin’s 2023 Summer Gem

Luxury Ski Chalets & Lodg es since 1882.

We offer an exceptional array of properties and individuallytailored experiences across the Alps and beyond

To find out more visit our website or contact our travel team on: +41 81 385 1882 www leotrippi com

EDILFARE PISCINE, WATER ARCHITECTURE

www. edilfare.it

The Bergamo-based company is confirmed as Italy’s best Pool’s Specialist for the seventh consecutive year. A work philosophy that always puts the customer at the centre and a deep respect for the nature of surroundings make Edilfare Piscine the jewel in the crown of bespoke design. Everything starts from the environment, from the need to experience, understand and enhance it: whether it is a swimming pool or a private wellness area, the execution is always a work of excellence, distinguished by the mastery and unique vocation of Edilfare Piscine.

The project of a swimming pool. The conception, the technical study and the evaluation of different construction solutions. A complex, articulate process that brings into play professionalism, passion and, of course, creativity. This is how Edilfare Piscine’s water dreams are born. Excellence and uniqueness are the leitmotifs behind spectacular achievements that seem to be ahead of their time both in aesthetic research and in construction and installation techniques. With more than 25 years of experience, Edilfare Piscine evolved continuously in line with the latest innovations in the sector. Today, the owner Mr. Fabio Signorelli, is one of the most experienced and qualified pool consultants in the country. It’s not a coincidence that Edilfare Piscine has been awarded the prestigious title of Pool’s Specialist for the seventh consecutive year. “Throughout the years we have aimed to differentiate ourselves by only offering exclusive solutions on the market. Today, we can guarantee a complete service in the swimming pool sector, from consultancy to design, aiming at unique creations, tailored to the individual customer and with a spectacular impact. The Pool’s Specialist award, which comes as a result of the great work we have done in recent years, recognises our commitment and professionalism in pool management and maintenance, and confirms the company’s quality

128 ARCHITECTURE also in terms of customer service” Mr Fabio Signorelli continues. “What sets us apart is that we do not work based on standard models. Each project is born in the field and is studied based on a series of differentiated logics, which are inspired by the principles of Feng Shui, for example, and other ‘energy’ analyses, which make our pools real places where you can regenerate yourself in all senses, just as the Ancient Romans did, for example. Our goal is all-around well-being,” concludes Mr. Signorelli.

Water is the protagonist in sensational plays of form, unusual geometries, and pools of exceptional design. Each pool, whether in situ or prefabricated, is a bespoke creation, artfully designed according to the customer’s needs and the conformation of the terrain.

“The formal design of our pools, which are characterised by wavy perimeters and level changes,” explains Mr. Signorelli, “is closely linked to the location. Among the materials, in addition to reinforced concrete and steel, we prefer those with a minimalist aesthetic. Interior cladding in reinforced PVC with marble, stone or ceramic effect has a unique visual and tactile impact that remains unaltered over time, and PMMA (synthetic resin) makes it possible to create glass-effect walls with a strong aesthetic value. Among the design

Always a step ahead of the latest trends, Edilfare Piscine makes the water dreams of the most demanding customers and lovers of exclusive well-being true. One of the latest news is a swimming pool with a moving bottom: “We are working in the direction of the future. It is a type of system that allows you to select and regulate the water level with simple remote control, from a depth of three metres to a few centimetres, suitable for children, for example. The pool can even be transformed into a completely dry terrace for a variety of uses,” explains Fabio Signorelli. In addition to design and construction, Edilfare Piscine offers other exclusive services, such as Feng Shui consulting. An oriental discipline studies how to maximise well-being through construction methods and operates with the conviction that a pool contributes to revolutionising lifestyles and improving relationships within the home environment. The evaluation of the most suitable areas for the placement, the most suitable shape and any corrective work on existing works are done with consideration of the principles of this fascinating discipline. Thanks to the partnership with top international Feng Shui experts, who have been involved not only in consultancy but also in research, training and development of authentic Feng Shui for over 20 years, Edilfare Piscine offers a unique service in the swimming pool design sector. A swimming pool for Edilfare Piscine is never just a “water pool” but an accessory that gives added value to those who use it; a value that goes beyond materials and technology.

solutions, we prefer those characterised by a minimalist aesthetic, which enhances the dynamism of the water element. Those who turn to us today know that they can entrust the entire construction process to us.” The Edilfare Piscine also offers top-level wellness products for swimming pools, saunas, whirlpools, steam baths and hammams that elevate the style of the surroundings.

Health and relaxation go hand-in-hand with environmental protection, which inspires Edilfare Piscine to move towards a selection of biological solutions in construction materials and in non-polluting chemical treatments. But in which direction is Edilfare Piscine ‘s progressive improvement moving towards? “In recent years, we have deeply invested in a type of design that is in line with the principles of eco-sustainability and automatically aims for maximum livability of the pool. This is our mission. As has already happened with other aspects, Edilfare Piscine is positioning itself as a pioneer in this area by offering its customers exclusive, completely natural water treatments, thanks to the use of mineral salts such as magnesium and potassium: innovative processes with exceptional properties for a 360-degree resul of health and wellness. The socalled Salts of Life, dissolved in the water, in fact reproduce the healthy and beneficial qualities of thermal waters,” continues Mr. Fabio Signorelli.

Another option is a saltwater pool, which plays its part in reducing environmental impact by limiting the use of chemicals.

Thanks to a partnership with a well-known brand in the design sector, Edilfare Piscine’s exposition area has been enriched by a section dedicated to furnishings and refined outdoor accessories. The company consultants can now guide the customer in the decision process of further defining the image and mood of the wellness and relaxation zone.

An important novelty worth mentioning is the company’s entry into the nautical world with the creation of custom-made steel, glass and mosaic swimming pools with domotic operation and natural water treatments for private megayachts.

The website edilfare.it has also been revamped in terms of graphics and content, as well as the Facebook and Instagram pages that can be consulted to get an idea of the company’s new-generation water wonders and style.

To match the ever-growing demands of the Italian market, Fabio Signorelli has competitively innovated his company and made it stand out among the competitors. “Every details has to be perfect,” says Mr. Signorelli. “Our attention is first of all for you, your wishes, expectations and desire for wellbeing and relaxation”, reaffirms Italy’s best Pool’s Specialist.

THE DREAM POOLS OF EDILFARE PISCINE REPRESENT REFINEMENT, ELEGANCE AND UNIQUENESS OF MADE IN ITALY

COMMISSIONS | INTERIOR DESIGN | KITCHENS & CABINETRY | FURNITURE & HOME ACCESSORIES LONDON STORES BELGRAVIA, 60 PIMLICO ROAD | HARRODS, FURNITURE, THIRD FLOOR | WWW.DAVIDLINLEY.COM

The LINLEY Tectonic Bar

THE MOOD OF A PENTHOUSE

www.christiesrealestate.com

The exclusive penthouse apartment is located in via Cernaia, in the heart of the historic Brera district of Milan. The building, designed by the illustrious architect Luigi Caccia Dominioni, fits in perfectly with the cosy and elegant neighbourhood, halfway between the Quadrilatero d’Oro, a home for Milan’s reputable fashion houses, and the Sforzesco Castle. The 200-square-metre penthouse is divided into a living room, dining room, kitchen, three bedrooms and three full bathrooms. The beautiful Milano cityscape can be enjoyed from the 60-square-metre terrace. Commissioned by a Lombard entrepreneur, the building has undergone a careful renovation by the famous architect and set designer Lorenzo (Renzo) Mongiardino. He turned the rooms into spectacular halls filled with playful shadows and sparkling chandeliers, radiating a romantic and somewhat nostalgic atmosphere. Careful selection and use of the materials elevate this apartment to the levels of a masterpiece.

(Property sale and images courtesy of Rome Exclusive, an affiliate of Christie’s International Real Estate)

Never attracted by cold and sterile modernism, Mongiardino focussed on creating an ambience and not a staid authenticity or historical correctness. It was an atmosphere, often enhanced with stage-set trickery, that made the designer sought after by clientele such as Thyssen, Onassis, Agnelli, Safra, Zanussi, Valentino, Versace, Rothschild and Hearst.

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“Illusion comes into being as part of the pleasure,” wrote Lorenzo Mongiardino on his specialty, a “decorative architecture”.

BLUE AND WHITE CHARM

Melody Borghesani who took this image of her china collection says that she is an avid lover of all things blue and white because they bring a touch of warmth and interest to a home.

UNDER THE GLAZE

During a Sotheby’s auction in Hong Kong, 2014, a stunning Blue and White Porcelain Imperial Vase sold for $21.6 million to an anonymous telephone bidder. Dating from the Ming Dynasty period, the 500-year-old Chinese vase is the most expensive piece of blue and white porcelain ever sold.

THE DANIELI’S SUITES QUARTET

www.hoteldanieli.com

Interlaced with the rich history of Venice, the splendour of Hotel Danieli is showcased across three inter-connecting palaces that date back to the 14th, 19th and 20th Centuries. The oldest of the three palaces – the Venetian Gothic style Palazzo Dandolo – is the former home of the noble Dandolo family. The second eldest is the 19th Century Baroque-style Palazzo Casa Nuova, which was formerly the city’s treasury, while the most modern is the 20th Century Palazzo Danieli Excelsior (redesigned by Jacques Garcia in 2008). In 1822, the palace was first converted into a hotel by Giuseppe Dal Niel, who renamed the property after his chosen nickname “Danieli”. The final structural alternations were completed in 1948 with the addition of Palazzo Danieli Excelsior.

Meticulously restored to designs by French interior architect Pierre-Yves Rochon, and in collaboration with the Academy of Fine Arts of Venice, the four suites within the 14th century Palazzo Dandolo are an ensemble of unique experiences to collect, from the legendary Doge Dandolo Royal Suite to the three extraordinary Signature Suites, inspired by three illustrious female figures from the worlds of fashion, music and cinema who selected the Hotel Danieli for celebrating important milestones in their lifetime.

The 150-square-metre Venetian-style Doge Dandolo Royal Suite is dedicated, as it has always been, to Doge

Enrico Dandolo, 41st Doge of the Most Serene Venetian Republic who held seat from 1192 until 1205. The gold and saffron fabrics and tapestries, created exclusively for the Doge Dandolo Royal Suite by Donghia of Rubelli, create a warm ambience.

The Signature Soprano Suite, Signature Princess Suite and Signature Diva Suite were inspired by three illustrious female figures from the worlds of fashion, music and cinema. While the restoration retains the suites’ original character, Pierre-Yves Rochon’s design of each suite is unique, reflecting the personality, flair and style of these legendary women. Green and sage, the favourite colours of the opera singer, dominate in the Signature Soprano Suite. A calming palette of pale pink and light grey is prevalent in the Signature Princess Suite, dedicated to Her Serene Highness Princess Grace of Monaco, a 1950s cinema icon and one of the world’s most illustrious women, renowned for her grace and charm. The Signature Diva Suite, inspired by one of the most legendary actresses from the 1930s, is adorned with rich and velvety bronze shades.

“My wish was to recreate the unique allure of these great female icons of our time, just like what Hotel Danieli represents in the world of international hospitality”, says Pierre-Yves Rochon about the suites’ restoration.

From the legendary Doge Dandolo Royal Suite to the three extraordinary Signature Suites, the four suites unite elegance, warmth, and the most extraordinary details of Venetian heritage with a refined, comfortable atmosphere, and unmatchable views of the Venice

lagoon.

Facing the Venetian lagoon and just steps from San Marco, Hotel Danieli, Venice is a 5-star property with elegant and spacious accommodations, while the rooftop restaurant, Terrazza Danieli offers spectacular lagoon views. The historic hotel showcases majestic Venetian architecture that dates back as far as the 14th Century. Lavish decoration continues in the 103 rooms and four Signature and Royal Suites suites, where antique furnishings are joined by the latest modern comforts.

British Airways is continuing to roll out its newest business class seat, Club Suite, across its Boeing 777 fleet. It has taken delivery of another A350 aircraft this year, which has the Club Suite installed as well as the latest generation of the First cabin, including the introduction of the First suite door.

精选

BRTISH AIRWAYS CLUB SUITE

1 2 3 4 5 6

7 8 9 10

CLUB WORLD

英国航空继续改进计划，提升 优质用餐体验。

Includes First, World Traveller Plus, World Traveller and Club Europe cabins.

LONDON-CINCINNATI

辛辛那提将成为英国航空公司从伦 敦直飞的第27个美国目的地 。 300 transatlantic flights per week, more than any UK carrier.

JFK TERMINAL 8

美国和英国航空公司宣布了在 约翰·肯尼迪国际机场8 号航站 楼共同运营的计划 。

Enabled by a $400 million investment to redevelop, expand and enhance the terminal.

QATAR AIRWAYS

英国和卡塔尔航空公司宣布进 一步扩大联合业务，提供更多 目的地。

Singapore, Sydney, Colombo, Nairobi, Amsterdam, Madrid or Dublin.

BA

BETTER WORLD

该可持续发展计划展示了其最 省油的短途飞机之一 A320neo 。

Net zero CO2 emissions by 2050.

EXECUTIVE CLUB

至2023年9月30日为会员提供 双倍级别积分优惠。

Double Tier Points on flights taken as part of a package holiday, until 30 September 2023.

NEWARK-LONDON

从纽瓦克飞往伦敦的全新日间 航班—从纽瓦克飞往伦敦的第 三次每日航班。

Particularly valued by its business travellers.

LONDON-BERMUDA

三十多年来英航首次次从伦敦 最大的机场飞往百慕大。

Aboard Boeing 777-200, with the airline’s new Club Suite.

A BRITISH ORIGINAL 首次与UNCOMMON CREATIVE STUDIO和MG OMD合作呈 献多渠道广告活动。

Celebration of British Airways’ people, its customers and the nation.

THE WINE FLYER

葡萄酒由英航网络中的一个国 家/地区生产，注重可及性和 质量。

Collect Avios when ordering from the new online wine retailer.

FINNAIR’S BUSINESS CLASS

www.finnair.com

Business class travel takes a leap forward with Finnair’s new Business Class cabin and the spacious new Collins Aerospace AirLounge seat. Finnair is the launch customer for this new and innovative seating concept that is to be rolled out across Finnair’s entire long-haul fleet of A330s and A350s. The AirLounge is not a traditional aircraft seat but takes inspiration from lounge furniture. The seat is designed to maximise your comfort, space, and freedom to move during a long-haul flight. The clean lines and the dark, comforting colour scheme follow Finnair’s Nordic design style that is visible also in Finnair’s lounges in the non-Schengen area at Helsinki Airport.

COLLINS AEROSPACE AIRLOUNGE SEAT

Created to resemble more of a residential environment, the new Business class cabin is equipped with AirLounge seats designed with 3D curved shells. A larger flexible living space allows a passenger to move more freely and get comfortable in different positions that traditional aircraft seats can not offer.

The seat’s innovative fixed contoured shell with no recline enables a variety of positions: you can sit at different angles, rest your feet on the ottoman or use infill panels to create a large flat surface. A mattress and duvet turn the space into a comfortable bed, and you can use the cushy pillows to relax in a variety of sitting positions. The high cocoon-like shell of the seat provides privacy, while the divider between central seats can be lowered when travelling with a companion. The lighting options in the seat allow tailoring the ambience of every customer’s own “nest”. Along with a customised lamp that

The flexible table can be used to read, dine or work. Each seat comes with impressive connectivity, including USB A, USB C, PC power, and wireless mobile charging.

doubles as a reading light, a do not disturb light is included if total privacy is desired. The new cabin mood lighting designed in partnership with Jetlite combats the effects of jet lag. The design scheme is inspired by Nordic nature, complete with the northern lights as the cabin is dimmed for sleep. The various storage options within the seat include spaces for personal items, laptop, and all pillows and blankets; all certified for taxi, take-off, and landing, so customers can settle in right away and have their essential items conveniently at hand. (Images courtesy of Finnair, photographer Mikko Ryhänen)

THE WILLIAM KENT ROOM

www.theritzlondon.com

The William Kent Room is one of The Ritz London’s most opulent event rooms. Located in the 18th century townhouse designed by architect William Kent, this room boasts lavish velvet interiors, first-class service and Michelin-starred cuisine as key elements for an unforgettable event. Mostly used for private dining events, this room is simply magnificent. Featuring original architectural elements, the room houses an exquisite coffered ceiling in Italian Renaissance style with ornately carved elements in rich gold accents that frame delicate figures of cherubs set in blue and red backgrounds. A dark wood carved frieze with exquisite golden details frames the room, while golden elements in mirror frames and paintings throughout the room add a touch of contrast against

In 2002, The Ritz London was awarded a Royal Warrant by His Royal Highness The Prince of Wales for Banquet and Catering Services, becoming the only hotel in the world to receive such an honor.

the backdrop of the rich red wallpaper and delicate wood paneling that envelop the area. A richly carved fireplace dominates one side of the room. An ornately carved chandelier hangs from the center of the ceiling illuminating the majestic room. Velvety red curtains frame windows, including the central bay window that offers a glimpse of the well-kept gardens of the Green Park across the street. The room’s pièce de résistance is the impressive mahogany dining table in the center of the room. This three-pedestal dining table can accommodate up to 26 guests seated in plush red chairs in tone with the room’s wall coverings. The William Kent House is an exquisite setting for any event, with several equally impressive rooms for that next special occasion.

BODYGUARD

L’ABUS D’ALCOOLEST DANGEREUX POUR LA SANTÉ. CONSOMMEZAVEC MODÉRATION.

Luxury travel content creator Stefan Thurairatnam photographed Hotel Al Maha, a Luxury Collection Desert Resort & Spa in Dubai. This private, guest-only oasis nestled among the lush palm groves, emerald canopies and iconic sand dunes of the Dubai Desert Conservation Reserve offers secluded tranquility and iconic vistas of the sweeping plains and Hajar Mountain massif.

GUEST-ONLY OASIS

Dubai Desert Conservation Reserve including the Bedouin, Royal, Emirates and Presidential Suites.

AL MAHA A Luxury Collection Desert Resort & Spa, Dubai 42 SUITES

MADDALENA & EMERALD COAST

An enchanted oasis of semi-wild nature: coves with very white sand, rocks sculpted by the wind, a crystalline sea with a thousand shades that change continuously following the seasons and the rhythm of the wind and a Mediterranean maquis with intense scents: this is how it appears in all its beauty, a pearl set in a point of north-eastern Sardinia. Consorzio Costa Smeralda. Nature painted the background and human ingenuity did the rest. And the indefatigable guardian of this magical corner of Sardinia, which has become famous throughout the world as an iconic destination for elite tourism, has always been the Costa Smeralda Consortium. Founded on 14 March 1962 at the behest of Prince Karim Aga Khan, the Consortium was born with the aim of planning and balancing the urban and residential development of the consortium areas. But not only. It is the Consortium based in the heart of the village of Porto Cervo that has been involved for almost sixty years in enhancing the destination from a tourist point of view, which draws its strength from the beauties of nature and the sea in particular. The Consortium also supervises the environmental protection of the territory and contributes decisively to the growth in the value of the existing real estate assets. Since its foundation, the Consortium has guaranteed its associates, but also the many tourists who flock to the destination every year, numerous and important services characterized by an above-average level of quality. The Consortium presides over, organizes and promotes the surveillance services, the management and construction of new infrastructures, the environmental protection services, the fire services, the medical services and the architecture committee. A long series of services that make the Costa Smeralda Consortium a unique reality of its kind and capable

of ensuring high quality standards for the tourist destination and its visitors right from the start.

With the first days of spring the season in Sardinia has finally begun. La Casitta is a stone’s throw from Cala Giorgio Marino in the Maddalena islands that boast some of the most beautiful and sparkling waters.

Far-sighted and extremely intelligent, Prince Karim Aga Khan, imam of the Nizari Ismaili Muslims, is the father of a dream that will change the history of Sardinia. It was he who wanted the Costa Smeralda Consortium, preceded by a letter of intent in 1961 and then officially founded on 14 March 1962 in Olbia, at number 193 in Corso Umberto, in front of the notary Mario Altea di Tempio. There were about 1800 hectares of land initially passed from the old to the new owners, all ready to invest large sums in the beauties of Gallura. Six instead the names of the founding partners: Karim Aga Khan, Patrick Guinness, Felix Bigio, John Duncan Miller, Andrè Ardoin and René Podbielski. The non-profit Consortium was set up with a very specific objective: to control and govern the urban, territorial and architectural development of the destination and therefore to oppose any type of building speculation. For this reason, it was also decided to set up a prestigious Architecture Committee, charged with drawing up rigorous development plans and ensuring constant architectural control of the area. The aim was to guarantee the conservation of the preexisting natural heritage and to conceive a style capable of combining natural beauty with the elements of the local building tradition.At the behest of the Aga Khan, some of the best architects of the time were called to join the Committee: Luigi Vietti, Jacques Couëlle, Michele Busiri Vici and Antonio Simon Mossa. Four giants of architecture who had the merit of conceiving a deeply characteristic style inserted in a landscape to be protected and safeguarded. All this in line with the modern vision of the Prince, a forerunner of sustainability and protection of the territory.

MADRID Hotel Único unicohotelmadrid.com

+34 917 81 01 73

COSTA BRAVA

Mas de Torrent

hotelmastorrent.com

+34 972 30 32 92

MADRID

e Principal Madrid theprincipalmadridhotel.com

+34 915 21 87 43

MALLORCA

Finca Serena Mallorca

fincaserenamallorca.com

+34 971 18 17 58

BARCELONA

Grand Hotel Central grandhotelcentral.com

+34 93 295 79 00

MALLORCA

e Lodge Mallorca

thelodgemallorca.com

+34 971 90 01 08

THE NED

www.thened.com

The Ned is a spectacle of a hotel. Located in the former Midlands Bank HQ, designed by Sir Edwin ‘Ned’ Lutyens (with many original architectural details in place), it’s now a party palace – with restaurants, bars and a magnificent lobby with live music. For downtime, expect beautiful bedrooms and a deeply comfy spa. The hotel is next to Bank station – an area of the City known for its skyscrapers and suits, busier on weekdays than it is on weekends. So at a first glance, it’s not the London many visitors want to see. However, the hotel itself is like a city resort, meaning you need never leave if you don’t want to. And if you do, fun delights are close by, such as Spitalfields and its market and abundance of shops and restaurants (a short taxi journey or a 15-minute walk in one direction), and Millenium Bridge, which leads you to Shakespeare’s Globe and the Tate Modern in a similar timeframe in the opposite direction.

The hotel opened with a bang in 2017. The partnership between two hospitality heavyweights – the generation-defining Soho House group and the Sydell Group, one of the top hotel groups in the US – hit headlines the world over, and that’s before you even get to the building, which was the former Midland Bank HQ designed in 1924 by Sir Edwin “Ned” Lutyens. If that all sounds a little big-scale corporation –it’s not. While there are 11 floors and 12 categories across its 250 bedrooms, plus all the bells and whistles one could hope for at a luxury London hotel (more on which below), the entire place sings with detail when it comes to design, something the Soho House group does so well.

Created in a partnership between world famous Soho House & Co and US-based Sydell Group, The Ned was born when Soho House founder, Nick Jones, came upon the building in 2012.

Despite having been empty for many years, Nick felt the potential of the space and began to investigate its possibilities, outreaching to Sydell Group, of hotels such as NoMad in Manhattan, in order to tackle the project with a number of skills and perspectives. The Ned opened its doors in 2017 after a reported £200 million renovation and, with its location in the heart of London’s financial district.

Situated in the heart of the City, in the former Midland Bank headquarters, The Ned houses Ned’s Club, a private members’ space, gym and rooftop, alongside a public spa, ten restaurants & bars and 250 hotel bedrooms.

ACQUALINA RESORT & RESIDENCES

www.acqualinaresort.com

The lush grounds of Acqualina Resort & Residences feature red couches set on Seashore Paspalum grass and are dotted with signature red umbrellas. A seaside haven located on 4.5 acres of beachfront in Sunny Isles Beach, Florida, Acqualina Resort boasts 98 well-appointed guest rooms and suites and 188 residences with sweeping views of the Atlantic Ocean, worldclass dining including Il Mulino New York, the alfresco Costa Grill and the Japanese restaurant Ke-uH, three oceanfront swimming pools, spacious meeting rooms and an innovative marine biology-based programme for children. A variety of indoor and outdoor venues cater to weddings and events. Acqualina Spa by ESPA, the first ESPA-branded spa in the United States, provides guests with an 20,000-square-foot, 2-floor sanctuary. A family-owned and operated property, Acqualina is a recipient of the coveted Forbes Travel Guide Awards for both the hotel and spa and the AAA Five Diamond Award.

The Grand Deluxe Three-Bedroom Oceanfront Suite is a one-of-a-kind accommodation with Atlantic Ocean views. The entry foyer features marble flooring and has round mirrored sconces, linear polished nickel light fixtures and hand-painted wallpaper. The sexpansive living room features modern geometric patterned end tables, a 65-inch 4K TV and a flush mount chandelier. Drapery adorns the

Acqualina Resort & Residences, located in Sunny Isles Beach, has been recognised as the Best Destination Resort in the United States in the 10 Best Readers’ Choice Awards by USA Today.

floor-to-ceiling window. The sitting area has a queen sleeper sofa, antique brass coffee table with an area rug, in addition to a serene gathering area with a writing desk and four lounge chairs. The full gourmet kitchen features designer Arctic white quartz countertops with full backsplash, a built-in SubZero refrigerator/freezer, microwave, dishwasher and stainless steel sink. The dining area features a Ralph Lauren Baxter metal shade chandelier, bay window with floor-to-ceiling ocean views, two bar stools, and a 4-person dining table. There are three bedroom options - an oceanfront master bedroom with a king bed, a large bedroom with two twin beds with a wall-to-wall divider panel and a bedroom with a queen bed. Each bedroom has its own private bathroom. The oceanfront master bedroom has terrace access and is furnished with a walk-in closet, side table with nightstand and high definition TV. The master bathroom is adorned with imported marble flooring, double sinks, custom vanity area, bathtub and glassenclosed couples shower.

Acqualina Resort & Residences also manage The Estates at Acqualina, a collection of grand sky homes with indoor and outdoor amenities, lobby designs by the late Karl Lagerfeld, and 5-star services by the resort itself. The Platinum Collection offers a limited number of 1- and 2-level furnished penthouses for the most discerning buyers.

HOW I LIVE...

TEN TRINITY SQUARE, LONDON

CLUB.TENTRINITYSQUARE.COM

ONE MEMBERSHIP. TWO CLUBS.

WENTWORTH CLUB, SURREY WENTWORTHCLUB.COM

MEMBERSHIP ENQUIRIES: +44 (0)1344 846 337

EMAIL: HPERRY@WENTWORTHCLUB.COM

CELEBRATE EVERY DAY IN STYLE WITH HARRODS’ PREMIER CRU GRANDE RÉSERVE CHAMPAGNE

CRÈME DE LA CRÈME OF SPARKLING WINES

Harrods’ Champagne Guide, written by Emilie Dock, says that nothing lifts the mood of a room quite like a glass of the finest bubbly. Choice is all a question of taste –the more cuvées you try, the closer you’ll be to knowing what you like (cheers to that). An advice: start with the big hitters. Steeped in history, with decades of experience, these brands have earned their reputation as the Champagne houses to know.

www.harrods.com

Made by fifth-generation family producer Laurent Hostomme, Harrods Champagne is ‘grower champagne’, meaning that all its grapes come from its own grand-cru vineyards. If you’re only enjoying Champagne at birthdays and weddings, you’re missing out. With its varying levels of acidity, sweetness and texture, Champagne pairs wonderfully with all manner of delicious foods. Before you tuck into your next meal, consider pairing it with one of the following styles. Blanc de Blancs goes with fresh oysters and umami-rich foods; Blanc de Noirs pairs well with aged

Made by fifth-generation family producer Laurent Hostomme, Harrods Champagne is what’s known as a ‘grower champagne’, meaning that all its grapes come from its own grand-cru vineyards, something of a rarity in the Champagne world.

Comté, pheasant, veal and pork; rosé lends itself to potent tastes, such as smoked salmon, roast venison, pheasant, creamy cheeses and cured meats; Brut with fried potatoes, chicken, steak, white truffle and citrus; Extra Brut with fish & chips or roast chicken; and Demi-sec is perfect with dessert like chocolate, buttery popcorn, dim sum and spicy dishes. For a truly special occasion? Go for a prestige cuvée, a house’s finest release, only made in exceptional vintages, such as Louis Roederer’s Cristal and Moët & Chandon’s Dom Pérignon bottlings.

© Maxime D’Angeac and Martin Darzacq

THE PRESIDENTIAL SUITE

www.orient-express.com

Orient Express unveiled the decor of the future Orient Express train. The project, designed by French architect Maxime d’Angeac, was inspired by the 1920s and designed with the codes of contemporary luxury. Occupying an entire train car of the former Nostalgie-Istanbul-Orient Express, the Presidential Suite invites travellers to step inside through a private entrance. Measuring 21 meters long and almost three meters wide, it consists of a living room or “Salon des Quatre Colonnes”, a “Cabinet de l’Égoïste”, a dreaming bedroom for two, a bathroom and a secondary “LX” luxury sleeping car, the original model of the Nostalgie-Istanbul-Orient-Express.

Inspired by the work of Jacques-Émile Ruhlmann, a key figure of the Art Deco, movement Maxime d’Angeac created a living room with a theatrical and timeless elegance, opening onto a string of windows, adorned with Lalique’s original “Merles et Raisins” panels from the Nostalgie- IstanbulOrient-Express and custom-made pieces of furniture. Decorated with four columns with its tops encircled by rings and adorned with Macassar ebony and rosewood, the lounge is equipped with large benches and a sofa, inspired by Orient Express’ historical motifs. A gas fireplace brings warmth, comfort and romance, and a dining room welcomes up to four guests.

The “Cabinet de l’Égoïste” offers space for pleasure, escape and reflection. An Art Deco work reminiscent of Jean Dunand’s poetic universe, upholstered in palm trees and ferns, holding a bench, footrest, shelf for books and personal

belongings and an artisan’s cabinet made of wood and lacquer to enjoy a cocktail. On the floor, a black marble carpet features the train’s rail pattern, another symbol of the Orient Express legend.

Orient Express was created by Georges Nagelmackers in 1883. Inspired by the Americas, it passed through the great European capitals, linking the West to the gates of the East. It was a magical and epic tale that ended in 1977.

At the end of the hallway is the dreaming bedroom with the Orient Express bull’s eye open to admire the outside. The space features a king-sized bed and a closet for suitcases, suits and evening dresses. From the bed linens to the velvet walls embroidered with mother-of-pearl and silver thread, from the custommade carpet to the choice of fabrics and furniture, the look is wildly Art Deco. The majestic bathroom is reminiscent of the work of the artist Armand-Albert Rateau for fashion designer Jeanne Lanvin’s Parisian hotel particulier. The space is decorated with columns with marquees, theatrical basins, large mirrors, a ceiling light in the shape of a rotunda, floor tiling, a bathtub and a shower. The secondary “LX” luxury sleeping car is a piece of history, a collector’s item, a symbol of the Orient Express legend found on board the Nostalgie-IstanbulOrient- Express train, and now it has been fully restored to its original glory. Introduced in 1929, the LX sleeping car revolutionized travel by offering passengers a new level of comfort on the train with sofa beds and a separate bathroom with hot and cold water, all covered with solid mahogany panelling and marquetry by Nelson or Prou. With two beds, the LX Car invites children or friends to relive the original journey of the Orient Express. (Images ©Maxime D’Angeac and Martin Darzacq)

© Maxime D’Angeac and Martin Darzacq

© Maxime D’Angeac and Martin Darzacq

© Maxime D’Angeac and Martin Darzacq

© Maxime D’Angeac and Martin Darzacq

© Maxime D’Angeac and Martin Darzacq

AI IN PLAY

Disclaimer: This is not an actual British Airways and Burberry collaboration. The images are a visualisation of the brands’ fictitious partnership born in the mind of Groza and an outcome of his experimentation with AI. The results do not reflect the views or plans of either brand. No copyright infringement is intended.

Will AI replace design teams? Groza leans towards ‘no’ –“AI is a tool. You still need someone with taste to judge and edit the output from the algorithm.”

1. British Airways x Burberry experiment proves AI’s ability to match the quality, style and aesthetic.

A misspelt name gives away the author – AI. The updated Midjourney will most likely have this glitch fixed.

2.

3.

“A match made in British heaven,” posts Creative Director Eric Groza (@gro3a) and starts a discussion among the creative minds of the luxury segment about AI’s role in the field.

As impressive as it is, AI still has some limitations. You must give up precise control and leave room for chance or beautiful accidents.

FAENA HOTEL MIAMI BEACH

www.faena.com

The opening of Faena Hotel Miami Beach on 2015 by Alan Faena and Len Blavatnik marked the inauguration of the Faena District - only the second such official designation in Miami’s history. This new neighbourhood rooted in art and culture includes Faena Hotel Miami Beach, the recently opened Faena House – a Foster and Partners 18 storey condominium, FaenaForum – a ground breaking new art and cultural institution by Rem Koolhaas/OMA, FAENA – a residential condominium tower designed by Brandon Haw and William Sofield, Casa Faena– a beachside guest house designed to be a home not a hotel and Faena Bazaar – a unique retail experience redesigned by Rem Koolhaas/OMA. The oceanfront Faena Hotel Miami Beach comprises 169 guest rooms and suites and 13 penthouses designed by Alan Faena alongside cinematic visionaries Baz Luhrmann and Academy Award® winning Catherine Martin, 22,000 sq ft Tierra Santa Healing House spa offering South American-inspired healing ritutals, Los Fuegos restaurant by Francis Mallmann offering contemporary take on the traditional Argentine asado, and Pao by Paul Qui, a restaurant offering Qui’s renowned brand of modern Asian cuisine and Saxony Theater – a two level

theatre and performance space offering Broadway-style nightly live shows. The sunny days and sexy nights are back: Alan Faena envisioned every one of the 169 rooms and suites and 13 penthouse residences spanning the top two floors of the property. To make his vision come to life, he enlisted film director/producer Baz Luhrmann and Academy Award winning costume designer Catherine Martin to develop the narrative for what would become the essence of Faena Hotel Miami Beach. Together they created an artful visual language that recalls the glamour of the 1950s: stunning Art Deco appeal, old-world grandeur, hardwood floors, sumptuous Faena Red velvet and cool blue tiled bathrooms. Each suite features a signature Faena Butler offering guests one point of contact and personalized service throughout their stay, and all visitors to the hotel additionally enjoy access to Experience Managers, who assist in designing the overall experience from pre-arrival planning to departure arrangements. Sun-worshipers of all ages will enjoy the palm-lined pool area and our beach club Faena Playa, which is situated on 100,000 square feet of pristine white sand.

The $1 billion, six block district of formerly derelict Miami Beach launches this year - District is rooted in art and culture in collaboration with some of the world’s leading artists and architects including Foster and Partners, Rem Koolhaas / OMA, Jeff Koons, Damien Hirst and Juan Gatti.

Credit Images: ©tim-mckenna.com

FOUR SEASONS HOTEL FIRENZE

www.fourseasons.com/florence

Set in Renaissance-era Palazzo della Gherardesca and La Villa (a former convent), the Four Seasons Hotel Firenze is pure decadence, a living museum You’ll find original architectural details, such as the loggia adorned with bas-relief frieze and stucco in the lobby; art and antiques; a formidable 11acre private garden, complete with statues and century-old trees. Removed from epicenters of tourist activity, the Four Seasons Hotel Firenze is a resort in its fullest sense; a place you return to for rest and rejuvenation after exploring the city. The hotel’s service embodies the Four Season standard: nothing is too much for the staff to organize, whether you want to fly in a hot-air balloon departing from the hotel or cruise down the Arno at sunset by boat.

Palazzo della Gherardesca was the private residence of Florentine nobles for five centuries until becoming Four Seasons Hotel Firenze in 2008. For seven years, architects, historians and craftsmen lovingly prepared two historic Florentine palaces and the city’s largest enclosed private gardens for the next evolution in their storied history, as a Four Seasons hotel.

Now, guests may join the ranks of a Pope, an order of nuns, executives of Italy’s first railway company,

five centuries of Italian nobles, and a Viceroy of Egypt (who sold his home when his harem was barred from moving in), who have all lived, worked or worshipped in the 15th-century Palazzo della Gherardesca and 16thcentury La Villa, the two residences home to Four Seasons Hote Firenze. Through half a millennium, successive owners and residents have made their mark with additions and improvements, with each preserving the work of their predecessors. The result is an epic journey through Florentine history.

The Four Seasons Hotel Firenze consists of two buildings, the 16thcentury Conventino and the 15th-century Palazzo della Gherardesca. In the two structures 116 rooms and suites with a unique style, where magnificent frescoes have been restored to their original splendor. The Four Seasons offer includes a Spa with swimming pool, a lounge bar, Trattoria Al Fresco and Il Palagio Restaurant, awarded by a Michelin star, obtained from the ancient stables of Palazzo della Gherardesca.

Stroll the city’s biggest private garden – a tranquil haven of statues, fountains and centuries-old trees – or retire to your suite where frescoes line the walls amid original architectural features. Our historic Hotel, with its Michelin-starred Italian restaurant and a locally inspired Spa where you can spend afternoons in pure indulgence, is just steps away from the cultural heart of Florence.

Four Seasons Hotel Firenze History

Located in a charming green corner in the heart of the city, the Four Seasons Hotel Firenze is composed

of two richly preserved buildings, which feature original frescoes and furnishings from the 15th and 16th centuries, in the shade of majestic old trees and just a stone’s throw from the Duomo.

Its 116 rooms are located between the Palazzo della Gherardesca and the Conventino, which with careful restoration respectful of the spaces and original details, offer accommodation, welcoming, spacious and bright. All rooms have king-size beds, a large number of services and marble bathrooms. Available in the Superior, Deluxe, Premiere, Junior Suite, Parlor Suite and Executive suites, they offer views of the palaces and streets of the streets or the private park and the surrounding gardens.

The Spa of the Four Seasons Hotel Firenze covers an area of 791 square meters in the heart of the garden. It consists of 10 rooms and two VIP treatment suites, an outdoor pool, hydromassage sessions and a gym. It offers wellness and relaxation treatments, manicures and pedicures and exclusively uses the Officine Profumo products of the Pharmaceutical of Santa Maria Novella.

The location offers a first class gastronomic experience, based on a series of original and imaginative interpretations of the typical Italian and Tuscan gastronomy. The products are always fresh, seasonal and highly selected and some specialties such as pasta, bread, desserts and ice creams are produced by the chef and prepared daily. Delights to savor in the elegant rooms with vaulted ceilings, on the outdoor terraces or at the edge of the pool. Even the winery offers a wide selection of wines, with the best national labels and the excellence of the territory.

The wellness center features 9 beauty treatment rooms, a Turkish bath, a gym and an upstairs terrace with a pool and a hot tub. In addition, a 205 square meter gym equipped with the most modern Technogym machines and managed by a team of professional instructors will satisfy the most sporty.

Yoga classes, personalized training sessions and guided walks are also available at the park, while tennis, golf and horse riding are also nearby. Being enchanted by the beauty of Florence is practically assured, but we are sure that what you will experience going through Borgo Pinti, leaving the Duomo, Santa Croce and the Annunziata behind, until you reach number 99 will not be the same. Once you have crossed the threshold of the Four Seasons Hotel Firenze, in fact, your concept of beauty will pass to a level never before imagined.

A true metropolitan oasis in the city, the Four Seasons is housed in the historic 15th century Della Gherardesca palace, built by the wish of Bartolomeo Scala in 1472, a close friend of Lorenzo Il Magnifico, and designed by Giuliano da Sangallo. Conceived as the first city resort in Italy, the historic Palazzo has seen different properties over the centuries, up to present day, where the magnificence of the past has been further enriched by all the modern comforts of 5-star hospitality- luxury. Located within the city’s largest private garden of the city, the hotel consists of two buildings, the “Palazzo della Gherardesca” and “The Villa”, a former 16th-century convent. Located all around a park of 4.5 hectares of beauty that leaves literally breathtaking surrounds them, with its thick vegetation and rare plants that come from all over the world. In addition to the 116 rooms, including 42 suites, and two restaurants, Il Palagio (awarded with a Michelin star) and Al Fresco (open during the summer), the hotel offers its guests a spa with a pool of over 790 square meters, five meeting rooms and a cocktail bar, the Atrium Bar, for a stay that will exceed your expectations beyond all limits.

But, the Four Seasons is not a show for the exclusive use of hotel guests: the Four Seasons is Florence and it is to you and to all those who gravitate to you for longer or shorter periods that opens its doors, in the inclusion project that wants to ensure that this historical heritage is within the reach of all citizens. After centuries the wonderful garden of the Gherardesca has reopened its doors to the city and you will never have the sensation of austerity that sometimes is felt in the big luxury hotels. The rooms are full, they are alive, and the Atrium Bar and the Palagio are now a favorite meeting point for the city and its inhabitants.

You can breathe Renaissance air at the Four Seasons, in every corner of the common areas, rooms and suites. The sumptuousness of the decorations, the frescoes, the statues, the stuccos, the original works of art, the perfectly preserved bas-reliefs, the Oriental wallpaper hand painted in silk are all details that will flow in your head, but there you will not be able to assimilate everything together, not yet, not while you walk surrounded by the beautiful Carrara marble.

Then, once you get out, the magic of this unique experience will slowly begin to materialize, one piece at a time. So, you will try to remember every detail, every perfume, every taste, trying to understand if you really were there or if it was just a dream.

THE FOUR SEASONS YACHT

www.fourseasons.com

“Four Seasons Yachts represents the next chapter of our long history of industry leading innovation, and a milestone moment for our company as we continue to capitalize on new opportunities to extend the world of Four Seasons,” says Christian Clerc, President, Four Seasons Hotels and Resorts. “True vision rests in the ability to imagine the possibilities while always remaining loyal to one’s values. Our vision for this new venture does exactly that.Together with our partners at Marc-Henry Cruise Holdings LTD, we are creating something extraordinary that combines their expertise with what Four Seasons does best – delivering unmatched quality and excellence, surrounded by beautiful acts of service and love for our guests.”

Veteran luxury travel industry expert Larry Pimentel is responsible for leading the new enterprise, stating, “In partnership with Four Seasons, we are creating a new category of luxury lifestyle travel that appeals to discerning guests. ... Our shipbuilding partnership with Fincantieri rounds out a triumvirate of industry leaders in this unprecedented luxury lifestyle project.” Pierroberto Folgiero, Fincantieri CEO and Managing Director says, “We are excited to embrace this new opportunity with Four Seasons that will allow us to strengthen our global leadership position. With a reputation built on innovation and reliability, Fincantieri combines groundbreaking engineering and technology to create the finest vessels in the world, ensuring sustainability practices are integrated throughout the design and guest experience.” General Manager Merchant Ships Division of Fincantieri Luigi Matarazzo emphasises, “This project is in a class of its own, combining the best of passenger ship construction and yacht design to create a new benchmark for ultra-luxury vessels.”

The vessel’s 95 spacious accommodations will feature an extensive network of joining suite combinations creating adaptable, villa-like residences. Each suite will offer floorto-ceiling windows providing unobstructed natural light and access to expansive terrace decks. The combination of

With its inaugural journey anticipated for late 2025, the first Four Seasons vessel will be 207 metres (679 feet) long and 27 metres (88.6 feet) wide with 14 decks at a cost to build of USD $4.2 million per suite.

generous indoor and outdoor private guest space and ceiling heights of more than 2.4 metres (7.9 feet) will achieve a new level of guest comfort. Suite accommodations will start at an average of 54 square metres (581 square feet) of indoor/outdoor living space, designed seamlessly to be part of each room. Sixty percent of the vessel’s inventory is in excess of 76 square metres (818 square feet) of indoor/outdoor space. The most expansive residence, the “Funnel Suite” will have four levels, offering more than 892 square metres (9,601 square feet) of combined indoor/outdoor living space, including a private wading pool and dedicated private spa area, creating a sea view home away from home. Tillberg Design of Sweden led the design of exterior and guest suites, while Londonbased Martin Brudnizki Design Studio for many of the yacht’s spectacular guest areas, paired with the creative direction of Prosper Assouline. The vessel will have restaurants, lounges and bars, in addition to a full-service spa, salon and wellness program. The classic canoe-shaped aft will be home to an expansive pool deck, which can turn into an outdoor movie theatre or private event space. On the industry-first transverse marina, guests can enjoy the water, sunbathe or explore the specially-designed aqua leisure toys and accessories. The yacht will be staffed by a dedicated Four Seasons Yacht team.

LONDON’S PRIVATE MEMBER’S CLUBS

Private members’ clubs have diversified to accommodate everyone from creative minds to change makers. Annabel’s, Mayfair, is an institution in the heart of one of London’s most exclusive districts. Open since the 1960s, the club has welcomed everyone from Richard Nixon to Lady Gaga. A Picasso painting greets visitors on arrival in the lobby, which unfolds into meeting rooms, restaurants and a garden courtyard. After hours, Annabel’s “hand-picked alchemy of like-minded people who share a passion for the best things in life” revel in its nightclub. Members events run from the pagan-influenced Summer Solstice to a Halloween Circus of Horrors and fundraisers for the Amazon rainforest. The Arts Club is a “community of discerning thinkers and thought leaders” abuzz with creatives, from film buffs and photographers to musicians and actors. The Conduit invites “entrepreneurs, investors, creatives, business leaders, activists, civil-society leaders and policymakers” to pool their knowledge network and capital to drive positive impact and solve the world’s challenges. 5 Hertford Street for the elitists has two restaurants, three bars and a nightclub, LouLou’s. Soho House, which also owns The Ned in London, is without doubt home to creatives, who can enjoy all the locations from the capital to New York and Istanbul with a membership.

5 Hertford Street, Mayfair

Home Grown, Marylebone

The AllBright Club, Bloomsbury or Mayfair

Quo Vadis, Sohoor Mayfair The Court, Soho

Shoreditch House

Black’s Club, Soho

Soho House, Soho

Annabel’s, Mayfair

Ten Trinity Square, the City of London

The Conduit

South Kensington Club, South Kensington The Ned, Bank

White’s, St. James Hurlingham Club, Fulham

THE INTERNATIONAL BUSINESS SCHOOL FOR THE 21ST CENTURY

PRINCIPE FORTE DEI MARMI

www.principefortedeimarmi.com

info@principefortedeimarmi.com

TRENO REALE

www.palazzodivarignana.com

The authentic vintage coach, dating back to 1921, the prototype of the royal train, after decades of neglect, has come back to life evoking its splendor and atmosphere.

A unique artistic jewel, embellished by the meticulous gold leaf decorations and the splendid pictorial intervention of Giovanni Bressana, an internationally renowned artist.

The refined and elegant cuisine accompanies guests on an original culinary journey that, through the menu, celebrates the historical period and the routes of the Royal Train, starting with a skillful search for excellent raw materials. With this new restaurant, the resort immersed in the Bolognese hills continues the recovery and regeneration project strongly desired by the founder, born from the restoration of native crops and which has also seen him protagonist of interventions on ancient farmhouses transformed into luxury villas. For the realization of the venue, Palazzo di Varignana involved architects, scenographers, scholars of royal carriages of the time, as well as expert craftsmen for the meticulous gold leaf decorations and the artist Giovanni Bressana for the artistic pictorial decoration. The train-restaurant is the setting for the culinary proposal of the Executive Chef of Palazzo di Varignana Davide Rialti. The kitchen takes guests on a culinary journey which, through the menu, celebrates the routes and historical period of the Royal Train.

The restaurant, open every Saturday, has 22 seats arranged between the central body and a private room. Dinner begins at 20.30 with a whistle so as to simulate the departure of the journey.

The restaurant completes the gastronomic offer of Plazzo Varignana, alongside Il Grifone with its fine dining proposal, Aurevo Poll Restaurant with its contemporary oil-centric cuisine and Le Marzoline dedicated to traditional Emilian cuisine.

Palazzo di Varignana presents the new Agrivar winery: A 1,100-squaremeter area built according to the principles of semi-underground architecture, made from locally-sourced natural materials such as olive wood and red bricks, perfectly integrated with the surrounding nature. Elegant design finishes and colors that recall the autumn foliage decorate the tasting room, where a terrace opens onto the magnificent vineyard.

Palazzo di Varignana expands its catering offer by presenting the Treno Reale Carrozza Ristorante. The protagonist of this experience is an authentic vintage carriage, born in 1921, which has been regenerated and brought back to life.

Alongside native vines such as Sangiovese, Albana, Famoso, Malbo Gentile, and Pignoletto, we also grow international grapes such as Pinot Nero, Pinot Bianco, and Chardonnay. We employ the latest production technologies to preserve the genuineness and organoleptic properties of our wines. The tasting room is open from Friday to Sunday to offer guests a unique experience to discover our wines and oils.

The charm and timeless beauty of Palazzo Bentivoglio characterize the most sophisticated culinary corner of the resort: the Il Grifone restaurant. The original gourmet dishes prepared at Il Grifone are the result of a careful and wise interpretation of the tradition combined with creative cuisine and locally-sourced ingredients. The choice of food pairings is meticulous and can satisfy the most demanding palates while respecting the original taste of the products and their nutritional properties.

The Aurevo Restaurant is a tribute to our Extra Virgin Olive Oil, the Green Gold of these lands, the soul of our contemporary and sustainable cuisine. Aurevo is a place of passionate research and expression of an authentic food and wine offer, where the combination of respect for seasonality and the authenticity of the short supply chain gives shape every day to the exciting encounter

of tradition and modernity.

The wood-fired oven combined with the skilful hands of our master pizza maker offer guests of the resort handmade pizzas with a unique taste, available Friday and Saturday for dinner.

For reservations up to 2 people, please fill out the reservation form accessible via the Book Now button.

For reservations over 2 people please send an email to info@ palazzodivarignana.com or call +39 051 19938300

The Lounge Bar,with its wonderful outdoor terraces overlooking the endless hills that surround the resort, the lounge bar is a profusion of design, style, and creativity. The perfect place to enjoy delicious aperitifs in full relaxation or a “happy hour” in pleasant company, the lounge bar, thanks to its large offering of cocktails, is a great place where you can gather with friends after work, after dinner, or during the weekend. This charming and cozy bar can also show its other soul, turning into a location for events and business meetings.

Credit Images: ©Palazzo di Varignana

Coming with views onto the Grand Canal or Campo Santa Maria del Giglio, the Signature Suites and Landmark Grand Canal Rooms are perfect retreats for relaxation or romance.

Photo by Brandon Barré

THE RUSKIN SUITE

www.marriot.com

Overlooking the Grand Canal in the heart of Venice, The Gritti Palace boasts one of the most enthralling views of the lagoon city - from the island of San Giorgio Maggiore past landmarks Punta della Dogana and Santa Maria della Salute Basilica to the Peggy Guggenheim Collection. Dating to 1475, this noble palace and luxury 5-star hotel is a place of exceptional art and elegance that has retained its reassuringly intimate and familiar feel of a private residence. Over the years, The Gritti Palace has welcomed many famous guests. It was home to successive noble families, such as the Pisanis and again the Grittis in 1814. Some years later it was sold to the Baroness Susanna d’Eyb, widow of Baron Vetzlar. It was during this period that John Ruskin and his young wife Effie spent a long period at Palazzo Gritti. A historical treasure where heritage and culture blend with renewed Venetian style, the hotel is a refined version of its iconic self, offering attentive service, a delectable culinary experience and new avenues for relaxation and pleasure. From the design of its signature suites and iconic terraces to the Gritti Epicurean School, Riva Yacht experiences and Riva Lounge and the Gritti SPA branded by Sisley Paris, The Gritti Palace is where multiple generations of elite global influencers gather to explore, taste, and celebrate.

From its beginnings the Gritti Palace has been home to a rich collection of artworks, a tradition that originated with the noble Pisani family, and that continued with its successive owners including the Gritti.

Chosen by the world’s social elite as the place to celebrate important events, the hotel now continues this tradition. From the panoramic Terrazza Redentore suite and the Bar Longhi terrace to The Gritti Epicurean School, there’s a unique place to celebrate every moment. Art in its many forms was an important part of the restoration, from the precious Rubelli Group fabrics that decorate guest rooms and suites, to the exceptional glass chandeliers meticulously hand restored according to tradition by able glassmakers from nearby Murano.

The epitome of luxury, the Gritti Signature Suite Collection showcases the hotel’s rich historical past. Redesigned with artistic elegance, the suites evoke the intimacy of a noble private residence and provide a truly distinctive experience that uniquely captures the heritage of the palace and the cultural and artistic roots of the city.

Boasting the most desirable views of the lively Grand Canal, and the city’s largest rooftop terrace, the suites are inspired by Ernest Hemingway, Somerset Maugham and John Ruskin amongst others.

Reminiscent of a 19th Century gentleman’s den, the Ruskin Patron Canal Suite, an extravagant 82-square-metre suite is decorated with original artworks and carefully restored antiques to create an unparalleled retreat

Photo by Brandon Barré

The Gritti Palace dates back to 1475 when the Pisani family transformed it into its current Gothic shape. In 1525 the building became the private residence of the Doge of Venice, Andrea Gritti, and in the centuries that followed, it was home to other noble families and illustrious visitors. It was at the beginning of the XIX century that The Gritti Palace was turned into a hotel and after a meticulous renovation it now offers guests an insight into its intriguing and illustrious past. One can admire the refined renovation from the beautiful terrazzo floors to the remarkable selection of artworks and antiques that adorn all private and social spaces within the hotel.

for the sophisticated traveller.

The suite homages the great writer, painter and art critic John Ruskin, a tireless voyager. In the company of his young wife Effie, this illustrious visitor spent a long period at Palazzo Gritti where he gave life to his famous book “The Stones of Venice”.

The Ruskin Patron Canal Suite’s spacious russet and terracotta living room offers ample space for entertaining, along with wonderful views of Venice and the Grand Canal from its corner windows. As night falls, an impressive Murano glass chandelier and table lamps help create the perfect ambience in which to relax. The living room exhibits polished heritage terrazzo veneziano flooring and is decorated in rich silks, velvets, and embroidered damask drapes.

Paying tribute to the great writer and traveller, the suite houses a collection of John Ruskin’s literary accomplishments, including an original, highly-prized copy of his literary works dating from 1891. An antique black lacquer desk with handpainted oriental motifs makes the perfect workstation for those who need to catch up with the office.

Presenting views onto the adjacent Santa Maria del Giglio campo, the Grand Canal, Palazzo Venier dei Leoni, Santa Maria della Salute Basilica, and Punta della Dogana, the lavish bedroom is decorated in a sophisticated palette

of burgundy and ochre which works in symphony with the room’s oak parquet flooring and exquisite furnishings. These include a chaise lounge, the perfect place to pause and dip into the suite’s irresistible tomes on Venetian art, and a superb hand-finished credenza and armchair. At the centre of the room is a Luxury Collection bed made up with 200-thread-count sheets, down-filled duvets and a selection of feather and foam pillows.

Luxurious details in the open-faced marble bathroom include a large soaking bathtub as well as a separate walk-in shower with a rain-effect showerhead and twin vanities. For the comfort of visitors, there is also a powder room conveniently located next to the living room and stocked with Acqua di Parma bathroom amenities.

The suite is furnished with an elegant dining table that seats four people and includes a 46” LG TV in the living room and a 40” one in the bedroom. Individual climate control and Bang & Olufsen BeoSound Docking Station are provided for the guests’ comfort.

Occupying impressive 82-square metres, The Ruskin Patron Canal Suite may be combined with a Landmark Grand Canal Room to form a two-bedroom suite.

(Images courtesy of The Gritti Palace, a Luxury Collection Hotel, Venice; Photographer: Brandon Barré)

In Venice, John Ruskin was particularly impressed by the works of Fra Angelico and Giotto in St Mark’s Cathedral, and Tintoretto in the Scuola di San Rocco, but he was alarmed by the effects of decay and modernisation on the city.

Photo by Brandon Barré

SINGAPORE AIR RELAUNCHES ITS A380 FROM NEW YORK TO SINGAPORE

SUITE LIFE ON SINGAPORE AIRLINES’ A380

www.singaporeair.com

Singapore Airlines CEO, Mr Goh Choon Phong, stated: “The Airbus A380 is a favourite among our customers and we are especially proud to be taking the travel experience to the next level with our new cabin products. The new products are being introduced after four years of development work and we are confident they will truly ‘wow’ our customers, ensuring that we continue to provide them an unparalleled travel experience. The significant investment demonstrates our long-term approach to ensure we continue to lead the industry, and our confidence in the future of premium full-service air travel.” Each Suite is furnished with a separate full-flat bed with adjustable recline and plush leather chair, enabling customers to lounge comfortably in the chair or rest in bed without the need to convert the bed from a sitting position. For couples travelling together, the beds in the first two Suites of each aisle can be converted to form a double bed. Each seat is upholstered by world-renowned Poltrona Frau in fine leather, and is fully adjustable using an electronic control side panel which can accommodate a variety of sitting and lounging positions. The swivel capability of the chair (between 135 and 270 degrees) with recline up to 45 degrees provides added flexibility for dining and relaxation.

Singapore Airlines‘s highly-anticipated new cabin products fitted to its Airbus A380 fleet are the result of an extensive 4-year development programme. Riding on the theme of “Space made personal, experience the difference”, the new cabin offerings provide more space and privacy in all classes, featuring intimate and bespoke elements designed especially for the Singapore Airlines customer. The Singapore Airlines A380 is configured with 471 seats in four classes, featuring six Singapore Airlines Suites and 78 Business Class seats on the upper deck, as well as 44 Premium Economy Class seats and 343 Economy Class seats on the main deck. The research, design, development and installation of the new products on 19 Singapore Airlines A380s represented an investment of about USD850 million. Customers travelling between Singapore and Sydney were the first to experience Singapore Airlines’ all-new cabin products, with the entry into service of its recently-delivered Airbus A380 aircraft equipped with the new seats and in-flight entertainment system. With six Suites tucked spaciously within the front cabin of the upper deck, customers will experience a sense of exclusivity and intimate privacy aboard the A380. Behind its artisticallydesigned sliding door lies a personal oasis complete with lavish furnishing and finishes. Each Suite is furnished with a separate full-flat bed with adjustable recline and plush leather chair, enabling customers to lounge comfortably in the chair or rest in bed without the need to convert the

The new cabin products were displayed in Singaporean the first of five new A380 aircraft entering the fleet. Retrofit work also took place on over a dozen aircrafts, to ensure product consistency across the Airline’s entire A380 fleet.

bed from a sitting position. For couples travelling together, the beds in the first two Suites of each aisle can be converted to form a double bed. There is a plush mattress bedding, two pillows and a fluffy cotton duvet, complete with embroidery crafted by the French luxury brand, Lalique. Complemented with a stylish sleeper suit, slippers, eyeshades and socks, customers can lounge in comfort before drifting into peaceful sleep in their private cabin in the sky. When not in use, the bed can be stowed completely, creating even more personal space. Each Suite also has a 32inch full HD monitor that can swivel for the different viewing angles in seat and bed modes, a full-sized personal wardrobe, customised handbag stowage compartment, amenity box lined with soft leather, specially designed carpet and a feature wall with mood lighting - all exquisitely crafted to give a touch of luxury and intimacy. The exclusivity of the Suites cabin is further accentuated by its two stylishly-furnished lavatories, one of which has a sit-down vanity counter. The culinary experience features Wedgwood serviceware and Laliquedesigned crystal glassware. Every meal is complemented by a selection of fine wines and champagnes specially put together by a panel of wine experts. As part of Singapore Airlines’ commitment to enhancing sustainability practices, Suites customers can look forward to meals created by the International Culinary Panel (ICP), featuring more sustainable ingredients and fresh local produce.

BERRY BROS. & RUDD WINE COLLECTING

1 UNDERSTAND YOUR TASTE

了解你的各种品味—随着它们的 改变—都是乐趣的一部分。

Getting to understand your tastes in wine – now, and as they mature – is all part of the fun.

2 EACH TO HIS OWN

临时酒窖大约五千英镑，收集一级 酒庄和特级勃艮第则要预算更高。 £5,000 for starting an ad-hoc cellar, and more budget if you want to collect first growths and Grand Cru Burgundies.

3 BUILDING BLOCKS

波尔多、勃艮第、香槟、罗纳河、 皮埃蒙特、托斯卡纳和里奥哈。 Bordeaux, Burgundy, Champagne, the Rhône, Piedmont, Tuscany and Rioja.

4 CLASSICS VS. TRENDS

拥有装满经典葡萄酒的酒窖比只 购买你当前最爱要好。

You will be better off with a cellar full of classics than just buying your current loves.

5 DIFFERENT FORMATS

一些成熟的大酒瓶适合应酬，一些 半瓶留给自己。

Have some mature magnums for future events, or some half bottles for yourself.

6 MATURE WINES

各种形状和大小的成熟葡萄酒非常 适合回填酒窖。

Mature wines of all shapes and sizes are perfect for backfilling a cellar.

7 BORDEAUX

8

9

10

TIME OF YEAR TO START

一月份勃艮第，春季波尔多，四 到六月波尔多期酒。

Burgundy in January, Bordeaux in spring, and Bordeaux En Primeur between April and June.

不同价位的适龄性、可用性和 价值。

Its combination of ageability, availability and value across different price points work well.

IN BOND

只要你的葡萄酒仍处于保税状态就 可以通过BBX出售。

So long as your wine is still In Bond, you can list it for sale with BBX.

ALL ABOUT SHARING

与亲朋分享，向他们介绍收集美酒 的乐趣。

With family and friends, introducing them to the pleasure of collecting fine wines.

“You’ll be better off with a cellar full of classics than just reflecting your current loves,” says Berry Bros. & Rudd Account Manager Fergus Stewart.

BRITISH AIRWAYS, FIRST SUITE FIRST

www.britishairways.com

With some of the largest aircraft windows in the sky, First travellers will enjoy views of the horizon from every seat on board the Boeing 787-8 and 787-9 aircraft. The suites include four new storage areas. A new ottoman next to the adjustable footstool has enough room for shoes, handbags and personal items, while the personal suiter for jackets and coats is accessible without the customer having to move from their seat. A new locker positioned at eye-level is perfect for smaller personal effects such as tablets, spectacles, passport and washbags. A handy mirror has also been fitted to the inside of the locker door for personal grooming. Devices can be charged in a discreet stowage area next to their armrest. Great attention to detail has also been paid to how customers use their suite, with each function being controlled by simple, intuitive touch. The seat and inflight entertainment console has been updated with a new handset, much like a smartphone, integrated into the seat from which travellers can control their in-flight entertainment. During flight, the handset can be docked so that customers are also able to watch one item, such as the moving map, on the handset and another, such as a film, on the 23inch fixed screen. This also means travellers will be able to enjoy gate-to-gate entertainment, without having to stow their television for take-off and landing. The smart ‘jog-dial’, that previously controlled the seat’s recline, now manages five additional functions including the headrest and lumbar inflate and a ‘global’ lighting control to set both ambient and reading lighting. The new First cabin on the Boeing 787-9 was developed by Forpeople,

London, working together with the airline’s in-house teams and leading British suppliers, including Prototrim, which developed the high quality soft leather and fabric trim within the suite, and London-based Pritchard Themis who worked on the suite and cabin lighting. Through the Atlantic Joint Business, travellers will have a selection of new routes to choose from for Summer 2022. New gateways include, London to Portland, Barcelona to Los Angeles and Helsinki to Dallas. The Atlantic Joint Business is a joint venture that started in 2010, between American Airlines, British Airways and Iberia, along with Finnair, LEVEL and Aer Lingus. Travellers can mix and match flights operated by any of the six carriers to get the best deals and enjoy smoother connections through coordinated schedules. The 787’s new routes are: Heathrow to Portland, all weekdays from 3 June 2022 onwards; returning service from Heathrow to Pittsburgh, on Tuesdays, Wednesdays, Fridays

and Sundays. Neil Chernoff, British Airways’ Director of Networks and Alliances, said: “British Airways has always had a fond connection with the USA; so, it’s an honour to offer our customers yet more direct connections to new cities. Today’s announcement to Pittsburgh and Portland is an exciting moment for customers wanting to plan ahead next year – to take a much-needed holiday or visit family and friends. Our new route to Portland opens up a whole variety of connections for our customers. Through Alaska Airlines, our oneworld partner, British Airways will offer codeshare connections to several destinations operated

by Alaska Airlines from Portland.”

The new First cabin on the Boeing 787-9 was developed by Forpeople, London, working together with the airline’s in-house teams and leading British suppliers.

Created specifically for the Boeing 787-9 Dreamliner aircraft, the British Airways’ First suites have been painstakingly designed based on feedback from First customers, and was developed by Forpeople, London, with the airline’s in-house teams and leading British suppliers, including Prototrim, which dressed the suites with high quality soft leather and fabric trim, and London-based Pritchard Themis who worked on the suite and cabin lighting.

A CONTEMPORARY LEGEND, A CLASSIC VENUE

www.belmond.com

Gardens are one of the rarer commodities in Venice, but the Belmond Hotel Cipriani has its Casanova gardens, peaceful and romantic, which also include a lavish Wellness Centre, even a tennis court, and a magnificent Olympic-sized swimming pool –also unique in Venice – filled with seawater. The Cipriani benefits from its location on Giudecca Island, which ensures extra privacy even though central Venice is accessible in five minutes with the hotel’s complimentary launches which run 24 hours a day. If you wish, you can arrive in your own yacht as long as it doesn’t exceed 21 metres in length and 3 metres draft. The Cipriani was created in 1956 by Giuseppe

The star-studded dining options at the Belmond Cipriani include Ristorante Oro for creative classical cuisine, the smart-casual Cip’s Club, the poolside Ristorante Porticciolo, and Bar Gabbiano where you can enjoy a Bellini while admiring the view.

Cipriani, the restaurateur who had founded Harry’s Bar, and his business partners included the three daughters of the second Earl of Iveagh, owner of Guinness. To this day, three suites are still named after those graceful entrepreneurs: Lady Honor, Lady Patricia and Lady Bridgit. Curiously, this British connection is reflected by visitor statistics: about 35% of the Cipriani’s guests are from the UK, and about the same number from the USA. They include personalities such as Paul McCartney, Gwyneth Paltrow, Harrison Ford, Tom Hanks, Whoopi Goldberg and many, many others. The Belmond Cipriani is truly a legend, part of a legendary city.

Winter Hours: 07:30-22:00

Homemade Specialties

House Blend Darjeeling Tea

Classic Swiss Luncheons & Dinners

Right Page Image: C.W. Dixey & Son has served seven successive kings and queens of England, and the royal houses of nine nations. The company has been awarded the following Royal Warrants, which serve as marks of distinction.

ROYAL WARRANTS

The Monarch decides who may grant Royal Warrants. These are known as the Grantors. Today HM The Queen and HRH The Prince of Wales grant Royal Warrants. Her Late Majesty Queen Elizabeth The Queen Mother and HRH The Duke of Edinburgh were also grantors of Warrants. There are currently over 800 Royal Warrant holders. They represent a huge cross-section of trade and industry, from individual craftspeople to global multi-nationals, ranging from dry cleaners to fishmongers, and from agricultural machinery to computer software. There is no requirement for the company concerned to be British owned or UKbased. Warrant-holding firms do not provide their goods or services for free to the Royal Households, and all transactions are conducted on a strictly commercial basis.

A Royal Warrant is initially granted for up to five years to a named individual at a company, known as the “Grantee”. An official Royal Warrant Display Document is sent to the Grantee which provides evidence of the authority to use the Royal Arms.

The grant of a Royal Warrant gives a Warrant Holder nothing more than a

right to display the Royal Arms and they are not entitled to claim or imply any exclusivity of supply. When a company displays the Royal Arms in relation to their business, the Coat of Arms must always be accompanied by the Legend. This Legend provides the details of which Member of the Royal Family has granted the Royal Warrant, the company name, the nature of the goods or services provided to them and the head office address of the company.

The Lord Chamberlain’s Rules govern how the Royal Warrant may be displayed on a company’s products, stationery, advertisements and other printed material, in their premises and on delivery vehicles. The Grantee has responsibility for ensuring these rules are followed correctly.

All Royal Warrants are reviewed by the Royal Household Warrants Committee in the year before they are due to expire.

Warrants may not be renewed if the quality or supply for the product or service is insufficient, as far as the relevant Royal Household is concerned. A Warrant may be cancelled at any time and is automatically reviewed if the Grantee dies or leaves the business, or if the firm goes bankrupt or is sold.

A Royal Warrant of Appointment is granted as a mark of recognition to people or companies who have regularly supplied goods or services to HM The Queen, HRH The Duke of Edinburgh or HRH The Prince of Wales or their Households

A&M Restoration and Conservation

Abbey England Ltd

Abels Moving Services Ltd

A.C Bacon Engineering Ltd

A.C Cooper (Colour) Ltd

A&E Fire Equipment Ltd

A. Fulton Company Ltd

A. Hester Ltd

A. J Charlton and Sons Ltd

A.J Freezer Water Services Ltd

Amerex Fire International Ltd

A. Nash

Abaris Holdings Limited t/a Arthur Sanderson & Sons

Absolute Floorcare

Adexchange Media Limited

Agma Ltd

Agri-Cycle

Apex Lifts and escalators Ltd.

Ainsworths Homeopathic Pharmacy

Airglaze Aviation GmbH

AJ Lowther & Son Ltd

Alan Scott Panel Beater & Paint Sprayer

Albert Amor Ltd

Albert E. Chapman Ltd

Alexandre of England 1988 Ltd

All About Baths

Allan Coggin Furnishing Consultant

Allen & Foxworthy Ltd

Allen & Page Ltd

Allens Farm

Altis Maintenance Solutions Ltd.

Amber Computing & IT Services Ltd

Aquadition Ltd

A.S. Handover Ltd

Asprey London Limited

Aston Martin Lagonda Ltd

Autoglym Ltd

A.W Hainsworth & Sons

Axminster Carpet Ltd

Bacardi-Martini Ltd

J. Barbour and Sons

Barnard & Westwood Ltd

I & J Bannerman Ltd

Bell Decorating Group Ltd

Bendicks (Mayfair) Ltd

Benney (or House of Benney)

Bentley & Skinner (Bond Street Jewellers) LTD

Berry Brothers & Rudd

BJS Company Ltd

A.J Freezer Water Services Ltd

Bluebird Buses Ltd t/a Stagecoach Bluebird

Boots UK Ltd

Brintons Carpet Ltd

British Sugar Plc

Britvic Soft Drinks Ltd

BT

Burberry Limited

Cadbury UK Ltd

Calor Gas Ltd

Carluccio’s Ltd

Mr. Ian Carmichael

Cartier Ltd

Champagne Bollinger S.A.

Champagne GH Mumm & Cie

Champagne Krug

Champagne Lanson Pére Et Fils

Champagne Laurent-Perrier

Champagne Louis Roederer

Champagne Moet & Chandon

Champagne Veuve Clicquot

Charbonnel et Walker Ltd

Changeworks Recycling

Clarins (UK) Ltd

Clow Group Ltd

Computer Aid International

Connevans Limited

Corgi Hosiery Limited

Cornelia James Ltd

Coventry Scaffolding Ltd.

Crown Paints

Daks Ltd

Darville & Son Ltd

EFL Ltd

D & F McCarthy Ltd

First Option Software Ltd

Fisher & Donaldson

Flogas Britain Ltd

Flying Colours Flagmakers

Fortnum & Mason PLC

Foodspeed Ltd

G. Collins & Sons

G Ettinger Ltd.

Garrard & Co. Ltd

Gieves & Hawkes Ltd

Gilbert Gilkes & Gordon

Gordon Bell Pianos

The Goring

Halcyon Days

Hamilton & Inches Ltd

Hand & Lock

Hayter Ltd.

Hobs Reprographics

House of Fraser Ltd t/a House of Fraser & Jenners

Howden Joinery Ltd

HP Foods Ltd (acquired by H.J Heinz Foods UK Limited)

Hull Cartridge Company Ltd.

Jaguar Land Rover Limited

J. Floris Ltd

J Hewit & Sons Ltd

Jack Barclay ltd

James Lock & Co. Ltd

James Purdey & Sons Ltd

James White Drinks Ltd.

Jeeves of Belgravia

John Bell & Croyden

Joel & Son Fabrics

John Lobb Ltd

Judges Choice Petfood Ltd

Kellogg’s Marketing & Sales Co. (UK) Ltd.

Kinloch Anderson Ltd

Laphroaig distillery

Launer London Ltd.

Loake Bros Ltd

Maldon Crystal Salt Company

Mappin & Webb

McIlhenny Company

McFarlane Telfer

Musk’s Ltd

Musto

Mylands

Nestlé UK

Packexe Ltd

Partridges London

Paxton & Whitfield

Peter Jones

Price’s Patent Candles

Procter & Gamble

P Bowyer Associates Ltd (Dyno Rod East Anglia)

Radiocoms Systems Ltd

Richer Sounds

Samsung Electronics (UK) Limited

Sandicliffe Garage Ltd

Scan Computers International Ltd

Stanley Gibbons

Schweppes Holdings Ltd (subsidiary of Coca-Cola UK)

Shepherd Neame Ltd.

Sleepeezee Ltd

Skyman Sacks & Bags Ltd

Spink & Son Ltd

Swarovski Optik

Taylors of Harrogate

Temple Bookbinders Oxford

The General Trading Company (Mayfair) Ltd

The Mayfair Cleaning Company

The Ritz

Thomas Lyte

Toye, Kenning & Spencer

Tom Smith

Thomas Fattorini Ltd

Turnbull & Asser

Twinings & Co. Limited London

Unitech Complete Computing

United Biscuits (UK) Ltd

Unilever UK Ltd

Universal Lighting Services Ltd

Vale Brothers Ltd

Waitrose

Walkers Shortbread Ltd

Wartski

Weetabix Limited

Wilkins (Henley) Ltd T/A Palmers of Windsor and Maidenhead

Wilkin & Sons Ltd

William & Son

T&R Williamson Ltd, a division of Thomas Howse Ltd

Worcester Bosch

Yardley of London

Montala T/A ResourceSpace

Xerox Ltd

Zone Creations

R.E. Tricker Ltd

Johnnie Walker

Aspiring to explore human architecture, visual storyteller Nicolas Boutruche employs photography and film to create dynamic works laced with comedy

SLICE OF LIFE

Born in the last century, Nicolas Boutruche was immediately attracted by images. As a child, he was constantly drawing at home and school. Predisposed to numbers, Nicolas started studying science but quit only after two months and eleven days, falsified his school records, and went to a film school. After making several short films, he moved on to direct a hundred or so advertising, music and corporate films over the next ten years. Tired of making films for others, Nicolas wanted to start telling his own stories and expressing his sensitive side. He abandoned film to try his hand at photography and presented his first photographic series on weightlessness in 2009. Six years later, Nicolas started a second series ‘Du voyeurism au 1/10ème’. “Each of the facades that surround me is a barrier to my curiosity, to my ‘voyeurism’. I like observing people, in the street, in the metro, alone, in groups, each in their universe,” says Boutruche. “I like our differences, the ones that make you like green and make me like pink. I also like uncovering what lies behind the scenes, finally discovering what lies hidden behind this door, this wall, behind this person. ‘Du voyeurism au 1/10ème’ is a photographic series where the main character is plural, where the architecture and the human hold an essential role. It’s a real ‘slice’ of life. Here photography is both: raw material and finality.” The Majestic, the latest piece in the series ‘Du voyeurism au 1/10ème’, combines the two great loves of the artist: photography and video through augmented reality. Each photographed scene of the ‘Majestic’ hides a video specifically shot room by room. To see the work come to life a viewer needs to follow three simple steps: first, to download the Artivive application on the smartphone. Second, to open the application, and third - place the smartphone in front of the photograph. Voilà - the hotel is alive!

Imagine being able to see through walls and observe the private spaces of others. What would you witness? The secrets, intriguing lives, and stories of people, all unfolding before your eyes. Now, imagine if you could see everything at once, all the layers of human existence, the hidden corners and unspoken thoughts of people’s lives.

This thought-provoking idea has been brought to life by Nicolas Boutruche, a French photographer who has transformed it into stunning visual art. Boutruche’s photographic works are like theatrical stages, with multiple plays being performed all at once. His images are mini-universes, brimming with life, action, and detail. They are like elaborate imaginative circus shows, captivating the viewer’s attention and imagination. Boutruche’s photographs offer a unique perspective, one that allows us to see beyond the surface and delve into the complex layers of human existence. They remind us that life is multifaceted and that every individual has a rich and intricate story to tell.

Through his artistic vision, Boutruche invites us to look beyond what is apparent and discover the magic that lies beneath the surface. His works are a celebration of human diversity, of the myriad of experiences and emotions that shape our lives.

In essence, Boutruche’s photographic works are a reflection of the complexity and beauty of the human condition. They are an invitation to explore the unknown and celebrate the richness of life. As you delve deeper into Boutruche’s imaginative worlds, you come to the realization that you yourself are a character in a fantastical theatrical production. Regardless of where you find yourself or the seemingly mundane nature of your surroundings, you are part of a vibrant and lively spectacle. All it takes is a closer look to reveal the enchanting colours and wondrous energy that surround you.

Art has always been a dynamic environment that evolves in response to new technology and creative developments. One such game-changing technology that has swept the art world is augmented reality (AR). AR has the potential to combine the physical and digital creative worlds, and it may become the connecting link between the two. By superimposing digital content over real-world environments, artists create dynamic and engaging experiences that combine the best of both worlds. This allows the artist to connect with their audience more closely and opens up new opportunities for artistic expression. AR technologies enable artists to express their thoughts in never-before-seen visual metaphors, while fans and patrons are being granted access to the creator’s head and experiencing the experience evolve via the creator’s eyes.

AR may be used to enhance traditional mediums like photography, painting and sculpture, or it can be used to create new forms of art that exist solely in the digital realm. This opens up new opportunities for artists to experiment with different styles, techniques, and topics. AR can make art more accessible to people from all walks of life by overcoming traditional barriers to accessing art. Virtual galleries and museums may be available from anywhere on the planet, allowing people to examine art that they would not have been able to see in person.

Augmented reality is an interactive experience that combines the real world and computer-generated content. The content can span multiple sensory modalities, including visual, auditory, haptic, somatosensory and olfactory.

The works of Nicolas Boutruche are on display in the Parisian art gallery Courcelles Art Contemporain. This exquisitely cosy space, devoted to contemporary creation, open-to-all and far from the world of clichés, celebrates both emerging and established artists by proposing an all-embracing palette of works of art that delight the most-demanding and mostdiverse tastes. A centre stage for inestimable creativity, the astonishing and the exceptional, the gallery hosts exhibitions, art fairs, animations, events, and partnerships.

HI, BARBIE!

www.warnerbros.com

Warner Bros. Pictures Presents a Heyday Films Production, a LuckyChap Entertainment Production, a Mattel Production, “Barbie.” The film will be distributed worldwide by Warner Bros. Pictures and released in theaters only nationwide on July 21, 2023 and beginning internationally on July 19, 2023.

Barbie is an American fantasy comedy directed by Greta Gerwig, the mastermind behind Oscar-nominated films such as Lady Bird and Little Women. Gerwig also wrote the screenplay for the film alongside her partner Noah Baumbach. Based on the Barbie fashion dolls by Mattel, the film is the first live-action Barbie film after several computer-animated direct-to-video and streaming television films. The movie stars Margot Robbie and Ryan Gosling as Barbie and Ken, respectively, alongside a large ensemble supporting cast. Alexandre Desplat, who previously collaborated with Gerwig on Little Women, scored the film. There has been a lot of mystery surrounding the film. While Warner Bros. has released promotional images of Robbie and Gosling in character, the actual plot has been kept tightly under wraps. Robbie stated that the film aims to subvert expectations and give audiences “the thing you didn’t know you wanted.” The lead actress told BritishVoguelast year, “People generally hear Barbie and think, ‘I know what that movie is going to be,’ and then they hear that Greta Gerwig is writing and directing it, and they’re like, ‘Oh, well, maybe I don’t...’ ”

During the 20th Unforgettable Gala, Simon Liu teased that the film is about inner beauty, and pointed out that Gerwig paid special attention to diversity and inclusivity. “You don’t have to be blonde, white, or X, Y, Z in order to embody what it means to be a Barbie or a Ken,” added Liu. A trailer for the film that premiered at CinemaCon gave attendees a better idea of what is happening in the movie. In the footage, Barbie lives in a perfect toy world, until the arches of her feet unexpectedly

After being expelled from Barbieland for being a less than perfect-looking doll, Barbie sets off for the human world to find true happiness

drop, leading her down a road that takes her away from the toy world and into the real world.

There will be Barbies of high repute: a winner of the Nobel Prize in physics, a holder of a Pulitzer, a celebrated author, a diplomat, a doctor, a lawyer, a Supreme Court Justice and other, lesser dolls, like Kens. The Kens do not hold traditional employment: their job is being Kens. Finally, there will be the humans, including Helen Mirren as the narrator. Naturally, there will be a plethora of costumes, the Dreamhouses, pastels, and flashy neon pink and yellow. Better prepare yourselves for the Barbiecore summer of 2023!

(Images courtesy of Warner Bros. Pictures)

BASSI LICHTENBERG

Artwork and photography by Bassi Lichtenberg, @midjourney.portraits. Fashion photographer & Tolkien enthusiast discovering AI-art.

Artwork and photography by Bassi Lichtenberg, @midjourney.portraits. Fashion photographer & Tolkien enthusiast discovering AI-art.

Elisa H. believes AI is an amazing tool and is here to stay along the human creativity.

Courtesy of @ai_fashion_photos. Instagram/ai_fashion_photos

A.I. FASHION WEEK

The week of April 20 and 21, 2023 is one to remember as it will go down in history as the week of the first-ever Artificial Intelligence Fashion Week – an event where fashion and tech met. As the impact of AI is constantly increasing in various fields, including the fashion industry where it has already revolutionised the way clothes are created, produced, and marketed, it could not have been timed better.

The AI Fashion Week is a collaboration among Maison Meta, Spring Studios and Revolve Group. Affiliated with the online magazine Trendland, Maison Meta is a young New York-based creative studio that focuses on the use of Artificial Intelligence and tests the possibilities of the digital space by pushing the boundaries of what is possible with AI in the fashion industry.

The event was an international competition where numerous designers participated, and the most ambitious and practical designs were selected. AIFW was held at Soho’s Spring Studios, the same location that hosts New York Fashion Week. Inside the venue were 24 screens that displayed around 50 AI-generated runway collections. Some images depicted models strutting down a traditional catwalk, while others showed models walking down imaginary Mediterranean-like villages, deserts of some other planets or surrounded by dinosaurs. The competition consisted of two voting rounds. The first round was online and open to the public from April 20 to April 21.

The 10 finalists who make it to the second round will be judged by a panel of industry experts that includes makeup mogul, Dame Pat McGrath, Vogue Japan’s head of editorial content, Tiffany Godoy, Céline casting director, Natalie Hazzout, Erika Wykes-Sneyd of the

Adidas Studio Web3, REVOLVE founder and co-CEO, Michael Mente, Head of Fashion Innovation Agency, Matthew Drinkwater and others. The chosen three winners will then have their AI-generated collections turned into real products and sold for the real world by the fashion e-commerce giant REVOLVE, with Revolve intending to have a real runway show at future events to showcase the work of these winners.

Maison Meta invited designers to use AI programs to create ready-towear fashion show designs complete with runway images, backstage scenes and street-style snapshots. The organisers received over 400 submissions from more than 200 designers who used text-to-image AI programs, such as Midjourney and Stable Diffusion, to generate otherworldly images of ready-to-wear collections. Designers from all over the world with the help of AI programs have created full collections of 15 to 30 looks, designed virtually. With carte blanche on the choice of models and the show production, creators had absolute freedom to express their visions to showcase their unique personalities.

AI has been making waves in fashion by changing the way a garment is designed. One way that AI is being utilised is by taking an already existing garment and using machine learning algorithms to create different versions of the design.

However, as the end purpose is to eventually produce the garments, a key requirement was that the designs had to be transformable into real clothes. “One of the things to emphasise is that what we are doing is very separate to Web3 and the metaverse that both initially offered this promise of fueling the creator economy, which we haven’t really seen happen,” Cyril Foiret, Maison Meta’s founder told FashionUnited. “Through this occasion, we wanted to make the creator economy really work in practice. The competition was free to enter, so that broadens the field for entrants, and with Revolve, it is really a matter of taking a designer’s creativity and allowing them to create a brand and monetise with the support of an e-commerce giant.”

The production of clothes created using AI technology may present some difficulties as it deviates from the traditional process of designing, creating a sample, and showcasing it to the public. Instead, the AI system first styles a look on a model, and the challenge then becomes how to transform that model into a tangible garment. Mente predicts that the final products may be more subdued versions of the original designs, similar to how elaborate runway outfits are transformed into more practical and marketable pieces for retail. The original designs may serve as a means of storytelling, while the finished products will be geared towards being more approachable and sellable.

“AI fashion week hopes to pave the way for a new realm of creation,” continued Foiret. “We really think the AIFW platform will make big waves in the fashion industry and showcase what you can do and how creative you can be when it comes to AI and fashion.”

Foiret noted, that the majority of participants were female from a wide age group from 18 to 65 years old.

Elisa H., a 57-year-old participant, is a digital creator who learned to use AI as a hobby and became proficient in Midjourney, Stable Diffusion and Night Café. She uses Instagram as a platform for exposing her artwork to the public. In less than a year the artist attracted 13,000 Instagram followers and the number is growing.

Elisa H. wishes to remain anonymous as she would like to keep her professional life as an attorney, practising civil rights law in New York, separate from her newly-found and fun hobby.

“I got into it just because it seemed like a great creative outlet,” she told the New York Post. “I really was not thinking of it as anything more than just experimenting with new technology and using it as a creative outlet.” Having worked as a fashion photographer in the past, with plenty of experience in shooting the NYFW and other fashion events, Elisa H. had a natural curiosity towards the potential of AI.

Self-described as “a sweatpants person”, she is exploring the possibilities of AI and what it can achieve especially in the field of photorealistic and inspirational images.

Her process is different for each creation: sometimes the artist uses her images and enhances them to achieve a more complex outcome, and other times she entirely relies on Midjourney for creating a brand new fantasy image.

“It’s obviously a lot faster to generate AI art than coordinating a fashion shoot, shooting and post-production,” she said and confirmed Foiret’s idea behind the AIFW.

“We really want to give the opportunity to anyone who is using these tools to maybe become a future big fashion designer,” Foiret said in an interview with the New York Post.

Foiret sees the competition as a way to bridge the gap between physical and digital creativity and hopes it will provide an accessible platform for designers to present and plan out a fashion show without the usual costs.

Elisa H. and the Maison Meta’s founder also agree on the idea that while AI might present risks, it should not replace the human factor in creativity but instead become a useful tool.

“AI is already impacting the world and, as every time with new technology, we will see a huge impact in the world,” Foiret said. “We do not think it will end some jobs per se, but will give new opportunities and introduce new tools for creatives and companies.”

“We see these AI tools as democratising creativity, especially in the fashion space,” concurred Nima Abbasi, a partner at Maison Meta. “It’s really about flattening the creative field, and in the end, like all good things, the people with the most creativity and imagination are able to come through. They don’t need teams or education in this space. They just need great imagination and a feel for what a collection could look like.”

“It’s not like the computer is designing and replacing jobs,” Mente said in an interview with Vogue Business. “It’s a different type of creator that’s using different types of technologies to create different types of outputs that can be produced physically. It’s a fresh perspective.”

Maison Meta hopes to show the fashion world how AI can be incorporated into existing workflows, and identify new talent in the process. Creating a new Fashion Tech Incubator, Foiret is trying to bridge the gap between AIgenerated designs and IRL physical clothing production, and potentially launch the careers of new designers in the process. This partnership with REVOLVE reaffirms Foirets’s belief that AI is meant to enhance the creative process, not replace it.

As REVOLVE’s Mente explained to Jenny Wang, Forbes: “We believe AI can be a technology that helps deliver experiences and products to our customers in ways not

possible before. This endeavour is not AI for AI’s sake, it is AI to help us improve what we are already doing.”

“REVOLVE was started as a technology company first. Long before I became fashion obsessed, I was a tech nerd! Following the latest technology has always been fun, interesting, and exciting,” added Mente in an interview. “It’s important for REVOLVE to be ahead of the curve because our business is very competitive. We are always looking for advantages and always looking for ways to be our best.”

Mente is well aware that a demand for an AI-generated fashion is not yet evident, but firmly believes that the launch of the AIFW the first three places recipients’ collection on Revolve will be very well-received and will mark an important starting point of reference.

The editorial world is supporting the arrival of AI as the fashion industry continues to use it extensively for various purposes. Tiffany Godoy, Head of Content at Vogue Japan and AIFW jury member, sees the role of AI in fashion in a positive light and compares its possible domination to the effect of Photoshop or Illustrator. She thinks designers, especially those with less experience and without a traditional education, can benefit greatly from AI-generated content.

Godoy said, “I’m interested in meeting the people who are working in AI and understand the possibilities of how we can support new types of creativity. How can we empower young people from all over the world, who may not have had the budget to be creative before this?”

According to Forbes, “Godoy also predicts that AI-generated designs may naturally become NFTs over time, further solidifying blockchain’s place in the fashion world. As luxury brands explore AI technology, questions of ownership, copyright, and craftsmanship become increasingly relevant. What is an original and what is generated? What is real and what is hallucinated? Given that NFTs offer an immutable, public proof of ownership, they could certainly play a significant role in helping both brands and customers differentiate between what is authentic and what is derivative.”

Maison Meta believes that AIFW is not only about promoting creativity but also about supporting the implementation of technology throughout the fashion industry’s value chain. They hope that others will be inspired to adopt this technology as well. AI is still in its infancy and offers a plethora of benefits that have yet to be fully explored. Although humans are irreplaceable, using AI can speed up production processes, provide a consistent source of inspiration, and reduce the need for extensive resources when creating a collection. This frees up designers’ time to focus on artisanal work that requires physical labour. By utilizing AI, designers can analyse data and predict customer behaviour and trends, giving them a competitive edge while conserving valuable resources.

According to McKinsey & Co, generative AI has the potential to increase the fashion and luxury industries’ operating profit by $150 billion to $275 billion in the next three to five years. Generative AI creates new space for creativity, from codesigning to speeding content development processes. It can input unstructured data such as raw text, images, and video and output new forms of media, including fully-written scripts, 3-D designs, and realistic virtual models for video campaigns.

AI-generated designs have certainly sparked curiosity within the fashion industry. At the London Fashion Week 2023, Moncler Genius made its entry into the world of AI campaigns, in line with the latest trend. Maison Meta and Creative Agency WeSayHi collaborated to create this stunning AI campaign, which highlights Moncler’s latest collaboration with various fashion designers and brands, including Adidas Original, Pharrell, Palm Angels, Alicia Keys, Frgmt, Salehe Bembury, and Roc Nation by Jay-Z. Another example is Valentino, one of the first fashion houses to launch an AI-generated campaign, which blended AI-generated props & models and actual product photography with Photoshop.

Overall, using AI in fashion design allows for greater creativity and efficiency in the design process. Artists and fashion designers can quickly and easily create a range of options to choose from by using machine learning algorithms to generate new ideas and variations on existing designs, saving time and resources in the process. Additionally, AI can lead to the creation of unique and innovative designs that may not have been possible with traditional design methods.

The future of fashion design lies with AI, which provides new tools, modes, and possibilities, and opens the doors for new imaginations. With initiatives like AIFW, Maison Meta and REVOLVE are creating a platform for emerging designers equipped with a new set of tools.

According to the MIT study Experimental Evidence on the Productivity Effects of Generative Artificial Intelligence, people experience a 50% productivity gain due to AI. And this is just the beginning of AI.

“I got into it just because it seemed like a great creative outlet,” says Elisa H. Courtesy of @ai_fashion_photos.

Instagram/ai_fashion_photos

Only a member of the Vienna State Opera Orchestra can get into the Vienna Philharmonic. Therefore, one must first audition for a position with the State Opera Orchestra and be a part of it for over three years before becoming eligible to submit an application for membership in the association of the Vienna Philharmonic.

Image © Dieter Nagl

Image © Dieter Nagl

Image © Dieter Nagl

THE VIENNA PHILHARMONIC

www.wienerphilharmoniker.at

The orchestra’s close association with Vienna’s rich musical history is evident in the statements of countless pre-eminent composers: Richard Wagner described the orchestra as one of the most outstanding in the world; Anton Bruckner called it “the most superior musical association”; Johannes Brahms counted himself as a “friend and admirer”; Gustav Mahler connected with it through “the bonds of musical art”; and Richard Strauss summarised these sentiments by saying: “All praise of the Vienna Philharmonic reveals itself as understatement.”

Image © Dieter Nagl

Image © Dieter Nagl

Image © Dieter Nagl

Image © Dieter Nagl

He liked three-piece suits, dinner jackets, straight lines that cling naturally to the body. Humphrey Bogart epitomised the prevailing style of the 1950’s, a long way off stars like James Dean, who were revulsive and rebellious.

TIMELESS

The Hollywood heart-throbs were and always will be eternal. They were leading men both on and off screen thanks to their magnificent looks and extraordinary elegance. So much talent and glamour had never come together on the Hollywood stage. Actors like Cary Grant, Gary Cooper or Fred Astaire turned film sets and clubs into authentic fashion catwalks of savoir-faire. They have gone down in history not only for their acting skills, but also for being handsome and well dressed: elegance was personified in them.

Humphrey Bogart (1899-1957)

Fred Astaire lived at a time when men wore tightfitting clothes which were a far cry from those loose-fitting suits and V-neck shirts. Men turned to tailors to be fitted with clothes that would fit them like a glove and give them an air, a special touch that was impossible to achieve any other way: it was the masculinity he wanted to embrace.

Fred Astaire (1930).