SHOPPING ADDICTION
Shopping addiction, also known as compulsive shopping disorder, is defined by an eagerness to purchase needless or excessive items, as well as a lack of impulse control while shopping. Individuals with shopping addiction often experience financial problems such as significant debt, inability to meet basic financial obligations, and bankruptcy.
Every year, 5 billion pounds of waste is produced from returned goods, despite the fact that the items are still perfectly useable.
Shopping addiction significantly accelerates the annual rate of product consumption.
5-8%
Of global population has a shopping addiction
S W
Economic Boost: Shopping addiction drives consumer spending, which can stimulate economic growth
Consumer Engagement: High consumer engagement in fashion trends encourages continuous product development and variety.
OConsumer Awareness: Increasing awareness about the environmental impact of shopping addiction can lead to more responsible consumer behavior.
Sustainable Fashion: Growing demand for sustainability can encourage the development of eco-friendly and ethical fashion practices.
Resource Depletion: Excessive production due to high demand strains natural resources
Greenhouse Gas Emissions: Increased production and transportation of clothing lead to higher carbon emissions.
Fast Fashion’ s Quality Issue: Lowquality, disposable fashion items contribute to a cycle of constant consumption and disposal,
TGlobal Supply Chain Impact: The global nature of clothing production and supply chains makes it difficult to regulate and implement sustainable practices universally.
Consumer Behavior Resistance: Changing entrenched consumer habits and addiction to shopping can be challenging, especially in a consumerist culture.
COMMON BEHAVIORS
12%
Of college students in the US have symptoms of compulsive shopping
The average age at which individuals begin to show symptoms of shopping addiction is typically in their late teens or early 20s.
80%
Of the people affected by shopping addiction are women
WHO IT AFFECTS
Young adults: susceptible due to factors of peer pressure
People with mental health issues: People with depression, anxiety, or OCD are more prone to developing shopping addictions
Individuals with high-stress levels: these people might turn to shopping as a coping mechanism
People with low self-esteem: temporarily help boost self-esteem and confidence
Income level: those with more disposable income or access to credit might engage more frequently in excessive shopping.
Family and friends: shopping addiction can often impact relationships, finances, and household dynamics

Thinking about all the people affected by shopping addiction is crucial because it not only impacts the individual financially and psychologically, but it also strains personal relationships, creating emotional and financial burdens for family and friends.
Reasons
Emotional Distress
Low Self-Esteem
Seeing a “High”
Social Influences
Accessibility
Underlying Mental Health Issues

84%
Report a family history of mental health disorders such as mood or anxiety disorders.
65% of people have a close friend or family member struggling with shopping addiction
33%
Of compulsive buyers have debts exceeding
$10,000

EFFECTS ON ENVIORNMENT
Packaging Waste: Increased purchasing, especially online, results in an excess of packaging materials like cardboard, plastic, and other packing substances that often end up in landfills.
Electronic Waste: With technology products being a common purchase, shopping addiction can contribute to the growing problem of electronic waste, which is particularly harmful due to toxic components.
Short-Lived Products: The attraction to fast fashion and trendy items, which are frequently bought and discarded, exacerbates the problem of waste, as these items are not made for long-term use.
In 2020, shipping and returning products accounted for about 37% of total greenhouse gas emissions related to e-commerce.
Recognizing the impact of shopping on pollution is critical since excessive consumption and the disposal of undesirable goods contribute considerably to environmental degradation, such as trash generation and higher carbon emissions.
Resold ThrownAwayThe world consumes about 80 billion new pieces of clothing every year, which is 400% more than just two decades ago.
DESIGN IMPLICATIONS
Avoid placing tempting impulse items at checkout or along main walkways.
Arrange products logically rather than strategically placing high-margin or impulse items in high-traffic areas.
Use calming colors and lighting. Bright, flashy colors and intense lighting can encourage impulsive behavior.
Soft, natural lighting and a neutral or cool color palette can create a more relaxed shopping environment.

Create a straightforward, clear layout that avoids confusing or maze-like designs. This helps shoppers find what they need without unnecessary wandering, which can lead to impulse buys.
Use clear signage for different sections to reduce the time spent browsing
Avoid aggressive sales tactics, such as limited-time offers or high-pressure sales techniques, which can trigger compulsive buying.
Minimize in-store advertisements and signage that encourage impulsive or bulk purchases.
WHY IS IT IMPORTANT?
By addressing these environmental issues, the fashion industry can move towards a more sustainable and responsible way of operating.
Shopping addiction adds an extra stain on the shopping industry, with the increased need for clothes to be produced. This results in fast fashion cycle, waste generated, carbon footprint, and many more harmful cycles.
By understanding the connection between shopping addiction and waste pollution, you can see the influx it has had on pollution. Once we are able to acknowledge the connection then we can move towards fixing it.

CASE STUDY
MIXED USED SHOPPING CENTER
MIXED USED SHOPPING CENTER SHIBUYA CITY, JAPAN
SHIBUYA CITY, JAPAN




KEY TAKEAWAYS
Functional and Aesthetic Interior Design: The interior design of such a commercial space likely focuses on creating an inviting and functional environment. This includes open layouts, natural light, and the use of materials that create a warm and welcoming atmosphere.
Technological Integration: Modern buildings often incorporate advanced technology for improved functionality and user experience. Flexible Spaces: Flexibility is key in commercial design to accommodate various types of businesses and activities.
Emphasis on User Experience: The overall design prioritizes the user experience, focusing on how people interact with the space, including accessibility and comfort.

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DUE TO FAST FASHION, CARBO HAZARDOUS MATERIALS ARE IN ON POLLUTION AND WASTE.
OIL CONSUMPTIO
FOSSIL FUELS USED IN THE PRO
ACCOUNT FOR A LARGE AMOUN RELEASES HARMFUL POLLUTAN
TEXTILE WASTE
FAST FASHION CAUSES MASSIV
LANDFILLS OF RECYCLABLE FAB HARMFUL CHEMICALS.
WATER USAGE WORKING CONDI
FAST FASHION USES WASTEFUL EXCESSIVE WATER USAGE, CON ENVIORNMENT AND LOCAL COM
5 ENVIORNMENTAL
FAST FASHION IS KNOWN FOR DEVELOPING COUNTRIES, WHIC CHILD LABOR, AND POOR WOR
N EMISSIONS AND THE USE OF NCREASED CAUSING NEGATIVE EFFECTS
ODUCTION OF FABRICS AT FACTORIES
NT OF OIL CONSUMPTION, WHICH TS.
VE TEXTILE WASTE, FILLING UP BRICS, WHERE THEY CAN RELEASE
L PRODUCTION METHODS, INCLUDING NCLUDING IN NEGATIVE EFFECTS ON THE MMUNITIES.
ITIONS
THE SPEED OF PRODUCTION IN CH TENDS TO INVOLVE FORCED LABOR, KING CONDITIONS.
FAST FASHION USES
RAPID PRODUCTION
TIME / LOW COST
PRODUCTS, CUTTING
LABOR COSTS AND WORKING CONDITIONS
LOW COST LABOR LEADS TO POOR WORKING CONDITIONS AND LOW WAGES
FAST FASHION IS HARMFUL DUE TO ITS NEGATIVE SOCIAL CONSEQUENCES
FAST FASHION NEEDS TO END
FAST FASHION PROMOTES RAPID PRODUCTION CONTRIBUTING TO ENVIORNMENTAL DEGRADATION
FAST FASHION USES
LARGE AMOUNTS OF OIL IN THE PRODUCTION OF SYNTHETIC FIBER AND AS THE PRIMARY ENERGY SOURSE FOR THE FACTORIES
BURNING OIL RELEASES GREENHOUSE GASES SUCH AS CARBON DIOXIDE INTO THE ATMOSPHERE, HURTING CLIMATE CHANGE
FAST FASHION USES
LARGE AMOUNTS OF WATER TO DYE FABRICS, MAKE COTTON, AND WASH GARMENTS
FAST FASHION
COMPANIES OVER PRODUCE TO MEET DEMANDS WHICH LEADS TO EXCESS FABRICS BEING DISCARDED
EXCESSIVE WATER USE CAN LEAD TO THE DEPLETION OF FRESHWATER RESOURCES, AND NEGETIVLY EFFECT AQUATIC HABITATS
DISCARDED TEXTILES CAN RELEASE MICROPLASTICS INTO THE ENVIORNMENT, POLLUTING WATERWAYS AND SOIL
Fast Fashion is a $100 billion industry that is the pressure to reduce costs and speed up production time to create cheap alternatives to fashion trends, which leads to environmental corners being more likely to be cut. It is becoming increasingly known that the booming industry of quick-turn-around, inexpensive clothing has a huge footprint in terms of energy consumption and emissions. Its terrible environmental impact is now recognized as one of the most polluting industries in the world.
NATIONAL GDP’S IN TRILLIONS
“ T H E F A S H I O N I N D U S T R Y I S
R E S P O N S I B L E F O R 1 0 % O F T H E
G L O B A L C O 2 E M I S S I O N S . T H I S I S
M O R E T H A N T H E G L O B A L A I R -
S H I P P I N G T R A F F I C A N D M A R I T I M E
T R A N S P O R T C O M B I N E D “
FASHION’S EMISSIONS OF HARMFUL
50%
GREENHOUSE GASES ARE PROJECTED TO GROW BY MORE THAN BY YEAR
1 .
THE PRODUCTION OF SYNTHETIC FIBRES FOR THE TEXTILE INDUSTRY CURRENTLY ACCOUNTS FOR BARRELS OF OIL EVERY YEAR
3 B
THIS EXCEEDS THE ANNUAL OIL CONSUMPTION OF SPAIN
USING A NON-REUSABLE RESOURCE SUCH AS OIL IN FAST FASHION IS CAUSING POLLUTION IN THE WATER AND AIR, WHICH IS IMPACTING CLIMATE CHANGE AND FOSSIL FUELS NEGITAVLEY.
IS LOST DUE TO LACK OF RECYCLING EVERY YEAR
EVERY YEAR, BILLIONS OF FAST FASHION GARMENTS ARE PRODUCED. THESE GARMENTS ARE OFTEN MADE FROM LOWQUALITY MATERIALS THAT ARE NOT DESIGNED TO LAST, WHICH CAUSES THEM TO FALL APART EASILY AND END UP AS WASTE EVEN SOONER.
Only of clothes are recycled or donated.
15%
81.51 POUNDS OF CLOTHES IS THROWN AWAY EVERY YEAR BY THE AVERAGE US CONSUMER
92 MILLION TONS
OF CLOTHESRELATED WASTE IS DISCARDED EVERY YEAR
ALL OF THIS TEXTILE WASTE HAS A SERIOUS ENVIRONMENTAL IMPACT. IT TAKES UP VALUABLE SPACE IN LANDFILL SITES AND CAN RELEASE HARMFUL CHEMICALS INTO THE ENVIRONMENT.
WHICH IS ENOUGH TO FILL EMPIRE STATE BUILDINGS EVERY DAY ONE AND A HALF
SECOND LARGEST
20,0 LITR Fast fashion companies are the water users in the world, after agriculture.
OF WATE PRODUCE KILOGRAM COTTON
WATER USAGE
THE DYES AND TOXIC CHEMICALS USED IN CLOTHING MANUFACTURING ARE OFTEN RELEASED INTO WATERWAYS, POLLUTING THEM AND CAUSING HARM TO LOCAL
ECOSYSTEMS - HARMING PLANT LIFE, WILDLIFE, AND EVEN HUMANS WHO RELY ON THESE WATER
SOURCES FOR DRINKING AND BATHING.

CHILDREN ARE INVOLVED IN THE GLOBAL TEXTILE AND CLOTHING PRODUCTION INDUSTRY
THE FAST FASHION INDUSTRY IS ACCUSED OF NUMEROUS HUMAN RIGHTS VIOLATIONS
FORCED LABOR:
6 MILLION CHILDREN ARE FORCED INTO LABOR
CHILD LABOR:
CHILDREN OFTEN WORK LONG HOURS IN DANGEROUS CONDITIONS FOR LITTLE PAY. THEY ARE ALSO AT HIGH RISK OF BEING EXPOSED TO HARMFUL CHEMICALS AND POLLUTANTS.
WORKING CONDITIONS:
THESE WORKERS CAN WORK UP TO 14-16 HOURS A DAY 7 DAYS A WEEK FOR AS LITTLE AS $1.58 AN HOUR, AS THEY ARE WORKING ENOUGH TO BARELY SURVIVE.
FAST PRODUCTION
INNOVATION IN DESIGN
ECONOMIC GROWTH
BRAND RECOGNITION
S O
PRODUCTS ARE MORE AFFORDABLE FOR A LARGER GROUP OF PEOPLE
GLOBAL TRADE
INTERNATIONAL COMPETETIVENESS
W T
NEGATIVE ENVIRONMENTAL IMPACT
POOR QUALITY PRODUCTS
LABOR EXPLOITATION
DEPENDENCE ON CONSUMER TRENDS
INCREASED REGULATION
COMPETITIVE PRESSURE
NEGATIVE PUBLIC PERCEPTION
NEGATIVE IMPACT OF DEVELOPING ECONOMIES






A D M I N I S T R A T I O N O N 1 S T F L O O R
2 M E C H A N I C A L R O O M S O N E A C H F L O O R
5 E X I T S O N E A C H F L O O R - S T A I R W A Y S / E L E V A T O R S
L O B B Y A R E A B Y A L L E L E V A T O R S
I F T H E R E I S A K I T C H E N , A K I T C H E N F R E I G H T E L E V A T O R
I S N E E D E D
M I N I M U M O F 4 B A T H R O O M S O N E A C H F L O O R - D I S A B L E D
B A T H R O O M O N E A C H F L O O R
S E C U R I T Y R O O M
S T O R A G E R O O M S O N E A C H F L O O R
D E S I G N
I M P L I C A T I O N S
Designing a mixed-use shopping store with the aim of addressing the challenges of fast fashion involves integrating sustainable practices, promoting responsible consumption, and creating a space that encourages ethical choices.
MATERIALS: Choose sustainable and eco-friendly materials for interior design elements. Opt for materials that have a lower environmental impact, such as recycled or upcycled materials
FLEXIBILITY: Embrace modular and flexible design concepts that allow for adaptability and reconfiguration. This approach can extend the lifespan of interior spaces
LONGEVITY: Avoid trends that quickly become outdated, promoting longevity in design choices.
LOCALLY SOURCED: Prioritize locally sourced materials and craftsmanship to support local economies and reduce the carbon footprint associated with transporting materials over long distances
RECYCLING: Design spaces with waste reduction in mind. Consider strategies for recycling, composting, and minimizing single-use items
EDUCATION: Incorporate educational elements into interior design that inform occupants about sustainable practices, responsible consumption, and the environmental impact of their choices.
DONATION: Create designated areas within the store for recycling and donation of clothing. Encourage customers to recycle or donate old clothing, promoting a circular fashion model.
TECHNOLOGY: Use technology, such as QR codes, to provide customers with information about the sourcing, production processes, and ethical practices of the brands featured in the store. Enhance transparency in the supply chain.
REPAIR: Incorporate spaces within the store for repair and alteration services. Encourage customers to extend the life of their clothing items through repairs and alterations rather than discarding them.
BIOPHILIC: Integrate green spaces and biophilic design elements within the store to create a connection with nature. This contributes to a positive shopping experience while promoting sustainability.
ENGAGEMENT: Create spaces within the store for community engagement, workshops, and events focused on sustainable living, ethical fashion, and responsible consumption.
CONCLUSION
WE AS A DESIGN COMMUNITY CANNOT CONTINUE TO SUPPORT THESE EXTREMELY HARMFUL COMPANIES.
WE MUST MAKE A FUNDAMENTAL SHIFT IN THE FASHION INDUSTRY THROUGH DESIGN TOWARDS SUSTAINABLE AND ETHTICAL PRACTICES.
RESOURCES
https://gitnux.org/fast-fashionstatistics/#:~:text=of%20pesticide%20use.-,Fast %20Fashion%20Statistics%20Trends,population' s%20demand%20for%20affordable%20clothing
https://www.sustainyourstyle.org/en/workingconditions
https://stateofmatterapparel.com/blogs/somblog/the-fast-fashion-environmental-impact
https://goodonyou.eco/what-is-fast-fashion/
https://labs.theguardian.com/unicef-childlabour/
https://changingmarkets.org/wpcontent/uploads/2021/01/FOSSIL-FASHION Webcompressed.pdf

PAX SYDNEY, AUSTRALIA

THE PAX GOAL

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DIAGRAM
SHOPPING ADDICTION FAST FASHION
Coffeeshoponthefirstfloorsothatthefirstthingtheythingofwhen enteringisnotshopping
Donation/repairdropoff,thisallowsforpeopletohaveaplacetobring theiroldclothestoberepaired,ordonatedratherthanthrowingitaway
Secondfloorcoffeeshopseating,aswellasbarandpatioseatingto createtimebeforeshopping
Alteration/repairroomsopeoplehavetheopportunitytofixtheirclothes andhavethemlastlonger
Havingopenfloorplansinstoresallowsforpeopletonotfeelstuckor overwhelmed
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4
Artinstallationcenteredaroundtheenvironmentandpollution
Shoppingstoresarenotthefirstthingpeopleseeonthefloor,sothey canavoidthemiftheywant Localandsecondhandstores
Fashionshowrentaltoshowoffnewsustainableclothes
Thisentertainmentspaceallowsforpeopletotakeabreakbetween shoppingandslowdown


M a t e r i a l s b o a r d

FLOOR 1



FLOOR 2


FLOOR 3


FLOOR 4



Blow Up drawing

Sustainable Runway
This runway, located on the fourth floor, is intended to provide a break from shopping while also teaching visitors about the importance of sustainable clothing.
This runway allows store owners to show buyers their new products, explain what makes them sustainable, and demonstrate how much better these products are for the environment.
Entering from the top left corner, you will have several seating options to choose from. There are racks where the show runner can display the clothes for visitors to examine more closely. The prep area for the models and other user storage needs are accessible through the double doors.
This space encourages the education of new products while also making it enjoyable for viewers.

FLOOR 5


FLOOR 6




SECTION A






e section tiv


Axon cut


SUSTAINABILITY
STRATEGY DIAGRAM
Donation Center
Alteration/Assistance
Alteration Center
Circulation
WHY DONATE?
Every citizen discards up to 80 pounds of clothing annually. It can take up to 2,700 liters of water to produce the cotton used in one t-shirt. It means that if 1,000 people donated a tshirt, they would save nearly a million gallons of water that companies would spend on making new ones.
The location of these two spaces make it easy for visitors to access, donate and help contribute to the sustainability movement PAX working towards.
Story Board
