Voice-Tribune July 2025

AMY D WAGNER

• Licensed Professional Realtor

• Award Winning Designer

• Multi-Million Dollar Producers

• Over 17 Years Experience In The Industry

Dear Louisville Voices & Readers,

When our team first envisioned this Women’s Volume, we wanted to do more than simply highlight strong women, we wanted to capture why they are strong. We wanted to showcase what fuels them, who they lift up, what they create, and how they move through the world in ways that inspire not just admiration, but action. Women who represent the spirit of Louisville.

This issue is a love letter to the women who are building, healing, mixing, molding, and broadcasting Louisville’s story—in their own words, in their own voice, on their own terms.

Someone like Lisa Frye, a champion of artists and misfits alike, whose Art Sanctuary is more than a venue—it’s a home. A heartbeat. A reminder that community is created by those brave enough to believe in it. We meet Cara Shelton, who honors legacy and leads with innovation at Margaret’s Fine Consignments. And we explore how bourbon isn’t just Kentucky’s claim to fame—it’s a craft, a culture, and in the hands of Ale Ochoa of Jefferson’s, a science and an art form.

From radio queens like Chea K. Woolfolk, Bella Rae, Kelly K, and Emily On The Radio, who remind us that influence starts with authenticity. To artists like Hailey Pereyra, who shapes identity from clay and memory, this issue pulses with strength. Each story is different. But they all echo the same truth: when women rise, they don’t just lift themselves, they build spaces, spark conversations, and shape cities.

You’ll find yourself inspired by the quiet strength of ranch life at Rainbow Acres, stirred by Jamey Johnson’s reflection on country music and connection, and refreshed by Jennifer Brian’s cocktail revolution that makes room for everyone at the table.

This volume also celebrates moments of transformation, whether through Tim Kirkman’s storytelling lens, the multicultural beauty of the Love & Marriage exhibit at the Frazier History Museum, or the unforgettable events you can NOW host at Angel’s Envy Distillery, where legacy and love blend as smoothly as the bourbon.

Together, these stories reflect a Louisville that is fierce, tender, talented, curious, and deeply committed to telling its truth.

Thank you for letting us tell these stories. And thank you to the women who ARE these stories. May this issue inspire someone to build, to create, to speak up, to believe again—and most of all, to know that their voice belongs here..

With admiration and endless gratitude, Cheers to the many VOICES of Louisville

Amelia Frazier Theobald Publisher & CEO, The VOICE-TRIBUNE

Best Dressed is Louisville’s most iconic fashion event! Featuring the freshest styles, while paying homage to the best dressed of Louisville's fashionistas!

SATURDAY, AUG 16TH 6:30 PM – 10:30 PM AT MELLWOOD ART CENTER

is year our event bene ts WAGS Pet erapy of Kentucky, a nonpro t bringing comfort and healing through the power of trained therapy animals.

Proceeds from Best Dressed will help train and register more therapy teams, answering the call of 17+ facilities waiting for support.

Models will be strutting down the catwalk (or dogwalk) with man's best friend, out tted in their own matching styles!

EDITOR’S

NOTE

Women: The Unofficial CEOs of Community

Let’s be honest, none of us would be here without women. Literally, of course, but also in the “who packed your lunch, reminded you of your worth, and told you to go for it?” kind of way. This volume is for the women who keep things interesting. Scientists, artists, all the women shaking up (and stirring) the whiskey and cocktail world, now a much more interesting co-ed party.

Women are the unofficial CEOs of community. They have this uncanny ability to bring people together. They’re the glue, the hype squad, the peacekeepers. This volume has the kind of women you definitely want at your table. Here’s to the women rewriting the rules, lifting as they climb, and making the world (and your group chat) a better place.

Take care,

Alisha Proffitt Chief Director of Editorial & Editor

PRESIDENT/CEO, AMELIA FRAZIER THEOBALD OPERATIONS MANAGER, MARY ZOELLER

CHIEF DIRECTOR OF EDITORIAL, & EDITOR, ALISHA PROFFITT

CHIEF REVENUE OFFICER & DIRECTOR OF SALES, JULIE KOENIG

CHIEF GRAPHIC DESIGNER, JOSH ISON

COPY EDITOR, RENAE ISON

CHIEF EVENT PHOTOGRAPHER & DIRECTOR, EDITORIAL PHOTOGRAPHER & VIDEOGRAPHER, GRAPHIC DESIGNER, KATHRYN HARRINGTON

FASHION & EDITORIAL PHOTOGRAPHER, MATT JOHNSON

FASHION & EDITORIAL PHOTOGRAPHER & VIDEOGRAPHER, ANTONIO PANTOJA

SOCIAL MEDIA MANAGER & CONTENT CREATOR, BRYLEA PEACH

ACCOUNT EXECUTIVE & FASHION COORDINATOR , CLEO HEINE

ACCOUNT EXECUTIVE, SAMANTHA HAUB

DISTRIBUTION, KELLI & RAGAN VAN HECKE, JILL & JOHN MINNIX

CONTRIBUTING WRITERS: ALISON CARDOZA, ALISHA PROFFITT, ANTONIO PANTOJA, JACKIE ZYKAN, KATHRYN HARRINGTON, KELSEY KNOTT, KEVIN MURPHY WILSON, MANDA BARGER, MCKENNA GRAHAM, RENAE ISON, RUSS BROWN

CONTRIBUTING PHOTOGRAPHERS: BEN CHRISTENSEN, BITTNERS, GIOIA PATTON, GLASSCOCK BOUTIQUE, JACKIE ZYKAN, KEVIN SIVAKUMAR, KRIECH-HIGDON PHOTOGRAPHY, LARKIN BOHN, MARTY KING, TARIS SMITH, TIM KIRKMAN, TOMMY JOHNS, UOFL ATHLETICS, ZACH HUCHISON

the Hawsepipe and Finding a New Path with Larkin Bohn By Alisha Proffitt

by Matt Johnson and Provided by Larkin Bohn

Lisa Frye Gave Artists a Home, Now Let’s Save Art Sanctuary for Good By Alisha Proffitt

By Matt Johnson

I Am We: Licia Priest

By Kelsey Knott

by Matt Johnson

The Woman Behind the Whiskey: Meet Jefferson’s Bourbon’s Master Blender

Ochoa

By Alisha Proffitt

by Matt Johnson

Over the Rainbow Acres: A Haven for Horse Lovers and Equestrian Enthusiasts By Renae Ison

By Matt Johnson

Ciudadana de sí Misma: The Art of Hailey Pereyra By Alisha Proffitt Photos By Zach Hutchison

Host a Wedding Weekend to Remember at Angel’s Envy Distillery By VOICE-TRIBUNE

Photos By Kriech-Higdon

The Modern Romantic, a Bridal Story at Angel’s Envy

VOICE-TRIBUNE Photos By Matt Johnson

The Original Influencers: Louisville’s Leading Women in Radio

By Alisha Proffitt

By Matt Johnson

Keeping Margaret’s Fine Consignments Magic Alive with Cara Shelton

By Alisha Proffitt Photos by Matt Johnson

Mamma Mia! Making a fashionable impression as the mother of the bride By Remy Sisk Photos Provided by Glasscock Boutique

& Marriage Exhibit

By Manda Barger

By Matt Johnson

POCO Pop Ups and The Pearl Celebrate Over a Year of Behind the Pink Door and their New Sapphic Wedding Package

By Alisha Proffitt

by Tommy Johns

for Revival:

Arist Feature: B. Stille from Nappy Roots

Kelsey Knott

by Matt Johnson

The Southern Sounds of Summer: Jamey Johnson rolls on with new album and tour By Kevin Murphy Wilson

By Ben Christensen

Alison Cardoza

By Matt Johnson

On a collision course? Former Cats and Cards could meet again in TBT with The Ville and La Familia

By RUSS BROWN

By UofL Athletics

Seasons of hard knocks overcome Cards restored joy, belief to baseball program with run to CWS

By RUSS BROWN

By UofL Athletics

Harringtons Society

$2,750,000

From early morning fishing to tending your garden, harvesting fruit, or relaxing by the pool at sunset, this estate offers more than just a place to live—it offers a way of life. Whether you’re looking to get closer to nature, create a legacy property, or reduce your environmental impact, this versatile homestead makes it all possible.

56 Acres of Gated Privacy

Agricultural Tax Exemption

Diverse Landscape

Meandering Creek

Two Residences, Both Under Three Years Old

Two Fully Stocked Ponds

Seasonal Deer & Turkey Hunting

Quarter-Acre Fenced Garden

Expansive Orchard

Rich Wildlife

Designed for Off-Grid Living or Reduced Footprint

Chicken Coop

By VOICE-TRIBUNE • Portrait By Kathryn harrington • Interior Photos Provided By Bittners

For this Women’s Volume, we’re proud to highlight the work of one of Bittners’ standout women designers, Crystal Smith. Crystal Smith’s work as an interior designer at Bittners is a clear example of how timeless elegance can blend seamlessly with modern design. Her projects not only look gorgeous, but they also create spaces that feel welcoming, comfortable, and thoughtfully put together. Crystal’s skillful use of color, texture, and layout brings each space to life in a way that’s both practical and visually striking.

This photo spread highlights a range of Crystal’s projects that show her strong attention to detail and dedication to quality design. Her portfolio showcases a wide variety of styles and approaches. Each project reflects her goal of creating rooms that aren’t just beautiful, but also meaningful and built to last.

As you browse through these images, you’ll see how Crystal’s designs transform everyday spaces into places that feel personal and inviting. Her work at Bittners plays a role in defining what interior design looks like today, balancing tradition with innovation, comfort with style.

We invite you to experience the thoughtful creativity behind Crystal Smith’s designs and to discover how her work at Bittners continues to shape inspiring interiors for clients across many different settings.

HOW REPUBLIC BANK IS ELEVATING WOMEN LEADERS ACROSS THE FINANCIAL LANDSCAPE

Sponsored • By VOICE-TRIBUNE • Photos by Matt

Johnson

In an industry where leadership has long skewed male, Republic Bank is shifting the narrative by championing the power of women. Across departments and disciplines, women at Republic Bank are not only thriving, they’re leading, innovating, and driving change for clients and communities alike.

At the heart of this momentum are women like Jennifer Glassner, Candy Dupree, and Wende Cosby, who each bring a unique perspective to their roles in retail and business banking. Jennifer’s journey spans over two decades, from floating teller to Vice President and Business Banking Officer. Her trajectory is proof of upward mobility when passion and support align. Candy, a Business Development Manager and advocate for community engagement, found her voice at Republic Bank. Through initiatives like the Juneteenth Celebration and financial literacy outreach, she’s helping others rise while building something lasting for herself. Wende Cosby, a seasoned Business Development Manager, values the old-school relationship banking model that still puts people first, meeting clients where they are, with decisions made by people who know the community.

This community-first mindset runs all throughout the organization and is especially visible in the Commercial Banking division. Women like Kathy Pleasant, Lisa Butcher, Joan Strafer, and Hannah Adams bring both strategic thinking and personalized care to their work, helping businesses, from local ventures to large enterprises, secure the resources they need to grow.

Kathy Pleasant, Senior Vice President and Director of SBA Lending, created and now leads the SBA department for Republic Bank across five states. Under her guidance, the bank has earned a reputation as a “go-to lender” for SBA-backed financing. Lisa Butcher, a 30-year veteran, transitioned from private banking to commercial real estate lending, helping clients navigate deals that range from multifamily housing to industrial space. Her in-depth institutional knowledge and client responsiveness make her a reliable advisor and dealmaker.

Joan Strafer brings over three decades of commercial banking experience and uses that insight to tailor solutions that create real, local impact. Meanwhile, Hannah Adams, one of the bank’s emerging leaders, represents the next generation of empowered professionals. In just five years, she’s moved from Associate Banking Officer to AVP, Commercial Banking Officer.

In Treasury Management, the powerhouse trio of Johanna Wheatley, Casey Wilson, and Jessica Beatty are helping clients streamline operations and mitigate risks while reinforcing the bank’s reputation for trust and innovation. Johanna Wheatley, known for her enthusiastic energy and community engagement, specializes in nonprofit financial solutions and is a leader both inside and outside the bank, serving on multiple boards and mentoring future leaders through civic programs.

Casey Wilson, with 23 years of tenure, is a true Republic Bank ambassador. Her knowledge and integrity have built lasting trust with clients, and her consultative approach helps businesses thrive with smart, efficient banking solutions. Jessica Beatty, a Certified Treasury Professional with 24 years in the field, brings precision and care to every account she manages, making her a go-to partner for some of the bank’s most complex clients.

What unites all of these women is the space they’ve been given to lead authentically, to serve thoughtfully, and to grow without having to sacrifice who they are. Republic Bank doesn’t just talk about empowerment; it puts it into practice by investing in its people and creating a culture where diverse perspectives are encouraged, and individual passions are amplified.

The result? A team of women who don’t just occupy seats at the table, they help build it. They shape policy, set standards, and lift up communities while lifting one another. These women are proof that meaningful progress happens when leadership is inclusive by design.

In a sector where representation still matters, Republic Bank stands out not just for the number of women in leadership, but for the impact they’re making every day.

LICIA PRIEST CRAFTS CLEARER LENSES TO CONNECT US

By Kelsey Knott

Photos by Matt Johnson

“I’m not trying to change the world. I can’t–but I can share what I saw through my lens, my experiences.”

Licia Priest, a fine artist known for cityscapes, changes gears with I Am We at KMAC Contemporary Art Museum, a layered photography collection depicting city and rural spaces and residents shaped by the region’s welcoming atmosphere.

A young daily visitor of the Speed Art Museum, Priest’s mother, Joyce Neal, instilled in her a love for art at an early age and continues supporting her today, proudly walking visitors through Priest’s work on the day of our interview. Priest draws inspiration from her life experiences. “It’s about self-discovery and finding my roots. Being a part of the African diaspora, the ability to know details about my ancestors and who I am was stolen from many. It’s inspirational to conduct research and translate that into works of art that I can share with others who may also view Africa through a narrow lens. It’s not a country. It’s a continent with varying cultures.” Thus, travel is indispensable to her process: “Without my travel, knowledge, and life experiences, I would have no art. The media gives us whatever lens they want, and often, that’s all we know, especially if it’s a land that we’re not traveling to. Most of the time, when people think about the 54 countries in Africa, they’re thinking of everybody as impoverished–little kids with mucus and flies on their faces, everyone living in a destitute village. But there are big cities just like here that are absolutely thriving and bustling. There’s beautiful architecture, beautiful villages, cell phones are plentiful, and you can find all the modern conveniences that we have here. People often don’t know about that side of life in Africa.”

Through paper tole, an old craft technique that involves manipulating, duplicating, and layering photographs to create intricate, threedimensional pieces, Priest masterfully fashions a new lens for us. “There’s so much diversity in different techniques and directions I take my artwork. I want there to be textural qualities as well as areas that are really slick, so I meld painting, sculpture, and photography as well as craft techniques. Sometimes people look at craft through a negative or simplified lens, but you see extremely beautiful works that are craft, and we’re so refreshed by their attention to technique and detail. So, I would hope that one would look at my work and see the origins of the craft, such as paper tole and paper bead making, as well as what I have made it come to be.” The namesake of the collection depicts Licia donning a dress that, with a closer look, reveals tiny 1/8th inch images of individuals who have shaped her life. “I really want people to take the time with the artwork. I spend an enormous amount of time on one piece. When you go around the sides to see its construction, there are all those photographs on the side, or text on some pieces, but just looking at face value standing there, you don’t see it. Look closer, look deeper.”

As Priest continues to live and experience her life fully, she knows that her art will continuously evolve. “My experiences, the things I’m learning–there is always something new. So, it only stands to reason that I would keep adding new things to the work that I’m doing.” In the future, Priest hopes to create pieces highlighting Louisville’s landscapes, like artwork that introduces visitors to Louisville housed in the airport, as well as more work focused on the many countries on the continent of Africa. Furthermore, she and her husband Mark Priest are working on opening an Underground Railroad Museum in the west end of Louisville that will display the works of Mark Priest series on Harriet Tubman, Frederick Douglass, Charles Nalle, the family of William Still and others who strove to attain freedom through traveling on the Underground Railroad.

Visit the I Am We exhibition at KMAC this summer through August 17th, and find Priest’s website at www.layeredimages.com

Scan to view this month’s collection of featured properties

1533 GODDARD AVENUE OFFERED FOR $625,000

AUGUST 1417

AND FINDING A NEW PATH WITH LARKIN BOHN

By Alisha Proffitt

Photos by Matt Johnson and Provided by Larkin Bohn

Thinking about shaking things up in your life? Larkin Bohn has a story for you. And no, it doesn’t start with a fancy speech or a corporate gig, it kicks off on a cruise ship in Hawaii, with steel-toed boots and a paintbrush in hand.

Larkin grew up in Louisville but left home at 19, chasing whatever adventure came her way. The Army was her first stop, then a chapter in Chicago, and then, on a whim, she took a job on a cruise ship. What was supposed to be a customer service role quickly turned into something different.

Larkin didn’t want to hang out behind the bar or work the usual spots. She wanted to be where the ship’s work really happened. “I got the job and flew to Hawaii to work aboard a Norwegian Cruise Line ship. Ship life lit a fire in me, but I didn’t want to be behind the bar or in the gift shop. I wanted to be out on deck, working with tools, painting the hull, driving the vessel. I wanted to be with the crew that made the ship move. So, I found a way in. I networked, asked questions, and landed a job as an unlicensed deckhand with an adventure cruise company,” said Larkin. So she rolled up her sleeves and climbed the ranks the hard way, working her way up the “hawsepipe,” the nautical term for moving up from the bottom to licensed officer.

But then something happened. On a research vessel in Hawaii, surrounded by ocean scientists, Larkin picked up a camera just to share what she was seeing with friends and family. Those videos turned out to be way more than just souvenirs. They captured something compelling and real.

Larkin used to see scientists as distant, cold figures working behind lab doors, but that view shifted dramatically when she joined a research vessel. There, she witnessed their passion firsthand. Scientists battling harsh weather, long hours, and technical challenges, all with genuine curiosity and care. Larkin captured and shared that human side of science, using storytelling and humor to show the world that scientists are not just experts, but passionate, creative people connected to their work and the planet.

“Those videos got noticed. A scientist said, ‘This is science outreach you’re a communicator.’ I didn’t even know that was a job,” she recalled.

That moment changed everything. Suddenly, she wasn’t just “the sailor” anymore. She was a storyteller, a communicator, someone who could translate complicated stuff into something anyone could get. And that’s when she realized it’s never too late to rewrite your story.

“That moment changed my path. I started an LLC, built a website, learned how to pitch myself, and became a science videographer, working on research expeditions around the globe. Along the way, I also started telling stories about women in STEM and at sea, creating content that uplifted and empowered women in traditionally male-dominated fields. Eventually, one of those videos led to an invitation to give a TEDx Talk in Seattle. That talk, titled “How to Change Your Life Before It’s Too Late,” went live on YouTube this March and has since reached over 80,000 viewers. It launched me into a new phase of my career: public speaking.”

Larkin learned early on that leadership isn’t about just showing up and being loud. It’s about showing up with intention. At first, her energy made waves, in a good way and sometimes not so much. A tough performance review while working on the ships nudged her to rethink how she carried herself in high-pressure spaces where calm and precision matter most. Instead of charging in full throttle, she learned to lead by paying attention, waiting for the right moment to act. That change didn’t dull her spark. It made her sharper, more grounded.

Timing, she found out, rarely waits for perfect conditions. A story from a former captain about missed chances taught her this. So she learned to say yes, even when the timing wasn’t perfect. Momentum, she says, beats waiting around for the stars to align.

“‘You will never be as young as you are today.’ That quote changed my life. No matter your age—23, 43, or 63—it puts things into perspective. This is the youngest you’ll ever be from here on out. So if there’s something calling to you, something you’ve always wanted to try or become… the time to start moving toward it is now. Not when it’s convenient. Not when you feel totally ready. But now. Because ready might never come—but younger definitely won’t,” she advised.

That mentality was a must in the male-dominated worlds she worked in. Confidence was survival. Building that confidence took time, patience, and stacking small wins. But once it clicked, it was rock solid. Larkin never leaned on bravado. She let her work do the talking. And when the situation called for it, she spoke clearly and kindly to break through misunderstandings and ignorance.

Her path has shown her that presence, persistence, and purpose go further than a loud voice ever could. The strongest move? Owning the space you’ve earned.

Stepping onto the TEDx stage was a big deal for Larkin. Not just because she was telling her story, but because she was letting go of an old self. For years, her identity was tied to the sea and the tough respect she earned there. But as she stepped into science communication, she realized she was holding back. The fear wasn’t of the new, it was of losing the strength she’d fought hard to build.

Preparing that talk helped her see the truth. That her grit and credibility weren’t about the job title or the sea. They were already inside her. That’s the heart of her message, who you are underneath the job is what really counts.

Since then, Larkin’s video production company Limitless Larkin LLC has taken her from Fiji to the Mariana Trench and back. She’s seen that no matter where you go, people want connection, meaning, and to be seen. The places change, but the human story doesn’t.

“The most surprising and beautiful lesson I’ve learned is just how alike we all are,” said Larkin. “No matter where you go in the world, no matter how different the landscape or language, people want the same things at their core. We all face heartbreak and triumph, love our families, crave purpose, and want to be seen. The common threads of the human condition are far more powerful than the differences. Filming around the world has shown me that again and again.”

Now, she’s using what she’s learned to help others dreaming of big changes. Reinvention isn’t about getting everything perfect from the start. It’s about showing up, getting clear, taking those brave little steps, and leaning on the people around you. So if you’re jumping into a new field or chasing something wild and unconventional, Larkin’s story is a reminder that you’ve already got what it takes. You just need to say yes.

Larkin Bohn’s story is about finding yourself. And at 45, she’s found that the most daring journey might just be the one toward who you really want to be.

So, what’s next for Larkin?

This fall launches Larkin’s Reinvention Roadshow. It all begins October 9th, as she delivers the opening keynote at the Women Offshore Conference in Houston, and then the journey begins.

“What started as a personal journey of reinvention is now a nationwide movement—one built on wheels. Rooted in real-life transformation, this bold new tour takes stories off the sidelines and into the streets—meeting girls and women where they are and showing them what’s possible. This fall, a custom-built van—part tiny home, part mobile storytelling studio—will travel from city to city, bringing something that’s never been done before: a rolling, immersive platform that amplifies powerful stories of reinvention and resilience directly to schools, expos, and community events across the U.S.—especially for women and girls rising in STEM, adventure, and unconventional careers.”

“We’re already partnering with a few early supporters and collaborators who are passionate about storytelling and empowerment—but there’s room for a few more voices to join us before we officially hit the road. Whether you’re a brand looking to champion women’s journeys, a donor aligned with women rising in STEM or adventure, or simply someone who believes in the power of transformation—this is a really exciting time to get involved.”

We would like to wish Larkin a very happy birthday this month, and many more adventures to come!

Want to follow Larkin and support her journey? Visit larkinbohn.com

LOVE IS PATIENT...

But Why Wait?

Our high level of commitment to hospitality and attention to detail extends beyond the ceremony and reception.

Whether it’s a warm welcome for your guests, an exclusive rehearsal dinner, or a delectable breakfast or brunch as they fit in one last "Such a beautiful couple!”,

Contact us today at 812-571-7804 to start planning your special day.

MEET JEFFERSON’S BOURBON’S MASTER BLENDER ALE OCHOA

By Alisha Proffitt • Photos by Matt Johnson • Sponsored

Since its founding in 1997 by Trey Zoeller and his father Chet (together carrying forward an eighth-generation family whiskey tradition) Jefferson’s Bourbon has remained a proud innovator in the whiskey world. Inspired by both tradition and experimentation, the brand has become known for unique aging methods: bourbon aged at sea, wine- finished barrels, and rum-finished whiskies. It is within this culture of exploration that Ale Ochoa has emerged as Master Blender, blending (pun intended) science with a passion for whiskey.

From the beginning, Ale was drawn to the whiskey business. “I loved food science. They would have ice cream, meat and coffee, and all these really cool industries and some of our favorite comfort foods come talk to us about careers you can have, but none of them really stuck out to me like whiskey did,” she says of her time in college. Her undergraduate years in a sensory science and flavor chemistry lab is where her story began. Working as a student assistant, she learned how people perceive flavors and aromas, perfecting her nose and palate.

Continuing into graduate school, Ale remained in the sensory realm and entered a program that led to coffee analysis. Still, in the back of her mind, bourbon beckoned. An encounter with then TX Whiskey Master Distiller, Rob Arnold, proved fateful. Collaborating on research, their joint master’s-and-PhD project focused on analyzing how different corn varieties influence distillate flavor: an early example of Ale applying scientific analysis to whiskey. That collaboration led to a position with the distillery in Fort Worth and provided foundational experience for her future.

At Jefferson’s, Ale lives up to the company’s “breaking boundaries” tradition. In her role as Master Blender, though, she remains humble. “It’s not one person doing everything on their own,” she explains. “Our farmer has to do a great job, our distillers have to do a great job, our coopers have to do a great job. So, it’s all of them doing a phenomenal job that lets me do a great job.”

What exactly does Ale do day to day? The answer covers every step of the whiskey lifecycle. She works with the distilling team on mash bills, selects barrel regimens to shape flavor profiles, monitors maturation, orchestrates blending, conducts sensory training, and collaborates with marketing, finance, warehousing, and consumer relations. Every element feeds the final pour. Ale particularly loves seeing the joy it brings consumers and the memories they get to create with it.

A glimpse of a typical day for Ale: she spends hours smelling and tasting, evaluating single barrels and maturing stocks, sampling aged recipes before and after bottling. In a lab setting, she blends, maintains, and optimizes recipes. It’s detailed, sensory-heavy work, but passionately so. It’s a fun job, and one Ale takes a lot of pride in.

Even on tough days, Ale finds joy in the community. “Even on a bad day, it’s still a great day,” she says. She cherishes being part of a team that supports her. Though bourbon has historically been male-dominated, Jefferson’s culture stands apart. Her colleagues encouraged her from the start. “It was always them advocating for me. ‘Be louder, speak up more, you’re here because we want your opinion’,” she recalls. But she hasn’t forgotten the women who paved the way. “We couldn’t be here today if it wasn’t for those women opening those doors in the first place.”

Her palate is her super power, and understanding sensory science is almost like learning a second language. Through many blind tastings and descriptive analysis training, she’s developed an uncanny sensory awareness. “Once it’s there, even if it’s latent, it’s always there.” That ability helps guide Jefferson’s wood-experimentation initiatives (whether ocean-aged, wine-finished, or rum-finished bourbons) ensuring that experimental processes remain anchored by consistent, high quality taste.

As Master Blender, Ale sees part of her role as mentoring a new generation of whiskey-makers. “I did not get here alone, and I’ve had a lot of help from a lot of people. I think it’s our responsibility to keep passing on that help, making paths for people.” She views the bourbon world not just as an industry but as a community. “There’s a community in bourbon and we always want to make sure that community continues to grow,” she says.

Her openness, gratitude, and respect for process mirror Jefferson’s brand identity: curious, collaborative, and honoring tradition while pushing for new territory. Trey Zoeller’s intention to grow the category into uncharted waters (quite literally) and Ale’s dedication to her science and craft, both are perfect examples of how and why Jefferson’s remains one of the most innovative brands on the shelves.

Jefferson’s Bourbon is known for exploration, but Ale is a part of the human center of that exploration. Her work reminds us that while whiskey is delicious, it’s the people, culture, community and the art and science that is the secret ingredient.

A HAVEN FOR HORSE LOVERS AND EQUESTRIAN ENTHUSIASTS

By Renae Ison • Photos By Matt Johnson

What started as a personal interest quickly turned into a shared passion with her friend, John and his husband Nathan, formed Rainbow Acres—a collective of two neighboring properties housing nearly 20 horses. Lauren, along with her wife Nicole and their friends, have cultivated an environment where training and camaraderie go hand in hand. Their daily routine involves feeding, grooming, and riding their horses several times a week, ensuring each animal receives attention and proper care. Lauren also cares for a menagerie of other animals—bunnies, cats (indoor and outdoor), a dog, and chickens—keeping her schedule packed. When asked about exercise, she laughs, “Loading 50-pound bags of feed and pellets has to count for something.”

What sets Rainbow Acres apart, aside from deep bond between those who run it, is their unconventional approach to horse breeding, with a focus on broodmares rather than stud farms. Their operation specializes in breeding high-quality barrel racing horses with strong bloodlines breeding them with the newest latest greatest stud, nurturing them from birth to competition level. For those interested in their breeding program, J and N Barrel Horses highlights John and Nathan’s ability, raising promising young horses with potential for success.

On a ranch, horses are more than just animals—they are partners. Lauren’s personal connection to her horse, Lenny, exemplifies the powerful relationships formed through equestrian training. Initially difficult to handle, Lenny transformed with patience and persistence, forming an unbreakable bond between two wild spirits. For Lauren, the ability to communicate and build trust with an animal weighing nearly a thousand pounds has been one of the most rewarding experiences of horse ownership.

When discussing LGBTQ perspectives, Lauren noted an interesting social dynamic in barrel racing. Though predominantly female sport, there was a notable presence of gay men, contrasting with the more “traditional” rural culture often associated. Lauren found the prevalence of male riders, particularly gay men, to be a unique observation within the sport she remarks “It is nice in a predominantly straight, white, female sport to have those little hidden gems.”

Despite the fulfillment the ranch provides, challenges like finding reliable caretaking and managing the excessive costs of upkeep can be daunting. Lauren jokingly recounts, “the first show I ever went to; my friend comes up to me and looks at my wife and she says, ‘You’re never going to have any money ever again.’” However, Rainbow Acres thrives because of the shared commitment to horsemanship of all involved. Through challenging work and a deep appreciation for these incredible animals Rainbow Acres shows that successful ranching isn’t just about financial investment but dedication and passion.

Their story inspires those considering a similar path to pursue it with both determination, joy and the only certainty being uncertainty. That we truly never know the places life will take us. The more we spoke the more one theme remained constant: Rainbow Acres is more than just land, horses, and routines—it’s a testament to friendship, commitment, and the extraordinary rewards of a life built around shared passion.

NOW LET’S SAVE ART SANCTUARY FOR

By Alisha Proffitt • Photos By Matt Johnson

If you know Lisa Frye, you already know this. She is art. Not because she’s a painter, photographer, and creator of beautiful things, but because she’s built something in Louisville that’s bigger than any one medium or performance or show.

She built Art Sanctuary. She’s built a community. A wild, sparkly, paint-smeared community of people who just get it. And after 21 years, it’s in danger of disappearing.

“As long as I can remember, I have always been drawn to all things ART,” Lisa says. “When I was a child, my aunt stated that if I was locked in a room with no windows or doors, I would find a way to draw myself out.” That image, a young Lisa sketching her way through impossible walls, now feels prophetic.

That line stuck with me. It’s so her. Not just the drive to create, but the drive to get out. To find freedom, community, and joy, through art. She found it. And then she built it for the rest of us. So I’m writing this as a friend. Not just to Lisa, but to the space she created, and to all the people I’ve met inside it.

The first spark happened in 2004, when Lisa’s friend Nancy asked her a big question: “What’s your life’s dream?” Lisa then described what would later become Art Sanctuary.

“I graduated with a BFA in photography and painting in 1996 from U of L. Since then, I had mourned being in an artistic environment and craved to recreate a part of that world,” said Lisa.

With Nancy, Erica Rucker, and Samantha McMahon, Lisa launched the first Art Soirée that November. It was bananas, in the best possible way. Over 70 local visual artists. Performers everywhere. Art lovers perusing. “It was a huge success,” she said. “It was the first of many incredible events over the years.”

They didn’t stop. In 2005, they became a real nonprofit and started doing one-night-only pop-ups all over town. Local art hung on fence panels, fire dancers, burlesque, live music, even roller derby. “It was a feast for all senses.”

Eventually, they needed a home. In 2012, they moved into a 26,000-square-foot warehouse that was basically just concrete and dreams. “It took YEARS of scratching and scraping, rezoning, fire marshal challenges, construction, donations, tears and struggles, patience, and a lot of dreaming to get it where it is today.”

And what it became? It’s unreal.

Studio space for local artists, the Va Va Vixens variety show troupe (legends), live music, theater groups, drag shows, weddings, goth dance nights, Radio Arcane streaming post-punk bangers into the void. It’s like a creative Narnia, tucked into an industrial building.

What makes it so special, though, isn’t the stuff; it’s the people.

Lisa said it best, “This community has become my whole life. It’s our whole world! We have created a family that is really here for one another, creatively, artistically, professionally, and even emotionally.”

She meant it. You feel it the second you walk in.

“There is a vibrant community of artists that have studios upstairs in our current space at Art Sanctuary. Having 24- hour access, they are creating all times of the day and night. Watching them grow and thrive has been such a beautiful and thrilling experience.

I remember, long ago, when an artist came up to me at one of the soirées, just beaming, and said ‘I sold an ART!’ My life was changed forever,” she shared.

Joe Mays, a local photographer, recalled “One of the significant moments of my life was when Lisa Frye told me she wanted to make the newly created photo studio space at Art Sanctuary available to me because, as she said, ‘I have seen the things you have been making, and if you have things you want to create I want you to have a place to create them.’ I still remember how rocked I was by her saying that. When you’re just starting to make art, and most of the things you are making are things that you are just bringing into existence because you feel the need for them to exist, it can almost feel like you are sailing against the wind no matter which way you steer your craft. Lisa knows that what artists need at the start is not just someone who believes in them, but someone who believes in them enough to clear the obstacles and help provide a path forward.”

“She has created Art Sanctuary in that image as an organization that exists to help artists by providing space and a community conducive to making art, and then saying, ‘Go forth and create.’ And so I did, and so have many others who have gained from the work of Art Sanctuary. Value this. Do what you can to support it, because organizations like this are an aid to everybody in the community. And everybody benefits from them. And I think it’s important for people to support them. Otherwise, they go away and people don’t realize what they’ve lost until it’s gone,” he continued.

That’s what she built. A place where you don’t have to ask permission to be yourself. You just are, and everyone around you claps for it.

Alexandra Rumsey said it perfectly, “There is a sense of home here that I don’t think that every venue, in Louisville or anywhere else has.”

Kevin Spalding added, “To find this community that not only tolerates me coming around and shooting, but gets behind me, supports me, celebrates my accomplishments along the way, that’s everything.”

“Giving this platform to all artists, not just visual artists, has been the absolute joy of my life. This was how we realized that art begets art,” said Lisa.

But now? That home is in trouble. Art Sanctuary is losing its building. Again.

“To be blunt, we need capital,” Lisa says. “We need someone who can see how integral Art Sanctuary is to the community, who can help us into an amazing, affordable space where we can stay. This will be the place where we will become the best we can be. ”

She’s not asking for pity. She’s asking for help, for action. For us. Because this space doesn’t belong to one person. It belongs to everyone who’s ever felt like a misfit and walked in the door and said, “Oh. I found my people.”

So here Is how we help

• Donate at art art-sanctuary.org. Even $20/month makes a real difference.

• If you don’t have the moolah, sign up for Kroger Community Rewards (seriously, it takes two minutes).

• Tell your people. Share this. Talk about it. Show up to shows.

• Volunteer. They always need help, and you’ll make friends doing it!

Lisa’s vision for the future is bold, “We need a space with tall ceilings (praise the aerial arts!), studio areas where artists can get messy, and performance halls that feel like home for creatives 18 to 80.”

Let’s give that to her. Let’s give that to us. Because places like this don’t happen by accident, they happen because people care enough to keep t hem going.

Or as Jen DeLeeuw put it, “It’s not just a nice thing to have, it’s essential.”

Let’s make sure it’s still here 20 years from now.

THE ART OF HAILEY PEREYRA

By Alisha Proffitt

Photos by Zach Hutchison

By the time Hailey Pereyra sits down at her ceramic studio, the room is already full. Filled with questions. Filled with memories, and generations of voices. Born in Santo Domingo, Dominican Republic, and raised in Mexico City, you could say Hailey’s art is made of clay. But more accurately, it’s made of memories, movement, and the emotional isolation of being stretched between worlds.

Hailey’s art shapes space for memory, for questioning, for healing. Her ceramics are less about aesthetic perfection and more about truth. The truth of migration, of identity, of family, and the emotional terrain of the feeling of not fully belonging anywhere.

As both a nomad and an immigrant, Hailey has lived much of her life in the in-between. Between countries. Between cultures. Between identities. Her work reveals what it’s like to carry a body and a history through places that often don’t want to understand either. “I’ve carried the weight of feeling like I’m not from here, not from there, maybe not from anywhere at all,” she says. While that’s a lovely poetic reflection, it’s also her lived reality.

To be an immigrant in the United States, particularly a Black immigrant woman, is to feel both hyper visible and unseen. It’s to navigate a system that often greets your presence with suspicion. It’s to be expected to assimilate, but never quite invited in. It’s to be told you’re lucky to be here, while rarely being asked what it cost you to get here, or what you left behind.

Hailey’s art listens. It holds space for these contradictions. Through her ceramic work, she grapples with the generational dream passed down to so many immigrants, the promise of the “better life.” But whose dream is it, really? For many, it’s a dream built on sacrifice of language, friends and family, comfort, heritage, and sometimes even self. Hailey’s work asks the questions that too often go unspoken. What did we trade away to survive? What parts of ourselves were lost in the crossing?

These are not abstract ideas for her, they are personal. As a Black Latina, Hailey exists at the intersection of multiple forms of erasure. Blackness in Latin America is often marginalized. In the United States, immigrants are frequently reduced to caricatures, either model minorities or burdens. But Hailey’s work says We are more. We are complex. We are layered. We are allowed to take up space.

In her studio, Hailey uses clay to confront that sense of dislocation. Each piece becomes a dialogue not just with her younger self, but with her mother, her sister, and the people whose stories live within her. “Through clay,” she says, “I’ve found a way to hold our stories and begin creating a sense of home on my own terms.”

Through clay, she’s finding her own answers, ones that don’t require translation. Ceramics have allowed her to ground herself in something steady, something real. It’s through this work that Hailey has begun to craft a new kind of home. A home not tied to a single place on a map, but one that lives in memory, in dialogue, and in her art.

Her work doesn’t ask for your understanding. It extends to you the gift of witnessing. And in a country where immigrants are often told to be grateful just to exist, Hailey’s art dares to do more. To feel, to question, to belong to herself. And in doing so, she reminds all of us that home isn’t always a pin on a map. Sometimes, it’s what you build from the ground up, with your own hands, your own voice, and your own truth.

We are all often asked to pick a side, pick a flag, pick a box, Hailey’s work quietly resists. It says I am not from here. I am not from there. I am from everywhere I have been. And I am still becoming.

Today, Hailey continues to tell her story through her ceramic art and she’s bringing that same thoughtfulness, creativity, and cultural insight to the world of graphic design. With an eye for purposeful visual storytelling, she’s building a career as a graphic designer who creates meaningful work for her clients and community. Designing brand identities, digital experiences, or print media, she approaches every project with the same heart and intentionality that defines her work in ceramics.

If you’re looking for a designer who brings authenticity, purpose, and a fresh perspective, Hailey Pereyra is one to watch!

hpereyra.com

We’re excited to introduce our new Sponsor an Artist program! is initiative gives businesses and individuals the opportunity to directly support local artists by sponsoring in-depth features that highlight their work, stories, and impact on the community. ese features have always been a cornerstone of our publication, showcasing the creatives who bring color, culture, and soul to Louisville. Now, through sponsorship, you can help elevate these voices while aligning your brand with the heart of the city’s arts scene.

Each sponsored piece o ers thoughtful storytelling, beautiful visuals, and shared recognition, both in print and online. It’s a powerful way to invest in local talent and be part of something that truly matters.

Contact julie@voice-tribune.com for more details on how you can get involved!

Louis R. Straub, II President, Louisville

Bill Silvio, Owner Silvio’s

By Alisha Proffitt • Photos By Matt Johnson

In this special Women’s Volume, we’re turning up the volume on the women who are the voices behind Louisville’s favorite radio stations. These women are community builders, local culture connoisseurs, and unapologetically themselves.

Long before hashtags, reels, and algorithm-chasing content, there were radio personalities influencing communities with nothing but a mic and their voice. In Louisville, the women behind the dial have long been the original influencers, setting trends and starting conversations that no scroll through social media could replace. Before social media made “likes” a thing, these women were earning loyalty the old-school way by showing up every day, being real, and knowing exactly how to speak to a city.

We’re celebrating the voices that have always led the way. Kelly K, Hayley Minogue, and Emily On The Radio of 99.7 DJX, Chea K. Woolfolk of Magic 101.3, Bella Rae of B96.5, and Amy Nic of 102.3 The Rose. These ladies are hometown icons. And many of them knew how to build a following before the word “follower” was even digital. These radio personalities continue to prove that influence isn’t about likes, it’s about real-life, unfiltered impact.

KELLY K

99.7 DJX

Kelly K started her radio career with an internship as a student at Purdue University. That turned into co-hosting the morning show a year later, which led to a move to Louisville upon graduation in May of 1996 for a job at MIX102 radio. She has been one-half of the morning show on 99.7 DJX since May of 1999. It was The Peter B. and Kelly K Show for nearly nine years, which became The Ben Davis and Kelly K Show in March 2008. She’s active at numerous annual charity events, including their annual Radiothon for Norton Children’s Hospital.

She has served as a member of the Community Advisory Board for Junior League of Louisville. She won the VOICE-TRIBUNE’s Bestie Award for Best Radio Host- Woman for three consecutive years. She is also a midday personality for WIKZ in Chambersburg, Pennsylvania (Alpha Media) and does afternoons on WXMA The Rose in Louisville (Alpha Media).

Her husband, Michael, popped the question on air in February 2006, and they have a son, Jacob, and daughter, Ava. She is also the mom of three pug fur babies, Poppy, Piper and Peaches.

Follow her on Instagram @kellykradio.

EMILY ON THE RADIO

99.7 DJX

Emily On The Radio, afternoon host on 99.7 DJX, content creator, and self-proclaimed sweatpant connoisseur

Originally from Indianapolis, she recently made the big move out of her mom’s house and into Louisville, where she now shares her gloriously chaotic quarter-life crisis live on-air with Kentuckiana women.

Emily’s show is a judgment-free zone full of humor, heart, and hot takes on everything from celebrity drama to the very real struggle of figuring out dinner before 9 pm. With her bold hair, unapologetic honesty, and perfectly timed self-depreciating jokes, she’s become a favorite voice in the city- someone you feel like you already know (or maybe went to therapy with once).

Whether it’s how to get blue hair dye off your forehead, where to find earrings that look like dentures, or what it’s like to wax your own armpits for the very first time, Emily will give it space on airwaves.

Off the mic, Emily is a seasoned content creator with a gift for storytelling that’s equal parts candid and comedic. Her videos, often starring her cat/roommate Harold, blend pop culture commentary with relatable daily drama, all filtered through her signature “why is this my life?” lens. Whether she’s reading wild Reddit roommate stories, navigating Louisville locales, or showing off her latest budget fashion finds, Emily brings an authenticity that resonates deeply with her audience.

She’s an avid collector of black leggings, an expert in avoiding plans that require hard pants, and a sucker for stand-up comedy and cooking competition shows. If she must leave the house, there better be snacks involved. And if you spot her in public, you’ll know it, she’s the one with the loud hair, probably laughing too hard, and absolutely not wearing heels.

You can find her online at @emilyontheradio, where she shares the many versions of her face, her latest unhinged thoughts, and the occasional reminder that we’re all just doing our best out here. Whether you’re tuning in for a laugh, a little commiseration, or just to feel a bit more seen, Emily’s got you.

HAYLEY MINOGUE

99.7 DJX

Hayley Minogue is the kind of radio personality who could make even an overplayed Sabrina Carpenter take on a new edge. Born with a knack for yapping and a name that’s just a little bit recognizable, Hayley has carved out her own path in the world of broadcasting.

A proud graduate of the University of Kentucky (Go Wildcats!), Hayley kicked off her career in local news, quickly becoming a familiar face and trusted voice in the Midwest. Her infectious energy and sharp wit made her a favorite with viewers, who tuned in not just for the headlines, but for Hayley’s signature blend of warmth and humor.

Over the years, Hayley has covered everything from severe weather to donkey basketball, giving her a unique perspective on all parts of the bluegrass.

When she’s not chasing stories, she’s chasing shots at some of her favorite Louisville watering holes, finding someone’s pool to crash, or being a great mom while giving bad mothertrucker.

Obnoxious, boisterous, and unserious are just some of the things her parents would say to describe her. To fill the voids of her lonely lover’s heart, Hayley has taken up weekends at DJX, a station she grew up listening to, but by week, she works in content at a Fortune 500. How’s that haters?! I have a big girl job!!!

Hayley Minogue believes in the power of outspoken opinion to connect communities and spark positive change. She’s passionate about relaying her own experience— and having a little fun along the way. If you see her out and about, don’t be shy—she’s always up for a chat (and maybe a selfie).

CHEA K. WOOLFOLK

LOUISVILLE’S MAGIC 101.3

Chea K. Woolfolk is a dynamic media personality, creative entrepreneur, and passionate advocate for underrepresented voices. As the host of Midday Magic on Louisville’s Magic 101.3 FM—the #1 midday show in the UAC category—Chea brings energy, authenticity, and connection to the airwaves every day.

With a background spanning hosting, radio, public speaking, publishing, editing, producing, and promotional strategy, Chea has carved out a powerful lane in both entertainment and empowerment. Her diverse talents have made her a sought-after host for concerts, fundraisers, and community events, where her ability to engage any audience shines through.

Chea is also the creative mind behind several impactful brands and platforms, including The Chea K. Show, Takeover Productions, Let’s Be Real Journals, Chea Chea Media, The MOVE!, and Loving on Louisville. Through these ventures, she uplifts marginalized voices and delivers intentional storytelling and strategy rooted in culture and community.

At this stage of her career, Chea K. is focused on expanding her presence in radio and entertainment—continuing to inspire, entertain, and represent with purpose. She’s worked hard— and she’s only getting started.

BELLA RAE

LOUISVILLE’S B96.5

Bella Rae is a powerhouse with a mic in one hand and a toddler on her hip. A true rock star mom and voice of the city, Bella brings a unique blend of real-life motherhood, high-energy hosting, and unshakable authenticity to everything she does. Known for her infectious laugh and “You got this, sis” mantra, Bella isn’t just talking to her listeners; she’s walking alongside them through life.

Born and raised in Louisville, Bella Rae fell in love with hip hop as a teen and always knew she’d end up on the airwaves. After high school (and two young boys), she was more determined than ever to chase her dream. She earned her degree from the University of Louisville and took the first step into radio as a front desk receptionist. From those humble beginnings, Bella hustled her way to the top, becoming the reigning #1 afternoon personality on Louisville’s B96.5.

Now, from 2 pm to 7 pm each weekday, Bella Rae connects with her community through music, laughter, and the realest talk on the radio. But her impact doesn’t stop there. Whether she’s visiting local schools to inspire students or turning up with the elders in nursing homes, Bella shows up with love, purpose and unmatched energy.

Her fans aren’t just listeners, they’re family. Many have grown up with her voice in their ears, and now they’re raising kids right along with her.

Catch Bella Rae on-air, in the streets, or on social @thebellaraeshow. She’s not just a radio host, she’s a movement!

AMY NIC

102.3 THE ROSE

Amy Nic- a name affectionately given to her by her parents, short for Amy Nicole- was born and raised in Louisville, Ky, and she wears her southern roots with pride (drawl included!). She is a graduate of Louisville Male High School (Go Bulldogs!) and went on to earn her degree in Radio and Television Broadcasting from Western Kentucky University. It was there that she found her passion for radio and also found her husband, Andy- the boy next door who became her best friend and partner in everything.

These days, they’re raising their three amazing boys- Drake, Drew, and Nico- who keep life loud, fun, and wonderfully unpredictable. Their friends call Amy “Amom” and her husband “Adad” because, well, they love nicknames and wear them like badges of honor. They’re also proud pet parents to two loyal German Shepherds, Rosie and Herro.

Amy lives by the motto that life’s too short not to enjoy every moment. She sees the world through rose-colored glasses and believes laughter, love, and a little wine (okay, a lot of chardonnay-nay!) can brighten any day. Cooking is one of her favorite pastimes, mostly because she loves to eat and feed the people she loves. Food is love, y’all!

Radio has always felt like home to her. She’s a talker by nature, a connector of people, and someone who genuinely never meets a stranger. Whether she’s behind the mic, telling stories, sharing laughs, or lifting someone’s spirits, being a radio personality is more than just a job; it is her calling.

From southern charm to family chaos, nicknames to kitchen experiments, Amy Nic brings all of herself to the airwaves. If you’re tuning in for a laugh, a good story, or just a familiar voice, Amy is here for it and here for you.

You never know what’s going to come out of her mouth, because she admittedly doesn’t know either! Have some fun with Amy Nic and get your mornings started on 102.3 The Rose from 6 am to noon!

BITTNERS

designing for the way you live

By Alisha Proffitt • Photos by Matt Johnson

For many in Louisville, Margaret’s Fine Consignments is a beloved tradition. For over 30 years, the consignment shop has been a staple for stylish locals seeking one-of-a-kind finds. Now, with Cara Shelton at the helm, that legacy is in good hands and evolving with the times. Cara officially took ownership of the shop in 2020, stepping into the shoes of her stepmother, Margaret, the store’s namesake and founder. “It feels really good that Margaret trusted me to take the reins,” Cara says. “We came to the decision after she decided she wanted to step back from working so much and I was just really excited to own my own business and I hope to carry on her legacy for another 30 plus years,” says Cara of the transition.

Cara isn’t new to running the show. Armed with an MBA from Bellarmine University, she brought both business savvy and family history. That education, she says, gave her tools she still uses today. “We did a lot of case studies at Bellarmine, where we would read about the company and the position they are in, and we worked to determine the future course of action the business should take to move forward in the future. I’ve looked at Margaret’s like one of those businesses,” she explains.

Part of moving it forward has meant honoring the strong foundation Margaret laid. Some things at the shop remain sacred, like the time-tested consignment process and those iconic window displays.

“There is a lot of asking myself what would Margaret do?” Cara shares. “The store itself is still built around Margaret’s vision.” But that doesn’t mean everything’s stayed the same. In fact, Cara’s been busy behind the scenes implementing tech-forward upgrades (like an improved website, an online portal for consignors, a color tag system, and quarterly sales) to bring the business up to speed without losing its soul. It’s a delicate balancing act: preserving a much-loved shop’s personality while also making it competitive in an increasingly digital world. Cara’s learned that firsthand, especially as she’s tackled the challenges of building Margaret’s online presence.

“I think our largest competition is online shopping,” she says frankly. “I think that’s something that all brick-and-mortar stores face today. I’ve enjoyed the challenge of building the website. It’s been a learning process for sure. Learning about how to drive traffic to your site and how to increase your ranking on Google. I’m still learning how to be competitive online, but I believe it’s something we need to do to grow our business.”

Still, for all the benefits of digital, nothing quite compares to being in the store during a peak season like Derby. “The energy is electric and exciting,” Cara says. What makes Margaret’s a race day go-to? Unique pieces, lots of them. “We only have one of every item, not a rack full of the same dress,” she says. Hats, shoes, dresses. Shoppers can walk in and walk out with an entire outfit, likely without matching anyone else at the track.

Margaret’s also rides the wave of one of the most important trends in modern fashion: sustainability. For Cara, giving clothes a second life isn’t only smart economics, it’s community minded and earth friendly.

“We call it recycling!!” she says enthusiastically. “Bring in what you don’t want to wear again, but it still has tons of life left in it, and purchase something new with the funds from selling your gently used items. Why let an item sit in your closet and get sick of looking at it? Consign it and start looking at something someone else no longer wants in their closet! It’s a win-win for everyone, and we aren’t filling up our landfills with treasures someone else wants!”

While the store welcomes many brands, a few favorites always stand out: “Lilly Pulitzer, Anthropologie, J. Crew, Lululemon, and Ann Taylor have their own dedicated racks,” Cara notes. And if you’re shopping online, you can even browse by brand, a new feature designed to bring that curated in-store experience to web shoppers near and far.

Of course, it hasn’t all been smooth sailing. Taking over a small business is no small feat, and doing it in the middle of a global pandemic? Even tougher.

“Opening back up after quarantine will probably always be considered the biggest challenge I have ever faced,” Cara says. “The second biggest challenge is competing with online shopping and resale apps such as Poshmark and Marketplace.”

But she’s quick to express her gratitude, for the store, for the team behind it, and especially for the community that continues to support it. “I will forever be grateful to our local customers who are so loyal to us and make us their first stop for all things shopping!” she says. “And I’m extremely grateful to anyone who supports all of us small, local, family-owned businesses! We wouldn’t still be here without them!”

Looking ahead, Cara has her sights set high. “Five years from now, I hope that we are stronger than ever, and we still hear ‘Oh, I love Margaret’s, I’ve shopped there for years from twice as many people as we hear it from now! I’m really hoping that Margaret’s grows into an online consignment boutique as well. I’d love for people all over to get to enjoy shopping at Margaret’s the same way our loyal local customers do!”

Want to give back to the community while shopping Margaret’s? You’re invited to a special celebration in honor of Margaret’s generous spirit and lasting legacy of giving. On Friday, August 22nd from 4–7 PM, Margaret’s Fine Consignments will host an anniversary party featuring wine, delicious snacks, and door prizes. In keeping with Margaret’s philanthropic heart, a portion of the day’s proceeds will benefit Hosparus of Louisville.

Now Showing

A New Exhibition

You’re Invited

AT ANGEL’S ENVY DISTILLERY

By VOICE-TRIBUNE • Photos By Kriech-Higdon Photography • Florals and Tabletop Decor By Boston’s Floral Couture • Sponsored

There’s no better way to celebrate your love than with a little Louisville charm and a splash of world-class bourbon. Tucked right in the heart of downtown, Angel’s Envy Distillery is an elegant and distinctive venue for couples who want their wedding weekend to be as memorable as their vows. From stylish welcome parties to unforgettable farewell brunches, this historic space blends Kentucky hospitality with elevated bourbon experiences you won’t find anywhere else.

Aside from the distillery, Angel’s Envy is a fully equipped event venue. For couples looking to host rehearsal dinners, welcome parties, or even post-wedding brunches, the distillery’s private space accommodates up to 72 guests for a seated dinner or up to 120 for a reception-style gathering. Planning something a little grander? Buy out the second floor for up to 200 guests and make the whole place yours for the night.

The ambiance of the space strikes a perfect balance between modern luxury and heritage craftsmanship, just like the bourbon it’s known for. And with a bar serving curated Angel’s Envy cocktails, your guests will be sipping something special while soaking in views of one of Louisville’s most iconic distilleries.

What really sets Angel’s Envy apart is the opportunity to incorporate bourbon into your event in meaningful (and fun) ways. Want to keep guests engaged during cocktail hour? Weave mini distillery tours or guided whiskey tastings right into your evening. These custom experiences bring an interactive touch that gives your guests a deeper appreciation for the craft and ensures your event is the one they’ll be talking about long after.

And while we are on the topic of memories that last, if you’re looking for a wedding keepsake that won’t end up in a drawer, Angel’s Envy offers custom-engraved bottles that can be personalized with the names of the couple and wedding date. It’s a beautiful way to commemorate the day and a perfect nod to Southern tradition, especially if you plan to “bury the bottle” for good weather luck. These bottles also make great wedding party gifts, offering something unique, local, and totally usable (no offense to monogrammed robes).

Bachelor and bachelorette celebrations can start (or end) at the distillery too. Book a private cocktail class or bourbon tasting for a relaxed, elevated way to toast with your favorite people. Want to take it a step further? The Private Selection Single Barrel Experience lets you and your partner hand-select your own barrel of Angel’s Envy to be bottled and labeled just for you, perfect for serving at your wedding, gifting to guests, or saving for future anniversaries.

Whether you’re planning a welcome party, an intimate rehearsal dinner, or a farewell brunch, Angel’s Envy Distillery offers the space, spirit, and style to turn your wedding weekend into something truly exceptional.

Email events@angelsenvy.com to reserve your date today.

a

Bridal Story at Angel’s Envy

By VOICE-TRIBUNE • Photos By Matt Johnson

Angel’s Envy set the stage for a bridal photoshoot that marries modern elegance and timeless allure. With its warm wood tones, polished copper stills, and intimate ambiance, the distillery and event spaces are a striking backdrop for any celebration.

To honor our Women’s Volume, Couture Closet dressed the brides in sleek silhouettes and refined textures. This curated spread also features floral designs by Susan’s Florist, as well as stunning hair and makeup looks by J Michaels Spa & Salon. All woman-owned businesses.

Polished to perfection, the finishing touches came from Aesthetics in Jewelry, whose classic pieces added a quiet and sophisticated sparkle.

The result is a vision for the modern romantic, stripped of excess and undeniably timeless.

Models: Christie, Cleo, Kate & Yolanda

Hair & Makeup: Corrine Butcher, Dayannara Chuela, & Kaiti Venable

Creative Directors and Stylists: Cleo Heine & Alisha Proffitt

Director of Photography: Matt Johnson

Production & Photography Assistant: Brylea Peach

Special Thank You to Mary Zoeller, Amelia Frazier Theobald & Julie Koenig

Jewelry by Aesthetics In Jewelry

Flowers by Susan’s Florist

Wedding Dresses by Couture Closet

Hair & Makeup by J Michael’s Spa & Salon

Kate

Cleo

Yolanda

By Remy Sisk • Photos Provided By Glasscock Boutique • Sponsored

When gearing up for your daughter’s (or son’s!) wedding, there can often be months of meticulous planning to take part in – and at times, seemingly insurmountable to-do lists to work your way through to help make the big day go off without a hitch. Amidst the cakes and caterers, be sure not to let one important detail slip through your fingers: your wedding outfit! Jeff Hunter of Glasscock Boutique is helpfully here to offer some insightful tips toward making a fashion splash at this unforgettable occasion.

“Now this one’s for all of the mothers out there shopping for the perfect mother-of-the-bride/groom dresses for the big day: Good news, there are plenty of options that will make you feel beautiful and confident,” Hunter assures. “Gone are the days of matronly dresses for mothers; nowadays, it’s all about feeling fashionable and confident in a look that reflects your personal style.”

It can certainly be intimidating to begin the task of curating what to wear to your child’s wedding, walking the difficult line of making an individualized statement and splash without pulling focus from the newlyweds. But that’s where Hunter and his team at Glasscock come in. “With over 40 years of business, Glasscock Boutique – along with lead bridal consultant Paula Browne and staff – are here to guide you through the latest mother of the bride/groom dress etiquette,” he says, “helping you choose an outfit that will make you feel fabulous while still adhering to wedding customs.”

While it could be tempting to select a look suited to your personal taste, Hunter explains that several established factors should go into the process of planning the perfect ensemble. For example, the venue plays a part – are we talking formal? Semi-formal? Casual? Additionally, pay attention to the wedding party’s color scheme. “Use the couple’s set wedding dress code as a guide to finding color,” he shares. “Wear colors that look nice on you and complement the wedding colors; however, this doesn’t mean you’re supposed to wear the wedding color theme – you want to stand out and not blend in with the backdrop.”

Should you decide to make an appointment with a consultant, he enumerates some considerations to keep in mind, and coming prepared with these details and preferences will help make the process as efficient (and successful) as possible. Such factors include the date of the wedding, venue, budget, any colors in mind, going with a dress or separates, and desired length of what you’ll be wearing. He also encourages bringing shoes and undergarments to the appointment.

It’s a lot to take into account, admittedly, but Hunter assures that putting in a bit of work up front will yield some much-needed peace of mind as you get closer to the big day. “Ideally the to-be-weds get their outfits early in the process – one year to nine months out –and the mothers should plan to find theirs shortly after,” he offers. “This ensures that everyone has plenty of stress-free time to get alterations if necessary.”

To start working on your perfect and personalized look, schedule an appointment with a Glasscock consultant by calling 502.895.0212.

Glasscock Boutique has access to sizes 00-26, including custom pieces and over 50 designers with a price point for all.

Designers available but not limited to:

Carolina Herrera

Reem Acra

Gemy Maalouf

LaFuori

Rebecca Vallance

Catherine Regehr

Teri Jon

Monique Lhuiller

Chiara Boni La Petite Robe

Greta Constantine

Sachin and Babi

Daymor

Mac Duggal

Nicole Batki

Badgley Mischka

Jovani

Frascara

Kim Newport

Audrey & Brooks

Halston

Lucian Matis

THEIA

John Paul Ataker

Park 108

Tom and Linda Platt

Morilee

Kay Unger

Plus many others

LOVE&

By Manda Barger | Photos By Matt Johnson

Love, what can be said? It is a mysteriously beautiful facet evolving around our connections and relationships. It spans across time and distance. From myths and songs to fashion and traditions – it has inspired artists and scientists alike. But while it is often the root of our stories, what about the tale of love itself?

You can now explore the ever-evolving story of love and courtship in Kentucky at the Davis Jewelers’ Love & Marriage exhibit now on display at the The Frazier History Museum in downtown Louisville. The installation is an exploration through the history of wedding culture in Kentucky as well as customs brought by couples from around the world to the Commonwealth. While learning about the origin of certain traditions like wedding bells and bouquets, visitors can also discover which traditions were lost to time while others have lasted generations. The dazzling centerpiece is the display of fifty stunning wedding dresses worn by Kentucky brides throughout the years. The gowns date as far back as the 1840s through the ups and downs of the 1900s to the beauty and accessibility of today’s bridal fashion.

“From east to west, each bride has a beautiful Kentucky story to tell,” Frazier’s Communications & Research Specialist Simon Meiners says. “From the Western Kentucky tobacco country, we’ve got the rust-colored dress Olivia Thompson wore at her 1889 wedding in Hopkinsville. From Appalachia, we’ve got the laced coral dress Faith Jackson wore in 2023 while dancing to ‘Wagon Wheel’ at her traditional Nigerian ceremony in Johnson County.”

The journey through the state’s marriage history is matched with textiles and items used by Kentucky couples with multiple backgrounds. From a Hindu bride’s Lehenga to a Mexican groom’s tuxedo to an African American couple’s jumping broom, there is matrimonial representation from around the world. This is perfectly paired with a piece showing the word “love” in 25 languages.

But as any bride would tell you, a wedding is more than the outfits. This exhibit features artifacts and interactive stops along the way that include designing your own Davis Jewelers ring while answering questions like, “why wear a nonwhite wedding dress?”

Curators also made sure to represent multiple aspects of Kentucky’s history, including the marriage of enslaved people and legal battles women faced during marriage and pregnancy. “Matrimonial law continues to evolve and this exhibition highlights the history of the right to marry as it applies beyond traditional male-female unions to encompass same-sex and interracial marriages, granting rights and protections to a greater community of people,” explains Elizabeth McConahy Jenkins from Jenkins & Wheatley Family Law, a sponsor of the exhibit.

&MARRIAGE EXHIBIT

From gorgeous jewelry to romantic fashion to educational installations, this exhibit checks off all the boxes on the wedding to-do list. The four-room display even gives a nod to the tradition of something old, something new, something borrowed, and something blue(grass). The Davis Jewelers’ Love & Marriage exhibit is open to the public now and will run through March 29, 2026. For more information on the display at the Frazier, visit www.fraziermuseum.org

POCO POP UPS AND THE PEARL CELEBRATE OVER A YEAR OF BEHIND THE PINK DOOR AND THEIR NEW SAPPHIC WEDDING PACKAGE

By Alisha Proffitt • Photos by Tommy Johns

If you’ve wandered by The Pearl of Germantown on a certain Thursday evening and noticed a soft pink glow and a delicious smell drifting from the patio, congrats, you’ve found yourself Behind the Pink Door. This monthly event, created by the minds behind POCO Pop Ups and held in collaboration with The Pearl of Germantown and DJ Slim Thicc, is a sanctuary and a celebration of queer community.

It all started with a question (or three): “I kept asking myself, ‘Why aren’t there more events like this? What can we do? How can we help?’” said Connie Hartsock, co-founder of POCO Pop Ups. Inspired by their big sisters at Lesbian Tea Dance and as a solution to the absence of lesbian-centered spaces in the city, Connie and her partners stopped waiting for someone else to build it and did it themselves. “POCO was already treating every pop-up like a party, so throwing our own felt like a natural next step,” she said. “It wasn’t about reinventing the wheel; it was about building on the joy we were already creating and giving it a name and a home.”

That name, Behind the Pink Door, is more than cute branding. It’s a tribute. “The name was inspired by a noodle and tea shop on Dundee in the early 2000s called Pink Door,” Connie shared. “They had this infamous gay night, mostly for women, where queers would pour through their pink door every Thursday. I wasn’t even old enough to get in at the time, but the fairytale lore of that place still lingers. It was iconic. POCO’s branding is already pink, so paying homage to that space felt like a perfect full-circle moment.”

Like all good fairy tales, this one has a team of heroines behind the scenes. First, there’s Susie Hoyt of The Pearl, a longtime ally and co-conspirator who has turned her bar into a permanent home for the event. “She spent the first year putting up decorations each month,” said POCO Co-founder, Bri Hlava. “Now you can walk into The Pearl and be greeted with festive pink decor and themed cocktails from Behind the Pink Door, reminding everyone that The Pearl is a safe space for our queer friends every day.”

Then there’s local favorite, DJ Slim Thicc, aka Kayla Meisner. “She is incredibly dedicated to building community in Louisville. In any space she is in, she is glowing with queer black joy and people see that and know that they are welcome anywhere that she is!” Bri said of her friend and co-collaborator. “In the spirit of community, she has also invited guest DJs to join her for our events. For our Pride month event, DJ Slim Thicc will be joined by DJ DNasti, DND, and DJ Ayomi.”

Of course, you can’t talk about a POCO event without talking about food. Connie Hartsock and Bri Hlava make up two-thirds of POCO Pop Ups alongside Matt Pope. Together, they create and execute the food menus for each event, bringing the same delicious culinary magic that has made POCO a local hit for years. But Matt’s role for Behind the Pink Door is support and allyship. “He often sets up our outdoor ‘kitchen’, makes sure we have what we need for service, and heads out for the night. Matt has always said Poco is ‘female fronted, male supported’ and Behind the Pink Door is no different,” Bri explained.

“Connie creates and executes the food menus for all of our events,” says Bri, who has bartended at The Pearl on and off for years. You’ll find her where she is most comfortable, shaking it behind the bar with other femme and queer members of the Pearl staff. “Shout out to our brand sponsors, too! We are so lucky to get to work with some excellent brands who share our passion for community and visibility!” she adds.

“Food is such a core part of queer culture, it’s how we show up for each other, how we create chosen family,” Connie expanded. “Sharing a meal creates instant connection. It turns a room full of strangers into community. At Behind the Pink Door, food isn’t just fuel for the dance floor, it’s part of the joy, the comfort, and the care that makes these spaces feel like home.”

And what’s a bit of fun if you can’t play safely? Creating a genuinely safe space was a top priority from day one. “We worked very closely with Susie at The Pearl to come up with as many steps as possible to make our expectations clear,” said Bri. “We want to set our intentions quickly and make it very clear for all guests what we are doing. We have a donated ‘Pink Door’, a pink curtained vestibule set up at the front door of The Pearl so that anyone walking up or driving by sees that something special is going on.” Their security team (composed of queer, femme professionals and trained members of the women’s rugby team) welcomes everyone with an information sheet and a friendly “Are you here for the event?”

“Our hope is not to turn anyone away but to give each guest every opportunity to make the decision for themselves if this event is for them,” Bri explains. “When we are talking about the trans and non-binary community, we can’t look at someone and judge them on if they should be welcomed out Behind the Pink Door. I don’t want anyone to feel like they aren’t queer enough, or femme enough, to find their community with us but we also want to do everything in our power to keep this a safe space for our attendees.”

This clarity of purpose extends to policies shared openly on social media: “This event is meant to create a safe bar space for Lesbians and marginalized genders including women both cis and trans, non-binary, and trans men.” And: “We ask that our cis and straight male friends please join at 11 pm or later and order an ally pin from the bar for $5… the proceeds will be donated to the Lesbian Bar Project.”

In a time where queer visibility is being challenged nationwide (was it ever not?), Behind the Pink Door stands as an act of joyful defiance. “Queer joy itself is a radical act!” Bri exclaimed. “In a patriarchal society and a political climate that tries to criminalize and invisibilize queer identities, to celebrate and be joyous publicly says that we refuse to feel shame. To love, laugh, kiss, dance, and thrive, especially together, is to say we exist, and we deserve to take up space!”

The event also works with queer tattoo artists, makers, and small business vendors, offering a lot more than just music and food. “Anyone in the LGBTQ community knows, we have to be our own biggest supporters,” said Connie. “We build the community we want to see, and Behind the Pink Door is no exception. Poco has always been about collaboration, and this event follows that same spirit.”

After more than a year of monthly parties, Bri has seen the impact firsthand. She’s seen many of the same faces come to every event, and each month new faces join in the fun. “I think my favorite interaction, though, was when we had an older couple drive from out of state to attend Behind the Pink Door,” Bri recalled. “They came early, stayed late, introduced themselves, and thanked us for a great night. They saw a post of ours on Instagram and planned a whole trip around it. They said they had never been to anything like it before and that they would happily drive from out of state again. It was such a nice reminder that we aren’t just doing this for local twenty-something’s... we are doing this for people who might have never sat in a bar built for them.”

And they’re just getting started. “We would love to do more queer markets, brunches, bingo nights, trivia, hopefully host our own events at a future Poco brick and mortar, and we just launched our Pink Door Wedding Package. The possibilities for collaboration are endless, and we truly can’t wait to see where it takes us,” Connie said, excited by the growing interest from other bars and venues who want POCO to bring the party to them.

So, if you’re looking to dance, eat, connect, get married, or just feel seen, Behind the Pink Door is ready to welcome you with open arms (and maybe a themed cocktail or two). After all, as Bri so perfectly put it: “There is resistance and healing in our neighbors and local businesses saying I see you, I value you, I want you here.”

Behind the Pink Door Wedding Package

Book your sapphic wedding party with Behind the Pink Door, the last Thursday of the month!

Celebrate your love, loudly, proudly and in community. Say “I do” surrounded by sapphic joy, on the dance floor of your favorite night of the month. Our tiny but mighty wedding package offers an intimate, joy-filled ceremony designed especially for queer couples in a space that sees and celebrates you.

This isn’t just a wedding- it’s a moment in queer history, your history, happening right in the heart of the party.

Wedding Package Includes

A Personalized Ceremony: An experienced, LGBTQIA+ affirming officiant will work with you to create a heartfelt ceremony that reflects your love and story!

Dinner for Two: A candlelit dinner for two with entrees from POCO Pop Ups made with love!

Popping Bottles: A Bottle of bubbly from our friends at The Pearl to celebrate your union with a sparkle! Traditional bubbles or non-alcoholic available.

Flowers for Partners: Fresh, thoughtful florals for each partner to wear or carry!

Your First Dance: DJ Slim Thicc will play a special song, just for you, on the dance floor surrounded by sapphic love and community cheers!

Ready To Say “I Do”?

For more information or to set your wedding date email us at hello@poco502.com

Please allow at least 2 weeks notice before our next event so we can create the perfect setup for your big day.

We Can’t Wait To Help You Celebrate Your Love!

JENNIFER BRIAN TALKS SPIRITS, HOSPITALITY

AND HER NEW BOOK

By Mckenna Graham • Photos By Matt Johnson

Cocktail maven Jennifer Brian is a force to be reckoned with— and much like Make and Muddle, the beverage focused brand she co-founded, she is sophisticated yet welcoming. Surrounded by her cookbook collection, herbs from her garden and a veritable apothecary of potions, syrups and spirits lining the dining room shelves in her Crescent Hill home, Brian recounts her circuitous route to becoming an author. Her first book, Classic Cocktail Revival is due to hit the shelves at the beginning of September and is currently available for pre-order. The book, which has been almost ten years in the making, offers the ritual of cocktail crafting and drinking with good friends as an almost religious experience— and with Brian at the pulpit, drinkers are in good hands.

“I’ve been in hospitality a long time,” says Brian, “I grew up in the kitchens of my grandmothers, my mom, my aunts… My people are amazing cooks—both sides of my family. And my earliest memories and best memories are in the kitchen.” In fact, it was in the kitchen of a friend that the moment of genesis for Make and Muddle occurred. As Brian tells it, it was National Whiskey Sour day, and being a person who dislikes whiskey sours she began to wonder how she might tweak this classic to create something a little different. She ended up crafting a cherry vanilla syrup and when her friend asked her to write down the recipe, an idea was born. Brian decided she would write a cookbook. But like most good tales, this one has a few more twists and turns. What began as the idea for a cookbook ultimately shifted into a product line of high end syrups and shrubs and her business Make and Muddle was born.

In the years to follow, Brian served as a professional whiskey steward, collaborated with the Kentucky Herbal Society and was the cocktail sponsor of the 2022 Kentucky Derby Festival, all while the seeds of her future book began germinating in her mind. However, it wasn’t until a rough patch in time that she returned to her work on the book. Buoyed by a flood of creativity, she scrapped the original version, originally titled Kentucky Gatherings in the Bluegrass, and rewrote it all, finishing it in only two weeks. She shifted from writing in what she described as a very “Martha Stewart” style to one that was a bit edgier. leaning into the idea of the “cocktail evangelist” that she and co-founder Brent Carter had originally conceived for Make and Muddle.

Inspired by Egyptian symbols, numerology and old religious iconography, Classic Cocktail Revival builds on their mission of “spreading the good news about booze” by offering clear and straightforward guidance for novice bartenders while offering new twists on old favorites for the well seasoned mixologist. Each recipe is accompanied by a story or little bit of history to deepen your understanding of the spirits in your cup. Classic Cocktail Revival also includes a section on creating thoughtful and well balanced mocktails, an apt addition to any bartending book published today as trends move towards spirit-free offerings.

“One of the founding principles of the business is about connection,” says Brian speaking on her decision to include alcohol free libations, “I firmly believe there’s a seat at the table for everybody.” And while Brian says this may be her first book, she does not intend to make it her last, even teasing a possible book of THC cocktails, that she calls “the wave of the future”. It’s clear, for Brian, when it comes to imbibing it’s about more than just building a drink, it’s about building relationships.

As we enter the dog days of summer, Brian suggests a spritz which she calls “the iconic summertime cocktail” to slice through the heat and refresh a thirsty palate.

“We call them porch pounders,” she says, “They’re so elegant and gorgeous when they come to the table with all the fresh herbs and big wheels of fruit. I love that for summer cocktails.” You can order Make and Muddle’s products on Etsy to enhance your own home bar and elevate any cocktail. More information about Classic Cocktail Revival and for pre-order visit www.makeandmuddle.com

By Jackie Zykan

With over 20 years of experience in beverage alcohol, and a love affair with the natural world, I am delighted to share some of Kentucky’s finest pours alongside fresh, local, and seasonal botanicals.

A heart shaped rock sits by my back door, a reminder of an afternoon creekside hike. Placed in my hand on the trail by someone I adored, it will forever be a sandy and raw valentine of sorts to capture the sweetness that is being in love. Although that beautiful soul is no longer of this realm, I keep the rock there, passing it countless times a day, as a means of keeping love at the forefront and living from the heart. This practice is not unique, and in fact the reason for its placement stems from memories of a heart shaped rock which lay near the front door of my childhood home. Its origin story is similar, and although I have never asked, I assume its impact is the same. These tokens of nature in such a charming form have been exchanged throughout history. Heart shaped rocks are a delight to discover, as are leaves, blooms, and even various fruits.

This month we explore an abundant native which is commonly mistaken as clover. A closer look at its foliage reveals this sweet reminder of love all around us in the form of its heart shaped leaves. While it is edible, one must be aware of its concentration of oxalic acid, which is the primary contributor to its sour taste. In small levels, it provides a zippy tang, but moderation is key especially for those who are sensitive to consuming high acidity for any reason. Take a look around at the ground beneath you. You will surely stumble upon this little gem. And perhaps after reading this, you won’t dismiss it as a pesky weed but instead embrace it as a precious and delicate bouquet of hearts direct from mother nature to you.

Featured Kentucky Flora: Oxalis stricta (Yellow Wood Sorrel; Common Yellow Oxalis)

These sweet little plants are found across our state, and many other places for that matter. Typically tucked away with the likes of common lawn “weeds” such as clover, plantain, dandelion, and violets, they resemble clover in their three-leaf structure, but with perfectly formed heart silhouettes as opposed to clover’s usual round form. The identifying heart shapes may be tough to spot at certain times, as the plant folds its leaves up at night and also during times of stress such as intense weather or if you were to pick some for this recipe. This is a phenomenon with plants called nyctinasty, in which cellular sensors initiate physical form changes for protection. You may notice darling little yellow flowers in the company of these heart clusters as well. They’re a treat to observe, however for the purpose of this recipe we will be focusing on the leaves. Oxalis is packed with vitamin C and like many other plants boasting this characteristic it has been consumed medicinally for scurvy, fever reduction, UTI’s, and also applied topically for swelling and wound care. From a culinary perspective, its high acid content has been leveraged as a zesty seasoning, a vinegar substitute, and a thirst quenching tonic. With a flavor similar to lemon, and a punchy zip, it makes for a fun addition to an already classic summer libation, the shandy. From a folklore lens, wood sorrels are associated with good luck, happiness, resistance, and renewal. The natural world offers so many gifts and reminders, we need only pay attention. The closing of the hearts on the stems of Oxalis is no exception. The lesson it offers is to take care of oneself, and protect as needed, but to feel safe to always open the heart back up to the sunshine once the storm passes.

Featured Kentucky Product: Monnik Beer Co. Hauck’s American Pilsner; 5% ABV

Brewed locally in Louisville, KY, Hauck’s American Pilsner is a balanced and refreshing seasonable choice for our hot midwest summer months. Widely available in our state, this particular expression from the first Schnitzelburg brewery is a solid example of the level of expertise and quality found in Kentucky’s craft beer sector. The product is rooted in local history as well, being named for George Hauck, who with Charlie Vettiner co-created the revamp of The World Championship Dainty Contest in 1971. A pass time brought by German immigrants of the 1800s, Dainty is a Schnitzelburg neighborhood tradition which is celebrated in late July.

Sorrel Shandy

• 4 oz Hauck’s American Pilsner • 4 oz Oxalis Lemonade

Directions: Combine all ingredients in a glass filled with ice. Garnish with lemon slices and yellow wood sorrel leaves as desired.

Non-Alcoholic Variation: substitute with non-alcoholic beer or any non-alcoholic carbonated beverage such as club soda or ginger beer.

Oxalis Lemonade

This recipe leans into the sour nature of yellow wood sorrel, with just a touch of its leaves in freshly brewed tea and bright, fresh lemon juice. Yields 24 oz.

• 8 oz Fresh Lemon Juice, strained • 8 oz Simple Syrup, (1:1 ratio sugar: water) • 8 oz Oxalis Tea

Directions: For the tea, gather ¼ cup fresh yellow wood sorrel and rinse thoroughly in a fine mesh strainer. Bring 8 oz water to a boil, then remove from heat. Add the leaves and allow to steep for 2-3 minutes. Strain leaves and allow tea to cool. Combine equal parts tea, 1:1 simple syrup, and freshly squeezed lemon juice.

Making Fresh Lemonade

Lemonade from scratch is one of the easiest and most delicious simple pleasures of summer. The proportions are quite simple, and the components can readily be substituted to make unique flavor combinations. The build I have historically used is equal parts sugar, citrus, and water. For the recipe featured here, the sugar component is a 1:1 simple syrup. The citrus component is lemon juice. And the water component is a dilute herbal tea. Switch out the citrus for lime or grapefruit, swap the simple syrup for a honey or maple syrup, sub the herbal tea for any of your favorite botanical blends, and you can create endless tasty and non-alcoholic options for any occasion. Choosing citrus fruits that are heavy for their size with thin, smooth peels will give you the most juice for the squeeze. I offer this tip mostly when it comes to using limes, as a thick and bumpy skinned specimen will have you working harder for yield. Not sure how many lemons to buy for a recipe? In general, a standard lemon will provide around 1 oz of juice, a lime will provide ½ - ¾ oz, and larger citruses such as oranges or grapefruits will produce 4-6 oz, typically. I always grab a few extra, especially if I’m planning on using them for garnishes. Keep in mind also that not all citrus fruit is created equal in terms of acidity. You may need to adjust your sugar component to be less when using sweeter fruits such as oranges or grapefruits. As with all recipes, the easiest way to figure out the best combination is to simply taste it and be open to adjusting accordingly.

When foraging wild plants always be completely certain of identification and follow the rule of “when in doubt, don’t”. Only take what is needed, leaving plenty for our native pollinators and fauna. Avoid harvesting from areas which are exposed to pesticides or other chemical applications. The statements in this article are for entertainment purposes only and are not meant to diagnose, treat, or medically advise. Please drink responsibly, you are loved by many.

By Kelsey Knott • Photos By Matt Johnson

“We stood on the shoulders of giants. So, now, we’re just trying to be some giants out here for people to stand on ours.” With a cowboy hat and Western style, it’s no secret that Buffalo Stille stays connected to his Kentucky roots. What might surprise you is how deeply music was woven into his story before he was even born.

Stille’s life feels cinematic in parts, or perhaps it’s his masterful storytelling. His father claims that before B could talk, he walked around bow-legged, singing Kenny Rogers’ “The Gambler.” Stille’s father, Sam Scott, was no stranger to music–growing up in Lebanon near Club Cherry, he gleaned musical knowledge from greats like Ike & Tina Turner, Jimi Hendrix, and Joe Tex before forming a musical group with B’s uncles known for integrating a movie theater during an intermission, their impromptu show a catalyst for desegregating Lebanon, KY, at the time.

As hip-hop slowly made its way to Kentucky in the 80s and 90s, Stille remembers being fascinated by the energy and freedom of expressing yourself and saying what you want unapologetically. What he thought was a crowd gathered for a neighborhood fight turned out to be his first time witnessing a freestyle cypher. “This dude was just going off, looking in the sky, freestyling about the crowd, about the day, about life growing up in Newburg, Louisville, Kentucky…I ran home. I went right to my room, went through my homework, grabbed the notebook that had some empty pages in it, and just started writing. I wrote my first song, and after a while, ended up taking it to the guy who was actually in that cypher. He ended up being my first producer, and he made my whole first album at 12 years old.”

From rapping morning announcements at school to achieving The Source Magazine’s “Hiphop Quotable” award (“the Super Bowl trophy for Rap’s best bar spitters”), Stille keeps storytelling at the forefront of songwriting and considers himself an actor of sorts. “Like an actor learns about who they’re playing, I might add my own little spin and think, what would I have felt?” He recognizes the value of understanding the business side as well: “We can write songs all day long, but you want to be able to profit off of your intellectual property and pass residual income on to your loved ones. You can create an amazing song that might fall on deaf ears. You can create a horrible song, and if you know the business or algorithm, it could go viral.”

We spoke about fires being fueled by those who tried to extinguish them and wasting negative energy on those who doubted. “Louisville has greatness in the water, whether sports, musicians, actors, bourbon, horses… It’s a city of tradition. Harlow, EST Gee, Tiller, the late Static Major –these dudes can really write music. I love listening to artists who take pride in perfecting their craft.” He hopes people gain a sense of self-respect from hearing his music. “We like to say Nappy Roots move at the speed of life. We talk about real life we’ve seen growing up. We chose to say, ‘man, there’s a brighter side that we want our people who are living in it to fantasize about and get them out of that mind frame that they’re stuck in.’ When Nappy Roots is all said and done, I want the aliens to come down in the year 4050 and dig up an old record, or stream, or hologram, something with Nappy Roots, and say, ‘Bro, the world truly underestimated and slept on these guys. They should’ve been the Rolling Stones of hip-hop.’ Our fans truly believe that and pass Nappy Roots down to their children, who gain a sense of pride from our music.

We did go platinum–less than maybe 200 rappers in history have gone certified Platinum, right? Shout out to Atlantic Records–a bittersweet topic, but they definitely exposed us to a fan base, and I wouldn’t trade that for the world. There are a lot more artists like Nappy Roots out here, who speak the truth unapologetically, who want better for their communities, who aren’t pushing poisonous messages. Record labels choose not to put money behind them, and we know there’s a bigger agenda behind that.”

While Stille’s legacy is already clear, he continues it through his daughter, Stacia Baby, as she begins her own musical career. He acknowledges the importance of taking young artists under his wing: “The first thing I do when I meet a new artist is show them all the plaques, the platinums, the golds, the soundtracks, the quotables–the Nappy Roots days and Kentucky Colonels. I show them so they can have a better visualization. As a child, I saw people who did things and showed me things. Then, I said, ‘Damn, I’m this close. They were able to do it, so I can do it. They grew up the same way, same place I did.’ I’m not flexing, but I’ll let you know that you’re so close. It’s possible. That’s all we need as young urban artists. I could see a path.” Whether jumping on a song or giving specific advice on a track that’s almost there, Stille refuses to ignore young artists with a dream, in Louisville and beyond.

Stille likens the Monarch to another home, which tracks, since he helped paint the walls in its early stages. “It just resonates creativity.” One of his central missions is to progress the music business forward in Kentucky. “Why do we have to go to all these different places for somebody to notice us and sign us? Right now, my business partner, Jou Jou Papailler, and I are working on a reality TV show dealing with amateur artists, and we’re coming to the Monarch for our first live event: The Jou Jou and Buffalo Variety Show. We’re looking for talented artists in any genre. I’m not gonna spill all the beans but trust me–it is something advantageous if you feel like you are good at what you do ($$$). If you’re talented, we want you on the stage.”

Reach out to joujoupresents@gmail.com to land an audition or see the show live at the Monarch on July 25th!

JAMEY JOHNSON ROLLS ON WITH NEW ALBUM AND TOUR

By Kevin Murphy Wilson • Photos Provided By Ben Christensen

This season Louisville will host concerts by an assortment of Southern stylists such as jam-friendly Allman Brothers Band spin-off Gov’t Mule (July 25 at Iroquois Amphitheater), master musician and former Kentucky resident Vince Gill (July 26 at Kentucky Center for the Performing Arts), and Outlaw Country giant Jamey Johnson (August 17 at Louisville Palace). We recently chatted with the latter to discuss his major resurgence of late that includes a stunning new album, Midnight Gasoline, and extensive run of shows dubbed The Last Honky Tonk Tour.

VOICE-TRIBUNE: Congratulations on your Spring wedding. That is such a beautiful thing. What sort of impact does having love, happiness, and stability in your life make on your songwriting?

Jamey Johnson: “It’s been good so far. I mean you have to judge the fruit, right? This is pretty good fruit, brother.”

VT: It was cool to see you on the Ryman [Auditorium] stage earlier this year as part of Ringo Starr’s Nashville celebrations [two concerts filmed for a CBS Television special], and last year you were here in Louisville playing the repertoire of The Band. Oddly enough, Don Was once told us that even though Ringo was a part of The Band’s original Last Waltz farewell concert, he had no memory of being there until the [Martin] Scorsese film [of the same name] came out and he saw himself there. Anyway, how much of an influence did the Beatles and the Band have on your approach to music-making?

JJ: “Oh, a ton, I’m sure. Especially the of culture. You know, there are certain things that we expect everyone to know a little something about and the Beatles are one of them. That [Ringo Starr TV special] was a lot of fun to do. But I was working on getting my prescription glasses updated and I didn’t have the new ones yet, so when they put the lyrics up on a screen in the back of the room to help those of us on stage out, I looked like I was ‘mean-mugging’ somebody the whole time but I was really just trying to make out the words to a

VT: So, how do you balance honoring tradition with breaking new ground artistically?

JJ: “I think that is the tradition…passing it down. That’s the part of country music that you really can’t do anything about. It’s not like country music has to be popular to survive. Because it has survived when it wasn’t popular at all. I was just talking to [Nashvillebased artist and songwriter] ERNEST about something very similar. You know, certain songs go from one generation to the next, and everybody that receives the gift, they get something good from it. I have had so many musical influences that I was a direct connection to: Waylon [Jennings], Tom T. Hall, Billy Joe Shaver, Tony Joe White ERNEST completely understands that, too, as well as the need for us to figure out how to pass it on.”

VT: You’ve been at it a while now. What made the process of assembling your latest LP special to you?

JJ: “They’re all special. I think you have to think of a musical album the way that back in the 70s and 80s we had photo albums laying around the house. You only kept those pictures and included them in albums because they reminded you of something wonderful. My songs are placed on albums because they remind me of something wonderful. And if I should end up having to sing these songs every night for the rest of my life, then I have done well for myself.”

VT: The music business seems stranger than ever. In this day and age, and at this point in your career, how do you measure success?

JJ: “On how happy I am every day when I wake up. That’s it. There is no other measure. I have seen the money—and a lot of friends—come and go along the way. Everything goes away. So it has to be happiness that drives you. Every day I get to walk through the same scene as I am seeing right now…folks moving around setting up cables, beams, and lights, getting everything in place for my show…and, you know, there was a time in my life when I only dreamed of this stuff but now it has all come to fruition. I’m going to walk out on the stage tonight and I am going to sing my country music for these people and we’re all going to share that bond for a minute. Thank you for reminding me of all this sweet stuff.”

For more information about Jamey Johnson’s performance, visit louisvillepalace.com

By Antonio Pantoja

There’s an Instagram account called @abandoneddiffusion that I stumbled on by accident — or maybe not. The images stopped me cold. Strange, dreamlike landscapes. Dead-eyed figures standing in places that felt real and unreal at the same time. Like stills from a movie that doesn’t exist — or maybe one that exists in some other world, just a layer beneath ours.

Each post came with a short story — surreal, poetic, and wild. They read like ghost stories told by a man who’s lived through too many midnights. But what really struck me was the location tags and captions: Kentucky. Kentucky? I thought, This guy must be writing fiction. Some European artist making up weird fever dreams about small-town America, about bourbon-soaked backroads and ghost towns filled with secrets.

But the more I read, the more it felt like… he knew. Not just the scenery. He knew the people. The grief. The sense of being overlooked. The quiet hauntings. And so I reached out — purely as a fan. Just to tell him his work moved me.

That’s when he told me his name: Todd Rigney.

And everything clicked.

Because I already knew who Todd Rigney was.

He’s the author of Found, the novel that inspired the cult horror film of the same name. A brutal, unforgettable coming-of-age story soaked in trauma and blood. A film that, for many of us in the indie horror world, has lingered like a scar you’re not supposed to talk about in polite company. I’d seen it. I’d admired it. But I never connected that Todd — the writer — with the artist behind Abandoned Diffusion.

That dissonance is kind of perfect, though. Because Todd’s entire body of work lives in that quiet collision: beauty and rot, nostalgia and nightmare.

And here’s the thing about Found — even that story came to life by accident. Or fate. Or whatever force lives between those two things. Director Scott Schirmer was working in a print shop when he noticed Todd’s novel being printed. He picked it up, read it, and said, “This has to be a film.” That one, strange moment — one person noticing what others overlooked — changed both their lives. And it gave birth to something haunting and unforgettable.

I think about that a lot. How easy it would’ve been for Found to go unread. For Abandoned Diffusion to stay anonymous. But something in Todd’s work refuses to stay buried.

He told me he was bullied as a kid — not just teased, but deeply, repeatedly hurt. The kind of bullying that makes you question your reflection. The kind that pushes people toward silence or rage or disappearance. But Todd didn’t disappear. He transformed. He took that pain, that alienation, and built entire worlds out of it. Beautiful, terrifying worlds. His boss at Citation Labs enabled and encouraged him to push his art — to take that same pain and make something lasting from it.

His images aren’t just aesthetic — they’re echoes. Each one is a memory warped into myth. Each caption is a whisper from someone who survived something. You can feel it in every pixel. The kind of work that doesn’t scream to be seen — it just waits. And when you finally look at it, it’s like it’s already been looking at you.

The truth is, I’d admired Todd’s work twice — once without knowing who he was, and once after. But that’s how a lot of the best art works. It finds you when you need it, even if you don’t know what you’re looking at. You just feel it.

We talk a lot about Kentucky as a place of bourbon and basketball and bluegrass. But there’s something else here, too. Something darker, richer. A lineage of artists who turn pain into poetry. Who aren’t afraid to make something unsettling, because they know that’s where the truth lives.

Todd Rigney is one of those artists. And if you haven’t seen his work, you should. Not because it’s trending. Not because it’s safe. But because it’s what nightmares look like when you finally decide to face them — and find something beautiful staring back. Todd and I have a lot of collaborative work planned — and it’s going to be dark.

It’s going to be strange.

And it’s going to be beautiful.

A CONVERSATION WITH TIM KIRKMAN

By Kevin Murphy Wilson • Photos Provided

Tim Kirkman is best known for his work as a screenwriter, director, professor, and co-founder of T42 Entertainment— a company whose mission is to amplify LGBTQ and other marginalized stories and voices across media platforms. At the moment, that group has a new feature film coming out called Tony-winner Joanna Gleason. T42 is also producing Kirkman’s adaptation of Silas House’s acclaimed novel SOUTHERNMOST. We recently caught up with the master storyteller to hear all about his professional journey and his reasons for basing himself in the Bluegrass.

VOICE-TRIBUNE: What sort of educational background do you have?

Tim Kirkman: “I graduated from NC State University’s College of Design with a degree in graphic design and a minor in Journalism, then went on to get an M.A. in Media Studies at The New School in New York City. I’ve discovered that design and journalism and media studies have been incredibly useful foundations for filmmaking.”

VT: When did you become interested in a film-focused career?

TK: “My interest in film started at an early age, but in my undergraduate years I started to see more adventurous films that took risks or challenged the form in some way. Once I started to learn more about directing, I realized it was a way to combine so many of the things I was already interested in and had some capacity for doing — acting, drawing and painting, photography, writing, editing sound, music — into one job. Directors don’t have to be great at any of those things, and I’m not! But they have to be able to recognize talent in all of those areas, which I can do.”

VT: Are there any specific movies that inspired you or folks who encouraged you along the way?

TK: “Nonfiction and fictional narrative filmmaking both inspired me in college. A few in particular helped me start to see cinema storytelling in new ways: David Lynch’s ERASERHEAD AND VIDEOTAPE showed me new ideas about pace, subject matter and performance. Ross McElwee’s terms of embracing my own voice. Spike Lee’s a major impact on how a film could weave the personal and political into a visually stunning film.”

VT: Is there a genre/area of research that excites you? Have your tastes or interests evolved over the years?

TK: “The longer I work in film, the more I realize I am not interested in only film; I think in the last few months I have had a revelation about myself and that it’s not that I’m obsessed with film or that I must make films. I am interested in stories. They don’t all need to be films. Maybe they’re a podcast or an audio project, or a painting or a piece of short fiction. I just finished a documentary short about a North Carolina artist named Freeman Vines who made guitars using wood from trees used to lynch Black men. I want to explore all kinds of forms and formats. I am starting to think of myself less as a filmmaker and more as someone who wants to share stories.”

VT: What did your decade long stint at Miramax Films look like?

TK: “I was an art director at Miramax, which meant I helped design posters and ad campaigns for lots of movies. I was heavily involved in their infamous Oscar campaigns. Some of the more prominent titles I worked on include SHAKESPEARE IN LOVE, THE ENGLISH PATIENT, CHOCOLAT, THE CIDER HOUSE RULES, CHICAGO, GANGS OF NEW YORK, and LIFE IS BEAUTIFUL. I always joke that I was there from RESERVOIR DOGS to COLD MOUNTAIN. Everyone at the company seemed young, and we were. It was a magical time in NYC to be working at a company that was truly helping American audiences learn to embrace independent and foreign cinema.”

VT: Although you are a North Carolina native, you had been based out on the West Coast for a while. What led you back to this part of the country?

TK: “I moved to NYC two weeks after graduating from NC State and lived there for twenty years, then moved to Los Angeles for eleven. My husband, Drew Barr, is a theater director with family in Lexington, so we’d been coming to Kentucky for holidays for over twenty years and fell in love with the city. I also work often with Louisville-based producer Gill Holland, whom I had met in NYC a long time ago, and we’ve made five features together, including one in Louisville. So my ties here are strong. These days you don’t need to live in Los Angeles or New York to work in the industry, so we finally decided it was time for a new pace for our life, and we wanted to be closer to family.”

VT: You taught directing at the University of Southern California’s School for Cinematic Arts, and screenwriting at UCLA’s School of Theater, Film and Television. And since you landed in this region, you’ve done some adjunct work at Kentucky College of Art + Design. What is the overlap between teaching and professional practice, and do you think that time spent in the classroom further enhances your craft?

TK: “Every time I teach, I learn something new - either through the process of explaining or demonstrating in the classroom or from the students who do the work. Students are so often the best teachers. The ones who treat the work with respectwho show up for class and do the assignments and put an effort into trying to discover something - they’re the ones who inspire me. KyCAD is such a rich environment. It’s like a laboratory for students to discover. It reminded me so much of my design education at NCSU that I jumped at the chance to teach there. I’m so inspired by the faculty and the students and impressed with the values President Moira Scott Payne has brought to KyCAD.”

VT: What is special to you about the current project with Kentucky Poet Laureate Silas House?

TK: “There’s never been a more important time to tell a story about a person whose religious beliefs are in direct conflict with their life experiences. It’s a story that bridges differences, that starts conversations. We need that. Silas House is a brilliant writer, and this novel is a faith-based, family film — but from a progressive stance, if you can call treating people with respect and decency a progressive stance! I can’t wait to bring this production to Kentucky and into the world. We need it now and we need people in Kentucky to help us build an audience.”

VT: Looking back, what accomplishments are you most proud of?

TK: “That is a hard question. I think it changes, depending on my state of mind, but right now I take great pride in the fact that I am not afraid to be moved by art. I cry easily when I watch a film or hear a song or see a play or read a story. I can be in the middle of teaching HAROLD AND MAUDE in the classroom and my eyes will well. I’m proud to have grown up with parents who did not hide their emotions and taught me that being emotional was not just okay, but necessary. Nothing to be ashamed of. If in my work I can make people feel something, give them space to feel something, I have done good work.”

For more information, visit www.timkirkman.com

up your workout! up your workout!

By: Alison Cardoza • Photograhy by Matt Johnson • Sponsored

Engaging in pool workouts offers numerous health benefits. Baptist Health Milestone provides a range of pool classes catering to all levels. Our warm therapy pool alleviates sore muscles, the 5-lane lap pool enables swimmers to achieve an excellent cardiovascular workout, and the hot tub serves as a relaxing retreat after a strenuous day.

Trotter, our personal trainer at Baptist Milestone, has enjoyed training his client, Michelle Whelan for the past few months. Michelle, who is 62 years old and a former ER nurse, knows a thing or two about dedication and hard work. She enjoys water therapy exercises with Trotter on a weekly basis. These pool exercises enable Michelle to work on her coordination and endurance, and the buoyancy and resistance of the water make these exercises gentle on her joints.

Michelle was diagnosed with Multiple Sclerosis in 1992 and has been wheelchair bound for the past 6 years. She wants to continue to stay in shape and absolutely loves her stretching exercises that Trotter has designed for her. The pool is a major part of keeping her joints and muscles pain free, while still working up a sweat and getting a great cardiovascular workout. Pool exercise can enhance balance and coordination and is extremely beneficial for clients with back pain and arthritis. While working on hand eye coordination, grip strength, and functional training, Trotter and Michelle share lots of laughs in the pool, but definitely get the job done! “It hurts so good,” says Michelle. “Michelle motivates and inspires me. She may be wheelchair bound, but she stays committed to staying active and takes advantage of the strength she has in her upper body and enjoys every moment during her workouts. She is driven,” says Trotter.

Trotter enjoys giving his clients a full stretch along with their workouts to release lactic acid and prevent sore muscles from occurring the next day. Stretching can be performed in water or on land. Stress is released and injuries can be prevented when stretching is performed properly.

There are many types of stretching techniques. Trotter performs Static stretching and PNF stretching on Michelle on an exercise mat. Static stretching is when you hold a stretch for a period of time. PNF stretching is when you combine static stretching with isometric contractions, which involve contracting a muscle without moving it. It is known for its effectiveness in increasing flexibility and range of motion.

We invite you to join us at Milestone for a pool class, get a full stretch by a certified personal trainer, or relax peacefully on your own at the end of your workday in our hot tub.

Alison Cardoza, ACSM Certified Personal Trainer and Fitour Group Exercise Instructor. B.S. Exercise Science and Sports Medicine with a minor in Health Promotions from University of Louisville. Former UofL Ladybird and NFL Colts Cheerleader.

Former UofL star Peyton Siva will again play for The Ville team in the TBT, which will tip off later this month in Freedom hall. Siva will also serve as an assistant coach for head coach Luke Hancock.

Former Cats and Cards could meet again in TBT with The Ville and La Familia

By RUSS BROWN • Photos Provided By Louisville Athletics

Get ready for another spirited battle between the University of Louisville and University of Kentucky on the basketball court. And no, I’m not talking about the two bitter rivals’ scheduled clash on Nov. 11 in the KFC Yum Center. And Pat Kelsey and Mark Pope won’t be on the sidelines.

If you’ve ever spent more than a few days in Kentucky and paid attention, you know that college hoops isn’t just a passion during the dreary winter months; it’s a year-round obsession. So get ready for another edition of The Basketball Tournament (TBT), the 64-team, $1 million winner-take-all event that is in its 12th year. For the second year in a row, both Lexington and Louisville will be regional sites, with games being played in Memorial Coliseum July 18-22 and in Freedom Hall July 19-23. Other regionals will be held in Harrisonburg, Va., Kansas City, Syracuse, Charleston, W. Va. and Wichita. Survivors will advance to the quarterfinals at a site to be determined.

The teams are primarily composed of alumni from each of the competing schools. In this case, La Familia represents UK, with The Ville looking like a vintage U of L club, and they could be headed for a quarterfinals showdown for the second year in a row.

Both teams have head coaches who need no introduction to local fans. La Familia will be led by former Wildcat guard Sean Woods, 55, a member of UK’s “Unforgettables” 1991-92 national runnerup team, who was recently named head coach at Scott County High School in Georgetown. Luke Hancock, 35, the Most Outstanding Player in the 2013 Final Four won by Louisville, will coach The Ville. He is also the general manager of The Ville.

Hancock, who is now a financial advisor as well as a college basketball analyst for the ACC Network, played on the team in 2023 and assisted Reece Gaines last season when it lost to UK in a hotly contested quarterfinals game. This year he’ll be coaching a team that looks like a Who’s Who of Louisville basketball, including Chane Behanan, Earl Clark, Montrezl Harrell, Chris Jones, David Johnson, Peyton Siva, Ray Spalding and Russ Smith. Also on the roster are Louisville native David Sloan, formerly of Kansas State and East Tennessee State, and ex-John A. Logan player Jay Scrubb, a former Trinity High star and one-time Cardinal recruit. Siva will do double duty, serving as an assistant coach in addition to playing.

Clark and Spalding are newcomers to The Ville. Clark, a 6-foot-10 forward, was originally slated to join the club in its 2023 debut but withdrew due to an overseas contractual commitment. He played at U of L for three seasons (2007-09) and was an NBA lottery pick. This past season he averaged 18.0 points and 8.9 rebounds for the Hsinchu Toplus Lioneers in Taiwan’s P. League+.

Spalding, a Trinity High product, also was with the Cards for three seasons (2016-17-18), then played for several NBA teams. Most recently, he has played professionally for Sos de Manati in Puerto Rico.

TBT typically rolls out roster announcements to increase fanfare, so there’s a chance that one or more players from U of L coach Pat Kelsey’s first team could be added.

“We’re excited to be back with the TBT,” Hancock said. “Hoops fans around Louisville have been amazing and support gives us a huge advantage. The Ville is going to take things to another level this year and we can’t wait to show the city what we’re working on. I’m excited for the opportunity.”

Among UK alums playing for La Familia are Ansley Almonor, twins Aaron and Andrew Harrison, Archie Goodwin, Doron Lamb, Deandre Liggins, Willie Cauley-Stein and Kahli Whitney.

“We can’t wait to welcome back some Wildcat legends for TBT, because last summer was electric,” said UK coach Mark Pope. “I know Big Blue Nation and our team will be ready to help create an epic environment in Memorial and help the guys chase a championship.”

“Big Blue Nation will have (Memorial) rocking,” said TBT founder and CEO Jon Mugar.

Last year La Familia and The Ville squared off in an intense quarterfinal that drew a TBT record crowd of 13,506 to Freedom Hall for a game won by the former Wildcats 70-61. It ended with a brawl as players from both teams exchanged words, saliva and shoves after several of the La Familia players made the Ls down gesture. Security had to separate the teams.

The saliva came from The Ville’s Chinanu Onuaku, who later apologized after admitting to spitting in the face of La Familia forward Nate Sestina.

“Emotions ran high,” Sestina said afterwards. “That’s what this game does to people. There had been great chatter the whole game. Nothing crazy. Then it got personal. Ls down vs. Ls up. That’s what this game is.”

“It’s hands down the craziest state or basketball, no state comes close,” said Russ Smith, who like Hancock, Siva, Behanan and Harrell, was also on the Cards’ 2013 national championship team.

Hopefully, emotions will be held under control more this time around.

Winners of the regionals will advance to TBT’s quarterfinals on July 28. The semifinals will be held on July 31, and TBT’s $1 million championship will be played on Aug. 3.

“I feel honored and privileged to be a part of La Familia for the second year,” said Woods, who was an assistant last summer for Tyler Ulis. “We’re looking forward to an even bigger and better experience. I’m very confident that we have a great chance of winning TBT and will continue to uphold Wildcat pride over the summer.”

For the first time, TBT will give each host team the opportunity to have home court advantage for the quarterfinals, semifinals and title game. Should two regional hosts advance, the tiebreaker will be determined by which host sells 4,000 tickets the fastest.

TBT games feature the unique “Elam Ending,” in which a target score is set at or under 4:00 minutes of the fourth quarter, eliminating the need for intentional fouls and ensuring that every game ends on a made field goal. The target score is equal to the leading team’s score, plus eight points. For example, Team A leads Team B 70-63 at the stoppage, so the target score is set at 78. There is no game clock but the shot clock remains on.

Andrew Harrison hit a game-winning 3-pointer in last year’s game, but Sestina led La Familia with 22 points while Cauley-Stein scored 20 on 8-of-9 shooting. Smith topped The Ville with 22 points.

David Johnson, a Trinity High School product, made his TBT debut with The Ville last summer and is returning this year. He played for the Cardinals in 2019-2021 before being drafted by the Toronto Raptors.

Senior designated hitter Eddie King Jr. was one of the leaders for Louisville’s run to the College World Series semifinals, finishing 6-14 with three RBI. He was one of three Cardinals named to the 11-man All-Tournament team, along with junior third baseman Jake Munroe and senior second baseman Kamau Neighbors.

By RUSS BROWN • Photos Provided By UofL Athletics

Athletic teams at the University of Louisville are on a real roll, with a series of feel good success stories throughout the 2024-25 school sports calendar just completed.

First, there was the continued success of football coach Jeff Brohm, the wildly popular hometown hero who is entering his third season with the Cardinals. Last fall UofL posted a nine-win record as an encore to his 10-4 mark in 2023, defeating Kentucky for the first tie in six seasons and capping the year with a win over Washington in the Sun Bowl.

Then came the inspirational charge by the volleyball team to the NCAA championship game in the KFC Yum! Center, led by local star Anna DeBeer and coach Dani Busboom Kelly. DeBeer, a senior, missed the game with an injury and it also proved to be the final game at UofL for Kelly, who accepted the head coaching job at Nebraska after the season.

We didn’t know it at the time, but when volleyball ended, the Louisville basketball team, under the direction of first-year coach Pat Kelsey, had begun what was to become a remarkable turnaround from the short-lived Kenny Payne era that produced an historically bad 12-52 record. Kelsey, a surprise hire from College of Charleston, guided the Cards to a 27-8 record, including a second-place 18-2 mark in the ACC and the program’s first appearance in the NCAA Tournament since 2019.

And this spring the UofL baseball team joined the party by making an unexpected run to the College World Series (CWS), where it advanced to the semifinals for only the second time in history. Here’s a closer look at the program and prospects for next season.

It had been an unusual drought for coach Dan McDonnell’s team, which had missed the NCAA Tournament three of the last four seasons after failing to qualify only once previously in his 19-year tenure at the school. And the dry spell weighed heavily on McDonnell’s shoulders, as his family and others could testify.

“My wife will tell you, I’m not easy to deal with when we’re losing and the last couple years were rough. I mean, they were rough,” McDonnell said after sweeping the Nashville Regional 3-0. “I hate to get emotional, but these guys have made it special, really fun, even though we went through some real tough times this year. But I just kept pounding into them, like guys, that’s part of it. It’s how you grow, and we definitely grew.”

Last year’s failure to be awarded a spot in the 64-team field especially gnawed at McDonnell.

“Just call it what it is,” he said. “We were disrespected as a program, players, coaches. Even (recruiting) commitments were backing out and dropping like flies, as if we weren’t a program that we built here. Yes, there was a chip on my shoulder. There was a chip on our players’ shoulders. There was a chip on this program’s shoulder. We were humble and hungry.”

It looked as if the Cards might be absent from the tournament again this year when they dropped six of their last seven regular season games and were one-and-done in the ACC Tournament.

They earned a No. 2 seed in the regional, but were counted out there too, since the No. 1 overall national seed, Vanderbilt, was a heavy favorite on its home field. But they upset the Commodores in the second game on their way to the title.

Louisville then won the best-of-three Super Regional at Jim Patterson Field to punch their ticket to the CWS in Omaha, Neb. The Cards lost their opener in the double-elimination tourney to No. 8 national seed Oregon State, then won pressure-packed elimination games against Arizona and a rematch with the Beavers before running out of steam in an 11-3 semifinal loss to No. 13 Coastal Carolina, which won its 26th consecutive game and which McDonnell called “a well-oiled machine.”

This wasn’t expected to be a CWS team, but the Cards showed resilience and resolve, and true to the Muhammad Ali name on their helmets, kept getting up off the mat after getting knocked down as McDonnell liked to point out.

When the magic finally ran out, there were no tears for McDonnell, only joy for the way this UofL team (42-24) returned the program to the heights it had become accustomed to under his guidance, which has now produced 14 seasons of 40 wins or more.

“I just want to tell these guys how much we appreciate them, how much joy they brought to the City of Louisville, to our fan base, to the university, to the athletic program, and especially to the baseball program,” McDonell said.”They restored this program and got it back to where we’ve always expected to be, where we’ve proven we could be. And if we just get the right support, that’s a place we can come back to without a six-year drought. So I’m just super proud of these guys, especially in the postseason. It was something special. Man, I’m filled with joy.

“I’m thankful to be the head coach at the University of Louisville. My wife and I just love it. As hard as the last few years have been, oh my gosh, it’s been hard, but we’re very thankful, man. We’ve built something special here. . .and I hope I can be here another 5-10 years or however long they’ll have me.”

So, what’s ahead for U of L? McDonnell has a solid core of young players for next season, if most of them stick around. Three of the top five hitters are sophomores -- Lucas Moore (.350), who was the leading hitter during the regular season; Zion Rose (.314) and Alex Alicea (.309). Junior Jake Munroe was second on the team in hitting (.346, with 13 homers). Rookie Tague Davis was the ACC’s home run leader with 17, a school record for a freshman, and he was named a Freshman All-American by two organizations.

UofL also will have an experienced pitching staff headed by freshmen Ethan Eberle (6-2) and Jake Schweitzer (4-3, team-best 2.34 ERA) and junior Tucker Biven (5-0, 3.71 ERA). Promising sophomore Parker Detmers, who missed the postseason with an injury, also returns.

Most of all, McDonnell, who noted that he had “been preaching the stuff the last few years and it hasn’t been working,” hopes the returning players view this year’s CWS appearance as confirmation that “I’m not full of crap.”

Patrick Forbes, a junior from Bowling Green, Ky., was the ace of Louisville’s pitching staff and is expected to be taken in the Major League Draft July 13-14.

www.LouisvilleCalendar.com

Ah, July in Louisville—where the humidity is slowly but surely smothering us all and the event scene sizzles just as much as the weather. If you’re looking for a city that knows how to throw a summer bash, look no further than the Derby City, where heatwaves and hot happenings go hand in hand. Before we get into it, a quick anecdote and a thank you to some incredibly kind Louisvillians. For those of you who went to the Kentuckiana Pride Parade and Festival, you surely can recall that thick and stifling heat! Pride is one of my FAVORITE events of the year, but I unfortunately was no match for the sun that day and had to call it after photographing the parade. I hopped on my trusty scooter to ride back to my car in Butchertown when I felt myself get a bit woozy as I was coming up to Lynn Family Stadium. As I pulled over and rested my head on my scooter, mortified while contemplating the possibility that I very well might pass out right there on the lawn by the stadium, three angels in a sedan pulled over to offer me water and a wet towel to put around my neck. To those three ladies, if y’all happen to come across this column, I can’t thank you enough for your kindness. Nothing has ever felt so good as that water-soaked towel!

OK, back to business. First up, there are the plethora of Fourth of July celebrations all over town. Music fills the air, as does the scent of sweat, craft beer, and fireworks, which, let’s be honest, is part of the charm. If you’re looking for a good time while sporting your best red, white, and blue, I have a few great contenders for y’all. The Waterfront Park Fourth of July Celebration is always a big hit for the whole family. The event will feature the “Waterfront’s Most Talented” variety show that features local and regional talent, a children’s area, and of course, fireworks! Another great event is the Paristown Fourth of July Celebration at Paristown Pointe. Not only can you enjoy a live performance by the Crashers, but there will also be the Brent Street Market earlier in the day, the Jeff’s Donuts National Donut Hole Eating Championship at 8 p.m. (YUM!), and a dazzling fireworks show at 9:45 p.m.

For the culinary aficionados, July is packed with events for the foodies. First up, though not really a food event, NULU Clash of the Cocktails on July 8 makes for a great date night. Louisville’s best bartenders compete to create unique cocktails for a chance to win the people’s choice competition. Your ticket includes samples from the competitors as well as tasty bites from Lou Lou on Market! Now, what I’ve got next is a true Louisville foodie event and one of my personal favorites. I suggest going on an empty stomach! A Taste of Independents on July 13 features 40 sampling booths from Louisville’s top chefs. You’ll get to enjoy foods from Louisville’s most iconic restaurants while listening to live music and enjoying the incredible atmosphere at Noble Funk.

Finally, I’ve got a few festivals to recommend! If you’re looking for some great music, check out the Mag Bar Music Fest from July 17-20. This festival features four awesome days of regional and local bands for your listening pleasure. Next up, we’ve got the NULU Summer Fest on July 19. Get in some true summer fun with a watermelon eating competition, tie dye station, food trucks, 80+ vendors, and more! Another favorite music festival of mine that also supports a great cause is the Big Stomp festival from July 25-26. The Big Stomp is an immersive experience that is dedicated to stomping the stigma around mental health. I can’t recommend it enough!

So, whether you’re a music lover, a foodie, or just here for the sun and fun, Louisville’s event scene in July proves that even in the hottest month, this city still knows how to turn up the heat—metaphorically and literally. Just be sure to bring your sunscreen. You’ll need it!

Thank you to our sponsors for your continued support:

Aesthetics in JewelryAmy Wagner

Angel’s Envy

Baptist Health Milestone

Wellness Center

Barry Wooley - BW Designs

Belterra Bittners

Blue Grass Motorsport

Cartwheels

Chenoweth Square

Cultured

Dolfinger’s

Frazier History Museum

Glasscock

Heitzman’s Traditional Bakery

Independence Bank

J Michael’s Salon & Spa

Jefferson’s Bourbon

Kentucky Derby Museum

Kentucky Select Properties

Laura Rice

Loft at the Biscuit Lounge

Louisville Ballet

Margaret’s Fine Consignments

Parklands of Floyds Fork

Pendennis Club

Reflections of you, by Amy

Republic Bank

Sassy Fox

Susan’s Florist

Waterfront Botanical Gardens

50% off the month of July!