This Wedding Volume I want to dedicate to my Uncle Jim, who passed away on December 12th, around 5 a.m., the very morning of our wedding shoot. His obituary will be in a future volume of the VOICE-TRIBUNE.
My Uncle Jim was one of the nicest, gentlest giants you could ever meet. He was a friend to everyone, the kind of person whose presence immediately put others at ease. This Christmas Eve would have marked my aunt and uncle’s 43rd wedding anniversary, a milestone rooted in devotion, partnership, and most of all, passionate, enduring love.
Jim often shared a favorite quote by Swiss moral philosopher and poet Henri-Frédéric Amiel, words that feel especially meaningful now:
“Life is short. We don’t have much time to gladden the hearts of those who walk this way with us. So, be swift to love and make haste to be kind.”
Before he passed, Jim asked that his family and friends carry forward that blessing. To spend time in nature, to pause, and to reflect on how we might ease suffering in this world. It feels fitting, then, that this volume, centered on weddings, love stories, artistry, and legacy, begins with that reminder.
January is a season of intention. After the rush of the holidays, we are given a quiet moment to reset, to recommit, and to choose what we want to carry forward. Weddings themselves are acts of intention, moments where two people pause time to say yes, not just to celebration, but to patience, partnership, shared responsibilities, and family.
This Wedding Volume honors those commitments in many forms. From couture gowns and meaningful details to local venues, artists, musicians, preservationists, and wellness leaders, each story within these pages reflects care, craftsmanship, and purpose. Whether it’s a couple saying yes, an artist preserving culture, a business serving with integrity, or a community gathering for good, the throughline is love made visible through action.
Fear comes easily to us, and from it can follow anger and harm. Our calling is to meet fear with curiosity, let curiosity become understanding, and allow understanding to blossom into love.
We also explore wellness and renewal, reminding readers that caring for our bodies, minds, and spirits is not indulgent but necessary. We spotlight the power of slowing down, of choosing nourishment, of tending to our inner lives with the same attention we give to milestones and celebrations.
This issue is deeply rooted in Louisville; in its people, its creativity, its history, and its future. It’s a reminder that legacy isn’t only built in grand gestures, but in consistency, kindness, and showing up for one another. In telling these stories, we preserve moments that might otherwise pass unnoticed, ensuring they live on beyond the page.
As you turn through this Wedding Volume, I hope you feel encouraged to love swiftly, to be kind boldly, and to live with intention. May this season invite you to celebrate connection, honor legacy, and find beauty in both beginnings and remembrance.
Join in the holiday fun and check it out! www.louisvilleCalendar.com
Cheers to the many VOICES of Louisville,
Amelia Frazier Theobald Publisher & CEO, The VOICE-TRIBUNE
Editor’s Note
HAPPY NEW YEAR!
January is for fresh starts. Weddings are, too. Both are exciting, a little chaotic, and completely worth it.
This issue is here to help. You’ll find a bridal fashion spread full of standout local looks, a wedding resource guide that keeps the essentials easy to find, and practical insights to make planning feel manageable. We also discuss wedding photography as fine art, because some moments deserve more than just a quick snapshot.
If you’re planning now or just thinking ahead, consider this a solid place to start.
Read, laugh, take notes, and enjoy the process.
Take care,
Alisha Proffitt Chief Director of Editorial & Editor
PRESIDENT/CEO, AMELIA FRAZIER THEOBALD
OPERATIONS MANAGER, MARY ZOELLER
CHIEF DIRECTOR OF EDITORIAL & EDITOR, ALISHA PROFFITT
CHIEF REVENUE OFFICER & DIRECTOR OF SALES, JULIE KOENIG
CHIEF GRAPHIC DESIGNER, JOSH ISON
COPY EDITOR, RENAE ISON
SOCIAL MEDIA MANAGER & EXECUTIVE ASSISTANT, BRYLEA PEACH
CONTRIBUTING PHOTOGRAPHERS: BAPTIST MILESTONE, EMILY HERNANDEZ, GABRIELLA SUTHERLAND, GIOIA PATTON, JACKIE ZYKAN, KEITH L. RUNYON, KEVIN SIVAKUMAR, PATTY CARROLL, RICHARD SULLIVAN, UOFL ATHLETICS, WHITE PICKET REALTY, ASHLEY HOLSTEIN & JOHN SCHWEIKERT
ON THE COVER: WEDDING FASHION MODELS PHOTOGRAPHED BY MATT JOHNSON AT HOTEL BOURRÉ BONNE, WEARING STYLES FROM ADORN BRIDAL AND EVOLVE. HAIR AND MAKEUP BY J MICHEALS SPA & SALON, JEWELRY PROVIDED BY AESTHETICS IN JEWELRY.
98
The Pursuit of a Healthy Heart with Charlene Williams
By Cassie Tatum
Photos By Matt Johnson
104
Retro Cardinals: Waltz wants current team to mimic toughness of past champions
By RUSS BROWN
Photos By UofL Athletics
108
Louisville’s German connection: Fru coming on strong, and Cards will need his talents in the paint to reach goals
By RUSS BROWN
Photos By UofL Athletics
112
A Signature Statement by White Picket Real Estate
By VOICE-TRIBUNE
Photos Provided
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From First Dates to Forever: DateListLou’s Amy and Aaron Say Yes
Louisville’s rich tradition of philanthropy comes alive in this year’s Balls & Galas Guide, our curated collection of the city’s most anticipated charitable events. Known for its iconic Derby season, Louisville also boasts a year-round calendar of celebrations that blend style, community, and purpose. From grand ballrooms illuminated by dazzling chandeliers to intimate evenings supporting causes that inspire, these events highlight the spirit of generosity and camaraderie that defines our city.
Whether you’re donning your finest black-tie attire or stepping into a themed soirée, this guide offers a glimpse into the events that bring our community together. Explore opportunities to celebrate, connect, and contribute, as Louisville’s most glamorous nights promise unforgettable memories and impactful legacies. Let this guide be your companion as you plan your year of giving back in style.
If your favorite Ball, Gala, or Premier Event is missing from this list, we’d love to hear from you! Reach out to us to ensure your event is included. Plus, join us in celebrating Louisville’s vibrant event scene by casting your vote for the city’s best events of 2025 later this year. Make your voice count and honor the events that embody Louisville’s heart and soul!
LOUISVILLE PREMIER EVENT SPOTLIGHT:
2026 EXPRESSIONS OF HOPE GALA
Join us on November 6 (tentative) at the elegant Angel’s Envy Bourbon Club for the Expressions of Hope Gala—an unforgettable evening bringing together 300 guests from the medical and business community, community leaders, and dedicated supporters. Enjoy a night of delectable cuisine, curated libations, live music and dancing, and extraordinary live and silent auction opportunities.
All proceeds directly support the Epilepsy Foundation of Kentuckiana’s vital programs and services, helping individuals and families improve their quality of life and face the challenges and devastating impacts of potentially life-threatening seizures with strength, hope, and support.
KENTUCKY DERBY MUSEUM BALL - CELEBRATING DERBY FASHION PRESENTED BY CENTRAL BANK
Mark your calendars for April 24, 2026, and enjoy an extraordinary evening of bold elegance at the Kentucky Derby Museum Ball, and celebrate the rich history and tradition of Kentucky Derby fashion.
Guests will enjoy curated cocktail stations, artfully plated dinner, and live entertainment. After dinner, the celebration continues at the Backstretch Afterparty, where energy soars with music, dancing, cocktails, and late-night bites starting at 9:00 PM.
Event Details:
Kentucky Derby Museum + The Paddock Club Cocktails 6 PM | Dinner 7 PM | Afterparty 9 PM
Attire: Black Tie – Derby Headwear Encouraged
An all-inclusive experience featuring valet, cocktails, dinner, and dancing. Afterparty tickets available separately.
WATERFRONT BOTANICAL GARDENS’ FASCINATOR AFFAIR
Waterfront Botanical Gardens’ Fascinator Affair is the Gardens’ signature Derby-season celebration, bringing together men and women for an afternoon of style, creativity, and community spirit. Our 5th annual event will take place on Thursday, April 23, 2026, from 11:30 a.m. to 1 p.m. This elegant spring fundraiser features a festive luncheon and a lively fashion show highlighting the season’s finest fascinators, hats, bowties, and pocket squares. Guests are invited to embrace their own flair while enjoying a vibrant atmosphere surrounded by the natural beauty of the Gardens. The event also welcomes local artists, who showcase and sell their work, adding an extra layer of color and craftsmanship. Tickets are $100, and more information is available at waterfrontgardens.org/fascinator. Proceeds support the Gardens’ mission, helping this urban botanical oasis thrive and inspire the community year-round.
NIGHT AT THE FRAZIER
Night at the Frazier returns on May 15, 2026, with the theme Red, White, & Bluegrass to honor the spirit of America 250. Join the Frazier Kentucky History Museum for our third annual gala, a signature fundraiser supporting our mission to inspire, engage, and educate by connecting Kentucky’s past with its present to shape the future.
This dynamic evening brings our community together to highlight the museum’s work in education, preservation, and cultural connection. The Owsley Brown Frazier Impact Award will recognize an individual whose contributions reflect a deep commitment to the museum and community that continues the legacy of our founder.
With signature cocktails, inspired cuisine, energizing music, and a curated auction, the event blends celebration with purpose, giving guests memorable ways to support the museum’s mission while experiencing the richness of Kentucky’s heritage.
VIP and Late Night tickets are now on sale at fraziermuseum.org/night-at-the-frazier. For details, contact Hayley Harlow at (502) 753-1693 or hharlow@fraziermuseum.org
2026 BALLS & GALAS:
GILDA’S NIGHT
On November 6, Gilda’s Night 2026 will bring our community together in an unforgettable celebration of hope, resilience and the life-changing mission of Gilda’s Club Kentuckiana. The gala will welcome supporters for an evening filled with heartfelt stories, vibrant energy and a shared commitment to ensure no one faces cancer alone. Guests will enjoy elegant dining, inspiring program moments and a spirited live auction—all ensuring the 190 monthly programs that provide social and emotional support to individuals and families impacted by cancer continue to be available at no cost to participants.
More than just a fundraiser, Gilda’s Night highlights the power of community and the compassion that fuels our work year-round. Together, attendees help raise critical funds that directly support local families navigating the challenges a cancer diagnosis brings.
BOURBON & BOWTIES™
The 16th Bourbon & Bowties™, benefiting Norton Children’s Hospital, is presented by Northwestern Mutual. Enjoy music, hors d’oeuvres from Louisville’s top chefs and an auction to raise funds for Norton Children’s Hospital through the Norton Children’s Hospital Foundation. The community has contributed more than $3.39 million over the years, benefiting nearly 215,000 children annually from throughout Kentucky and Southern Indiana.
June 2026 | 6:30–10 PM | Fleur de Lis Farm | 8316 Wolf Pen Branch Road, Prospect, KY 40059
More info: Norton Healthcare Foundation
THE SNOW BALL
The Snow Ball is one of the largest annual fundraisers for Norton Children’s Hospital. This magnificent black-tie event for more than 1,000 guests is illuminated on all sides with the sparkle of holiday lights, and it has become one of the most fashionable holiday parties in Louisville.
All funds raised at the Snow Ball benefit Norton Children’s through the Norton Children’s Hospital Foundation, raising funds exclusively for Norton Children’s services, including those offered at Norton Children’s Hospital, Norton Clark Hospital, Norton King’s Daughters’ Health, Norton Women’s & Children’s Hospital and Norton Children’s Medical Center. These generous contributions from businesses and individuals provide much-needed support for programs, equipment, new technologies, clinical research, child advocacy and health education for patients, families, medical staff and the community.
As Kentucky and Southern Indiana’s only full-service, free-standing pediatric hospital, Norton Children’s Hospital and its sister facilities continue to care for more than 215,000 children each year, regardless of a family’s ability to pay.
More info: Norton Healthcare Foundation
TWISTED PINK UNMASK THE CURE GALA
We’re planning something mysterious to unmask the cure for metastatic breast cancer.
Save the Date – Friday, October 30, 2026 | At The Galt House Proceeds benefit the mission of Twisted Pink www.twistedpink.org
CALENDAR OF 2026 BALLS & GALAS
JANUARY
Her Hope Kentucky Gala
Restaurateur’s Gala
FEBRUARY
Wrapped in Red Gala
KY Shakespeare in Love Gala
Reverend Doctor Charles Elliott Jr. Peace Awards Dinner
KET February Fanfare
NAMI Spirit of Peace Awards Dinner
Tyler Gerth Art Gala
Willennium Comedy Fundraising Gala
Discover Love Annual Valentine’s Silent Auction & Gala
Red Tie Gala
Sacred Heart Schools Interlude Gala
An Evening of Loving Hearts Gala
The Fight Foundation Valentine’s Gala
Molo Village African Gala
SPARC Hope Gala
Lunar New Year Dinner and Auction –Year of the Fire Horse
MARCH
LVA Honors Gala
SWCM’s Annual Giving Back Gala
Day Spring Horizon of Hope Gala
Speed Art Museum Ball
Harbor House Feathers and Friends Gala
Beaux Arts Ball
Great Futures Sneaker Ball
Blessings in a Backpack Pack the Sack
Fillies Derby Ball
KMAC Couture
Flights to Fight Cancer Gala Benefiting the Steven Vanover Foundation
GLMS Foundation Doctor’s Ball
American Heart Association Heart Ball
Fairness Campaign Fairness Dinner
APRIL
Breakthrough T1D Gala
Down Syndrome of Louisville Gallop Gala
Kentucky Derby Museum Ball
Race for Grace Gala
MAY
Night at the Frazier
Louisville Urban League Derby Gala
100 Black Men Derby Gala
Unbridled Eve Derby Gala
American Lung Association Derby Eve Gala
Annual VIPS Gala
Red Tulip Gala
Sneaker Ball
Fillies and Lilies
Young Nonprofit Foundation Derby Gala
Barnstable Brown Gala
Silks Bash
Fillies and Stallions
Revel at the Races
JUNE
Juneteenth Gala
AUGUST
Live & Be Gala
Park DuValle Community Health Center
Legacy Fundraising Gala
SEPTEMBER
Create a Stir About Autism Gala
VAREP Gala Dinner
Soccer Ball
Yew Dell Twilight in the Garden
The Art of Bourbon
A Night for Life Gala
Denim & Diamonds
OCTOBER
St. George’s Scholar Institute Gala
65 Roses Gala
KRM Global Gourmet Gala
The Dracula Ball
Twisted Pink Gala
University Club of Louisville
Homecoming Gala
NOVEMBER
Louisville Tourism Annual Gala and ROSE Awards
Expressions of Hope Gala
Louisville Youth Group Glitter Gala
REACH Gala
Bows and Bowties Gala
KTO Gala Awards Dinner
Snow Ball
Kentucky Brain Ball
Gilda’s Night
Art Sanctuary Surreal Soiree
The Louisville Witches Ball
DECEMBER
Apron Inc. Sparkle Ball
We’re planning something mysterious to unmask the cure for metastatic breast cancer.
FRIDAY, OCTOBER 30, 2026 AT THE GALT HOUSE
Proceeds benefit the mission of Twisted Pink.
May 15th
LOUISVILLE’S FULL-SERVICE PRODUCTION PARTNER FOR 30+ YEARS
By VOICE-TRIBUNE • Photos By Matt Johnson
When it comes to live events and audio-visual integration, AXXIS has set the standard in Louisville for over three decades. “Our high standards and commitment to quality have always been at the heart of what we do—and that’s something we’ll never compromise,” says Ken Rousseau, Managing Partner, who oversees integrations while also contributing to the company’s overall direction and operations. “But what truly sets us apart is our deep connection to Louisville. We were born here, raised here, and became experts here. For over 30 years, we’ve been woven into the fabric of this community, sharing in its growth and supporting its unique spirit.”
AXXIS describes itself as a “full-service production company, from the conceptual design and planning all the way through the execution” of live events, and its team takes that promise seriously. “We are a team of dedicated professionals and creative problem solvers who love this industry and the challenges and possibilities that it represents,” Rousseau explains. “With a corporate client, oftentimes our conversations begin with just a concept or an idea. We take a great deal of pride in being able to not just understand that idea or concept, but having the knowledge and expertise to ask the right questions, to anticipate potential challenges and needs, to make sure their budget goes as far as possible, and ultimately being able to turn that idea into an experience that exceeds what they may have thought was possible.”
For clients who already have a creative partner, AXXIS can step in as “the equipment experts.” But if a client needs a complete show from design to execution, they can deliver it all. “The beauty being our design may be able to incorporate a particular unique expertise or product that makes everyone shine,” says Rousseau.
The company operates through two interconnected arms: a live production division and an installation/integration division. On the live events side, AXXIS arrives at a venue ready to set up everything from sound and lighting to video walls, stages, signage, and rigging. “We produce the show and when it’s over, we tear it all down and take it all back to the warehouse,” Rousseau notes. On the integration side, AXXIS designs and installs permanent systems for corporate, healthcare, higher education, and government clients. “We may be part of the construction team working with the architects, electricians, engineers, etc., to integrate audio, video, lighting, control, videoconferencing, digital signage, etc., into your building for a number of years.”
Having both divisions under one roof enhances AXXIS’s capabilities in ways few competitors can match. “Although we work with Audio Video Lighting on both sides, the knowledge and expertise required are fundamentally different. But the synergies we get from those differences can be of great value to our company and clients,” says Rousseau. For example, a live event expert can train integration clients to a level “not available to the normal integration company,” while the integration side provides buying power and early access to new equipment for evaluation and testing.
Axxis’s long history is a critical part of its approach to projects. “30 years in our industry teaches you a lot,” Rousseau reflects. “We have learned what works and we have learned a lot of things NOT to do. We have learned how to honestly and effectively communicate with our clients and use that experience to help them achieve the most effective message possible, as well as avoid pitfalls we may have stumbled through in the past. Experience is a great teacher.”
That expertise shows in standout integration projects, like the recent rework of the Metrosafe Emergency Services facility. “It was an opportunity to deploy almost all aspects of the technologies we offer into one facility. Sound, Lighting, Video walls, Videoconferencing, Electronic Glass, Digital Signage, and a few others,” Rousseau says. The project required careful coordination to avoid downtime in the 911 Call Center and Emergency Management areas, and the result was “an extremely clean and simple interface for a very complex system.”
In live production, AXXIS approaches each event with the same attention to detail and creativity. “A memorable event is about more than just getting the technical pieces right—it’s about creating an experience that truly supports and amplifies the message,” Rousseau explains. “Video adds scale and emotion, lighting sets the mood and directs attention, audio makes sure every word lands, and scenic elements give the space its personality and depth. When those pieces are thoughtfully integrated, the room itself becomes the canvas.”
AXXIS also takes pride in community engagement, particularly nonprofit and fundraising events. “We believe in giving back to the neighbors and organizations that make our community strong. These events have the power to truly change lives. Philanthropy shapes the future of our community, and we are honored to play a small part in that,” says Jason Shaw, an Account Director with AXXIS, “Even though we do this every day, we understand that for most of our clients, this is the biggest day of their year, and we do not take that responsibility lightly.”
“Behind-the-scenes challenges can range from equipment failures to last-minute changes. Those 30 years of experience we spoke of earlier come into play here. The knowledge to know what has the potential to fail and be prepared with redundancies ahead of time, the ability to work around problems, and handle changes is the maturity you will find in our team.”
Looking ahead, AXXIS is focused on growth and deepening its roots in Louisville. “Our goal is to help showcase Louisville in an authentic way—not just as a host city, but as part of the experience itself. We want to be partners with local venues; together we can create events that feel seamless, distinctive, and unmistakably Louisville. When people leave, we want them to remember not only the event, but the sense of place that came with it.”
So, before you look outside of the city to New York or Chicago, consider this: “A partner of mine once said to me that we suffer from the ‘500 mile expert syndrome.’ That is, that people here in Kentucky feel you need to go 500 miles in any direction to find someone with enough competence to provide your technology. We are here to say that is not the case. Reach out and we will discuss your project and prove that everything you need is right here in Downtown Louisville,” says Rousseau.
Whether it’s a corporate AV integration, a large-scale live production, or a nonprofit gala, Axxis delivers with experience, creativity, and a commitment to its community. With three decades of expertise under their belt, this Louisville-based team is proving that you don’t have to travel far to find world-class production talent.
CLIENT TESTIMONIALS:
“Axxis has truly been my right hand for more than 20 years. They are the only company I trust with my event AV needs. When I work with Axxis, I have complete confidence that everything will be done right. Their team consistently goes above and beyond to anticipate our needs and deliver flawless execution. What we have is more than a vendor relationship — it’s a true partnership!”
Storey O’Barr YPO Bluegrass Chapter Manager
“After two decades of collaboration, we consider Axxis more than just a vendor—they are a trusted extension of our team. We wholeheartedly recommend them to any organization looking for a dedicated, forward-thinking, and experienced event partner.”
“I have had the pleasure of working with the team at AXXIS Inc. for nearly 15 years, and their consistency, professionalism, and technical expertise continue to exceed expectations. From our Commencement ceremonies that occur twice a year to three Presidential Inaugurations, they have proven time and again to be an indispensable partner.”
Stephanie Reibert Assistant Director of Events, Philanthropy & Alumni Engagement University of Louisville
…AND LOUISVILLE’S OLDEST INDEPENDENT
By Mckenna Graham • Photos By Matt Johnson
“That’s how it started- being escorted across the tundra by two machine gun soldiers”, Billy Hertz says, “One of the best trips of my life.” The artist in question was then led across an expanse of frozen earth as large as a football field, the Siberian wind whipping unforgivingly around them, until the gun wielding soldiers reached a series of barracks. Inside, a small Russian woman in a floor length trench coat, presumably a general, was engaged in a shouting match with Valery, the Russian contact who had brought Hertz and fellow artist John Nation, to Perm, Russia to participate in the first ever International Art Show.
“Valery is saying very terrible, terrible things to this woman,” commented an exquisite Slavic lady nonchalantly between puffs of her cigarette. She sat nearby, draped head to toe in an elegant fur sable, more beautiful than Isabel Rossellini at her peak. “Worse than mother f- - - - -?”, inquired Hertz.
“Oh yes, much worse.” The beautiful stranger said, taking a casual draw of smoke. It turned out that the Russian mafia was in control of customs and Hertz and Nation were being accused of smuggling artwork. Though it would have behooved the two artists to mark their work far below its actual value to avoid the attention of the mafia, the situation was eventually handled. Hertz who had been arrested was released later that day and the artwork returned afterwards. All spy novel escapades aside, the cultural exchange marked a significant milestone that would open doors for later creative endeavors to blossom.
The drama, in a way, seems typical of Billy Hertz’s life and career as an artist. This pillar of the Louisville art community, whom some call a legend, is always pushing forward obstinately and against all odds. He has an easy way of laughing off troubles and carrying on, thriving in environments and situations that seem to oppose him- opening an art gallery in a dilapidated neighborhood (not once but multiple times), changing gallery locations repeatedly (highly advised against), continuing to produce artwork while battling a brain tumor (switching from using his right hand to left as his physical capacities changed dramatically), using financial challenges as an impetus to create even more prolifically (his goal to sell 100 paintings in 90 days when faced with losing the gallery).
“The artist, the gallerist, the community leader. All three are intermixed which makes [Billy] the force that he is in this city,” says John Begley, local artist, consultant and former Director of the Hite Art Institute, “The joyful thing about all of this is Billy. His unique personality, his cooperative but insistent nature, through health issues and losses his always positive, can- do attitude, he is a treasure that has shaped this city, its artists and art milieu.”
Hertz knew he wanted to work as a painter since the moment he graduated from Florida Atlantic University with, amusingly enough, a BFA in ceramics. He came to the University of Louisville for his Post Graduate painting studies and has called this city home ever since. He has blessed the art community here not only through his prolific production of semi-abstract landscapes, but also through his work as a gallerist and art community activist. After serving as the first director of the Zephyr Gallery from 1987 to 1991, Hertz was determined to open his own gallery. To this day Galerie Hertz is the longest running independent art gallery in the city.
Opened in 1991, it has operated continuously for the last 35 years, with the exception of a nine month period in 2006 during the worst of Hertz’s health troubles. The gallery has been in five different locations, bouncing between the 600 and 300 blocks of Market Street long before revitalized NuLu was even a glimmer in the eye of the city. It next made its home in the Weissinger-Gaulbert building before finally landing in its current location at 1253 S. Preston Street. The gallery’s original locations were so rough and tumble that East Enders coming downtown to attend exhibition openings were scared to walk the short distance from their cars to the gallery entrance. But the crime riddled neighborhood didn’t bother Hertz, he even welcomed the environment, complimenting the friendliness of his neighbors, allowing (within reason) the unhoused population a bit of cheese and cup of wine at openings before kindly escorting them out once conversation turned away from art. It was actually gallery-goers’ fearfulness to walk between exhibition openings along Market that eventually gave birth to the long celebrated trolley hop.
The trolley was sponsored by six galleries, including Hertz, before receiving partial financial support from the city. It drove substantial foot traffic to the area, an economic boon to surrounding restaurants and businesses. “Billy was a trailblazer and a catalyst for change. What was once the Market Business district is now NuLu- it’s art that changed that district to what it is.” says Keith Waits, curator and operations manager for LVA, “He was an innovator who represented a great many artists over the years and fostered many great careers, which is what a good gallerist should do.”
Hertz also had a hand in cultivating the arts community through raising awareness of galleries and current exhibitions via a publication called LOOK which was put together through a consortium of galleries.
The current exhibition of Hertz’s paintings at the Moremen Gallery, 710 W Main Street, runs through the end of January 2026 and features work ranging from 2012 to 2025, all united by their use of three dimensional elements.
“I always liked Cheryl Chapman’s collages, Teri Dryden, and Caroline Waite. I just went crazy over them. And every time I tried it with newspaper and stuff, it looked like a pimple on prom night.”
Hertz says. Robert Rauschenberg’s work inspired him to try using cardboard instead, but with no cardboard on hand he decided to use what was available to him-foam core. It worked like a charm. The current body of work employs Hertz’s signature use of semi-abstracted landscapes viewed from an aerial perspective but uses recessed and raised surfaces alongside a bold color palette to create dimensionality that tricks the eye.
The move towards layering flat surfaces to create relief-like effects plays nicely with the existing tension between representation and abstraction. Encouraging viewers to fill in the visual narrative themselves, the paintings evoke fertile tilled earth, the bold red geometric shapes of barns and livestock buildings, a patchwork of crop-filled fields alongside empty linear highways, and sprawling train tracks. There is a whimsical intoxication that makes the viewer feel they have temporarily projected into the sky and unburdened by the shackles of their physical bodies may be afforded the freedom and perspective of a bird.
In December of 2025, Hertz came to the difficult decision to close his long running gallery and focus solely on his work as a studio artist, represented by the Moremen Gallery. The time needed for regular medical appointments critical to his health has detracted from his ability to give the gallery his full effort.
The gallery’s last day will be January 31st, 2026 and prior to its closure Hertz plans to hold a sale of current artwork on January 16th and 17th. “Billy has always made his life as an artist and not very many people are able to do that,” says Susan Moremen , owner of the Moremen Gallery, “And his example became a draw for other creative people.” This draw has led to the cross-pollination of creativity to and from Louisville over the years, between Hertz’s travels abroad to show his own work and efforts to bring other notable artists in to exhibit in his gallery.
He credits much of his success to the ongoing support of his husband of nearly forty-four years, Tom Schnepf, who has been there through it all. When asked what he wants his legacy to be, Hertz said that he used to want to be one of the top ten painters, the kind with coffee table books and great fame.
“Now,” he says, “I just want to be known as a good painter who really loved Louisville and didn’t accept ‘no’ for an answer.”
By Kevin Murphy Wilson • Photos By Ashley Holstein & John Schweikert
Lauren Gregory is a Tennessee-based multidisciplinary artist and educator who will be featured this month in a solo exhibition at the 849 Gallery [on the campus of Kentucky College of Art + Design]. Originally trained as a portrait painter, Gregory gradually developed her own approach to stop-motion animation in an attempt to bring her poignant paintings to life. And ever since the pandemic [of 2020], Gregory has also reimmersed herself in quilting—an Appalachian craft she initially absorbed at a young age from the matriarchs of her family. We recently caught up with the multifaceted maven to discuss her artistic journey ahead of her new show’s opening reception on Jan. 15 [5pm-7pm at 849 S. 3rd Street].
VOICE-TRIBUNE: Can you tell us a bit about your background?
Lauren Gregory: “I grew up in East Tennessee and then left for many years. I went to college in South Carolina, got my masters [MFA] at the School of the Art Institute of Chicago before moving to New York in 2010. I lived in Bushwick, worked in the art world, and made animated music videos [for high-profile acts such as Leonard Cohen, Norah Jones, James Taylor, and Sarah McLachlan]. Eventually that led to the opportunity to teach animation at Parsons School of Design. Parsons has been like a whole other leg to my education, I’ve learned so much from teaching there. I moved back to Nashville for good during the pandemic, where I got married and started a family and I am continuing to make my work and teach.”
VT: Looking back, what put you on the creative path in the first place?
LG: “My mom taught me to sew as a child and just how to make stuff and be creative in general. She always supported my creative pursuits. My mom and my grandmother were both painters. I rebelled against the family tradition of painting in my youth and was way more into making music. I didn’t start painting until way later. I went to the University of South Carolina on a bassoon scholarship, but then I quit the orchestra. I was having kind of an existential crisis and didn’t know what I wanted to do with my life. My mom and my grandma sat me down in front of an easel and a mirror with some oil paints and encouraged me to paint a self portrait. I fell in love with painting over the course of a few days of painting that portrait, and I changed my major to painting when I returned from that spring break trip to see my family.”
VT: Are there any specific artists that continue to inspire you?
LG: “Lately I’ve been looking at a lot of quilts. I love the Gee’s Bend quilters and Rosie Lee Tompkins. I am also really inspired by the quilts of Chris Edwards, he is my buddy who I teach with at Ox-Bow.”
VT: How have your materials, processes, and subject matter evolved over the years?
LG: “At first I was making portraits with oil paint, and then that evolved into documenting those paintings with a camera as they changed over time, which was really just animation, I realized. So then I made oil paint and clay animations, and sometimes painted my portraits on fake fur. When the pandemic hit, I had a hard time with just not wanting to paint, and I found myself quilting again for the first time since I was a child. Quilting has become a major part of my practice since then, and kind of exists alongside my paintings and animation. I have a hard time describing my work to people who haven’t seen it, because the quilting and animation sides of me can sometimes be difficult to connect or generalize.”
VT: In this day and age, and at this point in your career, how do you measure success as an artist?
LG: “Success to me at this stage in my life is just taking care of my daughter and keeping up with my work, getting to still make work. If I can sort of juggle both of those two things during this season of my life, if I can be present for her but still teach and make a quilt, that’s what success looks like to me right now. And if I can find time to take a shower, that’s a cherry on top.”
VT: What sort of public-facing events or activities do you have coming up?
LG: “I’m very happy to have quilts and animation work in an upcoming show at the Frist Museum called ‘In Her Place: Nashville Artists in the Twenty-First Century.’ I’m also continuing to teach quilting and animation at Parsons and Ox-Bow. And I have the solo show [titled ‘Snacks: Contemporary Quilting, Painting, and Animation’] opening at KyCAD, where I am very excited to be teaching a quilting class this Spring.”
For more information visit laurengregory.net or kycad.org.
BITTNERS
personalized residential design l modern interiors studio custom handcrafted furniture
By Kelsey Knott • Photos By Matt Johnson
A New York native who now calls Louisville home, Gregg Rochman continues to be wowed by our city’s appetite for great music, cultural experiences, and banding together for a cause.
With parents who loved community theater and siblings who listened to excellent music, Rochman’s start in music was organic. “I always sang to what was on and had a very high voice as a young person. My youngest brother, who’s seven years older than me, encouraged me to sing.” Rochman enjoyed late sixties and seventies tunes and became a Deadhead early on, but the theater ignited his love for performing.
“Our community was putting on the musical, Oliver, and my brother said ‘You should audition!’ I got cast as Oliver when I was eleven, and it was so cool when 1,200 people stood up screaming, hollering, and clapping at the end.” He studied formally to perform, act, sing, and dance from then on.
Through his studies, he learned about the Actors Theater in Louisville and was interested in working there. “That’s how I knew about Louisville originally. Now I’m on the board of Actors. It’s a full circle moment. The new executive leadership is incredible, and it’s joyous to be involved.”
Rochman’s inspiration is straightforward: “Live music is my favorite thing, ever since I was eleven. I still see multiple shows a week.” Furthermore, as a father to sons Jeremy and Miles who’ve started their own project, Anemic Royalty, inspiration stays flowing in all facets of his world. “My kids are incredible people and incredible musicians. Seeing their journey is unbelievable. It’s the eleventh or twelfth year of their project and it’s truly been the joy of my life watching them grow as people who care about the community and see their writing and performing capabilities grow. They’re poised, and ready to play for anybody in any venue.”
His own band, TVLO, is an ensemble with an eclectic sound featuring Dan Dilamarter, David Rue, Ian Thomas, and himself. “Dan and I have been playing music together once a week for about fifteen years. We originally started because Bloom Elementary, where our kids went to school, didn’t have a playground, so an idea emerged to put a parent band together for a show to raise money. The Highlands has lots of parent musicians–nine bands were formed. We did a festival at Headliners, raised all the money, and the playground was built.” Rochman and Dilamarter originally played in a five-piece known as Golden Ticket before stripping down to TVLO’s electric three-piece, and finally featuring the current four as they approached a more acoustic sound. With Dilamater’s intentional lyrics, Rochman’s harmonies, and the combination of Dave Rue on drums and Ian Thomas on dobro, TVLO delivers a unique, memorable sound.
Day-to-day, Rochman manages Louisville’s recording studio, La La Land. “Kevin Ratterman, who Teddy Abrams described as a total magician, put this place together. Kevin has a special place in Louisville’s music community. He decided to move to LA, so my partner and I wanted to figure out how to keep it around for the community because it’s an incredible asset. It’s a challenge keeping an analog recording studio and building this size alive, but having it available for the community at a reasonable price point is important to us.” Still, Louisville’s cultural density keeps Rochman energized. “The music scene is incredible. ‘Happy Birthday’ was written here, right? The first commissioned orchestral work was done by the Louisville Orchestra.
We have Teddy Abrams, who could be anywhere in the world, and he’s chosen Louisville. Slint and Squirrel Bait in the late eighties put us on the map. More recently, No Comply was nationally recognized for its impressive DIY punk rock festival in our skate park. Festivals happen all the time, like Sweater Fest, put on by the guys in Anemic Royalty. There’s something in the water here.”
For the second year in a row, Rochman organized Eclect-A-Fest, which benefits Kentucky Refugee Ministries, which provides hope and advocacy for refugees and immigrants seeking safety. “I want to make the Sunday after Thanksgiving known as ‘Eclect-A-Fest Sunday’ here in Louisville”. Sponsors, holiday bazaar vendors, and varied genres of Louisville bands brought to life this event at Whirling Tiger on the Sunday after Thanksgiving. “In this town, if you have the desire to make art or do something with a cultural or entertainment component, people show up.” Between TVLO, Anemic Royalty, La La Land, and the countless other ways he influences and advises music projects and festivals throughout our city, Rochman’s vocation in Louisville’s entertainment business is harmonious and for the love of the game.
To Gregg Rochman, music is simply about enjoyment. “The most important thing that all of us should be seeking is fun, as long as it’s not in the way of anybody else’s fun. Music is the source of so much of my inspiration, energy, enjoyment, and motivation, whether listening to it, watching it, or seeing talented kids blow away established adult musicians with their skills.”
Find TVLO’s latest music on bandcamp, with new music coming out in early 2026, and make plans to support Kentucky Refugee Ministries next holiday season at Eclect-A-Fest! instagram.com/tvlo.band | instagram.com/eclectafest | instagram.com/lalalandaplace | instagram.com/anemicroyaltyofficial
MAX EDMONSON DELIVERS STUNNING NEW MUSIC
By Kevin Murphy Wilson • Photo Provided
Growing up, Louisville native Max Edmonson was influenced by bands like Green Day, Rage Against the Machine, and System of A Down. Although he is no stranger to the music scene here, only recently has Edmonson been piquing people’s interest with a new group of his own called Meekest. Having just emerged from the recording studio, this eclectic ensemble will showcase its latest material in an intimate performance slated for Jan. 10 at Portal. Edmonson told the VOICE-TRIBUNE that Minneapolis-based acts Linus and Berzica are also on the bill that night. Ahead of this highly anticipated event, we caught up with the multi-instrumentalist to discuss his musical roots and branches, and what it is that makes Meekest so special.
VOICE-TRIBUNE: What were your formative years in music like?
Max Edmonson: “I picked up bass around the age of 13, and guitar shortly thereafter. I had initially tried to learn when I was about 8 years old, but failed miserably after being forced to play ‘When the Saints Go Marching In’ repeatedly by my teacher. Still, I would daydream about playing music and going on tour as a kid, which eventually got me to pick up the bass again and learn, ‘Seven Nation Army.’ I participated in Louisville School of Rock, and even got to play Headliners Music Hall [through that program] when I was 14 years old. Throughout high school and college, I would jam with various people, but nothing ever came to fruition. Only in the past few years have I found enough likeminded musicians to write and perform original music [with]. My dad [who also plays guitar] has always encouraged me to keep playing, though, and I definitely wouldn’t be where I am without his guidance.”
VT: When and how did Meekest come together? What is the dynamic like within the group?
ME: “Meekest formed about a year ago, as a secondary project for Liam Scott [who handles bass duties in Meekest] and I. At the time, I was actually playing bass in a band called Crop Rot, and Liam was in a band called Pravus Warlord. Liam and I have known each other for more than a decade, and he is one of my best friends. We have jammed and attempted to write music together before, but this specific project was the first time things really clicked for us. Once we realized it was working, we roped in an incredible drummer named Dom Kieffer [who also plays in Deep Above] and kept the momentum going. The resulting songs are special to us because they represent our individual styles and skills perfectly, in a way that we thought might not end up being coherent. They all came together effortlessly, and that’s always a good sign in my book. I’m especially proud because these are some of the best riffs I have ever written.”
VT: Your sound fits in with, but also stands out from, much of the scene here in Louisville. How would you describe what you do, stylistically, to the uninitiated?
ME: “I would say we are a weird mix of shoegaze, math rock, and post-hardcore. All of us pull from a variety of different influences, from death metal to ambient. We utilize a lot of dynamic tension, time changes and effects to achieve our own soundscape. It has been very freeing to approach playing music without any stylistic constraints.”
VT: Does being based in Louisville, Kentucky impact your art at all?
ME: “Absolutely. The scene here is incredible. Everyone is supportive and really adheres to the ‘DIY’ mentality, which is a core tenant for all of us as musicians. Additionally, our city has a legendary musical legacy. Bands like Slint, Rodan, Endpoint, and Crain all have had an incredible impact on their respective genres and scenes. To be able to work in such a talented and loving community means the world to us. We would be nothing without everyone who helps support this scene.”
VT: The music business seems stranger than ever. How does one navigate it in this day and age?
ME: “Frankly, I have zero clue. All we care about is making music. If people enjoy it, wonderful! If they don’t, that’s fine too.”
For more information about the Jan. 10 concert, visit portal-louisville.com
Thank You Thank You
STEPHEN LEWIS, DOUGLAS RIDDLE LAURA FRAZIER & MATT DOUGHERTY
FOR SUPPORTING G ILDA’S C LUB AT GILDA’S NIGHT 2025
LINDY B. STREET & HOWARD VOGT
HONORING L AURA F RAZIER , D OUGLAS R IDDLE AND S USAN AND H OWARD V OGT
Sponsors
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PLANTS NEW ROOTS IN ST. MATTHEWS
By Alisha Proffitt • Photos By Matt Johnson
Mahonia is like walking into a friend’s living room, if your friend had excellent taste in plants. “Our goal has always been to create a no-pressure, casual, welcoming environment when you step into the doors of Mahonia. We want customers to feel comfortable,” says Kristina Haysley. You can browse, chat, or just stand there staring at a fiddle leaf fig for a while. No one is in a hurry.
The shop spent years in NuLu, and it suited them well. But eventually, the logistics got in the way. “We have LOVED our time in NULU, but it was time for a ‘Re-Pot.’ Parking in NULU became a smidge hectic, making a trip to Mahonia a bit more challenging.” So, the team packed up and moved. “We literally put our NuLu shop in a moving truck and planted ourselves in the heart of St Matthews.” The new location is easier to reach, closer to most customers, and a little more relaxed all around.
Inside, the space feels both familiar and fresh. “Our new space is slightly larger than our last location. The high ceilings and light colored paint make the space feel more open and less confining.” And the workshop area is bigger, which matters. “Our workshop area is much larger than our last space. Making more room for workshops and private events.” More room means more people can get their hands in soil, try something new, and share the experience without feeling crowded.
Mahonia is looking forward to the new opportunities that come with the larger space. “As we settle in, you will see our product lines and services offered grow. We will continue to offer the best selection of plants available for our customers. Plant passion and care is where we thrive.”
Many will be excited to learn that their workshops are expanding too. “With the increased size in our workshop area, the possibilities are endless. We also plan to branch outside of our workspace with the ability to host classes and workshops in other venues, for the corporate and social markets.” So you might find yourself learning about terrariums or bonsai somewhere unexpected, which most would agree is a lot more fun than another meeting.
“We are so excited to see what 2026 has to offer. We are looking so forward to getting to know the community of St Matthews. We can’t wait to expand our business and to flourish in 2026!” Local partnerships are already on the horizon. “Just in the Woodlawn Plaza alone, we are looking to partner with Hobby Town and Pinot’s Palette on some really fun projects. Stay tuned for other fun Collaborations on the horizon. There is talk of Bonsai classes coming soon!”
The new location doesn’t change what Mahonia is. It’s still the same shop Louisville has grown to love that encourages curiosity, celebrates care, and gives people the space to linger. But now there’s more light and a little extra breathing room for everyone, plants and people alike.
So, whether you’re a long-time fan or wandering in for the first time, it’s worth a stop. You might leave with a new plant, a new idea, or just a few quiet, leafy minutes to yourself.
www.whitepicketky.com
By VOICE-TRIBUNE • Photos By Matt Johnson • Sponsored
For years, Louisville’s fashion-forward brides faced a dilemma: settle for mainstream options, or travel hours to find a dress that truly reflected their style. That gap in the market caught the attention of Jennie Dickens, owner of the acclaimed Adorn Bridal in Nashville, who often saw Louisville brides make the drive south. “We felt Louisville brides deserved the same Adorn experience and dress selection that we’re known for.”
Now, under the leadership of store manager Allison Hoffer—a Louisville native with deep roots in the bridal industry—Adorn Louisville is redefining what bridal shopping looks like in the city.
A PERSONAL CONNECTION TO BRIDAL
Hoffer’s path to bridal began in her grandmother’s living room. “I grew up watching my grandmother run an in-home seamstress business,” she recalls. “She made every woman feel beautiful and loved. I would ‘help’ her straight-pin hems on skirts and dresses. She treated everyone like family. They trusted her, and I noticed.”
That early lesson in trust and personal attention shapes everything Adorn does. “We’re experts in this field,” Hoffer explains. “Our process is calm, relaxing, and confident.”
CUSTOM CURATED COLLECTION
Walk into Adorn Louisville and you won’t find hundreds of dresses crammed onto racks. That’s intentional—and it’s directly connected to what makes Adorn different.
“We may not have the most dresses, but we have the most thoughtfully curated collection of dresses,” says Dickens. “Other stores need vast inventories because they don’t have the ability to customize with their designers. If a bride wants a different neckline or sleeves, they need to have an entirely different dress on hand to offer. We don’t work that way.”
“When a bride says, ‘I love this dress but wish it had sleeves,’ we know immediately whether we can make that happen for her,” Hoffer explains. “Our stylists are trained on which designers offer customizations, the costs, and lead-time it will take. We’re also partnered with trusted local seamstresses to further bring those visions to life.”
The result? Happy brides that aren’t overwhelmed by endless options, and they get exactly what they want. The boutique carries exclusive designers not widely available to the region, selected specifically for high quality and style.
At its core, Adorn Louisville is built on a foundation of expertise and trust. The team—all Louisville natives—understands the local bride and takes seriously the significance of what they’re doing.
“Our brides are coming to us for guidance on what they’ll wear when they become a wife!” Hoffer says. “That’s sacred, and it should be taken seriously. We recognize she’s entering a new chapter of her life and assuming a new role and responsibility. It’s a joy to be a part of such a special experience, and we’re honored when a bride trusts us to find the most special dress she’ll ever wear! We walk side by side with her from the first conversation, to her dress presentation drop-off, laughing and crying with her along the way. We’ve done our job well if you leave the boutique knowing you’ve found your dream dress, and made some friends along the way.”
That commitment to being more than just a retailer resonates with brides. “We really just want to be the most trusted option for brides in Louisville to find their dress,” Hoffer adds.
For Louisville brides who want something different—something elevated, personal, and memorable—Adorn Bridal offers a fresh alternative in the heart of NuLu. It’s not just about finding a dress; it’s about finding the right dress, with a team that genuinely cares about adorning you for your big day.
Farmington
The perfect spot for your special event ... a historic country setting in the heart of the city
Farmington, conveniently located in the Highlands of Louisville, offers a historic setting with modern amenities for your special event. The 1816 Federal style main house welcomes your guests to an 18-acre campus in the heart of the city. From there, they can stroll through the formal gardens to the great lawn for a large ceremony, or over to the 4800 square foot open-air Brand Pavilion. The Pavilion can be outfitted to accommodate over 300 people for a sit-down dinner, a corporate picnic, or a night of music under the stars. With (4) Big Ass fans, market café lights, and electrical outlets
S. Peterson Avenue Louisville, KY 40206
e 156-year-old Peterson Dumesnil House o ers a charming, historic setting for weddings and events. Paired with exceptional in-house catering from Clementine Catering, it’s the ideal place to celebrate.
Photo By Lauren Galbraith
Photo By Kendra Farris
Styled by Cleo Heine, this wedding fashion spread brings together local experts to create a modern, editorial take on romance. Shot at Hotel Bourré Bonne, the spread focuses on statement and couture gowns from Adorn Louisville paired with menswear from Evolve, and clean, intentional jewelry from Aesthetics in Jewelry. Florals by Susan’s Florist, polished hair and makeup by J. Michael’s Spa & Salon, and a gorgeous classic cake from Heitzman Traditional Bakery & Deli complete the story.
Executive Producer, Publisher & CEO | Amelia Frazier Theobald
Production Managers | Cleo Heine, Mary Zoeller, Brylea Peach
Director of Fashion & Lead Stylist | Cleo Heine
Social Media Content & Creation | Brylea Peach
Creative Vision Team | Amelia Frazier Theobald, Antonio Pantoja, Cleo Heine, Matt Johnson, Brylea Peach, Mike Tomes
Fashion & Editorial Photographers | Antonio Pantoja, Matt Johnson
Brand & Sponsorship Relations & Client & Partner Support | Julie Koenig, Mike Tomes
Wedding Gowns | Adorn Louisville
Mens Formal Wear | Evolve
Jewelry | Aesthetics in Jewelry
Florals | Susan’s Florist
Hair & Makeup | J. Michael’s Spa & Salon
Location | Hotel Bourre Bonne
Wedding Cake | Heitzman Traditional Bakery & Deli
Models | Eden Webb, A’nya Winburn, Christina Lee, Christie Perez, Tony Gundolf, Asuka Ichinose, Brian Glover, Amy Czerwonka, Aaron DuVall
A TOAST TO A BOURRÉ BONNE LOVE STORY
Photo By: Matt Johnson
AMY CZERWONKA
AARON DUVALL
Photos By: Antonio Pantoja
Photo By: Antonio Pantoja
Photo By: Antonio Pantoja
Photo By: Antonio Pantoja
Photos By: Antonio Pantoja
Photo By: Antonio Pantoja
CHRISTIE PEREZ
Photo By: Matt Johnson
Photos By: Matt Johnson
ASUKA ICHINOSE
BRIAN GLOVER
A’NYA WINBURN
By:
Photo
Matt Johnson
TONY GUNDOLF
CHRISTINA LEE
Photos By: Matt Johnson
Photo By: Matt Johnson
Photo By: Antonio Pantoja
Photo By: Antonio Pantoja
Photo By: Matt Johnson
Photo By: Matt Johnson
Photos By: Antonio Pantoja
Photo By: Antonio Pantoja
Asuka & Brian
Photo By: Antonio Pantoja
Christie & Tony
By:
Photo
Antonio Pantoja
Photo By: Matt Johnson
Amy & Arron
By:
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Antonio Pantoja
Photo By: Matt Johnson
Planning your perfect wedding in the Louisville area? From breathtaking venues to expert beauty and spa services, invitations, catering, and more, our curated guide highlights local professionals ready to bring your vision to life.
BRIDAL & FASHION
ADORN LOUISVILLE: YOUR ELEVATED BRIDAL EXPERIENCE
Experience an unparalleled bridal journey in Louisville’s vibrant NuLu district. At Adorn Louisville, we offer exclusive designers, expert styling, and a carefully curated collection for fashion-forward brides who want something truly special.
We do bridal differently. Our team of Louisville and Kentucky natives understand the local bride—her vision, her values, and her desire for authentic beauty. We’re trained by industry leaders to guide you confidently through finding the perfect dress. From first appointment to final fitting, we celebrate you every step of the way.
Our brides appreciate expert craftsmanship, high-end fabrics, and timeless construction. We work intimately with our designers to ensure every detail reflects your unique style and brings your vision to life.
You’ll find something genuine here—a calm, confident process and quality artistry that make you the most beautiful version of yourself on your wedding day.
VENUES
WATERFRONT BOTANICAL GARDENS
Waterfront Botanical Gardens is a vibrant backdrop for any celebration, from engagement parties and rehearsal dinners to wedding ceremonies and receptions. Nestled between Frankfort Avenue and River Road, our indoor and outdoor spaces blend natural beauty with modern comfort for unforgettable events of any size.
The Graeser Family Education Center hosts up to 220 guests and features floor-to-ceiling glass walls that bring the outdoors in year-round. Outdoor plazas accommodate large tents and showcase sweeping views of the downtown Louisville skyline, while our iconic Water Wall provides a stunning frame for ceremonies and photos bursting with garden color.
Our experienced event team will ensure a seamless, stress-free wedding day. Learn more at waterfrontgardens.org/rentals or call 502-539-4230.
LOFT AT THE BISCUIT LOUNGE
Located in Historic Downtown, Loft at The Biscuit Lounge is Louisville’s premiere event venue for weddings, business parties, performances, and more. Originally a biscuit factory, Loft at The Biscuit Lounge boasts a luxury industrial design with exposed brick, tall ceilings, charm, and designer finishes.
120 S. 10th St, Louisville, Ky 40202 | 502-569-7101
VENUES (CONT)
HOTEL BOURRÉ BONNE
Nestled in the heart of downtown Louisville, Hotel Bourré Bonne stands as a radiant symbol of elegance and sophistication, setting a new benchmark for downtown weddings and events. As the only downtown rooftop ballroom with floor-to-ceiling arched windows, our venue offers an atmosphere that is both distinctive and unforgettable. From the stunning rooftop terrace with sweeping skyline views to the beautifully appointed ballroom, every space is thoughtfully designed to elevate life’s most meaningful celebrations. Our dedicated event team meticulously executes every detail, from décor to dining, ensuring each moment reflects your unique vision with flawless precision. Just steps from Louisville’s most iconic landmarks, Hotel Bourré Bonne offers unparalleled convenience without ever compromising on luxury or exclusivity. Paired with world-class amenities, exceptional service, and an ambiance defined by refined sophistication, Hotel Bourré Bonne is more than a venue, it is the premier destination for couples and hosts seeking an extraordinary downtown Louisville experience.
FRENCH LICK RESORT
With dazzling venues, rural charm and historic beauty, French Lick Resort is where memorable weddings come to life.
Say “I do” in a small, intimate service in the iconic hotel gardens. Plan a celebration for hundreds in a lavish, historic ballroom. Enjoy countryside serenity at the Stables Pavilion, or a majestic view overlooking the golf course at Pete Dye Pavilion.
Looking for something even more show-stopping? A ceremony under the 6-story domed atrium at West Baden Springs Hotel offers a spectacular and unparalleled setting.
Indoors or outside, you’ll find terrific venues resort-wide for flexibility and options in all seasons. And planning is easy, thanks to the resort’s experienced team of culinary, floral and audio/visual professionals to execute every detail with precision. With three hotels and a resort full of amenities and attractions, French Lick Resort has everything covered for the wedding of your dreams.
THE PETERSON DUMESNIL HOUSE
The Peterson Dumesnil House offers a timeless, elegant setting for weddings, receptions, and special events in the heart of Louisville’s Crescent Hill neighborhood. Partnering exclusively with our in-house caterer, Clementine Catering, we provide unforgettable dining experiences crafted from local, seasonal, and organic ingredients. With more than 40 years of expertise, Clementine specializes in personalized menus that accommodate dietary needs while celebrating the rich flavors of Kentucky.
Perfect for everything from intimate rehearsal dinners and business meetings to large, tented wedding receptions, PDH features a beautifully landscaped garden for ceremonies, a spacious lawn for outdoor events, and the historic home and wraparound porch for indoor gatherings. The second floor offers newly renovated dressing rooms for the wedding party, and the property includes 200 convenient on-site parking spaces.
Celebrate your milestone in a place full of character, charm, and Louisville history — the beloved Peterson-Dumesnil House.
FRAZIER KENTUCKY HISTORY MUSEUM
Located on downtown Louisville’s historic West Main Street, the Frazier Kentucky History Museum honors the past and celebrates the future by offering multiple picturesque venues for your wedding day. The Frazier has several unique event spaces for intimate weddings of 20 people or large ceremonies and receptions of 300 guests. The Merkley Kendrick Rooftop Garden dazzles with a spectacular view overlooking the Ohio River and the Gateway Garden offers a unique urban oasis. Allow your guests to discover hidden gems like Order of the Writ or Speakeasy, smaller, intimate spaces that transport you in time. Finally, give your family and friends room to dance the night away in our Great Hall or Fourth Floor Loft. Whatever space speaks to you, we are happy to help you make history at the Frazier.
VENUES (CONT)
FARMINGTON
Farmington, conveniently located in the Highlands of Louisville, offers a historic setting with modern amenities for your special event. The 1816 Federal style main house welcomes your guests to an 18-acre campus in the heart of the city. From there, they can stroll through the formal gardens to the great lawn for a large ceremony, or over to the 4800 square foot open-air Brand Pavilion. The Pavilion can be outfitted to accommodate over 300 people for a sit-down dinner, a corporate picnic, or a night of music. With (4) Big Ass fans, market café lights, and electrical outlets throughout – this malleable space will meet all your event needs.
The Carriage House, next to the Pavilion, will serve as the hub for staging your event. This space houses public restrooms, a catering kitchen and prep-space, a walk-up bar, and two elegant dressing rooms with a shared library space for gatherings.
THE PARKLANDS OF FLOYDS FORK
Celebrate your once-in-a-lifetime moment in a space that’s one-of-a-kind! The Parklands of Floyds Fork offers two stunning, versatile venues that perfectly blend natural beauty and effortless functionality.
Gheens Foundation Lodge, just 20 minutes from downtown Louisville, features floor-to-ceiling windows, modern architecture, and an adjoining lawn and terrace. Its flexible indoor–outdoor design creates an elegant, light-filled atmosphere ideal for every celebration, from intimate gatherings under 50 guests to grand receptions of up to 300.
Hockensmith Barn, located 30 minutes from downtown, blends classic Kentucky charm with refined comfort and style. With soaring ceilings, warm wooden interior, and sweeping views of the surrounding landscape, it offers a picturesque backdrop for cozy ceremonies and lively receptions of up to 225 guests.
Every venue rental directly supports The Parklands, helping preserve and maintain more than 4,000 acres of trails, habitats, and community green spaces.
Contact us today to start planning your perfect day.
KENTUCKY DERBY MUSEUM: WEDDING SHOWCASE
Discover the perfect setting for your dream wedding at one of Louisville’s most iconic venues. Join us on Sunday, February 15, 2026, from 1:00 PM to 4:00 PM for an afternoon of inspiration, planning, and celebration.
Explore our stunning event spaces with hourly walkthroughs, meet top wedding professionals at preferred vendor booths, and gain expert advice from seasoned planners. Enjoy exclusive deals and giveaways available only at the showcase, plus hors d’oeuvres, lite bites, and a cash bar throughout the event. Visit derbymuseum. org for more information. Tickets are just $10 when you pre-register or $15 at the door. Don’t miss this opportunity to connect with trusted vendors, discover creative ideas, and start planning your unforgettable day in a venue that’s as iconic as your love story.
CATERING, CAKES & BAR SERVICES
HEITZMAN TRADITIONAL BAKERY AND DELI
Catering & Bar Service: Full-Service Catering and Bar Services. Heitzman’s offers many Catering Services and customized menus for your special day, as well as all needed barware, china, flatware, and glassware. Heitzman’s offers remarkable food experiences and personal touches to make your event a memorable success.
Cakes: Please let us know how we can help make your wedding become a sensational event with the perfect wedding cake.
9426 Shelbyville Rd, Louisville, KY 40222, USA | Phone: 502-426-7736
Email: heitzmans.traditional@gmail.com
BEAUTY & SPAS
WOODHOUSE SPA
Nestled at the iconic intersection of 4th and Main Street, Woodhouse Spa is your gateway to relaxation amidst one of America’s best Main Streets.
Woodhouse Spa Louisville invites you to unwind with our signature spa experiences, including the signature Calming Retreat, Glacial Facial, and Woodhouse HydraFacial. Enjoy complimentary parking and a luxurious atmosphere featuring a selection of warm, soothing teas to help you fully relax. Prefer something bubbly? Sip on a signature Woodhouse Mimosa or a glass of champagne in our relaxing Quiet Rooms between treatments.
For those seeking to reconnect, our exclusive VIP Room offers a serene setting for couples to relax and enjoy together. Planning a celebration? Our Party Room is perfect for birthdays, bridal parties, or a memorable girls’ weekend. No matter the reason for your visit, Woodhouse Spa Louisville is here to elevate your experience and leave you feeling refreshed, rejuvenated, and completely pampered.
(502) 699-5200 | 100 South 4th Street, Louisville, KY 40202
J MICHAEL’S SPA AND SALON
At J Michael’s Spa and Salon, we believe everyone deserves a space where they feel welcomed, cared for, and a little bit bougie. We’re obsessed with bringing that luxurious, high-end feeling to you without the pretense, especially on your wedding day! Our stylists are here to provide you with any of the following for your big day:
Contact 502.742.8790 or info@jmichaelsspaandsalon.com for your custom quote.
LUMI SKIN BAR
Lumi Skin Bar is where people come to feel cared for, understood, and genuinely confident in their skin. We offer facials, as well as lash and brow services. Clients love that we blend expert-level, results-driven skincare with a friendly, down-to-earth atmosphere, no pressure, no pretension, just real people helping you reach your skin goals. We build personalized treatment plans that honor each timeline and goal in an initial consultation, from calming stressed skin to creating that soft, radiant finish for photos.
LUMI AESTHETICS
Wedding photos last forever, and feeling confident in your skin is part of creating memories you’ll cherish. At Lumi Aesthetics, we specialize in natural, rejuvenating treatments that help brides and grooms look refreshed, youthful, and radiant for their big day. From subtle contouring to complexion rejuvenation, our treatments are tailored to look beautifully natural. Let us help you walk down the aisle with confidence, radiance, and timeless elegance.
STATIONERY & GIFTS
CARTWHEELS PAPERS & GIFTS
Cartwheels Papers & Gifts is a charming retail boutique located in Louisville, KY, that was established in 2009. Specializing in exquisite wedding invitations, our shop offers bespoke designs to capture the essence of each couple’s unique love story. Our dedicated team of stationery experts ensures that every detail is tailored to perfection. In addition to our stunning invitations, we also provide a carefully curated selection of gifts and accessories for every special occasion. Visit us to discover the perfect pieces to make your celebrations truly unforgettable.
3919 Chenoweth Sq, Louisville, KY 40207| 502-895-1800
Photo By Amir Habibi (pexels.com)
TURNING “I DO” INTO IMAGES THAT LAST GENERATIONS
By VOICE-TRIBUNE
These days, every guest wields a smartphone capable of “good enough” photos. Some couples are opting for something rarer: wedding photography that feels like museum-grade art. Film, in particular, has become the medium of choice, printed on paper that might survive the next three centuries.
In a society obsessed with immediacy, film slows everything down. Each frame counts; every shot is intentional. The result is images with a depth, warmth, and texture that digital just can’t touch. It feels almost cinematic. For couples who want more than a fleeting memory, it’s no longer enough for photos to live in a cloud; they want frames worth framing.
Enter the photographers. Not just any wedding shooter will do. Today’s couples hire artists whose work belongs in galleries, who approach each ceremony like a living tableau, balancing composition, storytelling, and cinematic vision. For these photographers, weddings are narratives to craft, not “events to capture”.
Luxury albums have become art objects in their own right: Italian calfskin covers, hand-torn cotton-rag paper, pigment prints built to survive centuries, custom slipcases worthy of a private library. They’re visual legacies designed to outlast their owners, objects of repeated study and admiration.
This trend is about authenticity. In an era saturated with AI-generated images and digital instant gratification, film photographs and museumquality prints are tangible, irreplaceable. They’re a statement: We value what is real. We invest in what lasts.
Emotion plays a role, too. Weddings flash by in a blur. A true fine art photographer captures those ephemeral, unrepeatable moments. When printed and preserved with care, they become mythology; a visual story passed down through generations.
In short, wedding photography has recently started to become more than just memory-keeping. It’s slow, intentional, and exquisite. Anymore, almost everything is mass-produced, film and fine art albums offer something rare: beauty that lasts, crafted by human hands, frame by frame.
Photo By Alexander Mass (pexels.com)
Photo By PNW Production (pexels.com)
NOBODY WARNED YOU ABOUT (UNTIL NOW)
By VOICE-TRIBUNE
Planning a wedding is supposed to be magical. Glitter, champagne, your soulmate promising to love you forever… and yet somehow, there’s also a small chance your carefully curated dream day could descend into chaos thanks to a “charming” vendor with hidden red flags. Don’t worry—we’ve got your back. Here’s what to watch for before you sign a contract, hand over a deposit, or let someone near your cake.
1. Too Good to Be True Portfolios
If every photographer’s gallery looks like a fairytale spread in Vogue and there’s not a single sweaty guest or tilted bouquet in sight, beware. Real weddings are messy, beautiful, and imperfect. Ask for full wedding galleries, not just highlight reels. If they dodge, it might be because their real work… isn’t quite what you imagined.
2. The “Book Me or Cry Forever” Pressure Tactic
“We only have one June weekend left!” Sound familiar? Some vendors love a good guilt trip. While popular dates fill fast, vendors who pressure you to sign immediately are red-flag material. A professional knows that a bride (or groom) who feels rushed is a recipe for regret.
3. Contracts Written in Hieroglyphics
If you need a decoder ring to figure out what’s included, what counts as overtime, or what happens if it rains, walk away. Your contract should be clear, detailed, and unambiguous. No surprises. No hidden fees. No “we’ll figure it out later” nonsense.
4. Ghosting Isn’t Romantic
Communication is everything. If emails go unanswered for days, calls are constantly rescheduled, or text messages get vague replies, that’s a huge warning. On your wedding day, you need vendors who are reachable, reliable, and actually respond before your cake ends up on the dance floor.
5. Overpromises Galore
If someone claims your wedding will be “the most epic event in the history of ever,” take a deep breath. No vendor can control every detail of your big day. Look for honesty, flexibility, and a proven track record. Overpromising usually equals underdelivering—so trust the vendor who keeps it real.
6. Trust Your Gut (Seriously)
Here’s the part no one tells you: intuition is your secret weapon. If a vendor makes you feel uneasy—even just a tiny bit—pay attention. Charm and Instagram-perfect presentations are fun, but they don’t guarantee reliability.
Your wedding should be memorable for love, laughter, and maybe a few tearful speeches—not because of a last-minute cake disaster or a photographer who “forgot” to show up. Spotting these red flags early will save you stress, money, and the need to call your BFF in tears at 6 a.m. on your big day.
Pick vendors who are transparent, responsive, and genuinely excited about your vision—and let the rest be someone else’s problem. After all, your wedding is for you, not drama.
By Jackie Zykan
“Why don’t you just get a fake tree?”, my son asked me. Suffice to say, this question is thrown at me every single year. From a multitude of curious inquirers, not just him. And my response remains the same, every year. And I have no intention of entertaining the alternative.
“It’s just not the same”.
Granted, the question isn’t undeserved to be asked, and I am aware it typically follows every rant I go on about the layers of suffering which come with the care and feeding of a real tree.
My salty tone has become a holiday tradition in its own right at this point, onset by the act of lighting my money on fire in exchange for scratches on the roof of my car and sap in my hair as I wrestle it into the house. Masochism at its finest, and an act of unnecessary valor. One more thing that needs to be maintained, dressed and watered, until it becomes one more thing to clean up. And then there are the needles. The gifts that keep on giving throughout the year, as though a never-ending supply was emerging from beneath the floor boards, not the branches. Tiny souvenirs which surprise and delight, reminding you well past the holidays of the question “why don’t you just get a fake tree?”.
Because it’s just not the same. That’s why. And the point of traditions is to hold firm to repetition, no? The situation is of course not about the right way to have a tree or the wrong way to have a tree, and is subject to considering which perspective it applies. If you’ve only experienced having an artificial tree, then, arguably, the same tried and trusted, sap free, pre-lit, reusable, consistent, convenient, less laborious option sans dropped needle mess IS the same. How often do you experience an individual questioning your judgement, asking “why don’t you just get a real tree?”, to which you may respond with any number of logical reasons. The two scenarios are interesting, one involving the receipt of subtle shaming for choosing the harder road, and the other involving giving in to the collective pursuit of convenience. Stuck in my ways, the option of a boxed tree has never appealed to me, but I have come to realize this year that it’s actually not the rationale of the logistical pros and cons list which now makes me question my choice. Rather, it’s my annual soapbox of agony about it which is making me realize the subject may be up for debate after all.
The moment I begin feeling burden over bliss with the tree is the moment it makes sense to get one in a box and wave the white flag.
Fir Tree Incense
• 8 tsp Fir Needles, dried and ground
• 1 tsp Frankincense, ground
• 1 tsp Myrrh, ground
• 2 tsp Makko powder
Directions: Dry Fir branches in a warm oven or gather dry needles which have fallen. If using whole branches, remove the needles once dry. Process needles into a fine powder in a coffee bean grinder. I recommend using a metal fine mesh strainer with the powder to sift out any larger pieces, yielding a smoother dough. Mix all ingredients in a bowl with just enough water to create a pliable dough (about 4-5 tsp). Portion out the dough into ¼ tsp scoops, then roll into 4” sticks. Place on a parchment paper lined baking sheet in a warm oven until completely dry. This will take a few hours.
It may be just a tree, but it begs to open an entire can of worms. How many traditions do we uphold despite the suffering they cause for the sake of keeping them alive? How many of those still yield more bliss than burden? In what ways can we recalibrate that scale, and if not, can we accept the alternative and put them to rest?
Why don’t I just get a fake tree? The point isn’t to have a decoration that takes up generous space in the living room. The point is the smell. Plain and simple. Without the smell there is no doorway to access the memories of Christmas. The ornaments, the lights, the colors, all irrelevant. Trompe L’œil novelty at best, and a false entry point into true connection of memories rich with emotional association. That’s why I refuse to let it rest. However, this doesn’t solve the suffering which inspires my seasonal rants. Desperate for any fraction of resolution from the mess, I got curious about what really lies in the depths of my enduring of the process, and suffice to say that after some contemplation, this season I discovered a method to avoid questioning my decision ever again.
The whole point is the smell. So how can I maximize that experience while also lessening the annoyance from what feels like a high maintenance pet? Blessings and curses are two sides of the same coin, so what happens if I take the most irritating aspects and turn them into my favor?
The mess of fallen needles. The incessancy of a watering schedule. The guilt of wastefulness. Wrestling with lights. These elements all seemed to be good reasons to get a fake tree. But they’re equally what can contribute to the beauty of a real one…when the whole point is the smell.
Turning fallen needles into incense powder is my way of celebrating the vintage of the tree and holiday. I can finally relax the pressure to stay on schedule for watering. If the tree gets dry and drops more needles, it yields more incense making material. The tree “mess” is providing the ingredients to celebrate the scent, and becomes something to look forward to, not irritated by. Gone is the fear of removing the lights and containing the explosion of dead needles that hits the living room. Instead, this is a moment to celebrate the abundance of building blocks to reuse and continue the fragrance well into the new year- or even years to come. This new optimistic approach is not without a key regret though. I will forever wish I had thought to do this sooner. The only reparation for that now is to share the method and invite you to join me in beginning a new tradition. One that alchemizes the mess into bespoke sensory memories. I am fully aware that the act of trimming a tree does not apply to all cultures, but the messaging remains the same even if you celebrate the winter season in other ways. There is always space for the reflection and auditing of traditions to update our systems in a quest for personal joy. Every curse can be a blessing. You need only flip the coin.
A FRESH, PATIENT-CENTERED APPROACH TO BEAUTY
By VOICE-TRIBUNE • Photos by Matt Johnson • Sponsored
Blending advanced medical aesthetics with curated skincare expertise, Lumi Aesthetics and Lumi Skin Bar offer a holistic, patient-centered approach to beauty, rooted in integrity, innovation, and long-term skin health. This boutique practice is built on thoughtful care, evidence-based medicine, and a welcoming environment where every client feels seen, respected, and supported. At Lumi, beauty means enhancing what’s already there and helping the skin look its healthiest and most radiant.
LUMI SKIN BAR
Established in 2019 by Alexis Mitchell and Morgan Schmidt, Lumi Skin Bar is a modern, open-concept facial bar designed to deliver results-driven skincare in a welcoming, approachable environment. Every experience begins with listening, because great outcomes start with understanding the person behind the skin.
Services focus on long-term skin health and consistency, including customized facials, advanced acne care, corrective treatments, and brow and lash services. Education is central to the experience: clients leave not only with visible results but also with a clear understanding of their skin, their routine, and how to maintain progress over time.
Professional skincare is made accessible and comfortable, bridging the gap between relaxing spa services and truly effective treatments.
LUMI AESTHETICS
In 2025, Lumi expanded with Lumi Aesthetics, an in-house medical aesthetics practice led by Nurse Practitioners Lauren Antoine and Hayley Durham. This addition allows clients to receive advanced injectable treatments within the same trusted environment they know from Lumi Skin Bar. Lauren and Hayley bring traditional healthcare backgrounds and a patient-first approach to aesthetic medicine. Their focus is on conservative, natural-looking results grounded in safety, anatomy, and evidence-based care. Consultations are unrushed and educational, with treatment plans tailored to each individual’s goals and facial structure.
Services include neurotoxin treatments, biostimulators, hyaluronic acid fillers, and other regenerative-focused options designed to support skin quality and structure over time. The goal is enhancement, not transformation, helping patients look refreshed, balanced, and confident while still feeling like themselves.
The combination of Lumi Skin Bar’s skincare expertise and Lumi Aesthetics’ clinical approach creates a holistic model: clients can receive facials, injectables, product recommendations, and long-term skin health strategies in one cohesive, intentional experience. Consultations are often recommended months in advance, allowing treatments to work progressively rather than relying on last-minute fixes.
At the heart of Lumi’s approach is trust. Trust in education over sales, subtle enhancement over extremes, and care that feels personal. Regenerative medicine plays a key role, encouraging skin to function and repair naturally over time rather than simply masking concerns. Every plan is personalized, grounded in medical principles, and aligned with the client’s long-term goals.
Above all, Lumi wants every client to leave feeling empowered, informed, and supported. Whether someone is receiving a facial, a medical aesthetic treatment, or simply learning more about their skin, the goal is the same: helping clients feel confident, authentic, and at ease. Visitors consistently report glowing results, not just in their skin, but in how cared for and educated they felt throughout the process.
By: Alison Cardoza • Photos Provided • Sponsored
Our world has the capacity to quickly drain our energy levels. The demands of daily life can be exhausting, both mentally and physically. As we embark on a new year, adopting a healthier lifestyle should be a universal goal. By incorporating activities such as deep breathing, exercise, and meditation, individuals can calm their nervous system and develop effective coping mechanisms for stress. Making the decision for YOURSELF to eat more fruits, vegetables, lean protein, and drink more water will improve overall health tremendously. Dedicating 30 minutes a day to doing some form of exercise will increase muscle mass, blood flow, and cardiovascular endurance. There are many programs that gyms and wellness centers offer to help you get this jumpstarted. One in particular is a group called Liora Wellness.
Three friends, dedicated yoga teachers and wellness professionals, came together with a shared vision: to create a grassroots movement that champions for others to explore the many paths to well-being. With diverse backgrounds in yoga, holistic health, and mindfulness, they united their skills to build a community-centered business rooted in authenticity, compassion, and curiosity. Together they created Liora Wellness.
They offer workshops for women that are anticipating or experiencing changes in their hormones. Their mission is to help empower these women by achieving balance and wellness in their lives.
They help guide others to a path of radiant hormonal health, confidence, and clarity through understanding the way hormones actually work and harness their feminine power and sensuality in a way that can only be done in the 40’s and beyond.
They offer calming yoga practice that consists of gentle, relaxing postures that alleviate tension, enhance breathing awareness, and develop mindfulness.
At Liora Wellness, The Art of Serenity captures the belief that peace is both a practice and a way of being. These women create experiences that act as guiding lights — soft yet transformative — leading each individual toward a deeper connection with themselves. Through curated retreats, mindful workshops, and nurturing community gatherings, they bring serenity into focus, revealing its beauty and making it accessible in everyday life. Light is more than a symbol; it’s the path to renewal, harmony, and wholeness. Workshops are offered at Baptist Health Milestone, as well as Camp Hi Ho. To learn more about these retreats and workshops visit liorawellnesslou.com.
This month at the end of January, Liora Wellness will offer The Clean Eating Kitchen: how to stock a healthy pantry, fridge & freezer. In this workshop, held at Baptist Milestone, you will learn how to eat like a Liora nutritionist with essentials for clean-eating success. You will find out what’s needed to make easy pantry meals balanced with key macronutrients. Includes 2 delicious recipes to take home plus enjoy a wholesome light lunch that is mindfully curated. Contact Baptist Milestone for more information.
Make 2026 a transformative year for your mental health and wellness.
Alison Cardoza, ACSM Certified Personal Trainer and Fitour Group Exercise Instructor at Baptist Health Milestone Wellness Center. BS Exercise Science and Sports Medicine with a minor in Health Promotions from the University of Louisville. Former UofL Ladybird and NFL Colts Cheerleader.
WITH CHARLENE WILLIAMS
By: Cassie Tatum • Photos By Matt Johnson
We tend to experience time through seasons— Spring, Summer, Autumn, Winter. Louisville native Charlene Williams, more familiarly known as ChaCha, takes those seasons a step further. In her podcast, HealthyHeart ChaCha, a platform dedicated to bolstering Christianity and meditating on God’s Word, Williams predicates her own seasons by tuning into her emotions, assessing where she’s landed in that particular moment. Her unique feeling forms the themes for each month of podcasting. Sometimes she lands in light, sometimes in kindness, sometimes in manifestation. In this season, her eighth, HealthyHeart ChaCha explores newness, the discovery of opportunities and refreshing perspectives that feel heart-opening.
Despite the season’s theme, ChaCha aims to show the Louisville community and beyond that, in order to have a spiritually healthy heart, we must be reminded of our stewardship to faith and, more importantly, our unity as human beings, no matter our belief system.
The genesis of HealthyHeart ChaCha began with family. As a mother and grandmother twice over, Williams wished to instill in her kin a sense of hope, a force that’s hard to come by these days. She started writing notes and recording herself, leaving memories for younger generations to cherish. Her family termed the practice “ChaCha Moments,” and those moments transformed from scribbled thoughts and voicemails into a YouTube channel, where Williams took to leaving “memories for the Lord.” Though she attributes her success to a reliance on God, Williams deserves credit for her determination and focused vision. HealthyHeart ChaCha’s mission is simple: “I want people, no matter where they are, to see their significance,” said Williams, and with this public platform, she has the chance to guide her audience, helping others appreciate their own, innate belonging.
With an emphasis on inclusion and connection, HealthyHeart ChaCha encourages conversations between members of our community and outside of it that nurture generous recogni tion—not of the physical body, but the spiritual one. Williams isn’t concerned with convincing anyone to observe her particular sector of Christianity. Instead, through dialogue with empowering women like Charity Hammond and conversations with several enlightening Nigerian Pastors, Williams invites her listeners to engage with valuable perspectives that may or may not align with their beliefs, but are sure to inspire their hearts. Her platform holds space for a diverse array of listeners. “Whoever sees it and receives it,” Williams explains, “is my audience.”
On HealthyHeart ChaCha, most episodes begin with a specific question: What is your Heart Smile? Williams defines the Heart Smile as someone’s first remembered moment of pure joy. Though “we’re taught to smile” physiologically, the Heart Smile isn’t learned, but felt. It’s where a healthy heart begins.
As her podcast grows, Williams aspires to expand her reach, amplify more voices, and offer her wisdom and experience to our community’s youth. Everyone is worthy of a healthy heart, and through HealthyHeart ChaCha, Williams continues to strengthen the hearts of others. Find her videos, live streams, and podcast episodes on her YouTube channel, @healthyheartchacha7251, or visit her website at healthyheartview.com
The invitations you choose for your wedding are your guests’ first look at the style or theme of your big day. Your wedding stationery and invitation suite reflects your style as a couple and truly sets the stage. At Cartwheels, we are honored to help couple’s select the perfect suite for their wedding festivities.
‘I Knew Something Wasn’t Right’
Cathy’s Vulvar Cancer Story
Cathy Hinko noticed something wasn’t right, but she did what so many people do: She waited. Her next annual gynecology appointment was just a month away. Surely it could wait until then.
She waited, and would learn that she shouldn’t have. After that appointment in 2009, Cathy received a diagnosis she was dreading: vulvar cancer. She’s sharing her story because she knows gynecologic cancers can be difficult for many people to discuss.
A fighter from day 1
Cathy started with an aggressive treatment plan involving two types of chemotherapy combined with radiation therapy. She faced her diagnosis head-on and with bravery. For 10 years, Cathy was cancerfree. She remained committed to staying healthy and returning to every follow-up appointment with Lynn P. Parker, M.D., gynecologic oncologist at Norton Cancer Institute Women’s Cancer Center.
Then, another lesion returned in 2021, followed by another surgery. When more lesions returned two years later, Cathy faced increasingly difficult decisions.
“The cancer kept coming back, and I kept getting surgeries to remove it. I had radiation twice, and we had tried everything,” Cathy said. “So, ultimately, we decided to remove all the skin that could get cancer.”
Cathy’s care team, led by Carl L. Christie, D.O., gynecologic oncologist at Norton Cancer Institute Women’s Cancer Center, recommended a full vulvar resection surgery, which required removing all affected tissue and reconstructive work using skin from the inner thighs.
According to Cathy, through every procedure and uncertain moment, Dr. Christie’s care was always compassionate and thorough.
A dedicated team of doctors
Norton Cancer Institute’s multidisciplinary team includes gynecologic oncologists, pathologists, radiation oncologists, radiologists, social workers, a physiatrist, genetic counselors, patient navigators, research staff, who determine whether a patient is eligible for clinical trials, and more specialists, depending on the patient’s diagnosis.
Patients also receive support services that help connect them with available resources and coordinate visits. This holistic approach is important. It takes a full team to cover all aspects of a person’s day-to-day life and provide comprehensive, exceptional cancer care.
Scan the QR code to learn more about cancer screenings and if you are due for one.
Why early detection matters
According to Dr. Christie, Cathy’s cancer developed from a combination of factors, including lichen sclerosus (an autoimmune disorder affecting the vulva). Another common cause of vulvar cancer is human papillomavirus (HPV), which can be prevented through early vaccination. While HPV was not the primary cause in Cathy’s case, it is a significant factor for many women who develop dysplasia and cancer. HPV also is linked to cancers of the vagina, cervix, throat, anus and penis. Regular screenings and paying attention to your body can help catch cancer early, when treatment is most effective.
A renewed purpose
Cathy has channeled her experience into advocacy. She’s passionate about two things: the HPV vaccine and regular cancer screenings.
“I recommend everyone communicate to their family members, children and loved ones to get the HPV vaccine,” Dr. Christie said. “You can be eligible from ages 9 through 45. It is one of the greatest things women can do for themselves, their children, their sisters and their friends — encourage them to get the vaccine.”
Cathy is honest about her regret in not seeing a doctor sooner.
“Had I gone immediately [upon noticing symptoms], my course of treatment might have been different and less invasive. … Delay is your worst enemy, and you should go immediately.”
Putting yourself first isn’t selfish
Cathy advocates for women prioritizing self-care and wishes she had listened to her own advice sooner.
“I want women to know they’re important and that they should put themselves first. ... Taking care of yourself is an incredibly important part of the way you care for your family.”
According to Dr. Christie, Cathy’s resilience and her tenacity are an inspiration for all patients.
“If there’s one thing to take away from Cathy’s story, it is to fight. Never give up. Never lose hope,” he said. “I’ve seen her tearful, but at the end of that, she says, ‘I still have to fight because that’s what I need to do. I have a lot of life in me.’”
Sharing Cathy’s story was made possible through the Norton Healthcare Foundation. For ways to help or to learn more, visit NortonHealthcareFoundation.com or call (502) 446-4483 (GIVE)
Reyna Scott, a senior guard and transfer from Oklahoma, has been both a starter and a key reserve.
WALTZ WANTS CURRENT TEAM TO MIMIC TOUGHNESS OF PAST CHAMPIONS
By RUSS BROWN • Photos Provided By Louisville Athletics
For almost the entirety of his 29 seasons as Louisville’s women’s basketball coach, Jeff Walz has had the Cardinals among the elite programs in the country. In only his second season, he guided them to the national runner-up spot, and from 2018 through 2023 UofL advanced to five Elite Eights and two Final Fours in consecutive seasons (there was no tournament in 2020 due to Covid). But the Cards haven’t performed up to Walz’s standards recently, winning just one NCAA Tournament game in the last two years.
“We’ve got to be that team that when people see us, they’re like, ‘Hey, they play hard,’” Walz told fans at the Tipoff Luncheon. “We’ve lost that the past two years. And we’ve got to get back to who we are if we want to continue to move our program forward.”
He spent much of the preseason trying to instill toughness back into his team. He demanded that players take charges, fly onto the floor for loose balls, fight on defense and hit the glass with tenacity to grab rebounds.
“If we want to win at the level we’re used to winning at, then we’re going to have to have that toughness,” he said. “You’re trying to change some things from some kids where they might not have had that physicality or that toughness. And you’re trying to instill it in them.”
Walz cited his 2009 and 2013 national runner-up teams as examples of how he wants his current team to play.
“You look at some of our teams -- our ‘09 team and our ‘13 team -- we had some talent, but I’m not sure anybody thought we’d be playing in a national championship game,” he said. “But because we were tough, we were diving after loose balls. . .And when you start advancing (in the tournament), those games come down to one possession.”
So how is that mission going? During the non-conference season, which ended with a game against Tennessee in the Women’s Champions Classic in Brooklyn, N.Y. on Dec. 20, the best indication that Walz is succeeding and that UofL could be primed to return to prominence came in early December when the then-No. 23 Cards took No. 3 and 2025 runner-up South Carolina down to the final seconds in a physical battle before succumbing 79-77 in the KFC Yum! Center. Then they continued to flash their potential later in the month by upsetting No. 12 North Carolina 76-66 in overtime on the road.
Only a missed open 3-pointer off a designed play prevented Louisville from completing a notable upset. However, it did provide a glimpse of the Cards’ potential the rest of the season.
“We played well -- not well enough to win -- but well,” Walz said afterwards. “Our effort was great. If we give that every night, I like our chances. We played four good quarters, that’s a first this year, and we competed. If we bring that effort we’ll win a lot of games.
“It’s not going to mean we’ll win every game, but I think we’ll have a fighting chance. The problem is, you can’t just do it during games. What’s practice going to be? Are you willing to say, hey, I’ve still got to get better? That’s the challenge I put forth to all of them.”
UofL, which was picked to finish fourth in the ACC by the league’s coaches, opened its 18-game conference schedule with a 65-54 win at Clemson. The league isn’t as strong as it has been in recent seasons, with just two other teams besides Louisville in the Top-25 -- North Carolina and Notre Dame. The Cards’ only meeting with the Tar Heels came in Chapel Hill on Dec. 14. They will face the Irish and preseason Player of the Year, junior guard Hannah Hidalgo, twice -- in South Bend on Jan. 15 and in the Yum Center in the regular season finale on March 1. UofL will play preseason favorite Duke at home on Feb. 5 and projected third-place finisher NC State on the road Jan. 18.
UofL is the only team to place two players on the All-ACC first team in sophomore guard Tajianna Roberts and senior forward Laura Ziegler, both of whom have lived up to the billing. They lead the team in scoring and Ziegler, a Denmark native who transferred from St. Joseph’s, is the top rebounder.
In the eighth game of the season Ziegler reached 1,500 career points and then brought down her 1,000th rebound three games later. The team’s other consistent contributors are junior guard/forward Skylar Jones; sophomore guard Imari Berry; junior forward Elif Istanbulluoglu from Turkey; sophomore guard Reyna Scott; and sophomore forwards Anaya Hardy and Mackenly Randolph. Louisville’s roster is a mix of international experience and coast-to-coast recruits, with players from four continents and eight U.S. states.
Louisville’s volleyball season ended last month as No. 3-seeded Texas A&M pulled off a reverse sweep after falling behind 2-0 in the NCAA Regional semifinal in Lincoln, Neb. The Cards won the first two sets, 25-23 and 25-22, but the Aggies prevailed 25-23, 25-28 and 15-12 in the last three sets.
“It’s a bummer to lose a match like this, because it has a tendency to feel like, ‘Oh, if we could’ve done this. We should’ve changed this,’” UofL coach Dan Meske said. “These players are fantastic. We’ve won big with them. We’ll continue to win big with them. And I’m really proud.”
Meske, who took over the UofL program last January when Dani Busboom Kelly returned to her alma mater as Nebraska’s coach, finished his inaugural campaign with a 26-7 record. With Meske as her associate head coach, Busboom Kelly guided the Cards to three national runner-up finishes, three Final Four appearances and four ACC championships. Her first Cornhuskers team this season was the No. 1 overall seed.
Sophomore forward Mackenly Randolph from Los Angeles has started every game this season.
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FRU COMING ON STRONG, AND CARDS WILL NEED HIS TALENTS IN THE PAINT TO REACH GOALS
By RUSS BROWN • Photos Provided By Louisville Athletics
Everyone knows by now that Louisville has a horde of deadly sharpshooters on its basketball team that can score points in bunches when they get hot behind the 3-point line. Mikel Brown Jr., Isaac McKneely and Ryan Conwell, along with several others, have burned a number of victims during the first two months of the season while becoming a major reason for the Cardinals early success that resulted in a top-10 ranking.
However, if the Cards expect to challenge Duke for the Atlantic Coast Conference championship and make a run at the Final Four, their offense needs to become more versatile. Translated, that means developing an inside threat to keep opposing defenses honest so they can’t concentrate all their efforts on U of L’s long distance attack.
With that, let me introduce you to Sananda Fru, the 6-foot-11, 245-pound German who has shown promising signs of becoming Louisville’s consistent paint presence.
Fru, a native of Berlin, started coming into his own and showcasing his potential in the third game of the season when the Cards defeated Kentucky to snap a five-game losing streak against their archrival. The 23-year-old junior contributed 10 points, seven rebounds and three assists with only one turnover in 25 minutes.
Beginning with that coming out party, in eight games through mid-December Fru scored in double figures six times, averaging 10.6 points per game and 6.1 rebounds. He hit an astounding 84 percent of his shots (32-38), mostly from point blank range or on dunks of course, but he also made two of his three tries from beyond the arc.
UofL coach Pat Kelsey said Fru needed time to adjust from international competition to his first taste of collegiate basketball, but his progress has probably accelerated faster than Kelsey anticipated.
“Sananda is just getting more comfortable,” Kelsey said. “You can just tell; you can feel it. You can see it in his demeanor and the way about him, the way he’s playing, the more confidence he’s playing with. It’s a new style of basketball than what he’s used to. It’s a new system. It’s different than what he was a part of. You move from another part of the world, new culture, new food, new friends, no family. It just takes a little bit of time for those guys to adjust.”
In U of L’s high post pick-and-roll action, Fru is effective both screening for Brown, Conwell and McKneely along with rolling to the rim and finishing or catching a lob and flushing it. His influence is also evident on defense around the basket where he had blocked a team-high 11 shots at press time and altered or discouraged numerous others. For instance, he limited UK’s 6-10 Brandon Garrison and 6-7 Mouhamed Dioubate to just eight shot attempts and wound up with a game-best plus-11 efficiency rating.
“The biggest difference in my role back home is that I wouldn’t have the ball in my hands and was mainly a pick and roll guy,” Fru said. “Coach wants me to get the ball. It’s just a big difference that I wasn’t used to. I’m still adjusting, but it feels better. I’d say it’s a steady improvement.
“The way we’re playing I think really suits me. Super aggressive, like to run, like big men who are more on the flex side -- run the court, can stretch the court, play aggressive defense. I just think it suits me a lot, and that’s a big reason why I chose (UofL).”
When he became determined to play in the U.S., Fru committed to Louisville last February without visiting. A trend that has been gaining popularity recently is for college coaches to recruit a player from the European pro ranks who has collegiate eligibility remaining. Coaches like it because they are getting a prospect who is battle-tested against older men and players feel that foreign experience gives them an opportunity to quickly earn playing time. Fru played four seasons in the Federal Basketball League, the highest level of pro club basketball in Germany, with Loewen Braunschweig, averaging 12.6 points, 6.2 rebounds and 1.4 blocks last year.
“It’s easier to chase your dream,” Fru told The Field of 68 after signing with the Cards in June. “Every young kid wants to play in the USA at one point -- wants to make the NBA. I felt like the U.S. gives you the best chance.”
Fru is one of four Cards that give U of L’s roster an international flavor. Aly Khalifa is a 7-0 senior center from Alexandria, Egypt; 6-8 forward/center Vangelis Zougris hails from Peristeri, Greece; and 6-8 freshman forward Mouhamed Camara is a native of Dakar, Senegal who came to U of L from the NBA Academy Africa.
While Fru has started every game this season, Khalifa -- a BYU transfer nicknamed the “Egyptian Magician” -- sees substantial minutes as his backup. Zougris played in six of the first 10 games, while Camara is redshirting. Khalifa’s best performance came in a win over Ohio when he recorded 11 points, six rebounds, five assists and three steals in a mere 19 minutes, hitting 3-of-4 trifectas.
“The efficiency, the things that (the bigs) do that relates to winning, maybe doesn’t show up on the stat sheet,” Kelsey said. “I talked about the one day Sananda had two field goal attempts, but he was the second-most efficient guy in our efficiency standards. That takes everything into account: defensive grading, defensive responsibility, pick and roll coverage, screening, screen assists, everything. Those guys do so much.”
Khalifa spent last season as a spectator while recovering from surgery to repair a hole in the cartilage of his left knee — dropping roughly 50 pounds with the help of strength coach Eli Foy. Khalifa’s playmaking ability is his forte and the reason for his nickname. His average of 3.2 assists is second only on the team to Brown’s 5.3, and Brown is handling the ball much of the time as the team’s floor general.
“I haven’t seen it before — besides (Nikola) Jokić,” Brown said, comparing Khalifa to the three-time NBA Most Valuable Player. “He’s the closest thing to Jokić when it comes to passing. It’s so easy to play with him; just being able to hit him at the top of the key and (knowing) he’s going to make the right play every single time. It’s truly a blessing to be able to play with him.”
Kelsey calls Khalifa the best-passing big man in the country.
If Fru and Khalifa continue to improve and their teammates keep playing at a high level at both ends of the court, this could be a special season for the Cards, as Kelsey has noted. In the preseason media poll, the Cards were picked to finish second in the ACC behind Duke, but trailed by only 24 points, and they received 15 first-place votes (to the Blue Devils’ 34).
U of L opened its league season on the road at California (Dec. 30) and Stanford (Jan. 2) before returning to the KFC Yum! Center for a three-game homestand against Duke (Jan. 6), Boston College (Jan. 10) and Virginia (Jan. 13).
Aly Khalifa , Louisville’s “Egyptian Magician,” celebrates a play. The 7-0 senior give the Cards a dangerous duo in the paint.
By VOICE-TRIBUNE • Photos Provided
At first glance, this custom-built Norton Commons home feels polished and welcoming, but step a little closer and it quickly becomes clear that this is a residence designed to impress, linger, and live beautifully. Every space has been thoughtfully considered, beginning with the undeniable showstopper just beyond the kitchen: a 500-square-foot covered outdoor addition that redefines year-round entertaining. With automatic screens, a cozy fireplace, and professional landscaping that frames the space perfectly, it functions as an open-air living room, equally suited for intimate evenings or lively gatherings.
Inside, the home unfolds with a bright, open floor plan filled with natural light and classic architectural details. The living room flows effortlessly into the dining area and chef’s kitchen, creating a seamless environment for daily life and entertaining alike. Anchored by an oversized island, the kitchen pairs marble countertops and a timeless subway tile backsplash with stainless appliances, a beverage refrigerator, and a walk-in pantry—both functional and beautifully appointed.
Throughout the home, craftsmanship takes center stage. Wide, hand-finished pine floors set a warm tone, complemented by tall ceilings, solid two-panel doors, crown moulding, and a traditional fireplace surround that adds character without overpowering the space. The result is an interior that feels refined, comfortable, and classic, yet fresh.
Upstairs, the primary suite offers a true retreat. A private sitting area leads to a spa-inspired bath featuring a double vanity, clawfoot tub, walk-in shower, and an oversized walk-in closet. Just beyond, a private covered balcony provides a quiet moment of escape. Two additional bedrooms, each with its own bath and generous closet space, offer comfort and privacy, while a conveniently located laundry room adds everyday ease.
The finished basement continues the home’s entertaining appeal with a theatre-style projector and screen, along with ample space for recreation or relaxation. Outdoors, the charm continues, from the inviting front porch to the professionally landscaped yard. An oversized two-car garage provides extra depth for larger vehicles, and a gated side area is perfectly suited for a golf cart.
Move-in ready and rich with upgrades, this home delivers custom craftsmanship and model-home quality without the wait—an exceptional opportunity designed for today’s lifestyle.
Engagement Water Tower Photos: Gabriella Sutherland (@gabriellasutherlandphotography)
Amy Czerwonka and Aaron DuVall spend a lot of time trying new places around Louisville. What started as a shared love for checking out restaurants and bars quickly became DateListLou, a social media project that documents their adventures and now follows a new chapter worth celebrating.
As the duo behind DateListLou, much of their story is shared publicly, but the relationship at its center remains all theirs.
“I was born and raised in Louisville, and Aaron is originally from Elizabethtown, KY,” says Amy. Despite overlapping circles and degrees from the University of Louisville, their paths didn’t meaningfully cross until 2021. “We both graduated from the University of Louisville but didn’t meet until 2021 at a Young Professionals Association of Louisville (YPAL) event.” The first impression? Not exactly spark-worthy. “Our first interaction was brief, and Aaron said I was mean to him,” she laughed.
It took time, and better timing, to get it right. “It wasn’t until another two years before we really connected and hit it off.” With some nudging from a mutual friend, the relationship took off. “We had only been dating for four months when we created the account, so it could have gone really bad.” Luckily, it didn’t. “It’s been awesome and brought us closer together!”
Aaron’s proposal was as thoughtful and clever as you’d expect from the couple who regularly make dates an adventure.
“I worked with the Brown Hotel to ‘invite’ us to a fake media event on their rooftop terrace,” he explains. From a scripted check-in to a fake event sign, the plan held, but only briefly. “Once we got outside, it was just us and a photographer, so Amy figured it out pretty quick.”
Even the wind couldn’t ruin the moment. “It was such a windy day that we couldn’t have the champagne and props out as planned, but it made for some great photos with the Louisville skyline as the backdrop.” The night ended exactly as it should with a surprise party planned at Noble Funk with their friends and family.
When it comes to forever, both know why it works. “He’s not ‘too cool’ for anything,” Amy says. “I didn’t realize you really could be best friends with your partner.”
“Everything I do I want to do with her by my side,” Aaron adds.
As for what’s next, they’re realistic about wedding planning. “One way or another, our plan is to be married by the end of 2026!” And at the center of it all, “We’re excited to officially commit to spending the rest of our lives with each other.”
JAMES THOMAS
PRESERVATIONIST WHO REVIVED KENTUCKY’S SHAKER VILLAGE, DIES AT 86
By Keith L. Runyon
James Thomas, the nationally noted preservationist whose lifetime of work at Shaker Village of Pleasant Hill transformed a fading Kentucky historic site into one of the nation’s most admired restoration projects, died Nov. 24 at his home in Mercer County. He was 86.
He is survived by his wife, Susanna, and their two sons, Ian and Mason.
Mr. Thomas devoted more than four decades to Pleasant Hill, a former Shaker settlement overlooking the Kentucky River. When he entered the project in the 1960s, the property’s thirty-four surviving buildings were in various stages of decline, and the Shakers — a celibate Christian sect known for its communal living, pacifism and austere craftsmanship — had not yet entered the broad public consciousness.
The initiative to restore the Shaker Village was initiated by a group of civic-minded Lexingtonians in 1961, led by Earl D. Wallace and Joseph Graves. By 1964, the year Mr. Thomas was hired, the Friends of Pleasant Hill had organized a non-profit and raised funds for operating expenses. They secured a $2 million loan to purchase and restore the site. Later, Mr. Wallace was able to have the loan forgiven.
The revival of interest in Kentucky’s Shaker heritage was advanced by Louisville civic leaders, including the Courier-Journal editor and publisher Barry Bingham Sr., his wife, Mary, as well as editorial writer and arts patron Adele Brandeis, whose advocacy for American folk traditions helped bring renewed attention to Pleasant Hill. Their support, as well as that of many others, helped create the cultural conditions in which Mr. Thomas’s work would flourish.
By the time Mr. Thomas retired in 2004, Pleasant Hill had become a nationally recognized model of historic interpretation, architectural restoration and landscape stewardship. Scholars frequently cited the project as one of the most complete and faithful reconstructions of any Shaker site in the United States.
“Those of us who cherish Shakertown hold Jim Thomas in high esteem for coming to Mercer County to work with Jim Cogar,” observed Lois Mateus, retired Brown-Forman executive and a member of the Shakertown board. Her farm is near Harrodsburg.
In 1964, James L. Cogar — the former Colonial Williamsburg curator who led the early restoration at Pleasant Hill — hired Mr. Thomas, then 23, as a staff member. He soon became indispensable to the project. He helped develop the Village’s preservation ethic, shaped interpretive programs, supervised building restorations, and created a furniture reproduction initiative that ultimately produced nearly 2,000 pieces based on original Shaker designs.
“Tutored by Mr. Cogar, Jim made it his life’s work to carry on Shaker traditions and perfection with a love of history and a fine aesthetic eye to the highest standards of preservation,” Ms. Mateus remembered. “He loved the buildings. He loved the craft. He loved the land.”
James Cheston Thomas was born in Philadelphia in 1939 and moved to Louisville at age 15. He attended Louisville Country Day School and later the University of Louisville. His early training in historic preservation began at Locust Grove, the home of George Rogers Clark, where he worked with the restoration architect Walter Macomber, known for his work on Colonial Williamsburg.
For many Kentuckians, their first entry into the world of Jim Thomas came in a May 5, 1963, article in The Courier-Journal by Marion Porter, at that time one of the newspaper’s top feature writers. Jim was pictured with his brother, Sam, outside the log cabin where they lived at Locust Grove, the early Kentucky residence being restored on Blankenbaker Lane. With them was Clark, their German shepherd named for George Rogers Clark, who helped the brothers protect the property. (Samuel Thomas died in October 2012.)
Locust Grove was far more than a source of income and a shelter for a pair of college post-graduates. Sam went on to become among the most prolific and influential historians of Louisville and its historic neighborhoods. And Jim gained the attention of those who were instrumental in Shakertown’s preservation.
Jim Thomas was named curator in 1968 and steadily advanced through the organization: vice president in 1971, executive vice president in 1974, and president and chief administrative officer in 1975 upon Mr. Cogar’s retirement. In 1990, he was appointed chief executive officer, assuming responsibility for restoration, interpretation, education programs, lodging, dining services, craft operations, and long-range planning.
Mr. Thomas also wrote extensively about Kentucky history and architecture. With his brother, he wrote The Simple Spirit, a pictorial study of Pleasant Hill. He was co-author with Stephen Beal of Old Mud Meeting House, the definitive account of the oldest Low Dutch Reformed church west of the Alleghenies. His consulting work made him a widely recognized authority on Kentucky log buildings and early frontier construction.
“Pleasant Hill is not solely inhabited by the ‘simple spirit’ of the Shakers who built and lived in the community,” observed Billy Rankin, president and CEO of the non-profit. “It also graced the presence of those who saved what remained after the Shakers and shared it with the world. Chief among these presences is Jim Thomas.”
His leadership at Pleasant Hill earned numerous honors, including the National Trust for Historic Preservation’s Trustee Emeritus Award for Excellence in 2001. Mr. Thomas himself received the Kentucky Heritage Council’s Ida Lee Willis Memorial Award in 1998, the Blue Grass Trust’s John Wesley Hunt Award in 1999, and the James Harrod Trust’s Jane Bird Hutton Award in 2003. In 2025, he was named President Emeritus of Shaker Village at Pleasant Hill.
His influence extended across the Commonwealth. As interest in the Shakers grew, Mr. Thomas became a central figure in helping Kentucky articulate a broader vision of cultural preservation, one rooted in accuracy, landscape stewardship and respect for vernacular craftsmanship.
Mr. Thomas and his family lived for many years at Barter Farm, a 185-acre property near Pleasant Hill. In 1967, he reconstructed a circa-1800 double-pen log house there using traditional methods and materials. His wife, Susanna, continues to live in the home. Susanna Massie Thomas, a noted horsewoman, long has advocated, as she describes on their website, for protection and preservation of farmland and scenic byways, the value of local economies and the importance of organic, home cooking. The Thomas partnership made them true Kentucky treasures.
He was a devoted parishioner of St. Philip’s Episcopal Church in Harrodsburg.
Today, Pleasant Hill stands as one of the most complete Shaker restorations in the country, drawing visitors from around the world. Many of the site’s architectural details — from the sweep of its stone fences to the cadence of its restored staircases — bear the imprint of Mr. Thomas’s scholarship and discipline.
“Jim combined a love for our state’s heritage with the expertise and willpower to carry out the work of preserving it,” concludes Billy Rankin. “This was no easy task, and generations of Kentuckians are forever in his debt for the good work he has done. We do this noble work still today, with the knowledge that we are standing on his broad shoulders.”
The person who knew him best, Susanna, offered this appraisal of his character, which encapsulates Jim Thomas simply and eloquently: He was “exacting, honest, hard-working, self-taught, keenly attentive to detail, gracious, authentic, humble, respected, and loved. Invariably, when his name is mentioned, people who knew him will say, ‘Jim Thomas was a good man.’”
As indeed he was.
By Kathryn Harrington
It’s January 2026 y’all. We’ve all flipped our calendars and the weather firmly reminds us that we are in the thick of winter. Let’s face it, not many people want to brave the icy sidewalks or snowy roads for an event when the main goal is staying warm and avoiding frostbite. But fear not, while this month is by far my slowest month, there are still several gems that are well worth getting out in the cold for.
First up, the Keepers of the Dream event held at the Kentucky Center is always incredible. This annual event that honors the life and legacy of Dr. Martin Luther King Jr. has many facets. This year Keepers of the Dream will feature Beyond The Dream — A Short Play Interwoven with Music, Dance, and Spoken Word written by Rheonna Thornton and Nipsey Green and directed by LaShondra Hood. The celebration will begin with a community showcase in the lobby of the Kentucky center featuring local vendors, live performances and visual art.
Over at The Olmsted, Families for Effective Autism Treatment of Louisville is hosting none other than Temple Grandin. Trust me, this talk is definitely worth stepping out in the January cold. Temple Grandin is a visionary scientist, advocate, and innovator whose work has transformed the way society understands autism and animal welfare. Renowned for her groundbreaking insights, she combines her personal experience with autism with a deep expertise in animal behavior, pioneering humane livestock handling methods that prioritize compassion and stress reduction. With a unique ability to see the world through a sensory lens, Grandin has challenged misconceptions, championed neurodiversity, and inspired countless individuals to embrace their differences as strengths. Her career, marked by groundbreaking research, innovative design, and unwavering advocacy, continues to make a profound impact across multiple fields, proving that when you see the world differently, you can change it for the better.
So yes, January isn’t exactly a prime event month, unless you appreciate a good challenge or a warm drink. But for those brave enough to step out and embrace the chill, Louisville’s event scene still offers some amazing activities and events to kick off the new year. Stay warm, Louisville— there’s still plenty happening, even when it’s frozen out there!
You’re invited to an evening of elevated style and city views as we celebrate the January issue release. Join us at the Hotel Bourré Bonne Rooftop Bar on the 6th oor for cocktails, conversation, and a look at the new issue, set against the Louisville skyline.
THURSDAY, JANUARY 15
5–8 PM
Hotel Bourré Bonne | Rooftop Bar, 6th Floor
Please scan the QR code below to RSVP and reserve your spot.
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