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This month, Landscape Middle East turns its attention to the power of place— how design, nature, and culture converge to create spaces that inspire and endure. From civic campuses in China to reimagined family gardens in Dubai, the April issue celebrates creativity rooted in context and innovation shaped by empathy.
We begin with “Designing for Density: A Civic Campus in the Clouds”, a sweeping look at the Hengqin Culture and Art Complex by Atelier Apeiron in Zhuhai, China. With its monumental arches, layered rooftop gardens, and nine-programme civic brief, this 142,560-square-metre structure is more than a building—it is a vertical landscape and a landmark of cultural ambition.
In “Rethinking Water Features: Ana Mateus Joins Unique Urban Solutions”, we speak with the newly appointed Chief Design Officer at UUS, whose career spans over two decades of redefining how water functions in public spaces. From dynamic urban installations to contemplative quiet zones, Mateus shares how technology, sustainability, and storytelling converge in the evolution of modern water features.
Saudi Arabia’s transformation continues to take shape in “Shaping the Future of KSA’s Landscape Architecture”, where Mira Al Bitar, Senior Landscape Architect at Omrania by Egis Group, offers an insightful perspective on balancing cultural heritage with ecological resilience. From Riyadh to AlUla, Mira is at the forefront of designing spaces that are as sustainable as they are symbolic.
Closer to home, “Tropical Tranquility Meets Playful Luxury” explores a garden redesign in Dubai by Nabil Sherif of NGS Architects. Inspired by Guatemalan vibrancy and crafted for family life, this L-shaped villa garden transitions from a children’s wonderland to a serene resort-style retreat. It is an ode to detail, storytelling, and the immersive possibilities of residential landscaping.
As you explore this issue, we invite you to see the city not just as infrastructure, but as an ecosystem—of memories, interactions, and evolving identities. Whether civic or domestic, ephemeral or enduring, every space featured this month reminds us that thoughtful landscape design is as much about emotion as it is about form.
Managing Partner: Ziad Maarouf Amine
Copy Editor: John Hampton Phillip Higgins
Administrative Assistance: Sarry Gan
Art Director: Ramon Andaya
Contributors:
Mira Al Bitar, Anna Mateus, Nabil Sherif, Emily Baker, Elsayed Salam, Emadou Payatte, Rafaella Fariha, Amalie Lund
Printed by: Al Nisr Publishing LLC
Webmaster: www.pdinventive.com
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Urban Ambitions on the Water:
LUSAIL’S LATEST RESIDENTIAL OFFERING
In the ever-evolving skyline of Lusail, a new residential project has entered the market. Qatari Diar, a real estate firm known for its high-profile developments across the region, has introduced a collection of waterfront townhouses at The Seef, a site located in Downtown Lusail. With asking prices beginning at QAR 3.4 million for townhouses and QAR 1.7 million for apartments, the offering targets a well-heeled clientele seeking both residency and long-term investment potential in Qatar’s newest urban experiment.
Lusail, a purpose-built city north of Doha, has been Qatar’s flagship response to urbanisation—an ambitious effort to craft a master-planned city that fuses sustainability, infrastructure, and modern living. The Seef development sits at the heart of this initiative, promising sea views, proximity to key infrastructure, and access to a range of lifestyle amenities.
Luxury amenities range from rooftop pools and squash courts to beach access and landscaped promenades— features increasingly expected in such luxury enclaves. The landscape ambitions of the project are underscored by features such as sky bridges linking residential towers and views over the Qetaifan Islands, themselves a symbol of Qatar’s futuristic urban ambitions.
Its location is equally strategic. Within reach of Lusail Marina, the Place Vendôme Mall, and the sprawling Meryal Waterpark, The Seef offers residents access to some of the country’s most prominent leisure and retail destinations. For families, nearby educational institutions and healthcare facilities strengthen the area’s appeal as more than a shortterm investment.
Qatari Diar’s latest move is part of a broader trend in the region’s real estate market: the blending of lifestyle branding with urban development. By fusing architectural flair with long-term ownership incentives, cities in the region are shaping themselves to meet both domestic aspirations and international investor interests.
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SHAPING THE FUTURE OF KSA’S LANDSCAPE
A Conversation with Mira Al Bitar
Saudi Arabia’s rapid transformation has created new opportunities for landscape architects to redefine the urban environment while maintaining cultural authenticity and ecological responsibility. Among the rising talents leading this charge is Mira Al Bitar, a Senior Landscape Architect at Omrania by Egis Group in Riyadh. With a background in architecture and a passion for sustainable urban design, Mira has contributed to a diverse portfolio of projects across Saudi Arabia, the UAE, and beyond.
Her work reflects a deep commitment to creating resilient, aesthetically compelling landscapes that enhance human connection with nature while addressing climate challenges. With expertise in innovative materials, placemaking, and ecological stewardship, she is at the forefront of shaping landscapes that are not just visually striking but also sustainable and functional for future generations.
In this exclusive interview, Mira shares insights into her journey as a landscape architect, her experiences working in Saudi Arabia’s dynamic construction sector, and her vision for the Kingdom’s evolving urban landscape. She discusses the impact of Saudi Vision 2030 on landscape architecture, the challenges of designing public spaces in arid environments, and what it’s like to work with a globally recognized firm like Omrania.
Can you share what inspired your journey into landscape architecture and how you transitioned from architecture to this specialized field?
I started as an architect because I’ve always loved design. My background in architecture gave me a strong design foundation, but as I continued my studies, I realized that architecture is incomplete without its relationship with
outdoor spaces. The way landscapes shape our daily experiences fascinated me. Before even entering a building, the landscape is the first impression—it’s the book cover. This realization pushed me towards landscape architecture, where I saw the potential to influence social behavior and enhance well-being.
What is your role at Omrania, and what are some of the most exciting projects you are currently working on?
As a Senior Landscape Architect at Omrania, I lead the design and development of large-scale projects, ensuring they meet both aesthetic and functional goals while
aligning with the client’s vision. Right now, I’m working on several major projects across Saudi Arabia, including in Riyadh and AlUla.
One project that excites me the most is King Salman Park. The sheer scale and innovative design practices involved have been an incredible experience. Seeing this project come to life has been one of the highlights of my career.
What is the status of King Salman Park, and when is it expected to be completed?
The park is being developed in two phases. The first phase is expected to be completed by 2026, while the second phase will be finalized by 2030. Currently, the project is under construction, and the first part, the Cultural District, is already visible when you walk through Riyadh.
Omrania is known for integrating sustainability with cultural and urban identity—how do you ensure this balance in your designs?
The key to balancing sustainability with cultural and urban identity is understanding the local context and its people. Saudi Arabia has a rich heritage and deep-rooted traditions. When you incorporate these elements into design, it becomes more meaningful for the people who use these spaces.
Landscape architecture is not just about greenery; it’s about how people interact with their surroundings, how the environment adapts to the climate, and how culture influences design. By integrating all these factors with innovative sustainable practices, we create spaces that are both functional and culturally significant.
Saudi Arabia is undergoing a massive transformation with ambitious urban projects—how do you see landscape architecture evolving in the Kingdom?
Saudi Arabia is experiencing a once-in-a-lifetime transformation, and landscape architecture is at the heart of this change.
For a long time, outdoor spaces weren’t a major focus, but that is changing rapidly. A great example is the Sports Boulevard in Riyadh, which has completely shifted how people interact with public spaces. The city is moving away from a car-centric culture and embracing walkability, recreation, and outdoor social life. This shift is shaping a new urban identity for the Kingdom.
What are some of the unique challenges of designing landscapes in Saudi Arabia’s arid climate, and how do you overcome them?
Designing landscapes anywhere comes with challenges, whether it’s extreme temperatures, high humidity, or water
scarcity. In Saudi Arabia, limited water supply and harsh environmental conditions push us to be more innovative.
We tackle these challenges by using native droughttolerant plants, efficient irrigation strategies, and water recycling systems. One of the biggest challenges is changing the perception that lush greenery is the only definition of beauty—we are redefining what sustainable landscapes should look like.
You have experience working in multiple countries, including Lebanon and the UAE—how does working in Saudi Arabia compare?
The first thing that stands out in Saudi Arabia is the scale. Every place I’ve worked has its own challenges, but Saudi projects are about transforming entire cities, not just enhancing them.
The Kingdom offers an incredible opportunity for landscape architects to shape entirely new environments, introduce large-scale green initiatives, and blend tradition with modernity. This is the kind of opportunity that no designer wants to miss.
Sustainability is a key focus in Saudi Arabia’s development plans—what innovative approaches or materials do you integrate into your projects to ensure long-term environmental resilience?
Sustainability, to me, means working with the climate, not against it. One of the biggest focuses in my projects is water management.
We implement stormwater management strategies to capture and reuse water, use materials that minimize runoff, and integrate xeriscape designs to reduce irrigation needs. Green roofs and urban green pockets also play a role in cooling the environment and enhancing biodiversity.
How do you see the role of technology—such as digital modeling, data-driven design, or AI— shaping the future of landscape architecture in the region?
Technology is a game-changer. Digital modeling and parametric design allow us to push the boundaries of creativity while improving efficiency.
Data-driven design helps us create resilient landscapes that adapt to their environment. These tools also improve communication with clients, allowing them to visualize projects in ways that were not possible before.
As a rising leader in the field, what personal or professional goals are you striving towards in the next five years?
In the next five years, I hope to see more of my designs come to life and watch people interact with the spaces I’ve helped create.
I want to take on a mentorship role for the next generation of landscape architects. Professionally, I aim to expand my expertise in smart cities and digital design, exploring new ways to innovate in the field.
What advice would you give to young architects, especially women, looking to build a career in landscape architecture?
Stay curious and open-minded. Landscape architecture is evolving rapidly, and you are at the heart of this change.
For women in particular, confidence is key. Don’t be afraid to take leadership roles and voice your ideas— diverse perspectives shape the cities of the future. Most importantly, remember that well-designed landscapes have the power to transform communities and improve lives, and you can be part of that change.
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Tropical Tranquility
Meets Playful Luxury:
A GARDEN REDESIGN THAT REDEFINES OUTDOOR LIVING
By Nabil Sherif at NGS Architects
What once was a flat, unremarkable stretch of lawn has been transformed into a layered sanctuary—an outdoor escape where resort-style elegance meets the ease of family living. Drawing inspiration from the lush vibrancy of Guatemala and the enduring allure of natural materials, this southeastfacing, L-shaped garden is a testament to thoughtful design. It’s a space where children can play freely, and adults can retreat into serenity—without ever leaving home.
The Brief: Beyond the Garden
The clients came with a dream for their villa in Sur La Mer, Jumeirah, Dubai: a tropical haven filled with the gentle sounds of nature, the sparkle of flowing water, and pockets for both play and pause. They envisioned a space that felt like a perpetual vacation—crafted with care, rich in texture, luxurious in feel, yet deeply rooted in family life. The result is a collaborative design that weaves together architecture, landscaping, automation, and artisan detailing into a seamless whole.
Arrival: The Welcome Experience
From the moment one enters, the garden reveals its rhythm. Stepping stones nestled in gravel draw the eye forward, meandering through an embrace of tropical foliage. To the left, stone planter boxes guide the gaze to a stunning outdoor office—reminiscent of the colonial charm of Antigua, Guatemala. With exposed wooden beams and panoramic glazing, the office blends indoor utility with outdoor immersion. Framed by twin water features and flanked by small benches, it is as functional as it is meditative. Just beyond, a living privacy screen veils a secluded breakfast nook—an intimate extension of the kitchen ideal for sunlit family mornings. A mix of antique pots and rugged stone planters adds a curated sense of history and depth, creating a rhythm of contrasts across the space.
Play and Imagination: A Child’s Wonderland
A custom stone archway adorned with a mashrabiya-inspired screen signals a change in tone. Soft lighting gently guides the transition into the children’s area, where imagination takes the lead. A multi-level playhouse rises as the centerpiece— an enchanting miniature world of climbing, exploration, and wonder. Built-in seating invites adults to linger nearby, watching over the play while immersed in the garden’s calm. The pathway dips and ascends again, ushering visitors toward the garden’s third act—its most dramatic transformation.
A Resort for Grown-Ups
Beyond a second set of handcrafted gates, the garden unfolds into an indulgent adult retreat. To the left, an open-air shower awaits—offering an invigorating ritual at either end of the day. A sculptural bridge arches over a striking water feature, leading toward the heart of the space: the BBQ and dining area. Here, custom hand-painted turquoise tiles shimmer in the sunlight, while a hidden grotto beneath the bridge and a cascading waterfall blend modern minimalism with artisanal charm.
On the western edge, a daybed invites repose, framed by dense tropical planting and shaded by striped awnings. This vignette strikes the perfect note between drama and retreat. Nearby, a built-in fire bench and bathing area offer warmth and intimacy when the evening cools.
The Art of Detail
Natural stone anchors the entire design—used across flooring, planter walls, and architectural elements to lend grounding warmth and tactile richness. As dusk falls, the garden is transformed: uplighting tucked into stone surfaces casts a gentle, ambient glow, while discreet strip lighting beneath benches and planter edges introduces a touch of theatrical elegance.
Monochrome textiles—crisp black and white stripes— bring a tailored sharpness to the lush surroundings, playing with the balance of playful and polished. From custom tiles to canvas awnings, every element is intentional, reflecting a nuanced blend of minimalist restraint and expressive detail.
Smart Beauty: Technology and Sustainability
Beneath the serene exterior lies a sophisticated infrastructure. All lighting, water features, climate control, and audio are integrated into a single smart system—offering effortless, intuitive control at the touch of a button.
Equally integral to the design is its sustainability. From responsibly sourced materials to repurposed construction offcuts, the garden was crafted with environmental consciousness at its core—a reflection of the design team’s values and future-focused mindset.
This was no ordinary project. It demanded vision, precision, and an unwavering commitment to excellence. From the sequencing of construction to the installation of bespoke arches, integrated systems, and water features, every phase required patience and passion.
Ultimately, this is more than just an outdoor space. It’s where childhoods will unfold, where laughter will echo into warm summer nights, where everyday life is touched by the soothing sound of water, the glow of ambient light, and the whisper of wind through leaves. This garden doesn’t just enhance a home—it redefines how it’s lived in.
By: Grant Associates
A striking new addition to Singapore’s Mandai Wildlife Reserve invites visitors into a world where rainforest ecology and landscape architecture converge. Rainforest Wild Asia, a 13-hectare adventure-based zoological park, opened in March 2025, marking a significant evolution in immersive environmental design within the region.
The landscape was envisioned by Grant Associates, who were appointed in 2017 to co-lead the conceptual and tender-stage design, working alongside zoo specialists CLR Design. Known for their work on ecologically sensitive landscapes, Grant Associates laid the foundational vision for the park, setting the tone for what would become an experiential journey through the rainforest’s many layers. Following the tender phase, the design and build contract was awarded in 2020, with local firms DP Architects and DP Green tasked with translating and delivering the concept on site.
At the heart of the park’s design is a desire to dissolve the boundaries between visitors and the environment. Traditional barriers are replaced with open, naturalistic habitats—spaces where species like the hog deer, Malayan tiger, and bearded pig move freely in environments shaped to evoke their native terrain. The landscape architecture encourages a sense of chance and discovery, offering opportunities for spontaneous wildlife encounters within an ecosystem that feels both vast and intimate.
The park’s circulation is designed to echo the layered architecture of the rainforest itself. Elevated walkways and forest trails guide guests from the dimly lit forest floor to the sun-dappled canopy. Some paths offer gentle, universally accessible routes,
I RAINFOREST
while others invite more physically demanding explorations. For those seeking heightened engagement, adventure elements are integrated into the terrain—cliffside via ferrata routes, vertical abseiling into simulated caves, and freefall platforms positioned 13 to 20 meters above ground level.
More than 7,000 trees and shrubs, all native to Southeast Asia, were planted to enrich and expand upon existing clusters of protected trees on the site. These additions establish a strong ecological foundation and lend the park an atmosphere that evolves and deepens with time. The planting palette was developed with sensitivity to both habitat creation and visual continuity, ensuring that the landscape feels coherent, wild, and regionally grounded.
Scattered throughout the site are moments designed for pause and reflection—interpretive touchpoints, educational features, and quiet lookouts. These are carefully integrated into the broader landscape and align with the park’s narrative arc: not merely to observe the rainforest, but to move through it as a participant.
The result is a living environment that balances environmental fidelity with human curiosity, drawing visitors into a tactile, spatial, and emotional encounter with nature. Through its layered design, Rainforest Wild Asia becomes more than a zoological destination—it stands as a testament to the evolving relationship between built landscapes and the wild systems they strive to honor.
Project credits: Mandai Wildlife Group
Location: Mandai, Singapore
Construction began: 2020
Completion: March 2025
Client: Mandai Park Development Ltd
Site size: 13 hectares
Architect:CPG Consultants
Master planner/ Zoo Specialist: CLR Design
Landscape Architect: Grant Associates
C&S Engineers: ECOM
M&E Engineers: Squire Mech
Quantity surveyor: Arcadis Singapore
Adventure Specialist: Stretchmarks Asia
Irrigation Specialist: Water Equipment Technology
Lighting Designer: Lighting Planners Associates
Signage Designer: Acacia Design
Arborist & Biodiversity Specialist: Camphora
Main Contractor: China Jingye Engineering Corporation
Design Consultants: DP Architects
DP Green
Beneath the Sands Subsurface Drip Irrigation’s Role in Sustaining Landscapes
By Elsayed Sallam Landscape Director
In the ever-evolving discipline of landscape management, water conservation has emerged as a linchpin of sustainability. As arid regions continue to expand and water resources become increasingly scarce, innovative irrigation techniques are essential to preserving verdant landscapes without depleting our most precious resource. Among the most compelling of these innovations is Subsurface Drip Irrigation (SDI)—a discreet yet highly effective technology operating beneath the surface to maximise water efficiency and sustain plant vitality.
The Science Under the Surface
Unlike traditional irrigation methods, which disperse water above ground via sprinklers or surface drip systems, SDI delivers water directly to the root zones through a network of subterranean drip lines. By operating below the surface, this system significantly minimises evaporation, eliminates surface runoff, and ensures moisture is delivered precisely where it’s needed.
Core Components of an SDI System:
Drip Tubing: Installed at depths ranging from 15 to 60 centimetres, depending on soil composition and planting requirements.
Emitters: Strategically spaced openings within the tubing that dispense water in controlled volumes.
Filters and Pressure Regulators: Safeguard the system from clogging and maintain consistent flow rates.
Automation Systems: Smart controllers use weather data and soil moisture sensors to tailor irrigation schedules with surgical precision.
Why SDI is Perfectly Suited to Arid and Sandy Soils
Desert landscapes and sandy soils pose unique challenges to conventional irrigation due to their high permeability and rapid drainage. SDI addresses these challenges with remarkable effectiveness:
Minimised Water Loss: By delivering water directly below the surface, SDI dramatically reduces evaporation—a predominant issue in hot, arid climates.
Erosion and Runoff Prevention: Unlike overhead watering, SDI avoids water pooling, which can erode topsoil and wash away nutrients.
Superior Water Use Efficiency (WUE): Plants receive only the amount of water they require, with consumption reduced by up to 40% compared to traditional systems. Encouragement of Deep Root Growth: Plants adapt to source moisture from deeper soil layers, enhancing their resilience to drought and temperature extremes.
Technical Specifications: Crafting a Tailored SDI System
The effectiveness of SDI hinges on meticulous specification and installation. Key considerations include:
Pipe Diameter: Typically 16–20mm, selected according to plant needs and site-specific conditions.
Wall Thickness: Robust tubing ensures durability under fluctuating pressures and harsh environmental conditions.
Emitter Spacing: Generally 30–50cm, determined by soil type and the water demands of vegetation.
Flow Rate: Emitters typically release 2.3 to 3.5 litres per hour, delivering optimal hydration with minimal waste.
Clog Resistance: High-performance filtration and selfcleaning emitters mitigate blockages, even in areas with high sediment or mineral content.
I Book review
Books of interest
he Course of LandsCape arChiteCture
High Initial Costs: Once cost-prohibitive, SDI systems have become more accessible thanks to improved manufacturing, affordable materials, and financial incentives such as government subsidies.
Maintenance and Clogging: Issues with filters and emitters have largely been resolved with advanced filtration, automated flushing systems, and clog-resistant technologies.
. Christophe Girot sets out to chronicle this history, drawing on all aspects of mankind’s creativity and ingenuity. In twelve chapters, he brings together the key stories that have shaped our man-made landscapes. Each chapter consists of a thematic essay that ties together the central developments, as well as a case study illustrated with specially commissioned photographs and meticulously detailed 3D re–creations showing the featured site in its original context.
Root Intrusion: Invasive roots once compromised tubing integrity. Today, root-resistant materials and chemical barriers effectively mitigate this risk.
The result of over two decades of teaching experience and academic research at one of the world’s leading universities, The Course of Landscape Architecture will reach international students and professionals. But its wealth of visual material, the wide range of its cultural references and the beauty of the landscapes it features will attract the interest of all who desire to enrich their understanding of how our landscapes have been formed, and how we relate to them.600 illustrations, 550 in color
Complex System Design: While design precision remains vital, modern tools—soil sensors, irrigation modelling software, and expert consultancy—now ensure systems are tailored with confidence and clarity.
Community LandsCape design
ISBN: 9789881296887
Diverse Applications in Sustainable Landscaping
PUBLICATION DATE: 1 Aug. 2014
HARDCOVER: 288 pages
BOOK DESCRIPTION:
SDI has demonstrated exceptional versatility, seamlessly integrating into a wide array of sustainable landscaping contexts: Urban Green Spaces: Parks, golf courses, and botanical gardens retain their lush appeal while adhering to water restrictions. Agricultural and Horticultural Enterprises: Vineyards, orchards, and market gardens maximise yields with reduced water inputs.
Residential and Commercial Landscapes: From private lawns to corporate campuses, SDI sustains vibrant planting schemes with minimal maintenance.
The Future of Subsurface Irrigation
As climate pressures mount and global water scarcity escalates, SDI is set to become a linchpin in sustainable water management strategies. With ongoing advancements in automation, remote monitoring, and AI-driven scheduling, SDI systems will continue to evolve—delivering smarter, more efficient solutions to landscapes in need. Increasingly, governments and environmental organisations are championing SDI as a crucial tool in reducing water footprints across both agricultural and urban developments.
As the world is undergoing rapid urbanization and demands for good housing in cities soar, we are looking for residential environment where we can take refuge from our intense and hectic lifestyle. This enticing book is a window to a diverse range of community landscape design creating exceptional living environment across the globe addressing this need of high-quality housing. This stimulating book is divided into three sections high-rise residential tower landscape, mid-rise residential block landscape and low-rise villa landscape as each category has its unique landscape character. Included projects demonstrate how landscape architects integrate the key parameters; culture, context, sustainability and budget making it a useful reference to both landscape design professionals and enthusias
LandsCape
arChiteCture doCumentation standards: prinCipLes, guideLines and Best praCtiCes
Ecological Restoration: In reforestation and land reclamation projects, SDI ensures young trees establish successfully in arid terrains.
ISBN: 9780470402177
PUBLICATION DATE: 18 Nov. 2015
PAPERBACK : 432 pages
BOOK DESCRIPTION:
Overcoming Past Challenges: A Technology Refined SDI has undergone considerable refinement, overcoming its early limitations through engineering advancements and smarter management practices:
In Conclusion
Beneath the sands, a quiet revolution is underway. Subsurface Drip Irrigation stands as a powerful testament to design ingenuity and ecological foresight, offering a path to flourishing landscapes that tread lightly on finite resources. By embracing this transformative technology, we can cultivate greener, more resilient environments— today and for generations to come.
Construction Documentation Standards and Best Practices for Landscape Architectural Design offers guidelines, methods, and techniques for creating more robust project documents. Developed and authored by one of the world′s leading landscape architectural firms, this material has been field tested by Design Workshop′s ten offices and 150 designers to ensure completeness, practicality, and effectiveness. The book provides an overview of the entire design and construction process in the context of actual documentation, with best practice standards for design document content, format, and graphics. Readers learn how to apply these practices to serve the specific needs of different projects, gaining a comprehensive understanding of how complete documentation better serves the project as a whole. This book presents a set of standards that serve as a roadmap of the design process, helping designers provide the complete documentation that the most highly executed projects require.
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WATER FEATURES RETHINKING
Ana Mateus Joins Unique Urban Solutions as Chief Design Officer
By Phillip Higgins Editor, Landscape Middle East Magazine
Water has an undeniable power—it soothes, captivates, and transforms the spaces we live in. In landscape and urban design, few elements hold the same ability to shape an environment as water. Whether as a dynamic spectacle in a city plaza or a serene, contemplative feature in a quiet retreat, a well-designed water feature becomes more than just an aesthetic addition; it becomes a landmark, a statement, and a point of connection for people and place.
For Ana Mateus, the newly appointed Chief Design Officer at Unique Urban Solutions (UUS), water has always been more than just a design element—it has been an evolving language of expression.
With a career that spans more than 29 years in landscape architecture, 24 of which specialize in water feature design with award-winning international projects, Ana is set to lead UUS into a new chapter of innovation, artistry, and sustainability.
In her own words: “Water features have layers of meaning.” This philosophy underpins her approach—where design, history, culture, and technology converge to create immersive experiences. From choreographed fountains that tell a story through movement to designs that incorporate sustainability as an intrinsic value, Ana’s work rethinks the role of water in urban landscapes.
As she embarks on her journey with UUS, we had the opportunity to sit down with her for an in-depth conversation about her career, inspirations, and vision for the future.
A Conversation with Ana Mateus
What was the most exciting aspect of joining Unique Urban Solutions (UUS) for you?
The biggest draw for me was the team. I’ve known many of my colleagues from previous projects and companies for most of my career, and I was eager to collaborate with such a dynamic group again. We each bring different strengths, whether in design, technical expertise, or project development—making an inspiring environment to tackle innovative projects.
Beyond that, I was excited about the opportunity to push boundaries—not just in design but also in integrating sustainability-driven strategies and new technology advancements in AI and IoT. The construction and design industries are evolving rapidly, and staying ahead means being flexible and responsive to market demands. At UUS, our team is spread across different locations and continents, presenting challenges and advantages. It allows us to tap into diverse perspectives and work in different markets with agility. Ultimately, starting something new always carries a sense of excitement, and that fresh energy is something I thrive on.
You originally trained as a landscape architect, but your career took a turn towards specializing in water features. What led to that shift?
It was an organic evolution. My academic background was rooted in science and art—I studied biology, chemistry, and physics in secondary school but was also passionate about design. Landscape architecture felt like the perfect blend of both worlds.
During my university years, my first-ever design project was a small urban park, and instinctively, I incorporated a water element, a pond with water lilies. I realized early on how transformative water can be in an urban space, not just aesthetically but functionally, by mitigating noise and enhancing the atmosphere.
After gaining experience in landscape architecture, I joined GHESA, a firm specializing in water feature design and installation. It was a steep learning curve because I initially lacked the technical expertise required for water feature engineering. But I learned through experience, collaboration, and problem-solving. Eventually, I found that working with water features was incredibly fulfilling because it combined artistic expression with engineering precision. Eight years later, I moved to the UK to work as a landscape architect, but the pull toward water features remained strong. I returned to the field because I realized it was my true passion—where creativity and technical challenges intersect in a deeply rewarding way.
You started designing water features when the field was undergoing significant changes. How did innovation influence your work?
When I first started, traditional fountains were still the norm. Most designs followed a predictable formula: a central jet, perhaps a sculpture in the middle, and symmetrical water nozzles. However, new technologies emerged around the late 1990s and early 2000s that transformed the field.
The introduction of choreographed water shows— synchronized with lights and music—created entirely new possibilities. This era also saw the birth of interactive walkthrough fountains and water tunnels. Designers suddenly had the tools to break free from conventional forms and think more dynamically about how water could be shaped and controlled.
One of my early projects in Portugal, the “Boat Fountain,” was a perfect example of how design innovation met storytelling. The fountain in a coastal town symbolized the sails of historic Portuguese caravels. Instead of a traditional sculptural centerpiece, the water formed the sail shapes through carefully calibrated jets. This approach, using water as a sculptural element rather than just a static display, became a recurring theme in my work.
What has been your most memorable water feature project?
In Portugal, it would have to be the “Water Clock” project, completed in 2004. Located in the historic center of a small town, the only client requirement was the designated site— everything else was left to my interpretation.
I wanted the design to reflect the passage of time. The concept was simple but meaningful: a jet of water would emerge every 15 minutes, marking time in a poetic way. There’s even an inscription on the ground inspired by a passage I found in a book, where a person asks time to pause, and time responds, “For how long?” - a reminder that time is unstoppable.
The project wasn’t just about aesthetics; it created a contemplative space where people could sit, reflect, and connect with the rhythm of time and water. It remains a landmark in the town, included in travel guides and even used for wedding photos. That’s the kind of impact I love to create—designs that become part of people’s lives.
And what about in the Middle East? Are there any standout projects?
One that stands out is the fountain I designed at Dubai Festival City, in front of the Intercontinental Hotel. The challenge here was to create something visually striking from both the pedestrian perspective and from above, considering the surrounding high-rise buildings.
I drew inspiration from Islamic patterns, designing an intricate floral motif. The technical execution was meticulous—everything had to be integrated seamlessly so that nozzles, lighting fixtures, and other mechanical elements remained hidden. The result was a sculptural water feature where water and light seemed to emerge organically from the design itself.
This project also underscored the importance of strong collaboration—the construction team executed the details
with incredible precision and won the Middle East Council of Shopping Centres & Retailers (MECSR) - Decor & Design Installation Excellence Award in 2019.
Sustainability is a major focus in modern construction. How do you balance creativity and environmental responsibility in water feature design?
Sustainability in water features starts long before the design phase—it begins with understanding the local context. Climate, humidity, wind patterns, and even cultural expectations all play a role in determining how a fountain should function.
For example, evaporation is a major concern in hot climates like the UAE. A large, shallow water surface will lose more water to evaporation, so design choices—such as using water-efficient jets, selecting materials that reduce heat absorption, or integrating smart sensors—are critical.
Beyond design, technology plays a huge role. Modern fountains use advanced filtration systems that minimize water loss,
bio-catalyst treatments that reduce chemical use, and intelligent programming to adjust water flow based on real-time demand.
A great example is the Dubai Festival City fountain—by integrating the equipment room into an existing underground parking structure, we avoided additional excavation and construction, reducing both environmental impact and cost. Sustainability is about making conscious decisions at every stage, from concept to execution.
What, in your opinion, makes a water feature truly captivating?
A great water feature engages all the senses. It’s not just about how it looks - it’s about how it sounds, moves, and how people can interact with it.
Water has an innate emotional pull. Whether it’s a cascading waterfall that soothes the senses or an interactive fountain where children play, water creates experiences. Studies have shown the mental health benefits of “blue spaces”,
traditionally associated with oceans and lakes. I believe welldesigned urban water features can have a similar impact.
For me, a truly unique water feature has a strong conceptual foundation. When people can instantly understand and connect with the meaning behind a design, whether a metaphorical representation, a cultural reference, or a sensory experience, it becomes something more than just a decorative element; it becomes a landmark.
What advice would you give to young designers interested in specializing in water features?
Start with a strong foundation in landscape architecture; it gives you the spatial awareness and environmental understanding needed for great water feature design. Study art, nature, and engineering equally, and always stay curious.
Early in your career, don’t be afraid to challenge conventions. Some of the most innovative ideas start as “crazy” concepts, but they can push the industry forward with the right refinement. Above all, stay observant, study historical and contemporary fountains, and learn from how people experience them.
Finally, what is your vision for Unique Urban Solutions moving forward?
At UUS, we want to blend artistry and innovation to create meaningful, interactive experiences. Our goal is not just to build fountains but to craft immersive spaces that engage, inspire, and connect people with water in new ways.
Our approach is built on a philosophy to RETHINK and redefine how water interacts with urban spaces, reimagining sustainability in design, and reinterpreting the connection between people, nature, and the built environment.
Water is the essence of life—it moves, inspires, and connects. At UUS, we believe water is more than a design element; it’s an experience, a story, and, above all, an emotion catalyst.
A well-designed water feature doesn’t just add beauty to a space—it transforms it. The way a child laughs while running through an interactive fountain, a visitor finds a moment of peace beside a reflective pool, or a community gathers around a dynamic water show—these are the moments that define our work. At UUS, we don’t just design water features; we create experiences that engage, inspire, and leave lasting impressions.
With over 35 years of experience, we aim to transform water’s role in urban design by creating cutting-edge water features, multimedia shows, and urban art. We want to create landmark installations that resonate with people, honor local heritage, and set new standards for sustainability and innovation. At UUS, we don’t just build fountains—we RETHINK the future of water in our cities.
Looking Ahead
Ana Mateus brings a wealth of experience and passion to Unique Urban Solutions, and her vision for integrating water, technology, and sustainability will undoubtedly shape some of the most exciting urban landscapes of the future. As UUS continues to push the boundaries of innovation and rethink the role of water in our cities, we look forward to seeing their work redefine the art and science of water feature design.
We wish Ana and UUS the very best in this exciting new chapter.
Designing for Density: A Civic Campus in the Clouds
Designed by Atelier Apeiron, the expansive 142,560-square-meter Hengqin Culture and Art Complex on Hengqin Island in Zhuhai, China, brings together nine distinct functions—including a library, archives center, concert hall, cultural center, art gallery, science museum, and activity centers for all age groups.
Positioned between residential towers and a city park on Hengqin Island in Zhuhai, the Hengqin Culture and Art Complex emerges as a distinctive addition to the rapidly transforming urban landscape of the Guangdong-Hong Kong-Macao Greater Bay Area. Designed by Yunchao Xu/ Atelier Apeiron, the 142,560-square-metre project marks a significant step in the cultural development of one of China’s fastest-growing regions.
Unveiled during a lighting ceremony in September 2024, the Hengqin Culture and Art Complex is currently in its trial operation phase. Its phased opening coincides with the third anniversary of the Hengqin Guangdong-Macao In-Depth Cooperation Zone, highlighting the island’s broader ambition to become a hub for culture, education, and public life. The complex continues to gradually roll out its facilities, with the full range of amenities expected to be fully operational within a year of its initial launch.
In 2018, Atelier Apeiron won the government-led competition to design the complex. Their proposal responded to the challenge of housing nine independent functions—ranging from a library and concert hall to activity centres for children, the elderly, and youth— within a coherent architectural framework. Rather than forcing integration, the studio adopted a strategy that allowed each component to retain a degree of autonomy while coexisting within a shared structure.
Architecture as Terrain
Atelier Apeiron’s design introduces a series of three monumental archways that form the primary organisational and spatial elements of the project. Inverted catenary curves define the base level, shaping three large halls— dedicated respectively to knowledge, performance, and exhibition. Above, a modular system accommodates flexible programming across nine distinct pavilions.
A Strategic Urban Insertion
The project forms part of a larger urban development initiative for Hengqin Island, a 106-square-kilometre area located at the confluence of the Pearl River and the South China Sea. Over the past decade, significant investment has turned Hengqin into a platform for highprofile sectors including innovation, education, and the arts. The Culture & Art Complex is envisioned as a civic and cultural nucleus within this evolving context.
The arches, constructed with bamboo and timber panelling, act as thresholds between the building and the city, framing views into the adjacent park and opening to the public realm. Skylights and reflective devices draw daylight deep into the interior volumes, while the transparent façades become softly luminous after dark— turning the complex into a stage backdrop for outdoor events and gatherings.
Responding to Context
The design addresses the island’s subtropical conditions and environmental challenges. The site’s foundation—a layer of unstable silt—necessitated a sealed basement structure with anchored supports to ensure long-term stability. Given the region’s exposure to seasonal typhoons, the building envelope incorporates a suspended glass curtain wall system, selected after extensive material testing for wind resistance.
The architectural language—partially informed by traditional Chinese forms and modern structural efficiencies—responds to both environmental demands and symbolic functions. The catenary form, long used in global architectural traditions, is reinterpreted here as a mediator between scale, material, and programme.
A Vertical Urban Landscape
Above the primary volumes, a series of stepped rooftop platforms introduces a layered garden system that connects the building with the surrounding skyline. Each level accommodates distinct uses: from a public auditorium and children’s theme park to shared staff areas and an ecological rain garden. The uppermost terrace, crowned by a bamboo garden and tea room beside the Sky Bookstore, offers visitors a contemplative escape overlooking the city and the river beyond.
This terraced system draws on natural typologies—cliffs, terraces, caves—to create spaces that are at once intimate and open, civic and reflective. The overlapping functions blur distinctions between architecture, park, and infrastructure.
Diverse Programmes, Cohesive Design
Internally, the building supports a wide range of cultural and educational activities. The Knowledge Hall, inspired by contemporary library models such as Oodi in Helsinki, is conceived as a vertical village for books, learning, and informal interaction. The Performance Hall includes both a black box theatre and an open stage, while the Exhibition Hall’s porous architecture admits dappled light into flexible gallery spaces intended for both science and art exhibitions.
The overarching design strategy accommodates present needs while allowing for future adaptation. Equipment and service infrastructure are discretely embedded in transitional zones, enabling the complex to evolve alongside its community.
Towards a Multidimensional Architecture
With its interdisciplinary design approach, the Hengqin Culture & Art Complex represents a milestone in the practice of Atelier Apeiron. Collaboration with experts across material science, botany, climatology, and acoustics shaped a project that is both technically robust and experientially rich.
Extending from the hillside to the river, the project introduces a new formal and cultural landmark to the city’s skyline. More than a singular building, it operates as an open-ended framework for urban life—welcoming residents and visitors alike into a civic realm that is both grounded in nature and shaped by design.
Technical sheet
Project Name: Hengqin Culture & Art Complex
Location: Hengqin island, China (Guangdong-Macau InDepth Cooperation Zone)
Client: Zhuhai Gree Construction Investment Co,. Ltd.
Project Sector/Typology: Cultural
Project Start: 2018
Project Completion: 2024
Total area: 142,560 m2 (1,534,503 pi2)
Architecture Firm: Yunchao Xu/Atelier Apeiron
Lead Architect: Yunchao Xu
Designers/Architects team: Jiachuan Qi, Hongrui Liu, Kan Gao, Guohong Li, Zhendong Shi, Jianxuan Chen, Shengjie Zhang, Kun Qian, Kai Liao, Zheng Xu, Zhen Shen
BIG to design new Hungarian Natural History Museum in Debrecen
By: BIG
Set within the ancient canopy of Debrecen’s Great Forest, the forthcoming Hungarian Natural History Museum will bring together architecture, landscape, and science in a striking new form. Designed by Danish practice BIG – Bjarke Ingels Group, the 23,000-square-metre museum will occupy a former sports ground on the northern edge of Hungary’s second-largest city. The proposal, developed in collaboration with Vikár és Lukács Építész Stúdió, Museum Studio,
and TYPSA, is defined by three gently undulating volumes that emerge from the forest floor like ribbons of terrain. Clad in locally sourced, charred timber and supported by a mass timber structure, the building is conceived as a continuation of the landscape—its sloping roofs planted with native flora and accessible to the
public, offering uninterrupted views across the treetops and city beyond.
Commissioned by the Ministry of Culture and Innovation, the museum will replace the current institution in Budapest. Its relocation to Debrecen forms part of a broader national strategy to position the city as a leading regional centre for culture and education by 2030. Within its layered form, the museum will house a constellation of permanent and temporary exhibition spaces, a library, educational laboratories, a restaurant, and a learning centre designed for families, researchers, and school groups.
I MUSEUM
Approached via a network of forest paths and open plazas, the building presents a porous threshold between natural and built environments. The southern plaza—envisioned as a civic forum— anchors the site and leads into a central reception hall. From here, six exhibition wings radiate outward, each offering glimpses into the museum’s wideranging collections and thematic galleries. Sustainability is embedded in both structure and strategy. The building draws thermal stability from the earth, integrating geothermal loops and photovoltaic systems to minimise energy use throughout the year. Its green roofs and shaded façades are designed not only for performance, but also to foster biodiversity—extending the park’s ecosystem over and through the museum itself. Internally, visitors will encounter spaces that transition from intimate nooks to vast, vaulted halls. Visual and physical connections to the outdoors are maintained throughout, reinforcing the dialogue between nature and the museum’s curatorial mission.
As architectural gestures go, BIG’s scheme speaks to continuity rather than contrast—an intervention shaped by its context and committed to its enhancement. Once complete, the Hungarian Natural History Museum will offer a new cultural and scientific anchor for Debrecen, embedded in its landscape and open to all.
PROJECT INFORMATION
Name: Hungarian Natural History Museum
Size: 23,000 m2
Location: Debrecen, Hungary
Client: DIF Debrecen
Collaborators: Vikár és Lukács Építés Stúdió, Museum Studio – London, TYPSA
PROJECT TEAM
Partner in Charge: Bjarke Ingels, Hanna Johansson
Project Leader: Jakub Fratczak
Team: Alessandra Baroni, Camila Antonella Mina, Camila Pagnoncelli, Dominika Kłopotek, Gian Marco
Prisco, Juan Carpio, Nicolas Bachmann Bellido, Olivia Sarra Gómez, Angel Barreno Gutiérrez
XitanBeijingHotel
Discover the Garden Inspired by Tanzhe Temple’s Timeless Landscaping
Beijing Xitan Hotel: Where Oriental Grandeur Meets Delicate Beauty
By: Nikken Sekkei
This project began with the client and the design team’s desire to create a top-quality resort hotel that would combine grandeur and delicacy. To achieve this, Japanese aesthetics were added to the mountain landscape of Beijing, China. After five years of design supervision and continuous back-and-forth between Japan and China to realize this vision, we were pleased to announce the opening of the Beijing Xitan Hotel in May 2022.
The landscape design was drawn by three Nikken Sekkei Landscape Design Section staff members and Nomura Garden Laboratory Director Kanji Nomura.
The team was thoroughly involved from concept planning to the construction stages, and singularly
committed to realizing the design while exploring the nature of east Asian aesthetics.
The site is in southwest Beijing, on “Tiger Mountain,” up a mountain roadfrom Tanzhe Temple. About an hour’s drive from downtown Beijing, it has been attracting attention in recent years for its rich natural environment away from the bustle of the city. The scenery reflects the shifts between the four seasons and features panoramic views of the surrounding mountains. A former local village has been fully restored.
The attention to detail in the interior design and gardens harmoniouslycomplements the rustic atmosphere of the village and represents the essence of hospitality for visitors.
Overhead view of the terrace on the east side of the hotel
The site area measures approximately 21,000 square meters. The building area spans approximately 13,000 square meters, most of which is composed of single-story buildings. This luxury resort hotel sports 38 private guest rooms and is surrounded by 17 courtyards. The hotel is a member of the renowned Relais & Chateaux, a benchmark name in the world of food and travel.
Nikken Sekkei - Nomura Teien Kenkyujo Teamwork
Nomura Garden Laboratory is a leader in Japanese gardens in Japan and abroad. Director Kanji Nomura is a disciple of Japan’s leading traditional garden architect Mirei Shigemori. A veteran of garden surveys and designs in Kyoto and across Japan, Nomura has a deep understanding of the philosophy and methods used to create garden beauty. The landscape architects of Nikken Sekkei worked with him from site analysis to concept creation and design.
Design Process
The design was developed by traversing the site, standing at key viewpoints, and sketching images arising on the spot while picturing scenes from the conceptual story. By doing so, the staff were able to create a garden that maximally reflected the site’s atmosphere.
The stove and stone wall in the hotel lobby are custom-made by Japanese stonemason Izumiya Sekizaiten
Natural hexagonal stones from Inner Mongolia are used in the hotel’s east terrace
Front entrance design sketch
Front entrance after completion
“Otaki” waterfall next to the front entrance
I HOTEL
Important Points in Landscaping
The most important thing in creating an oriental garden is for designers themselves to face the stones one by one while building the garden. The designer imbues their feelings for the garden into each stone, and every stone has its own “expression”. To find it, it is essential to climb upon the stone, grasp its expression from a three-dimensional perspective, and instruct how to orient it to afford the best expression. In this case, due to elevation differences, the elderly Nomura had difficulty checking the expression of stones larger than his body height.
Therefore, the designers took on the role of ascertaining the stone’s proper expression and setting it. This allowed the masonry to be assembled quickly without any loss of quality.
The “Garden Village” Landscape Design Concept
Nestled between mountains to the north, a valley to the east, a basin to the south, and a longitudinal road to the west, the Xitan Hotel embodies the ideal abode of the four gods: Genbu (“Black Turtle”), Seiryu (“Blue Dragon”), Suzaku (“Vermilion Bird”), and Byakko (“White Tiger”). This site is rich with stories of the natural beauty and enjoyment it offers, as well as designs and legends inspired by the four gods.
The secluded, tranquil environment invites not only an appreciation of the scenery as reflected in the eyes but also a contemplation of one’s self-image as reflected in the heart. The site may aptly be called a “Zen” environment. Its southwestern location aligns with Saihoji Temple, the original Zen Buddhist garden in Japan. The temple’s name is linked to the saying “Soshi Seirai Goyo Renpou,” which references Daruma, the founding patriarch of the Chinese Zen sect. The mountain name “Hongyin Mountain» refers to a beloved Zen story set in the western mountains of Hongzhou, China,
where the scenery was recreated in a karesansui (Japanese dry landscape garden). This garden was created by the Zen Buddhist monk Soseki Muso, whose deep connection to the West inspired him to design both the garden and the temple. The mountain villa (hotel) stands on this sacred ground, a place deeply connected to the traditions of Zen and Japanese gardens. The harmonious blending of Zen philosophy and Japanese garden aesthetics creates a distinctive world within the villa. The fusion of nature and garden, history and modernity, art and amenities, and the cultural influences of China and Japan come together to create a rare luxury resort — a true garden village and an ideal retreat.
Overall hotel layout, according to “shijin souou”: the four divine geographical features
Hotel Approach
The approach to the Xitan Hotel, located near the summit of the mountain, begins with a climb up a mountain path. The higher one climbs the meandering path, the more the bustle of the capital is left behind, allowing for anticipation of the extraordinary. The Xitan Hotel stands quietly at the top of the mountain, surrounded by silence. The simple, elegant gate and pine tree view in the hotel rear invite the traveler to paradise.
Keiseki (natural garden stone) procurement in Inner Mongolia
Main hotel Gate
Passing through the gate, one is captivated by the scenery, as the mountain ranges and the undulating garden appear superimposed, echoing each other. This combination of distant and nearby views is known as “shakkei” (Japanese: “borrowed scenery”) in Japan and China.
View from the front garden on the approach
Through a gap in the pine-covered approach, a fully restored utopiapeeks out from the site of a former village, heightening visitor anticipation. A misty slope invites visitors to a place far removed from the mundane world. The resonant sound of water becomes gradually more pleasant further down the slope.
Hotel approach
Entrance Hall and Lobby
As the sound of rushing water grows louder, a large waterfall comes into view. Its magnificent seven-meter drop creates a breathtaking scene that cleanses the mind and evokes a sense of paradise. The waterfall’s construction reflects traditional Japanese garden techniques, carefully arranging scenic stones weighing up to 20 tons to create a natural, harmonious effect. The landscape is designed to give the impression that water stored within the mountain is gushing forth from the earth, forming a majestic cascade. From the Zen terrace, which peeks out from behind the trees, the delicate sound of the koto (Japanese harp) can be heard adding to the tranquil atmosphere.
entrance lobby comes into view as one proceeds, with
The mountains and the front garden gently envelop the lobby building. The front courtyard scenery, with its “snowflake” stone arrangement, pine forest and background mountain range welcomes visitors to paradise.
View of the east valley waterfall next to the entrance hall
Otaki Fall
The
Otaki Fall on the right.
As viewed from the lobby, a waterfall flows beyond the pine forest. The stone arrangement at the foot of the waterfall unfolds to the floor of the pine forest. The expansive front garden creates a dignified view for bidding farewell to guests.
The consolidated indoor and outdoor view. The stone and cloisonne walls create a luxurious atmosphere. A pine tree with branches extending to the right leads visitors to the guest rooms.
Tian Xian Gong Guest Rooms
The Tian Xian Gong is the hotel’s oldest courtyard guest room (Quadrangle Dwellings). The landscape stones are built to match three old pine trees that have watched over the village since ancient times. The majestic view is harmonious with the mountain range beyond.
Front entrance
View from the front entrance
Medaki Fall
Aji stone (biotite granite) wall by Izumiya Sekizaiten of Takamatsu City, Kagawa Prefecture
View from the lower courtyard of Tian Xian Gong
East Side Terrace “Moon Viewing Platform”
The terrace with a “floating” water basin above the entrance lobby, is viewable from the Tian Xian Gong interior. Looking up, visitors are enveloped by the green nature connected to the mountain; looking down, the terrace, surrounded by water, appears to float in the greenery. The waterfall can be enjoyed while dining on the moon viewing platform and listening to the sound of the water underfoot.
Project Details
Project name: English, Beijing Xitan Hotel Landscape Design
Purpose Hotel
Location: prefecture, city, No. 10, District 6, Tanwang Road, Mengtoumen District, Beijing, China
Site area: 21000
Total floor area: 13,000
Completion month/year: May, 2022
Credits
Client name: Beijing Xitan Hotel Management Co., Ltd.
Lead architect: Nikken Sekkei Ltd, Nomura Garden Laboratory
Main scope: Concept design, schematic design, tender documentation supervision, site supervision
Construction Contractor: Beijing Shunjing Garden Co., Ltd.
Photo credit: Nikken Sekkei
View to the south from the upper courtyard of Tian Xian Gong
East terrace “moon viewing platform”
“Hexagonal stone waterscape” of the moon viewing platform
Palm Plaza Jumeirah, Dubai
Public Realm Landscape
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I BOOK REVIEW
BOOKS OF INTEREST
Gardens for the Desert
The book Gardens for the Desert tells the story of how bödeker, a German landscape architecture firm, grew from a single seed planted by its founder, Richard Bödeker, into a strong and thriving tree. In the 1970s, Richard Bödeker brought his expertise in arid landscapes to Saudi Arabia, where his innovative designs laid the foundation for transformative projects like the Riyadh Diplomatic Quarter and many others. These projects became deeply intertwined with the city’s development, reflecting a commitment to sustainable urban greenery and a profound understanding of local needs.
Highlighting the many people who supported and shaped this journey, the book also includes perspectives from some of the firm’s partners. They share unique insights into the collaborative efforts that define bödeker’s success. Today, the firm is led by a partnership of six dedicated individuals who continue to develop its core design philosophy, creating new ideas and concepts for the future. This collaborative spirit has fostered significant growth, with the firm now employing 140 team members and continuing to expand.
For anyone interested in the history of landscape architecture in Saudi Arabia and Riyadh’s urban evolution, Gardens for the Desert provides a captivating perspective on the development of iconic projects and the expertise behind them.
The book is not freely available. But if you are interested, you can sign up for our newsletter, where we will be sharing the book as an audiobook in installments.
(bodeker.com/ab-sign-in)
Publisher: German|Ulmer; Englisch|bödeker
Texts: Stefan Leppert
Pages: 289
FREE Audiobook Ger/Eng (bödeker Newsletter)
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