Gricelda Pupiales, 30 years old, poses for a portrait during her visit to the Rinconada waterfall. She is a Karanki woman guardian of the water. She takes weekly walks for garbage collection, fire prevention, and surveillance to take care of the moor and the sources of water found in the mountains. August 14, 2020. Rinconada, Imbabura-Ecuador. From the project, “I am, still.”
Photo: Johanna Alarcón / CatchLight Global
BOARD OF DIRECTORS
Nancy Farese
Board Chair
Jim Bildner
Umbreen Bhatti
Lisa Kleiner Chanoff
Deirdre Hockett
Elodie Mailliet Storm
Alan Marks
Christopher Michel
Amanda Minami
Shazna Nessa
Mike Ramsay
Robert J. Rosenthal
LETTER FROM THE CEO
Seeing what matters.
Seeing is an active and continuous act, and when done with intentionality, an act that brings both information and connection.
Our aim is not merely to shine a light on issues when they become so pressing that they enter the national consciousness. That is the critical work that wire services like the Associated Press, Getty Images, and Reuters have taken on and do so well — documenting history as it moves from main event to main event. Our goal is different and in many ways complementary: It is to establish and support beacons of light that provide continuous representation of issues and solutions that truly matter to local communities for years to come.
Journalism is an essential part of a healthy democracy. At CatchLight, the visual journalists we support are as diverse as the stories they create and the communities they serve. When people see themselves represented in their local media, they are more likely to trust the news and participate in the democratic process as engaged citizens and stakeholders. The following stories reflect some of those beacons that CatchLight supported and produced in 2024.
Community-based journalism is more important than ever. In 2025, we will triple the number of visual journalism staff positions created through our expanded partnership with Report for America. This means we’re bringing our visual-first, community-based journalism model to small towns and cities across the United States, from Spanish-speaking communities throughout North Carolina to investigative reporting outlets in Wisconsin. We’re launching a mental health visual journalism initiative to shed light on the complex challenges facing youth, mothers, and people who are incarcerated. And, we’re launching a Night of Photojournalism tour in North America to showcase for live audiences the power of visual journalism to inspire civic action.
Your partnership over the last few years has prepared us to meet this moment. Thank you for your support.
In gratitude,
Elodie Mailliet Storm CEO, CatchLight
90 years of Golden Gate Fields
Ximena
Natera for Berkeleyside
“Flexibility was key.”
“This was supposed to be a single story, but our reporting showed that we needed to expand the scope, space, time, and resources we had initially thought for this,” said Ximena Natera.
Natera’s in-depth visual reporting looked at what would become of the working men and women, who lived and cared for the horses on the backstretch, after Golden Gate Fields racing track closed for business. For the workers, the closure of the track meant not only the end of their livelihood, but also the loss of housing and the dismantling of their community.
CatchLight’s Local program is a collaborative model for visual journalism that advances trust and representation in local media.
Ximena Natera, a CatchLight Local Fellow and Report for America corps member at Berkeleyside, was born and raised in Mexico City. She is a founding member of Pie de Página, an award-winning news site in Mexico City, and a graduate of the Documentary Program at the International Center of Photography in New York.
follow: @menanatera
website: berkeleyside.org
A jockey and a member of his team head toward the starting line for a race on April 20, 2024.
Photo: Ximena Natera / Berkeleyside / CatchLight Local / Report for America
Nicolas Hernandez, a horse groomer at Golden Gate Fields, greets his cat Frosty at the beginning of his shift on June 6, 2024. Hundreds of migrant workers and their families living in the backstretch of the track in Berkeley, Calif., moved out of the area to find new work, homes, and schools for their children after the track closed on June 19, 2024.
Ximena Natera / Berkeleyside / CatchLight Local / Report for America
Photo:
College friends traveled from San Francisco to attend the April 20, 2024 races before the track shut down permanently. Stronach Group, which owned the track since 1999, closed the 80-yearold horse race track to concentrate its business in Southern California.
Photo: Ximena Natera / Berkeleyside / CatchLight Local / Report for America
The Horseman’s Bar, with most of its neon lights blown out, opens at 10 a.m. for patrons trickling in to watch the simulcast races.
Photo: Ximena Natera / Berkeleyside / CatchLight Local / Report for America
“Ngewo Whispers.” Savannah, Ga., 2022.
Photo: Adama Delphine Fawundu / CatchLight Global
At the intersection of art and history
Adama Delphine Fawundu
Central to Adama Delphine Fawundu’s creative approach is the concept of Sankofa, a Twi word from the Akan people of Ghana meaning “go back and get it.” This principle emphasizes the importance of looking to the past to build a better future.
“So much of my work involves uncovering universal truths that help us think about how we can move forward. I dig into the archives as a way to think about points in history that go unnoticed and how to reveal them,” Fawundu said.
Adama Delphine Fawundu, a 2022 CatchLight Global Fellow, was awarded the Guggenheim Memorial Foundation Fellowship in Fine Arts in 2024. Her works are in the permanent collection of the Brooklyn Museum of Art, Princeton University Museum, The Petrucci Family Foundation of African American Art, Norton Museum of Art, The David C. Driskell Art Collection, Portland Museum of Art, among other public and private collections. She is an Assistant Professor of Visual Arts at Columbia University.
Through international archival research, Adama Delphine Fawundu has amassed dozens of found newsprint stories, reproductions of paintings, advertisements, and more, ranging from Antebellum American South to the mid-20th century. These documents highlight historical records of trauma, hope, resistance, and the brilliance of oppressed people. According to Fawundu, she intervenes in these moments by transposing herself onto the print, “simultaneously bearing quantum witness and acting as a photopsychic intercessor,” with attention to how our perceptions of history shape how we engage in the present.
“In Spirit #2.” Abidjan, Ivory Coast, 2019.
Photo: Adama Delphine Fawundu / CatchLight Global
The scholarship of lived experience
Yesica Prado
“It’s not always what is in plain sight, but also what is hidden” that deserves our attention, according to Yesica Prado.
“What people are trying to build out there is build homes, build community, so they can also have a sense of belongingness in our society,” Prado said, speaking from experience, as a trained journalist who has been living in an RV in the high-priced Bay Area since 2017.
Yesica Prado was a CatchLight Local Fellow in 2018 and visual journalist at San Francisco Public Press for seven years. Her work has been published in the Los Angeles Times, Huffington Post, and KQED. She is a graduate of the UC Berkeley Graduate School of Journalism and the University of Illinois at Chicago. She is a first-generation immigrant from Mexico.
follow: @yesicas.lens
Shay Neller poses for a portrait on the steps of her RV at the Wood Street encampment in Oakland, Calif., on September 9, 2022. This would be her last day living there, as hours after this portrait was made, Caltrans cleared the camp and towed the RV while Neller was at the hospital caring for her mother, who had COVID-19. Caltrans discarded all of Neller’s property, leaving her with only two bags of belongings and no information about how to reclaim her vehicle or other personal items. After losing everything, Neller temporarily moved in with her mother.
Photo: Yesica Prado / San Francisco Public Press
A collage of Instax film photos created in October 2023, over the course of four weekends at the Oakland Coliseum Swap Meet, for El Tímpano’s “Third Spaces” project.
Photos: Hiram Alejandro Durán / El Tímpano / CatchLight Local / Report for America
Ana Ventura, 58, and her parrot named Roberto pose for a portrait at the Oakland Coliseum Swap Meet on Saturday, October 21, 2023. “I have been living in Oakland and coming [to the market] for about 20 years. It has changed in that before it was more crowded, more vendors, today there are fewer,” said Ventura.
Photo: Hiram Alejandro Durán / El Tímpano / CatchLight Local / Report for America
Hiram Alejandro Durán, photojournalist at El Tímpano, photographs a patron with instant film at the Oakland Coliseum Swap Meet on October 7, 2023.
Katherine Nagasawa / El Tímpano
Photo:
Celebration and survival: Stories of La Pulga
Hiram Durán for El Tímpano
Like flea markets throughout the country, Coliseum Swap Meet, an open-air market known affectionately as “La Pulga” in East Oakland, is a reflection of the community it serves. Here, all are welcome to taste the flavors of Mexico and Central America, enjoy a Michelada under the shade, buy household goods, produce, sweets, Croc charms, flowers, hardware, clothes, jewelry, cosmetics, electronics, and more at a discounted price.
La Pulga is situated along an industrial belt in East Oakland, Calif., a part of the city where a Latino majority has emerged over the last few decades. Hiram Durán, a CatchLight Local Fellow at El Tímpano, in collaboration with the CatchLight Local Visual Desk, embarked on a project to understand the cultural significance of the market.
“We chose to use instant film to encourage participation,”
Durán explained. “But the film’s lo-fi and unpredictable qualities proved to be the right method to render the market’s mercurial nature.”
During the month-long project, Durán made more than 75 portraits and learned how vital La Pulga is as a place for community gatherings, small businesses, family entertainment, and affordable goods. The multimedia project was published by El Tímpano, along with CatchLight, El Tecolote, and KQED, in spring 2024 and was recognized with four journalism awards.
Hiram Alejandro Durán is a CatchLight Local Fellow, Report for America corps member, and photojournalist at El Tímpano, covering Latino and Mayan communities. His work has been featured in The New York Times, The Marshall Project, Pulitzer Center, Imprint News, Riverdale Press, The City, Bklyner and the Mail & Guardian in Johannesburg, South Africa.
follow: @hiramaduran website: eltimpano.org
#Championnes: A view from the Olympics
Dysturb
In the run-up to the 2024 Olympic Games, Dysturb, a Paris-based creative agency and media organization co-founded by 2019 CatchLight Global Fellow Pierre Terdjman, launched #Championnes, a multimedia training program for young women to gain visual storytelling skills through sports journalism.
The Dysturb team believes sports are an excellent foil for addressing societal issues because of its unique ability to bring people together and transmit messages. This creates a rich teaching environment for journalism. Additionally, the Olympics brought Paris to the world stage in 2024, providing outsized visibility for stories coming out of the region.
Marzieh Hamidi (left) performs an exercise so her physiotherapist can assess the persistent pain and thigh strain she’s been suffering from for several weeks. Paris, France, on July 21, 2023.
Photo: Amandine Lauriol / Hans Lucas
Marzieh Hamidi was a rising star on the Afghan national Taekwondo team, but when the Taliban seized control of her country, women were banned from competing. In early 2022, she fled to France, the first country to grant her a refugee visa, while her family was later welcomed by Germany.
Now 21 years old, Hamidi is a member of both the French Taekwondo team and the 2024 Refugee Olympic Team. Despite facing serious threats to her safety, she has become a powerful advocate for women’s rights, using her platform to inspire change.
Amandine Lauriol is a photographer and videographer from the Hans Lucas Agency, as well as a Taekwondo practitioner. She works on documentary projects focused on social issues, human resilience, and sports.
Lauriol documented Hamidi’s story, entitled “Azadi,” as part of Dysturb’s #Championnes project. The story was produced in collaboration with the French Ministry of Culture, ITEM photographers collective, and with support from the CatchLight Impact Fund.
follow: @dysturb website: dysturb.com
Hamidi tries on clothes in a store in Paris in January 2024. Very interested in fashion, she has enjoyed shopping since her arrival in France, despite her meager income.
Photo: Amandine Lauriol / Hans Lucas
Photo: Amandine Lauriol / Hans Lucas
The changing landscape of California’s warehouse boomtown
In Southern California’s Inland Empire, east of Los Angeles, the rise of online shopping has fueled unprecedented growth in the warehousing industry, leading to new economic opportunities, as well as some of the worst air pollution in the country.
Cheap real estate has attracted families looking for more affordable housing to communities like Bloomington, as well as warehouse developers, including Amazon, seeking land to build new shipping hubs. But these sprawling industrial complexes, opponents say, have harmful effects on the environment, economy, health, and culture of the communities where they are located.
In September 2024, California Governor Gavin Newsom signed a bill aiming to curb the public health impacts of warehouse pollution by imposing minimum distances of 300 to 500 feet between trucking facilities and homes, schools, and hospitals.
Aryana Noroozi, a CatchLight Local Fellow and visual journalist at Black Voice News, spent 18 months documenting planning meetings, worker protests, truck stops, and homes that were later demolished, homing in on the unincorporated community of Bloomington, California. “This reporting is a culmination of photographs made in collaboration with community members who graciously let me into their lives,” said Noroozi
“I attempted to capture the essence of what’s at stake so we can understand what the community is losing and what they’re gaining from these developments.”
follow: @arynanaa
website: blackvoicenews.com
Aryana Noroozi for Black Voice News
Alejandra Gonzalez poses for a portrait at her family’s home, where they operate a nursery and landscaping business, on August 26, 2022. Gonzalez is an activist who is speaking out against the construction of warehouses next to schools and homes.
An Amazon truck edges ahead of a Walmart truck as they drive in between California State Route 60 west and Interstate 215 north in Ontario on April 4, 2023. Once known for its dairy farming, Ontario will soon be home to the largest Amazon warehouse in the world. The Ontario International Airport contains runways partly for Amazon’s transport of goods in and out of the region.
Photo: Aryana Noroozi / Black Voice News / CatchLight Local / Report for America
Photo: Aryana Noroozi / Black Voice News / CatchLight Local / Report for America
Across the street from the picket at the Amazon KSBD Air Hub in San Bernardino, Calif., hangs an airbrushed banner that reads, “Workers deserve good jobs, clean air.” The campaign organizers set up tents for various labor and environmental organizations to provide information and resources to the community.
on March 2, 2023.
Photo: Aryana Noroozi / Black Voice News / CatchLight Local / Report for America
Kristen Malby holds her daughter Layla for a portrait in front of an Amazon warehouse in Fontana, Calif.,
Malby was born and raised in Fontana and remembers when the area was completely undeveloped.
Photo: Aryana Noroozi / Black Voice News / CatchLight Local / Report for America
Dawson Creek. The water is still this morning. Brenda and Vernon Rose have come out before dawn to fish. They are standing on a pier casting their pre-baited lines, hidden from the road by scrub and tall pines. “We prefer a strong wind with a lot of wave action,” says Vernon. “Days like this are hit or miss. It’s prettier, but the fish don’t think so.” He stops himself and smiles. “Can’t let out too many secrets.” Outside the county, this creek is famous as the inspiration for the television show “Dawson’s Creek.” But in the county, it’s famous for good fishing. That’s what drew the Roses to Pamlico County. They moved from Chapel Hill in 1972 to be near the creek. Vernon, who is 73, was one of few dentists in the county until he retired 15 years ago. His son Josh took over the business, which left Vernon’s early mornings free for his favorite pastime.
Photo: Andrea Bruce / Down in the County / CatchLight Local
Down in the County
Andrea
Bruce
“In recent years the county had become a community divided by politics and conspiracy theories,” said Andrea Bruce.
So in 2021, Bruce launched Down in the County, a weekly visual newsletter to chronicle everyday life and issues in North Carolina’s largely rural Pamlico County. Today, the newsletter reaches nearly half the county’s residents, who have no other sources of reliable local journalism. It’s a place for residents to share their stories, highlight local events, access information and resources, and even be a part of the storytelling process, as with the youth visual journalists Bruce mentors through a partnership with a local nonprofit.
Award-winning photographer Andrea Bruce spent more than a decade living and working abroad, including eight years in Iraq as a staff reporter for The Washington Post. In 2016, as a CatchLight Global Fellow and National Geographic Explorer, she embarked on a cross-country project to better understand the rising political tensions in the United States. It was a years-long journey that eventually led her back to her hometown in Pamlico County, North Carolina.
In 2023, Bruce was awarded a CatchLight Local Senior Fellowship in support of her efforts to sustainably operate a hyperlocal publication that draws in readers through high-quality visual journalism. Bruce shared her learnings in a keynote address at Night of Photojournalism in Paris, France, on November 11, 2024.
Olga and Nikolay Grinik with their son Kirill (left) and daughter Miroslava (right) in Avdiivka, in eastern Ukraine’s Donetsk region, in July 2018. The family lived about 50 yards away from a Ukrainian frontline military position in old Avdiivka. They owned the only horse in town, Lastochka (Swallow), and made extra money giving cart rides to children in downtown Avdiivka.
Anastasia Taylor-Lind / CatchLight Global
Photo:
New recruits from the 80th Airborne Brigade carrying out training drills in the Bakhmut direction, Donbas, June 2023. A few days after this photo was taken, the soldiers were sent to frontline positions. From the series “5K from the Frontline.”
For a decade, Anastasia Taylor-Lind has documented the civilian experience of war in the eastern Ukrainian region of Donbas.
Her project, “5K from the Frontline,” created in collaboration with Ukrainian journalist and anthropologist Alisa Sopova, depicts everyday civilian life and the practices of resilience; the material culture of war, from emergency suitcases to leftover pieces of munition turned into art; the changed relationship of people and the natural world; and how civilians navigate an environment that once was familiar and domestic but is now deadly.
Anastasia Taylor-Lind is a British/Swedish award-winning photojournalist and poet. She is a 2024 CatchLight Global Fellow, a National Geographic Explorer, a TED Fellow, and a Harvard Nieman Fellow.
Each year, CatchLight’s Global Fellowship recognizes three visionaries in the field with $30,000 awards, individualized support, and the opportunity to join a global network of visual leaders.
follow: @anastasiatl
website: anastasiataylorlind.com
Photo: Anastasia Taylor-Lind / CatchLight Global
Olga Grinik with her son Kirill, 5, and daughter Miroslava, 8, in the kitchen of their new house in the Poltava region.
Photo: Anastasia Taylor-Lind / CatchLight Global
California in Pictures
Experience daily life and extraordinary moments in California through photography curated by CatchLight and CalMatters. follow: @calmatters website: calmatters.org/subscribe-to-calmatters/ california-in-pictures
Students from Riar Academy of Performing Arts perform at India Community Center’s South Asian Bridal Show in Milpitas, Calif., on April 20, 2024.
Photo: Sree Sripathy / India Currents / CatchLight Local
Lovely Quinoñes, 3 years old, stands for a portrait wearing her Puerto Rican outfit on Bryant Street in the Mission District before the 46th Carnaval Grand Parade in San Francisco, Calif., on May 26, 2024.
Photo: Pablo Unzueta / El Tecolote / CatchLight Local / Report for America
Shoes and candles are arranged outside of a Berkeley Unified School District meeting at Berkeley High School, on March 6, 2024, one week after the school district received a federal complaint alleging “severe and persistent” anti-Semitism.
Credit: Ximena Natera / Berkeleyside / CatchLight Local / Report for America
Jesus Bizarro looks out his living room window on Saturday, March 31, 2024. At the age of 60, Bizarro is closer to rejoining the workforce than he is to retirement. Since being out of work, he has exhausted his savings and plans to go back to work while his children finish their university studies. Without the ability to receive Social Security benefits, aging immigrants have to contend with outsized uncertainty as they approach retirement age.
Photo: Hiram Alejandro Durán / El Tímpano / CatchLight Local / Report for America
Sisters Delnita Brown and Le’Era Boyd share a moment outside of their home in Riverside, Calif., on October 9, 2024. Brown has been caring for various family members and outside clients for over 28 years. For the past 19 years she has been Boyd’s caregiver. “I look at her and I know where she came from,” Brown said, adding that one of the most rewarding parts of caregiving is seeing her sister’s success.
Photo: Aryana Noroozi / Black Voice News / CatchLight Local / Report for America
Jen Saeta, a primary caregiver for Josh Saeta, shares a moment with her brother in the family’s living room at their home in the Santa Rosa Valley. In 2017, Josh visited West Hills Hospital for abdominal pain. His condition deteriorated and he suffered a catastrophic brain injury. His family is suing the hospital, alleging that insufficient nurse staffing contributed to his injury.
Photo: Alisha Jucevic / CalMatters / California in Pictures
Chickens in their coop at the Madera South High School 20-acre farm on April 2, 2024. Students raise livestock and grow oranges, corn, and pumpkins for school lunches and for the community as part of the school’s agriculture pathway, one of thousands of careerfocused courses in California high schools.
Photo: Larry Valenzuela / CalMatters / CatchLight Local
Wrestlers Rancho Camacho (left) and Alonzo Alvarez (right) dive onto their opponents Vinnie Massaro (inside left) and Vito Fratelli (inside right) during a four-way match at Cornerstone in Berkeley, Calif., on September 1, 2024.
Photo: Ximena Natera / Berkeleyside / CatchLight Local / Report for America
Lourdes Molina, a 27-year-old Karanki Indigenous woman, relaxes on a rock above the Rinconada river, her favorite place where she goes in the afternoons to breathe and sing. October 10, 2020. Magdalena, Ibarra-Ecuador. From the project, “I am, still.”
Photo: Johanna Alarcón / CatchLight Global
Dispossession has never been a peaceful act
Johanna Alarcón
The Indigenous Amazonian women of Ecuador are defending more than eight million hectares of rainforest, home to the richest biodiversity on the planet. They face the violence of extractivism, colonialism, and criminalization—forces that seek to sever their deep connection to the land they inhabit and that inhabits them.
Their efforts are documented in the photos of Johanna Alarcón, who seeks to amplify their spiritual, cultural, and political commitment to protecting the land and its future.
Johanna Alarcón is a 2024 CatchLight Global Fellow, a freelance photojournalist and visual storyteller based in Ecuador whose work is focused on social justice, human rights, identity, and gender-related issues. She has received awards and honors from World Press Photo, National Geographic, and Magnum Foundation. Her work has been exhibited worldwide and featured in The New York Times, Smithsonian Magazine, National Geographic, The Wall Street Journal, and The Guardian.
Deepest thanks to our guest editor Elizabeth Krist, who sifted through thousands of images to highlight these complex and nuanced stories.
Heartfelt thanks to the participating photographers and to the individuals pictured for lending their image, likeness, stories and experiences to these projects.
2024 BY THE NUMBERS
546,366 monthly audience across all newsroom partners
1,527 people engaged in live public programs
1,114 local news stories produced through CatchLight Visual Desk
16 awards and nominations for CatchLight Local Fellows and staff
Over the next three years, CatchLight will triple the number of Local Fellows and Visual Desk members, with up to 15 new positions opening in 2025 as part of an expanded partnership with Report for America.
The 2024 Global Fellows are leaders working with Indigenous water defenders in Ecuador, documenting the racial divide and reclamation of Black history in Elaine, Arkansas, and recording the civilian experiences of war in Donbas, Ukraine.
Since 2017, through the Global Fellowship, CatchLight has awarded 23 visual leaders with $690,000 to create new work and deepen the social impact of their creative practices.
In 2025, CatchLight is launching a Night of Photojournalism tour to bring live, community-led visual journalism to cities across North America to showcase the power of images to inspire civic action.
Photo: Pablo Unzueta / El Tecolote / CatchLight Local / Report for America
Thank You
CatchLight is a 501(c)(3) nonprofit organization. We would not exist without the generosity of individuals like you who invest in our mission and whose gifts make our work possible.
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CatchLight is a visual media nonprofit organization that leverages the power of images to inform, connect and transform communities.
