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ON THE COVER David Rodríguez Muñoz Segura children in school bus Lockwood, California From Student Reflections: Looking Back on School during COVID CatchLight Local in collaboration with CalMatters 2022 “I hope that each of my photos helps the viewer understand another person’s world; this understanding is key to creating change and building empathy in any community; In this society these two core values are key to creating positive transformations in all facets of life and thus the ambition is that each image that people view in their local paper, magazine or online publication ultimately helps bring a community closer together towards a shared goal of supporting one another. I hope that this care and support towards one another inevitably trickles down to having community members care and support local journalism and solidify the role that visual journalists have within a newsroom, thus providing a new wave of photographers with the opportunities to create images that continue to bring understanding and empathy towards open another.” Almarissa Segura, 14, looks up as she rides the school bus with her two sisters, Paloma and Irma Segura. Almarissa started going to San Antonio in the midsemester of 2020 when she was in seventh grade. Rodríguez Muñoz, a 2019 Local Fellow, is an award-winning photojournalist and reporter who uses solutions journalism to build community. This year he teamed up with CatchLight again for a collaboration with CalMatters that captures what student life looked like in the spring of 2022. Photos from the project offer glimpses of a post-pandemic education as students tried to make the most of their return to in-person learning. davidrodriguezphoto.com

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This has been a seminal year for CatchLight, one where we have both supported artist-led impact and helped change the field of visual journalism at the systems level, truly advancing nuanced and long-term representation in the state of California and globally. Globally and locally, CatchLight fellows are documenting the richness of daily life; its celebrations, its problems and the individuals fighting for new solutions. They are creatives; photographers, videographers and visual journalists who capture life’s critical moments. And, they are innovators; piloting new engagement, distribution and business models to change the ways we access images and the impact they can have in the world. Together, we are informing, connecting and transforming communities. Assembled here are some of our favorite recent images. They show us how residents in São Paulo, Brazil, Bloomington, California and Paris, France are fighting for environmental justice, how Berkeley High School students are standing up to improve access to mental health services for youth, how survivors who have lost their loved ones to COVID-19 are healing and how people everywhere are pushing for the changes they want to see in the world. Thank you for being a part of this community and making this work possible. Warmly,

Elodie Mailliet Storm CEO, CatchLight

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PRECEDING PAGE Larry Valenzuela Oil pumps in the Kern River Oil Field Bakersfield, California CatchLight Local in collaboration with CalMatters 2021 Valenzuela, a 2022 CatchLight Local Fellow, worked with CalMatters to dig into what the City of San Francisco plans to do with the 800-acre oil field it owns outside of Bakersfield. San Francisco voted not to renew Chevron’s decades-long lease for oil production on the site in 2020, following a climate ordinance that requires that no municipally-owned property be used to produce petroleum. San Francisco has not yet decided what the land will be used for next, or who will cover the cost of sealing the 82 wells. Instagram: @newspartakid

Tasneem Alsultan Um Muhammed and Um Hani Khaybar, Saudi Arabia From Seeing Saudi 2018 “My hope is that every woman can regain and have control over her own body and her own destiny. I intend to challenge the mainstream narrative about my country and people and offer an alternative insight into Saudi society, one that invites the viewer to draw similarities rather than emphasize differences. In the most basic ways, our lives, routines and habits are connected across borders and boundaries. “ Um Muhammed (right), and her niece (left) Um Hani argue while they walk with their leaves. “How can you allow yourself to be photographed with your eyes fully showing? The village shall gossip! You have no shame!” Um Hani argues. Her aunt, only a few years older, walks ahead, silent and unfazed but with a slight giggle. Alsultan, a 2019 CatchLight Global Fellow, is an investigative photographer and storyteller living in Saudi Arabia. Alsultan’s work focuses on documenting social issues and rights-based topics in the Arab Gulf region through a gender lens, challenging stereotypical perceptions of the Middle East and portraying a region and people that do not conform to expectations. She served as a juror for the 2022 CatchLight Global Fellowship.

“My hope is that every woman can regain and have control over her own body and her own destiny.”

tasneemalsultan.com

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“I hope that photography can create and/or revitalize a trust in the media during a time of extreme and often valid mistrust in the media.”

Aryana Noroozi Bloomington is not for sale Bloomington, California CatchLight Local in collaboration with Black Voice News 2022 “As a photographer, I see myself as an agent of change by presenting new information through the images I make. These images allow for the experiences, realities and truths of others to be highlighted and to educate people who were not fully aware of an issue or experience, most often including myself when I begin working on a story. This understanding can help foster unity. I hope that photography can create and/or revitalize trust in the media during a time of extreme and often valid mistrust in the media.” ABOVE The Amazon warehouse on Slover Avenue stands directly beside homes in Bloomington. Residents say that this facility is rumored to be closing down and leading to job loss within Bloomington. Its a community divided by the question of whether warehousing will provide long term economic prosperity. FACING PAGE Carolina Verduzco and her daughters pose for a portrait after participating in a march to protest a warehouse project that will be placed in the center of their community if approved. Verduzco has lived in the Bloomington community for 34 years and said her rift is not with the warehouses going up; it’s with the placement of them near homes and schools. Residents marched on foot and horseback, celebrating the Mexican ranch culture that thrives in Bloomington. Noroozi, a 2022 CatchLight Local Fellow, is a documentary photographer, multimedia journalist and digital artist working with Black Voice News in Riverside, California. Through visual storytelling, Noroozi explores the connection between the subject and viewer, aiming to bridge gaps in the unfamiliar by identifying similarities in the human condition while documenting the differences to foster understanding. aryananoroozi.com

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Ximena Natera Brielle Blake on Juneteenth Berkeley, California CatchLight Local in collaboration with Berkeleyside 2022 “I believe in small changes, in people using photographs as a tool, as a call to action, as inspiration and as a tool to connect with others. Looking at photos opened a world that seemed so far away from my reality, and taking photographs has allowed me to push the limits of that reality, through lived experience and knowledge. I hope to pay forward that gift and expand how we can share images with people.” Brielle Blake, 10, poses for a portrait during Berkeley’s Juneteenth celebration. Natera is a 2022 CatchLight Local Fellow working with Berkeleyside. Based in the US since 2019, she is a visual journalist born and raised in México City. Her experience working in México has shaped her practice and understanding of storytelling, focusing her work on human rights violations, stories of resilience and collective memory. ximenanatera.com

“I believe in small changes, in people using photographs as a tool, as a call to action, as inspiration and as a tool to connect with others.”

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“I hope to change the meaning of photography from a tool once used to exploit and humiliate, to become a function for how communities envision their selfdefined futures.” Amir Aziz Daniel Hagos with Tigray flag Oakland, California CatchLight Local in collaboration with Oaklandside 2022 “As a photographer, I hope to change the meaning of photography in a local community; from a tool once used to exploit and humiliate, to become a function for how communities envision their self-defined futures; using photography to visualize and amplify stories we want to represent a community and the stories we want to be archived for the future.” Daniel Hagos, an Oakland-based Tigrayan activist, displays the flag of the Tigray region. For over 20 months, a civil war fueled by long-standing ethnic and political divisions in Ethiopia has spiraled into a humanitarian crisis. Aziz, a 2022 CatchLight Local Fellow working with Oaklandside, is a visual journalist born, raised and based in Oakland, California. He uses photography as his primary storytelling medium, documenting the life and times of Oakland’s diminishing Black community and the resistance to rapid, inequitable changes in his hometown. Aziz hopes to continue to bridge the gap between Western and non-Western communities using multimedia storytelling with an emphasis on the African diaspora. amirazizphotos.com

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Koral Carballo La Sangre Llama (Blood Calls) Veracruz, Mexico From Siempre Estuvimos Aquí (We Were Always Here) 2022

“I like to think utopically of a world where structural inequalities end. I imagine a world where family albums become public, where we resonate with who we are and where they echo our most intimate stories. Where we are made to think twice when we unconsciously reproduce hate speech based on origin, skin color or nationality. May we erase the walls of otherness and begin a dialogue. I dream of a world that dismantles the whiteness of our minds, that we question ourselves about the privileges we have to realize that we need to build a world together.”

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Carballo’s mother, in red, at her aunt Clemencia’s ranch. “I began photographing my family album as an important act to visually cast our genealogy. It signifies the value of photographs and our representation in a family in which our Náhuatl and African origins have been systematically erased through identity politics called Mestizaje.” Carballo, a 2021 CatchLight Global Fellow, is a photographer from México who tells stories related to identity, violence and territory. Her work style dissolves the frontiers between photojournalism and visual arts. koralcarballo.com

“I dream of a world that dismantles the whiteness of our minds, that we question ourselves about the privileges we have to realize that we need to build a world together.” 14

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“My aim is to build empathy towards people who find themselves needing to migrate, to dismantle stereotypes and prejudices about migration, and to work along the lines of normalizing migratory processes.”

César Dezfuli Alpha Oumar (born 1993, Guinea) Palagiano, Italy From Passengers Project 2022 “My aim with this project in particular, and in general with my work on migration, is to build empathy towards people who find themselves needing to migrate, to dismantle stereotypes and prejudices about migration and to work along the lines of normalizing migratory processes.” Dezfuli, a 2020 CatchLight Global Fellow, was born in 1991 in Madrid, in a context of cultural mixture given his SpanishPersian origins. Self-taught in photography, he now works as a freelance photojournalist, focusing on humanitarian crises and international affairs, with special attention to migration routes. cesardezfuli.com

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Ximena Natera Kites Soaring Berkeley, California CatchLight Local in collaboration with Berkeleyside 2022

ABOVE Viviana Palma and her daughter, Datali Aldaba, fly a kite at César Chávez Park in Berkeley. The family, who live in Fairfield, traveled to the waterfront on July 16 searching for cooler weather and a breeze. FACING PAGE Mark Gonzales, 43, flies a dual-line kite at César Chávez Park.

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The future of the Berkeley Kite Festival, which ran from 1986 until 2019 and drew crowds averaging 30K people, was threatened earlier this year when the city of Berkeley increased the cost of the permits by $40K. Berkeley’s Mayor Jesse Arreguin re-Tweeted this story when he appealed to the City Manager to change its position “...I encourage the city to reduce fees for the Kite Festival so it can continue to soar and continue.”

Natera, a 2022 CatchLight Local Fellow working with Berkeleyside, is a visual journalist born and raised in México City, based in the US since 2019. Her experience working in México has shaped her practice and understanding of storytelling, focusing her work on human rights violations, stories of resilience and collective memory. ximenanatera.com

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Rafael Vilela Member of Guaraní Mbyá tribe with flag São Paulo, Brazil From Forest Ruins 2021 “I believe in the power of images, whether as a way to raise debates to a broad public or to enhance narratives for new political ideas. I would like white and Western people to reflect on their way of life, the territory they inhabit, what they eat and consume, [so] that we may understand cities as the environment where we live and the impact of urban life on the world.” Hundreds of Guaraní Mbyá protest at the Pico do Jaraguá reservation in São Paulo, Brazil, against the land-grabbing taking place under the Bolsonaro administration Vilela, 2022 Global Fellow, is currently reporting on the climate and economic crises in Brazil. He is co-founder of Mídia NINJA, a news hub launched by a grassroots collective of citizen journalists who believe the structures and narratives of corporate media are failing to serve the public interest. Vilela’s fellowship project, Forest Ruins, examines the impacts of urbanization on the climate crisis from the perspective of the Guaraní Mbyá people in São Paulo and will include workshops to empower Indigenous youth and their leaders with tools and knowledge of visual journalism. rafaelvilela.visura.co

“I believe in the power of images to raise debates to a broad public or to enhance narratives for new political ideas.”

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Isadora Kosofsky Ann and Mary Hawthorne, California From a series that shadows dual eligible beneficiaries for Arnold Ventures 2022 “Documentary photography affords people another perspective on their own lives because, as documentarians, we hold the weight of both the lightness and darkness of the person we shadow. The photography can act as a form of evidence of humanness and an affirmation of someone’s reality, particularly when someone has had few witnesses to their journey. My hope is that my work encourages people to radically accept the complexities of those around them and the conflicts they carry inside themselves.” Arnold Ventures commissioned CatchLight to help humanize the story of patients that are dual eligible, navigating both the Medicare and Medicaid systems. CatchLight partnered with photographer Isadora Kosofsky, whose sensitivity, knowledge and experience of the healthcare system brought depth and intimacy to the project. Arnold Ventures, founded by Laura and John Arnold, is dedicated to tackling some of the most pressing problems in the United States. Kosofsky is a documentary photographer, writer and filmmaker based in Los Angeles and Albuquerque. For her, the relationships formed with her sources are tantamount to the image-making process. She works from an interpersonal, humanistic stance while documenting healthcare, geriatric health, mental health, disability rights, impacts of incarceration, substance use, gender violence, childhood trauma, senior citizen issues and experiences of grief, loss and resilience. isadorakosofsky.com

PRECEDING PAGE Ximena Natera Berkeley High Berkeley, California CatchLight Local in collaboration with Berkeleyside 2022 Berkeley High seniors Ginger Boswell, Haley Goetting, Mary Calderon Sanchez, Lily Kung and Eva Adams (not pictured) banded together after one of their classmates died by suicide, seeking to bring more money and resources for mental health to their school. ximenanatera.com

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Larry Valenzuela Father lost to COVID-19 Bakersfield, California CatchLight Local in collaboration with CalMatters 2022 “As a photographer, I believe that we are acting as changemakers by being a spotlight for things that people may not see in their normal lives. We use our skills in photography and journalism to amplify the voices of those who may not be heard. I hope to help people be seen and heard when they need to be with my photography.” Hillary Porter (right) and her daughter MacLemore (left) pose with a framed portrait of Hillary’s late husband and MacLemore’s father for a photo in their backyard in Bakersfield on June 22, 2022. MacLemore is eligible for a state bond available to kids who lost primary caregivers due to COVID-19. Instagram: @newspartakid

“I hope to help people be seen and heard when they need to be .”

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Adama Delphine Fawundu Passageways #2: Secrets, Traditions, Spoken and Unspoken Truths or Not From Passageways 2017 “I look forward to a world in which we all become more aware of the importance of our connections to each other, the earth and the universe.” Fawundu, a 2022 CatchLight Global Fellow, is a Sierra Leonean-American multidisciplinary photographer and visual artist promoting African culture and heritage, a co-founder and author of MFON: Women Photographers of the African Diaspora – a journal and book representing female photographers of African descent. delphinefawundu.com

“I look forward to a world in which we all become more aware of the importance of our connections to each other, the earth and the universe.”

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Harika Maddala Defending abortion rights San Francisco, California CatchLight Local in collaboration with Bay City News 2022

ABOVE Jim Martinez raises his fist wearing a green bandana during a protest in defense of abortion rights in San Francisco on June 24, 2022. The green bandana is a widely-used symbol in the movement for safe, legal and free abortion. FACING PAGE Serena Hughes, on the left, hugs Maliya Lanki, 17, during a protest in defense of abortion rights in San Francisco on June 24, 2022. Lanki, who had an ectopic pregnancy, revealed at the protest that she had an abortion the same morning.

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“I believe that my change comes not through me but through my audience. As a journalist who tells stories primarily through the medium of visuals, I document what I see, gather all the facts around them and present the story through images. Photography, as a tool for storytelling, helps me connect with my community to capture emotions that cannot be otherwise translated into words.” Born and raised in India, Harika Maddala moved to the United States with their family at age 19. Maddala is a visual journalist who graduated from San Francisco State University majoring in Photojournalism with a minor in International Relations. They are currently working with Bay City News wire service and the affiliated Local News Matters site, supported by the nonprofit Bay City News Foundation.

“I believe that my change comes not through me but through my audience .”

Instagram: @thethirdeyediaries

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Pierre Terdjman L’homme seul (The Lonely Man) Paris, France On assignment for The New York Times 2016 “Attracting the public’s attention with strong images that raise awareness of the climate emergency is part of my mission.” A man walks along a bridge on the Seine River during the historic 2016 Paris floods. Institutions across the French capital turned away tourists, as continuing rains lifted the Seine to its highest levels since 1982. Terdjman, a 2019 CatchLight Global Fellow, cofounded Dysturb, a not-for-profit organization based in Paris and New York. Dysturb supports the core goals of visual journalism: to enhance interactions between the people touched by social, political or environmental injustice with those who can potentially help. dysturb.com

PRECEDING PAGE Aryana Noroozi 38th Anniversary Bill Pickett Invitational Rodeo City of Industry, California CatchLight Local in collaboration with Black Voice News 2022 Shanita poses for a portrait. Her husband introduced her to the rodeo over 15 years ago and she’s attended every year since. Last year she lost her husband to COVID-19. She says it is difficult being at the rodeo without him this year, but she feels uplifted by the environment and everyone’s kindness. Noroozi, a 2022 CatchLight Local Fellow, is a documentary photographer, multimedia journalist and digital artist working with Black Voice News in Riverside, California. Through visual storytelling, Noroozi explores the connection between the subject and viewer, aiming to bridge gaps in the unfamiliar by identifying similarities in the human condition while documenting the differences to foster understanding. aryananoroozi.com

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Larry Valenzuela Lorena takes aim Buttonwillow, California Student Reflections: Looking Back on School during COVID CatchLight Local in collaboration with CalMatters 2022

Lorena Hernandez winds up her arm to hit a tetherball during recess at Buttonwillow Union School in March. Two months ago students were required to wear masks on the playground. Instagram: @newspartakid

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Madeline Hannebrink-Vance Rowan and Dakota Grass Valley, California From Student Reflections: Looking Back on School during COVID Image by a student, from CatchLight Local collaboration with CalMatters 2022

As part of the series, students in each community were given disposable cameras to document their own experiences. They photographed their friends, classrooms, changing mask mandates, recess, afterschool activities and senior prom. Nevada Union High teacher Keri Kemble shared: “This was their first exposure to professional journalism and I think it opens their eyes as to how journalism works not only on our campus… We’re always learning about the best way to tell a story and thinking about how best can you tell the stories visually.”

Tennis players Rowan Muir and Dakota Lunsford at the school’s tennis courts. “I was really disappointed that our Fresno tournament was canceled because of COVID. The tournament is my favorite event in the tennis season and I didn’t get to go my senior year,” Dakota said.

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Annie Tritt Leo Davis, 6 Brooklyn, New York From Transcending Self 2017 “I want to see us living from a place of love rather than fear.” “Leo has always known their own mind. Annie saw that and celebrated that in the photos. The more we can get out of the way of our little peoples’ expression, the more autonomy we can give them over self-discovery, the healthier we will be as a society and as humans,” said Dani, Leo’s parent. Tritt, a 2020 CatchLight Global Fellow based in Seattle, loves co-creating images. They look to reveal the mystery of what is behind our eyes and our hearts. This is what intrigues them. They want to bring humanity—to those in the spotlight we think we know as well as to bring a spotlight to those we don’t. Tritt is always looking for truth and beauty in a photo. annietritt.com

“I want to see us living from a place of love rather than fear.”

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Sree Sripathy Attendees at Falguni Pathak concert Santa Clara, California CatchLight Local in collaboration with India Currents 2022 “As a South Asian photographer, specifically one raised in the United States, I am focused on documenting the diversity and depth of the diaspora. It’s not just tech CEOs, doctors and Bollywood dance, although those roles are important to document. Pulling from my own experience, representation also means sharing the stories of those who got lost in the success shuffle. Stories of disability, adversity, trauma and resilience, along with an understanding of how culture changes from generation to generation and migration to migration, are themes and narratives vital to the awareness and understanding of South Asian identity.” Attendees take selfies and photograph the crowd at a Falguni Pathak concert. Pathak, also known as the Dandiya Queen, has been shaping and changing the sound of garba music for over 20 years. Sripathy, a 2022 CatchLight Local Fellow, is a writer, photographer, artist and disability advocate based in the San Francisco Bay Area. Her work focuses on the seen and unseen and their relationship to isolation, ability/disability, immigrant identity, language and culture. studiosree.com

“As a South Asian photographer, specifically one raised in the United States, I am focused on documenting the diversity and depth of the diaspora.”

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Josué Rivas Future Ancestor Tenochtitlán 2022 “This work is for the ones that came before me and the ones I’ll never meet. What is the lifespan of an image and how can we immortalize them? My hope is that my creative practice serves as a conduit for healing and transformation of the self and the collective. As we enter a new paradigm in visual storytelling and in humanity, we must remember where we come from so we can dream of where we want to go. Hopefully the images we make live through seven generations and those recipients feel the love and intention we envisioned for them.” Rivas, a 2020 CatchLight Global Fellow, is an Indigenous Futurist of Mexica and Otomí descent. He is a creative director, visual storyteller and educator working at the intersection of art, technology, journalism and decolonization. His work aims to challenge the mainstream narrative about Indigenous peoples, co-create with the community and serve as a vehicle for collective healing. josuerivasfoto.com

“This work is for the ones that came before me and the ones I’ll never meet. What is the lifespan of an image and how can we immortalize them?”

PRECEDING PAGE Bayeté Ross Smith Tony-Amber-Michael Brady-Triptych From Our Kind of People 2022 “I want to affect change by impacting the way people perceive themselves and others and how they frame their sense of identity in the world. I do this by creating experiences that don’t tell people what to think but, rather, force them to question their preexisting beliefs. I’m challenging people to ask themselves, “How do I know what I know?” In this series, Ross Smith, a 2021 CatchLight Global Fellow, examines how perceptions about someone’s identity, value, and character are affected by appearances such as clothing, race/ethnicity, gender, complexion and class signifiers, and how this then informs daily interactions and social systems. The subjects are wearing clothes from their own closets, so while not strictly documentary, they are nonfiction — you could encounter these people wearing any of these outfits on any given day. bayeterosssmith.com

“ I’m challenging people to ask themselves, “How do I know what I know ?”

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Aida Muluneh The Rain of Fire (Vietnam) From The Road to Glory Commissioned by Nobel Peace Center 2020 “In a time of such abundance, suffering is something we humans and our systems create, and for that very reason, it is also in our power to take that suffering away.” Born in Addis Ababa in 1974, Muluneh, a 2018 CatchLight Global Fellow, graduated from Howard University in Washington D.C. Her photography has been published widely and can be found in the permanent collections of the Museum of Modern Art (MoMA), the Smithsonian’s National Museum of African Art, Hood Museum, The RISD Museum of Art and the Museum of Biblical Art in the United States. In 2019, she became the first Black woman to co-curate the Nobel Peace Prize exhibition and in the following year, she returned as a commissioned artist for the prize. aidamuluneh.com

“In a time of such abundance, suffering is something we humans and our systems create, and for that very reason, it is also in our power to take that suffering away.”

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Daro Sulakauri People gather at a rally in Georgia’s capital to voice support for the country’s bid to join the EU-bloc Tbilisi, Georgia On assignment for Getty Images 2022 “With my recent work, I want people to acknowledge the important issues that are happening around us, topics that need acceptance of their existence. Photography has the power to change people’s consciousness and lead them to act. This leads to change. I also want generations to better understand the world that once was before them.” Aggression, authoritarianism and modern-day imperialism pose an existential threat to communities, cultures and entire nations, including in Sulakauri’s home, the Republic of Georgia. Sulakauri, a 2022 Global Fellow, will use her fellowship to explore the cultural and community impacts of three decades of Russian occupation in sovereign Georgian territories. darosulakauri.com

“With my recent work I want people to acknowledge the important issues that are happening around us, topics that need acceptance of their existence .”

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“Every single one of us is part of a global tapestry that is always connected and so deeply interwoven that we must operate from grace, caring and a desire to share our complex world.” Tara Pixley Casa de Luz a la Playas, Migrant and asylee residents of Casa de Luz find refuge together living near the beach Tijuana, México From House of Light 2020 “I hope my work as a photojournalist helps people to see our world differently, to look at rights, justice and community in new ways. I believe the visual medium can be a space through which we come to understand that every single one of us is part of a global tapestry that is always connected and so deeply interwoven that we must operate from grace, caring and a desire to share our complex world.” Pixley, Ph.D., is the lead author of The State of Photography 2022 report, sponsored by CatchLight and the John S and James L Knight Foundation. The report represents the first international study of photographers that specifically looks to understand the experiences of image makers from historically marginalized communities. Pixley is a Jamaican-American photojournalist, filmmaker and media scholar based in Los Angeles, where she is an Associate Professor of Journalism at Loyola Marymount University. tarapixley.com

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“As a photographer, I hope to bridge understanding between people that are unfamiliar with issues and experiences outside of their own.” Sarahbeth Maney Pride and Perseverance Washington, DC On assignment for The New York Times 2022 “As a photographer, I hope to bridge understanding between people that are unfamiliar with issues and experiences outside of their own. Every day I’m given the opportunity to learn something new from the people who allow me to photograph them. My goal is to portray those stories authentically, with dignity and truth, so that others are able to empathize and feel what I felt when I was behind the camera.” Maney was a mentor for CatchLight’s Visions of Justice workshop while completing her bachelor’s degree in photojournalism at San Francisco State University. She is currently a staff photojournalist at The Detroit Free Press. She previously covered national politics at The New York Times Washington bureau as a 2021-22 photography fellow. In August, Maney became the first photographer to receive the National Association of Black Journalists Michael J. Feeney Emerging Journalist of the Year Award. Her personal work focuses on housing inequality, education, disability and social issues that disproportionately impact Black and Brown communities. As a journalist, her goal is to further representation within the industry and portray each story as honestly as it exists. sbmaneyphoto.com

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Acknowledgments Heartfelt thanks to the participating artists and people who lent their likeness, story, and experience to these photographers’ projects.

About CatchLight CatchLight leverages the power of visual communication to inform, connect and transform communities. We are building the field’s long-term sustainability at both the global and local levels. At the global level, CatchLight invests in leaders in the field of visual storytelling who are defining its future. At the local level, CatchLight is expanding a new collaborative model for visual journalism, supercharging a visual-first approach and working in partnership with local news organizations. Through our education and public programs, we are pushing the field forward and educating its next generation of visual leaders.

Board of Directors Nancy Farese Founder and Board Chair

Elodie Mailliet Storm

Umbreen Bhatti

Stephen Mayes

Lisa Kleiner Chanoff

Christopher Michel

Deirdre Atkin Hockett

Michael Ramsay

Stacy-Marie Ishmael

Robert Rosenthal

Thank You CatchLight is a 501c-3 nonprofit organization. We would not exist without the generosity of individuals like you who invest in our mission and whose gifts make our work possible. Thank you to the foundations and businesses whose direct support funds our programs. This includes The Emerson Collective and the Silicon Valley Community Foundation, Enlight Foundation, Hearst Foundations, The John S and James L Knight Foundation, Kresge Foundation, MPB.com, NBCUniversal Project Innovation and our education partner PhotoWings. Thank you to our CatchLight Local partners including Bay City News, Black Voice News, Berkeleyside, CalMatters, India Currents, Insitute for Nonprofit News, Oaklandside, and Report for America. We’re also grateful to our community of partners who provide camera gear for our fellows, space for us to gather, and other forms of in-kind support, including Digital Silver Imaging, Fondation Carmignac, FujiFilm, Institute for Contemporary Art San Francisco, Minnesota Street Project, PhotoShelter, Reach Capital, the San Francisco Arts Commission, Stanford University’s SPICE Center for International and Cross-Cultural Education and YR Media. Thank you. catchlight.io