Kok Zi Yan1002162912_Portfolio_Design Studio 3

PORTFOLIO

Ms Ida Marlina

Ms Intan

and Mr

PROJECT 1 (ASAL USUL)

-Project 1A: Interpretation of Culture • Line artwork

Project 1B:

with History 3

Documentation

PROJECT 2: (TAPAK)

Project 2A: Site Analysis, Site Demarcation & Vernadoc Drawings

-Project 2B: Response Model

with Building Science 1 • Science Analysis of Tadom Building Simulation

PROJECT 3: (BINAAN)

-Project 3: Final Design

with Building Service 1 Schematic Services of Water Supply

Sewerage

with Technology 3 Case

For the sculpture, it is design based on the abstract drawing. I uses the same curvy shape to express two ways which is healing and dead.

The spider web entrance to show that people who met bes hyang dnei face to face were trapped and get ate by him.

The other way which is those who met him from behind will get sick , They will go through a rhythm way which is a healing ceremony held by shaman. At the end, the tower on top represent that they are recovered.

Integration

History

Culture - The Process of Becoming a Shaman

shaman is the head of the tribe, he is the person regardes as having access to, and influece in, the world of good and bad spirits They fuction as healers, prophets, diviners and custodians of religious mythology

"For the person who wants to become shaman, he had to convinced the old village shaman to teach him everything, and prove to him that he was worthy He had to spend three days and three nights all alone in the jungle. Without anything This his how they meet all the spirits there They stare death in the eye and overcome all their fears"

Some apprentices never return Some return, but possessed of evil forces They never recover

"After he had overcome everything and return from forest, the old shaman spat his into his mouth That is how the power was passed on to him, and everyone will started to respect him"

Integration with History 3 • Documentation

In Project 1B I study about a 100 years building history in Perak called Rumah Kuning. The topic that I study is culture influence of Rumah Kuning.

Culture Influence

This Malay Traditional Yellow Planter's House (a typical Rumah Perak style, also known as Bumbung Potongan Belanda) was built on a 9 acres of land which was previously a rubber plantation. It was built during the good days of the early 1920 30's when rubber was a booming commodity in Malaya. The original owners. Encik Zakariah bin Malim Sulaiman and Puan Masiah binti Samit, moved to this area from Cukai in 1920's and grew robber to earn a decent income. A large family of people once lived here. Although, it was a rela tively small house, however it was located on a lively place with a quiet" Kampung setting, facing the old trunk road to Ipoh. It has survived many trials and tribulation years of the colonial period, the Second World War, the Japanese occupation, the Merdeka and the Communist era. Masiah, however, passed on in April of 1937 and Zakariah in 1958. Nevertheless, Zakariah did become successful, as a planter and trader and ownedseveral pieces of land around the area.

Two types of traditional Malay houses still exist in the state of Perak and can be seen and used: the Kutai House (Rumah Kutai) and Perak Roofed Limas House (Bumbung Potongan Belanda)

Rumah Kutai

Kutai is a local term that means aged or old. Most of the existing Kutai Houses are between 100 or 200 years of age. There were only 37 Kutai houses along the banks of Perak River. After the end of the First World War, the Kutai House was no longer built in Perak. One of the uniqueness of a Kutai House is its long roof and the space for storage on the roof known as the peran or attic. This types of house is said to have the influence of Aceh and Bugis architecture and can be attributed to the history of the Sultanate of Perak which had links with the Aceh and Bugis kingdoms.

A Kutai House contains 12 or 16 pillars in its mother house, which consists of a porch, a living room, and others rooms. On the back is a kitchen house separated by a roofless hose space (Photos 1 and 2).

At the end of the kitchen house, there is a platform for food preparation or placeholders for the garden and river produce.

Rumah Kutai Elevation Rumah Kutai Plan

The mother house has the highest roof. It also houses or functions as a foyer on the front and a room. On the left side of the room there is a room similar to the main foyer on the right, perhaps for female family members. The mother house has windows facing the kitchen house. An open house floor separating the mother house and the kitchen house has a slightly lower height, about 15cm to 30cm from the level of mother house and the kitchen house. The kitchen house includes all the cooking utensils and dining room.

By the beginning of the 20th century, the Kutai House architecture no longer attracted the attention of the local people of Perak. This is due to the influence of the Bumbung Potongan Belanda architecture being introduced in the state of Perak. The design of the Limas House seemed to provide comfort and certain facilities because of its larger size.

Facade Rumah Bumbung Potongan Belanda

Nevertheless, any extension work to the house is extended from the back portion of the house, and not to the side portion of the house. This is said to relate to the “humble” culture and principle of the Malay of being moderate, shy and not being extravagant and showing off

Rumah Kuning ( Bumbung Potongan Belanda)

The basic spatial characteristic of Bumbung Potongan Belanda is that it comprises several spaces. The entrance of the house started with a serambi or a balcony. The serambi is attached to the anjung. Anjung is a public space in the house where the guests are entertained and activities such as reading Quran, festivity celebration, and other public activities. This is also a space where the male guest enters the house. The middle of the house comprises the rumah ibu or the main house area. Rumah ibu is attached directly to the anjung and this is the space for the female guest. Next to Rumah ibu is the rumah selang. Rumah selang functions to connect the rumah ibu and the kitchen. It also functions as the secondary entrance of the house where it is used by the female guest to enter the house. The kitchen is located at the back of the house.

The porch is one of the most preferred locations to be used as a versatile space. The use of this open space is very economical because there is no need to install many lights at night due to the help of moonlight. In addition, the gentle breeze of language blows gently caressing the cheeks.

The Serambi

The main characteristic of a typical Malay kampung house is its on stilts or piles. This was to avoid wild animals and floods, to deter thieves, and for added ventilation. In Sumatra, traditionally stilted houses are designed to avoid dangerous wild animals, such as snakes and tigers.

Project

Project

Integration with

Science Analysis

Tadom Hill - Hakka Village

Buffet De'Emerald Garden & Event

Dewan Kampung Org Asli Bukit Tadom

Primary School

Orang Asli Village

Mosque

Kindergarden

Kerepek Umi House

Shosha Trading - Frozen

Taman Seri Dagang

residentsofKampung OrangAsliBukitTadomare

Our

Hakka’s

Hakka

Malaysia

STRENGTHS WOPPORTUNITIES EAKNESSES

The site are all low rise buildings, which is considered a friendly environment to the orang asli community

The figure ground plan of the site was structured in an orderly manner

The site contains a bamboo production facility

Lack of essential facilities and entertainment hubs in the site

Excessive degrading nature due to overdevelopment

Increase number of tree on the overdeveloped area to restore greenery

Add new facilities to enhance the living of the area, such as more education center or shopping district

Expand more on bamboo related production as it is a natural and sustainable material to the orang asli

THREATS

Lack of security Potential deforestation activity due to overdevelopment projects

Constant spotlight on the resort will bring further development to the orang asli homes Which the locals doesn't not want

Project 2B: Respond Model

In this project i made four 1:200 scale respond model to respond the site circumstances. Which is about Accessibility and view, Spacial Quality, Ventilation and shading.

For Accessibility and view, it has 2 ways of accecibility. one from highway and one from tadom hill.

It has a good view, Its facing the lake in front of our site and tadom hills resort that is accross the lake.

Second is spacial quality. I have do some changes to respond the site and create spaces due to space and activities.

Such as Event Space, Cafeteria, ATV Road and a space to experience the hill.

Third is Ventilation, I've put ventilation block, opened roof and clelestry window and two openings for the building ventilation.

Lastly is sunpath, light and shadow.

Tadom Hill

Humidity in this room is relatively similar as in morning its more humid and its at the lowest in the evening. One corner of the room has most changes because of the wind direction

T e m p e r a t u r e

Temperature in the room is relatively similar as in the morning its warm throughout room and in the afternoon it becomes relatively hotter especially in the corner with no ventilation Finally in the evening temperature gets to a more comforting temperature because of the wind

t y

o c

n d V e

Wind velocity in this room is very similar as there was barely any changes throughout the morning and afternoon There was a slight change in wind speed in the evening

My project 3 is a Shaman museum that brings visitors to a journey to learn about the orang asli shaman.

In this Manifesto Poster the spiral represent a path for outsider to go into orang asli ; from another perspective the Temuan tribe tend to work within their own environment and are more prone to stay in their bubble, this is the time that this place will let them open to others.

The shaman is the head of the orang asli village and he is also a witch. he heal those who are sick with evil spirits from the forest. He protects his villagers like a mighty force.

The design inspiration comes from this, The biggest space which is the museum was like the powerful shaman. And the other smaller secondary space is like his villagers.

The museum is connected with other spaces just as the shaman taking care and always connected to his villagers.

Hill

Museum

Maze Cafe

There are two entrance,The main entrance is apposite to tadom hills resort.

another entrance is drop off entrance from the back of the building.Visitors walk through a pedestrian pathway to enter the musuem

Both ways can access to the highway.

The spaces and activities for this building is museum, workshop, cafe and a library. The arragement of this building is based on the site respond model i did last time.

Hill

Workshop

Maze Office WCPantry

Library

For museum, visitor enter from reception counter. the first activity is small cinema room that explain some information about orang asli and their culture. Next, they will go to an area that showcase the information of shaman, for example the process of being a shaman, the things they need to learn before becoming it, the process of how they heal people and their characteristic and costume. Following to a area that showcase their arts and crafts such as weaving and woodcrafting.

There is a performance stage in the middle of museum that performs the shamans healing ceremony and orang asli dance.

after some understanding i believed that the visitor will have an image of orang asli and shaman.

3: Final Design

lastly they will go into a maze. my intention is to mimic the feeling when orang asli met evil spirit. The maze is a double volume space involving trees inside like forest, the opening is at very high and small to make visitors feel small and dark to create an insecuirity atmosphere.

Maze

Stage Stage

Detail Drawing

60mmbamboo

60mmbamboobeam

60mmbambooColumn

100mmRailing

100mmBambooFloor 100mmBambooBeam 100mmBambooCeiling 100mmBambooColumn 100mmbeamconnectbynail

Water Supply System

Sewerage System

The buildings water supply was from tadom hill resort's water tank. Build under ground water pipes to transport water to museum.

For buildings sewerage system ,waste water will flow to gully trap and then to cesspool. Cesspool will located beside the car park because it is near by road.

GlulamTimber

Concrete

（1) a steel bracket portion, (2 ) a steel bracket to concrete pier connection, and (3) a steel bracket to wood post connection. For the attachment of a 3 layer, mechanically laminated post fabricated from nominal 2 by 6 inch lumber, the final proposed design consists of two 14 inch long by 5.5 inch wide plates that are 0.1875 inches thick. These plates are sandwiched between the lumber plies, and held in place with two bolts and four steel piercing screws. The plates extend 2 inches into the concrete pier. Two rebars, each with a 180 degree bend, and a formed length of 24 inches are welded to the steel plates. The two 180 degree rebars are joined by transverse rebar welded on to form a location for the longitudinal rebar that will be used as reinforcement in the concrete pier.

MomentResisting SteelBracket