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Portfolio

陸國富


CONTENTS Studio Work 2009 Fall

Journey in Joy

1-6

Dismantling and Fabric - Done indepentently

Studio Work 2010 Spring/Fall

H House

7-12

A Honest House, Revised of Design - Done indepentently

Studio Work 2010 Fall

In Between

13-18

Sicao Tourism Center Design - Done indepentently

Green UP!

19-24

Commercial Office Building Design - Done indepentently

Workshops 2011 Spring

Surface-Active Folded Structures Workshop

25-28

Godard’s Respiration Space and Zig-zag Space Generate with the Two Forms of Action Image

29-32

Advanced Cinemetrics : Generating Space Form, Movement & Time Images/ TsuenWan, HK - Done by Group


Studio Work 2009 Fall

Journey in Joy Dismantling and Fabric - Done indepentently

1


Case Study

平面由6組單元的柱梁組成 呈現12邊形 屋頂顯示出建築由4層屋頂組成 建築外型由低到高向心集中,呈現不停起伏的循環 剖面顯示組成的柱梁單元所形成屋頂的分層

East Elevation

日本阿蘇白水溫泉-琉璃

Roof Plan

Location 日本 熊本県 阿蘇郡南阿蘇村一関1260-1

Architects 杉本洋文/株式会社計画•環境建築

South Elevation

Completed Date March 1996

Project Area 2981 m2

Hot Spring Building Length - 19.0 m Height - 11.1 m

!st Floor Plan Section

2


爆炸圖表現出柱梁單元的組構關係,呈現互相牽制的狀況。 透過理解這些組件間的相互關係後就可透過分析後的組件關 係來進行過後的條件設定。

3


Conversion

Study Models

由於建築的外型呈現上下起伏的循環 而且溫泉屋給人的感覺是一種讓人放鬆,舒服的感覺 所以,想要讓它與一首讓人覺得舒服的歌曲來進行轉換的條件 所選擇的歌曲為 October 由 Eric Whitacre 作曲 • 形式跟案例的外型很相近,一直有無數的起伏循環著 •樂器的聲部也有著很多的層次,時為主音,時為伴奏,時而休息

Music Analysis 音樂的構成十分複雜,由最基本的節拍,音階,和弦,對位等。這些都 會影響一首歌給人的感覺。 而選擇了這首歌的一些構成元素來作為設計轉換的條件。 所選出的元素為: Scale(音階) ,音量(Dynamics),Articulation(表情記號) 音階裡的每個音都會給人有不一樣的感覺。 音階的do re mi fa so la si七個音 轉換成1 2 3 4 5 6 7 簡譜來看: 1 3 5 給人感覺為內向,不活潑 2 4 6 7 則給人感覺外向,活潑 Dynamics 小聲到大聲會讓人產生了情緒的改變。小聲給人安靜,穩定的感覺。大 聲給人有雄厚,寬廣的感覺。 Articulation 音樂的連接有許多。連結線(Tie)與圓滑線(Slur)。 而為了讓音樂更為豐富與吸引,還有很多表情記號可用,就像Fermata( 延長),讓音樂有一種拉伸的感覺

4

這是一首讓人可以體驗,觸摸,看到的一首歌 這是一首開始與結束會合在一起的音樂 這首音樂表現出重複的循環 平靜、高潮、平靜、高潮、在慢慢的,安靜的結束 每一段都表現著不一樣的感覺 講述著不一樣的事情......


The Rules

Volume

Alto

Slur/Tie

Bass

Fermata 5


6


Studio Work 2010 Spring/Fall

H House A Honest House, Revised of Design - Done indepentently


Programme 四個在不同的國度遇見,然後結伴一同環遊世界 的好朋友 已環遊了半個地球 某年某月的某一天到達了寶島-台灣 從北到南,抵達了台南 因為......台南 所以決定暫時停下腳步 卸下背囊 開始台南生活

香吉士Sanji 男 20 yrs 廚師

Tony Tony Chopper 男 15 yrs 醫生

留在台南的原因:被這裡的各種食物吸引,想要專研廚藝。

平時會免費為居民看診

所以現在在台南的一間小吃店裡當實習廚師

十分怕熱

平時喜歡在家裡煮剛學會的菜餚給其他人吃

鼻子很敏感,不喜歡聞到香水

不定時請鄰里的鄰居,路人,朋友,來嘗試他的廚藝

天真,時常受騙

為了不讓其他人感到不適,會在煙房裡抽煙

愛撒嬌,得到鄰里的愛戴,時常送食物給他

時常會帶不一樣的女生回家,但常常不到幾天就宣告分手

會和羅賓到庭院嬉戲,有時也會把寵物放出來一起玩

講求原則,不喜歡別人擅自闖入的廚房,把廚房弄到很髒亂 不喜歡動物,因為它們會到廚房偷吃和弄到亂七八糟

羅賓Nico Robin 女 28 yrs 考古學家

Brook 男 33 yrs 音樂家

為人害羞又愛面子,不喜歡跟不熟悉的人,

喜歡騷擾女生,所以香吉士每次帶女生回家都不能讓他看到

不喜歡多人的場合

長得很嚇人但內心很溫柔

喜歡窩在圖書館裡看書

懂多種樂器,喜歡整天埋首在音樂室內練樂器,寫歌,

不時會到台南的一些地方去考古

有時會練或寫到天亮,不想吵到別人

喜歡收集考古拿回來的物品

喜歡跟家人聚在一起在客廳彈琴,唱歌

常常會偷聽別人的談話,喜歡幻想

當有新歌時喜歡表演給大家看

時常有慕名而來的人來挑戰他的棋藝與橋牌

當香吉士邀請人來聚餐時喜歡表演給他們看

喜歡侍養動物,想盡辦法讓香吉士同意讓他侍養寵物

Private Bed Room Kitchen

Bed Room Bed Room Bed Room Studio Music Room Clinic Library

Public 8

Living Dining Kitchen


Concept Model

Study Model

9


Final

10


Plans After Revised Se

a

Br

id

Se

a

ge

Foundation Before 基礎未有任何定案 After 由於橋上對於結構體來說是一個 不穩定的基礎,因此使用伐式基 礎來讓結構體能與橋身有更多的 接觸來鞏固建築 Struture Before 結構系統採用RC柱樑系統,但由 於結構體長在橋上,懸挑於橋外 的懸臂部份支撐不夠 After 出挑的RC懸臂增加樑的深度,於 地下層樓地板下的樑深從40cm增 加到70cm,而地面層與一樓的懸 臂樑則採用來自彎矩圖所得的結 果把樑深做漸漸遞減的設計 Facade Before 面向海邊的立面用輕鋼構的方法 來達到60x60 模矩的開窗方式於 實際狀況下難以達成 After 改變輕鋼構的連接方法,增加結 構支撐的水平於垂直向構件。也 把之前所畫成連續三樓高的立面 牆改為以一樓為單位的接法

11


Roof oof oo of Det et ai ai l s 1

Roof oo of Det et ai ai l s 1

Sect i on Hanger wire Mortar Mortar block Copper base flashing

Zinc plated steel pipe

Main runner Cross furring channel

Top fixture unit

Metal lath

Field Tiles Roofing felt

Metal lath tied to furring

Asphalt water-proof Transom bar

Base flashing

Steel anchors Gutter

Wheatherstripping

Aluminum frame

Thermal insulation Tempered glass in clear Snap-in glazing beads Drips

Wheatherstripping Threshold Aluminum coating with bituminous

12

Casing bead


Studio Work 2010 Fall

In Between Sicao Tourism Center Design - Done indepentently


Site Plan

N 0 3

14

6

12

18 m


Plans

Roof

Waiting Room

Gallery

Auditourium

Gallery

Meeting Room

Office

2nd Floor 15


Bicycle Parking

Restaurant

Store

Souvenir Shop

Gallery

Lobby Bicycle Workshop

1st Floor

16


Sections

A-A’

B-B’

C-C’

D-D’ 17


18


Studio Work 2010 Fall

Green UP! Commercial Office Building Design - Don Done D e indepentently


Site Analysis

The SITE is located at the Guanqian Road of west district in Taichung City, Taiwan, beside of the CMP Park Lane. The front of the site is the Calligraphy Greenway that is a landscape developed by the government of Taichung City.

Proposed Road The proposed road is planned under the Urban Planning of the West District of Taichung City. The both are planned to be one-way roads.

ichun

g Port

Rd.

d.

Go

ng

qian R

Rd .

99, Ta

Guan

yi

Aly. 1

Site Currently, the site is used for the parking lot and a park, CMP Block. It is surrounded by the tree. The front of the site is the Calligraphy Greenway.

High-Rises The skyline of the site is surrounded by the high-rise buildings for commercial or living that form a strong boundary for the site.

Calligraphy Greenway The calligraphy greenway act as a very important green for the Taichung City. It link the Taichung City from the National Museum of Natural Science to the National Museum of Fine Arts.Many cultural and art activities was held at this greenway.

Site

Gongyi Rd.

Aly. 285,Zhongxing St.

Aly. 299 Taichung Port Rd.

Guanqian Rd.

Zhongxing St.

Existed Road The roads around the side are one-way traffic. It limit the circulation of vehicles in the design. 20


Programme

Study Models

Main Masses Core

Coorporate Image Gallery

Corridor

Coorporate Headquater

Green Cantilever Masses

Offices

Model 1

Model 2

Commercial Parking

Circulation Site

CMP Park Lane Green Park

Greenway

Site Open Space

CMP Park Lane Green Park

Model 3

Model 4

Greenway

Green

Green

21


Plans

B3 Floor

B2 Floor

1st Floor

B1 Floor 22


Sections ns

2nd Floor

5th Floor

8th Floor

3th Floor

6th Floor

9th Floor

4th Floor

7th Floor

10th Floor 23


Perspectives

Sections A-A’

B-B’

C-C’

D-D’

Elevations East

24

South

West

North


Workshops 2011 Spring

Surface-Active Folded Structures Workshop Participated in Designing the Middle Part of the Structure, Modeling


Structures Studies

Right Right

Top

Front

This structure was very weak as it was very short in width. It will twist when it was loaded with horizontal and vertical forces.

Section lines

Perspective Front

Right

Top

Front

Perspective

Top

Right

26

After the study I model, I tried to create a smaller structure but it is still unstable as the bottom part of the structure is still very short in width and the both sides of the top were easy to bending when force is loaded on it.

At the beginning of this study structure, I had started by drawing the section lines and connected the ends of each line to form the triangle faces. After that I try to add the load on this structure, but it is not stable as we expected. The structure was very weak to overcome the horizontal and vertical forces loaded on it.

Top

Right

Front Section lines

This structure is more stable than the studies before and it is suitable to make as a module for the final model. The weakness of this structure can be solved by adding the triangle faces on the both sides to preserve it from bending.

Perspective

Top

After the first study structure, I decided to make a different structure by drawing the more complex section lines to find the differences between the simple folded structure and the complex folded structure. This structure was everted when the force was loaded on it. We need to add more triangle faces if we want to preserve the stability of the structure but it will affect the side view as it will make the space under the structure became more closed.


Right

Front

Top

Perspective

I tried to draw a more simple section lines after the studied the models of the structure V and VI. The model created this time was very rigid at the vertex, it was an unexpected result when drawing in the computer model. But there was also a weak point at this structure after I tried to make the loading on the other part of this structure. I tried to figure out how to improve the weakness of this structure. Adding a triangle face at the weak point or other? After trying for many times, I figured out the weakness point of the structure will become stronger if we let the valley of the structure deeper.

Force Transmission

27


Final model

Right

Front

Top

Perspective

We try to make it cleaner and think about what can use to connect the module beside adding the structure. We take the added structure away and discover it will form a virtual space between the modules. It form the open space (hole) as the 2nd module and make the space under the connection was full with sunlight penetration and make a good spaces quality become a main road or entrance. We compare the three combinations and finally take the combination III as our final model because it fulfill the stability of structure and the need of the spaces quality of us.

28


Workshops 2011 Spring

Godard’s Respiration Space and Zig-zag Space Generate with the Two Forms of Action Image Advanced Cinemetrics : Generating Space Form, Movement & Time Images/ TsuenWan, HK - Done by Group Participated in 20s Presentation, Video Editing


Representation of Tsuen Wan with any means in 20 seconds presentation

Video cinemetric style and map the context of Chu Hai inside the new town within the larger context of Tsuen Wan as a whole

The first impression to the Tsuen Wan was the atmosphere is very different for the day and night. After I arrived to the hotel, I had hanged out around the street near the hotel. There are many signboards still lighting although there were just a little of shops opened. When it became day time, the slow pace of night time Tsuen Wan was transformed into a bustling, vibrant city. The constructions were worked in progress everywhere and go along the road to the campus was emerged another particular scene.

Our group were planned the route from the Tsuen Wan West MTR Station to the Tsuen Wan MTR Station as the route for this exercise to understand the Tsuen Wan city through the cinemetric scenes method.

30


The Drawing Machine

Tsuen Wan as Pedestrian City

ZĞƐƉŝƌĂƟŽŶ^ƉĂĐĞ Pan View

ŝŐͲnjĂŐ^ƉĂĐĞ Diagram above was shown the changes of density of people along the route

Tilt View

Diagram at the left was shown that the technique of Godard using during the video was captured. The Red route was more emphasis on the pan view to represent the action images with the form of respiration spaces and zig-zag spaces along the route. The Blue route was emphasis on the track view technique to capture the continuous action images in the spaces.

The drawing above were using the drawing machines of the capture technique of Godard - pan, tilt and track. By using the drawing machines to draw the action images of the city, we can discover the differences of the city with the normal perspective view of our eyes. We can using this method to observe the spaces form by the action images in the city.

31


Panning

Tracking

Tracking

Diagrams shown that the analysis techniques of Godard using during the video was captured. In the diagram, we can understand the form of spaces with the action images of people will create the different views of space by using the Cinemetirc.

Tillting

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