Third-year Master of Architecture Student Selected Works
2023-2027
2021-2024
2018-2021
2024-2025
2024 (MAY-AUG)
2023-PRESENT
2021-2023
ACTIVITIES
2024-2025 2023-2024 2022-2023 2024 (SEP)
HONORS
2024 2023-PRESENT 2022-2023 2021-2023 2023
kimiaaflatoonian2000@gmail.com kimiaaflatoonian@ku.edu www.linkedin.com/in/kimia-aflatoonian/ (913) 563 - 8863
UNIVERSITY OF KANSAS
Master of Architecture (Current GPA 4.0)
JOHNSON COUNTY COMMUNITY COLLEGE
Associate of Liberal Art (GPA 4.0)
Associate of Social Sciences (GPA 4.0)
SHAHID BAHONAR UNIVERSITY OF KERMAN-IRAN
Bachelor of Architecture (not graduated-two years) (GPA 4.0) Gained experience in drawing and sketching
UNIVERSITY OF KANSAS - GRADUATE TEACHING ASSISTANT, PROFESSOR JASON HASCALL Structure Classes (ARCH 524,624), weekly office hours and homework grading
ARCHITECTURAL INTERN - NUEVA LLC
Generating 3D models of existing houses, revising the floor plans, conducting site visits to construction sites, and documenting findings such as quantity take-offs.
UNIVERSITY OF KANSAS - SPENCER MUSUEM OF ART Visitor experience assistant at the reception desk
JOHNSON COUNTY COMMUNITY COLLEGE - SCIENCE DIVISION work-study student in the Science Division, under supervision of Dr. Lori Slavin.
Vice president and third-year representative of NOMAS at the University of Kansas Second-year representative of NOMAS at the University of Kansas President of Architecture and Design Club at Johnson County Community College Dallas-Fort Worth, TX Pritzker Laureate Architecture Study Tour
Recipient of Dean’s Honor Roll in the School of Architecture and Design at the University of Kansas Member of Phi Theta Kappa Honors Society
Member of the Honors Program at JCCC
President of Honor Roll at JCCC for five semesters
Recipient of the Architecture Talent Scholarship from JCCC
3D Modeling|Revit, Rhino, Grasshopper, Sketchup, Physical Modeling 2D Drafting|AutoCAD, Hand drafting Physical Modeling|3D printing, Laser cutter, CNC router Rendering|Lumion, Twin Motion Graphics|Illustrator, Photoshop, InDesign, Free-hand sketching Microsoft|Word, Excel, Teams, Outlook
ENGLISH - Fluent
FARSI/PERSIAN - Native
FRENCH - Beginner to Intermediate
KAPILA SILVA, AIA, PhD
Professor of Architecture
University of Kansas (414) 334 - 1290 kapilads@ku.edu
DAN FINNELL, AIA
Professor of Architecture
University of Kansas (214) 641 - 0075 danfinnell@ku.edu
SHANNON CRISS, AIA
Professor of Architecture
University of Kansas (785) 864 - 3861 scriss@ku.edu
Vortex, Free-hand sketch
3210 W LANCASTER AVE, FORT WORTH, TX FALL 2024
UNIVERSITY OF KANSAS, LAWRENCE, KS SPRING 2024
KIZUNA PLATFORM
SOUTH POWERHOUSE ROAD, LAWRENCE, KS FALL 2023
BLACKHOLE STUDIO WORKSPACE
WORKSPACE DESIGN - JCCC SPRING 2023
PERSONAL WORK
FREE-HAND SKETCHES
Fort Worth, Texas ARCH 508 |Fall 2024|Museum
Kapila Silva, PhD
60,000 sqf
The museum of nuclear power depicts the dual nature of nuclear energy, emphasizing the fine line between its constructive and destructive potential, while aiming to educate and engage the public on the importance of informed decision-making, the role of human choices, and the ethical imperative of using energy as a human right in a peaceful manner.
1. Discovery Gallery - 2. Disolation Cloud Gallery - 3. Puppet Politics
4. Splited Future = (Atomic Horizen - Scorched Earth)
The first three galleries chronologically trace the history from the discovery of the atom to World War II and its political aftermath, while the fourth represents a decision-making point between two futures.
BUILDING CENTERS - CONNECTING BRIDGE
The Future Gallery and the tree serve as the nuclei for the two distinct atoms, with the entrance bridge acting as the connection between these two centers.
BUILDING FORM - FUSION
The building form is inspired by the fusion of two for public use and the other for private spaces.
EXPLOSION - EXTENDING INTO LANDSCAPE
In the fusion process, the two atoms merge landscape to create a memorial garden on explosive forms of the atoms define the entrance
SITE - ENTERANCE AXIS
The two main museums on either side form an axis for the building’s entrance, aligned diagonally toward the tree.
LANDSCAPE INTIMIDATING EXTERIOR LOOK - PARAMETRIC FACADE
two distinct atoms: one primarily designed spaces. merge into one, radiating energy into the on the east side of the museum. The entrance and opening spaces.
The metallic parametric facade embodies and reinforces the fear associated with nuclear power, a perception held by many. This exterior starkly contrasts with the interior and the museum’s purpose.
EGRESS DIAGRAM
EGRESS STAIRS
EGRESS LEVEL EXIT PATHS
HVAC DIAGRAM
AIR HANDELING UNITS (AHU) SPACE
UNDER FLOOR AIR DISTRIBUTION
MEP ROOM
SUPPLY AIR DIFFUSERS
RETURN AIR DIFFUSERS ( IN MIDDLE OF LOWER CEILING)
STRUCTURE DIAGRAM
SHEAR WALLS
CONCRETE BEAMS
DECIDING MOMENT - SPLITED FUTURE
Lawrence, Kansas
ARCH 209 |Spring 2024|Mixed
Hugo Sheward, PhD 14600 sqf
The heritage welcome center for the University of Kansas invites students to explore KU’s journey, divided into three main periods: Past, Present, and Future.
Life unfolds in these same stages, forming a complete picture when viewed as a whole. Similarly, a school journey consists of various “fractions,” from early campus days to graduation and beyond. The heritage welcome center marks the culmination of this journey and the start of a new chapter.
Designed as a composition of fractions, the welcome center symbolizes distinct periods in students’ lives. These fractions, though separate, unite to represent the shared campus experience.
A simple and abstract structure, representing the uncertainty of the future. Its design reflects this instability, with blurred views towards upcoming destinations like the Campanile and Marvin Grove.
A lively and dynamic structure, fully engaged with the present moment, reflects its ever-changing nature. Using photovoltaic louvers at different angles, the design embodies the constant movement of the present.
A transparent and layered building, subtly descending into the ground, symbolizes the clear and buried past. The use of double glazing enhances openness and sustainability.
PAST: Merged into the ground.
PRESENT: Touching the surface of the ground. FUTURE: Elevated from the ground, flying.
PAST: Interlocked solid forms symbolizing history and heritage.
PRESENT: Dynamic, carved elements reflecting the fluidity of the moment.
FUTURE: Shifting forms pointing to growth and change.
PAST: Looking towards present and down the hill.
PRESENT: Looking up to the future and down to the past and the dynamic pathways between Budig and Anschutz library.
FUTURE: Directing sight towards the Campanile and Marvin Grove. DEFINE FORM WITH CONTEXT
Natural cross ventilation is achieved through double glazing and the chimney effect on both the west and east sides of the building.
Optimized daylight utilization is facilitated through the use of louvers and shading systems. These features protect the building from excessive heat gain while ensuring that natural light penetrates deep into the interior spaces, reducing the need for artificial lighting and enhancing occupants’ well-being.
Precedent: Administration Building in Berlin
CONNECTION OF FRACTIONS
A continuous path weaving under, around, and alongside all buildings creates a sense of connection and unity, symbolizing a string of time.
Photovoltaic louvers on the south-facing facade provide shading for interior spaces while simultaneously generating electricity. This generated electricity is stored in the basement of the south facade, enhancing overall energy efficiency of the battery. Meanwhile, The north facade receives daylight without the use of louvers.
Precedent: Merck Innovation Center in Darmstadt
SECTION A-A’ LOOKING NORTH-WEST LEVEL 03
VIEW FRAME FROM FUTURE TO PRESENT
PATHWAY TO FUTURE BUILDING
PATHWAY TO PRESENT BUILDING
PATHWAY TO PAST BUILDING
TOOLS UTILIZED:
CNC Router: Carving the topography.
3D Printer: Creating context buildings and the base of designed structures.
Laser Cutter: Crafting pathways and the title block.
Lawrence, Kansas ARCH 209 |Fall 2023|Mixed
Dan Finnell, AIA 16000 sqf
The Kansas Riverfront revitalization project rejuvenates the area with multi-functional spaces inspired by “Kizuna,” symbolizing enduring bonds. Centered around the KU rowing team’s boathouse, the design fosters seamless movement, unity, and connection with nature. Key features include a meditation area, private spaces, a viewing platform, a seasonal ice-skating rink, green parking, a floating deck, a pavilion with guest parking, and a continuous path linking the park, river, and north side. All structures incorporate a 10-foot flood safety margin.
Programs Used: Sketchup, Lumion, Photoshop, Illustrator South Powerhouse Road, Lawrence, KS
EXISTING BOATHOUSE
RESTROOMS
GUEST TEAM PAVILION
VIEWING PLATFORMS
VIEWING FLOATING DECK
MEDITATION AREA
NEW PERMEABLE PARKING SEASONAL ICE-SKATING RINK
HIGHEST VIEWING PLATFORM
MIDDLE VIEWING PLATFORM
With transitional rings around it
GROUND LEVEL PLATFORM
With two smaller platforms on each side
Three interlocking circles Half floor transition to top
VIEWING PLATFORMS
LEVEL 01
VIEWING PLATFORMS
LEVEL 02
Jonathan Miller, AIA
(6 ft x 8 ft) 48 sqf
Designing a workspace for designers and architecture students to foster creativity and collaboration. Thoughts, ideas, and energy swirling around the designer like a black hole that attracts light and material. It is a glimpse of the moment when a designer attracts ideas around their mind, creating a magnetic effect in the center of the blackhole.
Possible materials for construction: galvanized steel for the shelf and the lower table, and rusted metal for the upper cutting table.
All drawings were created by hand; using pen, marker, and colored pencil.
PLAN
PERSPECTIVE
The drawings were created using a fine-tip pen, marker, and color pencil.
The drawings were created using a fine-tip pen and pencil.
