ARCHITECTURE U N I V E R S I T Y O F M A R Y L A N D M A R C H 2 0 2 4 K I L E Y F A S A N O
Portfolio
Palladian VIlla Piovene 1. The Mondrian Object 2. Harbor Plaza Project 3. Private Gallery Design 4. Community Center Facade Design 5 The Wailin’ Mailman Music Library 6 The Double Salient Apartments 7
CONTENTS Course work Charcoal Drawings 1 Chiaroscuro Technique 2 Furniture Design 3 Creative work
TABLE OF
K I L E Y F A S A N O - 1
Proportion Axis Front Elevation
Section A-A'
PALLADIAN VILLA PIOVENE
Precedent Study
UNIVERSITY OF MARYLAND, COLLEGE PARK
ARCH200 / 7 WEEKS
PROFESSOR MICHAEL ABRAMS
PHYSICAL MODELING AND HAND-DRAFTING
Students were assigned a Palladian Villa to research and dissect. Throughout this time, ordering principles were learned in class and were then used to understand the organization of the building. As a first precedent study, this assignment introduced the process of researching buildings to acknowledge the strengths and weaknesses of a structure's arrangement. These skills along with manual drafting and physical model making then led the way for following assignments.
K I L E Y F A S A N O - 2
FINAL MODEL
FINAL MODEL
THE MONDRIAN Object
MODELING AND HAND-DRAFTING
Extracted principles found in the twodimensional Mondrian painting were transformed into a three-dimensional cubed model with respect to spatial relationships. The design process started with only the black color on five sides of the cube. Since there was not supposed to be an obvious "base" the solid sixth side was removed. The balance diagram was also added and the primary colors were extruded outwards the viewer. On the fourth model the axis acquired cutouts of the solid black shapes in the painting allowing the piece to be more fluid throughout the inside. In the final model, the balance diagram was changed to be implied rather than literal and the central axis became a thicker material.
OF MARYLAND COLLEGE PARK
400 / 4 WEEKS
SITY
ARCH
PROFESSOR JOSEPH MCKENLEY
STUDY MODELS
K I L E Y F A S A N O - 3
Project
UNIVERSITY OF MARYLAND COLLEGE PARK
ARCH 400 / 4 WEEKS
PROFESSOR JOSEPH MCKENLEY
PHYSICAL MODELING AND DIGITAL MEDIA
The concept behind this waterfront plaza was to give the people, living in the surrounding city, a break from their fast paced lives. The running water through the site and the waterfalls allow them to be fully submerged in nature by drowning out the "outside" noise. The canopy created by the trees, that look out to the water, allows a person to feel like they are anywhere but a busy, congested area.
PLAZA
HARBOR
section a-a’ Circulation Spatial Hierarchy Rhythm and Repetition Water Public vs Private Hardscape vs Softscape Axon section B-B South Elevation East Elevation site Plan
K I L E Y F A S A N O - 4 North Elevation Ground Floor Conference Room Off ce Storage Trash Ma nt Exhib t on Exhib t on Roof Terrace Exhib t on Exhib t on Exhib t on Off ce Lobby Work Room Third Floor Section B-B’ Section A-A Second Floor Rooftop Terrace
PRIVATE GALLERY Design
UNIVERSITY OF MARYLAND COLLEGE PARK
ARCH 400 / 6 WEEKS
PROFESSOR JOSEPH MCKENLEY
DIGITAL MEDIA
This gallery, located in Washington, D.C., will contain high quality pieces ranging from 2D art pieces, such as, paintings and photos to small sculptural works. The concept behind the design is continuous circulation, allowing guests to move freely throughout each exhibition space. The third floor grants access to two balconies, allowing visitors to have an intimate experience with the pieces up close. Each guest will have the opportunity to create their own experiences when looking at the artwork from a whole new perspective.
Conference Room Entrance Serv ce Hallway Lower Gallery Upper Gallery Look Out Roof Terrace Isometric Circulation Plan + Section Parti Served vs Service
Hierarchy
K I L E Y F A S A N O - 5 Version 1 Version 2 Version 3 Axon Solid vs Void Proportion Hierarchy Center vs Edge
COMMUNITY CENTER
UNIVERSITY OF MARYLAND, COLLEGE PARK
ARCH 401 / 2 WEEKS
PROFESSOR JULIA KLINEBERG
DIGITAL MEDIA
This facade was created as an infill space for M street in Georgetown. The main concept behind this design is to continue the street “wall” while also creating a welcoming community center that engages both the interior and the street. The setback door generates a relief along the sidewalk, allowing people to enter through a “portal”.
Block Elevation Section Hierarchy Solid vs Void Center vs Edge
Concrete Glass
FACADE DESIGN Datum
Grid Materiality
K I L E Y F A S A N O - 6 Location Plan Site Plan Longitudinal Section Transverse Section West Elevation in Context - 14th St Ground Floor Hierarchy Served vs Service Parti Circulation Second Floor Third Floor Lstenng Staton Ca e Book Store Clas room Clas room Book Delvery Trash Mech Offce Storage Archiv s obby O fc Man Readng Room Outdoor Readng Spac N N N N N
THE WAILIN’ MAILMAN Music Library
UNIVERSITY OF MARYLAND COLLEGE PARK
ARCH 401 / 4 WEEKS
PROFESSOR JULIA KLINEBERG
DIGITAL MEDIA
Back in 2018, nine-story mural was constructed. The inspiration for the new street art came from the story of a local mailman named Buck Hill. Not only did he work in the postal service, but he also preformed jazz music in the area, which was once known as “Black Broadway”. Switching careers leads to his nickname “The Wailin’ Mailman”. This
building is meant to showcase and remember Buck Hill for the impact on his community and local jazz music.
K I L E Y F A S A N O - 7
Longitudinal Section
Transverse Section
Unit Plans
Ground Floor
Second Floor
Floors 3-5
Sixth Floor
THE DOUBLE SALIENT Apartments
UNIVERSITY OF MARYLAND COLLEGE
PARK
ARCH 402 / 4 WEEKS
PROFESSOR TAEJUN KIM
DIGITAL MEDIA
The double salient, located on H Street and 12th Street, contains spacious, apartments that will allow their occupants to experience luxury. The name originated to capture the idea of the two protruding elements on the building itself. The concept behind the design is to accentuate and capture the corner of H and 12th. Persuading movement and accessibility.
Circulation
Public vs Private Regulating Lines Structure
West Elevation In Context - 12th St
North Elevation In Context - H St
K I L E Y F A S A N O
UNIVERSITY OF MARYLAND, COLLEGE PARK
ARTT110 / 2 WEEKS
PROFESSOR PETER CULLEN
CHARCOAL ON PAPER
e top left still life was designed by looking t a piece of white cloth that was hung on e wall with a light shining on it. The task of this piece was to acknowledge and erstand where the highlights and shadows e in order to make this drawing look more istic. The drawing in the bottom right was eated around understanding proportions. dents were given an image of this flowers ith a grid laid overtop. Then, students had follow the image within each grid square and draw them at a bigger scale.
CHARCOAL drawings
K I L E Y F A S A N O
CHIAROSCURO Technique
UNIVERSITY OF MARYLAND, COLLEGE PARK
ARCH 200 / 1 WEEK
PROFESSOR PROFESSOR MICHAEL ABRAMS
WHITE PENCIL ON BLACK PAPER
The purpose of this assignment was to help ents acknowledge how light can manipulate objects and spaces. This process challenges ents to focus on where the light is hitting an object rather than where shadows are being asted, like it would be observed with regular graphite.
Photo by NEFStudio
K I L E Y F A S A N O
Photo by NEFStudio
NORTHEAST FURNITURE STUDIO
FRANKLIN, NJ
As a designer at a custom cabinet woodshop, my main job is to connect with the clients to develop a concept. Then, I create a three-dimensional SketchUp model of the piece, and send it back to the client. Once the piece is finalized, the models are then sent to the woodworkers to physically construct the custom piece.
FURNITURE Design
Photo by NEFStudio
