Kristiansand Symfoniorkester

Giordano Bellincampi Sjefdirigent Kristiansand Symfoniorkester

KILDEN TEATER- OG KONSERTHUS

“50!”

Kristiansand Symfoniorkester

Kilden Performing Arts Center INSPIRATION AND ENTHUSIASM Friday 6 January 2012 marked the start of a new era for the arts in Southern Norway. Five years after the construction work started, Kilden Performing Arts Centre was ready to open in all its splendour. The building was inaugurated with a spectacular royal gala performance at which 1,200 guests were given a taste of Kilden’s rich and varied programme.

The idea behind Kilden is that it will provide artistic experiences for the whole region and for generations to come.

We wish to create experiences for life by taking a broad-based approach and achieving a reputation as an important arena for the arts and culture. At the same time, we want Kilden, as a building and institution, to radiate grandeur, pride and a sense of community.

Our common goal is to give our audience experiences that are reflected in Kilden’s vision: We will enthuse and inspire and create enthusiasm!

Kilden Teater- og Konserthus for Sørlandet IKS Sjølystveien 1 4610 Kristiansand +47 / 90 58 11 11 post@kilden.com kilden.com - kilden.com/kso

THE BUILDING Kilden Performing Arts Centre is located on the waterfront in Kristiansand - at the entrance to the harbour. With a gross floor space of 16,500 square metres, Kilden is a monumental landmark building for the arts in Southern Norway. In addition to Kilden’s four unique auditoriums, the spectacular foyer is a natural meeting place and venue for events. WW The foyer also houses Kafé Kast Loss, the box office, cloakrooms and bar facilities as well as offering a wealth of opportunities for new impressions and experiences.

THE ARCHITECTURE Kilden’s magnificent architecture has been met with both national enthusiasm and international recognition. The architectural style is recognisable and unique, firmly grounded as it is in the centre’s productive content, the harbour setting and the meeting between artists and the public.

The varying shapes of the auditoriums are covered by a curving wooden wall. Clad in oak from the region, the monumental and abstract wall has the effect that members of the public seem to move from a natural landscape into the realm of art as they pass through the centre’s spacious halls on their way to the auditoriums.Kilden’s wonderful acoustics are as celebrated as its architecture, ensuring it a place among the very top international venues.

The most noticeable thing about Kilden’s acoustics is the nuanced and detailed fullness of its resonance.

Adjustable sound reflectors in the ceiling make it possible to regulate the acoustics, so that every note and every instrument is clearly heard, creating a resonant experience that is quite extraordinary.

The Concert Hall WWith as many as 1170 seats, this is one of Scandinavia’s finest concert halls.

State-of-the-art acoustic technology means that the Concert Hall can host everything from rock concerts to big symphonic events.

Käre Giordano!

Dina visioner är genomtänkta och lägger grunden för God Konst och konstnärlig progression Dina repetitioner är perfektion och Fina konserter är förlösande Din klädsel är stil och Din stumtjener är en avlastning Du är en “Feinschmecker” där kulinarisk Kunst blandas med förlösning när Du fått Din Campari Vi i KSO är stolta att få dela Ditt halva sekel och önskar Dig och Din familj God Lycka och många flotta konserter med Kristiansand Symfoniorkester Stefan

Kristiansand Symfoniorkester Musikere pr 1. oktober 2015 Fiolin Adam Grüchot Daniel Perek Lene-Marie Helland Andrea Hansen Maria Andrén Josine van den Akker Armando Toledo Aribú Loussine Azizian Sigmund Eikeset Dorota Grüchot Lars Audun Hadland Ida Kristine Hansen (permisjon) Solveig Husebø Svetlana Jelic Lars Lunde Katarina Skogheim Pål Svendsberget Britta Swanberg Nataša Vidačić Karen Walthinsen-Zeppezauer Bratsj P.O. Lindberg Kjell Åge Stoveland Jane Patricia M. Kärner Olaf Nicolas Broch Zane Kalniņa Trygve-Johan Simonsen Piotr Slowik

Cello Leonardo Sesenna Ariel de Wolf Jonathan den Herder Anne Karen Bræin Jasper Havelaar Wolfram Kärner Mari Marte Waaler Wærvågen Kontrabass Erik Zeppezauer John Harrison Jan Mathiasson Kåre Dalane Alfred Matre Fløyte Anne Randi Haugejorden Mamiko Miura Nina Barkenes Obo Roar Brostrøm Torunn Irene Kristensen Marion Walker Klarinett Stig Nordhagen Ingrid Wangsvik Kari Ingelsrud Fagott Solo fagott, vakant Odd Lyngstad Thea Iselin Øyhus-Revlin

Administrasjon Horn Simon Breyer Amanda S. Harrison Hilde Lunde Garby Leif Tore Strandbakken Ove Øgård-Repål Trompet Jens Forus Eivind Bjørnevik Trym Dalene Trombone Endre Rydland Vetås Nils Tore Brunvatne Thor-Arne Martinsen Tuba Vidar Løvbrøtte David Tellefsen Harpe Johanna Nousiainen Pauker Thomas Hansen Slagverk Ellen Fjørtoft Henning Seldal

Stefan Sköld, direktør Kirsten Tungland, adm.sjef Hans Bodin, programsjef Kjersti Cecilia Petersson, notearkivar Kirsten Besamusca, orkesterregissør Borghild Løvbrøtte, orkesterregissør Silje Hamre Hulien, orkesterregissør Anita Sædberg, produsent Anders Frode Marum, produktsjef (markedsavd.)