GIULIA MANENTI
EDUCATION:
2022
Bachelor in Interior Design 110 e lode/110 ISAD Design school
2016
high school Diploma 27/30
Istituto Orsoline San Carlo, Milano 2015
Rockwall Heat High School, Dallas, Texas
WORK AND PROFESSIONAL EXPERIENCES
August 2024 – Present
Junior designer at Masterplan Studio (MPS), Milan
SOFTWARE PROGRAMS:
• Photoshop
• Indesign
• Illustrator
• Autocad 2D
• Autocad 3D
• Rhinoceros
• DIALux evo
• Lumion
• 3D Studio Max Corona
• 3D Studio Max VRay
• Sketch Up
• AI (Intelligenza Artificiale)
ITALIANO : madrelingua INGLESE : B2
Designs residential and commercial spaces with a focus on innovative and functional solutions. Specializes in 3D modeling, technical drawings, and digital content management. Proficient in software such as Phostoshop, AutoCAD, Adobe Suite, 3ds Max, SketchUp, and Lumion.
June 2024 – Present
Event and Social Media Manager , Freelance for Music Events, Milan
Responsible for organizing and managing all stages of music events, including location selection, artist coordination and event promotion through social media and advertising campaigns. Manages online and onsite ticket sales, budgeting, and digital content production, primarily on Instagram.
September 2022 to September 2023
Junior designer at Novembre Studio, Milan
Worked on design projects for international brands like Philip Morris and Golden Goose, as well as renowned artists (Blanco and Laura Pausini). Responsibilities included research, analysis, technical drawings, visual presentations, and creating social media content.
October 2019 to September 2022
Technical Assistance and Hostess at Selexi, Milan
Provided second-level technical support via chat and worked as a hostess for exhibitions and competitions managed by Regione Lombardia.
May 2021 to June 2021
Interior Designer (Internship) at Two Architecture Studios: Lorenzo Noè and Marco Valentino, Milan and Bollate
Completed two internships, gaining hands-on experience in interior design, technical drawings, and project presentations.
NATION
EXHIBITION
After the 2022 tour, Novembre Studio, Vivo Concerti and Blanco continue their collaboration with two event dates in the stadiums of Rome and Milan.
Blanco brought his audience a carefully crafted show, divided into 4 different moments, 4 acts of one big show that evolves and transforms into a journey through genres.
01_BLANCO STADI
Concert installation
Rome, 2023
STAGE ELEMENTS AND CONFIGURATION
KEYBOARD
CONSOLLE CUT FOR INPUTS
LIFT
BATTERY KEYBOARD
GRID FOR FILMING AND SPECIAL EFFECTS
STAGE SET UP PROPS
LATERAL LEDWALL ARCHES
CENTRAL LEDWALL
PLATFORMS
MOVABLE LUMINOUS SIGN
INFLATABLE TATTOOS
ENTRANCE / BONFIRE
“INNAMORATO” WRITTEN CONFIGURATION
ABOVE
Interval tracks 0-12 and 13-31
During the concert, the words “Innamorato” are suspended above the central screen.
BELOW Track 32
STAGE STADIO OLIMPICO - Rome
FRONT VIEW
FABRIC PLACEMENT BACK TO THE SCREEN
GOTHIC ARCHES CENTERED WITH RESPECT TO THE ROOF FABRIC
2 ADDITIONAL SIDE MODULES
FOOTPADS CENTERED WITH RESPECT TO THE SCREEN
STAGE SAN SIRO - Milan
FRONT VIEW
At the end of the last band block with the song “Vada come come” the scrim “Innamorato” drops down to skim the platform under the screen, allowing a glimpse of the remaining orchestra.
UPPER ALIGNMENT OF SIDE AND CENTER SCREENS
ORCHESTRA PLATFORM:
4 STEPS RISER 25 CM, TREAD 60 CM H.TOT. 1 M
2 ADDITIONAL SIDE MODULES
2 ADDITIONAL SIDE MODULES
Setlist 15-19
FIXED INSTRUMENTS ON STAGE CONSOLE ENTRANCE
COLLAGE REFERENCE
REFERENCES IMAGES
TRANSITION ELETTRONICO / ORCHESTRA
TRANSITION TRACK SPECIAL EFFECTS
COLLAGE REFERENCE
20. FOTOCOPIA
Consolle entrance
Linear fire
PIANO E ORCHESTRA
Setlist 21-25
CURTAIN OPENING AND ORCHESTRA UNVEILING ON PLATFORM PIANO ENTRANCE FROM LIFT LOWERING OF “INNAMORATO”
BAND
Setlist 26-32
INSTRUMENTS AND BAND ON STAGE ANGEL BALOON
COLLAGE REFERENCE
REFERENCES IMAGES
Tattooed sculptures
COLLAGE REFERENCE
REFERENCES IMAGES
Movement
orchestra entrance
inflatable angel
The exhibition designed by Novembre Studio explore Goya’s artistic growth by creating an itinerary that develops symbolically from light to dark, thus expressing the transformation of the artist’s works from the beginning of his academic training to the depiction of the horrors of the Spanish War of Independence.
Each section is thus characterized by a different tone of gray on which a continuous band develops, a long ribbon contrasting with the backdrop that embraces all of the author’s masterpieces. In the case of the most important works, the band breaks away from the wall, creating a sharp edge and bringing the painting with its enlargement beside it toward the viewer.
The theme of the gradualness of color finds a single interruption in the section devoted to war, which uses a vivid blood red as its background color.
“Working space through color with Goya was an inevitable choice. The darkness that slowly invests his works expands in the rooms of the Royal Palace and explodes blood red at the most dramatic moment. On this hue unravels a wall ribbon that supports the paintings and enlarges them with protruding wedges as if to touch the viewer, to awaken him from the torpor in which he was immersed through Goya’s revolutionary art.”
02_GOYA la ribellione della ragione
Art exhibition
Milan, 2023
CHROMATIC TIMELINE
SECTION 1
GOYA
PROTAGONISTA DEL SUO TEMPO.
L’APPRENDISTATO E GLI ESORDI
• Conventional painting
• Apprenticeship
1763
Beginning career
SECTION 2
IL POPOLO SI DIVERTE
A. IL GIOCO
B. LA FESTA
C. LO SPETTACOLO
• Sperimental painting
• Artist maturity
1774
Entry to the court of Spain
SECTION 3
LE COMMISSIONI
E LA CLIENTELA
A. LE
COMMISSIONI
B. LA CLIENTELA
• Painting freed from constraints
• Breaking the distance of the painter
SECTION 4
AMICIZIE ILLUMINATE
SECTION 5
VIGILARE E DENUNCIARE
SECTION 6
GOYA E LA GUERRA
• Revolution of the use of color and drawing accademico
• Approach to the Enlightenment
Paintings
Aníbal vencedor, que por primera vez miró Italia desde los Alpes 1771
Niños jugando a los soldados (from series “Juegos de niños” 1777- 1785
1785
1798
• Expressive language
• Critical sense of reality
1789
• Painting as denunciation of historical reality
• witness to the images of war
1808
War of independence Spanish
La casa de locos (from series “Cuadros de fiestas y costumbres”, 1/4) 1808-1812
El Coloso post 1808
SECTION 7
LA LIBERTÀ CRITICA E L’ALLARGAMENTO DELL’
IMMAGINAZIONE
• Autonomous painting
• Autonomous painting
1819
He retires from court life
de volar (from series “Disparates”, 13) 1815-1824
Don Francisco García de echaburu
Gaspar Melchor de Jovellanos
Modo
Colour palette
SECTION 1: Goya, protagonista del suo tempo. L’apprendistato e gli esordi.
SECTION 3: Le commissioni e la clientela
SECTION 4: Amicizie illuminate
SECTION 6: Goya e la guerra
SECTION 7: La libertà critica e l’allargamento dell’immaginazione
Room 37: BOOKSHOP
Kotva is a large department store, occupying a total area of approximately 25,000 square meters. It consists of six above-ground floors and three underground floors.The building’s exterior showcases a grid of hexagonal modules, creating a visually striking appearance.
The store currently offers a wide range of products, including fashion clothing, accessories, cosmetics, electronics, home goods, and more, featuring numerous well-known international and local brands. Additionally Kotva offers various amenities Zor visitors, including restaurants, cafes, and a rooftop terrace with panoramic views of Prague’s skyline.
The new KOTVA will be largely a rebuild of the present building, but it will be rehabilitated and built to be carbon neutral, with sustainability as a significant factor in both the materials used and the infrastructure installed.
The goal is to develop a world-class destination store with five floors (Lower Ground, Ground, Level 1, Level 2, and Level 5).
03_KOTVA Department Store
Refurbishment Store, Praga
Prague, 2023
DESIGN METHODOLOGY
FLOORING
An high level floor material to emphasize the customer flows
Materials and lightings aim to deliver high level systems CEILING
PORTAL BOUTIQUES
Entrances and partitions are characterized by finishing in line with the floor objectives
ACCENT COLOUR FURNITURE CAFÉ SURFACES GREEN
Prague’s colour palette becomes the reference to highlight the main areas
ARCHITECTURAL ELEMENTS
Finishings and details of furniture follow a incremental complexity
Materials used to higlight the uniqueness of each cafè
Use of greenery varies from floor to floor to fit the theme
Translucent
Bordeaux
Bordeaux
LOWER GROUND FLOOR HOMEWARE
Home Interiors & Furniture Lifestyle
Shops : 627 sqm
Service Area : 35 sqm
Others (circulation, storage) : 1180 sqm
TOTAL : 3643 sqm
GROUND FLOOR LUXURY GALLERIA
INTERIOR SURFACES
LUXURY GALLERIA/BOUTIQUES : 1437 SQM
Multi Brand Accesories : 300 sqm
Concept Store : 250 sqm
Piazza Cafe : 124 sqm
Changing rooms : 52 sqm
Champagne Bar : 32 sqm
Concierge : 21 sqm
Others (circulation, storage) : 1173 sqmÙ
TOTAL : 3472 sqm
LEVEL 1 CONTEMPORARY FASHION
Sneakerheads : 606 sqm
Gifting Concept : 510 sqm
Skate boarding & Active sports : 216 sqm Cafe : 250 sqm
Others (circulation, storage) : 1309 sqm Changing Rooms : 84 sqm TOTAL : 4528 sqm
LEVEL 05 FINE DINING + FOOD HALL
The interior design project for Live Nation’s offices aimed to create a dynamic and functional space that reflects the energy and creativity of the music industry. The design had to promote collaboration and innovation while embodying Live Nation’s identity as a global leader in event production and concerts.
We developed a concept that combines modern elements with details inspired by the music world, creating a stimulating work environment for the Live Nation team. The design focuses on using materials and colors reminiscent of the concert industry, such as metallic surfaces, LED lighting, and fabrics that echo the stage settings of concerts. The goal was to create a space that was not only visually interesting but also functional and welcoming.
LIVE NATION Offices
Milan, 2025
Space Legend:
- 1 open space (total 24 workstations)
- 2 semi-open spaces (total 6 workstations)
- 2 single-person offices (total 2 workstations)
- 4 two-person offices (total 8 workstations)
- 2 three-person offices (total 6 workstations)
- 2 four-person offices (total 8 workstations)
- 1 five-person office (total 5 workstations)
- 1 seven-person office (total 7 workstations)
- 2 meeting rooms
- 3 focus booths
- 1 kitchen with common space
- 2 technical rooms
- 1 server room (CED)
- 1 archive
TOTAL WORKSTATIONS: 66
1 - Offices
2 - Relax area
3 - Offices
4 - Office open space
5 - Metting room
6 - Gym
At Design Week 2023, the city of the future, inhabited by people who have converted to IQOS, is presented. Taking advantage of the strong connection between design and architecture, mockups of IQOSbecome the buildings of the city. Geometric patterns placed on them represent facades, and thanks to pedestals of varying heights the IQOS become buildings around which people can walk and interact. Philip Morris International continued its well-established collaboration with Novembre Studio with the creation of a large installation created for the Salone del Mobile. An immersive installation inspired by the IQOS community, where mock-ups of IQOS ILUMA PRIME devices represent facades of futuristic architecture of cities of tomorrow.
Metropolis IQOS Installation
Milano Design Week Installation
Milan, 2023
EXHIBITION: OFFICINA 31
In the exhibition space there are 4 large installations representing 4 cities on which mockups of the IQOS ILUMA are placed PRIME. Visitors can pass around the installations and walk through the space bounded by a perimeter of curtains supported by rails that frame and separate the exhibition area from the shop area, where IQOS products can be purchased.
IQOS ILUMA
- Last product of IQOS (unveiled in 2022)
- Improved for robustness, reliability, cleanliness and customization.
- Four main colors - illustrations To be made by referring to the 4 colors
PATTERN
The illustrations shown on the mockups, one for each main color of IQOS ILUMA PRIME, will represent building facades. For each main color of IQOS ILUMA, there are four different patterns depicting building facades, created with different geometric shapes. The pattern thus becomes an example of product customization and at the the same time it identifies the totem as a building of the city of the new community created in the layout.
MOCKUP
It’s possible to use the 13 mockups of IQOS ILUMA of 110 cm height and the 7 of 130 cm height available within the exhibit
Illustrations/patterns will be represented on the mockups
Illustration/ pattern reproduced on the mockups 130 cm
BRONZE TAUPE OBSIDIAN BLACK JADE GREEN GOLDEN KHAKI
Le installazioni rappresentano le città in cui vivono le persone che hanno abbandonato il fumo tradizionale e si sono convertite ad IQOS. Le quattro città sono create utilizzando curve di livello per innalzare gli edifici, rappresentati dai mockup delle IQOS ILUMA PRIME il cui wrap riporta i pattern creati. Le installazioni sono posizionate su semisfere cromate che, riflettendo il pavimento blu, sembrano quasi sollevarsi da terra. Il posizionamento di alcune sedute in linea con l’allestimento permettono di aumentare il tempo di percorrenza all’interno dello spazio.
LAYER CURVES
The installations consist of several layers at different heights where Iqos mockups are arranged
CHROME BASES.
The chrome-plated semi-spheres at the base of the installations reflect the floor by optically lifting the installations off the ground
IQOS ILUMA COLORS
The colors within the space refer to four colors of IQOS ILUMA PRIME.
ARCHITECTURAL REDESIGN USING CURTAINS
Curtains are placed around the perimeter of the space to divide the room.
One of four limited edition wrap patterns is presented on the facade of Workshop 31. With the aim of making the shape of the facade's intervention area elegant and architectural, a graphic frame that through different levels of color and shadows creates a three-dimensional effect. At the top of the facade is placed a rigid flag that echoes the main colors of the pattern on the shaft of which is is located a chrome-plated sphere.
ENTRANCE
SIGN ENTRANCE
The entrance consists of an immersive hallway with dynamic LEDs on the walls that accompany the visitor to the entrance where a white curtain filters the entrance. The floor consists of blue carpeting that also continues into the main hall.
VERTICAL LED LIGHTS
Dynamic LEDs on the walls make it possible to create a space that is immersive.
BRAND IDENTITY.Thanks to dynamic LEDs, it is possible to illuminate the space with thecolors of the brand identity of IQOS.
TENT ENTRANCE
Access to the exhibition space area is via a white curtain
The Metropolis inscription at the entrance to the installation features the four limited edition patterns within the fielding of the different letters.
INTO THE WATER
Land art (thesis project)
INTO THE ICE
During wintertime the lake water passes through the structure and freezes. The ice will spread along the structure and on the vertical tubes.
Winter season view
Platform 1: Solid state
INTO THE WATER
Platform 2: Liquid state The lake water is pumped and filtered through the structure. The water comes out through holes, creating a waterfall effect.
Section BB’
Programs: Autocad 2D and Photoshop
Spring season view
INTO THE STEAM
Platform 3: Gas state
The water is nebulized and dispersed through the structure. Evaporative cooling, known as nebulization, is obtained by forcing the liquid to pass through an orifice having a very narrow section.
Summer season view
Technical data:
Maximum height: 3 meters
Diameter: 0.50 meters
Maximum length: 10 meters x 10 meters
A plant equipped with:
- Reintegration;
- Filter for water recirculation with removable basket screen;
- Electronic level control unit for management of make-up water;
- Drainage system;
- Chlorine dosing system;
- Electrical and management panel;
- Number 2 centrifugal electric pumps;
For water operation: installation of n° 2 horizontal monobloc centrifugal electric pumps having a flow rate of about 70 m3/h with a head of 15 m with a committed electrical power of about 4 Kw. In the “steam” case, specific nebulizer nozzles will have to be used, which will operate at high pressure and low flow rate. Considering employing 20 nebulizers, the pumps should provide a flow rate of about 5 m3/h with a head of at least 200 m with a committed electrical power of about 8 kW.
Section CC’
Programs: Autocad 2D e Photoshop
Programs: Autocad 2D and Photoshop
