John Eric Home & Lifestyle Magazine | JAN | MAR | 2026

HOME & LIFESTYLE

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JAN | MAR 2026

WRAPPED IN QUIET LUXURY HOW COMFORT, CRAFTSMANSHIP, AND SIMPLICIT Y ELEVATE THE SEASON.

Compass is a licensed real estate brokerage that abides by Equal Housing Opportunity laws. Information is compiled from sources deemed reliable but is not guaranteed. All measurements and square footages are approximate. This is not intended to solicit property already listed.

Compass is licensed as Compass Real Estate in DC and as Compass in Virginia and Maryland. 1232 31st Street NW, Washington, DC 20007 |202.448.9002

WASHINGTON, DC | LONDON | SANTA BARBARA, CA

JOHN ERIC Global Real Estate Advisor +1 703 798 0097 john@johneric.com

JAN | MAR 2026

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7 | Letter from the Publisher 8 | John’s Favorites 16 | Design Feature Georgetown Gem - The renovation of this small, but mighty penthouse in the heart of Washington, DC combines global sensibilities with historic charm 18 | Details Cozy up and bliss out with these luxury aromatherapy sets.

20 | Designer Spotlight Peter Miles, AIA, Principal, The Drawing Board, Inc., 24 | Architectual Icons Discovering The Louvre Abu Dhabi 28 | Bookworm When I Kill You: A Novel by B.A. Paris 30 | Architecture and Design – Meet Gregory Phillips, world-renowned modernist architect.

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38 | Craftsman Masters of Modern Tradition – Travis Ruttkamp and his Archer Brand.

64 | Stylist t’s all about burgundy and maroon this season.

44 | Property Spotlight – Dive into a quintessential English residence.

66 | Don’t let the winter ravish your skin.

50 | Black Book The best places to have a spot of tea in London.

68 | Tea for two on a cold winter’s day.

52 | Destinations Cruising in elegance with The Ritz Carlton.

58 | Epicure Luxe The Pinnacle of Parisian Haute Cuisine – Inside Three of the City’s Finest Restaurants 60 | Mixology Our mixologist has mixed amazing cocktails to keep you warm on a winter’s night.

62 | It’s all about cashmere.

70 | The luxe materials of cold weather.

72 | The Greats paint the season.

74 | Buzz The news that people are buzzing over.

75 | Culture Manif d’art 12 in Québec, the 2nd Malta Biennale, and Renoir & Love.

76 | Diplomacy News and events from the diplomatic community.

HOME & LIFESTYLE

FOUNDER | Publisher John Eric Managing Editor Angela Casey Senior Editor-at-Large Louis Kwasniewski Creative Director Hillary Broadwater

30 78 | Cultural Perspectives – Selling real estate in The United Kingdom and The United States – do the twain meet?

84 | Real Estate John Eric brings you the best in luxury real estate from all across the metropolitan region and the country.

Design Contributor Sherry Moeller

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Master Mixologist Charles Tappan EDITORIAL e-mail | angela@johnerichome.com ADVERTISING phone | 703.798.0097 ONLINE www.johnerichome.com

©2025 John Eric Home & Lifestyle Magazine All Rights Reserved.

John Coloe Photography

Come home to extraordinary.

At ANTHONY WILDER, we design and build spaces you can’t wait to come home to. Our in-house architects, interior designers, project managers and craftsmen work together to create custom design solutions just for you. We mind every

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detail, so you can simply live—and love—the life you’ve built.

A N T H O N YW I L D E R .CO M

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Welcome “There are far better things ahead than any we leave behind.”

— C.S. Lewis A new year always invites reflection. We are encouraged to make resolutions, to reinvent ourselves, to speak about lofty goals and promises. I have never been one for resolutions.

They are rarely kept, and even more rarely remembered.

Instead, I prefer to choose a single intention for the year.

One idea. One focus. One commitment that feels both meaningful and attainable. This year, I intend to create more space for what truly inspires me and to bring that sense of inspiration into every corner of this magazine.

Winter is a season of quiet beauty and renewed perspective, and it feels like the perfect moment to introduce several exciting additions to John Eric Home and Lifestyle.

Beginning with this edition, you will discover new sections that reflect the evolution of our readers and the world around us.

Our new Architectural Icons series celebrates the buildings and designers who shape the way we live, from historic masterpieces to contemporary innovations. “Diplomacy,” one of our most popular features, has now expanded globally. The stories and personalities influencing international culture, politics, and lifestyle deserve to be explored on a broader stage, and we are delighted to bring that global conversation to you. We have also reimagined our food and mixology sections for the year ahead. Expect thoughtful profiles of the best restaurants in the world’s leading cities. From the kitchen to the cocktail glass, we will be showcasing the elevation of dining and drink. In addition, our “Stylist” section has been given a new twist, illustrating the use of fashion and color in both men’s and women’s worlds.

We will also be concentrating on the rare, not the ubiquitous. This comes in the form of a new artisan feature which focuses on the artists who have perfected their individual crafts, a highlighted property that illustrates uniqueness, and features on cultural perspectives that we are sure you will enjoy. Our “Destinations” feature has also shifted from cityscapes to luxury experiences.

Our other features will remain untouched. The popular “Book Nook, Details, Black Book, Home Design, Culture, and Buzz” will still offer our readers all the content that you have grown accustomed to.

As we step into 2026, I hope this winter edition inspires you to reflect, to savor, and to embrace the year with curiosity rather than pressure. Choose one intention. Let it guide you. And let this issue be your companion as the year unfolds.

John Eric Publisher John Eric Home & Lifestyle Magazine

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JOHN’S FAVORITES MY PERSONAL BEST

1. St. Moritz SWITZERLAND

Whenever I return to St Moritz, I feel as though I am stepping into a world where winter has been perfected. The light alone is worth the journey, that famous champagne glow that makes every run feel cinematic. Mornings begin on immaculate pistes and end with long, indulgent lunches by the lake, where time seems to slow in the most elegant way. Evenings are a constellation of ritual, from refined hotel bars to dinners that are part of the resort’s storied social history. In St Moritz, skiing is the heartbeat, but the lifestyle surrounding it is what brings me back year after year.

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Ski Essentials BEST RUNS: Corviglia for long, elegant carving.

Corvatsch for big mountain drama and panoramic views.

Diavolezza for a more adventurous glacial experience.

BEST HOTELS: Badrutt’s Palace Hotel Kulm Hotel St Moritz Suvretta House SEASON WINDOW: Late November through mid-April with the most reliable conditions from late December through early March.

SNOW QUALITY: Dry, light and consistently groomed with the famous champagne climate that delivers bright, cold, sun filled days.

2. Courchevel FRANCE

Courchevel is where I go when I want skiing and sophistication to live in complete harmony. The sheer scale of Les Trois Vallées means I can chase fresh snow for hours, yet somehow the day always ends in a chalet or restaurant that is perfectly placed and beautifully curated. There is a certain ease here, a blend of Michelin-level dining, sweeping views and a cosmopolitan crowd that makes every moment feel elevated. I come for the mountains, but Courchevel always reminds me that winter can be as chic as it is exhilarating.

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Ski Essentials BEST RUNS: Combe de la Saulire for sweeping high altitude descents.

Crest Voland and the gentle tree-lined pistes above 1650.

The runs that connect into Méribel and Val Thorens for a full Trois Vallées exploration.

BEST HOTELS: Hotel Les Airelles Cheval Blanc Courchevel L’Apogée Courchevel SEASON WINDOW: Early December through late April, with peak conditions from mid-December through March.

SNOW QUALITY: Beautifully maintained grooming, exceptional coverage, and abundant powder in the higher bowls.

3. Whistler Blackcomb CANADA

Whistler gives me energy unlike anywhere else. The mountains feel endless, the terrain full of possibility and the village alive in a way that makes even the coldest days feel warm. I love the rhythm of Whistler life, from bold runs in the high alpine to afternoons spent discovering inventive cocktails and unexpectedly good food in the heart of the village. There is a sense of welcome here that is distinctly Canadian, and it keeps me returning whenever I want a winter that feels both adventurous and effortlessly fun.

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Ski Essentials BEST RUNS: Peak to Creek for an unforgettable long descent.

Harmony Bowl and Symphony Amphitheatre for soft, open fields.

Blackcomb Glacier for a true alpine challenge.

BEST HOTELS: Four Seasons Resort Whistler Fairmont Chateau Whistler Nita Lake Lodge SEASON WINDOW: Late November through May with deep mid-winter snowpacks from January through March.

SNOW QUALITY: Famous for its volume and variety with plentiful soft powder and excellent high alpine conditions.

4. Aspen/Snowmass COLORADO, USA

Aspen is my reminder that a ski trip can be as much about culture as it is about snow. I can spend the morning exploring perfectly groomed trails across one of four mountain areas — from mellow beginner runs to steep, world-class steps and the afternoon wandering through art galleries, sipping something wonderful, or simply taking in the hum of the town. Aspen has an unmistakable pulse, shaped by artists, athletes and travelers who treat the season as a celebration. With its diverse terrain, refined dining, and soulful charm, it is the place I choose when I want my winter to feel both exhilarating and beautifully enriched.

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Ski Essentials BEST RUNS: Highland Bowl for experts seeking a bucket list climb and descent.

Ruthie’s Run on Aspen Mountain for classic carving.

The Big Burn on Snowmass for wide open cruising.

BEST HOTELS: The Little Nell Hotel Jerome The St Regis Aspen Resort SEASON WINDOW: Late November through early April with peak conditions from late December through February.

SNOW QUALITY: Light Colorado powder with beautifully groomed trails and reliable mid-winter storms.

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GEORGETOWN GEM

THE RENOVATION OF THIS SMALL, BUT MIGHTY PENTHOUSE IN THE HEART OF WASHINGTON, DC, COMBINES GLOBAL SENSIBILITIES WITH HISTORIC CHARM

By Sherry Moeller Photos by Anice Hoachlander

A Georgetown penthouse renovation proves that having creative owners and equally innovative and collaborative design and build teams can make renovation dreams come true. When the team at Anthony Wilder Design/Build, www.anthonywilder. com, and interior designer Benjamin Johnston, www.benjamin-johnston.com, came together, the challenging, yet rewarding, redesign of this top-floor condo in the heart of Washington, DC, became a reality. With an outdoor terrace and clear views of the Potomac River and area bridges, this third-floor home had so much potential. “This is Georgetown reimagined, every detail counted,” says Anthony Wilder, founding principal of Anthony Wilder Design/Build. “Artistry is what it is all about.”

In a bespoke building originally built in 1909, the renovation of the 1,695-square-foot penthouse took about eight months to complete. The elevator, stair entry, and railing into the unit were completely redesigned, and rooms were reconfigured, including the kitchen, which was moved from the back of the condo to the front and center between two parlors.

Scaffolding was constructed to hoist large, delicate sheets of marble to the top floor via a lift or crane.

“We knew that converting this previously renovated condo into the owners’ dream home would be a great challenge,” says Anthony Wilder Architect Sean Mullin. “But we were ready to take it on,” says Mullin, adding that renovating condos in general can be challenging due to access limitations and stacked plumbing and mechanical systems.

The main goal was to capture the storied history of the building and add vibrant new elements along with the owners’ extensive art and objects collected throughout the years, especially during their travels.

Baseboards were custom-made to reflect the building’s past, while black lacquered doors coated

in 12 layers of paint from Fine Paints of Europe provide a dramatic contrast against the white walls.

Johnston’s design aesthetic leans modern and minimalist, blending seamlessly with the penthouse’s classical architectural details. A curved sofa and a two-tier glass coffee table create a more formal parlor on one side of the kitchen, while a more casual parlor features a sectional and a projector system hidden in the millwork. Both spaces feature massive marble fireplaces. The two-bedroom, two-bathroom home includes a polished and primped primary bedroom designed with a more feminine edge, while the adjacent primary bathroom combines function and beauty. Overall, the Georgetown home is now a reflection of the talents of the design team and the global sensibilities of the owners.

Left: The transformed stairwell now offers easy access to the foyer and adjoining rooms. Top Left: The kitchen centers on a modern marble Eggersmann island with one-touch drawers and hidden appliances. Top Right: Vintage and contemporary lighting accents the formal parlor, where window-lined walls and detailed trim frame the view.Bottom Left: Soft-lined furnishings and light upholstery create sophisticated, inviting spaces, including the art-filled second parlor.Bottom Right: Calacatta Vagli marble surrounds the fireplace in the feminine primary bedroom, topped with a large vintage metal-and-crystal chandelier.

DETAILS IT’S ALL IN THE DETAILS

Relaxation Being stuck indoors during the winter months doesn’t mean that the scents of the outdoors remain out of reach.

Here are all the best aromatherapy sets to lighten and brighten your spaces.

PORTALS LUXURY AROMATHERAPY SET | $250 A beautifully curated set that feels very refined and is designed for a premium sensory experience. Spirit (Periwinkle), Orange Blossom Ylang Bang (Citrus), Pink (Floral), Gypsy Night (herbs), and Cedar Fever (Woodsy). AROMELY ARO‑MAX SMART DIFFUSER SET | $520 Transform expansive interiors with effortless scenting and sophisticated ambiance. This set pairs advanced coldair diffusion with curated essential oils for a high-performance aromatic experience. Built for large homes and commercial venues with HVAC compatibility. Scents included are Fresh Linen, Delighted, and Ocean Desire.

NEBU NL200 BUNDLE BLUETOOTH DIFFUSER + 2 FRAGRANCE OILS | $290 This diffuser can scent up to 800 square feet. Using Bluetooth, 9 custom scent levels can be set and up to 5 daily schedules to create the perfect experience. There's also a custom feature to choose when to spray, how long to spray, and even how long to wait between sprays. MADE IN THE SHADEY ULTIMATE RELAXATION LUXURY BOX | $279.95 A full spastyle box with aromatherapy items tailored for rest and relaxation. This set includes a signature organic soap collection, essential oil aromatherapy trio sprays, and duo rollers. It includes Appalachian wildflower raw honey and organic herbal loose-leaf tea, along with a natural coconut wax fragrant candle and wooden matches.

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DESIGNER SPOTLIGHT THE BEST OF THE BEST

PETER MILES

Peter Miles, AIA, Principal of The Drawing Board, Inc., www.thedrawingboardinc.com Photos by Mariah Miranda, Kate Wichlinski, Jennifer Hughes, Stacy Zarin Goldberg

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Peter Miles, AIA, Principal, leads The Drawing Board, Inc. team, earning his Master of Architecture from The Catholic University of America.

Born and raised in Annapolis, Maryland, Peter has worked at the firm for more than 10 years and is now the principal. His broad range of experience includes projects in the Washington, DC Metro region, as well as participation in international design competitions.

The Drawing Board, Inc. is an architectural firm dedicated to the design of exceptional residential homes including new homes and renovations, as well as select commercial projects. Based in Washington, DC, The Drawing Board crafts homes that blend timeless architectural styles with contemporary living, emphasizing proportion, high quality materials, and enduring elegance. Its hands-on process involves close collaborations between the principal and partners, clients, and industry partners. Each work is a unique synthesis of this process, producing projects that reflect the desires of the clients.

Joey Barrick, Partner, holds a Master of Architecture from The Catholic University of America and has worked on multi-family residential, corporate retail, and high-end custom home projects.

Filipe Silva, Partner, holds two Masters degrees in Architecture and City and Regional Planning from The Catholic University of America.

His multicultural background and hands-on construction knowledge influence his innovative approach to all Drawing Board projects.

1. When did you decide you wanted to be an architect?

What made you decide this career path?

I’ve always liked making things. I spent hours as a kid playing with Legos – the old kind that you were just free-form to make whatever you wanted. I knew from when I was little that I wanted to do something that involved design and construction. I think having a father as an architect made that the obvious route.

2. What is the best part about being an architect? Most challenging part?

The best part about being an architect is coming up with designs and ideas and then having them built. We live in a world that’s increasingly digital, so to work on something that will turn into an actual physical object is very rewarding.

It’s also the most challenging part; the entire process can be years long. It takes a lot of focus to develop a good idea into a good building.

3. Describe the design competitions you participated in that were in other countries? How did they influence your work today? What else influences your work today?

I have participated with a former professor, Miriam Gusevich, on several international design competitions. In general, the competitions were for very large urban-scale projects either dealing with challenging subjects and sites, which was the case for the Babyn Yar memorial competition in Kyiv. The competitions helped me understand how presentation, focus, and clear communication are essential to carry a project through to completion. It’s important that stakeholders feel ownership in the design so they become advocates for the project.

Exposure to a wide variety of styles and buildings through travel and research is a major influence; however, that’s meaningless without a context. I find that our clients provide that context: through their lifestyles, interests, and individually I work to create a design that is architecturally authentic – in a physical sense – and emotionally authentic in the way it connects with our clients’ day to day lives.

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4. The Drawing Board, Inc. was founded by your father.

How has the company’s vision evolved since you have been in charge?

We’ve embraced the challenge of reinventing an architecture firm in the 21st century. The coming tidal wave of technological change (AI, manufacturing, green technologies, etc.) provides tremendous opportunities for those positioned to take advantage.

5. Describe how your team - you, Joey, and Filipe - work?

Do you each take a project, collaborate on some, etc.?

I tend to manage projects and provide client-facing services on our projects while partnering with Joey or Filipe as a design and production collaborator on each one. This has allowed each of us to lean into our strengths and ensures that at least two people in the firm are heavily involved in each project.

6. What are a few of the current projects you’re working on?

We’re in the final stretch of construction for a modern beach home and are also designing some exciting additions and renovations to very traditional homes. Joey and I are nearly complete with an expansion and renovation of our own home, while Filipe is also renovating his home. We’ve all been experiencing both sides of the coin for the last couple of years.

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7. What is a dream project?

One with an enthusiastic client that has an appreciation for good process and good design, an interesting site, and a top-notch team. Once that’s in place, having a challenging brief or site would really let us provide a creative solution.

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ARCHITEC TUR AL ICONS

THE LOUVRE The Louvre Abu Dhabi is exquisite. It does not so much sit on the shoreline of Saadiyat Island, but seems to hover above the water, creating a lowlying constellation of white pavilions gathered beneath a vast silver dome.

It’s the work of French architect Jean Nouvel, a Pritzker Prize winning designer, who brings together desert light, tidal waters, and a world-class art collection, on loan from Paris, in one unique gesture.

The approach to the Louvre Abu Dhabi has a cinematic feel. Stepping out of the car, a horizon of sea and sky greets you, anchored only by the pavilion forms. Very quickly, it becomes

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clear that this is not a single building, but a small coastal town devoted to art.

Jean Nouvel did not want a conventional isolated monument.

Instead, the architect conceived a composition that recalls a historic medina, with fifty-five low-rise pavilions linked by lanes, plazas, and courtyards.

Each gallery feels like its own house, and each outdoor space suggests a pocket square. Moving from one collection to the next resembles a stroll through an old quarter rather than a typical walk along a museum corridor.

The result is urban and intimate at the same time, a place that invites wandering and slow discovery.

ABU DHABI

At the heart of the complex stands the dome, a disc of steel and aluminum, which is nearly 600 feet wide and appears to float above the entire museum. Nouvel’s team arranged thousands of geometric stars into a complex lattice, then stacked them in many layers, so that daylight filters through drifting shafts and points.

As the sun moves, light travels across stone floors, creating the famous effect known as the rain of light. Pools emerge to create the effect of a moving constellation. The pattern recalls traditional mashrabiya screens and the shadows of palm groves, yet the overall impression is strikingly contemporary.

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Jean Nouvel In the climate of Abu Dhabi, the dome serves as both an act of environmental comfort as well as a visual signature. It works like a vast parasol that lessens the intense sun and reduces glare, while still allowing a silvery, diffuse daylight to reach the outdoor spaces.

Temperatures beneath its canopy feel noticeably cooler than in the city streets outside. Breezes drift through shaded passages, and the constant movement of light and shadow across white concrete creates a gentle rhythm about the place.

At the edges of the museum, Nouvel’s idea of a city on the sea becomes fully visible. Platforms and terraces step gradually toward the water, and at high tide, some appear almost surrounded by the Gulf, blurring the boundary between land 26

and sea. Narrow channels run between buildings like contemporary versions of old irrigation canals, mirroring fragments of the dome overhead. Sit on one of the low walls at dusk, and the architecture seems to loosen, with reflections shimmering on the water and boats tracing quiet lines offshore, until the museum feels more like a modern waterfront village than a formal institution.

Inside, instead of organizing works strictly by geography or school, the galleries follow a chronological sequence of chapters that place objects from different cultures side by side. Visitors are invited to read history as a shared story of human creativity rather than a set of separate national tales. As the first universal museum in the Arab world, it carries a cultural message

JOHN ERIC HOME & LIFESTYLE

as strong as its architecture. Jean Nouvel’s calm, rigorous design gives each artwork space and gravity, enhancing its presence without overwhelming it.

For travelers who love design, the most rewarding time to visit is from late afternoon into sunset, when the low sun heightens the drama of the rain of light beneath the dome.

Among the new icons of the Gulf, this museum city by Jean Nouvel has a rare quality. It does not shout for attention, yet it’s the building that tends to stay with visitors long after their flight home.

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BOOK WORM BEST READS

When I Kill You A Novel

BY B.A. PARIS RELEASE DATE: FEBRUARY 17, 2026 Who is watching Nell Masters?

Main character Nell Masters is certain that someone is following her. The hairs on the back of her neck rise when she travels to and from work. There are silent calls to her office, and a huge bouquet arrives without a card. Readers soon find out that Nell has a reason to be looking over her shoulder.

She has a secret that she’s hiding from everyone in her life, including her new partner, Alex. But Alex also has secrets of his own.

New York Times bestseller B.A. Paris is known for her gripping psychological thrillers that keep readers on the edge of their seats. She has earned a reputation for twists that shock and suspense that captivates, while her storytelling combines intricate plots with deep psychological insight. True to form,

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she has again returned with a new unsettling suspense novel.

Paris takes readers on a psychological journey while trying to piece together the puzzle. Not only do questions arise, but readers will also question everyone, including the narrator.

Nell is one of those characters who seems to be holding it together until you realize that she’s not. Although timelines move, there’s a creepy undercurrent that seeps through every chapter. It’s a great read!

GREGORY PHILLIPS AND HIS MODERN LUXURY HOMES

Contemporary aluminium/glass addition to Georgian house and historic barn 30 JOHN ERIC HOME & LIFESTYLE

“It's a lot of things, a house.”

So says Gregory Phillips, who knows an awful lot about houses and homes. Phillips, a renowned and award-winning modernluxury British architect, has built a career on understanding the needs and wants of houses and their occupants. He has imagined these structures since childhood.

“As a boy, I just liked drawing and imagining houses,” he says. “I didn’t know how that would go. At school, I was really good at mathematics and the sciences, it wasn't obvious that I'd become an architect. But then I went to see my headmaster when I was 18. I had two ideas of things to do. One of them was to study computing, and the other one was architecture. And he said ‘architecture,’ and I thought that sounded more interesting.”

That decision led him to architecture school, where he arrived armed with a self-made portfolio created in his spare time. Midway through his studies, something shifted. “After about a year and a half, it clicked,” he remarks. “I suddenly understood how drawing turned into threedimensional space. It was a real eureka moment understanding the concept of space and form. And I've just carried on doing it ever since,”

Gregory standing on staircase in new house, brick structure, timber treads and risers, glass balustrade, leather handrail

FOUNDATIONS OF THE MAN WHO BUILDS THE HOUSES Phillips’s training followed the traditional British arc of education – three years of undergraduate study, a year in practice, then two more years culminating in a master’s degree at the famed Macintosh School of Architecture in Glasgow. “That was a fantastic learning experience,” he says. “A very special place.”

He went on to work with David Chipperfield at a moment when his practice was young. “I worked for David Chipperfield Architects when they were very, kind of, an up-and-coming office. I was the guy who did the houses in the office. We had some incredible clients. I saw that a house project involves considerable design and client collaboration, and I really enjoyed that process.”

When he launched Gregory Phillips Architects at just 28, he did not expect that houses would become his life’s work.

Over time, he realized his passion. “I shaped my office, that we'd specialize in luxury contemporary houses, and we'd be a bespoke office that only did that. And we'd be really good at it. I was always upset when people would claim that their architects didn't spend enough time on details, and got things wrong, or missed things out, and I wanted to have the kind of office that absolutely did a fantastic job every time.

And we aim for every job to be our best.”

This ethos has propelled Gregory Phillips Architects forward in a powerful way. Projects have gotten larger and more exciting within his niche of the design of modern houses.

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“The third component is our own life experiences of what works – of everything beautiful that we’ve seen.”

Award Winning timber clad house with double height entrance space and bedroom balconies

INSPIRATION BASED ON LOGIC When Phillips speaks about design, his explanation is both precise and reflective, equal parts intuition and structure. He frames the art of design around three central points. The client’s world, the landscape and site, and his life experience.

“As I said, I come from a background of mathematics and logic, and I think design is a large part of that. We start the project with a gathering of and an understanding of the facts. There's a lot of information from the client about all the things they want to achieve. On the functionality side of things, we bring to the conversation a lot of our past experience about what makes houses work well and what is lovely to experience.

“The second factor is where the house is located and the landscape/ location. If it’s a new house, we concentrate on the situation, the context, the sunshine, the views. Again,

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it's information gathering of where the best views are, what there is to appreciate, what works, what doesn't work in that kind of environment. If it's an old house, again, it's what's good about that situation. What has quality, what doesn't have quality. It's a kind of sensitivity to the site, to assess what it is. Those are the first two components of the jigsaw.

“The third component is our own life experiences of what works – of everything beautiful that we’ve seen.”

Threaded throughout his thoughts is also the importance of movement and perception. “I had a professor who said buildings exist to be looked at, moved through, and ordered in the mind,” he recalls. “It’s quite hybrid, I guess. There's a component of how the journey unfolds when you travel through a space, and then what you experience in that space. There's, again, a logic to how you put the different parts together. So, all of that is the jigsaw of puzzle pieces that we

try and keep floating in the air, as long as we can, so that when we bring them down, it makes sense, and then we try things out.”

BOTH ANCIENT AND CONTEMPORARY CONVERGE TO BUILD MODERN HOMES All arts – and architecture and design do have a place at the arts space table – require inspiration. For Phillips, it’s the conjoinment of inspiration and common sense that leads to his success.

“Sensitivity is definitely, I guess, the inspiration, but it's not like you look at one specific thing and that is the clue. It might be, there might be a metaphor, for example, if you're on the edge of a landscape – on the beach, so part of you is on the sand, but then part of you is on the road, or if you're in a landscape where there are big views – there are always conditions. I think the landscape is really important.

And enjoying seeing the landscape is

really important as well. But in lots of houses, in suburban situations, it's about the front and back. What's on the roadside, what's on the private side? Inspiration is greatly determined by situations.”

In describing his process, Phillips notes how digital tools have reshaped his studio. “The revolution for us is that for about fifteen years we’ve started every project with a 3D digital model,” he says. “We’re designing and changing it at the same time. It’s not just a presentation tool; it’s a learning tool. Sometimes, you could look at a site, and you get an instant response to what you think can work until you start drawing and testing what you know. The revolution is in the way we work.”

He contrasts this with the early days of physical models. “Cardboard models were always a freeze frame. You’d get the design to a certain point and then cut pieces of card. But a digital model lets you evolve everything simultaneously.”

Remodelling of historic barn retaining original timber beams and flint walling

Swimming pool in new build house with brick monoliths that extend into the landscape

HIS AND THE BRITISH WAY OF DESIGNING Phillips has roots in a distinctly British sensibility. “British architecture has had a fascination with detail for a very long time,” he says. “Modern British architects are also obsessed with detail, but in a different way. Detail is really important to us.”

Working in the British architecture space, he also understands historic design and uses his ability to move that element of history into present styles. As an example, Phillips mentions courtyards, drawing on centuries-old architectural precedents in the United Kingdom. “A lot of our contemporary country houses have the courtyard as a big theme,” he says. “It goes back to Oxbridge colleges, or castles centered around an open space.”

There is also the weather. The UK’s climate, which is generally mild but can be unpredictable, is a great consideration. This element sharpens Phillips’s attention to performance. “We definitely have weather,” he says.

“Days where it’s too hot without air conditioning, and days with snow, rain, and wind. The issue with the sunshine is we need to stop buildings overheating, so we need shade – overhangs and coatings on glass, and being mindful to not let our buildings need too much energy to cool them.”

Working with historic structures also presents different challenges. He describes a Georgian house that he is now working on, dated to the late 1700s. “It has solid brick walls that are designed to get wet and breathe, and they work with the fact that there used to be big open fires and windows that leaked air, so that there was enough ventilation. You wouldn’t die from the fumes of the fire. It gets wetter, and it gets drier, and that's how it works, and when you try and stop that, it fails, really. It's not easy to make that old building work like a new building. It’s just not designed for that.”

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His philosophy on the aged is pragmatic yet reverent.

“When we work on an old building, we want to conserve what is beautiful and well put together and makes sense. I'm not wedded to keeping things just because they're old, if they're not very good. In the UK, there are buildings and areas where the general aesthetic is protected. But I think adding a new wing in a contemporary style onto an older house is actually quite respectful of the history – it’s completely acceptable and is actually a good thing. I think, for us, who do luxury contemporary, we work with historic buildings, adding a modern aspect and bringing them up to the 21st century.”

CROSSING THE ATLANTIC Phillips first learned of the devastating California wildfires with sadness. “I was very upset to see the images – the loss, the pain,” he says. His usual work involves larger family homes in both LA and the UK, yet he felt compelled to help.

The Case Study Design Program of the mid-20th century aimed to bring affordable, modern, replicable homes to the United States after the Second World War. LA Case Study Design 2.0 was established to bring economic climate-resilience design with the shared aims of the original program in the rebuilding of Los Angeles.

Through contacts whom Phillips had known for several years, he became involved in Case Study 2.0.

“I was in LA, and for me, it was a chance to put something out there that could help. I thought if I could get involved with the rebuilding and do something good with what we offer, I’d like to.”

Phillips’ work on Case Study 2.0 is based on his climate-adaptive design and systems-based design thinking. As such, he designed homes for the project that are not only beautiful but also protected and fireresistant, and able to be prefabricated or installed in modules. The homes also incorporate multi-functional open space, so loved in LA. “I think the design worked out well – it’s got the kind of classic aspects of kitchen, dining, living, and a space that opens out onto the garden that's really the kind of spaces that our clients love to live in. The work is universal but works exceptionally well in California – throwing open the glass to have that indoor-outdoor feeling. But we've also used our UK sensibility in that the main body of the house is at the front of the site in a very compact form. And so, the living space is a single story, while we left as much outdoor space – a place for a garden, a pool and as much sunshine in that rear space as possible.

“I've put this design out there in the world, and I hope it lands for people. I think what we did was very much in the spirit of the original case study houses that

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Pacific Palisades Case study 2.0 proposition

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House in the Hollywood Hills with external infinity pool

could be important in universal solutions. We’ve looked at our scheme to see if it can also be made as a prefabrication or as a modular home. And it can be.”

A NATURAL FIT WITH AMERICAN CLIENTS Although Phillips is based in London, he is interested in expanding his work in the United States. He sees strong value in transatlantic collaboration. “I’m really keen to do more work in the US. We have a holistic sensibility, architecture, interiors, and landscape, which is unusual in the USA, although we are keen to collaborate with other designers. For US clients, we are like design consultants covering all aspects.”

Phillips notes that many of his clients in Britain have American backgrounds.

“Over the years, we have had clients, many of whom one of the partners has been American, so there's been a lot of blended, husband and wives or partner teams here in London. I feel our work has this affinity to these clients, as it is this luxury, contemporary style. It fits very well with people who are more used to seeing contemporary houses, which pretty much happens throughout the US. So, I believe our work is a good fit with American clients, both in the UK and the US.” Of course, Phillips’ experience in designing in the United States, as well as his accomplished work in the UK, makes him a good conduit that connects both worlds.

Focusing on the future

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Custom light fitting, bespoke furniture and bespoke fireplace all set in this new build house

Asked what he sees ahead for modern design, Phillips speaks not of aesthetics but of human needs. “Houses have to be sanctuaries,” he says. “A protected place. A safe place.”

He notes the rise of multi-generational living. “People want homes where elderly parents can live with them, or where kids and grandkids can stay over,” he says. “Others want houses made for entertaining. And of course, many people work from home. A house has to do all of that.”

Through it all, he believes modern architecture enhances daily life in profound ways. “When you do it well,” says Phillips, “modern architecture gives people a different kind of lifestyle. Being with nature, being with the outside – volumes, detail … all of those things are transformational.

They lead to a very enjoyable place to live.”

From the boy sketching imaginary houses to the architect shaping bespoke contemporary homes, Phillips has traveled a remarkable journey. His approach remains anchored in attentiveness – to his clients, to climate, to craft, to context, and to the daily rituals that turn a house into a life.

“We aim for every job to be our best,” he says simply.

And in that commitment, design becomes more than style. It becomes the way for how people live.

Gregory Phillips | Gregory Phillips Architects www.gregoryphillips.com gp@gregoryphillips.com +44 20 7724 3040

Indoor and outdoor spaces merge in this award winning new build house set in 20 acres

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CRAFTSMAN MASTERS OF MODERN TRADITIONS

Turning a Layover into An American Menswear Standard 38

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When most people recall the moment that changed their life, it rarely begins with a canceled flight and luggage that was sent ahead. But for Travis Ruttkamp, the founder of Archer, a brand redefining American menswear, that’s exactly how it happened.

“I was stuck in Chicago with no clothes for two days,” he recalls. “Our luggage made it back to New York, but we didn’t.” He wandered into the nearest clothing store, a well-known luxury retailer, expecting to grab a few items of clothing. Instead, he found himself staring at “cheap fabrics, sloppy construction, and dull colors.”

A contrast hit him. Only days earlier, he had been in Tokyo, immersed in the world of Yohji Yamamoto – one of the most respected designers alive. “Spending time with Yohji completely changed the way I thought about clothing,” he says. “The level of detail, the quality of the fabrics, the precision… it was on another level.” That Chicago store, in all its mediocrity, was the catalyst for the founding of Archer. “I realized right there and then that I wanted to start my first brand.”

The Arts of Precision and Perfection Ruttkamp’s time in Japan remains a cornerstone of his creative DNA. “Japan taught me precision,” he remarks.

“Observing Yamamoto work was like taking a living masterclass in design. Seeing his meticulous attention to craftsmanship, the careful selection and drape of fabrics, and the seamless blend of functionality and elegance had a lasting impact on how I approach my own work. It reinforced the importance of precision, thoughtful material choices, and creating pieces that are both beautiful and practical.”

He then went on to train with and observe master tailors in Italy. Here, he learned the art of perfection as taught to him by storied Italian craftsmen.

“My journey has taken me from studying craftsmanship in Japan to working alongside master tailors in Italy, where I learned the importance of perfection in every stitch.

Those experiences, combined with building a brand rooted in American heritage, have shaped how I approach each garment design.”

Japan gifted him precision, Italy perfection, and America has given him heritage, purpose, and a market hungry for quality-driven menswear.

The Mindset Some designers begin with a sketch. Others begin with a mood board. Ruttkamp begins with fabric.

“My creative process always starts with the material,” he explains. “I look for high-quality natural fabrics with texture and functionality, and then I ask myself – What would this

be perfect for? What inspires me is the pursuit of elevating everyday dressing. I love pieces that age beautifully and serve multiple roles in a man’s wardrobe.”

That philosophy birthed his first garment – an elevated T-shirt he could never find, one refined enough for a sport coat yet relaxed enough for jeans. “As my style evolved, so did the line.” Today, his focus is trousers. And those trousers are the heart of Archer.

The Archer Ethos “Archer was born from a gap between athleisure and traditional dress pants. I wanted the comfort and easy-care performance of athletic wear, but with the drape, refinement, and look of a beautifully tailored dress trouser.”

The result is a line of trousers that blends luxurylevel fabric with purposeful design and a tailored silhouette.

“It’s world-class fabric meets true American craftsmanship,” he says.

“Every garment is made from scratch in Rochester, NY, using materials chosen not just for their beauty but their quality and performance.”

The brand uses merino wool from one of Milan’s most renowned mills, prized for its quality and sustainability. “Our wool has a ‘dry hand’ which makes it more durable and wrinkleresistant while giving the trousers a soft, elegant drape.” The fabric is machine washable, breathable, moisture-wicking, odorresistant, temperature-regulating, and subtly stretchy thanks to a sustainable Japanese yarn.

Ruttkamp’s commitment to fabric reaches beyond just quality. “I still remember being in a major fabric store in New York early in my career, trying to absorb everything I could about textiles. One of the store managers picked up a small swatch, pulled out a lighter, and held a flame to the edge. He watched it for a second and said, “It didn’t melt, so it’s natural.” It was such a simple test, but it opened my eyes to how much you can learn from fabric by really engaging with it. Moments like that sparked my obsession with highquality natural materials and the role they play in great clothing.”

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Travis Ruttkamp, the founder of Archer,

The Custom Process—Perfecting the Fit “Wearing custom-made clothing is important because it ensures a perfect fit rather than relying on off-the-rack adjustments. Some men only need minor tweaks, like opening or reducing the waist and seat, while others, especially those with athletic builds, require more room in the thighs, seat, and calves. When trousers are made from scratch, every detail is precise – no bunching at the waist, no awkward spacing between the back pockets. The result is a garment that not only fits perfectly but also looks effortless and just right.”

Each piece of custom clothing that Ruttkamp designs goes through a two-step process – first, the design, then the customization.

He, of course, starts to design with the fabric. But unlike many designers who begin by pairing a design to a material, Ruttkamp does the opposite. “I first chose a material. Then I decide on the type of garment the fabric would be perfect for.” From there, he sketches designs that balance classic silhouettes with details, focusing on proportion, movement, and an evergreen appeal. “Once the design feels right on paper, I move into prototyping, testing fit and performance, and refining every detail until the piece meets both aesthetic and practical standards.”

And how does the customizing process at Archer work?

The process of creating a custom-made garment 40

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depends on the customer. “Some clients already have a pair of trousers that they love and simply want us to recreate the fit in our fabrics. Others struggle to find pants that fit off-the-rack. Some know exactly what they want. Others have never found trousers that fit.

“We send a sample pair in our standard tapered fit and adjust the pattern based on the client’s feedback. Because each pair is made from scratch, we can accommodate almost any fit needed and offer details like side adjusters, cuffs, pleats, and more. Once we have the client’s fit dialed in, we then save it on file, so we always know how to make their perfect trousers. Each garment is then made in Rochester. The goal is always the same: a personalized fit that feels effortless and looks refined.”

Archer’s custom service reflects the brand’s ethos – personal, precise, perfect, and grounded in craftsmanship.

It’s a thoughtful, quality-driven approach that puts craftsmanship at the center of everything they make.

Who Wears Archer?

Archer’s clients share a common thread – they value quality, simplicity, and ease. They’re men who want clothing that performs as well and pieces that make looking polished effortless.

“Our clients are typically working professionals who value classic wardrobe staples. They lead active, pragmatic

lives and look for clothing that performs as well as it looks, whether at the office, traveling, or on the weekend. They appreciate refined fabrics, thoughtful construction, and versatile pieces that combine functionality with timeless style, allowing them to feel polished and comfortable in any setting.”

These are men who appreciate craftsmanship, natural fabrics, and timelessness. Men who want their wardrobes to work for them.

Unsurprisingly, Yohji Yamamoto remains Ruttkamp’s north star. But he also looks to “brands that have held the torch for quality and refinement in menswear” – Loro Piana, Brunello Cucinelli, Isaia, Kiton, and Zegna. “They never waver from their identity,” he says. “That inspires me to stay true to a vision and to craft pieces that are enduring and versatile.”

Some memories rise above the rest. His favorite? A personal one.

“I once made a pair of trousers from this beautiful sky-blue corduroy,” says Ruttkamp. “My three-year-old son saw them and immediately said, ‘Those are amazing!’ and ‘I want pants like that!’ Kids are honest. If a three-year-old thinks your pants are cool, you’re doing something right.”

A Journey Rooted in Craft From Tokyo to Milan to Rochester, the thread running through his journey is clear – it’s craftsmanship, intention, and an unwavering belief that clothing should feel as good as it looks.

“I want to create garments that stand the test of time,” he says. “Pieces that elevate everyday dressing and feel effortless.” With Archer, he’s doing exactly that – one perfect pair of trousers at a time.

When asked what sets Archer apart, he answers without hesitation…

“We focus on refined wardrobe staples, not trends.”

Every choice is intentional. Every cut is purposeful.

Every material is exceptional.

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Two Countries One Vision

Global Perspective. Local Expertise. Unparalleled Luxury.

As the world redefines what it means to feel at home, we unite the finest elements of two nations—offering exclusive residences and elevated experiences for the globally discerning. Backed by decades of expertise in high-net-worth real estate, we deliver a bespoke approach to transatlantic property investment, where every move is seamless and every detail, exceptional.

Your next chapter starts here.

L O N D O N

+44 204614 1927 office@theluxurycollectiveuk.co.uk 10 Queen Street Place, London, EC4R 1AG, United Kingdom www.theluxurycollectiveuk.co.uk

WINDSOR THE OLD AND THE NEW MEET IN

A storybook location.

A historical pedigree.

A labor of love.

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JOHN ERIC HOME & LIFESTYLE

Welcome to one of the singularly unique residences in not just the United Kingdom but in the world.

Tucked within the tranquil surroundings of Windsor, a remarkable country residence stands as a modern ode to classic English craftsmanship. The home built by Yassar Hussein – a passionate developer with a keen eye for architectural tradition – is more than a house. It’s a testimony to an unparalleled vision and nearly a decade of meticulous planning and design.

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SERENDIPITY CALLS

“We built it in a way they don’t build houses anymore. Every proportion, every detail, was intentional."

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JOHN ERIC HOME & LIFESTYLE

“I was living in the same village, not far away from this property. I used to drive by every day and never really noticed it,” says Hussein. “It was my wife who pointed it out … this small, old house hidden in plain sight.”

From the very beginning, Hussein had a very clear vision of what he wanted to create.

This wasn't the first property that he had either built or expanded. He had spent time working alongside members of the Saudi royal family in London, where he helped develop historic residences. Hussein had experience in big, centuries-old properties (Grade One and Grade Two). He spent time roaming homes listed in the National Trust. “I spent years visiting and working on properties that blended tradition and grandeur. I wanted my home to capture that same old-world charm with high ceilings, the generous staircases, the craftsmanship that you rarely see today.” Those experiences would meld together to create a phenomenal residence.

From his nearby residence and working with a team of architects and structural engineers, Hussein orchestrated the building of his masterpiece. The journey to its completion was a nine-year voyage that was both exciting and challenging. Exciting in the sense that he was seeing, in real time, his concepts come to life. Challenging in the aspect of navigating the complexities of England’s strict planning permissions. “Planning in England, especially in a restricted zone like this, takes a long time. But I had a vision, and I was determined to bring it to life.”

The resulting design pays homage to England’s architectural legacy. “I was successful, and I managed to build the property the way I wanted to build it,” remarks Hussein. The home looks like a centuries-old manor – claiming traditional characteristics and measurements – yet it embraces the comforts and conveniences of modern living. “We built it in a way they don’t build houses anymore. Every proportion, every detail, was intentional.”

A SEAMLESS HARMONY OF OLD AND NEW Although the home is anchored in the past, it boasts very important modern features. Behind the home’s traditional façade lies cutting-edge engineering. “We designed the central heating so you can run eight showers at once without losing pressure,” says Hussein. “Hot water flows instantly.”

The residence also features a sophisticated fire alarm and a professional-grade sound system that extends through the main floors. “The entire house is wired for both entertainment and comfort,” he adds. “It’s modern living inside a timeless shell.”

One of the most striking elements of the home lies in its joinery, which was all hand-crafted by the late Simon Elliot, renowned designer and brother-in-law to the Queen. “Simon designed and built all the woodwork himself in his workshop in southern England.”

The project also benefited from the refined touch of Lady Victoria Weymouth, a well-known interior designer whose custom fabrics and prints grace the home’s sweeping windows with bespoke curtains.

“Lady Weymouth designed all the fabrics, ensuring the house had the right flow, that every room connected naturally to the next. It took about a year of collaboration, but the result is wonderful.”

But, at its heart, this home was designed for living life. “It’s a family home,” says Hussein. “Imagine children running around. Family gatherings. The house is also catered for those who like to entertain, those who enjoy outdoor living. There are plenty of reception rooms, there are also those spaces where you can go to be on your own, reading without being disrupted. The grand reception room has a large, open fireplace. It’s a long room and is ideal for gatherings,

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with its massive folding glass doors that open completely onto the patio. It seamlessly connects indoor and outdoor living. In summer, you can open both sides and the room becomes part of the garden.”

HISTORIC NATURE Speaking of the outside…

“You see,” begins Hussein, “the grounds are surrounded by open fields in the back. There is a natural feel to them because we have lots of old trees. We have an oak tree that is not less than 300 years old. There are a few of them. We have a fantastic willow tree that is really a big feature in the garden. Scottish pines that are very high. I installed discreet lighting throughout, so at night you can switch on the lights and all the trees 48

JOHN ERIC HOME & LIFESTYLE

are lit from within. It looks amazing.

Especially in the summer.”

One of the fields that Hussein is referring to is that owned by Sir Elton John. He bought the fields to ensure that both his lands and privacy are always protected. “At the same time,” continues Hussein, “another field backs into Windsor Great Park. We like to sit in the garden and watch all the diverse wildlife that comes onto the property.

Foxes, pheasants, owls, birds, the list goes on.”

The property’s neighbor, Windsor Great Park, has the greatest collection of oak trees in the world. It is also one of the finest equestrian landscapes in Europe and sits minutes from Runnymede, where the Magna Carta was signed in 1215. Now protected by the National Trust, it remains one of

England’s most symbolic landscapes – a serene stretch of green that shaped the course of history.

“It’s a very old, very protected, and very historic area,” Hussein says. “Here King Henry courted Anne Boleyn. He hunted its woods. When the Queen was alive, my family and I would go for walks, and we would see her driving through. She liked her Land Rovers.

Now, Prince William and Princess Catherine have decided to live in Windsor Great Park. Part of the Park is now closed – it’s actually on the other side of my garden – and they have renovated a beautiful house there.

It’s the residence of the future king of England. And, of course, King Charles lives in Windsor Castle.”

EXCEPTIONAL ACCESSIBILITY Despite its countryside calm, the residence enjoys exceptional accessibility. “We’re three minutes from the M25, which connects all motorways in England. It is a fiveminute car ride from the main railway station that runs trains to both the east and west sides of London. It is also five minutes from Heathrow, 30 minutes from Gatwick, and less than 40 minutes from central London,” says Hussein.

“When I drive, it takes between 35-40 minutes to arrive in central London. In the evening, when coming back from the theater and traffic is light, it takes about 25 minutes.” This location boasts access to the best of Prime Central London and the English Countryside combined. Here you have the quiet of the countryside and the energy of London. It’s the best of both worlds.

The area is surrounded by elite schools, including Eton College, St. George’s School, and the American International School. And Windsor itself is chock full of local pubs, restaurants – including top Michelin-starred establishments – shops and boutiques.

For Hussein and his wife, their home is deeply personal.

Every element reflects their vision and effort. It was truly created through a labor of love, borne of unique thinking, incredible patience, and an outstanding eye for design and architecture. When asked which part of the property is their favorite, Hussein answers, “In the morning, my wife loves to have breakfast by the big window, watching the deer wander through the grounds with our cat on her lap.”

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BLACKBOOK

NOTHING IS COZIER THAN ENJOYING A CUP OF TEA ON A DREARY WINTER AFTERNOON. HOWEVER, IF YOU’RE IN BRITAIN AND WANT TO SPLASH OUT, MAKE SURE TO STOP AT ONE OF THESE FINE ESTABLISHMENTS AND BE TREATED LIKE ROYALTY.

THE MILESTONE HOTEL IN KENSINGTON The Champagne Afternoon Tea is s premium Champagne‑infused tea experience. It’s not just the food, but the sophistication, the bubbles, and the setting (overlooking Kensington Palace) that make it high-end.

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CLIVEDEN HOUSE IN BERKSHIRE Stop by to luxuriate in their “Platinum” Afternoon Tea. Often cited as the most expensive tea in the United Kingdom, the menu includes Beluga caviar, white truffles, Da Hong Pao tea (from very old plants), and even a chocolate cake with gold leaf. Tea also comes with a glass of Dom Pérignon Rosé.

RUBENS AT THE PALACE IN LONDON The Golden Tips Tea Experience doesn’t disappoint.

It features a pot of an extremely rare, high-grade Sri Lanka tea (PMD's “Ceylon’s Golden Tips”). For tea connoisseurs, paying for the teapot (rather than just the food) is what drives up the cost.

THE RITZ LONDON IN LONDON While their “traditional” afternoon tea starts lower, the Ritz is well-known for very high-end “Tea + Champagne” or vintage / limited-edition tea menus.

According to some sources, the base tea can go up (especially for curated, rare teas) in price.

THE DORCHESTER IN LONDON The Dorchester is very high-end, and their tea is served in a truly elegant, grand space. While this is more “luxury hi‑tea” rather than a rarity-tea blowout, the opulence of the venue and quality of food make it one of the more expensive “everyday” luxury teas in London.

RUBENS AT THE PALACE IN LONDON

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DESTINATIONS LUXURY TRAVEL

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INSIDE THE

THE RITZ-CARLTON YACHT COLLECTION

In recent years, the luxury travel world has undergone a quiet evolution. It’s one that merges the exclusivity of high-end hotels with both the convenience and romance of ocean travel. At the center of this evolution stands The Ritz-Carlton Yacht Collection, a fleet redefining what it means to cruise. These are not ships in the traditional sense. They are floating boutique hotels, crafted to deliver the intimacy of a private yacht with the luxury synonymous with The Ritz-Carlton name.

Not a Cruise Ship

What the yachts in the fleet – the Evrima, Ilma, and soon the Luminara – represent is a redefinition of what “cruise” can mean. They blend service, detail, and elegance. Instead of megaships with thousands of guests, buffet lines, and long queues, this experience is curated, personalized, and refined.

With a high staff-to-guest ratio, the yacht’s all-suite accommodations, high-end dining, wateraccess marinas, wellness zones, and curated itineraries to ports that big ships can’t reach are designed to create a unique journey. The fleet aims to deliver sophistication without crowding, indulgence without chaos, and discovery without compromise.

From the moment guests step aboard, it’s clear that The Ritz-Carlton has rewritten the rulebook. The vessels carry only around 300–450 passengers, which is dramatically fewer than even modest cruise ships. This creates an atmosphere closer to that of an upscale retreat rather than a typical cruise.

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The design philosophy is Scandinavian-modern meets coastal chic. Airy spaces, sweeping ocean views, warm neutral palettes, and textures inspired by beach cliffs, driftwood, and sun-dappled marinas abound. There aren’t towering atriums. No cavernous dining halls. Instead, the yachts feature refined lounges, serene nooks, and terraces that blur the line between indoors and sea breeze.

Suite Dreams

Accommodations on the vessels are among the most spacious at sea. Even entry-level suites feel like luxury hotel rooms rather than cabins. All are equipped with plush bedding, walk-in wardrobes, and spa-like bathrooms. Personal attendants elevate the experience, and for those who choose the Terrace Suites or opulent Owner’s Suites, it’s an ultimate experience. These cabins rival top-tier penthouses in major cities throughout the world.

An important feature that was not overlooked when The Ritz-Carlton designed these vessels is soundproofing. Soundproofing is often overlooked in traditional cruising, but here it has received special attention. The result is a stay that feels secluded even when the yacht is fully booked.

Culinary Craftsmanship

Dining aboard The Ritz-Carlton yachts is about artistry. The collection features multiple specialty venues, from refined Mediterranean cuisine to sushi to creative tasting menus. Each restaurant is included in the voyage fare, though some signature experiences offer optional enhancements.

Menus evolve along with the itinerary. Italian coastal flavors in the Adriatic, Caribbean spices in the West Indies, Provençal inspiration along the French Riviera – all adding a sense of region to every plate. And with open-seat dining, guests can enjoy leisurely evenings without rigid schedules.

On the Evrima, guests can choose from menus according to their whims.

Mistral, an al-fresco, Mediterranean-style eatery, is perfect for sunny lunches or romantic dinners at sea. Seafood from fresh local catch and prime cuts from the grill are staples. Talaat Nam, a Southeast-Asian inspired restaurant (with sushi bar and indoor/outdoor seating), offers dishes like Thai-style salads, spring rolls, curries, sushi, and noodle or rice dishes. At S.E.A., passengers enjoy a high-end tasting menu curated by a Michelin-starred chef. Guests enjoy a multi-course, European-influenced gourmet journey (often with optional wine pairings).

The Ilma also has a Mistral restaurant which offers casual lunches, and like its sister yacht, is a wonderful place for romantic dinners or cocktails al-fresco. On this vessel, the main dining room is Tides. This central, more traditional restaurant rotates seasonal menus inspired by regional cuisines of the yacht’s itineraries, offering variety night after night. Of course, 24-hour In-Suite Dining is also available where guests can dine in their suite at any time, ordering dishes from across the onboard restaurants, from breakfast through late night.

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GTM Architects, Multifamily Studio, Photo by Laura Meltzer

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Curated Exploration

These yachts make a point of slipping into ports that megaships cannot reach. Think Mykonos’ hidden coves, the tucked-away harbors of St. Barts, or Montenegro’s sapphireblue bays. Itineraries focus on immersive travel rather than hurried checklists, with extended port stays and overnight calls allowing travelers to explore like locals.

The collection’s on-shore excursions are organized into thematic “tracks,” so you can choose based on what you’re in the mood for – Iconic Sights (famous landmarks, historic sites) and Cultural Connections, to Epicurean Experiences (food, wine, local cuisine), Active Explorations (adventure, outdoors, physical activities), and Stirring the Senses (wellness, sensory experiences, immersive-style tours).

Experiences range from truffle hunting in Northern Italy to private wine tastings in Spain, guided snorkeling in secluded Caribbean reefs, and cultural walk-abouts led by local experts. The onboard concierge, dubbed the Shore Collection, helps guests tailor adventures to their tastes.

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Wellness at Sea

Aboard each yacht is a famed Ritz-Carlton Spa. Here, passengers can luxuriously pamper themselves when taking a break from the sun and the fun. In these editions of spas, signature treatments are offered that are infused with global therapies. Outdoor cabanas, a sauna with ocean views, sunlit relaxation rooms, and an expansive fitness suite encourage travelers to care for body and mind. Yoga sessions or sunrise workouts on deck deepen the sense of calm that permeates the voyage.

What sets the spa on these yachts apart, and why many guests consider it an essential part of the journey, is the combination of personal luxury, privacy, and a sense of place. In use are trusted spa-brand products (ESPA, 111SKIN), not generic cruise-ship supplies, which gives treatments a premium-hotel feel.

The ability to have treatments indoors or outdoors (on private terraces or ocean-facing decks) adds sensory dimensions to the experience – fresh sea air, the sound of

waves, and open horizons – are those elements that landbased spas can’t replicate.

What truly sets these yachts apart is the service ethos. It is anticipatory, unobtrusive, and personal. The Ritz-Carlton’s hospitality trademark is seen and felt every minute of the journey. It is that attention to detail and care that has seamlessly migrated from land to sea.

The Ritz-Carlton Yacht Collection has carved out a distinct niche in the luxury travel industry. That niche is made of ocean journeys for travelers who love the idea of yachting but value the comfort, design, and service of a world-class hotel. And, of course, the brand delivers – it’s a blend of escape and indulgence, adventure and tranquility. It is truly unique.

As the fleet expands and new destinations are introduced each year, one thing remains constant – these yachts offer something rare in modern travel. They offer a sense of unhurried elegance, where the world drifts by at the perfect pace.

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The Pinnacle of Parisian Haute Cuisine

ARPÈGE LE CINQ L’AMBROISIE

Inside Three of the City’s Finest Restaurants ARPÈGE: WHERE VEGETABLES BECOME HAUTE COUTURE - 84 RUE DE VARENNE, 7TH ARRONDISSEMENT At Arpège, chef Alain Passard does something extraordinary – he crafts haute cuisine around the humble vegetable. But don’t mistake this for vegetarian dining – it is a culinary philosophy. Passard, who has helmed Arpège since 1986, sources his ingredients from his own biodynamic gardens outside Paris. The result is produce so pristine and alive that it becomes the star of nearly every plate.

Arpège’s dining room is understated, even serene, allowing the food to speak. A single carrot, roasted in honey and orange, arrives as an objet d’art. A soft egg with maple syrup balances sweet, savory, and texture in a way that feels deceptively simple, yet impossible to replicate.

Though Arpège holds three Michelin stars, the restaurant avoids pomp. Rather, each bite, delicate and precise, reflects Passard’s belief that vegetables, when treated with utmost respect, can create a culinary experience LE CINQ: A SYMPHONY IN GOLD AT THE GEORGE V - 31 AVENUE GEORGE V, 8TH ARRONDISSEMENT Step through the doors of the Four Seasons Hotel George V and you’ll find yourself in one of the most opulent 58

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dining rooms in Paris. Le Cinq literally gleams. Gilded moldings, crisp linens, fresh florals, and a regal hush set the stage for chef Christian Le Squer’s three-Michelin-star artistry.

Le Squer’s cooking is classical at its core but infused with a modernist precision. Menus often read like poetry: line-caught sea bass perfumed with buttermilk, langoustine lightly crisped in cereal, or perfectly lacquered pigeon. Each plate appears composed yet never overworked.

Service at Le Cinq is legendary.

It’s gracious, synchronized, and attentive. The sommelier team guides diners through a cellar of more than 50,000 bottles with many sourced from France’s best cellars. Dining here feels ceremonial. Every detail – down to the temperature of the bread or the turn of a dessert spoon – is well choreographed.

L’AMBROISIE: TIMELESS GRANDEUR IN THE PLACE DES VOSGES - 9 PLACE DES VOSGES, 4TH ARRONDISSEMENT In a corner of the Place des Vosges – the oldest planned square in Paris – sits L’Ambroisie, a temple of classical French gastronomy. For decades, this three-Michelin-star institution has maintained an unwavering commitment to tradition and refinement.

The dining room is intimate, cloaked in soft lighting and old-world elegance. There are no theatrics here. No molecular gastronomy. No foams, no smoke, no edible origami.

Instead, L’Ambroisie offers the purest expression of French haute cuisine: perfect sauces, impeccable ingredients, and culinary technique honed to a razor’s edge.

Dishes such as the famed puff pastry filled with langoustines or the rich black truffle tart are executed with such precision that they feel almost architectural. Every element serves the whole. Every flavor is deep, elegant, and confident.

Three Visions in the City of Lights While each of these restaurants holds three Michelin stars, their universes could not be more different. Le Cinq embodies golden, contemporary opulence and signifies French tradition refined through modern luxury.

Arpège is natural and singular – a place where vegetables achieve stardom.

L’Ambroisie is a bastion of timeless classical gastronomy, untouched by trends.

Together, they define the spectrum of what haute cuisine can be in Paris – indulgent, smart, and always unforgettable.

59 Photos courtesy of Arpége

MIXOLOGY TIPSY TEMPTATIONS

by Charles M. Tappan, Jr.

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here craft meets curiosity. This section is an invitation to those who appreciate the alchemy behind a perfectly balanced pour—the subtle dialogue between spirit, spice, and season. Each custom creation in these pages is thoughtfully mixed to be savored slowly, celebrating both technique and imagination. Raise a glass, and let the artistry unfold.

Brandy Smash Glassware – Rocks Glass 2 oz. Cognac ½ Lemon Cut into Wedges .75 oz. Simple Syrup 6-8 Mint Leaves Garnish: Mint Sprig Directions: In a cocktail shaker, first muddle the ½ lemon cut into wedges. Then add the rest of the ingredients and fill the shaker with ice. Shake to a slow 13 count and double strain through a cocktail strainer or a mesh kitchen strainer over ice into a rocks glass.

Southside Glassware – Chilled Cocktail Glass 2 oz. London Dry Gin .75 oz. Lemon Juice .75 oz. Simple Syrup Splash (about .5 oz) Club Soda 5 mint leaves *Mint Leaf optional Directions: Combine all ingredients into a cocktail shaker with ice (except for club soda) and shake to a slow 13 count. Double strain through a cocktail strainer or a mesh kitchen strainer into an empty but chilled Coupe glass. Add a splash of club soda, serve, and enjoy. *Note: This drink is also often served in a highball glass.

Old Cuban Glassware – Collins Glass 1.5 oz. Aged Rum .75 oz. Lime Juice .75 oz. Honey Syrup (1 part honey, 1 part water combined) 6 mint leaves 2 dashes of Angostura Bitters Garnish: Mint Sprig Topped with Sparkling Brut (approximately 2-3 oz.)

Directions: Combine all ingredients into a cocktail shaker with ice (except for sparkling wine) and shake to a slow 13 count. Double strain through a cocktail strainer or a mesh kitchen strainer into an empty but chilled highball glass. Top with Brut, serve and enjoy! *Note: this drink is often served in a champagne flute.

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Cashmere When winter descends, the chill in the air invites us to seek warmth. Enter cashmere, the fabric that redefines cold-weather dressing with unparalleled softness, sophistication, and versatility. From cozy loungewear to glamorous evening gowns, cashmere is the ultimate material for dressing with elegance, comfort, and ease this season.

Winter at home doesn’t mean sacrificing style for comfort. Cashmere loungewear transforms everyday relaxation into a luxurious ritual, featuring oversized sweaters in muted tones, wide-leg cashmere pants, and knitted sets that balance effortless chic with indulgent softness. Layering a roomy cashmere cardigan over a favored concert t-shirt and pairing it with a pair of cashmere sweatpants will leave you with a simple at-home outfit that suddenly becomes refined, perfect for quiet mornings with coffee or winter reading nooks with a touch of sophistication.

Cashmere also effortlessly transitions from loungewear to street-ready ensembles. Lightweight cashmere turtlenecks can be tucked into high-waisted skirts, layered under blazers, or paired with leather pants for a polished winter look. Oversized cashmere coats, capes, and wrap sweaters add structure without sacrificing comfort, turning the practical act of keeping warm into a style statement. While accessories in cashmere – scarves, gloves, and hats – offer subtle luxury, they allow even minimalist outfits to feel rich and tactile.

The real magic of cashmere lies in its ability to straddle the line between cozy and couture. Evening attire in fine cashmere drapes beautifully, creating fluid silhouettes that move with grace. Pairing cashmere dresses with statement jewelry or sleek heels adds a modern, glamorous edge, while a soft cashmere shawl provides both warmth and sophistication during winter soirées. This fusion of comfort and elegance makes cashmere the ultimate fabric for dressing from dusk till dawn in the cold season.

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Styling Tips to Build a Winter Wardrobe With the ‘It’ Color •

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Wear a burgundy coat rather than defaulting to black or grey. It adds personality without being overly loud.

Mix textures and try velvet pants, wool trousers, leather jackets, or knitwear in deep reds for a luxe, layered look.

Pair with neutrals or earthy tones (cream, camel, tan, chocolate brown) to let the burgundy breathe, rather than overpower.

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MEET THE STARS OF WINTER

Maroon and Burgundy

As the cold season arrives, designers are leaning into richer, deeper hues to replace the usual neutrals.

The wine-inspired tones – burgundy, oxblood, deep cherry, and maroon – have become a backbone of winter wardrobes. According to recent runway analyses and seasonal color-trend reports, burgundy is being hailed as “the new power neutral,” striking a balance between classical sophistication and expressive depth.

Rather than just seasonal carry-overs, these shades are being reimagined for outerwear, suiting, knitwear, even accessories — transforming what was once considered an autumnal “luxury red” into a versatile, year-end essential.

For women, deep reds are no longer decorative accents; they're foundational. Burgundy coats, leather jackets, or full-tone outfits are replacing black or grey outerwear for those seeking a moodier but still chic winter look.

On the men’s side, brands are weaving burgundy into tailored coats, suits, and knitwear, thereby declaring it a “power neutral” for winter. It functions as an alternative to black or navy – it’s serious, elegant, and with a bit of subtle flair.

Gucci has been one of the more consistent houses to embrace burgundy. The shade, often dubbed by insiders as “Gucci red” or close cousins like “Rosso Ancora,” appeared heavily on its fall/ winter 2025 runways across womenswear and

menswear.

The deep red appears in luxurious textures such as coats, leather pieces, and tailored separates, allowing the house to revisit classic glamour with a moody, wine-toned twist rather than relying on black or neutral staples.

But Gucci is not the only house that is loving this color this season. According to color-trend roundups for Fall/Winter 2025, Prada was listed among the houses adopting burgundy/oxblood as a key color.

Ferragamo appears in the same trend reports as Prada and Gucci, as its fall/winter 2025 shows included burgundy clothing and accessories, thereby aligning with the season’s broader “wine-red as neutral” movement.

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SKINCARE FOR THE COLD MONTHS

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inter is a season that demands more than just warm clothing – it calls for deliberate care, both for your skin and your well-being. The cold air, indoor heating, and shorter days can leave skin dry, hair brittle, and spirits low. Luxury winter beauty is about rituals that combine indulgence, efficacy, and mindfulness, ensuring that self-care is as elevated as it is restorative.

HYDRATION IS THE FOUNDATION The hallmark of winter skincare is deep hydration. Start with a gentle, velvety cleanser enriched with rare botanicals that cleanse without stripping natural oils. Follow with a concentrated serum containing hyaluronic acid, marine extracts, or adaptogenic ingredients. Then, finish with a rich cream or balm that melts into the skin, leaving a luminous, supple finish. For hands, feet, and lips, choose products infused with gold, pearl, or exotic oils for that extra touch of opulence.

EXFOLIATION WITH ELEGANCE Cold weather can dull even the most flawless complexion.

Exfoliation in winter is a ritual, not a chore. Luxury exfoliants such as powdered enzymes, rare mineral scrubs, or fine crystalline blends, gently polish the skin while leaving a soft, radiant glow. For the body, full immersion in ritualized scrubs with exotic oils turns a shower into an immersive spa experience.

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MASKS AND TREATMENTS No winter ritual is complete without masks or targeted treatments. Overnight masks infused with caviar extract, peptides, or rare botanicals provide intense nourishment while you sleep. Hair treatments featuring argan, abyssinian, or camellia oils restore shine, reduce frizz, and envelop strands in a protective veil of hydration. Even a simple scalp massage with warm oil can feel like an indulgent escape from the winter chill.

PROTECTION MEETS PRESTIGE Winter sun can still be harsh, making SPF an essential yet sophisticated step. Opt for formulations with antioxidants, mineral filters, and luxurious textures that leave no trace but a subtle radiance. Barrier creams, lip balms with nourishing oils, and serums infused with precious ingredients ensure your skin is shielded with both efficacy and elegance.

HAIR AND FACIAL HAIR Luxurious winter routines care for every detail. Leave-in conditioners, bespoke oils, and deep-conditioning treatments restore moisture and vitality. For facial hair, high-end grooming balms and oils keep beards soft, hydrated, and impeccably styled. Every strand becomes part of a curated, sophisticated look.

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TEA for TWO 68

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On a crisp winter afternoon, when sunlight filters softly through frosted windows, there’s a quiet pleasure in pausing the day for tea. Afternoon tea for two is more than a simple refreshment; it’s a ritual of sophistication, connection, and sensory delight.

Imagine the aroma of steeping tea, perhaps a smoky Lapsang Souchong, a fragrant Earl Grey, or an exotic chai, as it drifts through the air, mingling with the subtle notes of cedar and cinnamon from the fire. Each sip is a moment suspended in time. Then picture sitting in a plush velvet armchair, in front of a polished mahogany table, while gentle steam rises from a freshly poured cup of tea. The experience is enhanced with thoughtfully curated accompaniments. Delicate finger sandwiches made with smoked salmon and cream cheese, cucumber and mint, or roasted chicken with tarragon, offer savory comfort, while petite scones, served with clotted cream and ruby-red strawberry preserves, provide a taste of traditional indulgence.

For a sweeter touch, consider a trio of miniature pastries such as a raspberry mille-feuille, a chocolate-dipped madeleine, and a lemon tartlet dusted with powdered sugar. Each bite is a celebration of texture, flavor, and artistry, turning an ordinary afternoon into a moment of refined pleasure.

Afternoon tea is not only about the fare, but also about ambiance. Soft instrumental music, a crackling fireplace, or the gentle flicker of candles enhances a coziness where conversation flows easily and clinks of porcelain against silver are heard. It’s a time to slow down, savor warmth, and indulge in the luxury of presence.

On a cold winter afternoon, tea for two becomes a ritual of quiet sophistication.

It’s a brief escape from the rush of life, an invitation to connect, and a reminder that elegance can be found in the simplest shared moments.

EXAMPLES OF AFTERNOON TEA PAIRINGS FOR WINTER Tea: Earl Grey, Darjeeling, Masala Chai, or a Winter Spice herbal blend Savory: Smoked salmon sandwiches, egg salad with chives, mini quiches Scones: Traditional cream scones, fruit scones, served with clotted cream and jam Pastries: Mini éclairs, chocolate truffles, fruit tartlets, macarons Extras: Candied nuts, spiced hot chocolate, or mulled cider

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LUXE M AT ER I A L S O F W I N T ER

AS THE EVENINGS DRAW IN, WINTER CALLS FOR MORE THAN JUST WARMTH. IT ALSO CALLS FOR INDULGENCE. THIS SEASON, LUXURY IS BEING MEASURED IN TEXTURES THAT ENVELOP THE SENSES. IT’S ABOUT THE SUMPTUOUSNESS OF VELVET, THE SOFTNESS OF CASHMERE, AND THE TIMELESS ELEGANCE OF WOOL. THESE MATERIALS ARE MORE THAN FABRIC; THEY ARE THE FOUNDATION OF A WINTER HOME THAT FEELS EFFORTLESSLY OPULENT.

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VELVET - THE EVENING’S EMBRACE Velvet has long been synonymous with sophistication, and in winter, it transforms every space into a luxury statement. Its dense pile captures light, creating a subtle shimmer that adds depth and drama. Velvet cushions on a chaise lounge instantly elevate a living room into a sumptuous retreat. The tactile pleasure of velvet, the way it yields under your touch, is a quiet reminder that true luxury lies in the details.

CASHMERE - THE SOFTEST HUG Few fabrics rival the intimacy of cashmere. Harvested from the undercoat of cashmere goats, this material is prized for its buttery softness and extraordinary warmth. A cashmere sweater or scarf is like a personal embrace against the winter chill, effortlessly combining comfort with sophistication. But cashmere goes beyond clothing; it’s found in blankets draped across sofas or beds that bring a hotel-like luxury to your own home. Cashmere is a seasonal ritual, a way to honor the body and mind with tactile indulgence, something that we can’t do without.

WOOL - TIMELESS ELEGANCE Wool is the backbone of winter luxury, combining practicality with refinement. From finely spun merino to handwoven Scottish tweeds, wool provides insulation while exuding understated elegance. Wool rugs, throws, and upholstery bring natural warmth to interiors, creating an environment that feels both cozy and curated.

Luxury in winter is tactile. These materials invite a slower, more deliberate approach to living, and are embraces of comfort without compromising on style.

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Winter has always tested painters. Its palette is narrow. Its light is fleeting. Its stillness can flatten a scene into a quiet monotone. However, in the hands of Claude Monet, Camille Pissarro, Andrew Wyeth, and Winslow Homer, winter becomes something else entirely. It is a stage for subtle drama, emotional clarity, and the strange brilliance of cold light.

The “Greats” Interpretations of Winter

Winter as an Impression of Light

For Monet, winter was not a time of scarcity but a time of revelation. The master of atmospheric effects often turned to snow-covered fields and icy rivers to study light at its most honest. In works like The Magpie and his Vétheuil in Winter canvases, Monet used the reflective properties of snow to explore faint but shimmering color.

Here, shadows turn lavender. Snow glows with pale peach or mint green. What should be stark becomes shimmering.

Monet didn’t paint winter as cold; rather, he painted it as luminous.

The Quiet Rural Winter

While Monet chased the changing effects of light, Pissarro embraced winter as a record of rural life. His winter works, like The Road to Versailles, Louveciennes, and Snow Effect, feel 72

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lived-in. Farmers trudge along roads half-buried in snow while chimneys send smoke into muted skies.

Pissarro’s palette is softer than Monet’s, with gentle restraint. Winter, for him, is a season of labor, community, and continuity. Snow doesn’t transform the world into a spectacle – it settles into the rhythms of the people who inhabit it.

Winter as Solitude

Where Monet and Pissarro saw winter outdoors, Andrew Wyeth saw it inside the psyche. His winter landscapes – Winter 1946, Ring Road, and Snow Flurries – carry Wyeth’s signature austerity. Empty fields, leafless trees, a single figure moving through a desolate slope…the world looks both familiar and strangely haunted.

Wyeth’s winters are not about weather but about emotional landscapes. They evoke memory, loss, resilience, with all of these feelings becoming more sharpened by the season’s bareness. His restrained palette of browns, greys, and bone-white snow turns winter into a meditation.

Winter as Adventure and Survival

If Wyeth paints winter’s introspective silence, Winslow Homer paints its drama. Homer often depicted winter in the context of the power of nature. In works like The Fox Hunt or Sleigh Ride, winter is dynamic and alive. Wind slices through coats, snowbanks tower, and wildlife is on the

move. Homer’s winter scenes emphasize risk, movement, and the tension between humans and the elements. His brush captures the season as both adversary and inspiration.

It’s striking that the same season can unfold so differently. Monet finds color in winter’s light. Pissarro observes its everyday humanity.

Wyeth draws out its emotional solitude. Homer captures its rugged drama. Through the eyes of artists, perceptions became reality on the canvas.

Each artist’s winter is a testament that the season is not uniform but endlessly interpretable.

Winter, in art as in life, is what you make of it—quiet, radiant, lonely, or wild.

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BUZZ WORLD DAILY

THE 2026 MET GALA IS PUTTING BODIES BACK INTO FASHION.

The Metropolitan Museum of Art has revealed the theme for its spring exhibition and star-studded fundraiser: “Costume Art,” set to examine “the centrality of the dressed body.”

The show will pair approximately 200 garments and accessories with 200 artworks spanning from Western prehistory to the present day to explore how fashion and flesh have shaped one another throughout the ages. (Page Six)

MCLAREN REPORTEDLY PLOTS SEVERAL NEW MODELS, INCLUDING ITS FIRST SUV IN 2028

Nearly every high-end luxury and performance car manufacturer sells an SUV. Bentley has the Bentayga, Lamborghini offers the Urus, Aston Martin sells the DBX, Rolls-Royce has the monolithic Cullinan, and even Ferrari joined the party with the sleek Purosangue. But one automaker has held back: McLaren. That's apparently about to change, with a new report from Automotive News suggesting that the brand's first SUV will launch in 2028 as part of a widespread product offensive.

The plans for a McLaren SUV were reportedly divulged at the automaker's global dealer meeting just outside London on November 11, where McLaren outlined its plans for the next several years. The SUV (codenamed P47) will feature five seats and four doors, both firsts for McLaren, as well as an all-wheeldrive V-8 hybrid powertrain. (Car and Driver)

ANTONIN TRON APPOINTED BALMAIN'S NEW CREATIVE DIRECTOR

The 41-year-old French designer, who founded his own label Atlein and worked for several prestigious Parisian fashion houses, has been chosen to succeed Olivier Rousteing.

Born in Paris in 1984, Tron studied fashion design at the Royal Academy of Fine Arts in Antwerp, alongside Demna and Glenn Martens, now designers for Gucci and Maison Margiela, respectively. After graduating in 2008, he returned to Paris, where he spent 17 years working for various prestigious houses, including Louis Vuitton, Givenchy, Balenciaga, and more recently, Saint Laurent. At the same time, in 2016, he also launched his own brand, Atlein, which became known for its draping techniques, most often applied to jersey dresses.

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CULTURE WHERE ART AND LIFE MEET

MANIF D’ART, LA BIENNALE DE QUÉBEC (CANADA) FEBRUARY 28 - APRIL 19 QUÉBEC CITY The 12th edition of Québec’s winter biennial, titled Briser la Glace / Splitting Ice, explores themes of transformation, memory, and ecological fragility through multidisciplinary art. Featuring more than 40 venues across the city, the biennial includes installations, performance, and public art, with strong engagement of local and Indigenous communities.

2ND MALTA BIENNALE MAR 11 - MAY 29 MALTA & GOZO The second Malta Biennale, themed Clean | Clear | Cut, uses Malta’s historic architecture as a canvas for contemporary art. The exhibition fosters dialogue between heritage and innovation as installations, performances, and international artists converge to display their works.

RENOIR & LOVE MARCH 17 - JULY 19 MUSÉE D'ORSAY (PARIS) This exhibition explores the central role of love in Pierre‑Auguste Renoir’s work during a key period (mid‑1860s to 1880s). Rather than dramatizing romance, Renoir presents love in a joyful, tender, and modest way — scenes of flirtation, friendship, family, and everyday sociability dominate. The show also emphasizes the social networks in Renoir’s paintings: couples are not isolated but part of broader relationships (friends, children, families), emphasizing love as a connective, binding force.

Some of his iconic works are featured: Dance at the Moulin de la Galette, Luncheon of the Boating Party, and others.

Top: Unbodied Rebirth, Amy Malbeuf, 2011

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DIPLOMACY DC INTERNATIONAL

TIMOR-LESTE HOSTS RECEPTION IN WASHINGTON TO MARK ASEAN MEMBERSHIP The Embassy of Timor-Leste in Washington, D.C., held a diplomatic reception on Monday, November 10, 2025, to recognize its formal admission as the 11th member of the Association of Southeast Asian Nations (ASEAN). The event reflected years of preparation and cooperation that culminated in the official announcement on October 26, when ASEAN leaders in Kuala Lumpur formally welcomed Timor-Leste into the regional bloc.

Guests included diplomats, U.S. government officials, business executives, and members of the Timorese diaspora.

CHINA’S “MEGA” EMBASSY IN LONDON UNDER REVIEW UK Prime Minister Keir Starmer is reportedly leaning toward approving a massive new Chinese embassy at Royal Mint Court, potentially Europe’s largest. The decision is controversial: critics cite national security risks, including possible espionage, given the site’s proximity to critical data infrastructure.

MI5 and MI6 are said to be involved in mitigation discussions, though the formal go‑ahead is still pending.

(Financial Times) JAPAN AND NORWAY CELEBRATE 120 YEARS OF DIPLOMACY In 2025, Japan and Norway celebrated the 120th anniversary of the establishment of diplomatic relations.

To commemorate this important milestone and to further strengthen cooperation between the two countries, the Embassy of Japan in Norway announced a wide range of events throughout the country. (Embassy of Japan in Norway)

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FEDERAL COUNCILOR IGNAZIO CASSIS ATTENDS THE FIRST CONFERENCE ON THE ITALIAN LANGUAGE At the invitation of the vice-president of the Council of Ministers of the Republic of Italy, Antonio Tajani, Federal Councillor Ignazio Cassis, the head of the FDFA (Federal Department of Foreign Affairs), represented Switzerland at the first Conference on the Italian Language in Rome on 18 November 2025. The event brought together countries and communities linked by the Italian language and saw the adoption of the founding declaration of the Community of Italian Speakers. The conference was also an opportunity for Mr. Cassis to meet ministers from various countries, including Romania, Kosovo, San Marino, Slovenia, and Somalia, as well as the director general of the International Atomic Energy Agency, Rafael Mariano Grossi.

MINDING THE

GAP John Eric on Translating London Property for American and International Buyers

John Eric Home and Lifestyle sat down with John Eric, Co-Managing Partner of The Luxury Collective US at Compass and Founder of The Luxury Collective UK, to talk about one of the most common moments American and international buyers experience when entering the London property market. The unfamiliar language. The different rhythm. And the quiet realization that this is not how things work back home.

What followed was part buyer guide, part storytelling, and part reassurance that if London property terminology made you pause, you are in very good company.

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JEHL You often say there is a specific moment when Americans realize London property is different. What is that moment?

JOHN ERIC It happens quickly, usually within the first ten minutes. An American buyer will confidently explain they have bought and sold several homes, maybe renovated one, perhaps even built one. They know the process inside and out.

Then someone casually mentions a survey, a memorandum of sale, an exchange of contracts, and gazumping in the same sentence. The buyer nods politely, smiles, and you can almost see the recalibration happening.

That is the moment when our London team steps in and starts translating.

JEHL Before we even get into property terms, is there a cultural hurdle Americans hit first?

JOHN ERIC Yes. And it surprises people every time. The word scheme.

In the United States, scheme almost always sounds negative. It suggests something suspicious or underhanded.

So when American buyers hear phrases like government scheme, planning scheme, or developer scheme, their instinct is to pause.

In the UK, scheme simply means a program, an initiative or a framework. It is entirely neutral. Affordable housing scheme. Building safety scheme. Planning scheme. Nothing nefarious at all.

Our London team sees this reaction constantly, and it is often the first moment where we gently say, “You need to reset your instincts a bit.”

JEHL Why does catching something like that early matter?

JOHN ERIC Because language carries baggage. American buyers are smart and experienced, but familiar-sounding words can trigger the wrong assumptions. Our London team’s job is to catch those moments immediately and reframe them before they turn into unnecessary concern.

Once buyers understand that scheme is simply British shorthand for a program or initiative, you can almost see the shoulders drop. It is a small thing, but it sets the tone for everything that follows.

That is really what minding the gap looks like in practice.

JEHL So nothing is actually going wrong in those early moments of confusion?

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JOHN ERIC Not at all. The London market is highly regulated, professional, and logical. A different legal system and a different rhythm govern it. Americans are used to standardized buyer representation. In England and Wales, buyer representation is not automatic, offers are not binding until late in the process, surveys are commissioned separately from mortgages, and contracts are exchanged before funds move.

Our London team understands exactly where American expectations differ and explains the process in a way that feels familiar again immediately.

JEHL That is where The Luxury Collective UK comes in?

JOHN ERIC Exactly. The Luxury Collective UK is the UK arm of The Luxury Collective US at Compass, and our London team is the bridge between the two systems. They live and work inside the UK market every day, but they also understand precisely how Americans think about real estate.

They do not just explain what is happening. They translate it perfectly back into American terms, step by step, so clients never feel behind or out of sync.

JEHL You describe your approach as fiduciary. How does that show up for clients?

JOHN ERIC We practice buyer representation the American way.

We act as real estate fiduciary advisors, meaning our sole obligation is to the client. Loyalty, discretion, transparency and advocacy are the foundation of how we operate.

Our London team applies those same fiduciary principles on the ground, ensuring clients experience the UK process with the same confidence and protection they expect in the US. JEHL Let’s talk vocabulary. What tends to confuse buyers most?

JOHN ERIC Almost everything at first, because the words sound familiar but behave differently. That is where confusion creeps in.

Our London team spends a great deal of time translating terminology early, before it ever becomes an issue.

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UK PROPERTY TERMS, TRANSLATED UK TERM

THE AMERICAN BUYER

Estate Agent

Listing agent working for the seller

Buying Agent or Search Agent

Buyer’s agent representing you

Freehold

Fee simple ownership

Leasehold

Condominium-style ownership

Share of Freehold

Condo owners collectively own the build-ing

Service Charge

HOA or condo fees

Ground Rent

Annual land lease fee

Peppercorn Ground Rent

Nominal or zero ground rent

Survey

Home inspection

RICS Survey Level One

Basic condition report

RICS Survey Level Two

Standard US home inspection

RICS Survey Level Three

Full structural inspection

Exchange of Contracts

Contingencies removed and binding

Completion

Closing day

Gazumping

Another buyer outbids before contracts

Gazundering

Late attempt to reduce price

Chain

Contingent transactions

No Chain

Non contingent transaction

Stamp Duty Land Tax

Property transfer tax

Conveyancer or Solicitor

Real estate attorney

Listed Building

Protected historic property

JEHL You must hear some memorable client questions.

JOHN ERIC Constantly. Clients ask our London team whether a peppercorn ground rent means they would actually receive peppercorns. Others assume the survey is something the bank quietly handles behind the scenes. And at least once a month, someone asks when escrow opens.

These are smart people asking smart questions. They are simply applying American logic to a British system. Our job, and particularly that of our London team, is to translate that logic perfectly so that everything makes sense again.

JEHL You emphasize surveys quite a bit. Why? JOHN ERIC Because our London team sees firsthand how much clarity they bring, and how often buyers assume there is a single correct answer. There isn’t. The right survey always depends on the property.

For a newer or well-maintained home, a RICS Survey Level One or Level Two may be entirely appropriate. For period properties, particularly Georgian, Victorian or Edwardian homes, a RICS Survey Level Three is often the smartest choice. These homes are extraordinary, but many were built long before modern building standards, wiring or plumbing were even part of the equation.

What our London team does best is guide that decision.

They help clients understand what is normal for that specific property type, what requires attention now, and what is simply part of owning a historic home. The goal is not to alarm buyers. It is to give them clarity.

It is also important to note that with new construction, the requirements under English law are, in many cases, more robust than what American buyers expect. Building regulations, certifications and warranties are often stronger than their US equivalents, but they still need to be interpreted properly. That is why surveys and inspections are always a conversation, not a checkbox.

When buyers understand what they are looking at and why, they feel confident. And confident buyers make better decisions.

JEHL Why do your clients seem so calm compared to others navigating the London market?

JOHN ERIC Because they are not navigating blind. Without a buying agent, international buyers often rely on listing agents who legally represent the seller. They misunderstand timing, leverage and risk.

Our London team works hand in hand with our US

team to guide clients through each step, explaining what is happening and why, always in familiar terms.

We are not trying to make London feel American.

We are making London feel understandable.

JEHL What do you want readers to take away from this?

JOHN ERIC London is one of the most compelling property markets in the world when you understand how it works. With the right representation and the right translation, it becomes elegant rather than intimidating.

Minding the gap is about respecting the differences and navigating them expertly. And ideally, enjoying the process along the way.

WELCOME TO LONDON. OUR LONDON TEAM WILL TRANSLATE FROM HERE.

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HELPING YOU ACHIEVE YOUR GOALS.

KRIS HUNNICUTT Vice President 703-851-0955 Mobile/Text NMLS ID 187113 A Billion Dollar Producer khunnicu@firstsavings.com

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BURFIELD GRANGE OLD WINDSOR UNITED KINGDOM SL4 2LG PROPERTY FEATURES 7 Bedrooms 9 Full Bath 12,257 Square Feet

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LE VIEUX MOULIN MOISSACBELLEVUE, PROVENCE-ALPESCÔTE D\'AZUR PROPERTY FEATURES 4 Bedrooms 4 Full Bath 3,875 Square Feet

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2124 21ST RD N ARLINGTON VIRGINIA PROPERTY FEATURES 4 Bedrooms 3 Full Bath 3,800 Square Feet

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11824 ELLICE STREET MALIBU CALIFORNIA PROPERTY FEATURES 10 Bedrooms 20 Full Bath 23,960 Square Feet

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11505 HONOAPIILANI HWY LAHAINA HAWAII PROPERTY FEATURES 4 Bedrooms 4.5 Full Bath 2,470 Square Feet

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1221 SHILOH CREST SANTA ROSA CALIFORNIA PROPERTY FEATURES 7 Bedrooms 9 Full Bath 7,313 Square Feet

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229 LOWER BONE HOLLOW RD ACCORD NEW YORK PROPERTY FEATURES 4 Bedrooms 4 Full Bath 4,551 Square Feet

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102 WOOD DUCK LANE ASPEN COLORADO PROPERTY FEATURES 6 Bedrooms 9 Full Bath 8,465 Square Feet

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2955 MAKALEI PLACE HONOLULU HAWAII PROPERTY FEATURES 4 Bedrooms 9 Full Bath 5,226 Square Feet

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2861 GRAND RTE SAINT JOHN ST NEW ORLEANS LOUISIANA PROPERTY FEATURES 8 Bedrooms 7 Full Bath 6,550 Square Feet

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100 VAIL ROAD VAIL COLORADO PROPERTY FEATURES 11 Bedrooms 18 Full Bath 15,086 Square Feet

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266 BANGSBERG RD SE PORT CHARLOTTE FLORIDA PROPERTY FEATURES 6 Bedrooms 7 Full Bath 5,590 Square Feet

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2000 ROYAL CT, UNIT 2105/2103 NORTH HILLS NEW YORK PROPERTY FEATURES 3 Bedrooms 4 Full Bath 3,500 Square Feet

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17872 VIA DE FORTUNA RANCHO SANTA FE CALIFORNIA PROPERTY FEATURES 5 Bedrooms 7 Full Bath 12,915 Square Feet

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1095 REDWOOD AVEUE BOULDER COLORADO PROPERTY FEATURES 5 Bedrooms 5 Full Bath 4,959 Square Feet

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609 PASEO DEL MAR PALOS VERDES ESTATES CALIFORNIA PROPERTY FEATURES 5 Bedrooms 6 Full Bath 7,590 Square Feet

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44 COCOANUT ROW #510/511 B PALM BEACH FLORIDA PROPERTY FEATURES 3 Bedrooms 3 Full Bath 2,228 Square Feet

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18730 CANYON ROAD, SONOMA, CALIFORNIA 4 Bedrooms | 4 Bathrooms | 1 Half Bath | 6135 SqFt

MATT SEVENAU | 707.934.5630 | matt@mattsevenau.com 131

2770 GALE ROAD, WAYZATA, MINNESOTA

132

8 Bedrooms | 11 Bathrooms | 7 Half Bath | 28,980 SqFt

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LINDSAY BACIGALUPO | 763.350.0022 | lindsay.bacigalupo@evrealestate.com 133

2269 NEW GRAY ROCK ROAD, FORT MILL, SOUTH CAROLINA 134

4 Bedrooms | 4 Bathrooms | 2 Half Bath | 4,270 SqFt

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KIM HEDRICK | 469.426.5414 | kim@bovenderteam.com 135

1162 TIEHACK, ASPEN, COLORADO

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6 Bedrooms | 6 Bathrooms | 3 Half Bath | 7,811 SqFt

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STEVEN SHANE | 720.360.0734 | steven.shane@compass.com 137

1915 CUTLASS COVE DRIVE, VERO BEACH, FLORIDA 138

5 Bedrooms | 5 Bathrooms | 1 Half Bath | 5,663 SqFt

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SALLY DALEY | 722.538.4503 | Sally.Daley@elliman.com 139

6025 LAKE GENEVA DRIVE, RENO, NEVADA 140

6 Bedrooms | 5 Bathrooms | 1 Half Bath | 9,691 SqFt

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2560 DEL LAGO DRIVE, FORT LAUDERDALE, FLORIDA 142

6 Bedrooms | 7 Bathrooms | 2 Half Bath | 8,725 SqFt

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245 CRESCENT BAY DRIVE, LAGUNA BEACH, CALIFORNIA 144

4 Bedrooms | 5 Bathrooms | 6,908 SqFt

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145

NIVÅ 6 AT SOUTH BANK, TURTLE TAIL, PROVIDENCIALES 146

7 Bedrooms | 7 Bathrooms | 1 Half Bath | 14,746 SqFt

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SEAN ONEILL | 649.323.1316 | sean.oneill@theagencyre.tc 147

2205 W PEMMICAN ROAD, JACKSON, WYOMING 148

5 Bedrooms | 6 Bathrooms | 2 Half Bath | 6,574 SqFt

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GRAHAM FAUPEL MENDENHALL & ASSOCIATES | 307.690.0204 gfm@compass.com

149

801 BEAN HOLLOW ROAD, PESCADERO, CALIFORNIA 150

6 Bedrooms | 4 Bathrooms | 6,600 SqFt

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JEFF & EVA CHEN | 650.222.6682 | thechenteam@compass.com 151

671 ALPINE LANE, KETCHUM, IDAHO 152

7 Bedrooms | 10 Bathrooms | 9,056 SqFt

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MELISSA TINDALL & KATHERINE RIXON | 206.818.8710 melissa@rixonandcronin.com

153

159 E WALTON #22A, CHICAGO, ILLINOIS

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3 Bedrooms | 3 Bathrooms | 1 Half Bath | 5,500 SqFt

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JEFFREY PROCTOR | 773.517.6026 | jeffproctor@atproperties.com 155

5021 MINKLER ROAD, YORKVILLE, ILLINOIS

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6 Bedrooms | 7 Bathrooms | 2 Half Bath | 10,000 SqFt

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MICHAEL LAFIDO | 630.674.3488 | thelafidoteam@gmail.com 157

1050 HEAD OF POND ROAD, WATER MILL, NEW YORK 158

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MARY SLATTERY | 631.375.9943 | mslattery@corcoran.com 159

38 EAST SHORE, THE WOODLANDS, TEXAS 160

7 Bedrooms | 7 Bathrooms | 3 Half Bath | 9,975 SqFt

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DIANE KINK | 281.364.4828 | diane@thekinkteam.com 161

1105 MOORES MILL ROAD, ATLANTA, GEORGIA 162

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MATTHEW DOYLE | 561.707.6139 | matthew.doyle@compass.com 163

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