Jing Zhang, M Arch // A Collection of Ideas
Jing Zhang, M Arch // A Collection of Ideas
ZHANG JING | M ARCH
TABLE OF CONTENTS
A Collection of Ideas Table of Contents 01 The Stacked Courtyard
05 Inner Forest Patio Library
02 Interlocked Cubes Residential
06 Inner Farm Meat Markest
03 The Folded Shell Theater
07 Cavas Residential Building
04 The Ferry Church
08 Pavilions For Artists
ZHANG JING | M ARCH
Course Instructor Semester Location
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ARH_810 Master Of Architecture Thesis Mark Mueckenheim Spring 2018 35 Tianning Temple Front Street, Beijing, China.
A New Typological Response to Chinese Local Culture for Urban Primary Schools — The Stacked Courtyard Cities in China are very concern with protecting kids from negative urban conditions while providing them with a friendly study space which is easily accessible to nature. The site of this primary school is located in a community with many residential buildings and a Chinese traditional temple. The design of the school was inspired by the traditional Chinese garden, which include man-made landscape features, and historical
residential courtyard. The school design divided one large school yard into stacked small yards representing a mountain. It uses space more effectively by providing a more enjoyable and more accessible open space for kids and teachers .The interior spaces are organic shapes that interact with nature. The mountain-like exterior combined with the pagoda of the temple create the atmosphere of a Chinese painting.
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THE STACKED COURTYARD
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01 / Location Mapping of Beijing Primary School with Population Density 02 / Residence Communities Area with School Location 8 | 9
THE STACKED COURTYARD
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Residence Area Universities Parks
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THE STACKED COURTYARD
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02/ 01 / Enlarged Second Floor Plan 02 / First Floor Plan 03 / Second Floor Plan 04 / Third Floor Plan 05 / Fourth Floor Plan 06 / Ramp and Yards Diagram 07 / Ramp and Program Diagram
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01 02 03 04 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24
Lobby Office Lecture Hall Open Study Space Library and Reading Area Loker Area Computer Area Restroom Dinning Area Sky Yard Resyaurant Food Supply Kitchen Faculty Dwelling Administration Office Elevator Medical Center Sky Yard Music and Dancing Area Sprots Area Swimming Pool Green House School Park
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01 / Fifth Floor Plan 02 / Sixth Floor Plan 03 / Seventh Floor Plan 04 / Eightth Floor Plan 05 / Enlarged Third Floor Plan 01/ 12 | 13
THE STACKED COURTYARD
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THE STACKED COURTYARD
01 / South-North Section
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THE STACKED COURTYARD
02 / West-East Section
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THE STACKED COURTYARD
01 / West Elevation 02 / South Elevation
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01 / Structure Diagram 02 / Egress Stairs Diagram 20 | 21
THE STACKED COURTYARD
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THE STACKED COURTYARD
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THE STACKED COURTYARD
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THE STACKED COURTYARD
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Course Instructor Semester Location
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ARH_650_01 MS: Introductory Design Studio 1 Alberto Bertoli & Yim Jew Spring 2015 South Park, San Francisco, United States.
Spatial Idea of Interlocked Cubes Practiced in Residential Design — Interlocked Cubes Residence The client for this project is a couple who live together and also work in the same house. One of them is a singer and actor, and the other one is a film maker. Because they collaborate on some projects, their work areas require both shared spaces and individual spaces. This project design considers the properties of public and private space. Each client has their own studio for their employee to work in. The south side which faces the park
is the main entrance and public area. As the space extend to the north, which is an alley, it becomes more private. In addition the house has three floors and the top floors are more private. The house has a public theater displaying their work. It also has a convenient pathway for pedestrian access between the park and the alley. This design is a practice of creating different spatial quality with a very simple geometric shape.
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INTERLOCKED CUBES RESIDENCE
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INTERLOCKED CUBES RESIDENCE
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01 / Site Plan 02 / Isometric
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01 / First Floor Plan 02 / Second Floor Plan 03 / Third Floor Plan 04 / Enlarged First Floor Plan
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INTERLOCKED CUBES RESIDENCE
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INTERLOCKED CUBES RESIDENCE
01 / North-South Section 02 / West-East Section 02/
03 / West Elevation 04 / South Elevation 05 / North Elevation
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INTERLOCKED CUBES RESIDENCE
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01-03 / Concept Study Model 04-06 / West-East Section 07-09 / Final Model
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Course Instructor Semester Location
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ARH_653_01 MS: Introductory Design Studio 2 Mark Cruz & Keith Plymale Fall 2015 Sutro Bath, San Francisco, United States.
Public Movie Exhibition Hall Framing the Views of Natural Landscape — The Folded Shell Theater Good film-makers carefully plan the foreground and background of a film. Their project's arrangement of space and composition of elements can bring inspiration to architects. Therefore, this project developed from analysis of the spatial and framing skills and ideas in a film. The first step is abstract and it extracts the hidden potential of the lines and surfaces in a series of screen shots. The site Sutro Bath was a public saltwater swimming
pool at the turn of the century, and burned down in 1966. It was abandoned and left in concrete ruins. The development of this project build on the ruins as opposed to clean them. It connects and respects the history of the site by using a modern design to respond to the existing features. The folded surfaces and openings frame different views on this site which create spatial illusion that evoke a deam-like experience for visitors.
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THE FOLDED SHELL THEATER
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THE FOLDED SHELL THEATER
01/ Screenshots Sketches and Extract 02 / Cube of Extract Slices Timeline 03 / Spatial Protential From The Cube
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THE FOLDED SHELL THEATER
01 / North Elevation
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02 / West Elevation
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THE FOLDED SHELL THEATER
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03 / North-South Section
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THE FOLDED SHELL THEATER
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THE FOLDED SHELL THEATER
01 / Ground Floor Plan 02 / Roof Plan 03 / Screen hall Diagram
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THE FOLDED SHELL THEATER
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Course Instructor Semester Location
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ARH_609_01 MS: Intermediate Design Studio 1 Peter Suen & Mark Myers Spring 2016 Heron's Head Park, San Francisco, United States.
Ferry Terminal to Cemetery with Gliding Light As A Monument of Death — The Ferry Terminal Church This project supposes that Alcatraz Island in the Bay Area has become a cemetery. A specific ferry terminal is required for people to board the ferry to Alcatraz. This terminal can be the site for a church. People come here to start a journey with lifeand-death and remember the who lives in their memory. This church is a concrete shell with its bottom open to the water. The reflection of the natural light on the water will flash in the dim
interior. Two floating wood boats follow the tide rise and fall in the interior, which symbolizes lifetime. The wall attached to the exterior pathway is made of translucent concrete. When visitors walk along this pathway, the moving shadow of their movement will be seen in the interior. It looks like a silent shadow film which stands for the soul and spirit of the deceased. It connects the real world and illusory world in people's hearts.
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THE FERRY TERMINAL CHURCH
ZHANG JING | M ARCH
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01 / Site Extract 02 / First Floor Plans 03 / Second Floor Plans 54 | 55
THE FERRY TERMINAL CHURCH
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THE FERRY TERMINAL CHURCH
01 / South Elevation 02 / East Elevation 03 / North Elevation
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THE FERRY TERMINAL CHURCH
01 / East-West Section 02 / West-East Section
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ZHANG JING | M ARCH
Course Instructor Semester Location
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ARH_608_01 Advanced Design Studio 1: Concept, Context, & Typology Mueckenheim, Mark & Paz De Moura Castro, Maria Fall 2016 526 Mission Street, San Francisco, United States.
Using Columns to Define A Unbounded Reading Space — Inner Forest Courtyard Public Library The concept of this design is a bowl-shaped space which allocates more space to the ground level for public and provides a quiet outdoor reading space in noisy urban area. Instead of having a few thick columns, the project uses over 700 slender columns which provide a unconfined and graceful space to encourage people to walk in. A ramp spirals upward and interlocks with the columns to make the structure more stable.
The courtyard in the middle of the building reduces the depth of the interior space and brings more natural light into the space. As it opens to the downtown skyline, people can have a good view of the skyscrapers. When sliding door opens to connect the interior with the courtyard, the border between the interior and exterior spaces become blurred and bounder-less. People will enjoy the inwards outdoor space with good views around.
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INNER FOREST COURTYARD LIBRARY
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01 / Site Plan 62 | 63
INNER FOREST COURTYARD LIBRARY
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INNER FOREST COURTYARD LIBRARY
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01 / Basement Floor Plan
04 / Third Floor Plan
07 / SixthFloor Plan
02 / First Floor Plan
05 / Fourth Floor Plan
08 / Seventh Floor Plan
03 / Second Floor Plan
06 / Fifth Floor Plan
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INNER FOREST COURTYARD LIBRARY
01 / West Elevation 02 / South Elevation
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INNER FOREST COURTYARD LIBRARY
01 / North-South Section 02 / Easr-West Section
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INNER FOREST COURTYARD LIBRARY
01 / East Elevation 02 / North Elevation
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INNER FOREST COURTYARD LIBRARY
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01 / Egress Diagram 02 / Door Schedule 03 / Round ADA Compliant Restroom
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01 / Wall Section 02 / Details 03 / Technique of Columns 74 | 75
INNER FOREST COURTYARD LIBRARY
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INNER FOREST COURTYARD LIBRARY
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INNER FOREST COURTYARD LIBRARY
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Course Instructor Semester Location
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ARH_619_01 Advanced Design Studio 2: Concept & Comprehensivene Corotis, Benjamin & Gill, David Spring 2017 500 19th Street, San Francisco, United States.
Farm Inspired Neighborhood Slaughter House with Butcher Shop — Inner Farm Meat Market Because of the food industry wants to increase production and livestock has been treated with antibiotics, many consumers become cautious about the source of the products they buy. The program require this project has an area to store livestock. Therefore, the concept for this project is to create a farm that allows consumers to inspect the livestock they buy from the shop. The supervision by the customer will motivate
the food industry to improve their production process. This build up the trust between the shop and its customers. Another concept is "bridging". The site is re-shaped to create valleys. Like a bridge, the building connect the higher points and crossing the valley from above. This create multiple crisscross spaces without breaking the height limited on this site. The design also strive for larger sunlight range for the farm.
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INNER FARM MEAT MARKET
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INNER FARM MEAT MARKET
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Steel Decking Steel Truss Steel Truss in Compression Steel Truss in Tension Site Border Circulation
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INNER FARM MEAT MARKET
01 / Concept Sketches "Bridging" 02 / "Bridging" Structure Diagram 03 / Circulation Diagram
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01 / Site Plan 02 / Sunlight and Shadow Digram 6 P.M. 03 / Sunlight and Shadow Digram 11 A.M. 04 / Sunlight and Shadow Digram 7 A.M.
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INNER FARM MEAT MARKET
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01/ Concrete Wall Wood Wall Concrete Retaining Wall Water Soil
01 / Below Street level Floor Plan 02 / Ground Floor Plan 03 / Second Floor Plan 88 | 89
INNER FARM MEAT MARKET
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01 / South-North Section A
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INNER FARM MEAT MARKET
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02 / South-North Section B
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INNER FARM MEAT MARKET
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INNER FARM MEAT MARKET
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01 / West-East Section A 02 / West-East Section B
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Truss Glass Floor Finishes Railing
Wood Decking Insulation 4"x4" Metal Tube Decking
Wood Floor
8"x8" Steel Tube Metal Flashing Pedestal
Metal Footing Waterproof Membrane
Concrete Rebar System
Metal Flashing
Exterior Wall Finishes Mesh Layer Interior Finishes
Bi-Folding Door
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03/ Metal Flashing Roofing Waterproof Membrane WaterGutter
Sliding Door Downward Water Floor Drain Concrete Footing
Slab Wood Window Frame
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INNER FARM MEAT MARKET
01 / Concrete Wall and Pedestol Detail 02 / Roofing Detail 03 / Sliding Fence Door Detail 04 / Railing and Bi-folding Doo Details 05 / Wall Section of Dinning Area
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INNER FARM MEAT MARKET
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INNER FARM MEAT MARKET
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INNER FARM MEAT MARKET
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Course Instructor Semester Location
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ARH_604_01 Material And Methods Of Construction: Building Detailing Gill, David Summer 2016 San Francisco
Wall Section Studies with Material Practice of Residential Design — Canvas Residential Building The main purpose of this project is to study the method of construction and waterproofing by solving the problem in our design. This project required a model built according to the construction method in the real world. This residence has a steel frame structure which makes more indoor space available to residents on this narrow site. The ground floor have an open garage. The railing and sunshade systems are based on
sailboat - wood, metal and canvas. The second and third floors have balconies for people to enjoy the outdoor space during good weather. The third floor has an upward bi-folding frame structure covered with canvas for sunshade. The interior space and balcony lighting can be change by adjusting the sunshade panels. This balcony, which has a comfortable natural light condition with fresh air, will be a place for relaxing.
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CANVAS RESIDENTIAL BUILDING
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01 / Decking Detail 02 / Floor Section and Cavas Railing Detail 03 / Canvas Bi-Folding Sunshade 04 / Door Loker Detail 05 / First Floor and Foundation 106 | 107
CANVAS RESIDENTIAL BUILDING
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01 / Third Floor Plan 02 / Secod Floor Plan 03 / First Floor Plan 04 / 1'=1/2"-0 Scale Sectional Model 108 | 109
CANVAS RESIDENTIAL BUILDING
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01 / South Elevation 02 / Sections
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CANVAS RESIDENTIAL BUILDING
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CANVAS RESIDENTIAL BUILDING
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Course Instructor Semester Location
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ARH_601_01 Spatial Composition Maria Paz De Moura Castro Fall 2017 Inhotim, Brizil
Pavilions Design for Displaying The Arts of Four Different Artists — Pavilions For Artists This project consist of four sub-projects, each sub-projects presents an art pavilion for exhibiting specific artwork by different artists. The pavilion design displays the artwork well so the visitors can enjoy the artwork. In other words, the design of the pavilions helps to create a better exhibition effect, and at the same time is independent of the art work so it won't confuse the audience. Because each artist has unique
characteristic, here complemented the work being exhibited. James Turrell's "Light Reignfall" requires viewers to enter a metal metal sphere to view a light show. Nuno Ramos' "The Global of Death" is a show in a steel frame box. Pipilotti Rist's "Under The Sky" is a projection artwork with organic shapes. Richard Serra's "Junction" is made of large scale twisted steel sheets that people can walk around between them.
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PAVILIONS FOR ARTISTS
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01 / Explode Isometric 02 / Elevations 03 / Sections 116 | 117
PAVILIONS FOR ARTISTS
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01 / Floor Plan 02 / South Elevations 03 / East Elevations 04 / West-East Section 05 / South-North Section
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PAVILIONS FOR ARTISTS
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01 / South Elevations 02 / East Elevations 03 / West-East Section 04 / South-North Section 05 / Floor Plan 04/
06 / Explode Isometric 120 | 121
PAVILIONS FOR ARTISTS
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PAVILIONS FOR ARTISTS
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01 / Plan 02 / South Elevations 03 / East Elevations 04 / West-East Section 05 / South-North Section
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Acknowledgements Mark Mueckenheim, Yim Jew, Alberto Bertoli, David Gill, Keith Plymale, Eric Reeder, Mark Cruz, Maria Paz De Moura Castro, Mark Myers, Fumio Suda. Thank you for helping me build up my base of Architecture. Peter Suen, Madeline Hartzell, Jonathan Odom, Donaldson Douglas. Thank you for training my skills and knowledge of Architecture Software. James Mallery, Hyrne Clarke, Wynn Newberry, Elizabeth Tippin. Thank you for teaching me Language and Architecture History. Benjamin Corotis, Carl Wilford, Clifford Minnick. Thank you for building up my knowledge of Structure and Engineering Construction. Mary Scott. Thank you for teaching me the skills and the knowledge of Graphic Design. Thank for the help and support from my classmates, friends and families.
School Academy of Art University Graduate School of Architecture
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