tion between players are vital, and that really benefit from a string of live dates. Finally it’s a chance to reflect on the direction of the band and the music, to formulate or develop new ideas. There are a lot of exciting things on the horizon, and I’m looking forward to seeing them materialise over the next year or so. - What can audiences expect from one of your gigs?
Secondly, it’s a chance to really play in and develop new and existing material. The band feels strongest directly after playing a series of gigs, so I’m confident that we’ll ‘level up’ again after this year’s tour. Interaction, trust and communica-
Some amazing music and incredible band energy. They can expect to be surprised, charmed and to enjoy themselves. They should also prepare themselves for some blistering solos, my terrible joke-telling skills and for Sam’s energetic yet strangely seductive on-stage dance movements… - What’s the best thing about touring with this band?
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Being constantly surprised. Everyone in the band has their own distinct character, which comes across in the music. Once everyone understands what it is that I want to convey, or my ideas behind each piece of music, they’re pretty much given free reign and naturally this means things are continuously changing and evolving. We all listen to each other intently, and as a result we’re able to take the music to different places and navigate through the material with a freedom that’s especially rewarding. Hansu-Tori’s Jazz Services tour begins on 3rd October at the Birmingham Symphony Hall’s Rush Hour Blues session. http://davidaustingrey.com/projects/hansu-tori/