Woolley & Wallis by Jamm Design Ltd

WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Furniture, Works of Art & Clocks Wednesday 3rd April 2019

Specialist Departments Please dial +44 (0)1722 followed by the number listed below 20TH CENTURY DESIGN Michael Jeffery Zoe Smith ASIAN ART John Axford MRICS ASFAV Jeremy Morgan Amber Lees Sarah Lopez-Ferreiro

424505 446955

424506 +44 (0)7812 601098 424571 424591

CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan-Richards Amber Lees

424589 424571

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham

424507

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan-Richards Jim Gale Suzy Becsy

411854 339161 446974

JAPANESE ART Alex Aguilar Sarah Lopez-Ferreiro

424583 424591

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde

424595 424504 424586

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Zoe Cordey

341469 446980

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

MARKETING Sally Trench Megan Corbett

446959 446960

ACCOUNTS Janice Clift (Office Manager)

424500

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Ruth Pike

424500

SALEROOM MANAGER David Jordan

424500

CASTLE GATE MANAGER Matt Hill CASTLE GATE RECEPTION Sally Litherland BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

FRICS FRSA

Natalie Milsted FCCA Finance Director

PAINTINGS Victor Fauvelle Madeleine White

446961 446970

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Zoe Cordey

339752 446980

424599

ASSOCIATE DIRECTORS Janice Clift Clare Durham Will Hobbs Michael Jeffery Mark Yuan-Richards Rupert Slingsby Marielle Whiting FGA

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 â&#x20AC;¢ www.woolleyandwallis.co.uk

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

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FURNITURE, WORKS OF ART & CLOCKS Wednesday 3rd April 2019 at 10.00am at our Castle Street Salerooms, SP1 3SU VIEWING TIMES Saturday 30th March Monday 1st April Tuesday 2nd April Wednesday 3rd April

10.00am – 1.00pm 10.00am – 4.30pm 10.00am – 4.30pm 8.30am – 9.45am

ENQUIRIES

Mark Yuan-Richards 01722 411854 myr@woolleyandwallis.co.uk LIVE BIDDING PLEASE NOTE, WE NOW OFFER OUR OWN LIVE ONLINE BIDDING SERVICE, FREE OF CHARGE.

Jim Gale 01722 339161 jg@woolleyandwallis.co.uk

LIVE bid.woolleyandwallis.co.uk Please register by 5pm on Tuesday 2nd April. BUYER’S PREMIUM

Suzy Becsy 01722 446974 sb@woolleyandwallis.co.uk

Each lot is subject to a Buyer’s Premium of 25% plus VAT TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on Tuesday 2nd April. COLLECTION OF LOTS Collection is available after the sale at the Castle Street Saleroom until Saturday 6th April at 1.00pm. On Monday 8th and Tuesday 9th April all lots will be in transit, and collection from our warehouse: Unit 1B, Castle Gate Business Park, Old Sarum, Salisbury, SP4 6QX is available from Wednesday 10th April. Please call 01722 446950 or 01722 424500 prior to collection to ensure the items are ready. Please note, the warehouse is closed over weekends. All accounts to be settled prior to collection.

ILLUSTRATIONS

CONDITION OF LOTS

Front cover: Lot 77 detail Back cover: Lot 233 detail

Please note that the condition of lots is not stated in the catalogue descriptions. Reports on condition may be available on request. The absence of condition reports in the catalogue does not imply that the lot is free from imperfections or faults.

Catalogue £12.00 (£15.00 by post)

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OAK & COUNTRY

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1. A George III oak inverted breakfront dresser, with burr crossbanding, the boarded top above an arrangement of nine drawers, surrounding a fielded panel door enclosing a shelf, flanked by fluted quarter pilasters, on bracket feet, 90.6cm high, 165.2cm wide, 56cm deep. £1,500-2,000

A George III painted pine child’s rocking chair.

£100-150

3. An early 19th century and later elm primitive Windsor armchair, the later comb top rail above a stick back and scroll arms, possibly West Country or Welsh. £200-300

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4. A 19th century French oak farmhouse kitchen table, the boarded top with cleated ends, above a frieze drawer, on turned legs, 72.3cm high, 198.5cm long, 77cm wide. £300-500

5. A Victorian ash and fruitwood low back Windsor armchair, with a pierced splat back and an elm seat. £80-120 Provenance: From the estate of the late Michael Gray.

6. A harlequin set of eight Lancashire dining chairs, each with a spindle back, above a rush seat, with turned front legs united by stretchers, early 19th century and later, comprising: an armchair and seven side chairs. (8) £300-500

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

7. An early Victorian North Wales oak bread and cheese dresser, the moulded dentil cornice above a pair of cupboards with pierced decoration, each enclosing a shelf, flanking two further shelves, the base with three frieze drawers, one with the date ‘1837’ carved to the lining, a pair of arched panel cupboard doors enclosing a shelf, on bracket feet, 206.8cm high, 185.5cm wide, 54.7cm deep. £1,200-1,800

8. An Irish style painted ash country bow armchair, with traces of black and red painted decoration. £100-150

9. An 18th century painted pine child’s cradle, of panelled construction, on sleigh type rockers, 93.5cm high, 83.5cm long, 56.5cm deep. £100-150

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10 11

10. An 18th century iron and brass mounted long handled grisset pan, on four wheels and with a spoon attached by a chain, 98.3cm long. £300-500 11. A late 17th century brass warming pan, with a tapering iron handle, the hinged pierced cover decorated with birds, within a star motif and dot decoration, 113.5cm long. £150-250 12. A Regency copper church collection pole, with a turned mahogany handle, the pouch engraved ‘Trinity Church Preston 1815’, 65.1cm long. £500-700

13 14

13. An early 19th century iron and brass waffle tongs, the ends dated ‘1815’ and with initials ‘WT’, 81.7cm long. £100-150 14. A late 17th century brass warming pan, with a turned brass handle, the pierced hinged lid decorated with a star motif, 115.6cm long. £200-300 Provenance: By repute from the collection of Rupert Gentle.

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

15. A Bohemian painted pine armoire, polychrome decorated with panels of urns of flowers and a central panel depicting a portrait of Saint Catherine, with a scroll cornice above a door revealing three shelves, the base with a drawer, late 18th / early 19th century, 183cm high, 123cm wide, 50.5cm deep. £400-600 Provenance: From the estate of the late Michael Gray.

16. An early 19th century ash and elm Windsor child’s rocking chair, with a pierced splat and stick £100-150 back. Provenance: From the estate of the late Michael Gray.

17. A 19th century French cherrywood farmhouse kitchen table, the boarded top above a divided frieze drawer, one end with a slide, on square tapering legs, 73.8cm high, 183.7cm long, 86.5cm wide. £500-800

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18. A pair of French bronze pricket candlesticks in 13th century Limoges style, each with a turreted drip-pan, with batswing decoration, above a knopped scaly stem, on a domed base decorated with mythical beasts, on tripod legs with lion’s masks and paw feet, 33.2cm high. (2) £2,000-3,000

18 19. A pewter footed bowl, the body wriggle work decorated with tulips, leaves and flowers, with a pair of mythical beast scroll handles, probably later, the interior with owners triad initials ‘AMC’ and a faint touch mark, on an angel’s head mask decorated foot, possibly Dutch, late 17th century and later, 12cm high, 20cm wide. £300-400

20. A pewter six light chandelier in 17th century Dutch style, with a vase and ball turned stem issuing scroll branches, with dished drip-trays and urn nozzles, 64.5cm high, 56.5cm wide. £400-600

21. A pair of 18th century Flemish bronze pricket altar style candlesticks, each with a dished drip-pan, on a spiral twist and leaf stem, with a triform base, decorated with cherub masks, 38.3cm high. (2) £200-300

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

22. Two Spanish chestnut and ebonised side tables, each with a demi-lune top, on oblique fret carved scroll supports united by stretchers, the two tables can be linked to form a centre table, 18th century and later, 76.7cm high, 109.5cm wide, 54cm deep. (2) £200-300

23.

A carved wood Corpus Christi, possibly 15th century, 63.4cm high. £300-500

24. A continental ebonised and parcel gilt wood Corpus Christi, painted with attendant figures, a swan with her chicks, a crown of thorns, with Saint Paul on the reverse above the inscription ‘PIE PATER’ and a serpent, with the lamb of God, a skull and an hourglass, on a grey marble base, late 18th / early 19th century, 56.4cm high, 33cm wide. £200-300

24 Front and back

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25 open

25. A small continental ebony and ivory table cabinet, with gilt metal mounts and inlaid with stringing, the top with a swing handle above a pair of doors marquetry inlaid with eagles, revealing an arrangement of eight drawers decorated with strapwork, the central drawer with an architectural front with a figure, the insides of the doors both decorated with guards, South German or Italian, late 17th / early 18th century, 16.7cm high, 20cm wide, 13cm deep. ÂŁ600-800

26. An 18th century continental fruitwood miniature cabinet, probably an apprentice piece, inlaid with stringing and with crossbanding, the serpentine top above a pair of mirrored doors enclosing six drawers flanking a mirror, above a frieze drawer and two serpentine front drawers on disc feet, possibly South German or Italian, 35.8cm high, 24.8cm wide, 15.3cm deep. ÂŁ1,000-1,500

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Each lot is subject to a Buyerâ&#x20AC;&#x2122;s Premium of 25% plus VAT

27. An Italian ivory book cover mount in Byzantine style, relief carved with the Virgin Mary, within a raised bead, leaf and lambrequin decorated frame, with traces of gilt and polychrome decoration, probably 17th century, Venice, 12 x 11.5cm, in a later velvet mount. ÂŁ3,000-4,000 Provenance: Purchased by the current vendor from Kunsthandel Dr. W. Seppman of Haltern am See, Germany, whilst exhibiting at the Olympia Fine Arts Fair, London on the 16th June 1985, as 17th century Venetian. A copy of the original receipt is available. The Virgin's facial features in this present lot bears close resemblance to a 10th / 11th century ivory statuette of the Virgin Hodegetria in the Metropolitan Museum (accession number 17.190.103). However, the carved leaf border points to more of an Italian and probably Venetian origin and the merging of the Eastern and Western Byzantine styles.

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28. An iron church alms / collection box, the top with a pierced slot, the sides with three further slots and three locks with escutcheons, 15th / 16th century, 18.3cm high, 19.2cm wide. £200-300

29. A pair of Italian stained pine architectural fragments, each carved with ‘C’ scrolls and a bearded man, 18th century, together with a lead fire mark for the Hand in Hand Fire & Life Insurance Society, with a pair of clasped hands above the number ‘5570’, a Burmese carving and a painted oak plaque carved with an angel’s mask, 31.2cm (max). (5) £100-200

30. A pair of 17th century carved oak terms, each with a bearded man above a coat of arms, together with a carved and ebonised wood eagle’s head fragment, 49.3cm (max). (3) £150-200

31. A small collection of oak carvings and architectural fragments, comprising: a pair of Gothic style bench ends, a corbel, a cluster column, a leaf capital and a finial, 113cm high (max). (6) £100-200

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

32. An oak boarded chest, the hinged lid with a raised central panel revealing an interior with a lidded till, the front carved with Gothic arches with tracery, the spandrels carved with oak leaves, roses, shamrocks and grapes and vine leaves, with stepped cut-out ends, late 16th / early 17th century, 64.9cm high, 139cm wide, 47.8cm deep. £500-800

33. An oak boarded chest, the top with moulded edges and incised zigzag decoration and with a branded mark ‘A D’, with later hinges, the interior originally with a till, the front carved with Gothic arches and tracery, on cut-out ends, probably late 16th / early 17th century, 42.2cm high, 96.7cm wide, 33cm deep. £300-400

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34. An 18th century oak sword chest, the hinged top with a moulded edge, the interior with a lidded till, the front incised with initials ‘IT’ and the date ‘1743’, on cut-out ends, 56.6cm high, 127cm wide, 44.8cm deep. £150-250

35. A mid-18th century elm dough bin, the hinged lid revealing a vacant interior, on an oak base, 71.1cm high, 104cm wide, 37cm deep. £200-300 Provenance: From the estate of the late Michael Gray.

36. A late 17th century oak coffer, the triple panelled hinged lid revealing a vacant interior, the front carved with a lunette frieze and with a parquetry chevron band and twin panels, £150-250 56.8cm high, 102.5cm wide, 51.3cm deep.

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

37. Seven oak panel back open armchairs of small proportions, five carved with an arch, two with flowerheads, with other designs of lunettes, floral guilloche and leaves, each with a solid seat, on turned legs united by peripheral stretchers, 17th century elements. (7) £400-600

38. A carved hardwood coat of arms in Elizabethan style, with a stained finish, decorated with a stylised crown above a pair of busts of blackamoors, each wearing a feathered cap and sporting earrings, flanked by tasselled drapes and berries, 59 x 52cm. £200-300

39. A Charles II brass trumpet candlestick, with a ribbed stem and a central reeded drip-pan, on a spreading foot, 14.8cm high, 11.2cm diameter. £500-800

Possibly one of the coat of arms made for the Indian Princely Rulers who took part in the Delhi Durbar in 1877.

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40. A 19th century French cherrywood draw-leaf farmhouse kitchen table, 75.8cm high, 117cm long, 217.4cm long (extended), 78.5cm deep. £300-500 Provenance: Purchased from Henry Baines Antique Furniture, Tunbridge Wells, Kent, 6th February 1988.

41. An early 18th century elm gateleg dining table, the oval drop-leaf top above a frieze drawer to either end, on baluster turned and block legs united by peripheral stretchers, 69.8cm high, 116.3 x 140cm (open). £300-500

42. A harlequin set of six 19th century ash and elm Windsor side chairs, each with a pierced and rondel splat back, on turned legs united by an ‘H’ stretcher. (6) £400-600

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

43. A large Charles II lignum vitae dated wassail bowl, the turned bulbous body on a moulded domed foot, engraved with an inscription in Latin ‘Implentur veteris bachi pinginsg Ferince=Tendinus in Latinum Anno domini 1681 Ex dono Jacobi Smith Exons’, which translates as ‘Fill up with old wine that is really juicy. Tried in Latin in the year 1681. The gift of Jacob Smith Esq.’, above a coat of arms to either side, one with three roses between ‘fess dancetty’ for the Smith family and the other shield with a leopard’s face on a canton for the Isaac family, 31.8cm high, 29.5cm diameter. £3,000-5,000 The word Wassail means 'Good health' and is an expression of well wishing equivalent to the word 'cheers', offered in the context of convivial drinking. This is very apt in the context of the present lot which was probably presented as a gift and used at a wedding between the Isaac and Smith families in 1681. It is fairly rare to find a wassail bowl with a date and an inscription, for another example see Woolley & Wallis, Furniture & Works of Art, 4th October 2017, lot 14 for a larger wassail bowl with an applied plaque and the date '1694'.

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44. A 19th century treen snuff shoe, inlaid with mother of pearl and fruitwood, with pewter stringing and tack decoration, with a sliding cover, 11.8cm long. £100-150 45. Two 19th century treen snuff shoes, one with brass tack decoration, both with sliding covers, together with a treen goose wing knitting sheath and a small Swiss musical box in a bird’s eye maple case, playing three airs, 25.3cm (max). (4) £200-300 46. A treen screw-action nutcracker, in the form of a squirrel eating a nut, late 19th / early 20th century, 17cm high. £40-60 47. An early 19th century lacquered papier-mâché snuff box by Samuel Raven (1775-1847), of circular form, the lid painted with an interior scene in the manner of David Wilkie, the interior signed ‘S. Raven Pinxt, Patronised by H. R. H. the Duke of Sussex & Prince Leopold of Saxe-Coburg’, 10cm diameter. £100-150

48. A collection of boxes, comprising: a Victorian lacquer snuff box, the hinged lid decorated with a man holding a rifle and with his companion, a Tunbridge ware rosewood stamp box with a parquetry lid, three burr wood snuff boxes, three black lacquer snuff boxes with mother of pearl inlay, one inscribed with initials ‘N.W.S. S.B.C.’, a sycamore snuff box, the lid painted with a cockerel and a chick and a straw-work needle case, 9.8cm (max). (10) £100-150

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

49. Two 19th century Dutch treen tobacco boxes and covers, with brass mounts and of bellied form, each of stave construction of ebony and fruitwoods, 16.3cm high, 17cm diameter (max). (2) £150-200 50.

A treen turned sycamore dairy bowl, 41.3cm diameter.

£100-150

51. A pair of Victorian turned treen fruitwood batons or staves, 47.5cm long. (2) £100-150 52. A collection of treen items, comprising: a lignum vitae vesta, striker and go-to-bed with a bone nozzle top, in the form of a chess piece, a Mauchline ware pencil case, a Victorian boxwood dice shaker, a circular box with a mother of pearl disc to the lid, a barrel with bone decoration and a sycamore cylindrical box and cover. (6) £100-150

53. Three Victorian travelling inkwells, comprising: a novelty brown leather and brass example in the form of a Gladstone bag, a green leather example, the hinged lid inscribed ‘INK’ revealing a glass well and a treen barrel shaped inkwell, the inside with a sprung glass well, 5.5cm (max). (3) £100-150

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54. Russian School (late 19th century). A naive oil on board painting of a blacksmith, in his forge, sporting a beard and a top hat, 27.9 x 20.3cm, in a rosewood frame. £100-200

55. An elm relief panel, carved with pegasus and a female attendant, late 18th / early 19th century, 30.3 x 41.3cm, later mounted in a moulded oak frame. £500-800

56. A Victorian pedlar type peg doll, of painted pine, wearing a ribbon tied bonnet, sat at a table offering her produce of vegetables, nuts, bread and cheese, in a glazed ebonised case, with a painted and naturalistic £100-200 interior, 32.3cm high, 26cm wide, 14cm deep.

57. A primitive watercolour painting of a farm yard, signed lower right ‘J F Phillimore’, 30 x 39.7cm, in a walnut frame. £150-200 Provenance: From the estate of the late Michael Gray.

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

58. A George III Welsh horn primitive snuff box, the lid inscribed ‘John Thomas Brunaura Clynnog 1791’, the base inscribed ‘Jn Thom. Brynayra. yw gwir Berehen og y Blwch yma a Phwy bynag a ddygo hwn oddiarno fo geiff yscras byth oddiwrtho’, which translates into English ‘John Thomas of Brunaura is the true proprietor of this box and whoever steals this from him will receive disgrace for ever from it.’, 8.7cm high. £200-300 Provenance: From the estate of the late Lady Dodds.

59. An 18th century fisherman’s leather pot bellied creel, with tooled decoration, the hinged lid with a sliding brass cover, 17.9cm high, 28.7cm wide. £200-300 Provenance: From the estate of the late Michael Gray.

59 60. An 18th century brass barber’s bowl, together with two carved treen dolls, two similar treen goblets and a horn beaker, 18.7cm (max). (6) £150-250

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61. An 18th century continental raised needlework devotional picture, decorated with gilt and metal thread with scrolls and flowers, surrounding a central image of Saint Ursula, in a glazed carved and stained wood frame, possibly Spanish, 22.5 x 19.7cm. £100-150

62. An 18th century iron rushnip, mounted on a wooden base, 39.2cm high. £100-150 Provenance: From the estate of the late Michael Gray.

63. A small Regency leather trunk by W. Jones, with gilt tooled decoration, the domed hinged lid with a brass handle, revealing a paper lined interior with a trade label, inscribed ‘W. JONES, UNDER THE FREE CHURCH, AT No.74, AND ALSO AT No. 134, TOP OF WORCESTER STREET, BOTH IN NEW STREET, BIRMINGHAM, ...’, 8cm high, 15.2cm wide. £100-150

64. Three Victorian painted bronze coach badges, for the Worshipful Companies of Wheelwrights, Grocers and Horners, 14.6 x 10.7cm. (3) £150-200

Provenance: From the estate of the late Michael Gray.

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65. A mid-19th century American folk art walnut figural fur shop sign, carved in the form of a scantily clad North American Indian woman, the top of her head sporting a stylised basket, on an associated stand, 141.8cm high. ÂŁ1,000-1,500

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66. A 19th century naive oil on board portrait of a mother and child, possibly American, unframed, 62 x 50cm. £400-600

66 67. A rare 18th century painted lead tobacco box and cover, the lid decorated with tobacco emblems, the body with landscape scenes and musical organs, the interior with a weighted lid and on lion’s paw feet, together with another lead tobacco box, with a dog finial and decorated with tavern interior scenes, 16.2cm high (max). (2) £300-400 For a similar box see ‘Implements of the English House’, by G.Seymour Lindsay, fig 372.

68. A folk art painted metal weather vane, in the form of a cockerel, 63.5cm high, 48.9cm wide. £100-150

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

69 69. A carved and painted wood fox hunting group attributed to Frank Whittington, of Forest Toys, comprising: six horses and riders, seven hound dogs and a fox, early 20th century, 23cm (max). (14) £800-1,200 Frank Whittington (1876-1973) established a toy making firm at the end of World War I in the New Forest, making carved animals and people, inspired by his surroundings and from regular trips to London Zoo and the Natural History Museum. Originally making the toys from home the demand became such that in 1922 he built a factory on the edge of the New Forest (Brockenhurst). The popularity of the figures rose when Queen Mary ordered two dozen Noah`s Arks after seeing them at the British Industries Fairs during the inter-war period.

70. A carved and painted wood hunting carousel in the manner of Frank Whittington, of Forest Toys, with a horse and rider, five £100-200 hunting dogs and a fox, 54.6cm high, 28cm diameter.

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A PRIVATE COLLECTION OF NEEDLEWORK LOTS 71-77

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

71. A 16th century embroidered needlework panel, possibly a coif fragment, with blue and yellow silks and worked in chain stitch with gilt and silvered metal thread, with a rinceau of scrolling leaves and flowers, 39.3 x 24.8cm, in a later glazed gilt frame. £800-1,200 Provenance: Purchased by the current vendor from Mallett. The Property of a Gentleman.

72. A rare Charles II spot sampler, worked with coloured silk and metal thread on a linen ground, with tent stitch, pulled thread work and various other stitches, decorated with a central coat of arms and the date ‘1674’ with triad initials ‘M I P’, with various animals, including: a leopard, a lion, parrots, a swan feeding its young and with flowers, scrolling leaves and panels of floral designs, 25.5 x 65.5cm, in a later glazed gilt frame. £8,000-12,000 Provenance: Purchased by the current vendor from Mallett. The Property of a Gentleman.

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73. A rare Charles II band sampler, worked with coloured silk on a linen ground with long-armed cross, doublerunning, satin and detached buttonhole stitches with bands of flowers, pineapples and with ‘boxer figures’ with raised trailing strands of silk hanging from their heads, possibly representing periwigs, interspersed with urns of flowers, undated but mid- to late 17th century, 51 x 21.5cm, in a later glazed £2,500-3,500 gilt frame. Provenance: Ex. Dr. Goodhart Collection. Purchased by the current vendor from Mallett. The Property of a Gentleman. See Clare Brown and Jennifer Wearden, Samplers from the Victoria and Albert Museum, p.57, pl. 30 for a similar example.

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

74. A Queen Anne needlework picture by Rebecca Grant, worked with coloured silks on an ivory silk ground with various stitches and raised stumpwork, depicting Ceres or Plenty standing on a foliage decorated rug, above a mermaid with a sailing ship before mountains and cacti, flanked by a parrot in a tree, a snail, a castle, a recumbent lion and a stag, with insects and an angel, signed and dated ‘Rebecca Grant 1709’, 25.8 x 38.8cm, in a later glazed gilt frame. £1,500-2,500 Provenance: Purchased by the current vendor from Mallett. The Property of a Gentleman.

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77 75. A late 17th century needlework picture, worked in tent stitch with the Sacrifice of Isaac in a landscape scene, with buildings and figures with a procession of beasts, including: a unicorn, lions, an elephant, a stag, a ram and a dog, the lower right hand corner with a pond with a swan, duck and fish, 28.8 x 38cm, in a later glazed gilt frame. £2,000-3,000 Provenance: Purchased by the current vendor from Mallett. The Property of a Gentleman.

76. An early 18th century needlework picture, worked in gros and petit point with a goat, a lion, exotic birds, butterflies, a snail, a caterpillar and flowers, 44.5 x 58cm, in a later glazed gilt frame. £1,000-1,500 Provenance: Purchased by the current vendor from Mallett. The Property of a Gentleman.

77. A Queen Anne needlework picture, worked with various coloured stitches, depicting the Finding of Moses with the Pharaoh’s daughter, Bithiah, accompanied by attendant females, possibly Miriam and Jochabed, one holding a parasol, with swans, birds, insects trees and flowers and a large castle in the background, the sun peeking from behind clouds above the date ‘1714’, 43 x 59cm, in a later glazed gilt frame. £3,000-5,000 Provenance: Purchased by the current vendor from Mallett. The Property of a Gentleman.

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79 78. Three late George III oval silkwork pictures, depicting a basket of flowers and a butterfly, a basket of fruit and one of naturalistically depicted vegetables, all in glazed and pressed gilt brass frames, 36.8 x 29.5cm (max). (3) £150-250 79. Two Victorian Berlin woolwork pictures, one of a tiger, signed with initials lower right, the other of a recumbent lion, both framed and glazed, 44.3 x 53.2cm (max). (2) £100-150

80. A George III needlework sampler by Jane Roberts, worked with proverbs, birds, a boat, a house and urns of flowers, with a crown and lions, dated ‘July 1st 1788’ and signed ‘Jane Roberts Aged 13 Years’, in a later Hogarth type frame, 36.3 x 30.8cm. £100-150

Provenance: From the estate of the late Michael Gray.

81. A mid-Victorian embroidered needlework heraldic table carpet, worked with fifteen coats of arms, the main arms for Cresswell Augustus Cresswell marrying Charlotte Gough Calthorpe, with shields also for the Fry (chocolate) family impaling Gurney, Mrs Fry being the prison reformer, their daughter married Francis Cresswell, other arms relate to Lady Charlotte Somerset and Baron Calthorpe, Oswin Baker and Anne Gordon Cummig, Cresswell impaling Lumley, the quarters of Calthorpe, the quarters of Gough and France/ England imapling Leon/Castile, for Edward I (as Prince of Wales) married 1st, Eleanor of Castile, the central cartouche hung with leaves, 124 x 94.5cm. £400-600

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82 open

82. A George I walnut bureau cabinet, the broken arch cornice centred with an Ionic capital carved with leaves and husks, above a pair of doors inset with later arched mirror plates, enclosing a fitted interior, with eleven cross and feather banded drawers flanking a central concave cupboard door, the interior with two drawers, with architectural pilasters and three large pigeonholes, above a pair of candle-slides, the hinged fall revealing seven further drawers, one with divisions for inkwells, above four long graduated drawers, on later bracket feet, with an ivorine trade label for ‘S. & H. Jewell, 131-2, High Holborn, London, W.C.1.’, 230.7cm high, 104.5cm wide, 60.5cm deep. £2,000-3,000

83. An early 18th century walnut table top bureau, with cross and feather banding, the hinged fall revealing a stepped interior with pigeonholes and drawers, one fitted for pens and ink, another with a hinged mirror, above a shaped divided frieze drawer, fitted with six boxes, three brushes and a pin cushion, on flattened bun feet, 23.7cm high, 49.2cm wide, 31cm deep. £300-500

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84. A pair of late 17th century walnut armchairs, each with a top rail carved with a pair of cherubs supporting a crown, with spiral twist uprights, flanking a cane and leaf and flower back, with a cane seat and a conforming front rail, on later wooden castors, stamped with owner’s initials ‘IC’. (2) £200-300

85. A Queen Anne walnut open armchair, with a scroll and leaf top rail above a cane back and seat, with turned column supports, on Braganza type front feet. £100-200

86. Two late 17th century walnut side chairs, each with a top rail carved with a pair of cherubs supporting a leaf crown, with spiral twist uprights, flanking a cane and leaf and flower back, with a cane seat and a conforming front rail, one stamped with owner’s initials ‘IM’, the other ‘RS’. (2) £100-200

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87. An early 18th century walnut bureau bookcase, the associated top with an arched cornice above a pair of glazed doors enclosing two shelves, the base with cross and feather banding, the hinged fall revealing pigeonholes, drawers and a central cupboard flanked by secret pilaster compartments, above four long graduated drawers, on bracket feet, 190.7cm high, 88cm wide, 56.2cm deep. £600-800

88. A George II walnut bureau, with cross and feather banding, the hinged fall revealing a fitted interior with holes and pigeonholes, above three long graduated drawers and bracket feet, 93.1cm high, 70.9cm wide, 44.3cm deep. £400-600

89. An early 18th century walnut secrétaire chest, cross and feather banded, the quarter veneered top above a secrétaire fitted with pigeonholes and four drawers and a central cupboard, above three long drawers, the lowest inlaid with a marquetry sunburst, 103.7cm high, 106cm wide, 52.5cm deep. £200-300

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90. A walnut chest, the crossbanded top with a moulded edge, above a brushing slide, with three short drawers and three graduated long drawers, flanked by fluted angles, on bracket feet, 98.5cm high, 105cm wide, 56.3cm deep. £100-200

91. A walnut chest, the crossbanded top above two short and four long conforming drawers, on bracket feet, 95.2cm high, 97.7cm wide, 46.2cm deep. £150-250

92. A walnut chest on stand, the quarter veneered top with cross and feather banding, above two short and two long drawers, on square section cabriole legs, early 18th century elements, 105.7cm £150-250 high, 83.5cm wide, 56.5cm deep.

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FURNITURE, WORKS OF ART & CLOCKS

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93. A George II mahogany bookcase cabinet, the dentil cornice above a pair of geometric astragal glazed doors enclosing three adjustable shelves, above a pair of fielded panel cupboard doors, enclosing two shelves, on bracket feet, with brass side carrying handles, 214cm high, 110cm wide, 50cm deep. £1,500-2,000

94. A George III mahogany gateleg dining table, the oval drop-leaf top on moulded legs, 71cm high, 137.2cm wide, 195.4cm deep (open). £200-300

95. A mahogany centre table, the verde antico marble top above a plain frieze on lappet headed club legs and pad feet, George II and later, 73cm high, 84.4cm wide, 56.7cm deep. £400-600

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96. A George II mahogany bookcase cabinet, with a pair of astragal glazed doors enclosing three adjustable shelves, the base with a pair of fielded panel doors enclosing two slides, on bracket feet, 218.4cm high, 124.2cm wide, 55.8cm deep. £400-600

96 97

97. A George III mahogany gateleg dining table, with a drop-leaf top above a frieze drawer, on chamfered square legs, 70.5cm high, 99 x 125.8cm (open). £100-150

98. A George II red walnut chest, the top with a moulded edge above two short and three long graduated drawers and bracket feet, 101cm high, 105.3cm wide, 57.7cm deep. £600-800

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99. A George III mahogany bureau cabinet, with a dentil cornice above a pair of cupboard doors with outline mouldings, enclosing three adjustable shelves, with a hinged fall, the interior with twentyone drawers, two pigeonholes and a central cupboard, above two short and three long graduated drawers, on bracket feet, 260.3cm high, 123.6cm wide, 57.7cm deep. £1,000-1,500

100

100. A mahogany pie-crust table, the circular tilt-top with a pie-crust moulded edge, on a turned stem with a fluted bowl, on leaf capped cabriole legs and claw and ball feet, George II and later, 72.3cm high, 72.5cm diameter. £200-300

101. A pair of George III walnut side chairs, each with a leaf carved serpentine top rail, above a ‘C’ scroll, heart, leaf and lattice splat back, the stuffed-over seat on leaf capped cabriole legs and pad feet, possibly American. (2) £500-800

101

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102. A George II walnut and giltwood wall mirror, the arched bevelled plate within a carved slip, the sides with applied leaf and flower garlands, with a swan neck pediment, centred with a pierced stylised shell, 135.7 x 65.3cm. ÂŁ1,000-1,500

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103. An early George III mahogany chest on chest, the moulded cornice above three short and three long drawers, flanked by fluted angles, the base with a brushing slide, above three long graduated drawers and bracket feet, 178cm high, 113.2cm wide, 53.8cm deep. £800-1,200

103

104

104. A George III mahogany tripod table, the circular tilt-top with a pie-crust moulded edge, on a turned stem with a fluted bowl, on shell and bell flower carved cabriole legs and claw and ball feet, 75cm high, 86.5cm diameter. £400-600

105. A George III wing armchair, later upholstered with a leaf design fabric, on reeded square tapering front legs with brass caps. £500-700

105

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106. A George II walnut and carved pine wall mirror, of tapering shape, the bevelled plate within a carved slip and an egg and dart outer frame, with a broken arch pediment centred with a leaf and flower cartouche, 120 x 64.3cm. ÂŁ800-1,200

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107

107. A George III mahogany twin pedestal dining table, with a pair of ‘D’ ends and two additional leaves, above vase turned pillars and four reeded legs terminating in lion’s paw brass sabot and castors, with a Norman Adams trade label ‘ANTIQUE FURNITURE from NORMAN ADAMS LTD, 8-10, HANS ROAD, LONDON, S.W.3’, 69.5cm high, 230.5cm long, 109.3cm deep. £400-600

108. A George III mahogany dumb waiter, with three dished tiers, the lower two revolving, with a vase turned stem and on castors, 105.8cm high, 57cm diameter. £200-400 109. A set of six George III ‘Hepplewhite’ mahogany dining chairs, each with a serpentine top rail above a pierced splat and a drop-in seat. (6) £300-500

108

109

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110. A George III mahogany serpentine dressing chest in the manner of Thomas Chippendale, the top with a moulded edge above four long graduated drawers, the top one with a baize lined slide revealing divisions, all fitted with original brass handles with flowerhead paterae plates, flanked by curved angles, on bracket feet, 88cm high, 107.1cm wide, 58.5cm deep. £6,000-8,000 Provenance: Purchased from John Bly Antiques, 27 Bury Street, London, 9th July 1999 for £55,000. A copy of the receipt is available.

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111. A George III Irish mahogany octagonal library table, the top inset with later tooled brown leather, above four rosewood banded frieze drawers flanked by fan paterae decorated panels and with satinwood panels, on chamfered square tapering legs inlaid with bell flowers, with a printed paper trade label inscribed ‘JOHN DOOLY & SONS, LTD. FINE ART GALLERIES, 29/30 Dawson Street, DUBLIN’, 75.2cm high, £1,500-2,000 135.2cm wide, 99cm deep.

112. A George III giltwood cartouche shape mirror, with three shaped plates, two replaced, in a fluted and moulded frame, with scroll and flower dividers, the back with the remains of a printed paper trade label for ‘Harrison, Munster Street, Regents Park, London’, 108.3 x 54.2cm. £200-300

113. A George III mahogany open armchair, with carved cable decoration, the ladder back above a drop-in seat, on chamfered legs united by stretchers. £150-200

112

113

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114. A pair of George III mahogany and brass dumbwaiters, each with a hinged top with winged supports, one with two zinc liners for ice, one divided, the other now vacant, supported by ring turned brass columns above a serving tier, on hipped downswept legs and brass caps and castors, possibly Irish, slight differences to dimensions and columns, 99cm high, 65cm wide, 48cm deep (max). (2) ÂŁ2,000-3,000

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115. A George III mahogany secrétaire bookcase, with a pair of geometric astragal glazed doors, enclosing three adjustable shelves, the base in two parts, fitted with a deep drawer, with a baize lined writing surface and an arrangement of drawers and pigeonholes flanking a cupboard, top and base possibly associated, 220.7cm high, 105cm wide, 52.5cm deep. £300-500

115 116

116. A George III and later mahogany corner cabinet, with inlaid boxwood and ebonised decoration, with an astragal glazed door enclosing three shaped shelves, originally a hanging cupboard, later converted to floor standing, 115cm high, 75cm wide, 42.7cm deep. £150-200 Provenance: From the estate of the late Lady Dodds.

117. A George III mahogany serpentine chest, the top with boxwood edging above a brushing slide and four long graduated drawers, on bracket feet, 85.8cm high, 81.4cm wide, 47.3cm deep. £250-350

117

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118. A George III mahogany secrétaire bookcase, inlaid with stringing and goncalo alves banding, the detachable cornice with a Greek key moulding, above a pair of astragal glazed doors enclosing three adjustable shelves, the secrétaire fitted with an arrangement of satinwood veneered drawers, pigeonholes and a central cupboard, parquetry inlaid with a fan patera, flanked by a pair of secret pilaster compartments, above a pair of oval panel doors enclosing two shelves, 217.5cm high, 109.1cm wide, 55.3cm deep. £500-800

118 119

119. A George III mahogany hanging corner cupboard, with a hinged door with reeded outline mouldings, revealing a painted interior with three shaped shelves, flanked by fluted angles, 120.3cm high, 85cm wide, 46cm. £150-250

120. A George III mahogany serpentine chest, the top with a moulded edge above a brushing slide and four long graduated drawers, flanked by stop fluted angles and on shaped bracket feet, 81cm high, 92.7cm wide, 47.3cm deep. £500-800

120

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121. A pair of George III ‘Hepplewhite’ mahogany breakfront side cabinets, each with a reeded edge top, above a frieze drawer and above a brass mesh and pleated silk cupboard door, enclosing an adjustable shelf, flanked by a pair of rectangular tablets, the sides with further panelled book cupboards, each enclosing an adjustable shelf, 81.5cm high, 81.8cm wide, 54.5cm deep. (2) £3,000-5,000 Provenance: Bulstrode Park, Gerrard's Cross, Buckinghamshire. Purchased from A. Cook, Wigmore Street, London, 16th April, 1962 for a £1,020. From the estate of the late Lady Dodds. This fine pair of cabinets can be seen in the photograph below gracing one of the corridors at Bulstrode Park c.1899. A park has existed at Bulstrode since the early Middle Ages and was once owned by 'Hanging' Judge Jeffreys, the Lord Chancellor of England. By the 18th century the house and estate had passed to the Bentinck family. The wife of the 2nd Duke of Portland, Margaret Bentinck, housed her natural history and antiquities collection at Bulstrode. The house was remodelled in 1806-1809 by James Wyatt and subsequently came into the possession of the 11th Duke of Somerset.

Photograph courtesy of Bulstrode Camp Limited.

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122

122. An early 19th century mahogany dining table, inlaid with stringing and with a satinwood crossbanded top, comprising: a pair of ‘D’ ends, a central section and two additional leaves, on brass castors, 76.5cm high, 119.cm wide, 283.5cm long. £800-1,200 123. A late George III mahogany open armchair, with a curved tablet back and with turned urn arm supports and baluster legs. £50-100 Provenance: From the estate of the late Lady Dodds. 124. A George III satinwood pole firescreen, inlaid with ebonised stringing, with an urn finial and a silkwork octagonal screen, the base inlaid with kingwood banding, 150.8cm high, 38.8cm wide. £100-200 125. Two early 19th century mahogany Lancashire commodes attributed to Gillows, each with a hinged top, seat and a converted base, 75cm high, 54.2cm wide, 47cm deep. (2) £500-800

123

124

125

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126. A rare pair of late George III burr yew card tables, inlaid with ebonised and boxwood stringing with stylised Greek key designs, the ‘D’ shaped hinged top with satinwood crossbanding, revealing a baize lined playing surface, on twin gate supports and on square tapering legs and applied ankles, 73.4cm high, 91.1cm wide, 43.6cm deep. (2) £8,000-12,000 Provenance: Purchased from Reindeer Antiques Ltd, 81 Kensington Church Street, London, 17th March 1999 for £40,000. A copy of the original receipt is available.

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127. A late George III mahogany writing table, the rectangular top inset with later tooled leather, above three frieze drawers, on square tapering legs, 75.2cm high, 98cm wide, 46.6cm deep. £300-500

127

128. A George III mahogany side table, with boxwood edging, the frieze drawer with original brass handles, on square tapering legs, 70.9cm high, 76.7cm wide, 47cm deep. £200-400

128

129. A George III mahogany gentleman’s dressing table, the hinged top revealing a fitted interior with four lidded compartments and a sliding ratcheted mirror, with further divisions and a frieze drawer, on brass roller castors, 84cm high, 61.2cm wide, 51.4cm deep, together with an associated chair. (2) £300-400

129

130. A late George III mahogany oval butler’s tray, with folding sides pierced with handgrips, on an associated later stand, 65 x 89.5cm (open), 51cm high. (2) £500-800

130

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131. A George III mahogany drum table, the circular revolving top inset with a later tan and gilt tooled leather writing surface, above four frieze drawers alternating with four hinged quadrant drawers, two with divisions for pens and inkwells, on a turned stem and four reeded splay legs terminating in brass caps and castors, 75.1cm high, 90.8cm diameter. £2,000-3,000 Provenance: Purchased from Reindeer Antiques Ltd, 81 Kensington Church Street, London, 17th March 1999 for £15,000. A copy of the receipt is available.

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132. A George III mahogany card / games table, inlaid with boxwood stringing and rosewood banding, the demi-lune hinged top inlaid with a marquetry conch shell, on twin-gate supports, revealing an unusual part baize lined and satinwood veneered interior inlaid with a sunburst with fan spandrels and centred with a chequer board, on square tapering legs headed by faux fluting, 72.4cm high, 91cm wide, 44.4cm deep. £300-500

133. A George III mahogany demi-lune card table, with later painted decoration, with ribbon-tied swags of husks and musical trophies, on square tapering legs and pad feet, 75.6cm high, 91.5cm wide, 45.2cm deep. £400-600

134. A late George III rosewood breakfast table, the satinwood crossbanded tilt-top on a turned stem and splay legs, inlaid with stringing, on brass caps and castors, 69.8cm high, 77.2 x 114.1cm. £150-250

135. A pair of late George III mahogany tea tables, inlaid with boxwood and ebonised stringing, each with a ‘D’ shaped satinwood crossbanded hinged top, above a stylised Greek key frieze and on square tapering legs, 74.8cm high, 91.2cm wide, 45.4cm deep. (2) £600-800

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136. A pair of George III mahogany card tables, inlaid with boxwood and ebonised stringing, the ‘D’ shaped hinged top banded in satinwood and rosewood, revealing a baize lined interior and on twin gate supports, above an inlaid frieze centred with a tablet, on square tapering legs and spade feet, the underside of one with a paper label inscribed in pencil ‘Sir A. Twysden Bt.’, 71.8cm high, £2,000-3,000 81.5cm wide, 44cm deep. (2) The label on one of the tables probably relates to Sir Anthony Roger Duncan Twysden, 11th Baronet (1918-1946). The Baronetcy was created in 1611 and the family seat was at Roydon Hall, East Peckham, Kent.

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138

137

139 137. Literature. Thomas Chippendale (1718-1779). ‘The Gentleman CabinetMaker’s Director: Being a large Collection of the Most Elegant and Useful Designs of Household Furniture, In the most Fashionable Taste. The Third Edition’, ‘London: Printed for the Author, 1762’, with a dedication plate ‘To the Right Honourable Hugh Earl of Northumberland’, with two-hundred engraved plates after Thomas Chippendale, folio gilt tooled leather with a red Morocco spine. £2,000-3,000 138. Literature. 'A Catalogue and Index of Old Furniture and Works of Decorative Art From late Sixteenth Century to Early Nineteenth Century by M. Harris and Sons, 44/42 New Oxford Street, London', in three volumes, 1938, first edition, together with M. HARRIS & SONS CENTENARY BOOK', 1968, limited first edition number 142 and four auction catalogues including: Sotheby's 'The Collection of Mr and Mrs Saul P. Steinberg' and Christie's 'Works of Art from £300-400 Houghton', with price list. (8)

140

139. Literature. A quantity of books relating to antique furniture, mirrors, heraldry and clocks, including: 'The Lady Lever Art Gallery Catalogue of Commodes' by Lucy Wood, 'Thomas Tompion his life and work' by R. W. Symonds, published by Spring Books, 'English Furniture From Gothic to Sheraton' by Herbert £150-200 Cescinsky and 'World Mirrors' by Graham Child. (15) 140. Literature. A small quantity of books relating to antique furniture, comprising: 'William and John Linnell' by Helena Hayward and Pat Kirkham, two volumes, 'The Life and Works of Thomas Chippendale by Christopher Gilbert, Christie's limited edition no.87, bound in leather with slip case, 'John and Thomas Seymour, Cabinet Makers in Boston 1794-1816' by Vernon Stoneman, 'John Channon and brass-inlaid furniture 1730-1760' by Christopher Gilber and Tessa Murdoch, 'Universal System of Household Furniture' by Ince & Mayhew and 'George Bullock Cabinet-Maker'. (7) £200-300 141. Literature. A small quantity of books relating to antique furniture, comprising: 'The Dictionary of English Furniture', revised edition by Ralph Edwards, three volumes published by the Antiques Collectors Club, 'Furniture at Temple Newsam and Lotherton Hall' and 'The Pictorial Dictionary of Marked London Furniture 1700-1840' both by Christopher Gilbert, 'Dictionary of English Furniture Makers 16601840', 'Georgian Cabinet-Makers' by Ralph Edwards and Margaret Jourdain, 'London Furniture Makers' by Heal, 'English Furniture Designs of the Eighteenth Century', The London Furniture Trade' by Pat Kirkham, 'The Irish Furniture at Malahaide Castle' by £200-300 Gerald Kenyon and 'Irish Furniture' edited by Brian Austen. (13)

141

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142. A George III mahogany and marquetry bonheur-du-jour in the manner of Mayhew and Ince, with an inlaid faux fluted frieze, with a pair of kingwood banded doors inlaid with fan paterae and lilies and chrysanthemums, enclosing an interior with fourteen drawers, pigeonholes and a central cupboard door, the base with a divided frieze drawer, with painted handles, on square tapering legs and spade feet, 150cm high, 92.8cm wide, 50cm deep. ÂŁ1,000-1,500

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143

144

145

143. A Victorian brass lion’s paw doorstop, with a leaf stem, 38cm high.

£100-150

144. An early 19th century brass doorstop, modelled with a seated dog and with a leaf scroll handle, with a weighted serpentine base, 36.5cm high. £100-150 145. A Victorian brass doorstop, of turned bell shape, 36cm high.

£100-150

146. A Victorian brass lion’s paw doorstop, with a leaf stem, together with a brass bell shaped doorstop, 51cm high (max). (2) £100-150 147. A Victorian black painted cast iron doorstop, in the form of a pair of back to back cherubs, with a leaf lappet handle and a stepped base, 40.5cm high. £100-150 148. A pair of Victorian painted cast iron doorstops of Punch and Judy, with polychrome decoration, 30.3cm high. (2) £100-200

146

147

148

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149

150

149. A brass and steel fire-grate in George III style, with urn finials and a serpentine front centred with a rosette, 56.2cm high, 59.5cm wide, 25.5cm deep. £200-300 Provenance: From the estate of the late Lady Dodds. 150. A steel fire-grate in George III style, with a cast iron back and a railed front, with urn finials and a pierced and engraved apron and front column supports, stamped twice ‘JP7’, 66.9cm high, 57.2cm wide, 35.5cm deep. £400-600 151. A matched set of three 19th century steel fire irons, each with faceted mushroom and barrel handles, knopped stems and with a pierced pan, together with a pair of steel andirons in George III style, 72.7cm (max). (5) £400-600 152. A Victorian hammered copper shell shape coal scuttle, with a swing handle, 58.2cm high, 48.5cm wide. £150-250 153. A Victorian basket fire-grate, the bronze and brass fire-dogs by William Tonks & Son in the form of lions passant guardant, standing on scrolls and on a turned and leaf decorated plinth, the undersides stamped ‘WT & with a sun’ and with a Victorian registration lozenge, supporting an iron basket, 33.4cm high, 73.5cm wide, together with two brass fire irons. (5) £150-250

152

151

153

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154

155

154. A Victorian black painted cast iron model of a lion, probably a fireside implement-rest or boot scraper, 33.5cm high, 67.5cm wide, 30.5cm deep. £100-150 155. Two brass cylindrical planters, with pierced fish scale bodies, 34.4cm high, 37.5cm diameter (max). (2) £80-120 156. A Dutch copper grape carrier, repoussé decorated with a knight and a cavalier, with leaves and a coat of arms, with the date ‘1760’, 87.3cm high. £200-300 157. A Victorian white painted cast iron stick / umbrella stand, with four circular divisions and a liftout tray with a registration lozenge, 62.5cm high, 45.5cm wide, 19.8cm deep. £150-250 158. A Victorian copper log bin, with a riveted body, 39cm high, 48.5cm diameter. £100-200

156

159. A Dutch teak and brass bound bucket, 31.5cm high, 39.3cm wide. £80-120

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160. After a design by Sir Edward Lutyens. A pair of teak garden benches by Robin Eden, c.1964, 104.2cm high, 161.5cm wide, 52.2cm deep. (2) £300-400 Provenance: Purchased from Robin Eden, Corsham Court, Wiltshire.

160

161. A large terracotta amphora garden urn, 92.7cm high, 54cm diameter. £300-500 162. A pair of green painted metal garden obelisks, of open lattice form, for growing jasmine, 251cm high. (2) £100-200 163. A pair of blue painted wire-work garden chairs, together with a matching table, the table 122.5cm diameter. (3) £150-250 Provenance: Purchased from Robin Eden, Corsham Court, Wiltshire.

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164. An early 20th century bronze garden six-light candelabra, of scroll form, surmounted by a pair of classical figures, one blowing a horn, the other with a symbol, the stem cast with a portrait bust of Orlando Gibbons and the date 1583-1625, the reverse with an inscription ‘ IN MEMORY OF CHRISTOPHER TYE AND ORLANDO GIBBONS CHORISTERS GIVEN BY FRIENDS OF THE CHAPEL 1924’, 194.7cm high, 101.3cm wide. £300-500

165. Two theatre costume wicker baskets, each with a hinged lid, rope-twist handles and stencilled marks ‘S’, 61.2cm high, 87.5cm wide, 60cm deep (max). (2) £200-300 166. A pair of lead ogee shape planters, the bodies decorated with scrolling leaves and flowers, 21.3cm high, 43cm wide. (2) £200-300 167. A pair of wicker log baskets, each with handles, together with another wicker basket £200-300 with a hinged lid, 66.4cm high, 84cm wide, 60.5cm deep (max). (3)

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168. A George III ebonised repeating bracket clock by John Day of London, the eight day brass movement with four turned pillars, with a verge escapement and striking on a bell, the backplate engraved with scrolling leaves, a ho-ho bird and numbered ‘No. 520’, the arched dial with a silvered chapter ring with Roman and Arabic numerals, with a matted centre with a date aperture and signed ‘John Day London’, with circular strike/silent dial and Rococo spandrels, the gilt brass mounted case with a bell top and handle and with cone finials and pierced fretwork sides, 47.5cm high. £2,000-3,000

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169. A George III Cornish oak longcase clock by Benjamin Andrews of St. Austell, with a thirty hour birdcage movement striking on a bell, the eleven inch brass dial with a silvered chapter ring and centre, with Roman and Arabic numerals, with a date aperture and engraved with a naive coastal scene with buildings, clouds and a tree, signed ‘Benjn Andrews St AUSTLE’, with gilt Rococo spandrels, in a plain case, 210cm high, together with Cornish Clocks and Clockmakers by H. Miles Brown. (2) £300-500

170. A mid-18th century oak longcase clock by Thomas Bevan of Marlborough, the eight day brass movement with four turned pillars, with an anchor escapement striking on a bell, the twelve inch brass dial with Roman and Arabic numerals, the matted centre with a subsidiary seconds dial and a date aperture engraved with three birds, signed ‘Thomas Bevan Marlborough’, with gilt Rococo spandrels, the hood with an inverted bell shaped top, above a blind-fret frieze, with a plain case, 200.5cm high. £1,000-1,500 Provenance: From the estate of the late Michael Gray.

171. An early 19th century mahogany longcase clock by Stubington of Gosport, the eight day brass movement striking on a bell, with a twelve inch painted arched dial, with Roman numerals, subsidiary seconds dial and a date aperture, signed ‘Stubington, Gosport’, painted with urns, wheatsheaves and a shell, the case with an arched hood and a conforming trunk door, 206.5cm high. £300-500 Provenance: Warrens House, Bramshaw.

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172. An early Victorian gilt brass desk thermometer and aneroid barometer by Dollond of London, with silvered dials, both signed ‘DOLLOND London’, on a slate base, with an adjuster handle, 25.7cm high. £150-250

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174. A George IV gilt and patinated bronze table thermometer by Salt, for the Russian market, decorated with a pair of mermaids and with a sun mask, the back stamped ‘PUB. BY. TC. SALT. APL. 18. 1828’, on a malachite base and paw feet, with a broken glass tube, 25cm high. £80-120

173. A George III mahogany stick barometer by Fasana of Bath, the arched brass dial with a vernier scale adjuster, signed ‘Fasana BATH’, in a moulded case, with book matched veneers and a well £300-500 cover, 93.4cm high.

175. A Campbell-Stokes sunshine recorder by Negretti and Zambra, model no. ‘6061’, stamped ‘NEGRETTI & ZAMBRA LONDON MADE IN ENGLAND’, 25cm high. £250-350

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176. A French brass cased carriage clock, the platform lever escapement striking on a gong, the white enamel dial with Roman numerals, in a gorge case, 13.2cm high. £150-200

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177. A French brass cased carriage clock, the platform lever escapement striking on a gong, the circular annular enamelled dial with Arabic numerals, in a corniche case, 14.4cm high. £150-200

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178. A French gilt brass repeating carriage clock, the platform lever escapement striking on a gong, stamped ‘FRANCE’, the circular dial with Arabic numerals, in a corniche case with a ribbon moulding, 14.3cm high. £150-200

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179. Two small French brass cased carriage clocks, the larger repeating and striking on a gong, the dial with Roman and Arabic numerals and signed ‘T. DENT LONDON’, the smaller a timepiece with a circular dial with Arabic numerals, 11cm high (max). (2) £150-250

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180. A late 19th century French ebonised mantel clock by Brocot, the eight day brass drum cased movement striking on a bell, stamped ‘771’, ‘BROCOT A PARIS’ and ‘BROCOT BREVETE’, the white enamel circular dial with Roman numerals and signed ‘BROCOT A PARIS’, the portico style case marquetry inlaid with brass, mother of pearl and tortoiseshell with scrolling leaves and flowers, with a visible brass and steel pendulum, 48.8cm high. £300-500

181. A French four-glass mantel clock, the eight day brass cased drum movement with an outside countwheel and striking on a gong, the backplate stamped with a fleur-de-lis, numbered ‘4131 411’ and with a pastille inscribed ‘MEDAILLE D’OR PARIS 1900 Samuel Marti’, the circular enamel dial with Arabic numerals and decorated with swags of flowers, in a brass and marble mounted case, early 20th £200-300 century, 28.9cm high.

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182. A late 19th century French onyx mantel clock, the eight day brass cased drum movement with an outside countwheel and striking on a bell, now missing, the backplate stamped ‘3004’ and with a Japy Frères pastille, the enamel dial with Roman and Arabic numerals and decorated with swags of flowers, the gilt metal mounted case with a cherub finial and decorated with torches, laurel leaves and ribbon tied bows, 34cm high. £150-250

183. A Victorian lacquered brass monocular microscope by Baker, with rack and pinion focusing, the circular revolving stage with a concave mirror below, the ‘Y’ shaped stand signed ‘BAKER, 244 High Holborn, London’, with extra lenses and eye pieces and a small collection of slides, in a mahogany case, 46cm high. £150-250

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CONTINENTAL FURNITURE, WORKS OF ART & LIGHTING

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184. A French mahogany side cabinet in Louis XVI style, with ormolu mounts, the breakfront brèche marble top with a moulded edge, above four frieze drawers and a pair of panelled doors enclosing a shelf, flanked by a pair of open shelves with mirror backs, on toupie feet, early 20th century, 106.4cm high, 200.4cm wide, 56.5cm deep. £2,000-3,000

185. A pair of French kingwood bombe shape tables en chiffonière in Louis XV style, with ormolu mounts, each fitted with three drawers, on cabriole legs, late 19th / early 20th century, 71.2cm high, £1,500-2,000 32.3cm wide, 28.7cm deep. (2)

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186. A French demi-lune mahogany console desserte in Directoire style, with pierced brass galleries, the Carrara marble top above two plum-pudding tiers, on fluted legs, late 19th century, 89.8cm high, 111cm wide, 47.5cm deep. £500-800

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187. A French Empire style beechwood bergère, with a padded back and armrests and with a loose needlework cushion, the moulded frame carved with palmettes and with baluster arm supports, on turned front legs, mid-19th century. £150-200

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188. A French walnut and parcel gilt fauteuil in Louis XVI style, the padded back, seat and armrests covered in silk damask, late 19th century. £100-150

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189. A French giltwood bergère armchair in Louis XV style, the frame carved with leaves and flowers, the serpentine front on cabriole legs, late 19th / early 20th century. £250-350

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190. A French giltwood fauteuil in Louis XVI style, with a padded back, seat and armrests, covered with tapestry with romantic scenes of lovers and flowers, the frame with fluted decoration and a laurel leaf surmount, late 19th century. £100-150

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191. A mid-19th century French mahogany tall chest, the later white and grey marble top above six graduated long drawers, flanked by fluted pilasters, 146.7cm high, 101.3cm wide, 46cm deep. £500-700

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192. A pair of French giltwood side chairs in Louis XV style, each with a padded back and seat, covered in pale blue silk decorated with birds, flowers, ribbons and a birdcage, the moulded frame carved with rocaille, scrolls and flowers. (2) £500-700

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193. A pair of French painted wood bergère armchairs in Louis XVI style, upholstered with damask fabric, each with a moulded frame with a ribbon tied crest, on stop fluted legs, with traces of gilding, 19th century. (2) £500-800

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194. A pair of Italian walnut console tables, each with a rectangular top above a frieze drawer, on turned club legs and later pad feet, late 18th / early 19th century, 92cm high, 120.4cm wide, 63.6cm deep. (2) £1,000-1,500

195. A pair of 18th century continental yew wood stools, each with a later drop-in needlework seat, with a shaped frieze, on cabriole legs united by an ‘X’ stretcher with a turned finial, 39.4cm high, £600-800 56.5cm wide, 41.5cm deep. (2)

196. A pair of ebonised and giltwood stools in Louis XV style, each with a damask velvet upholstered seat, with floral friezes and on cabriole legs, early 19th century, 42.9cm high, 51cm wide and deep. (2) £400-600

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197. A pair of large 19th century French carved wood models of pacing lions, each with a gilt bronzed finish and on a rectangular plinth, 74.2cm high, 107cm long. (2) £800-1,200 Provenance: Claude Sainval, owner director of the Comédie des Champs-Élysées Theatre, where they graced his office.

198. A pair of 19th century French ormolu curtain tie-backs, in the form of ribbon tied oak leaves and acorn swags, 42.5cm wide. (2) £100-150

199. A French stool in Louis XVI style attributed to Maison Jansen, the studded black leather seat on spiral fluted legs, mid-20th century, 48cm high, 72.7cm square. £600-800

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200. Two similar late 19th century Austrian Viennese carved ivory and silver mounted figures, of a man and a woman, he accompanied by his dog and holding a shovel, she holding a bird and a basket, each standing on a Rococo style rock crystal base, 26.3cm high (max). (2) £2,000-3,000

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201. A 19th century ivory seal, carved with the bust of an Elizabethan gentleman, possibly Sir Walter Raleigh, on a term base and with a carved intaglio griffin seal, 11.2cm high. £80-120 202. Great Exhibition interest. A Victorian ivory paper knife, the blade engraved with a view of the Crystal Palace and inscribed ‘The Great Exhibition Hyde Park’, 23.9cm long. £100-150 203. A 19th century ivory snuff box, the lid inset with an electro-type medallion depicting the arrival of the Turks at the gates of Vienna in 1683, the Siege of Vienna, 6cm diameter. £100-150

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λ 204. A pair of French Dieppe ivory figures of Flora and Prudence, each carved in the form of a scantily clad maiden, one fondling her necklace whilst gazing into a mirror, the other holding and smelling roses, each on a verde antico marble base (slight differences), late 19th / early 20th century, the figures: 23.2cm high, overall: 27.4cm high. (2) £1,500-2,500 Provenance: Purchased by a relative of the vendor’s from Isaac Marks Antiques, 94 Grey Street, Newcastle on Tyne, 12th February 1930 for £25 as a pair of ivory figures by Albert Toft. A copy of the original receipt is available.

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205. A French Dieppe ivory figure of Flora, carved in the form of a scantily clad young maiden, signed with initials ‘E. R’, on a marble plinth, late 19th / early 20th century, the figure: 23.2cm high, overall: 32.9cm high. £500-800 Provenance: Purchased by a relative of the vendor’s from Isaac Marks Antiques, 94 Grey Street, Newcastle on Tyne, 10th May 1930 for £20 as by Elsa Renée. A copy of the original receipt is available.

205 206. An Art Deco carved ivory figure of a naked young lady in the manner of Ferdinand Preiss, mounted on an octagonal stepped onyx base, 16.4cm high. £200-300 Provenance: Purchased by a relative of the vendor’s from Isaac Marks Antiques, 94 Grey Street, Newcastle on Tyne, 4th December 1930 for £8 as a pair of ivory figures by Leasden Rose. A copy of the original receipt is available.

206 207. An Art Deco carved ivory group of a cherub riding a ram in the manner of Ferdinand Preiss, mounted on a stepped onyx base, 11.3cm high. £150-250 Provenance: Purchased by a relative of the vendor’s from Isaac Marks Antiques, 94 Grey Street, Newcastle on Tyne, 4th December 1930 for £8 as a pair of ivory figures by Leasden Rose. A copy of the original receipt is available.

207 208. Three French Dieppe carved ivory figures of the ‘Four Seasons’, each on a square base, late 19th / early 20th century, 11.3cm high. (3) £150-250 Provenance: Purchased by a relative of the vendor’s from Isaac Marks Antiques, 94 Grey Street, Newcastle on Tyne, 10th May 1930 for £12 10 shillings as a set of four ivory figures by Elsa Renée. A copy of the original receipt is available.

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λ 209. A pair of French Dieppe ivory figures of Night and Day after Jean-Jacques Pradier, each carved in the form of a scantily clad maiden accompanied by a cherub, carved with flowers and stars, each on a verde antico socle, the underside of one with an old handwritten paper label inscribed ‘DAY AND NIGHT BY ALBERT TOFT FROM THE FITZROY COLLECTION 100 GUINEAS’, late 19th / early 20th century, the figures: 29.5cm high, overall: 34.3cm high. (2) £2,000-3,000 Provenance: Purchased by a relative of the vendor’s from Isaac Marks Antiques, 94 Grey Street, Newcastle on Tyne, 3rd February 1930 for £35 as a pair of ivory figures by Albert Toft. A copy of the original receipt is available.

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MARITIME & PRISONER OF WAR

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210. An early 19th century French prisoner of war straw-work picture, depicting Napoleon on the Island of Elba, possibly escaping, the sea with various ships and boats, including the British frigate ‘Undaunted’, with lozenge banding and leaf decoration, titled ‘ELBE’, 46.9 x 69.4cm, in a brass mounted walnut glazed frame. £500-700

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211. A Napoleonic prisoner of war straw-work jewellery / sewing box, the hinged lid inlaid with a harbour scene with buildings and a sailing ship, the interior with a mirror to the underside of the lid, with three lidded compartments, each inlaid with flowers and with a pair of pin cushions, 6cm high, 21.3cm wide, 14.5cm deep, together with a straw-work panel inlaid with a village scene, 16.5cm wide. (2) £100-200

212. A Napoleonic prisoner of war straw-work vanity box in the form of a book, with parquetry decoration, the hinged lid originally with a mirror to the underside, now with a later print of a dog, with three hinged lidded compartments and a vacant division, 6.4cm high, 29.8cm wide, 23cm deep. £200-300

213. A Napoleonic prisoner of war straw-work games box, the hinged lid with an oval panel, inlaid with a harbour scene with buildings and boats, the body with further panels of buildings, the interior with a village street scene and a pair of lids, revealing four divisions for playing cards, with a base drawer with a bone handle, 11.3cm high, 25.9cm wide, 18.3cm deep. £150-250

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214. An early 19th century French prisoner of war bone games box, with traces of polychrome decoration and with dot designs, the sliding lid revealing forty-five dominoes, 8.2cm wide. (46) £100-150

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215. A Victorian carved bone model of a lighthouse, the screw off base with an inner thread originally for a corkscrew, together with an ivory sugar shovel / cutter, 23.9cm (max). (2) £100-150

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216. An early 19th century French prisoner of war bone games box, with traces of polychrome decoration, the sliding lid drilled with holes for scoring, revealing fifty-one dominoes and three dice, the base indistinctly signed in pen ‘Gerhaut’, 13.7cm (max). (55) £100-150

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217. A 19th century sailor’s scrimshaw whalebone stay busk, decorated with three scenes: of sailing ships, a country house and a coastal view, 36.3cm long. £200-300

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218. An early 19th century French prisoner of war bone Calvary model, with polychrome decoration, depicting Christ on the cross with attendant figures of the Virgin Mary and Mary Magdalene and with various symbols including a cockerel, dice, urns of flowers, a chalice, a ladder, stone mason’s tools, pricket candlesticks and a lamp, within a glazed straw-work case, 26.4cm high, 18.5cm wide, 11cm deep. £200-300 For very similar models see: The Arts and Crafts of Napoleonic and American Prisoners of War, 1756-1816 by Clive Lloyd, pp. 62-63.

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219. An early 19th century French prisoner of war bone games box, with traces of polychrome decoration, the sliding lid with love hearts and diamonds and with holes for score keeping, the interior containing sixteen miniature dominoes, together with a collection of nine associated dice and four markers, three in the form of clenched fists, 14.5cm wide. (30) £150-200

220. An early 19th century French prisoner of war bone games box, inlaid with baleen with geometric designs and rondels, with traces of polychrome decoration, the sliding lid revealing forty-four dominoes, 16cm long. (45) £150-200

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221. A harlequin set of eight copper haystack navy rum measures, each with a scroll handle, comprising: 1 gallon, 1/2 gallon, 1/4 gallon, 1 pint, 1/2 pint, 1 1/2 gill, 1 gill and 1/2 gill, the 1/2 gill stamped ‘BURT BROS BIRMINGHAM 1961’, together with three funnels, 19th century and later, 29.5cm high (max). (11) £400-600

222. A Victorian Tunbridge ware and rosewood work box, the hinged lid marquetry inlaid with a three-masted sailing ship the ‘Somersetshire’, the body with burr veneered panels, the interior with a divided lift-out tray with two lidded compartments and a pin cushion, on disc feet, 15.3cm high, 32.3cm wide, 25.7cm deep. £250-350 223. A Victorian sailor’s woolwork picture, depicting a threemasted ship, titled ‘ELECTRA’, flying two flags, one the Red Ensign, 58 x72.5cm, in a glazed bird’s eye maple frame. £200-300

‘Somersetshire’ was launched in 1810 on the River Thames. She made two voyages to Australia transporting convicts.

Provenance: From the estate of the late Michael Gray.

224. A late 19th century Japanese silkwork embroidered picture for the American market, with metal thread, depicting an eagle with a glass eye and with flags and a shield with stars and stripes, with a banner, inscribed with the American motto ‘E. PLURIBUS UNUM’, together with a companion picture of two exotic pheasants, 46 x 47cm, each mounted, framed and glazed. (2) £200-300

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225. A Victorian sailor’s woolwork picture of a paddle-wheel steam ship, flying the Red Ensign, with engraved brass plaques, inscribed ‘ROYAL MAIL VR’, with a crown and a Royal Coat of Arms, above ‘WHITE STARLINE ROYAL & UNITED STATES MAIL STEAMERS’, flanked by a pair of ship’s wheels, in a leaf carved rosewood glazed frame, the back with a printed paper label, inscribed ‘COMMANDERS-IN-CHIEF OF THE UNITED STATES NAVAL FORCES IN EUROPE DURING THE 2ND WORLD WAR’, 64.6 x 50.2cm. £500-800

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226. American Civil War interest. An interesting American bale of cotton sample, part covered in silk and bound with brass straps, one end inscribed in pen ‘To Captain Crandon Schooner ... of Belfast Maine’, the other end inscribed ‘A. J. Ingersoll Cotton Farmer Mobile Ala (Alabama) ...exe... bale f...’, mid-19th century, 19.1cm high, 28.1cm long. £500-700

227. Thomas H. Willis (American 1875-1925). An early 20th century mixed media silk and oil on canvas picture of a turbine yacht ‘TARANTULA’, signed ‘T. WILLIS N.Y. 1903’, 39.7 x 79.8cm, in a silvered and gilt moulded glazed frame. £200-300

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228. A Victorian painted wood ship diorama, depicting a steam ship ‘STANLEY’, with a painted cloud background and a naturalistic sea, in a glazed gilt and ebonised case, 41cm high, 86.5cm wide. £200-300 Provenance: From the estate of the late Michael Gray.

229. A model boat ‘Vulcano’, with rigged sails, two life-boats and other details, on an ebonised cradle, 58.3cm high, 107cm long. £150-250

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230. A late Victorian wooden half block model boat, mounted on a plaque for hanging, 14.8 x 73.6cm. £400-600

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231. A painted wood pond yacht, with cotton sails and on a cradle, 91.6cm wide.

£100-200

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232. French revolution interest. A late 18th century French painted tortoiseshell snuff box, the hinged lid decorated with scenes from the demonstration of 20th June 1792, depicting Louis XVI with an angry mob holding placards, inscribed ‘VIVE SANS CULOTTES! A BAS LE VETO!’, within a beaded border and the date ‘20 Juin 1792’, with gilt metal rope-twist mounts, the body decorated with battle scenes, the base with war trophies and a scroll titled ‘DROIT DE £150-250 L’HOMME’, 8.6cm wide. Provenance: From the estate of the late Lady Dodds. 233. An unusual wax seal collage picture, comprising: over two hundred French, German and Italian seals, many from famous aristocratic families and personages, including: du Barry, Conte de Remond Baron Reischack, Grand Duke de Toscane, Emperor of Brasil, Monseigneur de Santini, General Maximien, Marquis de Losiseau, Comte de Conti, Novital, Montesquieu, De Randon, Duc D’Anhalt and Baron Warsberg and a large seal inscribed ‘rachel vozze du XVe siècle’, £400-600 57 x 70cm, in a gilt and composition frame. 234. A Napoleon III ormolu and blue guilloche enamel jewellery casket in Louis XIV style, all over decorated with engraved scrolling leaf strapwork, the hinged lid revealing a plush lined interior, on leaf scroll feet, 11.8cm high, 20cm wide, 14.5cm deep. £300-500

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235. A 19th century Bohemian ruby glass tea chest, with gilt brass mounts and decorated with gilt scrolling, leaves and flowers, the hinged lid revealing a pair of lidded tea canisters, flanking a sugar bowl and cover, 14.3cm high, 24.7cm wide, 12.2cm deep. £200-300 236. A pair of continental porcelain figures, of an 18th century gentleman and lady, holding baskets of flowers, one with an underglazed blue crossed swords mark, both with impressed ‘A’ marks, together with an Italian porcelain model of Madame Recamier reclining on a chaise-longue, with an ‘N crown’ mark, together with a Berlin porcelain lobed cup and saucer, 40.6cm high (max). (4) £80-120 Provenance: From the estate of the late Lady Dodds.

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237. An 18th century French carved limewood wall bracket, with traces of gilt and green painted decoration, the breakfront top above a pendant frieze, with a twin eagle head, flower and acanthus carved back and a scrolling leaf base, 33.7cm high, 35.2cm wide. £800-1,200

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238. A late 19th century French kingwood serpentine table jardinière, with gilt metal mounts, the body decorated with thuya panels, with a lift-out metal liner and a pair of carrying handles, 17.6cm high, 40.2cm wide, 27.8cm deep. £300-500

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239. A pair of painted pine pedestals in Empire style, with parcel gilt decoration of urns, scrolling leaves and palmettes, each with a faux marble decorated top and on a square section pillar, possibly Swedish, 86cm high, 54.3cm wide and deep. (2) £2,000-3,000

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240. A Swedish kingwood bombe serpentine commode, with gilt brass mounts, parquetry lattice panels and rosewood banding, the rouge marble top with a moulded edge, above three long drawers, late 19th century, 77.8cm high, 108.4cm wide, 48.7cm deep. £300-500

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241. A late 19th century Austrian limewood diorama by Joseph Graber, carved in relief, depicting an Alpine hunting lodge interior with figures, signed ‘R.GRABER’, 15.2 x 12.4cm, in a glazed simulated walnut frame, the back with printed marks ‘Commerzielle Leitung der Permanenten Ausstellung...’. £200-300 For a similar diorama see Woolley & Wallis, Furniture & Works of Art, 3rd April 2012, lot 547.

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242. A Dutch ebonised and tortoiseshell wall mirror in 17th century style, the octagonal bevelled plate within a ripple moulded frame, with gilt brass mounts, 31.7 x 22.5cm. £100-150 Provenance: From the estate of the late Michael Gray.

242

243. A 19th century cast iron jardinière stand in the manner of Zimmerman, the dished top on a stepped stem and tripod lion’s monopodia supports, 82.2cm high, 36cm wide. £100-150

244. A 19th century Dutch walnut and marquetry hanging display cabinet, inlaid with scrolling leaves and flowers, the arched top above an astragal glazed door enclosing two shaped shelves, 109cm high, 107.5cm wide, 28cm deep. £150-200 Provenance: From the estate of the late Michael Gray.

244

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245. A pair of 18th century and later continental painted and carved wood console tables in Baroque style, each with a serpentine loose top, with a moulded edge, above a shell, leaf and scroll carved frieze, on moulded cabriole legs, possibly Italian or German, 86.3cm high, 158cm wide, 68.4cm deep. (2) ÂŁ3,000-4,000

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246. An Italian walnut desk in 18th century style, with burr veneered panels, the hinged fall revealing a bank of eight drawers, with two secret compartments with sliding covers and two corner drawers, on carved cabriole legs, 104.3cm high, 108.8cm wide, 53cm deep. £300-500

246

247. A pair of Italian walnut open armchairs in Renaissance style, each with a velvet padded back and seat, the front rail with relief carved decoration. (2) £400-600

247

248. A 19th century Italian ebonised and ivory casket, inlaid with marquetry panels of scrolling foliage, with cherubs and coloured dots to imitate precious stones, the domed hinged lid revealing a velvet lined interior, probably Lombardy, 24.4cm high, 44cm wide, 28.8cm deep. £150-200

248

249. A flight of 19th century Italian walnut bed-steps, 73.3cm high, 67cm wide, 73.7cm deep. £300-500

249

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250

250. An Italian Florentine giltwood wall mirror in Baroque style, the later rectangular plate within a leaf and scroll carved frame, 103 x 75.5cm. £300-500

251. A late 18th century Italian Piedmontese walnut console table, the serpentine top with a moulded edge, above a leaf and scroll frieze with diaper panels, on carved cabriole legs, 85.1cm high, 149.3cm wide, 61.8cm deep. £1,000-1,500

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252. A late 19th century Italian Florentine pietra dura oval plaque, inlaid with various hardstones with roses, on a black marble ground, 14.7 x 20.5cm, in an ebonised ripple moulded frame. £150-250

252 253. A late 19th century Italian Florentine pietra dura plaque, of a minstrel playing a mandolin, inlaid with various hardstones, including: lapis lazuli and malachite, 28.3 x 14.2cm, in a later gilt frame. £200-300

253

254

254. A late 19th century Italian Florentine gilt brass and pietra dura jewellery casket, mounted with nine plaques of flowers and a grapevine, the hinged lid revealing a quilted fabric lined interior, the base with a printed trade label for ‘G. TORRINI LUNG’ARNO NUOVO’, 8.5cm high, 20.5cm wide. £400-600

255. Two late 19th century Italian pietra dura paperweights, one inlaid with a flower, the other with specimen marbles in a geometric lozenge design, 12.3cm wide (max). (2) £100-150

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256. A late 19th century Italian Florentine pietra dura centre table by H. Bosi, the circular black marble top inlaid with lapis lazuli and other hardstones with roses, lilies and other flowers and with two butterflies, on a gilt and silvered wood and ebonised base attributed to Egisto Gajani, with a carved dragon support and a triform scroll base inset with three further pietra dura plaques, with a printed paper trade label, inscribed 'H. BOSI, Place St Trinita No. 1 FLORENCE', 79.4cm high, 56.2cm diameter. ÂŁ500-800 Enrico Bosi's workshop was based initially in Via Tornabuoni and later in Piazza San Trinita. He produced pietra dura and mosaics for an international clientele and exhibited at home and abroad, for example at the Esposizione Nazionale Italiana in 1861. Bosi produced works for the House of the Savoy and was a personal acquaintance of Vittorio Emmanuelle II. Egisto Gajani (1832-92, was also based in Florence at Via Borgo Ognissanti and was one of the most celebrated Florentine carvers exhibiting widely at international exhibitions, for example in Paris 1867 and Philadelphia in 1876.

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257 258 257. A pair of Italian walnut Neo-classical side chairs, with fruitwood dot inlay and floral marquetry, the rectangular back carved with leaves, above a caned seat and on stop fluted legs, late 18th century, possibly Piedmontese. (2) £300-500 Provenance: By family repute, the Collection of Maud and Gilbert Russell, Mottisfont Abbey, Romsey, Hampshire. 258. A 19th century Italian Venetian carved pine blackamoor stool, with parcel gilt decoration, the upholstered revolving adjustable seat supported by a crouching figure emerging from drapes, 53cm high, 38.8cm wide. £500-700 259. An Italian Venetian wall mirror, the oval plate within an octagonal etched frame, late 19th century, 86.9 x 71.9cm. £200-300 260. An Italian Venetian wall mirror, of rectangular concave form, with gilt brass £200-300 mounts and sectional marginal plates, mid-20th century, 101.5 x 70.5cm.

259

260

261. A 19th century boxwood and ebonised canapé, carved with bands of guilloche decoration, leaves and with male masks, on cabriole legs, possibly Italian, 95.3cm high, £600-800

261

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262. A pair of 19th century gilt and patinated bronze figural candelabra, each in the form of a classical maiden supporting a torchère, issuing three leaf scroll branches, on a rouge marble base decorated with a guilloche band, 82.5cm high (excluding fittings), each standing on an associated late Victorian mahogany and satinwood pedestal, inlaid with a pair of griffins flanking an urn, with ribbon tied husks and a further vase, 119.3cm high. (4) £2,000-3,000

263

262

263. A pair of Empire style gilt and patinated bronze three-light wall appliques, each with an eagle surmount, above a panther’s head and three leaf scroll branches, with stiff leaf nozzles, above a lion’s mask base, 83cm high, 33cm wide. (2) £3,000-4,000

264

264. A pair of continental giltwood twin-light wall appliques in Régence style, each carved with scrolls, leaves and with a female mask, flanked by a flaming torch and a quiver of arrows, with scroll branches and leaf decorated nozzles, stamped ‘11009’, first half 20th century, 55cm high, 40cm wide. (2) £400-600

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265. A late 19th century French tôle peinte table lamp, with simulated marble decoration, 56.2cm high. £150-250

266. A brass Corinthian column standard lamp, with a stepped base and claw and ball feet, late 19th / early 20th century, 170.6cm high, 38cm wide. £300-500

267. A silver plated Corinthian column table lamp, the stepped base stamped ‘G.S’, late 19th / early 20th century, 53.5cm high. £100-150

268. A brass hall lantern, with four bevelled and cut-glass panels, with a hinged door and turned finials, 67.2cm high, 25.2cm wide and deep. £200-300

265

266

267

268

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269. A pair of white marble and ormolu cassolettes in Louis XVI style, each in the form of an athenienne, with reversible tops with a bud finial and a candle sconce, the bodies decorated with swags of flowers and with ram’s head monopodia supports, 19th century, 26.8cm high. (2) £500-800

269 270. A pair of George III style candlesticks, with a turned nozzle above a batswing knop and a conforming base and a stepped plinth, stamped ‘MAPPIN WEBB’ ‘&CO’ ‘S&L’, possibly Paktong or silver plated, 25.2cm high. (2) £200-300

271. A pair of William IV cut-glass and gilt bronze three-light candelabra, each with trumpet flowerhead nozzles and sconces, above petal drip-pans, with leaf scroll branches, with eagle and serpent terminals, above a faceted baluster stem and a circular foot, 46.1cm high, 37.5cm wide. (2) £400-600

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272. A pair of gilt brass and glass six-light chandeliers, hung with drops, each with a baluster stem, above scroll branches applied with flowerheads, the circular drip-pans hung with drops and lustres, above a ball pendant, 38.5cm high, 56.5cm wide. (2) £800-1,200

273 272

273. A pair of French ormolu twin-light wall appliques in Louis XVI style, each with a ribbon tied drape and husk back plate, inset with a bevelled oval mirror and with a ram's mask, with reeded leaf scrolling branches and fluted nozzles, the back stamped '75WS', late 19th century, 44cm high, 24cm wide. (2) £150-250

274. A pair of French ormolu wall lights in Louis XVI style, each with a flaming urn and ram’s mask backplate, with three leaf scroll branches hung with laurel swags and with flower nozzles and drip-pans, late 19th century, 56cm high, 35.5cm £400-600 wide. (2)

274

275. A pair of late 19th century French ormolu wall lights, the backplates decorated with a central cartouche flanked by a pair of naked male figures, flowers and leaves, with a pair of scroll branches, 33.3cm high, 25cm wide. (2) £300-500

100

275

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276. A pair of glass and gilt brass table lamps in George III style, each with twin lights above a reeded stem and a flowerhead, above a pair of ribbed scroll branches with nozzles, fitted with faux candles supported by an urn and on a stepped base, 69cm high, 32.8cm wide. (2) £300-500

276

277. A pair of gilt and patinated bronze figural candlesticks in Regency style, each with a Chinaman supporting a torchère, with an urn shaped nozzle and hung with drops and lustres, on a drum shaped base applied with cornucopiae, 39cm high. (2) £300-500

278. A 19th century Mason’s Ironstone lamp base, in Chinese style, with a dog finial, decorated with a polychrome exotic bird, gilt leaves and butterflies on a blue ground, with brass mounts and twin lights, 68.5cm high. £800-1,200

278

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ORIENTAL FURNITURE, WORKS OF ART & RUGS

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279. A famille verte porcelain table lamp, of hexagonal shape, decorated with alternating Chinese ladies, vases and flowers, with gilt mounts and twin lights, late 19th century, probably Samson, 64.8cm high. £800-1,200

279

280. A Chinese Canton porcelain bottle vase table lamp, decorated with coloured enamels with panels of figures and with flowers, butterflies, gourds and other objects, later mounted on a Louis XVI style bronze base, 19th century and later, 58cm high. £500-800

281. A pair of late 19th century Chinese cloisonné table lamps, decorated with chrysanthemums and butterflies on a blue and gilt hatched ground, with brass oriental style mounts, 44.5cm high. (2) £800-1,200

281

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282. A mid-19th century Chinese export black lacquer games box, polychrome and gilt decorated, the lift-off cover with figures and birds, amongst wisteria, bamboo and other leaves and flowers, revealing seven lidded boxes decorated with flowers, figures and butterflies and twelve trays, some decorated with playing card motives, one with an emperor, inscribed ‘GAME’, on giltwood batswing paw feet, with a handwritten £300-500 card, inscribed ‘Chinese lacquer box, Pope Joan, Lent by the Misses Maclachlan’, 13.8cm high, 37.8cm wide, 30.8cm deep.

283 open

283

283. A 19th century Chinese Canton lacquered bonheur-du-jour, decorated with figures in various pursuits, buildings, trees, mountains and flowers, with a pair of cupboard doors enclosing an interior fitted with six drawers, a mirrored cupboard door and a watch holder, above a pair of hinged doors enclosing a divided lift-out tray originally for sewing utensils, with a base drawer, on square tapering legs, the right side with a further drawer, 134.2cm high, 55cm wide, 53.9cm deep. £600-800

284. A collection of 19th century Chinese carved mother of pearl gaming counters, of various designs, including: fish, square and circular, together with seven mother of pearl utensils, 11.5cm long (max). (74) £30-50

104

284

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285

285. A Chinese hardwood writing box, in Dutch colonial style, with engraved silver mounts, the hinged lid revealing a vacant interior, originally with a tray, with side carrying handles, late 17th / early 18th century, 14.9cm high, 47.1cm wide, 31.5cm deep. £2,000-3,000

286. A large pair of Chinese blue and white porcelain bottle vases, decorated with urns of flowers, 61cm high. (2) £500-800

287. Three South-East Asian ovoid pottery storage jars, with lug handles, encrusted with marine life, recovered from the South China Sea, possibly Song dynasty, 46cm (max). (3) £400-600

287

105

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288

288. A Chinese walnut centre table, the later dark grey marble top above a shaped frieze and cabriole legs, late 19th / early 20th century, 80.5cm high, 188.6cm long, 109cm deep. £500-800

289. Two Chinese / Tibetan wooden saddles, with traces of leather, one with a bronze mount and both with iron stirrups, each mounted on a hardwood stand, 28cm high, 46cm long. (4) £500-700

289 290. A Chinese camphorwood trunk, with brass mounts and a campaign style sunken brass handle, with side carrying handles, late 19th / early 20th century, 39.3cm high, 83.2cm wide, 41cm deep. £200-300

291. A 19th century Chinese green leather and camphorwood trunk, with brass mounts and studded decoration, with a pink paper lined interior and a label inscribed ‘Ashoe No. 5’, with side carrying handles, 26.3cm high, 62.6cm wide, 32.5cm deep. £300-400 Provenance: From the estate of the late Michael Gray.

291

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292. A Dutch colonial hardwood and brass mounted chest on stand, the hinged top revealing a vacant interior, the stand fitted with two drawers and inlaid with ebonised leaves and flowers, on turned legs, late 19th century, 86.7cm high, 86.5cm wide, 52cm deep. £300-500

292

293. A 19th century camphorwood and brass mounted trunk, with a sunken brass ring handle and side carrying £400-600 handles, 44cm high, 88cm wide, 48.6cm deep.

293

294. A 19th century colonial teak and brass mounted trunk, decorated with an ebony heart and two birds, the interior with a hinged lidded compartment and two open divisions, with side carrying handles, 48.8cm high, 79cm wide, 46.3cm deep. £500-700 Provenance: By repute acquired from a family whose Great Grandfather was a General in the Indian army and from the Honourable East India Company dating it before 1857 and the Indian Mutiny.

294

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295. An early 19th century Anglo-Ceylonese rosewood and brass mounted dresser, with an ‘S’ scroll frieze above three shelves, with pierced aprons, baluster turned supports and leaf and sunburst mounts, the base with four panelled drawers and four conforming doors, with pierced scrolling hinges and escutcheons, on shaped bracket feet, 200.4cm high, 246.3cm wide, 61.3cm deep. £2,000-3,000 Provenance: Formerly in the collection of the McMichen family residing in Ceylon.

296. An Indian carved hardwood ‘X’ frame stool, decorated with scrolling leaves, flowers and with grotesque mask terminals, with a rattan seat, late 19th / early 20th century, 64cm high, 66.5cm wide, 59cm deep. £100-150

108

297. A carved coconut cup, naively carved in relief with natives in various pursuits: climbing palm trees, drinking and making grog, the domed foot with a petal edge, probably 18th century, Indian, 19.8cm high. £100-200

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298. A mid-19th century Anglo-Indian ebony display cabinet on stand, the breakfront cornice above a flower and cabochon frieze, above a pair of glazed and leaf carved doors enclosing two shelves, flanked by leaf carved Solomonic columns, with two shallow drawers, the stand carved with lion’s heads and on leaf capped cabriole legs and paw feet, 173.2cm high, 116cm wide, 53cm deep. £4,000-6,000

299. A pair of ebony settees in Regency style, each with a lattice back and sides above a cane seat, with turned baluster supports, 20th century, each with a squab cushion and two bolsters, 74.7cm high, 169.5cm wide, 66.7cm deep. (2) £1,000-1,500

298

299

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300. An Anglo-Indian hardwood writing box, inlaid with bone, ivory and ebony with scrolling leaves and with urns of flowers, the base with a chevron border, with sunken brass military style handles, the hinged lid revealing stationery compartments, a tambour lidded compartment and a hinged lidded fold-out slope revealing two drawers, late 19th / early 20th century, Hoshiarpur, 16cm high, 44cm wide, 29cm deep. £500-800

300

301. A 19th century Anglo-Indian sandalwood and ivory box, lac decorated with bands of scrolling leaves, Vizagapatam, 13.3cm wide, together with a carved blackwood box, inlaid with bone and ivory with chevron edging, 18.5cm wide. (2) £150-250

301

302

302. An Anglo-Indian hardwood box, inlaid with bone, ivory and ebony with scrolling leaves and flowers and with a chevron border, the hinged lid with two compartments flanking a mirror, above a tambour lidded compartment, previously with further divisions, late 19th / early 20th century, Hoshiarpur, 16cm high, 44cm wide, 29cm deep. £300-400

303. A late 19th century Moorish walnut octagonal occasional table, inlaid with mother of pearl, marquetry scrolls and parquetry banding, the top with a central panel, with an Arabic script, 61.3cm high, 48.8cm wide. £100-150

303

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304. An Anglo-Indian hardwood octagonal occasional table, inlaid with ivory, bone and ebony, the detachable top inlaid with a flowerhead and scrolling foliage, on a folding base with mihrab arches and chevron banding, Hoshiarpur, late 19th / early 20th century, 63.2cm high, 65.8cm wide. £200-300

304

305. An Anglo-Indian hardwood octagonal occasional table, inlaid with ebony, ivory, bone and brass, with scrolling leaves and flowers, the detachable top on a folding base, with chevron banding and mihrab arches, possibly Hoshiarpur, late 19th / early 20th century, 46cm high, 49.2cm wide. £150-250

305

306. An Anglo-Indian hardwood octagonal occasional table, inlaid with bone, ivory and ebony, with scrolling leaves and flowers, with chevron banding, the detachable top on a folding base with mihrab arches, Hoshiarpur, late 19th / early 20th century, 45.5cm high, 50.1cm wide. £200-300

306

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307. An Indian brass charger, repoussé decorated with hunt scenes, with various figures and animals, including: lions, elephants, deer and gazelles, late 19th / early 20th century, 77cm diameter. £100-200

307

308. A Japanese bronze jardinière or censer, with leaf handles, a lobed body and on tripod feet, late 19th / early 20th century, 25.5cm high, 36.5cm wide. £200-300

308

309. A Japanese ivory pot and cover, carved with chrysanthemums and with panels of monkeys, the lid with a monkey finial, the interior and base with incised red stained beetles, Meiji 1868-1922, 11cm high. £200-300

309

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310. A Nepalese rickshaw, of painted wood and metal construction and brass mounts, the folding canvas hood above a rattan seat with a squab cushion and with a pair of lamps, probably early 20th century, 187cm high, 247cm long. £800-1,200

310

311. A Sufi Dervish Coco de Mer begging bowl or kashkul, relief carved with scrolling leaves, flowers, with portrait busts and panels of Islamic script, with a brass chain, possibly Qajar, 19th century, 26.8cm wide. £200-300

311

312. An 18th century Ottoman tortoiseshell and mother of pearl casket, with ivory banding, decorated with geometric strapwork and stylised bird’s head designs, the hinged lid revealing a paper lined interior with a lidded compartment, 23.3cm high, 32.2cm wide, 19.7cm deep. £2,000-3,000

312

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313. A Mahal carpet, North West Persia, modern, 542 x 320cm. £300-500

314. A Kurdish rug, North West Persia, early 20th century, 223.2 x 123.5cm. £80-120

315. A rug, North West Persia, c.1920, 222 x 144.3cm. £80-120

313

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314

315

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316. A Qashqai rug, Fars region, South Persia, late 19th / early 20th century, 330 x 172cm. £500-800

316

317. An unusual Turkish Ushak carpet, with a Chinese design, West Anatolia, early 20th century, 389 x 330.5cm. £500-800

317

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318. A Kirman carpet, South East Persia, 421 x 300.5cm. £200-300

318

319. Three Turkmen chuval faces, Turkmenistan, early 20th century, 169 x 85.7cm (max). (3) £200-300 320. A Turkmen Ersari carpet, Turkmenistan, c.1950, 364.5 x 263cm. £100-200

320

321. A runner, North West Persia, early 20th century, cut to the centre, 334 x 95cm. £100-150 Provenance: From the estate of the late Lady Dodds.

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322

322. A Kazak Lori-Pambak rug, South West Caucasus, early 20th century, 251 x 165.5cm. £200-300 Provenance: From the estate of the late Michael Gray.

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323

323. A Shirvan-Baku long rug, with a boteh-Khila design, South East Caucasus, late 19th / early 20th century, 373 x 152.5cm £400-600 Provenance: From the estate of the late Lady Dodds. For a similar rug see Oriental Rugs, Volume 1 Caucasian by Ian Bennett, p.227, pl. 290.

324. A pair of Isfahan prayer rugs, with a central urn of flowers, with birds and trees, flanked by a pair of dogs, on an ivory ground, Central Persia, early 20th century, 212.5 x 144.5cm. (2) £800-1,200 Provenance: The collection of the late Rev. Margaret Johnston (d.2018).

324

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FURNITURE & WORKS OF ART

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325. A Regency rosewood and brass inlaid secrétaire chiffonier, with gilt brass mouldings, the raised back with a three quarter raised gallery, the secrétaire drawer fitted with four satinwood banded drawers with bone handles, one with divisions for inkwells, flanking pigeonholes, above a pair of lattice grille and pleated silk doors enclosing a shelf, on bun feet, 121.4cm high, 91.5cm wide, 39cm deep. £800-1,200

325

326. A Regency mahogany and brass inlaid writing table, decorated with stylised Greek key, leaves, stars and owner’s initials, the top with a hinged and lift-out glass inkwell and pen compartment, the further hinged writing surface inset with later gilt tooled leather, revealing an interior with a drawer, above a frieze drawer, on trestle ends and leaf cast brass sabot and castors, 79cm high, 76.7cm wide, 61.2cm deep. £600-800 Provenance: Purchased by current vendor from Christie’s South Kensington, Christie’s Interiors, 16th December 2008, lot 611.

326

327. A George IV rosewood Canterbury of country house proportions, of lattice and scroll form with five divisions and turned lifts, with a base drawer and on lappet carved legs and sunken brass castors, 56.5cm high, 99cm wide, 49.3cm deep. £2,000-3,000

327

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328

328. A Regency mahogany sideboard, inlaid with ebonised stringing, the top with a reel moulded edge, above two drawers, one with a recessed front and flanked by a deep cellaret drawer to the right and a drawer and a pot cupboard to the left, on ring turned and ribbed tapering legs, 92.1cm high, 183.3cm wide, 75.5cm deep. £400-600

329. A George IV mahogany card table, a swivel and hinged top revealing a baize lined playing surface, on turned stem carved with lappets, on bun feet, 73.3cm high, 53.3cm wide, 42.4cm deep. £200-300

329

330. A flight of Regency mahogany bed steps, with scroll carved decoration, with later green leatherette treads, the top two hinged, on turned feet, 74.9cm high, 55cm wide, 74.2cm deep. £300-400

120

330

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331

331. A Regency Scottish mahogany breakfront sideboard, inlaid with boxwood stringing, the adapted raised back with carved flowerhead paterae, with a pair of frieze drawers flanked by deep drawers, one with divisions for bottles, on fluted square tapering legs and spade feet, 103.7cm high, 193.5cm wide, 63cm deep. £500-800

332. An early 19th century mahogany three-tier whatnot, fitted with three drawers, with turned supports and brass castors, 119.7cm high, 45.9cm wide, 33.3cm deep. £300-400

332 333. A flight of early 19th century mahogany bedsteps, with later inset gilt tooled green leather treads, the top hinged, the second tread pulls out and hinges, revealing a vacant compartment, on turned legs, 67.7cm high, 68.4cm wide, 44cm deep. £300-500

333

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334. A Regency rosewood and brass mounted Canterbury, the foliate decorated handle and two divisions above a base drawer, on turned legs and brass castors, 59cm high, 51cm wide, 30.8cm deep. £300-500 Provenance: From the estate of the late Lady Dodds.

334

335. A George IV mahogany wine cooler, of sarcophagus shape, the interior with a later lining and with a brass Brahma lock, on castors, 52cm high, 77cm wide, 50cm deep. £300-400

335

336. A George IV mahogany library Davenport type desk, the hinged top inset with later gilt tooled tan leather revealing four drawers with turned bone handles, with four graduated panelled drawers to the right side and false fronts to the left, with ribbed columns and on castors, 73.5cm high, 60.5cm wide, 91.8cm deep. £200-300

336

337. A mahogany and brass bound oval wine cooler on stand, with cast brass lion’s mask ring handles in the Gillows style, the stand with turned tapering legs and brass castors, with a lift-out metal liner, early 19th century and later, 48.1cm high, 64cm wide, 42.5cm deep. £400-600

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338. A Regency rosewood and brass mounted writing table, the rectangular top with cusped corners and inset with a gilt tooled green leather writing surface, above a base inlaid with brass and boxwood stringing and fitted with two frieze drawers, on lyre shaped trestle ends and scroll legs united by a turned stretcher, on brass lion’s paw sabot and castors, 75.2cm high, 120.2cm wide, 69cm deep. £6,000-8,000 Provenance: Purchased from Marks Antiques, 49 Curzon Street, London, 17th March 1999 for £32,000. A copy of the receipt is available.

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339

339. A Regency mahogany sofa, decorated with rosewood and brass marquetry panels, with scroll ends and on ribbed tapering legs and brass castors, 87.8cm high, 203cm wide, 64.5cm deep. £300-500 340. A Regency mahogany reading table, inlaid with ebonised stringing and dot inlay, the hinged top with a detachable rest, above a later formerly adjustable stem, on splay legs, 96.3cm high, 45.5cm wide. £100-150

340

341. A William IV rosewood breakfast table, the circular tilt-top with a moulded edge, on a lappet carved stem, with a triform base, scroll feet and brass castors, 72.5cm high, 134.2cm diameter. £400-600

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341

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342

342. A William IV mahogany and brass mounted scroll end sofa in the manner of Thomas King, button upholstered with plush fabric, the frame decorated with lappets, scrolls and with applied rosettes, on brass castors, with two bolster cushions, 86.7cm high, 214cm wide, 70cm deep. £400-600

343. A 19th century mahogany child’s correction chair, with a turned ladder back and stretchered supports. £100-150

343

344. A George IV goncalo alves breakfast table attributed to Gillows, with nulled decoration, the circular tilt- top above a lobed stem on a triform base with scroll carved feet and sunken castors, 73cm high, 118.2cm diameter. £2,000-3,000

344

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345

345. An early 19th century mahogany extending dining table, the top with a moulded edge and with three additional leaves, on a telescopic frame, which extends to accommodate only two leaves, on ring turned tapering legs and brass castors, 73cm high, 207.8cm long, 129cm wide (open with two leaves), 68.5cm wide (3rd leaf). £300-500 346. A 19th century mahogany butler’s tray, the gallery pierced with a pair of handgrips, on an associated and later folding stand, 85.5cm high, 70.6cm wide, 44.8cm deep. (2) £100-200

347. A late George III rosewood side cabinet, inlaid with boxwood stringing, with a pair of glazed doors enclosing two adjustable shelves, on swept square tapering legs and brass caps and castors, 88.8cm high, 112cm wide, 30.2cm deep. £200-300

346

348. A William IV mahogany chiffonier, with an architectural raised back, with turned baluster supports, above a moulded frieze drawer, above a pair of flame veneered panel doors enclosing a shelf, 138.2cm £150-250 high, 91.3cm wide, 43.7cm deep.

347

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349 349. A Regency rosewood breakfront side cabinet, with ebonised and parcel gilt decoration, the raised mirrored back with a three quarter pierced brass gallery, supported by columns, with a further conforming shelf, the base with a pair of brass grille doors, enclosing two adjustable shelves, flanked by a pair of open shelves, with leaf capital pilasters, 133.5cm high, 167cm wide, 26cm deep. £2,000-3,000

350. A Regency mahogany ‘curule’ open armchair in Thomas Hope style, with a cane back and seat. £100-200

351. A Regency mahogany bedside cupboard by Gillows, with a reeded three quarter gallery above a cupboard door with a turned rosewood handle, stamped ‘GILLOWS LANCASTER’, flanked by a pair of flame veneered tablet panels with outline mouldings, on turned and ribbed legs, 80.3cm high, 40cm wide, 34.5cm deep. £400-600 See N. Goodison & J. Hardy, ‘Gillows at Tatton Park’, Furniture History Society, 1970, pl.12B for five pairs of similar pot cupboards that were supplied by Gillows in 1812 for Tatton Park, Knutsford, Cheshire.

351

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352

352. A Victorian walnut gentleman’s wardrobe by Gillows, with a pair of burr veneered panelled doors enclosing four slides, flanked by two banks of four graduated drawers, on a plinth base, stamped ‘GILLOWS LANCASTER’ and ‘L 809’, 116cm high, 214.5cm wide, 61cm deep. £800-1,200

353. A Regency mahogany sofa table, the flame veneered drop-leaf top above a pair of cedar lined long frieze drawers, flanked by flower carved tablets, with scroll supports and with flower head rondels, on a turned and acanthus carved baluster stem and leaf capped downswept moulded legs terminating in finely cast lion’s paw sabot and castors, 77.2cm high, 160 x 76.7cm (open). £200-400

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354. A Regency mahogany bowfront chest, the top with a reeded edge above two short and two long drawers and on French bracket feet, 87.7cm high, 89.1cm wide, 46.5cm deep. £200-300

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355

355. A George IV mahogany gentleman’s wardrobe in the manner of Gillows, with a pair of panelled doors enclosing four slides, flanked by two banks of five graduated drawers on a plinth base, 137.3cm high, 204.7cm wide, 55.3cm deep. £1,000-1,500

356. An early 19th century mahogany twin pedestal partner’s desk, the top inset with a later gilt tooled leather writing surface, the front with an arrangement of nine drawers, the back with three frieze drawers and two cupboards, each enclosing an adjustable shelf, on bracket feet, with castors, 75.3cm high, 123.2cm wide, 91.8cm deep. £400-600

357. A Regency mahogany sofa table, the drop-flap top banded with kingwood and calamander, above a pair of frieze drawers with false fronts on reverse, on four turned column supports and brass lion’s paw sabot and castors, 74.8cm high, 86.2 x 154.7cm (open). £300-500

357

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358. An early Victorian rosewood and brass mounted apothecary’s box, the hinged lid with a vacant plaque, revealing a divided interior, fitted with various glass jars and stoppers and a glass stand, with a base drawer fitted with further bottles, a pair of metal lidded compartments and of divided compartments with sliding cover, fitted with a mortar and pestle and other items, with sunken brass military style handles, £200-300 23.5cm high, 26.7cm wide, 19.5cm deep.

359. Two George III mahogany knife boxes, both with barber’s pole stringing and converted interiors, 37.3cm high, 23cm wide (max). (2) £200-300 Provenance: From the estate of the late Lady Dodds.

360. A late George III mahogany tea caddy, inlaid with stringing, the hinged crossbanded top decorated with ebonised fleur de lis, with a pair of lidded compartments, with bone handles, on ebonised bun £80-120 feet, 12.9cm high, 19.4cm wide. Provenance: From the estate of the late Lady Dodds.

361. Two Regency burr yew tea caddies, one of sarcophagus shape, the other of rectangular form, both with brass lion’s mask handles and ball feet, with ivory escutcheons, interiors lacking canisters and sugar bowls, 20.7cm high, 30.2cm wide (max). (2) £150-200

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362. An early 19th century tortoiseshell tea caddy, of octagonal bombe shape, inlaid with pewter stringing, the hinged lid with a ball handle revealing a twin lidded interior with ivory edging, with a silver escutcheon and on ball feet, 17cm high, 18cm wide. £2,000-3,000

362

363. A George III tortoiseshell and ivory tea caddy, with a silver handle, escutcheon and shield shape plaque, the hinged tent top revealing a divided interior with lids, 14.1cm high, 15.5cm wide, 8.7cm deep. £1,500-2,000

363

364. An early Victorian tortoiseshell tea caddy, of sarcophagus shape and with pewter stringing, the pagoda hinged lid with a vacant silver plaque, revealing a twin lidded interior with ivory edging, the body with four turned columns and on ball feet, 15.3cm high, 18.9cm wide, 11.2cm deep. £400-600 Provenance: The Property of a Lady.

364

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365. A 19th century ebony and boulle marquetry inkstand in the manner of George Bullock, the centre with a large glass inkwell, with a hinged gilt brass lid, with two bands of tortoiseshell and mother of pearl flowers and leaves, 37.5cm diameter. £300-400

365

366. A William IV rosewood and brass marquetry sarcophagus sewing box, the hinged lid with a plaque inscribed ‘Presented by Geo & A. E. Hudson to their Affectionate Aunt 1836’, the silk lined interior with a lift-out tray with divisions for utensils and thimbles and with a mother of pearl mounted needle case, 14cm high, 30.5cm wide, 23.3cm deep. £300-500

367. A pair of Regency penwork hand-screens, decorated with chinoiserie scenes, the reverse with flowers, with rosewood and ivory handles, together with a pair of early Victorian hand-screens with needlework panels and painted and giltwood handles, 37.5cm high (max). (4) £80-120

368. A George III Welsh Pontypool japanned tôle coffee pot, chinoiserie decorated with pagodas, the domed hinged lid above an urn shaped body and a wooden scroll handle, 27.5cm high. £700-900

369. A Regency black japanned tôle chestnut urn and cover, gilt decorated with chinoiserie scenes, with lion’s mask ring handles, 29.5cm high. £100-150

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370 label

370. A pair of George III blue john urns, each with a later gilt brass collar, on a square slate base, one with a printed trade label ‘Josh Evans & Co., SPAR ORNAMENT Manufacturers, Statuaries & c. DERBY’, 13.1cm high. (2) £300-500 Provenance: From the estate of the late Lady Dodds.

371. A late George III blue john urn, of ovoid form, 17.8cm high. £200-300

372. A blue john urn, with gilt metal mounts, 13.2cm high. £100-150

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373 373. Two early 19th century reverse glass silhouette pictures, one depicting a well-to-do lady and her daughter feeding chickens on a terrace and one of a stage coach with figures, titled ‘OFF TO THE DERBY (1824)’, 30.3 X 41.8, each in a bird’s eye maple frame. (2) £150-200 374. A small collection of 19th century portrait silhouettes, comprising: a pair of a man and woman with gilt highlights, titled on the reverse ‘UNCLE BINNS’ and ‘AUNT BINNS My Mother’s Sister’, with printed paper trade labels for the Hubard Gallery, in bird’s eye maple frames, two similar of a man and a woman, one with a lock of hair, in ebonised frames and a set of four depicting a man, two boys wearing ruff collars and a girl, probably from the same family, all in giltwood frames, 19 x 16.2cm. (8) £150-250

375. John Hayter RA (1800-1895). A portrait miniature on ivory of Hon. Miss Calder, in a gilt metal frame, together with a Victorian tortoiseshell and white metal mounted compact, the hinged lid with a painted portrait of a young lady, together with a leather pill box, the lid decorated with a squirrel, 8cm (max). (3) £100-150 Provenance: From the estate of the late Lady Dodds. 376. A pair of early 19th century plaster portrait relief busts of gentlemen, with an ebonised ground, in gilt slips and amboyna frames, 17.3 x 14.2cm. (2) £200-300

374

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375

376

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377 label

377

377. A Regency Scottish mahogany table jardinière stand by James Mein of Kelso, the dished top with a gadrooned edge on three leather and brass roller castors, with a maker’s paper trade label inscribed ‘JAS MEIN CABINET MAKER & UPHOLSTERER, KELSO’, 23cm diameter. £400-600 The Mein family of Kelso are recorded as cabinet makers from 1784-1851.

378. A Regency Scottish mahogany wine decanter coaster attributed to James Mein of Kelso, the dished top with a gadrooned edge, on three leather and brass roller castors, 25cm diameter, together with a Newcastle type Masonic cut-glass decanter and stopper, engraved with a basket of flowers, an English rose and a Scottish thistle and inscribed ‘Lodge 154’. (2) £1,000-1,500 The Mein family of Kelso are recorded as cabinet makers from 1784-1851.

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379. A set of three George III reverse glass hunting prints, ‘Woodcock Shooting’, ‘Duck Shooting’ and ‘Partridge Shooting’, published ‘10th June 1804 London by W.B. Walker’, 19.2 x 24.3cm, in later gilt frames. (3) £100-150 Provenance: From the estate of the late Michael Gray.

379 380. Five reverse glass prints, comprising: a George III reverse glass mezzotint of Musidora, titled ‘Musidora or summer evening’, a mezzotint titled ‘The FARM HOUSE on FIRE’, signed ‘L.P. Boitard Fecit’, another mezzotint of a king with ermine robes kneeling at the Temple of Bacchus and an unusual reverse glass print in the form of a stained glass window, with a cartouche with mythical beast masks, with figures outside a tavern eating and drinking, with lead glazing bars and ‘BRITANNIA’S TRIUMPH on the RESTORATION of PEACE’, 36cm wide (max). (5) £400-600

380

Provenance: From the estate of the late Michael Gray. 381. A pair of George III silk and hair-work pictures by Sue Jones, one depicting a country house, the other of a river scene with a bridge and figures fishing, each signed to verso ‘Sue Jones’s Print Work’ and with labels, one inscribed ‘The Seat of ... Huilsman? Esq Essex’, the other indistinctly inscribed, 10 x 14cm, in carved giltwood frames. (2) £100-200 Provenance: From the estate of the late Michael Gray.

381

382. A giltwood convex wall mirror in Regency style, the circular plate within a reeded and ebonised slip, with a leaf moulding and a ball decorated outer frame, with leaf swags, 19th century, 60cm diameter. £200-300

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382

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383. A Regency giltwood and verre églomisé pier mirror, the later rectangular bevelled plate flanked by fluted columns, the frieze decorated in gilt with buildings, a church and Gothic ruins, with a dog, flanked by leaf corbels, the base with a further verre églomisé panel, with lozenge panels of roses, on a vermiculated ground, 95.3 x 63cm. £500-700 Provenance: Purchased from A. Cook, Wigmore Street, London, 2nd August 1962 for £130. From the estate of the late Lady Dodds.

383

384. A William IV giltwood pier mirror, the rectangular plate within a reeded ebonised slip, flanked by batons carved with palmettes, the frieze decorated with a grapevine, 82.5 x 54cm. £200-300

384

385. An early Victorian giltwood landscape overmantel mirror, with three rectangular plates, within a baton and lappet carved frame with ebonised flowerheads, the reverse with a printed paper trade label, inscribed ‘H. M. PAGE, (Late A. Whitcombe) LOOKING GLASS MANUFACTURER, Carver and Gilder, & C., 23, COVENTRY STREET, LONDON’, 67 x 160.6cm. £300-500

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386

386. A William IV giltwood landscape overmantel mirror, with three later plates flanked by a pair of acanthus decorated columns and with a leaf and flower frieze, 59.4 x 118.5cm. £200-400

387. A Regency rosewood dressing table mirror, with a rectangular plate and reeded baluster supports, the barrel front box base with three drawers and a bone escutcheon, on ball feet, 63.5cm high, 55cm wide, 21.8cm deep. £80-120 Provenance: From the estate of the late Lady Dodds. 388. A William IV mahogany dressing table mirror in the manner of Gillows, the rectangular plate within a moulded frame and with scroll and leaf supports, on a platform base, with a nulled edge and on bun feet, 61.8cm high, 55cm wide, 25.7cm deep. £100-200

387

388

389. A George IV mahogany extending dining table, the oval top with a reeded edge, with a pair of dropleaves and two additional leaves, on a telescopic frame and turned and ribbed tapering legs, on horn castors, 70.3cm high, 178.7cm long, 113cm wide. £300-500

389

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390

390. A pair of brass two-tier étageres, with cone finials, each tier with an early 19th century gilt japanned panel, on castors, mid-20th century, probably by Mallett, 57.8cm high, 51.5cm wide, 38.2cm deep. (2) £2,000-3,000

391

391. A Regency rosewood console table, with nulled decoration, the later rectangular brèche violet marble top supported by giltwood baluster front supports, with a later pleated silk back centred with a giltwood flowerhead, 86.3cm high, 103cm wide, 40.8cm deep. £800-1,200 Provenance: Purchased from H. W. Keil Ltd, 12th September 1964 for £182. From the estate of the late Lady Dodds.

392. A Regency giltwood and ebonised armchair in the manner of Henry Holland, with a padded back, armrests and seat, the moulded frame with anthemion decoration, with scroll arms and sabre legs. £1,500-2,000

392

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393

393. A mahogany architectural breakfront bookcase, the detachable ebony top above a finely carved cornice with leaf and egg and dart mouldings, above four fluted columns and pilasters with Corinthian capitals flanking three glazed doors enclosing a plush lined interior, late 18th / early 19th century elements, 119.3cm high, 230cm wide, 59cm deep. £800-1,200

394

394. An early 19th century mahogany child’s see-saw, with a pair of flower and scroll carved armchairs to either end, the two-tier stand carved with Prince of Wales plumes of feathers, 73.2cm high, 169.8cm long, 45.5cm deep. £800-1,200

395. A Regency mahogany three-tier buffet trolley, with ebonised and reeded decoration, ball finials and brass spoke castors, 100.4cm high, 91.9cm wide, 45.8cm deep. £400-600

395

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396. A pair of Regency rosewood card tables, inlaid with boxwood stringing, each with a ‘D’ shaped cross and satinwood banded hinged and swivel top, with a crossbanded veneered interior, above a line inlaid frieze centred with a parquetry star, with a conforming ‘U’ shaped base, on swept legs and foliate cast brass sabot and castors, 73.4cm high, 90.7cm wide, 43.9cm deep. (2) £3,000-5,000 Provenance: Purchased from Dr. to M. Harris & Sons, Oxford Street, London, 15th January 1951 for £160. From the estate of the late Lady Dodds.

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NATURAL HISTORY

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397. A quartz crystal and mineral specimen group, mounted on an ebonised base, applied with a printed paper label, inscribed ‘LONDON’, under a glass dome, 57.3cm high. (2) £300-500

398. A fossilised mammoth tooth (Mammuthus primigenius), 24.2cm high. £100-200

398

397

399. A collection of minerals, comprising: ninety numbered specimens with hand-written paper labels, some attached with printed trade labels, inscribed ‘Sold by G. B. SOWERBY 156 Regent Street’, contained in a mahogany case, with an ivory escutcheon and with three trays, each containing thirty smaller card trays, first half of 19th century and later, 16.8cm high, 34.5cm wide, 29.3cm deep. £400-600 George Bretting Sowerby (1788-1854) was a naturalist, illustrator and conchologist and was the second son of James Sowerby. He catalogued the Earl of Tankerville's collection of shells and dealt in shells and natural history objects initally in King Street, Covent Garden, then moved to Regent Street and finally to Great Russell Street.

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400. A Thor’s croquet set by Slazenger, comprising: four ash mallets, cast iron hoops, balls, marker posts, clips and instructions, in a stained pine box, the underside of the hinged lid with a maker’s label ‘THOR’S CROQUET SOLE MAKERS, SLAZENGER, LONDON...’. £200-300

400

401. A quoits game, comprising: a cast iron pin with a turned handle and fourteen rope rings. (15) £80-120

401

402. An early 20th century table croquet game by Ayres, comprising: four mallets, hoops, balls, markers and a boundary ribbon, clamps, clips and discs, in a stained pine box, with stencil marks ‘THE INTERNATIONAL TABLE CROQUET F. H. AYRES LTD LONDON’, 40.7cm wide. £200-300

402

403. A late Victorian walnut and brass mounted ball game by John Harrop, with a string net to one end with nine apertures, one in the form of an egg cup, with an ivorine label inscribed ‘JOHN HARROP LIMD, MAKERS, 27, DALE STREET, MANCHESTER’, with five balls, 174cm long. £600-800

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403

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404. A part Coco de Mer (Lodoicea Maldivica), mounted on a mahogany plaque, with a brass suspension ring, 38.5 x 31.4cm. £100-150

405. Taxidermy. A preserved Green Turtle (Chelonia Mydas), with a printed paper label ‘ANSETT AIRLINES OF AUSTRALIA SYDNEY’, c.1940, 53cm long. £200-300

404

405

406. A late Victorian Indian elephant’s foot box, the circular top with a hinged lid, with an ebony and satinwood alternating interior, 26.8cm high, 42.3cm wide. £150-250

407. A George V Irish carved and painted wood half block model of a trout, mounted on a painted pine board, inscribed ‘Lough Sheelin May 1931’, 24 x 65.8cm. £500-800

406

407

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408. A late Victorian oak bookmaker’s rostrum, of horseshoe shape, carved with leaves and a jockey’s cap and crossed riding whips with the date ‘1899’, with brass mounts and an aperture for an inkwell, 73.8cm high, 96.5cm wide, 97cm deep. £600-800

408

409. A pair of cast iron horse tethers, in the form of a horse’s head with a ring in its mouth, together with a French cast iron harness rack, the base in the form of a horseshoe, the top with a horse’s head, stamped ‘CF with an anchor’ and ‘DEPOSE’, 25.8cm high (max). (3) £300-400

409

410. A pair of Victorian cast iron and wood saddle racks, one marked ‘MUSGRAVE PATENT BELFAST’, both with feint registration lozenges, £500-800 together with a pair of wall mounted rein racks, of semi-circular form, 50.5cm (max). (4)

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411. An unusual late Victorian taxidermy model of a fallow deer, mounted in a naturalistic rocky setting, the interior painted with a mountain landscape, in a pine and glazed case, 64.2cm high, 38.2cm wide, 16.8cm deep. £150-200 Provenance: From the estate of the late Michael Gray.

411

412. A late 19th century Black Forest carved wood and antler coat and hat rack, carved with oak leaves and acorns, mounted with sixpoint antlers, with a wooden log base applied with five antler hooks, 71.8cm high, 70.7cm wide. £200-300

413. Taxidermy. A late Victorian preserved group of three short eared owls by R. P. Nichols of Kingsbridge, mounted in a naturalistic setting, in an ebonised and glazed case, the back with a printed paper label, inscribed ‘R. P. NICHOLS, Hatter and Taxidermist, FORE ST., KINGSBRIDGE, DEVON’, 66.8cm high, 61.2cm wide, 23.2cm deep. £150-250

413

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A PRIVATE COLLECTION OF TAXIDERMY LOTS 414-475

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414. Taxidermy. An Edwardian Irish preserved group of a pair of Arctic terns with chicks by Williams of Dublin, mounted in a naturalistic seashore setting the backboard painted with a beach scene, the back with a paper label, in an ebonised glazed case, 82.5cm high, 73.2cm wide, 38.7cm deep. £400-600 Provenance: Formerly the property of the late Andy Johnson.

414 415. Taxidermy. An Edwardian preserved group of three birds attributed to William Macleay of Inverness, comprising: a Cornish chough, an oyster catcher and a curlew, mounted in a naturalistic setting with rocks and shells and with a painted backboard, in an ebonised and glazed case, 78cm high, 70.5cm wide, 26.7cm deep. £300-400

415

416. Taxidermy. A late Victorian Scottish preserved mixed group of thirteen birds of prey by William Macleay of Inverness, including: a pair of merlin, a peregrine falcon, a pair of kestrels, a sparrow hawk, a hen harrier, a pair of buzzards and a rough legged buzzard, mounted in a naturalistic rocky setting, with a paper trade label inscribed ‘PRESERVED BY W. A. MACLEAY, Bird Stuffer, 65 Church Street, INVERNESS 18..’, in a glazed ebonised case, 105.8cm high, 94cm wide, 45.8cm deep. £800-1,200

416

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417. Taxidermy. A late Victorian preserved pair of avocets by T. M. Williams of London, mounted in a naturalistic setting, with a printed paper trade label, inscribed ‘PRESERVED BY T. M. WILLIAMS, 155 OXFORD STREET, NEARLY FACING BOND ST., ARTIST 8 YEARS AT THE ZOOLOGICAL GALLERY’, in a glazed case, the back with a paper label, inscribed ‘Avocets, Bought in London ...’, 51cm high, 58cm wide, 19.3cm deep. £200-300

417

418. Taxidermy. A late Victorian pair of preserved wigeon ducks, mounted in a naturalistic setting and in an ebonised and glazed case, 55.8cm high, 69.5cm wide, 25.6cm deep. £200-300

417 label 419. Taxidermy. An early 20th century preserved pair of mallard ducks, mounted in a naturalistic setting, one about to drink some water, probably Scottish, in a silvered and ebonised glazed case, £250-350 55.6cm high, 92.8cm wide, 27.2cm deep.

420. Taxidermy. An early 20th century preserved group of a pair of mandarin ducks by Edward Fortnum of Leighton Buzzard, mounted in a naturalistic setting, with a graduated painted backboard, in an ebonised glazed case, the back with a printed paper trade label, inscribed ‘EDWD FORTNUM Bird, Fish and Animal Stuffer, Picture Frame Maker etc., for North Street, Leighton Buzzard...’, 45.1cm high, £150-200 58.7cm wide, 23.5cm deep.

419

150

420 label

420

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421. Taxidermy. An Edwardian preserved group of seven birds in the manner of Edward Fortnum of Leighton Buzzard, including: a rare New Zealand weka, a duck, a pied wagtail, a swallow, two stints, mounted in a naturalistic river setting, with a split level base to imitate water, with a visible riverbed, in an ebonised glazed case, 62.5cm high, 78.2cm wide, 22cm deep. £200-300

421

422. Taxidermy. A pair of preserved kingfishers, mounted in a naturalistic pond setting, with their four chicks emerging from a nest in the riverbank, with an attendant frog, in an ebonised and glazed case, the birds Victorian, the case and setting later, 63.9cm high, 62.4cm wide, 22.7cm deep. £200-300

422

423. Taxidermy. An Edwardian preserved group of eight sea birds, including: a shelduck, an oyster catcher and a curlew, mounted in a naturalistic rocky setting, in an ebonised glazed case, 109.9cm high, 136.5cm wide, 30.2cm deep. £500-700

423

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424. Taxidermy. A preserved water rail, mounted in a naturalistic setting, in a painted and glazed picture frame style case, c.1940, 41.2 x 35.6cm. £100-150

425. Taxidermy. An Edwardian preserved heron and woodcock group by Hutchings of Aberystwyth, mounted in a naturalistic setting with rushes and reeds, in a gilt ebonised and glazed case, on bracket feet, the back inscribed in pencil with the customer’s name ‘John Davies’, 98.3cm high, 45.4cm wide, 22.8cm deep. £300-400

426. Taxidermy. A modern preserved water rail, mounted in a naturalistic setting, in a brass five-glass case and a wooden base, £150-250 29.6cm high, 26.7cm wide, 24.7cm deep.

427. Taxidermy. A late Victorian preserved little grebe, mounted in a naturalistic setting, in an ebonised and glazed case, 31.2cm high, 20.5cm wide, 14.2cm deep. £100-150

428. Taxidermy. A preserved ruff, re-mounted in a naturalistic setting, under a later glass dome with an ebonised base, 40cm high. £150-250

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429. Taxidermy. A rare Victorian preserved pelican by T. E. Gunn of Norwich, mounted in a naturalistic setting with reeds, in a glazed, ebonised case, the back with a printed paper trade label, inscribed 'T. E. GUNN, (LATE J. SAYER), NATURALIST, 47, UPPER ST. GILES STREET, NORWICH', 122cm high, 101.3cm wide, 42.4cm deep. ÂŁ3,000-5,000 Provenance: Formerly the property of the late Andy Johnson. Thomas Edward Gunn was born in Norwich in 1844. He was apprenticed to John Sayer and took over his business on Sayer's death. Thomas Gunn was the largest taxidermy business in Norwich and he won prizes and upwards of forty gold medals for his work including a gold medal at the National Fisheries Exhibition in 1881. Gunn is considered one of the finest British taxidermists of his time. The Ogilvie Collection at Ipswich Mueum is a testament to his craftsmenship and skill as a taxidermist. The present lot is illustrated in Christopher Frost, A History of British Taxidermy, p.59.

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430. Taxidermy. A late Victorian preserved great crested grebe, mounted in a naturalistic setting, in a gilt and ebonised glazed case, 57.3cm high, 42.2cm wide, 25.8cm deep. £200-300

431. Taxidermy. A Victorian preserved green woodpecker by Shopland & Son of Torquay, mounted in a naturalistic setting, under a glass dome and with an ebonised base, with a printed paper trade label, inscribed ‘MOUNTED BY SHOPLAND & SON, TAXIDERMIST, £200-300 TORQUAY’, 41.3cm high.

432. Taxidermy. A preserved Cornish chough by Rowland Ward of London, mounted in a naturalistic setting, with an ivorine trade label, inscribed ‘ROWLAND WARD LONDON W’, in a five-glass ebonised case, c.1930-40, 29.5cm high, 35.7cm wide, 25.5cm deep. £300-400

433. Taxidermy. An early 20th century preserved male pheasant attributed to Rowland Ward of London, mounted in a naturalistic setting, the backboard painted with a country scene, in an ebonised glazed case, 59.2cm high, 84.5cm wide, 22.8cm deep. £200-300

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434. Taxidermy. A Victorian preserved group of two long tailed tits attributed to G. W. Quatremain, mounted in a naturalistic setting, the birds perch on branches with their nest, the backboard painted with a woodland scene, in an ebonised glazed case, 53.7cm high, 45.4cm wide, 22cm deep. £300-500

435. Taxidermy. A preserved plover chick, mounted in a naturalistic setting, with a pebble, inscribed ‘Peter Spicer Leamington’, in a silvered and ebonised case, the back with a printed paper trade label, inscribed ‘SUPPLIED BY the Victorian Taxidermy Co. Ltd. ...’, 24.2cm high, 16.8cm wide, 16.8cm deep. £150-200

434

436. Taxidermy. A Victorian preserved green woodpecker, in a naturalistic setting and in a stained wood and glazed case, possibly by a Cornish taxidermist based on St Michael’s mount, 36.2cm high, 29.5cm wide, 20.2cm deep. £150-200

437. Taxidermy. A modern preserved pair of jays, mounted on a branch, in an ebonised and glazed case, 79.4cm high, 78.8cm wide, 23cm deep. £200-300

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438. Taxidermy. A preserved buzzard, mounted in a naturalistic setting, perched on a log, the backboard painted with a Highland landscape scene, possibly Scottish, c.1940, in a gilt and ebonised glazed case, 72.8cm high, 61.2cm wide, 27.5cm deep. £200-300

438

439. Taxidermy. A late Victorian preserved tawny owl by E. Allen & Co. of York, mounted in a naturalistic setting, in a picture frame style ebonised and glazed case, the verso with a printed paper trade label, inscribed ‘ESTABLISHED 1845. 20, STONEGATE, LATE NO. 6, FEASEGATE, YORK, HIGHEST AWARD FOR TAXIDERMY...’, 59.9 x 45.2cm. £200-300 440. Taxidermy. A late Victorian preserved male peregrine falcon by W. Behenna of St Austell, with a partridge kill, mounted in a naturalistic setting, with a worn printed paper trade label and in an ebonised glazed case, 86.7cm high, 51.5cm wide, 24.9cm deep. £150-250

441 label

440 441. Taxidermy. A Victorian preserved barn owl by W. Lowne of Great Yarmouth, mounted in a naturalistic setting, in a gilt and ebonised glazed case, with a printed paper trade label, inscribed ‘PRESERVED BY W. LOWNE, Naturalist, Fuller’s Hill, Aviaries, Great Yarmouth...’, 45.8cm high, 35cm wide, 17.4cm deep. £200-300

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442. Taxidermy. An Edwardian preserved group of a pair of sparrow hawks by Hutchings of Aberystwyth, attending their four chicks, mounted in a naturalistic setting, with a painted backboard, in a gilt and ebonised glazed case, with bracket feet, 84.7cm high, 45.5cm wide, 25.5cm deep. £400-600

442

443. Taxidermy. An Edwardian preserved pair of kestrels by Lewis Hutton of Bristol, perched on branches, attending to their four chicks, in a naturalistic setting, in an ebonised glazed case, 77.8cm high, £300-400 75.1cm wide, 36.4cm deep.

444. Taxidermy. A late Victorian preserved group of fourteen birds by Jefferies of Carmarthen, including: a nightjar, a corn crake, a woodcock, a lapwing, a swift, a woodpigeon, a starling, a jay and a barn owl, in a gilt and oak glazed case, 99cm high, 81.7cm wide, £400-600 30.7cm deep.

444

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445. Taxidermy. A late Victorian preserved group of five birds by J. Cooper of London, including: a barn owl, a long eared owl, a burrowing owl and an African pearl spotted owl, mounted in a naturalistic case, the painted backboard with the remains of a printed paper trade label, inscribed: ‘Preserved by J. COOPER, 28 Radnor Street..., LONDON’, in a gilt and ebonised glazed case, with inscribed label ‘Nightjar’, 61.7cm high, 58.2cm wide, 20cm deep. £300-500

445 446. Taxidermy. A modern preserved barred owl, mounted on a wooden base, in an ebonised glazed case, 69.3cm high, 53.3cm wide, 25.6cm deep. £300-400

446

448 label

447. Taxidermy. A late Victorian Cornish preserved male sparrow hawk by W. H. Rowe of Madron, with a blackbird kill, mounted in a naturalistic setting, in an ebonised glazed case, with a printed paper trade label, inscribed ‘W.H. ROWE, Naturalist, Hea, Madron.’, 51.9cm high, 41.7cm wide, 17.2cm deep. £100-150

158

448. Taxidermy. An Edwardian preserved pair of golden pheasants by T. Turner of Attleborough, mounted in a naturalistic setting, with a painted backboard and in a beaded gilt and ebonised glazed case, the back with a printed paper trade label, inscribed ‘PRESERVED BY T. TURNER. ATTLEBOROUGH SKINS DRESSED AND MOUNTED. HORNS AND HOOFS MOUNTED IN SILVER, ELECTRO PLATE & c.’, 56cm £200-300 high, 96.4cm wide, 24.3cm deep.

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449

449 label

450

449. Taxidermy. A late Victorian preserved group of two tropical birds by A. O. Foot of Bath, including: an oriole, mounted in a naturalistic setting, in a gilt and ebonised glazed case, the back with a printed paper trade label, inscribed ‘A.O. FOOT, Bird and Animal, Preserver, TERRACE WALK, NORTH PARADE, BATH’, 40.9cm high, 37.4cm wide, 14.5cm deep. £100-150

450. Taxidermy. A preserved galah cockatoo, possibly by Rowland Ward of London, mounted on a branch, in a later picture frame style £200-300 ebonised and glazed case, 44 x 30.3cm.

451. Taxidermy. A preserved blue fronted amazon parrot, mounted in a naturalistic setting, in an ebonised glazed case, c.1940, 47cm high, 40.7cm wide, 23cm deep. £200-300

452. Taxidermy. An Edwardian preserved pair of turacos by George Butt of London, perching on branches, mounted in a naturalistic setting, with a printed paper trade label, inscribed ‘GEO. F. BUTT (Late Ward), 30 Edgeware Road, London, W.’, in an ebonised glazed case, 52.8cm high, 54cm wide, 22.2cm deep. £200-300

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453. Taxidermy. A late Victorian preserved pair of polecats by Hutchings of Aberystwyth, with a bird kill, mounted in a naturalistic setting, in a gilt and ebonised glazed case, with bracket feet, 57.3cm high, 43.2cm wide, 19.7cm deep. £300-500

454 label

453

454. Taxidermy. A late Victorian preserved otter by S. King of Hereford, with a fish kill, mounted in a naturalistic setting, in a stained wood and glazed case, the back with a printed paper trade label, inscribed ‘S. KING, Taxidermist, 78 EIGN STREET, HEREFORD’, 59.2cm high, 101.4cm wide, 29cm deep. £150-200

455. Taxidermy. A late Victorian preserved badger cub by Hutchings of Aberystwyth, mounted in a rocky naturalistic setting, in a gilt and ebonised glazed case, with bracket feet, 54.6cm high, 53cm wide, 25.2cm deep. £300-400

456. No lot

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457. Taxidermy. A late Victorian preserved Indian sun or sloth bear head mount by James Gardner of London, the verso with a printed paper trade label, 41cm high. ÂŁ500-800 Provenance: Formerly the property of the late Andy Johnson.

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458. Taxidermy. A George V preserved fox head by Peter Spicer & Sons of Leamington, mounted on an oak shield, with an ivorine plaque, inscribed ‘SCARTEEN BLACK & TANS 10th JAN 1931’, the back stamped ‘P. SPICER & SONS TAXIDERMIST LEAMINGTON’, together with three other fox head mounts, one mounted by Army & Navy, inscribed ‘BADSWORTH 12th MARCH 1938’, a mounted badger head, an otter rudder with a silver plated mount and a mounted otter foot, with a plaque inscribed ‘HESLEYSIDE 6. 6. 35.’, 39cm £200-300 (max). (7)

458

459

459. Taxidermy. A George V preserved red deer stag hoof by Peter Spicer & Sons of Leamington, mounted on an oak shield, with an ivorine plaque, inscribed ‘DEVON & SOMERSET, STAGHOUNDS, HELE BRIDGE, AUG 25th 1932’, the back stamped ‘P. SPICER & SONS TAXIDERMINSTS LEAMINGTON’, together with another red deer hoof by W. W. Rowe of Barnstaple, the oak shield inscribed ‘KILLED STONEMILL APRIL 15. 1947’, the back with a printed paper trade label, 31.3cm high (max). (2) £100-150

460

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460. Taxidermy. A preserved Asian fox head, mounted on a wooden shield, with an ivorine plaque, inscribed ‘QUETTA HOUNDS 1947’, the back with a paper label inscribed in pencil ‘Major Ellis Indian...’, 30.5cm high. £100-150

461. Taxidermy. A preserved European racoon dog head, mounted on an ebonised shield, 32.2cm high. £100-150

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462 462. Taxidermy. A preserved cape buffalo head by Rowland Ward of London, early 20th century, 58cm high, 92.8cm wide. £400-600

463. Taxidermy interest. A late Victorian Rowland Ward printed sale invoice, dated 6th April 1894, for G. H. Banks Esq., Winstanley Hall Near Wigan, for three pieces of ostrich skin as a sofa cover and pair of antelope horns, 28.4 x 19.7cm, in a later gilt and ebonised frame. £80-120 464. Taxidermy. A George V preserved gerenuk head by Edward Gerrard & Sons of London, mounted on an oak shield, with an ivorine plaque, inscribed ‘GERENUK KENYA 1938’, the verso with a printed paper trade label, inscribed ‘EDWARD GERRARD & SONS..., NATURAL HISTORY STUDIOS, 61, College Place, Camden Town, LONDON, N.W.1.’, 97cm high. £300-400

464

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465. Taxidermy. A preserved pair of sable antelope horns, mounted on a Rowland Ward oak shield, with an ivorine plaque, inscribed ‘SABLE ANTELOPE’, with remains of paper labels to the verso, one with a faint inscription, early 20th century, 81.2cm high. £150-200

466. Taxidermy. A pair of George V warthog tusks by Rowland Ward of London, mounted on an ebonised shield, inscribed ‘M. G. L. KHOR WANI, SUDAN, 1929’, the verso with a printed paper trade label, inscribed ‘THE GALLERY OF NATURAL HISTORY AND ARTISTIC TREATMENT OF TROPHIES AND PRODUCTS ROWLAND WARD LTD. THE JUNGLE. 167 PICADILLY. W.’, 23.8cm high. £80-120

465

467. Taxidermy. A preserved waterbuck skull and horn mount, on a wooden shield, 100cm high, 54.5cm wide. £100-150

164

468. Taxidermy. A preserved roe deer head by Peter Spicer of Leamington, mounted on an oak shield, the back stamped ‘P. SPICER & SONS TAXIDERMISTS LEMINGTON’, late 19th / early 20th century, 57.5cm high. £200-300

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469. Taxidermy. A George V preserved brown blesbok head by Rowland Ward of London, mounted on an oak shield with a silver coloured metal plaque, inscribed ‘Tuyo Plain Dec.1926’, the back with the remains of a paper trade label, 77cm high. £200-300

470. Taxidermy. A George V preserved bushbuck head by Rowland Ward of London, mounted on an oak shield, with an ivorine plaque, inscribed ‘KENYA 1935’, the back with the remains of a printed paper trade label for Rowland Ward, 82cm high. £200-300

471. Taxidermy. A pair of preserved oribi and diyka antelope heads by Rowland Ward of London, each mounted on an oak shield and with an ivorine plaque, inscribed ‘ORIBI. B.E. AFRICA 1909’, one with a printed paper trade label, inscribed ‘The Jungle TRADEMARK Rowland Ward, 167 Piccadilly London’, both stamped ‘R W’ with further marks and labels, 42cm high. (2) £100-150

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472. Taxidermy. A preserved didactic dog fish head by Gerrard & Co. of London, set in formaldehyde, with a label inscribed ‘Scyliorhinus Canicula DOGFISH HEART, AFFERENT and EFFERENT, VESSELS INJECTED also BRAIN CRANIAL NERVES and SEMICIRCULAR CANALS EXPOSED’, with an ivorine trade label, in a glass jar, late 19th / early 20th century, 21.2cm high, 12.5cm wide, 10cm deep. £150-200

473. Taxidermy. A late Victorian preserved roach by W. F. Homer of London, mounted in a naturalistic setting, with a printed paper trade label, inscribed ‘W. F. HOMER, TAXIDERMIST, 157 FOREST LANE, FOREST GATE, LONDON, E.’, within a gilt and ebonised glaze bowfront case, inscribed ‘ROACH Caught at LANGFORD by F. L. HUNT. Feb 27th 1898 Wgt 1lb 9ozs’, 31.2cm high, 36.9cm wide, 11.7cm deep. £300-400

474. Taxidermy. An Edwardian preserved roach by Leonard C. Harwood of Hammersmith, mounted in a naturalistic setting, with an ivorine plaque, inscribed ‘ROACH Caught At Shepperton By A. H. ROBINSON. 1 lb 7 1/2 oz. 10 Jan. 1910’, in an ebonised and gilt glazed case, the back with a printed paper trade label, inscribed ‘LEONARD C. HARWOOD NATURALIST, 9 WESTERN BROADWAY, KING STREET, HAMMERSMITH...’, 31.7cm £150-200 high, 47cm wide, 12cm deep.

475. Taxidermy. A preserved pike by Trenaman of London, mounted in a naturalistic river bed setting, with a printed paper trade label, inscribed ‘PRESERVED BY TRENAMAN, 706 Romford Road, Manor Park, London, E.’, in a gilt and ebonised glazed case, late 19th / early 20th century, 37.4cm high, 106cm wide, 17cm deep. £150-250

474

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GRAND TOUR & SCULPTURE

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476. After the antique. A pair of late 19th century French gilt and patinated bronze models of the Borghese vase, the bodies cast with a procession of classical figures, with a pair of mask handles, on a stepped slate base with engraved decoration, 31cm high. (2) £400-600

477. A pair of Louis Philippe bronze and Siena marble tazze, the everted rims cast with stiff leaves, above gadrooned decoration, each with reeded scroll handles, on stepped plinths, 24.3cm high, 18.5cm wide. (2) £400-600

478. After the antique. A late 19th century bronze model of the Warwick vase, with a lift-out brass liner, 24.7cm high, 37.5cm wide. £500-800

479. A pair of Louis Philippe bronze and Siena marble tazze, the everted rims cast with beads and leaves, each with stylised swan handles, on stepped plinths, 25cm high, 18cm wide. (2) £300-500

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480. After the antique. A late 19th century Italian marble Grand Tour model of the Crouching Venus, kneeling on a vase, 56.5cm high, mounted on a green serpentine pedestal, 111cm high. (2) ÂŁ800-1,200

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481. After the antique. A 19th century Italian bronze figure of the Dancing Faun of Pompeii, with a fig leaf covering his manhood, on a Siena marble rectangular plinth, 37.8cm high, 15cm wide. £300-500

481

482. After the antique. A plaster bust of man with a pained expression, possibly one of Laocoon’s sons, 35.4cm high. £100-200

483. After the antique. A 19th century Italian bronze Grand Tour figure of Narcissus, mounted on a verde antico marble plinth, 39.4cm high, 25.3cm wide. £400-600

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483

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484. After the antique. An 18th century Italian bronze Grand Tour figure of the Farnese Hercules, with a fig leaf covering his manhood, 28.4cm high. £800-1,200

484 485. After the antique. An Italian carved alabaster model of the Medici Lion, late 19th / early 20th century, 17cm high, 24cm long. £100-150 486. After the antique. A 19th century Italian bronze Grand Tour model of the Capitoline Dying Gaul, a fig leaf covering his manhood, on an oval plinth strewn with a sword and a horn, 17.2cm high, 33cm wide. £200-300

485

486

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487 487. Six 'Grand Tour' engravings of antique sculpture: comprising: 'Gladiator Pugnans ex Villa Borghesia', 'Antinous, e museo capitolino' and 'Faunus Saltans, Museo Medeceo' after Richard Dalton (1715-1791), together with three Italian engravings by Domenico de Rossi, 'STATUA D'ISIDE NUME EGIZZIO Nel Palazzo Barberino', STATUA D'UN SACERDOTE D'ISIDE' and 'STATUA DI PIRRO RE DEGL'EPIROTI, Nel Palazzo Massimi alla Valle', 54.8 x 40.5cm (max), £200-300 all later mounted and framed. (6) 488. An Italian mottled red marble Grand Tour tazza, on a turned stem and a square foot, 16.7cm high, 18.5cm diameter. £200-300 489. A late 19th century Italian green serpentine pedestal, with a spiral fluted and lappet carved stem on an octagonal base, 108.8cm high. £150-250 490. An Italian green serpentine Grand Tour style tazza, with snake and bow handles and bearded male mask terminals, on a probably later stem and a square plinth, 30.1cm high, 35cm wide. £150-250

488

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489

490

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491. A pair of 19th century marble ‘Grand Tour’ obelisks, of five differing marbles, one possibly Connemara, of tapering form, on stepped plinths, 36cm high. (2) £600-800

491

492. An Italian green and white marble Grand Tour model of a column, with a ball finial and a turned stem on a square plinth base, originally used as a table lamp, 65.1cm high. £300-500

493. A pair of red breccia marble ‘Grand Tour’ models of obelisks, 43cm high, 10.2cm wide. (2) £300-500

493

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494. A late 19th century Italian marble Grand Tour portrait bust of Michelangelo by the workshop of Antonio Frilli, carved in relief and mounted on a velvet and giltwood frame, the verso with a printed paper trade label, inscribed ‘ANTONIO FRILLI MARMI VIA DEI FOSSI FIRENZE’, 17.7 x 12.5cm. £100-150

494

495

495. A 19th century Italian ivory Grand Tour portrait bust of the Roman Emperor Caracalla, carved in relief, 8.2 x 6cm and mounted on a later faux Siena marble scagliola plaque. £200-300

496. A late 19th century Italian pietra dura 'Grand Tour' games table top, inlaid with a chequer board with various marbles on a black £300-400 marble ground, 26.5 x 26.3cm.

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496

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497. A late 19th century Italian Roman specimen marble and micromosaic Grand Tour plaque or table top, the centre decorated with a view of the Forum, within a malachite border, inlaid with various marbles and alabasters, including: alabastro fiorito, brocatelle and green porphyry, 39.5cm diameter. £800-1,200

497

498. A late 19th century Italian micromosaic Grand Tour paperweight, the top with a moulded serpentine edge, inlaid with oval views of Rome, comprising: the Pantheon, the Capitoline Hill, the Forum, the Temple of Vesta and St Peter’s Square, on a turned stem and a pietra dura inlaid base, 9.5cm high, 13.7cm wide. £500-700

498

499. A late 19th century Italian micromosaic Grand Tour paperweight, of serpentine outline, inlaid with nine views of Rome, comprising: the Pantheon, the Temple of Vesta at Tivoli, the Capitoline Hill, the Forum, the Colosseum, St Peter’s Square, Ponte Lucano, the Temple of Portunus and the Temple of Vesta, 12.2 x 16.5cm. £500-700

499

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500. A pair of French gilt and patinated bronze urns in Empire style, with ribbed and stiff leaf bands and lappet scroll handles, on a stepped plinth and an octagonal base, late 19th / early 20th century, 35.2cm high (2). ÂŁ200-300

500

501. A pair of Louis Philippe bronze and Siena marble tazze, the rims decorated with vine leaves and grapes, above an urn stem hung with fish, corn, fruit and grapes, on a scroll decorated foot and a stepped plinth base, 31.3cm high, 16.7cm diameter. (2) ÂŁ400-600

502. A pair of late 19th century gilt and patinated bronze urns and covers, each with a cone finial, with an egg and dart rim, with a pair of handles, on a stepped, part beaded base, 28cm high. (2) ÂŁ200-300

502

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503. A pair of Italian marble models of lions attributed to Francesco Bertos, each crouching, one with a sphere under his front right paw, inscribed 'M', the other holding a shield with an oval coat of arms, possibly for the Manno family of Sciacca or the Piacentina family of Verona, probably Venetian, late 17th / ÂŁ500-800 early 18th century, mounted on grey marble plinths, 13.2cm high, 19cm wide. (2)

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504. A 19th century bronze model of a sphinx, mounted on a later rectangular slate plinth, 19.5cm high, 29.8cm long. £200-300

504

505. A pair of late 19th century French black marble Egyptian revival tazze, the centres of the tops with a portrait bust, the stepped plinth bases decorated with gods and a bird, 24cm high, 17.5cm diameter. (2) £300-500

506. Nine Italian carved shell classical cameos, with portraits and various mythological figures, including: the doves of Pliny, Hebe and the eagle and Venus and Cupid, mounted as one, in a gilt brass oval glazed frame with a later easel back, 18.2 x 12.1cm. £300-400

506

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507. After Giambologna (Flemish 1529-1608). An early 19th century bronze figure of Mercury, holding his caduceus, mounted on a gilt bronze, porphyry and marble plinth, 74cm high. £800-1,200

508. After Guillaume Cousteau (French 1677-1746). A large pair of 19th century bronze Marly horse groups, 58.9cm high, 47.5cm wide. (2) £2,000-3,000

507

508

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509. After Philippe Poitevin (French 1831-1907). A pair of gilt and silvered spelter figures of ‘Don Juan’ and ‘Don Cesar’, in period dress, Don Cesar signed ‘POITEVIN’, Don Juan with a monogram ‘APS’, late 19th / early 20th century, 92.8cm high (max). (2) £500-800

509

510. Two 19th century bronze figures of classical maidens, one holding a lute, both with open backs, later mounted on stepped ebonised plinth, 35.3cm high (max). (2) £300-500

511. Two 19th century German bronze busts, one of Frederick the Great, King of Prussia, after Christian Daniel Rauch, the other of Frederick Wilhelm von Brandenburg Elector after Andreas Schlüter, each on a parcel gilt walnut plinth carved with ribbon tied swags of husks and flowers, 35.5cm high (max). (2) £600-1,000 The original sculptures, both equestrian monuments, can be found in Unter den Linden, Berlin and Charlottenburg Palace, Berlin respectively.

511

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512. A French bronze animalier group of a greyhound, with a dead hare, 21.8cm high, 22.7cm wide. £400-600

512

513. After Auguste Nicolas Cain (French 1822-1894). An early 20th century animalier bronze spill holder, modelled with a cockerel standing on a basket, signed ‘A. CAIN’, 17.5cm high, together with another bronze spill holder by E. Salmon modelled with a hen and her chicks and a bronze group of two Bacchanalian cherubs. (3) £200-300

513

514. A late 19th century Austrian cold painted bronze tray, the centre decorated with a pack of five dogs, with a Rococo border and a pair of open handles, 22.5 x 37.3cm. £200-300

514

515. An early 20th century Austrian cold painted bronze and onyx desk stand, modelled with four penguins and with a dished tray, 10.3cm high, 27cm wide. £100-150

515

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516 detail ‡ 516. Demetre H. Chiparus (Romanian 1888-1950). An Art Deco gilt and silvered spelter group of three young girls, one with her doll, sat on an onyx wall, signed ‘D. H. Chiparus’, 23.7cm high, 22cm wide. £200-300

516

517. An Austrian cold painted bronze group of five budgerigars, perched on a branch, mounted on an onyx base, early to mid-20th century, 35.7cm high. £200-300

517

518. A cold painted metal orientalist table lighter, modelled with two Arabs showing a carpet, one riding a camel, mounted on a black glass base, 18.3cm high, 16.5cm wide. £100-150 Provenance: Purchased from Spencer Swaffer Antiques, Chichester.

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519. A Regency mahogany linen press, with a pair of crossbanded doors inlaid with ebonised stringing and with outline mouldings, enclosing five slides, above two short and two long drawers, with bone escutcheons, 208cm high, 127.5cm wide, 63.3cm deep. £500-700

519 520. An early 19th century mahogany chest, inlaid with ebonised stringing, the cross banded top above two short and three long drawers, 107.4cm high, 92.7cm wide, 44.5cm deep. £80-120

521. A William IV rosewood breakfast table, the circular tilt-top with a moulded edge, on a lobed baluster stem and leaf and flower carved scroll legs and brass castors, 74.1cm high, 137cm diameter. £300-500

521

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522. An early Victorian mahogany dining table, the top with a moulded edge, extending to accommodate four additional leaves, supported by a a telescopic frame, on baluster turned legs and brass caps and ceramic castors, 73.6cm high, 331.7cm long, 129.5cm deep. £500-1,000

523. A set of eight Sheraton style mahogany dining chairs, each with a serpentine top rail above reeded and leaf capital vertical splats, with a drop-in seat, on panelled square tapering front legs, late 19th / early 20th century, comprising: a pair of open armchairs and six side chairs. (8) £400-600

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524. An early Victorian walnut library table, with a pair of frieze drawers above a turned stem and a quatreform base, with bun feet and sunken brass castors, 73cm high, 112.4cm wide, 63.8cm deep. £400-600

524

525. A Victorian rosewood loo table, the oval tilt-top on a lobed baluster stem, on flower carved cabriole legs and ceramic castors, 71.4cm high, 129.5 x 92cm. £100-200

525

526. A set of six mahogany dining chairs in Hepplewhite style, each with a serpentine top rail and a pierced splat back carved with wheat ears, comprising: a pair of open armchairs and four side chairs. (6) £200-300

526

527. An early Victorian rosewood ottoman, with a hinged seat, on scroll supports and brass castors, 46cm high, 87.5cm wide, 47.5cm deep. £100-150

527

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528. A matched pair of mahogany bookcases in Regency style, each with a pair of astragal glazed doors enclosing three adjustable shelves, above a pair of cupboard doors, on swept bracket feet, 19th century and later, 209.3cm high, 119.5cm wide, 32.5cm deep (max). (2) £600-800 Provenance: From the estate of the late Lady Dodds.

529. A Victorian burr oak and ebonised twin pedestal partner’s desk, the crossbanded top with rosewood banding and inset with a gilt tooled green leather writing surface, the front with an arrangement of nine drawers, the back with three frieze drawers and a pair of panelled cupboard doors each enclosing a shelf, with panelled sides, on castors, 77.2cm high, 153.2cm wide, 96.7cm deep. £400-600

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530

531

530. A walnut card table in George II style, the hinged top on twin gate supports revealing a baize lined playing surface, with four candlestands above a frieze drawer, on eagle’s head and leaf carved cabriole legs and claw and ball feet, 76.8cm high, 75cm wide, 36cm deep. £100-200 531. A mahogany tripod table, the circular fixed top with a pie-crust moulded edge, on a baluster stem and leaf carved legs, 60.2cm high, 60.5cm diameter. £100-150 532. A mahogany urn stand in Chinese Chippendale style, with an undulating pierced quatrefoil gallery, above a pull-out slide and blind fret carved frieze, with channelled legs and pierced fret corner brackets on block feet, 73.5cm high, 30.4cm wide, 30.1cm deep. £100-150 533. A black and gilt painted two-tier occasional table, decorated with £100-150 chinoiserie, 67.6cm high, 63.5cm wide, 50.7cm deep.

532

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534. A Victorian and later mahogany campaign dining table, with four leaves, on screw-off turned tapering legs, with sunken castors, restorations and additions, 72.2cm high, 349.5cm long, 157.6cm deep. £800-1,200

535. A Victorian mahogany campaign table top writing cabinet, with brass mounts and sunken military style handles, the panelled fall revealing pigeonholes and six drawers, the lowest fitted with lidded compartments, a pen tray and a division for an inkwell, with a central cupboard and a leather lined writing surface, 51.7cm high, 68.7cm wide, 30.5cm deep. £300-500

536. A George IV mahogany campaign chest, in two halves, with brass mounts and sunken military style handles, with two short and three long drawers, on detachable turned bun feet, 112.8cm high, 98.7cm wide, 54cm deep. £800-1,200

536

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538 537

537. A 19th century mahogany and brass bound campaign box, the hinged lid with a plaque inscribed ‘Capt. Willets 34th’, with a vacant interior, a pair of Victorian brass candlesticks, an early 19th century cast iron and painted door knocker in the form of a sphinx mask and a pair of painted wood panels depicting the forts at Roumeli Hissar in Istanbul, 30.8cm (max). (6) £80-120 Provenance: From the estate of the late Lady Dodds.

538. A Victorian Tunbridge ware and rosewood box, the hinged lid inlaid with a view of Penshurst Place, Kent the Solar and Buckingham buildings, with bands of flowers and a lined vacant interior, 8.4cm high, 24.7cm wide, 15.4cm deep. £200-300 539. A late Victorian walnut hanging cupboard, the pediment carved with flowers above a panelled door, 53cm high, 37.3cm wide. £80-120 540. A Victorian kingwood and burr walnut casket, with ebonised and amaranth banding, the hinged lid revealing a mahogany hinged lidded lift-out jewellery compartment with a baize lining, 16.9cm high, 29.8cm wide. £200-300 Provenance: From the estate of the late Lady Dodds.

539

540

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541. A Victorian coromandel and gilt brass mounted decanter case by George Betjemann & Sons, applied with strapwork, the hinged lid revealing a plush lined fitted interior, with three cut-glass decanters and stoppers, with six liqueur glasses, five gilt brass serving dishes with rope-twist borders and a gilt brass plate engraved with a crest and the inscription ‘Presented to E. E. Elsey Esqr. BY HIS EMPLOYES AS A TOKEN OF ESTEEM. JANY 4th 1879’, the front with a pair of hinged doors with satinwood and ebony holders with sixteen apertures, with a retailer’s brass plaque inscribed ‘EVERINGTON Pelham St. Nottingham’ together with a Victorian registration lozenge for 13th February 1875, inscribed ‘GB & SONS No. 9’, 31.4cm high, 38.2cm wide, 26.4cm deep. £800-1,200

542. An early Victorian ebony writing slope in the manner of John Turrill, inlaid with mother of pearl, brass and abalone, with an urn of flowers with leaf scroll corners, the hinged lid revealing a tooled velvet writing surface, with a pair of plated and glass travelling inkwells, a pen tray and two lidded compartments, with a satinwood veneered interior with three secret drawers behind a sprung panel, 10.5cm high, 38cm wide, 25.4cm deep. £500-700

543. A Victorian red leather letter box, with gilt tooled decoration and marked ‘LETTERS’, with a single slot, above a hinged mirror door, the sides and back also with mirrors, 23.4cm high, 17.6cm wide, 14.6cm deep. £300-400

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544. A small collection of corkscrews, including: a 19th century bone and steel direct pull corkscrew, a Thomason type corkscrew, with an applied badge ‘DOWLER PATENT’, a steel concertina action corkscrew by J. Heeley & Sons, a brass patent double screw action corkscrew with a bone handle and an open cage body and a small travelling corkscrew, in a white metal bullet shape case, 18cm (max). (8) £200-300

544

545

545. A chrome plated eight tool folding bow, including: a hoof pick, a button hook, a corkscrew, a screwdriver, a stiletto and an awl, stamped ‘MADE IN ENGLAND’, 8cm. £100-150

546. A French silver plated lever champagne tap by E. Geraut, marked ‘E. GERAUT PATENTEE LONDON’, in original leather case, 15.5cm long. £100-150

547 546

547. A late 19th century champagne pressure gauge by Hayward Tyler & Co., with a brass cased enamel dial marked ‘HAYWARD TYLER & CO LONDON TEST-GAUGE’, the brass case numbered 1286, in a fitted velvet lined leather case, marked ‘R.FRY & CO. BRIGHTON’, 20cm long. £200-300

548. An early 19th century steel twocolumn corkscrew, 16cm long. £200-300

549. A 19th century brass Cope and Cutler rack corkscrew, with turned bone handles, with an applied plaque inscribed ‘COPE & CUTLER’, 19cm long. £200-300

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549 548

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550. A Lund’s Queen’s Patent corkscrew, with a King’s screw, the rosewood handle originally with a brush, the barrel with an applied plaque, inscribed ‘LUND’S PATENT 57 CORNHILL,’ the triple bottle grips stamped with three crowns and ‘THE QUEENS PATENT GRANTED TO T. LUND LONDON’, 18.3cm long. £2,000-3,000

550

551. A Charles Hull 1864 Patent Royal Club single lever corkscrew, of roller type, with a brass oval plaque, inscribed ‘C. HULL, PATENTEE, BIRMINGHAM, ROYAL CLUB CORKSCREW’, 25.5cm long, together with a similar example, with remains of green paint and without the roller, 26cm. (2) £1,500-2,000 See Fletcher Wallis, British Corkscrew Patents, p.47.

551

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552

553 552. An early 20th century lady’s silk parasol by Paragon, the ivory handle carved with a lady’s hand, marked ‘PARAGON S. FOX & CO. LTD.’ with the original outer sleeve, together with three umbrellas with ivory handles, two by Paragon, one with a carved briar style handle with gilt metal mounts, one with a silver mounted handle, hallmarked for ‘1939’ and one with a plain turned handle, 91cm (max). (4) £150-250 553. A late Victorian walking cane, with a white agate ball handle, above a silver ferrule, with initials ‘F. A. O.’ and the date ‘17.3.92.’, with a bamboo cane shaft and a brass terminal, together with a faceted hardwood walking cane with a shepherd’s crook handle, a shark’s vertebrae swagger stick and a modern parasol by Gauntlet, with a faux bamboo handle, 90.5cm long (max). (4) £100-150 554. A modern sterling silver mounted walking cane by Comyns, with a toucan handle, with glass eyes and stamped ‘Comyns’ and with ‘925’ sterling marks, with a part ribbed walnut stem and silver terminal, in a plush material sleeve, 93.8cm long. £150-250 555. A vintage tan leather suitcase, the interior fitted with three brushes, a comb, a pair of steel scissors, a shoe horn and five silver topped glass jars, hallmarked for London 1950, with a canvas £200-300 storm cover, 22.3cm high, 65.5cm wide, 40.5cm deep. 556. An early 20th century velvet and mohair golliwog doll, probably by Chad Valley, 29cm long. £80-120

554

555

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556

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557. A pair of Victorian steel scissors by Joseph Cousins, with open foliage scroll handles and an engraved foliate band, stamped ‘J. COUSINS & SONS SHEFFIELD’, 26.7cm long. £150-200 Provenance: The vendor is a descendant of Joseph Cousins, by repute made for the Great Exhibition at Crystal Palace in 1851.

558

558. Two pairs of Victorian steel tailor’s shears by Joseph Cousins, stamped ‘J.COUSINS & SONS SHEFFIELD’, 29.3cm long. (2) £100-150 Provenance: The vendor is a descendant of Joseph Cousins, by repute made for the Great Exhibition at Crystal Palace in 1851.

557

559

559. A pair of Victorian steel scissors by Joseph Cousins, with open scroll handles, stamped ‘J. COUSINS & SONS SHEFFIELD’, £150-200 22.6cm long. Provenance: The vendor is a descendant of Joseph Cousins, by repute made for the Great Exhibition at Crystal Palace in 1851.

560. Three pairs of Victorian steel scissors by Joseph Cousins, with open scroll decorated handles, stamped ‘J.COUSINS & SONS SHEFFIELD’, 12cm long (max). (3) £100-150 Provenance: The vendor is a descendant of Joseph Cousins, by repute made for the Great Exhibition at Crystal Palace in 1851.

560

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561. An ebonised wood stand, of stepped form, the top with four column supports, mounted with a brass plaque, engraved ‘Cowes I. W. March 6th 1901. This piece of Oak was cut off the inner coffin of Her Majesty Queen Victoria when it was made. To Mr C. Edwards Lloyds Surveyor, George H. Marvin Maker.’, 21.7cm wide. £100-200

562. A pair of Victorian Cornish serpentine urns, of campana shape, each on a square socle, 30.5cm high. (2) £200-300

562

563

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563. A Staffordshire earthenware pottery jardinière in the form of a swan, late 19th /early 20th century, 38.2cm high, 44cm wide. £200-300

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564. A pair of Victorian silver plated table stands in Neoclassical style, each with a later inset marble top, above tripod ram’s head monopodia supports and hung with laurel swags, the undersides with registration lozenges for 9th April 1881, 14.2cm high. (2) £300-400

564

565

565. A Victorian cut-glass and gilt bronze mounted bowl by Osler, with leaf and bird mounted on lion’s paw feet, stamped ‘OSLER’ twice, 21cm high, 33.5cm wide. £800-1,200

566. Two similar late 19th century French gilt bronze salts, modelled with a griffin and a bear holding a mother of pearl shell bowl, on a naturalistic base and a slate plinth, 13.3cm high, 12cm wide (max). (2) £200-300

566

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567. A William and Mary style oak three seater settee, upholstered in cream wool, with scroll arms, on turned and block supports united by stretchers, 35.9cm high, 159cm wide, 69cm deep. £100-200

567

568. A walnut kneehole desk in William & Mary style, cross and feather banded, the quarter veneered top above an arrangement of seven drawers around a central cupboard door enclosing a shelf, on bun feet, early 20th century, 83.8cm high, 89.5cm wide, 49cm deep. £300-500

568

569. A set of twelve mahogany dining chairs, each with a serpentine top rail above a pierced splat and a drop-in seat, on square tapering front legs, six George III with six later copies, comprising: a pair of open armchairs and ten side chairs. (12) £500-800

569

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570. A Victorian ebonised and porcelain mounted bonheur-du-jour, with gilt brass mounts, the Sèvres style porcelain plaques painted with cherubs, portraits and flowers, the thuya panels with kingwood banding, the galleried top above a central mirrored compartment flanked by a pair of cupboards, each enclosing a shelf and with Corinthian columns, above three frieze drawers, the central one with a sliding gilt tooled leather lined writing surface, the base with a shaped shelf, 145.7cm high, 135cm wide, 55.5cm deep. £3,000-4,000

570

571. A Victorian giltwood and gesso girandole mirror, the oval plate within a moulded frame, with a cartouche surmount and with twin candle sconces, 105 x 58cm. £200-300

571

572. A Victorian walnut twin pedestal desk, the top with a moulded edge and inset with a later gilt tooled leather writing surface, above an arrangement of nine drawers, on ceramic castors, 76.3cm high, 122cm wide, 74cm deep. £700-900 Provenance: From the estate of the late Michael Gray.

572

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574

573

573. A Victorian mahogany cylinder pedestal desk, with carved leaf floret ribbon and gadrooned decoration, the top with a detachable three quarter gallery, above a retractable fall revealing an interior fitted with drawers and pigeonholes, above a pullout writing surface, inset with three later gilt tooled leather panels, the central one hinged and on a ratchet, flanked by further hinged compartments and divisions for pens and ink, above three drawers to each pedestal, 120cm high, 137cm wide, 81.5cm deep £400-600 574. A giltwood and verre églomisé pier mirror in Regency style, the rectangular plate within a reeded ebonised slip, the frieze decorated with a shepherd in a landscape with his sheep, 60.3 x 45.3cm. £100-150 575. A 19th century giltwood pier mirror, the rectangular plate flanked by cluster columns and a star decorated frieze and applied with cannonballs, together with a continental white painted carved wood and composition pier mirror, decorated with leaves, scrolls and flowers, 136.6cm high, 49.5cm wide (max). (2) £150-250 576. A Victorian gilt and polychrome decorated overmantel mirror, the rectangular plate within a reeded ebonised slip and flanked by twin baluster columns £200-300 with lappets and a carved frieze with rosettes, 81 x 119.4cm.

575

200

576

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577

577. A giltwood overmantel mirror in George III style, with three plates interspersed with columns of leaf capitals, the scroll rockwork and rocaille decorated frame with a Gothic style castle surmount and with a pair of windmills, 88.8 x 170cm. £800-1,200 Provenance: Purchased from Dr. to M. Harris & Sons, Oxford Street, London, 26th February 1951 for £58. From the estate of the late Lady Dodds.

578. A Victorian giltwood wall mirror in Chippendale style, the shaped plate within a leaf, scroll and rocaille decorated frame, the sides carved with branches and leaves, with a naturalistic pendant £600-800 base, 158 x 95cm.

578

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579

579 open

579. A Victorian mahogany desk, with a three quarter gallery, above a flame veneered sloping triple hinged front, revealing a pull-out interior, with satinwood drawers and pigeonholes, with a long lidded pen tray, a hinged leather lined writing surface, with ribbed mushroom handles, above a pair of arched panel doors, enclosing ten slides, on castors, 101.9cm high, 115cm wide, 71.4cm deep. £500-800 Provenance: Woolley & Wallis, Furniture & Works of Art, 28th July 1988, lot 82. 580. A 19th century Irish ebonised and gilt oval wall mirror, the moulded frame inset with faceted glass cabochons, 74.7 x 59cm. £500-700 581. A pair of 19th century mahogany stools, later upholstered with damask fabric, each with turned twin baluster lifts, on scroll supports, 24.8cm high, 37cm wide, 25.7cm deep. (2) £150-200 Provenance: From the estate of the late Lady Dodds. 582. A Victorian giltwood fan shaped mirror, the bevelled plate within a baton and bead moulding and an outer egg and dart border, 56.8 x 81.8cm. £200-300

580

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581

582

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583 583. A pair of Edwardian Sheraton revival satinwood concave side cabinets, each with a frieze drawer above a pair of cupboard doors, with oval panels painted with urns of flowers, on swept bracket feet, each enclosing a shelf, 82.8cm high, 61.7cm wide, 36.8cm deep. (2) £600-1,000

584. A late Victorian mahogany and brass inlaid open armchair, the scroll top rail centred with a rosewood tablet flanked by a pair of pierced foliate panels, with scroll carved splat back, above a stuffedover seat. £300-500 Provenance: The Collection of Sir Jeremy Lever.

584

585. A Victorian mahogany and marquetry open bookcase, inlaid with stringing and satinwood banding, the top inlaid with a band of leaves, above a frieze decorated with a scroll of foliage and a pair of griffins flanking an urn, with two adjustable shelves, the sides with oval panels with draped urns, the base with a reel moulding, on fluted legs, 19th century, 106.5cm high, 106.9cm wide, 39.4cm deep. £1,500-2,000

585

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586. A late Victorian mahogany and brass mounted Neo-classical style pedestal, the top with a moulded edge, above a leaf frieze and swags of acanthus and swirling flower heads, 106.4cm high, 27.8cm wide. £200-300

587. A Sheraton Revival satinwood bijouterie table, in the form of an athenienne and painted with flowers and musical trophies, with a hinged glazed top, late 19th / early 20th century, 75cm high, 32.5cm wide. £200-300

Provenance: From the estate of the late Lady Dodds.

588. A painted open armchair in George III style, the top rail decorated with flowers, above a lattice splat back and a bell shaped seat, the rail stamped ‘6377’. £100-150

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589. A Victorian gilt composition jardinière stand in Adam style, in the form of an athenienne, with a metal liner, with beaded and laurel leaf bands, on ram’s head tripod monopodia, 88.6cm high, 39cm wide. £100-200 Provenance: From the estate of the late Lady Dodds.

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590. A pair of late Victorian mahogany and marquetry kidney shaped occasional tables, each with a crossbanded top inlaid with ribbon tied flowers, the friezes with swags and with a drawer, each stamped ‘FROM W. WILLIAMSON & SONS GUILDFORD’, on square tapering legs, decorated by swags and united by a conforming undertier, 76cm high, 56.3cm wide, 38.8cm deep. (2) £1,000-1,500

590

591 top

591. A pair of satinwood and marquetry demi-lune console tables in George III style, each with a fan top with crossbanding and inlaid with scrolling flowers and foliage with paterae, the frieze decorated with ribbon tied flowers, on square tapering legs and applied ankles, possibly Irish, 19th century, 83.8cm high, 80.3cm wide. (2) £2,000-3,000

205

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592. Golfing interest. A rare 19th century Dutch painted wood dummy board, depicting a a child playing golf after a painting by Aelbert Cuyp, 107 x 80.8cm. £400-600 Aelbert Cuyp’s original oil of a “Child playing Golf” is in the Edward James Foundation, Sussex.

592

593. A painted wood dummy board in the form of a Hussar soldier, 153.7cm high. £300-400

593

594. A novelty trompe l’oeil painted wood table, the top carved and decorated to imitate a tablecloth, modern, 60.4cm high, 58.8cm wide, 57cm deep. £100-150

594

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595. A late Victorian ebonised faux bamboo planter by Howard & Sons, with parcel gilt decoration, the body decorated with Aesthetic movement pottery tiles, with a liftout metal liner, the underside with a paper trade label, and stamped ‘HOWARD & SONS BERNERS ST.’, 69.7cm high, 76.5cm wide, 46.3cm deep. £200-300

595

596. A late Victorian oak plan chest, with six panelled front graduated long drawers, with turned knob handles, 86.7cm high, 98.8cm wide, 70.2cm deep. £300-400

596

597. A pair of Victorian pine pot cupboards, each with a three quarter gallery pierced with two handgrips, above a panelled cupboard door, on turned legs, slight differences in sizes, 88.3cm high, 42.7cm wide, 37.1cm deep. (2) £200-300

597

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598. A Victorian oak country house hall stand, with turned urn finials and spiral twist supports, with thirteen brass hooks and divisions for sticks and umbrellas, with a recessed base, 161.7cm high, 140cm wide, 38cm deep. £300-500 Provenance: Warrens House, Bramshaw.

598

599. A Victorian ebonised and brass optician’s mirror, the rectangular plate with canted corners within an adjustable frame, on a circular weighted base, 159.5cm high. £300-400

599

600. An Arts and Crafts stained glass rondel, depicting Saint Margaret, holding a sword and a Corpus Christi and with a colourful dragon, titled, 40.7cm diameter. £100-150

600

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

601. A pair of studded leather wing armchairs in George III style, on mahogany legs united by stretchers, on brass castors, 20th century. (2) £1,500-2,000

602. A late Victorian easy armchair in Howard style, later upholstered with a tartan fabric, on turned walnut front legs and on ceramic castors. £100-150 Provenance: From the estate of the late Michael Gray.

602

603. A late Victorian leather club armchair in Howard style, on £300-400 square tapering front legs and brass castors.

603

END OF SALE

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FINE SILVER & OBJECTS OF VERTU Tuesday 16th April 2019

A set of four George III cast silver candlesticks, by John Romer, London 1769. Estimate: £5,000 - £7,000

ENQUIRIES Rupert Slingsby | Tel: +44 (0)1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | Tel: +44 (0)1722 424594 | lc@woolleyandwallis.co.uk

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FINE JEWELLERY

Thursday 18th April 2019

An Art Nouveau natural pearl and diamond peacock’s feather pendant by Tiffany & Co. Estimate: £15,000 - £20,000

ENQUIRIES Charlotte Glyde Tel:+44 (0)1722 424586 cg@woolleyandwallis.co.uk

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ENGLISH & EUROPEAN CERAMICS & GLASS Tuesday 30th April 2019

A pair of Italian maiolica pharmaceutical jars and covers, Castel Durante or Pesaro, dated 1579, 42.5cm high. Estimate: £3,000 - £5,000

ENQUIRIES Clare Durham | +44 (0) 1722 424507 | cd@woolleyandwallis.co.uk

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MEDALS & COINS, ARMS & ARMOUR Wednesday 1st May 2019 Closing date for entries 22nd March

A rare gun shield from the armoury of King Henry VIII of England. 51cm diameter.

ENQUIRIES Ned Cowell | Tel: +44 (0)1722 341469 | nc@woolleyandwallis.co.uk

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FINE CHINESE PAINTINGS, CHINESE ART & JAPANESE WORKS OF ART

Tuesday 21st and Wednesday 22nd May 2019

A Japanese two-fold paper screen, 19th century. Provenance: from the collection of Holcombe House, Painswick, Cotswolds. Estimate: £3,000 - £5,000

ENQUIRIES Amber Lees | +44 (0) 1722 424571 | aml@woolleyandwallis.co.uk

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ARTS & CRAFTS

Wednesday 19th June 2019 Closing date for entries 26th April

A Morris & Co walnut buffet sideboard designed by Phillip Webb. Provenance: Sir Henry Howse (1841-1914) Estimate: £5,000 - £10,000

ENQUIRIES Michael Jeffery Tel: +44 (0)1722 424505 mj@woolleyandwallis.co.uk

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification:

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd.

07973 389436 andy@kimdan.co.uk

Mailboxes

01962 622 133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office. BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 10,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega ( ) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/ ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 10,000 FIREARMS Lots marked Ƒ in the catalogue are subject to the UK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences. Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof. For further information, please contact Ned Cowell.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol ( ) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it. 11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is

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unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or . Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 10,000

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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you. This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you. DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 1998 (DPA) and, once in force, the General Data Protection Regulation (GDPR). If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51-61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below. From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the-saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the-saleroom.com) of individuals who register for one of our auctions (please see thesaleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the-saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us. THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents. In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies. LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government-issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • the-saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;

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CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services. SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life-threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events). INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company. We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey. PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

In particular: • in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market. YOUR LEGAL RIGHTS Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications. • to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights. Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply. If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available

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INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

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For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

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Design & Production by Jamm Design Ltd. 020 7424 7830 jammdesign.co.uk

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WOO L LE Y & WA L LI S

Absentee Bid Form Furniture, Works of Art & Clocks

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Decription

Price Excluding buyer’s premium & VAT

Wednesday 3rd April 2019 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

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www.woolleyandwallis.co.uk

Auction Calendar FURNITURE, WORKS OF ART & CLOCKS 3rd July 2019 Mark Yuan-Richards +44 (0) 1722 411854 • myr@woolleyandwallis.co.uk Jim Gale +44 (0) 1722 339161 • jg@woolleyandwallis.co.uk SILVER 16th April 2019 – Fine Silver & Objects of Vertu 16th & 17th July 2019 – Silver & Objects of Vertu Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk JEWELLERY 18th April 2019 – Fine Jewellery 18th July 2019 – Jewellery Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk Jonathan Edwards (Consultant) +44 (0) 1722 424504 • je@woolleyandwallis.co.uk Charlotte Glyde +44 (0) 1722 424586 • cg@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 30th April 2019 – English & European Ceramics & Glass Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk 20TH CENTURY DESIGN 19th June 2019 – Arts & Crafts Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk MEDALS & COINS, ARMS & ARMOUR 1st May 2019 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk ASIAN ART, CHINESE PAINTINGS & JAPANESE WORKS OF ART 21st & 22nd May 2019 John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk Freya Yuan-Richards +44 (0) 1722 424589 fyr@woolleyandwallis.co.uk Alex Aguilar +44 (0) 1722 424583 • aa@woolleyandwallis.co.uk PAINTINGS 5th June 2019 – Modern British & 20th Century Art Victor Fauvelle +44 (0) 1722 446961 • vf@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 18th September 2019 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk