Kinghams Auctioneers

FINE, DECORATIVE ARTS AND DESIGN

Wednesday 3 & Thursday 4 December 2025

FINE, DECORATIVE ARTS AND DESIGN

To be held at:

10-12 Cotswold Business Village, London Road, Moreton-in-Marsh GL56 0JQ

WEDNESDAY 3 & THURSDAY 4 DECEMBER 2025

Viewing

Monday 1 December – 10am to 5pm, Tuesday 2 December – 10am to 5pm Wednesday 3 December 9am to 10am & Thursday 4 December 9am to 10am

Day of the Sale

Auction scheduled to start at 10am with bidding in the room and live bidding on the internet bidding platforms. Telephone bids and commission bids are accepted and potential bidders will need to be registered with us before the sale.

SPECIALISTS

Live internet bidding is available on www.kinghamsauctioneers.com, www.the-saleroom.com, www.invaluable.com and www.easyliveauction.com together with a fully illustrated catalogue.

Catalogue £10.00 (£14.00 by post)

Kinghams Auctioneers Ltd

10-12 Cotswold Business Village, London Road, Moreton-in-Marsh GL56 0JQ NB. Please telephone to arrange collection.

01608 695695 | enquiries@kinghamsauctioneers.com | www.kinghamsauctioneers.com

John Keightley Associate Director Senior Valuer and Cataloguer

Adrian Rathbone Associate Director and Senior Valuer

Michael Jeffery Associate Director and 20th Century Design Specialist

George Kingham Director

Mark Oliver Consultant Decorative Arts Specialist

Steven Bruce Consultant Valuer

Eric Belgrave Photographer

Sarah Powel Office Administrator

MAP AND DIRECTIONS

Our auction centre is located in the historic Cotswold market town of Moreton-in-Marsh

By Car

We are centrally located on the A44 in reach of motorways the M5, M4, M40 and M42. Ample free parking.

By Rail

Moreton-in-Marsh’s train station is less than a mile from the auction centre.

By Plane

The nearest International Airports are Birmingham, 45 miles and Heathrow, 70 miles.

Accomodation

The Howard Arms (10-minute drive from the auction centre) Lower Green, Ilmington, CV36 4LT 01608 682226 www.howardarms.com

DELIVERY SERVICES FOR BUYERS

We offer an in house packing service for most items and paintings up to 110cm x 80cm. Please email enquiries@kinghamsauctioneers.com for a quote or call 01608 695695 for a quotation.

For Furniture:

Tustain Carriers, Fine Art & Antique Carriage 07964 626325 enquiries@tustainclearance.com www.tustaincarriers.com

USEFUL INFORMATION FOR BUYERS

Please see full Terms and Conditions at the back of this catalogue.

Buying at Kinghams Auctioneers Ltd:

There are several ways you can bid at our auctions; by leaving a commission bid, on the telephone and live via the internet.

Bidding in Person

It is essential that all prospective buyers register with us prior to the auction. Proof of identification will be required in order for a bidding number to be allocated which can then be used when bidding for an item.

Commission Bids

Kinghams will execute bids if you are unable to attend the sale. Bids can be left with our staff during or after viewing, or in advance by telephone or e-mail: enquiries@kinghamsauctioneers.com

Telephone Bids

Lines must be booked by 5pm the day before the auction begins. Lines are booked on a first come first served basis. Full name, address and telephone numbers will be required together with proof of identity. Bank and/or credit/debit card details are necessary to secure the line.

Live Internet Bidding

Register online via www.kinghamsauctioneers.com, www.the-saleroom.com, www.invaluable.com, www.easyliveauction.com and www.liveauctioneers.com Various charges apply, please check with your bidding platform.

Condition

Bidders must satisfy themselves as to the condition of each lot. Condition reports are available on request. (no later that 48 hours before the sale).

Buyer’s Premium

There is a buyer’s premium of 26% plus VAT on the first £500,000 of the hammer price of each lot. 18% plus VAT on the excess of £500,001 and up to £1,000,000 of the hammer price of each lot, and 15% plus VAT on the excess of £1,000,001 of the hammer price of each lot.

Payment

Must be made in full before items can be removed from the premises. If buyers are unknown to us, we cannot handover purchase until payment has been cleared.

Payment Methods - We accept payment by:

• Cash - up to £9,000 (subject to money laundering regulations).

• Cheques - we do not accept cheques.

• Debit cards accepted. We do not accept any credit cards.

• Bank transfer to:

HSBC Bank, 32 Bridge St., Evesham, WR11 4RU

Account No.: 51655345

Account Name: Kinghams Auctioneers Ltd

Sort Code: 40-20-27

IBAN: GB91MIDL40202751655345

SWIFTBIC: MIDLGB22

Please note that a fee of £15 will be added for international bank payments.

CONTENTS

Day One

Jewellery, Pens and Coins 1 – 90

Silver 91 – 138

Metalware and Works of Art 139 – 237

Militaria and Medals 238 – 255

Books and Prints 256 – 290

Paintings 291 – 420

Day Two

Asian Art 421 – 485

Furniture 486 – 526

Glass 527 – 623

Continental Ceramics 624 – 656

Moorcroft 657 – 716

Art Pottery 717 – 784

British Ceramics 785 – 850

DAY ONE

JEWELLERY, PENS AND COINS

1 A 14ct gold Pandora charm set with cubic zirconia, with maker’s mark, stampd G585, diameter 1cm, 1.8g

£80 - £120

2 A 15ct garnet cluster ring, partially stamped, ring size R, 10.7g £400 - £600

3 Three late Victorian diamond accent coral studs, each carved as a rose with rose-cut diamond accents, diameters 1cm, total weight 4.9g, with fitted case

£80 - £120

4 A gold mounted shell pendant, with 18ct gold chain, clasp stamped 750 Italy, length of pendant 3cm, length of chain 45cm, 4.9g

£120 - £180

5 Two George III gold coloured metal seal fobs, intaglio engraved carnelian stones with a coat of arms and a Neoclassical widow, open scrolled strap design, 3.3cm high (2)

£100 - £200

6 Four 19th century hardstone and bone handled seals, including agate and amethyst, intaglio engraved with an owl on a branch, another with initials, 6.3cm long (4)

£40 - £70

7 Two intaglio engraved gem set gold coloured metal fob seals, late 18th or early 19th century, including an amethyst engraved with the arms of the Earl of Portmore, within an open crown setting, the other incised Henry, 2.4cm high (2)

£80 - £120

8 A 9ct gold cultured pearl grapevine brooch, hallmarks for Birmingham 1996, length 4.2cm, 5.6g

£120 - £180

9 Two 9ct gold gem-set signet rings, hallmarks for Birmingham 1973 and Chester 1897, ring sizes Q and N, total weight 6.7g

£120 - £180

10 A pair of yellow metal white enamel Maltese cross drop earrings, with similarly-designed surmount and bow spacers, length 6cm, 10g £150 - £250

11 An 18ct gold signet ring, partial hallmark, ring size L1/2, 3.7g

£150 - £200

12 A 9ct gold diamond necklace, total diamond weight 0.50ct stamped to reverse, hallmark for Birmingham, length 43cm, 5.6g

£180 - £250

13 Two early 19th century gold coloured metal and hardstone seal fobs, one with pyramidal granite engraved with the crest and motto of St John, chased floral straps, the other with oval stone intaglio engraved with the same crest, 3.3cm high (2) £80 - £120

14 A 9ct gold brooc h, depicting a huntsman and beasts on a green enamel ground, stamped ‘9ct’, length 3.5cm, 8.7g £200 - £300

15 A 9ct gold blue enamel Masonic signet flip ring, hallmarks for Birmingham 2006, ring size U, 7.9g £200 - £300

16 A 9ct gold oval locket pendant, with chain, locket with hallmarks for London 1969, clasp stamped 9ct, length of locket 4cm, length of chain 44cm, 14.7g £200 - £300

17 An early 20th century diamond and coral ring, estimated total diamond weight 0.40ct, stamped 18ct, ring size L1/2, 3.1g (one diamond missing) £200 - £300

18 A 9ct gold rope-twist chain necklace, import marks for Sheffield 1982, length 46cm, 11g £200 - £300

19

19 A Continental yellow metal enamel and pearl bangle bracelet, AF, inner diameter 5.5cm, width 2.3cm, 47.2g £200 - £400

20

20 A late Victorian gold amethyst brooch, with scrolling surround and replacement base metal pin, length 5cm, 10.5g £200 - £300

21 An 18ct gold five stone diamond ring, estimated total diamond weight 0.50ct, H-I colour, SI clarity, ring size O1/2, 3.4g £200 - £300

22 An Ottoman Empire 100 Kurush coin, in a pendant mount, diameter 2.5cm, 9.3g £350 - £450

23 A pair of 18ct gold sapphire and brilliant-cut diamond cluster stud earrings, estimated total diamond weight 0.70ct, hallmarks for London, diameter 9mm, 3.7g £300 - £400

24 A 14ct gold synthetic colour change sapphire single-stone ring, sapphire measures approximately 19.5 by 19.3 by 11mm, stamped 585 14K, ring size P 1/2, 11.2g £400 - £600

25 A 9ct gold engraved hinged bangle bracelet, hallmarks for Birmingham 1972, inner diameter 6.2cm, 20.7g

£400 - £600

26 A mid 20th century 14ct gold orange quartz and pearl dress ring, with applied floral highlight, quartz measures approximately 14.9 by 12.6 by 7.9mm, stamped 14k, approximate ring size S (9ct ring sizer to inner band) £400 - £600

27

27 A mid 20th century gold opal cabochon single-stone ring, opal measures approximately 19.5 by 14 by 7mm, possibly stamped 14, rubbed, ring size J1/2, 8.8g £400 - £600

28 An 18ct gold brilliant-cut diamond single-stone ring, diamond estimated weight 2ct, I-J colour, P2 clarity, hallmarks for London, ring size L1/2, 2.9g £400 - £600

29 A gold sovereign pendant, and a gold cross pendant, the George V sovereign dated 1925, mount with 9ct hallmarks for London 1982, length 4.3cm, 13.6g, together with a small cross pendant, stamped 750, length 2cm, 2.5g £500 - £700

30 George V, a 1926 full sovereign coin, mounted as a 21ct gold pendant, suspension loop stamped 21k, length 4cm, 13g £600 - £800 31

31 A gold gem-set openwork pendant, with chain, set with turquoise, pink and white sapphires, length of pendant 7cm, length of chain 50cm, 20g £1,000 - £1,500

32 An early 20th century diamond set portrait miniature necklace, the circular hand-painted ivory miniature depicting a soldier with rose-cut diamond surround, with rose-cut diamond set initials MC to the reverse, hung from a black fabric cord with rose-cut diamond links, diameter 3cm, length 43cm, 18.7g, with fitted box.

Note: Ivory Exemption Certificate No. 2KAYWHCX £800 - £1,200 33

33 A 9ct gold pearl, ruby cabochon and black glass cameo brooch, hallmarks for Birmingham 1995, length 3.5cm, 8.9g £200 - £300 32

34 Two pairs of gold earrings, to include a pair of gold diamond half hoop earrings, estimated total diamond weight 0.60ct, I-J colour, P1 clarity, and a pair of cultured pearl stud earrings, stamped 375, lengths 0.80cm and 1.6cm, 6.1g £150 - £200

35 George V, a 1914 full sovereign coin, mounted as a 9ct gold necklace, import mark for London 1977, length 68.5cm, 33g £800 - £1,200

36 A set of 9ct gold Wedgwood blue jasperware cameo jewellery, to include a pendant, with chain, a brooch and two rings, chain with 9ct hallmarks, remaining items stamped 9ct, length of pendant 4.8cm, length of brooch 5cm, length of chain 70cm, ring sizes N and Q, total weight 40.9g £500 - £800

37 An Indian gold coloured metal and garnet bazuband arm bracelet or choker, alternating reticulated panels of diaper and bead motifs between bands of facet cut garnets, suspended on strands of garnets, 33cm long (tested as high carat gold), 30g £500 - £800

38 A 9ct gold orange quartz and cultured pearl cluster ring, hallmarks for Birmingham 1987, ring size N, 3g £80 - £120

39 A Secessionist silver and gem set bracelet, coiled wire and heart panels alternating red facet cut stones, Austrian marks, 18.5cm long, 14.5g £20 - £30

40 An Arts and Crafts Celtic style silver bangle, hinged wrythen reeded form, 7cm diameter, 18.3g £30 - £50

41 Two Arts and Crafts Ruskin type cabochon brooches, one marked Plantagent, in a planished frame, 3.5cm diameter (2) £30 - £50

42 Jon and Valerie Hill, a Modernist silver necklace, Birmingham 1972, the Brutalist pendant formed of concoined square and ring motifs of varying sizes, on a chain, 53cm long, 14.8g £30 - £50

43 A Glasgow style silver necklace, reticulated oval links after Charles Rennie Mackintosh, united by chains, 78cm long, 29g £30 - £50

44 A silver and citrine novelty Scottish Broadsword brooch, Joseph Cook and Son, Birmingham 1940, stone set and wire hilt, 8cm long, 7.3g £30 - £50

45

45 An Arts and Crafts silver coloured metal and enamelled bracelet, Glasgow rose links in pale blue basse taille enamel, 18cm long, 15.7g £30 - £50

46 A silver and moonstone bar brooch, eleven graduated cabochon stones, 5.5cm long, 4g £30 - £50

47 An Art Deco blue frosted glass and marcasite set white metal pendant, circa 1920s, the relief moulded square section foliate plque mounted in piercd silver suspended from an inverse cruciform link, 6cm long £40 - £60

48 An Iona silver Arts and Crafts brooch, after Alexander Ritchie, Robert Allison, Glasgow 1951, of shield form, cast in relief with a central galleon within Celtic knot and bead border, 4cm diameter, 13g £40 - £60

51 A collection of various Arts and Crafts silver buttons, some enamelled, others pierced, floral and fantastical designs, 3cm diameter, 1.34ozt (10)

£50 - £80

52

52 Attributed to Edith Linnell or Bernard Instone, an Arts and Crafts cabochon gem set silver fern brooch, including chalcedony, moonstone and rose quartz of varying sizes, 6cm long, 13.4g

£50 - £80

53 A silver pocket watch, paper weight and marcasite jewellery, with watch key, pocket watch, paper weight and necklace with marks to indicate silver, total

49 An Art Deco silver and moonstone flower brooch, the seven petal daisy in cabochon oval stones on a single stem, 4.5cm long, 6g £50 - £80

50 Kate Harris for William Hutton, a set of six Arts and Crafts silver buttons, Birmingham 1904, cast in relief with stylised flowers, 2cm diameter (6) £50 - £80

54 An Art Deco Odeon burgundy glass necklace, the architectural glass panels with silver highlights and silvered beads, unsigned, 24.5cm. long

£60 - £100

55 Liberty and Co., an Arts and Crafts silver and citrine brooch, knotted wire floral design with central facet cut stone, gold pin, apparently unmarked, 2.8cm diameter, 3.6g £80 - £120

56

56 Charles Horner, an Arts and Crafts silver and enamelled brooch, Chester 1908, knotted tendril bean form with blue green enamel, 3cm wide, 5.25g £80 - £120

57 Nieger Brothers, an Orientalist Czech brooch, bronzed metal with synthetic cabochons, 6cm long £80 - £120

58 Nieger Brothers, two Orientalist Czechoslovakian bracelets, silver coloured metal, one with Chinese motifs, the other in the Egyptian style with turquoise coloured cabochons (2) £80 - £120

59 A pair of early to mid 20th century jade drop earrings, each with split pearl surmount and chain spacer, length 4.5cm, 5g £80 - £120

60

60 A silver and moonstone brooch in the manner of the Guild of Handicraft, modelled as a simple flower head, with moonstone centre, unmarked, 2.3cm. wide £100 - £200

61

61 A German cloisonne enamelled metal brooch by Karl Schibensky, circular, enamelled with a radiating geometric floweer design in red, green and blue, painted S mark, 3.5cm. diam. £100 - £200

62 An Art Deco moonstone and synthetic sapphire floral spray brooch, cabochon and facet cut stones on white metal bouquet, 6.8cm long, 16.3g £100 - £150

63

63 Archibald Knox for Liberty and Co., an Arts and Crafts gold and amethyst brooch, shield form with Celtic knot brackets, central facet cut stone, 1.8cm long, 2.8g

£100 - £150

64

64 A Jugendstil silver and enamel brooch, pierced rectangular form with three blue enamel arrow, pierced roundel, unsigned, 2cm. wide

£100 - £200

65 An early 20th century gold lover’s knot puzzle ring, approximate ring size W, 4g

£100 - £200

66

66 Meyle and Mayer, a Jugendstil silver gilt and enamel pendant, painted with a monochrome portrait of a woman within cast tulip border, 5.5cm long, 15.1g

£200 - £300

67

67 Liberty and Co., an Arts and Crafts gold coloured metal, turquoise and pearl pendant, model No.8307, open tendril an wishbone cartouche design with central cabochon drop and baroque pearl below, 4.5cm long, 2.9g £250 - £350

68 Oliver Baker for Liberty and Co., an Arts and Crafts silver and turquoise necklace, stylised open wire pomegranate links and a central butterfly form motif with drop cabochon, 40cm long, 13.8g £400 - £600

69

69 Sven Haugaard, a Danish Modernist silver and quartz set pendant, on a torque choker, choker and pendant with maker’s mark, both stamped Denmark Sterling, both with import marks for London 1972, the cabochon stone set within a brutalist four claw crown, on an angled rod, 7cm long, choker length 40cm, 48g £40 - £70

70

70 Amy Sandheim, an Arts and Crafts silver and gem set pendant, the pebble form dyed chalcedony plaque suspended from a reticulated foliate mount set with pearl and moonstone cabochons, 8.5cm long £300 - £500

71 Henning Koppel for Georg Jensen, a silver Splash brooch, with maker’s mark, hallmarks for London 1969, stamped 925 S Denmark, no.340, length 7.2cm, 15g, with maker’s box £80 - £120

72 Ivar Holth, a Norwegian Modernist silver and enamel bracelet £100 - £150

73 Ari Norman for Alfred Dunhill, a Modernist silver two part puzzle keyring, London 1979, in original box, 17.1g £80 - £120

74

74 Vivianna Torun for Georg Jensen, a Danish Modernist silver Forget Me Knot bangle, model 241, single strand of knotted wire, with maker’s marks, stamped Denmark, import marks for London, inner diameter 6.5cm, 8.7g £40 - £70

75

75 A German cloisonne enamelled metal pendant necklace in the manner of Karl Schibensky, asymmetric shape, enamelled with four panels in grey and black on a red ground, unsigned, 5.5cm. long £100 - £200

76 A selection of silver jewellery, to include a 1970’s tiger’s eye heart pendant on a torque collar, hallmarks for Dublin 1971, two abstrat silver quartz set rings, a quartz pendant, a fish necklace etc., most with hallmarks, 156g £100 - £150

77 A Victorian silver key wind fob watch, silver hallmarks to inside caseback and dust cover for Birmingham 1887, diameter 4cm, 42g. Together with a white metal key wind open face pocket watch, diameter 5cm, 93g £60 - £90

78 A Buler 18ct gold quartz wrist watch, leather strap, 18ct Common Control Mark to case back exterior, diameter 2cm, length 25cm, 36g £400 - £600

79

79 A Victorian 18ct gold open face key wind pocket watch, 18ct hallmarks to case back interior and inner case for London 1836, diameter 5cm, 117g £1,500 - £2,000

80

80 Parker, a Duofold pearl burgundy, brown and black fountain pen, circa 1940s, single band cap, 14 carat gold nib, 13.5cm long £40 - £70

81 Sheaffer, a Triumph Admiral II fountain pen 500, in black, together with an Australian Snorkel fountain pen, black with gilt cap, and pair of Lady Sheaffer 923 stylepoint fountain pen and ballpoint pen, two boxes (4) £40 - £70

82 A 14 carat rolled gold fountain pen, circa 1920s, engine turned barrel and cap, lever filler, 14 carat gold nip, together with an extending propelling pencil by the same manufacturer, 13cm long (2) £50 - £80

84 Montblanc, a Meisterstuck Glacier Le Grand ballpoint pen, Platinum plated fittings, 14cm long, in box £100 - £150

85 Montblanc, a Meisterstuck Le Grand ballpoint pen, Platinum Line, with box £100 - £150

86

86 Swan, a 9 carat gold fountain pen, Mabie Todd and Co., London 1934, engraved pinstripe design with 14 carat gold nib, 13.5cm long £200 - £400

87 Edward Baker, a 9 carat gold Perm Point propelling pencil, Birmingham 1949, 13cm long, 28.9g £100 - £200

88 Elizabeth II gold sovereign, 1964, mounted, mount stamped 750, diameter 2.6cm, 9.6g £300 - £400

89

83 Montblanc, a Meisterstuck Classique Platinum Line ballpoint pen, 13.5cm long £80 - £120 84

89 Victoria, a gold full sovereign coin, dated 1889, diameter 2.1cm, 7.9g £300 - £500

90 18 carat gold Sir Winston Churchill Stamp Replica ingots, 1965, Metalimport Limited,1.286ozt £1,500 - £2,500

SILVER

91 An 18th century Norwegian parcel gilt silver mounted earthenware coin tankard, the part glazed cylindrical body with ribbed and fluted banding, mounted with a hinged lid with cast crowned lion and ball thumbpiece, fluted gadrooning to the edge, engraved with foliate scroll decoration and inset with a Christian V silver Speciedaler coin dated 1693, variously stipple engraved with initials and date 1781, gilded to the interior lid, 22cm high £200 - £400

92 A boxed set of six Victorian Gothic Revival silver coloured metal napkin rings, each hand engraved with a bright cut wreath of intersecting ogee bands, foliate sprigs and star motifs, in a fitted six section velvet and silk lined leather covered box, 5cm diameter (6) £20 - £40

93 An Arts and Crafts Renaissance Revival silver and glass tankard, William Tolhurst, London 1901, the green body encased in ropework straps and central cartouche plaque, the domed lid with simulated foliate riveted straps between red enamelled cabochons, 24cm high £800 - £1,200

94

94 John Birkett for Keswick School of Industrial Art, an Arts and Crafts silver tea caddy, Birmingham 1889, cuboid form with domed lid, repousse embossed, with zoomorphic foliate scrolls, birds, urns and masks, the hinged lid revealing a gilt interior, 12.5cm wide, 11.5cm high, 9cm deep, 9.4ozt.

Note: a rare early silver assayed piece by the KSIA

£1,500 - £2,000

95 Hukin and Heath, an Aesthetic Movement silver plated hot water jug, circa 1880, in the Christopher Dresser style, footed baluster form, hinged lid and rattan handle, 19cm high £30 - £50

96 Christopher Dresser for Richard Hodd and Sons, an Aesthetic Movement silver plated sugar bowl, 1878, twin handled angled baluster form, stamped marks and design registration diamond, 6.5cm high, 11cm wide

Note: some of Dresser’s earliest designs were produced by the Hatton Garden firm of Richard Hodd and Sons, prior to the Hukin and Heath showcase of designs in 1879. This bowl is part of a well known Dresser designed tea set; a service of this design including the bowl was exhibited at Hereford Museum & Art Gallery The Art & Craft of Design: An Exhibition of Work by Christopher Dresser 20th January3rd March 2007; See Bonhams, New York, 19th December 2007 for an example of a three piece tea set of this design; also Christie’s Harry Lyons Collection, 19th October 2004, lot 315 for an example of the kettle from this service. £50 - £100

97

97 An Aesthetic Movement silver and parcel gilt bowl and ladle, with retailer's sponsor's mark for Leuchars, London 1885, Hukin and Heath, Christopher Dresser style, organic form irregularly planished with crimped and inverted rim, on three tusk form feet, the ladle with curled finial, 23cm diameter, 26.7ozt (2)

£1,000 - £1,500

98 Liberty and Co., a Cymric Arts and Crafts silver and enamelled button, Birmingham 1902, embossed in relief with a peacock, 3cm diameter, 0.23ozt £40 - £60

99 An Arts and Crafts silver and enamelled photo frame, Elkington and Co., Birmingham 1904, buttress bracketed cartouche form, embossed with foliate tendrils and bud motifs, blue green enamel, on an oak easel backing, the bevelled glass 13cm x 8.5cm, overall 22cm x 17.5cm £200 - £250

100

100 An Arts and Crafts silver and enamelled vase, William Hutton and Sons, London 1902, footed and tapered poppy head form, incuse embossed flower head design in blue green enamel, 20.5cm high, 5.74ozt £100 - £150

101

101 Gilbert Marks, an Arts and Crafts silver and lapis set bowl, London 1902, planished and footed ogee form, repousse embossed with foliate stems of radiating branches set with central blue cabochons, the foot of organic trefid brackets, incised signature and date, 20cm diameter, 25.4ozt £1,500 - £2,000

102

102 Kate Harris for William Hutton, an Arts and Crafts silver box, London 1903, square section cuboid form, the lid decorated with blind fret cut and embossed crucifom straps, the centre with interlocking foliate motifs, gilt interior, 7cm square, 3.77ozt

£300 - £500

103

105

105 Kate Harris for William Hutton, an Arts and Crafts silver twin handled pedestal bowl, London 1904, hemispherical form, embossed in low relief with Art Nouveau maidens in stepped vignettes, angled handles with bifurcated terminals, on a sweeping foot, 19cm wide, 7.76ozt

£250 - £350

106 Sadajiro Musashiya for Liberty and Co., six Japanese silver teaspoons, import marks for Liberty, London 1893, to one, each with embossed Buddha bowls and temple and gate finials, 11.5cm long, 2.24ozt (6)

£100 - £120

107

107 Hugo Levinger, a Jugendstil silver and enamelled pill box, import marks Birmingham 1902, rounded form, the hinged lid decorated with stylised water lily pond in polychrome guilloche enamel, gilt interior, 4cm diameter, 0.94ozt £150 - £250

103 Kate Harris for William Hutton, an Arts and Crafts silver hand mirror, London 1904, the shield form back embossed in relief with three maiden headed sinuous tendrils, terminating in the handle, 28.5cm long

£500 - £800

108

£80 - £120

104 Kate Harris for William Hutton, a set of four Arts and Crafts silver teaspoons, London 1898, the Persian slipper form terminals cast in relief with PreRaphaelite standing figures and flowers, 12.5cm long, 2.43ozt (4)

108 Murrle Bennett, an Jugendstil silver basket, import marks for London 1903, boat form with high loop handle, pierced with heart motifs and studded with rivets, 14.5cm high, 3.21ozt £150 - £250

109

109 Adolph Amberg for Bruckmann & Sohne, a set of six Jugendstil silver and parcel gilt ice cream spoons, Heilbronn circa 1905, the handles cast in relief with Adam and Eve within a ribbon foliate arcade with winged pediment, in the Art Nouveau style, 14cm long, 5.1ozt approx (6)

110 A collection of four German Jugendstil silver and enamelled souvenir spoons, including Monte Carlo, Anvers and Klagenfurt, one set with blue cabochons, 12.5cm long, 2.00ozt (4)

£80 - £120

111 Hans Bolek for Eduard Friedman, a large Austrian Secessionist silver seven piece tea set, circa 1905, including kettle on stand, teapot, coffee pot, jug, sucriere and milk jug, large tray, the vessels of reeded ogee form, the lids and borders with stylised heart leaf tendrils in the manner of the Wiener Werkstatte, 45cm high, tray 79cm long, 302ozt (7) £8,000 - £12,000

112 Liberty and Co., an Arts and Crafts silver twin handled bowl, Birmingham 1907, footed and planished form with bifurcated tendril strap handles, 19cm wide, 5.68ozt £180 - £220

Note: German sculptor Adolf Amberg, born in Hanau in 1874, went on to design both ceramics for KPM in Berlin and silver for Bruckmann and Son. Well known silver patterns include the Wagner series circa 1903. Bruckmann established a reputation for innovation in design, working with renowned architects and artists including Peter Behrens and Richard Riemerschmid, as well as Carl Zeller and Hugo Cauer.

£120 - £180

113

113 Frederick Courthorpe, an Arts and Crafts silver casket, London 1900, cuboid form embossed in relief with simulated riveted straps, ogee rim to the lid, on four bladed bracket feet, cedar lined, 17cm wide, 7cm high, 12cm deep, 25.72ozt all in £500 - £700

114

114 An Arts and Crafts silver mounted shell dish, Frederick Courthope, London 1902, the mother of pearl lustred bowl supported on an organic petal foot and strapped in irregular naturalistic tendrils, forming a handle, 20cm long £100 - £150

115

115 An Arts and Crafts silver bowl, Amy Sandheim, London 1919, planished footed form, applied with cast Celtic knot motifs to a wire bordered band, 12cm diameter, 5.93ozt £150 - £200

116

116 Sibyl Dunlop, an Arts and Crafts silver and amethyst set bowl, London 1929, planished and footed, applied with cast blind fret knotted foliate motifs set with central oval cabochons, 13.5cm diameter, 10.99ozt £800 - £1,200

116A A George V silver and niello fruit bowl, by William Comyns, London 1912, of circular form with a panelled body, below a rim with alternating recessed triangles decorated with niello, the underside marked 'A 5332', diameter 20.6cm, weight 627g/20.15ozt approx £400 - £600

117 Archibald Knox for Liberty and Co., a cased set of Arts and Crafts silver cake forks, Birmingham 1937, the terminals cast in relief with stylised seed head tendrils, 13.5cm long, 3.43ozt (6) £200 - £300

118 Bernard Cuzner for Liberty and Co., an Arts and Crafts silver caddy spoon, William Hair Haseler, Birmingham 1911, the teardrop bowl with incised rattan and geometric borders, the handle similarly decorated with bright cut engraving, 9.5cm long, 0.79ozt £100 - £150

119 Georg Jensen, an Akkeleje pattern silver sauce ladle, import marks for London 1928, 15cm long, 1.1ozt £50 - £80

120

120 A Georg Jensen silver salt spoon, model no.110, stamped marks, 10.5cm. long £80 - £120

121 Georg Jensen, a Perle or Rope pattern silver sauce ladle, designed circa 1916, import marks for London 1931, 13.5cm long, 0.73ozt £50 - £80

122 Gundorph Albertus for Georg Jensen, a pair of silver grapefruit spoons, post 1945 mark, 15cm long, 2.18ozt (2) £80 - £120

123 Johan Rohde for Georg Jensen, a pair of Acanthus pattern silver salad servers, Copenhagen 1923, import mark for London 1923, 22.5cm long, 4.52ozt (2) £180 - £220

124

124 Johan Rohde for Georg Jensen, a pair of Danish silver Acanthus pattern sugar tongs, sprung scissor action, import marks for London 1972, 10.5cm long, 0.79ozt £70 - £100

125 Georg Jensen, a pair of Blossom design silver salad servers, shallow planished bowls with foliate stems and coiled leaf and berry handles, 22.5cm long, 6.79ozt £180 - £220

126 Winifred King, three Arts and Crafts silver spoons, Birmingham 1930-32, two cast with Cupid finials, one with a portrait of Shakespeare, planished oval bowls, 12.5cm long, 1.55ozt (3) £80 - £120

127

127 Bernard Cuzner for Liberty and Co., an Arts and Crafts silver caddy spoon, Birmingham 1921, incised panels of woven rattan design, 9cm long, 0.74ozt £100 - £150

128 Bernard Cuzner for Liberty and Co., an Arts and Crafts silver caddy spoon, William Hair Haseler, Birmingham 1911, the pear shaped bowl with incised chevron border, on a pierced stem with ring attachments, in the Norwegian style, 10cm long, 1.00ozt £100 - £150

129 John Sidney Reeve, an Arts and Crafts silver spoon, Birmingham 1916, the planished pear shaped bowl on a stranded stem with ropetwist wire, a strapped and prunted ball knop and blue cabochon set finial, 12.5cm long, 0.69ozt £100 - £150

130

130 John Finlayson, a Scottish Iona style Arts and Crafts silver dish, Edinburgh 1944, planised circular form with fret cut rim, pierced and applied with Celtic knot motifs, 25.5cm diameter, 15.4ozt £300 - £500

131 Sybil Dunlop, an Arts and Crafts silver coloured metal bowl, makers mark only, planished flat bottomed form with fluted rim, 9cm diameter, 2.7ozt £20 - £40

132

132 Keith Murray for Mappin and Webb, an Art Deco silver plated caster or large pepper pot, circa 1935, ovoid barrel form on a stepped conical foot, the collar incised with a geometric lightning bolt design, domed and concentric stepped lid pierced with holes, marked C1/86, 13.5cm high £50 - £100

136

136 Geraldine von Bethmann Hollweg, two Modernist silver and enamelled salt cellars, London 1995 and 1996, each of cylindrical form, reticulad and applied with abstract wire decortation, parts in enamel, blue glass liners, 3.6cm high, excluding liners 2.11ozt (2)

£80 - £120

133 An Art Deco silver plated cheese dome and stand, circa 1935, the hemispherical cover with spherical ball finial on a circular base with fluted band rim, the removable glass plate etched a wave design, the two cylinder handles similarly fluted, stamped marks and made in England, 24cm wide

£50 - £100

134 A Michelsen, a Danish Modernist commemorative silver gilt and enamelled spoon and fork, July 1964, the handles with enamelled Orion constellations, 16.5cm long, 2.99ozt (2)

£60 - £100

137

137 Stuart Devlin, a Modernist parcel gilt silver wine coaster, London 1980, reticulated form with rusticated trellis between plain bands, on a ribbed and turned hardwood base, 11.5cm diameter

£300 - £500

135 Kate Allen for William Hutton, an Arts and Crafts silver souvenir spoon, London 1904, the circular planished bowl on a foliate stem with cast City of York coat of arms to the terminal, 16.5cm long, 1.5ozt

£100 - £150

138 Adrian Hope, a Modernist silver ‘Moon’ bowl, Britannia marks, circa 2010, textured satin finish with rusticated rim, 36.5cm diameter, 58.4ozt

£2,000 - £3,000

METALWARE AND WORKS OF ART

139 Orivit, a Jugendstil pewter mounted glass jug, model 3369, the trumpet form body cut with mitre swags, encased in a reticulated holly and chrysanthemum decorated cage, whiplash handle and gull head spout, on four bracket feet, stamped marks, 35cm high £120 - £180

140

140 WMF, a Jugendstil silver plate mounted glass claret jug, model 190, the green trumpet form body within a reticulated tendril and Mucha style mask cage, whiplash handle and open foliate hinged stopper, 42cm high £500 - £800

141

141 WMF, a Jugendstil silver plate mounted glass claret jug, model 72, optic ribbed flared trumpet form, the collar modelled in relied with sinuous organic tendrils, 30.5cm high £100 - £200

142

142 WMF, a Jugendstil silver plated and glass centrepiece, model 252, reticulated twin handled form with pierced and cast berry tendrils, whiplash handles, on bracket feet, the boat form glass bowl cut with stylised forget me not sprigs, denticulated to the rim, 42cm long £400 - £600

143

143 WMF, a Jugendstil silver plated inkwell, model 11196, the central hinged lid with cast finial of a bunch of flowers, dished pen tray, the corners cast with fruit and foliate scrolls, with original glass liner, stamped marks, 23cm wide £40 - £60

144 WMF, a Jugendstil silver plated double inkwell, model 47, twin lidded glass lined ink wells on a sweeping bracketed base with pen trough, stamped marks, 20cm long £70 - £100

145 WMF, a Jugendstil silver plated and glass double flower vase, model 444, two square section glass vases engraved with geometric Secessionist designs, £100 - £200

146

146 WMF, a Jugendstil silver plated jewel casket, model 28, ogee bombe form, cast in relief with stylised roses, the hinged lid opening to reveal an original green cushioned and buttoned silk interior, 24cm wide £250 - £350

150

150 Archibald Knox for Liberty and Co., a large Arts and Crafts copper mirror, rectangular form riveted and repousse embossed with Celtic knot motifs, glass 41cm x 71cm, overall 62cm x 91cm

Note: see Bayne, S B, 1986, Heaton, Butler and Bayne: a Hundred Years of the Art of Stained Glass, for similar examples £600 - £1,000

147 Oliver Baker for Liberty and Co., a Tudric Arts and Crafts pewter bowl, model 01029, planished squat amphora form on five organic strapped buttress feet with indented bean form terminals, 29cm diameter £600 - £800 148

151 George Heywood Maunoir Sumner (British, 1853-1940), an Arts and Crafts carved oak panel, in two sections, bass relief foliate and rosette design in the mannerist style on a stippled ground, signed H.S. and dated 1870 l.l., 39cm x 122cm £150 - £180

152 An Arts and Crafts stained glass watercolour design, Heaton, Butler and Baynes, probably designed by Clement Heaton, set into a tilt top occasional table or fire screen, central dove of peace, 26cm square £100 - £200

153 A pair of Arts and Crafts brass and copper wall lights, the S form branched arms with cast stylised poppy motifs and foliate sconces, 26cm wide (2) £100 - £200

154 An Arts & Crafts copper coal bucket, circa 1900, helmet shape, bale handle, repousse stylized buds, 48cm high £60 - £100

148 A pair of Arts and Crafts copper and silver candlesticks, in the style of the Birmingham Guild of Handicraft, planished column and hemispherical dome form on cylindrical peg legs, applied with silver wire bands and set with turquoise coloured cabouchons, 33.5cm high (2)

£500 - £700

155

155 Dorot hy Miller, an Arts and Crafts enamelled plaque, Summer Fairy, circa 1920s, rectangular form with a figure on a rocky mound, 5cm x 3.5cm, framed £100 - £150

£300 - £500

149 Liberty and Co., an Arts and Crafts copper mirror, trapezoid form, riveted and repousse embossed with stylised tulip motifs, labelled to the back, glass 44cm x 24cm, overall 63cm x 39cm

156 An Arts & Crafts brass fender, circa 1900, with gadroon finials, the frieze repousse decorated with trailing flowers and foliage on a stippled ground, 140cm wide, 36cm deep £80 - £120

157 A Glasgow School, Arts and Crafts copper and leaded glass pendant light shade, circa 1900, in the style of George Walton, the conical sde with vertical panels of colourless glass and ruby coloured cabochons, within a planished ring and strap cage, scrolled open dome top and spade coronet, 38cm high £100 - £200

158 An Arts and Crafts brass lantern pendant light, with James Powell and Sons straw opal glass cylindrical shade, circa 1900, diamond embossed strap design with heart pierced trumpet form top, suspended from a chain, 37cm high, shade 18cm diameter

160 W.H. Mawson for Keswick, an Arts and Crafts copper easel photo frame or mirror, repousse embossed with stylised seeding poppy motifs, stamped marks, opening 15cm x 10cm, overall 23cm x 18cm £80 - £120

161 A pair of Arts & Crafts andirons or fire dogs, circa 1900, wrought iron with inset planished brass roundels, fleur de lis finials, 46cm high (2) £60 - £100

162

162 Newlyn School (attributed), an Arts and Crafts copper jug, square section, repousse embossed with cormorants, hinged lid and rattan handle, 20.5cm high £70 - £100

£80 - £120 159

159 An Arts and Crafts patinated metal pendant light, in the style of Jesson Birkett and Co., circa 1900, the optic ribbed cylindrical strapal straw opal glass shade within a cage of three lobed foliate straps, united by two rings, suspended fron a pierced onion dome one chain, 43.5cm high, glass 11cm diameter £100 - £200

163 An Arts and Crafts enamelled copper box, circa 1915, cuboid form, applied riveted and foliate strap decoration, the plaque in the Egyptian style with figure and peacocks, titled Vanitas, 15.5cm wide, 8.5cm high, 12cm deep £450 - £650

164 Josef Lorenzl (attributed), Spanish Dancer, a patinated art metal model of a woman standing in tassled dress playing castanets on green onyx cylindrical base, unsigned, 27cm high £150 - £200

165 Josef Lorenzl (attributed), Dancer with Scarf, a patinated art metal model of a woman standing on one foot, circa 1925, one arm and leg raised, holding a scarf, unsigned, 38.5cm. high £150 - £200

166 After Max Le Verrier a bronze Art Deco design floor-standing lamp, similar to models used in the 1970s BIBA store, London, in the form of a standing female nude, arms outstretched, holding a frosted glass globe, 140cm high £500 - £800

167. No lot 164 165

168 An Austrian patinated brass floor standing dumb waiter sculpture, in the manner of Hagenauer Workshop, modelled standing, holding two circular trays and ebonised wood rail, stamped made in Austria, 110cm. high £1,000 - £2,000

169 Karl Hagenauer (attributed), an Art Deco chromed brass and black marble pen rest, circa 1930s, the sylised figure of a giraffe on an octagonal platform base with grooved rest, apparently unmarked, 16cm high £100 - £200

170 A Sier Kunst Austrian ebonised wood and silvered bronze model of a Russian Dancer, in the manner of the Hagenauer Workshop, modelled dancing, standing on one foot, on circular base, later stamped marks, 42cm. high £600 - £1,000

171 Edgar Brandt, a pair of Art Deco chromed dice bookends and a paperweight, engraved marks to each E Brandt, 13cm high (3)

£400 - £600

172 An Nuart Creations USA Art Deco cast aluminium table lamp, modelled as a standing female nude, stepped plinth with maker’s mark, 64cm high £80 - £120

178

£40 - £60

173 An Art Deco black bakelite ELO Ware cigarette box, 1930’s, white cover with a knight spearing a lion in relief, lift-out interior, 5.5cm high, 17cm wide, 8.5cm deep

174 A 1939 New York World’s Fair black bakelite ashtray, moulded with a view of the Trylon and Perisphere, Accurate Molding Corp, USA, 14.5cm diameter

£40 - £60

175 Mack Trucks, an Art Deco figural bookend, cast as a bulldog, circa 1933, mounted on a stepped wooden block, 14cm high

£60 - £100

176 Walter Nichols (American, 20th Century), an Art Deco ‘Chinese’ wool carpet, circa 1920s, worked in bold hues of predominantly yellow, blue, green, and pink, featuring a central roundel of stylized lanterns and sea life on a floral ground within a trailing floral border, 399 by 310cm.

Note: American entrepreneur Walter Nichols transformed the ancient art of Chinese carpet making for the fashion-conscious elite in the 1920s, fusing traditional Chinese elements and Art Deco influences

£400 - £600

178 A Fornasetti Milano Cappelli tin umbrella stand designed by Piero Fornasetti, cylindrical, lithographically printed in colours with hats, on a black ground, with loose drip tray, printed factory marks, 57.5cm. high £200 - £300

179 A Fornasetti Milano tin waste paper bin designed by Pierro Fornasetti, lithographically printed in colours wirth classical jewellery motif, on a coral red ground, and another Fornasetti waste paper bin decorated with oriental scenes in gold, printed factory marks, 28cm. high (2) £300 - £500

180 Ernestine Mills, an Arts and Crafts enamelled plaque, circular form, painted with a vase of flowers and gilded, signed with initials, 6cm diameter, framed £300 - £500

181 Peter Campbell (British, 1931-1989), enamel portrait plaque, decorated with the head of a woman in profile, 18cm x 13cm, mounted £100 - £150

182

£100 - £200

177 Norman and Ernest Spittle, an Arts and Crafts polished steel companion set of fire tools on stand, comprising shovel, brush, and tongs, the central stand with pierced scroll panels, on domed foot, unsigned, 80cm. high (4)

182 After Arthur Rackham, an Arts and Crafts enamel roundel, circa 1900, polychrome decorated with a scene from A Midsummer Night’s Dream, signed with initials N.S.,11cm diameter, framed £300 - £500

183

183 David Linley (British, 1961), a turned wood tazza, stamped ‘Linley’, 10.5cm high, containing three parquetry inlaid eggs and a square vide poche, strung frieze, brushed aluminium insert, stamped ‘Linley’, 7cm high, 18.5cm square (5) £300 - £500

184 A near pair of Helix oak standard lamps, on stepped octagonal bases, unsigned, 139cm. high (2) £100 - £200

185 Giovanni Schoeman (South African, 1940-1980), Embrace, signed and dated 1979, gilt bronze and bi-metal, No.142/500, 29 by 10cm £70 - £100

186 Lloyd Le Blanc (American, 1940), a bronze model of an eagle, modelled perched on a post, with realistic plumage, signed in the cast, Ed.3/25, 47cm high £300 - £500

187 Marcus Cornish (British, 1964), Mare and Foal, signed in the cast, bronze Artist’s Proof maquette, 26cm high, 36cm wide, 24cm deep, mounted on a canted black slate plinth.

Note: Artist Resale Rights apply £2,000 - £3,000

188

188 Chris Buck (British, 1956), And Then One Day, signed with initials and dated 2006, gilt and green patinated bronze, Ed.III/XV, 16cm high, mounted on a wooden cube, full height 22cm.

Note: Artist Resale Rights apply £200 - £300

189

189 Dennis Westwood (British, 1928-2021), Circlet, gilt bronze with a green patina to the inner and outer circumference, Ed.1/9, 31cm high, mounted on polished black granite plinth.

Note: Artist Resale Rights apply

£1,000 - £1,500

195

195 A George III printed card game, Johnston’s Moveable Characters, with hat, caps and wigs, circa 1810, in original wooden box, 13.5cm x 9.5cm

£40 - £70

196

£300 - £500

190 Paolo Soleri (American, 1919-2013), for Corsanti Arcosanti, a Brutalist green patinated bronze wind chime, twin bells, foundry marks, 80cm drop

191 A Besselink & Jones bronze swing arm library table lamp, sprung telescopic action, weighted conical base, 44cm high (unextended)

196 A George III treen tea caddy, circa 1790, oval with painted vignette views of shepherds driving cattle in Romantic mountainous landscapes, hinged cover, partial foil-lined interior, 10cm high, 14cm wide, 7.5cm deep (key).

£100 - £150

Provenance: with Rogers de Rin Antiques, London £250 - £350

197 An ebonised bamboo horse measuring stick, together with a novelty carved dog head walking stick, 102cm long (2) £40 - £70

£30 - £50

192 A Holtzapffel and Co. Niblick thistle slasher, circa 1920, in the form or a walking stick with oak handle, bladed steel, stamped marks, 93cm long

193 An Army and Navy Stores brass 3 1/4 inch fly fishing reel, with wooden handle, inscribed makers mark, 8cm diameter

£40 - £60

194 A Hardy Brothers vintage four-inch fishing reel, with ivory handle, marked, 10cm diameter.

Note: Ivory Exemption Certificate No.FJPLREXV £200 - £400

198 A mahogany cased parlour game, circa 1830, the hinged cover with mother-of-peal lozenge enclosing a fitted interior with rectangular and circular satined bone game chips, variously coloured, and a part set of 19 George IV playing cards published by Gabriel Tregear, 123 Cheapside, London, hand coloured engravings, inscribed with various job positions, and a futher 11 blank cards

£20 - £30

199 Two Pacific region tribal club patterns or toys, including knobkerrie type and a bladed axe type club, 35cm long (2)

£50 - £100

£50 - £80

200 James Peters of Worcester, a hexagonal ceramic tile jigsaw puzzle, in box, 25cm diameter

201 A Regency black lacquer face screen or fixed fan, circa 1820, cartouche shape, chinoiserie decoration with figures and pagodas in a landscapes to both sides, turned gilt wooden handle, 35cm high, 25cm wide

207 British School, early 19th Century, profile portrait silhouette miniatures, Capt Campbell R.I, Ormdale, 1830, 6.5 by 5cm; Mrs Hunter Ford of Doonholm, 1818, oval, 7 by 5.5cm, in black lacquer frames (2).

Note: members of the Hunter family of Doonholm £80 - £120

£50 - £80

202 A bamboo cane horse measuring stick with root ball pommel to the crooked handle, boxwood extending measuring rod, 91cm long

£50 - £80

203

208

203 French Revolutionary interest: a ticolour ribbon rosette worn during the 1792 revolution in Paris, by the father of Edward Duncombe, pinned with a written note, 16cm diameter, together with a red silk ribbon rosette worn by Edward Duncombe as page to Viscount Sydney at the Coronation of George IV, 1821, 10cm diameter (2)

£80 - £120

208 A French Palais Royal gilt metal and Sevres style plaque set glass scent bottle, probably Baccarat, circa 1850s, square section shouldered form with reticulated foliate scroll decorated, set with foral painted porcelain roundels, on four winged ball bracket feet, the hinged lid similarly decorated, 12cm high £100 - £150

205

£60 - £100

204 Sams, William, 1822, Panorama of the Coronation Porcession of George IV, St James Street, printed and coloured in one pictorial strip, rolled, approx 1000cm x 8cm

205 A George III silver coloured metal pocket compass, in original velvet-lined rayskin case, plain white enamelled dial with black painted markings, the dial 4cm diameter

Provenance: from two prominent Anglo-Irish and British aristocratic family collections, inherited by direct patrilineal descent from Lord Patrick James Stuart (1794- 1859), brother of John 2nd Marquess of Bute, descended of John Stuart, 3rd Earl of Bute (1713 -1792), Prime Minister to George III, resident at Cardiff Castle, Wales; Dumfries House, Scotland and Wilton Crescent, Belgravia, London

£80 - £120

206 A pair of silvered bronze candlesticks, each on flaring, circular foot cast in low relief with radiating leaves, with central floriform stem and flaring bowl, one stamped 9, 26.5cm. high (2)

£80 - £120

209 A George III oval mahogany wig box, circa 1810, crossbanded and boxwood-strung with a marquetry central floral garland, gilt metal side handles, lock, 15cm high, 23cm wide, 19.5cm deep, (key) £100 - £150

210

210 A George III ebonised and shagreen monocular or single draw telescope, Dollond, London circa 1800, the inner tube of silver embossed Moroccan leather, in a velvet lined shark skin case, 5cm diameter, the case 8cm high

Provenance: from two prominent Anglo-Irish and British aristocratic family collections, inherited by direct patrilineal descent from Lord Patrick James Stuart (1794- 1859), brother of John 2nd Marquess of Bute, descended of John Stuart, 3rd Earl of Bute (1713 -1792), Prime Minister to George III, resident at Cardiff Castle, Wales; Dumfries House, Scotland and Wilton Crescent, Belgravia, London £100 - £200

211 John Clark (attributed, unmarked), a Scottish brass portable simple microscope, circa 1774, the vertical pillar with folding concave mirrors and various slide bars, screwing into a plate in the velvet-lined holding case, with ivory screw lidded canisters and handwritten slide contents note, the box covered in rayskin, 10.5cm x 6.5cm.

Note: Ivory Exemption Certificate No.AY4FY16U See Bryden, D J, 1972, “Three Edinburgh Microscope Makers: John Finlayson, William Robertson and John Clark”, The Book of the Old Edinburgh Club, 33, pt 3, 165-176 and Scottish Scientific Instrument-Makers 16001900, Royal Scottish Museum Technology 1 (Dec. 1972b); Christie’s, London, 8th April 2004, lot 1 and Lyon and Turnbull, 12th August 2015, lot 110, for identical marked examples by Clark; examples are also held by the Smithsonian Museum

Provenance: from two prominent Anglo-Irish and British aristocratic family collections, inherited by direct patrilineal descent from Lord Patrick James Stuart (1794- 1859), brother of John 2nd Marquess of Bute, descended of John Stuart, 3rd Earl of Bute (1713 -1792), Prime Minister to George III, resident at Cardiff Castle, Wales; Dumfries House, Scotland and Wilton Crescent, Belgravia, London £800 - £1,200

212 A Victorian illustrated travel diary, The Seven in Rome, 1898, bound in Moroccan leather, hand written with pen and ink drawings whimsically documenting the travels of seven anonymous friends through Rome, in 107 chapters, 14cm x 20cm £100 - £200

213 A 19th century novelty erotic figural mechanical walking stick, probably German, the handle in the form of a man with conceled spring action phallus, 92cm long £100 - £150

214 A pair of French bronze ewers, circa 1870, of Renaissance Revival design, gilt ormolu beast zoomorphic handles with Bacchus mask terminals, acanthus bases, mounted on fluted white marble octagonal plinths, 40cm high (2) £80 - £120

215 An Indian white metal mounted malacca stick, the large pommel embossed in relief with foliate scrolls and a vacant cartouche, 86cm long £150 - £200

216

216 British School, 18th/early19th Century, a set of five oval family portrait miniatures of members of the Hunter family of Doonholm, Ayrshire, comprising John Hunter (dated 1769), Mrs Hunter born 1752), James Hunter Esq (undated), Andrew Hunter (dated 1743) and Rev A. Hunter (dated 1769); the latter two are possibly of the celebrated Doctor of Divinity at Edinburgh University (born in 1743 according to his Wikipedia page). A mezzotint of Sir Henry Raeburn's portrait of Reverend Andrew Hunter is in the Scottish National Portrait Gallery. All are possible copies of 18th-century originals in Blairquhan Castle, Ayrshire, on ivory, 4 by 3cm, mounted on a velvet board.

Note: Ivory Exemption Certificate No.SBCC3DAE (5) £400 - £600

217 A late 19th century lepidopterists cabinet, containing twenty glazed specimen trays of multiple examples of British butterflies, moths and winged insects, labelled and pinned, the stained and panelled cabinet with quarter glazed cupboard door, 146cm high, 59cm wide, 56cm deep £80 - £120

218 A late 19th century satin birch lepidopterists cabinet, containing twelve glazed specimen trays of multiple examples of British moths, some butterflies, pinned and labelled, the cabinet with an unglazed single light cupboard door, 69cm wide, 103cm high, 56cm deep £80 - £120

219 A de Vekey & Son Style 4 Ukulele, labelled ‘The de Vekey Ukulele (Foreign), Style 4, Specially designed for the sweetness and quality of tone by A. de Vekey & Son, Bournemouth, England, In Four Styles, Nos 1,2,3 and 4’, mother of pearl swirl border and ivorine stringing, mother of pearl inlay to the feetboard, open peg box with ivorine pegs inscribed ‘de Vekey’, 65cm long, in the original green baize-lined fitted case

Note: reputedly, only one of three of this particular model was made £800 - £1,200

220

220 English School (19th century), a watercolour painted cutout costume card game, circa 1825, the oval portrait of a woman in profile, with twelve sheets of overlay cut out world costumes, inscribed verso, 14.5cm x 11cm £150 - £200

221 A 19th century silver mounted and malacca shafted sword stick, the chased collar with simulated screw heads, on as a button release, 91cm long £200 - £300

222

222 A Hardy Brothers Perfect Reel 3 1/4 inch fishing reel, with ivorine handle, 8cm diameter £200 - £400

223 A cast gilt metal and glass centrepiece bowl, the base modelled in high relief with pairs of writhing horses on a rusticated outcrop, supporting a shell moulded dish and ruby glass trumpet bowl, 31cm high £200 - £300

224 An Edwardian oak triple tantalus, brass mounts and side handles, mirrored back, triple hobnail cut glass decanters and stoppers, storage compartment and frize drawer to the front, 34cm high, 35cm wide, 29cm deep (key) £80 - £120

225 A 19th century broze bust of a Classical figure, on marble plinth base £200 - £400

226 A Continental walnut cased and ebony strung drinking compendium, circa 1890, the double hinged lid opening to reveal a gilt handled tray of etched glass decanters and liqueur glasses, 37cm wide £300 - £400

227 A pair of bronze table lamps, 20th Century, of cylindrical form with classical friezes in relief, 34cm high excluding fittings (2)

£80 - £120

231 Petrus, Pomerol, 1983, Grand Cru, one bottle (base neck)

£500 - £800

232 Chateau Haut Brion, Graves, 1987, Premier Grand Cru Classe, one bottle (in neck)

£100 - £200

233 Chateau Figeac, St Emilion, 1988, one bottle (mid to base neck) £50 - £80

228 After Frederic Sackrider Remington, Bronco Buster, signed and copyrighted in the cast, bronze with all-over dark brown patina, 54cm high, mounted on an oval green veined marble plinth with title plaque

£500 - £800

229 A late Victorian novelty oak humidor/cigarette box, in the form of a railway coal wagon, B.A.G.S. side decal, nickel working wheels and buffers, simulated coal hinged cover, fitted interior incorporating a match striker, Rd No.230537, 16cm high, 33cm wide, 17cm deep

£250 - £350

230 Chateau Latour, Pauillac, 1949, 1ere Grand Cru Classe, one bottle (low to bottom shoulder)

£300 - £500

234 Chateau d’Yquem, Sauternes, 1939, 1ere Grand Cru Classe, one bottle (high shoulder)

£80 - £120

235 Chateau Leoville Bar ton, St Julien, 1919, 2eme Grand Cru Classe, one bottle (bottom shoulder)

£30 - £50

236 Chateau Batailley, Pauillac, 1982, 5eme Grand Cru Classe, one bottle (bottom neck)

£40 - £70

237 Chateau Mouton Baronne Philippe (d’Armailhac), Pauillac, 1985, 5eme Grand Cru Classe, (top shoulder) and Chateau La Gigoterie, Cotes de Blaye, 1970 (mid to high shoulder) (2)

£30 - £50

MILITARIA AND MEDALS

238 A German Third Reich SA 33 Model dagger, brown stained moulded wooden grip with inset ‘S.A’ rune, Ernst Pack and Sohne blade etched ‘Alles Fur Deutschland’, nickel mounted and bronzed scabbard with a ring suspension, 37cm long £500 - £800

239

239 A German Third Reich Fire Service sidearm dagger, the blade by F W Holler, etched with dedication for 25 years service, black enamelled scabbard and stylised eagle head pommel, 40cm long £400 - £600

240

240 A German Third Reich Luftwaffe dagger, 2nd Model, wire bound orange plastic grip, eagle crossguard, Krebs blade, metal scabbard with twin ring suspension rings, 42cm long £250 - £350

241 A Victorian walking stick percussion rifle, with rosewood handle, steel barrel, 84cm long £400 - £600

242

242 A Victorian percussion pepper box pistol, six revolving barrel, stamped touch marks and chased plates, carved wooden handle, 24cm long £350 - £450

243 India, a Total Abstinence Society Medal, silver coloured metal, 3.3cm diameter, 0.72ozt £30 - £50

244 Melbourne 1956 Olympic Games bronze participant’s medal, designed by A. Meszaros, the obverse inscribed CITIUS ALTIUS FORTIUS within a circle of athletes marching in pairs, the reverse with Olympic Rings over the City Arms of Melbourne, inscribed OLYMPIC GAMES MELBOURNE 1956, 63mm, in original circular clear plastic case, and a 1955 Pan American Games in Mexico second place silver medal, in case of issue (2) £80 - £120

245 A Gieves 5oz Naval Yachting cap, circa 1940, issued to Major Anthony Barne of the 4th Queens Own Hussars (the Regiment Winston Churchill joined), retailed by Herbert Johnson, London.

Provenance: in 1929, Barne was stationed in Mandatory Palestine and later saw service in the Eighth Army, taking part in the retreat at El Alamein. By July 1945, Barne was commanding officer of the 4th Hussars, leading him to be referred to as ‘Churchill’s colonel’. His diaries were published in 2019. £40 - £60

246

246 East India campaign medals awarded to Captain Charles Digby Dawkins, 11th Bengal Light Cavalry, Governor General’s Body Guard, including Sutlej Medal for Moodkee, 1845, Gwailor Star for Maharajpoor, 1843 and Ghuznee Medal 1839

£600 - £800

247 An important and extensive collection of military medals, honours and awards presented to Major General Sir Charles Twyford Dawkins, KCMG, CB (1858-1919), including British military medals: Great War group of three 1914 Star, War Medal and Victory Medal with oak leaf for mention in despatches (October 1914, May 1915, April 1916, January 1917, and November 1917), Death Plaque; Queens South Africa Medal with clasps for Transvaal, Driefontein, Paardeberg and Cape Colony; Kings South Africa Medal with clasps for South Africa 1901 and South Africa 1902; Afghanistan Medal 1878, 1879, 1880; George V Coronation Medal 1911, with minitaures including the CMG (superseded by the KCMG), British Chivalric honours: The Most Distinguished Order of Saint Michael and Saint George, Knight Commander (1918), cross and star; Most Honourable Order of the Bath, Military Companion cross; International Orders: Belgian Croix de Guerre; Belgian Order of Leopold, cross of a Commander; French Order of Agricultural Merit, neck star and ribbon of a Commander; Imperial Russia, Order of St Anne, 1st Class, star, sash and cross, in original leather box, Order of St Vladimir, 4th Class with swords, in original box; together with ribbon bars and reginmental badges including 85th Kings Light Infantry, Kings Shropshire Light Infantry, Shropshire Regiment buckle and another £8,000 - £10,000

248 Waterloo and Peninsular medals and clasps, awarded to Colonel Henry Dawkins, Coldstream Guards, 2nd Batallion, 1815 and 1848, inscribed, Major of the Brigade of Guards, the Peninsular medal with bars for Nive, Nivelle, Vittoria, Salamanca, Ciudad Rodrigo and Fuentes D’Onor, together with the gilt metal and silver Gorget worn by Colonel Dawkins at Waterloo, with original blue rosettes and ribbons, together with transcripts of letters written by Dawkins directly after the battle of Waterloo and others documenting the Peninsular War campaigns, the letter to his father dated June 19 1815 from Camp Brain La Lund, the morning after the battle, the letter to his mother dated June 22 1815 from the Camp in front of Bavey; both letters detail the casualties of the battle as well as general events.

Provenance: family be descent; the original letters still in their posession

£3,000 - £5,000

249 A Crimean War medal group of four awarded to Lt Col. (formerly Captain) William Gregory Dawkins, Coldstream Guards, 1855, the Crimea medal with clasps for Sebastapol and Alma, including Chevalier de la Legion D’Honneur, 1856, with original signed certificate of award, Ottoman La Crimea medal 1855 and Medjidieh Ottoman 5th Class, 1855, with original Arabic document of issue in silk pouch with silver tassels, together with the Coldstream Guards Officers Shoulder belt plate worn by William Dawkins in the Crimea and by his father Colonel Henry Dawkins during the Peninsular War (see his Waterloo and Peninsular medals also in this auction), along with the original Commission documents for the Coldstream Guards, first as Ensign and Lietenant, 1846 and then as Captain and Colonel, 1854; together with two Russian bullets retrieved from the battlefield of Inkerman, 5th November 1854 and a bronze signet ring made at Balaklava 1856, from a Sebastopol bell

£1,500 - £2,500

250 A Great War Medal group of three, awarded to Captain C G H Dawkins, including 1914-15 Star, War Medal and Victory Medal with oak leaf for mention in dispatches, with miniatures £80 - £120

251 A Great War medal group of four, awarded Thomas Frederick Dawkins (1867-1937), British Red Cross and St John of Jerusalem, including 1914-15 Star, War Medal, Victory Medal and the French Croix De Guerre with Star (1917), with miniatures

£200 - £300

252 A 1938 propaganda poster calling for Anschluss between Germany and Austria, Der Fuhrer fur Deutschland, 31 by 22.8cm, loose £40 - £60

BOOKS AND PRINTS

256 Dugdale, William, The Antiquities of Warwickshire, Illustrated, 1765, Coventry, Re-Printed by John Jones, full tan leather binding with Greek key gilt borders to the outer boards, gilt spine title

£50 - £80

257 Hartt, Frederick, The Sistine Chapel, text by Frederick Hartt; commentary on the plates by Gianluigi Colalucci; note on the restoration by Fabrizio Mancinelli; photographs by Takashi Okamura, 2 volumes, London: Barrie & Jenkins, 1991, numerous colour plates including some folding, original cloth, contained together in original slipcase, large folio, outer cardboard box, Limited edition No.371/500 (2)

£80 - £120

258

258 de Brunhoff, Jean, Babar’s Travels, 1935, Babar’s Friend Zephir, 1937, and Babar at Home, 1938, first English editions, London, Methuen & Co (3)

£100 - £150

253 Anti-Bolshevik League posters, two WWI leaflets, Call for the Formation of an Anti-Bolshevik League/Citizens, Women, Soldiers, Leichenmuller Triumphs! Free Germany from the Yoke of Russia! General Secretariat for the Study and Combat of Bolshevism (AntiBolshevik League) (2)

£50 - £80

254 A set of World War I military stereoscopic viewing cards, with viewer, published by Realistic Travels, London, titled the Great War, in simulated book container £50 - £80

259

£50 - £80

255 A WWI newspaper poster, published 4th March 1918 by the German Telegramm de Augsburger Zeitungen, announcing the signing of the peace Treaty of Brest-Litovsk, artist unknown, loose and unmounted, 52 by 29cm

259 Football Field and Sports Telegram, Vol 1, 1884, edited by Olympian, original pebble cloth-bound boards with gilt title to cover £200 - £300

260

260 Walker, George, The Costume of Yorkshire in 1814, Illustrated by a Series of Forty Engravings being Fac-Similies of Original Drawings with Descriptions in English and French, 1885, Leeds, Richard Jackson, limited edition No.167/600, folio, green morocco spine with gilt title, gilt embossed green cloth boards

£250 - £300

266 Thorburn, Archibald, Game Birds and Wild Fowl of Great Britain and Ireland, 1923, containing thirty plates in colour showing fifty-eight species, London, Longmans, Green & Co, red morocco spine with gilt title, red cloth boards £500 - £600

267 Four plates from Montanus, Arnoldus (1625?-1683), ‘Ambassades Mmorables de la Compagnie des Indes Orientales des Provinces Unies, Vers les Empereurs du Japon’, Amsterdam: 1680, including an execution scene and costume plates, copperplate engravings on paper, 14 by 17cm, framed (4) £300 - £500

268 Jacopo Robusti (Italian, 1518-1594), Eneas Carrying His Father Anchyses from the Ruins of Troy, mezzotint with etching, platemark, John Boydell, London, 1767, 33 by 22.5cm, unframed.

Provenance: with Hugh Lupus, 1st Duke of Westminster (1825-1899), Grosvenor Prints, London, Private Collection £250 - £350

269 Chikashige (Japanese, act.1850-1890), Cranes and Bamboo, seal mark, woodblock, 23 by 23cm, framed.

Provenance: with Sotheran’s, London; with Hokusai (Japanese, 17601849), a ‘Manga’ series woodblock, framed as one, 18 by 12cm (2) £80 - £120

270 Princess Louise, Duchess of Argyll (British,1848-1939), portrait of Queen Victoria, signed and dated 22nd May 1882, l.c., lithograph, 36 by 30cm, framed

Note: After a pencil sketch in the Royal Collection, no. RCIN 980422, by Princess Louise, Duchess of Argyll (1848-1939) of her mother, Queen Victoria, created during Princess Louise visit to England from Canada, where her husband, the Duke of Argyll, served as Governor General of Canada from 1878 to 1883

261 No lot

262 Wright, Lewis, The Illustrated Book of Poultry, with Practical Schedules for Judging, Construction from Actual Analysis of the Best Modern Decisions, 1875 first edition, illustrated with fifty colour portraits of prize birds, London, Cassell, Petter & Galpin, green embossed cloth binding

Provenance: from two prominent Anglo-Irish and British aristocratic family collections, inherited by direct patrilineal descent from Lord Patrick James Stuart (1794- 1859), brother of John 2nd Marquess of Bute, descended of John Stuart, 3rd Earl of Bute (1713 -1792), Prime Minister to George III, resident at Cardiff Castle, Wales; Dumfries House, Scotland and Wilton Crescent, Belgravia, London and also by descent Princess Louise, The Duchess of Argyll £80 - £120

£400 - £500

263 Shepherd, David, The David Shepherd Archive Collection, Paintings specially selected by the Artist and published to celebrate his 80th birthday in April 2011, Sark: Gateway Publishing, 2011, limited edition No.67/1000, 109 colour reproductions of paintings by David Shepherd, accompanying DVD, white cotton gloves and publisher letter loose as issued, top edge gilt, original green morocco-backed vellum, contained in grey solander box, oblong folio

£800 - £1,200

264 Rackham, Arthur & Barrie, J.M, The Peter Pan Portfolio, 1912, London, Hodder & Stoughton, one of 500 copies from a limitation of 600, No,290, signed by Publisher and Printer, comprising twelve mounted colour plates, loose in an elephant folio.

Note: scarce issue preceding the American edition by two years, and comprises 100 copies bound in full vellum and 500 copies bound in half-vellum. This and the American edition contain the largest Rackham plates ever printed, all of which were picked by the artist and are his personal favourites.

£800 - £1,200

265 Crane, Walter, The First of May, A Fairy Masque, a series of illustrations and calligraphy by Walter Crane on India proof paper, 1881, London, Henry Sotheran, Ed.10/300, signed by the author, loose as issued in an oblong folio

£150 - £200

271 Gerald Wood (British, late 19th/early 20th Century), a WWI propaganda poster, Join the Brave Throng that Goes Marching Along, lithograph in colours, in two parts, printed by Beck & Inchbold Ltd, Leeds and London, 48 by 120cm, unframed

£200 - £300

272 Henri Matisse (French, 1869-1954), Tete de femme, dated 1938 l.l., lithograph, 35 by 26cm, framed

£80 - £120

273 Geoffrey Clarke (British, 1924-2014), Warrior’s Head, signed l.r., dated 1956 l.l., A.P aquatint, 76 by 41cm, framed.

Note: Artist Resale Rights apply

£150 - £200

274 Henry Cliffe (British, 1919-1983), Two Figures (1946-47), titled and dated verso, lithograph, 19 by 24cm, framed.

Provenance: from the estate of the artist.

Note: Artist Resale Rights apply

£100 - £150

275 Ceri Richards (Welsh, 1903-1971), Hammerklavier, signed and dated 1958 u.r., A.P lithograph in colours, 50 by 76cm, framed.

Provenance: with Louise Kosman, Edinburgh.

Note: Artist Resale Rights apply

£300 - £500

276 Peter Nicholas (British, 20th Century), Kitchen, lithograph, Ed.6/6, 54 by 80cm, framed

£80 - £120

277 Michael Rothenstein R.A. (British,1908-1993), The Owl III (1955-56), signed l.r., linocut in colours, 72 by 45cm, framed.

Note: Artist Resale Rights apply

£500 - £800

278 Edward Bawden R.A. (British, 1903-1989), a cover design for Barrow’s Stores, 1824-1949, lithograph in colours, 22 by 29cm, framed.

Provenance: with The Fine Art Society, London.

Note: Artist Resale Rights apply £80 - £120

279 Edward Bawden R.A. (British, 1903-1989), Autumn, signed and dated 1956 l.r., titled l.l., Artist Proof linocut in colours Ed.3/40, 38 by 50cm, framed.

Provenance: with The Fine Art Society, London.

Exhibited: The Fine Art Society ‘Edward Bawden Retrospective’, 1989, No.93.

Note: Artist Resale Rights apply

£1,500 - £2,000

280 Laurence Stephen Lowry R.A. (British, 1887-1976), Great Ancoats Street, signed l.r., offset lithograph published by Harold Riley, Salford, Ed.503/850, 26.7 by 36.6cm, framed.

Note: Artist Resale Rights apply £800 - £1,200

281 (detail)

281 Alexander Girard (1907-1993), Nativity, 1961 screenprint in colours, paper brochure, framed unsigned, dated bottom right, 70 x 56cm (sheet) 76.5 x 61.5cm (frame) £200 - £400

282 David Gentleman (born 1930), Horstead Watermill, Norfolk, 1966 lithograph in colour printed by the Curwen Press on paper, mounted on board Facsimile printed David Gentleman signature, dated 1966 bottom right 49 x 36.2cm. £80 - £120

283 Graham Sutherland (British, 1903-1980), Picton, signed and inscribed ‘For our dear friend D.C with love G’ l.r., etching (State VI), 47 by 34cm, framed.

Note: Artist Resale Rights apply

£100 - £150

284 Valerie Thornton (British, 1931-1991), Amboise, signed and dated 1972 l.r., titled l.c., aquatint, Ed.AP, 39 by 57cm, framed.

Note: Artist Resale Rights apply

£60 - £100

285 Bernard Cohen (British, b.1933), Surfacing, circa 1971, monotype lithograph, signed verso, 116cm x 157cm, framed

Provenance: DM Gallery 72

Note: several examples from this series are in the Tate Gallery collection

£50 - £100

286 Elisabeth Frink R.A. (British, 1930-1993), Petit Cheval Couche (1972), signed l.r., colour lithograph Ed.17/70, printed on T.H. Saunders white wove paper by M. Duport, Nimes, published by D. Cregut, Nimes, 50.5 by 66cm, framed.

Provenance: with Henry Sotheran, London, 2004, with accompanying catalogue and receipt of purchase.

Note: Artist Resale Rights apply

£500 - £800

287 John Walker (British, b.1939), Juggernaut, 1974, screenprint in colours, signed l.r. titled and numbered 3 of 30, 84 by 145cm, Momart steel frame

Provenance: Waddington Galleries; Saatchi and Saatchi

Note: an example of this print is in the collection of the Tate Gallery, Tate Britain, London £150 - £250

288 John Piper (British, 1902-1992), Abbeville, signed l.r., screenprint in colours, Ed.26/70, 80 by 59cm, framed.

Note: Artist Resale Rights apply £400 - £600

289 John Piper (British, 1903-1992), Stokesay Castle (1981), signed l.r., screenprint in colours, from an edition of 70, printed at Kelpra, published by Marlborough Fine Art, 54 by 76cm, framed.

Note: Artist Resale Rights apply

£800 - £1,200

290

290 Michael Kirkman (British, 1986), Short Stay, signed l.r., titled and dated 2012 l.l., linocut, Ed.6/6, 45 by 63cm, framed

£100 - £150

PAINTINGS

291 Style of William Payne, circa 1770, a Devonshire Cove with fisher folk conversing, donkeys on a coastal path, watercolour, 16 by 22.5cm, framed

301 British School, 19th Century, The Punch and Judy Show, watercolour, 28 by 33cm, framed £30 - £50

£60 - £100

292 Samuel Owen (British, 1768-1857), Shipping off the Kent Coast, signed l.l., titled verso, watercolour, 14 by 20cm, framed.

Provenance: with Albany Gallery, London

302 Henry Harris Lines (British, 1800-1889), Goodrich Ferry, titled l.l., pencil, 25 by 32cm, and another, Worfield, Shropshire, pencil, titled verso, 22 by 28cm, both framed (2) £50 - £80

£300 - £500

293 George Chinnery (British, 1774-1852), Village Outskirts near Changting, China, signed and dated 1808 l.r., titled verso, watercolour, 19 by 12cm, framed

£150 - £200

294 Wilfred Williams Ball (British, 1853-1917), Autumn Morning, titled and signed l.r., watercolour, 16 by 26cm, framed

£200 - £250

303 British School, early 19th Century, a preparatory aristocratic family group portrait, inscribed below ‘John Marquess of Bute (b.1744), his second wife Francis Coutts, their son Lord Dudley Coutts Stuart and their daughter Frances afterwards Countess ofHarrowby; the young men are John Earl of Dumfries & the Hon James Stuart afterwards Lord James Stuart, Lord Bute’s grandsons, signed verso G.H, 6th 1812, Augist, London’, pencil and watercolour, 21 by 40cm, framed

295 British School, mid-19th Century, portrait of a young girl, bust-length, wearing a white trimmed collar, V-neck dress with a blue bow, pastel, oval, 51 by 37cm, gilt frame

£100 - £150

296 Francis Stevens (British, 1781-1823), Woodcutting in Devon, signed l.r., titled verso, watercolour, 38 by 42cm, framed

£80 - £120

297 Charles Bentley (British, 1806-1854), Fishing Boats off Granville, Coast of Normandy, signed and dated 1846 l.r., titled verso, watercolour, 24 by 36cm, framed

Provenance: from two prominent Anglo-Irish and British aristocratic family collections, inherited by direct patrilineal descent from Lord Patrick James Stuart (1794- 1859), brother of John 2nd Marquess of Bute, descended of John Stuart, 3rd Earl of Bute (1713 -1792), Prime Minister to George III, resident at Cardiff Castle, Wales; Dumfries House, Scotland and Wilton Crescent, Belgravia, London

£100 - £150

304 19th Century School, still life of a cane basket, flying insects and flowers on a ledge, watercolour, arched top, 44 by 58cm gilt frame

£80 - £120

305 David Cox (British, 1783-1859), Burford Priory, Oxfordshire, titled and signed verso, watercolour, 23 by 17cm, gilt frame

£300 - £500 298

298 William Clarkson Stanfield (British, 1793-1867), Boulogne, 1828, watercolour, 18 by 26cm, framed.

Note: this is evidently an early version of Stanfield’s 1836 watercolour now in the Whitworth Museum, Manchester. Stanfield went to Boulogne to recuperate from pleurisy in 1828. To Ruskin he was ‘the leader of the English Realists’ £200 - £300

299 Alexander Brantingham Simpson (British, act.1904-1931), Young Lovers in Embrace beside a Classical Frieze in a Formal Garden, signed l.l., watercolour, 49 by 63cm, framed £100 - £150

300 Philip Vandyc k Browne (Philip Browne of Shewsbury) (British, 1801-1868), Shrewsbury; Conway Castle: castle atop a hill, three, watercolour, largest 19 by 26cm, framed (3) £60 - £100

£300 - £500

306 David Cox (British, 1783-1859), a river landscape with a man on a donkey conversing with two ladies, cattle watering and a bridge beyond, signed and dated 1847 l.l., watercolour, 30 by 40cm, framed £400 - £600

307 David Cox (British, 1783-1859), Ludlow Castle from the River Teme with figures, watercolour, 36 by 52cm, gilt frame

£600 - £900

308 David Cox (British, 1783-1859), Hawking at Hardwick Hall, titled verso, watercolour, 36 by 54cm, framed.

Provenance: with Spink & Son, London

£2,000 - £3,000

309 David Cox (British, 1783-1859), a mountainous landscape with cattle grazing by an open barn and two figures conversing in the foreground, signed l.r., watercolour, 38 by 57cm, gilt frame.

Provenance: with Thomas Agnew & Sons

£1,000 - £1,500

310 David Cox (British, 1783-1859), Cows in a Mountain Landscape, watercolour, 10 by 15.5cm, gilt frame.

Provenance: with Spink & Son, London

£200 - £300

311 David Cox (British, 1783-1859), Landscape with two Figures, a Pond and a Cottage, titled verso, watercolour, 14 by 17.5cm, gilt frame.

Provenance: with Spink & Son, London £200 - £300

£100 - £150

312 David Cox (British, 1809-1885), Carlingford, Ireland, titled verso, watercolour, 23 by 40cm, framed

313 John Callow (British, 1822-1878), A Brig and Fishing Boat, signed l.r., titled verso, watercolour and pencil, 16 by 23cm, framed

£400 - £600

314 Sir Edward John Poynter (British, 1836-1919), portrait of a fashionable young lady, bust-length wearing an open-neck dress, signed with initials and dated 1894 l.r., pastels, 33 by 23cm, framed.

320 John Bates Noel (British, 1870-1927), A Moorland Scene, signed l.r., titled verso, watercolour, 16 by 26cm, gilt frame

£40 - £60

321 Thomas Charles Leeson Rowbotham (British, 1823-1875), Loch Doon, Ayrshire, signed and dated 1855 l.r., titled below, watercolour, 18 by 25cm, gilt frame

£60 - £100

Provenance: Lot 737, Christie’s Interiors South Kensington, 2nd July 2013

£500 - £800

315 Attributed to William John Wainwright (British, 18551931), portrait of James F. Crichton-Stuart, 1872, Aged 8 Years, titled below, oval, watercolour, 38 by 30cm; with other family watercolour portraits by unidentified artists, Fanny Adelaide (CrichtonStuart) and Cecilia (Oliphant-Ferguson), daughters of John Labouchere, Henry Dupre Labouchere (1831-1912), in Eton dress about 1846, a portrait of a young boy, signed with initials H.S, and Edith M.S. Scannell (British, 1852-1940), portrait of an elderly lady, signed and dated 1905 l.l., oval, watercolour, 32 by 23cm, all framed (5)

Provenance: from two prominent Anglo-Irish and British aristocratic family collections, inherited by direct patrilineal descent from Lord Patrick James Stuart (1794- 1859), brother of John 2nd Marquess of Bute, descended of John Stuart, 3rd Earl of Bute (1713 -1792), Prime Minister to George III, resident at Cardiff Castle, Wales; Dumfries House, Scotland and Wilton Crescent, Belgravia, London

£100 - £150

316 Thomas James Lloyd (British, 1849-1910), Learning to Read - a fashionable lady, her son and sheepdog on and beside a bench, signed and dated 1905 l.r., watercolour, 45 by 80cm, framed

£80 - £120

317

317 John MacWhirter R.A. (Scottish, 1839-1911), Cap d’Antibes, Southern France, signed with initials l.r., titled verso, watercolour, 17 by 25cm, framed.

Provenance: with John Noott, Broadway

£200 - £300

318 Thomas Ivester-Lloyd (British, 1873-1942), Huntsmen and Hounds, a pair, both signed l.r., watercolour, 31 by 49cm, framed (2)

£150 - £250

319 John Clayton Adams (British,1840-1906), a panoramic landscape with rolling hills, signed l.r., watercolour, 35 by 49cm, gilt frame

£80 - £120

322 British School, 19th Century, Mediterranean tourist coastal scenes, a pair, gouache heightened with white, 15 by 22cm, framed (2)

£100 - £150

323 Friedrich Otto Georgi (German, 1819-1874), a Jerusalem landscape with olive groves, two Arab men conversing in the shade, signed and dated 1872 l.r., watercolour, 25 by 36cm, framed

£400 - £600

324 George Edward Lodge (Br itish, 1860-1954), study of a Bullfinch perched on a hawthorn branch, signed l.r., gouache, 30 by 22cm, framed £200 - £300

325 Charles James Adams (British, 1859-1931), View from Porlock Weir to Hurlstone Point, signed l.l., watercolour, 27 by 38cm, framed £100 - £150

326 George Wilson (British, 20th Century), Ploughing the Orange Orchard, titled and dated 1964 verso, pen, ink, and wash, 41 by 51cm, framed £50 - £100

327 Leslie Hurry (British, 1909-1978), Three Faces, titled and dated 1946 verso, watercolour, 9 by 9cm, framed.

Note: Artist Resale Rights apply £50 - £80

328 Sir James Braithwaite Peile (British, 1833-1906), nine landscapes, some foreign, some titled, including Hindoo Temple at Tugree, Gogo Creek, Fallen Roof at Gogo, In a Camp, Port of Gogo etc, watercolour, largest 16 by 22cm, framed (9) £60 - £100

329 V. Babu Rao (after W.S. Coleman) (early 20th Century), Lily Pad Girl, signed and dated 1921 l.l., gouache, oval, 30 by 52cm, framed £100 - £150

330 Ann Mumford (British, 20th/21st Century), The Yellow Ribbon, signed l.l., titled verso, watercolour, 44 by 35cm, framed.

Provenance: with Richard Hagen, Broadway £80 - £120

331 John King (British, 20th/21st Century), One Man, signed and dated 1996 l.l., pastel, 30 by 22cm, framed.

Provenance: with The Osborne Studio Gallery, London, 1997.

Note: Artist Resale Rights apply £80 - £120

332 Edgar Wilson (?) (British, 20th Century), Figure Studies, signed ‘Wilson’ and dated 1967 l.r., ink and wash, 34 by 48cm, framed £50 - £100

333 Arthur Willett (British, 1857-1918), a shepherd and his flock in a valley landscape, signed l.r., watercolour, 51 by 72cm, gilt frame £100 - £150

334 Louis William Wain (British, 1860-1939), Mother and Kittens, signed l.l., titled verso, watercolour and ink, 16 by 26,5cm, framed. Provenance: with Michael Parkin Fine Art, London; Chris Beetles, London

£2,500 - £3,500

335 Dorte Clara Dodo Burgner (German, 1907-1998), Die Braut (The Bride), published in Jugend, Munchen 1929, a bride and her maid of honour, preparing for her wedding day, signed and dated 1928 u.l., titled below, watercolour, pastel and pencil, 46 by 33cm, unframed.

Note: Artist Resale Rights apply

£4,000 - £6,000

336 Dorte Clara Dodo Burgner (German, 1907-1998), The Shoe Fitting, pencil and wash on paper, dated 16.I.25 l.l., 43 by 33cm, mounted.

Note: Artist Resale Rights apply £80 - £120

337 Dorte Clara Dodo Burgner (German, 1907-1998), model standing by a chair, pencil and wash on paper, 49 by 20.5cm, mounted.

Note: Artist Resale Rights apply £80 - £120

338 Georges Rouault (French, 1871-1958), Faubourg, Monmartre, signed l.r., titled below, watercolour, 31 by 23cm, framed.

Note: Artist Resale Rights apply

£100 - £150

339 Rigby Graham (British, 1931-2015), Douarnez (Fisherman with Nets), titled, signed and dated 1956 l.r., ink and wash, 35 by 24cm, framed.

Note: Artist Resale Rights apply

£100 - £150

340 George A. Haig (Earl Haig) (Scottish, 1918-2009), stage design for ‘Thomas the Rhymer’, ‘1st Scene The Eildon Tree’, signed and dated 1951 l.r, titled l.l., watercolour and ink, 35 by 47cm, framed.

Note: Artist Resale Rights apply

£100 - £150

341 Leslie Duxbury (British, 1921-2001), Burning Heathland, titled verso, charcoal and gouache, 55 by 37cm, framed

£80 - £120

342 Robert Tavener (British, 1920-2004), Cheltenham Ladies College, signed l.r., watercolour, 40 by 43cm, framed.

Note: Artist Resale Rights apply

£50 - £80

343 Michael Kirkman (British, 1986), Indecision, signed l.r., titled and dated 2017 verso, pencil, 41 by 57cm, framed.

Provenance: with The Scottish Gallery, Edinburgh

£100 - £150

344 Len Tabner (British, 1946), Hawthorn, signed l.r., titled and dated 1993 verso, watercolour on rough edge paper, 7 by 11cm, framed.

Provenance: with Agnew’s, London.

Note: Artist Resale Rights apply

£150 - £200

345 David Gonzales (20th Century), Two Standing Figures, signed and dated 1999 l.r., watercolour and pencil, 34 by 11cm, framed £50 - £80

346 Elizabeth Collins (British, 1905-2000), Couple, c.1940’s, titled verso, ink, 28 by 2cm, framed.

Provenance: with England & Co, London.

Note: Artist Resale Rights apply

348 Leslie Hurry (British, 1909-1978), Prospero’s MonstersCostume Design for The Tempest, signed l.r., titled u.r., pen, crayon and watercolour, 29 by 45cm, framed.

Note: Artist Resale Rights apply

£150 - £200

347 Nigel Lambourne (British, 1919-1988), Entertainers, signed u.r., titled verso, ink and watercolour, 49 by 35cm, framed.

Note: Artist Resale Rights apply

£150 - £200

£150 - £200

349 Michael Cullimore (British, 1936-2021), Wardour Lake, titled and dated 1984 l.l., watercolour and ink, 38 by 56cm, framed.

Note: Artist Resale Rights apply £200 - £300

350 Alexander Mackenzie (1923-2002), Dunkery Beacon, Exmoor, titled and dated 1960 verso, charcoal, 36 by 48cm, framed.

Note: Artist Resale Rights apply £200 - £300

351 Michael Cullimore (British, 1936-2021), Sea with Tree Stump, signed and dated 1984 l.r., titled verso, watercolour and ink, 39 by 56cm; and verso Watertank & Flying Insects, signed and dated 1984 l.r., titled, watercolour and ink, 38 by 56cm, framed.

Note: Artist Resale Rights apply £200 - £300

352 Ralph Steadman (British, 1936), La Guardia, Logroo, Rioja - Vineyards of Bodegas Palacio, signed and dated 1992 l.r., titled l.l., watercolour and gouache, 48 by 68cm, framed.

Note: Artist Resale Rights apply £200 - £300

353

353 Betty Swanwick R.A. (Elizabeth Swanwick) (British, 19151989), The Upper Room, titled and signed verso, watercolour, 74 by 50cm, framed.

Note: Artist Resale Rights apply

£2,000 - £3,000

354 Harold Swanwick (British, 1866-1929), The Close of Day, signed with monogram and dated 1903 l.l., titled verso, watercolour, 17 by 25cm, framed

£400 - £600

355 Peter Biegel (British, 1913-1987), Sleeping Terrier, pastel, 29 by 46cm, framed.

Provenance: with The Osbourne Studio Gallery, London, 2001.

Note: Artist Resale Rights apply

£300 - £500

356 Jurgen Gorg (German, 1951), Eva, signed l.r., pencil and colour crayon, 98 by 69cm, framed.

Note: Artist Resale Rights apply

£300 - £500

357 Jurgen Gorg (German, 1951), Venetian Scenery, signed l.r., pencil and colour crayon, 73 by 102cm, framed.

Note: Artist Resale Rights apply

360

360 John Knapp-Fisher (Br itish, 1931-2015), Thames Sailing Barge in the Swale, signed l.l., dated 1998 l.r., titled verso, watercolour, 9 by 12.5cm, framed.

Note: Artist Resale Rights apply

£300 - £500 358

358 Hans Feibusch (German, 1898-1998), Boys Bathing, signed with initials and dated 1967 l.r., titled verso, gouache, 49 by 35cm, framed.

Note: Artist Resale Rights apply

£300 - £500

359 Blair Hughes-Stanton (British, 1902-1981), Bathers, signed and dated 1929 l.r., titled verso, watercolour and pencil, 32.5 by 41cm, framed.

Note: Artist Resale Rights apply

£300 - £500

£300 - £500

361

361 John Knapp-Fisher (British, 1931-2015), Woman in the Rain, signed l.r., dated 1999 l.l., titled verso, watercolour, 9 by 13cm, framed.

Note: Artist Resale Rights apply

£300 - £500

362 Clifford Fishwick (British, 1923-1997), Cliff Study 1, signed and dated 1959 l.r., titled verso, mixed media, 52 by 36cm, framed.

Note: Artist Resale Rights apply

£150 - £200

363

363 John Humphrey Spender (British, 1910-2005), Landscape, signed and dated 1963 l.r., titled verso, watercolour, 34 by 47cm, framed.

Note: Artist Resale Rights apply

£300 - £500

364 Scottie Wilson (Scottish, 1888-1972), Head, titled verso, ink and crayon, 13 by 12cm, framed.

Note: Artist Resale Rights apply £300 - £500

365 Eric Gill (British, 1882-1940), Standing Nude (a Male Youth), dated 1926 l.r., titled verso, pencil and red crayon, 27 by 20cm, framed.

Provenance: with The Piccadilly Gallery, London £500 - £800

366 Michael Ayrton (British, 1921-1975), Study for Maze Maker III, signed, titled, and dated 1965 l.r., gouache and collage, 40 by 50cm, framed.

Note: Artist Resale Rights apply £400 - £600 367

367 Leslie Hurry (British, 1909-1978), Flight, titled and dated 1949 verso, watercolour, 70 by 53cm, framed.

Provenance: with Anthony Hepworth, Bath.

Exhibited: French Club, London, 1950.

Note: Artist Resale Rights apply

£400 - £600

368 Michael Ayrton (British, 1921-1975), Daedalus IV, titled, signed and dated 1959 l.r., charcoal, 34 by 41cm, framed.

Note: Artist Resale Rights apply £150 - £250

369

369 John Northcote Nash R.A. (British, 1893-1977), The Scottish Island of Iona, signed l.r., titled verso, watercolour, pen and chalk, 26 by 36cm, framed.

Note: Artist Resale Rights apply

£1,000 - £1,500

370

370 Josef Herman R.A. (Polish/British, 1911-2000), The Young Miner, titled, signed, Ystradgynlais and dated 1945 verso, pastel, 64 by 46cm, framed.

Provenance: with Boundary Gallery, London.

Note: Herman is best known for his paintings of working people, including peasants, fishermen, and, most notably, coal miners. The latter became a particular interest for Herman during the eleven years that he lived in Ystradgynlais, a mining community in South Wales, beginning in 1944.

Note: Artist Resale Rights apply

371

371 Victor Pasmore (British, 1908-1998), Linear Motif, signed with initials l.r., ink, pen/paper, 14 by 17cm, framed.

Provenance: gifted by the artist to the current vendor’s late mother whilst on Porthmeor beach, Cornwall. Reference: see Lot 455, Fine & Decorative Arts, 27th May 2022, Kinghams Auctioneers, Moreton in Marsh.

Note: Artist Resale Rights apply £100 - £150

372

372 Alan Davie (Scottish, 1920-2014), Untitled Compositions, two, both signed l.r., ink/paper, largest 11 by 12.5cm, framed (2).

Provenance: obtained directly from Alan Davie at a jazz festival by fellow artist and jazz enthusiast David Wilde (British, 1918-1974).

£1,500 - £2,000

Note: Artist Resale Rights apply £100 - £150

373 Francis Sartorius (British, 1734-1804), a grey hunter in tack, with huntsman and hounds, signed and dated 1781 l.r., oil on canvas, 62 by 75cm, gilt frame

£3,000 - £5,000

374 After Raphael, Madonna della Sedia, oil on board, roundel, 34cm diameter, gilt painted strapwork border, gilt frame

£150 - £250

375 Circle of Johan Joseph Zoffany, portrait of John, Earl of Windsor, 1744 (afterwards 1st Marquess of Bute) 1814, full-length seated beside a desk in an interior with an open sash window, oil on canvas, titled on a plaque below, 90 by 70cm, in a 19th-century gilt gesso frame

Provenance: from two prominent Anglo-Irish and British aristocratic family collections, inherited by direct patrilineal descent from Lord Patrick James Stuart (1794- 1859), brother of John 2nd Marquess of Bute, descended of John Stuart, 3rd Earl of Bute (1713 -1792), Prime Minister to George III, resident at Cardiff Castle, Wales; Dumfries House, Scotland and Wilton Crescent, Belgravia, London

£300 - £500

376

376 British Sc hool, 19th Century, an expansive view of Cardiff Castle (seat of the Marquesses of Bute from the mid-18th Century), including the original Norman motte and bailey castle, indistinctly signed l.l., oil on canvas, 80 by 90cm, gilt frame

Provenance: from two prominent Anglo-Irish and British aristocratic family collections, inherited by direct patrilineal descent from Lord Patrick James Stuart (1794- 1859), brother of John 2nd Marquess of Bute, descended of John Stuart, 3rd Earl of Bute (1713 -1792), Prime Minister to George III, resident at Cardiff Castle, Wales; Dumfries House, Scotland and Wilton Crescent, Belgravia, London

£300 - £500

377

379

379 Edward Holmes R.B.A. (British, fl.1841-1891), Chasing the Ducks, signed and dated 1854 l.l., oil on canvas, 50 by 75cm, gilt frame.

Provenance: Lot 255, British and Victorian Pictures, Christie’s South Kensington, London, 29th May 2003

£400 - £600

380 Attributed to Henry Howard (British, 1769-1847), portrait of a young boy, reclining in a wooded landscape with drapery overhead, oil on canvas laid down, 47 by 54cm, gilt frame

£300 - £500 381

381 James Drummond (British, 1816-1877), boys and pet dog crabbing beneath rocks, signed and dated 1865 l.r., oil on board, 18 by 24cm, gilt frame

£300 - £500

382 British School, mid-19th Century, a panoramic river landscape with a cottage, a figure on horseback, and cattle watering in the foreground, oil on canvas, 70 by 85cm, framed

£200 - £300

£500 - £800

377 Patrick Nasmyth (Scottish, 1787-1831), a view of Teviotdale in the Scottish Borders, a wooded river landscape with fisher folk and a dog in a boat in the foreground, a cottage beyond, oil on canvas, 35 by 45cm, gilt frame

378 Follower of Henry Liverseege, Sir Piercie Shafton Mysie Happer; Falstaff and Bardolph, a near pair, oil on canvas, 40 by 32cm and 40 by 35cm, gilt frames (2)

383 British School, mid 20th Century, portrait of an aristocratic lady, bust-length, wearing pearl cluster earrings and a pearl necklace, oval, oil on canvas laid down, 65 by 53cm, gilt frame

£300 - £500

Provenance: from two prominent Anglo-Irish and British aristocratic family collections, inherited by direct patrilineal descent from Lord Patrick James Stuart (1794- 1859), brother of John 2nd Marquess of Bute, descended of John Stuart, 3rd Earl of Bute (1713 -1792), Prime Minister to George III, resident at Cardiff Castle, Wales; Dumfries House, Scotland and Wilton Crescent, Belgravia, London

£80 - £120

384 William Huggins (British, 1820-1884), Group of Fowl, signed and dated 1854 l.r., titled verso, oil on board, 30 by 35cm, gilt frame

£500 - £800

385 Continental School, 19th Century, a picture clock, depicting a landscape with a church, farm buildings, and a windmill beyond with moving sails, oil on board, verge movement mechanism, 24 by 34cm, gilt frame (two keys)

£200 - £300

386 J...Burnett (British, mid 19th Century), At Sens, Burgundy, signed and dated 1860 l.l., titled verso, oil on board, 40 by 30cm, gilt frame

£150 - £200

387 Timothy Easton (British, 1943), Iris and the Two Firs, Wortham, signed and dated 1993 l.r., titled, signed and dated verso, oil on canvas, 25 by 30cm, framed.

Provenance: with Brian Sinfield, Burford.

Note: Artist Resale Rights apply

£150 - £200

388 Trevor Chamberlain (British, 1933), Wet Promenade, Sidmouth, signed and dated 1993 l.l., titled verso, oil on board, 14 by 18.5cm, framed.

Provenance: with Richard Hagen, Broadway.

Note: Artist Resale Rights apply

£150 - £250

389 Edward Wilkins Waite R.B.A. (British, 1854-1924), pastoral scenes with cottages, a duck pond, geese, chickens, and figures, a pair, both signed l.r., oil on canvas, 45 by 60cm, framed (2)

£800 - £1,200

390

390 Julius Theodeor Gruss (Czech, 1825-1865), A View of Toplitz, Bohemia, signed l.r., titled, dated 1888 and inscribed ‘Crichton-Stuart’ on labels verso, oil on canvas, 54 by 72cm, gilt frame (a/f)

Provenance: from two prominent Anglo-Irish and British aristocratic family collections, inherited by direct patrilineal descent from Lord Patrick James Stuart (1794- 1859), brother of John 2nd Marquess of Bute, descended of John Stuart, 3rd Earl of Bute (1713 -1792), Prime Minister to George III, resident at Cardiff Castle, Wales; Dumfries House, Scotland and Wilton Crescent, Belgravia, London

£200 - £400

391 Bruce Yardley (British, 1962), Herbaceous Border, Glyndebourne, signed l.r., titled verso, oil on canvas, 40 by 40cm, gilt frame.

Note: Artist Resale Rights apply

£200 - £300

392 Paul Felix Vallois (Frenc h, 1845-1906), view of a distant village through trees, oil on canvas, 32 by 44cm, framed

£200 - £300

393

393 Alfred H. Vickers (British, 1834-1919), Figures on the Bank of the Rhine, oil on canvas, 45 by 75cm, gilt frame.

397 Paul Raymond Seaton (British, 1953), Eastbourne, signed with initials l.r., titled verso, oil on canvas, 38 by 53cm, framed.

Provenance: with John Noott, Broadway.

Note: Artist Resale Rights apply £200 - £300

398 Kathleen Hale (British, 1898-2000), Cascade and Pool, signed l.l., oil on canvas, 62 by 75cm, framed.

Note: Artist Resale Rights apply £300 - £500

Provenance: Lot 205, British and Victorian Pictures, Christie’s South Kensington, London, 29th May 2003

£200 - £300

394

394 Henry Frederick Lucas-Lucas (British, 1848-1943), Thistle, a chestnut racehorse in a stable, signed and dated 1897 l.l., titled, signed and dated verso, oil on canvas, 35 by 45cm, framed

£400 - £600

395 Charles Watts (British, 20th Century), The Bather, signed and dated 1988 l.r., titled verso, oil on board, 52 by 35cm, framed

£200 - £300

396

396 Adrian Maurice Daintrey R.W.A. (British, 1902-1988), portrait of a female nude, full-length on a bed, signed with initials l.l., oil on canvas, 45 by 35cm, framed.

Note: Artist Resale Rights apply

£300 - £500

399

399 Herbert F. Royle (British, 1870-1958), Haymaking, signed and indistinctly dated l.l., oil on canvas, 50 by 60cm, gilt frame.

Note: Artist Resale Rights apply

£400 - £600

400 William Delacour (French/Scottish, 1700-1768), portrait of a gentleman, half-length, wearing a white stock and blue velvet jacket and waistcoat, signed and dated 1755 l.l., oil on canvas laid down painted in the oval, 75 by 60cm, gilt frame

£400 - £600

401

401 Ronald F. Smith R.S.W. R.G.I. (Scottish, 1946), a Mediterranean beach scene with umbrellas and cliffs, signed l.l., oil on board, 60 by 70cm, framed.

Note: Artist Resale Rights apply

£400 - £600

402 Paul Raymond Seaton (British, 1953), Rhodedendron with Blue, White & Silver II, signed with initials l.r., titled verso, oil on canvas, 60 by 75cm, framed.

Provenance: with John Noott, Broadway.

Note: Artist Resale Rights apply

£400 - £600

403 Doris Clare Zinkeisen (Scottish, 1898-1991), The Lady’s Carriage, signed l.r., oil on canvas, 60 by 75cm, framed.

Note: Artist Resale Rights apply

£800 - £1,200

404 Robert Walker (British, 20th/21st Century), still life of a brick, limes, and a pottery jug, signed l.l., oil on canvas, 30 by 40cm, framed £100 - £150 405

406

405 Garth Speight (Canadian, 1946), Odalisque, signed and dated 1980 l.l., oil and gold leaf on canvas, 70 by 60cm, framed, with accompanying catalogue ‘Garth Speight 1978-1981’.

406 August Heyn (German, 1837-1920), The Schoolroom, signed and dated 1870 l.l., oil on canvas, 87 by 71.2cm, gilt frame

£800 - £1,200

407

£800 - £1,200

Note: Canadian artist Garth Speight lives in Rome and is celebrated as the first artist of his nationality to have one of his paintings, ‘Abraham and Isaac’, in the Vatican Museums. His work can be found in many private collections, public and religious institutions, and governments in Italy, Canada, and the USA

407 Michael Ayrton (British, 1921-1975), Sentinel, signed and dated 1962 u.r., oil on canvas, 125 by 62cm, framed.

Note: Artist Resale Rights apply

£1,000 - £1,500

408

408 David Tindle R.A. (British, 1932), Thames Estuary, signed and dated 1959 l.r., titled verso, oil on board, 45 by 80cm, framed.

Provenance: with The Piccadilly Gallery, London.

Note: Artist Resale Rights apply

£800 - £1,200

409

409 Geoffrey Clarke R.A. (British, 1924-2014), Landscape, titled and dated 1949 verso, inks on gesso panel, 19.5 by 58cm, framed.

Provenance: with The Fine Art Society, London.

Exhibited: The Fine Art Society, London, Geoffrey Clarke, No.94.

Note: Artist Resale Rights apply £400 - £600

410

410 John A. Malcolm Aldridge R.A. (British, 1905-1983), The Cliffs at Dunwich, signed l.l., titled and dated 1948 verso, oil on canvas, 50 by 60cm, framed.

Note: Artist Resale Rights apply

£1,500 - £2,000

411

411 John Bratby R.A. (British, 1928-1992), Gloria & Billiard Table, signed u.r., titled verso, oil on canvas, 182 by 60cm, framed.

Note: Artist Resale Rights apply £800 - £1,200

412

412 Clifford Fishwick (British, 1923-1997), Four Bathers, signed and dated 1958 l.r., titled and also signed and dated 1958 verso, oil on board, 75 by 120cm, framed.

Note: Artist Resale Rights apply £800 - £1,200

413 Alan Reynolds (British, 1926-2014), Bluebell Thicket, signed l.r., titled and dated 1947 verso, oil on canvas, 50 by 60cm, framed.

Note: Artist Resale Rights apply

£1,000 - £1,500

414. Cat Sutherland (British, 21st Century), still life of a lidded enamel jug and a pear on linen, signed and dated 2021 l.r., oil on canvas, 32 by 32cm, framed

£80 - £120 415

415 Ken Howard R.A. (British, 1932-2022), The Beach, signed l.r., oil on board, 15 by 21cm, framed.

Note: Artist Resale Rights apply

£400 - £600

416 Nami Unurupa Kulyuru (Australian, 1964), Aboriginal Dot Composition, signed verso, oil on canvas, 76 by 40cm, unframed

£80 - £120

417 Katy Bailey (British, 20th/21st Century), Nice Legs, signed with initials l.r., titled, signed and dated 2002 verso, pastel/mixed media, 34 by 94cm, framed

£100 - £150 416 418

418 Christopher P. Wood (British, 1962), The Deluge, signed and dated 2001 l.l., titled verso, oil on canvas, 40 by 50cm, framed.

Note: Artist Resale Rights apply

£200 - £300

419 John Afflick (British, 1967), a surreal photorealist montage image in the Neo-Classical style, signed l.l., oil on board, 52 by 60cm, gilt frame.

Note: Artist Resale Rights apply

£200 - £300

420 Xue Wang (Chinese, 1980), The Night Kiosk, signed l.l., oil on canvas, 50 by 60cm, framed.

Exhibited: Miles Gallery, London, 2011

END OF DAY ONE

£400 - £600

DAY TWO

ASIAN ART

421 A Chinese carved jade pendant, in the form of a Fu dog, archaistic style, 5cm £30 - £50

422 Four Chinese monochrome enamelled dishes, Qianlong marks, shallow circular form with everted rim, powder pink interiors, of two sizes, 10cm diameter (4) £40 - £70

423 A Chinese blue and white Dragon bowl, small footed bowl painted with a dragon and clouds to interior and exterior, an English pearlware bowl decorated with a Chinese dragon, a large Dragon dish, a blanc de chine cup, and three other blue and white bowls painted brush and ruyi symbol, minor glaze frits to top rim to main bowl, 15cm. diam. (7)

Provenance Private English collection.

424 A Chinese blue and white octagonal dish, Made During the Chenghua Reign of Great Ming Dynasty mark, painted with bound gourd bottles within scrolling ribbons, central floral motif, 18.5cm diameter

Provenance: the Miller Collection £50 - £100

425 A Chinese millle fleur famille rose spoon, Qianlong mark, of traditional form, polychrome enamelled with various flowers on a gilt ground, 22cm long £70 - £100

426 A Chinese Republican famille rose bowl, Ya Wan Zheng Cang paitned mark, decorated with insects and various floral sprigs including peony, prunus, chysanthemum, butterfly and crane fly etc., 9.5cm diameter £20 - £40

427

427 A Chinese puce and copper red decorated bird feeder, squat ovoid form, painted in the round with a terraced garden scene of courtly figures, 4cm diameter £50 - £80

428

428 Two Chinese small bird feeders, modelled as miniature vases, one baluster form painted with a famille rose study of scholarly figures in garden, the other shouldered hexagonal section, in monochrome blue, 4cm high (2) £50 - £80

429 A Chinese Dragon and Phoenix gilt decorated powder blue vase, Guangxu mark and probably of the period, spherical baluster form, painted with roundels of dragon and phoenix, within a foliate scroll ground of bats, lotus flowers and auspicious symbols, 38cm high

Provenance Private English collection £1,500 - £2,000

430 A pair of Chinese blue and white plates, Kangxi marks, the central scenes of courtly figures in garden terrace landscapes, within diaper borders of grouped peach cartouches, concentric ring and six characer marks, 20.5cm diameter (2)

Provenance: from two prominent Anglo-Irish and British aristocratic family collections, inherited by direct patrilineal descent from Lord Patrick James Stuart (1794- 1859), brother of John 2nd Marquess of Bute, descended of John Stuart, 3rd Earl of Bute (1713 -1792), Prime Minister to George III, resident at Cardiff Castle, Wales; Dumfries House, Scotland and Wilton Crescent, Belgravia, London £50 - £100

431 A Chinese Grisaille porcelain saucer, circa 1750, painted with a religious scene of Saint Samuel, within a Rococo scroll cartouche and foliate sprigged gilt line border, 13.5cm diameter £50 - £80

432 A pair of Japanese Satsuma figural boxes, modelled as tortoises, the shells decorated with gilt and enamelled geometric panels, the interiors painted with floral specimens, 11cm long (2) £50 - £80

435

435 A Japanese satsuma ware koro, Meiji period, 1868-1912, the reticulated cover with a gilt beast finial, lobed ovoid body with beast mask handles, decorated with cartouche panels of figure groups, 13cm high £70 - £90

433 A collection of Chinese blue and white porcelain bird feeders, various shapes and styles, including stippled Shanghai style pattern, 6cm diameter (7) £60 - £100 434

434 A Chinese famille rose snuff bottle, magpie and prunus pattern, shouldered cylinder form, celadon ground, coral stopper, 6cm high

Note: the depiction of magpies amongst prunus branches was popular theme on snuff bottles during the Qing dynasty. The motif of thirty birds represents ‘happiness up to the eyebrows for each day of the month’ £60 - £100

436

436 Two Chinese blue and white porcelain bird feeders, marked Made at Jingdezhen, barrel form, each painted with a foliate band of lotus flowers, applied wooden attachment handles, 3cm high (2)

£80 - £120

437 Three Chinese blue and white Ming-style bird feeders, shouldered form, painted with peonies and foliate scrolls, 3.5cm high

Provenance: one with label written Phillips (auctioneers) £80 - £120

438 An Oriental Zodiac dish, deep sided, enamelled with gilt and polychrome rings containing the twelve animals of the Chinese zodiac, the exterior with Japanese figues and fans with auspicious symbols, 22cm diameter

£80 - £120

439 A Japanese Satsuma koro, twin handled ding style on three peg legs, wavy skirt edge and domed lid with dog finial, painted with falling leaves highlighted in gilt, 14cm high

£80 - £120

440 A Japanese Kutani porcelain figure group, modelled as a buddha and child, enamelled with auspicious symbols, 33.5cm high

£80 - £120

441 A Chinese part tea set, Qing Dynasty (1644-1911), comprising an ovoid teapot, milk jug, tea caddy/cover, and four cups, famille rose painted with bats amongst blossom and sprigged squirrels amongst scrolling foliage, teapot 14cm (a/f) (7)

£80 - £120

442

442 A Chinese two part hexagonal teapot, Daoguang mark, blue ground foliate scroll design with bats, lotus flowers and long life symbols, the cylindrical inner vessel painted in iron red with bats and luck symbols, highlighted in gilt, 16cm high including handles

£80 - £120

443 A Chinese banded agate snuff bottle, shouldered form, the white metal stopper set with turquoise and coral cabochons, 6.5cm £80 - £120

444

444 A Chinese inside painted double snuff bottle, decorated with mountainous landscapes to one side, the reverse with rocks, flowers and animals, coral stoppers, signed, 6cm £80 - £120

445 A Chinese jade ornament, second half of the 20th Century, carved in the form of an arrangement of birds perched on a branch amongst flowering foliage, 21cm high, on a carved wooden stand, in the original fitted presentation case £80 - £120

446 A pair of Chinese silk robe sleeves, Qing Dynasty, embroidered with tightly arranged flying insects in naturalistic hues, 58 by 8cm (2) £80 - £120

447

447 Two Chinese porcelain bird feeders, Qianlong marks, one of cylindrical form, the other shouldered ovoid, both decorated with sgraffito foliate scroll and coil motifs on a blue ground, gilt rims, iron red four character marks, 3.5cm diameter (2) £80 - £120

448 Two Chinese snuff bottles, including a double cylinder bottle, painted in iron red with dragons, green cabochon stoppers, the other of ovoid form painted with an aquatic sceen of fish and seaweed, pink quartz ctopper, 6.7cm long (2) £80 - £120

449 A Chinese Fahua style snuff bottle, cylindrical form, modelled in relief with good luck characters between lappets and key bands, coral set metal stopper, 8cm high

£80 - £120

450

450 A Chinese famille rose relief moulded octagonal box, carved Qianlong mark, the lid modelled with a woman and child in a domestic room scene, within a polychrome border of auspicious symbols, the base with a continuous band of bats amongst fruiting peach tree braches, on a scrolling cloud ground, 8cm diameter

£100 - £200

453

453 A Chinese celadon barrel vase, Yongzheng mark, carved in low relief with three roundels of a flaming phoenix, the rim and base with beaded borders, underglaze blue six character mark, 15cm high

£100 - £200

451 Two Chinese pink monochrome bowls, marked ‘Made by Imperial Order Yongzheng Reign’, conical form with everted rims, powder glaze, underglaze blue marks within concentric cartouches, 13cm diameter (2)

£100 - £200

452 A pair of Chinese famille rose bowls, Daoguang marks, conical form with everted rims, polychrome enamelled with butterflies amongst foliate sprigs, highlighted in gilt, 9.5cm diameter (2)

£100 - £200

454

454 A Chinese relief moulded porcelain snuff bottle, Jingdezhen kilns, pebble or gourd form, modelled with crabs climbing a bamboo stem, the stopper of natural coral, 7.5cm long £100 - £200

455 Three Chinese blue and white Doucai type porcelain bird feeders, cylindrical form, one with a dragon and phoenix chasing a red pearl, another similar with red lotus flowers, the third with a landscape scene of deer, two with leaf marks, 3.5cm diameter (3)

£100 - £200

456

£120 - £180

456 A Chinese blue and white rouleau vase, Kangxi style and possibly of the period, painted in the round with a still life of scholars table items and auspicious symbols, blue concentric ring mark, 18cm high

457 An Oriental blue and white relief moulded vase base, ogee cylinder form, modelled with peony motifs in low relief, highlighted in blue, concentric ring and lotus mark, 26cm high

£150 - £200

458 A Japanese Kutani koro, Meiji, barrel form with ring handles, on cydrical foot, the finial modelled as a dog, painted with birds amongst branches, the ends with flaming dragons, 32cm high

£150 - £200

459 A pair of Chinese famille rose baluster vases, late Qing dynasty, crackle glazed throughout, celadon glazed necks, bud-branch twin handles, painted with a frieze of figures at leisure, impressed ‘bronzed’ seal marks, 44cm high (2)

£200 - £300

460 A pair of Chinese Dragon cylindrical vases, decorated with facing dragons amidst flowers and foliage in blue and white, a pair of blue and white Chinese covered vases decorated with ladies in a fenced garden and a pair of small Chinese cylindrical vases, apocryphal four character Kangxi mark to main vases, 30cm. high (main vases), (8)

Provenance Private English collection.

£200 - £400

461 A silver Kissing Cranes collar, cast with two birds unsigned, 9cm.wide

£100 - £200

462 A Japanese cloisonne vase, Meiji, gourd form, decorated with stylised lappets of coiled petals, on a deep blue rusticated peble ground, 14cm high

£50 - £80

459 455

463

463 A Chinese jade archers ring, carved with four masks, possibly Ming, 3.5cm diameter

Provenance Private English collection

£100 - £200

464 A Japanese cloisonne vase, shouldered form, decorated with roses and chrysanthemums, on a turquoise ground, silver rims, 31cm high £150 - £200

465

465 A Chinese coral carving of a female attendant, modelled standing holding a flower and a leaf, and a small jade cup, early twentieth century, (2)

Provenance Private English collection

£80 - £120

466 A large collection of 99 Chinese engraved mother of pearl gaming counters, circa 1800, comprising two basic sets, one engraved with the crest of Twining within borders of foliate panels, the reverse each with a uniquely carved roundel of different figures in garden scenes, within the same foliate borders, the other set with the initials RT of Robert Twining, within garden landscapes of buildings and birds, bordered in key motifs, the reverse with full panels of extensively populated courtly garden scenes, together with additional similar counters, all with milled edges, largest 7cm long (99)

Note: by descent through Richard Haynes Twining CBE (1889- 1979), of the tea family dynasty, cricketer and footballer, Deputy Chairman of the London Stock Exchange and president of the Marylebone Cricket Club

£200 - £400

467 A Chinese carved hardstone desk ornament, modelled in relief as a fisherman fish and basket beside a rusticated reticulated outcrop, on a bracket footed base, jade coloured and brown with russet detailing, 10.5cm long

Provenance: from two prominent Anglo-Irish and British aristocratic family collections, inherited by direct patrilineal descent from Lord Patrick James Stuart (1794- 1859), brother of John 2nd Marquess of Bute, descended of John Stuart, 3rd Earl of Bute (1713 -1792), Prime Minister to George III, resident at Cardiff Castle, Wales; Dumfries House, Scotland and Wilton Crescent, Belgravia, London £80 - £120

468 A Chinese carved jade belt hook, modelled in relief with two dragons, one of reticulated foliate form, on a hardwood stand, 14cm long £200 - £400

469 A Chinese carved jade belt hook set into a cast brass ink box, cushioned cuboid form, embossed with birds amongst flowering boughs, the jade modelled as two dragons in the Ming style, the lid opening to reveal three inkwell vessels, 16cm wide, 9cm high, 6cm deep, the jade 14cm long £200 - £400

470

470 A Chinese carved and reticulated jade plaque, rectangular form, decorated with lotus flowers amongst foliate scrolls, 9cm £60 - £100

467

468

469

471

471 A Chinese carved green and russet jade snuff bottle, moonflask form, each side with an archaistic roundel of Xi character and bats carved in low relief and highlighted in russet, 5.6cm £100 - £200

472

472 A Chinese jade Bi disc, carved to one side with an entwined dragon, the revese with a band of scrolls, probably early twentieth century, 4.6cm. diam.

Provenance Private English collection £100 - £200

473 A Chinese carved nephrite jade pendant plaque, ruji form, decorated in low relief with prunus on branch, the other side with archaistic foliate tendrils, 12cm long £70 - £100

474 A Chinese two colour jade carving of a bearded immortal, modelled standing beside a bird, probably early twentieth century, 5.5cm. high

Provenance Private English collection £100 - £200

475

475 A set of three Chinese carved stone seals, circa 1950s, of different sizes, modelled as a mountain landscape, a Fu dog and square section monolith, signed, in original box, 6.4cm (3)

Note: commissioned in Beijing by a British governement official prior to the Cultural Revolution, reputedly from the best and most famous seal carver at the time.

£100 - £200

476 A Chinese Peking cameo glass bowl, blue over aventurine red, carved in relief with boys playing, seal mark, 12.8cm diameter £80 - £120

477

477 A Chinese ruby red glass snuff bottle, probably Imperial Glassworks, Beijing circa 1740-1850, shouldered form, fluted band, 6.5cm high £80 - £120

478 A Chinese metal snuff bottle, trumpet footed ovoid censer form with domed lid, cast in relief with shishi mask handles and archaistic dragon roundels, between coral and turquoise cabochons, stamped mark, 8.5cm high

£80 - £120

479 A Chinese ceremonial Guandao (Kwan Dao) polearm blade, gilded and enamelled, cast in relief with dragons, knotted silk tassels, 38cm long

£100 - £200

480 Two Chinese novelty silver filigree cased glass scent bottles, modelled as tea or wine pots, opaque amber and jade coloured bodies overlaid with milled foliate scroll decoration, 11.5cm high (2)

£100 - £200

481 A Chinese Buffalo horn brush pot, carved with a seated immortal figure below a prunus tree, the reverse with a censor on a table, and a carved figure of an immortal holding a three legged toad, probably Qing late nineteenth century, 11.6cm. high (2)

Provenance Private English collection

£100 - £200

482

482 A Chinese amber encased wooden peach and bat carving, probably Qing 6cm high

Provenance English private collection

£100 - £200

483

483 A pair of Chinese cloisonne enamel cranes, modelled standing, enamelled in colours, probably early nineteenth century, with later hardwood stands, 17.3cm. high (4)

Provenance Private English collection

£200 - £300

FURNITURE

486 A pair of French gilt salon side chairs, early 20th Century, Louis XVI design, plume finials, lyre splats, flanked by fluted tapered pillars, crimson damask upholstered stuffed-over bow-fronted seats, fluted legs, 82cm high (2)

Provenance: from two prominent Anglo-Irish and British aristocratic family collections, inherited by direct patrilineal descent from Lord Patrick James Stuart (1794- 1859), brother of John 2nd Marquess of Bute, descended of John Stuart, 3rd Earl of Bute (1713 -1792), Prime Minister to George III, resident at Cardiff Castle, Wales; Dumfries House, Scotland and Wilton Crescent, Belgravia, London

£100 - £150

487

487 A carved oak stool, late 17th Century, and later, rectangular padded seat with black and gold chinoiserie fabric, later gilt acanthus scroll legs united by an X stretcher, 50cm high, 48cm wide, 44cm deep.

Note: the leg treatment is identical to a set of chairs at Beningborough, Yorkshire, home to the Earl of Chesterfield, whose former home, where the chairs probably came from, was Holme Lacey, Herefordshire £400 - £600

488 A mid-Victorian mahogany Wellington chest, circa 1860, moulded top over a bank of seven short graduated drawers with turned pulls, plinth, the top drawer stamped ‘W. Priest Blackfriars’, 124cm high, 62cm wide, 43cm deep £150 - £200

£80 - £120

484 A Japanese bronze figure of a rat, Meiji, realisitically modelled

485 A Chinese carved wooden brush pot, possibly 18th Century, carved in high relief with figures in and around pagodas and staircases in a mountainous wooded landscape, 18cm high

£400 - £600

489

489 A Regency gilt wood overmantel mirror, circa 1820, inverted breakfront cornice with ball mounts above a frieze depicting Apollo in a chariot hauled by lions, flanked by trefoil pilasters with acanthus capitals, 85cm high, 136cm wide £300 - £500

490 An Italian Florentine gilt wood wall mirror, 18th Century, of Rococo design, openwork scroll frame, rectangular bevelled plate, 60 by 50cm £300 - £500

491 A Regency mahogany strung jardiniere, of square canted bombe form, metal liner, brass lion mask and ring handles, outswept sabre legs terminating in brass paws and castors, 45cm high, 47cm by 47cm £200 - £300

492 A William IV carved gilt wood wall mirror, circa 1830, Rococo design of Chippendale influence, shell pediment, openwork scroll frame, 115cm high, 84cm wide £400 - £600

493 A mid-Victorian figured walnut Canterbury music stool, circa 1860, hinged damask upholstered seat opening to a spindle division interior, fretwork lyre and scroll sides, barleytwist corners, cup feet concealing ceramic castors, 45cm high, 51cm wide, 39cm deep

£150 - £250

494 A carved wood overmantel of Rococo design, 19th Century, double C scroll pediment, openwork silvered scroll frame, triple plate, 75cm high, 130cm wide £300 - £500

495 Gillow of Lancaster and London, a pair of figured walnut side armchairs, mid-19th Century, of Italian Venetian design, turned end-post finials, triple serpentine ladder backs, studded tan leather seats, ogee legs united by chamfered X stretchers, stamped ‘Gillow,15386’ and ‘C.31’, 85cm high, 50cm wide, 43cm deep (2) £300 - £500

496 A mid-Victorian mahogany Canterbury music stool, circa 1860, damask upholstered top, lyre and scroll fretwork sides, barleytwist corners, peg feet, 44cm high, 55cm wide, 43cm deep

£150 - £250

497 A Regency black lacquer pedestal table, circa 1820, rectangular tilt-top with chinoiserie decoration in gilt and polychrome depicting a landscape with pagoda temples, figures, and exotic birds amongst foliage, tapered support, quatrefoil plinth raised on scroll feet, 71 by 57cm £150 - £250

498 A Gothic Revival oak coin collectors cabinet, late Victorian, the two arcaded tracery doors opening to reveal two bays of fifty drawers (total), 83cm wide, 56cm high, 44cm deep £100 - £200

499 A pair of mid-Victorian mahogany hall chairs, circa 1860, Gothic Revival design, arched top rails, open trefoil tracery backs, canted seats, trefoil aprons, turned tapered and knopped, legs, 89cm high (2) £100 - £150

500 A Victorian Kenrick cast iron stick stand, of Gothic design, inset drip tray, No.33, 93cm high, 56cm wide, 24cm deep £150 - £200 501

501 A walnut Gothic Revival writing table in the manner of Charles Bevan, 19th Century, gilt-tooled inset leather top, chipcarved frieze with a single long drawer, ring-turned pillar supports with pointed Gothic arches and openwork trefoil tracery, plinth, castors, ivorine plaque ‘E. Shorexxxxx.....Cabinet Maker....Rochdale’, 79cm high, 109cm wide, 53cm deep £200 - £300

502 An Aesthetic Movement games table, circa 1880, ebonised with incised gilt decoration throughout, rectangular revolving foldover top with a turquoise baize lined surface, ring-turned legs and stretcher, ceramic castors, 73cm high, 90cm wide, 46cm deep (closed) £100 - £150

503 An Aesthetic Movement side cabinet, circa 1880, ebonised with gilt incised detailing throughout, set-back mirrored upper section with pediment top, baluster gallery display shelving, and a bevelled glazed cupboard, the lower breakfront section with twin short frieze drawers, glazed and panelled cupboards and galleried open shelving, raised on tapered block legs, 230cm high, 154cm wide, 44cm deep £300 - £500

504

504 James Shoolbred & Co, an Aesthetic Movement ebonised writing table, circa 1880, of kidney form, incised gilt detailing throughout, single frieze drawer with stamped maker’s mark, ring turned legs, spindle gallery stretcher, 72cm high, 80cm wide, 49cm deep

£100 - £150

505 An Arts & Crafts oak occasional table, circa 1900, in the manner of Liberty & Co, hexagonal top, segment bracket supports, on triple fretwork outswept legs united by an undertier, 41cm high, 32cm wide £40 - £60

506 A small Arts & Crafts oak occasional table in the manner of the Stickley Brothers, circa 1900, square section with peg joints throughout, tapered block legs, fretwork vertical sides, 48cm high, 32cm square £50 - £80

507 An Arts & Crafts Cotswold School oak side table, circa 1900, moulded rectangular top, wishbone-shaped end supports, and stretcher, 75cm high, 95cm wide, 60cm deep £60 - £100

508

508 An Arts & Crafts mahogany piano stool, circa 1900, in the manner of Liberty & Co, Patent rise/fall mechanism, triple heart fretwork sides, chamfered block legs, 52cm high, 50cm wide, 41cm deep

£80 - £120

509 An Arts & Crafts oak standing bureau bookcase, circa 1905, in the manner of Liberty & Co, overhanging cornice with flying buttresses, over a glazed cupboard, fall-front bureau flanked by extending bookshelves with stylised tulip fretwork, frieze drawer, undershelf, 172cm high, 91cm wide, 35cm deep £80 - £120

510 A Gordon Russell Cotswold School Arts & Crafts oak stool, rectangular inset seat, chamfered and adzed base with a dovetail exposed stretcher, metallic label ‘The Russell Workshops Ltd, Broadway, Worcestershire’, 47cm high, 50cm wide, 38cm deep £80 - £120

511 Pierre Jeanneret for Chandigarh, A PJ BU 02 teak desk, rectangular with single drawer and shelf, the back with pigeon holes, the top with inset leather writing surface, 121cm wide, 84cm deep,

See: Le Courbusier, Pierre Jeanneret; Chandigarh India, Galerie Patrick Seguin, page 248-249 for a comparable example.

Provenance Private collection.

£4,000 - £6,000

512 A Danish teak and leather folding stool/luggage rest designed by Poul Hundevad, streamlined frame with black leather straps, unsigned, 44cm high, 48.5cm wide

Provenance The Cornish Collection

£80 - £120

513 Charles and Ray Eames for Herman Miller, a lounge chair Model 670 and a similar (unmarked) ottoman Model 671, designed in 1956, laminated rosewood faced ply shells, black leather buttoned upholstery, enamelled aluminium bases, the chair with ‘Herman Miller 1’ black strip label, the chair 80cm high, the ottoman 42cm high (2).

£3,000 - £5,000

514 Robert Heritage (British, 1927-2008), for Archie Shine Ltd, a rosewood ‘Planar’ two-tier drinks trolley, 1960’s, inset ebonised surfaces, on castors, 62cm high, 89cm wide, 40cm deep. £100 - £150

519

515 Robert Heritage (British, 1927-2008), for Archie Shine Ltd, a rosewood cabinet trolley, 1960’s, tray top, twin doors opening to a two-tier shelf, on castors, 61cm high, 90cm wide, 44cm deep.

£100 - £150

521 Attributed to Heals, an Arts & Crafts oak refectory table, plank top, outstretched block legs, sleigh feet, 73cm high, 212cm wide, 73cm deep £400 - £600

522 Robert Heritage (British, 1927-2008), for Archie Shine Ltd, a rosewood ‘Planar’ console or buffet table, 1960’s, rectangular top with a well for a hotplate (missing), two frieze drawers, one fitted for flatware, on cast aluminium supports, 76cm high, 184cm wide, 46cm deep. £400 - £600

£200 - £300

516 Attributed to Robert Heritage (British, 1927-2008), for Archie Shine Ltd, a rosewood secretaire abattant, 1960’s, white veined marble top, strung front with a single long frieze drawer over a fall-front opening to pigeon holes and till drawers, double door cupboard below, flush handles, flanked by nickel capped bowed pillasters, plinth, 132cm high, 76cm wide, 48cm deep, (key).

517 Robert Heritage (British, 1927-2008), for Archie Shine Ltd, a rosewood circular extending dining table, 1960’s, D-ends, two additional rectangular leaves, on block legs united by stretchers, 74cm high, 150cm deep.

523. Niels Otto Moller (Danish, 1920-1982) for J.L. Mollers, a set of eight Model 80 rosewood dining chairs (two carvers), 1960’s, cane backs, cream leather upholstered seats, tapered legs, 78cm high (8). £400 - £600

£200 - £300

518 Robert Heritage (British, 1927-2008), for Archie Shine Ltd, a ‘Bridgeford’ rosewood wall storage unit, 1970’s, the upper section with five cupboard doors, over a long open shelf, sliding door, open shelving, a cupboard, and slender drawers to the central section, two deep drawers and a fall-front cupboard to the base, 189cm high, 230cm wide, 60cm deep.

524 Petter Bjorn Southall (Norwegian, 1960), a steam-bent oak five-seat gallery bench, circa 2003, 46cm high, 216cm wide, 78cm deep.

Note: Norwegian-born Petter Bjorn Southall learned his craft by building traditional Norwegian sailing/rowing boats. He has been designing and making unique furniture at his Dorest studio since 1991.

£300 - £500

519 After Charlotte Perriand for Les Arcs, a set of four tan leather-slung dining chairs, chromed tubular steel frames, designed in the 1960’s, each dated 1973 (4).

Note: this model of chair was selected by Charlotte Perriand (19031999) for use at the ski resort Les Arcs, France £1,000 - £1,500

520 Attributed to Robert Heritage (Br itish, 1927-2008), for Archie Shine Ltd, a rosewood pier cabinet, 1960’s, white veined marble top, strung front with twin short frieze drawers over twin cupboards opening to storage and two inner drawers, flanked by nickel capped bowed pillasters, plinth, 92cm high, 106cm wide, 48cm deep. £200 - £300

Note: Artist Resale Rights apply £800 - £1,200

525 Robert Heritage (British, 1927-2008), for Archie Shine Ltd, a rosewood sideboard, 1960s, flush fitting white veined marble top, over twin cupboard doors opening to shelving, flanked by a bank of four short graduated drawers, one fitted for flatware, flush brass ring handles, raised on block legs, 76cm high, 215cm wide, 46cm deep. £1,500 - £2,000

526 Destigny a Rouen, a French bronze and gilt ormolu bracket clock, 19th Century, Empire shield form, orrery and pibeapple finials, white enamel convex dial with Roman numerals, raised on a square plinth with swan and anthemion motifs, bellstriking mechanism, 40cm high (winding key and pendulum)

£100 - £150

527 A Jacobite engraved wine glass, circa 1750, the bell shaped bowl decorated with a moth and flowering rose, on an air bubble knopped stem and conical foot, 17.8cm high, rim 7.8cm diameter, foot 7.8cm diameter £100 - £200

528 A Silesian engraved Facon de Venise wine glass, circa 1720, the conical bowl decorated with a band of foliate scrolls, flowers and birds, on a cup and ball knopped stem and folded foot, 17cm high, rim 9cm diameter, foot 10cm diameter

£100 - £200

529 A pedestal sweetmeat glass, circa 1750, the double ogee bowl in a bubble included ball knop and inverse fluted baluster stem, on domed foot, 15.2cm high, rim 10.2cm diameter, foot 8.1cm diameter

£50 - £100

530 An optic moulded pedestal sweetmeat glass, circa 1760, the double ogee bowl with vertical optic fluting, on a bubble included ball knopped and inverted fluted baluster stem, on domed foot, 17cm high, rim 9.7cm diameter, foot 8.9cm diameter £60 - £100

531 A George III name engraved glass rummer, circa 1800, the large ogee bowl inscribed George Briggs, on a lipped plain stem, 15.2cm high, rim 11.5cm diameter, foot 9.2cm diameter £50 - £80

532 A pair of William IV cut glass decanters, circa 1830, Nelson form, three ring neck with mallet body, lens and crescent cut panels between reeded pilasters, hollow gourd shaped stoppers, to each, 31cm high (2) £30 - £50

GLASS

533 An Anglo Irish part moulded glass ice bucket, circa 1820, beaker form, reeded to the lower third with star pressed base, 18cm high £40 - £70

534 A 19th century American moulded clear glass wash jug and bowl, baluster form jug, decorated with pineapple hobnail and line moulding, 34cm high (2) £80 - £120

535

535 James Powell and Sons, Whitefriars, an early 19th century wine glass, circa 1830, conical form decorated with facet cut panels throughout, on a plain foot, 12.8cm high

See: Evans, W. et al. 1995, Whitefriars Glass, Museum of London, p.240, p.238 for an illustrated example of this glass in the 1830s pattern book £40 - £60

536 James Powell and Sons, Whitefriars, an Arts and Crafts glass carafe, shouldered and footed ovoid form, in the Neoclassical Etruscan style, etched and cut bands of beading and foliate arcading, 18.5cm high £50 - £80

537

537 A commemorative Williamite engraved wine glass, second half of the 19th century, the conical bowl decorated with an equestrian portrait under the banner the Glorious Memory of King William, above the motto No Surrender, the reverse with laurel boughs and inscription Boyne 1st July 1690 TCSC, probably by Franz Tieze, on an annular and bladed knop bowed stem and folded foot, 15.8cm high

Note: likely engraved by the Bohemian Irish glass engraver Franz Tieze, who worked for Pugh Brothers, Dublin, these glasses were popular amongst Orange Order lodges around the time of Bicentenary of the Battle of the Boyne. £100 - £200

538 A pair of Bohemian enamelled Heraldic wine glasses, possibly Fritz Heckert, 19th century, the conical bowls decorated with coats of arms and jewelled rosettes, bewlow foliated band borders, on hollow inverse baluster stems, 15cm high (2) £50 - £80

539 A large 19th century Bohemian cased glass portrait vase, pedestal ovoid form, central opaque palque painted with a Spanish woman, within green jewelled border, the side panels in finely cut hobnail design, the reverse with a floral bouquet, cut with fleur de lys and lens motifs in opaque over blue, gilt foliate scrolls throughout, 48cm high £300 - £400

540 A fine French opaline glass vase possibly Baccarat painted in the manner of Jean-Francois Robert, mid 19th century, painted with a colourful songbird perched on branches of flowering lilac, on a opaque white ground, between gilt rims, unsigned, gilding worn, 37cm. high £200 - £300

541 Three Bohemian glass beakers, late 18th/19th century, the largest with schwarzlot decoration of figures on horseback, the other two of fluted form, one enamelled with a figure leaning on a tree stump, the other gilded with a hare beneath a tree, and a pair of modern twist candlesticks, unsigned, crack to last beaker, 14.1cm. high (tallest), (5)

Provenance The Cornish Collection. £100 - £200

542 A pair of Arts and Crafts Stourbridge armorial engraved wine glasses and a pair of ruby prunted beakers, the cranberry optic ribbed tulip bowls with a coat of arms for Hotel La Salle, on plain colourless stems, 14.5cm high (4) £30 - £50

543

543 Stevens and Williams, a Victorian triple cased controlled bubble glass paperweight match holder or spill vase, circa 1880, footed spherical form, cranberry and white opaque with colourless outer shell of graduated wrythen strands of air bubbles, 9cm diameter £30 - £50

544 Philip Webb for James Powell and Sons, Whitefriars, an Arts and Crafts amber glass beaker, circa 1860s, horizontally ribbed bucket form, 10cm high

Note: see Rudoe, J & Coutts, H,1992, Table Glass Designs of Phillip Webb and T. G. Jackson for James Powell & Sons, Whitefriars Glassworks, Decorative Art Society Journal, vol.16, p.27, fig.5b for an illustrated example of a wine glass from this service and the original line drawing design by Webb in the Victoria and Albert Museum, C.264-1926 £100 - £150

545 Philip Webb for James Powell and Sons, Whitefriars, an Arts and Crafts amber wine glass, circa 1860s, the horizontally lobed bucket bowl on a four strand twisted stem and domed foot, 10cm high

Note: see Rudoe, J & Coutts, H,1992, Table Glass Designs of Phillip Webb and T. G. Jackson for James Powell & Sons, Whitefriars Glassworks, Decorative Art Society Journal, vol.16, p.27, fig.5b for an illustrated example of this design and the original line drawn design by Webb in the Victoria and Albert Museum, C.264-1926 £150 - £250

546 Philip Webb for James Powell and Sons, Whitefriars, an Arts and Crafts wine glass, circa 1860, optic ribbed ogee bowl in a bisected double twist stem and disc foot, 11.5cm high

Note: for examples of this glass see the Victoria and Albert Museum, bequest of May Morris, and the Cheltenham Museum and Art Gallery; Carruthers, A. and Greenstead, M., 1999, Simplicity and Splendour, Cheltenham Collections, p.92 and fig.42, for an illustrated example; also Rudoe J & Coutts,1992, Table Glass Designs of Phillip Webb and T. G. Jackson for James Powell & Sons, Whitefriars Glassworks, Decorative Art Society Journal, vol16, p.33, fig.12a (illustrated); Fine Arts Socety, John Scott Collection, number 7. £50 - £80

545

547

547 Philip Webb for James Powell and Sons, Whitefriars, an Arts and Crafts green wine glass, circa 1860s, the ogee lobed thistle form bowl on a twisted four strand stem and domed foot, 10.2cm high

Note: one of Webb’s best known designs for William Morris’ Red House, an example is illustrated in Rudoe, J & Coutts, H,1992, Table Glass Designs of Phillip Webb and T. G. Jackson for James Powell & Sons, Whitefriars Glassworks, Decorative Art Society Journal, vol.16, p.27, fig.5c £120 - £180

548

548 T G Jackson for James Powell and Sons, Whitefriars, an Arts and Crafts amethyst wine glass, circa 1870, the double ogee shouldered bowl on an inverse baluster knopped stem and conical foot, 14.5cm high

Note: this is a very rare early colour developed by Powell with only a handful of examples known £150 - £250

549

549 T G Jackson for James Powell and Sons, Whitefriars, an Arts and Crafts wine glass, model 2101, circa 1870 for William Morris and Company, dark green, the flared double ogee bowl on an inverse baluster stem and conical foot with polished pontil, 14.5cm high

Note: arguably Sir Thomas Graham Jacksons most iconic glass design, the large wine glass, as part of an extensive table service, was retailed through Morris and Co. and used in several important Arts and Crafts commissions, including Wightwick Manor. The first drawn design, which includes this glass, a decanter and Champagne saucer, is signed and dated 1870 and reproduced in Apollo magazine 1930; extensive design records and photographs in the Museum of London are reproduced in Rudoe J & Coutts, H,1992, Table Glass Designs of Phillip Webb and T. G. Jackson for James Powell & Sons, Whitefriars Glassworks, Decorative Art Society Journal, vol16, pp.35-39. Examples of this glass also appear in international museum collections £100 - £200

550 An Arts and Crafts glass vase, probably Stuart, circa 1900, waisted bulbous form with crimped rim and applied spiral trail, 16cm high £30 - £50

551 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts wine glass, circa 1878, the slightly tapered bucket bowl engraved with a monogram in etchched foliate Gothic script, on plain stem and conical foot, 11cm high

Note: examples of this service along with glass by T G Jackson, are illustrated in Mrs Loftie’s Dining Room, 1878, as examples of good contemporary glass; reproduced in Jackson, L, 1996, Whitefriars Glass, p.28, fig.71 £40 - £70

552 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts green glass finger bowl, circa 1890, optic ribbed bulbous form, 11cm diameter

£40 - £70

553

553 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts poppy head wine glass, circa 1890, optic ribbed pear shaped with four dimples and everted rim, on plain stem and conical radiating foot, 11.5cm high

£70 - £100

554

554 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts wine glass, circa 1890s, the optic ribbed and dimpled thistle head bowl on a hollow poppy head stem and conical foot, 12cm high

See: Evans W. at al. 1995, Whitefriars Glass, Museum of London, p.86 fig.88 and Jackson, L. 1996, Whitefriars Glass, p.104 pl.32 for illustrated examples of this and similar glasses from this service

£70 - £100

555

555 Harry Powell for James Powell and Sons, an Arts and Crafts glass tazza or pedestal sweetmeat dish, circa 1890, the shallow crimped bowl on a ball knop and conical foot, 8.5cm diameter £20 - £40

556 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts wine glass, circa 1880, the optic ribbed ruby red bowl on a plain colourless stem and foot, 11.5cm high £30 - £50

557

557 Harry Powell for James Powell and Sons, an Arts and Crafts Roman cut glass small tazza, circa 1900, the shallow saucer bowl on a trumpet foot with folded rim, 10cm diameter £40 - £70

558 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts glass finger bowl, circa 1878, plain conical form with flat base, engraved with an monogram in Gothic script, 12cm diameter, together with a Champagne saucer with a similar monogram, by Powell, 11cm high

Note: an example of this finger bowl, along with glass by T G Jackson, is illustrated in Mrs Loftie’s Dining Room, 1878, as examples of good contemporary glass; reproduced in Jackson, L, 1996, Whitefriars Glass, p.28, fig.71 £40 - £70

559 Pallme Konig, a Secessionist iridescent glass vase, tulip necked bulbous gourd form, applied with webbed trailing, in bronzed lustre, 27.5cm high £200 - £300

560

560 Loetz, a Secessionist iridescent Candia Papillon glass vase, conical fan form with five apetures, 16cm high £300 - £500

561 Loetz, a Secessionist iridescent glass Crete Rusticana three handled vase, circa 1900, bulbous form with applied strap handles and raspberry prunts, 15.5cm high £70 - £100

562 Josef Hoffmann for Lobmeyr, a Secessionist wine glass, circa 1917, from the Patrician service, the bell form bowl on a short stem and wide foot, 10cm high £100 - £150

563

563 Josef Hoffmann for E Bakalowits and Sohne, Wiener Werkstatte, a Secessionist optic ribbed liquer glass, circa 1917, the bell shaped bowl on a slender tapered stem and conical foot, 15.5cm high

Note: see Oberhuber, O and Noever, |P, 1987, Josef Hoffmann; Ornament zweichen Hoffnung und Verbrechen, p.267, G49, for an illustrated example of this design £80 - £120

564

564 Josef Hoffmann for Wiener Werkstatte, a Secessionist glass bowl, Johann Oertel & Co., Haida circa 1923, footed form, of lobed design, ruby washed, 13cm diameter

Note: an example of this design is in the Chazen Museum of Art, Wisconsin £150 - £200

565 Koloman Moser for E Bakalowitz and Son, two Secessionist green stemmed liqueur glasses, Meyrs Neff, circa 1900, the colourless rounded and conical bowls on slender stems and conical feet, 15cm high (2) £60 - £100

566 Peter Behrens for Benedikt von Poschinger, a pair of Secessionist green stemmed wine glasses, circa 1898, optic ribbed ogee bowls on bowed stems and conical feet, 20cm high (2) £80 - £120

559

567 Six Secessionist wine and liqueur glasses, Meyrs Neffe, circa 1905, optic ribbed bowls on bowed stems, including a pair of enamelled examples in the style of Peter Behrens, 20cm high (6)

£80 - £120

568

568 Emile Galle, a large French cameo glass landscape vase, circa 1900, slender elongated inverse baluster form, brown amber over pink draining to colourless, decorated in the round with a forested lake view, signed in cameo Galle, 47cm high

£800 - £1,200

569 Muller Freres, an Art Nouveau cameo glass lamp base, knopped inverse baluster form with splayed foot, cased purple over orange, carved in relief with a lakeside scene, signed, 19cm high

£80 - £120

570

570 Charles Schneider, an Art Deco Le Verre Francias cameo glass vase, circa 1925, bulbous headed form, orange cased in mottled brown draining to green, eteched with stylised poppies, signed in cameo Charder, 41cm high £150 - £250

571

571 ATO, Leon Hatot for Compagnie G n rale Transatlantique, a French Art Deco opalescent glass clock, originally designed 1935 for the SS Normandie voyage, modelled in relief with a central ocean liner, backed with a gilt metal sunray, within a chapter ring of stylised Arabi numerals, and rusticated wave base, moulded marks ATO Made in France, 15cm high

Note: ATO movements created from the 1920s onwards, appear in several glass clocks manufactured by Rene Lalique, although the designer and manufacturer of this clock case has not been properly established. £800 - £1,200

572 Rene Lalique, a Rennes opescent glass vase, model 10.875, designed circa 933, polished and frosted with blue staining, etched mark R Lalique,12.5cm high £600 - £800

573 Charles Graffart and Rene Davenne for Val St Lambert, an Art Deco Luxval pink glass vase, circa 1925, moulded, cut and polished, flared form, stylised guilloche coil and lens decoration on a rusticated textured ground, 17cm high £40 - £70

574

574 Gordon Russell for Stevens and Williams, an Arts and Crafts, Cotswold School, Lygon style wine glass, circa 1920, the optic conical bowl on wrythen twist stem and conical foot, acid mark Brierley, 13.5cm high

Note: Gordon Russell designed a series of drinking glasses based on traditional 18th and 19th century designs, for the Stourbridge glass factory Stevens and Williams (Royal Brierley), retailed through his Broadway showrooms under the Lygon range (named after the Lygon Arms hotel) £30 - £50

575 Monart, Salvador Ysart for John Moncrieff and Sons, a Scottish Art Deco glass vase, circa 1930, shape XD VII, with purple rim draining to opaque yellow with multiple scrolling tendrils in the Paisley Shawl manner, 19.5cm high £100 - £200

576

576 Nazeing and Vasart, an Art Deco cloudy glass bowl and vase, circa 1930s, the yellow opaque streaky bowl of ogee form with wide angled brim, the peach coloured vase of bulbous based trumpet form, 17.5cm high, 26.5cm diameter (2) £40 - £70

577 Herbert Webb for Webb Corbett, a set of six Art Deco cut glass drinking glasses, circa 1930, conical form with concentric wave cut decoration above a facet mitre cut stem and plain foot, acid marks to some, 9cm high (6) £50 - £100

575

572

577

578

578 Clyne Farquharson for John Walsh Walsh, an Art Deco Kendal glass vase, circa 1936, bucket form, polished and frosted mitre and line cuts, incised marks, 20cm high £80 - £120

579

579 Keith Murray for Stevens and Williams, a large Royal Brierley Art Deco cut glass centrepiece bowl, circa 1932, conical flared form, concentric bands of lens cut longes, the rim similarly notched, etched marks and facsimile signature, 34.5cm diameter £200 - £400

580

580 Keith Murray for Stevens and Williams, a Royal Brierley Art Deco cut glass bowl, model 850A, circa 1930s, double ogee form, cut with frosted radiating wavy lines, 25.5cm diameter

Note: a decanter of this pattern, 951A, is in the collection of the British Museum, and is illustrated alongside this bowl and other decanters in a contemporary catalogue advert for the designs of Keith Murray for Stevens and Williams, reproduced in Casey, A. 2001, 20th Century Ceramic Designers in Britain, ACC, p.205, fig.226; the design is also recorded in the Stevens and Williams Description Book. £150 - £250

581 Ludwig Kny for Stuart, an Ellesmere Art Deco glass decanter, circa 1930s, footed ovoid form, cut with stylised fern and mitre lozenges, with barrel form facet cut stopper, etched mark, 31cm high

£40 - £70

582 William Wilson and Barnaby Powell for James Powell and Sons, Whitefriars, an Art Deco flint glass decanter, model 2481, circa 1935, shouldered cylinder form with plain mushroom stopper, 25cm high

£30 - £50

583

583 Barnaby Powell for James Powell and Sons, Whitefriars, an Art Deco flint glass sherry decanter, pattern M60, engraved with the crest of the Twining family, incised engravers marks, 19.5cm high

Provenance: by descent through Richard Haynes Twining CBE (18891979), of the tea family dynasty, cricketer and footballer, Deputy Chairman of the London Stock Exchange and president of the Marylebone Cricket Club

£30 - £50

584 Stevens and Williams, three Art Deco glass controlled bubble vases, footed conical form in green and purple on colourless bases, 38cm high (3)

£150 - £250

585

585 Edward Hald for Orrefors, an Art Deco blue glass vase, circa 1930s, footed conical form with inverted rim, 19.5cm high

£40 - £70

£50 - £80

586 Elis Bergh for Kosta, an Art Deco cut glass dish, circular form, deep cut channels of sinuous tendrils, smoky green, incised marks B138, 29cm diameter

587

587 Elis Bergh for Kosta, an Art Deco cut glass vase, circa 1934, decagonal section conical form with chanelled collar to the foot, teal bue, incised marks, 17.5cm high £50 - £80

588

588 Vicke Lindstrand for Orrefors, an Art Deco engraved glass vase, model 1362, designed 1934, intaglio engraved with a nude female figure within a slice cut niche, incised marks, 15cm high

£80 - £120

589 Elis Bergh for Kosta, an Art Deco cut glass vase, 1936, footed conical form, decorated with a central band of opposing triangular motifs of etched mitre cuts, incised marks, 17.5cm high

£50 - £80

590 Irene Stevens for Webb Corbett, a Modernist cut glass centrepiece bowl, circa 1950, shallow circular form, decorated with seven petal lens cut centre with radiating mitre cut foliate fronds, etched marks, 29.5cm diameter

£50 - £80

591

591 Asta Stromberg for Strombergshyttan, a Swedish Modernist glass and chrome ice bucket, model G1, circa 1960, rounded square section beaker form with swing top handle and removable gridded ice tray, incised marks, 19.5cm high £40 - £70

592

592 Geoffrey Baxter for Whitefriars, two Modernist glass hambone vases, model 9656 and 9572, circa 1960, in Arctic Blue and solid Amber, 14.5cm a12cm high (2) £40 - £70

593 Geoffrey Baxter for James Powell and Sons, Whitefriars, a Midnight Blue moulded glass vase, designed circa 1962, shouldered, angular form, a Whitefriars Glass Shadow Green soda glass vase, a Wedgwood amber glass vase designed by Ronald Stennett-Willson shape RSW10, a blue Wedgwood glass vase shape RSW10, a footed glass bowl and a bottle vase, applied paper Whitefriars label to main, etched mark to one vase, 17.5cm. high (6) £150 - £200

594 Per Lutken for Holmegaard, two Modernist Minuet glass vases, 15732 and 15734, circa 1950s, together with a Duckling vase, dated 1960, all in smoky green, 20.5cm high (3) £30 - £50

595 Vicke Lindsand for Kosta, a Modernist glass vase, model 1025, conical form with flared wavy rim, folded under, in ice blue, incised marks, 12cm high £20 - £40

596

596 Gunnar Nylund for Strombergshyttan, a Modernist Sharks Tooth glass vase, circa 1957, ice blue, 19.5cm high

£40 - £60

597

597 Guar Nylund (attributed) for Stromberg, a Modernist glass vase, in the style of Vicke Lindstrand, ovoid pebble form with internal black and opaque strands, incised marks H44, 15cm high

£40 - £60

599

599 Vicke Lindstrand for Kosta, a Modernist glass vase, circa 1960, teardrop pebble form with internal green stripe, incised marks LH1643, 18.5cm high

£40 - £70

604

£20 - £40

600 Aimo Okkolin for Riihimaen Lasi Oy (Riihimaki), a Modernist glass vase, circa 1960s, cased onion form in puce, incised marks, 11cm high

601

604 Gio Ponti for Venini, an Italian Modernist Morandiane glass bottle and stopper, model 4491, deigned 1949, footed bulbous form with slender elongated neck and ovoid peg stopper, opaque green cased joining with clear blue, etched marks Venini Murano Italia, 35cm high

Note: the design is illustrated in several publications: Deboni, F, 1996. Murano ‘900, Milan, pp.201, 296; Diaz de Santillana, A V, 2000, Venini Catalogue Raisonne 19211986, Milan, p. 201; Barovier, M and Sonego, C. 2010, Paolo Venini and His Furnace, Milan, pp. 280, 399 £200 - £400

598 Edvin Ohrstrom for Orrefors, a Modernist glass Wish to the New Moon vase, circa 1942, navette section, engraved with a girl, moon and stars, 10.5cm high, 16.5cm wide

£30 - £50

601 Per Lutken for Holmegaard and Nils Landberg for Orrefors, a Modernist glass cylinder vase, circa 1962, in midnight blue, together with a Sommerso cased glass vase of oval section, tapered, incised marks to both, 18cm high (2)

£50 - £80

602 Per Lutken for Holmegaard, two Modernist Hellas glass vases, circa 1956, aqua blue, barrel and ovoid forms, incised marks to both, 25.5cm high (2) £50 - £80

605

605 Severin Brorby for Hadeland, a Scandinavian Movernist sommerso glass vase, circa 1959, tapered cuboid form, cased green over blue, incised mark ‘Hadeland 7018 S.B’ to base, 17cm high

£40 - £70

603 Floris Meydam for Leerdam, two Modernist contolled bubble glass vases, circa 1950s, indluding a Beukenootje and teadrop example, 13cm high (2)

£40 - £50

606

606 Alessandro Mandruzzato, an Italian triple cased Sommerso glass vase, Murano cira 1960, facet cut, peach over amber over red, 21cm high £60 - £100

607

607 A Beranek glass vase possibly designed by Radek Kolbabek, swollen, rounded rectangular section blue glass cased in green internally decorated with orange striations, applied paper Benarek label, 28.2cm.high £150 - £200

608

608 Vladimir Jelinek for Skrdlovice, a Modernist glass vase, model no.6323, tall, swollen cylindrical form, olive green cased in blue, with inverted tear drop to base, applied paper label, 37cm. high

Provenance A private collection of post-war Czechoslovakian art glass.

Literature Robert Bevan Jones & Jindrich Parik, (Mark Hill General Editor) Beranek & Skrdlovice Legends of Czech Glass, MHP, page 48 for a comparable example illustrated (model no.6322) dated to 1963.

Exhibited Skrdlovice Glass, Antiques for Everyone Birmingham NEC, 2014. £200 - £300

609 Frantisek Vizner for Skrdlovice, a Modernist glass vase, model no.7343, the flaring cylindrical body applied with thick colourless glass with fine air bubble inclusions, unsigned 16.5cm. high

Provenance A private collection of post-war Czechoslovakian art glass.

Literature Czech Art Glass Designs from Skrdlovice, private press, catalogue number 52 this actual vase illustrated. The original design for this form is recorded as 7216/22 or 7343/17 (140054) and dates the vase to circa 1972-73. £100 - £200

610

610 Frantisek Vizner for Skrdlovice, a Modernist glass vase, the blue cylindrical body applied with colourless neck and flaring rim, internally decorated with amber coloured inclusions, etched Vizner to base 17.7cm. high

Provenance A private collection of post-war Czechoslovakian art glass.

Literature William Warmus, Sklo/Glass Frantisek Vizner, 1951-2001, plate III-9 for a comparable example illustrated and dated to 1973 (Barry Friedman Collection).

£300 - £400

611 Vladimir Jelinek for Skrdlovice, a Modernist glass vase, model no.6322, flaring cylindrical form, thick gun-metal grey draining to royal blue with air bubble inclusion, unsigned, 19cm high

Provenance A private collection of post-war Czechoslovakian art glass.

Literature Robert Bevan Jones & Jindrich Parik, (Mark Hill General Editor) Beranek & Skrdlovice Legends of Czech Glass, MHP, page 51 for a comparable Spider’s Web dish designed in 1965.

Exhibited Skrdlovice Glass, Antiques for Everyone Birmingham NEC, 2014.

£200 - £300

612 Frantisek Vizner for Skrdlovice, a Modernist glass Whirlpool vase, square section, rectangular form internally decorated with green aperture and air bubble decoration, and another similar Whirlpool cylindrical smoked glass vase with internal decoration, unsigned, applied paper label to both 18.5cm. high (2)

Provenance A private collection of post-war Czechoslovakian art glass

Literature Robert Bevan Jones & Jindrich Parik, (Mark Hill General Editor) Beranek & Skrdlovice Legends of Czech Glass, MHP, page 87 for comparable Whirlpool vases illustrated. £150 - £200

613

613 Vladimir Jelinek for Skrdlovice, a Modernist glass Unikat vase, model no.7217, shouldered square section, courless, with cylindrical neck and flaring rim, applied to both sides with a bottle green textured roundel, unsigned, 21.8cm. high

Provenance A private collection of post-war Czechoslovakian art glass.

Literature Robert Bevan Jones & Jindrich Parik, (Mark Hill General Editor) Beranek & Skrdlovice Legends of Czech Glass, MHP, title page for a comparable vase designed in 1972 and described as very rare. William Warmus, Sklo/Glass Frantisek Vizner, 19512001, plate III-13 for a comparable example illustrated (Barry Friedman Collection) £200 - £300

614 Vladimir Jelinek for Skrdlovice, a Modernist glass Pebble vase, compressed ovoid form with solifleur aperture, thick clear glass with yellow tint, internally decorated to the base with geometric air bubbles, etched V Jelinek signature to base, 11cm. high, 20cm diam.

Provenance A private collection of post-war Czechoslovakian art glass. £200 - £300

615

615 Frantisek Vizner for Skrdlovice, a Modernist glass vase, model no.6864/20, cylindrical opaque with flaring, turned back rim, cased in royal blue, unsigned, 21cm. high

Provenance A private collection of post-war Czechoslovakian art glass.

Literature Czech Art Glass Designs from Skrdlovice, private press, catalogue number 31 this vase illustrated £150 - £200

616

616 Miloslava Svobodova for Skrdlovice, a large Modernist Galaxy glass vase, model no.6533, cylindrical blue with applied colourless neck, the body cased with colourless panels, unsigned, 41cm high

Provenance A private collection of post-war Czechoslovakian art glass.

Literature Czech Art Glass Designs from Skrdlovice, private press, catalogue number 19 this vase illustrated £200 - £300

617 Jirina Zertova for Skrdlovice, a Modernist glass Spiders Web bowl, model no.6514, shallow, pale amber applied with fused blue trailed web, unsigned, 28.5cm. diam.

Provenance A private collection of post-war Czechoslovakian art glass.

Literature Robert Bevan Jones & Jindrich Parik, (Mark Hill General Editor) Beranek & Skrdlovice Legends of Czech Glass, MHP, page 51 for a comparable Spider’s Web dish designed in 1965. £150 - £200

618 A tall Murano Italy glass figural table lamp in the manner of Archimede Seguso, modelled as a couple wearing elaborate carnival costume, standing before a lamp post, cream, amber and red glass, with flaring cylindrical shade with applied decoration, unsigned, 55.5cm. high (2)

£100 - £200

619 Bimini, an opaque threaded glass candlestick, baluster form with sweeping foot and black rim, together with an oque threaded glass vase with incised marks, 13.5cm high (2)

£30 - £50

620 David Knight ovoid glass vase, dated 2002 blue body with green shoulder and neck, and another smaller by David Knight, etched signature and date, 31.5cm. high (tallest), (2)

Provenance The Cornish collection

£100 - £200

621

621 David Knight ovoid glass vase, 2002 mint green and pink sections, and two other ovoid vases by David Knight, etched signature and date, 18cm. high (3)

Provenance The Cornish Collection.

£100 - £200

622 Lalique, a Pinsons glass bowl, model 10-386, designed circa 1933, polished and frosted, incised marks Lalique France, 23.5cm diameter

£200 - £300

623 Lalique, a Duncan glass perfume bottle, designed 1931, polished and frosted, incised marks Lalique France, 20cm high, together with a Freddie Mercury Tribute Concert badge April 1992 and name ribbon for his former publicist.

Provenance: given by Freddie Mercury to his publicist (Roxy Meade) circa 1990

£80 - £120

CONTINENTAL CERAMICS

624 A Continental painted faience figural tazza, the base modelled in relief with three horses emerging from the sea, the central column entwined with serpents, supporting a lobed dish painted in the Renaissance style with harpies and zoomorphic foliate scroll borders, 25cm high

£100 - £150

625 A large Continental faience painted barge form centrepiece, relief moulded and reticulated with acanthus roundel border, decorated with floral bouquets, foliate scrolls and festoons, monogrammed Imperial cartouche to the stern, 53cm long

£300 - £400

626 A KPM porcelain The Hermit plaque after a painting by Salomon Koninck, oval, painted in colours, impressed KPM mark, retail paper label, 23.5cm. long

£150 - £200

627 A Vienna type portico clock, the spherical cased movement suspended between four columns, below a dome decorated with portrait vignettes, on a cuboid platform base, gilt foliate scroll and jewelled cobalt ground, on pad feet, with key, 36cm high

£300 - £500

628

629

629 A pair of Vienna porcelain pot pourri vases and covers, twin handled Grecian urn form, painted in the round with Classical allegorical figures, on gilt ground bands of raised diaper pattern, titled to the underside, the cylindrical drum bases in cobalt blue with foliate scroll and enamelled decoration, 33cm high (2)

£400 - £600

630

630 A small pair of Vienna porcelain vases and covers, twin handled urn form, painted in the round with Classical allegorical figures, on gilt ground bands of raised diaper pattern, titled to the underside, the cylindrical drum bases in cobalt blue with foliate scroll and enamelled decoration, (2)

£150 - £250

631 A Meissen style painted and cover, canted cuboid form, the exterior panels depicting allegorical scenes of putti representing the seasons and leisure, the interior lid with a scene of Esther’s Toilet with Ahasuerus, after Jacques de Troy, crossed sword marks, 19cm wide, 9cm high, 14cm deep

£500 - £600

628 A pair of Vienna porcelain vases and covers, pedestal urn form, painted in the round with Classical allegorical figures, on gilt ground bands of raised diaper pattern, titled to the underside, the cylindrical drum bases in cobalt blue with foliate scroll and enamelled decoration, 49cm high (2)

£400 - £600

632 A Meissen putti and florally encrusted mirror, oval form, relief moulded and polychrome painted, on a velvet cushioned wooden backing, 38cm long

£200 - £300

£150 - £250

633 A pair of Meissen figures, modelled as children in 18th century costumes, underglaze blue and white with reticulated lace and florally encrusted wreath and apron, on gilt Rococo scroll bases, 11.5cm high (2)

634 A Sevres porcelain vase, covered in a sang de boeuf glaze to the foot, printed factory mark, painted NR monogram, incised WPN, 19.5cm. high £100 - £200

635 A pair of Continental gilt metal mounted ceramic vases, granite glazed shouldered form encased in knotted rope straps and garlands swags, original retail labels for Leon Follett, Brussels, 20cm high (2) £300 - £400

636

636 A Dresden gilt porcelain jug on a stand, in the form of a swan, the neck forming the handle, printed and impressed marks, 15cm wide £100 - £150

637

637 Meissen, a figure group of Pan comforting Psyche, No.167, modelled sitting on a rocky outcop, underglaze blue sword marks, 29cm high £400 - £600

638 Peter Ipsen (Danish, 1815-1860), a terracotta model of Cupid and maiden, stamped ‘P. Ipsen, Kjbenhavn, Eneret, 543’, 34cm high, 40cm wide £150 - £250

639 A large Austrian cold-painted terracotta model of a pug dog, early 20th Century, modelled seated wearing a collar, tongue out, inset glass eyes, 35cm high £300 - £500

640 A set of six floral painted reticulated dessert plates, with shell and trellis borders and central bouquets of flowers, highlighted in gilt, crossed sword marks, 22cm diameter (6) £80 - £120

641 Clement Massier, Vallauris, a terracotta William Shakespeare portrait tile plaque, modelled in high relief with a portrait of William Shakespeare, impressed Massier Vallauris mark, 17cm x 17.5cm £80 - £120

642 An Amphora Pottery vase, ovoid with swollen neck, covered witgh a silver craquelure under pale amberg graduating to pink, undr a running blue glaze to the neck and shoulder, and three other pottery gourd vases, printed factory mark, 22cm. high (4) £80 - £120

638

643 A Continental Art Nouveau pottery vase possibly Heliosine, shouldered gourd form with modelled rib handles, glazed matt green under a running golden red lustre glaze, a Sarreguemines shouldered vase covered in a metallic crystalline glaze and five other crystalline glaze vases, main vase unsigned, chip to top rim, 10.5cm. high (7) £80 - £120 644

644 A Goldscheider Pottery terracotta wall mask, model no.7950, modelled as a stylised young lady with blue beaded necklace, glazed orange, turquoise and white, and another Goldscheider Pottery Girl with an Apple wall mask, impressed and printed marks, minor glaze chips, 23cm. long (2) £200 - £300

645 Kingfisher a Rosenthal porcelain model of a bird designed by Fritz Heidenreich, a Rosenthal model of a Goldhammer bird, no.1650, a Rosenthal model of a wren, two ducks and three other continental porcelain bird groups, impressed and printed marks, 16.5cm. high (kingfisher), (7) £200 - £400

646 Bjorn Wiinblad for Nymolle, four transfer printed Seasons chargers, 35cm diameter (4) £80 - £120

647 A Fornasetti Studios Cortili plate designed by Pierro Fornasetti, no.1, printed in black and white with an internal view of dome, printed factory marks, 25.7cm. diam. £40 - £60

648 A pair of Procumiva Centenario wall plates after a design by Pablo Picasso, each painted with a stylised king portrait, painted factory marks and facsimile signature, 28cm. diam. (2)

£100 - £200

649

649 Lisa Larson for Gustavsberg, Fox, a stoneware figure, glazed in colours, together with a Fox Lill-Skansen figure by the same artist, in original card box, and a Gustavsberg bird vase, original manufacturers label, 13cm wide (fox), (3) £100 - £200

650 Lisa Larson for Gustavsberg, Pekinese, a stoneware dog, glazed in colours, a seated dog and a pair of Toy Poodle flat-back figures by Lisa Larson, impressed marks to Poodles and one original label, 8.5cm wide (4) £100 - £200

651 Lisa Larson for Gustavsberg, Lions, a stoneware Noah’s Ark figure, together with two further Noah’s Ark figure groups, Elephants and Sea-Lions, printed marks to elephant and sea-lions groups, 15.5cm wide (lions) (3) £100 - £200

652

652 Lisa Larson for Gustavsberg, Hedgehog, a large stoneware figure, unsigned, 15cm wide £100 - £200

647

653

653 Lisa Larson (1931-2024) Sea-Lions a Gustavsberg Noah’s Ark stoneware figure group, in original presentation box, a turtle and Oscar and Anne a pair of Swedish children figures by Lisa Larson printed factory marks, turtle restuck tail, 11cm. wide. (4)

£100 - £200

654 A Fornasetti Milano porcelain cruet set, printed with classical charioteers with winged horses, in black and gilt, a Fornasetti dish, a Fornasetti Le Oceanidi plate and a storage jar, printed factory marks, 6cm. high (cruet), 14cm. high (jar), (5)

Provenance Private collection, London

£150 - £200 655 656

655 Lisa Larson (born 1931) Bishop a Gustavsberg white stoneware wall sculpture, designed 1962, modelled standing, glazed in colours, with modelled hanging hook to reverse impressed Lisa L Gustavsberg and applied paper label, 45cm. high, 9cm.wide

£150 - £200

MOORCROFT

657

657 A pair of James Macintyre & Co Aurelian Ware solifleur vases designed by William Moorcroft, printed with Art Nouveau flower panels in coral red and blue on a white ground, highlighted in gilt, printed factory marks, 15.5cm. high (2) £150 - £200

658 A James Macintyre & Co Aurelian Ware twin-handled vase designed by William Moorcroft, waisted, cylindrical form, printed with panels of Art Nouveau flowers and foliage in coral red and blue on a white ground, highlighted in gilt, printed factory mark, 20.5cm. high

£150 - £200

659 A James Macintyre & Co Aurelian Ware vase designed by William Moorcroft, ovoid with tall flaring neck, printed with panesl of stylised flowers in coral red and blue on a white ground, highlighted in gilt printed factory marks, 27.5cm. high £150 - £200

660

£150 - £200

656 Lisa Larson (born 1931) Bishop a Gustavsberg white stoneware wall sculpture, designed 1962, modelled standing, glazed in colours, with modelled hanging hook to reverse impressed Lisa L to base rim 44cm. high, 9cm. wide

660 A James Macintyre & Co twin-handled vase designed by William Moorcroft, slender, shoulder form printed with panels of stylised flowers and foliage in coral red and blue, highlighted in gilt, printed factory mark, 22.5cm. high £150 - £200

661 A James Macintyre & Co Aurelian Ware jug designed by William Moorcroft, printed with panels of stylised flowers and foliage, in coral red, and blue on a white ground, highlighted in gilt, printed factory mark, 12cm. high £50 - £100

662

662 A James Macintyre & Co Florian Ware vase designed by William Moorcroft, slender, baluster form, tubeline decorated with Art Nouveau flower stems in blue on a pale blue ground, printed factory marks, painted green monogram, 23.5cm. high £200 - £300

663

663 A James Macintyre & Co Florian Ware solifleur vase designed by William Moorcroft, shouldered form with slender neck, tubeline decorated with a band of flowers and foliage to the shoulder, the neck with fleur de lys, in blue on a pale blue ground, printed factory mark, incised WM des, professional restoration to neck rim, 26cm. high £150 - £200

664 ‘Poppy’ a James Macintyre & Co

Florian Ware vase designed by William Moorcroft, waisted, cylindrical form, tubeline decorated with Art Nouveau poppy cartouche in blue on a pale blue ground, printed factory marks, painted green signature, professional restoration, 16.5cm. high £150 - £250

665

665 ‘Peacock Feather’ a James Macintyre & Co Florian Ware vase designed by William Moorcroft, twinhandled form, tubeline decorated with a band of Art Nouveau peacock feathers in blue on a pale blue ground, painted green signature, 13cm. high £300 - £500

666

666 William Moorcroft for James MacIntyre, an Eighteenth Century pattern vase, circa 1908, inverse double gourd form, printed marks and underglaze green signature, 16.5cm high £80 - £120

667 ‘Poppy’ a James Macintyre & Co small biscuit barrel with electroplated mount and cover designed by William Moorcroft, tubeline decorated with Art Nouveau floral cartouche in yellow, green and blue on a white ground, printed factory mark, painted green signature, restoration to foot rim, 9cm. high (2) £150 - £200

668 A James Macintyre & Co Florian Ware candlestick designed by William Moorcroft, tapering cylindrical form with knopped neck, tubeline decorated with Art Nouveau flowers in blue on a pale blue ground, printed factory mark, painted monogram, 15.5cm. high £150 - £200

669

669 ‘Peacock Feathers’ a James Macintyre & Co Florian Ware vase designed by William Moorcroft, twinhandled form, tubeline decorated with Peacock feather panels in yellow, green and blue on a pale blue ground, impressed factory marks, painted green signature, professional restoration to base, 12cm. high £200 - £400

670

670 William Moorcroft for James MacIntyre, a Pomegranate on ochre chalice, circa 1911, the rounded bowl on a bladed stem and sweeping foot, impressed numbers and underglaze green signature, 18.5cm high £400 - £600

671

£800 - £1,200

671 William Moorcroft for James MacIntyre, a Hazledene vase, circa 1903, wide mouthed conical baluster form, underglaze green signature, 26.5cm high

672

672 ‘Moonlit Blue’ a Moorcroft Pottery vase with pewter mount and handles designed by William Moorcroft, tubeline decorated in blue and green on a midnight blue ground with tall trees, impressed factory marks, painted blue signature, 19cm. high

£300 - £500

673 ‘Cornflower’ a Moorcroft Pottery vase designed by William Moorcroft, shouldered, ovoid form, tubeline decorated in blue on a powder blue ground, impressed factory marks, painted signature, 17cm. high

£300 - £400

674

674 ‘Brown Chrysanthemum/Cornflower’ a Moorcroft Pottery twin-handled bowl designed by William Moorcroft, dated 1914, tubeline decorated in shades of red, purple and ochre on a green ground, painted green signature and date, stained crazing and star crack to base, 24cm. wide

£300 - £500

675 ‘Pomegranate’ a Moorcroft Pottery vase designed by William Moorcroft, shouldered form, tubeline decorated in shades of red, ocure and purple on a blue ground, impressed factory marks, painted blue signature, 23.5cm. high

£200 - £300

676 ‘Cornflower’ a Moorcroft Pottery baluster vase designed by William Moorcroft, tubeline decorated with flowers on a powder blue ground, impressed fcatory marks, painted blue signature, 16cm. high

£300 - £400

677

679

£300 - £500

677 ‘Flambe Wisteria’ a Moorcroft Pottery vase designed by William Moorcroft, shouldered form, tubeline decorated in colours, under a flambe glaze impressed factory marks, painted blue signature, 24cm. high

678

678 ‘Eventide’ a Moorcroft Pottery plate designed by William Moorcroft, tubeline decorated with trees in a landscape in green, ochre and blue on a flambe sky, impressed factory marks, painted blue signature, 18.5cm. diam.

£200 - £300

679 ‘Flambe Anemone’ a Moorcroft Pottery vase designed by Walter Moorcroft, pear shaped, tubeline decorated with flowers in colours, under a flambe glaze, impressed factory marks, painted blue signature, 18cm. high

£150 - £200

680 ‘Pomegranate’ a Moorcroft Pottery preserve pot with electroplated mount and cover designed by William Moorcroft, cylindrical form, tubeline decorated in colours, impressed factory marks, 9.5cm. high £50 - £100

681

681 ‘Flambe Anemone’ a Moorcroft Pottery vase designed by Walter Moorcroft, shouldered form, tubeline decorated with flowers and foliage in colours, under a flambe glaze, impressed factory marks, painted blue signature, 16cm. high £150 - £200

682 ‘Pansy’ a Moorcroft Pottery vase designed by William Moorcroft, footed, flaring cylindrical form, tubelined in colours impressed factory marks, painted green signature 16cm. high £150 - £200

683

683 William Moorcroft, a small Pansy on white vase, circa 1918, squat ovoid form with everted rim, impressed Burslem marks and underglaze green monogram, 6.5cm high £100 - £150

684 William Moorcrof t, a small Wisteria vase, circa 1920, inverse baluster form, impressed marks and underglaze blue monogram, 13.5cm high £100 - £150

685

685 William Moorcrof t, a small Pansy on white vase, circa 1914, inverse baluster form, impressed Burslem marks and underglaze green monogram, 9cm high.

Provenance: from the Moorcroft family Collection £200 - £300

686 ‘Pansy’ a Moorcroft Pottery solifleur vase designed by William Moorcroft, compressed ovoid form with waisted cylindrical neck, tubeline decorated with flowers in colours, impressed factory marks, painted green signature, 16cm. high £150 - £200

687

687 ‘Frilled and Slipper Orchids’ a Moorcroft Pottery vase designed by William Moorcroft, ovid with cylindrical neck, tubeline decorated with flowers on a a sand and blue ground impressed factory marks, painted green signature, 13cm. high £200 - £300

688

688 ‘Moonlit Blue’ a Moorcroft Pottery baluster vase designed by William Moorcroft, painted in shades of blue and green on a midnight blue ground with stylised tall trees, impressed factpry marks, painted green signature, 13.5cm. high £200 - £400

689

689 ‘Fish’ a Moorcroft Pottery pot and cover designed by William Moorcroft, ovoid form, tubeline decorated with fish swimming amongst waterweed, i n green, blue and yellow on a celadon ground, impressed marks, painted blue signature, cover restored, 8.5cm. high (2) £150 - £200

690

690 William Moorcroft, a Weeping Willow Landscape matt glazed bowl, circa 1930, footed form, impressed marks and facsimile signature, underglaze grey signature, 20.5cm diameter

£150 - £200

696

696 ‘Elizabeth’ a modern Moorcroft Pottery vase designed by Emma Bossons, waisted cylindrical form, tubeline decorared with rose flowers, in colours, and a Moorcroft Pottery White Ladies vase designed by Nicola Slaney, impressed and painted factory marks, dated 2006, 25.5cm. high (2) £100 - £200

691 ‘Frilled and Slipper Orchids’ a Moorcroft Pottery vase designed by William Moorcroft, tubeline decorated in colours, a Moorcroft Pottery Columbine vase and an Anemone vase impressed and painted factory marks, 13cm. high (3)

£150 - £200

692 William Moorcroft, a jar and cover, tapering cylindrical form with incised bands, glazed flambe red with yellow bands, three small Moorcroft Pottery vases covered in a streaked flambe glaze and a Highland stoneware vase similar impressed factory marks, 15.5cm. high (6)

£80 - £120

693 ‘Pomegranate’ a Moorcroft Pottery plate designed by William Moorcroft, tubeline decorated in colours on a blue ground, a Moorcroft Pottery Anemone; vase and a Leaf and Berry jug, impressed and painted marks, repaired chip to jug rim, 18.5cm. diam. (3)

£150 - £200

694 ‘Poppy Panel’ a James Macintyre Co Ltd bowl designed by William Moorcroft for retail by Townsend & Co, Newcastle upon Tyne, tubeline decorated with flower and foliage panels in blue, yellow and green on a cream ground, a large Moorcroft Pottery Anemone tazza, a Hibiscus pattern table lamp, jardiniere, tazza and ashtray, an Anemone lamp base, a Dawn coffee saucer, and nine lustre and plain glaze pieces of Moorcroft, printed factory and retail mark, painted green signature, flat chips to foot rim of main bowl, 20.5cm. diam. (17)

£150 - £200

695 ‘Clematis’ a Moorcroft Pottery vase designed by Walter Moorcroft, tubeline decorated in colours, another similar and a footed bowl, impressed factory marks, painted signature, 19cm. high (3)

£150 - £200

697 A Lisa B Moorcroft lustre vase, shouldered form, tubeline decorated with snowdrop flowers in green and pearl white lustre, and another Lisa B Moorcroft vase tubeline decorated with orchids, incised signature, 21cm. high (2)

£100 - £200

698 ‘Himilayan Orchid’ a modern Moorcroft Pottery limited edition jug designed by Philip Gibson, dated 2001, tapering form, tubeline decorated with flower stems in green, purple and pink, and a Moorcroft Pottery Fuchsia vase designed by Kerry Goodwin, impressed and painted factory marks, painted 250/250 24cm. high (2)

£100 - £200

699 ‘Freesia’ a Moorcroft Pottery plate designed by William Moorcroft, tubeline decorated in colours, a Moorcroft Pottery Orchid and Springflowers vase, an Orchid footed bowl and a Coral Hibiscus ashtray impressed and painted factory marks, 22cm. diam. (4)

£150 - £200

700 ‘Lemons’ a Moorcroft Pottery vase designed by Sally Tuffin, introduced 1988, shouldered form, tubelibe decorated with birds perched on lemon boughs in green, yellow and blue on a cream ground, impressed and painted marks, 24.5cm. high £80 - £120

701 ‘Iris’ a Dennis Chinaworks cylindrical vase designed by Sally Tuffin, dated 1993, tubeline decorated with flag iris in purple on a blue ground, and another Dennis Chinaworks Iris vase, dated 2001, impressed and painted marks, 21.5cm. high (2) £60 - £100

702

702 ‘Sunflower’ a Dennis Chinaworks limited edition vase designed by Sally Tuffin, dated 1995, shouldered form, tubeline decorated, in colours on a blue ground, and a Dennis Chinaworks plate, impressed and painted factory marks, no.5, 18.5cm. high (2) £80 - £120

703 ‘Oak Leaf and Acorn’ a Dennis Chinaworks Baluster trial vase designed by Sally Tuffin, dated 1999, tubeline decorated, glazed in autumnal colours, another similar and a ‘Poppy’ baluster vase, impressed and painted marks, 18.5cm. high (3) £80 - £120

704 ‘Rhino after Durer’ a Dennis Chinaworks limited edition plate designed by Sally Tuffin, dated 2001, tubeline decorated and glazed in shades of blue and purple, another ‘Rhino after Durer’ trial small plate and a Dennis Chinaworks advertising sign, impressed and painted factory marks, no.2, 24.5cm. diam. (3) £80 - £120

705

705 ‘Polar Bears’ a Dennis Chinaworks limited edition Mr T vase designed by Sally Tuffin, dated 2001, tubeline decorated with polar bears in colours on a graduated blue ground, and a small ‘Penguins’ Dennis Chinaworks vase, dated 2010, impressed and printed factory marks, 8cm. high (2) £80 - £120

706 ‘Tulips’ a Dennis Chinaworks limited edition Baluster vase designed by Sally Dennis, dated 1998, shouldered form, tubeline decorated with tulip flowerstems in colours on a graduated midnight blue to green ground, impressed and painted marks, 26.5cm. high

£80 - £120

707 ‘Elizabethan Embroidery’ a Dennis Chinaworks trial Mini Bottle vase designed by Dennis Chinaworks, tubeline decorated in black on a cream, with colour tints, impressed and painted marks, 19cm. high

£80 - £120

708

708 ‘Salcombe Day’ a Dennis Chinaworks trial Conical vase designed by Sally Tuffin, dated 2105, tubeline decorated in colours on a cream ground, impressed and painted marks, 16.5cm. high

£100 - £200

709 ‘Elephant’ a Dennis Chinaworks limited edition vase designed by Sally Tuffin, dated 1998, incised decoration glazed black with red and white highlights on a midnight blue ground, and a Dennis Chinaworks limited edition Elephant pot and cover with modelled finial impressed and painted marks, 18.5cm. high (3)

£100 - £200

710

710 ‘Waterlily and Dragonfly’ a Dennis Chinaworks limited edition Flute vase designed by Sally Tuffin, dated 2001, flaring conical form, incised and painted with waterlily flowers, in colours, a Dennis Chinaworks Pink Lily flute vase and another similar, impressed and painted marks, 16cm. high (3)

£100 - £200

711

711 A Dennis Chinaworks Knight chess piece designed by Sally Tuffin, dated 2010, modelled and glazed in colours on a black base, a ‘Field Mouse’ Dennis Chinaworks miniature vase and a ‘Butterfly bowl, incised marks and ADP monogram, painted No.1 6.5cm. high (3’)

£100 - £200

712 ‘Outlines of Grandeur’ a set of six Wedgwood Queensware plates designed by Laurence Whistler, pattern W4273, designed 1955, comprising; St Paul’s Cathedral, Stonehenge, New Delhi,Tintern Abbey, Holyrood House, and Clifton Suspension Bridge, printed in black, with gilt border, printed factory marks, 26.7cm. diam. (6)

Literature Maureen Batkin, Wedgwood Ceramics 1846-1959, Richard Dennis Pubications, page 166 plate 402 this set illustrated.

£100 - £200

713

713 ‘Lion’ a large Dennis Chinaworks pot and cover designed by Sally Tuffin, dated 2003, tubeline decorated in colours on a graduated purple ground, and a Dennis Chinaworks Mr T vase, impressed and printed factory marks, no.1, 13cm. high (3)

£100 - £200

714 ‘Lion’ a Dennis Chinaworks limited edition Mr T vase designed by Sally Tuffin, dated 2002, tubeline decorated in colours, another trial vase modelled with a caterpillar and ladybird on leaves, and a small Hummingbird vase, impressed and painted factory marks, no.5, 8cm. high (3)

£120 - £180

715 ‘Tiger’ a Dennis Chinaworks Mr T trial vase designed by Sally Tuffin, dated 2003, painted in colours a Dennis Chinaworks Panda Mr T trial vase and another Leopard trial vase impressed and painted marks, minor glaze frit to tiger vase top rim, 8.5cm. high (3)

£150 - £200

716

716 ‘Lustre Cockerel’ a Dennis Chinaworks limited edition vase designed by Sally Tuffin, dated 2006, shouldered form, tubeline decorated in red and pink lustres on a cream ground, impressed factory marks, painted monograms, 23/25, 21cm. high

£200 - £300

ART POTTERY

717 William de Morgan, a pair of Arts and Crafts three flower tiles, circa 1890s, blue and turquoise sunflowers with green foliage, 15.5cm square, framed as one £200 - £400

718 William de Morgan for Sands End pottery, an Arts and Crafts Carnation tile, circa 1890, pink and green, impressed mark, 15.5cm square £100 - £150

719 William de Morgan, a pair of Bedford Park Anemone tiles, circa 1890s, blue flowers with green foliage, 15.5cm square, framed as one £200 - £400

720 William de Morgan, an Arts and Crafts Carnation tile, circa 1898, pink and green, impressed DM98 mark, 15.5cm square £100 - £150

721 William de Morgan, an Arts and Crafts six tile Persian peacock panel, circa 1890, painted with two birds between monochrom vases of carnations, 52cm x 40cm, framed as one £1,500 - £2,500

722 William de Morgan for Merton Abbey, a Lynx tile, painted in green on a white ground, a Sand’s End Pottery Oblique Leaf tile and a Minton tile designed by Dr Christopher Dresser and two other tiles, impressed marks, 15.5cm. square (5)

Provenance The Cornish Collection. £100 - £200

723 A Bushey Heath Pottery vase designed by Fred Passenger, swollen, shouldered form with applied handles, covered in a red lustre glaze, unsigned, 22cm. high

Provenance The Cornish Collection. £80 - £120

719

724 Christopher Dresser for Minton, an Aesthetic Movement vase, 1870, footed globe and shaft form, bleu celeste ground enamelled with Chinese style floral roundels below a band of Oriental trident and heart symbols, the neck with pyramidal lappets and foliate coronet motifs, impressed marks, 19.5cm high £200 - £250

725

725 C F A Voysey for Pilkington, an Arts and Crafts tulip tile, circa 1900, intaglio moulded design in yellow, green and turquoise, raised P mark, 15.5cm x 7.5cm £30 - £50

726 A Carter & Co Poole Pottery Sporting Pursuits tile designed by Edward Bawden, SP2, painted with a man fishing on a riverbank, a Carter & Co Squirrel tile designed by Sylvia Ball and four other tiles, impressed and painted marks, minor chips, 12.8cm square (6)

Provenance The Cornish collection £100 - £200

727 George Cartlidge for S Hancock, a pair of Morrisware vases, ogee conical gourd form, tubelined with alternating front and reverse facing roses, on ochre ground between darker green bands, 26.5cm hig (2) £200 - £300

728 George Cartlidge for S Hancock, a Morrisware shallow bowl, inverted conical rim tubelined with a band of stylised flowers and buds, on a sponged ground, 28cm diameter £70 - £100

729 George Cartlidge for S Hancock , a Morrisware squat vase, shallow shouldered form, tubelined with a band of roses to the shoulder on an ochre ground, 22cm diameter £80 - £120

730 George Cartlidge for S Hancock, a Morrisware vase, ogee cylinder form with everted rim, tubelined with azaleas on a blue teal ground, 31.5cm high £100 - £150

731

731 Leon Solon and John Wadsworth for Minton, a Secessionist No 46 vase, 1908, bell form, tubelined with stylised leaves, pink, ochre and green, impressed and printed marks, 15.5cm high £80 - £120

729

724

727

730

732 Leon Solon and John Wadsworth for Minton, a Secessionist No 5 jug, the shape after Christopher Dresser, angled baluster form, tubelined with stylised poppy seed heads, blue turquoise ground, 30cm high £40 - £60

733 Leon Solon and John Wadsworth for Minton, a large Secessionist tubelined vase, waisted double gourd form, decorated in the Oriental style with peonies bewteen rusticated borders, converted to a lamp, 51cm high

£100 - £200

734 A small Royal Doulton stoneware gourd vase, possibly by Harry Simmeon, shouldered form incised and painted with simple blue foliate design on a textured chestnut ground, three other small Doulton stoneware vases, a small stoneware gourd vase in the manner of the Martin Brothers, a Danish Humlebaek high-fired vase by Kai Lindborg, a terracotta vase by Christine Gittins, and other small vases, impressed mark, incised HS monogram, 9cm. high (1 tray)

£200 - £400

735 Frank Butler for Royal Doulton, a pair of stoneware vases, 1903, four handled inverse baluster form, tubelined in relief with coiled and beaded bifurcated tendril handles terminating in leaf motifs and foliated ribbon bands, incised monograms, 48cm high (2)

£300 - £500

736 Hannah and Florence Barlow for Doulton Lambeth, a pair of stoneware Lion vases, 1877, footed shouldered form, the central bands sgraffito decorated with lions in open landscapes, between relief moulded rosette and incised lappet borders, signed in the body by Hannah Barlow, incised marks underside, 29.5cm high (2)

£700 - £1,000

737 Harry Allen and Harry Tittensor for Royal Doulton, a Titanian ware painted and relief moulded jar and cover, squat ovoid form, the body painted with two birds on a blossom filled branch, the lid modelled in high relief with a squatting imp figure smoking a pipe and holding a cup, signed by Allen, 15.5cm diameter

£800 - £1,200

738 A very large Royal Doulton Flambe lotus jardiniere, probably an experimental prototype, lobed ovoid melon or flower form, red glazed, 56cm diameter, on a tapered wooden plinth (2)

£200 - £400

739 Mary Watts for Compton Pottery, a relief moulded plaque of St Anthony, painted in blue, green and brown, impressed marks, 17cm x 11.5cm

£100 - £150

735 736

740

740 Mary Watts for Compton Pottery, a relief moulded plaque of Sir Galahad, modelled in the PreRaphaelite style as a knight standing next to a horse, within vine frame, painted in blue, green and red, impressed Potters Arts Guild stamp, 19cm x 11.5cm

£150 - £250

741

741 Mary Watts for Compton Pottery, a relief moulded plaque of St Catharine, painted in blue, red and taupe, impressed marks, 18.5cm x 12.5cm £100 - £150

742 Mary Watts for Compton Pottery, a relief moulded plaque of Sir Galahad, modelled in the PreRaphaelite style as a knight standing next to a horse, within vine frame, painted in green and red, impressed Potters Arts Guild stamp, 19cm x 11.5cm £150 - £250

743

743 A Wemyss Pottery Cockerel and Chickens basket, with over-slung twist handle, painted in colours, impressed Wemyss Ware mark, printed T Goode retail mark, stained crazing to well, 30cm. wide, 21cm. high

£80 - £120

744 Ruskin Pottery, a High Fired vase, 1925, conical bulbous form with flared rim, powdered sang de boeuf flambe with purple clouding, impressed marks, painted trial number, 15cm high

£150 - £250

745

745 Ruskin Pottery, a Souffle vase, 1909, squat bulbous form, powdered pink fruitskin glaze with cerise curtains, impressed marks, 10.5cm high

£60 - £100

746 Ruskin Pottery, two lustre glazed vases, 1916 and 1922, including shouldered ovoid example with streaky hares fur decoration, the other of Meiping form in lilac colourway, impressed marks, 27.5cm high (2)

£80 - £120

747 Ruskin Potter y, a Souffle vase, 1909, elongated baluster form, mottled blue glaze with black streaks, impressed marks, 25cm high

£100 - £200

748 Ruskin Pottery, a Souffle Lustre candlestick, 1914, trumpet form with ogee sconce, mottled pink, impressed marks, 17.5cm high

£80 - £120

749 Ruskn Potter y, a High Fired vase, 1933, conical baluster form, white ground sang de boeuf flambe, impressed marks, 12cm high

£120 - £180

750 A Wedgwood Pottery Dragon Lustre vase designed by Daisy Makeig Jones, shouldered form, printed in gilt with Chinese dragons, on a mottled blue lustre ground, printed and painted factory marks, 19cm. high

£80 - £120

751

751 ‘Patchwork Leaves’ a Clarice Cliff Bizarre cake stand with electroplated mount, painted in colours, the fluted rim with black band, printed factory marks to base, 22.5cm. diam, 13cm high £50 - £100

752 Clarice Cliff, a Coral Firs Bizarre toast rack, painted in colours, together with a small Red Trees and House Cylindrical preserve pot and an ‘Autumn’ pattern Stamford milk-jug, printed factory marks, 16.5cm. wide (3) £80 - £120

753

753 ‘Orange Trees and House’ a Clarice Cliff Fantasque Bizarre bowl, painted in colours, above black and orange bands, printed factory marks, 18.5cm. diam. £80 - £120

754

754 ‘Green Erin’ a Clarice Cliff Bizarre preserve pot and cover, painted in colours printed factory marks, professional restoration to rim of cover 8.5cm. high (2) £80 - £120

755 ‘Gay Day’ four Clarice Cliff Bizarre dessert bowls, painted in colours, a Clarice Cliff Odilon tureen and cover, an Original Bizarre bowl and preserve pot, a Crocus flower brick, jug and preserve pot and cover, and a Clarice Cliff Conical jug, sugar basin and large meat platter, and a Crown Ducal Orange Tree part tea comprising, teapot and cover, milk-jug, basin, large jug, six octagonal side plates, two round side plates and three breakfast bowls, printed factory marks, damages, 15cm. diam. (a lot) £150 - £200

756 ‘Rhodanthe’ a Clarice Cliff Bizarre Daffodil dish, shape no. 475, painted in colours printed factory mark, 32.5cm. wide £150 - £200

757 ‘Nasturtium’ a Clarice Cliff Bizarre Daffodil part tea for two set, comprising two tea cups and saucers and a side plate, impressed and printed factory marks, minor damages, 15cm. diam. (5) Catalogue notes The set has the impressed date marks for 1932 and 1936. £150 - £200

744

747

749

758

758 ‘Delecia Poppy’ a Clarice Cliff Bizarre single-handled vase, shape no.635, painted in colours, printed factory marks, professional restoration to top rim, 17.5cm. high £150 - £200

759

759 ‘Bobbins’ a Clarice Cliff Fantasque Bizarre small tazza, painted in colours printed factory marks, 13.5cm. diam. £200 - £300

760

761 ‘Fragrance’ a Clarice Cliff Bizarre preserve pot and cover, circular section, painted in colours, a Secrets pattern mustard pot and cover, a Gay Day salt and pepper cruet and a Pink Pearls pin dish printed factory marks, 10cm. diam. (7) £200 - £400

762

762 Beswick , an Art Deco mask wall plaque, model 436, modelled in relief with the profile of a womans head amongst blue flowers, 31.5cm long £100 - £200

763

763 Susie Cooper, a Studio Range vase, shouldered bell form, applied with raised crescent motifs, incised marks, 26.5cm high

£80 - £120

764 A pair of Carter Stabler & Adams Poole Pottery candleabra designed by John Adams, model no.964, twin-branch, modelled in relief with grapevine, covered in a matt green glaze, a pair similar glazed matt white and two larger three branch candleabra, impressed marks, chips and restoration, 16.5cm. high (6)

Provenance The Cornish Collection. £100 - £200

£200 - £300

760 ‘Nasturtium’ a Clarice Cliff Bizarre vase, shape no.652, painted in colours between yellow and orange bands, printed factory marks, 21.5cm. high

765 Percy Metcalfe for Ashtead Pottery, a Genozo tooth paste advertising figure, circa 1930, modelled as a roaring lion on an angled outcrop, sponged blue glaze, 19cm high £100 - £150

766

766 Keith Murray for Wedgwood, an Art Deco turquoise glazed vase, horizontally fluted spherical form, circular KM mark, 19cm high £120 - £150

767

767 Eric Ravilious for Wedgwood, The Boat Race Bowl, originally commissioned in 1938, issued in 1975, printed in colours with boat race vignette to the exterior, the interior a busy Piccadilly Circus, printed factory marks, certificate, numbered 150/200, 31cm diameter (2) £600 - £800

768 A set of eight Wedgwood Pottery New England Industries plates designed from wood engravings by Claire Leighton, each printed with a rural scene, comprising, Lobstering, Codfishing, Farming, Marble Quarrying, Whaling, Sugaring, Cranberrying, and Grist Milling, in black on a white ground, printed factory marks, light surface wear, 26.7cm. diam. (8) £150 - £200

769

769 Louise Jinks for Troika, a Modernist textured coffin vase, St Ives circa 1976-81, trapezoid form, blue ground, modelled in relief with concave and incuse circle motifs, signed, 17.5cm high

£80 - £120

770

770 A Poole Pottery Studio plate, painted with a geometric, abstract design in green, turquoise and orange, outlined in black, printed Poole TV mark, 20.5cm. diam. £100 - £200

771 A Poole Pottery Atlantis vase by Beatrice Bolton, ovoid with incised spiralling decoration glazed white and turquoise, another three Atlantis pots by Beatrice Bolton and a cylindrical vase by Guy Sydenham, impressed and incised marks, 11cm. high (5)

£100 - £200

£100 - £200

772 A Poole Pottery Atlantis vase by Catherine Connett, model A52, ovoid, incised with large flowerhead roundel, glazed speckled blue and bronze, three other Atlantis ovoid vases, a footed vase with incised band decoration and a footed jardiniere by Guy Sydenham incised with simple leaf motif glazed red, green and yellow, impressed and incised marks, 11cm. high (6)

773 A Poole Pottery Studio dish, impressed to the well with geomeric roundel glazed green on a white ground, another smaller, a modern Poole Pottery bottle kiln by Alan White, a modern Atlantis vase by Alan White, and a collection of Poole Pottery including traditional and Aegean, and eight pieces by Guy and Russell Sydenham, impressed and incised marks, 13.5cm, diam. (33)

£100 - £200

774 A Poole Pottery Studio plate in the manner of Tony Morris, painted with a abstract roadmap design with roundabout, in green, turquoise and orange outlined in black, printed Poole Studio TV mark, painted artist cipher, 20.5cm. diam.

£150 - £200

£80 - £120

775 Avis Murray Birdsong - Expressions of Love and Transformation a Dartington Pottery stoneware charger, painted with a blackbird perched on a blossom bough, in colours, painted signature and title, 37cm. diam.

776 Jonathan Cox Fly Agarics a tubeline decorated vase, painted with toadstools in colours, and another similar, signed, 16.5cm. high (2)

£80 - £120

777 Jonathan Cox a flaring bowl, dated 1997, painted with an abstract floral design in colours, and a small Persian plate by Jonathan Cox, signed, 32.5cm. diam. (2)

£80 - £120

778 Jonathan Cox Puffer Fish, a large tubeline decorated vase, painted with fish in colours, signed and titled, 35cm. high

£80 - £120

779 An Art Nouveau Jerome Massier pottery jug, compressed form the handle modelled with a snake, painted in golden lustre with pine cones, a Clement Massier vase a L’Arte Della Ceramica Italian vase painted with a scarab design, a miniature vase and a Scarab paperweight, painted marks, 15cm. wide (jug), (5)

Provenance The Cornish collection

£100 - £200

780 Jonathan Cox a tubeline decorated vase, painted with fish, shouldered form, and two othe Marine vases by Erik Marwick, signed, 21.5cm. high (3)

£100 - £200

781 Jonathan Cox Farmer’s Nightmare a tubeline decorated vase, painted with poppies and cornflowers in colours, and two others similar, signed, 25cm. high (3)

£100 - £200

782 Jonathan Cox a tubeline decorated fish vase, shouldered form, painted in colours and two others similar, signed, 20.5cm. high

£100 - £200

783 Mary Rich (British, 1940-2022), a studio pottery vase, shouldered form, flared opening, iridescent green ground with gilt bands and lunettes, impressed seal mark and signed in gilt, 17cm high.

Note: Artist Resale Rights apply

£150 - £200

784 Alan Caiger Smith (1930-2020) chicken an Aldermaston Pottery tin-glazed model of a chicken, glazed in red and bronze lustre, and the Aldermaston Pottery goblets, painted monogram to base 18.5cm. high (4)

Provenance The Cornish collection

£100 - £200

785

785 A Mintons cabinet plate, late 19th Century, titled 'Salmon Trout', painted amongst aquatic plants, signed William Mussill, raised gilt mon border, puce No.C6169, 24cm diameter £70 - £90

786 A Crown Derby Imari soup tureen, bombe form with lions mask and paw fee and handles, 38cm wide £100 - £150

787 James Hadley for Royal Worcester, a pair of blush ivory figures, modelled as water pourers, in Eastern European dress, each with an amphoral vessel to the base, 46cm high (2) £500 - £800

788 A Royal Doulton Tiny character jug, Ronald Regan, in red tie, printed mark, 4.5cm high £100 - £200

789 A Royal Doulton Tiny character jug, Albert Einstein, in blue cardigan, printed mark, 4.5cm high £100 - £200

790 A Royal Doulton Tiny character jug, Robert Falcon Scott, in brown overalls, printed mark, 4.5cm high £100 - £150

BRITISH CERAMICS

791 Louis Wain for Wilkinson, The Laughing Cat, a pottery figure modelled as a characterful grey cat with a blue bowtie, facsimile signature, 18.5cm high £150 - £200

792 H and R Daniel, a floral painted and sprig moulded twin handled cream tureen on stand, pattern 4019, circa 1825, ogee fluted and decorated with botanical studies throughout, applied with purple glazed vine motifs, the lid with a butterfly finial, 20cm wide

Note: see Berthoud, M, 1980, H&R Daniel, plates 38 and 39 for illustrated examples of this tureen £40 - £70

793 A Majolica relief moulded jardiniere on stand, modelled with ferns, on a dished base £50 - £80

794 Worcester, a blue and white sparrow beak jug, circa 1765, sparrow beak baluster form, 11.8cm high £40 - £70

795 Spode, a Staffordshire blue and white serving platter, Shipping Scenes, within a shell border, 25cm x 34cm £50 - £80

796 Spode, a relief moulded and scene painted ink basket, circa 1820, twin section kidney form with gadrooned borders and foliate cartouches of landscapes alternating with floral bouquets on a purple basket-weave ground, painted red mark, 14cm long

Provenance: from two prominent Anglo-Irish and British aristocratic family collections, inherited by direct patrilineal descent from Lord Patrick James Stuart (1794- 1859), brother of John 2nd Marquess of Bute, descended of John Stuart, 3rd Earl of Bute (1713 -1792), Prime Minister to George III, resident at Cardiff Castle, Wales; Dumfries House, Scotland and Wilton Crescent, Belgravia, London

£80 - £120

797

797 A Victorian drab ware jug, of hexagonal section inrse baluster form, named and dated 1845 and painted with cockerels fighting, inscribed in gilt Heelling and Fair Play, Samel Jakes, Ecclestone, 18.5cm high

£50 - £80

798

798 A Victorian Pratt printed jug, depicting Mr Punch and dog, green ground, with metal mounts and lid, 21.5cm high

£60 - £80

794

796

799

799 A Dutch Delft puce painted tile, circa 1750, decorated with a Biblical scene of the Unfaithful Stewardship, 13cm square

See: Jan Pluis, Bijbeltegels, p 510, no 1632. Luke 13, v 7 £40 - £60

800

800 A London Delft jar, circa 1660, cream tin glaze, shouldered and footed form, 11cm high £1,000 - £1,500

801 A London Delft polychrome plate, circa 1750s, fence and flower design, 22cm diameter £100 - £200

802 Two English Delft puce painted tiles, Bristol circa 1750 to 1760, including man wking with a stick and a woman in romantic landscape, 13cm square (2)

See: J Horne, English Tinglaze Tiles, pp 34, 35. See Anthony Ray, English Delftware Tiles, p 147, no 176. £70 - £100

803

803 A Sunderland lustre printed jug, Liberty to the Sons of Britain, Cotton Tree Commerce, Success to the Friendly Cotton Spinners, May the Spinners Ever Furish and their Masters Never Fail, ovoid shouldered form with pink band to the neck, 15cm high

£80 - £120

804 An English Delft blue and white tile, Liverpool circa 1755, canted border with rosette segment corners, painted with a landsape of two horesemen and attendant with dog, 13cm square

See: Jonathan Horne, English Tinglazed Tiles, p42, no 193

£80 - £120

805

805 An English Delft blue and white tile, London circa 1740, painted with a scene of David with the head of Goliath, serenaded by musicians, floral corners, 13cm square

See: J Horne, English Tinglazed Tiles, p 87, no 512; A Ray, English Delft Tiles, p 121, no 48, scene reversed. 1 Samuel 18, v 6.

£80 - £120

806 Poutney and Allies, a Staffordshire blue and white Bristol view meat platter and darining board, the pierced oval centre with Bristol Hot Wells, the platter with River Avon, impressed marks to both, 41.5cm x 31cm (2)

£80 - £120

807 A Staffordshire blue and white transfer printed deep dish, with Monks Rock, Tenby, probably Minton, within floral border, 33cm x 43cm £80 - £120

808 Two Staffordshire blue and white platters, one with a Bristol harbour scene with tall ships, the other of Clifton, both with floral borders, probably by Pountney and Allies, 39cm x 41.5cm (2)

£80 - £120

809 A Masons Ironstone wash bucket, panelled twin handled form with uderglaze blue pritned and hand painted Oriental bird and flower design, the lid with pierced holes, printed marks, 32cm high £80 - £120

810 A Bristol Delft polychrome plate, circa 1760, decorated with peony fence and bamboo, island pagoda, 22cm diameter

£100 - £200

811

811 A Staffordshire bust of Tsar Alexander of Russia, probably Wood and Caldwell circa 1820s, painted with a red jacket, on simulated marble plinth, 28cm high £100 - £200

812

812 Two Staffordshire armchair figures, early 19th century, one modelled with a girl holding a cat, 8cm high (2) £100 - £200

813 Two Leeds creamware vessels, circa 1770s, including a brazier and a pedestal comport, pierced with trellis motifs and swags, the burner with mask and paw feet with scroll handles, 21.5cm diameter (2)

£100 - £200

814 A Staffordshire pearlware bull bating figure, circa 1820, modelled with a dog attacking a bull, 18cm long

£100 - £200

815 A collection of Staffordshire figures of farm animals, including sheep, rams and cows, a milkmaid and cow creamer, 20cm long (6) £100 - £200

816 A Staffordshire Obadiah Sherratt figural table base spill vase, the Baptism of Mary, modelled with castle turrets and one remaining figure, 20cm high £100 - £200

817 Four Staffordshire silver lustre figures, circa 1815, two modelled as woman and children, one as a putto on a branch, the other as a figure beside an urn, on square bases, 21.5cm high (4) £100 - £200

818 A large walnut and inlaid table tea caddy, flat platform design with hinged lid and two glass bowls, 61.5cm x 27.5cm £120 - £180

819

819 Minton, a Commemorative part dessert service, 1846, relief moulded interlocking ring and acanthus borders, the centres inscribed Presented in 1846 by Peter Rolt of London o Theodore Behrend Esqr of Danzig, to Commemorate a Commercial and Private Friendship of Twenty Five Years, within overpainted floral wreaths, including three plates and a comport, 23cm diameter (4) £150 - £250

820 Leeds, a creamware teapot, circa 1770, tapered cylinder form, sponge decorated with chintz style stripes and flowers, bud finial and double strand handle £180 - £220

£200 - £300

821 Barr Flight and Barr, Worcester, a set of six shell printed dessert plates, 1804-1813, red monochrome with gilt sprigs and rim, 21cm diamter (6)

822

825 A Mexborough Prattware Pottery money box, Yorkshire, early 19th Century, in the form of a Wesleyan chapel, figures to the front corners, raised on ball feet, inscribed ‘James Wager, Liversidge’, 17cm high, 14cm wide, 11cm deep £300 - £500

826 A Minton majolica figural wall bracket, 1867, modelled in relief with the Three Graces, supporting an acanthus moulded ogee shelf, flanked by eagles, on festooned and mask moulded base, impressed marks, 35cm long, 33cm wide £400 - £600

822 A pair of ceramic chimney models of cats, early 20th Century, black and white coats, gilt bow collars, seated on pink tasseled cushions, 17cm high (2)

£250 - £350

823 A Fremington, Devon, slipware deep baking dish, high sided circular form with combed decoration, 25cm diameter, 9cm high

£250 - £350

824

824 E..Broughton for Minton, a faience painted charger, 1876, depicting Joshua Reynolds’ portrait of Penelope Boothby, wearing a white bonnet, blue bow, and white dress against an arboreal ground, retailed by Thomas Goode, 40cm diameter

£300 - £500

827

827 George Jones, a majolica novelty teapot, circa 1870, modelled as a cockerel, model number 3203, the tail forming the handle, realistically painted, impressed marks, 28cm long

£700 - £1,000

828 A Staffordshire pearlware figure of a woman holding a bird, in the style of Ralph Wood, on square base, 19cm high

£300 - £400

829 A Staffordshire figure of a shepherdess with lamb, in the style of Ralph Wood, on square base, 26cm high £400 - £600

830

830 A Staffordshire pottery figure of a rabbit, modelled eating a lettuce leaf, 27cm long £400 - £600

831 Bow, a large pair of porcelain figures, red Chelsea anchor and dagger marks, circa 1760, modelled as a shepherd and shepherdess in 18th century costumes, the man with a barrel, metal rake and dog beside, the woman with a flask and lamb, on Rococo foliate scroll and shell bracket bases, highlighted in gilt, applied with florally encrusted boccage, 26.5cm high (2) £700 - £900

825

832 A Staffordshire slipware dish, probably 18th century, circular form, decorated with a bird and tulip, gadrooned rim, 25.5cm diameter £1,000 - £1,500

833

833 Worcester, a rare basket moulded junket dish, crescent mark, circa 1765, painted in the second version of the Junket Dish Florals pattern, ogee border, 23.5cm diameter

Provenance: Roderick Jellicoe collection, labelled £100 - £200

834

834 Worcester, a blue and white relief moulded spoon tray, crescent mark, circa 1765, ogee bordered navette form, in the Chrysanthemum pattern, 16cm long

Note: see Godden,G. English Blue and White Porcelain, pl.172 for an illustrated example £50 - £70

835 Lowestoft, three items of blue and white porcelain, circa 1770-80, including a relief moulded cream boat, a coffee cup and tea bowl, 15cm long (3) £70 - £100

836 A London decorated Chinese tea bowl, circa 1750, polychrome painted flowers and butterfly in the St James and Chelsea style, brown line rim, 8cm diameter £50 - £80

837 Worcester, a blue and white teapot stand, crescent mark, circa 1772, fluted hexagonal form, printed in the Three Ladies pattern, 12cm diameter £60 - £80

838 Pennington, Liverpool, a blue and white porcelain dolphin moulded ewer, circa 1780, footed form with entwined dolphins and shell motif, transfer decorated with fisherman, 11cm long £80 - £120

839 Pennington, Liverpool, a blue and white porcelain tall Chelsea Ewer, circa 1780, wrythen acanthus moulding and C S scroll handle, printed fisherman pattern, 9cm high £70 - £100

846 A pair of hybrid hard paste porcelain blue and white tea bowls and saucers, circa 1780, printed with the Over Hanging Rock or Gazebo pattern, unmarked (4)

Note: see Northern Ceramics Journal, Vol.38, 2003, for a discussion and example of this rare class of porcelain, some examples in this pattern with the crowned lion mark to the base

£50 - £80

847 Worcester, a group lot of blue and white, comprising a Royal Lily saucer dish, a small tea bowl and a saucer in the Three Flowers pattern, an undecorated, underglaze Queen Charlotte saucer and a coffee cup and saucer in the Bandstand pattern (6)

£60 - £80

840 Worcester, a blue and white tea bowl and saucer, crescent marks, circa 1775, printed in the Birds in Branch pattern, 13cm diameter

£50 - £80

841 Caughley, a blue and white low Chelsea ewer, So mark, circa 1780, wrythen moulded, decorated with the Apple and Damson patternm, blue line rim, 11.5cm long

848

£70 - £100

842 Worcester, a blue and white low sauce boat, circa 1770, ribbed and painted with the Full Moon pattern, floral border pattern to the exterior, 20.5cm long

£80 - £120

843 Lowestoft, a small blue and white cylindrical mug, circa 1770, printed with a Chinoiserie pattern, 9cm high

£70 - £100

844 Worcester, a blue and white trio, crescent marks, circa 1770, printed in the Fence pattern, including coffee cup, tea bowl and saucer, 13cm diameter (3)

£60 - £90

848 Leeds, a creamware tea canister, circa 1770, printed in black with the Tea Drinker and Shepherd pattern, 11.5cm high

£40 - £70

849

849 Liverpool, a large pearlware blue and white punch bowl, circa 1780, painted with a Chinoiserie design of house, fence and willows, with lattice border, 28.5cm diameter £60 - £100

845 Worcester, five items of black and puce printed wares, circa 1760 to 1770, including a lobed rim plate printed with ruins, 22.5cm diameter, a coffee cup and three tea bowls with ruins and milkmaid patterns (5)

£70 - £90

850 Three items of 18th and 19th century blue and white pearlware, including a small teapot or feeder pritned with a European scene, a hexagonal teapot with swan finial and a small size coffee pot with acanthus moulded spout, 22cm high (3)

£50 - £70

FINE PAINTINGS

4 MARCH 2026

Entries Invited Until 3rd February

Man Ray (American, 1890-1976), Natural Painting, circa 1960, acrylic/Masonite, 31 by 22cm SOLD FOR £17,500

Contact: Adrian Rathbone

FINE GLASS

5 MARCH 2026

Entries Invited Until 3rd February

A Queen Anne heavy baluster wine glass, circa 1710 SOLD FOR £9,750

Contact: John Keightley

BRITISH ART & DESIGN - 1900 TO THE PRESENT DAY 16 APRIL 2026

Entries Invited Until 1st March 2026

A large Moorcroft landscape vase, probably made for exhibition, designed by William Moorcroft, consigned for the auction.

ESTIMATE £15,000-20,000

Contact: Michael Jeffery

Kinghams Auctioneers Ltd

10-12 Cotswold Business Village, London Road, Moreton-in-Marsh GL56 0JQ

Telephone: 01608 695695 Email: enquiries@kinghamsauctioneers.com

TERMS & CONDITIONS OF SALE AND BUSINESS

These Conditions of Sale and Business constitute the contract between Kinghams Auctioneers limited and the seller, on the one hand, and the buyer on the other. By bidding at the auction, and/or consigning to Kinghams Auctioneers limited, you agree to be bound by the following terms.

CONDITIONS OF SALE

1. DEFINITION

In these terms of business: Kinghams Auctioneers Ltd is referred to as ‘Kinghams’. The Kinghams representative conducting the auction is referred to as the ‘auctioneer’.

2. AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers if the transaction is not completed and paid for.

3. TERMS OF SALE

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment.

4. DESCRIPTIONS AND CONDITION OF LOTS

Every effort is made to ensure the accuracy of statements relating to authorship, descriptions, origin, date, age, provenance and condition of lots. Statements made orally or in the catalogue are opinions given after careful consideration and research. Prospective buyers are given ample opportunity to view lots before any sale. When bidding, buyers acknowledge that they are fully satisfied as to the description and condition of the lot.

5. ATTRIBUTION OF PICTURES

(a) If the forename(s) (or asterisks where not known) and surname of the artist are given, this indicates that in the opinion of Kinghams the picture is a work by the named artist.

(b) If the initials of the forename(s) and the surname of the artist are given, this indicates that in the opinion of Kinghams the picture is a work of the period of the named artist and may be wholly or in part his work.

(c) If the surname of the artist is given, this indicates that in the opinion of Kinghams the picture is a work of the same school of the named artist, or by one of his followers, or in his style and of uncertain date.

(d) The term ‘Bears signature’ indicates that in the opinion of Kinghams this is not the signature of the artist.

(e) All other terms are self-explanatory.

6. FORGERIES

Notwithstanding Condition 4, any lot which proves to be a deliberate forgery may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence provided that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium.

7. THIRD PARTY LIABILITY

Every person on Kinghams premises before, during or after a sale shall be deemed to be there at their own risk and shall have no claim against Kinghams in respect of any injury they may sustain or any accident which may occur.

8. DISPUTES

Any dispute not covered in these terms of business will be settled at the sole discretion of Kinghams.

9. GENERAL

We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of the Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

Any notice to any buyer, seller, bidder or viewer may be given by first class mail or email in which case it shall be deemed to have been received by the addressee 48 hours after posting.

Special terms may be used in catalogue descriptions of particular classes of terms in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

Any indulgence extended to bidders, buyers or sellers by us notwithstanding the strict terms of the Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

English law applies to the interpretation of these Conditions.

TERMS OF CONSIGNMENT FOR SELLERS

1. INTERPRETATION

In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’ etc. refer to Kinghams Auctioneers Ltd.

2. WARRANTY

The Seller warrants that possession in the lots can be transferred to the Buyer with good and marketable title, free from any third party right and encumbrances, claims or potential claims. The Seller has provided all information concerning the items ownership, condition and provenance, attribution, authenticity, import or export history and of any concerns expressed by third parties concerning the same.

3. COMMISSION

Commission is charged to sellers at a flat rate of 15%, 1.5% insurance, and a £5/10 entry fee per Lot plus VAT.

4. REMOVAL COSTS

Items for sale must be consigned to the saleroom by and stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

5.

LOSS AND DAMAGE OF GOODS

a) Loss and Damage Warranty – Kinghams is not authorised by the FSA to provide insurance to its clients and does not do so. However, Kinghams for its own protection, assumes liability for property consigned to it at the lower pre-sale estimate until the hammer falls. To justify accepting liability, Kinghams makes a charge of 1.5% of the hammer price plus VAT. The liability assumed by Kinghams shall be limited to the lower pre-sale estimate or the hammer price if the lot is sold.

b) If the owner of the goods consigned instructs us in writing not to take such action, the goods then remain entirely at the owners risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 5(a) is inapplicable.

6. ILLUSTRATIONS

The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

7. MINIMUM BIDS AND OUR DISCRETION

Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 8. We may sell lots below the reserve provided if we can account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us a “discretion” we may accept a bid of up to 10% below the formal reserve.

8. RESERVES

a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to unreasonably high reserves {in which case goods carry the storage (Condition 17) and loss damage warranty (Condition 5(a) charges as stipulated in these Terms of Consignment}.

b) A reserve once set cannot be changed except with our consent.

c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

d) Reserves are not usually accepted for lots expected to realise below £50.

9. ELECTRICAL ITEMS

These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

10. SOFT FURNISHINGS

The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.The rights of disposal referred to in clauses 9 and 10 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection upon request.

11. DESCRIPTIONS

Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 4 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds.

12. UNSOLD ITEMS

If an item is unsold it may at our discretion be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred.

13. WITHDRAWN AND BOUGHT IN ITEMS

These are liable to incur charges on being bought in or withdrawn after being catalogued.

14. CONDITIONS OF SALE

You agree that all goods will be sold subject to our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses, liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

15. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST

You authorise us to deduct commission at the stated rate and all expenses incurred from your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. You authorise us at our discretion to negotiate a sale by private treaty not later than the close of business 48 hours after the day of sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Terms apply.

17. STORAGE

We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make storage charges.

18. SETTLEMENT

Subject to funds having cleared in our account we aim to pay you no later than four weeks following the sale. If the buyer has not paid for the goods no settlement will be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. Please note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 11 above and you should therefore bear this in mind before parting with the proceeds of sale.

INFORMATION FOR BUYERS

1. INTRODUCTION

The following notes are intended to assist buyers particularly those who may be inexperienced or new to our saleroom. All sales are conducted in accordance with our Conditions of Sale. Our staff will be happy to help you with anything you do not fully understand.

2. AGENCY

As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly, if you buy your primary contract is with the seller.

3. THE BUYER

The highest bidder acknowledged as such by the auctioneer will be the buyer. If any dispute arises, the auctioneer has absolute discretion to settle the matter. The auctioneer rules the bidding and bids cannot be retracted. The auctioneer reserves the right to refuse any bid.

The successful bidder, whether bidding for himself or for a third party, is entirely responsible for paying for the lots they have bought in accordance with Kinghams’s Conditions of Sale and Business. The auctioneer reserves the right to bid on behalf of the sellers for any lot and to withdraw, consolidate or divide any lot or lots.

4. REGISTRATION

Unless registered already on a bidding platform, it is essential that all prospective buyers register with us, giving their full name, address, contact telephone number(s) and email address. First time buyers will be required to provide proof of identity (i.e. driving licence/passport), a valid debit or credit card and a copy of a utility bill confirming their name and address. Upon receipt of the above a paddle will be issued, which is only valid for the current sale. The paddle may be used to indicate your bids to the Auctioneer during the sale. If successful, the bidder must ensure that their number can be seen by the Auctioneer and that it is their number that is called out. Should there be any doubts as to price or buyer, please draw the Auctioneer’s attention to it immediately.

5. BUYER’S PREMIUM - COMMISSION CHARGES

There is a buyer’s premium of 26% plus VAT on the hammer price of each lot up to and including £500,000. The buyer’s premium is 18% plus VAT on the hammer price of each lot on the excess of £500,001 up to and including £1,000,000. The buyer’s premium is 15% plus VAT on the hammer price of each lot on the excess of £1,000,001.

6. VALUE ADDED TAX

Lots on which the buyer may have to pay VAT on the ‘hammer price’ are indicated in the catalogue with the following symbol *. The buyer must pay this VAT at the rates that apply on the day of the auction in addition to the buyer’s premium and VAT thereon.

7. AUCTIONEERS MARGIN SCHEME

This scheme allows auctioneers to sell items without VAT on the hammer price. The buyer then pays an amount equivalent to VAT. This amount cannot be refunded and is not shown separately on the invoice.

8. PAYMENT

Buyers must pay in full before items can be removed from the premises (please see “payment methods” below).

Invoices will be issued from the day of the sale. Buyers must pay their invoice in full within 24 hours and advise when they will be collecting their item(s). Any invoices which remain unpaid after seven days will incur interest at 5% above the base rate, charged from the date of the sale. If buyers are unknown to us, we cannot hand over purchases unless we have adequate references or payment is cleared.

Payment Methods

We accept payment by:

Cash - up to £9,000 (subject to money laundering regulations). Cheques - we do not accept cheques.

Debit cards accepted - we do not accept any credit cards.

Please note that we are unable to accept any card payments where the cardholder is not present.

Bank transfer to:

HSBC Bank, Bridge St, Evesham WR11 4RU

Account no.: 51655345

Account name: Kinghams Auctioneers Ltd

Sort code: 40-20-27

IBAN: GB91MIDL40202751655345

SWIFTBIC: MIDLGB22

Please note that a fee of £15 will be added for international bank payment.

9. LIVE INTERNET BIDDING

Live online auctions are in conjunction with the-saleroom.com, invaluable.com and easyliveauction.com

We ask that you register for the sale a minimum of 24 hours before the auction.

When you have registered, you can watch the auction in real time; simply click the bid button to place a bid.

If your bid is successful we will notify you after the sale for payment. Charges will be made for internet bidding dependent on the auction platform. See their terms and conditions for details.

10. TRANSFER OF RISK

Each lot is the buyer’s sole responsibility from the fall of the hammer.

11. COMMISSION BIDS

If instructed, Kinghams will execute bids and advise prospective buyers. This service is free.

Buyers who cannot come to a sale may leave their bid with our staff after/during viewing, or make their bid in advance by telephone or email (enquiries@kinghamandormeauctioneers.com). Such bids are placed at the buyer’s own risk.

Bids must be made at least one hour before the sale starts, but we advise buyers to make bids at the earliest possible opportunity. When making bids, buyers must provide: Their full name

Address

Email address

Contact telephone numbers

The number of the lot they wish to buy Their maximum bid amount – excluding commission which will be added to the invoice afterwards

Buyers must state what their maximum bid would be. We cannot accept an instruction to ‘buy’ or unlimited bid.

We will ensure that lots are bought as cheaply as possible depending on the bids made and other reserves. If identical bids are placed, they will be dealt with on a “first come first served” basis.

12. TELEPHONE

BIDS

Lines for telephone bidding should be booked 24 hours before the auction. Lines are booked on a “first come first served basis.” Full name, address and telephone numbers will be required together with proof of identity and address. Bank and credit/debit card details are also necessary to secure the line.

13. DATA PROTECTION

Kinghams will use information provided by its clients or obtained by Kinghams relating to its clients for the provision of auction services or as required by law. Kinghams may need to record telephone conversations for security or legal reasons or as necessary to provide a higher quality of service. Clients agree that Kinghams may use sensitive information that they supply to Kinghams. Unless permitted by law, Kinghams will not otherwise process sensitive personal data without express consent. By agreeing to the Conditions of Sale and Business, clients agree to the processing of their personal information.

14. STORAGE AND COLLECTION

Please note all items after the auction will be removed to store. Arrangements for collection can be made with the office.

15. ELECTRICAL GOODS AND SOFT FURNISHINGS

These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations.

16. EXPORT OF GOODS

Buyers intending to export goods should check whether an export licence is required and whether there is any specific prohibition on importing goods of that character because e.g. they may contain prohibited materials such as ivory. Ask us if you need help.

17. PACKING AND DESPATCH

We offer a packing and despatch service for smaller lots. We also use national and local carriers. Further details can be obtained from our office.

18. DROIT DE SUITE ROYALTY CHARGES

A picture or work of art by an applicable living artist, or those who have died within the last 70 years, which costs more than £1,000 hammer price will incur a royalty charge paid by the buyer. We pass this payment on to the Design and Artists Copyright Society (DACS), and do not charge a handling fee. Buyers can calculate royalty charges on the DACS website. Items marked with the † symbol in the catalogue will potentially incur royalty payments.

The actual qualifying threshold is calculated by the Artist’s Resale Right Service Hub and can be found on the DACS website.

The royalty charge for pictures and works of art that achieve a hammer price of more than £1,000, but less than that of £50,000 is 4%. On pictures and works of art that achieve a hammer price of more than £50,000 a sliding scale of royalty charges applies. For a complete list of the royalty charges and threshold levels please download more information from the DACS website.

The royalty charge is added to invoices and must be paid before purchases are removed. VAT is not paid on royalty charges.

19. CITES LICENSE - IMPORTANT NOTICE RELATING TO SPORTING AND NATURAL HISTORY

Clients intending to import/export any item derived from natural history specimens into/from a non-European country should first check for any Import/Export and possession restrictions prior to bidding/selling. Certain species (λ) are also subject to CITES regulations when exporting/ importing these items out of the EU. CITES regulations are given on www.ukcites.gov.uk or maybe obtained from Animal Health, Wildlife Licensing and Registration Service, Zone 1/17, Temple Quay House, 2 The Square, Bristol BS1 6EB. Those species that are covered by the US Endangered Species Act (USESA) or The Migratory Bird Treaty Act (MBTA): potential US bidders should check with USF&W (US Fish and Wildlife Services) for trade/possession restrictions in the US prior to bidding.