WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S
Thursday 23rd January 2014
Thursday 23rd January 2014 at 11.00am Viewing Times Saturday 18th January Monday 20th January Tuesday 21st January Wednesday 22nd January Thursday 23rd January
10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 10.00am – 4.00pm 9.00am – 10.45am
Jonathan Edwards FGAA 01722 424504 firstname.lastname@example.org
Marielle Whiting FGA 01722 424595 email@example.com
Front cover: Lot 1437 Inside front cover: Lot 1397 Back cover: Lot 1481 Above: Lot 1469 Catalogue £10.00 (£12.00 by post) Images and a catalogue word search facility are available at www.woolleyandwallis.co.uk
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Specialist Departments Please dial +44 (0)1722 followed by the number listed below
20TH CENTURY DESIGN Michael Jeffery
ASIAN ART John Axford MRICS ASFAV Sophie Lister Alex Doméracki Freya Yuan
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424506 424591 424506 424506
CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS Richard Price — 07741 242421 ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham — 424507 FURNITURE Will Hobbs Mark Richards Jim Gale Gemma Bush
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339752 411854 339161 339752
JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA
MODERN BRITISH ART Michael Jeffery Victor Fauvelle
PAINTINGS Victor Fauvelle Jo Butler
SILVER Rupert Slingsby Lucy Chalmers
Tribal Art Will Hobbs
Members of The Society
VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV — 424509 Clive Stewart-Lockhart FRICS FRSA 424598 ACCOUNTS Janice Clift (Office Manager) — Ruth Pike
MARKETING Tamzin Corbett
GENERAL OFFICE Linda Garthwaite Pauline West Sharon Ringwood Nicola Young SALEROOM MANAGER David Jordan BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director
COMPANY SECRETARY Jim Macarthur CA ASSOCIATE DIRECTORS Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Jonathan Edwards FGAA Janice Clift
of Fine Art Auctioneers
Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508
Special Jewellery Notices Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gem stones included in that particular lot. These certificates may have been obtained by Woolley & Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley & Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates. Not all images are life-sized, weights and measurements in the catalogue are approximate only. It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots. Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gem stones including pearls and HTHP enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date.
âœŁ Lots marked with this symbol contain rubies or jade of Burmese origin and are not permitted for import by The United States of America.
CITES REGULATIONS Please note that lots marked Îť may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/
1102 1103 1100. A jewellery box containing a diamond three stone ring set in platinum, a diamond five stone ring set in gold, a gold ingot pendant, and various items of jewellery, costume jewellery etc. £300-400 1101. A wooden jewellery casket containing a diamond set white gold pendant on a white gold neck chain. A sapphire and diamond set white gold pendant on a white gold neck chain. A diamond set gold cross pendant on a fine link gold chain. A gold heart bracelet and various other items of jewellery. £500-700 1102. A jewellery case containing two gold signet rings, a ruby and diamond set gold ring, a gold ring set with a turquoise cabochon and two pearls, a necklace of graduated banded agate beads, a gold arrow brooch with entwined seed pearl and diamond set snake. Five graduated paste set star brooches, and various items of jewellery and costume jewellery etc. £600-800 1103. A small jewellery box containing a boat form diamond five stone gold ring, a ruby and diamond set gold cluster ring, assorted antique rings and various items of jewellery and costume jewellery etc. £80-120
1104. An amethyst and marcasite set ring in box by Sybil Dunlop, 69 Kensington Church Street. A triple swivel eternity ring set with diamonds, rubies and sapphires in gold. Size N ½. A 9ct gold ring set with cultured pearls. Seed pearl, coral and turquoise necklaces and other assorted jewellery and costume jewellery. £80-120 1105. A 9ct gold plug form circular compact, London marks for 1950, makers mark JC, probably for Cartier. A 9ct gold mounted penknife, Sheffield marks for 1946, a pair of 9ct gold square form cufflinks, two coloured and white stone set gold bracelets, a silver mounted small square form lighter, a silver square form scent bottle, a silver converted vinaigrette box, a pair of gold dress cufflinks (missing one pearl) and various items of jewellery and costume jewellery etc. £200-300 1106 1106. A gold fancy link long guard chain with slide, 146cm. 28g. A garnet set cluster bracelet, a garnet set brooch, and a garnet set cruciform pendant. A pair of opal set gold earrings and various items of jewellery and costume jewellery etc. £200-300 1107. A George III spade Guinea pendant, on a gold necklace. A gold necklace mounted with nine baroque shaped pearls, probably freshwater, a gold pendant mounted with two peridots and a pearl. A gold heart shaped amethyst pendant, and various items of jewellery. £300-500
1108. A carved hardstone mounted ring, the intaglio is probably Roman. A clasp with glazed compartment containing a miniature painting of a clergyman with initials L. B. Ely, and with blue and black enamel decoration to the reverse (damaged). A chatelaine constructed from assorted pocket watch balance cocks. A pierced and carved jade buckle with two other jade items. A carved agate desk seal, a silver brooch forming initials, with a chain and pin with entwined double heart terminal and with a letter, and various items of jewellery etc. £200-300
1111 1109. A gold turquoise set bee brooch, two gold bar brooches, two gold rings, a paste set foliate pendant and matching brooch, an amber bead necklace, a quizzing glass, a cameo brooch and three other brooches, a marcasite set silver pendant and a green stone bead necklace. £80-120 1110. A graduated banded agate bead necklace, 40cm. A graduated oval amber bead necklace, 64cm and two gold mourning rings (damaged). £100-200 1111. A coral bead necklace, mounted with a coral cameo clasp, a jade cabochon bar brooch, a shell cameo mounted in gold, a silver charm bracelet, a silver bangle, a moonstone set silver pendant, a paste set silver chain, three gold brooches one earring and a gold cross pendant. £150-250
1112 1112. A circular jade pendant mounted in gold with a gold neck chain, a jade mounted gold brooch, a citrine mounted gold brooch, a diamond, sapphire and white enamel mounted gold brooch. Three gold rings, a gold circular brooch and an opal and ruby set gold pendant with gold neck chain. £400-600
1113. A jewellery box containing a 9ct gold thimble, applied with a turquoise and seed pearl border, with four other brooches and a gem set gold bangle. £100-200
1114. Sotheby’s sale catalogue, The Jewels of The Duchess of Windsor, Geneva, April 1987, two days. With price list. £50-80
1115 1115. A 19th Century garnet set gold stick pin surmounted with a gold and enamel snake with diamond eyes, two Victorian gold locket pendants, a gold mourning pendant, two gold chains, a paste set silver gilt brooch, a lapis lazuli and diamond clip, a shell cameo and a seed pearl brooch. £300-400
1116. A platinum full circle eternity ring, alternately set with diamonds and pairs of baguette shaped sapphires (abraded). A silver Egyptian style pendant with enamel decoration and centred with a scarab with hieroglyphics engraved to the reverse. A pear shaped cabochon green stone pendant (probably emerald), mounted with gold stylised foliage with rose cut diamonds on a gold fine link neck chain. A carved carnelian intaglio depicting the profile of a gentleman with long hair. A gold late 18th century fob seal mounted with a tasse intaglio depicting Hercules wrestling with the snake Hydra. The gold floral brooch mounted with rose cut diamonds. A gold brooch mounted with an oval section of lapis lazuli, two gold stick pins mounted with green insects, a gold brooch and a bracelet. £300-400
λ 1117. A 9ct gold fob seal with hinged locket compartment and engraved with a cipher, with black silk fob with gold mounts. Six pairs of assorted agate, tortoiseshell, pique and lava cameo earrings, a pair of gold oars and two gold watch keys etc. £200-300 1118. Eight pairs of assorted gold drop earrings, and a pair of gold plated drop earrings. £400-600 1119. A pearl and diamond set gold three stone ring, three other gold rings, a gold split ring mounted with four miniature fob seals and a watch key. And a 9ct gold toothpick. £300-400 1120. A rectangular 9ct gold wristwatch, the dial signed Autowrist. A 14ct gold small half hunting cased fob watch, with red and white enamel decoration and suspending from a 9ct gold bow brooch. A 9ct gold terrier brooch, a gold and stone set claymore brooch, a pair of seed pearl set gold earrings with matching brooch, a 9ct gold fancy gate link bracelet, two gold brooches and two gold rings. £800-1,200
1121. A George III oval shaped paste set silver buckle, with four other similar buckles. 6.5cm wide. £60-80
λ 1122. A 19th century pierced tortoiseshell hair ornament, the curved comb with pierced foliate decoration. 17.5cm wide. And a smaller comb mounted with white stones in scrolling silver and gold cut down collets. Marked to the reverse Pierce & Dalt(?)on. 8cm wide. £80-120
1123. An amethyst mounted gold ring with matching amethyst crystal mounted gold brooch, four pairs of assorted gold earrings, a 22ct textured gold wedding ring and a pair of shell earrings converted from studs. £500-700
1124. A sapphire and diamond cluster ring, a textured gold abstract design brooch, a seed pearl set stick pin, cased, a garnet set two row gilt metal bracelet, a green stone cluster ring (the centre stone missing) and a pair of silver cufflink in Garrard case. £100-200
1126 1127 1125. A lady’s gold wristwatch by Rotary, with other assorted items of jewellery and costume jewellery. £150-200 1125
1126. A pair of coral mounted gold cufflinks, two pairs of ancient coin mounted gold cufflinks and a pair of tiger’s eye mounted gold clips joined with a gold chain. £200-300 1127. A 19th century locket pendant, with a foliate design set with diamonds and seed pearls and pavé set with graduated turquoise cabochons overall, the reverse with glazed locket compartment. An RAF wings brooch with enamel decoration. A gold closed crescent and star brooch set with seed pearls, coral cabochons (one missing) and a diamond. And a pair of drop earrings. £200-300
1128. A 9ct gold square faced wristwatch, the dial signed Paul Breguet, applied gold Arabic numerals and subsidiary seconds dial. The movement signed Marvin. Loose minute hand. The case with Glasgow import marks for 1927. A carved coral cameo mounted gold brooch, a seed pearl and turquoise cabochon mounted gold floral brooch, a far eastern gold mounted pendant and a carved shell mounted gold bracelet. £200-300
1129. A gold Rolex wristwatch, the signed dial with sweep seconds hand and marked precision. Presentation engraving to the reverse dated 1966. Leather band. £200-300 1130. A lady’s diamond set gold wristwatch, the circular cream dial with Arabic numerals and diamond set bezel. The case 2.5cm wide. Gold expanding band. £200-300 1131. A square steel wristwatch by Rolex, the signed cream dial marked precision and with applied gold Arabic and bar numerals, with gold hands and subsidiary seconds dial. Signed movement, signed case and numbered 8020. £200-300 1132. A small French gold open faced fob watch, the white enamel dial with black Arabic numerals and gold hands. Broken glass. The reverse cover mounted with a cushion shaped diamond. £200-250 1133. A gold open faced fob watch, white enamel dial with black Roman numerals. Suspended from a gilt metal bow brooch, with key and associated box. £100-150 1134. A three row untested pearl necklace, the pearls graduate from 2.5 to 3.8mm. With rose cut diamond set flower head clasp. 39cm long. £100-150 Not guaranteed to be natural pearls. 1135. A multirow seed pearl choker length neckace, with gold spacing bars and clasp, with various other cultured and natural pearls. £200-300 1136. A single row natural pearl necklace, the pearls graduate from 2.6 to 5.9mm, with a diamond set octagonal lozenge shaped clasp. 38cm long. With circular Asprey box. With two loose untested pearls. £1,000-2,000 Accompanied by report number 09072 dated 6th December 2013 from The Gem and Pearl Laboratory stating that the 121 pearls graduate from 2.6 - 5.9mm, weigh 8.56g (total) and are natural saltwater pearls. 1137. A single row natural pearl necklace, the pearls graduate from 2.3 - 4.8mm, with diamond set clasp. 51cm long. £500-700 Accompanied by report number 09073 dated 6th December 2013 stating that the 141 pearls graduate from 2.3 - 2.4mm - 4.7 - 4.7mm, weigh 5.54g (total) and are natural saltwater pearls. 1138. A single row natural pearl necklace. 44cm long. £100-150
Accompanied by report number 08689 dated 4th October 2013 from The Gem and Pearl Laboratory stating that the 189 pearls graduate from 1.6 - 4.9mm, weigh 4.89g (total) and with the exception of one cultured pearl are natural saltwater pearls.
1139. A yellow gold ring set with radiant cut diamond by Tiffany, size E ½. An 18ct white gold twisted ring set with small diamonds, size M. And a cultured pearl and diamond set white gold pendant and chain. £150-250 1140. A gentleman’s Masonic swivel fob seal ring, applied with enamel decoration to one side. Size V. A blue stone set gold ring, the shank designed as stylised Chinese dragons. A cameo mounted gold ring, an opal set gold ring and a ruby and diamond five stone ring (one missing). £200-300 1141. A diamond set three stone ring, in gold and platinum. The gold double heart ring pavé set with seed pearls. An amethyst and seed pearl (some missing) ring, and two other gold rings. £200-300 1142. A ruby and diamond bombé shaped ring, the invisibly set French cut rubies set within a rectangular border of brilliant cut diamonds in gold. Size N. With three other gold rings. £400-600 1143. A stylised buckle design gold ring, marked for Birmingham 1880. Size P. With a turquoise half hoop ring in yellow gold, size N. And a pearl half hoop ring in yellow gold, size P ½. £100-150 1144. An opal half hoop ring, set with five graduated white opals in yellow gold, size M ½. With three other gold gem set rings. £200-300
1145. A diamond three stone ring, set with old circular cut diamonds in yellow gold, a pearl set cluster ring, and three other gem set gold rings. £200-300 1146. A diamond cluster ring, a diamond solitaire ring and three other gem set gold rings. £200-300 1147. A diamond solitaire ring, two diamond five stone rings, a pearl and diamond double heart ring, an emerald and diamond cluster ring and an opal and diamond half hoop ring. £200-300
1148. A George III paste set cluster ring, size P ½. Two matching gold ram’s head rings (later cast). A ruby and diamond cluster ring and a zircon and diamond cluster ring. £200-300 1149. A ruby and diamond set gold cluster ring, an amethyst and diamond set white gold cluster ring, an amethyst five stone gold ring, with two other rings and a pair of ruby and diamond set gold cluster ear studs. £300-400
1150. A geometric design sapphire and diamond ring, the four square cut sapphires within princess cut symmetrical diamond surround, size O. With a garnet and diamond cluster ring, a sapphire and diamond cluster ring and a sapphire and diamond seven stone ring. £200-300
1155 1154 1151. A lady’s 9ct gold wristwatch by Majex, on an integrated 9ct gold band, Majex Case. A pair of gold cufflinks, a gold locket pendant with long guard chain. A gold two row bracelet and other items of jewellery. £400-600 1152. A gold necklace with a triple spinning fob seal and a watch key, a fancy link gold necklace, and a gold long guard chain. £600-800 1153. A collection of gold jewellery, including a 9ct gold long and short oval link neck chain (37g). The 9ct gold curb link bracelet with 9ct gold padlock clasp, (24g). A 9ct gold abstract brooch set with three diamonds, a 9ct gold pheasant brooch, a gold nugget mounted stick pin, three further brooches and a pair of earrings. £600-800 1154. Two 9ct gold curb link bracelets, one with a 9ct gold padlock clasp. Two further 9ct gold padlock clasps. A gold locket pendant containing two photographs, a locket pendant with enamel decoration and two items of gold jewellery. £500-700 1155. An opal and diamond bar brooch, 6.5cm wide. A gold fancy link long guard chain 84cm, 27g, a five stone diamond ring, a garnet set cluster ring and a turquoise and seed pearl cluster ring. £400-600 1156. A religious circular gold locket pendant, a pair of stylised coin gold earrings and two gold chains with pendants. 21g in total. £250-350 1157. A gold charm bracelet, the gold curb link bracelet is mounted with assorted gold charms etc. Approximately 85g in total. £800-1,200 1158. A 9ct gold gatelink bracelet, with gold heart shaped padlock clasp. 18cm long. 24g.
1159. A gold fancy gate link bracelet with gold padlock clasp. Stamped 9ct. 24g. And a smaller gold fancy gate link bracelet. Stamped 15ct. 13g. £300-400 1160. A gold crescent form filigree brooch, with gold coin pendants and set with turquoise cabochons and a pair of matching gold and turquoise earrings, 19g in total. £200-300
1166 1165 1164
1161. A 19th century gold long guard chain, 150cm. 24g.
1162. A late 19th century gold oval shaped locket pendant, applied with a foliate design set with diamonds (one missing) and seed pearls. Suspended from a fancy link gold neck chain. £600-800 1163. A gold watch chain, the long oval and fancy links weigh approximately 39g in total.
1164. A gold oval link watch chain. 27.5cm long. 30g.
1165. A 19th century gilt metal long guard chain, with circular links suspending a paste set cross. 120cm long.
1166. A 9ct gold gate link necklace, mounted with five oval cabochon sapphires, 42cm. 32g.
1167. A gold stylised fan brooch, of striated undulating design. 4cm long. And a stylised gold feather brooch 6cm long.
1168. A Victorian gold scrolling belt and buckle brooch, mounted with amethysts (one missing) 18g. Fitted case.
1169. A Victorian carved shell cameo gilt metal brooch, the well detailed cameo depicting the profile of a girl in the classical manner with fruiting vine draped through her hair. 4cm high. With outer oval frame in the Etruscan revival manor. Glazed locket compartment to reverse mounted with twelve lockets of different coloured hair and engraved with presentation inscription dated 1877. Fitted case. £80-120 1170. A 19th century cameo brooch, centred with a carved coral cameo depicting a woman with fruiting vine decoration to her hair, mounted with graduated untested pearls. 7cm wide. £150-250
1171. An Arts and Crafts silver and enamel bracelet by James Fenton, Birmingham marks for 1909. 18cm.
1172. A silver and enamel pendant by Norman Grant, Edinburgh marks for 1976. On a fine link silver chain.
1173. An Arts and Crafts silver and enamel pendant by G Vale & Co, suspending a small pearl on a fine link silver neck chain. 2.6cm wide. £150-200 1174. An Arts and Crafts silver bracelet with enamel decoration by James Fenton, Birmingham marks for 1908. 18cm.
1175. An enamel and diamond bar brooch by Cartier, the circular panel with a central diamond millegrain set within guilloche enamel border and a surround of rose cut diamonds in gold. Signed Cartier. 5.1cm wide. £200-300 1176. A gold bar brooch centred with a heart, pavé set with circular cut diamonds. 5.2cm wide. And a diamond set horseshoe stick pin, millegrain set with old circular cut diamonds in gold. The horseshoe 1.4cm wide. £300-400 1177. A pear shaped yellow topaz mounted gold stickpin. 1178.
A Victorian stone set gold Scottish brooch formed as a Claymore and shield, registry lozenge mark to the reverse. 8cm long.
1179. A gem set butterfly brooch, millegrain set in silver and gold. 3.5cm wide.
1180. A pair of dove brooches, one mounted with circular cut diamonds and with ruby eye set in silver and gold. The other with green garnets (two missing) in silver on gold. £1,200-1,500 1181. A pair of gold and enamel blackamoor earrings, applied with black and white enamel (some damaged). With Austro-Hungarian marks. £200-300 1182. A Regimental badge for the Royal Artillery, millegrain set with diamonds and applied in enamel with the words ‘Ubique Quo Fas Et Gloria Ducunt’. 3.5cm wide. £200-300
1189 1187 1188 1183. A diamond set pendant, the diamond flower head cluster suspended from a further diamond. On a fine link gold neck chain. £100-200 1184. A boulder opal and diamond pendant, the long opal suspended from an old circular cut diamond. The pendant 4.3cm. On a fine link white gold neck chain, 45cm long. £400-600 1185. An Edwardian opal and seed pearl pendant, the oval white opal is millegrain set within a seed pearl set wreath. On a fancy link gold chain. £200-300 1186. An abstract design opal and diamond pendant, the solid black opal suspended from circular cut diamonds in 18ct gold. 4.5cm long. £600-800 1187. A diamond and sapphire stylised flower head brooch, set in white gold. 3.5cm wide.
1188. A yellow gold stylised flower head brooch, centred with small circular cut sapphires and the petals with two types of textured decoration. Approximately 16g. £250-350 1189. A diamond set foliate brooch, the realistically formed wild rose pavé set with single cut diamonds with carved nephrite leaves in gold. 6cm tall. £300-400 1190. A cased set of three graduated circular rock crystal brooches, each applied with a circle alternately set with rose cut diamonds and cabochon rubies. Gold mounts and one smaller brooch missing the gem set circle. Fitted case. £200-300 1191. An Indian diamond and enamel pendant, the circular disc applied with enamel depicting a woman. With counter enamel reverse depicting a white dove within foliage. 4cm wide. £400-600
1192. A pair of diamond stud earrings, the circular cut diamonds weigh approximately 0.55cts in total. Set in white gold.
1193. A pair of sapphire and diamond cluster earrings, the oval shaped sapphires set within a surround of circular cut diamonds in white gold. £400-600 1194. A pair of diamond cluster earrings, the circular cut diamonds weigh approximately 0.90cts in total. Set in white gold.
1195. A gold penknife, the two folding steel blades within a 9ct gold case. Marked S.J.R and Birmingham 1973. 7.5cm long.
A gold mounted tortoiseshell compact pendant, opening to reveal a circular mirror. 5cm wide. £200-300
1197. A 9ct gold fountain pen by Swan, lever filling, engraved with chevron decoration overall and the cover and body with London marks for 1934. Additional initials MT Ltd and engraved ‘Swan’ Pen Mabie Todd & Co Ltd. Made in England. 13cm long. Later Case. £300-400 1198. A pair of rectangular 14ct gold cufflinks by Cartier, with textured and engine turned decoration. Signed Cartier.
1199. A pair of diamond set black onyx and white gold dress cufflinks, with four matching studs and two matching smaller studs. Cased. £200-300 1200. Two pairs of gold dumbbell style cufflinks, one mounted with lapis lazuli cabochons, the other with garnet cabochons.
Thursday 1st May 2014
Further entries are now being accepted
A diamond set naturalistically inspired 19th century floral brooch. The butterfly is mounted en tremblant. Estimate: ÂŁ5,000 - 10,000 To be sold May 1st 2014.
ENQUIRIES Marielle Whiting FGA Tel: +44 (0)1722 424595 firstname.lastname@example.org
1201. A pair of textured gold circular cuff links, 12g.
1202. An Arts and Crafts silver and enamel pendant, applied with seed pearls and a blister pearl on textured blue and yellow enamel ground. On fine link silver neck chain. £300-500 1203. A ruby and diamond set foliate brooch, set with cabochon rubies and round brilliant cut diamonds. 6cm. Marked with inventory number K8936. Fitted Cartier box with hand written K8936 beneath pull out base. £1,000-2,000 1204. An unusual citrine and diamond ring, the large pear shaped citrine set within two stylised scallop shaped diamond crescents in yellow gold. Marked for London 1975. Size L. With sylised foliate design citrine and diamond set gold brooch and matching earrings marked for London 1985. The brooch 5cm long. £600-800 1205. A 9ct gold fancy link neck chain, 45cm long. 25g.
1206. A late Victorian diamond foliate brooch, set with old circular cut diamonds in silver and gold. 7.6cm long.
1207. A 9ct gold curb link bracelet, with gold heart shaped padlock clasp. 22cm long. 36g.
1208. A gem set foliate brooch, the stylised gold flower head set with rubies, sapphires and emeralds to the white gold stamens. 5.4cm high. 14g. £200-300 1209. A pair of diamond cluster earrings, the circular cut diamonds weigh approximately 1.25cts in total. Set in white gold.
1210. An emerald ring set in textured white gold. The emerald cut emerald weighs approximately 4.00cts. Signed M. Buccellati. Size N. £600-800 1211. No lot 1212. No lot 1213. A gold foliate brooch, the posy set with rose cut diamonds and rubies. 5cm long.
1214. A platinum fine link chain with eight gold links, each decorated with blue enamel. 56cm.
1215. A sapphire and diamond flower head ring, the pear shaped sapphires are set within circular cut diamonds in white gold. Size R ½. £500-700 1216. An oval shaped ring centred with a shield shaped brown diamond with urn surround set with smaller diamonds, black onyx ground within a surround of small circular cut diamonds in yellow and white gold. Size N. £1,000-1,500 1217. A French gold bracelet, the elongated oval links with stylised roses and flower heads in yellow gold. With French control marks and illegible makers lozenge. 19.7cm long. £1,100-1,500 1218. An early 19th century silver brooch, the foliate pendant set with rose cut diamonds and pearls in closed back silver mounts. Suspended from a silver horse shoe design brooch, 5.4cm long. £100-200 1219. A diamond and ruby brooch, set with graduated rose cut and old circular cut diamonds and a circle of calibré cut rubies in silver on gold. 4cm wide. £200-300 1220. A diamond and pearl set brooch, set with a centre line of four graduated pearls and millegrain set overall with graduated rose cut diamonds in platinum and gold. obscure marks, possibly French. 6.2cm wide. £800-1,200 1221. A pearl and diamond brooch, centred with an untested pearl, cluster set within a surround of cushion shaped diamonds and millegrain set with smaller diamonds to the shoulders. Platinum and gold. 5.8cm wide. £400-600 1222. An amethyst and seed pearl set gold bracelet, the open foliate scroll links are alternately set with oval shaped amethysts and seed pearls. 18.5cm long. £400-600 1223. A 9ct gold oval link bracelet, mounted with assorted charms and with heart shaped padlock clasp. 20cm. 20g.
1224. A pair of pearl and diamond cluster earrings, the pearls set within a surround of eight old cut diamonds in yellow gold. Suspended from a further diamond (one missing). 1.5cm long (total). £600-800
1202 1209 1213
1221 1217 1224 1222 items not actual size
1225. An emerald and diamond cluster ring, the emerald cut emerald is set within a surround of ten circular cut diamonds and set in yellow and white gold. Size P. £1,500-2,000 1226. A ruby and diamond cluster ring, the oval shaped ruby weighs approximately 3.40cts and is set within a surround of twelve circular cut diamonds in white gold. Size K. £600-800 1227. A ruby and diamond cluster ring, the oval shaped ruby is set within a surround of fourteen small circular cut diamonds and four further diamonds set to the shoulders in platinum. Size M. £1,300-2,000 1228. A diamond cluster ring, set overall with graduated cushion shaped diamonds (one missing) in silver and gold. Size N.
1229. An emerald and diamond half hoop ring, the mixed cut emerald set within six circular cut diamonds within scrolling yellow gold mount. Size N ½. £400-600 1230. A diamond solitaire ring, the old circular cut diamond set with single cut diamond shoulders in platinum. Size L ½.
1231. A diamond three stone ring, the old circular cut diamonds are set in yellow gold. Size L ½.
1232. A sapphire solitaire ring, the oval shaped sapphire claw set in white gold. Size K.
1233. A pink topaz and diamond set ring, the oval shaped topaz is rub-over set in gold with two small diamonds set to the bifurcated gold shoulders. Size I. £3,500-4,500 1234. A diamond solitaire ring, the circular cut diamond set in yellow gold with smaller graduated yellow diamonds to the shoulders. Size K ½. £300-400 1235. A diamond set dress ring, the brown circular cut diamond millegrain set in carved and pierced platinum mount with further circular cut diamond shoulders. Size O. £1,000-1,500 1236. An early 20th century aquamarine cluster ring, the circular aquamarine is millegrain set within a surround of single cut diamonds in platinum and yellow gold. Size O. Case. £200-300 1237. A diamond solitaire ring, the circular cut diamond weighs approximately 0.60cts. Set in a triangular shaped yellow gold mount. Size H. £300-400 1238. A ruby and diamond half hoop ring, set with three graduated mixed cut rubies and four smaller circular cut diamonds in carved and pierced yellow gold mount. Size N. Case by F.E. Bowden & Sons. £200-300 1239. A diamond three stone ring, the central baguette shaped diamond flanked with two smaller baguette shaped diamonds in platinum and yellow gold. Size R. £400-600 1240. A sapphire and diamond three stone ring, the circular cut sapphire is set with two circular cut diamonds in platinum. Size S. £350-450 1241. A navette shaped diamond cluster ring, pavé set with graduated old cut diamonds in yellow and white gold. Size P.
1242. A diamond three stone ring, the three graduated old circular cut diamonds are set in yellow gold. Size P. Case.
1243. An opal and diamond cluster ring, the white opal set within a surround of circular and baguette shaped diamonds in white gold and platinum. Size L ½. £500-700 1244. A sapphire and diamond cluster ring, the oval shaped sapphire weighs approximately 1.60cts and is set within a surround of circular and baguette shaped diamonds on white gold. Size P. £850-950
1245. An opal and half pearl necklace, mounted with a fringe of white opals and half pearls in yellow gold. 41cm. Fitted case marked for Jean Campbell. And a pair of crystal opal bead and diamond earrings. £300-500
1246. An Arts and Crafts shield shaped silver pendant with blue and green enamel decoration, maker’s mark S & E. Attributed to Schaverien & Eastmead. Birmingham 1909. 2.8cm wide. On a fine link silver neck chain. £200-250
1247. An Arts and Crafts gold pendant by Murrle Bennett & Co, the shamrock design with a central oval garnet and a further pear shaped garnet suspended below. On fine link gold neck chain. 41cm long. £300-400
1248. An Arts and Crafts silver and enamel pendant by James Fenton, Birmingham 1909, on a fine link silver neck chain 3.2cm wide. £150-200
1249. An Arts and Crafts silver and enamel pendant by James Fenton, Birmingham marks for 1910, on a fine link silver neck chain with enamel decoration to the circular clasp. 2.2cm wide. £100-150
1250. An Art Nouveau seed pearl, pink topaz and blue stone set pendant, with detachable brooch fitting. On a fine link neck chain. £80-120
1251. An Arts and Crafts silver pendant with blue and green enamel decoration, with scrolling flowers. Maker’s mark S & E, attributed to Shaverien & Eastmead, Birmingham 1909. 3.3cm wide. On a fine link silver neck chain. £200-250
1252. A French pearl, lapis lazuli bead and turquoise bead mounted gold pendant, the oval pendant is pierced with foliate pattern and stamped with a French control mark. £1,250-1,500 Accompanied by report number 08525 dated 10th September 2013 from The Gem and Pearl Laboratory stating that the button shaped partdrilled pearl measures 8.8 x 7.8mm, weighs 4.19cts and is a natural saltwater pearl.
1253. An Arts and Crafts silver and enamel pendant by Charles Horner, Chester marks for 1910. Suspending a small silver and enamel pendant and supported by a similar circular silver and enamel section. Fine link silver neck chain. £150-200
1254. A French Art Nouveau gem set brooch pendant by Ranfour, designed as a ruby set water lily and diamond set bulrushes in gold. Detachable brooch fitting. Signed with maker’s initial AR and French control mark an repeated to the pin. With gold fine link necklace. £2,500-3,000
1255. An Arts and Crafts amethyst mounted gold pendant, the pear shaped cabochon amethyst is mounted in gold on a fine link gold neck chain. The pendant 5cm high. £500-700 For a similar Archibald Knox pendant designed for Liberty see: Sketch no 538, Liberty Sketch Book.
1256. A gold Art Nouveau brooch, set with four small circular cut diamonds and graduated demantoid garnets. 3.3cm wide.
1257. A French diamond and plique-à-jour enamel lozenge shaped brooch, millegrain set with small diamonds and with light and dark blue enamel cells in platinum. French control marks and makers lozenge LH. 8.2cm. Cased. £700-900
1258. A late Victorian diamond solitaire ring, the circular cut diamond is set in a scrolling and pierced 18ct yellow gold mount. Marked for Birmingham 1896. Size O. In leather case. £100-150
1259. A French Art Nouveau hat pin, the gold scroll terminal set with two sapphire cabochons and small diamonds. French control mark. Steel shaft. £300-400
1260. A carved amethyst quartz dog’s head bonbonnière, probably German, mid 18th century. With cabochon amethyst eyes and gold strapwork muzzle. The gold mounted hinged cover carved with a recumbent stag, 7cm high. Bearing early 19th century French control mark. Damaged and missing a section to the left of the mouth. £800-1,200
1261. A gold 19th century desk seal, the smoky quartz matrix is engraved with an arrow pierced heart under the motto Thus Far above initials. Scrolling shell base and tapered cylindrical body. The terminal mounted with a circular lapis lazuli within seed pearl border. 4.7cm high. £800-1,200
1262. A set of six 19th century silver buttons with gilt metal backs, each circular button is centred with a seed pearl within a foliate design, decorated with shaded enamel and alternately set with flat garnets and blister pearls. Fitted case. £150-200
1263. A small gold enamel and diamond set button hook, the shaped handle set with small diamonds on red guilloche enamel ground, 6.7cm. £800-1,200
1264. A 19th century gold and enamel propelling pencil, the amethyst mounted hexafoil gold Capitol form terminal unscrews to reveal the sectioned lead storage. The body and slide decorated with gold scrolls and flower heads. The pencil adjuster marked M. Probably for Samson Mordan. 13cm (extended). £600-800
1265. An Art Nouveau cat design vesta case, realistically formed and set with emerald (one missing) and diamond eyes and bow. With protruding ear and tail. The reverse depicting the cat’s reverse, with emerald set collar. French control marks. 4.7cm high. £4,000-5,000
1266. A gold double glazed portrait brooch, each locket containing a miniature painting of an Indian nobleman and suspending three small coins. 3.3cm wide. £200-300
1267. A 19th century gold brooch pendant, mounted with a circular portrait of a lady looking over her left shoulder and wearing her hair up in a kokschnik style head ornament. The frame alternately mounted with rose cut diamonds and seed pearls, folding pendant loop. The reverse engraved I.E. April 10th 1888. Mme Pallien. Jaques & Marcus. 3cm wide. £1,100-1,500
1268. A set of ten amethyst hemispherical buttons, 2cm wide.
1269. A Regimental brooch for The Royal Kent West Regiment, pavé set with diamonds and with blue enamel (damaged). 3.1cm high. £60-80
1270. A Regimental brooch for the Royal Berkshire Regiment, depicting a dragon set overall with rose cut diamonds (one missing) and a cabochon ruby eye, in gold. 2.7cm wide. £300-400
1271. A cushion shaped topaz mounted ring, the deep pink/orange topaz is in a rub-over silver mount, with bifurcated shoulders to the gold shank. Size I. £2,500-3,500 1272. An aquamarine and diamond set cluster ring, set in gold. Size M ½.
1273. A ruby and diamond set lozenge shaped ring, the oval shaped ruby is set with circular and baguette shaped diamonds in gold. Size N ½. £500-700 1274. A ruby and diamond cluster ring, the four circular cut rubies set in quarterfoil design within old cut diamonds and diamond set foliate shoulders. Set in platinum. Size U. £600-800 1275. A diamond solitaire ring, the old cushion cut diamond set in carved yellow gold mount. Size M. £200-300 1276. A diamond three stone ring, the three old circular cut diamonds are set in platinum and yellow gold. Size Q. £400-600 1277. A sapphire set ring, the oval shaped sapphire weighs 4.33cts and is set in white gold. Size L ½. £2,000-3,000 Accompanied by report number 08893 dated 8th November 2013 from The Gem and Pearl Laboratory stating that the sapphire measures 9.37 x 6.69 x 7.40mm, totalling 4.33cts and is a natural sapphire of Sri Lankan origin. 1278. A sapphire and diamond three stone ring, the oval shaped sapphire is set with two old circular cut diamonds in platinum and gold. Size L ½. £800-1,200 1279. A diamond five stone ring, the five graduated circular cut diamonds weigh 1.50cts in total and are set in white gold. Size N. £1,500-2,000 1280. A diamond solitaire ring, the cushion shaped diamond is set in white gold. Size M.
1281. An emerald and diamond five stone ring, the old circular cut diamonds set within three emerald cut emeralds in platinum. Size L. Case. £800-1,200 1282. A ruby and diamond cluster ring, the emerald cut ruby is set within a surround of circular and baguette shaped diamonds in yellow and white gold. With two additional baguette shaped diamonds set to the shoulders. Size N. £700-900 1283. A diamond solitaire ring, the circular cut diamond weighs approximately 1.25cts and is set in white gold. Size O. £1,500-2,000 1284. A diamond two stone ring, the two old circular cut diamonds weigh approximately 1.60cts in total and are set in white gold and platinum. Size P. £400-600 1285. A diamond cluster ring, the circular cut diamonds weigh approximately 1.90cts in total and are set in white gold. Size N. £1,500-2,000 1286. A diamond and ruby set ring, the shaped square ring set with diamonds and four baguette shaped rubies in gold. Size N ½. £500-700 1287. A diamond solitaire ring, the circular cut diamond weighs approximately 0.70cts and is set in yellow gold. Size M. £800-1,200 1288. A 15ct gold signet ring, mounted with a shield shape agate carved with a crest.
1289. A carved and pierced jade pendant, depicting a crane within a stylised lotus flower and foliage. Suspended from a jade bead and seed pearls. 6.5cm. £300-400 Accompanied by report number 08913 dated 12th November 2013 from The Gem and Pearl Laboratory stating that the jadeite jade measures 65.8 x 44.3 x 10.5mm, with no evidence of treatment observed. 1290. A pair of 19th Century diamond set cufflinks, the oval discs set with a circular cut diamond and carved foliate yellow gold border. Case by Hancocks & Co. £300-400 1291. A carved jade ring, the wide ring mounted with a pierced gold plaque with foliate decoration. Size P.
1292. A pair of diamond set gold cufflinks, the circular discs set with central circular cut diamond within an engraved yellow gold sunburst surround and platinum border. £500-700 1293. A pair of jade drop earrings, the carved and pierced foliate design panels suspended from a further carved jade flower head in yellow gold mounts. 5cm long. £200-300 1294. A carved and pierced lavender jade pendant, depicting monkeys within persimmon. 5cm long. On silk cord band.
Accompanied by report number 08912 dated 12th November 2013 from The Gem and Pearl Laboratory stating that the jadeite jade measures 48.5 x 26.5 x 12.6mm, with no evidence of treatment observed. 1295. A silver mounted shakudo pendant, of octagonal form and decorated with frogs and foliage. 2cm wide.
1296. A pair of diamond and enamel cufflinks, the circular discs applied with a white enamel border surrounding a diamond millegrain set garland on blue guilloche enamel ground on yellow gold. £300-400 1297. A jade and amethyst bombé shaped cluster ring, the oval cabochon light lavender coloured jade is set in yellow gold with rows of graduated baguette shaped amethysts. Size J. £800-1,200 1298. An unset jade oval cabochon, weighing 8.10cts.
Accompanied by report number 08821 dated 2nd November 2013 from The Gem and Pearl Laboratory stating that the jadeite jade measures 17.30 x 12.83 x 3.16mm, totalling 8.10cts, with no evidence of treatment observed. 1299. A Japanese Tempo Period (1837 - 1858) gold Koban. 5.8cm long. 11g.
1300. A pair of gold and enamel greyhound cufflinks, the oval links applied with enamel depicting a standing greyhound and a greyhound’s head. With gold torpedo links. The discs marked for C & F, Sheffield 1905. £200-300 1301. A pair of jade drop earrings, each long jade cabochon drop (4cm) suspend from three small diamonds and a long white gold and black enamel link with three further graduated diamonds. 7.5cm long. £1,100-1,500 1302. Of cricket interest, a pair of gold bat and ball cufflinks, 6g.
1303. A jade and diamond set brooch, the pierced and carved oval jade is set with small diamonds in white gold and platinum. The jade 2.5cm wide. £450-550 1304. A pair of diamond set white gold and back onyx cufflinks, each oval link is centred with a circular cut diamond on white gold within a black onyx border. £800-1,200 1305. A jade and diamond ring, the oval jade cabochon is set in gold and platinum with six small shoulder diamonds. Size K. £2,000-3,000 Accompanied by report number 08675 dated 4th October 2013 from The Gem and Pearl Laboratory stating that the jadeite jade measures 19.7 x 14.0 x 6.3mm, totalling 15.12cts, with no evidence of treatment observed.
1302 1304 1305 1303
1306. A pair of 19th century diamond set flower head brooches, set in silver on gold with detachable brooch fittings. Set overall with graduated cushion shaped diamonds in silver on gold. 3cm wide. £2,000-3,000 1307. A Victorian Hierogliphick pendant, the circular gold locket pendant, is mounted with a crystal hemisphere applied with a bee over the letter S, both with enamel decoration. Surmounted with a gold scroll spelling Nellie. Glazed locket compartment to reverse. Stamped EJ. Fitted Case for E. Johnson of Dublin. £400-600 Family tradition holds that this pendant was a present to a distant relative of the current owner who was a bridesmaid at the wedding of Charles Butler Storey who married Ellen ‘Nellie’ Culter Kemble at Bath Abbey 12th December 1872. The pendant represents the initials of the groom. 1308. An unusual gold hinged bangle, mounted with a centre piece with two mice with cabochon red stone eyes and the diamond set words ‘and men’. Green stone cabochon over a gold scroll engraved ‘Little Britain’. 26g in total. £500-600 1309. A 19th century Eqyptian style Wedjat eye brooch, the gold brooch with enamel decoration and set with diamonds, cabochon ruby and two pearls. One pearl detached. 5.3cm wide. Fitted case by G & A Guiliano. 115 Picadilly. £1,600-1,800 1310. A pair of 19th Century French gold bracelets, the fine wirework of symmetrical scrolling design. With French control marks. Joining to form a choker length necklace. Both bracelets 18.5cm long. £2,000-3,000 1311. An eleven row seed pearl choker length necklace, mounted with two gold oval shaped clasps, each with a painted sepia image within a seed pearl surround. 37cm. £800-1,200 1312. A pair of diamond and pearl drop earrings, the untested pearls suspend from two cushion shaped diamonds in silver and gold cut down collet mounts. 1.8cm long. Case. £200-300 1313. A Victorian oval shaped brooch set with natural pearls and diamonds, the oval shaped larger centre pearl is set within a surround of cushion shaped diamonds and with a further border of four pearls and diamonds in gold. With pendant loop. £2,000-3,000 Accompanied by report number 08862 dated 5th November 2013 from The Gem and Pearl Laboratory stating that the larger pearl measures 11.1 - 14.4 x 8.7mm, totalling 5.49cts and is a natural saltwater blister pearl. One of the smaller ‘pearls’ measures 4.0 x 3.3mm, totalling 0.39cts and is a natural saltwater pearl. 1314. A Victorian diamond target brooch, the central diamond within quarterfoil surround and further diamond set oval surround in silver and gold. 3.4cm wide. £600-800 1315. A gold spinning fob mounted with an oval shaped reverse carved crystal intaglio painted with a racing horse and jockey. Engraved with initials to the reverse. The crystal 2.6cm wide. £200-300 1316. A 19th century gold circular pendant by Castellani, centred with a micro-mosaic section depicting the intials EY, Greek for good health, within square border and with fine pellet and wirework gold borders. Signed with conjoined Cs quarterfoil monogram. 2cm wide. £1,000-1,500 1317. A reverse carved crystal dog brooch, the circular brooch depicting a highland terrier within gold ropetwist border. 2cm wide. £150-200 1318. A 19th century suite of malachite jewellery, comprising a circular malachite brooch with gold mounts and matching malachite and gold earrings, with rubbed marks, probably Russian. £900-1,200
1306 part 1309
1308 1306 part
1318 1313 1312
1319. A French early 20th century diamond sapphire and seed pearl pendant, the circular pierced platinum pendant centred with a circular cut diamond within a surround of calibré cut sapphires and further border of seed pearls. French control mark to clasp. The fine link platinum neck chain mounted with a smaller circular cut diamond. The pendant 2.9cm wide. £2,000-3,000 1320. A textured yellow gold floral hinged bangle by Gianmaria Buccellati, realistically formed and centred with a cluster of graduated circular cut diamonds. Signed and hinged at each terminal. £1,000-1,500 1321. A lady’s gold wristwatch by Rolex, the small circular signed dial marked Orchid. On a textured and integrated 18ct yellow gold band. The case numbered 1023271. 18cm (max). £1,000-1,500 1322. A lady’s Art Deco diamond set wristwatch, the rectangular silver dial with black Arabic numerals. The platinum case set with circular and baguette shaped diamonds and further diamonds to the platinum and white gold articulated band. 16cm. £800-1,200 1323. A lady’s Art Deco diamond set cocktail watch, the platinum case millegrain set with single cut diamonds. The white dial applied with black Arabic numerals. On black cord band. The case 1.4cm wide. £100-150 1324. A 9ct gold square faced wristwatch, black Arabic numerals with subsidiary seconds dial. The movement signed Unitas, the case with Glasgow import marks for 1938 and numbered 29039 1 9472. 9ct gold integrated band. 27g in total (without movement). £200-300 1325. A gold hammered effect curb link bracelet, the centre section set with alternating diamonds and pearls. 17.5cm long. £1,200-1,500 1326. A diamond set lady’s dress wristwatch, the rectangular dial signed Jean Perret, the platinum case millegrain set with circular and baguette shaped diamonds, and further diamonds to the articulated band, expanding bracelet. £1,200-1,500 1327. An early 20th century diamond set lady’s cocktail watch, the oval dial with Arabic numerals within a surround of single cut diamonds. On 9ct gold rope design band. 16.5cm long. the case 1.4cm wide. £250-350 1328. A square shaped enamel and gold brooch by Limoges, depicting the head and shoulders of a girl in red guilloche enamel circular ground within diamond border and further pink and green enamel decoration. The gold frame alternately set with seed pearls and circular cut diamonds. 2.3cm wide. £2,500-3,000 1329. A French ball pendant fob watch, the circular white enamel dial with black and red Arabic numerals and gold hands, with a central line of seed pearls and twist wind. Suspended from a stylised gold fleur de lys brooch with blue and gold enamel decoration and set with seed pearls and rose cut diamonds. The chain with conforming enamel decoration. French control marks overall. The watch 2.3cm wide. 9cm long (fully suspended). £1,200-1,500 1330. An Art Deco diamond set lady’s cocktail watch, the rectangular dial pavé set within a surround of circular cut and baguette shaped diamonds and with further diamonds set to the band. £1,000-1,500 1331. An Edwardian ruby and diamond bracelet, each graduated circular cut ruby is separated with two small diamonds in silver and gold. Flexible stylised gate link gold bracelet. £2,000-3,000 1332. A gentleman’s slim 18ct gold half hunting cased dress pocket watch, the silver guilloche dial with black Arabic numerals and subsidiary seconds dial. The case numbered 32140 3 and London import marks for 1912. The outer case engraved with initials. 4.6cm wide. Fitted case. £200-300
1322 1328 1327 1329
1330 1331 1332
1333. A late George III enamel and gold ring, the circular centre section with graduated white bead floral decoration on blue guilloche enamel ground. Engraved to the reverse au11 juill 1811. Size M. £400-600 1334. A ruby and diamond cluster ring, set with a line of five graduated oval shaped rubies within borders of small old circular cut diamonds in silver and gold. Size M. £600-800 1335. A gold octagonal signet ring, engraved D. BEARE COLr SERGt with pierced scroll shoulders, size R ½.
Possibly for Colour Sergeant Beare who served with the 53rd Shropshire Regiment of Foot during the Indian mutiny. 1336. A George III emerald and diamond cluster ring, the emerald cut emerald within foliate design diamond surround in silver and gold closed back mount. Size P. £1,000-1,500 1337. A gold signet ring, mounted with an oval shaped carnelian intaglio, probably Roman and depicting a seated warrior. Pierced shoulders. Size M. £200-250 Part of the bezel has been set over a fault on the border of the intaglio. 1338. A gold ring mounted with a hardstone intaglio (possibly Roman). The pavé set oval stone engraved with a standing woman. The shank with beaten effect texture. Size L ½. £300-400 1339. An opal and diamond ring, the three graduated opals are set with old circular cut diamonds in carved and pierced yellow gold mount. Size L ½. £200-300 1340. A Victorian snake ring, the coiled serpent with diamond set eyes in yellow gold. Size O ½.
1341. A ruby and diamond half hoop ring, the graduated oval shaped rubies set with circular cut diamonds in carved and pieced yellow gold mounts. Size O. £300-400 1342. A gold and enamel ring, alternately formed oval and circular sections, with the blue enamel initials IDS with red enamel Maltese crosses between and an additional red Maltese cross inside. Size V. £130-180 1343. A red stone set gold ring, possibly Roman. Mounted with a red oval cabochon stone (possibly ruby). Within a fluted border. Size H. £300-400 1344. A 19th Century gold filigree chain, the clasped tongue stamped GP and a lozenge mark (probably French) 94cm. 29g. £1,500-2,000 1345. A gold posy ring, probably 18th century, engraved ‘True Love Is Endlefs’. Marked WC in Gothic (or possibly DM). 3.86mm wide. 2.7g. £600-800 1346. A gold posy ring, probably 18th century, engraved ‘NO RECOMPENCE * BT * REMEMBRANCE’ 4.11mm wide. Size O. 3.0g. £500-700 1347. A silver gilt posy ring, probably 18th Century, engraved ‘I AM YOVRES BE MYNE’ 6.49mm wide. Size P. 5.6g.
1348. A wide gold posy ring, probably 18th century. Engraved with a cross. ‘I LIKE MY CHOYCE’ with stylised fleur de lys. 5.59mm wide. Size O. £600-800 1349. A gold posy ring, probably 18th century, engraved ‘True Affection Fears not’ Marked IS. 3.6mm wide. Size S. 3.8g.
1350. A gold posy ring, probably 18th century, engraved ‘Be True To Me As I To Thee’. Marked IC. 2.84mm wide. Size P ½. 1.9g. £400-600 1351. A gold posy ring, probably 18th century, with carved foliate pattern, engraved ‘*AXCEPT* THIS* GIFT*’ 2.75mm wide. Size K ½. 1.0g. £300-400 1352. A three section gold Fedé Gimmel ring, of traditional form. The clasped hands with engraved decoration at the wrist and concealing a heart. Probably 19th century. Size E ½. 3.6g. £300-400 1353. An early 19th century two row diamond half hoop ring, set with small cushion shaped diamonds in silver and gold. With foliated birfucated shoulders and fluted half shank. Size N ½. £300-400 1354. A ruby five stone ring, the graduated cushion shaped rubies are set in yellow gold. Size J. Case by Hunt & Roskell.
1355. A pearl set gold heart pendant, the yellow gold heart pavé set with seed pearls and central keyhole. Inscription to reverse. 1.8cm wide. £300-400 1356. A Victorian gold locket pendant, with blue enamel crosshatch decoration surrounding rose cut diamonds and seed pearls. 3.2cm wide. £80-120 1357. An opal and diamond flower head pendant, the pear shaped white opal petals set within circular cut diamonds in silver and gold. Suspending from a further circular opal. On fine link neck chain. The pendant 2.5cm wide. The chain 46cm total. £600-800 1358. An Edwardian heart shaped locket pendant, pavé set with seed pearls and centred with a small circular cut diamond. Glazed locket compartment to the reverse. On a fine link gold neck chain. 1.5cm wide. £100-200 1359. A ruby and diamond bow brooch, pavé set with graduated circular cut diamonds within calibré cut ruby borders in platinum and gold. £2,200-3,000 1360. A 19th century heart shaped diamond brooch, centred with a cushion shaped diamond and millegrain set within a surround of graduated further diamonds in silver and gold. The heart 1.7cm wide. Fitted case by Tessier. £1,000-1,500 1361. A topaz and diamond bar brooch, the circular cut pink topaz set with an old circular diamond to each terminal. 4cm wide. Fitted case by Goldsmiths & Silversmiths Company. £200-300 1362. An aquamarine and diamond set cluster ring, the emerald cut aquamarine is millegrain set within a surround of circular cut diamonds in platinum. Size L. £1,300-1,500 1363. A rectangular shaped diamond cluster ring, millegrain set with old circular cut diamonds in yellow and white gold. Size J. £400-600 1364. A navette shaped diamond cluster ring, the old cut diamonds pavé set in yellow gold. Size Q.
1365. An early 20th century turquoise and diamond set necklace, set with graduated turquoise cabochons and old circular cut diamonds in gold. 42cm. £2,000-3,000 1366. A diamond cluster ring, set with eight old circular cut diamonds and diamond pointers, in yellow gold. Size M.
1367. An emerald and diamond cluster ring, the cabochon emerald weighs approximately 10.00cts and is rubover set within a surround of cushion cut diamonds in platinum and yellow gold. Size N (approximately). £2,500-3,000 1368. A natural freshwater pearl and diamond ring, the two freshwater pearls are pavé set with small circular cut diamonds in platinum. Size J ½. £1,500-2,000 Accompanied by report number 0128477 dated 24th June 2008 from The Gem Testing Laboratory of Great Britain stating that the part-drilled button shaped pearl measures 9.00 - 9.11 x 6.39mm, weighs 3.90cts and is a natural pearl. And accompanied by report number 0128474 dated 24th June 2008 from The Gem Testing Laboratory of Great Britain stating that the part-drilled button shaped pearl measures 9.17 - 9.21 x 7.33mm, weighs 4.46cts and is a natural pearl. 1369. A 19th century aquamarine and diamond pendant, the bow design set with rose cut diamonds and suspending a central heart shaped aquamarine in silver and gold. 4cm long. Fitted case. £200-300 1370. A pair of sapphire and diamond drop earrings, the oval shaped sapphires suspend from circular cut diamonds in platinum and white gold. Case. £2,500-3,500 1371. A coloured stone cross-over ring, millegrain set with a circular cabochon green stone and a circular yellow stone with rose cut diamond shoulders in platinum and gold. Size N. £300-600 1372. An emerald and diamond cluster ring, the cushion shaped emerald is millegrain set within a surround of circular cut diamonds in yellow gold and platinum. Size M ½. £300-400 1373. A navette shaped gold ring, pavé set with cushion shaped diamonds. Size O.
1357 1358 1362 1368
1367 1365 1366
1374. A cabochon sapphire and synthetic sapphire and diamond ring, the oval shaped cabochon sapphire weighs approximately 11.00cts and is set with four small diamonds and synthetic sapphires in platinum. With foliate engraved decoration. £1,500-2,000 1375. An aquamarine and diamond ring, the emerald cut aquamarine with scrolling baguette shaped diamond shoulders. In platinum. Size P. £1,800-2,000 1376. A diamond cluster ring, the old circular cut diamond is set within a surround of twelve smaller diamonds in platinum. Size P ½. £1,600-2,000 1377. An Edwardian aquamarine seed pearl and diamond pendant, mounted with four graduated aquamarines in gold and platinum on a fine link platinum neck chain. £600-800 1378. An opal solitaire ring, the solid white opal is claw set in yellow gold foliate mount. Size N. £400-600 1379. An Edwardian sapphire and diamond bracelet, millegrain set with a cabochon sapphire and two circular cut diamonds within pavé set sapphires and diamonds, in yellow gold and platinum. 18.3cm. £1,700-2,000 1380. A Belle Époque diamond pendant, of stylised palmette design, millegrain set with a central pearl and graduated diamonds in pierced scroll surround. Suspending an articulated line of graduated diamonds in platinum and gold. 5.5cm wide. £8,500-10,000 1381. A French sapphire and diamond stick pin, of circular gold hammered effect design and mounted with three mixed cut sapphires and a rose cut diamond. French marks to pin. 1.5cm wide. £150-250 1382. A diamond set pheasant brooch, pavé set with circular and rose-cut diamonds in gold. Enamel decoration (some damage) to head. 4cm. £200-300 1383. A pair of Art Deco dyed chalcedony, diamond and black enamel mounted gold drop earrings, the chalcedony hoops suspend from a line of diamonds and diamond set gold mounted decorated with black enamel. 6.5cm high. Case. £2,000-3,000 1384. A rock crystal sapphire and diamond bracelet, the octagonal carved rock crystal panels alternately surmounted with a sapphire or diamond in carved and pierced platinum and gold millegrain surround. 18.2cm long. Case. £600-800 1385. A Victorian diamond set wish bone brooch, the realistically formed wishbone set with graduated old cut diamonds in silver and gold. 3cm wide. Fitted case by Franklin & Hare. £300-400 1386. A diamond set fox mask brooch, the realistically formed fox mask pavé set with rose cut diamonds in platinum and gold. 5.2cm wide. Case by Plante. £100-150 1387. A large and dark oval shaped sapphire and diamond cluster ring, the sapphire is millegrain set within a surround of small cushion shaped diamonds in platinum. £500-700 1388. A scroll brooch set with three sapphires and small diamonds, set with a pink, light blue and yellow sapphire with smaller diamonds in silver and gold. 3.5cm long. £400-600 1389. A 19th century gold miniature egg pendant, set with polychrome micromosaic decoration within fine wirework borders. 2cm high. £400-600
1390. An emerald and diamond cluster ring, the emerald cut emerald is set within a surround of sixteen old circular cut diamonds in platinum and gold. Size N. £800-1,200
1391. A Victorian turquoise and diamond alternating rings of turquoise cabochons and pendant loop, on a fine link gold neck chain. Inscribed Clan Maud Nov 18 1869. 2.6cm wide.
gold locket pendant, the circular pendant set with rose cut diamonds, suspending from a turquoise set Glazed locket compartment to reverse containing hair. Fitted case by Hunt & Roskell. £400-600
1392. A micro mosaic gold pendant locket, depicting an insect within foliate micro mosaic border, the reverse with cannetille decoration and spelling ROMA. £1,200-1,500
1393. Of Archery Interest: An impressive Victorian gold and turquoise necklace and pendant, the fine gold mesh choker length necklace mounted with four turquoise cabochons and suspending a gold scroll locket pendant pavé set with turquoise cabochons. Fitted case by Martin, Baskett & Co, Cheltenham. £4,000-5,000 The case embossed in gold 1st Prize G. N. A. M. (Grand National Archery Meeting) Cheltenham, won by Harriet Caroline Chetwynd. Hits 128. Score 634. 1857.
1394. A Stuart crystal memento mori ribbon slide, centred with gold wirework initials MB on a plaited hair ground and flanked to each side with an enamel angel, both holding a coronet and an enamel skeleton to the centre, beneath rose cut rock crystal. Engraved gold collet and further engraving to the arms. Circa 1690. 2.9cm wide. £500-700
1395. A Victorian diamond set sunburst brooch, the central diamond cluster within swirling diamond set surround, in silver and gold. 2.5cm wide. £400-600
1396. A 19th century pear shaped rock crystal pendant, mounted in gold. 2.8cm wide.
1397. A Victorian turquoise and diamond set gold bracelet, the central circular panel set with a circular cut diamond within alternating surrounds of turquoise cabochons and rose cut diamonds. On a graduated cylindrical link band. 18cm long. Fitted case by R & S Garrard & Co., 25, Haymarket. £4,000-5,000 Garrard were located at this address from 1843-1909.
1398. A Victorian cruciform pendant, the topaz and emeralds are set in a gold cannetille mount and suspended from a foliate engraved gold suspension loop. 4cm wide. £2,800-3,500
1399. A 19th century gold cruciform pendant, centred with a monochrome picture of Athena. Mounted with four turquoise cabochons. 3.7cm high. £250-350
1400. A Victorian gold bracelet, the clasp pavé set with turquoise cabochons and rose cut diamonds and with two rows of turquoise coloured paste intaglios depicting ancient characters. Fitted case by Tessier. With two spare paste intaglio links and a suspension loop set with a turquoise cabochon and two diamonds. £400-600
1401. A 19th Century jasper bracelet, the graduated oval shaped jasper cabochons set in gold cut down collet mounts. 17cm long. With similar circular jasper pendants, one with a stylised snake design bale. £400-600
1402. A tanzanite and diamond cluster ring, the marquise shaped tanzanite is set within a surround of circular cut diamonds in white gold. Size M ½. £1,000-1,500 1403. A sapphire and diamond cluster ring, the oval shaped sapphire is set within a surround of eight round brilliant cut diamonds in platinum. Size Q. £1,000-2,000 1404. An opal and diamond cluster ring, the circular solid black opal cabochon is set within borders of small circular cut diamonds in platinum. Size L. £1,300-1,500 1405. A ruby and diamond cluster ring, the oval shaped ruby weighs approximately 6.10cts, set within a surround of twelve circular cut diamonds in yellow gold shank. Size S ½. £3,000-4,000 1406. A pair of fire opal and diamond drop earrings, the oval shaped fire opals suspend from an articulated line of graduated circular cut diamonds in platinum. 3.6cm long. Case. £3,000-4,000 1407. A pair of zircon and diamond drop earrings, the oval shaped blue zircons suspend from a line of graduated circular cut diamonds in gold. 2.5cm long. £1,200-1,500 1408. A large emerald and diamond bombé shaped ring, the emerald cut emerald weighs approximately 9.00cts, within pavé set circular cut diamonds and further pear shaped sapphires, in platinum. Size N ½. £1,500-2,000 1409. A pair of aquamarine and diamond set drop earrings, the heart shaped aquamarines suspend from six graduated circular cut diamonds in platinum and gold. Case. £2,500-3,500 1410. A diamond pendant, the two circular cut diamonds weigh approximately 1.15cts in total, set in white gold. On fine link white gold neck chain. £1,200-1,500 1411. An amethyst, diamond and demantoid garnet pendant, the cabochon amethyst set within a surround of alternating circular cut diamonds and demantoid garnets. Suspended from a further circular cut diamond in yellow and white gold, 4cm long. On fine link yellow gold neck chain, 39cm long. £600-800 1412. A diamond solitaire ring, the circular cut diamond weighs approximately 2.50cts and is set in white gold. Size P ½.
1413. A coloured and white diamond set triple cluster ring, the centre cluster with a central light green diamond and the shoulder clusters with a smaller green/blue coloured diamond. Set in platinum. Size N. £400-600 The coloured diamonds have not been tested for treatment. 1414. A diamond solitaire ring, the round brilliant cut diamond weighs 4.45cts and is set in platinum with pavé set diamond shoulders. Size H ½. £18,000-25,000 Accompanied by report number 611 K9 G15 27452 dated 8th November 2013 from BGI (British Gemmological Institute) stating that the diamond measures 10.60 x 10.80 x 6.37mm, weighs 4.45cts with I colour, SI 1 clarity. 1415. A diamond three stone ring, the graduated emerald cut diamonds weigh approximately 1.60cts in total. Set in white gold. Size M. £1,500-2,000 1416. A pair of diamond set yellow and white gold stylised garland form earrings by Sterlé, 3.7cm high. Both signed Sterlé Paris and numbered 70608. £2,000-3,000 1417. A sapphire and diamond necklace, set with pairs of baguette shaped diamonds and circular cut sapphires in platinum. Stylised bow set clasp set with tapered baguette shaped diamonds and a marquise shaped diamond. 38cm. £5,500-6,500 1418. A pair of gold twisted design drop earrings, the yellow gold spirals hang from triangular gold sections. Signed Electra. 5.2cm long. 14g. £500-700 1419. A pair of coral and diamond drop earrings, each dark red coral bead suspends from white gold hoops and black enamel decoration and three diamonds. 6cm. £1,500-2,000
1404 1403 1408
1412 1407 1406
1420. A pair of emerald and diamond drop earrings, the emerald cut emeralds millegrain set within a surround of circular cut diamonds. Suspended from an articulated line of graduated diamonds in white gold. 2.7cm long. £4,000-6,000
1421. A French emerald and diamond bombé shaped ring, with pavé set diamonds and a central cabochon emerald in yellow gold. French control marks. Size L. £7,000-9,000 Accompanied by report number 08167 dated 16th July 2013 from The Gem and Pearl Laboratory stating that the emerald measures 14.7 x 10.4 x 7.5mm and is a natural emerald with moderate clarity enhancement present.
1422. An emerald and diamond ring, the centre oval shaped emerald weighs approximately 4.50cts and is set with two baguette shaped shoulder diamonds and smaller circular cut diamonds in platinum. Size N. £8,000-10,000
1423. A pair of diamond set white gold drop earrings, with pink and green plique-à-jour enamel decoration. 6cm.
1424. A two row cultured pearl necklace, the cultured pearls graduate from 6.8 - 9.5mm. With ruby and diamond set 18ct white gold clasp. 45.5cm (longest). £300-400
1425. A sapphire and diamond three stone ring, the oval shaped sapphire is set with two tapered baguette shaped diamonds in platinum and white gold. Size K ½. £800-1,200
1426. A diamond solitaire ring, the circular cut diamond weighs approximately 1.20cts and is set in yellow gold. Size O ½.
1427. A fancy coloured diamond solitaire ring, the oval shaped yellow diamond weighs approximately 1.05cts. The shoulders pavé set with smaller white diamonds in platinum. Size K. £1,500-2,000
1428. A realistically formed diamond set platinum violin brooch, pavé set with graduted circular cut diamonds to the body, scroll and tuning pegs. 5.2cm long. £1,500-3,000
1429. A large and impressive sapphire and diamond ring, the cushion shaped sapphire weighs 17.72cts and is set within a surround of sixteen round brilliant cut diamonds in platinum and white gold. £10,000-15,000 The sapphire has been re-mounted in a modern setting. Accompanied by report number 09086 dated 10th December 2013 from The Gem and Pearl Laboratory stating that the rectangular cushion shaped sapphire measures 14.68 x 13.94 x 9.30mm, weighs 17.72cts and is a natural sapphire with no evidence of heat treatment and of Sri Lankan origin.
1430. A tanzanite and diamond cluster ring, the oval shaped tanzanite weighs approximately 3.90cts and is set within a surround of fourteen circular cut diamonds in white gold. Size O. £1,500-2,000
1431. A gem set gold bar brooch, signed Tallarico. Centred with a cabochon ruby, sapphire and emerald and bands of calibré cut rubies on pavé set diamond ground, with pear shaped blister pearl terminals. 8.2cm. £500-700
1432. A pair of cultured South Sea pearl and diamond drop earrings, the two slightly drop shaped pearls measure approximately 15mm wide. The suspension mount pavé set with graduated circular cut diamonds and a stylised coronet upper section set with graduated circular cut and baguette cut diamonds in white gold. £3,000-4,000
1433. A South Sea cultured pearl and diamond ring, the cultured pearl measures approximately 13.4mm wide and is set with a tapered baguette to each shoulder. Size M. £800-1,200
1434. A diamond flower head line bracelet, of undulating design and set with circular brilliant cut diamonds totalling approximately 2.75cts in white gold. 17cm long. £200-300
1435. A diamond bracelet, formed with rectangular white gold links set with baguette-shaped diamonds within borders of circular cut diamonds. Approximately 5.00cts in total. 17cm £3,000-4,000
1433 1435 1434
1436. A gold ring set with various coloured stones including sapphires, with a similar pair of coloured stone set earrings and a double clip brooch. £800-1,200
1437. A pair of diamond set scroll earrings by Van Cleef & Arpels, C1939, set with graduated baguette shaped and round diamonds in platinum. The clips markes V C A, 50670 and French control marks. Associated case. £5,000-7,000
1438. A pair of French gold gem set tortoise brooches, each realistically formed animal has graduated cabochon sapphires or cabochon emeralds set to its shell. Each with French control marks and one signed Eliakim. £3,500-4,000
1439. A gem set hair comb by David Morris, the upper gold section set with mother of pearl and onyx within a line of circular cut diamonds. 6.5cm wide. £500-700
1440. A pair of ruby and diamond orchid design earrings, the petals invisibly set with rubies and pavé set with circular cut diamonds and further diamond set stamens in platinum and white gold. French control marks to clips. 2.7cm wide. £3,500-5,000
1441. A fancy coloured diamond cluster ring, the cinnamon coloured cushion shaped diamond weighs approximately 2.00cts. Set within geometric pierced diamond surround. Size N. £4,000-5,000
1442. A diamond set bracelet, C1950, the geometric design set with a central circular cut diamond weighing approximately 1.10cts within pavé set graduated chevron design diamond surround and articulated lines of circular cut diamonds in platinum. 17.5cm long. £9,000-12,000
1443. A realistically formed gold and enamel tiger’s head brooch, the eye set with a diamond. With pendant loop. 2.7cm wide. £1,800-2,500
1444. An Art Deco sapphire and diamond bracelet, the seven hinged platinum links are set with sapphires and diamonds and are each joined by a smaller sapphire and diamond link. The clasp tongue stamped SH 82/106. Fitted case by Garrard. £2,000-3,000
λ 1445. A nine section gold hinged bracelet, each panel mounted with a rounded ivory section and separated with links, each set with three diamonds. Unidentified marks to the clasp tongue. 8.3cm. £1,000-2,000
1446. A pair of diamond ear studs, the old cut diamonds weigh approximately 2.35cts in total. Set in gold. £2,000-3,000
1447. A pair of emerald and diamond drop earrings, of geometric design, the emerald cut diamonds suspend a central row of emeralds within baguette shaped diamond fringe, suspending a central triangular cut emerald and a further trim of emeralds below, in platinum. 4.6cm long. £2,000-3,000
1448. A large and impressive aquamarine mounted gold brooch, the emerald cut aquamarine measures 26 x 19 x 13mm, which calculates to approximately 51cts. Set with smaller baguette shaped aquamarines in an abstract form yellow gold mount. £3,000-4,000
1449. An emerald and diamond five stone ring, set with three emerald cut emeralds interspaced with emerald cut diamonds in yellow gold. Size M. £15,00-2,000
1450. An emerald and diamond scroll bracelet, set with nine emerald cut emeralds to the tapered baguette shaped diamond links and within a border of graduated marquise shaped diamonds. 18.5cm. £5,000-7,000
1451. An diamond set platinum clip brooch, the scroll section pavé set with circular cut diamonds and containing a line of baguette shaped diamonds. 2.9cm. Various marks including a French control mark. £2,000-3,000
1452. A diamond three stone cross-over ring, the three graduated old circular cut diamonds are millegrain set in gold and platinum. Size Q. £400-600
1453. A diamond dress ring, the bombé ring mounted with two old circular cut diamonds which weigh approximately 2.15cts in total, in rubover setting and set within a surround of graduated circular cut diamonds. With further diamond set shoulders in white gold. Size M. £3,500-4,000
1454. An 18ct gold twisted scrolling open work brooch mounted with turquoise cabochons and a matching pair of turquoise set gold earrings. 32g in total. £300-400
1455. An abstract design diamond set gold ring, the open work yellow gold bombé shaped ring set with graduated circular cut diamonds to the centre. Size P. £300-400
1456. An early 20th century diamond plaque ring, millegrain set with three graduated old circular cut diamonds within pierced symmetrical design diamond surround. In carved and pierced platinum mount. Size M. £2,500-3,000
1457. A diamond and sapphire cluster ring, C1930. Centred with two rows of six rectangular shaped diamonds within a surround of smaller diamonds and borders of calibré cut sapphires in platinum. Size N. £2,000-3,000
1458. A ruby and diamond clip brooch, C1930. Mounted with scrolls of circular cut and baguette shaped diamonds and two rows of oval shaped rubies in white gold and platinum. Fitted case. £5,000-7,000
1459. A modern pierced and textured gold bombé ring, set with circular cut green stones and small diamonds. Size M. 20g. £350-450
1460. A pair of diamond set crown cufflinks, the back sections marked 56 and BA. Some diamonds missing and some replaced. £1,200-1,500
1461. A Russian fancy link long guard chain, the flat circular quadruple links with Russian marks to the bolt ring and swivel clip, 156cm. 23g. £400-600
1462. A gem set gold and enamel brooch by Fabergé, the oval brooch centred with a cabochon sapphire millegrain set within a surround of rose cut diamonds on an opalescent cream guilloche enamel ground and applied with laurels. Tied reeded border. Fluted back. The pin stamped with the initials KF in cyrillic and with an obscure mark, probably a Kokoshnik. Further rubbed marks to the pin hook. Fitted Fabergé hollywood box. The brooch 3cm wide. The box 5.5cm wide. £6,000-8,000
1463. A Russian gold oval shaped locket pendant, the hinged cover decorated with light green guilloche enamel and set with a small diamond. The suspension loop marked with 56, kokoshnik and initials. 2.7cm wide. Suspended from a gold fine link neck chain with Russian marks to the clasp. £1,500-2,000
1464. A Russian miniature egg pendant by Fabergé, the gold egg with gold foliate decoration on blue enamel ground and set with small diamonds. Damage to the enamel. The suspension loop with Russian marks and cyrillic KF. 2cm high (including bale). And a Russian miniature egg pendant by Fabergé, the gold egg with yellow guilloche enamel decoration (damaged). The suspension loop with Russian marks and signed KF in cyrillic. 1.8cm high (including bale). £2,500-3,000
1465. A Russian diamond set gold and enamel brooch, centred with a diamond set crown on oyster coloured guilloche enamel oval ground within a tied laurel two colour gold wreath. The shoulders millegrain set with graduated diamonds. Kokoshnik to rim, the pin with obscure mark, probably a Kokoshnik. £5,000-7,000 The Monomakh crown is an Imperial emblem and indicates that the brooch was probably a presentation piece.
1466. A Russian silver inverted U form brooch, with enamel cyrillic writing and two cockerels. The reverse stamped 84 zolotnik with Moscow mark and maker’s initals. Missing pin. 3.5cm wide. £200-300
λ 1467. A Russian gold curb link bracelet, the clasp tongue with Russian marks, suspending an ivory egg form pendant which unscrews to the centre revealing a miniature carved chick. Together with a foliate pierced spherical pendant set with five diamonds, an egg shaped lapis lazuli pendant set with small diamonds, a green stone egg form pendant set with small diamonds. A gold egg pendant applied with a gold flower, and a small gold egg pendant with damaged enamel decoration. £2,000-3,000 1468. A Russian coloured stone and diamond set bracelet, set with two cabochon sapphires, rubies and an emerald with six further graduated circular cut diamonds in gold and silver, with further articulated gold links with foliate engraved sides set with small diamonds. The clasp tongue stamped with a Kokoshnik and obscure number, possibly 72. 19cm. In fitted case with Russian name and ‘Mockba’ stamped to the silk lining. £3,000-4,000
1469. A diamond set brooch modelled as a biplane, C1930, millegrain set overall with graduated circular cut diamonds in silver and gold. 2.7cm long. Cased. £2,000-2,500 The current owner’s grandmother received the brooch in 1930 from her husband to celebrate Amy Johnson’s 11,000 mile flight from London to Australia in the same year. The brooch is said to have been modelled on Amy’s plane, a de Haviland Gypsy Moth. 1470. A diamond cluster ring, set with graduated circular cut diamonds in a pierced platinum mount. Size P. £1,500-2,000 1471. A topaz, pearl and diamond brooch, the rectangular cushion shaped topaz is set within an oval surround of alternating pearls and diamonds in gold. 2.5cm wide. £1,500-2,000 1472. An early 20th century pink topaz and aquamarine fringe necklace, the graduated marquise shaped topaz and oval shaped aquamarines suspend from a gold chain mounted with smaller alternating oval topaz and aquamarines in yellow gold. 44cm long. Fitted case by G. C. Symonds, Northampton. £1,000-1,500 1473. An Art Nouveau diamond brooch pendant, the central diamond weighs approximately 1.00cts, millegrain set overall with old circular cut and rose cut diamonds, and suspending a further pear shaped diamond, within scrolling foliate surround in platinum and white gold. With detactacble brooch fitting. 6.5cm wide. Case by Carrington & Co. £2,000-3,000 1474. A pair of diamond and freshwater pearl spray earrings, each button shaped pearl is set within a surround of marquise and baguette shaped diamonds in platinum. £3,500-4,000 Accompanied by report number 0128478 dated 24th June 2008 from The Gem Testing Laboratory of Great Britain stating that the part-drilled button shaped pearl measures 9.22 - 9.28 x 5.78mm, weighs 3.69cts and is a natural pearl. Accompanied by report number 0128480 dated 24th June 2008 from The Gem Testing Laboratory of Great Britain stating that the part-drilled button shaped pearl measures 9.04 - 9.20 x 5.20mm, weighs 3.23cts and is a natural pearl. 1475. A diamond and demantoid garnet set stick pin, the triangular diamond set with three circular cut demantoid garnets in silver and gold. Case by Tessier. £300-400 1476. A three stone sapphire ring, the three oval shaped sapphires are set with six rose cut diamonds in yellow gold with scroll carved shoulders, size J ½. Case. £500-700 1477. A sapphire and diamond cluster ring, the slightly oval shaped sapphire weighs 4.98cts and is millegrain set within a surround of twelve graduated old circular cut diamonds in platinum. Size L ½. £5,000-7,000 Accompanied by report number 09016 dated 1st December 2013 from The Gem and Pearl Laboratory stating that the sapphire measures 10.22 - 10.88 x 5.11mm, weighs 4.98cts, and is a natural sapphire with no evidence of treatment and of Sri Lankan origin. 1478. A sapphire and diamond line bracelet, millegrain set with a central line of rectangular cut sapphires within circular cut diamond borders and a central sapphire and diamond cluster in platinum and white gold. French control marks and makers lozenge. 17.5cm long. £8,000-12,000 1479. A fire opal and diamond cluster ring, the cushion shaped opal is set within a surround of circular cut diamonds in yellow gold and white gold. Size M. £1,500-2,000
✣ 1480. A ruby and diamond full circle eternity ring, the centre oval shaped ruby weighs 1.64cts and is set with two smaller rubies and circular cut diamonds in platinum. Size N.
Accompanied by report number 09033 dated 3rd December 2013 from The Gem and Pearl Laboratory stating that the rectangular cushion shaped ruby measures 7.62 x 6.47 x 3.43mm, totalling 1.64cts, and is a natural ruby with no evidence of treatment and of Burmese origin.
1477 1480 1478 1479
1481. A Fabergé gold and gem set enamel miniature frame. Workmaster Viktor Aarne, St Petersburg. The oval glazed centre contains a photograph within a seed pearl border and green guilloche enamel ground. The white and gold enamel surround with cabochon red stones set to the extended terminals (one missing) and wrapped in three colour gold floral swags. Silver scroll hinged strut to the mother of pearl back. 4.9cm high (including terminals). £10,000-15,000 Marks: the frame base signed Fabergé in cyrillic. BA. Kokoshnik with 56 and α. The silver strut, 88 and BA. Scratched inventory numbers, 7794, and probably 6839 and 5161 (both cancelled with a scratch). Provenance: Given by Queen Alexandra to her Maid of Honour the Hon. Violet Vivian; Lady Irene Astor, Baroness Astor of Hever (1919-2001) and thence by family descent.
The Hon. Violet Vivian.
reverse – actual size
Silver Tuesday 21st & Wednesday 22nd January 2014
ENQUIRIES Rupert Slingsby Tel: +44 (0)1722 424501 email@example.com Lucy Chalmers Tel: +44 (0)1722 424594 firstname.lastname@example.org
A set of four Victorian silver candlesticks, by Charles Stuart Harris, London 1876. Estimate: £3,500 - £4,500
Tribal Art Tuesday 11th February 2014
Aboriginal, Isle of Pines and other South Seas artefacts collected in the 1850â€™s by Captain the Hon. Louis Hope.
ENQUIRIES Will Hobbs Tel: +44 (0)1722 339752 email@example.com
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CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.
PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds TSB, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported.
ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 Lots marked with a ‡ symbol are potentially subject to the levy. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping
01582 493 099 email@example.com www.albanshipping.co.uk
0800 118 5868 firstname.lastname@example.org 07736 544 362 www.apservices.info
01264 360 333 email@example.com www.mbe.co.uk/andover
Pack & Send
0845 465 0564 firstname.lastname@example.org www.packsend.co.uk
The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/
SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.
12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.
TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.
6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).
6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.
7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.
8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.
8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).
7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.
9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.
11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.
CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.
2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due (b) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (c) No purchase can be claimed or removed until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.
10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.
PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.
BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.
GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.
ARTIST’S RESALE RIGHT / DROIT DE SUITE
21. English law applies to the interpretation of these Conditions.
Lots marked with a ‡ symbol are potentially subject to the levy.
Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500
Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.
Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.
INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.
We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales. Contact Christine Johnson 01722 424509
For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.
FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.
Woolley & Wallis valuations are accepted by all leading insurance companies.
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Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury Wiltshire SP1 3SU Registered in England No. 2998482 VAT No: 631 9832 29 in association with Woolley & Wallis, Chartered Surveyors Design & Production by Jamm Design Tel. 020 8901 7522
WOO L LE Y & WA L LI S Absentee Bid Form
PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order
Price Excluding buyer’s premium & VAT
Thursday 23rd January 2014 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)
Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.
Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508
AUCTION CALENDAR FURNITURE & WORKS OF ART 7th January 1st April 8th July Will Hobbs +44 (0) 1722 339752 • email@example.com Mark Richards +44 (0) 1722 411854 • firstname.lastname@example.org SILVER 21st and 22nd January 29th & 30th April 22nd & 23rd July Rupert Slingsby +44 (0) 1722 424501 • email@example.com Lucy Chalmers +44 (0) 1722 424594 • firstname.lastname@example.org JEWELLERY 23rd January 1st May 24th July Jonathan Edwards +44 (0) 1722 424504 • email@example.com Marielle Whiting +44 (0) 1722 424595 • firstname.lastname@example.org TRIBAL ART 11th February 19th June Will Hobbs +44 (0) 1722 339752 • email@example.com CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS 19th February 30th July Richard Price +44 (0) 7741 242421 • firstname.lastname@example.org
• Entries can usually be accepted up to six weeks prior to auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk
ENGLISH & EUROPEAN CERAMCIS & GLASS 25th February – Fine Porcelain & Pottery 7th May Clare Durham +44 (0) 1722 424507 • email@example.com 20TH CENTURY DESIGN 5th March – Clarice Cliff & Art Deco 18th June – Arts & Crafts Michael Jeffery +44 (0) 1722 424505 • firstname.lastname@example.org PAINTINGS 19th March 4th June – Modern & Contemporary Victor Fauvelle +44 (0) 1722 424503 • email@example.com Jo Butler +44 (0) 1722 424592 • firstname.lastname@example.org ASIAN ART 21st & 22nd May 12th & 13th November John Axford +44 (0) 1722 424506 • email@example.com Sophie Lister +44 (0) 1722 424591 • firstname.lastname@example.org MODERN BRITISH ART 26th November Michael Jeffery +44 (0) 1722 424505 • email@example.com Victor Fauvelle +44 (0) 1722 424503 • firstname.lastname@example.org