Woolley & Wallis Auctioneers

SPECIALIST DEPARTMENTS

Please dial +44 (0)1722 followed by the number listed below

SILVER

Rupert Slingsby 424501 Lucy Chalmers 424594

20TH CENTURY DESIGN

Michael Jeffery 424505 Zoe Smith 446955

AFRICAN & OCEANIC ART

ANTIQUITIES

Will Hobbs 339752 Molly O’Reilly 446980

ASIAN ART

John Axford MRICS ASFAV 424506

Alexandra Aguilar 424583

Freya Yuan­Richards 424589

Jeremy Morgan +44 (0)7812 601098 Michelle Yu 424571 Sophie Moore 424591 Nelson Chui 424591

CHINESE PAINTINGS & CALLIGRAPHY

Freya Yuan­Richards 424589 Michelle Yu 424571

ENGLISH & EUROPEAN CERAMICS & GLASS

Clare Durham 424507 Hollie Morrison 446964

FURNITURE, WORKS OF ART & CLOCKS

Mark Yuan­Richards 411854 Neil Grenyer 446974 Jim Gale 339161 Sarah Stone 339161 Victoria Elwell 339161

JAPANESE ART

Alexandra Aguilar 424583

JEWELLERY

Marielle Whiting FGA 424595

Jonathan Edwards FGAA (Consultant) 424504

Samuel Hug FGA DGA 424586 Megan Corbett 424562

MEDALS & COINS, ARMS & ARMOUR

Ned Cowell 341469 Molly O’Reilly 446980

PAINTINGS

Victor Fauvelle 446961

Ed Beer 446962

Hannah Farthing 446970

VALUATIONS FOR INSURANCE & PROBATE

Jeremy Lamond MRICS ASFAV FRSA 424502

Neil Grenyer 446974

Amanda Lawrence 424509 Archie Swann (Trainee Valuer)

GENERAL OFFICE

Ruth Pike (Office Manager) 424500 Sarah Bennie Serina Tandy­Cockram Nicola Young

CASTLE GATE RECEPTION Sally Litherland

MARKETING

Chloe Davie 446951 Lucinda Phillips ACCOUNTS

Sharon Ringwood Anna Gentleman

BOARD OF DIRECTORS

John Axford MRICS ASFAV Chairman

Natalie Milsted FCCA Managing Director

ASSOCIATE DIRECTORS

Alexandra Aguilar Clare Durham

Victor Fauvelle Will Hobbs

Michael Jeffery Jeremy Lamond MRICS ASFAV FRSA Rupert Slingsby Marielle Whiting FGA Freya Yuan­Richards Mark Yuan­Richards

TUESDAY 24TH & WEDNESDAY 25TH JANUARY 2023

10.00AM

at our Castle Street Salerooms, SP1 3SU

VIEWING WILL TAKE PLACE AT OUR CASTLE STREET SALEROOMS

Saturday 21st January 10.00am – 1.00pm

Monday 23rd January 10.00am – 4.00pm

Tuesday 24th January 9.00am – 9.45am (Day 2 until 4.00pm)

Wednesday 25th January 9.00am – 9.45am

PLEASE NOTE THIS IS A TWO DAY SALE

DAY ONE : LOTS 1 - 323

DAY TWO : LOTS 324 - 633

BUYER’S PREMIUM

Each lot is subject to a Buyer’s Premium of 25% plus VAT

TELEPHONE BIDDING

Requests for telephone bids cannot be accepted after 5pm on Monday 23rd January

CONDITION OF LOTS

Buyers are advised to obtain a full condition report prior to bidding, as descriptions do not necessarily list all faults

COLLECTIONOF

LOTS BY APPOINTMENT

All lots will be cleared to our Castle Gate office on Friday 27th January. Collection on this date should be made after 1pm

All accounts to be settled prior to collection

EXPORT AND CITES LICENSES

Some lots will require export or CITES licences in order to leave the UK or Europe, please refer to the department for guidance

Silver weights in the catalogue are in Troy ounces

Rupert Slingsby 01722 424501 rs@woolleyandwallis.co.uk

Lucy Chalmers01722 424594 lc@woolleyandwallis.co.uk

1 A collection of six framed late 18th and early 19th century receipts relating to silver, including: three from Joseph Savory and Co., of 48 Cheapside, for various items including a pair of snuffer’s trays and Fiddle Head flatware, one dated 24 August 1786, one dated 12 March 1812, Yeeling Underwood, Working Cutler, March 8th 1821, one from Edmund Sporle, Cutler, January 1810, and six smaller receipts in one frame. (6) £100-150

2 Schroder, T., English Silver before the Civil War, The David Little Collection, John Adamson, 2015, hard back with dust wrapper, still wrapped in cellophane. £80-120

3 Snowman, K., Eighteenth-Century Gold boxes of Europe, Faber and Faber, 1966, hard bound with dust wrapper, plus Truman, C., The Wallace Collection Gold Boxes, 2013, hard back with dust wrapper, and The Gilbert Collection of Gold Boxes, by the same author, 1991, both with a presentation inscription and signed by the author. (3) £100-150

4 A collection of silver reference books, including: Honour, H., Goldsmiths and Silversmiths, Collecting Small Silverware, A King’s Feast, The Queen’s Silver, Objects of Vertu, Pastry Jiggers, and other volumes including five pamphlets on dog collars. (qty) £80-120

5 A collection of silver reference books on Continental and American silver, including: Norske Drikkekanner 1580-1830, by L. Tradisjoner, Nederlandse Zilveren tabaksdozen 1650-1800, two John Endlich catalogues, Old French silver, The Cleveland Museum of Art, Catalogue of American Silver and other volumes. (qty) £80-120

6 A collection of fifteen bound photocopies of books on silver, hard bound, titled Foreign Knives, Forks and Spoons, Belgium Silver, Australian Silversmiths, Mexican Silver, New York State Silversmiths, Connecticut Silver, Cincinnati Silver, Australian Silver, Norwegian Silver, Leyden Silver, America New Haven Marks, Nova Scotia Marks, The Hague Silversmiths, Dutch Silver Dordrecht and Harlem Silvermarks. (15) £100-150

7 A collection of reference books relating to Peerage, comprising: Burke’s Peerage Baronetage and Knightage, 107th Edition, Three Volumes, Royal Families of the World, Burke’s Peerage, 1977, two volumes, The Royal Heraldry of England, J. Pinches, The Peerage of England, Scotland and Ireland, 1790, in three volumes, Burkes Extinct and Dormant Peerages, Kearsley’s Complete Peerage, 1796, A Complete Body of Heraldry, Joseph Edmondson, 1780, two volumes, and two other volumes. (qty) £100-150

8 A collection of silver reference books, including: Wilkinson, W. Indian Colonial Silver, Argent Press, 1973, Antique Servers for the Dining Table, Women Silversmiths, 1685-1845, Silver in London The Parker and Wakelin partnership, Christie’s pictorial History of English and American Silver, International Hallmarks by Tardy, plus other volumes. (qty) £100-150

Provenance: A Private Collection.

9 A collection of silver reference books, including: Salter, J., Wine Labels 1730-2003, A Worldwide History, The Antique Collector’s Club, 2004, plus Investing in Silver, The Sterling Craft, The English Silver in the Kremlin, Adam Silver, The Queen’s Silver plus various other volumes and some volumes on ceramics. (qty) £60-80

10 Devlin, C., and Simkin, V., Stuart Devlin, Designer, Goldsmith Silversmith, ACC Art Books Ltd., 2018, hard back with dust wrapper, still wrapped in cellophane, plus Andrew, J., and Styles, D. Designer British Silver, Antique Collector’s Club, 2015, hard back with dust wrapper and sleeve, still wrapped in cellophane. (2) £80-120

11 Soros, S., and Walker, S., Castellani and Italian Archaeological Jewelry, Yale University Press, 2004, hard back with dust wrapper, plus Munn, G., Castellani and Giuliano, Rizzoli, 1984, hard back with dust wrapper. (2) £80-120

part

12 Schroder, T., British and Continental Gold and Silver in the Ashmolean Museum, 2009, hard bound with dust wrapper, still wrapped, three volumes. (3) £80-120

13 A collection of silver auction catalogues, Christie’s, Bonhams, Woolley and Wallis, Phillip’s and other auction houses. (qty) (Two Boxes) £30-40

14 An early 19th century old Sheffield plated two-handled wine cooler, circa 1820, circular bellied form, part-fluted decoration, foliate mounted side handles,foliate girdle, detached collar and liner, on a circular foot, height 21cm. £100-150

15 By Asprey London, an electroplated asparagus serving dish, of shaped rectangular form, moulded border, with a wire-work frame, on four bun feet, length 43.3cm £80-100

16 A mixed lot of silver items, comprising: a Dutch silver mounted black velvet bag, scalloped shaped silver mount, engraved scroll, boats and parrot decoration, ring attachment with a silver figural pierced belt clip, a 19th century Russian cigarette box by Ivan Saltykov, Moscow circa 1890, rectangular form, central hinged cover with a hinged striker to the side, and gilded interior, plus four ‘Great Britons, Medallic First Day Covers’ including Robert the Bruce, Owen Glendower, Henry V and Edward the Black Prince, total approx. weighable 5.9oz. (3) £200-300

17 A mixed lot, comprising silver items: a cased pair of modern dwarf candlesticks, Birmingham 1983, cased, a German tea strainer and stand, with foliate and scroll decoration, and a modern pewter commemorative tankard celebrating the Royal Air Force Bomber Command, approx. weighable 4oz. (4) £150-200

18 A mixed lot of silver items, comprising: a powder pot with pierced scroll and foliate decoration with engraved initials, and a pink glass liner, marks worn, a pair of tulip vases by Stokes & Ireland Ltd, Chester 1910, loaded bottoms, a salver, Birmingham 1911, circular form with moulded and gadrooned border, a cased pair of Victorian two-handled salt cellars by Thomas Hayes, Birmingham 1896, moulded oblong shaped, canted corners, scroll handles, plus an inkwell, hip flask, an embossed decorated sugar bowl and cream jug, an engraved sugar bowl and cream jug, a mustard pot, a condiment spoon and a small scent bottle, total approx. weighable 35.6oz. (qty) £400-600

19 A collection of six antique silver shell butter dishes, comprising: three individually cased Edwardian dishes with butter knives by James Deakin & Sons, Sheffield 1905, with engraved crests, on three ball feet, plus a pair of shell butter dishes, Birmingham 1911, maker’s mark worn, and an Edwardian shell butter dish by the Goldsmiths & Silversmiths Co Ltd, London 1902, total approx. weight 10.4oz. (9) £150-200

20 A mixed lot, comprising silver items: a Victorian blue glass scent bottle, the hinged cover and mount, Birmingham 1893, plus a three piece condiment set, with a salt spoon, an electroplated French cigarette lighter, by Dupont, Paris, and a pair of Edwardian silver-mounted continental ceramic vases, the mounts London 1908, maker’s mark worn, tapering circular form, decorated with harvest scenes, height 11.4cm, approx. weighable 3.3oz. (8) £120-180

21 A mixed lot, comprising silver items: a pair of dwarf candlesticks by Harrison Brothers & Howson Ltd, Birmingham 1996, a cased set of six teaspoons by Barker Brothers Silver Ltd, Birmingham 1936, a three piece cruet set by Harrods Ltd, Birmingham 1939, three napkin rings, a pair of silver rimmed glass salt cellars with salt spoons, four worn marked bracelets, a foliate pin, set of six silver handled knives, shield medallion and another cased set of six teaspoons, plated items comprising: a pair of candlesticks, cased sets and other flatware, total approx. weighable 11.2oz (qty) £150-200

22 A mixed lot of silver items, various dates and makers, comprising: a cased set of six Edwardian Art Nouveau buttons, by Walker and Hall, Chester 1906, shaped form with a female head and foliate decoration, a menu card holder, Birmingham 1900, cherub and foliate scroll decoration, easel back, a heart shaped box, a fruit knife, a novelty inkwell modelled as an artillery shell, a cigarette box, a cigarette case, a cased set of six teaspoons, a pair of silver-mounted glass scent bottles, lacking stoppers, a hand mirror, two brushes, a button hook, a shoe horn, a pair of glove stretchers, and a silverhandled slice, and two knives, approx. weighable 5oz. (qty) £300-400

23 A mixed lot, comprising silver items: a note pad, with import marks for 1904, a sovereign case, a cigarette case, two matchbox covers, a vesta case, a pair of miniature pheasants, a box with a small sewing machine on the cover, a Scottish caddy spoon, two thimbles, a small frame, a miniature chair, a cased set of six grapefruit spoons, plus various metalware and electroplated spoons, an electroplated dog, basket and trunk and a tea strainer, approx. weighable 22oz. (qty) £200-300

24 A mixed lot of electroplated items, comprising: a five-piece tea and coffee set by Walker and Hall, oblong bellied form, initialled, plus two trays and an old Sheffield plated six egg-cup cruet frame, with six egg cups, (one a.f). (8) £100-150

25 A mixed lot of items, comprising silver items: a George IV bachelor’s teapot of compressed circular form, by William Eaton, London 1825, flushhinged cover, a two-handled bowl, two mustard pots, a pair of salt cellars, a dish, a pair of pepper pots, a pair of salt cellars, a pepper pot, plus various salt spoons and flatware, plus a small quantity of electroplated flatware, a sauce boat and bowl and ivorine handled knives, approx. weighable 40oz. (qty) £300-400

26 A mixed lot, comprising silver items: a pair of sauce boats, by James Dixon and Sons, Sheffield 1935, oval form, a pair of bonbon dishes, a circular sugar bowl, a three-piece cruet set, a small coaster, a pair of candlesticks, a cigarette box, three dishes, a Dutch feeding bowl, three napkin rings, two salt cellars, a miniature Guernsey jug, plus a metalware miniature Hookah pipe and a vase, plus electroplated items: a French coffee pot, the scroll handle with wooden insulators, a cream jug, pair of sauce boats and other items, approx. weighable 34oz. (qty) £300-500

27 A mixed lot of silver items, various dates and makers, comprising: a pair of George III salt cellars by John Muns, London 1763, circular form, one blue glass liner, on three hoof feet, a George II pepper pot, circular bellied from with embossed foliate decoration, pull-off cover, a small trophy by Saunders & Shepherd, Chester 1906, urn shaped bowl, two scroll handles and a domed pull-off cover, on a raised circular foot, plus three toast racks, three silver mounted photograph frames, two sugar bowls, a brush, sparrow beak cream jug, a small sauce boat, a pierced dish, a pierced swing-handled basket, an egg cup, a pair of salt spoons, two soup spoons and a teaspoon, total approx. weighable 43.4oz. (qty) £300-500

28 A mixed lot, comprising silver items: two pepper pots, London 1931 and 1932, two circular boxes, two Armada dishes, a small coaster, a twohandled sugar bowl, a caddy spoon, London 1802, another caddy spoon, a copy of a Roman spoon, and six metalware dishes, plus an electroplated mug, two magnifying glasses, (one handle a.f), and three other items, approx. weighable 22oz. (qty) £200-300

29 A mixed lot of silver items, compromising: an Egyptian silver trinket box, Al-Mansura 1932, a pair of Chinese cups and saucers, with gilded interiors, three trumpet vases by William Comyns & Sons, London varying dates, with embossed foliate decoration, approx. weighable 20.6oz. (8) £300-400

30 A mixed lot, comprising: an old Sheffield plated two-handled tea urn, of vase form, the pull-off cover with a pineapple finial, scroll handles, on a raised square base with a pierced gadroon apron, height 53cm, a three-light candelabrum, tapering circular form, fluted decoration, a wire-work basket, with a swing handle, on an oval foot, and an electroplated two-handled tray. (4) £300-400

31 A mixed lot of silver items, comprising: a teapot by Harrison Brothers, Sheffield 1919, oval form, scroll handle, a cream jug by J B Chatterley & Sons Ltd, Chester 1931, a christening cup, an embossed bowl, London 1891, and a two-handled sugar bowl, approx. weight 40.9oz (5) £300-400

32 A mixed lot comprising silver items: a swing handled sugar basket by Elkington & Co Ltd, Birmingham 1913, reeded borders, swing handle, on a shaped foot, a mustard pot by George Nathan & Ridley Hayes, Chester 1898, four further mustard pots, a set of four pierced bon bon dishes by A & J Zimmerman, London 1897, a matched pair of salt cellars, one marked London 1794, circular cauldron form, on three hoof feet, a pepper pot, two condiment spoons and a salt cellar. plus a electroplated cocktail shaker, teapot, toast rack, two salvers, serving dishes, a cream jug, table lighter, and decanter labels, weighable approx. 20oz. (qty) £150-200

33 A mixed lot of silver items, various dates and makers, comprising: a teapot and sugar bowl, Chester 1922, a pierced tazza, a sugar caster, a square bonbon dish, a set of four salt cellars, and a silver-mounted swan glass dish, the mount loose, approx. weighable 37oz. (qty) £300-400

34 A mixed lot of silver items, comprising: a pair of mugs, by Charles Green and Co., Birmingham 1912, concave circular form, a bowl by George Unite & Sons, Chester 1911, circular form with a gadrooned border, two sauce boats, one by J B Chatterley & Sons, Birmingham 1937, and a cream jug, approx. weight 27oz. (6) £250-300

35 A mixed lot of silver items, comprising: an Edwardian christening mug by Joseph Gloster, Birmingham 1901, of circular form, scroll handle, on a reeded circular foot, an Edwardian tazza by Marks & Cohen, Birmingham 1907, circular form, a cream jug, maker’s marks worn, London 1938, oblong shaped form, canted corners, scroll form handle on an oblong shaped foot, and an Edwardian cream jug by Jones & Crompton, Birmingham 1902, circular bellied form, with foliate motif decorative band, a foliate decorated rim, scroll handle, on a circular foot, total approx. weight 19.6oz. (4) £200-300

36 A mixed lot of silver items, comprising: an Irish cream jug and sugar bowl, by Finnigan’s Ltd. Dublin 1917, a George IV mustard pot, leaf capped scroll handle, five various napkin rings, two christening forks and spoons, plus a fork and a teaspoon and two unmarked vases from an epergne, approx. weighable 21oz. (qty) £200-300

37 A mixed lot of silver items, various dates and makers, comprising: a pair of George II salt cellars, maker’s mark worn, London 1752, of circular form with rope-work edge on three hoof feet, a George III wine label by Edward Cappar, London 1817, incised ‘PORT’, with Bacchanalian cherub and foliate decoration, a modern cigar cutter by P G Ltd, Birmingham 1979, with engine turned decorated handle, marked ‘FOREIGN’, a Victorian bosun’s call, by Hillard & Thomason, Birmingham 1885, with engraved foliate decoration and a vacant cartouche, a silver and velvet heart-shaped ring box, by Levi & Salaman, Birmingham 1904, a continental two-handled embossed foliate dish, total approx. weighable 7.4oz. (7) £100-150

38 A mixed lot, various makers and dates, comprising silver items: a set of twelve Edwardian teaspoons and pair of sugar tongs by Joseph Rodgers & Sons, Sheffield 1929, a set of six teaspoons by Roberts & Belk, 1935 varied assay marks, a cream jug by Walker & Hall, Sheffield 1929, a sugar bowl and cream jug by E S Barnsley & Co., Birmingham 1913, and a pierced dish by Levi & Salaman, Birmingham 1910, plus an electroplated pair of sugar tongs, approx. weighable 17.4oz (qty) £150-200

39 A three piece silver tea set, by Emile Viner, Sheffield 1933, circular form, wavy border edge, on pad feet, a Victorian milk jug by Edward Brown, London 1872, tapering circular form, engraved foliate decoration, and a Victorian sugar bowl, maker’s mark W?S, London 1846, circular form, wavy-edge, embossed foliate decoration, on three paw feet, approx. weight 31.4oz (5) £300-400

40 A Victorian silver inkwell, by James Barclay Hennell, London, part marked, urn form, hinged cover, with two ram’s head side handles, on a raised circular foot, plus a Victorian silver cream jug, by A and J Savory, London 1842, circular form, scroll handle, on four shell bracket feet, plus a pair of electroplated salt cellars, approx. weighable 13oz. (4) £200-300

41 A mixed lot of silver items, comprising: a Edwardian toast rack by Nathan & Hayes, Chester 1901, rectangular form, scalloped shaped bars, on four bun feet, a George III mustard pot by Charles Fox, London 1814, bellied rectangular form, gadrooned border, scroll handle with shell thumb piece, on four bun feet, with blue glass liner, a pepper mill by J C L, London 1938, and a pepper pot, marks worn, total approx. weighable 8.5oz. (4) £200-300

42 A mixed lot of silver items, various dates and makers, comprising: a George III bun pepper pot, of baluster form, London 1723, a George III baluster pepper pot, London 1779, a sugar caster, Birmingham 1916, a set of five Dutch Apostle teaspoons, a pair of sugar tongs and an electroplated meat skewer, approx. weighable 17oz. (10) £250-300

43 A mixed lot, comprising silver items: a cream jug by Thomas Bradbury and Son, Sheffield 1923, slender baluster form, a William IV Fiddle pattern fish slice, by William Chawner, London 1832, and a silver-handled button hook, plus an electroplated concertina toast rack, and a meat skewer, approx. weighable 10.5oz. (5) £150-200

44 A pair of George II silver salt cellars, by David Hennell, London 1758, circular form, gadroon borders, on three shell capped scroll legs on pad feet, plus a cream boat, by the Barnards, London 1940, approx. weight 10.9oz. (3) £150-200

45 A mixed lot of silver items, various dates and makers, comprising: a pair of pepper pots, Glasgow 1927, baluster form, a sugar caster, a cream jug, and a toast rack, approx. weight 14.8oz. (5) £100-150

46 A small mixed lot of silver items, comprising: a cigarette box by Walter Raymond, London 1895, rectangular form, armorial engraved on top, wood lined interior, plus a cigarette box by Alfred Deeley, Birmingham 1945, rectangular form, engine-turned top with embossed initials, wood lined interior, and a pen dish by John Grinsell & Son, Birmingham 1925, plain rim, cut glass dish. (3) £100-150

47 A mixed lot of silver, comprising: a hip flask by Garrard & Co, London 1927, rounded rectangular form, bayonet fitting hinged cover, pull-off drinking cup,length 13.5cm, a hip flask by James Dixon and Sons, Sheffield 1926, rectangular form, bayonet fitting hinged cover, with a raised rectangular vacant cartouche, length 14.5cm, a paper knife by Mappin & Webb, Sheffield 1953, with an engine turned decorated handle with a pen knife, total approx. weighable 13.9oz. (3) £200-300

49 A collection of eleven silver and mother-of-pearl handled folding fruit knives, various dates and makers, some with carved decoration, some with inlaid cartouches. (11) £100-150

48 A mixed lot of Regimental silver items, comprising: a pair of menu card holders, The 1st Life Guards, by The Goldsmiths and Silversmiths Company, London 1918, circular disc form, engraved with the regimental badge, diameter of base 3.1cm, plus a late-Victorian Regimental silver menu card holder, The East Yorkshire Regiment, no apparent maker’s mark, London 1885, on a wooden base, and a Regimental electroplated menu card holder, The Royal Army Medical Corps, (RAMC), height 4.8cm. plus a George III Regimental silver King’s pattern table fork, the 4th (Royal Irish) Dragoon Guards, by S and J Blake, London possibly 1817, with the regimental crest, approx. total weighable 4.3oz. (5) £100-150

In 1918 the 1st Life Guards was converted to the 1st battalion, Guards Machine Gun Regiment. In 1919, it was reconstituted as Cavalry. In May 1922 the 1st Life Guards amalgamated with the 2nd Life Guards to form The Life Guards. In 1881, the 15th (York East Riding) Regiment of Foot became the East Yorkshire Regiment. After various amalgamations it is now part of the Yorkshire Regiment.

In 1898 the RAMC was formed from the Medical Staff Corps and the Medical Staff.

50 A collection of fifteen silver and electroplated mounted toilet jars and bottles, clear glass bodies, various mounts, approx. weighable 1oz. (15) £80-120

51 A collection of silver-mounted glass jars and scent bottles, various dates and makers, comprising: eleven jars, four scent bottles, and four electroplated mounted jars and an electroplated mounted flask, approx. weighable 2.3oz. (qty) £80-120

52 A mixed lot of modern silver and metalware items, comprising: a vesta case, nine boxes, a money clip, four pin cushions, a scent bottle and a heart shaped locket, approx. weighable 4oz. (qty) £100-150

53 A collection of silver mounted dressing table items, various dates and makers, comprising: a pair of hairbrushes, a pair of clothes brushes, a small brush and hand mirror by H Matthews, Birmingham 1918, with embossed scroll and foliate decoration with vacant cartouches, a silver mounted photograph frame by Sanders & Mackenzie, Birmingham 1963, rectangular form with engine turned decoration, two silver topped glass jars, a Victorian circular box, plus a dish, silver mounted initials on a wooden brush, a silver handle button hook, and a cased silver handle shoe horn and button hook. (14) £150-200

54 A mixed lot of silver and metalware items, comprising: a miniature of a boy running with a kite, three miniature chairs, a bucket on stand, two baskets, a scent bottle and a snuff bottle. (9) £100-150

55 A mixed lot of silver items, comprising: a boxed set of six napkin rings by Sanders & Mackenzie, Birmingham 1927, with engine turned decoration, a Victorian silver sovereign/ vesta case by Rolason Brothers, Birmingham 1895, rounded rectangular form, engraved foliate scroll decoration with engraved initials, and inscribed ‘Queen’s Diamond Jubilee’, a silver-gilt cigarette case by Horton & Allday, Birmingham 1907, four vesta cases with engraved foliate engine turned decoration, plus a card case and an Asprey matchbox cover, total approx. weight 10.7oz. (14) £200-300

56 A collection of silver-mounted dressing table jars and bottles, various dates and makers, plain and foliate scroll covers, comprising: fifteen silver-mounted ones, one with an associated cover, and two electroplated-mounted ones. (18) £100-150

57 A collection of nine silver-mounted and dressing table jars, various dates and makers, various designs, plus two electroplated-mounted dressing table jars, approx. weighable 3oz. (11) £80-120

58 A South American metalware-mounted mate bowl and drinking straw, unmarked, the mount with a reeded border, length of straw 19.4cm. (2) £50-70

59 A mixed lot of foreign silver and metalware, comprising: a two-handled covered pot, with Polish marks for Post 1963, circular bellied form, engraved with a Chinese landscape and cranes, two scroll handles with a pull-off cover, a German sugar caster, by J.D. Schleiflner Söhne, Hanau circa 1900, baluster form, engraved foliate decoration with moulded rims, a bayonet fitted pull-off pierced cover with a foliate finial, height 19.2cm, plus a stand, maker’s mark possibly CK, circular form with a foliate band and foliate finial to the underside of the bowl, on three legs with claw feet, on a circular base, total approx. weight 18.3oz. (3) £200-300

60 A South American / Portuguese silver wine taster, maker’s mark CPS, and with another unidentified mark, probably 19th century, fluted circular form, pierced scroll side handles, on a circular foot, length 9.7cm, approx. weight 1oz. £60-80

61 A late 18th / early 19th century French silver mustard pot, Paris 1798-1809, circular form, the handle with a bird’s head finial, hinged cover, on three Sphinx head mounted legs on paw feet, with a blue glass liner, plus a pair of French salt cellars, post 1838, circular form, with blue glass liners, approx. weighable 10oz. (3) £150-200

62 A 20th century Iraqi silver and niello box, niello signature in Arabic, circular form, with niello decoration to the cover and sides with Iraqi landscapes, diameter 8.5cm, approx. weight 4.6oz. £150-200

63 A 19th century Dutch silver wool basket, by Widow B Gillis, S-Hertogenbosch 1837, oval form, swing-handled, pierced decoration and pierced ‘Uitachting’, (respect), length 9cm, approx. weight 1.5oz. £100-150

64 A late 18th / early 19th century French silver wine taster, Paris 1798-1809, maker’s mark possibly A.B, circular form, double snake ring handle, inscribed ‘C.Soullier. D.V’, length 11.5cm, approx. weight 4.5oz. £100-150

65 An 18th century Russian silver vodka cup, maker’s mark worn, Moscow circa 1735, circular bellied form, part fluted with foliate scroll decoration, height 3.5cm, approx. weight 0.6oz. £100-150

66 A French silver wine taster, circular form, fluted ring handle with a grapevine, the bowl with fluted and punch bead decoration, length 8.5cm, approx. weight 1oz. £80-120

67 A Dutch silver swing-handled basket, by Johan Christoffel Ouwenhage, Middelburg possibly 1789, circular form, with a moulded scroll foliate border, pierced decoration with engraved foliate cartouche and crest, pierced scalloped handle, on three scroll foliate feet, damage and repairs, height 15.6cm, approx. weight 8.5oz. £200-300

68 An late 19th century French silver wine taster, by Louis Coignet, Paris circa 1890, plain tapering circular form, raised centre, diameter 11cm, approx. weight 3.6oz. £100-150

69 A Burmese metalware rice bowl, unmarked, circular form, embossed with figural scenes within foliate scroll decoration, height 9.8cm, approx. weight 341g. £150-200

70 A 19th century continental silver candlestick, marked 13, possibly Austro-Hungarian, in the Rococo revival manner, fluted drip pan, on a shaped circular base, height 28.5cm, approx. weight 10.9oz. £200-300

71 An 18th century German silver kettle on a later stand, the kettle with Frankfurt mark only, circa 1780, the unmarked stand 19th century, globular form, chased foliate scroll and rocaille decoration, the hinged handle with two warrior heads and with leather mounts, engraved with a crest, the stand of circular form, on three scroll wirework legs on three pad feet, height 27cm, approx. weight 31oz. (2) £300-400

72 A matched pair of German silver candelabra, by Jakob Grimminger, Schwäbisch Gmünd circa 1930, knop shaped stem, scroll arms, tapering shaped capitals, reeded corners, on a raised square foot with scroll corners, height 19.2cm. (2) £300-400

73 A pair of Egyptian silver bowls and covers, Al-Mansura 1932, also marked with a Tughra mark, circular form, engine-turned borders, the raised covers with flower finials, diameters 16.8cm, approx. weight 30oz. (2) £200-300

74 An Indian silver mug, unmarked, probably Cutch, baluster form, chased with animals and scrolls on a matted background, scroll handle with feather decoration, the front with a vacant cartouche, on a circular foot, height 13.9cm, approx. weight 9.9oz. £300-400

75 An Indian Colonial silver brandy pan and cover, by Hippolitus Poignand, Calcutta, circa 1800, circular form, turned wooden baluster handle, the pull-off cover with a knop finial, length 23cm, plus an Indian Old English pattern tea or sugar scoop, by George Gordon and Company, Madras circa 1836, approx. weight 11.5oz. (2) £300-400

76 An American silver epergne, by The Woodside Sterling Company, New York, circa 1920, also with a French import mark, shaped square form, pierced with slats and vases and with engraved foliate decoration, with four hanging baskets, on a raised circular foot, height 17.5cm, approx. weight 24oz. £200-300

77 An Indian silver regimental trophy goblet, by Peter Orr & Sons, Madras, urn shaped bowl, knopped stem, on a raised circular foot, inscribed ‘Presented To The Officers 23rd W.L.I., By Colonel J. H. Gordon’, height 20cm, approx. weight 8.9oz. £150-200

OF BEAKERS

78 A late 18th century Swedish silver beaker, by Jonas Berg, Stockholm 1785, of tapering circular form, chased decoration with a cartouche dated ‘1786’, gilded interior, on a moulded circular foot, with a later inscription ‘Charles Edward Leathart Rae The Gift of his Grandmother Julia Rae upon his coming of Age. 1. July 1904.’, height 21cm, approx. weight 14.7oz. £400-600

78 79

80 A mid 18th century small Swedish silver beaker, by Niclas Warneck, Karlstad circa 1750, of tapering circular form, with gilded bands to the top and bottom and gilded interior, engraved ‘N.J.S.’, on a circular fluted foot, height 6.3cm, plus a German silver beaker by Neresheimer of Hanau, with London import marks for 1913, importer’s mark of Berthold Muller, tapering circular form, on a moulded circular foot, height 10.1cm, approx. weight 4.4oz. (2) £150-200

81 A mid 18th century Swedish silver beaker, by Nils Rydberg, Sater circa 1760, tapering circular form, with chased foliate decoration, engrave ‘S.A.K.S’ to the cartouche, with a gilded interior and rims, on a circular fluted foot, the underside with initials, the front with a later inscription ‘Charles Edward Leathart Rae The Gift of his Grandmother Julia Rae upon his coming of Age. 1. July 1904’, height 17.9cm, approx. weight 13.4oz. £300-500

83 A small 18th century Swedish silver beaker, by Lorens Stabeus, Stockholm circa 1760, tapering circular form, engraved foliate motifs below a wire-work rim, on a fluted circular foot, height 8.2cm, plus a small Swedish beaker, probably 20th century, of tapering circular form, on a circular moulded foot, with a gilded interior, height 9.1cm, approx. weight 3.6oz. (2) £200-300

82 A pair of German silver beakers, by Neresheimer of Hanau, with import marks for Chester 1909, importer’s mark of Berthold Muller, tapering circular form, spot-hammered decoration, on a moulded circular foot, with an inscription ‘Keith H. Rae from Alice Rae, 24 May 1910’, height 16.6cm, approx. weight 18.8oz. (2) £250-300

OTHER PROPERTIES

84 A 19th century Australian silver-mounted emu egg inkwell, by Henry Steiner, Adelaide circa 1870, of ovoid and circular form, a central stem modelled as intertwined tree branches with four leaf supports, the pull-off cover with a kangaroo finial, the cover opens to reveal a compartment for ink, on a circular naturalistic base, height 23.4cm. £1,000-1,500

84

85 A 19th century Russian silver plate, St. Petersburg 1883, probably by Grachev, circular form, acanthus leaf border, with initials, diameter 24.9cm, approx. weight 18.5oz. £200-300

85

86 An 18th century Maltese silver coffee pot, maker’s mark possibly MP, Pinto Period, circa 1740, also with a test scrape, baluster form, embossed with shell scroll and trellis decoration, wooden scroll handle with fluted rosettes, the domed hinged cover with a cone finial and scroll thumb-piece, on a circular foot, height 22.2cm, approx. weight 14.6oz. £3,000-5,000

For similar examples see; Alaine Apap Bologna, The Silver of Malta, MAG publications, 1995, page 78, and Farrugia J., Antique Maltese Domestic Silver, Said International 1992, page 52.

87 A mixed lot of silver flatware, various dates and makers, comprising: an Arts and Crafts spoon, by Sybil Dunlop, London 1932, also stamped S. Dunlop, London W.8, spot hammered bowl, pierced terminal, plus a pair of salad servers, a caddy spoon, two pickle forks, a cased set of twelve teaspoons, two cased sets of six teaspoons and four other items, plus a page marker of trowel form, and a metalware slice, approx. weighable 15oz. (qty) £150-200

89 A mixed lot of silver flatware, comprising: a George IV sauce ladle by James Barber, William Cattle & William North, York 1825, with an engraved crest to terminal, a provincial Scottish ladle by George Booth, Aberdeen circa 1810, with engraved initials to the terminal, a matched set of three Irish tablespoons by John Pittar, Dublin 1784-5, with Irish bright cut decoration with engraved initials, a Victorian fish serving knife and fork by Martin Hall & Co., Sheffield 1886, with pierced foliate decoration, plus six table forks, four Irish silver table forks, a tablespoon, twelve dessert spoons, three Irish dessert spoons, nine dessert forks, twentyone teaspoons, two ladles, three butter knives, one fish knife, a sugar sifter, a mustard spoon, four salt spoons and a cased set of six teaspoons, total approx. weight 92oz. (qty) £800-1,200

91 A mixed lot of silver flatware, various dates and makers, comprising: two tablespoons, a pair of sugar tongs, four Irish teaspoons, two jam spoons, a sugar spoon, sixteen teaspoons, a coffee-bean end spoon, four condiment spoons and foreign teaspoon, approx. weight 17oz. (qty) £80-120

88 A mixed lot of flatware, varied dates and makers, comprising silver items: a matched set of six bright cut dessert spoons, by John Lambe, London 1785, a set of six Fiddle bright cut dessert spoon, three Victorian berry teaspoons, twelve teaspoons, three pairs of sugar tongs, a fork, a toddy ladle, two continental silver spoons and three metalware teaspoons, plus electroplated items: three coronation teaspoons and a set of ten table knives, approx. weighable 30.6oz. (qty) £200-300

λ

90 A collection of mixed silver flatware, various dates and makers, comprising: a George I Dog-nose table fork by Joseph Barbut, London circa 1720, with an engraved crest to the reverse of the terminal, a Victorian sugar sifter by George Unite, Birmingham 1868, pierced foliate scroll bowl with engraved foliate decoration and a vacant cartouche to the terminal, three pairs of sugar nips, various spoons and other items including foreign silver, electroplated tea caddy spoon and seal top teaspoon, total approx. weighable 20.6oz. (qty) £300-400

92 A mixed lot of silver flatware, various makers and dates, comprising: a set of six George III Bright-cut dessert spoons, by George Smith, London 1779, initialled, three Feather-edge dessert spoons, a set of six Bright-cut teaspoons, London 1797, eight teaspoons, a sifting spoon, a sauce ladle, two pairs of sugar tongs, five salt spoons, a punch ladle with a wooden handle and bone finial, London 1767, six silver-handled tea knives and a plated spoon, approx. weight 27oz. (qty) £250-300

93 A mixed lot of silver flatware, various dates and makers, comprising: an Apostle spoon, by D and J Wellby, London 1904, two sauce ladles, a dessert spoon and fork, a christening fork and spoon, a pair of sugar tongs, a butter knife, three salt spoons, six Chinese teaspoons, and ten further teaspoons, approx. weight 18oz. (qty) £150-200

94 A mixed lot of silver flatware, various dates and makers, comprising: a French poultry skewer, two unmarked poultry skewers, a dessert spoon, a pair of Scottish Fiddle pattern teaspoons, maker’s mark IS, four teaspoons, a pair of Dutch tweezers, and two wine labels ‘GIN’ and ‘ BRANDY’, approx. weight 5.7oz. (qty) £150-200

95 A collection of antique silver picture back teaspoons, various dates and makers, including: a galleon, a basket of flowers, shell, and scroll backs, with engraved crests and scratched initials to the reverse of some of the terminals, total approx. weight 10.2oz. (32) £150-200

96 A collection of silver flatware, various dates and makers, comprising: a pair of Scottish Fiddle teaspoons by James Erskine, Aberdeen, c.1800, with scratched initial to reverse of terminal, with three other Scottish fiddle teaspoons, a salt spoon and pickle fork by Robert Lindsay, Oban/Sheffield 1927/29, and silver teaspoon marked ‘IONA’ with maker’s mark ‘McG&B’ Birmingham 1924, and a silver fork, marked ‘CAI’ SCOTLAND STERLING’, total approx. weight 2.9oz. (9) £100-150

97 A collection of antique silver spoons, comprising: a set of six George III teaspoons by Benjamin Mountigue, London 1785, with Bright-cut decoration and engraved initial to terminals, a set of five George III teaspoons by Hester Bateman, London 1787, engraved initials to the terminals, a pair of George III salt spoons, by Thomas Watson, Newcastle circa 1794, a pair of George III salt spoons by Charles Hougham, London 1787, two George III teaspoons and eight salt spoons, total approx. weight 9.4oz. (26) £150-200

98 A collection of antique York silver flatware, comprising: a set of six William IV fiddle teaspoons by James Barber, George Cattle & William North,1830, engraved initials to the terminals, a set of four George III teaspoons by James Barber & William Whitwell, 1819, engraved initials to the terminals, a pair of Fiddle salt spoons by James Barber & William North,1836, with gilded bowls and engraved crest and initials to the terminals, with five other Georgian and Victorian salt spoons, total approx. weight 8.9oz. (17) £200-300

99 A collection of Victorian silver King’s pattern salt spoons, comprising: a set of six by H J Lias & Son, London 1868, with gilded bowls and engraved initials to the terminals, and set of four by Joseph & Albert Savory, London 1851, with engraved crests to the terminals, total approx. weight 8.1oz. (10) £100-150

100 A collection of antique silver condiment ladles, various dates and makers, comprising: a William IV condiment ladle by Thomas Robinson, Newcastle circa 1830, worn gilt bowl with engraved initials to the terminal, a Victorian condiment ladle by George Adams, London 1851, quilted pattern with worn gilt and engraved crest to the underside of the terminal, with three Victorian and fourteen Georgian condiment ladles, total approx. weight 11.5oz. (19) £200-250

101 A collection of antique silver salt spoons, various dates and makers, comprising: a William IV salt spoon by William Bateman, London 1832, of naturalistic form, worn gilt bowl and engraved crest to the terminal, an early Victorian Scottish King’s pattern salt spoon by Robert Gray & Son, Glasgow 1837, an early Victorian King’s pattern salt spoon by John Wright, Newcastle 1838, with engraved initials to terminal, with seven Georgian, four Victorian and seven other salt spoons, total approx. weight 8.2oz. (21) £150-200

102 A set of six William IV silver King’s Husk salt spoons, by Charles Boyton, London 1835, of conventional form, with engraved crests to the terminals, plus a pair of Victorian King’s Husk mustard spoons by Samuel Hayne & Dundley Cater, London 1854, with same engraved crest to the terminal, total approx. weight 8.1oz. (8) £100-150

103 A collection of silver salt spoons, comprising: a Queen Victoria diamond jubilee commemorative salt spoon by John Gilbert, Birmingham 1896, with a worn gilt bowl, engraved profile of Queen Victoria to the terminal and her coronation and jubilee date, plus four Victorian spoons and eleven 20th century spoons, total approx. weight 2.9oz. (16) £100-150

104 A collection of silver salt spoons, various dates and makers, comprising: various pairs including one with the Mansion House to the terminal, by William Chawner, London 1832 a matched pair of modern Coburg pattern salt spoons, with twenty one other pairs of salt spoons, total approx. weight 19.8oz. (46) £200-300

105 A collection of antique silver mustard spoons, various dates and makers, comprising: a William IV mustard spoon by Edwin Sweet, Exeter 1832, Fiddle pattern with a worn gilt bowl, three George III silver mustard spoons, a Irish Victorian Fiddle mustard spoon by Samuel Neville, Dublin 1815, with nine other Victorian mustard spoons, plus six other mustard spoons, total approx. weight 7.6oz. (21) £150-200

106 A collection of antique silver salt and condiment spoons, various dates and makers, comprising: Fiddle, Old English and other patterns, some with engraved crests to the terminals and gilded bowls, including one from Cork by John Warner, total approx. weight 12.1oz. (qty) £200-300

107 A collection of antique silver condiment spoons, various dates and makers, comprising: a set of six Victorian threaded condiment spoons by George Adams, London 1867, with gilt bowls and engraved crest to terminals, a set of four George III Fiddle and Thread by George Smith & William Fearn, London 1788, with worn gilt bowls and scratched initials to terminal, a set of four George III bright cut condiment spoons by William Eley, William Fearn & William Chawner, London 1813, a set of four George III Old English bright cut by Thomas Northcote, London 1784, total approx. weight 7.6oz. (18) £100-150

108 A set of four George III silver Kings Hourglass salt spoons, by Thomas Baker, London 1812, with silver-gilt bowls and an engraved crowned crest to the terminals, length 10.3cm, total approx. weight 3.6oz. (4) £100-150

OTHER PROPERTIES

109 A collection of antique silver salt shovels, various dates and makers, comprising: a pair of George III ones, by George Smith, London 1797, with engraved initials to the terminals, a George III salt shovel by John Langlands, Newcastle circa 1800, with engraved initial to the terminal, with eight George III and sixteen other salt shovels, total approx. weight 6.4oz. (27) £100-150

110 A collection of silver bright-cut Exeter teaspoons, various makers, comprising: a set of three and a pair by Richard Jenkins, circa 1800, the pair with engraved initials, a set of four by George Turner, 1811, with engraved crests to the terminals, a pair and another similar by Richard Ferris, circa 1800, together with five other Exeter teaspoons, total approx. weight 5.9oz. (17) £100-150

111 A collection of thirteen antique silver Old English pattern tablespoons, including: a set of five Victorian ones, by George Adams, London 1855, plain terminals, three 1796 by Richard Crossley and five others, approx. weight 27.5oz. (13) £300-400

112 A collection of antique silver teaspoons, various dates and makers, comprising: a set of six single struck Fiddle and Thread pattern ones, ten of Old English pattern, and six Fiddle pattern ones, approx. weight 12.5oz. (22) £150-200

113 A collection of George III silver Hester Bateman spoons, various dates, comprising: a set of four teaspoons, London 1783, a set of three feather-edged teaspoons, London 1786, engraved initial to the terminals, plus seven other teaspoons, and two dessert spoons, total approx. weight 7.2oz. (16) £100-150

114 A collection of antique silver picture front and back teaspoons, various dates and makers, comprising: a set of five George III teaspoons, maker’s mark worn, London 1795, foliate decoration to the reverse of bowl and to front and back of handle, with engraved crest to the reverse of the terminal, plus various others with figure decoration to the fronts and other examples, approx. weight 9oz. (qty) £150-200

115 A collection of early 18th century Newcastle silver Fiddle pattern flatware, comprising: a set of eleven tablespoons, a set of nine dessert spoons, a set of six teaspoons, and a pair of sauce ladles by Christian Ker Reid & David Reid, Newcastle 1822, engraved with an initial to the terminal, plus a pair of basting spoons by Ann Robertson, Newcastle 1804, engraved with initials to the terminals, total approx. weight 45.2oz. (qty) £500-700

116 A mixed lot of silver items, various dates and makers, comprising: six Old English pattern tablespoons, a Hanoverian pattern tablespoon, a silver-gilt Kings pattern dessert spoon, plus a butter knife, two condiment spoons and four salt spoons, approx. weight 21oz. (qty) £200-300

117 A collection of antique silver Fiddle pattern flatware, various dates and makers, including George Adams, London 1849, comprising: eight dessert spoons and nine dessert forks, the terminals with initials, approx. weight 29.5oz. (17) £300-400

118 A collection of antique silver snuff/miniature spoons, various dates and makers, comprising: a pair of Russian spoons, a George III one by George Smith & William Fearn, London 1795, plus six other spoons, total approx. weight 1.3oz. (9) £100-150

119 A mixed lot of silver spoons, by various makers and dates, comprising: a set of four tablespoons, probably Scandinavian marked ‘SW’ with bright cut decoration, and prick dot engraved initials to the front and reverse of the terminal, a pair of possibly Norwegian tablespoons, marked ‘ML’, with engraved foliate

120 A collection of twelve George III silver Old English pattern dessert spoons, various dates and makers including six London 1794, some terminals initialled, approx. weight 12.4oz. (6) £200-300

decoration and prick top engraved initials to the reverse of the terminal, one Victorian spoon by George Adams, London 1868, Napier pattern with engraved initials to the terminal, a George II tablespoon by James Wilks, London 1749, Hanoverian pattern, with a shell back and scratched initials to the reverse of the terminal, a Victorian teaspoon by John Le Gallais, London 1848, with a bright cut decorated handle and engraved initials to the terminal, an old English pattern silver tablespoon by Jacques Quesnel, Jersey, marked ‘IQ’, with scratched initials to the terminal, total approx. weight 12.7oz. (10) £150-200

121 A collection of silver teaspoons, various dates and makers, including: eight with shell back decoration, four with scroll back decoration, a pair with cherub decoration to the terminals, one with a rat-tail and one plain, total approx. weight 5.5oz. (16) £150-200

122 A set of seven early 19th century Fiddle pattern teaspoons and a mustard spoon, marked with an O, J.G, a floral motif and a triangle, possibly Colonial, one over-striking a London made spoon, the terminals with a script initial, approx. weight 4oz. (8) £80-120

123 A George III silver caddy spoon, by Josiah Snatt, London 1805, modelled as a right hand, engraved decoration, length 6.6cm, approx. weight 0.2oz. £200-300

124 A commemorative Elizabeth II coronation silver caddy spoon, by Robert Edgar Stone, London 1953, spot hammered decoration, the handle modelled as a crown, length 7.3cm, approx. weight 0.8oz. £80-120

125 A collection of five antique silver caddy spoons, comprising: one Victorian caddy spoon by George Unite, Birmingham 1860, shell formed bowl with a vine leaf, a shaped mother-of-pearl handle, a George III caddy spoon by Joseph Taylor, Birmingham 1812, shovel form, with bright cut decoration, a Victorian caddy spoon, by William Pope, Exeter 1845, shell formed bowl, with a Fiddle and Shell handle, plus two Victorian ones by Martin, Hall & Co., Sheffield 1868 and 1872, one Venetian pattern, the other with a feather edge and shell decorated handle, total approx. weight 1.8oz. (5) £150-200

126 A collection of five antique silver caddy spoons, by various makers and dates, comprising: a Victorian silver-gilt caddy spoon by George Unite & Son, London 1876, the bowl modelled as a vine leaf, one by Elizabeth Morley, London 1802, circular shaped bowl, one by Hilliard & Thomason, Birmingham 1866, circular bowl with embossed foliate and fruit decoration, a George III one, maker’s mark worn, Birmingham 1809, with an oblong shaped bowl, plus one unmarked caddy spoon modelled as a leaf, total approx. weight 1.4oz. (5) £150-200

127 A collection of five George III silver caddy spoons, by various makers and dates, comprising: two by Elizabeth Morley, London 1802 and 1796, shell shaped bowl and a bright cut decorated handle, with one having an engraved crest to the terminal, one George IV caddy spoon by Joseph Taylor, Birmingham 1821, shell shaped bowl with a bright cut decorated handle, a George III one by Ledsam & Co., Birmingham 1818, a shell shaped bowl with a bright cut decorated handle, and a George III caddy spoon with worn maker’s mark, London 1794, a shell shaped bowl with a bright cut decorated handle, total approx. weight 1.1oz. (5) £150-200

128 A collection of four antique silver caddy spoons, comprising: a Victorian one by Taylor & Perry, Birmingham 1847, a shaped shell form bowl with engraved foliate decoration, a fiddle shaped handle with bright- cut decoration, a George III one by John Bettridge, Birmingham 1818, rectangular form to the bowl with bright cut decoration, fiddle shaped handle, a George III caddy spoon, by Joseph Taylor, Birmingham 1799, a deep circular bowl with scalloped edge, bright cut decoration to the handle, and a George III caddy spoon by Elizabeth Morley, London 1808, a circular shaped bowl, with a baluster shaped handle with engraved initials to the terminal, total approx. weight 1.2oz. (4) £150-200

129 A late 19th century American Chrysanthemum pattern silver caddy spoon, by Tiffany and Co., markd Pat. 1880 M, oblong shaped bowl with moulded arched shaped decoration, engraved foliate decoration to the handle with engraved initials to the front terminal, length 11.6cm, approx. weight 1oz. £80-120

130 A George III silver caddy spoon, by Joseph Taylor, Birmingham 1806, modelled as a right hand, engraved decoration, length 6.5cm, approx. weight 0.2oz. £150-200

131 A modern Channel Islands silver caddy spoon, by Bruce Russell, Guernsey, circular bowl, tapering rectangular handle, length 7.3cm, plus a Victorian electroplated caddy spoon, a horn caddy spoon, a Bakelite caddy spoon, the handle with G.E.C, a commemorative stainless caddy spoon, and a Cadbury spoon, approx. weighable 0.8oz. (6) £100-150

132 A collection of nine George III silver sugar tongs, various dates and makers, comprising: one by Dorothy Langlands, Newcastle circa 1808, with bright cut decoration and engraved initial to the top, one by George Burrows, London circa 1790, with pierced and feather edge decoration, and scratched initials to the top, with seven other similar Georgian sugar tongs, total approx. weight 9.7oz. (9) £150-200

133 An early 18th century Britannia standard silver mote spoon, marked with the lion’s head erased, circa 1715-20, the oval bowl with a plain rat-tail, the bowl with pierced scroll decoration, the heel engraved ‘B’, length 13.6cm, approx. weight 0.2oz. £100-150

134 An early 18th century silver mote spoon, maker’s mark twice, possibly that of John Lingard, circa 1720, the oval bowl with pierced scroll decoration, length 15cm, approx. weight 0.2oz. £80-120

135 A late 18th century French provincial silver Fiddle pattern spoon, by Jean-Jacques Yves, Chalon Sur Saone circa 1790, with scratch initials to the underside of the stem, plus a George III Scottish provincial tablespoon by Robert Keay, Perth circa 1800, old English pattern with engraved initials to the terminal, total approx. weight 4oz. (2) £100-150

136 A George III silver Hanoverian pattern table fork, by Isaac Callard, London 1764, the reverse of the terminal with a later initial, plus another George III three-pronged table fork, London 1793, the reverse of the terminal with a crest, approx. weight 3.9oz. (2) £80-120

137 A mid 18th century silver mote spoon, unmarked circa 1740, the oval bowl with plain piercing and a plain rat-tail, engraved ‘R’, length 14cm, plus a George III elongated Fiddle pattern teaspoon, by Alice and George Burrows, London 1806, length 15.4cm, approx. weight 0.92oz. (2) £80-120

138 An early 19th century Australian silver Fiddle pattern table fork, by Felix Lynn, Sydney, New South Wales circa 1836, the reverse of the terminal with a Masonic square and compass and initials ‘C.E.J’, length 21cm, approx. weight 2.4oz. £200-300

Felix Lynn first arrived in Sydney from London on ‘Swiftsure’ on 8 May, 1829. In June of that year, he is described as a working jeweller and silversmith in George Street. In 1835, he sailed from Sydney on the ‘Leda’, but returned on the ‘Midlothian’ in July the following year. He is listed in the Sydney directories for 1836 and 1837 as a jeweller and silversmith in Elizabeth Street.

For an image of the maker’s mark see, Hawkins, J., Nineteenth Century Australian Silver, Antique Collectors’ Club, 1990, volume 1, page 94, plate 66.

139 A George III silver fish slice, by Peter & Ann Bateman, London 1793, of shaped rectangular form, pierced and bright-cut decoration with an engraved shield cartouche with initial engraving, the handle by Moses Brent, London 1793, circular reeded form, length 29.8cm, approx. weight 5.2oz. £100-150

140 A colonial silver Old English pattern tablespoon, marked ‘J?C’, engraved to the terminal ‘BELLINGHAM Yorkshire Grey, Brydges Stt’, length 23.1cm, approx. weight 1.8oz. £60-80

141 Two antique silver Newcastle marrow scoops, conventional form, comprising: a George III one by John Robertson, Newcastle circa 1800, with engraved initials to the underside of the bowl, plus one early Victorian one by Thomas Robinson, Newcastle 1841, with engraved crests to the underside of the bowl, total approx. weight 3.3oz. (2) £180-220

142 A George IV West Country silver marrow scoop, by William Woodman, (of Bristol), Exeter 1821, conventional form, with shell motif to the underside of the bowl, length 24.8cm, approx. weight 2.6oz. £150-200

Purchased from Steppes Hill Farm Antiques, Stockbury, Kent, June 2012.

143 Two antique silver marrow scoops, conventional form, comprising: a Queen Anne one by Henry Greene, London 1709, plus a George III one by Richard Crossley, London 1794, with engraved initial to the underside of the bowl, total approx. weight 3oz. (2) £150-200

144 by John Brown, (of Carlisle), Newcastle 1822, conventional form, length 23.5cm, approx. weight 1.4oz. £100-150

145 maker’s mark TN crowned, circa 1700, the bowl with a plain rat-tail, length 16cm, approx. weight 0.4oz. £200-300

plain conventional form, length 21.8cm, plus an 18th century silver weight 1.8oz. (2) £150-200

147 A collection of antique silver pistol-grip handled knives, various dates and makers, comprising: a set of six table knives with foliate and shell decoration, marked ‘WA’ with later blades, a matched set of twelve table knives, with worn thread decoration and engraved armorial, a matched set of eleven dessert knives, worn marks with worn thread decoration, plus one table knife with engraved crest and motto, a foreign silver handled table knife, a Scottish pistol-grip dessert knife and a two pronged pistol-grip fork. (33) £400-600

148 A set of eight Victorian silver Pistol-grip handled table knives, by Francis Higgins, London 1894, the blades stamped Asprey Bond Street. (8) £150-200

149 A Victorian agate handled silver-gilt dessert fork, by Henry Wilkinson and Co. Sheffield 1858, engraved decoration, the handle with a shell mount, plus a set of five banded agate handled table knives, with Stainless blades and silver ferrules, Birmingham 1901/2 and Sheffield 1912. (6) £100-150

150 A set of six Russian Soviet era silver table knives and forks, possibly Kiev, the handles with foliate decoration, approx. weighable 11oz. (12) £100-150

151 A matched set of six George III silver Fiddle pattern tablespoons, by Thomas Barker, London 1812 sand 1813, the terminals with a crest, plus a set of eleven French electroplated table knives and twelve dessert knives and a pair of sugar tongs, approx. weighable 13oz. (qty) £200-300

152 By Tiffany and Co. a set of six Wave Edge pattern fruit knives, the blades with a serrated edge, the terminals initialled. (6) £80-120

153 A set of twelve George III silver Hanoverian pattern table forks, by Isaac Callard, London 1767, three-pronged tines, the reverse of the terminals with a crest, approx. weight 26oz. (12) £500-700

λ 154 A collection of Scottish silver single-struck King’s pattern flatware, by James Howden & Son and James & Walter Marshall, Edinburgh 1856, the terminal with an initial, comprising: fourteen tablespoons, twelve table forks, eleven dessert forks, twelve dessert spoons, eight teaspoons, four salt spoons, a mustard spoon, a soup ladle, (1855) and a pair of basting spoons, plus a pair of sugar tongs, Edinburgh 1843, plus six Fiddle pattern table forks, by David Rait, Glasgow 1845, a pair of Fiddle pattern ladles, an unmarked toddy ladle, a small funnel, and eight electroplated Fiddle pattern tablespoons, in a fitted wooden case, approx. weighable 132oz. (qty) £1,500-2,500

Provenance: Sir James Balfour Paul, (1846-1931), Lord Lyon King of Arms, and then by family descent to the current owner.

155 A set of six George III silver Hanoverian pattern dessert forks, by Thomas and William Chawner, London possibly 1765, three pronged tines, the reverse of the terminal with a crest, approx. weight 6.9oz. (6) £300-400

156 A set of seven William IV silver Fiddle and Shell pattern table forks, by Richard Britton, London 1836, approx. weight 17.5oz. (7) £180-220

157 A set of twelve George III silver Fiddle and Shell pattern table forks, by Eley, Fearn and Chawner, London 1812, approx. weight 36.3oz. (12) £300-500

154 in case

158 A collection of George IV-Edwardian silver Fiddle and Thread pattern flatware, various dates and makers including William Chawner, London 1828, George Adams, London 1844, and London 1909, comprising: eighteen table forks, eighteen tablespoons, nine dessert forks, eight dessert spoons, ten teaspoons, and a pair of sauce ladles, the terminals with a crest, approx. weight 152oz. (qty) £1,500-2,000

158 part 160 part

159 A collection of antique silver Fiddle pattern flatware, various dates and makers, including J and A Savory, London 1852, the terminals initialled, comprising: seventeen table forks, ten dessert forks, sixteen dessert spoons, three tablespoons, fifteen teaspoons, a pair of sauce ladles, and three salt spoons, approx. weight 100oz. (qty) £1,000-1,500

159 part

160 A matched George III and later silver part canteen of Old English pattern for twelve, various dates and makers, comprising: eleven table forks, twelve dessert spoons, twelve table knives, twelve dessert forks, twelve dessert knives, ten tablespoons, nine teaspoons, weighable approx. 79.7oz. (qty) £1,000-1,500

161 A collection of Victorian and modern silver Palm pattern flatware, comprising: eighteen table forks, by George Adams, London 1882, the terminals with a raised private-die crest and initials, seven further table forks, by George Adams, London 1866 and 1867, two initialled, eight tablespoons, by George Adams, London 1866 and 1867, two initialled, five tablespoons, by Gibson and Langman, London 1896, thirteen dessert forks, by George Adams, London 1866 and 1867, five initialled, two dessert forks, by Gibson and Langman, London 1896, one dessert fork by J.S. Hunt, London 1887, twelve dessert spoons, by George Adams, London 1867, six initialled, nine dessert spoons, by George Adams, London 1860-1878, two dessert spoons by Gibson and Langman, London 1897, eight teaspoons, by George Adams, London 1867 and 1868, five with initials, six teaspoons by John Samuel Hunt, London 1887, four smaller teaspoons, by George Adams, London 1880, initialled, a pair of sugar spoons, by George Adams, London 1881, a sauce ladle, by George Adams, London 1868, with a crest, a soup lade by Holland, Aldewinckle and Slater, London 1903, with a crest, a pair of basting spoons, by Holland, Aldewinckle and Slater, London 1903, twelve table knives, re-bladed, over-stamped marks for Francis Higgins and J. S. Hunt, London 1889, six dessert knives, re-bladed, over-stamped marks for Francis Higgins and J. S. Hunt, London 1889, six modern dessert knives C.J. Vander, London 1981, a silver-gilt christening spoon, by George Adams, London 1872, a christening fork, by E. Hutton, London 1882, approx. weighable 261oz. (qty) £4,000-6,000

162 A Charles II silver Apostle spoon, by Jeremy Johnson, London 1663, fig-shaped bowl, faceted tapering stem, gilded finial, with a plain nimbus, length 18cm, approx. weight 1.8oz. £1,500-2,000

Provenance: Bonhams, London, Fine Silver and Objects of Vertu, 22 June 2011, lot 273. S.J. Shrubsole.

163 A Charles I provincial silver Seal-top spoon, marked DC once to the bowl and twice to the base of the stem, probably West Country circa 1640, fig-shaped bowl, faceted tapering stem, gilded seal-top finial, the reverse of the bowl prick-dot initialled ‘NL’ over ‘1651’, length 18cm, approx. weight 1.9oz. £2,000-3,000

Provenance: A Private Collection.

The Winfield Collection, Bonhams, Knightsbridge, London 7 March 2001, lot 84.

Purchased from Banfill and Chilman Ltd., 21 July 1949 for £21 10s. A copy of the 1949 receipt a catalogue of The Winfield Collection is included with this lot.

162 163 164

164 A Charles II unascribed provincial silver Trefid spoon, marked to the bowl with a fleurs-de-lys mark in a circular punch, circa 1680, oval bowl, the terminal with prick-dot initials ‘T.B’ over ‘R.C’ over ‘1680’, with traces of gilding, length 20.3cm, approx. weight 1.5oz. £150-200

Provenance: A Private Collection. Lawrence’s, Crewkerne, Fine Art Sale, 15 January 2013, lot 167.

165 A George II silver-gilt marrow scoop, maker’s mark only, that of Paul de Lamerie, circa 1720, conventional form, the stem with chased decoration, the reverse of the bowl with an armorial within foliate mantling, length 20.5cm, approx. weight 1.4oz. £1,500-2,000

The arms are those of John Chardin, of The Inner Temple, London. He was a well-known Eastern traveller, Court Jeweller and sometime Envoy to Holland. He was created a Baronet in 1720, and by 1741 he had purchased Kempton Park in Sunbury Middlesex.

166 A fine pair of Victorian silver fish servers, by Francis Higgins, London 1860, the handles cast with classical figures with trailing grapevines and bunches of grapes, the blade with pierced and engraved with foliate scroll decoration and a cherub riding a mythical animal, the reverse engraved with a crest, length of knife 34.5cm, approx. weight 14.2oz. (2) £800-1,200

The crest is that of Auchmuty, Spier or Spiers.

167 A matched set of twelve George II silver Hanoverian pattern tablespoons, by Isaac Callard, London 1735, and Paul Hanet, date letter worn, the reverse of the terminals with initials, approx. weight 26oz. (12) £300-400

168 A matched George III/IV silver Bright-cut pattern canteen for six, various dates and makers including by George Smith, London 1780 and 1784, and Eley and Fearn, London 1803, the terminals engraved with a crest, comprising: six table forks, six dessert forks, six dessert spoons and seven tablespoons, approx. weight 42oz. (25) £400-600

169 A matched set of nine George III Feather Edge and Onslow pattern tablespoons, various dates and makers including John Hills London 1773 an Thomas Chawner, London 1774, approx. weight 20oz. (9) £250-300

170 A matched set of twelve antique silver Fiddle pattern dessert forks, comprising: ten by Messrs. Lias, London 1845, and two other by different makers, the terminals with initials, approx. weight 19oz. (12) £250-300

171 A set of mid 18th century silver Hanoverian picture-front teaspoons, circa 1750-60, the front of the terminals with a classical figure within foliate decoration, the reverse of the terminal with a crest, with a foliate shell heel, approx. weight 6.6oz. (12) £300-500

172 The Worshipful Company of Mercers, a pair of reproduction silver spoons from The Trinity Hospital set, by Hicklenton and Phillips, London 1937, Slip-top form, the reverse of the stem inscribed ‘d.d Mercer’s Company George VI 1937’, length 17.2cm, approx. weight 4oz. (2) £100-150

The Trinity Hospital Spoons are a set of eighteen which were paid for by John Griffith in 1619. A pair of reproductions of these spoons were given to each member of the Company in celebration of the coronation of George VI.

173 A mid 18th century silver-gilt mote spoon, marks worn, circa 1740, the oval bowl pierced with mullets and scrolls, faceted stem, length 13.7cm, approx. weight 0.3oz. £80-120

174 A Victorian silver Coburg pattern sifting spoon, by George Adams, London 1853, with a circular pierced bowl, with an engraved crest to the front terminal, length 16.4cm, approx. weight 2.2oz. £100-150 The crest is that of Earl of Craven, probably for William, 2nd Earl of Craven (1809-1866).

£80-120

177 A set of three graduated silver meat skewers, by H Atkins, Sheffield 1914, plain tapering form, ring terminals, in a fitted case retailed by the Junior Army and Navy Stores, 15 Regent Street, S.W, lengths 25.5cm, 20.5cm, and 15.4cm, approx. weight 2.8oz. £150-250

178 The Worshipful Company of Salters, a pair of cased silver salt spoons, by the Goldsmiths and Silversmiths Company, London 1930, gilded shell shaped bowls, the terminals with the arms of the company, in a fitted case, the cover also with the company arms, length 11.7cm, approx. weight 1.7oz. (2) £80-120

1930 was the 400th anniversary of the first grant of arms to the Salters’ Company in 1530.

179 A mixed lot of silver items, comprising: a cased set of twelve Edwardian rat-tail teaspoons by J Rodgers & Sons Ltd, Sheffield 1909, with engraved crests to the reverse of the terminals, two cased sets of six coffee spoons, one by Philip Hanson Abbot, Sheffield 1911, and the other by Hukin & Heath Ltd, Birmingham 1929, a cased set of six Victorian dessert spoons by Josiah Williams & Co, Exeter 1880, engraved initials to the terminals, cased Victorian fish servers by Aaron Hadfield & Sons, Sheffield 1846, with pierced scroll foliate decoration, (fork handle cartouche repaired), total approx. weighable 15.8oz. (qty) £200-300

180 Two cased Victorian silver and mother-of-pearl knife and fork serving sets, one set by Martin, Hall & Co., Sheffield 1856, the other by Barnard & Sons Ltd, London 1874, carved mother-of-pearl handles, the blades with engraved decoration, each pair in a fitted case. (2) £150-200

181 A cased set of four Victorian silver spoons, by William Comyns, London 1892, heart shaped gilt bowls, pierced foliate decoration, length 12.8cm, plus a cased Victorian silver-gilt sifting spoon and two berry spoons by Wakely and Wheeler, London 1898, the serving spoons with embossed decoration, each with a figural finial, total approx. weight 9.4oz. (2) £200-300

182 A cased set of six Japanese silver swizzle sticks, no maker’s mark, stamped ‘STERLING JAPAN’, circular form, each with a different decorative finial, one ball end missing, unextended length 11cm, total approx. weight 1oz. (6) £80-120

183 A collection of twenty-five silver, silver-gilt and enamel Masonic badges, various dates and makers, including the Mark Benevolent Fund, the majority with ribbons, and some applied with a ‘Steward’ bar, in a wooden case, approx. weighable 12oz. (25) £250-300

184 A collection of twenty-five silver, silver-gilt and enamel Masonic badges, various dates and makers, including the Masonic Institute for Girls, four with ribbons, approx. weighable 12oz. (25) £250-300

185 A collection of seven silver napkin clips, various dates and makers, including two with pin bars, approx. weight 1.2oz. (7) £100-150

186 A Victorian silver chatelaine clip, by The Goldsmiths and Silversmiths Company, London 1901, the three sections with pierced foliate decoration, with seven hanging chains, approx. weight 5.4oz. £80-120

187 A mixed lot of silver and metalware items, comprising: a French silver cloak clasp, shell ends, a circumcision shield, bearing pseudo earlier Russian hallmarks, a large Dutch button, an oval clip, pierced foliate decoration, and a base metal and card dispenser, with a portrait of Queen Victoria. (5) £200-300

188 A silver arm badge, marked Silver, oval form, with raised lettering ‘The Grafton Galleries Custodian, Exhibition of Old Masters’, length 9cm, approx. weight 1.7cm. £80-120

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189 A set of three Victorian silver-handled scissors, by Horton and Allday, Birmingham, date letter worn, fluted decoration, one pair lacking one ring handle, in an earlier fitted silver-mounted tortoiseshell case, length of case 17.3cm. (4) £100-150

190 A mixed lot of silver, comprising: a Victorian Ancient Order of Forester’s badge, by Edward Smith, Birmingham 1839, another Victorian one by Hillard & Thomason, Birmingham 188t, silver mounted Chatsworth rifles badge, base metal back, an Edwardian cigarette holder case, maker’s mark worn, Birmingham 1911, engraved scroll foliate decoration, a pair of Victorian sugar tongs by Henry Wilkinson & Co, 1891, plus a French electroplated decanter label, by Christofle, total approx. weighable 2.3oz. (6) £150-200

191 A mixed lot of wine labels, comprising silver ones: a modern armorial pair, incised ‘CLARET’ and ‘PORT’, and one incised ‘SCOTCH’, a set of three engraved ‘W’, ‘B’ and ‘C’, one engraved ‘FRANSKV’, one engraved ‘FR’, a set of three mother-of-pearl labels, titled ‘CHERRY’, ‘CURACAO’ and ‘BENEDICTINE’, plus a pair of electroplated cut-out letter labels, ‘FRENCH VERMOUTH’ and ‘ITALIAN VERMOUTH’, and one ‘AMONTILLADO’, approx. weighable 4.8oz. (qty) £150-200

192 A collection of six antique silver wine labels, of shaped rectangular and oblong form, with foliate, scroll and shell borders, comprising: one pierced ‘MADEIRA’ by John Reily, London 1823, plus three others pierced ‘MADEIRA’ and two others pierced ‘SHERRY’, approx. weight 2.7oz (6) £200-300

193 A collection of twelve enamelled wine labels, including a matched set of five titled ‘PEACH BITTERS’, ‘INDIAN’, ‘ABSINTHE’, ‘ORANGE GIN’, and ‘ITALIAN VERMOUTH’, plus various others ‘HOCK’, ‘BARSAC’, ‘PORT X2, ‘WHISKY’, ‘CLARET’, and ‘GIN’. (12) £200-300

194 A collection of five antique silver wine labels, comprising: one by Margaret Binley, London circa 1770, rectangular form, gadroon border, pierced ‘PORT’, plus one by Elizabeth Morley, London 1810, incised ‘SHRUB’, plus three others, pierced ‘MADEIRA’, ‘BUCELLAS’ and ‘CLARET’, approx. weight 3oz. (5) £250-300

195 A collection of six antique silver wine labels, comprising: one by James Kirkby & Sons, Sheffield 1813, shaped rectangular form, shell and scroll border, incised ‘GIN’, one by James McKay, Edinburgh 1815, shaped oblong form, shell and fluted scroll border, incised ‘HOLLANDS’, one by J Hay, Edinburgh circa 1820, shaped rectangular form, foliate and scroll border, incised ‘WHISKY’, one by Charles Rawlings, London 1827, shaped rectangular form, shell and gadrooned border, incised ‘MADEIRA’, one Scottish label marked AC and a thistle, possibly for Alexander Cameron of Dundee, rectangular form, foliate and scroll border, incised ‘BRANDY’, and one marked M.C, rectangular form, canted corners, incised ‘SHERRY’, total approx. weight 1.6oz. (6) £200-300

196 A collection of seven antique silver wine labels, comprising: an Edwardian one by S.Mordan & Co Ltd., Chester 1909, of circular form, stamped ‘MARSALA’, one by Mappin & Webb Ltd., Chester 1912, rectangular form, gadrooned border, incised ‘WHISKEY’, one Victorian Irish label by John Smyth, Dublin 1869, of circular form, incised ‘CLARET’, one marked H.J, London 1928, of rectangular form, canted corners, incised ‘VERMOUTH F’, one modern label by Hampton Utilities, Birmingham 1977, incised ‘PORT’, plus an unmarked label, pierced ‘BUCELLAS’, and an unmarked one of rectangular form, ‘BRANDY’, total approx. weight 2.7oz. (7) £100-150

197 A collection of six antique silver wine labels, comprising: a pair by Kirby, Waterhouse and Co., Sheffield 1818, shaped oblong form, shell and fluted scroll borders, incised ‘PORT’ and ‘SHERRY’, a pair by John Younge & Sons, Sheffield 1791, rectangular form, canted corners, incised ‘BRANDY’ and ‘PORT’, by Alexander Goodman, Gainsford & Co., Sheffield 1819, shaped rectangular form, reeded border, incised ‘BRANDY’, and one by Samuel Walker & Co., Sheffield 1839, shaped rectangular form, foliate and fluted scroll borders, incised ‘TRIA JUNCTAIN UNO. RALPH, JAMES & ROBERT’, total approx. weight 2.1oz. (6) £200-300

198 A collection of six antique silver wine labels, comprising: one incised ‘MADEIRA’ by William Knight II, London 1826, rectangular form with reeded and shell border, one incised ‘PORT’, of rectangular form, by Robert Garrard I, London 1814, one pierced ‘PORT’, by William Knight II, London 1829, of oval form with reeded and shell borders, one incised ‘PORT’ and ‘SHERRY’ by Charles Rawlings, London 1822, rounded form, with a foliate and gadrooned border, and one incised ‘LISBON’ with a gadrooned border, maker’s mark JR script, approx. weight 2.7oz. (6) £200-300

199 A collection of six antique silver wine labels, plain rectangular form, reeded borders, comprising: one incised ‘BUCELLAS’, one pierced ‘HOLLANDS’ by Thomas Phipps & Edward Robinson, London 1803 and 1806, one incised ‘CURRANT’ by Elizabeth Morley, London 1808, one incised ‘SHERRY’ by William Barret II, one incised ‘CLARET’ by Matthew Linwood, Birmingham 1821, one incised ‘SHERRY’ with a beaded border, by John Rich, London 1803, approx. weight 1.5oz. (6) £200-300

200 A collection of five silver wine labels, comprising: one pierced ‘HOCK’, with foliate and shell decoration, by Charles Rawlings & Williams Summers, London, one incised ‘SHERRY’ with foliate and shell decoration, maker’s mark IG, London 1819, one incised ‘MADEIRA’, shaped form, two Bacchanalian cherubs and foliate decoration, by Matthew Linwood, Birmingham 1813, one pierced ‘WHITE’, modelled form of a leaf, by Robin Gainsford, Sheffield 1827, one pierced ‘MADEIRA’, shaped form with foliate and shell decoration, by Charles Reily & George Storer, London 1840, approx. weight 2.3 oz. (5) £200-300

201 A collection of five George III silver wine labels, including: one of oval form, with a crested pediment, by Phipps and Robinson, circa 1784, incised ‘PORT’, one of Bright-cut scroll form, incised ‘PORT’, one pierced ‘VIN DE GRAVE’, plus one incised ‘MADEIRA’ and one ‘SHERRY’, approx. weight 1.6oz. (5) £250-300

202 A small collection of five Scottish and Irish silver wine labels, comprising: a pair by John McDonald, Edinburgh circa 1810, rectangular form, incised ‘RUM’ and ‘HOLLANDS’, plus a Glasgow label incised ‘RUM, by John Murray or John Muir, 1828, and an Irish label retailed by West, Dublin 1818, pierced ‘SHERRY’, and a Victorian Dublin label incised ‘PORT’, approx. weight 2.2oz. (5) £250-300

203 Two similar George III provincial silver wine labels, by John Langlands & John Robertson, Newcastle circa 1780, shaped crescent form, with feather edge and bright-cut border, with central cartouches one engraved with a crest, incised and one blackened ‘WHITE WINE’ and ‘CLARET’, length 4.9cm, total approx. weight 0.6oz. (2) £200-300

204 A George III silver wine label, maker’s mark IG, possibly for James Gordon, Aberdeen circa 1780, scroll form, incised ‘LIQUEURS’, plus one of crescent form, marked WR four time, possibly for William Ritchie, Perth, circa 1790, crescent form, Bright-cut borders, incised ‘SHERRY’, and another marked W.R twice with a pellet between, rectangular form, canted corners, incised ‘SHERRY’, approx. weight 0.6oz. (3) £200-300

205 A George III silver wine label, marked I.S twice, possibly for James Smith, Aberdeen circa 1780, crescent form, with a Feathered-edge border, incised and blackened ‘WHITE WINE’, length 5.1cm, plus another with maker’s mark CC, circa 1780, scroll form, incised and blackened ‘W.PORT’, length 4.9cm, total approx. weight 0.6oz. (2) £150-200

206 Two George II silver wine labels, by Sandilands Drinkwater, London circa 1740, shaped escutcheon form, incised ‘CLARET’, length 5.2cm, plus one of shaped rectangular form, with gadrooned borders, incised ‘WHITE WINE’, length 4.7cm, total approx. weight 0.8oz. (2) £200-300

207 Three antique silver wine labels, comprising: a George III label by William Abdy, London circa 1780, of oval form, with pierced slats and bright cut decoration, incised ‘BRANDY’, length 5.2cm, one label marked JW, shaped crescent form, pierced border, incised ‘SHERRY’, length 4.1cm, one label of shaped form, Birmingham marks, with pierced grape and vine decoration, pierced ‘BUCELLAS’, length 4.5cm, total approx. weight 0.7oz. (3) £200-300

208 A pair of boxed silver commemorative Concorde wine labels, by British Airways, Birmingham 1986, of rectangular form, canted corners, incised ‘GIN CONCORDE’ and ‘WHISKY CONCORDE’, length 5cm, total approx. weight 0.9oz. (2) £80-120

209 A George III silver wine label, by Thomas & James Phipps, London 1816, of shaped rectangular form, gadrooned and shell border with an engraved crest, pierced ‘PORT’, length 5.6cm, and a silver-gilt Victorian label by Charles Rawlings & William Summers, London 1862, shaped rectangular form, a face covered by foliate and scroll decoration, incised ‘COGNAC’, length 5.7cm, total approx. weight 1.4oz. (2) £150-200

210 A collection of Scottish antique silver 'Cut-out' letter wine labels, various dates and makers, comprising: one by James Howden & Co.,Edinburgh circa 1830, modelled as an 'S' with scroll decoration, one by William Marshall, Edinburgh circa 1802, modelled as an 'R', with engraved scroll decoration and crest to the reverse, two by Robert Gray & Sons, Glasgow circa 1825, modelled as an 'S' and 'P' with foliate and scroll decoration, one modelled as an 'S' with engraved scroll and reeded decoration, marked JR, plus one electroplated label modelled as 'B', total approx. weighable 1.8oz. (6) £200-300

211 An American silver wine label, by Tiffany and Co. of rectangular form, fluted gadrooned border, pierced ‘WHISKEY’, length 3.5cm, approx. weight 0.3oz. £100-150

212 A collection of antique silver ‘Cut-out’ letter wine labels, various dates and makers, comprising: one by Walter & George Myers, Birmingham 1894, modelled as a ‘W’, silver-gilt with engraved scroll and foliate decoration, three by Charles Rawlings & William Summers, London 1844 and 1850, modelled as a ‘P’ and ‘S’ and ‘P’, with foliate and scroll decoration, one by Henry Flavelle, Dublin circa 1826, modelled as a ‘P’ with foliate decoration, and one by Smith, Nicholson & Co., London 1859, modelled as a ‘C’ with scroll and foliate decoration, total approx. weight 2.8oz. (6) £200-300

213 An American silver wine label, by Tiffany and Co., shaped oblong form, foliate scroll border, pierced ‘WHISKEY’, length 4.8cm, approx. weight 0.3oz. £100-150

214 A collection of seven 19th century silver ‘Cut-out letter’ wine labels, comprising a set of three Scottish ones, by James Howden & Son, Edinburgh, modelled as the letters ‘L’, ‘C’, and ‘M’, plus another Scottish pair ‘S’ and ‘P’, and two others ‘M’ and ‘R’, approx. weight 3.9oz. (7) £250-300

215 A George III silver wine label, by Hester Bateman, London circa 1790, pierced urn form, with ribbon-tied swags and with a pierced lower swag border, incised ‘BRANDY’, length 4.8cm, approx. weight 0.3oz. £150-200

216 An early 19th century ‘Anti Corn Law League’ silver wine label, by Mordan, shaped form, with sheaves of corn, a bale of wool and a cornucopia, embossed ‘FREE’, pierced ‘LISBON’, length 5.5cm, approx. weight 0.2oz. £100-150

217 A George IV provincial silver wine label, by James Barber and Co. York circa 1820, rectangular form, reeded border, the corner with shell motifs, incised and blackened ‘MADEIRA’, length 4.5cm, approx. weight 0.3oz. £100-150

218 A George III silver wine label, by John Riley, London 1817, of a rounded rectangular form, reeded border, incised ‘BRONTI’, length 4.2cm, approx. weight 0.2oz. £100-150

219 An early 19th century Scottish provincial silver wine label, by William Jamieson, Aberdeen circa 1830, rectangular form, canted corners, reeded border, incised ‘MADEIRA’, length 4.3cm, approx. weight 0.3oz. £100-150

220 An early Victorian provincial silver wine label, by James Barber & William North, York circa 1840, shaped escutcheon form, incised ‘PORT’, length 4.7cm, approx. weight 0.3oz. £100-150

221 A George III silver armorial wine label, by John Reily, London 1801, modelled as two opposing wings with a pierced central ladder, pierced ‘PORT’, height 3.7cm, approx. weight 0.3oz. £400-600

222 A 20th century novelty modern silver armorial wine label, by Michael W Druitt, London 1973, modelled as a standing elephant, pierced ‘GIN’, height 6cm, approx. weight 1.3oz. £100-150

223 A George III silver wine label, by John Rich, London circa 1790, crescent and urn form, with pierced garlands and reeded borders, incised ‘WHITE WINE’, length 4.9cm, approx. weight 0.4oz. £150-200

224 A George III silver wine label, by Edward Farrell, London 1817, of shaped form, with a Bacchanalian cherub and vine decoration, pierced ‘BARSAC’, length 6cm, approx. weight 0.6oz. £100-150

225 A George III silver wine label, by William Fountain, London 1815, of rectangular form, with rounded edges and reeded borders, incised ‘BOUSFIELD’, length 4.4cm, approx. weight 0.3oz. £200-300

226 A George III silver wine label, by John Thornton, Birmingham 1800, crescent and shield form, reeded and bright cut border, engraved initial and later incised ‘LIQUEUR’, length 5cm, approx. weight 0.2oz. £100-150

227 A collection of five George III silver labels, comprising: one incised ‘PORT’, crescent form, by Charles Fox I, London 1805, one incised ‘WHITE-WINE’, rectangular form, by John Hutson, London, one incised ‘RUM’, rectangular scalloped form, by Susannah Barker, London, one incised ‘CLARET’, oblong form, by John Rich, London 1793, one incised ‘RUM’, with Prince of Wales feathers and bright cut decoration, by Peter & William Bateman, London 1806, approx. weight 1.3oz. (5) £200-300

228 A collection of five antique silver wine labels, comprising: one incised ‘PORT’ and another ‘SHERRY’, of oval form and bright cut borders, by John Huston, London circa 1790, one pierced ‘MADERIA’ of oval form with a beaded border, by Susanna Barker, one incised ‘MADEIRA’, by Daniel Fitch, London 1794, and one incised ‘CHERRY BRANDY’ by Wright & Davies, London 1878, approx. weight 1.5oz. (5) £200-300

229 A collection of five 19th century silver wine labels, comprising: a George III pair by Phipps and Robinson, London 1808, shaped form, with two Bacchanalian putti with ewers and grapes, pierced ‘PORT’ and ‘CLARET’, plus a silver-gilt label pierced ‘PORT’ London 1822, one incised ‘CLARET;’ and one incised and blackened ‘MADERIA’, approx. weight 3.5oz. (5) £250-300

230 A collection of five antique silver labels, of rectangular form, shell, vine, gadrooned borders, comprising: one pierced ‘W.WINE’ by Rebecca Emes & Edward Barnard, London 1827, one pierced ‘SHERRY’ and ‘MADEIRA’, probably by William Eaton, London 1826, one pierced ‘SHERRY’, London 1788, one pierced ‘BRANDY’, oblong form, by Thomas Phipps, Edward Robinson & James Phipps, London 1814, approx. weight 2.9oz. (5) £200-300

231 Three modern silver wine labels, by Michael W Druitt, London 1973, two modelled as a four leaf clover, pierced ‘SHERRY’ and ‘PORT’, length 5cm, plus one modelled as a Bacchanalian mask, pierced ‘SHERRY’, height 6.6cm, total approx. weight 4.8oz. (3) £100-150

232 A collection of four antique silver wine labels, comprising: one by Robert Gainsford, shaped form, with two Bacchanalian cherubs and pierced ‘PORT’, one by Matthew Linwood, Birmingham 1807, shaped form, with two Bacchanalian cherubs and incised ‘SHERRY’, one pierced ‘MADEIRA’, shaped form, a Bacchanalian cherub and vine decoration, one incised ‘SHERRY’ by Thomas Phipps & Edward Robinson, London 1798, approx. weight 1.9oz. (4) £200-300

233 A small collection of three Sheffield and Birmingham made silver wine labels, comprising: one of scroll and drape form, by Luke, Proctor and Co., Sheffield 1790, incised ‘RUM’, plus one by Walker Knowles & Co., Sheffield 1841, incised ‘SWEET WINE’ and one by Matthew Linwood, Birmingham 1819, incised ‘MADEIRA’, approx. weight 1oz. (3) £100-150

of our Conditions of Business at the back of this catalogue for additional charges on the fi

235 Three Irish George III silver wine labels, comprising: one by John Teare, Dublin circa 1818, shell form, incised ‘PORT’, length 5.1cm, one by John Townsend, Dublin 1813, rectangular form, with canted corners and gadrooned border, incised ‘CURR. T WHISKEY’, length 4.9cm, one marked IE and William Law, Dublin 1814, shaped rectangular form, incised ‘CLARET’ length 5.2cm, total approx. weight 0.8oz. (3) £200-300

234 A set of three George IV provincial silver wine labels, by Reid & Son, Newcastle 1822, of shaped escutcheon form, one pierced ‘CHAMPAIGNE’, length 5.5cm, one pierced ‘HERMITAGE’, length 5.4cm and one pierced ‘BURGUNDY’, length 5.3cm, total approx. weight 1.3oz. (3) £200-300

237 Three George III provincial silver wine labels, comprising: one by Richard Clark, York circa 1785, of rectangular form, canted corners, incised ‘BRANDY’, length 5.4cm, one by Robert Cattle & John Barber, York circa 1810, of rectangular form, with canted corners and reeded border, incised ‘LISBON’, length 3.9cm, and one by Hampston & Prince, York circa 1780, shaped rectangular form, pierced reeded scroll to the top and a bright cut decorated border, incised ‘SHERRY’, length 5.3cm, total approx. weight 0.9oz. (3) £300-400

236 Three George II silver wine labels, comprising: two by Lewis Hamon, London circa 1745, shaped escutcheon form, with vine and grape decoration, incised ‘WHITE WINE’ and ‘MADEIRA’, length 5.2cm, plus one George II label by Sandilands Drinkwater, London circa 1740, shaped escutcheon form, with vine and grape decoration, incised ‘PORT’, length 5.4cm, total approx. weight 1.1oz. (3) £200-300

238 Three George III silver wine labels, comprising: one probably by John Rich, London circa 1765, shaped escutcheon form, pierced ‘MADEIRA’, length 5.4cm, one by James Wilks, London circa 1740, shaped escutcheon form, with vine and grape decoration, incised ‘LISBON’, length 4.8cm, and one marked IS script, shaped escutcheon from, incised ‘CLARET’, length 4.8cm, total approx. weight 1.1oz. (3) £200-300

239 A George III provincial silver wine label, by George Lowe, Chester 1804, of rectangular form, canted corners with a reeded border, incised ‘SHERRY’, length 4.5cm, approx. weight 0.3oz. £100-150

OTHER PROPERTIES

241 A George III silver armorial wine label, by John McDonald, London circa 1800, modelled as a walking dog, engraved decoration, on a rectangular banner, incised ‘PORT’, length 6cm, approx. weight 0.3oz. £600-800

240 A George III provincial silver label, by Richard Ferris, Exeter circa 1800, of rectangular form, reeded border, incised ‘RUM’, length 4.5cm, approx. weight 0.2oz. £100-150

243 A novelty silver golden pheasant pin cushion, by Sampson Mordan & Co Ltd., Chester 1905, modelled in a standing position, on an oblong shaped base, length 10cm, approx. weight 0.7oz. £300-400

242 A collection of antique silver sauce labels, comprising: a George III pair, by John Robins, London 1809, oblong form, incised ‘ANCHOVY’ and ‘KETCHUP’, plus one incised and blackened ‘KETCHUP’, London 1820, plus a pair ‘SOY’ and ‘CAYENNE’, London 1796 and two unmarked ones ‘VINEGAR’ and

244 A silver and Chinoiserie lacquer dressing table box, by Henry Clifford Davis, Birmingham 1923, of oblong form, the cover with a black and gilt lacquer hunting scene, hinged cover with a plain thumb piece, velvet lined, on four scroll feet, length 13.2cm. £300-400

245 An 18th century silver-mounted and lacquer snuff box, rectangular panelled form, the hinged cover inlaid with gold and silver decoration of a chateau, the sides with other scenes of the chateau and bee hives, the underside of the base inlaid with a house, length 10.8cm. £200-300

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247 A 19th century Austro-Hungarian silver box, Prague 1856, maker’s mark I HK conjoined, rectangular form, scroll and engine turned decoration, hinged cover with foliate thumb-piece, gilded interior, length 8.6cm, approx. weight 3oz. £100-150

246 A Victorian silver snuff box, by Edward Smith, Birmingham 1851, rectangular form, engine turned decoration with central scroll cartouche, with a scroll thumb piece, gilded interior, length 6.6cm, plus a 19th century French silver and niello-work snuff box, with geometric decoration to the cover, base and sides, hinged cover with a plain thumb piece, gilded interior, length 7.4cm, approx. weight 3.8oz. (2) £150-200

249 A George III silver snuff box, by William Weston, London 1808, rectangular form, the cover, sides and base with wriggle-work decoration, central cartouche, with a plain thumb-piece, gilded interior, length 5.8cm, approx. weight 1.5oz. £100-150

248 A metalware box, marked I.B three times, oval form, chased foliate decoration on a matted background, the cover inscribed, the interior gilded, length 8cm. £100-150

250 An early-Victorian silver snuff box, by Francis Clark, Birmingham 1845, rectangular form, engine-turned sides an base, the hinged cover with a foliate border, length 8.6cm, approx. weight 5.2oz. £200-300

251 Three silver posy holders, comprising: one apparently unmarked, pierced and engraved scroll decoration, spring-out legs with chain, one by S Blanckensee & Son Ltd, Birmingham 1912, tapering horn shape, a scalloped finger ring and engraved ‘Kiddie’, one by Harrison & Hipwood, Birmingham 1916, of shaper circular tapering form with scalloped edge and attached chain, length 13.5cm, total approx. weight 3.2oz. (3) £150-200

252 Two Victorian posy holders, unmarked, one of tapering circular form, with blue enamel and scroll foliate decoration, spring-out legs with a chain and finger ring, the other of shaped circular tapering form, with engraved foliate decoration and worn inscription, dated ‘1866’, height 14.4cm total approx. weight 2.6oz. (2) £150-200

253 Three gilt-metal posy holders, all tapering circular form, three spring out legs, with scroll foliate decoration, with chains, heights 16.2cm, 15cm and 14.5cm. (3) £200-300

254 An Edwardian silver Hunting posy holder, by Horton & Allday, Birmingham 1903, tapering circular form, with a scalloped edge, engraved crest of The South Staffordshire Hunt below ’Blake Street March 22 1904’, the handle inscribed ‘Killed in Sutton Park after a fast run of fifty minutes. Presented By The Master To Miss Kino’, with ring attachment, length 13.1cm, approx. weight 0.9oz. £100-150

255 A modern Dutch silver pocket corkscrew, with a maker’s mark ‘B’, 1994, in the 18th century manner, screw off sheath with scroll foliate decoration, steel worm, plain base, the handle with a cherub sitting on a foliate scroll motif, height 8.5cm, approx. weight 2.5oz. £300-400

256 An 18th century Dutch silver corkscrew, by Hendrik Smook, Amsterdam, 1766, panelled baluster sheath with chased foliate decoration, the handle with scrolls and shell decoration, the screw off base with a screwout matrix, engraved with initials, length 8.3cm. £500-700

257 A modern Italian silver eye glass, circular form, the border and handle modelled as a coiled snake, with a ring attachment, length 7.3cm. £80-120

258 A William IV silver badge, by George Reid, London 1834, shaped oval form, foliate borders with a centre lyre motif, length 9cm, approx. weight 1.7oz. £100-150

259 Two unmarked silver boxes, late 18th/19th century, one of cartouche form, chased foliate decoration on a matted background, length 6.2cm, plus one of oval form, fluted shell base, the cover with engraved wriggle-work decoration, length 5.2cm. (2) £100-150

260 A George III silver toothpick box, by Samuel Pemberton, Birmingham, date letter worn, of rectangular form with canted corners, engraved foliate and radiating decoration, with a gilded interior, length 8.3cm, approx. weight 1oz. £100-150

261 A mixed lot of silver items, comprising: a William IV miniature silver Chinoiserie teapot, by Joseph Willmore, Birmingham 1830, square form, chased foliate decoration, hinged cover, on four bracket feet, length 5.5cm, plus an early-Victorian silver-gilt vinaigrette, by Nathaniel Mills, Birmingham 1837, engine-turned decoration, foliate borders, plus a circular pill box, and an Edwardian silver scent flask, Birmingham 1907, approx. weight 2.8oz. (4) £300-400

262 An 18th century silver box, possibly for counters or toothpicks, unmarked, rectangular form, the sides with chevron decoration, the cover and base with foliate scroll decoration, the slide-off cover with initials, length 8.2cm, approx. weight 1.1oz. £700-900

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263

An Edwardian silver and tortoiseshell dressing table box, by William Comyns & Sons, London 1906, heart form, with a hinged tortoiseshell cover with silver inlay and garland border, velvet lined, on four foliate scroll feet, length 11.9cm. £150-200

265 A silver and enamel dressing table box, by the Adie Brothers, Birmingham 1927, oval form, the hinged cover with purple enamel decoration, on four bracket feet, the interior velvet and silk lined, length 13.8cm. £100-150

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264

An Edwardian silver and tortoiseshell desk clip, by William Comyns, London 1909, oval form, with a tortoiseshell clip with silver inlay and foliate and reed border, on a raised oval foot, length 10.1cm, £100-150

266 A Edwardian silver jewellery box, by Henry Matthews, Birmingham 1903, of shaped oblong form, the hinged cover embossed with a classical courting scene surrounded by scroll foliate decoration, velvet and worn silk fitted interior, on four scroll padded feet, length 19.8cm. £250-300

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267 An Edwardian silver and tortoiseshell box, by William Comyns, London 1906, circular bellied form, a pull-off tortoiseshell cover with silver inlay and garland border, with a gilded interior, diameter of the base 9.2cm, total approx. weight 3.7oz. £120-150

λ 268 An Edwardian silver and tortoiseshell dressing table box, by William Comyns, London 1908, oval from, a hinged tortoiseshell cover with silver inlay and garland border, velvet interior, on four foliate scroll feet, length 11.8cm. £150-200

269 A Edwardian silver novelty inkwell stamp box, by William Hutton & Sons Ltd, Birmingham 1909, tapering circular form upon a raised square plinth, domed hinged cover with a ball finial, with a pull-out drawer with a gilded interior and two stamp compartments, on a raised tapering square base, with a glass liner, height 6.4cm, total approx. weighable 3.9oz. £300-400

270 An Edwardian silver night-light holder, by Grey and Co. Birmingham 1908. circular form, with a pierced gallery, scroll handle, on a raised circular foot, with a conical snuffer, same date and maker, with a red glass liner, total height 9.3cm, approx. weight 1.9oz. £100-150

271 A Victorian silver carriage clock, no maker’s mark, Birmingham 1895, upright rectangular form, spot-hammered decoration, hinged scroll carrying handle, enamelled dial, on four bun feet, height 6.7cm. £80-120

λ 272 A late-Victorian silver-mounted tortoiseshell tea canister, by Saunders and Shepherd, Chester 1897, rectangular form, applied ‘Tea’, pull-off cover, height 8.8cm. £80-120

273 A modern Italian silver and enamel photograph frame, upright rectangular form, dark pink enamel decoration, beaded border, wooden easel back, height 27.3cm. £100-150

274 A modern silver and enamel photograph frame, by Sanders & Mackenzie, Birmingham 1966, rectangular form, with lilac enamel decoration, wooden back and easel support, height 23.5cm. £100-150

275 A small Victorian silver inkstand, by The Barnards, London 1845, shaped oval form, foliate borders, on four scroll bracket feet, with two silver-mounted cut-glass inkwells, length 20.2cm, approx. weight 6.7oz. £100-150

276 A George III silver sugar caster, by John Delmester, London 1760, baluster form, the pull-off cover with pierced decoration and with a flame finial, on a raised circular foot, height 20cm, approx. weight 8oz. £100-150

277 A George III provincial silver two-handled porringer, by John Langlands, Newcastle 1757, tapering circular form, reeded scroll handles, the front initialled, height 9.5cm, approx. weight 6oz. £100-150

278 A George III silver snuffer tray, by John Emes, London 1804, oval form, reeded borders, with bright cut foliate decoration, and engraved crest, length 26.3cm, approx. weight 4.3oz. £150-200

The crest is that of Sainthill.

279 A modern Britannia standard silver caster, by William Walter Antiques Ltd., London 1972, circular bellied form, pull-off pierced cover, on a raised circular foot, height 16.3cm, approx. weight 7.7oz. £80-120

280 An 18th century cast silver cream jug, unmarked, circa 1740, lobed baluster form, leaf capped scroll handle, wavy-edge border, on three scroll and hoof feet, height 11cm, approx. weight 5.7oz. £600-800

281 A presentation silver dwarf candelabrum, by James Dixon and Sons, Sheffield 1955, rounded rectangular capitals, plain scroll arms, on a raised rounded rectangular foot, gadroon borders, with a presentation inscription, length 29.5cm. £80-120

282 A George III silver waiter, by Ebenezer Coker, London 1763 shaped circular form, shell and scroll border, chased shell and foliate decoration, on three hoof feet, diameter 17.2cm, approx. weight 6.8oz. £150-200

283 A George III silver swing-handled sugar/cream basket, by William Plummer, London 1770, tapering circular form, pierced foliate decoration with an engraved crest on central cartouche, rope-work borders, a pierced swing handle with a wavy-edge border, with a blue glass liner, on a circular foot, height 11.8cm, approx. weight 2.2oz. £250-300

284 A late Victorian silver dish, by William Comyns, London 1893, in the 17th century German manner, oval form, with embossed foliate decoration, traces of gilding, length 12.3cm, approx. weight 2oz. £80-120

285 A George III silver swing-handled cream/sugar basket, by William Plummer, London 1770, tapering circular form, pierced with rural scenes and scroll and foliate decoration, rope-work handle and gadroon border, with a blue glass liner, height 10.7cm, approx. weight 2.3oz. £200-300

286 A George III silver butter shell, by John Emes, London 1806, shell form, gadroon border, engraved with a crest, on four shell feet, length 13.5cm, approx. weight 4.5oz. £150-200

The crest is that of De Ferrars, Lathom and Stanley.

287 A George III silver swing-handled sugar basket, by Hester Bateman, London 1785, oval form, pierced with slats and with engraved decoration, beaded borders and swing-handle, engraved with a crest, with a later clear glass liner, on a raised oval foot, length 17.8cm, approx. weight 7.3oz. £400-600

288 A George III silver mustard pot, by James Ede & Alexander Hewat, London 1808, rounded rectangular form, part-fluted decoration, gadroon border rim, engraved armorial, raised hinged top, lyre thumb-piece, on four bun feet, with a later clear glass liner, plus a pair of old Sheffield plated wine coasters, with pierced slats, turned wooden bases, approx. weighable 5.19oz. (3) £150-200

289 A pair of George II silver waiters, by Lewis Pantin, London 1733, circular form, shaped border, the centre with chased foliate and shell decoration and an armorial within foliate mantling, on three pad feet, diameter 18.2cm, approx. weight 20oz. (2) £250-300

The armorial is that of Very Rev. Richard Cust, Canon of Christ Church, Oxford 1768 and Dean of Rochester 1779.

290 A silver cup, by T. Bradbury and Son, Sheffield 1931, plain circular form, on a raised tapering circular foot, with a ropework border, height 9cm, approx. weight 11oz. £100-150

291 A Victorian silver cream jug, by The Barnards, London 1853, baluster form, embossed foliate scroll decoration, on a circular foot, height 13cm, plus an Edwardian silver sugar caster, by The Goldsmiths and Silversmiths Company, London 1901, octagonal baluster form, approx. total weight 14.5oz. (2) £150-200

292 A George III silver cream jug, by John Lambe, London 1783, baluster form, embossed foliate and part fluted decoration, engraved initials within a central foliate cartouche, scroll handle, on a raised circular foot, height 11.7cm, total approx. weight 2.4oz. £100-150

293 A pair of silver mugs, by William Hutton & Sons, Sheffield 1913, tapering circular form, scroll handle, gilt interior, engraved ‘Harlech 1914’, height 12.2cm, total approx. weight 15.8oz. (2) £200-300

294 Two similar Britannia standard silver porringers, one by Henry Lambert, London 1913, the other by Robert Frederick Fox. London 1912, retailed by Tessier, circular form, embossed acanthus leaf decoration, mythical dolphin head scroll handles, height 6.7cm, approx. weight 14oz. (2) £200-300

295 A late-Victorian silver mustard pot, by Finley and Taylor, London 1889, rectangular form, part-fluted decoration, scroll handle, on four bracket feet, the hinged cover with fluted decoration and a urn finial, with a blue glass liner, length 6.5cm, approx. weight 3.4oz. £80-120

296 A George III silver mustard pot, by Robert Hennell, London 1788, urn shaped bowl with a hinged baluster cover, reeded scroll handle, reeded borders, on a raised circular foot, with a later blue glass liner, height 13.4cm, plus a George III condiment ladle with over stamped maker’s mark, London 1790, with feather edge decoration, total approx. weight 5oz. (2) £400-600

297 An early Victorian silver mustard pot, by Robert Garrard, London 1837, lobed circular bellied form, a domed hinged cover with a foliate thumb piece, with foliate and scroll formed handle, on scroll foliate decorated feet, with a blue glass liner, height 7.8cm, approx. weight 7oz. £150-200

298 A George III silver mustard pot, by Peter, Ann and William Bateman, London 1802, panelled oval form, scroll handle, the domed hinged cover with a pierced thumb-piece, reeded borders, with a blue glass liner and later spoon, approx. weight 4oz. (2) £150-200

299 A George II provincial silver later spouted mug, by Samuel Blachford of Plymouth, circa 1740, the spout with addition marks for Exeter 1858, maker’s mark of John Stone, tapering circular form, scroll handle, plain spout, on a circular foot, height 11cm, approx. weight 9.4oz. £150-200

300 A pair of late-Victorian silver dwarf candlesticks, by William Hutton and Sons, London 1894, Corinthian column form, beaded borders, on a stepped square base, inscribed, heights 14.5cm and 15cm. (2) £80-120

301 A Victorian silver waiter, by Chapple and Mantle, London 1886, circular form, moulded scroll border, engraved with an armorial shield, on three gnarl feet, diameter 15cm, plus a Victorian silver bougie box, of cylindrical form, pierced decoration, scroll handle, with a conical snuffer, approx. weight 10.9oz. (2) £200-300

302 A pair of modern silver wine coasters, by James Dixon and Sons, Sheffield 1964, circular form, gadroon and foliate borders, turned wooden bases, diameter 16.5cm. (2) £150-200

303 A George II silver sauce boat, marks worn, probably 1746 or 1753, oval form, wavy-edge border, leaf capped scroll handle, on three hoof feet, length 18cm, plus a sauce boat, by Nathan and Hayes, Chester 1903, oval form, leaf capped scroll handle, approx. total weight 14.5oz. (2) £250-300

304 A matched set of six late Victorian and Edwardian silver trumpet vases, by Thomas Bradbury & Sons, London 1899-1901, of tapering circular form, ribbon tied garland decoration, engraved initials, scalloped rim, on a beaded raised circular bases, height 13.8cm. (6) £150-200

305 A George III silver swing-handled cream pail, by William Vincent, London 1769, tapering circular form, the body with foliate wire-work decoration, gadroon border with pierced swing-handle, and a blue glass liner, height 11.3 cm, approx. weight 2.6oz. £200-300

306 A George II silver salver, by Richard Rugg, London 1759, shaped circular form, a moulded scroll and shell border, with a central engraved scroll foliate cartouche with an armorial, on three paw feet, diameter 30.3cm, approx. weight 29.6oz. £400-600

The armorial is that of Dean(e).

307 A late-Victorian silver-mounted glass claret jug, by King & Son, Chester 1895, tapering lobed circular form, the glass with engraved decoration, plain mount with a hinged cover, fluted scroll handle, height 25cm. £150-200

308 A Victorian silver-gilt mounted glass claret jug, by Charles Edwards, London 1890, baluster form, the glass body with foliate scrolls (cracked), the silver mounts with embossed and pierced foliate decoration, scroll handle, hinged cover with a baluster finial, on a raised circular foot, height 30.3cm. £80-120

309 A pair of Victorian silver candlesticks, by Hawksworth, Eyre & Co, Sheffield 1857, Corinthian column form, fluted stems, on raised square bases, beaded borders, with later light fittings, inscribed ‘Presented to The Rev N.R & Mrs Fitzpatrick by the Teachers & Scholars of St James Schools, Paddington, Oct 1881’, height 34.4cm. (2) £200-300

310 A silver two-handled trophy cup, by The Barker Brothers, Birmingham 1928, circular form, bifurcated scroll handles, central girdle, on a raised circular foot, with a later presentation inscription and on a plinth, height off plinth 27.5cm, approx. weight 29oz. £300-400

311 A pair of Edwardian silver café au lait pots, by Thomas Bradbury and Son, London 1909, faceted baluster form, domed hinged covers with knop finials, wooden side handles, on a raised octagonal foot, height 20.3cm, approx. weight 23.9oz. (2) £300-400

312 A pair of silver café au lait pots, by A and R Parsons, (Tessiers), London 1922, in the early 18th century manner, tapering circular form, scroll handles, domed hinged covers, height of coffee pot 23.3cm, approx. weight 40oz. (2) £400-600

313 A Victorian silver hot water pot and cream jug, the hot water pot by Mappin & Webb, Sheffield 1886, the cream jug, maker’s mark worn, Sheffield 1885, circular bellied form, part fluted decoration, a domed hinged cover with knop finial, scroll handle, on a circular foot, height 22.1cm, the cream jug of similar form, height 4.8cm, total approx. weight 14.9oz. (2) £200-300

314 A George III silver coffee pot, by John Robins, London 1792, oval form, scroll handle, later embossed foliate decoration, flushhinged fluted raised cover with an urn finial, on a raised oval foot, height 32cm, approx. weight 27.6oz. £400-600

315 317

316 A Victorian silver teapot, by Army & Navy Cooperative Society Ltd (Frederick Bradford Macrea), London 1890, swirl fluted globular form, scroll handle, fluted spout, length handle to spout 21.8cm, approx. weight 13.5oz. £150-200

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315 A George III West Country silver teapot, maker’s mark worn, Exeter 1826, compressed circular form, scroll handle with ivory insulators, flush-hinged domed cover, engraved with a crest, central girdle, on a circular foot, length handle to spout 25cm, approx. weight 19.3oz. £250-300

Ivory Act registration number: VESSS8VZ

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317 A George IV silver teapot, by George Burrows II, London 1821, squat circular form, part fluting with a gadrooned rim, domed hinge cover, scroll handle, on a circular foot, length handle to spout 25.7cm, approx. weight 18.8oz. £300-400

318 A George IV silver coffee pot, by Joseph Angell, London 1824, baluster form, with embossed and chased foliate decoration, on a matted background, domed hinged cover, flower finial, on a raised circular base, scroll handle (detached), height 24cm, approx. weight 32oz. £400-600

320 A George IV silver coffee pot, by Thomas Ballam, London 1824, in the 18th century manner, baluster form, embossed foliate scroll decoration, scroll handle, engraved with an armorial shield, domed cover with an acorn finial, beaded spout, on a raised circular foot with a gadroon border, height 29cm, approx. weight 31.9oz. £400-600

319 A Victorian Aesthetic Movement silver ewer, by Frederick Elkington, Birmingham 1870, circular body, engraved decoration, scroll handle, tapering neck, flush-hinged cover, foliate finial, on a raised oval foot, height 27.5cm, approx. weight 18oz. £1,000-1,500

λ 321 A three-piece Victorian silver tea set, by The Barnards, London 1853/54, panelled baluster form, engraved decoration, scroll handle with ivory insulators, the hinged cover with a melon finial, on four pierced bracket feet, length handle to spout 25.5cm, approx. weight 41oz. (3) £500-700

Ivory Act registration number: 7N14YSLV

λ 322 A Victorian silver coffee pot, teapot and sugar bowl, the coffee pot by Robert Hennell, London 1840, one maker’s mark worn, London 1864, and the teapot by Henry Wilkinson, Sheffield 1854, lobed circular and baluster form, engraved decoration, the scroll handles with ivory insulators, on foliate capped scroll feet, engraved with a crest and initials, height of coffee pot 20.5cm, approx. weight 63oz. (3) £700-900

Ivory Act registration number: 989YGW7S

321 323

322

λ 323

A three-piece Victorian silver tea set, by John Tapley, London 1838/40, lobed tapering circular form, leaf capped scroll handles, the teapot with ivory insulators, the hinged cover with a flower finial, on four leaf capped foliate bracket feet, engraved with n armorial shield, on four scroll bracket feet, length handle to spout, length 28.5cm, approx. weight 47.7oz. (3) £600-800

Ivory Act registration number: ZHT8S1MF

324 A small collection of three George III silver kettle/coffee pot stands and burners, comprising: one by Timothy Renou, London 1801, of oblong form, on four claw and ball feet, engraved armorial, diameter 10.1cm, plus one by Richard Cook, London 1801, of circular form, on three reeded padded feet, diameter 10.5cm, and another one by Rebecca Emes & Edward Barnard I, London 1809, of shaped form, three scroll legs onto a shaped base on three bun feet, engraved armorial, total approx. weight 39oz. (3) £300-400

Provenance: A Private Collection.

326 A mixed lot of silver items, comprising: a mustard pot by H & A Vander, London 1921, modelled as a miniature tankard, scroll handle, a matchbox case by Crisford & Norris, Birmingham 1902, a small dish by P H Vogel & Co., London 1977, a mustard pot by E S Barnsley & Co., Birmingham 1918, a mustard pot by William Aitken, Chester 1900, a George IV pepper pot by Rebecca Emes & Edward Barnard, London 1825, circular form, engraved crests, on a raised circular foot, a salt spoon by Francis Higgins III, a silver mounted glass mustard pot and spoon, an Edwardian cream jug, a miniature two-handled cup, and a modern commemorative dish, total approx. weighable 17.1oz. (12) £200-300

Provenance: A Private Collection.

328 A pair of George III silver scissor snuffers/wick trimmers, maker’s mark IB, London 1786, beaded decoration, plain ring handles, plus a George III silver entrée dish handle, approx. total weight 5.5oz. (2) £100-150

Provenance: A Private Collection.

325 A small collection of three antique silver casters, comprising: a George II one, possibly by Samuel Welder, London 1727, baluster form, an engraved crest, on a raised circular foot, height 13.4cm, plus a George III one, by Richard Palmer I, London 1774, baluster form, flame finial, height 13.3cm, and another one with worn marks, possibly by Peter and Ann Bateman with an over-struck maker’s mark, London 1792, baluster form, on a raised square base, height 13.9cm, total approx. weight 10.1oz. (3) £250-300

Provenance: A Private Collection.

327 A George III silver pap boat, by John Emes, London 1798, oval form, engraved border, length 13.2cm, plus a pair of George III parcel-gilt salt dishes by Nutting & Hennell, London 1808, circular form, gadroon border, approx. weight 7oz. (3) £150-250 Provenance: A Private Collection.

329 A mixed lot of silver flatware, various dates and makers, comprising: four pairs of sugar tongs, two cased spoons, a butter spade, two butter knives, seven knives, a christening fork and spoon, two continental forks, a Gorham ladle, five spoons and other items including five forks, with the central tines removed, approx. weighable 29oz. (qty) £200-300

Provenance: A Private Collection.

330 A matched pair of George II silver trencher salt cellars, by Edward Wood, London 1729, rectangular form, canted corners, gilded interiors, the underside of one scratch initialled ‘H’ over ‘T*A’, length 7.9cm and 7.6cm, gilded bowls, approx. weight 3.1oz. (2) £150-200

Provenance: A Private Collection.

332 A small collection of three George II / III silver cream jugs, including: one by George Campar, London 1754, baluster form, embossed decoration, scratch initials, scroll handle, on three pad feet, plus one by William Kersill, London 1760, baluster form, scroll handle, engraved crest, on three pad feet, plus a cream jug by David Mowden, London 1761, baluster form, on a raised circular foot, scalloped rim and foot, scroll handle, height 9.8cm, approx. total weight 7.5oz. (3) £200-300

Provenance: A Private Collection.

334 An Edwardian miniature silver tray, by Thomas Bradbury & Sons Ltd, Sheffield 1903, oval form, raised scalloped border, scroll handles, handle to handle length 17.5cm, approx. weight 3.6oz. £100-150

Provenance: A Private Collection.

331 A set of four George III salt cellars, by Alice and George Burrows II, London 1808, rounded rectangular form, gilded interiors, gadroon border, with initials, on four bun feet, length 9.2cm, approx. weight 12.9oz. (4) £150-250

Provenance: A Private Collection.

333 A set of four Victorian silver-gilt salt cellars, by Smith, Nicholson & Co., London 1852, circular form, gilded interior, engraved Greek key border, on three hoof feet with a pierced foliate apron, diameter 7.5cm, approx. weight 9.9oz. (4) £200-300

Provenance: A Private Collection.

335 A George III silver swing-handled basket, by Charles Aldridge & Henry Green, London 1772, of circular form, with pierced decoration, on a raised pierced circular foot, height 19.3cm, approx. weight 8oz. £100-150

Provenance: A Private Collection.

336 A George I two handled cup, by Timothy Ley, London 1726, circular form, part fluted decoration, later engraved crest, scroll handles, gilded interior, on a raised circular foot, height 11.1cm, approx. weight 8.7oz. £300-400

Provenance: A Private Collection.

338 A small George III two-handled silver tray, by William Turton, London 1785, of rectangular form, beaded border and handles, engraved initials and crest, length handle to handle 24.7cm, approx. weight 6.5oz. £100-150

The crest is possibly that of Jemima Yorke, 2nd Marchioness Grey (1723-1797).

Provenance: A Private Collection.

340 A George II silver two-handled cup with a later cover, maker’s mark worn, T?, London 1734, of circular form, part fluted with foliate and scroll decoration, with a rope-work girdle, engraved initials on a central cartouche, scroll handles, the cover with part fluted decoration and a fluted finial, height 18.6cm, approx. weight 14.4oz. £150-200

Provenance: A Private Collection.

337 A George III silver snuffer tray, by Henry Hallsworth, London 1773, of shaped rectangular form, gadroon borders, engraved armorial, leaf capped scroll handle, length 18.4cm, plus a George III silver snuffer tray, by John Younge & Co., Sheffield 1779, oval form, plain border, length 18.2cm, approx. weight 7.8oz. (2) £200-300

Provenance: A Private Collection.

339 A George III silver wine funnel, by Henry Chawner, London 1792, circular form, reeded borders, plain side clip, tapering spout, engraved initials, length 12.8cm, approx. weight 2.4oz. £150-200

Provenance: A Private Collection.

341 A George III silver small / saffron teapot, by John Wakelin & William Taylor, London 1785, circular form, later wooden scroll handle and knop finial, height 9.5cm, approx. weight 10.3oz. £200-300

Provenance: A Private Collection.

342 A George III silver snuffer’s tray and pair of scissor snuffers, the tray probably by Thomas Harper, London 1793, the snuffers by Robert and David Hennell, London 1795, shaped rectangular form, bright-cut decoration, length 23.8cm, the snuffers with pierced handles, and a guillotine cutting device, length 17.7cm, approx. weighable 5oz. (2) £250-300

Provenance: A Private Collection.

344 A George III silver teapot stand, John Wakelin & William Taylor, London 1785, oval form, beaded border, on four feet, length 16cm, and a George III silver teapot stand by William Fountain, London 1797, reeded border, engraved initials with bright cut decoration, on four feet, length 15cm, approx. weight 8.3oz. (2) £150-200

Provenance: A Private Collection.

346 A George III silver swing-handled sugar basket, by John Parker I & Edward Wakelin, London 1774, oval form, beaded borders and swing-handle, engraved initials, on a raised oval foot, initialled, length 14.8cm, approx. weight 9.2oz. £150-200

Provenance: A Private Collection.

343 A George III silver inkstand, by William Plummer, London 1785, rectangular form, beaded borders with a pen well, and with three silver-mounted glass bottles for ink and sand, on four bracket feet, length 19cm, approx. weight 7.3oz. £200-300

Provenance: A Private Collection.

345 A Southern African commemorative ‘David Livingstone’ metalware salver, marked ‘silver’, edition number 339, of circular form, a relief image of Livingstone in front of Victoria falls Zambia, the border contains miniature relief’s of contemporaries of Livingstone, diameter 25.7cm, approx. weight 14.7oz. £150-200

Provenance: A Private Collection.

347 A George II two-handled condiment vase and cover, by Edward Wakelin, London 1756, of baluster form, part-fluted decoration, engraved with an armorial, scroll handles, the pull-off cover with a cone finial, gadroon borders, on a raised circular foot, height 14.8cm, approx. weight 12.3oz. £200-300

Provenance: A Private Collection.

348 A collection of provincial silver flatware, Exeter various dates, comprising: three Bright-cut tablespoon, another tablespoon, a sauce ladle, two cream ladles, seven teaspoons, a mustard spoon, three salt spoons, approx. weight 14.5oz. (qty) £150-200

Provenance: A Private Collection.

350 A collection of twelve George III silver Old English pattern tablespoons, various dates and makers, some terminals with initials and a crest, approx. weight 23oz. (15) £250-300

Provenance: A Private Collection.

352 A collection of antique silver teaspoons, various dates and makers, comprising: a set of three Bright-cut, by Hester Bateman, London 1782, a set of five Bright-cut teaspoons, by Peter and Ann Bateman, London 1792, and four further Bright-cut spoons, plus eighteen Old English pattern teaspoons, approx. weight 14oz. (qty) £150-200

Provenance: A Private Collection.

349 A collection of antique silver flatware, comprising Newcastle items: a basting spoon, by Reid and Son, 1799, a tablespoon, and a teaspoon, plus Irish items: a sauce ladle, by S. Neville, Dublin 1813, three teaspoons and three salt spoons, plus two York teaspoons and a condiment spoon, approx. weight 11.5oz. (13) £150-200

Provenance: A Private Collection.

351 A collection of George III silver Old English pattern with shoulders flatware, various dates and makers, comprising: two basting spoons, eleven tablespoons, four dessert spoons, and a set of six teaspoons, approx. weight 36.8oz. (qty) £300-400

Provenance: A Private Collection.

353 A mixed lot of silver flatware, various patterns, dates and makers, including: a set of three Victorian provincial Hanoverian pattern dessert spoons, by Reid and Sons, Newcastle 1874, plus nine dessert forks and six dessert spoons, approx. weight 21oz. (18) £200-300

Provenance: A Private Collection.

354 A collection of eighteen various antique silver tablespoons, various patterns, dates and makers, including: a matched set of five Old English pattern, London 1822 and 1829, the terminals with an armorial, plus a Beaded pattern pair, and eleven various tablespoons, approx. weight 36oz. (18) £350-400

Provenance: A Private Collection.

356 A collection of nine early 18th century silver Hanoverian pattern tablespoons, various London dates and makers, crests and initials to terminals, plain rat tails to the reverse of the bowls, comprising: a pair by William Petley, 1718, engraved crest to reverse of the terminals, one by Paul Hanet, 1720, one by Richard Scarlett, 1730, one by Benjamin Watts, circa 1700, one by Thomas Saddler, 1709, three others, total approx. weight 18.1oz. (9) £250-300

Provenance: A Private Collection.

358 A collection of 18th century silver Hanoverian and Old English pattern teaspoons, various dates and makers, comprising: seven with Rat-tails to the reverse of the bowls, four with shell motifs and one other, plus five of Old English pattern, approx. weight 6.2oz. (17) £100-150

Provenance: A Private Collection.

355 A collection of twelve 18th century silver Hanoverian pattern tablespoons, various London dates and makers, the terminals with crests and scratch initials comprising: one by Elizabeth Oldfield, 1752, one by Henry Clarke I, 1726, one by Samuel Roby, 1740, one by James Wilks, 1727, a pair by Thomas Wallis, 1745, one by Paul Hanet, 1733, plus five others, total approx. weight 23.6oz. (12) £250-300

Provenance: A Private Collection.

357 A collection of twelve antique silver tablespoons, various dates and makers, comprising: a Bright-cut pair, London 1780, an Onslow pattern one, a pair of beaded pair, and seven Feather-edge pattern examples, approx. weight 24.5oz. (12) £250-300

Provenance: A Private Collection.

359 A collection of sixteen 18th century silver Hanoverian pattern dessert spoons, various London dates and makers, the terminals with crests and initials, comprising: a set of six by William London, 1764, reverse of the bowls plain rat-tail, one by Thomas & William Chawner, 1765, one by James Jones, 1762, one by Hugh Arnet & Edward Pocock, circa 1730, one by Marmaduke Daintrey, 1750, one by Ebenezer Coker, circa 1750, and five others, total approx. weight 18oz. (16) £250-350

Provenance: A Private Collection.

360 A mixed lot of antique silver flatware, various dates and makers, comprising: a set of six tablespoons, by Richard Crossley, London 1785, later decoration, a pair of basting spoons, a single basting spoon, four Bright cut dessert spoons, by Langlands and Robertson, Newcastle 1785, a pair of ladles, a pair of sugar tongs, a set of six teaspoons, a teaspoon and three condiment spoons, approx. weight 39oz. (qty) £300-400

Provenance: A Private Collection.

362 A mixed lot of antique silver flatware, various dates and makers, comprising: a Grecian pattern table fork, by George Adams, London 1855, a pair of Albert pattern dessert spoons and a sauce ladle, a silver-gilt Victorian pattern fruit serving spoon, London 1879, a Fiddle and Thread chutney spoon and fork, a dessert fork, plus two silver-gilt spoons, with mask terminal and a similar dessert spoon, approx. weight 22.7oz. (11) £200-300

Provenance: A Private Collection.

364 A collection of twelve George II/III silver Hanoverian pattern tablespoons, various dates and makers, some terminals with scratch initials, including seven with plain rattails to the reverse of the bowl, and five with plain heels, approx. weight 20oz. (12) £250-300

Provenance: A Private Collection.

361 A mixed lot of antique silver Fiddle pattern flatware, various dates and makers, comprising: a set of five teaspoons, London 1848, twelve further teaspoons, three mustard spoons, a set of four salt spoons, eight further salt spoons and an electroplated salt spoon, approx. weighable 19.5oz. (qty) £200-300

Provenance: A Private Collection.

363 A collection of twelve antique old English silver tablespoons, various London dates and makers, the terminals with initials and crests, comprising: a pair by William Sumner I, 1812, a pair by Soloman Hougham, 1812, a pair by George Adams, 1874, a pair by Richard Crossley, 1799, one George III one by George Wintle, 1804, and three others, total approx. weight 22.8oz. (12) £250-300

Provenance: A Private Collection.

365 A matched set of twelve George II/III silver Hanoverian pattern tablespoons, by three makers, London 1743,1749 and 1764, the reverse of the terminals with a crest, approx. weight 24.7oz. (12) £250-300

Provenance: A Private Collection.

366 A collection of twelve 18th century silver Hanoverian tablespoons, various London dates and makers, the terminals with crests and initials, comprising: a pair by James Tookey, 1753, one by Ebenezer Coker, 1750, three by Thomas Wallis I, 1767 and 1769, two with shell backs, one by William Watkins, 1761, one by Philip Roker, 1766, one by William Cripps, 1750, and three others, total approx. weight 23.7oz. (12) £250-300

Provenance: A Private Collection.

368 A collection of antique silver flatware, various dates and makers, all with shoulders, comprising: a set of six Feather-edge pattern tablespoons, by William and Thomas Chawner, London date letter worn, four Old English Thread table forks, by Thomas Chawner 1776 and 1777, plus two tablespoons, four teaspoons and two salt spoons, approx. weight 29oz. (qty) £300-400

Provenance: A Private Collection.

370 A collection of Scottish silver flatware, comprising: an early 19th century provincial silver toddy ladle, with maker’s mark of R and S, possibly for Rettie and Sons of Aberdeen, but also with tinker’s marks, plus a basting spoon, by Peter Grierson, Edinburgh, a mustard spoon by William Jamieson of Aberdeen, a tablespoon, five teaspoons, a butter knife and three condiment spoons, approx. weight 12oz. (qty) £150-200

Provenance: A Private Collection.

367 A matched George III/George IV silver Old English pattern canteen for six, comprising: six table forks, the reverse of the terminals initialled, by A. Savory, London 1830, six tablespoons, by Jonathan Hayne, London 1828, six dessert forks, by Richard Turner, London 1811/12, six dessert spoons, (five Eley and Fearn, London 1797, one with Henry Chawner) London 1809, and six teaspoons, London 1827, approx. weight 43oz. (30) £400-600

369 A mixed lot of Scottish provincial silver flatware, comprising: a pair of toddy ladles, by Joseph Pearson, Dumfries circa 1810, a tablespoon by Thomas Davie, Greenock, circa 1820, a pair of teaspoons, by William Hannay, Paisley, a pair of teaspoons, by William Jamieson, Aberdeen, plus an Edinburgh basting spoon, a pair of toddy ladles, by William Cunningham, and a dessert spoon, approx. weight 11.8oz. (qty) £300-500

Provenance: A Private Collection.

371 A collection George III/IV silver dessert spoons, various London dates and makers, Old English and Feather-edge patterns, comprising: a matched set of five George III by Thomas Streetin, 1815 and 1823, a pair by Stephen Adams I, 1799, and fifteen others, total approx. weight 21.4oz (22) £200-300

Provenance: A Private Collection.

372 A set of six George II silver Hanoverian pattern tablespoons, by William Petley, London 1727, the reverse of the terminals with a later crest, approx. weight 13oz. (6) £150-200

Provenance: A Private Collection.

374 A small collection of silver flatware, comprising: a matched pair of George IV silver-gilt dessert spoons, by Robert Garrard, London 1822 and 1823, a George III Bright-cut sauce ladle, London 1794, the terminal inscribed ‘Bates Buxton Hall’, plus a picture-back dessert spoon, London 1780, the reverse of the bowl with a basket of flowers, a pair of George Adams salt spoons and a condiment ladle, approx. weight 7.5oz. (7) £200-300

Provenance: A Private Collection.

376 A mixed lot of antique silver sauce ladles, various dates and makers, comprising: an Old English Thread one, by Solomon Hougham, London 1802, a Kings pattern one, five Old English pattern examples and four Fiddle pattern ones, approx. weight approx. weight 19oz. (11) £200-300

Provenance: A Private Collection.

373 A collection of Georgian and Victorian silver Kings & Queens pattern flatware, by various London makers and dates, comprising: a matched set of five King’s Hourglass dessert forks, by George Adams, 1841 and 1843, plus five further dessert forks, a table fork, three dessert forks, a set of five teaspoons, by Messrs. Lias and nine other teaspoons, approx. weight 46.7oz. (26) £400-600

Provenance: A Private Collection.

375 A collection of twelve 18th century silver Hanoverian tablespoons, various London dates and makers, comprising: a pair by Thomas Wallis, 1771, shell back, one by Richard Gosling, 1755, shell back with scratched initials to reverse of terminal, one by Orlando Jackson, 1775, scroll back, two by James Jones, 1763 and 1764, one possibly by Roger Hare, 1756, shell back with scratched initials to reverse of terminal, and five others, total approx. weight 21.6oz. (12) £250-300

Provenance: A Private Collection.

377 A collection of antique silver Old English pattern condiment spoons, various dates and makers, comprising: a set of four George III ones, London 1912, with shovel shaped bowls, plus six mustard spoons, four condiment ladles, thirteen salt spoons and three Bright-cut salt spoons, approx. weight 10oz. (qty) £150-200

Provenance: A Private Collection.

378 A set of five George III Irish silver Hanoverian pattern table forks, maker’s mark of Michael Homer, possibly over-striking another, Dublin 1779, three-pronged tines, the reverse of the terminals erased, approx. weight 10.4oz. (6) £200-300

Provenance: A Private Collection.

380 A small collection of Foreign silver flatware, comprising: two similar Dutch tablespoons, maker’s mark overstruck, Amsterdam 1789 and 1794, the reverse of the terminals with initials and engraved ‘Wyk’ ‘53’, plus a 18th century Dutch silver tablespoon, by Douwe Eysma, Rotterdam 1775, and a Fiddle and Thread pattern basting spoon, maker’s mark only, probably French, maker’s mark possibly GB with a crown above, other marks worn, approx. total weight 11.9oz. (4) £200-300

Provenance: A Private Collection.

382 A collection of fourteen antique silver table forks, various dates and makers, comprising five matched Hanoverian table forks, three further Hanoverian table forks, two Feather-edge table forks and four others, possibly re-shaped, approx. weight 29.7oz. (14) £300-500

Provenance: A Private Collection.

379 A set of six George II Hanoverian pattern silver dessert spoons, by James Tookey, date letter worn, London circa 1750, engraved initials to the reverse of the terminals, approx. weight 7.1oz. (6) £100-150

Provenance: A Private Collection.

381 A collection of seven George I/II silver Hanoverian pattern table forks, various London dates and makers, the reverse of the terminals with crests and initials, including two by Paul Hanet, 1722 and 1730, and five others, some marks worn, total approx. weight 14.4oz. (7) £300-500

Provenance: A Private Collection.

383 A set of four George I silver Hanoverian pattern table forks, by Paul Hanet, London 1718, three pronged tines, the reverse of the terminals with a crest, length 19cm, approx. weight 8.3oz. (4) £200-300

The crest is that of Hall.

Provenance: A Private Collection.

384 A pair of George III silver mounted glass oil and vinegar bottles, possibly by William Stephenson, London 1773, of baluster form, the mounts with garland and drape decoration, with beaded borders, engraved with a crest, leaf capped scroll handles, on later unmarked circular bases, height 20.2cm. (2) £100-150

The crest is that of Austen, Ellwood, Fleeming, Longevile, Philips and Skipton.

Provenance: A Private Collection.

386 A George III silver seven-bar toast rack, by Cradock and Reid, London 1812, arched wire-work bars, central ring handle, on a rectangular base with a gadroon border, on four ball feet, length 17cm, approx. weight 9.4oz. £150-200

Provenance: A Private Collection.

385 A George II silver brandy pan, by George Greenhill Jones, London 1728, circular bellied form, with a turned wooden handle, length 17cm, approx. weight 3oz. £200-300

Provenance: A Private Collection.

387 A silver waiter, by Pairpoint Brothers, London 1913, shaped circular form, moulded border, on three hoof feet, diameter 20.4cm, plus another silver waiter, by James Lewis & Sons, Sheffield 1904, of shaped circular form, with a scroll and shell border, diameter 22cm, total approx. weight 19.8oz. (2) £200-300

Provenance: A Private Collection.

388 A pair of George III silver plates, by John Wakelin & William Taylor, London 1781, circular form, gadroon border, engraved with a crest and motto, diameter 24.4cm, approx. weight 29.9oz. (2) £400-600

The crest is that of Bludworth, Breeton, Chartsey, Glaston, Whyte and others.

Provenance: A Private Collection.

390 A George III silver waiter, one by Thomas Hannam & Richard Mills, London 1763, of shaped circular form, shell and gadrooned border, the centre initialled, and with an inscription to the underside, on three claw and ball feet, diameter 18.8cm, plus another George III silver waiter, by Ebenezer Coker, London 1769, of shaped circular form, shell and scroll border, on three hoof feet, diameter 18.8cm, approx. weight 17.5oz. (2) £250-300

Provenance: A Private Collection.

389 A George III silver goblet, by John Emes, London 1806, plain urn bowl, gilded interior, on a raised circular foot, engraved crest, and dated ‘Jany 29th 1858’, height 16.2cm, approx. weight 8.8oz. £300-400

Provenance: A Private Collection.

391 A George III silver goblet, by William Bennett, London 1783, plain vase form, initialled, gilded interior, on a raised beaded foot, height 14.2cm, plus a George III silver goblet, maker’s mark worn, 1793, plain vase form, gilded interior, on a raised reeded foot, height 15.4cm, approx. weight 11oz. (2) £300-400

Provenance: A Private Collection.

392 A George III silver entrée dish base, by John Wakelin & William Taylor, London 1778, of shaped circular form, gadrooned borders, the underside with a scratch weight, diameter 24.7cm, approx. weight 15.3oz. £150-200

Provenance: A Private Collection.

394 A George II silver taper stick, by William Gould, London 1751, knopped stem, shell shoulder, on a shaped square base with shell corners, engraved with a crest, height 12.5cm, approx. weight 5oz. £300-400

Provenance: A Private Collection.

393 A Victorian silver entrée dish and cover, by Robert Hennell II, London 1853, shaped oval form, ribbon and reed borders, detachable reeded handle, length 29.5cm, approx. weight 45.3oz. £400-600

Provenance: A Private Collection.

395 A George II silver mug, by Humphrey Payne, London 1750, baluster form, scroll handle, on a raised circular foot, the underside scratch initialled ‘M.C’, height 9.5cm, approx. weight 6.8oz. £250-300

Provenance: A Private Collection.

396 A George I silver waiter, by maker’s mark worn, London 1717, of circular form, the centre with an armorial within a widow’s lozenge, with foliate scroll mantling, on three hoof feet, the underside with a scratch weight and scratch initials ‘A*C’, diameter 13.8cm, approx. weight 5.2oz. £150-200

The armorial is that of Cheslin impaling Flexney.

Provenance: A Private Collection.

398 A George III silver soup plate, by John Parker I & Edward Wakelin, London 1762, shaped circular form, gadrooned borders, engraved with a crest, diameter 24.7cm, approx. weight 16.7oz. £200-300

Provenance: A Private Collection.

397 A George II silver mug, by John Eckford, London 1727, tapering circular form, scroll handle, scratch initialled ‘B ‘ over I*S’, the front later initialled, on a raised circular foot, height 9.5cm, approx. weight 7.2oz. £250-300

Provenance: A Private Collection.

399 A George I silver waiter, by John Tuite, London 1724, of square form, rounded corners, moulded border, the centre with foliate and scroll engraved decoration, on four bracket feet, length 15.1cm, approx. weight 5.8oz. £200-300

Provenance: A Private Collection.

400 A George III silver cream jug, by John Denziloe, London 1785, of helmet form, bright cut decoration and initials, on a raised circular foot, later engraved ‘1785’, height 15.6cm, approx. weight 4.1oz. £150-200

Provenance: A Private Collection.

402 An Edwardian silver coffee pot, by Martin, Hall & Co., Sheffield 1907, of tapering circular form, scroll handle, fluted decoration, height 18.3cm, approx. weight 12.4oz. £120-150

Provenance: A Private Collection.

401 A George II silver salver, by Robert Abercromby, London 1737, of shaped circular form, moulded border, the centre with scroll and foliate decoration, on three hoof feet, diameter 22.5cm, approx. weight 12.5oz. £150-200

Provenance: A Private Collection.

403 A George II silver mug, by Humphrey Payne, London 1732, tapering circular form, scroll handle, scratch initialled ‘H ‘ over ‘H.A’, the front with a later crest, on a raised circular foot, height 9.3cm, approx. weight 6.2oz. £250-300 The crest is that of Dominchetti.

Provenance: A Private Collection.

404 A George II hot water / coffee jug, by Thomas Whipham, London 1754, baluster form, with embossed foliate scroll decoration, wicker-bound scroll handle, engraved armorial, height 25.1cm, approx. weight 17.8oz. £300-400

Provenance: A Private Collection.

base

405 A George III provincial silver container, possibly a powder flask, by Hampston, Prince & Cattles, York 1800, with town mark, of tapering circular form, reeded border, the domed pull-off cover with a raised pierced ball finial, height 13.2cm, approx. weight 4.6oz. £400-600

Provenance: A Private Collection.

406 A George II silver mug, by Gabriel Sleath, London 1747, baluster form, leaf capped scroll handle, on a raised circular foot, height 9.8cm, approx. weight 7.1oz. £200-300

Provenance: A Private Collection.

407 A George II silver snuffer tray, by William Cafe, London 1757, of shaped rectangular form, shell and scroll border, scroll handle with a shell motif, with a crest, on four shell feet, length 21cm, with a pair of George III silver scissor snuffers by John Booth, London 1760, fluted decoration, engraved with a crest, approx. weight 16.4oz. (2) £400-600

Provenance: A Private Collection.

408 A collection of nine antique silver sugar sifting spoons and ladles, various dates and makers, comprising: two of Onslow pattern, 1762 and 1767, a pair of Old English sauce ladles, by Solomon Hougham, London 1798, plus three sifting spoons and a sauce ladle, approx. weight 13oz. (9) £200-300

Provenance: A Private Collection.

410 A George III silver Old English pattern soup ladle, by William Sumner, London 1785, circular bowl, the terminal initialled, plus another George III silver Old English pattern soup ladle, by George Smith, London 1785, the terminal erased, approx. weight 10.4oz. (2) £200-300

Provenance: A Private Collection.

412 A collection of three antique silver basting spoons, comprising: a Victorian Albert pattern one, by J Whiting, London 1841, single struck, the terminal with a crest and initial, plus a George III one, by Thomas Northcote, London 1785, and an Old English Thread pattern basting spoon, London 1792, approx. weight 11.7oz. (3) £200-300

Provenance: A Private Collection.

409 Three pairs of George III / IV silver sauce ladles, comprising: an Old English pair by William Chawner, London 1819, the terminal crested, a Fiddle pattern pair by Mary Chawner, London 1834, the terminal initialled, and an Old English pair by William Chawner, London 1825, the terminal crested, approx. weight 11.5oz. (6) £200-300

Provenance: A Private Collection.

411 A George III silver Old English pattern soup ladle, by Thomas Dicks, London 1804, circular bowl, the terminal erased, plus another George III silver Old English pattern soup ladle, by John Bourne, London 1795, the terminal initialled, approx. weight 10.5oz. (2) £200-300 Provenance: A Private Collection.

413 A pair of George III West Country silver Old English pattern basting spoons, by Thomas Eustace, Exeter 1781, the terminal with a crest, approx. weight 6.4oz. (2) £150-200 Provenance: A Private Collection.

415 An early 19th century Scottish provincial silver Fiddle pattern dessert spoon, by Alexander Glenny, Stonehaven, circa 1841, the terminal with a script initial, length 17.8cm, approx. weight 1.1oz. £150-200

Provenance: A Private Collection.

reverse

414 A William III silver Trefid spoon, by Thomas Issod, London 1697, scratched initialled ‘W’ over ‘IE’ to the reverse of the terminal, plus a William III silver Dog-nose spoon by George Cox, London 1700, scratched initialled ‘AP’ to the reverse of the terminal, total approx. weight 2.6oz. (2) £250-300

Provenance: A Private Collection.

416 A 18th century silver Hanoverian pattern miniature /snuff spoon, maker’s mark twice R.I, possibly by William Richards, or Robert Innes, London circa 1745, the reverse of the bowl with a plain heel, length 5.7cm, plus an unmarked, silver Hanoverian pattern silver miniature/snuff spoon, the reverse of the bowl with a shell motif, length 7.9cm, approx. weight 0.1oz. (2) £100-150

Provenance: A Private Collection.

417 A George III silver Old English pattern soup ladle, by George Smith, London 1785, circular bowl, the terminal with a crest, length 33.5cm, approx. weight 5oz. £100-150

The crest is that of ‘M’Gowran or Murray.

Provenance: A Private Collection.

418 A set of four Queen Anne silver Dog-nose tablespoons, by Isaac Davenport, London 1702, the reverse of the oval bowl with a plain rat-tail, the reverse of the terminal with scratch initials ‘I*W’, length 20.2cm, approx. weight 8.8oz. (4) £300-400

Provenance: A Private Collection.

419 A George III silver Bright-cut meat skewer, by Richard Crossley, London 1782, ring terminal with a crest, and a plain George III silver meat skewer, by George Smith, London 1796, approx. weight 5.8oz. (2) £150-200

Provenance: A Private Collection.

421 A collection of three antique silver marrow scoops, conventional form, comprising: a George III one, probably by Thomas Evans & George Smith, London 1768, plus a George II one by William Petley, London 1730, and another one by Thomas & William Chawner, with maker’s mark four times, the reverse of the bowl with a crest, approx. weight 4.2oz. (3) £200-300

Provenance: A Private Collection.

423 A George III silver Fiddle pattern fish slice, by Thomas Wallis & Jonathan Hayne, London 1800, pierced blade, the terminal with a crest, plus a George III silver fish slice, by William Plummer, London 1790, the blade with pierced decoration, the reeded handle by a different maker, approx. weighable 4oz. (2) £150-200

Provenance: A Private Collection.

420 A George III silver meat skewer,

422 A George I silver marrow spoon, by George Manjoy, London 1720, conventional form, London 1775, a George III Feather-edge pattern marrow scoop, by George Smith, London 1775, with an engraved armorial to the reverse of the bowl, and a marrow scoop, marks worn, probably by Thomas Burridge, total approx. weight 4.9oz. (3) £200-300

Provenance: A Private Collection.

424 A collection of six antique silver meat skewers, various dates and makers, tapering form, including one by Smith and Fearn, London 1792, reeded ring, plus five others with plain ring terminals, approx. weight 9.7oz. (6) £200-300

Provenance: A Private Collection.

A George III Irish silver meat skewer, by John Pittar, Dublin 1804,

427 A George III silver meat skewer, maker’s mark probably that of TE over GS, unidentified, London 1770, scroll and shell terminal with a Feather-edge border, and with a crest, plus a plain George III silver meat skewer, John Lambe, London 1779, approx. weight 6.1oz. (2) £150-200

Provenance: A Private Collection.

429 Three George III silver basting spoons, comprising: one possibly by Thomas Evans & George Smith, London 1768, the terminal with a crest, one possibly by William Turton, London 1773, worn feather edge borders, the terminal with initials, and one by William Cattell, London 1777, the terminal with a crest, approx. weight 10.7oz. (3) £200-300

Provenance: A Private Collection.

428 A George II silver marrow spoon, by John Wrenn, London 1735, conventional form, length 21cm, plus a George III silver marrow spoon by Marmaduke Daintrey, London 1750, with a crest on reverse of the bowl, length 21.1cm, approx. weight 3.2oz. (2) £200-300

Provenance: A Private Collection.

431 A matched pair of George III silver Fiddle, Thread and Drop pattern (no Shoulders) basting spoons, by Eley and Fearn, London 1800 and 1803, one terminal with a crest, the other with a monogram, approx. weight 10oz. (2) £180-220

Provenance: A Private Collection.

433 A George III silver Old English pattern soup ladle, by Thomas Northcote, London 1786, fluted circular bowl, the terminal with a crest, plus a George III silver Old English pattern soup ladle, by Thomas Ellis, London 1776, fluted circular bowl, the terminal with a crest, approx. weight 9.2oz. (2) £200-300

Provenance: A Private Collection.

435 A George III silver Old English pattern straining spoon, by Smith and Fearn, London 1790, the straining section with pierced slats, the terminal with a crest, plus a pair of Old English pattern silver basting spoons, by John Lambe, London 1774, the terminals with crowned initials, approx. weight 9.3oz. (3) £200-300

Provenance: A Private Collection.

432 A George III silver Old English pattern salad serving fork, by George Smith & William Fearn, London 1790, the terminal with a crest, plus a George III Old English pattern silver basting spoon by George Smith, London 1777, the terminal with a crest, total approx. weight 6.7oz. (2) £200-300

Provenance: A Private Collection.

λ 434 A small collection of four antique silver punch and toddy ladles, twisted whale-bone handles, comprising: a George III one by Elizabeth Morley, London 1802, one with an oval bowl by Josiah Snatt, one set with a coin and a toddy ladle, by Cocks and Betteridge, Birmingham 1808. (4) £100-150

Provenance: A Private Collection.

436 A George III silver Bead pattern salad fork, by Richard Crossley, London 1767, the terminal with a crest, plus a similar George III basting spoon, by William Sumner, London 1800, the terminal with a crest, approx. weight 7.3oz. (2) £300-400

Provenance: A Private Collection.

437 A large George III Scottish silver Hanoverian pattern basting spoon, by James Weems, Edinburgh 1757, assay master Hugh Gordon, the reverse of the bowl with a plain heel, the reverse of the terminal

438 A Queen Anne silver Dog-nose basting spoon, possibly by Henry Green, London 1706, the reverse of the oval bowl with a plain rat-tail, the reverse of the terminal with a crest, length 37.4cm, approx. weight 5.4oz. £400-600

Provenance: A Private Collection.

439 A mixed lot of silver flatware, various dates and makers, comprising: a George III meat skewer, London 1785, tapering form, ring handle, a pair of serving tongs, marks worn, and a fish slice, by Robert Hennell, London 1784, the blade with pierced decoration, the Thread handle by Moses Brent, approx. weighable 7.4oz. (3) £250-300

Provenance: A Private Collection.

440 A collection of four antique silver basting spoons, comprising: a Bright-cut one, London 1777, the terminal with initials, two Old English pattern ones, London 1775 and 1805, and a large Hanoverian one, probably by Thomas Evans & George Smith, the other marks lost in a repair, the terminal with initials, approx. weight 14.5oz. (4) £200-300

Provenance: A Private Collection.

edition, Figure 183, page 126.

Provenance: A Private Collection.

443 A mixed lot of silver flatware, various dates and makers, comprising: nine various tablespoons, a punch ladle, two table forks, two dessert forks, four dessert spoons and an unmarked toddy ladle, in a wooden cutlery box with a brass handle, approx. weighable 28.6oz. £150-200

Provenance: A Private Collection.

444 A collection of George III silver single struck Beaded pattern flatware, various dates and makers, including Thomas and William Chawner, London 1777, some terminals with crests, comprising: two basting spoons, seven tablespoons, two further tablespoons with fluted bowls, eight table forks, six dessert forks, sixteen dessert spoons, three ladles, a pair of sugar tongs, a sugar spoon, a marrow scoop, a butter spade and three condiment spoons, plus eight silver-handled ribbon, reed and bead pattern table knives, in a wooden case, approx. weighable 78oz. (qty) £800-1,200

Provenance: A Private Collection.

445 A matched George III silver Old English pattern canteen for six, various dates and makers including Hester Bateman, London 1777 and Wallis and Hayne, London 1817, some terminals crested and initialled, comprising: six table forks, six dessert forks, six dessert spoons, six teaspoons and four tablespoons, plus six ivorine handled table knives and six dessert knives and a three-piece carving set, in a fitted wooden case, approx. weighable 39.8oz. £400-600

Provenance: A Private Collection.

446 A George III silver sauce tureen and cover, by Thomas Robins, London 1814, oval form, on four paw and foliate feet, gadroon borders, scroll handles, the cover with a foliate and scroll handle, length handle to handle 20.5cm, approx. weight 24.3oz £300-400

Provenance: A Private Collection.

447

447 A George IV silver bandy pan on stand with a burner, by Emes and Barnard, London 1821, tapering circular form, plain lip, turned wooden baluster handle, the pull-off cover with a fluted wooden finial with foliate mounts, the stand of circular form, on three fluted scroll legs, with a burner, the burner with a later cover, total height 23.2cm, approx. weight 23oz. £300-500

Provenance: A Private Collection.

448 A George III silver entrée dish and cover, by Thomas Heming, London 1765, shaped rectangular form, gadroon border, foliate scroll handles, engraved with an armorial and crest, the pull-off cover with a later handle modelled as a coronet, length handle to handle 28.5cm, approx. weight 39.8oz. £400-600

The armorial and crest are for Monson impaling Maddison, possibly for John, 2nd Baron Monson (1727-1774).

Provenance: A Private Collection.

448

449 A small George III silver meat platter, by Sebastian & James Crespell, London 1767, of shaped oval form, gadrooned borders, engraved armorial, length 35.3cm, approx. weight 24.2oz. £300-400

The armorial is possibly that of Jemima Yorke, 2nd Marchioness Grey (1723-1797).

Provenance: A Private Collection.

450 A pair of Victorian silver-gilt wine coasters, by Howard & Hawksworth, Sheffield 1838, gilding worn, circular form, pierced vine leaf decoration, turned wooden bases with central crested buttons, diameter 14.3cm. (2) £300-500

Provenance: A Private Collection.

449 451

450

451 A George III silver meat platter, by John Wakelin & Robert Garrard, London 1794, of shaped oval form, reeded border, engraved armorial shield, length 38.5cm, approx. weight 31.8oz. £400-600

The armorial is that of Rous impaling Whittaker. Provenance: A Private Collection.

452 A pair of George III silver entrée dishes and covers on associated old Sheffield plated warming stands, by Timothy Renou, London 1801, rectangular form, gadrooned borders, engraved with a crest, detachable reeded and foliate ring handles, (unmarked), the warming stands of rectangular form, engraved crest, turned wooden handles, on four wooden bun feet, length of dishes 28.2cm, total approx. weighable 112.4oz. £1,500-2,000

The crests are that of Walpole and Baron Ribblesdale.

Provenance: A Private Collection.

453 A pair of George III cast silver candlesticks, by Robert Jones, London 1778, knopped tapering circular stems, gadroon borders, spool-shaped capitals, detachable unmarked drip pans, on raised stepped square bases with fluted and gadroon decoration, engraved with initials, height 26.2cm, approx. weight 44oz. (2) £1,000-1,500

Provenance: A Private Collection.

454 A Victorian silver meat dish well, by Robert Garrard II, London 1854, of oval form, reeded border, the centre with a well for the juices, engraved initial and crest, lacking warming dish base, length 48.8cm, approx. weight 72.8oz. £600-800

The crest is that of Sandeman of Perth (Scotland).

Provenance: A Private Collection.

455 A George I silver coffee pot, by Bowles Nash, London 1721, of tapering circular form, faceted spout, scroll handle, domed hinged cover with knop finial, height 24.7cm, approx. weight 28.2oz. £1,000-1,500

Provenance: A Private Collection.

454 456

455

456 A small pair of George III silver meat platters, by William Fountain, London 1802, of shaped oval form, gadrooned borders, engraved with a crest, scratched weights to the underside, length 28.6cm, approx. weight 40oz. (2) £500-700

The crest is that of Baron Elphinstone, possibly for John Elphinstone, 12th Baron (1764-1813).

Provenance: A Private Collection.

457 A set of twelve George III silver plates, by Andrew Fogelberg & Stephen Gilbert, London 1784, shaped circular form, gadroon borders, engraved with an armorial, diameter 24.5cm, approx. weight 214oz. (12) £5,000-7,000 The armorial is that of Frederick Augustus, Bishop of Derry and 4th Earl of Bristol (1730-1803).

Provenance: A Private Collection.

458 A George III silver waiter, one by John Schofield, London 1778, of a shaped circular form, beaded border, on three shell bracket feet, diameter 20.2cm, plus another George III silver waiter, by Daniel Smith & Robert Sharp, London 1785, of circular form, beaded border, with central vacant cartouche, on three fluted bracket feet, diameter 21.cm, total approx. weight 27.2oz. (2) £250-300

Provenance: A Private Collection.

459 A Victorian silver Corinthian column gas lamp, by Hawksworth, Eyre and Co., Sheffield 1896, fluted column, on a raised square base with urns and drape decoration, gadroon border, with a cut-glass oil reserve and electroplated fittings, total height 50cm. £300-400

Provenance: A Private Collection.

458 460

459

OTHER PROPERTIES

460 A silver entrée dish and cover, by Carrington and Co., London 1913, rectangular form, gadroon border, the pull-off cover with a detachable handle, length 25.5cm, approx. weight 40oz. £400-600

461 A pair of Edwardian silver candelabra, by Walter Latham & Son, Sheffield 1905, Corinthian column form, on a stepped square base with beaded borders, the central column of baluster form, swirl fluted decoration, with scroll and ropework branches, removable beaded drip pans, height 30.8cm, approx. weight of branches 32.6oz. (2) £800-1,000

463 A late-Victorian silver two-handled gallery tray, by Charles Stuart Harris, London 1896, oval form, pierced foliate scroll gallery, inset handles, beaded border, the centre engraved with a crest and motto, length 45.7cm, approx. weight 44.8oz. £700-900

The crest and motto are that of Ward.

462 An Edwardian silver oil lamp, by Hawksworth, Eyre and Co., Sheffield 1901, Corinthian column form, with a cut-glass reservoir bowl, on a raised stepped square base with urns, foliate decoration and a gadroon border, later converted for electricity, total height 64cm. £300-400

465

464 A Victorian silver double sided ‘Castle-top’ card case, by Nathaniel Mills, Birmingham 1838, rectangular form, the front with a scene of Windsor Castle, the reverse with a scene of Kenilworth Castle, within pierced foliate scroll decoration, in a fitted case retailed by Garrard, length 9.7cm, approx. weight 2.6oz. £400-600 464

465 An early Victorian silver engraved ‘Castle-top’ table snuff box, Balmoral Castle, by Edward Smith, Birmingham 1838, rectangular form, cushion sides, heavy scroll foliate and engine turned decoration, the hinged cover engraved with a view of the castle, with a gilded interior, in a fitted case retailed by Garrard, length 10.8cm, approx. weight 9.2oz. £800-1,200

466 A Victorian silver double sided ‘Castle-top’ card case, by Nathaniel Mills, Birmingham 1838, rectangular form, the front with a raised scene of Windsor Castle, the reverse with a raised scene of Kenilworth Castle, within engine turned tartan decoration, in a fitted case retailed by Garrard, length 9.1cm, approx. weight 2.1oz. £400-600

467 A George III silver snuff box, by Cocks & Bettridge, Birmingham 1811, of curved rectangular form, rounded edges, engraved foliate decoration to the cover with central cartouche, with bright cut patterns to sides and base, and a hinged cover with plain thumb piece, length 5.4cm, approx. weight 0.9oz. £100-150

468 A Victorian silver-gilt snuff box, by John Tongue, Birmingham 1938. the hinged cover with a raised scene of two hounds coursing, in a landscape setting, foliate and scroll border, the sides and base with engraved lattice decoration, foliate thumb-piece, the underside inscribed ‘F.LUNDI Newcastle on Tyne’, length 7.2cm, approx. weight 2.9oz. £350-400

Provenance: A Private Collection. Purchased from Shapiro, Grays Antiques Market, London, 21 November 1997.

A PRIVATE COLLECTION OF NOVELTY PEPPER POTS

469 A Norwegian novelty silver squirrel pepper pot, marked ‘Sterling J. Tostrup Norway’, modelled in a seated position eating, textured tail and ears, on a pull-off circular raised foot, height 6.5cm, approx. weight 0.7oz. £100-150

470 Two novelty Scandinavian silver penguin pepper pots, modelled in standing positions, on round circular bases, comprising: one Norwegian penguin by David Anderson circa 1910, with an inscription in between penguin’s feet, ‘HAMMERFEST’, with a screw off cap to the base, plus one Danish silver and enamel penguin, stamped ‘S CHR FOGH DENMARK STERLING’, with a bayonet fitted cap to the base, height 6.4cm, total approx. weight 1.2oz. (2) £150-200

471 An Edwardian novelty silver chick pepper pot, by William Edward Hurcomb, London 1906, modelled in a standing position, with textured feather decoration, pull-off pierced head cover, length 5cm, approx. weight 0.8oz. £200-300

472 A Victorian novelty silver mouse pepper pot, by Thomas Johnson, London 1886, modelled in a standing position, textured fur decoration, with a pulloff oblong base, length 8.1cm, approx. weight 1oz. £200-300

473 A metalware novelty bird pepper pot, possibly Spanish, modelled in a standing position, textured feather decoration, with a bayonet fitted right wing, on a shaped circular base, height 5.9cm, approx. weight 1.9oz £100-150

474 A pair of Edwardian continental silver swan pepper pots, import marks for Chester 1906, importer’s mark of Boaz Moses Landeck, modelled in swimming positions, with textured feather decoration, on rounded oblong hinged bases, height 5cm, total approx. weight 1.1oz. (2) £200-300

475 Two silver salt and pepper pots, comprising: a salt pot modelled as a bullet casing, Birmingham 1915, maker’s mark worn, plus a pepper pot of similar shape, worn maker’s marks, Birmingham 1914, with a weighted base, height 6.6cm, approx. weighable 0.3oz. (2) £150-200

476 A pair of Edwardian novelty silver grouse pepper pots, by Gourdel Vales & Co, Birmingham 1905, modelled in standing positions, length 5.8cm, total approx. weight 0.9oz. (2) £200-300

477 An Edwardian novelty silver teddy bear pepper pot, by H V Pithey & Co., Birmingham 1909, modelled in a sitting position, with textured fur decoration, height 3.7cm, approx. weight 0.2oz. £100-150

478 A Victorian novelty silver spinning top pepper pot, by Cornelius Saunders & James Hollings, Chester 1896, modelled as a spinning top toy, with a screw-off pierced cover, height 5.6cm, approx. weight 1.7oz. £100-150

479 An Edwardian novelty silver rabbit pepper pot, by George Gillet, London 1904, modelled in a sitting position, textured fur decoration, pull-off head, length 5.7cm, approx. weight 2oz. £300-400

480 A pair of Edwardian novelty silver hare pepper pots, by Gourdel Vales & Co, Birmingham 1906, modelled in boxing positions, height 6.3cm, total approx. weight 1.4oz. (2) £600-800

481 A late Victorian silver cow pepper pot, import marks for London 1900, importer’s mark of Berthold Muller & Son, modelled in a standing position, with a pull-off pierced head, length 5.4cm, approx. weight 1oz. £200-300

482 An Edwardian novelty silver mouse pepper pot, import marks for Chester 1905, importer’s mark of Samuel Boyce Landeck, modelled in a sitting position, textured fur decoration, with a bayonet fitting head, height 5.5cm, approx. weight 2.6oz. £200-300

483 A novelty silver bird pepper pot with an associated cover, import marks for London 1926, importer’s mark of T C & Sons Ltd., modelled in a standing position, with associated pierced head modelled as a Curlew, length 7.6cm, approx. weight 1.6oz. £200-300

484 A matched pair of modern novelty silver owl salt and pepper pots, one by R. Comyns, London 1978, the other by Mappin and Webb, London 1974, modelled in standing positions, textured feather decoration, the heads set with orange glass eyes, with gilded interiors, height 7.3cm, total approx. weight 7.5oz. (2) £300-400

485 A pair of Victorian novelty silver bird pepper pots, by Jane Brownett, London 1881, modelled in a standing position, pull-off pierced heads, textured feathers, height 4.8cm, total approx. weight 3.9oz. (2) £400-600

486 A pair of Victorian silver novelty pepper pots, by George Fox, London 1869, modelled as rosewater sprinklers, pull-off pierced covers, chased decoration with vacant cartouches, height 10.2cm. total approx. weight 3.9oz. (2) £200-300

487

An Edwardian silver bird pepper pot, import marks for Chester 1908, importer’s marks of Arthur Graf, modelled as a standing blackbird, pull-off pierced head, length 8.3cm, approx. weight 1.4oz. £150-200

488 An Edwardian silver chick pepper pot, import marks for Chester 1908, importer’s marks of Boaz Moses Landeck, modelled in a standing position, pull-off pierced head, plus a German novelty silver chick, by Neresheimer of Hanau, modelled in a standing position, textured feathers, height 7.8cm. total approx. weight 4oz. (2) £400-600

489 A Victorian silver and niello work vesta case, by Henry Dee, London 1872, rounded rectangular form, the front with a scene of a seated man with a pipe and a man behind him, this is probably depicting Robinson Crusoe and Friday, the reverse with foliate decoration, the hinged cover opens to reveal a match compartment, striker, and lighting cord holder, with a turning wheel, length 5cm, approx. weight 1.2oz. £1,000-1,500

490 A Victorian silver and Essex crystal scent bottle, by S. Mordan, London 1883, plain cylindrical form, the hinged cover with an Essex crystal of a dog’s head, the interior with a stopper, height 6.5cm. £500-700

491 A Victorian silver and enamel scent bottle, by Saunders and Shepherd, London 1889, ovoid form, screw-off cover, the front enamelled with primroses, length 7cm, approx. weight 1oz. £80-120

492 A Victorian gold-mounted enamel scent bottle, by Hancock, baluster form, the mount with beaded borders, the cover and base with enamelled flowers on a cream ground, the interior glass lined, height 6.5cm. £800-900

493 Two George III Scottish silver marrow scoops, of conventional form, comprising: one by Lothian & Robertson, Edinburgh 1759, plus one by George McHattie, Edinburgh 1808, total approx. weight 2.7oz. (2) £150-200

494 Two George III Scottish silver marrow scoops, of conventional form, comprising: one by Robert Gray, Glasgow circa 1775, plus one by Alexander Gardner, Edinburgh 1785, with engraved initials to the underside of the bowl, total approx. weight 2.9oz. (2) £150-250

495 A pair of George III Scottish provincial silver Celtic Point dessert spoons, by Robert Keay, Perth circa 1800, with engraved initials to the terminal, length 18.6cm, approx. weight 1.8oz. (2) £80-120

497 A pair of Scottish provincial silver sugar tongs, by William Robb, of Ballater, with Edinburgh marks for 1919, wishbone form, length 9.6cm, approx. weight 0.4oz. £100-150

498 A pair of George III Scottish provincial silver fiddle pattern toddy ladles, by William Hannay, of Paisley, with Edinburgh marks for 1811, circular shaped bowl, with engraved initials to the terminal, length 18cm, total approx. weight 1.9oz. (2) £100-150

499 A collection of six George III Scottish silver Fiddle pattern teaspoons, Glasgow, various makers, the reverse of the terminals with initials, including: three by David Marshall, two by James Wright and one by David Marshall, approx. weight 2.2oz. (6) £150-200

500 A collection of twelve George III Scottish silver Scottish Fiddle pattern teaspoons, various dates and makers, including: one by William Dempster, the terminal with a crest, one by James Ker, two by James Welsh, one by Lothian and Robertson, one marked I. McT, circa 1784, two marked R.W, one by Samuel Tefler, and one marked IS, approx. weight 3.7oz. (10) £200-300

501 A George II Scottish silver stand and matching bowl, stand by Robert Luke, Glasgow, 1734, bowl unmarked, circular form, with wavy-edge border, on a plain foot, the bowl of circular form, on raised foot, diameter 18.2cm, approx. weight 8.93oz. (2) £400-600

502 A collection of Scottish silver flatware, comprising: a matched pair George III dessert spoons, by Alexander Spence, Edinburgh 1789 and 1790, with bright cut decoration with engraved initial to the terminals, a set of six provincial Scottish Victorian fiddle teaspoons by Alex Cameron, Dundee (Edinburgh marks) 1840, with engraved initials to the terminals and numbered 1-6, a set of five teaspoons, by James Wright, circa 1800, four Perth teaspoons by Robert Keay, two teaspoons, by William Jamieson, Aberdeen, a teaspoon by William Scott, of Dundee, plus two further teaspoons and six salt spoons, total approx. weight 13.8oz. (27) £200-300

503 A collection of Scottish provincial silver mustard and salt spoons, various dates and makers, comprising: a pair of mustard spoons and another similar by George Booth, Aberdeen c.1830, Scottish fiddle pattern with gilded bowls, a salt spoon by George Sangster, Aberdeen/Edinburgh 1847, Scottish fiddle pattern, two mustard spoons by William Jamieson, Aberdeen c.1820, one Scottish fiddle, a mustard spoon by John Robertson, Aberdeen c.1830, one mustard spoon by Peter Ross, Aberdeen c.1830, Scottish fiddle, one mustard spoon by Robert Keay I & Robert Keay II, Perth c.1830, total approx. weight 3.2oz. (9) £100-150

504 A set of six George III Scottish silver dessert spoons, by James Erskine, Aberdeen circa 1800, with an engraved initial to the terminal, length 17.6cm, total approx. weight 5oz. (6) £100-150

505 A collection of Scottish provincial silver teaspoons, various dates and makers, comprising: two fiddle teaspoons by David Gray, Dumfries c.1820, both with scratched initials, one by William Jamieson, Aberdeen c.1820, one by George Sangster, Aberdeen/Edinburgh c.1854, a pair by William Hannay, Paisley c.1800, one by Alexander Cameron, Perth c.1830, one by James Erskine, Aberdeen c.1820, with seven other provincial silver teaspoons, total approx. weight 7.1oz. (15) £100-150

506 A mixed lot of Irish silver flatware, comprising: a George III marrow scoop by Samuel Neville, Dublin 1805, of conventional form, with an engraved armorial to the reverse of bowl, a pair of Georgian fiddle pattern mustard spoons, by Samuel Neville, Dublin circa 1810, a pair of George III teaspoons by John Power, with Bright-cut decoration, and a salt spoon, by Gibson of Cork, total approx. weight 3.8oz. (6) £150-200

507 A George III Irish silver meat skewer, by John Power, Dublin 1798, tapering form with a ring handle, engraved crest and initials, length 30.7cm, approx. weight 2.5oz. £150-200 The crest is that of Fuller.

508 A George II Irish provincial silver Hanoverian tablespoon, by George Hodder, Cork circa 1744, scratched initials and date to the reverse of the terminal, ‘C’ over ‘O.E’ over ‘1744’, length 22cm, approx. weight 2.4oz. £300-400

509 A George III Irish provincial silver Bright-cut Celtic Point pattern large tablespoon / small basting spoon, by William Ward, Limerick circa 1800, engraved initials to the central cartouche, length 26.3cm, approx. weight 2.3oz. £1,500-2,000

Purchased from Woolley and Wallis, Salisbury Salerooms, 22 October 2013, lot 1003.

510 A pair of George III Irish provincial silver Bright-cut Celtic Point pattern tablespoons, by Maurice Fitzgerald, Limerick circa 1790, bright-cut decoration with engraved initials ‘DBM’ to the central cartouches, length 23.7cm, total approx. weight 4.3oz. (2) £1,500-2,000

Purchased from Weldons, Clarendon Street, Dublin.

511 An Irish provincial silver Hanoverian tablespoon, marked with maker’s mark twice ‘ICW’, and ‘STARLIN’, unascribed, possibly Cork or Limerick, with engraved crest to the underside of the terminal, length 22.9cm, approx. weight 2.5oz. £500-700 The crest is possibly that of Fitzgerald.

512 A George III provincial Irish silver Bright-cut Celtic Point tablespoon, by James Conway, Cork circa 1807, over-stamped with incuse mark ‘W.T’, the terminal engraved with a crest to the central cartouche, length 25.5cm, approx. weight 2.1oz. £200-300 The crest is that of Hamilton.

Purchased from Weldons, Clarendon Street, Dublin 2011.

£600-800

514 tablespoons, by John Nicholson, Cork circa 1790, the terminal with initials, length 25cm, total approx. weight 4.6oz. (2)

515 A George III Irish presentation

double beaker, by John Locker, John Laughlin or John Lloyd, Dublin circa 1780, tapering circular form, with bands of fluted decoration, gilded interior, inscribed ‘We’ll take a cup o’kindness yet For Auld Lang Syne’, and ‘To Edward Stopford Blair and Elizabeth his Wife on their Silver Wedding day June 22 Ad 1778, The Gift of some who have known them Long and love them very much’, in a fitted red case, height 14.4cm, approx. weight 9.7oz. £3,000-5,000

516 An early Victorian Irish

hot water ewer, no apparent maker’s mark, Dublin 1837, lobed baluster form, embossed fruit and foliate scroll decoration on a matted background, leaf capped scroll handle, insulators removed, flush-hinged cover with a flower finial, on a circular foot, height 23.8cm, approx. weight 26.5oz. £500-700

517

base 19.5cm, approx. weight 10.5oz. £400-600

silver

An Irish silver dish ring, by Wakeley & Wheeler, Dublin 1915, circular tapering form, pierced and embossed with animals, birds and figures within foliate scroll decoration, with engraved initials and date to the central cartouche, diameter of the

silver

open

inscription

518 By Derek Elliott for The Guild of Handicraft (George Hart), a modern silver-handled dish, London 1993, of circular form, spot hammered decoration, green glass liner, length 16.4cm, approx. weight 6.3oz. £300-400

519 A Edwardian Art Nouveau silver cup, by Charles Edwards, London 1905, the bowl of circular tapering form, with three bifurcated scroll handles, spot hammered decoration, tapering baluster stem with chased foliate design, on a raised circular foot with spot hammered decoration, height 20.8cm, approx. weight 17.3oz. £400-600

520 By Omar Ramsden & Alwyn Carr, a silver Arts & Crafts dressing table box, London 1909, also engraved ‘OMAR RAMSDEN ET ALWYN CARR ME FECERUNT’, square form, raised hinged cover embossed with four Comedy and Tragedy masks, with a red stone finial, spot hammered decoration, on four tapering scroll feet, wood lined, repairs to leg, length 9.3cm. £300-400

521 By Liberty and Co., a large silver table matchbox cover, Birmingham 1913, rectangular spot-hammered form, chased foliate decoration and borders, on four bun feet, initialled ‘A’ below a coronet, length 16cm, approx. weight 7oz. £100-150

522 A pair of modern Mexican three-light candelabra, by RV or RN script, tapering form, with three plain capitals, on a fluted stem or a rounded rectangular base, length 31.2cm, approx. weight 35oz. (2) £350-400

523 By J.K. Baily, an Arts and Crafts silver entrée dish and cover, maker’s mark over-striking another, London 1911, oval form, spot-hammered decoration, engraved foliate border, the domed cover with a baluster finial, length 31.1cm, approx. weight 31oz. £400-600

524 A modern continental silver double candlestick, stamped 900, twisted wire-work form and base, circular capitals and drip pans, height 20.8cm, approx. weight 7.2oz. £150-200

525 A pair of modern silver two branched candelabra, by Elkington & Co Ltd., Birmingham 1967, squat shaped from, asymmetrical capitals on a scrolled branch, on a domed circular foot, loaded bases, height 11.9cm. (2) £100-150

526 A modern silver tankard, by maker’s mark of ES, Birmingham 1969, circular tapering form, scroll handle with heart shaped decoration to the bottom, domed hinged cover with scroll thumb piece, on a raised circular foot, height 17.3cm approx. weight 19.2oz. £350-400

527 By Cartier, a sterling silver tazza, circular bowl, on a fluted knopped stem on a raised circular foot, diameter of the bowl, 21.6cm, approx. weight 14.5oz. £300-400

528 By H.G. Murphy, a large silver salver, London 1931, also with the Falcon mark, circular form with a reeded border, on four ball feet, diameter 40.7cm, approx. weight 56.3oz. £1,200-1,500

529 By The Winchester School and College of Art, a modern silver three-light candelabrum, London 1966, with three plain circular candle holders on a scroll support on a rectangular base, length 25.2cm, approx. weight 11.9oz. £300-400

530 By Graham Watling, a set of six modern silver goblets, London 1976, tapering circular bowls, on raised textured tapering stems with pierced decoration, height 11.1cm, approx. weight 28oz. (6) £600-800

531 By A E Jones, an Edwardian Arts and Crafts silver caddy spoon, Birmingham 1908, spot-hammered bowl, the scroll handle with a wire-work mount, length 6.7cm, approx. weight 0.5oz. £250-300

532

By A E Jones, anArts and Crafts silver sugar caster, Birmingham 1932, circular bellied form, spot-hammered decoration, applied foliate motifs, a pierced domed pull-off lid, on a circular foot, height 17.8cm, approx. weight 5.3oz. £150-200

533 By A E Jones, an Arts & Craft silver two-handled dish, Birmingham 1932, circular form, spot-hammered decoration, the side handles pierced and with a foliate motif, and with a border of applied foliate motifs, on a circular base, length handle to handle 27.6cm, approx. weight 13.8oz. £250-300

534

By A E Jones, an Arts and Craftssilver swing-handled basket, Birmingham 1923, shaped oval form, spot-hammered decoration, with a pierced foliate gallery, and a pierced swing-handled with a central foliate motif, on four stylised legs, length 27.5cm, approx. weight 12.9oz. £250-300

By A E Jones, an Arts and Crafts silver mustard pot, Birmingham 1926, circular form, spot-hammered decoration, a domed hinged cover with a knop finial, scroll handle, on four stylised legs, with a green Ruskin ceramic liner, diameter 7.1cm, plus an American silver-gilt spoon, by Gorham, approx. weighable 2.7oz. (2) £200-300

535

536

By A E Jones, an Arts and Crafts silver two handled sugar bowl, Birmingham 1929, circular bellied form, spot-hammered decoration, scroll handles, with a border of foliate motifs, on four raised circular pad feet, height 7.4cm, approx. weight 6.8oz. £100-150

By A E Jones, anArts and Crafts silver sauce boat, Birmingham 1929, oval form, spot-hammered decoration, with a rope-work and flower motif border, scroll handle, on three leaf capped paw feet, length 18.2cm, approx. weight 7.3oz. £150-200

537

540 By The Artificers’ Guild Ltd., an Arts and Crafts silver spoon, London 1936, fig shaped bowl with spot-hammered decoration, faceted stem with a tree of life terminal and rope-work borders, length 14.6cm, approx. weight 0.9oz. £100-150

539 A collection of three silver spoons, comprising: two teaspoons by Winifred King & Co, Birmingham 1924 and 1925, oval bowls, spot hammered decoration, one with a bifurcated scroll terminal, plus a caddy spoon by Robert Richard Prout, circular bowl, spot hammered decoration, twisted wirework handle, approx. weight 1oz. (3) £100-150

542

length 17.5cm, approx. weight 1.2oz. £80-120

541 Designed by

silver cactus pattern christening spoon, oval bowl, with a ring handle, in a fitted box, length 9.9cm, approx. weight 0.9oz. £80-120

543

approx. weight 1.9oz. £100-150

Gundorph Albertus for Georg Jensen, a Danish

Designed by Johan Rohde for Georg Jensen, a Danish silver Mayan pattern silver scoop,

Designed by Johan Rohde for Georg Jensen, a Danish silver acorn pattern marrow/cheese scoop, withimport marks for London 1926, importer’s mark of George Stockwell, oblong shaped bowl, length 23.4cm,

544 By Georg Jensen, a Danish matched five-piece silver tea and coffee set and a sugar caster, design numbers 32, 32A, 32C, 32E, 1915-30, the caster possibly later, four pieces also stamped ‘Import de Denmark’, baluster form, spot-hammered decoration, bud finials, beaded borders, scroll handles, on raised circular bases, height of coffee pot 24.5cm, approx. weight 77oz. (6) £3,000-5,000

545 Designed by Harald Nielson for Georg Jensen, a Danish christening bowl and stand, design number 456, with import marks for London 1927 and 1930, importer’s mark of George Stockwell, circular form, scroll and bud handles, the stand of circular form, with a pierced bud border, the underside inscribed and dated, diameter of stand 17cm, approx. weight 11.5oz. £250-300

546 By Georg Jensen, a Danish silver dish, design number 620D, also with import marks for London 1930, importer’s mark of George Stockwell, shallow tapering circular form, spot-hammered decoration, on a plain circular foot, diameter 29.7cm, approx. weight 20.9oz.

548 By Stuart Devlin, a modern parcel-gilt commemorative silver cup, London 1982, limited edition number 11, tapering circular form, part gilt Prince of Wales Feather with rose decoration, scroll handle, engraved inscription to the base ‘ PRINCE WILLIAM OF WALES: BORN 21.6.82’, height 6.2cm, approx. weight 5.2oz. £120-150

By Stuart Devlin, a modern parcelgilt silver ‘Twelve Years of Christmas’ box, ndon 1976, number 12 of an edition of 100. modelled as a rectangular wrapped Christmas present, textured decoration and with a tied ribbon, the hinged cover opens to reveal ‘Seven Swans A Swimming’, with a silver swan and seven silver-gilt signets, on an engine-turned base, lacking enamel decoration, with the certificate and in a fitted case, height 7.4cm, approx. weight 13.9oz. £400-500

549 By Aurum Ltd, a cased set of six modern commemorative parcel-gilt silver spoons, London 1976, limited edition number 138, elongated bowls, with silver-gilt figural finials depicting six ancient Olympic sports, commemorating the 1976 Montreal Olympic games with a signed certificate, length 16cm, approx. weight 5.2oz. (6) £200-300

550 By Liberty & Co, an Edwardian Art Nouveau silver and enamel vase, Birmingham 1901, also stamped ‘CYMRIC’, tapering circular form, with a central strap-work motif with green, blue and purple enamel decoration, height 13.1cm, approx. weight 5.9oz. £1,000-1,500

552 The Silver Society,a modern commemorative silver cup, by Dennis Smith & Gareth Harris, London 2008, circular tumbler cup form gilded bowl, on a pierced cast foot, stamped in single punches ‘THE SILVER SOCIETY’, height 9cm, approx. weight 9.8oz. £400-600

This cup was designed and made to celebrate the 50th Anniversary of The Silver Society.

551 By Omar Ramsden, an Arts and Crafts silver wine coaster, London 1934, circular form, spot-hammered decoration, castellated border and rim, the wooden base set with Tudor rose motif, diameter 14cm, height 6.3cm. £1,000-1,500

553

The Great Train Robbery Interest,

By Roy J James, a modern silver-gilt bracelet, London 1970, and a modern silver cup and saucer, London 1983, the bracelet of inter-linked chain form with a central Maltese cross inscribed ‘Nil Desperandum’, length 18cm, the cup and saucer of plain circular form, spot-hammered decoration, diameter of saucer 14.2cm, approx. total weight 8.5oz, together with an old wooden box containing some of Roy James’ tools, plus a book ‘The Train Robbers’, the inside cover signed by some of the Great Train robbers, another book ‘The Great Train Robbery Files’, a signed photograph and postcard. £500-700

Provenance: David Brodie

Roy James

Roy ‘The Weasel’ James was the getaway driver for the The Great Train Robbery of 1963. In the same year he was described in a Metropolitan Police wanted poster as ‘Roy John James, aged 27, born London, Silversmith, medium to slight build, complexion fresh, hair light brown, eyes hazel. Is a racing driver’.

During his thirty year sentence he continued his silversmithing. In 1971 a newspaper documented him making a silver trophy for the British Racing and Sports Car Club. The silver was donated by Rodney Banting with the full permission of the Governor. He was freed in 1976, but returned to prison ten years later due to another offence. He died of heart disease in 1997.

The Bracelet was made for David Brodie, a close friend of Roy’s, and the silver cup and saucer and other items were given to him as well. David Brodie, known as ‘Brode’ was born 15 May 1943. He is a British auto racing driver, and is best known for his time competing in the British Touring Car Championship. His best season in the BTCC was in 1985, finishing fourth overall on points.

554 A Victorian silver treasury inkstand owned by Sir William Broadbent, physician-extraordinary to Queen Victoria, by James Garrard, London 1895, also stamped R & S Garrard, London, conventional rectangular form, with two hinged covers, one inscribed ‘Sir William Broadbent, Baronet MD, from a grateful patient. 1895’, one side with three compartments, two containing recessed inkwells (one glass liner missing), the other side with a single compartment, two drop-scroll handles, on four bun feet, length 31cm, weight of inkstand 102oz. £2,500-3,000

Sir William Henry Broadbent (1835-1907) was born at Lindley, near Huddersfield, in 1835, the son of a manufacturer. He was originally intended for the woollen trade, but decided instead to pursue a medical career. He was apprenticed to a surgeon in Manchester, and attended Owens College and Manchester Royal School of Medicine. Broadbent was a successful student, winning gold medals in anatomy, physiology and chemistry at the first MB London exams in 1856.

Broadbent had a reputation as one of the best clinical teachers in London, having interests in the fields of both cancer and neurology. One of his contributions to neurological advancement was ‘Broadbent’s hypothesis’, an attempt to account for the distribution of paralysis in muscles and the immunity of some muscles to hemiplegia. He also made important contributions to the study of aphasia, and was an expert on heart disease and typhoid fever. At the Royal College of Physicians he was appointed censor in 1888-9, and senior censor in 1895.

Broadbent was a distinguished academic physician and also a well-known society doctor, whose patients included the Duke of York (the future George V) whose life he had saved from typhoid, the Duke of Clarence and various other members of the royal family. In 1892 he was appointed physician in ordinary to the Prince of Wales (Edward VII) and in 1896 physician extraordinary to Queen Victoria. He was made a Baronet in 1893, and was elected fellow of the Royal Society in 1897.

555 Two modern silver models of owls, by Langfords Silver Galleries, London 1989, both modelled in perched positions, one on a branch, the other on an old wooden fence, textured feathers, the undersides inscribed ‘ Jane and David’, ‘A pair of Wise Old Birds’, filled, heights 22cm. (2) £800-1,200

556 By Dunhill, a novelty silver minaudiere in the form of a lighter, import marks London 1928, importer’s marks of Alfred Dunhill & Sons, also marked Prov. pat 14444/28 and Reg no. 737179, rectangular form, a hinged front opens to reveal the mirror and powder compartment, the base with a pull-out lipstick, the lighter cover opens to reveal a scent flask, the bar with a pull-out pencil, repaired with glue, which has dried out and is loose, height 6cm. £250-300 556 open

557 A matched set of four silver candlesticks, by The Goldsmiths and Silversmiths Company, London 1928 and 1929, in the mid 18th century manner, shell capped shoulders, spool-shaped capitals, on raised shaped square bases, height 25cm. (4) £500-700

557

558 A Victorian silver carriage lamp, by W & G Neal, London 1887, rectangular form, hinged front cover, with a hinged top cover with applied monogram initials, the reverse with a ring attachment and spike supports, the base with turning supports for table use, with a vesta compartment and hinged cover with a striker, height closed 15.5cm. £800-1,200

559 A Victorian silver carriage lamp, by Jenner & Knewstub, London 1882, rectangular form, engine turned decoration, the hinged front cover with a vacant cartouche, the top with a hinged cover with a vacant cartouche, the hinged front opens to reveal the glass panel, the reverse with a ring attachment and spike supports, the underside with a vesta compartment and hinged striker, the base with hinged supports for table use, height closed 14.8cm.

£1,000-1,500

561 A Victorian silver carriage lamp, by Thomas Johnson, London 1862, rounded rectangular form, engine turned decoration, the hinged front cover with a cartouche with engraved initials, the top with another hinged cover with a vacant cartouche, with spike supports to the underside of the cover, the reverse with two wire-work handles the hinged front opens to reveal the glass panel, the lower front opens to reveal a vesta holder and striker, the base with hinged supports for table use, height closed 15.9cm.

£1,000-1,500

560 A Late-Victorian silver cribbage board, by Mills & Co., Birmingham 1891, also stamped ‘Patent’, rectangular form, engraved with the Jack of Spades and the reverse of a playing card with ‘Goodall and Son, London’, on a matted background, the underside with four tubes for pegs and on four ball feet, length 22.9cm, approx. weight 5.9oz. £500-700

A PRIVATE COLLECTION OF

NAVAL AND MILITARY

VINAIGRETTES,

INCLUDING SOME COMMEMORATING LORD NELSON’S GREATEST VICTORY AT THE BATTLE OF TRAFALGAR

562 A large and fine George III Commemorative silver-gilt Nelson vinaigrette, by Mathew Linwood, Birmingham 1805, rectangular form, the hinged cover with an engraved portrait of Nelson within an oval border, inscribed ‘England Expects Every Man Will Do His Duty’, with reed and dot decoration, the underside with a foliate motif, the hinged cover opens to reveal a pierced and embossed silvergilt grille with scene of HMS Victory facing right and inscribed ‘Victory’ and embossed ‘Trafr. Octr. 21. 1805’, length 4.2cm, approx. weight 0.9oz. £2,000-3,000 Provenance: A Private Collection of Naval and Military Vinaigrettes.

The Battle of Trafalgar was arguably the most decisive victory in the history of war at sea. Undaunted by the fact that he had only twenty-seven ships-of-the-line compared to the thirty-three in the combined French and Spanish fleets, Nelson brought the enemy to action on 21st October 1805 in a ferocious battle lasting less than three hours. Using a brilliant strategy to split the enemy line-of-battle in two places, their fleet was shattered by the loss or capture of eighteen of its capital ships and over 6,000 men were killed or wounded. The magnitude of the victory was overshadowed by the death of Nelson himself but French and Spanish sea power was totally destroyed, the former taking many years to reassert itself and the latter never recovering.

563 A George III Commemorative silver Battle of Trafalgar vinaigrette, by John Hart & Co., Birmingham 1805, rectangular form, the hinged cover and base with engraved lozenge decoration, central cartouche, the hinged cover opens to reveal a pierced and embossed silver-gilt grille with scene of HMS Victory facing left, and embossed ‘Victory’ and ‘Trafalgar’, ‘Octr 21, 1805’, length 2.9cm, approx. weight 0.5oz. £800-1,200

Provenance: A Private Collection of Naval and Military Vinaigrettes.

564 A George III Commemorative silver Battle of Trafalgar vinaigrette, by Matthew Linwood, Birmingham 1805, rectangular form, canted corners, the hinged cover with initials, the hinged cover opens to reveal a pierced and embossed silver-gilt grille with scene of HMS Victory facing right, and stamped ‘Trafalgar’, ‘Ocr 21, 1805’, length 2.5cm, approx. weight 0.4oz. £800-1,200

Provenance: A Private Collection of Naval and Military Vinaigrettes.

565 A George III Commemorative silver Nelson vinaigrette, by Mathew Linwood, Birmingham 1805, rectangular form, the hinged cover with an engraved portrait of Nelson within an oval border, inscribed ‘England Expects Every Man Will Do His Duty’, with reeded decoration, plain thumbpiece, the underside with a foliate motif, the hinged cover opens to reveal a pierced and embossed silver-gilt grille with scene of HMS Victory facing left and chased ‘Victory’ and ‘Trafalgar Ocr. 21. 1805’, length 3.1cm, approx. weight 0.5oz. £1,500-2,000

Provenance: A Private Collection of Naval and Military Vinaigrettes.

566 A George III silver military vinaigrette, by William Ellerby, London 1808, rectangular form, the hinged cover and base with engine-turned decoration, plain thumbpiece, the hinged cover opens to reveal a pierced and engraved silver-gilt grille, with a flag, cannon and drums and foliate decoration, length 3.6cm, approx. weight 0.7oz. £300-400

Provenance: A Private Collection of Naval and Military Vinaigrettes.

567 A George III silver military vinaigrette, maker’s mark partially worn, W?, London 1811, rectangular form, the hinged cover, base and sides with engraved decoration, the cover with initials, plain thumb-piece, the hinged cover opens to reveal a pierced and engraved with a flag, cannon and drums and foliate decoration, length 3cm, approx. weight 0.4oz. £250-300

Provenance: A Private Collection of Naval and Military Vinaigrettes.

568 A George III Commemorative silver Nelson vinaigrette, unmarked circa 1805, rectangular form, the hinged cover with an engraved portrait of Nelson within an oval border, inscribed ‘England Expects Every Man Will Do His Duty’, with reeded decoration, plain thumb-piece, the underside with a foliate motif, the hinged cover opens to reveal a pierced and embossed silver-gilt grille with scene of HMS Victory facing right and stamped ‘Victory’ and embossed ‘Trafalgar Ocr. 21. 1805’, with a later soldered ring attachment, total length 4.3cm, approx. weight 0.5oz. £1,000-1,500

Provenance: A Private Collection of Naval and Military Vinaigrettes.

569 A George III silver military vinaigrette, by Thomas Brough, London 1801, rectangular form, the hinged cover, sides, and base with engraved foliate decoration, the cover initialled, the cover opens top reveal a pierced and engraved silver-gilt grille, with an urn, and battle colours, length 3.5cm, approx. weight 0.7oz. £300-400

Provenance: A Private Collection of Naval and Military Vinaigrettes.

570 A George III silver naval vinaigrette, by Samuel Davis, London 1808, rectangular form, the hinged cover and base with engraved trellis decoration, engraved sides, the hinged cover with initials, plain thumb-piece, the hinged cover opens to reveal a pierced and embossed silver-gilt grille with an anchor and foliate decoration, length 3.5m, approx. weight 0.6oz. £300-40

Provenance: A Private Collection of Naval and Military Vinaigrettes.

Although it was the naval victories, particularly those of their hero Nelson, which primarily caught the public’s imagination in the long war with Revolutionary France, it was inevitable that the manufacturers of vinaigrettes also sought to capitalise on the popular appetite for victory as the nation’s soldiers gradually became more involved in the struggle.

571 A large George III silver military vinaigrette, by William Ellerby, London 1805, flat rectangular form, the hinged cover and base with wriggle-work decoration, plain thumbpiece, the hinged cover opens to reveal a pierced and engraved silver-gilt grille, with flags, cannons and drums and foliate decoration, length 5cm, approx. weight 0.8oz. £300-400

Provenance: A Private Collection of Naval and Military Vinaigrettes.

572 A George III Commemorative silver Nelson vinaigrette, by John Shaw, Birmingham 1805, rectangular form, the hinged cover and base with engraved foliate and wriggle-work decoration with a lozenge motif, the hinged cover opens to reveal a pierced and embossed silver-gilt grille with scene of HMS Victory facing right within foliate decoration, and embossed ‘Victory’ and engraved ‘Immortal Nelson’, length 3.2cm, approx. weight 0.5oz. £800-1,200

Provenance: A Private Collection of Naval and Military Vinaigrettes. The majority of Nelson commemorative vinaigrettes were made by Matthew Linwood, so it is quite unusual to see one made by John Shaw.

573 A George III Commemorative silver Nelson snuff box, by John Shaw, Birmingham 1806, rectangular form, the hinged cover with an engraved portrait of Nelson within an oval border, inscribed ‘England Expects Every Man Will Do His Duty’, and with a banner ‘Trafalgar Oct 21. 1805’, with reeded and dot decoration, the base with similar decoration and with initials, plain thumb-piece, gilded interior, length 5.3cm, approx. weight 1oz. £1,000-1,500

Provenance: A Private Collection of Naval and Military Vinaigrettes. Purchased at Bonhams. New Bond Street, London, Trafalgar Bicentenary Sale, 5th July 2005, lot 244.

574 A George III commemorative silver ‘Battle of the Nile’ vinaigrette, possibly by John Brough, London 1806, rectangular form, the hinged cover and base engraved with a recumbent lion and oval shield, initialled, within dotted triangular decoration, the sides with Greek key decoration, plain thumb-piece, the hinged cover opens to reveal a silver-gilt pierced and engraved grille with foliate decoration and an Egyptian Sphinx bearing the head of Napoleon Bonaparte, length 3.4cm, approx. weight 0.7oz. £500-700

Provenance: A Private Collection of Naval and Military Vinaigrettes.

Although dated 1806, seven years after the Battle of the Nile, the manufacture of this vinaigrette was undoubtedly prompted by Nelson’s resounding victory at Trafalgar which proved a crucial turning point in the long fight against Napoleon.

The so-called Battle of the Nile was fought in Aboukir Bay, about 15 miles west of Alexandria, on 1st August 1798. Nelson, having spent most of the summer cruising the Eastern Mediterranean looking for Admiral Brueys’ fleet, finally came upon it as it lay at anchor in Aboukir Bay following the disembarkation of the army with which Napoleon was to conquer Egypt. Brueys had chosen a strong position in a well-protected anchorage although Nelson had the advantage of surprise. More significantly, it was already six o’clock in the evening when Nelson sighted the French and, with only two hours of daylight remaining, Brueys was confident that any attack would have to be postponed until the next day, by which time his own fleet would be ready. Nelson, with typical daring, amazed both his own captains as well as the French by ordering his ships into the Bay where they engaged the enemy in a spirited action which lasted almost through the night. The decisive moment came just after 10 o’clock when the French flagship, the huge 120-gun L’Orient, blew up with a tremendous explosion and, when dawn broke, the French annihilation became apparent with nine of their badly damaged ships captured and another four destroyed. It was a glorious victory for Nelson, one of the greatest in British naval history, and the one which brought him to the pinnacle of his career.

575 A George III Commemorative silver Battle of Trafalgar vinaigrette, by John Hart & Co., Birmingham 1806, rectangular form, the hinged cover and base with engraved foliate borders, central cartouche, the hinged cover opens to reveal a pierced and embossed silver-gilt grille with scene of HMS Victory facing left, and embossed ‘Victory’ and ‘Trafalgar’, ‘Octr 21, 1805’, length 3cm, approx. weight 0.4oz. £800-1,200

Provenance: A Private Collection of Naval and Military Vinaigrettes.

OTHER PROPERTIES

576 A George III novelty silver purse vinaigrette, by John Shaw, Birmingham circa 1819, rectangular form, engraved decoration with simulated strap and cover, with a gilded interior with a pierced and engraved foliate scroll grille, length 2.9cm, plus a George III silver vinaigrette by T Simpson & Son, Birmingham 1819, rectangular form, an engraved foliate border with bright cut decoration to the centre on the cover and base, cartouche engraved with initials to the cover, gilded interior with a pierced and engraved foliate scroll grille, length 2.7cm, total approx. weight 0.8oz. (2) £200-300

577 A George III novelty silver bag vinaigrette, by William Lea & Co., Birmingham 1819, modelled as a bag, engraved decoration, gilded interior with a geometric pierced grille, with a chain, length 2.2cm, plus a George III silver vinaigrette by Joseph Wilmore, Birmingham 1813, rectangular form with canted corners, engrave foliate decoration to the cover with a central cartouche, a gilded interior with a pierced and engraved foliate grille, length 3.7cm, total approx. weight 0.5oz. (2) £200-300

578 Three antique silver vinaigrettes, comprising:a George IV vinaigrette by Thomas & William Simpson, Birmingham 1822, rectangular form, engraved decoration to cover and base with engraved initials to the cover, rope work border to the sides, gilded interior with a pierced and engraved foliate scroll grille, length 3.9cm, plus a Victorian vinaigrette by Neill & Cook, Birmingham 1859, shaped rectangular form, engraved geometric and Greek pattern to cover and base, with scroll decoration to the sides, a gilded interior with a pierced and engraved foliate scroll grille, length 4.2cm, and a Victorian vinaigrette by Francis Clark, Birmingham 1847, of oblong form, engraved scroll foliate decoration to cover and base, with reeded sides, engraved initials to cover’s cartouche, with an unmarked pierced and engraved foliate scroll grille, (possibly later), length 8cm, total approx. weight 3.3oz. (3) £300-400

579 An early-Victorian silver ‘castle-top’ vinaigrette, Windsor Castle, by Gervase Wheeler, Birmingham 1840, bag form, the hinged cover with a scene of the castle, the cushioned sides with foliate decoration on a matted background, with a chain and finger ring, the underside with initials, the interior with a pierced silver-gilt foliate scroll grille, length 3.2cm, approx. weight 0.5oz. £400-600

580 A 19th century French gold and enamel vinaigrette, rectangular form, enamelled with a bird and foliate decoration on a peach background, the interior with a hinged pierced grille, length 2.6cm, approx. weight 7.1g £300-400

581 A fine Victorian novelty silver flower vinaigrette, by Edward Stockwell, London 1882, modelled as a Carnation spray, with a central flower, bud and stem, the hinged cover opens to reveal a hinged pierced silver-gilt grille, in a fitted velvet lined case, retailed by Ortner and Houle, Ste. James Street, London S.W, length 11cm, approx. weight 2.6oz. £3,000-4,000

582 A German novelty silver and

enamel

ladybird vinaigrette, maker’s mark M.F, circa 1900, with sprung red and black enamelled wings, which open to reveal a grille with plain pierced decoration, the wings with seed pearl borders, (one pearl missing), the head with black enamel and set with two red eyes, the underside with textured legs, with a ring attachment, length 4.7cm. £1,500-2,000

583 An early 19th century gold vinaigrette, circa 1820, modelled as a travelling case, the hinged cover with a carrying handle and inscribed ‘Souvenir’, the hinged cover opens to reveal a pierced hinged grille, length 1.8cm, approx. weight 4.7g. £600-800

584 Charles I, a silver Royalist badge, by Thomas Rawlins, oval form, bust of the King right, with the inscription 'CARLOVS . DG . MAG BRI FR . ET . HIB . RX', rev. bust of Henrietta Maria left, with the inscription 'HENRETTA . MARIA . D.C . MAG . BRITAN . FRAN . ET . HIB . REG', with ring attachment, in a fitted case, height 3.9cm, approx. weight 11.6g. £800-1,200

585 An early 18th century oval plaque, unmarked circa 1707-14, with the arms of Queen Anne, the back with a plain pin attachment, length 4.1cm. £150-200

case reverse open open

587 A George III provincial silver nutmeg grater, by George Lowe I, Chester 1799, oval form, hinged cover and base, the interior with a steel grater, with an engraved crest to the cover, length 4.7cm, approx. weight 1.4oz. £800-1,200

586 A continental silver-gilt and silver filigree snuff box, marked to the clasp with an F, probably Austro-Hungarian, 19th century, oval form, mounted with filigree scroll decoration, and gilded strapwork and foliate motifs, rope-work border, lacking feet, length cover, length 6.4cm, approx. weight 2.7oz. £200-300

588 A George III silver nutmeg grater, by Thomas Phipps, Edward Robinson & James Phipps, London 1815, rounded rectangular form, hinged cover and base, the interior with a steel grater, length 4.8cm, approx. weight 1.5oz. £300-400

589 An early 19th century gold snuff box, marks partially worn, probably Swiss, rectangular form, engine-turned decoration, with a foliate threecolour gold border, the cover with a vacant cartouche, the inside of the cover inscribed ‘Presented by A. J. Byron to his friend J MacGregor Mallock, M.D, Oct 1st 1826’, length 7.7cm, approx. weight 80.3g. £2,000-3,000

Provenance: A Private Collection. Purchased from Sheldon Shapiro Ltd., London, 6 August 2000. There was a Captain A.J. Byrom, from the 16th Lancers, present at the siege of Bhurtpore, Rajasthan in 1826.

590 A late 17th century silver-gilt counter box, unmarked, circa 1690, circular form, the pull-off cover engraved with a Tudor rose, the sides with cherubs and foliate decoration, diameter 2.1cm, approx. weight 0.4oz. £1,000-1,500

591 An early 19th century continental gold snuff box, maker’s mark P.G, 1806, rectangular form, canted corners, with geometric engine-turned decoration, chased foliate scroll borders on a matted background, length 6.8cm, approx. weight 49.4g. £1,000-1,500

Provenance: A Private Collection. Purchased from Fellows Auction House, Birmingham 20 September 1984.

592 A late 18th century gold and enamel box, with a trace of a mark, probably French, cylindrical form, chase foliate decoration and borders, the hinged cover enamelled with an urn of flowers, the base enamelled ‘Don D’Amitie’, the pull-out base opens to reveal a compartment, height 1.8cm, approx. weight 9.4g. £500-700

593 An 18th century gold overlay bloodstone etui/scent bottle case, unmarked circa 1770, tapering oblong form, with overlaid pieced and embossed cagework decoration of birds and scrolls, hinged cover, the front with a push button clasp, length 9.3cm. £1,200-1,500

594 A George III silver-gilt snuff box, by Daniel Hockley, London 1810, rectangular form, engine turned-decoration, the hinged cover with a cast scene of an ancient Greek battle, foliate border, engraved crest to the inside hinged cover, length 8.3cm, approx. weight 5.7oz. £400-600

595 A small 18th century silver inkstand, unmarked, rectangular form, fluted carrying handle, with a pen tray and with an inkwell, (with an old Sheffield plated cover), a taper stick and a sander with a pierced cover, on four bracket feet, the underside engraved ‘GR’ and 81/2, length 14.1cm, approx. weight 8.5oz. £300-400

596 A silver tea caddy, by Mappin and Webb, London 1919, in the early 18th century manner, upright oblong form, slide off top and pull-off cover, height 13cm, approx. weight 9oz. £150-200

597 An Edwardian silver mug, by Goldsmiths & Silversmiths Co Ltd., London 1928, tapering circular form, central girdle, scroll handle, height 11.7cm, approx. weight 14.8oz. £150-200

598 A George I silver two-handled cup, by Matthew Lofthouse, London 1722, plain circular form, scroll handles, on a raised circular foot, height 13cm, approx. weight 12.5oz. £200-250

599 A George III silver tea caddy, by Emick Romer, London 1769, shaped rectangular bombé form, the pull-off cover with a flower finial and gadroon border, on four pierced scroll bracket feet with shell motifs, engraved with an armorial and crest, height 13.5cm, approx. weight 8oz. £300-500

600 A pair of George III silver chamber sticks, by Crouch and Hannam, London 1791, oval form, scroll handles, plain thumb-pieces, reeded borders, with detachable drip pans and conical snuffers, length 16.4cm, approx. weight 20.3oz. (2) £600-800

601 A matched pair of George III silver wine coasters, by Thomas Nash, London 1771/72, circular form, rope-work borders, pierced vertical slats, with engraved crest to the cartouche, turned wooden bases, diameter 11.7cm. (2) £600-800

The crest is that of Brock, Cabot, Cowan, Frodsham, Graham, Hughan, Judge, Lefebure, Pilgrim and others.

602 A George III silver mug, maker’s mark three times, that of John Wakelin & William Taylor, London circa 1790, barrel form, with matted, coopered and banded decoration, fluted scroll handle, gilded interior, the front with initials within a foliate cartouche, height 11.5cm, approx. weight 14.3oz. £600-800

603 A George IV silver two-handled cup, by Emes and Barnard, London probably 1827, campana form, foliate capped scroll handles with rosette motifs, the body with a band of roses, thistles, and shamrock above foliate and leaf decoration, on a raised circular foot, with traces of gilding, height 27.2cm, approx. weight 63oz. £1,000-1,500

604 An Edwardian silver jardiniere, by Jay, Richard Attenborough & Co., Chester 1902, circular tapering form, with embossed with foliate scrolls above part-fluted decoration, crimped border, height 15.8cm, approx. weight 19oz. £250-300

605 A William IV silver goblet, by J E Terry & Co., London 1832, circular bellied form, part fluted decoration and embossed scroll foliate decoration, holes to the part fluting, on a raised circular foot acanthus leaf decoration, gilded interior, inscribed ‘Seavington Harriers Puppy Show, Feb 21st 1894, 1st Prize, ‘’Tarquin’’ walked by Mr John Higgins, Merriott.’, height 16.5cm, approx. weight 8.7oz. £100-150

606 A silver two-handled sauce tureen and cover, by Nathan and Hayes, Birmingham 1937, oval form, scroll handles, the pull-off domed cover with a reeded handle, on a raised oval foot, length 23.5cm, approx. weight 15.5oz. £250-300

607 A George III silver dish ring and burner, by William Abdy, London 1794, oval form, reeded border, wirework frame, the burner of oval form, length 31.4cm, approx. weight 16oz. £200-300

Provenance: A Private Collection.

609 A presentation silver salver, by Jay, Richard Attenborough Co Ltd, Sheffield 1915, circular form, moulded border, the centre with a presentation inscription for the Inter Allied Chartering Executive, with signatures and dated 17 Jany 1917, on three gnarl feet, diameter 26.2cm, plus a silver waiter, by Mappin and Webb, London 1970, the underside inscribed, circular form, on four scroll feet, approx. total weight 34.8oz. (2) £300-500

608 An Edwardian pierced silver bowl, by James Dixon and Sons, Sheffield 1907, circular form, pierced with trellis and foliate scroll decoration, gadroon border, on three legs with claw feet, diameter 25.4cm, approx. weight 25.5oz. £300-400

610 A Victorian silver entrée dish and cover on a warming stand, by The Barnards, London 1895, rectangular form, canted corners, the raised pull-off cover with a ring handle and engraved with a crest, the stand of wire-work form, on four scroll feet, lacking burner, length 26.1cm, approx. weight 46oz. £500-700

The crest is that of Wallis or Wallace.

611 A matched set of four George III silver candlesticks, by John Parsons & Co., Sheffield 1790, octagonal tapering columns and capitals, detachable drip pans, bright cut borders, on raised circular bases, engraved with two different crests to the bases, all loaded, height 29.8cm. (4)

£1,500-2,500

The crests are probably that of Hawkshaw and another.

612 A pair of George III silver goblets, by Solomon Hougham, London 1802, vase form, engraved foliate decoration, gilded bowls, engraved with a crest within a foliate cartouche, the reverse with a later crest, on a raised circular stem on a square foot, heights 16.2cm and 16cm, approx. weight 15.8oz. (2) £500-700

611 612

613

approx. weight 85oz. (2) £1,500-2,000

The armorial and crest are that of Gill impaling Lowndes.

A pair of George III silver entrée dishes and covers, by John Wakelin & William Taylor, London 1786, panelled shaped rectangular form, gadroon borders, the pull-off covers with a gadroon border and reeded ring handle, engraved with an armorial and crest, the bases numbered 2 and 4, the covers numbered 1 and 3, length 31cm,

614

615 A matched silver teapot and cream jug, by Alexander Clark & Co Ltd, Sheffield 1969, Birmingham 1921, oblong bellied form, with shell and foliate decorated edge, scroll handle with a dog head on the cream jug, engraved initials, on four paw feet, length handle to spout 30.7cm, approx. weight 28.5oz. (2) £250-300

614 A four-piece cased Victorian silver-gilt christening set, by George Adams, London 1863, comprising: a cup with embossed scroll foliate decoration and four embossed children motifs, engraved initials to central cartouche, on four scroll feet, with a pierced Vine pattern knife, fork and spoon with engraved initials, in a later fitted case, retailed by Garrard and Co., approx. weight 14.7oz. (4) £300-500

615

616

616 A four-piece cased Victorian silver christening set, by George Adams, London 1863 and 1864, comprising: a cup of circular form, on a raised circular foot with acanthus leaf border, a shaped collar decorated with Bacchanalian cherubs and a barrel and with a vacant cartouche, with a Canova pattern knife, fork and spoon, in a velvet lined fitted case, approx. weight 14.3oz. (4) £500-700

617 A cased Victorian silver-gilt matched four piece christening set, by George Adams, London 1866-1869, comprising: a cup of circular form on a raised circular foot, scroll form handle, embossed scroll foliate and cherub decoration on a matted background, with a vacant cartouche, with a Bacchanalian pattern knife, fork and spoon, in a fitted velvet lined case, approx. weight 11.5oz. (4) £500-700

617 618

618 A three-piece Victorian silver tea set, by Atkin Brothers, Sheffield 1892-3, oblong bellied form, part fluted decoration, scroll handle, engraved initials, length handle to handle 23.8cm, approx. weight 21.6oz. (3) £200-300

619 A Victorian cased silver six piece christening set, over-stamped with maker’s mark of Gibson & Langman for The Goldsmiths & Silversmiths Co. London 1894/5, comprising: a mug with embossed scroll and foliate decoration with a vacant cartouche, scroll handle with gilt interior, a bowl with embossed scroll and foliate decoration with gilt interior, a napkin ring with embossed scroll and foliate decoration, with a fork, knife and spoon with scroll and foliate decoration, the knife handle by John Aldwinckle & Thomas Slater, in a fitted case, case a.f, approx. weight 18.9oz. (6) £300-500

620 A set of George III silver candlesticks, by John Carter II, London 1774, tapering square baluster column stems, with fluted decoration, with Greek key borders, rams’ heads and hooves supports, on raised square bases with medallions and ribbon tied swags, engraved armorial, stiff leaf borders, the sides with numbers 1-4 and with scratch weights, with later filled bases, height 30cm. (4) £2,000-3,000

620

621 A matched four-piece silver tea set, by Harrison Brothers & Howson, Sheffield 1930, 1933, 1935, rounded rectangular form, scroll handles, gadroon borders, on four ball feet, length of teapot handle to spout 27.7cm, approx. weight 48.5oz. (4) £500-700

622 A George III silver Memorial Tontine urn with two Memorial rings, unmarked, the urn with a pull-off cover with a flame finial and inscriptions, the sides with two ring attachments and two mourning rings, on a raised circular foot on a square base, wooden underside, inscribed ‘IN MEMORY OF DEPARTED FRIENDS’, and the following names inscribed on the cover:

Sir Rowland Winn (23rd August 1765) at 59 (Father of Katherine Lady Cholmley) Lady Katherine Cholmley (22 November 1769) at 31 Hugh(?) Cholmley (9 April 1755) at 24 Esther Grimston (14 January 1754) at 47 Jane Grimston (11 November 1758) at 25 Lady Rebecca St Quintin (2 September 1757) at 50 Charlotte St Quintin (17 April 1762) at 24 Mary Lady Boynton (9th September 1767) at 26 (tithes leased by St Quintin family) The gold rings enamelled: Ann Winn (9 October 1774) at 39 (Daughter of Sir Rowland Winn) the other ring dated 1776. height 13cm £3,000-5,000

Tontine is a loan given for life annuities with benefit of survivorship, so called from the inventor Laurence Tonti, a Neapolitan. There is an annuity, which after a certain rate of interest, is granted to a number of people, divided into classes, according to their respective ages, so that annually the whole fund of each class is divided among the survivors of that class, till at last it falls to one.

622 detail

entrée dish base, by Thomas Chawner, London 1786, plain oval form, beaded border, lacking handles, the underside with names of men and women, the dates of their death and the ages they died, length 32cm, approx. weight 17.2oz. £350-400

623 A

The crest is possibly that of Martin.

Tontine is a loan given for life annuities with benefit of survivorship, so called from the inventor Laurence Tonti, a Neapolitan. There is an annuity, which after a certain rate of interest, is granted to a number of people, divided into classes, according to their respective ages, so that annually the whole fund of each class is divided among the survivors of that class, till at last it falls to one.

George III silver Tontine

624 A George III silver oil and vinegar frame, by Jabez Daniell and James Mince, London 1769, double circular form, wire-work frame, leaf capped scroll handle, applied with a cartouche, on four scroll legs on shell pad feet, with two unmarked silver-mounted oil and vinegar bottles, height 19.3cm, approx. weight 13oz. £500-700

624 626

625 A pair of Victorian cast silver candlesticks, by Samuel Whitford, London 1856, in the George II manner, knopped baluster columns with foliate shoulders, spool-shaped capitals, rope-work borders, on raised shaped square bases with anthemion motifs, height 23.3cm, approx. weight 38.4oz. (2) £600-800

625

626 A William IV silver decanter/oil and vinegar frame with later glass decanters, by Robert Garrard, London 1835, double circular form, with scroll foliate and shell decoration, foliate scroll handle, with a central shell and foliate cartouche with an engraved crest, leaf capped scroll handle, on four scroll foliate feet, with two later glass decanters, length 24cm, total approx. weight 28.3oz. (3). £800-1,200

The crest is that of Jordan.

627 A pair of William III silver candlesticks, maker’s mark IL with a coronet above, London 1696, knopped columns, applied with four lion masks, spool shaped capitals, rope-work borders, on raised square bases with canted corners and rope-work decoration, engraved with an armorial within foliate mantling, the undersides with scratch weights, height 17cm, approx. weight 26.9oz. (2) £4,000-6,000

For the maker’s mark see Jackson’s, Ian Pickford Edition, The Antique Collector’s Club, 1989, page 135.

628 A pair of William IV silver candlesticks, by Waterhouse, Hodson & Co., Sheffield 1833, in the mid 18th century manner, knopped stems with shell shoulders, spool shaped capitals, detachable drip pans, on raised hexafoil bases, height 23.3cm. (2) £400-600

629 A George III silver tankard, by John King, London 1777, baluster form, central girdle, scroll handle, domed hinged cover with a pierced thumb-piece, on a circular foot, height 20.8cm, approx. weight 22.8oz. £800-1,200

628 630

629

630 A pair of modern cast silver candlesticks, maker’s mark of LW, London 1969, knopped tapering baluster columns, spool shaped capitals, on shaped square bases, height 16cm, approx. weight 21oz. (2) £300-400

631

631 A set of four George II silver candlesticks, by James Gould, London 1739, knopped baluster stems, fluted shoulders, spool shaped capitals, on raised shaped square bases, engraved with a crest, height 18.5cm, approx. weight 67oz. (4) £2,000-3,000

The crest is that of Huddleston.

632 A good graduated pair of George II West Country silver sugar casters, by John Boutet of Plymouth, with Exeter marks for 1727, baluster form, pull-off pierced covers with acorn finials, central girdles, on raised circular bases, engraved armorials within foliate scroll mantling, heights 17.8cm and 14.8cm, approx. weight 15.3oz. (2) £1,000-1,500

The armorials are that of Lane and another.

633 A late Elizabeth I / James I silver-mounted coconut cup, unmarked, circa 1600-1620, the coconut bowl mounted with three strap supports, with a silver rim with engraved foliate decoration and engraved in single lobes ‘R M M S e p t e m b e r 1 4 0 7 2 6 ‘, on a baluster stem on a spread circular foot with engraved foliate scroll decoration, height 18cm. £2,000-3,000

AUCTION INFORMATION

OPENING HOURS

Castle Street Salerooms

Monday to Friday 9am – 5.30pm

Castle Gate Offices

Monday to Friday 9am – 5.30pm

VIEWING

All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US

All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification:

1. a passport or photographic driving licence

2. a utility bill or document showing your name and address

You can register in person or by contacting the office on 01722 424500 or emailing id@woolleyandwallis.co.uk

You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

BIDDING AT AUCTION

See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM

To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale.

COMMISSION BIDDING

If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING

It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING

Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

BUYER’S PREMIUM

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

CONDITION REPORTS

The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS

These will be posted on our website shortly after the sale.

PACKING AND SHIPPING

Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping+44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd+44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes +44 (0)1962 622133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

Pack & Send+44 (0)1635 887237 newbury@packsend.co.uk www.packsend.co.uk/newbury

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

EXPORTING YOUR PROPERTY FROM THE UK

If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country.

Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand­carried exports.

In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

PAYMENT AND CLEARANCE

Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made:

Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card­holder is not present.

Wire transfers should be sent to:

Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB.

Account no. 00957707

Sort code 30­97­41

IBAN no. GB20LOYD30974100957707

BIC code LOYDGB21063

Credit cards: Visa, Mastercard or Amex

Debit cards: Delta, Switch, Connect

Where practical, payment can be made and purchases collected during the auction.

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS

VAT

Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS

Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvlaen/imports­exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Lots marked with a ‡ symbol are potentially subject to a levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows:

4% Up to €50,000 3%€50,000.01 ­ 200,000 1%€200,000.01 ­ 350,000 0.5%€350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

FIREARMS

Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but are not allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS

INFORMATION FOR BUYERS

1

. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price.

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. (As at 31st December 2020. Please refer to SOFAA website for updates to the Terms and Conditions).

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre­sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves.

(a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment).

(b) A reserve once set cannot be changed except with our consent.

(c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be reoffered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest.

(a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS

In these Conditions:

(a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate;

(b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description;

(c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer;

(d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents;

(e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

(f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising.

(g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2.

(h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid;

(b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion.

(c) Bidders shall be deemed to act as principals.

(d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VALUE ADDED TAX

Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT

(a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling

(b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

7. TITLE AND COLLECTION OF PURCHASES

(a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON­PAYMENT OR FAILURE TO COLLECT PURCHASES

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies:

(i) to proceed against you for damages for breach of contract;

(ii) to rescind the sale of that lot and/or any other lots sold by us to you;

(iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller;

(iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere;

(v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due;

(vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted;

(viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied.

(b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay­out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

COMMISSION BIDS

Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY

The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION

(a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL

16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

GLOSSARY

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable.

(a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

(b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category.

(c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction.

(d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil.

(e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil.

(f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date.

(g) After Edward Lear: In our opinion a copy of a known work of the artist.

(h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

(j) Dimensions are given height before width.

(k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS

If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows:

4% Up to €50,000

3% €50,000.01 ­ 200,000

1% €200,000.01 ­ 350,000

0.5% €350,000.01 ­ 500,000

0.25% In excess of €500,000

Up to a maximum levy of €10,000

Lots marked with a ‡ symbol are potentially subject to the levy.

PRIVACY NOTICE FOR CUSTOMERS

WHAT THIS PRIVACY NOTICE DOES

This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS

Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details:

• By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51­61 Castle Street, Salisbury, SP1 3SU.

• By email – privacyofficer@woolleyandwallis.co.uk

• By telephone – +44 (0)1722 424599

HOW WE COLLECT YOUR PERSONAL DATA

We collect your personal data from the following sources:

From you when you:

• interact with us before entering into a contract with us, for example when you express your interest in our Services;

• instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions;

• communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account;

• in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

From third parties such as:

• other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you;

• the­saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the­saleroom.com) of individuals who register for one of our auctions (please see the­saleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the­saleroom.com’s payment provider);

• sage paywho process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided);

• shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

We may collect the following personal data about you:

• your name and contact details including address, telephone and email address;

• your image, as captured by CCTV, if you attend our premises;

• personal identification documents, including copies of government­issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details);

• account details and other information relating to your transactions/dealings with us and your use of our Services;

• payment details such as credit card and bank account details;

• credit and payment history (where you open an account with us as a buyer or bidder);

• information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and

• other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA

WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU

We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following:

• to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services);

• once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS

We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following:

• to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance;

• to deal with any concerns or feedback you may have in the performance of the Services;

• for our internal business record keeping and processes;

• to seek advice on our rights and obligations, including obtaining legal advice;

• to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes;

• to customise our website and marketing communications in line with your particular interests or preferences;

• to collect money owed to us or our consignors;

• to carry out background and credit checks in relation to bidders and buyers.

In this respect we will provide your data to the following:

• our professional advisors;

• the­saleroom.com;

• debt collection agencies;

• third parties who assist us with our marketing;

• our website and email management software provider.

LEGAL OBLIGATIONS

We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following:

• to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks;

• in order to assist with investigations (including criminal investigations) carried out by competent authorities;

In this respect we will provide your data to the following:

• external auditors;

• the police and other competent authorities, including HMRC;

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

SPECIAL CATEGORIES OF PERSONAL DATA

We process special categories of personal data for the following reasons:

• if it is necessary to protect your or another person’s vital interests (for example, where you have a life­threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention);

• if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers);

We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

INTERNATIONAL TRANSFERS OF DATA

We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING

We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

HOW LONG YOUR INFORMATION IS KEPT

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

In particular:

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months;

• in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services;

• we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive;

• in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS

Under the DPA you have the following rights:

• to obtain access to, and copies of, the personal data that we hold about you;

• to require that we cease processing your personal data if the processing is causing you damage or distress;

• to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect;

• to require us to erase your personal data;

• to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal);

• to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller;

• to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

VALUATIONS

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS

Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Woolley & Wallis valuations are accepted by all leading insurance companies.

PROBATE VALUATIONS

We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

Contact Amanda Lawrence +44 (0)1722 424500 | valuations@woolleyandwallis.co.uk

FREE AUCTION VALUATIONS

Free verbal valuations of items for sale are available by appointment. Please email valuations@woolleyandwallis.co.uk or call +44 (0)1722 424500

ABSENTEE BID FORM

SILVER & OBJECTS OF VERTU

24TH & 25TH JANUARY 2023

Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address Postcode Daytime telephone

Email ID may be required even if you have bid with us before.

Signature

PLEASE PRINT CLEARLY IN BLOCK LETTERS

Lot Number Brief Decription Price Excluding in numerical buyer’s premium order & VAT Salisbury Salerooms, 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU | Tel: +44 (0) 1722 424500 | Fax: +44 (0) 1722 424508 www.woolleyandwallis.co.uk

AUCTION CALENDAR

2023

JANUARY

17th Adornment: The Romy Rey Collection (Online)

18th & 19th Furniture Works of Art & Clocks 24th & 25th Silver & Objects of Vertu

FEBRUARY

1st & 2nd Fine Jewellery

21st Fine Pottery & Porcelain 22nd Arts of Africa, Oceania and the Americas

MARCH

8th Old Masters, British & European Paintings

22nd Clarice Cliff, Art Deco & Design

APRIL

4th & 5th Furniture, Works of Art & Clocks

18th & 19th Silver & Objects of Vertu

20th & 21st Fine Jewellery 26th English & European Ceramics & Glass

Dates may be subject to change

+44 (0) 1722 424500 enquiries@woolleyandwallis.co.uk

51­61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk

*Price includes buyer’s premium

A silver hunting beer jug with a set of twelve beer mugs, by L.A Crichton, London 1930. SOLD FOR £15,000*