Woo l le y & Wa l li s SA L I S B U R Y SA L E R O O M S
Jewellery Thursday 26th January 2012
Specialist Departments Please dial +44 (0)1722 followed by the number listed below
20TH CENTURY DESIGN Michael Jeffery
ASIAN ART John Axford MRICS ASFAV — Sophie Lister — Clare Durham — Tim Wright (Consultant)
424506 424591 424507
BOOKS & MANUSCRIPTS Liz Merry (Consultant)
CLOCKS Will Hobbs — Richard Price (Consultant)
— — — —
GENERAL OFFICE Ruth Pike Pauline West Linda Garthwaite
SALEROOM MANAGER David Jordan
PRESS & PUBLICITY Kate Williams
339752 411854 339161 339752
JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA
PAINTINGS Victor Fauvelle Jo Butler
SILVER Rupert Slingsby Lucy Grazier
Members of The Society
ACCOUNTS & OFFICE MANAGER Janice Clift —
ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham — 424507 John Axford MRICS ASFAV — 424506 Sophie Lister — 424591 FURNITURE Will Hobbs Mark Richards Jim Gale Gemma Bush
VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV — 424509
BOARD OF DIRECTORS Paul Viney ASFAV Chairman and Managing Director John Axford MRICS ASFAV Willi Verdon-Smith FRICS COMPANY SECRETARY Jim Macarthur CA ASSOCIATE DIRECTORS Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Jonathan Edwards FGAA
of Fine Art Auctioneers
Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508
Jewellery Thursday 26th January 2012 at 11.00am Viewing Times Saturday 21 January Monday 23 January Tuesday 24 January Wednesday 25 January Thursday 26 January
10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 10.00am – 4.00pm 9.00am – 10.45am
Special Jewellery Notices Not all images are to scale. Most lots are illustrated and can be enlarged at www.woolleyandwallis.co.uk Weights and measurements in the catalogue are approximate only. Condition reports are available from the department but not on multiple lots. Saturday collections by appointment only. COLOURED STONES It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones. Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gem stones including HTHP enhanced diamonds, must be brought to the attention of Woolley and Wallis within TWO WEEKS of the sale date.
ENQUIRIES Jonathan Edwards FGAA 01722 424504 firstname.lastname@example.org
There is no surcharge for using this service
Catalogue £10.00 (£12.00 by post) Front cover: Lot 1346 Inside front cover: Lot 1272 detail Above: Lot 1248 Back cover: Lot 1351
Marielle Whiting FGA 01722 424595 email@example.com
1000. A jewellery box containing various items of jewellery, including nine diamond and gem set gold rings, a yellow gold floral pendant and matching ring, a four row diamond set 18ct white gold ring, six cultured pearl and coloured bead necklaces, three brooches, a diamond set cross pendant and a gold bracelet. £800-1,200
1001. A jewellery box containing a gold mounted black silk fob, a garnet set Victorian gold floral brooch, a matched cultured pearl single row necklace, and various items of jewellery. £150-200
1002. Various items of jewellery and costume jewellery etc. £80-120
1003. A leather jewellery case containing various items of jewellery including a square, silver concave brooch with enamel decoration and a travelling alarm watch by Jaeger-Le-Coultre of stirrup form. £150-200
1004. An 18ct gold brooch set with rubies and diamonds, a gold circular viniagrette with foliate pierced grill and circular glazed locket compartment to the reverse. A seed pearl necklace set with green stone beads with matching earrings, a seed pearl brooch with glazed locket compartment, three Dunhill cigarette lighters, a 9ct gold ‘ladyyard’ propelling pencil and various other items of jewellery. £100-150
1005. A ruby and diamond bar brooch, alternately mounted with five circular cut diamonds and five circular cut rubies in gold. 8.5cm long. A graduated faceted citrine bead necklace, two garnet mounted gold rings, a cannetille link gold ring, size U and three brooches. £80-120
1006. A 9ct gold curb link bracelet, with 9ct gold padlock clasp. 16g. Two cameo pendants, a gold chain and a citrine mounted gold ring. £200-300
1007. A gold cannetille rectangular brooch mount, eleven assorted Chinese shell counters with a shell 3 inch ruler. A Regency agate mounted gold clasp and various other items. £100-200
1008. A gold charm bracelet mounted with assorted gold charms, 52g in total. Two gold bracelets, two gold rings mounted with diamonds and another ring, a group of cameo jewellery, three brooches and a gold hinged bangle, damaged. £1,000-1,500
1009. Two wristwatches, three stick pins, two pendants, a ring and a fluted gold hinged bangle. £100-150
1009A. A pear shaped smokey quartz mounted gold pendant, on a gold necklace. A gold leaf form brooch set with small diamonds and various items of jewellery etc. £100-150
1010. Various items of jewellery and costume jewellery, including a gold fob watch, seven assorted rings, a gold heart shaped locket pendant on a gold curb link bracelet etc. £150-250
1011. A 14ct gold hunting cased fob watch with intertwined black enamel garter decoration to the the hinged cover. White enamel dial with black Roman numerals and subsidiary seconds dial. Signed Mole. With a small gold fob chain. A 9ct gold pendant with key pattern decoration a small six sided gold locket pendant on a fine link gold chain and a gold mounted carved shell cameo brooch. £250-300
1012. A Victorian 15ct gold Etruscan style brooch, set with diamonds and marked for Birmingham 1897. Three assorted gold rings, two platinum rings, a gold pendant, a gold bracelet and a gold bar brooch. £500-700
1013. Various items of jewellery including two 9ct gold long guard chains. 64g approximately (2) two further smaller gold neck chains, a 9ct gold bangle, three Victorian brooches, a four row gold bracelet three fob seals, two gold framed carved shell cameo brooches. £200-300
1014. A half sovereign pendant on a gold necklace, a gold swivel fob seal mounted with carnelean and bloodstone, two heart shaped pendants, an Edwardian pendant and a silver locket pendant. £200-300
1015. A Victorian 15ct gold brooch set with a small ruby. A circular piqué tortoiseshell brooch, cased. And a silvergilt bracelet with white enamel decoration. £100-150
1016. Various items of gold jewellery including a gold watch chain, a gold pendant on a gold fancy link chain, a gold fancy link bracelet, a gold hinged bangle set with seed pearls, two gold scarf rings, an Edwardian seed pearl and diamond pendant on a gold chain, and a miniature mounted gold brooch. £1,500-2,000
1017. Twelve assorted watch movements.
1018. A lady’s diamond set platinum wristwatch on a black silk band, an Art Deco lady’s two colour 18ct gold dress wristwatch, the movement signed Dreadnaught. White gold mesh band (damaged) and a lady’s white gold rectangular dress watch with pink gold dial. £500-700
1019. Seven assorted watch keys.
1020. An 18ct gold wristwatch by Valer, the signed black dial with subsidiary seconds dial. 3.5cm wide. And an 18ct gold bracelet watch by Verbena. £200-300
1021. A 9ct three colour gold hinged bangle, and a 9ct gold wristwatch by Hamilton. 41g in total. £150-250
1022. A 19th Century gold fob watch by L.Leroy Cie. White enamel dial with black Roman numerals and subsidiary seconds dial. Signed movement. Diamond set cover with black and blue enamel decoration. Fitted case by Leroy. 4cm wide. £600-800
1023. A gentleman’s 18ct gold wristwatch by Omega, the signed dial with batton and Arabic numerals. 3.3cm wide. Leather band. £200-300
1024. A lady’s gold wristwatch by Longines, on an integrated gold band. £300-400
1026. A gold wristwatch by Omega, Seamaster, automatic movement. The signed dial with batton and Arabic numerals and sweep seconds hand. Engraved to the reverse with initials. Dilapidated leather strap. £400-600
1027. A half sovereign, 1910 and a half sovereign 1912. With a nine compartment leather sovereign purse. £250-300
1028. A sovereign, 1910. A sovereign 1967, and a half soveregin 1910. £500-600
1029. A sovereign, Sydney 1893. A sovereign 1909 and a sovereign 1915. £600-800
1030. Six assorted gold rings set with various stones, 14g in total. £200-300
1031. Five assorted gold rings, set with various stones and a cameo. 19g in total. £200-300
1032. A gold signet ring, size C, a 9ct gold signet ring mounted with a bloodstone, size A. A gold ring set with five graduated diamonds, size I ½ and a smoky quartz mounted gold ring, size I. £250-300
1033. A late Victorian gold ring set with three turqoise cabochons and six small diamonds in gold Size N ½. A diamond three stone ring set in gold and two gold wedding rings. £200-300
1025. A 9ct gold wristwatch by Omega, on a 9ct integrated gold mesh band. £200-300
1034. Bulgari. An 18ct white gold expanding ring, engraved Bulgari four times to the sides and signed internally with import marks and numbered 53. Size M. £400-500
1035. A 9ct gold mounted carnelean and bloodstone swivel fob seal. A carnelean mounted 18ct gold ring, size S and a diamond set three stone ring. Size M ½. £150-250
1036. An aquamarine and diamond cluster ring, set in gold. Size O. And a ruby and diamond cluster ring, set in gold. Size O. £300-400
1037. An early Victorian 18ct gold mourning ring, set with a rose cut diamond and with mourning inscription. Size O. with three other gold mourning rings. £200-300
1038. A Victorian 18ct yellow gold mourning ring, centred with an oval banded agate and with black enamel decoration to the scrolling shoulder, engraved with inscription dated 1873. London marked for 1870, size S. And two other gold mourning rings. £150-200
1039. An 18ct gold mourning ring, with black enamel decoration spelling ‘in memory of’ separated by floral motifs. Engraved and dated 1870. Size Q. And two other gold mourning rings with enamel and seed pearl decoration. £200-300
1040. A Victorian 18ct gold ring, set with three small diamonds, size P ½. £100-200
1041. An unusual Victorian gold mesh buckle form ring (creased), with blue enamel decoration and suspending a smaller ring on a fine link gold chain, the smaller ring size I ½. Fitted case. £200-300
1042. Six assorted gold bar brooches and a pair of 9ct gold cuff links engraved with initials. Case. £100-150
1043. A 9ct two colour gold textured strap bracelet, 18.5cm. 23g. £200-300
1044. A gold curb link bracelet, 22g. £250-350
1045. A 9ct gold gate link bracelet with 9ct gold padlock clasp. 41g. £300-400
1046. A gold twisted rope design necklace, 57cm, 18g. £300-400
1047. An 18ct gold fancy link watch chain, 41cm. 43g. £500-700
1048. An 18ct yellow gold curb link bracelet, with 18ct yellow gold padlock clasp. 60g. £800-1,200
1049. A gold necklace, of pierced and scrolling design, a matching pair of earrings and another pair of gold earrings. 19g in total. £400-600
1050. A 9ct gold circular link necklace, 76cm. And a gold hammered abstract shaped pendant. 54g in total. £400-600
1051. Two 9ct gold curb link bracelets with padlock clasps. 39g. Two rings, a heart shaped padlock clasp with gold neck chain, and three gold pendants. £400-600
1052. A yellow gold twisted rope design hinged bangle, French control marks. 7.5cm wide. 50g. £1,500-2,000
1053. A gold rope link long guard chain, 145cm, 33g. £400-600
1054. A 9ct gold twisted rope link bracelet. 21cm. 41g. £300-400
1055. A 9ct gold fancy link long guard chain. 168cm. 66g. £500-700
1056. A gold fancy link long guard chain, 148cm. 30g. With a cabochon garnet mounted gold locket pendant. £400-600
1057. A yellow gold 1940’s style two colour gold bracelet, 19cm long. 67g. £2,000-3,000
1058. A gold frame for a purse, of standard hinged form with push button opening and with foliate decoration with remnants of red enamel. 106g. £1,500-2,000
1059. A 15ct gold necklace, 43cm. 32g.
Victorian fringe £700-900
1060. A 9ct gold fancy link bracelet, with three gold charms. 46g. £400-500
1061. A yellow gold textured integrated oval link necklace, 41cm. 85g. £1,000-1,500
1062. A gold charm bracelet, the two row curb link bracelet is mounted with assorted gold charms (with the exception of a small silver coin pendant) 92g. £1,000-1,500
1063. A gold charm bracelet, the gold double link bracelet is mounted with assorted gold charms. 93g in total. £800-1,200
1064. A gold charm bracelet, the gold bracelet mounted with assorted gold charms. Approximately 55g in total. £500-700
1065. A Regimental badge for the Royal Artillery, set with diamonds and decorated with blue and red enamel. 3.5cm wide. £100-150
1066. A Regimental brooch for the Earl of Chester’s Imperial Yeomanry, the Prince of Wales feathers are bound by a coronet and with blue enamel decoration to the motto. Yellow and white gold. £80-120
1067. A ruby and diamond brooch, centred with a circular cut ruby within a surround of circular cut diamonds and further diamonds to the shoulders. Set in silver and gold. £200-300
1068. A pair of diamond ruby and cultured pearl set white gold drop earrings. £800-1,200
1069. A Victorian gold brooch pendant, set with six small emeralds and suspending an emerald set oval locket. £100-200
1070. A multistone set bombé gold ring, with matching stone set gold earrings. £300-400
1071. A 19th Century Austro-Hungarian silver and gold brooch pendant, set with graduated rose cut diamonds. 4.5cm high. £200-300
1072. A late Victorian diamond set floral brooch, set overall with graduated circular cut diamonds in silver and gold. £400-600
1073. A pair of diamond drop earrings, each earring set with two graduated circular diamonds in rub over gold mounts. The diamonds weigh approximately 1.10cts in total. £800-1,200
1074. A Victorian diamond set brooch, of foliate design and set in silver and gold. 4.2cm tall. £200-300
1075. A ruby and diamond hinged bangle, alternately set with graduated oval shaped rubies and pairs of old circular cut diamonds in gold. £600-800
1076. A diamond set gold stylised bow brooch. With lattice ribbons and diamond set scrolls in gold. 7cm wide. 22g. £300-400
1077. A carved shell cameo, depicting the profile of a woman in gold frame. 6.2cm high. £80-120
1078. A cameo pendant, the oval shaped carved shell cameo depicting the head of a bearded man in the classical manner. Gold frame. 2.5cm high. And a carved black stone (possibly lava) cameo brooch depicting the head of a bearded man. £100-150
1079. A 9ct gold pendant, applied with the bust of a girl with small diamonds set to her hair and the foliate frame. 8cm high. 62g in total. £500-700
1080. A carved shell cameo depicting the profile of a woman with hardstone decoration. 5cm high. Fitted case. £300-400
1081. A cameo mounted gold stud, the carved hardstone cameo depicting the profile of a woman with her hair tied up. mounted in gold with stud attachment. And a similar but damaged cameo mounted gold stud. 3cm high. £200-300
1082. A carved shell cameo brooch, with gold frame. With two other gold framed cameos and a cameo mounted gold ring. £200-300
1083. A cased set of cameo earrings and a brooch, each gold item mounted with a carved shell cameo depicting the head of a female classical warrior and mounted in gold. the brooch 3cm wide. Fitted case. £500-700
1084. A diamond set white gold brooch by Lambert brothers. Of pierced scroll form and signed. With an insurance valuation from Lambert brothers stating that the brooch is palladium. £200-300
1085. A diamond pendant, set overall with circular cut diamonds to the lattice form white gold pendant. Fine link white gold neck chain. £1,200-1,500
1086. A pair of diamond set white gold foliate scroll ear clips. £300-400
1087. A five row 18ct white gold fine link necklace, with three spherical white gold beads pavé set with small diamonds. 43cm. 20g. £400-600
1088. A pair of diamond cluster earrings, each set with seven small circular cut diamonds in white gold. £400-600
1089. A two row choker length graduated cultured pearl necklace, the pearls graduate from 4.5 to 8.5mm. White gold clasp set with small diamonds. £600-800
1090. A pair of cultured pearl and diamond drop earrings, each pearl suspends from quarterfoils of small round brilliant cut diamonds each separated with a single diamond in white gold. 4cm high. £350-450
1091. A two row seed pearl necklace, with a crystal mounted gold clasp. 88cm. £300-400
1092. A pair of pearl and diamond earrings, the button shaped pearls suspend from a circular old brilliant cut diamond in silver and gold. £1,000-1,500
1093. A baroque cultured pearl mounted white gold pendant, on a fine link white gold chain. £100-200
1094. An egg form untested pearl pendant, the two section pearl pendant is set with a centre line of small diamonds and suspends from a fine link platinum chain set with seed pearls. £300-400
1095. A matched cultured pearl two row necklace, the pearls measure approximately 7.5mm. With a garnet and cultured pearl mounted gold floral clasp. 72cm. £400-600
1096. A single row matched cultured pearl necklace, with a diamond set abstract form white gold clasp. £600-800
1097. An aquamarine and diamond pendant, set in white gold. On a fine link white gold neck chain. £350-450
1098. A pair of diamond drop earrings, of foliate design and set overall with graduated circular cut diamonds in white gold. £600-800
1099. A silver panel bracelet by Georg Jensen, alternately mounted with turquoise cabochons in a foliate scroll surround. Signed. Import marks and numbered 56A. 18.5cm long. Another silver bracelet by Georg Jensen, signed and numbered 48 and a cabochon green stone mounted silver ring by Georg Jensen, signed and numbered 46A. £300-400
1100. A gold bird brooch, pavé set with rose cut diamonds and with ruby eye. In silver and gold. 2.1cm high. £300-400
With report number 04362 from The Gem and Pearl laboratory dated 26th July 2011 stating that the pearls are natural, saltwater.
1101. A seed pearl necklace with a small diamond clasp, 36cm. And a small gold brooch set with seed pearls. £80-120
1102. An Edwardian diamond and seed pearl set sunburst brooch pendant (one pearl missing) signed Birks. 3cm wide. £200-300
1103. An Edwardian seed pearl set gold foliate brooch, and two Edwardian seed pearl set gold pendants. £200-300
1104. An Edwardian gold hinged bangle, of foliate decoration and set with seed pearls. Fitted case. £200-300
1105. An untested pearl and diamond set gold stick pin. 6.5cm. And an untested pearl set stick pin, 6.5cm. Case. £100-150
1106. A pair of pearl and diamond drop earrings, each earring centred with a pearl within a surround of small cushion shaped diamonds and suspending from a further diamond. Later peg fittings. £800-1,200 With gemmological report number 04507 from the Gem and Pearl Laboratory stating that the pearls are 2.61 and 2.78cts and are natural, saltwater.
1107. A multicoloured stone mounted gold bracelet, with matching coloured stone mounted gold earrings. £200-300
1108. A diamond pendant, the marquise shaped diamond is set in white gold. £300-400
1109. A Victorian diamond set brooch pendant, centred with a star motif set with graduated rose cut diamonds and further rose cut diamonds set to the frame. Set in silver and gold. £400-600
1110. A scroll and drop necklace mounted with blister pearls and rose cut diamonds. Broken chain. £200-300
1111. A pair of emerald and diamond drop earrings, the Art Deco style earrings are set with a central line of ten graduated emeralds within a surround of graduated circular brilliant cut diamonds in white gold. 4.5cm. £500-700
1112. An Edwardian circular gold brooch, mounted with six turquoise cabochons and white enamel decoration. Fitted case. £150-200
1113. A double rabbit brooch, the silver and gold brooch pavé set with rose cut diamonds and ruby eyes. 2.3cm wide. £100-200
1114. A gold bee brooch with cultured pearl body and ruby eyes, and a pair of opal and diamond set gold drop earrings. £100-200
1115. An amethyst and diamond set 18ct white gold pendant, on an 18ct white gold neckchain. £200-300
1116. An opal and diamond set heart shaped pendant, centred with an oval shaped opal within a surround of circular cut diamonds in silver and gold, on a fine link gold neck chain. £200-300
1117. A small diamond set white gold cross pendant on a white gold neck chain. £120-150
1118. An ancient gold earring. Of stylized crescent form and with three seed pearls. 2.8cm high. £80-120
1119. A floral pietra dura oval shaped brooch, and a similar gold mounted locket pendant. £80-120
1120. A micromosaic and silver pendant, the six sided pendant with two doves and roses. 5cm high. And a bracelet. £80-120
1121. A gold and gold cased telescopic propelling pencil. Signed S.Mordan & Co. 11.5cm (extended) £100-150
1122. A carved and pierced jade fruit form pendant, 2.5cm high. £1,300-1,500
1123. A brown jade pendant, of carved and pierced form and depicting birds. 4.2cm high. £300-400
1124. Two Edwardian amethyst and seed pearl set gold pendants, one with a fine link gold chain and a white paste set buckle. £100-200
1125. An amber and malachite bead necklace, the twenty two large amber beads are each separated with three circular malachite beads. One amber bead forms the clasp. 126cm. The largest bead 3.5cm long. £100-150
1126. A carved tortoiseshell hair comb with scrolling and thistle design. 8.5cm wide. Another carved tortoiseshell haircomb depicting Prince of Wales feathers. (one feather broken at base). 20.5cm high. £150-250
1127. A silver Jugendstil hair comb. Mounted with an oval shaped rose quartz cabochon and four oval shaped moonstones in rub over mounts. With indistinct stamp. 11.8cm wide. £150-200
1128. A graduated banded agate bead necklace, a graduated amber bead necklace and two pairs of earrings. £100-150
1129. A 19th Century carved bone brooch, depicting Pliny’s Doves with a tied foliate border. 6.5cm wide. £80-120
1130. A graduated amber bead necklace, and a platinum ring shank set with six shoulder diamonds. Size M. £80-120
1131. A lorgnette with engraved white gold mounts, with a white gold fancy linked neck chain. The chain 70cm. £300-400
1132. Assorted gem stones including diamonds, sapphires and emeralds. £100-150
1133. A pair of 18ct yellow gold framed lorgnette, engraved with initials LW and with London marks. Red leather case embossed Carpenter and Westley. £200-250
1134. A sapphire and diamond cluster ring, the cushion shaped sapphire is set with six small circular cut shoulder diamonds in gold. Size Q ½. £300-400 1135. A diamond three stone ring, the three round brilliant cut diamonds are set in white gold. Broken shank. Size M ½.
1136. A diamond solitaire ring, the cushion shaped diamond is set in yellow gold. Size P.
1137. A ruby and diamond three stone ring, the oval shaped ruby is set with two round brilliant cut diamonds in white gold. Size N ½. £300-400 1138. A diamond solitaire ring, the brilliant cut diamond is set in 18ct gold. Size M ½.
1139. A diamond five stone ring, set in yellow gold. Size Q.
1140. A sapphire and diamond cluster ring, the oval shaped sapphire is set within a surround of ten circular brilliant cut diamonds in 18ct yellow gold. Size M. £150-200 1141. An amethyst and diamond set white gold cluster ring, size N ½.
1142. A sapphire and diamond cluster ring, the oval shaped sapphire is set within a surround of twelve circular cut diamonds in gold. Size O. £1,000-1,500 1143. A synthetic sapphire and diamond set cluster ring, centred with an oval shaped blue synthetic sapphire cabochon set within a surround of brilliant cut diamonds in gold. Size M. £200-300 1144. An opal and diamond cluster ring, the solid black opal is set within a surround of fourteen circular cut diamonds in gold. Size N ½. £400-600 1145. A sapphire and diamond cluster ring, the oval shaped sapphire is set within a surround of graduated modern circular brilliant cut diamonds in gold. Size O ½. £400-600 1146. A sapphire and diamond cluster ring, the round cut sapphire is set within a surround of round brilliant cut diamonds in gold. Size N. £100-150 1147. A diamond solitaire ring, the circular cut diamond is set in platinum with eight shoulder diamonds. Size J.
1148. A diamond five stone ring, set with five graduated circular cut diamonds in 18ct gold. Birmingham marks for 1900. Size N. £100-150 1149. An 18ct white gold ring, set with three radiant cut diamonds and four square shaped blue stones. Size N.
1150. A ruby and diamond set five stone ring, the three oval shaped rubies are set with two cushion shaped diamonds in yellow gold. Size M. £300-400 1151. An emerald and diamond cluster ring, the square shaped emerald is set within a surround of twelve circular cut diamonds in gold. Size M. £800-1200 1152. A diamond cluster ring, centred with a rose cut diamond within a surround of eight smaller rose cut diamonds in silver and gold. Size K ½. £100-150 1153. A diamond ring, pavé set with an old circular cut diamond and six smaller shoulder diamonds in yellow gold. Scrolling shank. Size N. £300-400 1154. An oval shaped ruby and diamond cluster ring, set in 18ct yellow and white gold. Size N ½.
1155. A sapphire and diamond seven stone ring, set in gold, size N.
1156. A five stone sapphire ring, centred with a green sapphire with two blue and two yellow sapphires in gold. Size N.
1157. An opal five stone ring, the five graduated oval cut opals are set in gold with rose cut diamonds. Carved shoulders. Size O ½. £200-300 1158. A diamond full circle eternity ring, set with French cut diamonds in white gold, size M ½. 1159. A diamond five stone half hoop ring, set with five graduated marquise shaped diamonds in yellow gold. Size O.
1160. An 18ct white gold eternity ring, set with seven small diamonds. Size N ½.
1161. An opal and diamond cluster ring, the oval shaped opal is set within a surround of rose cut diamonds in gold. Size L.
1153 1151 1154
1155 1149 1156
1162. A lady’s yellow gold wristwatch by Patek Philippe, the signed oval dial with baton and Arabic applied gold numerals. the movement numbered 946710. The case numbered internally 513359 and 3100 and signed. With associated 9ct textured gold mesh band. Spare links. £800-1,200
1163. A lady’s steel and gold wristwatch by Rolex, the gold speckled grey face signed Oyster Perpetual, sweep seconds hand, the dial 2cm wide, the steel and gold Rolex band numbered 468B. £800-1,200
1164. A lady’s diamond set platinum cocktail watch by Movado, the signed dial with signed movement. The circular bezel set with circular cut diamonds and further diamonds to the shoulders and strap. 16.5cm long. £300-400 1162 1165. A lady’s 9ct white gold wristwatch by Beuche-Girod, the signed oval dial with baton numerals and diamond set bezel. 18ct integrated white gold band. £200-300
1166. A lady’s diamond set dress wristwatch. The circular dial with Arabic numerals and signed Benson. The bezel and shoulders set with graduated circular and baguette shaped diamonds. £600-800
1167. A lady’s 18ct yellow gold wristwatch by Omega, the signed plain yellow gold dial with three diamond numerals and diamond bezel. The reverse engraved Sapphette with Omega logo, 18ct gold import mark and numbered 55379522. On an integrated yellow gold band with deployant clasp. Signed Omega with 18ct gold import marks. 83g in total. £2,500-3,500
1168. A lady’s diamond set dress watch, the oval shaped dial with black Arabic numerals, sapphire winder and set overall with graduated circular cut diamonds. Foliate engraved sides. Platinum. Metal band. £500-700
1169. An 18ct yellow gold lady’s dress wristwatch by Boucheron, the rectangular dial with pellet numerals and signed to the reverse Boucheron, made in France. British import mark. On an integrated chevron yellow gold band. 19cm. Spare links. £800-1,200
1170. A lady’s yellow gold wristwatch by Longines, the white signed rectangular dial with subsidiary seconds dial. 18ct yellow gold bracelet. £2,500-3,000
1171. A lady’s steel and gold wristwatch by Rolex, the gold dial signed Oyster Perpetual Datejust with date aperture and sweep seconds hand and diamond numerals. The Rolex steel and gold band numbered 468B. With case and papers. £800-1,200
1172. A rectangular yellow gold dress watch by Boucheron, signed square dial without numerals. Engine turned pattern over all the face. Signed Boucheron to the reverse and numbered 76930 with French control marks and engraved with initials BV. Black leather band with two gold clasps. £500-700
1173. A Rolex Explorer wristwatch, the signed black dial with luminous numerals and sweep seconds hand. Mechanical movement and steel case. The dial 2.9cm. £400-600
1174. A lady’s diamond set white gold wristwatch, the signed white round dial with black Arabic numerals and subsidiary seconds dial. Diamond set bezel and shoulders. White gold expanding band. Broken at shoulder. £300-400
1175. A gentleman’s gold wristwatch by Jaeger Le Coultre, the signed yellow dial with subsidiary seconds dial, batton numerals and quartered with Arabic numerals. The dial 3.4cm wide. The case numbered 371670A. Leather band. £1,000-1,500
1176. A lady’s yellow gold wristwatch by Rolex, the gold dial signed Oyster Perpetual Ladies Datejust. Date Aperture and sweep seconds hand. 18ct yellow gold Rolex band. The deployant clasp numbered 8153. Case and papers. £2,500-3,500
1177. A Rolex Oyster Perpetual wristwatch, steel case and band. Superlative chronometer. Engraved to the reverse with name and date. £600-800
1168 1166 1164 1169
1172 1177 1174
1178. A pair of white gold earrings with cabochon coloured stone floral design within two borders millegrain set with circular cut diamonds and pierced back section. £850-950 1179. A pair of sapphire and diamond cluster drop earrings, the oval shaped sapphires are set within a surround of ten circular cut diamonds and suspend from a larger circular cut diamond in white gold. £1,300-1,500 1180. An aquamarine and diamond ring, the emerald cut aquamarine is set in white gold with eight graduated shoulder diamonds. Size N. Case by Hancock. £800-1,200 1181. A pair of diamond cluster earrings, each earring is rub over set with nine circular brilliant cut diamonds in white gold. The diamonds weigh approximately 2.30cts in total. £1,500-1,800 1182. An Emerald and diamond cluster ring, the square shaped emerald is set within a surround of circular cut diamonds in gold. Size P. £1,600-1,800 1183. An opal, diamond and spinel pendant. The pear shaped opal suspends from a circular cut red spinel and a smaller inverted pear shaped opal within a small circular brilliant cut diamond border. White gold. On a fine link white gold neck chain. £1,000-1,500 1184. A pair of black cultured pearl and diamond cluster ear clips, set in platinum.
1185. A pair of aquamarine and diamond stud earrings, the oval shaped aquamarines are set in a surround of ten circular brilliant cut diamonds in white gold. £1,300-1,500 1186. A diamond set yellow and white gold flute brooch, the mouthpiece set with a small ruby. 5.3cm wide.
1187. A gold heart shaped pendant, pavé set with circular cut yellow sapphires and with pierced back. Diamond set bale on a fine link yellow gold neck chain. £800-1,200 1188. A pair of diamond tanzanite and gold earrings by Theo Fennell, the 18ct gold circular earrings are each centred with a circular cut tanzanite within a surround of eight graduated circular cut diamonds. Signed to the reverse with London marks. £1,000-2,000 1189. A pair of opal and diamond cluster earrings, the oval shaped fire opals are set within a surround of small brilliant cut diamonds in yellow gold. £700-900 1190. A pair of diamond earrings, of scroll form and set with circular brilliant cut diamonds in white gold, hinged lower section. 2.5cm wide. £600-800 1191. A Russian gold bracelet, the textured links within a rope design border marked with Kokoshnik and Zolotnik mark 56. 21cm. 31g. £500-700 1192. A pair of cushion shaped green tourmaline earrings, set in yellow and white gold.
1193. A gold and enamel racing horse and jockey brooch, the well detailed galloping horse with saddle number 1, the jockey with striped black, green and white enamel shirt, with cap britches and boots. 4cm wide. £600-800 1194. A French yellow gold bracelet, the scroll links are alternately set with marquise shaped rubies and diamonds. French control marks with makers mark. 18.5cm long. 16g. £2,000-3,000 1195. A diamond and sapphire cluster ring, of foliate design and set overall with graduated old circular cut diamonds and a yellow, blue and pink circular cut sapphire. Set in platinum and gold. Size U. £2,000-3,000 1196. A miniature painting group, possible Persian. Depicting a seated Mogul attended by many courtiers. 5.5cm wide. With gold cannetille frame and backed on shell. £500-700 1197. A peridot and diamond set bracelet, the thirteen pear shaped peridots are each set within a surround of eleven circular brilliant cut diamonds in white gold. 18.5cm. £8,000-12,000 1198. An aquamarine bracelet, set with sixteen graduated emerald cut aquamarines in white gold. 16.5cm long.
1199. A lattice form yellow gold braclet, signed. 18.5cm long. 49g.
1179 1180 1184 1181
1182 1187 1188
1192 1189 1191 1194 1190
1200. A Victorian mourning ring, with a five pearl flower head centred with a small diamond in 18ct gold, black enamel decoration and inscription ‘in memory of’. Size P. £100-200 1201. A Victorian 18ct gold mourning ring. The six sided ring with black enamel mourning decoration and inscription dated 1859. London marks. Size W. £100-150 1202. A diamond cross over ring, the two transitional circular cut diamonds are set in white gold with six shoulder diamonds. Size O. Case. £600-800 1203. A diamond two stone ring, the two transitional circular cut diamonds are set in platinum and weigh approximately 1.20cts in total. Size O ½. £800-1,200 1204. An emerald and diamond cluster ring, set with three square shaped emeralds and six graduated shoulder diamonds in platinum. Size P. £250-350 1205. An opal ring, the abstract form solid crystal opal is set in yellow gold, size Q.
1206. A cats-eye and diamond cluster ring, the oval shaped quartz cats eye is set within a surround of cushion shaped diamonds in gold. size J. £200-300 1207. A diamond and sapphire cluster ring, the cushion shaped diamond is set within a surround of six smaller diamonds and two oval shaped sapphires in platinum and gold. Size J. £200-300 1208. A sapphire and diamond cluster ring, the oval shaped sapphire is millegrain set within a surround of eight circular cut diamonds in platinum and white gold with six smaller shoulder diamonds. Size K ½. £200-300 1209. A gold ring set with a cushion shaped diamond, with four oval shaped rubies and two further diamonds to the shoulders. Size J ½. £300-400 1210. A diamond solitaire ring, the emerald cut diamond is set with six smaller shoulder diamonds in 18ct gold. Size N ½.
1211. A sapphire and diamond cluster ring. The circular cut sapphire is set within a surround of twelve small diamonds in gold. Size Q. £200-300 1212. A large citrine mounted gold ring. Size M.
1213. A ruby and diamond cluster ring, and oval shaped ruby is set within a surround of ten brilliant cut diamonds in gold. Size N ½.
1214. A zircon and diamond cluster ring. The circular cut blue zircon is set within a surround of six diamonds in gold. Size O.
1215. A diamond solitaire ring, the emerald cut diamond is set in white gold. The shank numbered and stamped 1.02. Size N ½. £1,500-2,000 1216. A diamond set three stone gypsy ring. The three graduated cushion shaped diamonds are set in yellow gold. Size P.
1217. A diamond solitaire ring, the transitional circular cut diamond is set in gold with six graduated shoulder diamonds, size M ½. £300-400 1218. A diamond three-stone ring, the three circular-cut diamonds are set in white gold. Size Q.
1219. An emerald and diamond three stone ring, the emerald cut emerald is set with two baguette shaped diamonds in yellow gold. Size N ½. £450-550 1220. A ruby and diamond three stone ring, the oval shaped ruby is set with two round brilliant cut diamonds in platinum.
1221. A diamond cluster ring, set with nine circular brilliant cut diamonds in 18ct yellow gold. Size M.
1222. A gold gypsy ring set with two diamonds and an oval shaped sapphire, size N.
1223. A diamond solitaire ring, the circular cut diamond is set in yellow gold, size T.
1224. A sapphire and diamond cluster ring, the marquise shaped sapphire is set within two borders of old circular cut diamonds in yellow gold. Size H. £900-1,200 1225. An opal and diamond set ring, the oval shaped solid white opal is set with six small shoulder diamonds in 18ct yellow gold. Size O. £300-400 1226. A diamond three stone ring, the three round brilliant cut diamonds weigh approximately 1.15ct in total. Set in white gold. Size P. £1,000-1,500
1227. A seed pearl sautoir, formed with interwoven seed pearls and diamond set white gold chevron form terminals with seed pearl tassels. 92cm. £600-800 1228. A diamond solitaire ring, the circular cut diamond weighs approximately 4.10cts and is set with four baguette shaped shoulder diamonds in platinum. Size S. £3,000-5,000 1229. A diamond solitaire ring, the brilliant cut diamond is set in yellow gold, fluted shoulders, size T.
1230. A diamond two stone cross over ring. The two transitional circular cut diamonds are set in platinum. Engraved with inscription dated 1933. Size P ½. Case. £1,500-2,000 1231. A sapphire three stone ring, of unusual colour. The three emerald cut sapphires are set in white gold. Size N ½. 1232. An opal mounted gold ring, the oval shaped solid black opal is set in yellow gold. Size N.
1233. A diamond solitaire ring, set with an emerald cut diamond with two baguette shaped diamonds to each shoulder in platinum. Case. £2,000-3,000 1234. A pink diamond and white diamond three stone ring, the centre oval shaped pink diamond is set with two circular brilliant cut diamonds in yellow gold. Size N ½. £2,000-3,000 The pink diamond has a gemmological report from the GIA number 6117766204, March 19th 2010 stating that the diamond is oval modified brilliant in shape, weighs 0.40cts and has natural fancy intense purplish pink colour with even distribution and SI2 clarity. 1235. A diamond solitaire ring, the round brilliant cut diamond is set in platinum and white gold with six smaller diamonds set to the crown. Size N. £2,200-2,600 1236. A diamond cluster ring, the centre circular cut diamond is set within a surround of eight smaller circular brilliant cut diamonds and weigh approximately 1.90cts in total. Size N ½. £1,500-1,800 1237. A pair of diamond earrings, each set with an emerald cut diamond in white gold.
1238. A pair of diamond stud earrings, the circular cut diamonds are set in white gold.
1239. A pair of diamond stud earrings, the circular transitional cut diamonds weigh approximately 4.40cts in total. Set in platinum and gold. £8,500-10,000 1240. An Edwardian diamond and untested pearl pendant, the frame set with graduated cushion and rose cut diamonds in silver and gold. £600-800 1241. A pair of diamond stud earrings, the circular transitional cut diamonds are set in white gold with screw mounts.
1242. A wide yellow gold mesh bracelet, with octagonal clasp. 20.5cm long. 100g.
1243. A graduated pearl and cultured pearl single row necklace, silver clasp.
With report from the Gem and Pearl Laboratory number 4587 and dated 30th September 2011 stating that the 99 pearls are natural, saltwater with the exception of five listed pearls which are cultured. 1244. A seven row cultured pearl necklace with three diamond set silver and gold rectangular pierced plaque spacing sections. 32cm long. £4,500-5,500 1245. A single row graduated pearl necklace, the square white gold clasp set with nine circular cut diamonds. 66cm long.
With report 04584 from the Gem and Pearl Laboratory stating that there is one bead-nucleated cultured pearl (39th from the catch end) and the remainder are natural saltwater pearls. 1246. A single row graduated pearl necklace, the gold clasp set with three seed pearls and small diamonds.
With report 04588 from the Gem and Pearl Laboratory stating that two are bead-nucleated cultured pearls (44th and 45th from the tongue end) and the remainder are natural saltwater pearls. 1247. A single row graduated pearl necklace, with a diamond and emerald quarterfoil clasp.
With pearl report 04586 from the Gem and Pearl laboratory stating that the there is one bead-nucleated cultured pearl (63rd from the tongue end), one imitation pearl (66th from the tongue end) and the rest are natural saltwater pearls.
1234 1235 1236 1242
1248. A pair of diamond and emerald set white gold cuff links in the form of aeroplanes, millegrain set with triangular and baguette shaped emeralds and graduated circular cut diamonds. With three matching shirt studs set with emeralds and diamonds in white gold. The cuff links 1.7cm wide. £1,500-2,000 1249. A pair of French yellow gold cuff links, the double ended wedge form links are stamped with French control marks, spring loaded for fastening. £600-800 1250. A yellow gold coiled snake money clip, realistically formed with ruby eyes, 7cm wide. 27g.
1251. A pair of diamond and crystal dress cuff links, each link centred with a circular cut diamond pavé set within a circular red stone and frosted rock crystal. The platinum mounts are stamped with unidentified marks. 1.4cm wide. £1,000-1,500 1252. A pair of Russian two colour gold flower head cuff links. The flowers centred with a ruby or a diamond. With rubbed Russian marks. £2,000-2,500 1253. A rectangular French 19th Century buckle, set with a line of circular cut rubies within borders of rose cut diamonds in silver and gold. French control marks. 6.5cm high. £600-800 1254. A set of six antique buttons, of target form and set with white and red pastes in cut down collets. 3cm wide.
1255. A pair of yellow gold and diamond cuff links in the form of a cross section of a log. Each set with three small graduated diamonds. 15g. £400-600 1256. A gold pig pendant, the diamond collar with pearl pendant and green stone eyes. 2.2cm wide.
1257. A pair of French gold cuff links. The pierced oval cuff links with foliate decoration. French control marks.
1258. An early 19th Century hardstone snuff box with three colour gold mounts, the oval shaped box with foliate gold border within a laurel surround. 9cm wide. Fitted case. With a note that says the box is made from Irish gold and marble from Wicklow. £800-1,200 The literature accompanying the box is circumstantial regarding the source of the gold and hardstone from which it was constructed. However, there was indeed a significant discovery of alluvial gold in streams in County Wicklow, Ireland in 1795 and it is still famous for decorative marble. 1259. Cartier. A pair of 18ct two colour gold cuff links incorporating inverted C’s, signed and numbered 223695. French control marks and UK import mark. £400-600
1260. A pair of ruby and diamond set six sided dress cuff links with circular brilliant cut diamonds and calibre rubies in white gold. 1cm wide. £800-1,200 1261. A three colour gold riding crop stock pin. Cased.
1262. An early 19th Century French gold mounted bloodstone stickpin, mounted with cabochon rubies (one missing). 9cm.
1263. A gold stick pin, designed as the head of a bulldog. Well detailed and set with diamond eyes.
1264. A gold stick pin mounted with a gold fish with realistic enamel scales. 6.5cm high. Fitted case.
1265. A pair of gold fighting cock cuff links. Each link formed as a reverse carved crystal and depicting various cock fighting scenes. £1,500-1,800 1266. A pair of gold frog cuff links, the frogs are decorated with green enamel and with cabochon ruby set eyes.
1267. A pair of yellow gold cuff links decorated with amusing enamel hunting scenes, each link 1.7cm high. Case.
1268. A pair of Art Deco diamond and black onyx circular cuff links, set in platinum. 1.3cm wide.
1269. A pair of Russian cuff links, each mounted with a circular gold disc of light blue guilloche enamel centred with a cabochon ruby and with a rose-cut diamond border, bearing Russian marks in cyrillic and initials HW, St Petersburg mark and 56 zolotnik mark. The circular discs 1.4cm wide. £1,500-2,000
1266 1264 1261
1270. A French Art Nouveau gold vulture brooch by Lucien Gautrait, realistically formed and clutching an untested pearl. Signed with initials to the reverse LG. French control marks, 5.5cm wide. £1,000-1,500 1271. Child and Child, an oval form silver gilt buckle designed as butterflies with green enamel wings. Signed to the reverse Child and Child, London SW and with the Child and Child flower and with London marks for 1903. 8cm high. £300-400 1272. A pair of cloak clasps by Child and Child, the two circular gold clasps each decorated with red guilloche enamel and depict a Sun in Splendour. Each marked with the Child and Child flower, joined with a gold chain. Each link 2.5cm wide. 15cm long. Fitted case. £2,000-2,500 1270 1273. A gold brooch with white enamel decoration to the foliate design. Set with sapphires and rubies. 4cm wide.
1274. A French Art Nouveau circular gold brooch, depicting a girl with tied up hair and wearing a rose cut diamond collar, with a further diamond to her hair and emerald set flower. Signed possibly for Boucheron. French control marks. £500-600 1275. An Art Nouveau silver pendant with enamel decoration by Charles Horner, the pierced scrolling pendant with blue and green enamel decoration and fine link silver chain. Chester marks for 1910 and makers mark. 2.8cm wide. Cased. £150-200 1276. An Arts and Crafts gold pendant, mounted with a circular cut turquoise cabochon and suspending a cultured pearl on a fine link gold neck chain. Circa 1905. 5.5cm high. £450-650 1277. An Arts and Crafts enamel and silver pendant by Schaverien and Eastmead, decorated with shaded blue and lilac enamel. Birmingham marks for 1909. 5cm high. Fine link silver neck chain. £150-200 1278. A silver lattice and graduated brooch by Georg Jensen, signed and numbered 266. 5.3cm wide. And a silver Faith, Hope and Charity brooch by Georg Jensen. Signed and numbered 296. 2.9cm wide. £200-300 1279. An Art Deco sapphire and diamond ring, set in platinum. Size R ½.
1280. An Art Deco amethyst and moonstone ring, the six sided amethyst is set with three moonstone cabochons in silver. Size K ½. £80-120 1281. An Arts and Crafts ring, attributed to Sybil Dunlop. Centred with an oval shaped cabochon fire opal and with dyed green chalcedony and further opals to the shoulders, set in silver. Size P ½. £1,000-1,500 1282. An Arts and Crafts openwork gold foliate ring. Set with a circular cut amethyst. In the style of the Articifers Guild. Size O.
1283. A 19th Century metal letter opener in the form of a standing angel. The raised wings join at the top and the angel stands on a sphere with hands held in prayer. 19cm tall. In the manner of Michelangelo Caetani who sold items with Castellani. A similar version of the knife can be seen in the Museo di Villa Guilia in Rome. Caetani, later The Duke of Sermoneta was a patron of Castellani as well as being a gifted designer of jewellery in his own right. £300-500 1284. A Jugendstil silver brooch by Theodor Fahrner. With light and dark blue enamel decoration and mounted with Lapis Lazuli and four blister pearls (one damaged). Designed as a grotesque mask with cabochon red stone eyes. Enamel damage on two panels. Signed to the reverse with circled TF, numbered 935 depose. 5.5cm high. £150-200 1285. A French Art Nouveau hat pin, the gold pierced terminal decorated with carved flowers and each centred with a circular cut ruby and makers mark PL in a lozenge. Metal pin. 23.5cm. And a gold hat pin with pierced bulbous terminal. Metal shaft. 21cm. £600-800 1286. A silver brooch depicting a kneeling deer within oval border by George Jensen. Signed to the reverse and numbered 256. 4.5cm wide. £150-250 1287. A silver bird and heart brooch by George Jensen. Signed and numbered 239 and with London import marks for 1950. 1288. A French silver pendant by Jean-Baptiste Emile Dropsy (1848-1923). Possibly depicting Beatrice and Dante. 4cm wide.
1289. A silver panel bracelet by Georg Jensen. Alternately mounted with swans and floral motifs signed with initials and numbered 42. 18.5cm long. £200-300
1277 1271 1272 1275
1278 1280 1283 1279 1285 1281 1282
1290. An alexandrite and diamond cluster ring, the oval shaped alexandrite is set within a surround of circular cut diamonds in white gold. Size L ½. £2,000-3,000 With report number 974758 dated 5th March 2004 from The Precious Stone Laboratory stating that the stone weighs 1.39cts and is natural alexandrite chrysoberyl. 1291. An emerald bead necklace, mounted with graduated emerald beads, gold rondels and suspending a gold putti pendant.
1292. A pair of ruby and diamond drop earrings, the two oval shaped rubies weigh approximately 2.65cts and 2.60cts and are set with circular and baguette shaped diamonds in white gold. 6cm. £10,000-15,000 1293. A diamond and emerald white gold necklace with matching earrings, the necklace formed as three rows of brilliant circular cut diamonds with a single row back section. The centre set with three graduated pear shaped diamonds. With a detachable heart shaped emerald and diamond white gold pendant. And a pair of matching heart shaped emerald and diamond white gold earrings. 46cm and with a detachable 3cm section. £5,000-7,000 1294. A sapphire and diamond cluster ring, the oval shaped sapphire is set within a surround of fourteen round brilliant cut diamonds in gold. Size N. £2,500-3,000 1295. An emerald and diamond cluster ring. The oval shaped cabochon emerald weighs approximately 8.00 carats and is set with marquise shaped emeralds and diamonds and further brilliant cut diamonds in white gold. Size M ½. £1,000-1,500 1296. A garnet and diamond ring, the cushion shaped garnet is set with eight round brilliant cut shoulder diamonds in white gold. Size L. £1,000-2,000 1297. A carved emerald and diamond pendant, centred with a slightly pear shaped drilled emerald carved with a female face and mounted within a surround of graduated circular cut diamonds, with smaller carved emerald pendant within diamond border. White gold. Brooch fitting. 7cm high. £5,000-7,000 1298. A diamond heart shaped pendant, pavé set overall with graduated circular cut diamonds. 2.4cm wide.
1299. A ruby and diamond ring, the oval shaped ruby weighs approximately 5.25cts and is set in white gold with small circular cut diamonds. Size Q. £10,000-15,000 1300. An aquamarine and diamond ring, the baguette shaped aquamarine is set with two graduated marquise shaped diamonds to each shoulder in platinum and white gold. Size Q. £1,500-2,000 1301. An aquamarine and diamond ring, the emerald cut aquamarine is set in 18ct yellow and white gold with three baguette shaped diamonds to each shoulder, size Q. £800-1,200 1302. An 18ct yellow gold necklace for Mappin & Webb, Signed. 41cm long, 73g. 1303. A jade and diamond brooch, the two circular jade discs are mounted in gold. Each disc 2.7cm wide.
This item has not been tested. Please presume that the jade has been treated. 1304. A gold ring realistically designed as a writhing dragon. Probably Chinese. Marked 20 and SM. Size L 1/2.
1305. A jade and diamond ring, the oval shaped jade cabochon is set with eight baguette shaped diamonds to each shoulder in platinum. Size P. £12,000-14,000 With gemmological report number 128148 from the Gem Testing Laboratory of Great Britain stating that the jade weighs 10.95cts and no evidence of treatment was observed. 1306. A caterpillar brooch, set with graduated turquoise sections and rubies in gold. The head pavé set with circular cut diamonds and numbered 3216. 6cm long. £1,000-1,500
1307. A French diamond set clasp, the white gold clasp is set with a marquise shaped diamond which weighs approximately 1.50cts with ten smaller diamonds to the corners and tongue. French control marks. £2,200-2,600 1308. An Edwardian and diamond set bow and pendant brooch, millegrain set overall with small graduated rose cut diamonds and two seed pearls. 3.2cm wide. £200-300 1309. A shakudo plaque brooch, depicting a woman and a child in gold and gold plated frame. 5.5cm high.
1310. A two row clasp mounted with two transitional circular cut diamonds, the diamonds weigh approximately 0.85cts and 0.75cts. £600-800 1311. An Edwardian aquamarine and diamond pendant, the pear shaped aquamarine suspends from a diamond shaped trefoil foliate design and with a diamond set suspension cap. Platinum and on a fine link white gold neck chain. Fitted case by Wellby. £2,000-3,000 1312. A Victorian seed pearl and diamond set bracelet, the open work links are set in silver and gold. One diamond missing. With unidentified marks to the tongue, possibly French. £1,500-2,000 1313. A cross pendant set with eleven square shaped garnets and with diamond set terminals in yellow gold. Fitted case.
1314. A late Victorian sapphire and diamond set horse shoe brooch, set in silver and gold. 2.2cm wide.
1315. An Edwardian amethyst and diamond necklace, mounted with twelve cushion shaped amethysts with scroll shaped links set with rose cut diamonds with additional clasp allowing the necklace to separate to two bracelets. With a pair of amethyst, diamond and seed pearl set gold drop earrings. The necklace 37cm. £600-800 1316. An Edwardian pendant set with heart shaped opals, rubies and small diamonds in silver and gold. Detachable diamond set bale. Case. £500-700 1317. An emerald and diamond three stone ring, centred with an emerald cut emerald with two cushion shaped shoulder diamonds and six further small rose cut diamonds. Carved shoulders. Size L. £800-1,200 1318. An Edwardian pink topaz diamond and pearl brooch pendant, the oval shaped pink topaz weighs approximately 11.50cts and is set within a surround of small cushion shaped diamonds. Within a foliate scroll garland mount set overall with graduated diamonds and four pearls. Suspending an oval shaped pink topaz and diamond pendant. Set in silver and gold with detachable brooch fitting. £5,000-7,000 1319. An Edwardian amethyst diamond and pearl brooch, the oval shaped amethyst is millegrain set within a surround of rose cut diamonds and further border alternating with pearls and circular cut diamonds. Set in silver and gold. 2.5cm wide. £1,000-2,000 1320. A turquoise and diamond set ring, the five graduated oval shaped turquoise cabochons are set with eight small diamonds in yellow gold with carved shoulders, size N. £150-250 1321. A diamond cluster ring, circa 1930. Designed as three clusters of graduated transitional circular cut diamonds in platinum and white gold. Size Q. £500-700 1322. A diamond sapphire and ruby double swivel ring, set with calibre cut rubies and calibre cut sapphires with two hinged half ring sections set with graduated circular cut diamonds in platinum, size N. £300-400 1323. A Victorian diamond set lozenge shaped ring, pavé set overall with graduated diamonds in silver and gold. Size K ½.
1324. A pair of sapphire and diamond drop earrings, the oval shaped sapphires are each set within a surround of twelve cushion shaped diamonds and suspend from three further graduated diamonds in silver and gold. 3.5cm long. £2,000-2,500 1325. An Edwardian peridot, diamond and pearl pendant, the shield form pendant centred with an octagonal cut peridot and set with graduated circular cut diamonds to the hinged mount and frame and suspending a pearl, set in silver and gold. 4.5cm high. £400-600 1326. A sapphire and diamond brooch, centred with an octagonal shaped light blue sapphire within a scrolling border of graduated cushion shaped diamonds in silver and gold. 3.3cm wide. £3,500-4,500 1327. An Edwardian diamond pendant, set overall with graduated circular cut diamonds in platinum. With fine link gold neck chain. Case. 3.3cm wide. £1,500-2,000 1328. A pair of oval shaped topaz and diamond earrings, set in yellow gold mounts, each with four rose cut diamonds and pink gold clips. £600-800
1309 1310 1311 1312
1320 1321 1318 1322
1329. A pair of pearl and diamond drop earrings, each pearl suspends from two graduated cushion shaped diamonds and set in silver and gold. Fitted case. £2,000-3,000 With gemmological report 04589 from the Gem and Pearl Laboratory stating that the pearls are natural saltwater. 1330. A late Victorian pearl and diamond flower head brooch, in the form of a briar rose and set overall with graduated diamonds. £1,000-1,500 With a gemmological report number 04508 from the Gem and Pearl Laboratory stating that the pearl measures 8.4 - 9.1 x 8.8mm, weighs 4.75cts and is a natural saltwater pearl.
1331. A George III gold locket pendant centred with a diamond set initial C on a circular ground of blue guilloche enamel with white enamel border. All within a border of diamond set blue and white enamel circles, repeated to the reverse but centred with seed pearls (two missing) and glazed locket compartment. The circular suspension ring set with diamonds to one side and seed pearls to the other. 4.5cm wide. £800-1,200 1332. A Victorian diamond set flower head brooch, centred with a cushion shaped diamond with three smaller graduated diamonds to each petal in silver and gold. 3cm wide. £2,500-3,500 1333. A memorial locket pendant with Royal connection, mounted with a black and white circular banded agate in a gold twisted rope frame and glazed locket compartment to the reverse. On a fine link neck chain. The glazed locket mounted with a photograph bearing a strong resemblance to the Duchess of Kent in her later years and with a lock of blonde hair. Engraved to the border ‘In remembrance of dear aunt Victoria Duchess of Kent from V.R, March 16th 1861’ Her husband, the Duke of Kent was the son of King George III and died in 1820, the Duchess then moved to Coburg where she had little connection with the British Royal Court and her situation did not improve after returning to London. However, and possibly with Prince Albert’s influence, the relationship between the Duchess and Queen Victoria was reconciled which is demonstrated in the inscription on the locket. £400-600
1334. A Victorian amethyst and diamond brooch, the circular cut amethyst is set within a surround of cushion shaped diamonds in silver and gold. £400-600
1335. A diamond three row ring, the centre line of seven rose cut and cushion shaped diamonds are set within borders of smaller diamonds in gold. Size N. £800-1,200 1336. A yellow gold cruciform pendant, chased to the centre with Christ between a lion and bull, a phoenix above and an angel with long wings below. Engraved with Celtic design to the reverse. French control marks. 5.5cm high. Fitted case with the silk signed Falize Paris. £500-700
1349 detail 1337. A Victorian amethyst festoon necklace, the graduated oval shaped amethysts are set in gold cut down collets with three amethyst festoons. 37cm. Fitted case by Liberty. £600-800 1338. A Victorian pearl, cultured pearl and diamond bracelet, mounted with flower head links set with diamonds and pearls and spaced with smaller pearls in silver and gold. £800-1,200 1339. A Renaissance style pendant, centred with a carved shell cameo depicting a chariot ridden by a putti and drawn by two lions. 1.6cm wide. In ornate gold frame decorated with polychrome enamel and repeated to the reverse and suspended from a cabochon ruby with two cultured pearls. 7.4cm high. £1,000-2,000 1340. A late 17th Century Spanish pendant, painted with Saint Catherine. The gold octagonal frame alternately decorated with white stones and pink, white and black enamel scrolls. Glazed. The reverse painted with similar colours. The frame 4.5cm high. £1,000-2,000 1341. A 19th Century Spanish pendant, painted with the Virgin of Sorrows. The gold frame alternately set with square shaped emeralds and diamonds. Glazed. Painted with a geometric polychrome enamel pattern to the reverse. The frame 7.5cm high. £800-1,200 1342. A diamond set star brooch, the twelve pointed star brooch set overall with graduated circular cut diamonds in silver and gold. Detachable brooch fitting. 4cm wide. £400-600 1343. A late Victorian diamond star brooch, set overall with graduated circular cut diamonds in silver and gold. Detachable brooch fitting, 3.2cm wide. £300-400 1344. A Victorian sapphire and diamond closed crescent bar brooch, set with a row of graduated cushion shaped diamonds and an outer surround of larger oval shaped sapphires in gold. 5cm wide. £200-300 1345. A Victorian double horse and jockey. Each horse pavé set with rose cut diamonds. The two jockeys with enamel caps, hooped shirts and white britches. Set in silver and gold. 4cm wide. £2,500-3,500 1346. A cloisonne enamel gold hinged bangle attributed to Lucien Falize, Circa 1890. Formed as separate panels inscribed with the message of love ‘Moult Aime Qui Attend’ which loosely translates to ‘Patience is the mark of great love’. The neo-gothic script emphasised by translucent blue enamel on turquoise ground with pink, red, green and yellow foliate decoration. Each translucent red enamel capital on a black ground with similar enamel foliate decoration. Counter enameled in blue and spring loaded double clasp. With two similar French control marks. Circa 1890. 1.7cm wide. Unsigned. £12,000-15,000 1347. A carved coral pendant, depicting the head of Medusa with gold pendant loop. 4.4cm wide.
1348. A diamond set open crescent brooch, set with graduated old circular cut diamonds in silver and gold. 6cm wide.
1349. A Victorian yellow gold romantic bracelet, in the form of a book, the foliate engraved binding set with turquoise cabochons. The hinged panels fold out to reveal ‘I LOVE YOU’ 17cm. £2,000-3,000 1350. A 19th Century French gold bracelet, the oval glazed links containing cut down foliate sections within scrolling black enamel borders. French control marks. £800-1,200
1342 1337 1341
1351. An impressive diamond riviĂ¨re fringe necklace, circa 1950. The twenty-three graduated circular transitional cut diamonds are millegrain set in white gold colets and suspend from a line of smaller graduated diamonds. On a long oval link white gold neck chain mounted with smaller diamonds. The diamonds graduate to approximately 4.50cts and total approximately 30.00cts. 41cm. ÂŁ70,000-90,000 Approximate weights of principal diamonds: 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12.
0.19cts 0.19 cts 0.17 cts 0.30 cts 0.37 cts 0.52 cts 0.73 cts 0.79 cts 1.06 cts 1.60 cts 2.20 cts 4.52 cts
13. 2.45 cts 14. 1.47 cts 15. 1.05 cts 16. 0.72 cts 17. 0.65 cts 18. 0.44 cts 19. 0.41 cts 20. 0.28 cts 21. 0.16 cts 22. 0.18 cts 23. 0.13 cts Total = 20.58 cts
1352. An attractive diamond fringe necklace, the nine graduated marquise shaped diamonds are each scroll set with a pair of circular cut diamonds and suspend from a line of baguette shaped and circular cut diamonds in platinum. The pattern is repeated to the back of the necklace with five marquise shaped diamonds. Separates to form two equal length bracelets. 37cm long. £12,000-15,000 1353. A pair of diamond set scroll ear clips, set overall with square shaped and graduated circular cut diamonds in platinum and gold. 2cm high. £1,500-2,000 1354. A pair of diamond cluster ear clips, the transitional circular cut diamonds are millegrain set with smaller diamonds in white gold. £2,000-2,500 1355. An Art Deco emerald and diamond ring, the baguette shaped emerald is set with two baguette shaped and two trapeze shaped diamonds to each shoulder in platinum. Size L ½. £8,000-12,000 With report from the Gem and Pearl Laboratory stating that the emerald weighs 8.63cts and is a natural emerald, with evidence of minor clarity enhancement. 1356. An 18ct gold snake ring, with ruby eyes and engraved with inscription, dated 1911. Size G.
1357. A pink sapphire set gold ring, the oval shaped sapphire in rub over mount. Size H.
1358. A diamond and ruby cluster ring, the circular transitional cut diamond is set within a border of calibre cut rubies and a further scrolling surround of graduated cushion shaped diamonds and two further diamonds to each shoulder, set in platinum and gold. Size L. Case. £500-700 1359. An emerald and diamond ring, the rectangular cut emerald is set within a surround of four graduated circular cut diamonds with a further twelve smaller diamonds in platinum. Size J ½. £1,200-1,500 1360. A double trefoil ring, set with three cushion shaped diamonds and three pearls centred with a small diamond. In cross over mount with graduated diamonds to the shoulders in gold and platinum. Size N. £500-700 1361. A diamond solitaire ring, the square cushion shaped diamond is in a white gold rub over mount. Size T.
1362. A diamond solitaire ring, centred with a square cushion shaped diamond and set in platinum with four graduated smaller diamonds to each shoulder in platinum. Size N ½. Case by Carrington. £2,000-3,000 1363. An Edwardian emerald and diamond cluster ring, centred with an emerald cut emerald within two surrounds of small diamonds and four tapered baguette shaped emeralds. Platinum, Size K. Case by Carrington. £600-800 1364. A diamond three stone ring, the three graduated circular old cut diamonds are set in yellow gold and platinum. Scroll carved shoulders, size R ½. £1,000-1,500 1365. An emerald five stone ring, the five oval shaped emeralds are set in gold, fluted shoulders. Size Q. 1366. A marquise shaped diamond ring, set with two baguette shaped diamonds to each shoulder in platinum. Size O ½.
1367. A diamond five stone ring, the five graduated circular transitional cut diamonds are set in platinum and gold and each separated with smaller diamonds. Scroll carved shoulders, size R ½. £800-1,200 1368. A French diamond and platinum bombé ring, set with a line of three graduated square set old circular cut diamonds and four further larger diamonds and twenty two smaller diamonds, size L ½. £4,500-5,500 1369. A pearl and diamond swirl ring, set with graduated cushion shaped diamonds in platinum and gold. Size G.
1370. A heart shaped gold locket pendant, centred with a cushion shaped diamond on pink guilliche enamel ground, fine link gold neck chain. The pendant 1.2cm wide. £300-400 1371. An emerald and diamond Art Deco bracelet, set within a central line of fourteen emerald cut and fancy D shaped emeralds and graduated circular and baguette shaped diamonds in white gold. 19cm. £20,000-30,000 1372. An Edwardian diamond and sapphire bracelet, millegrain set overall with graduated circular cut diamonds and spaced with calibre cut sapphires in white gold. 16cm long. £1,000-2,000 1373. An Art Deco diamond pearl and black enamel bar brooch, the six principle old circular cut diamonds are millegrain set in a central line with two pearl terminals. The border with pierced zig zag pattern and set with smaller diamonds. Damaged enamel. 7cm wide. £2,500-3,500 1374. An Art Deco diamond set plaque brooch, centred with a marquise shape diamond and graduated circular and baguette shaped diamonds to the pierced millegrain white gold mount. 4cm wide. Case by Birks. £1,000-1,500 1375. An Art Deco diamond set open work brooch, set overall with graduated circular cut diamonds in white gold. 4.6cm wide. £1,000-1,500
end of Sale 38
1364 1363 1371 1355 1362
Silver 24th & 25th January 2012
ENQUIRIES Rupert Slingsby Tel: 01722 424501 firstname.lastname@example.org Lucy Grazier Tel: 01722 424594 email@example.com
A modern parcel-gilt three-light candelabrum and candle holders, by Stuart Devlin. Estimate: £6,000 - £8,000
English and European Ceramics and Glass Tuesday 6th March 2012 Entries are currently being accepted for this sale
ENQUIRIES Clare Durham Tel: 01722 424507 firstname.lastname@example.org
A KPM porcelain plaque of Rebecca. Estimate: ÂŁ600 - ÂŁ800 From a private collection of porcelain plaques included in the sale.
Paintings Wednesday 21st March 2012 Entries are currently being accepted for this sale
ENQUIRIES Victor Fauvelle Tel: 01722 424503 email@example.com Jo Butler Tel: 01722 424592 firstname.lastname@example.org
Sir Kyffin Williams R.A. Carreg Goch, Borth-y-Gest Signed with initials Oil on canvas 34.4 x 42cm Sold for ÂŁ9,560
Asian Art May 2012 Entries are currently being accepted for this sale A Fine Pair of Chinese Imperial CloisonnĂŠ and Gilt Bronze Vases, Huluping. Sold for ÂŁ430,000
ENQUIRIES John Axford Tel: 01722 424506 email@example.com Sophie Lister Tel: 01722 424591 firstname.lastname@example.org Clare Durham Tel: 01722 424507 email@example.com
SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders may be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification may be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).
12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.
TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. There is a minimum charge of £5 per lot. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4(a) is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.
11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions. and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. After sale settlement of the net sum due to you normally takes place within 28 days of the sale (by crossed cheque to the seller) unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.
CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.
2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due (b) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (c) No purchase can be claimed or removed until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.
10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition orestimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.
19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions. PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.
BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.
Packing and Despatch We have negotiated competitive rates with Alban Shipping – Specialist Shippers of Antiques, Collectors’ Items and Fine Art, for the packing and despatch of lots purchased at our salerooms. Unfortunately, Woolley & Wallis are unable to offer any other packing and despatch service of their own. Alban Shipping collect items for our Salisbury Salerooms on a weekly basis and offer a fast, friendly and efficient shipping service via all methods of modern transport, by air, sea and road, including – air-post, courier, air and seafreight. They also offer a case making service.
Insurance Full comprehensive Transit Insurance is charged from £2.50 or 1.5% of the hammer price. For further details please contact: Mr. Andrew Jackman on 01582 493 099 who will be able to assist with any enquiries or information that you may require. Alban Shipping Specialists Shippers of Antique, Collectors’ Items and Fine Art Unit 4, Premier Business Park, Dencora Way, Luton, Bedfordshire LU3 3HP
Quotations Alban Shipping will be pleased to provide a prompt individual quotation for this service. Minimum Charge Their minimum charge is £35 plus VAT which includes the collection, expert packing and despatch for inland delivery. Mastercard and Visa are welcome.
Telephone Fax E-mail Web
woo l le y & wa l li S
01582 493 099 01582 490 147 firstname.lastname@example.org www.albanshipping.co.uk
Please complete and return to: Woolley & Wallis Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508 Name
GOODS FOR COLLECTION
Name Delivery address
Email Mobile Please tick relevant boxes: For collection from
I authorise Alban Shipping to collect the above lots on my behalf and deliver to the address given above. I understand that payment is to be made direct to Alban Shipping.
For Office Use
woo l le y & wa l li S Absentee Bid Form
PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order
Thursday 26th January 2012 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)
Postcode Daytime telephone Email Debit/Credit Card details: VISA OTHER
We do not accept American Express cards
Cardholder Card No. Valid from Expiry date Issue No.
If you have not settled your account within 21 days of the auction Woolley & Wallis Salisbury Salerooms Ltd reserves the right to debit all charges due. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. By signing below you are authorising this payment to be taken by us. ID is required for all first time bidders.
Signature Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508
Price Excluding buyer’s premium & VAT
aucTion calendar FURNITURE & WORKS OF ART 10th January 2012 3rd April 2012 3rd July 2012 Will Hobbs 01722 339752 • email@example.com Mark Richards 01722 411854 • firstname.lastname@example.org SILVER 24th & 25th January 2012 24th & 25th April 2012 17th & 18th July 2012 Rupert Slingsby 01722 424501 • email@example.com Lucy Grazier 01722 424594 • firstname.lastname@example.org JEWELLERY 26th January 2012 26th April 2012 19th July 2012 Jonathan Edwards 01722 424504 • email@example.com Marielle Whiting 01722 424595 • firstname.lastname@example.org ENGLISH & EUROPEAN CERAMICS & GLASS 6th March 2012 Clare Durham 01722 424507 • email@example.com 20TH CENTURY DESIGN 7th March 2012 – Clarice Cliff & Art Deco 20th June 2012 – Arts & Crafts Michael Jeffery 01722 424505 • firstname.lastname@example.org PAINTINGS 21st March 2012 13th June 2012 Victor Fauvelle 01722 424503 • email@example.com Jo Butler 01722 424592 • firstname.lastname@example.org CLOCKS, POCKET WATCHES & BAROMETERS 2nd April 2012 Will Hobbs 01722 339752 • email@example.com Richard Price 01722 339752 • firstname.lastname@example.org ASIAN ART 23rd & 24th May 2012 John Axford 01722 424506 • email@example.com Sophie Lister 01722 424 591 • firstname.lastname@example.org BOOKS & MANUSCRIPTS 13th June 2012 Liz Merry 01722 424500 • email@example.com • Entries can usually be accepted up to six weeks prior to auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk
Published on Dec 21, 2011