JAPAN
LORENZO LANDINI
VIRGINIA HILL
Fashion Management / Business / Buying / Digital Communication & Media 2 2022 - 2023, History and Criticism of Contemporary Fashion S1, CLASS 4 ENG
FEBURARY 1st, 2023
Introduction
The local aesthetics of Japan and the kimono have deep roots in the country’s culture and history. People have worn the kimono, a traditional Japanese garment, for centuries and still do today. It serves as a symbol of Japanese culture and represents the country’s aesthetic values.
Craftsmen make the kimono from various fabrics, including silk, cotton, and linen. They design it to be worn in various ways and often decorate it with intricate patterns and designs inspired by nature and traditional Japanese art. The kimono also embodies the concept of “wabi-sabi”, which is a Japanese aesthetic that emphasizes the beauty of imperfection and the appreciation of the natural world.
The kimono’s design also reflects the concept of “ma”, which emphasizes the importance of space and the appreciation of emptiness. The fabric’s cut allows for a sense of openness and freedom. Additionally, the kimono embodies the concept of “iki”, which emphasizes simplicity and elegance, and is reflected in its design through a sense of sophistication and refinement. Furthermore, the kimono reflects “omotenashi”, which values hospitality and consideration for others, and is reflected in its design through a sense of warmth and comfort.
In summary, the kimono is a garment with deep roots in Japan’s culture and history. It serves as a symbol of Japanese culture and represents the country’s aesthetic values. Decorated with intricate patterns.
“Omotenashi” “Ikigai” “Ma” “Wabi-Sabi”
8th Century
The kosode, a simple, unlined robe with a small opening for the arms, becomes popular among Japanese nobility.
16th Century
The uchikake, a formal, ornately decorated overcoat worn over a kimono, becomes popular among Japanese women.
17th Century
The kimono becomes more diverse and colorful, with the development of new textile techniques such as tie-dyeing and embroidery.
Kimono for a Woman (Kosode), 1780-1820
19th Century
Western clothing becomes popular among the Japanese elite, leading to a decline in the traditional kimono.
20th Century
The kimono experiences a resurgence in popularity, and is worn by both men and women on formal occasions.
21th Century
Kimono continue to be worn in traditional ceremonies and events, but also being used as a fashion statement.
Timeless Elegance: The Traditonal Kimono
Kimono, meaning “wearing thing” in English, The kimono has evolved over time, beginning as a unisex outer garment called kosode in the Edo period (1603-1868) characterized by smaller armholes. It was only in the Meiji period (1868-1912) that the garment was referred to as kimono. During the Edo era, the kosode was a unifying cultural marker as every Japanese person wore it, regardless of age, gender, or socio-economic position. The kosode was also subject to sumptuary regulations, creating an intrinsic link between it and art and design. The kosode was often decorated with intricate patterns and designs, which were often inspired by nature and traditional Japanese art and were subject to aesthetic canons. The garment was also a way of conveying messages about the wearer’s identity and status through the use of motifs, fabric, techniques and colors.
Outer Kimono for a Young Woman (Uchikake) 1870-1900
Seventeenth century screen by Iwasa Matabei
Transformation in Fashion: The Late Edo Period Kimono
The late Edo period (1603-1868) was a time of great change in Japan, and fashion was no exception. During this period, fashion underwent a dramatic transformation from the traditional kimono to a more modern style of dress. This new style was heavily influenced by the influx of Western culture and technology, and it was a reflection of the changing times.
The traditional kimono was still worn by many during the late Edo period, but it was often modified to incorporate more modern elements. For example, the kimono was often shortened to the knee and the sleeves were widened. This allowed for more freedom of movement and a more modern look. Additionally, the obi (sash) was often replaced with a belt, and the traditional sandals were replaced with leather shoes.
In addition to the traditional kimono, a new style of dress emerged during the late Edo period. This style was known as the “jinbei” and it was a combination of traditional Japanese and Western elements. The jinbei was a long, loose-fitting garment that was often made of cotton or silk. It was usually worn with a wide belt and a pair of leather shoes. This style was popular among both men and women, and it was often seen as a symbol of modernity and sophistication.
The late Edo period also saw the emergence of a new type of hairstyle. This style was known as the “chonmage” and it was a topknot that was worn by men. This hairstyle was often seen as a sign of status and wealth, and it was a popular choice among the samurai class.
Kimono for a Woman (Kosode), 1780-1820
Underkimono for a man (juban), 1800-1850
Outer Kimono for a Young Woman (Uchikake), 18201850
Summer Kimono for a Woman (Katabira) 1820-1850
Rising Wealth and Demand: The Merchant Class in Edo Japan
Despite their low social status, the merchant class in Edo Japan saw a rise in wealth following the country’s opening in the mid 19th century, leading to an increased demand for kimonos with more intricate designs and decoration techniques such as dyeing and embroidery.
This elegant kimono is made of silk crepe (tango chairmen) and features freehand pasteresist dyeing (yūzen), as well as embroidery done in silk and metallic threads. The kimono design features a picturesque landscape scene with a pavilion nestled in the background. The focal point of the design is a grand gateway that stands tall in the foreground, surrounded by various elements such as fishing nets and a nobleman’s cart. The cart is finely detailed and adorned with intricate patterns and symbols. The fishing nets represent everyday life and the livelihood of the common people. The combination of these elements creates a unique and harmonious composition that showcases the diverse aspects of the society in the Edo period
Noblemen’s Cart
Pavilion
Outer Kimono for a Woman (Uchikake) 1800-1850
Fishing Nets
Grand Gateway
Outer Kimono for a Young Woman (Uchikake), 1840-1870
Elegant Attire: Formal Kimono of The 1850s
The elegant attire of women’s formal kimono of the 1850s was a reflection of the changing times in Japan. During this period, Japan was transitioning from a feudal society to a more modern one, and the traditional clothing of the time was beginning to reflect this shift. Women’s formal kimono of the 1850s were a symbol of sophistication and refinement, and were often made of luxurious fabrics such as silk and brocade. The kimono was typically long and loose-fitting, with wide sleeves and a wide obi (sash) tied around the waist. The kimono was often decorated with intricate patterns and designs, and could be accessorized with a variety of items such as fans, hairpins, and japanese sandles.
Plum Branch and Teapot Fan, Late 19th Century
Sankura Kanzashi
Japanese Geta Sandles
Summer Kimono for a Woman (Katabira) 1820-1850
Elegant Attire: Formal Kimono of The 1850s
Kimonos were traditionally worn for formal occasions such as weddings, funerals, and other important events, as well as for more casual occasions like festivals and social gatherings. In the 1850s, the colors and patterns of kimonos were often used to reflect the wearer’s status and wealth. For example, a wealthy individual might choose a kimono with a more intricate pattern or brighter color than someone of a lower social class. Additionally, it was common for people to wear kimonos while going for tea.
Outer Kimono for a Women (Uchikake) 1880-1890 Image: The Khalili Collections
A woodblock print by the artist Toyohara Chikanobu depicts a tea ceremony during the reign of Japan’s Emperor Meiji. Under Meiji, tea was included in many schools as part of etiquette training for women.
Elegant Attire: Formal Kimono of The 1850s
The kimono was a symbol of elegance and sophistication, and was a reflection of the changing times in Japan. It was a popular choice for formal occasions, and could be dressed up or down depending on the occasion. Women’s formal kimono of the 1850s were a symbol of refinement and sophistication, and were often made of luxurious fabrics such as silk and brocade. The kimono was a popular choice for both everyday wear and formal occasions, and could be tailored to fit the individual’s body shape and size.
In Japanese folklore, cranes are viewed as symbols of longevity and good fortune due to their believed long life-span and association with the land of immortals. Unlike the hō-ō bird, which is purely fictional, cranes are considered to be real-life mythical creatures. The crane holds a special place in Japanese culture, with the Ainu tribes of northern Hokkaidō even performing a dance in celebration of their movements.
Impressed with gold and silver
Crane
Outer Kimono for a Young Woman (Uchikake) 1850-1880
Yūzen Dying Technique
Elegance and Symbolism: Traditional Japanese Wedding Kimonos and Accessories
(1) The “shiromuku,” is reserved for the bride during traditional Japanese weddings and is the most formal attire for the ceremony. Its origins can be traced back to the wedding customs of the samurai class.
(2) The formal kimono known as iro-uchikake is of the same caliber as the shiromuku, and is worn only during the wedding ceremony. With a wide range of colors and auspicious patterns to choose from, the iro-uchikake is a beautiful and traditional choice for Japanese weddings, rooted in the customs of samurai society.
(3) The furisode kimono, with its long sleeves and dragging hem, originated from wealthy farmers and merchants imitating the samurai class. This style is also known as “ohikizuri” or “dragging kimono.” It is said that this tradition started by families of wealthy farmers and merchants.
(4) The traditional and formal attire for grooms on their wedding day is the kuromontsuki, a black kimono adorned with the groom’s family symbol embroidered in white. This sleek and dignified ensemble is perfect for such a momentous occasion.
1 2 3 4
Irouchikake colored kimono
Hikifurisode long-sleeved kimono with trailing hem
Kuromontsuki
Shiromuku pure white kimono
Elegance and Symbolism:
Traditional Japanese Wedding Kimonos and Accessories
(1) A ceremonial kimono worn exclusively with shiromuku
(2) Only worn during wedding ceremonies. Unlike wataboshi, which must be worn with shiromuku, tsunokakushi can be paired with any formal attire.
(3) A decorative knife sheath worn in the obi, originally carried by samurai women for selfdefense, but now used as an accessory.
(4) All obijime feature a cotton core in the traditional ‘maruguke’ style, regardless of color choice.
(5) A decorative accessory worn under the breast, traditionally used to tie the obi, now known as ‘kanoko’.
(6) A thin obi wrapped below the main obi, used to hold up the kimono’s hem.
(7) The higher the heel, the more elegant the appearance. The bride’s zori are typically gold, but white zori for shiromuku.
(8) A collar accent worn with hikifurisode and furisode kimono, attached to the collar of the ‘jiban’ (kimono undergarment), to enhance the face area.
(9) A small bag carried with hikifurisode, similar to a cosmetic bag, it originated from the pouches used by samurai women to carry makeup during the Edo period.
(10) A folding fan held by the bride, symbolizing spreading happiness, with one side colored gold and the other silver, traditionally kept gold side out when carrying or wearing it.
1 2 3 4 5
Wataboshi bridal headdress
Tsunokakushi bridal hood
Kaiken ceremonial dagger
Obijime decorative string for securing obi
Kakaeobi a kimono waist sash
Zori Japanese sandals
Haneri decorative kimono collar
Hakoseko ornamental pocketbook
Obiage a bustle for obi
Suehiro ceremonial folding fan
6 7 8 9 10
Uncovering the Art and Culture of the Kimono: A Look into the Evolution of Japanese Textile Techniques
The techniques of dyeing and weaving fabric (senshoku) are indispensable to daily life. In Japan, these techniques are the culmination of centuries of tradition and fashion aesthetics going back to the court culture of the Heian period (794–1185), the samurai culture of the Azuchi-Momoyama period (1568–1600), and the merchant culture of the Edo period (1603–1868). (Gallery
Japan
Proccess:
Japanese dyeing and weaving use three basic types of thread: silk fiber, bast fiber (e.g., ramie), and cotton fiber.
The fabric is dyed
White fabric is dyed with designs in various colors. In yūzen dyeing, a resist paste is used to draw designs. In katazome stencil dyeing, patterns are created using stencils.
The dyed threads are woven to make fabric
Weaving is the process of interlacing vertical and horizontal threads on a loom to create fabric. Different dyeing and weaving techniques can be used to produce a variety of patterns. No matter how intricate the pattern, it is always made from an arrangement of vertical and horizontal threads.
The fabric is dyed
White fabric is dyed with designs in various colors. In yūzen dyeing, a resist paste is used to draw designs. In katazome stencil dyeing, patterns are created using stencils.
The thread is woven into fabric.
The thread is dyed.
Textile Spotlight: Tango
Chirimen - Plain - Woven Silk
Crêpe
Tango chirimen is a type of plain-woven silk crêpe made in the Tango region of Kyoto Prefecture for over 300 years. It’s made of high twist raw silk yarn and is characterized by its textured surface. It’s made from the technique brought from China and it’s used for yūzen-dyed kimono. Despite the popularity of Europeanstyle dress, synthetic yarns, and mechanized weaving techniques, Tango chirimen has continued to thrive. The region is known for its expertise in producing chirimen and the tradition is passed down among local weavers today. It’s the largest manufacturer of silk textiles in Japan, accounting for a third of the country’s silk textile production.
Chirimen is a type of silk crepe fabric made from high twist raw silk yarns. It is known for its softness and wrinkle-resistance, and its unique textured surface, called shibo, sets it apart from other silk fabrics. Historically, plain white chirimen was commonly used as it could be easily dyed, making it an ideal choice for yūzen dyeing technique, which allows for intricate and precise designs to be hand-painted on the cloth. The shibo texture of chirimen also creates variations in tone and luster, adding depth and richness to the colors.
Chirimen is a type of silk crêpe made by spinning weft threads and weaving them with loosely twisted warp threads. The fabric is then scoured to create a bumpy texture known as shibo, and weavers can create different textures by adjusting the thread ratios and weave structure. The final product is inspected, and those that pass are stamped with unique Tango chirimen marks.
Plain white tango chirimen.
Tango chirimen by Tayuh Textile Industry.
Tango chirimen by Tayuh Textile Industry, based in Kyötango.
The refining process of Tango chirimen relies heavily on the quality of the water used. Skilled craftspeople closely monitor and control the water quality to ensure the best possible outcome for the fabric. These experts even use their sense of taste to evaluate the water and determine its effect on the final product.
The ‘Hatcho’ yarn twisting machine maintains the moisture of silk threads during the spinning process to prevent breakage.
After the refining process, the fabric is thoroughly cleaned, dried and inspected for any defects, including knots, using advanced inspection machinery.
After undergoing rigorous inspection, Tango chirimen fabrics that meet the standards of quality and authenticity are stamped with a seal to certify their excellence.
Today, the Jacquard loom is still used to weave Tango chirimen, but the process has been modernized. Instead of using punched cards, a computerized system is used to program the pattern data into the loom. This allows for even more intricate patterns to be created, and it also makes the process much faster and more efficient.
Dying Spotlight: Yuzen Dyeing
Yūzen dyeing is a traditional Japanese process that involves drawing designs on white fabric with a paste resist before dyeing. An outline of the design is first drawn using blue dye, then a paste resist is applied to create masked-off areas that prevent color mixing. There are two styles of yūzen: itome yūzen, which leaves fine white lines of undyed fabric, and sekidashi yūzen, which creates designs without white lines. The paste resist is made from sticky and white rice flour.
Proccess:
The blue dye of the Asiatic dayflower (aobana) is used to draw outlines and a paste resist is applied over the top.
A paste resist is applied over the design and any parts of the fabric to be kept white. Then the ground of the fabric is dyed a base color.
Once the paste dries, the design is dyed, and the fabric is steamed to set the colors.
The fabric is steamed to make the color set, and the finished fabric is washed.
Fashion Pioneers: The Present Influential Designers of the Japanese Kimono
Throughout the years, many fashion pioneers have been influential in the design and production of the Japanese kimono. These fashion pioneers have helped to shape the kimono into the iconic garment that it is today. From the traditional kimono of the Edo period to the modern kimono of today, these fashion pioneers have been instrumental in the evolution of the kimono.
One of the most influential fashion pioneers of the Japanese kimono is Junichi Arai. He is credited with creating the modern kimono, which is characterized by its bright colors and bold patterns. Arai was a master of the traditional Japanese dyeing techniques, and he used these techniques to create the vibrant colors and patterns that are seen in modern kimonos.
Another influential fashion pioneer of the Japanese kimono is Issey Miyake. Miyake is known for his innovative designs, which often feature bold colors and unique patterns. He is credited with creating the “A-line” kimono, which is characterized by its loose fit and flowing silhouette. Miyake’s designs have been popular among both men and women, and his influence on the kimono is undeniable.
Finally, Rei Kawakubo is another influential fashion pioneer of the Japanese kimono. Kawakubo is known for her avant-garde designs, which often feature asymmetrical shapes and bold colors. She is credited with creating the “deconstructed” kimono, which is characterized by its deconstructed silhouette and unique patterns. Kawakubo’s designs have been popular among both men and women, and her influence on the kimono is undeniable.
JUNICHI ARAI 1932 - 2017
Junichi Arai is a renowned Japanese kimono designer who has been creating beautiful kimonos for over 40 years. His designs are known for their intricate details and bold colors, and he has become a master of the traditional Japanese art of dyeing and weaving.
Arai’s kimonos are made from the finest fabrics, including silk, cotton, and linen. He uses traditional techniques such as shibori, a Japanese dyeing technique, to create unique patterns and textures. He also uses a variety of colors, from bright and vibrant to subtle and muted. His designs often feature intricate details such as embroidery, beading, and appliqué.
REI KAWAKUBO 1942 - current
Rei Kawakubo is a Japanese fashion designer and the founder of the iconic fashion label Comme des Garçons. She is widely regarded as one of the most influential and innovative fashion designers of the 20th century.
Kawakubo’s designs are often described as avant-garde and deconstructed, and she is known for her use of asymmetrical shapes, bold colors, and unconventional materials.
Her fascination with traditional Japanese kimono has been a major influence in her designs, which often incorporate elements of the garment. Her use of kimono has not only inspired other designers, but also popularized the kimono in the West through celebrity wear and magazine features. Her designs have also been exhibited in art shows.
Rei Kawakubo’s recent Comme des Garçons Women’s RTW Spring 2023 show in paris eatured a range of silhouettes, from voluminous and structured to more relaxed and draped. The fabrics used were also varied, from traditional Japanese silks to more modern materials like neoprene and vinyl. The colors were also varied, ranging from bright and bold to more muted and subtle. Kawakubo’s designs featured a variety of details that were inspired by the kimono. Kawakubo’s innovative approach to the kimono has helped to redefine the traditional garment and has had a significant impact on the fashion industry.
Look 17 Look 08 Look 07 Look 18
Exploring the Current State of the Fashion Industry: Insights from Recent Research
Hiroko Takahashi, Chisato Tsumori, and MIYAGIHIDETAKA are three modern Japanese designers who are pushing the boundaries of fashion with their unique designs. These designers take inspiration from the traditional Japanese kimono and infuse it with contemporary elements to create a fusion of the past and the present. Hiroko Takahashi is known for her use of traditional Japanese fabrics and techniques, such as shibori dyeing, to create modern garments. Chisato Tsumori, on the other hand, combines the elegance of the kimono with a playful, avant-garde aesthetic. MIYAGIHIDETAKA, meanwhile, is known for his use of bold colors and geometric patterns, which are inspired by the kimono’s intricate patterns and motifs. Through their work, these designers are exploring the innovations of modern Japanese design, while also preserving and paying homage to the country’s rich cultural heritage.
HIROKO TAKHASHI 1977 - current
Hiroko Takahashi is a renowned Japanese fashion designer who is known for her unique and innovative designs of traditional kimonos. She has been in the industry since the early 1980s and has established herself as one of the most respected and sought-after kimono designers in Japan. Her designs are characterized by modern patterns, and silhouettes. Takahashi has also created a new style of kimono, referred to as the “Takahashi Kimono” which features a contemporary design and aesthetic.
The collaboration between Takahashi and Adidas is a great way to bring traditional Japanese fashion to a wider audience. The collection is a great way to introduce people to the beauty and elegance of traditional Japanese fashion, while also providing them with modern, comfortable clothing. The collection is also a great way to show that traditional fashion can be adapted to modern times, and that it can be just as fashionable and stylish as modern clothing.
Contemporary textile artist and founder of the HIROCOLEDGE brand, Takahashi Hiroko, showcased her innovative kimonos at Japan House London throughout August, 2020. Her kimonos feature geometric patterns made up of circles and straight lines, and her project ‘RENOVATION’ is inspired by the sustainable aspects of kimono. The kimono’s adaptable nature, which allows them to be adapted to any body type, male or female, without having to cut the fabric, and were often passed on to future generations, her project is all about renovating old kimonos by unstitching, de-colourising, re-dying and re-tailoring them. The exhibit coincides with Europe’s first major exhibition dedicated to kimono ‘Kimono: Kyoto to Catwalk’ opened on the 27th August 2020 at the Victoria and Albert Museum, which featured one of Takahashi Hiroko’s kimonos.
Trend One: Sustainability
Sustainability in kimono fashion is focused on environmentally friendly and socially responsible practices, such as using natural materials, fair labor, repurposing old kimonos, and preserving traditional techniques to support local communities and culture. By embracing sustainability, kimono fashion can not only protect the environment but also promote cultural preservation and ethical production.
Kimono Sustainability
TSUMORI CHISATO 1954 - current
Tsumori Chisato is a well-known Japanese fashion designer known for her unique and playful designs that merge traditional Japanese elements with a contemporary aesthetic. She graduated from the prestigious Bunka Fashion College in Tokyo, and began working with Issey Miyake in 1977 where she continued to form a solid foundation in the traditional techniques of Japanese textile and clothing design. Tsumori Chisato’s designs often feature bold patterns, bright colors, and whimsical elements, such as cartoon characters and playful prints.
She is known for her use of traditional Japanese fabrics and techniques, such as kimono silk, in her clothing line. Her brand, Tsumori Chisato, is a global luxury fashion brand, selling clothes, bags, and accessories worldwide.
Tsumori Chisato’s designs are often described as “a fusion of tradition and innovation,” as she takes inspiration from her Japanese heritage and combines it with modern elements to create a unique and playful aesthetic.
Tsumori Chisato’s recent SS23 collection “Forever Adventure” takes inspiration from the theme of adventure, as evident in her unique and playful designs. The collection features traditional Japanese materials and a playful color palette. Even though Tsumori Chisato is based in Paris, she frequently travels for work and research. However, she remains connected to her roots by incorporating her signature A-line silhouettes, which are inspired by modern kimono styles into her designs.
Look 07
Look 11
Look 19
Look 20
2022 AW - Retro FlowerSeries
Low-cut Shoes
2022 AW - Morino Dobutsu ShishuSeries
Kimono Inspired Wool Cardigan
Trend Two: Fusion of Traditional and Modern Styles
The fusion of traditional and modern styles in kimono fashion is a trend that has been gaining popularity in recent years. Modern designers are taking traditional kimonos and giving them a modern twist, resulting in a range of styles that combine traditional elements with modern silhouettes and fabrics.
Fusion of Traditional and Modern
Trend Three: Japanese Street Style
Japanese street style incorporates traditional kimono elements into modern, everyday looks. This can include pairing kimono-style tops or dresses with jeans, layering kimonos over t-shirts and shorts, and accessorizing with traditional obi belts and geta sandals. Street style enthusiasts are also experimenting with unconventional ways of wearing kimono, such as pairing it with denim or styling it in untraditional ways. This fusion of traditional and modern styles is popular and influential worldwide.
MIYAGIHIDETAKA 1974 - current
Miyagihidetaka is a Japanese designer who is pushing the boundaries of traditional kimono fashion by infusing it with modern street wear. His designs blend the elegance of kimono with the edginess of street wear, resulting in a unique and eye-catching aesthetic. He’s bringing a new life to kimono, making it more accessible and appealing to the new generation. Considered a leader in the world of Japanese street wear kimono fashion.
Designer Chisato Tsumori
Kimono Japanese Street-wear
Exploring the Japanese Fashion Industry: A Market Analysis
The Japanese apparel market is a mature and highly competitive industry, with a mix of domestic and international players. The market is valued at around $40 billion in 2021 and is expected to continue growing in the coming years. Consumers in Japan are characterized by a strong focus on quality, design, and brand loyalty, which has led to a high average purchase price for clothing. The market is heavily influenced by seasonal trends, streetwear and eco-friendly practices. The e-commerce market for clothing in Japan is also growing rapidly.
Exploring the Japanese Fashion Industry: The Age of Coronavirus in Japan
- Japan’s economy has been negatively impacted by the global coronavirus outbreak, with GDP dropping 27.8% in the April-June period of 2020, the biggest drop since WWII.
- A sharp recovery is unlikely due to concerns about additional waves of infections.
-Many experts predict it will take until 2024 for GDP to recover from its peak in 2019 due to declines in exports and consumer spending.
- The decline in consumer spending has had a significant impact on fashion companies in Japan, but as of October 2020, few have been forced into bankruptcy.
- Some fashion companies like UNIQLO have posted positive sales growth, while others like department store operators have experienced significant declines.
- Japan’s economic recovery is expected to be faster than other countries but still slow.
Exploring the Japanese Fashion Industry: Exports of Clothing & Accessories in Japan
The exports of clothing and clothing accessories in Japan decreased to 10,493.90 JPY million in November from 11,376.12 JPY million in October of 2022. This represents a decline of approximately 8% in exports for the clothing and clothing accessories industry in Japan. The reasons for this decrease in exports could be due to a variety of factors such as changes in consumer demand, global economic conditions, or shifts in trade policies
*Japan Exports of Clothing & Clothing Accessories - December 2022 Data*
Exploring the Japanese Fashion Industry: Imports of Clothing in Japan
The imports of clothing in Japan decreased to 122,986.81 JPY million in November from 157,847.06 JPY million in October of 2022. This represents a decline of approximately 22% in imports for the clothing industry in Japan. The reasons for this decrease in imports could be due to a reflection of a decrease in consumer spending or a shift towards domestically produced clothing. Additionally, it may also indicate a change in import policies or tariffs.
*Japan Imports of Clothing - December 2022 Data*
Exploring the Future State of the Fashion Industry: Insights from Recent Research
The future of Japanese kimono fashion is likely to be shaped by a combination of tradition and innovation. On one hand, the kimono has a long history and cultural significance in Japan, and there will likely continue to be a market for traditional, hand-made kimonos made with high-quality materials. On the other hand, there is also a growing interest in modern and avant-garde interpretations of the kimono, as well as in ways to make the kimono more accessible and wearable in everyday life. This could include the use of new materials and technologies, as well as the incorporation of contemporary designs and patterns. It is also likely that the kimono will continue to be worn at events such as weddings and traditional festivals, and that it will become a more common sight in the streets of Japan as well. The metaverse is also expected to play a big role in the future of kimono, with virtual kimonos becoming a popular trend in the virtual world, giving people the opportunity to experience the beauty of the kimono without the need to physically wear it.
The Meta-Verse Kimono: A Fusion of Tradition and Innovation in Virtual Fashion
The kimono is becoming popular in the metaverse fashion as it allows for creative and experimental designs. In virtual worlds, it can be designed with a wide range of colors, patterns and materials, making it appealing to a broader range of people. Additionally, people can customize and personalize kimonos, reflecting their personal style. As the metaverse continues to grow, it’s likely that kimono will remain a popular choice for virtual fashion enthusiasts.
Metaverse Kimono
Sport kimono. Full 3D fashion model
Tailored
Streetwear:
Modernizing the Traditional Kimono
Tailored streetwear kimono is a new trend that modernizes traditional kimono by mixing traditional cuts, fabrics and designs with modern street fashion. It appeals to a younger generation, is often worn with streetwear essentials, and is designed for everyday wear, being more versatile for different occasions. This will continute to be a trend for the kimono
Supreme x Sasquatchfabrix. Hanten Jacket
Guerrilla Group: EYES & SINS Noragi Jacket
References:
ANGELA. “ARAI Junichi: Tradition and Creation.” Spoon & Tamago, 25 Mar. 2013, www.spoon-tamago. com/2013/03/25/arai-junichi-tradition-and-creation/. Accessed 23 Jan. 2023.
Ap, Tiffany, and Tiffany Ap. “Junichi Arai’s Textile Innovations on Display.” WWD, 11 Dec. 2017, wwd.com/ fashion-news/textiles/gallery/junichi-arais-textile-innovations-on-display-11070632/. Accessed 24 Jan. 2023.
“Apparel - Worldwide | Statista Market Forecast.” Statista, 2020, www.statista.com/outlook/cmo/apparel/ worldwide.
BenaïmLaurence, and Issey Miyake. Issey Miyake. London, Thames And Hudson, 1997.
“Birmingham Museums Trust | Home Page.” Dams.birminghammuseums.org.uk, dams.birminghammuseums. org.uk/asset-bank/action/viewDefaultHome?browseType=folders.
Borrelli-Persson, Laird. “Kimono: Kyoto to Catwalk at the V&a Explores the History, and Global Appeal, of Japan’s National Dress.” Vogue, 29 Feb. 2020, www.vogue.com/slideshow/kimono-kyoto-to-catwalk-victoriaand-albert-museum-street-style.
BRAND NEWS K.K. Japan Fashion Market Opportunities and Trends 2021. 2021.
Chisato, Tsumori. “COLLECTION | TSUMORI CHISATO.” Tsumorichisato.co.jp, 2023, tsumorichisato. co.jp/collection/.
Cynthia Green. “The Surprising History of the Kimono | JSTOR Daily.” JSTOR Daily, 23 May 2018, daily. jstor.org/the-surprising-history-of-the-kimono/.
Feitelberg, Rosemary, and Rosemary Feitelberg. “The Met Readies to Reveal “Kimono Style” Exhibition.” WWD, 6 June 2022, wwd.com/eye/lifestyle/the-met-japan-kimono-style-exhibition-1235194221/.
HASEGAWA, YOKO. “Kimono Designer Thrives by Mixing Modernity with Rigid Traditions | the Asahi Shimbun: Breaking News, Japan News and Analysis.” The Asahi Shimbun, 2020, www.asahi.com/ajw/ articles/13185530. Accessed 23 Jan. 2023.
Heather. “The Art of the Kimono, from Kyoto to Catwalk.” Asian Art Newspaper, 25 Sept. 2020, asianartnewspaper.com/the-art-of-the-kimono/. Accessed 24 Jan. 2023.
Holland, Hilary Clarke, CNN | Junko Ogura and Irene Nasser and Oscar. “Issey Miyake, Influential Japanese Fashion Designer, Dies Aged 84.” CNN, 2022, edition.cnn.com/style/article/issey-miyake-fashion-designerobit-intl-scli/index.html.
INC, ISSEY MIYAKE. “AUTUMN WINTER 2021/22 COLLECTION | ISSEY MIYAKE | News.”
ISSEY MIYAKE INC., 2023, www.isseymiyake.com/en/news/7468.
“Japan Exports of Clothing & Clothing Accessories - December 2022 Data.” Tradingeconomics.com, 2022, tradingeconomics.com/japan/exports-of-clothing-clothing-accessories. Accessed 25 Jan. 2023.
“Japan Imports of Clothing | 1988-2020 Data | 2021-2022 Forecast | Historical | Chart.” Tradingeconomics.com, 2022, tradingeconomics.com/japan/imports-of-clothing.
“Japan Kimono. The Art of Kimono.” Www.japankimono.eu, www.japankimono.eu/kimono.html. Accessed 24
Jan. 2023.
“Japan Objects Store.” Japan Objects Store, 2022, shop.japanobjects.com/.
“Japan’s Discarded Kimonos Get New Life as Redesigned Casual Wear.” Bloomberg.com, 11 June 2022, www. bloomberg.com/news/features/2022-06-11/japan-s-discarded-kimonos-get-new-life-as-redesigned-casual-wear.
“Japanese Culture - Costume - Footwear.” Japan-Zone.com, 2018, www.japan-zone.com/culture/footwear. shtml.
“Japanese Fabric: Repeatedly Reborn.” Sustainable Japan by the Japan Times, sustainable.japantimes.com/ magazine/vol10/10-04. Accessed 24 Jan. 2023.
“Junichi Arai. Crinkled Sheer Fabric. C. 1995 | MoMA.” The Museum of Modern Art, www.moma.org/ collection/works/2122?artist_id=7044&page=1&sov_referrer=artist. Accessed 23 Jan. 2023.
Keats, Jonathon. “Newly Installed at the Met, Rei Kawakubo’s Fashion Looks More Avant-Garde than a Lot of Modern Art.” Forbes, 2017, www.forbes.com/sites/jonathonkeats/2017/05/08/rei-kawakubo/. Accessed 23 Jan. 2023.
Kedmey, Karen. “Rei Kawakubo’s Designs for Comme Des Garçons Are Liberating the Female Body.” Artsy, 3 May 2017, www.artsy.net/article/artsy-editorial-rei-kawakubos-designs-comme-des-garcons-liberating-femalebody.
“Kimono Remix: Traditional Japanese Attire Gets a Modern Makeover.” Time out Tokyo, www.timeout.com/ tokyo/shopping/kimono-remix-traditional-japanese-attire-gets-a-modern-makeover. Accessed 24 Jan. 2023.
Laricks, Kara. “Rei Kawakubo, the Met Ball and the Celebrities Who Did Comme Des Garçons Proud.” University of Fashion Blog, 9 May 2017, www.universityoffashion.com/blog/rei-kawakubo-met-ball-celebritiescomme-es-garcons-proud/.
Library of Congress. “Home | Library of Congress.” The Library of Congress, 2015, www.loc.gov/.
Louie, Elaine. “Overlooked No More: Junichi Arai, Innovative Textile Designer.” The New York Times, 13 May 2022, www.nytimes.com/2022/05/13/obituaries/junichi-arai-overlooked.html.
Monolith. “BassamFellows Journal - ISSEY MIYAKE’S TEXTILES.” BassamFellows Journal, bassamfellows.com/entry.cfm?id=109. Accessed 23 Jan. 2023.
moushifj. “Types of Kimono.” Moushifj, 26 Apr. 2013, moushifj.wordpress.com/2013/04/26/types-of-kimono/. Accessed 24 Jan. 2023.
Nast, Condé. “The Kimono in Street Style.” Vogue, 11 June 2022, www.vogue.com/article/street-style-fashionweek-kimono-street-style-history.
O’Flaherty, Mark C. “Issey Miyake: A Truly Modern Icon.” Financial Times, 1 Feb. 2014, www.ft.com/ content/6189b155-100f-4013-a01d-7f1a83070f2d.
Objects, Japan. “Kimono Fabric: All You Need to Know about Japanese Silk-News-International Silk Union-.” En.worldsilk.com.cn, 6 Apr. 2021, en.worldsilk.com.cn/index.php/content/13921. Accessed 22 Jan. 2023.
Rei Kawakubo | #BoF500 | The Business of Fashion. “Rei Kawakubo Is Part of the BoF 500.” The Business of Fashion, 14 Aug. 2019, www.businessoffashion.com/community/people/rei-kawakubo.
“RENOVATION: Kimono & Sustainability.” Japan House London, 2020, www.japanhouselondon.uk/whatson/2020/renovation-kimono-and-sustainability/.
SATO, YUKA. “5 Sustainable Japanese Fashion Brands You Need to Know.” Tokyo Weekender, 9 May 2021, www.tokyoweekender.com/2021/05/5-sustainable-japanese-fashion-brands-wear-spring/.
Simon. “Junichi Arai (1932 - 2017) Japanese Textile Designer and Producer.” Encyclopedia of Design, 27 Sept. 2022, encyclopedia.design/2022/09/27/junichi-arai-1932-japanese-textile-designer-and-producer/. Accessed 23 Jan. 2023.
. “London’s V&a Explores Story of the Japanese Kimono through the Ages.” Www.chinadaily.com.cn, 2020, www.chinadaily.com.cn/a/202002/27/WS5e572689a31012821727ab3c.html. Accessed 23 Jan. 2023.
“Takahashi Hiroko / | Official Web Site.” TAKAHASHIHIROKO, takahashihiroko.jp/.
“Takahashi Hiroko | Japanese Artist and Designer.” Japan House London, www.japanhouselondon.uk/ discover/takahashi-hiroko/. Accessed 23 Jan. 2023.
“Tango Chirimen at Japan House London.” Japan House London, 2019, www.japanhouselondon.uk/discover/ tango-chirimen/#:~:text=Chirimen%20is%20a%20plain%2Dwoven. Accessed 22 Jan. 2023.
The Khalili Collections. “The Evolution of Kimono.” Google Arts & Culture, 2022, artsandculture.google.com/ story/the-evolution-of-kimono/HAXh3BV3b62jJw. Accessed 22 Jan. 2023.
Thurman, Judith. “The Unsettling Vision of Rei Kawakubo.” The New Yorker, 4 July 2005, www.newyorker. com/magazine/2005/07/04/the-misfit.
“Tsumori Chisato, between Japanese Innovation and Artistic Sensibility.” Dadà Concept Store, 2019, shop. dadaconceptstore.it/blogs/designers/tsumori-chisato-between-japanese-innovation-and-artistic-sensibility. Accessed 24 Jan. 2023.
“Varieties of Wedding Kimono | Photo Item | de & Co. Decollte Photography in Japan.” D-Weddingphoto. com, d-weddingphoto.com/item/japanese/.
“What Is Jinbei Clothing? 20 Things You Need to Know.” Japan Objects Store, 26 Mar. 2022, shop. japanobjects.com/blogs/editorial/jinbei. Accessed 22 Jan. 2023.
“Wikiwand - Japanese Clothing.” Wikiwand, 2022, www.wikiwand.com/en/Japanese_clothing. Accessed 22 Jan. 2023.
Visual References:
Published on March 25, 2020
Free to use under the Unsplash License
Yamato hasedera. [Translation: Hasedera in Yamato Province].
Woodcut print by Utagawa Hiroshige, 1859. Library of Congress Prints & Photographs Division. https://www.loc.gov/ resource/jpd.01361/
Yayoi asukayama hanami.
[Translated title: Third Lunar Month, Blossom Viewing at Asuka Hill]. Woodcut print by Kitao Shigemasa, [between 1772 and 1776]. Library of Congress Prints & Photographs Division. https://www.loc.gov/resource/ jpd.02258/
[Hanging poems on a cherry tree]. Woodcut by Ishikawa Toyonobu, [1741, printed later]. Library of Congress Prints & Photographs Division. https:// www.loc.gov/resource/jpd.02148/
Uchikake
https://aminoapps.com/c/ japan/page/blog/typesof-women-kimono/x3s2_
uwdMJjRparaNa8NMKwo43ZDG3
Japan and Nara: Buddhist art of the eighth century
https://moderntokyotimes.com/ japan-and-nara-buddhist-art-ofthe-eighth-century/
[ 1920s Japan - Three Japanese Man and a Woman ] — Group
Portrait of four young Japanese with the woman in kimono, one man in traditional Japanese clothing and two in Western style business suits. 20th century vintage gelatin silver print. www.jstor.com
A young woman wearing a kimono.
https://mk.wikipedia.org/ wiki/%D0%9A%D0%B8%D0%BC%D0%BE%D0%BD%D0%BE
Streetwear Kimono
www.vouge.com
Wey, 1882-83, William Morris. Watercolour for Printed Fabric Design www.Unplash.com
Outer Kimono for a Young Woman (Uchikake) 1870-1900
Khalili Collection of Kimono
Kimono for a Woman (Kosode) 1780-1820
Khalili Collection of Kimono
Seventeenth century screen by Iwasa Matabei, www.WikimediaCommons.com
Outer Kimono for a Young Woman (Uchikake) 1820-1850
Khalili Collection of Kimono
Outer Kimono for a Woman (Uchikake) 1800-1850
Khalili Collection of Kimono
Underkimono for a man (juban) 1800-1850
Khalili Collection of Kimono
Japanese Fan https://japanobjects.com/features/ japanese-fans
Summer Kimono for a Woman (Katabira)
1820-1850
Khalili Collection of Kimono
Five Prints of Flowers in Glass Vases, created in the late 1600’s. Provided by Rijksmuseum, Netherlands. PD for Public Domain Mark
Jon Tyson www.Unsplash.com
Outer Kimono for a Young Woman (Uchikake) 1840-1870
Khalili Collection of Kimono
Sakura Kanzashi https://japanobjects.com/features/ kanzashi
Geta https://www.japan-zone.com/ culture/footwear.shtml
Outer Kimono for a Women (Uchikake) 1880-1890
Khalili Collection of Kimono
A woodblock print by the artist Toyohara Chikanobu depicts a tea ceremony during the reign of Japan’s Emperor Meiji. Under Meiji, tea was included in many schools as part of etiquette training for women.
Toyohara Chikanobu/via Wikimedia
Outer Kimono for a Young Woman (Uchikake) 1850-1880
Khalili Collection of Kimono
Shiromuku
https://d-weddingphoto.com/ item/japanese/
Tsunokakushi
https://d-weddingphoto.com/ item/japanese/
Kaiken https://d-weddingphoto.com/ item/japanese/
Irouchikake
https://d-weddingphoto.com/ item/japanese/
Obijime
https://d-weddingphoto.com/ item/japanese/
Hikifurisode
https://d-weddingphoto.com/ item/japanese/
Obiage https://d-weddingphoto.com/ item/japanese/
Kuromontsuki
https://d-weddingphoto.com/ item/japanese/
Suehiro https://d-weddingphoto.com/ item/japanese/
Wataboshi
https://d-weddingphoto.com/ item/japanese/
Kakaeobi
https://d-weddingphoto.com/ item/japanese/
Zori
https://d-weddingphoto.com/ item/japanese/
Chirimen Silk
https://www.japanhouselondon. uk/discover/tango-chirimen/
Haneri
https://d-weddingphoto.com/ item/japanese/
Chirimen Silk
https://www.japanhouselondon. uk/discover/tango-chirimen/
Hakoseko
https://d-weddingphoto.com/ item/japanese/
Chirimen Silk
https://www.japanhouselondon. uk/discover/tango-chirimen/
Japanese Prints Cotton Fabric Kimono
https://www.etsy.com/ca/ listing/802765597/japaneseprints-cotton-fabric-kimono
Nickolas Nikolic
https://unsplash.com/photos/_ KCrSolz6FI
Chirimen Silk
https://www.japanhouselondon. uk/discover/tango-chirimen/
‘Hatcho’ yarn twisting machine
https://www.japanhouselondon. uk/discover/tango-chirimen/
Japanese Textile Production Area
https://www.seni-search.jp/japan_ products_en.html
Jacquard Looms
https://www.japanhouselondon. uk/discover/tango-chirimen/
Water Quality
https://www.japanhouselondon. uk/discover/tango-chirimen/
Yuzen Dying Process
https://galleryjapan.com/locale/ en_US/technique/textiles/20101/
Inspection machine
https://www.japanhouselondon. uk/discover/tango-chirimen/
Syuhei Inoue
https://unsplash.com/photos/ kaoHI0iHJPM
Stamps
https://www.japanhouselondon. uk/discover/tango-chirimen/
Junichi Arai in 1990 with some of his textile designs. “He is the greatest influence on textile design in the world today,” a fellow textile designer said in 2004. Credit...Angel Franco/The New York Times
https://www.nytimes. com/2022/05/13/obituaries/ junichi-arai-overlooked.html
Yuzen Dying Process
https://galleryjapan.com/locale/ en_US/technique/textiles/20101/
“Scarf,” 1993.Credit...Matt Flynn via Smithsonian Institution
https://www.nytimes. com/2022/05/13/obituaries/ junichi-arai-overlooked.html
Yuzen Dying Process
https://galleryjapan.com/locale/ en_US/technique/textiles/20101/
Shawl, 1989 (made), Junichi Arai
https://collections.vam.ac.uk/ item/O103286/shawl-arai-junichi/
Yuzen Dying Process
https://galleryjapan.com/locale/ en_US/technique/textiles/20101/
Junichi Arai Crinkled Sheer Fabric c. 1995
https://encyclopedia. design/2022/09/27/junichi-arai1932-japanese-textile-designerand-producer/
New York Times Article on Junichi Arai www.nytimes.com
Gallery View, Clothes/Not Clothes: War/PeacePhoto: Courtesy of The Metropolitan Museum of Art
https://www.vogue.com/article/metgala-2017-exhibtion-by-the-numbers
“Korean Carrot,” 1986. Credit...Smithsonian Institution
https://www.nytimes. com/2022/05/13/obituaries/ junichi-arai-overlooked.html
Rei Kawakubo
Photograph by Eiichiro Sakata
https://www.newyorker.com/ books/double-take/creative-life
Rei Kawakubo (Japanese, born 1942) for Comme des Garçons (Japanese, founded 1969), Body Meets Dress–Dress Meets Body, spring/summer 1997; Courtesy of Comme des Garçons. Photograph by © Paolo Roversi; Courtesy of The Metropolitan Museum of Art
https://www.forbes.com/sites/ jonathonkeats/2017/05/08/reikawakubo/?sh=30d52a331221
Rei Kawakubo (Japanese, born 1942) for Comme des Garçons (Japanese, founded 1969), The Infinity of Tailoring, autumn/winter 2013–14; Courtesy of Comme des Garçons.
Photograph by © Collier Schorr; Courtesy of The Metropolitan Museum of Art
https://www.forbes.com/sites/ jonathonkeats/2017/05/08/reikawakubo/?sh=30d52a331221
“Rei Kawakubo / Comme des Garcons” at The MET https://kaylaschaos. com/2017/09/10/rei-kawakubocomme-des-garcons-at-the-met/
Comme Des Garcons SS23
RTW
https://www.vogue.com/fashionshows/spring-2023-ready-towear/comme-des-garcons/ slideshow/collection#07
Comme Des Garcons SS23
RTW
https://www.vogue.com/fashionshows/spring-2023-ready-towear/comme-des-garcons/ slideshow/collection#08
Comme Des Garcons SS23
RTW
https://www.vogue.com/fashionshows/spring-2023-ready-towear/comme-des-garcons/ slideshow/collection#17
Comme Des Garcons SS23
RTW
https://www.vogue.com/fashionshows/spring-2023-ready-towear/comme-des-garcons/ slideshow/collection#18
Shinjuku Yakitori Alley (Memory Lane / Piss Alley), Tokyo, Japan.
https://unsplash.com/photos/ tKCd-IWc4gI
Pedestrians walking on a fine Autumn day around a local shopping street intersecting with KandaMyojin Avenue, Chiyoda City, Tokyo, Japan.
https://unsplash.com/photos/ Y9S3k9y8R4c
Hiroko Takahashi speaks in an interview on Feb. 17 in Tokyo’s Sumida Ward. (Yoko Hasegawa)
https://www.asahi.com/ajw/ articles/photo/28833388
PORTRAIT: Standing Black Kimonos © TAKAHASHIHIROKO
https://www.japanhouselondon. uk/discover/takahashi-hiroko/
Casey Horner
https://unsplash.com/@ mischievous_penguins
Takahashihiroko x Adidas
https://takahashihiroko.jp/ collaboration/adidas-2021/
Around the late 19th to early 20th centuries, asehajiki were worn under kimono to repel perspiration. Used paper with ink writing was spun into filaments and knitted to make an undergarment. Because it is spun from washi made of plant fiber, the material is strong and durable. | PHOTO: ASATO SAKAMOTOhttps://sustainable. japantimes.com/magazine/vol10/10-04
Takahashihiroko x Adidas
https://takahashihiroko.jp/ collaboration/adidas-2021/
Takahashihiroko x Japanese London House
https://takahashihiroko.jp/ collaboration/japan-houselondon-2020/
Takahashihiroko x Japanese London House
https://takahashihiroko.jp/ collaboration/japan-houselondon-2020/
Sudō Reiko and Nuno, Vitrine (photo courtesy the Center for Hertiage Arts & Textile Hong Kong)
https://hyperallergic.com/680646/ a-japanese-designers-vision-forbeautiful-sustainable-textiles/
TAKAHASHIHIROKO
https://www.japanhouselondon. uk/whats-on/2020/renovationkimono-and-sustainability/
A Gallery Shili jumper made from a used kimono.
Photographer: Lorenzo Barassi
https://www.bloomberg.com/ news/features/2022-06-11/japans-discarded-kimonos-get-newlife-as-redesigned-casual-wear
Tamaki and Nodoka
https://japan-forward.com/ kimono-style-sustainablefashion-a-mother-daughterpassion-for-kimono/
KIMONO: A Tradition of Sustainable Fashion
https://ny.jpf.go.jp/event/kimonoa-tradition-of-sustainablefashion/
Kimono Inspired Wool
Cardigan Chisato Tsumori
http://tsumorichisatocarry.jp/
Chisato Tsumori SS2023
Collection
https://tsumorichisato.co.jp/ collection/
Chisato Tsumori
https://prtimes.jp/main/html/ rd/p/000001272.000008372.html
Chisato Tsumori SS2023
Collection
https://tsumorichisato.co.jp/ collection/
Chisato Tsumori Website
https://tsumorichisato.co.jp/ collection/
2022 AW - Retro FlowerSeries
http://tsumorichisatocarry.jp/?all
Chisato Tsumori SS2023
Collection
https://tsumorichisato.co.jp/ collection/
Low-cut Shoes Chisato Tsumori
http://tsumorichisatocarry.jp/
Chisato Tsumori SS2023
Collection
https://tsumorichisato.co.jp/ collection/
Recycling the Japanese Kimono: An Experiment in Western Fusion
https://inkberrowdesigncentre. co.uk/recycling-the-japanesekimono-an-experiment-inwestern-fusion/
Visual References:
Outdoor Japanese Kimono
https://www.timeout.com/ tokyo/shopping/kimono-remixtraditional-japanese-attire-gets-amodern-makeover
Nylon haori by Trove
https://www.timeout.com/ tokyo/shopping/kimono-remixtraditional-japanese-attire-gets-amodern-makeover
Modern Japanese fashion by Y. & Sons
https://www.timeout.com/ tokyo/shopping/kimono-remixtraditional-japanese-attire-gets-amodern-makeover Kae Ng
https://unsplash.com/photos/ grOTReWUHhU
MIYAGIHIDETAKA
https://juicestore.com/blogs/ editorial/miyagihidetakainterview
© HIGHSNOBIETY / VOLKER CONRADUS
https://www.highsnobiety.com/p/ miyagihidetaka-highsnobietycollection/
© HIGHSNOBIETY / VOLKER CONRADUS
https://www.highsnobiety.com/p/ miyagihidetaka-highsnobietycollection/
2022 AW - Morino Dobutsu ShishuSeries
http://tsumorichisatocarry.jp/
The Best Street Style From Tokyo Fashion Week Spring 2020
https://www.vogue.com/ vogueworld/slideshow/tokyofashion-week-street-stylespring-2020
The Best Street Style From Tokyo Fashion Week Spring 2020
https://www.vogue.com/ vogueworld/slideshow/tokyofashion-week-street-stylespring-2020
© HIGHSNOBIETY / VOLKER CONRADUS
https://www.highsnobiety.com/p/ miyagihidetaka-highsnobietycollection/
10 Kimono Wraps to Take You from the Music Festival to the Beach in Knockout Summer Style
2015
https://www.vogue.com/article/ festival-dressing-kimono-wraps
Milan, fall 2022 ready-towear Photographed by Phil Oh
The Kimono in Street Style
https://www.vogue.com/article/ street-style-fashion-weekkimono-street-style-history
New York, Photographed by Phil Oh
The Kimono in Street Style
https://www.vogue.com/article/ street-style-fashion-weekkimono-street-style-history
Tokyo, fall 2022 ready-towear Photographed by Kira/ Tokyofashion.com
The Kimono in Street Style
https://www.vogue.com/article/ street-style-fashion-weekkimono-street-style-history
Tokyo, fall 2022 ready-towear Photographed by Kira/ Tokyofashion.com
The Kimono in Street Style
https://www.vogue.com/article/ street-style-fashion-weekkimono-street-style-history
https://twitter.com/ daaaaaicham
https://tokyofashion.com/ japanese-fashion-designer-gothickimono-corset/
COVID-19 JAPAN
https://gcap.global/news/ impact-of-covid-19-pandemicon-inequalities-in-asia-secondedition-of-report-published/
Tokyo’s Jaw-Dropping Neon City
https://thecreativeadventurer. com/the-ultimate-guide-toshinjuku-tokyo-jaw-droppingneon-city/
Exports of Clothing Japan
https://tradingeconomics.com/
Imports of Clothing Japan
https://tradingeconomics.com/
Melinda Manunta
https://www.artstation.com/ artwork/14RYle
Guilherme Stecanella
https://unsplash.com/photos/ EefsBN5B5GE
MetaverseKimono
https://opensea.io/collection/ metaversekimono
Supreme x Sasquatchfabrix.
Hanten Jacket
https://hypebeast.com/2016/5/5kimono-styles-reinterpreted-instreetwear-this-season
Guerrilla Group: EYES & SINS
Noragi Jacket
https://hypebeast.com/2016/5/5kimono-styles-reinterpreted-instreetwear-this-season
Meriç Dağlı
https://unsplash.com/ photos/7NBO76G5JsE
Daniele Levis Pelusi
https://unsplash.com/photos/ UMZQ_cYWJns
Massaki-hen yori Suijin no mori uchigawa sekiya no sato o miru zu. [Translation: View from Massaki of Suijin Shrine, Uchigawa Inlet, and Sekiya]. Woodcut print by Andō
Hiroshige, [1857]. Library of Congress Prints & Photographs Division. https://www.loc.gov/ resource/jpd.02920/
