May2024/Vol.1 -No.3 MAGA NNTERNATIONAL
$14 95 USD
MARTIAL ARTS
HISTORY MUSEUM GRAND REOPeNING
MICHELLE MANU & Hawaiian Lua
Kaihewalu
TEXAS THROWDOWN
WARRIOR OF GOD TOURNAMENT
The APache SPEAR
ROBERTREDFEATHER
ONNA MUSHA
JAPANESE WOMEN WARRIORS PART 1
THE BUSINESS OF THE BUSINESS
EDITORIAL BY ALLEN WOODMAN
WARRIOR WISDOM I THE HEALING TOUCH PART 2 I PUT UP YOUR DUX JKD THE OLD WAY I MOVIE REVIEWS I AND MORE...
Joseph J. Truncale
A fantastic book filled with practical tips
Keith McCarary
Unveiling the Harsh Reality of Abuse and Equipping Women with Effective Self-Defense
.
Women in today’s society are often the target of crime and persona attacks.Societal perceptions of the weaker sex make women a target for those who would use their size, weight or aggression against another person With information gleamed from the most renown Law Enforcement agencies around the world, this book covers the perception of sexual assaults and the statistics from around the globe to tell a stunning and often horrific storyline about abuse and women’s issues in today’s society Real Self defense that is useful and easy to learn with step by step directions.
293 pages
Language
English
2019 Dimensions
7
Once again, I am sending a heartfelt thank you to all our readers worldwide.
The magazine is currently published in 10 countries and in 9 languages. We have so far reached over 25,000 readers and still growing.
As we are a community magazine, we are asking and I’d like to ask all our readers to share our publication with those in your circle
International Martial Arts Magazine is mainly on our 3rd issue, but we continue to reach out to all corners of the globe and from all arts and systems. Send in your articles photos and event information We will do our best to include it in future issues
In this issue we are proudly featuring some women in martial arts and the female perspective Many strong and intelligent women are leaders and key proponents to their respective arts. I always want to bring them to the limelight and promote them in the way they should be seen.
They should be noticed strong, resilient and beautiful individuals that propel themselves into the fight with little regard of what others may think of them.
They often must overcome obstacles their male counterparts never have to face. All the while maintaining their dignity and cultural individuality and diversity.
The martial arts industry has been experiencing a fascinating transformation marked by expansion and adaptation. As we delve into its current state, we find it at the intersection of traditional practice and modern business dynamics
The industry's growth can be attributed to an increased interest in personal health and self-defense and the popularity of mixed martial arts (MMA) competitions on a global scale. By marketing and promoting MMA on every TV and in every town, the MMA business thrives and grows exponentially in the market
Innovative business models are emerging within the martial arts sphere. Franchising has become a notable trend, with successful schools expanding their brand through franchise agreements.
This allows for consistency in training while enabling business owners to tap into an established market. Additionally, digital platforms are becoming increasingly vital Many schools now offer online classes, expanding their reach beyond local geography to a global audience.
The martial arts industry has a significant economic footprint. From gear manufacturers to event promoters, the sector supports many businesses. Open competitions, individual martial arts tournaments, and high-profile MMA events, for instance, generate substantial revenue through ticket sales, merchandising, and broadcasting rights
These events also have a ripple effect on local economies, boosting sales in hospitality and services.
The COVID-19 pandemic forced many martial arts schools to pivot quickly, highlighting the industry's adaptability.
Schools that embraced online training managed to sustain their business, and some even thrived by attracting students from areas previously out of their reach. This digital shift is likely to remain a permanent feature of the industry
The Martial arts industry statistics at a glance has been valued at approximately $90.25 billion. It’s predicted to increase to $171.14 billion by 2028. There are over 42,000 martial arts schools in America, employing around 70,000 people (many studios are owner-run) An estimated 2.34 million Americans took part in martial arts training for fitness Martial arts business and revenue data.
US martial arts studio revenue has been climbing at a compound aggregate growth rate (CAGR) of 1.1%. Martial arts studio members pay an average of $103 USD per month for their training. The average annual earnings for a martial arts instructor in the US are $40,249 USD The martial arts industry’s market size has grown at an average rate of 18.7% since 2012 and grew to an estimated $10 billion by 2023.
The martial arts industry is kicking serious butt in the United States Around 18 million Americans participate in martial arts at least once a year. This includes 9.4 million adults, 5.5 million teenagers, and 3 2 million children Your average martial arts practitioner is 33 years old, although children aged 612 are the largest age group of martial arts practitioners
The gender demographics are also quite even This is what the breakdown looks like: 60% of martial arts students are men, and 40% of martial arts students are women
Wondering what some of the most popular martial arts disciplines earn on average per year?
Here’s how the relative annual revenues for different types of martial arts studios stack up: Mixed-martial arts (MMA): $254,083 Boxing: $152,544 Brazilian Jiu Jitsu: $139,193 Karate: $105,472 Mixed martial arts (MMA) come out right on top, with boxing, Brazilian jiu-jitsu and karate bringing up the rear. Smaller disciplines like Krav Maga and kickboxing aren’t on the list but that’s not to say that they aren’t winners, either. (We know lots of successful gyms that focus on both.)
S h l th t b d li t i i
The martial arts industry is kicking serious butt in the United States. Around 18 million Americans participate in martial arts at least once a year. This includes 9.4 million adults, 5.5 million teenagers, and 3.2 million children
Your average martial arts practitioner is 33 years old, although children aged 6-12 are the largest age group of martial arts practitioners.
The gender demographics are also quite even This is what the breakdown looks like: 60% of martial arts students are men, and 40% of martial arts students are women
Wondering what some of the most popular martial arts disciplines earn on average per ?
Moreover, as people become more conscious of the importance of physical fitness and self-defense, the demand for martial arts training is expected to grow, providing a positive outlook for the industry's economic prospects
In conclusion, the martial arts industry is experiencing dynamic growth, driven by a blend of tradition and innovation. As it evolves, its financial impact expands, offering opportunities and challenges.
The adaptability shown by businesses within this industry points to a resilient and flourishing future
The martial arts industry can be lucrative. However, it is generally not run by businessmen or women but by martial artists The key word is artist These are people who have a true passion for the arts. It's that passion that continues to hold to traditions and cultural aspects.
These are individuals who are more concerned about the arts and their students' growth than the money that they bring.
Best regards,
Allen Woodman Editor-in-Chief and Creative Designer INTERNATIONAL MARTIAL ARTS
Understanding the relationship between the Large Intestine (LI) meridian and the Lung (LU) meridian within Traditional Chinese Medicine (TCM) offers insight into their combined role in healing and self-defense.
In TCM, meridians are pathways through which qi (vital energy) flows, connecting the surface of the body with internal organs. The LI and LU meridians are part of the Metal element, symbolizing the ability to let go of what is not needed and to take in the new, mirroring their physiological functions.
Healing Aspect Large Intestine Meridian:
• Function: The LI meridian is primarily involved in the absorption of water and the elimination of waste. Energetically, it is associated with the ability to let go of harmful emotions, thoughts, or experiences.
• Healing: Issues related to this meridian often manifest as digestive problems, constipation, or emotional rigidity. Balancing the LI meridian can help address these issues, promoting physical and emotional release and purification.
Lung Meridian:
• Function: The LU meridian is responsible for breathing, the immune system, and the distribution of qi throughout the body. It is closely linked with emotional states, particularly grief and sadness.
• Healing: Imbalances in the LU meridian can lead to respiratory issues, skin conditions, or a feeling of melancholy
Harmonizing the LU meridian supports the body’s defensive qi, aids in grief processing, and enhances overall vitality.
Self-Defense Aspect In martial arts and self-defense practices that incorporate TCM principles, understanding the meridians can enhance effectiveness. For instance:
• Strategic Strikes: Knowledge of meridian pathways allows for targeted strikes or pressure points to disrupt an opponent’s qi flow, potentially neutralizing threats without excessive force
• Energy Conservation: Aligning one’s movements with meridian pathways can optimize energy use, maintaining stamina and enhancing responsiveness
• Emotional Balance: The mental and emotional resilience fostered by balanced LI and LU meridians can improve focus, calmness, and decisionmaking under pressure
The LI and LU meridians are considered a yin-yang pair, reflecting their complementary functions:
• Mutual Support: The LU’s role in taking in the new (inspiration) and the LI’s role in letting go of the old (elimination) highlight a cyclical relationship essential for physical and emotional health.
• Balance and Harmony: Practices that balance these meridians—such as qigong, tai chi, acupuncture, or specific breathing exercises—enhance the body’s resilience, aid in detoxification, and support immune function.
The interconnectedness of the Large Intestine and Lung meridians in TCM illustrates a holistic approach to health, emphasizing the importance of balance, harmony, and the flow of qi for healing and self-defense.
By nurturing these meridian pathways through appropriate practices and treatments, individuals can support their physical well-being, emotional resilience, and defensive capabilities.
Soke Joseph Miller has been involved for more than six decades. Spending many of his formative years in Japan mastering the art of Hakko-Ryu Jujitsu under its founder Okuyama sensei.
Along with his traditional martial arts training, he also underwent years of hands-on training and study of Japanese Shiatsu (Acupressure). After many years of practice, he was given a license to practice the art of healing and has been doing so for many years. His personal belief is that God has given him the ability to help heal the human body, and his teachers gave him the understanding of how to do it.
Soke Joe Miller has also Co-Authored the book The Healing Touch Complete with Allen Woodman.
Soke Joe Miller teaches in his own school in Hachioji, Japan as well as conducts international seminars upon request. For more information please feel free to contact Joe miller via facebook
@ Soke Joseph Miller or through his website
ww.peacefulmountainsystemtaizanryu. site
Through the study of acupressure and healing the student can understand the multifacted connections within the body how they work collectively.
Tony B
That's a really good book. Picture, text, Everything is so detailed
Kennete Kleese
The book is understandable whether you are a beginner or advance student or professional of any style of massage
Barry Southam
Great text to add to your library
Learn the ancient art of shiatsu massage and its healing abilities.Relieve stress and aches while healing the body naturally through the Japanese art of acute finger pressure through this insightful and useful guide With full-color photos and artwork of the human anatomy and step by step practice guides to instruct you from student to fully certified practitioner. In Japan, the practice of finger pressure massage known as Shiatsu is a highly respected, professional skill that uses the meridians and blood flow to naturally heal the body Shiatsu can reduce tension and even alleviate health issues. Includes Test out portions of the text to gain full credentials in this amazing healing method from Asia
Language : English Paperback : 299 pages
Dimensions : 7 x 0 71 x 10 inches AVAILABLE
When courage is needed, the vast majority of people have the inclination to look outside themselves to find it. They look to the charismatic, fiercest, and cunning amongst them someone to lead them, someone unwilling to back down when the odds are stacked against them.
Anyone experienced in combat up close and personal has been slapped in the face with the harsh reality that LEADERSHIP IN WARFARE IS NOT GENDER SPECIFIC. For this very reason, there exist any number of female warriors who have managed to transcend out of their imposed subservient 2nd class citizen role in a male-dominated society.
This can particularly be true in traditional Asian and Pan Pacific cultures where there often exists a class distinction for female warriors.
Like Japan’s Onna-musha (⼥武者) female Samurai. In the ancient Chinese martial arts world, there exist many examples of women warriors. Simularly, Lin Siniang, who lived from 1629 to 1644 personally trained an army of women. Then there is Fu Hao, a 13th century BCE female Chinese general that led 13,000 males into battle; and the 5th Century BCE female warrior Yuenu; so skilled she is considered the Chinese female version of Japan’s greatest duelist, Miyamoto Musashi, arguably the archetype for the most legendary of female Chinese warriors, Mulan.
When others insist women play little role in the warfare of western civilization there exists any number of female warrior archetypes – Ireland’s pirate queen, Grace O’Maley; France’s savior Joan of Arc; Great Britain’s Queen Boudicca defeating the Romans; there is in Greek mythology Bellatrix the maiden who dares to fight with men; and then, Mary Edwards Walker, being the only woman to be awarded the highest US Military decoration -- The Medal of Honor.
Modern military organizations in recognizing this reality see to it women are integrated into combat units. Given technological advancements in firearms and unarmed combat training many routinely outfight their male counterparts.
A highly decorated Afghan/Iraq War US Marine combat veteran, Rachel Rugato, is so experienced, fierce, and proficient at it that she is contracted to gunfight in simulations against elite Tier 1 commandos in preparing them for combat She is one of the elite women in the Executive Protection Industry, responsible for the security of many a Fortune 100 company.
Likewise, the MMA world has many a female luminary I’d put up against any number of male grandmasters that engage in certificate swapping and are trade show mafia pay for honor types!
That the closest they ever got to a fight is behind a keyboard or spreading gossips. Liable to go into and possibly die from shock if hit by a Pro-female MMA fighter. Them having never ever experienced what it is like to get punched or kicked full force in the body or face.
Obviously, muscularity and male appendages do not make up for lacking in real experience and measurable skills. Without mentioning names, I think anyone possessing critical thinking skills who has full contact sport experience recognizes this truth and those misogynist martial art luminaries I am referring to.
I am discounting female teachers and coaches in martial arts. In Japanese systems The “Menkyo Kaiden” (trans “license of full transmission”) is often held by women. Like the worlds premier expert in and outside of Japan teaching traditional Japanese Bajutsu (the martial art of fighting from horseback) and Takagari (鷹狩) is Japanese falconry, a sport of the noble class, and a symbol of their nobility, their status, and their warrior spirit is Musashi Shibata-ryu,
Nikki Wulfe, Likewise, the inheritor and premier expert in Hawaiian martial art of Lua possessing a level of skill and knowledge is unimpeachable and who I’d pick to fight alongside me facing a lethal threat more than most all the male martial artists I know of, is Michelle Manu.
Certain misogynists, nonetheless, hold out that unlike ranking in modern arts inheriting a system or being awarded a “license of transmission” are usually solo affairs.
There is no “panel of four or more ” people giving out rankings in the pre-Meji era aka koryu arts. It is always the school's headteacher having the “arbitrary’ decision to give or not to give any promotions to his students.
Suggestisvely is sexual desire, is why women are figureheads. Nikki Wulfe and Michelle Manu measurable experiences and visible skill sets eviscerates that falicy
No one can determine “legitimacy” in terms of possessing a particular martial art lineage by assuming only a line of male teachers should exist.
Considering, one of the three great martial art styles of Southern China, Wing Chun is founded during the Qing Dynasty by a Buddhist nun, Ng Mui, of the famed Shaolin Temple.
In terms of examination of the lineages of “koryu ninjutsu” do not be misled by a preexisting narrative invented by self-serving elitists who advance their special interests by having propagated lies of sole legitimacy
When if examined their own alleged “koryu” lineage cannot be, forensically, traced further than mid-20th Century.
Interestingly, in my own situation these self-proclaim authorities speak out both sides of their mouth talking of the kunoichi “female ninja” becoming the headmasters of certain lineages. And yet, demand proof of my lineage by requesting proof of the existence of my male instructor.
Someone, genuinely authentic, would know better and be asking for both a male and female lineage. Since, in the tradition of the true Shinobi arts one has these two intersecting lineages A fact, unknown to the un-initiated.
In my own situation, there exist the male Tanaka family line as well as his wife’s… but that is for another time.
Be sure to look for my upcoming work “Ninja’s Are Bullshit: Racketeering & Racism in the Martial Arts ”
Until then, I caution you to not make the novice mistake of casting female martial artists into the trap of a double bind by way of assuming that women are not as capable as males, showing disbelief if they tell you they are, nor devalue their ability to teach others if they are not.
Every martial artist knows, or should know, that he must continue to train in order to keep his martial arts skills sharp. No matter what skill level you achieve, if you rest on your laurels, your skills will regress.
Although this should be common knowledge for martial artists, I continue to see people who have reached a certain level, and then stop training. These people think that once they have achieved enough skills to defend themselves, that their training is finished. This is wrong thinking!
Nevertheless, martial artists are in a different category. Martial artists who train for self-defense believe that once they have that knowledge, they will always able to defend themselves. After all, self-defense is not a sport; it’s a potential life-or-death situation. That is wrong thinking!
Sun Tzu, in The Art of War, stated, “There is no greater danger than underestimating your opponent.” While that is true, it is also true that overestimating your own skills can be just as dangerous
It doesn’t take long to start to lose your flexibility. It also doesn’t take long for your martial arts skills to get rusty. But apparently, a lot of martial artists believe they will always retain their skills, even if they stop training.
Any athlete will tell you that it doesn’t work that way. It doesn’t take long for their skills to start to regress once they stop training 9
There is an older Italian proverb which speaks to this point. It states, “He who is an ass and takes himself to be a stag, finds his mistake when he comes to leap the ditch.” Think about that.
If you go around thinking you have the skills of Chuck Norris or Bruce Lee, when you have let your skills regress, a life-or-death situation is a bad time to discover your mistake
Yet, many martial artists who no longer train or live with this dangerous deception.
There is a quote from the 19th century British pastor, Charles Spurgeon, which will drive this point home. Spurgeon wrote, “It is foolish to try and live on past experiences. It is a very dangerous, if not a fatal habit, to judge ourselves to be safe because of something that we felt or did twenty years ago. ” Wow, that will really hit some martial artists in the gut!
Think about that piece of wisdom. Many martial artists try to live on past experiences. They judged themselves safe because they were once in great shape and could defend themselves against almost any threat. This is a dangerous delusion of the mind!
Consider this analogy. I used to be into bodybuilding, as well as martial arts. At my peak, I was benching around 265 pounds and curling 55 pounds on each arm I have not lifted heavy weights like that in several years, as age and injuries have caught up to me. But in my mind, I still see myself being able to lift some heavy weights.
What do you think would happen if I went into my weight room and tried to bench press 250 pounds today? I can tell you one thing if I were to try that, there had better be two strong spotters there to get that bar off my chest! I am not in the same shape I was back then, and I can’t do everything that I could earlier in life.
Your mind tends to think that you are what you once were. We have to be rational enough not to consider ourselves safe because of something we could have done years ago! This especially applies to older martial artists or martial artists who have stopped training hard.
Sun Tzu stated, “Know the enemy and know yourself, and in a hundred battles you will never be in peril. When you are ignorant of the enemy but know yourself, your chances of winning or losing are equal. If ignorant both of your enemy and of yourself, you are certain in every battle to be in peril.”
You cannot know your enemy when you are attacked in the streets. Oh, you may know how predators think, etc., but in actuality, you know very little about some guy who attacks you out of nowhere. He may be just a drugged up punk Then again, he may be an extremely skilled fighter or an experienced killer. You just don’t know.
If you are ignorant of yourself (your abilities and martial arts skills), you are in a dangerous position. As Sun Tzu states, you will be in peril every time, because you are ignorant of both yourself and your enemy.
You can’t simply think you can defend yourself against any attack; you must know you can defend yourself. There is no room for doubt! If you doubt that you can defend yourself, then you most likely can’t.
I like to use the following analogy to teach this point. Let’s say that you are paddling a kayak up a river with a strong current to a specific place. You have to paddle hard to get to where you want to be because of the strong current. After a lot of hard work, you reach your desired destination
Once you are there, if you stop paddling and just rest on your laurels, you won’t stay there very long. It takes much less time for the current to take you back to where you started than it did for you to work hard to get to your destination to begin with.
Even after you get where you want to be, you still must put in the work to stay there. And if you want to go further up the river, you must continue to paddle hard. You can’t just get to your desired destination and then stop working!
This same principle applies to martial arts. Even if you achieve a high skill level, you are not guaranteed to stay at that level for life. You still have to train in order to maintain your skills. If you stop training hard, it won’t take very long for you to lose the skills that you worked so hard to achieve
Miyamoto Musashi stated, “The purpose of today’s training is to defeat yesterday’s understanding.” You have to constantly continue to train in order to know yourself and your abilities.
As Sun Tzu taught, you must know yourself to have any chance to win against a skilled enemy. If you don’t know yourself and what you can do, you ’ re playing Russian roulette You may still be able to defeat your attacker, but you aren’t really sure about it because you don’t really know where your selfdefense skills are anymore.
“Youmustknowyourselftohaveany chancetowinagainstaskilledenemy”.
You may still have the martial arts knowledge that you have gained over the years, but your ability to use that knowledge will be diminished. That is how your mind deceives you. Mentally, you know what to do, but physically, you have lost ground and can’t do what you used to do.
To make this even more dangerous, you may not comprehend that you have lost those skills until you either start training again or need those skills in a self-defense situation And that is the wrong time to discover that you can no longer jump across that ditch. You don’t want to be an ass who thinks he’s a stag!
Life is continuously evolving, and you must evolve with it. Age catches up with all of us sooner or later. If you can’t fight like you once could, it may be time to learn different techniques or different weapons. Either way, it is never time to simply quit and live on the glories of the old days. Memories of what you used to be able to do won’t keep you safe today!
Don’t take this chance with your life or the life of your loved ones. Continue to train as much as you can. If you are dealing with injuries or age issues, then you must figure out what you can do and what you cannot do. Know yourself and stay safe!
Bohdi Sanders is a 5th-degree black belt in Shotokan Karate and a bestselling and award-winning author of 16 books, mainly on martial arts and warrior philosophy. Dr. Sanders’ books are available on his website, www.thewisdomwarrior.com , and Amazon.
Each month I.M.A. Magazine does its absolute best to bring the best martial artist and martial arts instructors to you in amazing, and interesting articles.
Bohdi Sanders is one of the top authors in his field and brings to light the introspective philosophy of the arts in each and every article and monthly column.
Look for his featured article in an upcoming issue of International Martial Arts Magazine to find out more about his training and his journey through the martial arts
In the annals of Japanese history, the samurai occupy a storied place, embodying the virtues of bushido the way of the warrior. Yet, alongside these celebrated male warriors, there existed a cadre of female counterparts known as onnabugeisha and onna-musha. These women, skilled in the arts of war and bound by the same codes of honor and duty as their male peers, carved their own niches within the feudal society of Japan. "Onna-bugeisha" refers specifically to women of the samurai class who engaged in battle, often wielding the naginata, a polearm that became closely associated with female warriors for its effectiveness and relative ease of use. The term "onna-musha" encompasses a broader category, referring to women warriors who actively participated in warfare across various periods of Japanese history.
One of the most emblematic figures among these female warriors is Nakano Takeko Fighting during the Boshin War a civil conflict that heralded the end of the Tokugawa shogunate and the restoration of imperial rule Nakano Takeko distinguished herself as a formidable onnamusha. Leading a corps of female fighters known as the Joshitai at the Battle of Aizu, she became a paragon of courage and martial prowess, her legacy enduring as a beacon of female strength and valor in a predominantly male domain.
The story of Nakano Takeko, a symbol of female bravery and martial prowess, finds a contemporary resonance in Sumiko Nakano, who shares the same bloodline and is a four-times-removed cousin of Takeko.
Sumiko Nakano, both a mixed martial artist and a writer, leverages this profound connection to her heritage to inspire her endeavors in the realm of physical combat and creative expression. The shared lineage with Nakano Takeko acts as a significant influence on Sumiko's career, imbuing her approach to martial arts with a sense of purpose and strength that harks back to the onna-musha tradition. Known for her skill, determination, and dubbed "The Silent Lioness" in the fighting world, Sumiko's narrative explorations also delve into themes of struggle, resilience, and the indomitable spirit to overcome challenges, reflecting the honor and courage epitomized by her ancestor.
This introduction to the world of onnamusha and onna-bugeisha, through the lens of Nakano Takeko's storied past and Sumiko Nakano's contemporary journey, sets the stage for a deeper exploration of the roles these women played in shaping the martial and cultural landscapes of Japan. Their stories, spanning the divide between history and modernity, offer a unique perspective on the enduring legacy of female warriors and the timeless nature of the warrior ethos.
The role of women in ancient and feudal Japan was complex and multifaceted, defined by a confluence of social norms, economic functions, and the prevailing ideologies of the time. While the image of Japan is often dominated by male warriors and their exploits, women held significant roles both in combat and society. These roles evolved over the centuries, reflecting the changing needs and structures of Japanese society.
In the earliest periods, such as the Jomon (c. 14,000–300 BCE) and Yayoi (c. 300 BCE–300 CE) eras, Japanese society was relatively egalitarian, with women participating actively in the management of communities and resources. As Japan moved into the Kofun (c. 250–538) and Asuka (538–710) periods, the influence of Chinese Confucianism began to permeate Japanese society, introducing more patriarchal structures. Despite this, women in early historical records, like the Nihon Shoki and the Kojiki, are often depicted as possessing considerable influence and power, both mystical and political
The term "onna-bugeisha" refers to women who were trained in the use of weapons to protect their households, especially in times of war. These female warriors emerged more prominently during the Heian period (794–1185), a time characterized by the rise of the samurai class and the gradual militarization of Japanese society. Onna-bugeisha were part of the bushi (samurai) class, and their training was similar to that of male samurai, emphasizing martial skills, discipline, and the ethics of bushido.
The most iconic weapon of the onnabugeisha was the naginata, a long polearm with a curved blade at the end. The naginata's design made it an ideal weapon for women, as it allowed for reach and leverage, compensating for the difference in physical strength compared to male opponents Additionally, the art of wielding the naginata included techniques that could be used defensively within the home, making it both a practical and symbolic tool of protection.
Training for onna-bugeisha began in childhood, focusing not only on martial arts but also on strategy, management, and the cultural arts. Women were expected to be capable defenders of their homes and families, especially during periods when male family members were away at war. Their roles extended beyond the battlefield; in times of peace, onnabugeisha were influential in managing estates and engaging in political alliances through marriage.
In addition to the naginata, onna-bugeisha were skilled in archery, swordsmanship, and horseback riding, making them versatile and formidable warriors. Their participation in battles, while not as common as their male counterparts, was documented throughout Japanese history, with instances of female samurai leading men into battle or defending fortresses against sieges.
The recognition and honor accorded to onna-bugeisha varied by period and region In some cases, their contributions were celebrated and memorialized, while in others, their roles were downplayed or overlooked in historical records. The legacy of onna-bugeisha is a testament to their resilience and the critical roles women have played throughout Japan's history, challenging the notion of a strictly patriarchal society, and highlighting the diverse ways in which women have influenced the course of Japanese history.
This exploration into the historical context of onna-bugeisha sheds light on their significance, not only as warriors but as integral figures in the social, political, and cultural landscapes of feudal Japan Their legacy, exemplified by individuals such as Nakano Takeko, continues to inspire and inform contemporary understandings of gender, power, and valor.
Nakano Takeko stands as one of the most celebrated onna-musha in Japanese history, her life and actions during the Aizu Rebellion encapsulating the spirit and valor of the female warrior class.
Born in 1847 in Edo (now Tokyo), Takeko was the daughter of a samurai official of the Aizu domain. From a young age, she was trained in the martial arts, demonstrating exceptional skill in kenjutsu (the art of the sword) and in the use of the naginata, a weapon that would become synonymous with her legacy.
Under the tutelage of her father and other skilled martial artists, Takeko's training was rigorous and comprehensive. She was not only versed in the physical aspects of combat but was also educated in classical literature and the philosophies underpinning the way of the warrior. Her upbringing in the Aizu domain, known for its strong samurai traditions and its emphasis on martial valor and loyalty, shaped Takeko into a formidable warrior, deeply committed to the ideals of bushido.
This exploration into the historical context of onna-bugeisha sheds light on their significance, not only as warriors but as integral figures in the social, political, and cultural landscapes of feudal Japan. Their legacy, exemplified by individuals such as Nakano Takeko, continues to inspire and inform contemporary understandings of gender, power, and valor.
Nakano Takeko stands as one of the most celebrated onna-musha in Japanese history, her life and actions during the Aizu Rebellion encapsulating the spirit and valor of the female warrior class. Born in 1847 in Edo (now Tokyo), Takeko was the daughter of a samurai official of the Aizu domain. From a young age, she was trained in the martial arts, demonstrating exceptional skill in kenjutsu (the art of the sword) and in the use of the naginata, a weapon that would become synonymous with her legacy.
Under the tutelage of her father and other skilled martial artists, Takeko's training was rigorous and comprehensive She was not only versed in the physical aspects of combat but was also educated in classical literature and the philosophies underpinning the way of the warrior.
Her upbringing in the Aizu domain, known for its strong samurai traditions and its emphasis on martial valor and loyalty, shaped Takeko into a formidable warrior, deeply committed to the ideals of bushido
The Boshin War (1868–1869) was a pivotal civil conflict in Japanese history, marking the transition from the Tokugawa shogunate to the Meiji Restoration and the modernization of Japan. The Aizu domain, where Takeko's family was aligned, remained loyal to the shogunate, finding itself at odds with the imperial forces seeking to consolidate power under the emperor.
As the war reached the Aizu domain, Takeko found herself in the midst of a struggle that would define her legacy. Refusing to be sidelined in the conflict, she rallied other women and formed the Joshitai, a unit of female warriors determined to defend their land and honor.
In a time when women's participation in battle was notable but not widespread, Takeko and her corps of onna-musha represented a fierce assertion of female agency and martial prowess.
The Battle of Aizu (1868) was one of the last major engagements of the Boshin War, with the Aizu domain making a stand against the superior numbers and firepower of the imperial forces. Takeko led her unit with distinction, fighting valiantly in the face of overwhelming odds. According to accounts, she killed several enemy soldiers before succumbing to a fatal bullet wound. In her final moments, she entrusted her head to her sister, ensuring it would not be taken by the enemy as a trophy, a testament to her unwavering dignity and samurai spirit
PART
Known in the MMA community as the "Silent Lioness," Sumiko's foray into martial arts was driven by a passion that transcended the need for spoken words. Masterin Jitsu, Tae Kickboxi her journ amateur quickly d herself w determin formidab prowess.
Prepare to embark on a breathtaking journey through the annals of history, as we unveil "Shadows of the Naginata," a gripping historical novel that immerses you in the remarkable life of Nakano Takeko, a fearless and indomitable female warrior of 19thcentury Japan.
At its core, "Shadows of the Naginata" thrusts you into the heart of the tumultuous Boshin War, a defining period in Japan's history. This was an era marked by seismic shifts, where traditional samurai values clashed head-on with the unstoppable march of modernity. It's a tale of courage, honor, resilience, and the enduring legacy of the samurai spirit.
But what truly sets this story apart is the extraordinary journey of Nakano Takeko herself Starting as a spirited young girl with a thirst for adventure, she evolves into a formidable martial arts master Her path leads her to a momentous decision to assemble an all-female combat unit, the Joshitai. In a world dominated by men and stifling tradition, Takeko's unwavering determination to defend her homeland becomes the driving force behind this captivating narrative.
Excellent book with great insight Thomas
Universal Warrior Arts is an Empowering SelfDefense and Life Skills Strategy Guide book for the Mind, Body and Spiritual Warfare A.K.A Battlefield Readiness 101 . The goal and objective of this book is to incorporate your own Verbal Ju-Jutsu Skills, Violence Prevention, Spiritual Inspiration, Intervention, and Street Survival Awareness Tactics for Family Safety purposes. The winning strategies presented in this book, have been proven in Self-Defense, Bully Safety and the International Martial Arts Arena. It is a Sophisticated, Proven and Practical Martial Art System that will Empower your Knowledge and not take away from your Traditional or MMA (Mixed Martial Arts) Style.
Language : English
Paperback : 182 pages
Dimensions : 7 x 0.71 x 10 inches
Her name is Michelle Manu, and this is her 40 th year in martial arts Michelle is a high ranking Kumu Lua (Teacher of Lua) and ‘Alihikaua (General) of the Lua - Kaihewalu family lineage under ‘Olohe Solomon Kaihewalu.
Lua has a rich history, so this is just the tip of the spear Kapu Ku’ialua is its original name, and it is the only indigenous warrior art of the People of Hawai’i. Today, some of its practitioners and teachers modernly call it Lua.
She is also the Kumu Po’okela (School Head and Chief Instructor) of Na Koa and Pa Lua o Manu. Michelle has been given the designation of Knight Commander by the long-established Royal Order of Kamehameha, The First, O’ahu Chapter, for the perpetuation of the Hawaiian culture through the Lua. Her cultural kuleana (responsibility) is to protect, educate, and perpetuate the Lua.
Everything about Michelle fulfills her responsibility to her culture – her spirit, her physicality, her way of life, and how and how much she teaches.
To some practitioners, it is a cultural practice, and within this cultural practice, is the martial aspect. To other practitioners it is seen as, studied, and taught only as a martial art with no spiritual teachings of and the connection to the elements, animals, land, sea, and other living things.
Ancient warriors also studied war strategy, metaphysics, fishing, hula dance, lualomi or lomilomi koa (warrior massage), medicine, gymnastics, wrestling, swimming, breathwork, and more.
The techniques were originally open-handed with the intention to protect and stop a physical altercation, thus Lua’s joint dislocation reputation. But as the culture changed, so did the Lua when it evolved to include closed hands and weaponry, and the mindset of maximum kills.
Every lineage of Lua differs from the other. It varied based on the community’s need (war), the school, kumu (teacher), district, island, and if the lineage is a blood family lineage –passed carefully throughout the generations –or is a lineage based on a compilation of research. There were also specialized male warriors while women warriors were used like many other cultures – as intelligence officers, assassins, and on the battlefield.
The variances and specialties of Lua still vary today. Such as Hakaka-a-moa, the aerial kickboxing fighting method with the lower body somehow got absorbed into the designation of Lua. But, at one time, Hakaka-a-moa stood on its own.
Some Lua master practitioners became bodyguards to chiefs and kings. When the Ali’i (royal class) began to adopt the Calvinist form of Christianity in the 1820’s, Lua was first banned and shortly after the Hula banned from public display. In the pitch dark and to avoid allegations of breaking the new restriction in town, the Lua was concealed within the Hula.
Outside of town, Lua was still practiced in secret and out of watchful eyes. King Kalakaua tried to revive Lua during his reign, but Lua remained underground after the overthrow of his sister, Queen Lili’uokalani, in 1893 before another attempted revival in the 1960s In the 1960s, Solomon Kaihewalu brought his family’s Lua to the continental United States
‘Olohe Solomon Kaihewalu was a personal friend to me for years. He would commonly attend any and every event I held with a warm smile and a cordial attitude. I have been a direct witness to Sol's teachings and his student’s abilities and understanding of the arts he taught.
‘Olohe Solomon Kaihewalu was a thirdgeneration olohe (expert) in his family’s lineage. His mother, of the royal Kaleikini family from Ka ua’i, was highly trained in Lua. His father’s favorite weapon was the Ko’oko’o (long bo), so much so that his nickname was “Bo.” Sol’s mother and father trained him in Lua; his mother started him with Hula at the age of 3.
Sol served in the U S Air Force and used his Lua in competitive American boxing bouts while he served.
While stationed in Germany, where he met the love of his life, he taught pilots how to use their shoelaces as the Ka’ane (strangulation cord). This was in case they had to land or crash and were captured.
He ultimately landed in Southern California where he taught his family lineage to dedicated students for over 50 years. Michelle said that she is truly grateful to have been one of the few to be with him in-person for over 20 years. I know Sol and know that he only taught those who displayed above-average character – discipled, resilient, and respectful - which included more nonHawaiians than Hawaiians.
He was constantly evolving his family lineage to make Lua viable for today’s world – for athletes and for real life selfprotection. Some of Sol’s disciples are evolving his family’s art, while some teach only what they were taught I know this happens in all fighting systems.
Sol’s Lua divided the physical body as the man/kane (waist down), woman/wahine (waist up including head), children/keiki (arms), and grandchildren/mo’opuna (hands and fingers).
Each family member has a job, and they must work together as an ‘ohana (family). The father carries the mother and children (not off-balance with a strong core), the children and grandchildren go out and through blocks and weapons, then come home to report back to the mother and protect her.
The body is trained to emulate animals, nature elements, and utilitarian movements. Some of upper body weaponry are the ram, shark, hawk, dolphin, spear, feline, snake, eel, octopus, crab, and butterfly. Some of the lower body weaponry is mostly from the boar, ram, and goat.
It comes as no surprise that Michelle uses Hula to teach her students superior Lua footwork, angling, timing, balance, transition and micromovements of the feet, and how to efficiently manage and use the upper body with the lower body at the same time.
Michelle said that her way of teaching is unorthodox, but to her – having fluency in Lua and Hula – it’s a no-brainer as they are too intimately intertwined to attempt to separate the two energetic forms of expression. Plus, it helps her dedicated students to greater understanding of their bodies, control of their mana, timing, and appreciation for the beloved cultural practice of Hula.
Michelle was once a professional Polynesian dancer for ten years touring the Midwest She says that dance was a forced ‘girl’s activity’ that felt like a disadvantage to her and other girls. But recently, she realized it was actually a huge advantage to women in the martial arts.
Michelle has said that, for her, Hula and Lua are similar, if not sometimes, identical movements She says that unless someone has fluency of both Lua and Hula, the concealment isn’t open and obvious.
Michelle’s personal belief is that Lua and Hula are the same source of energy and that it is merely the intent of the practitioner who determines how this energy is expressed
Hula is non-contact whereas Lua is f contact. This is a beautiful and perfe example of duality in the ancient Ha culture.
As the Hawaiian warrior culture evo mea kaua (weapons) were incorporat Original weapons were and are still m of la’au (wood), pohaku (rocks), niho (shark teeth), kumu la’au (jagged tree roots), and iwi – fish (i’a) As the cultu further changed, the metaphysical w way of life evolved into the goal of maximum battle kills and eventually incorporated mea kaua made of met
King Kamehameha became enthralle with metal weaponry, trading and purchasing with his favorite trader, a Scotsman named Captain William Do
Many weapons, such as the many ‘ih (spears) from ancient times, are at th Bishop Museum but are not on displa
Today, Michelle appreciates working Ron Burns and Greg Shaner, both the longest-active students, and Kumu L Olohe Kaihewalu on making weapon They make beautiful commissioned training weapons, which can be foun Facebook as Hawaiian Weaponry.
Today, in the martial world, there ar sports martial, competitive martial, traditional martial, self-defense, and military or tactical martial. I asked Michelle what category she feels Lua in today
“Lua is not just a martial art. It was the cultural practice of the Hawaiian warriors. It was their sacred way of life.”
– Michelle Manu
She is battle-tested and continues to evolve it. Since 2001, Michelle has been teaching self-protection to people in high-risk environments such as pilots and flight attendants, real estate professionals, healthcare and mental health professionals, university students, adult entertainers, women experiencing domestic violence and homelessness, everyday women, and young girls with specific circumstances. Hula and dance help to keep the education safe, light, and serious when teaching women.
In the Hula community, new chants are being composed, and dances are being choreographed to document history today. Michelle says that those students under her watchful care will continue to learn ancient and evolved movements, techniques, Hula (martial forms), and biomechanics with respect for who came before and with integrity of the sacred information.
Michelle and photographer James Trotter released a weapons book in art photography a couple years ago. It is dramatic, stunning, and a very unusual or unorthodox depiction of the Hawaiian weapons shown in a provoking art-photography-coffee-table sort of way. You can find this book on Etsy.com.
“The Hawaiian Lua warriors were the equivalent of what the Spartans were to Greece and the Samurai was to Japan.”
– Michelle Manu
Michelle lives, breathes, and teaches the timelessyet sometimes forgotten ways - of what it means to be a warrior. Her master’s thesis was on the woman metaphysician-warrior, voicing her belief for the balance of the intellect and intuition through action.
Her book, Archetype of the Woman Protector, edited by professional writer and teacher, Mark Sevi, will be released this summer.
Michelle did this by taking the male magician, male sage, and male warrior-hero archetypes, combined them, and made the archetype female. She believes that this was the way of the ancient woman warrior in every culture. Her book also makes a strong case of how spiritual training and martial training must both be cultivated to truly understand one ’ s power and to step into the live-giving warrior energy.
Michelle has teamed up with Michael Matsuda of the Martial Arts History Museum. Together they will create the first exhibit of its kind – a permanent Women Warriors Exhibit
Michelle moves powerfully through the world, giving us a real-time view of what a woman warrior was and is. She continues to bring Lua, a hardly seen warrior art, to film. Working with Rob Davidson on the Silent Horror film, she made her directorial debut in Indiana last February. Paul Casey of KKHoF informed Michelle that this June, she will be presented with the 2024 Presidential Lifetime Achievement Award for her decades of community service. When I asked Michelle how she felt, she quickly replied, “I can’t believe it. Now? There is still much work to be done ”
We are honored and excited to have Michelle be our first woman cover..
Michelle Manu is internationally known for her accomplishments as a 10th Degree Black Belt, ‘Alihikaua (General), and Kumu Lua (teacher) of the evolved indigenous Hawaiian cultural practice and warrior art of Lua (Kaihewalu and Manu lineages).
At this time, Kumu Manu is currently the only high-ranking female teacher of this art and currently the only public representative of a Hawaiian woman warrior in over 200 years. She is presently the only woman to be given the designation of “Knight Commander” of the Royal Order of Kamehameha I (O’ahu Chapter), for her continued work in protecting, educating, and perpetuating the Hawaiian culture through the Lua.
Kumu Manu has been a legal professional for twenty-eight years this May. She has earned a Juris Doctorate (JD), business credentials from George Washington University, senior executive leadership credentials from Harvard Business School, a master’s degree in Metaphysical Science (MMsc), and is a candidate for a PhD in Philosophy (2024) with an emphasis in personal transformation.
Kumu Manu has been featured in magazines such as: Black Belt Magazine; Hawaiian Airlines Hana Hou!; Martial Arts Yesterday, Today, and Tomorrow; Martial Arts Xperience; Inside Kung Fu; Sports Illustrated; Martial Arts Masters Magazine; Seni Beladiri (Malaysia); Tae Kwon Do Times (Korea); USAdojo.com; Kenpo Girl; Herstory; Martial Arts Illustrated UK; Warrior Magazine (Germany); Martial Journal; Immersion Labs; and El Camino The Way (Spain). Some of the noteworthy awards she has been given: 2024 Presidential Lifetime Achievement Award, 2024 Inductee, Kenpo Karate Hall of Fame, 2017 Inductee Argentina Martial Arts Hall of Fame, 2017 Woman of the Year Kenpo International Association, 2016 Hall of Fame Inductee Martial Arts History Museum, 2006 Inductee Masters Hall of Fame
up of the complete system. Everything from Warm Up exercises to self defense techniques ranging from beginner to advanced. You will find it all in this one large manual of the Complete system of Jeet Kune DO A System Without a System.
The Apache tribes, known for their fierce combat skills and rich cultural heritage, have a storied history that spans across the lands of what is now the Southwestern United States. Notably, these tribes wielded weapons with both practical and symbolic significance, deeply embedded in their traditions.
Robert Redfeather brings this legacy to the forefront, sharing the traditions inherited from his mother is Lipan Apache, from the Sun Otter Band She is a member of the Lipan Tribe of Texas My father is Chihenne Warm Springs Apache Band of the Mescalero Apache and a member of the Chiricahua Apache Nation of New Mexico
Grandmaster Robert Redfeather is the premier proponent of the traditional fighting system of the native Apache.
The spear is a traditional weapon of the indigenous Apache tribe, deadly as it is practical.
Primarily used in mounted combat, these lances were effective for close-range fighting, thanks to their balance of length and weight. Apache warriors, adept in horseback riding, utilized the lance with unparalleled skill, often tipping the scales in battles against formidable opponents. Their tactics, influenced by experiences with Spanish-Mexican presidial troops, resulted in a unique fighting style that highlighted the lance's strengths in fast-paced mounted combat
The Apache knife, another remarkable aspect of their arsenal, showcased the tribe's versatility and craftsmanship. Originally made from chert or flint, these knives were essential for daily tasks and self-defense
Both men and women carried these knives, which were housed in rawhide cases of varying elaborateness.
The designs ranged from plain to beautifully decorated, with some resembling the ornamentation typical of Plains warriors
Over time, the Apache knife evolved with the adoption of trade knives, leading to diverse styles among different Apache bands
These weapons, though primarily utilitarian, were carried with pride and often passed down through generations, embodying the Apache spirit of resilience and resourcefulness.
The legacy and adaptation of the Apache spear and knife embody a rich legacy that goes beyond their utility as weapons They symbolize the resilience, honor, and skill of the Apache warriors who wielded them.
While the battlefield dynamics have changed, the spirit of these traditional weapons continues to inspire, reminding us of a powerful heritage that thrives in harmony with modernity.
In the heart of Moreno Valley in California lies a man whose life reads like an epic saga. Drawing upon threads from the past, he weaves a present rich in tradition and prowess. Robert Redfeather, a Native American of Apache descent, embodies the spirit of his ancestors, not just in lineage but indeed.
Through the hands and heart of Redfeather, the ancient Apache fighting techniques have found a new lease on life. Weekly, eager learners gather to absorb knowledge that has been passed down through generations. But Redfeather's teachings are not confined within the borders of the Valley; his reputation as a master of Native Apache fighting skills has crossed oceans, inviting him to share his wisdom internationally through seminars and lectures His literary contributions to the world of martial arts and indigenous culture have made a significant mark “Apache KnifeFight Like the Wind,” his brainchild, has enthralled readers worldwide, providing insights into the sophisticated combat strategies of the Apache warriors.
Not resting on his laurels, Redfeather is currently penning a new tome This upcoming book promises an in-depth look into Apache weapons, man tracking in the wilderness, and their application in urban warfare skills that Robert honed firsthand during his astonishing twenty-year stint as a professional bounty hunter. Beyond his martial prowess lies a man of profound spirituality and resilience
Redfeather champions the virtues of meditation, advocating its power to foster mental and physical balance, and to facilitate both spiritual and physical healing
This philosophy has been his bedrock, especially through personal trials; Robert is a cancer survivor, having bravely battled the disease for over four decades. Redfeather’s multifaceted life has also found expression in the cinematic world. He has graced several films with his presence, the latest of which is the eagerly anticipated “Black Creek,” starring martial arts legends Cynthia Rothrock and Richard Norton.
Robert Redfeather's journey through life from the desolate wilds of bounty hunting to the serene depths of Buddhism, from the Silent Halls of Discipline to the bustling sets of Hollywood paint a portrait of a man who, like the wind, traverses realms, spreading the legacy of the Apache warriors far and wide.
For more information on Apache weapons and combat techniques, visit www.ApacheKnife com --- For enthusiasts of indigenous American history or martial arts, the story of Apache weapons is not just about warfare but also about the cultural significance and legacy of these tools in native American societies
Whether it's through reenactments, historical research, or martial arts training, the traditions of Apache weaponry continue to captivate and educate.
Robert Redfeather’s Apache Knife C knife fighting system that covers Ap techniques, defensive skills, respect life Apache knife is different, it does but to be fluid like the wind. “I am pr fighting art and Apache culture that techniques and skill As my Apache K become known, I have had more Nat learn the fighting style of their ances the opportunity to plant this seed th continue to watch it grow. I am so fil one of the oldesttraditional Native A
- Robert RedfeatherRedfeather teaches Law Enforcemen as well as personal training for civilia This book is an introduction to basic
$9.95
John Atkinson
New concept, for America, really effective
Richard Hopkins
The first practical account I have seen of these techniques for over forty five years.
Hojojutsu is the traditional Japanese martial art of restraining a person using cord or rope. Encompassing many different materials, techniques and methods from many different schools, Hojojutsu is quintessentially a Japanese art that is a unique product of Japanese history and culture. It is the beautiful and peculiar art of restraining someone using (often brightly colored) cord. It is rarely practiced outside of Japan and is an ancient strand of martial art with a rich and complex history.As a martial arts practice, Hojojutsu is seldom, if ever, taught on its own but as part of a curriculum under the aegis of the body of study encompassed by a larger school of bugei or budo, often as an advanced study in jujutsu. Hojojutsu techniques and methods are seldom demonstrated outside of Japan.Shihan Allen Woodman has trained over 20 years in Japan and is the Chief Instructor at the Dento Teki Na Dojo, the Kokusai Karate Do Renmei Hombu Dojo in Bronx, New York. Sensei Allen Woodman offers this book on the traditional martial art of Hojojutsu. This is one of the only books ever published on this art form detailing the defensive practices and techniques of the art.
125 pages
Language
English Publication date
March 15, 2013
Dimensions
6.9 x 0.5 x 9.9
AVAILABLE ON AMAZON.COM
By Mitch Shimer
The Martial Arts History Museum's New Era In the heart of California's bustling cities, where the energy of Hollywood studios and Disney's magic merge, the Martial Arts History Museum has embarked on a remarkable journey. Originally nestled within Burbank's creative hub in September 2011, the museum quickly outgrew its cozy 1200 square foot home, brimming with rich history and resonating stories.
The quest for a new haven that could accommodate the museum's expanding vision and its community's growing fascination was no small feat. Yet, Michael Matsuda, the museum's dedicated curator, alongside a visionary board of directors, tirelessly sought to weave this dream into reality.
The search concluded triumphantly, culminating in a grand revelation on April 6, 2024, featuring an awe-inspiring 8000 square foot space at 111 W Wilson Ave, Glendale, CA 91203-2605, United States
Months of meticulous preparation have transformed this space into a sanctuary that celebrates the profound legacy and vibrant evolution of martial arts. The new facility promises an immersive experience, showcasing larger, more intricate displays and innovative sections never seen before
This monumental effort, championed by Michael Matsuda, a limited yet passionate staff, and the unwavering support of the martial arts community, has breathed life into the museum's expansion.
Large and small displays throughout the museum tell the story and history of the martial arts.
The Martial Arts History Museum keeps tour history alive
At the Grand Opening, Curator Micheal Matsuda along with special guest host the ribbon cutting ceramony
The new Bruce Lee exhibit will disply his history and presence in the annals of martial arts fame.
one of the most visited display units at the museum, The Karate Kid Movie franchise “Kobra Kai” patch.
Displays and artistry from the Philipines, Japan, China, South-East Asia, Korea, Thailand and more.
The reception and merchandise store has amazing square footage and an entire line of Museum merchandise available for the public.
Many areas demonstrates the purpose of the museum. Remembering those who ame before he Japanese room displays raditional uniforms worn by ioneers of the arts.
Chinese Master of Kung Fu Ark Yuey Wong bust decorates the museum floor.
The grand reopening was nothing short of spectacular, attended by the luminaries of the martial arts world, including Art Camacho, Eric Lee, and Robert Redfeather, among others.
These pioneers stood witness to a significant milestone that not only honors the past but also paves the way for a future rich in exploration and discovery.
The museum's growth has enabled the introduction of special days dedicated to martial artists who have profoundly impacted the community, alongside a "Women Warriors" section, celebrating the formidable females who have etched their mark in martial arts history.
The addition of a comfortable sitting area, a theater capable of hosting 122 guests, and a retail center on par with renowned establishments heralds a new chapter for the Martial Arts History Museum.
Anticipation buzzes in the air for the extraordinary events and esteemed visitors that will grace this cultural treasure
For those drawn to the compelling narrative of martial arts, a visit to the LA area is now incomplete without experiencing this captivating museum.
To book your tour and immerse yourself in an unrivaled celebration of martial arts history, contact Michael Matsuda and explore www.martialartsmuseum.com for more details. Dive into the legacy, be part of the future.
Hojojutsu is a traditional Japanese martial art of restraining that encompasses different school techniques. It is a unique product of Japanese history and culture and is rarely practiced outside Japan. It is part of the curriculum under the aegis of bugei and in jujutsu. There are very few videos or books available on this art. Shihan Allen Woodman teaches you hands-on each technique in a step-by-step format.
Good information to add to what is presented in class. New concept, for America, really effective
Allen Woodman has spent his entire life dedicated to martial arts, performing daring stunts, and embarking on thrilling adventures.
From a young age, Allen showed exceptional talent in martial arts. He trained tirelessly, honing his skills and becoming a champion in various disciplines. His passion for adventure led him to travel to different countries, immersing himself in different cultures and learning from the best martial artists around the world. But Allen's story isn't just about martial arts.
With a keen business mind. He successfully established several businesses in different countries, making a name for himself as an entrepreneur. His ability to adapt to new environments and connect with people from different backgrounds played a crucial role in his success
Throughout his journey, Allen encountered numerous challenges and obstacles But he faced them with determination and a positive outlook. His wit and perspective on life makes him a captivating storyteller, sharing his incredible journey with the world. In his book, Allen recounts his 50 years of life experiences. His unique perspective on life, adventure, and business made his story a captivating read for anyone seeking inspiration and excitement.
His story serves as a reminder that with dedication, resilience, and a positive mindset, anyone can overcome challenges and create a life filled with adventure, success, and fulfillment If you're looking for a captivating story that combines martial arts, adventure, and business, Allen Woodman's book is a must-read Prepare to be inspired, entertained, and motivated. AVAILABLE
$4.95 FULL COLOR DIGITAL VERSION ONLINE WWW.ISSUU.COM
The Texas Throwdown: A Tale of Honor, Tradition, and Benevolence at the Warrior of God Tournament In the heart of Longview, Texas.
An event pulsating with vigor, tradition, and goodwill unfolded on March 9, 2024. Dubbed the "Texas Throwdown," this year's Warrior of God tournament drew participants and spectators to a celebration of martial prowess and spiritual fellowship. Hosted by the esteemed Makoto Dojo, led by the indomitable Brown family—Scott, Theresa, Erin, and Kyrie—the tournament transcended commonplace expectations of martial arts competitions.
The Warrior of God circuit, known for blending physical rigor with spiritual enrichment, brought together approximately 20 schools from various locales, showcasing a brotherhood among martial artists driven by a commitment to betterment—in self and community.
With the Makoto Dojo at the helm, participants from establishments such as The Dojo - Mineola, ACSOMA, Lone Star, Panther MA, and Louisiana MA Ministry, each brought their unique styles and spirits to the mat, creating an arena not just of competition, but of unity and shared aspirations.
This tournament, however, was more than a display of martial might; it was a harbinger of good. Echoing the ethos of the Warrior of God initiative, proceeds from the event are channeled towards local and international acts of benevolence and ministry, embodying a principle that victory lies not in medals and accolades, but in acts of kindness and support rendered through the martial community.
The evening deepened the event's resonance with a special banquet and awards dinner, emceed by Scott Brown, that both celebrated achievements and recognized contributions. Among those honored were tournament promoters Erin Williams & Kyrié Griffin, David Sheffield, Brian Moser, Greg Richey, Arlandus Chimney, and others who embody the spirit and dedication that fuel this unique circuit.
Special nods were given to Bob Hallmark, the multifaceted KLTV weatherman and martial artist, alongside Allen Woodman, the influential voice of International Martial Arts Magazine, and Alvin Goldie Mack, whose "Old School Warrior" awards underscored a legacy of tradition and valor.
The spotlight shone brightly on Megan Anderson, or "the Meg," who was bestowed with the "Cut Above" award, a fitting tribute to her formidable skill and indomitable spirit in the compact frame of a true martial artist.
The Texas Throwdown, with its thrilling blend of competition, camaraderie, and charity, has etched a memorable chapter in the annals of the Warrior of God tournament circuit.
As participants and organizers look towards the future, there is a shared aspiration for continuity, excellence, and the enduring bonds that martial arts and shared values can foster. Here’s to many more years of thrilling competitions and unwavering comradery at the Warrior of God tournaments.
We applaud their journey and eagerly anticipate the tales of honor they will continue to weave.
For decades, there has been controversy over "What is Jeet Kune Do?" Many versions have surfaced over the years, most of them watered down with personal interpretations that sometimes don't even resemble what Bruce Lee actually developed. Some just use the name as a commercial marketing tool.
I have no "interpretation " I still teach the original Jeet Kune Do, just as Bruce Lee and James Lee taught it at the Oakland school.
Bruce formulated JKD to be used strictly for actual combat, not for sports competition It is void of rituals and katas. It is comprised of three fighting systems: Wing Chun Gung Fu, Boxing, and Western Fencing. Bruce referred to his system as "scientific street fighting." From my years as a criminal investigator working narcotics, homicides, and organized crime, I can testify that JKD really works in street combat.
I present to you Bruce Lee's own definition of "What is Jeet Kune Do?" This is not someone else's interpretation; it is in Bruce's own words.
In 1971 I walked into the Oakland JKD school (which was in James Lee's garage) for my twice a week group class. But this time it was different. James had leaned against the wall a 4x4 foot piece of plywood which was painted white with very detailed and neatly hand painted words in black brush paint. This sign was actually made and written by Bruce himself.
James Lee the instructor, told us that next class we were to bring paper and pen and write down the text. He said that this was Bruce's own personal definition of JKD and for us to know and understand it. So now I share with you the contents of Bruce's own interpretation of Jeet Kune Do.
"Jeet Kune Do is training and discipline toward the ultimate reality in self-defense, the ultimate reality in simplicity
A true JKD man never opposes force or gives way completely. Be pliable as a spring. Be the complement not the opposition to opponent's strength.
Monthly Column from a true legend in the art. Professor Gary Dill talks about the old ways
Make his technique your technique. You should respond to any circumstances without any prearrangement, your action should be like the immediacy of a shadow adapting to a moving object against the sun. Your task is simply to complete the other half of the oneness spontaneously. There is nothing to 'try" to do in the final stage of JKD; the opponent, self, and “techniques" are all forgotten
Everything simply "flows." The true art of JKD is not to accumulate but to eliminate. Respond like an echo. Adapt like a shadow. Strike like an arrow Totality and freedom of expression toward the ever-changing opponent should be the goal of all JKD practitioners. When you understand the root of JKD, you will know all of its manifestations
I still have that handwritten copy that I wrote that night and feel that it is part of JKD history, as are many other documents and training notes that I acquired during my tenure at the Oakland school. I am so fortunate to have had the rare opportunity to learn JKD at the source. If you want to learn authentic JKD, contact me for seminars or private training. Learn JKD from someone who was actually there.
Professor Gary Dill is one of the original JKD students (1971-72) of James and Bruce Lee’s Oakland school. He has been active in JKD for 53 years and taught thousands of students. He was appointed in 1986 to the JKD Society Board of Directors along with Linda Lee, Dan Inosanto, Taky Kimura, Richard Bustillo, and other original students.
Dill is the founder and chief instructor of the Jeet Kune Do Association which is the longest standing JKD organization in the world (1991-present.) He spent ten years in the military and served in Vietnam. He also worked another ten years as a federal and state criminal investigator working mainly narcotics, homicides, and organized crime
Professor Dill is a full time martial arts/JKD instructor and teaches seminars across the US and Internationally as well as giving private classes He can be contacted at email: pdilljkd@aol.com.
Website: www.jkd-gar dill m
- Learn the authentic JKD developed by Bruce Lee
- Taught by Gary Dill, 1st generation Oakland JKD student
- Learn JKD punching, striking, low kicks, entering techniques, counter against blocks, block & counters
- Develop speed & proper techniques.
ContactProf GaryDilldirectly atpdilljkd@aolcom
Website:www.jkd-garydill.com
The Sandokan syste principles of martial science, and the science of anatomy. Achieving this martial arts system has encompassed many years of research and practical development. It is a system based on the perfecting of body positioning for maximum output of energy.
In the mid-80s, martial arts star and director Leo Gong approached me about helping him make a movie.
A year or two earlier, action star Cynthia Rothrock had walked off the set of a movie after working on it for only a few days. This created a serious problem for the distributor of that movie
Presales had been made on the strength of Cynthia’s overseas box office appeal. As such, the movie, titled Key Witness HAD b fi i h d d C hi HAD b i star
Given that needed a p severely lim
After due c the script, ensure tha so I set off casting pro lie ahead!
The new basic premise was that Cynthia Rothrock portrayed a woman on the run from mobsters who had murdered her husband. She dons a ninja outfit, thus allowing another woman to double Cynthia, a necessity since Cynthia did not want to return to the production.
The original script had terrible dialogue, no characterization, and an illogical plot structure. After my rewrite, Key Witness, the script, while not a masterpiece, was considerably better. I was feeling hopeful at least until I met my cameraman and my sound crew.
Sadly, the production crew, along with the director, HAD no interest in whether or not the movie was good, only in making the film for the least amount of effort. Both the cameraman and sound crew were patronizing to the actors… and myself. It took a lot of self-control to put up with the abuse By in large, it was a miserable experience.
To keep costs down, I pulled a lot of favors from friends to make the movie look far more expensive than it was. Luckily, Leo Fong played a small role in the movie and directed it, and veteran actor Stack Pierce portrayed the villain. Working with Stack was one of the few HAPPY experiences I had on the movie due to his thorough professionalism. I also enjoyed working with numerous friends who helped elevate the production with their hard work
After a 12-day shooting schedule, primary photography was completed, and post-production began. It took nearly two years for it to be finished.
When I finally saw the movie, I was horrified for numerous reasons. First of all, the distributor had renamed it 24 Hours to Midnight, a title that had no connection to the plot. The footage was cut, which explained the plot, and crude nude scenes were inserted. It was a mess!
Believe it or not, 24 Hours to Midnight did extremely well in the direct to video market
Interesting question. I assume it was because it did have Cynthia Rothrock, who was a big martial arts star at the time. Plus, it was crammed full of action and its production values belied its tiny budget.
Curiously, the life of the movie was surprisingly long. Every few years, a new video distributor acquires the rights to the movie, and it was a success all over again. You can watch scenes of the movie free on YouTube
So, there you have it a very successful action film with a miserable back story. 24 HOURS TO Midnight left me with a mixture of emotions. In some respects, the movie hurt me because I was largely blamed for the bad writing and incomprehensible editing. On the other hand, it did help start my feature film career.
Leo Fong loved to repeatedly tell me during production, “There is no such thing as a bad movie. Good and bad is subjective. No, Leo, you were wrong. Quality matters.
All it takes is the dedication to do your best. Fortunately for me, after many years in this Business, I have managed to overcome the stigma of being associated with 24 Hours to Midnight and have developed a reputation for doing good work.
I am reminded of the biblical quote “God can make all things come to good.”
I guess that is even true of 24 Hours to Midnight.
Mr. Cable has had a four-decade career as a playwright, movie producer, director, and screenwriter. He currently lives in Central California with his wife Belinda and their two dogs Samson and Mariah. Due in part to his 40 plus years of experience, he became known as an ANSWER MAN to other filmmakers, which resulted in him being well received as a lecturer to countless movie related groups. Such organizations include the Screen Actor’s Guild Summer Program, (held at the American Film Institute), Women in Film, Comic-Con International, among others.
Mr. Cable is the creator of the popular comic book super-heroine, the MASKER-RAIDER, published by AAA AMERICAN ENTERTAINMENT Comics and is also the author of the critically acclaimed book on low-budget filmmaking, MAKE MOVIES THAT MAKE MONEY!
Professor Gary Dill
JUNE 22-23, 2024
Tahlequah, Oklahoma
Two full days
Scientific Streetfighting from the Original Oakland Jeet Kune Do 34th Annual Summercamp.
99 10
Taught by Professor Gary Dill and staff Hosted by the Jeet Kune Do Association (the longest standing JKD organization in the world.
2 -Days
1 -Day
1 918-327-6895
Prof. Gary Dill directly at dilljkd@aol.com. e: www.jkd-garydill.com
