The op art visionary’s investigation of color and geometry is the subject of a sweeping seven-decade survey that runs March 3 through July 24 at the Yale Center for British Art in New Haven, Connecticut. “Bridget Riley: Perceptual Abstraction” spotlights some 50 paradigm-shifting paintings, plexiglass prints, gouache studies, and more by the Londonborn nonagenarian. The exhibition, overtaking two floors of the Louis Kahn– designed landmark, charts the evolution of Riley’s oeuvre, from black-and-white compositions, such as Blaze 4, a 1964 synthetic emulsion on board, to the tonal modulations and saturated statements of later work, including New Day, a 1988 oil on canvas. In a word: phenomenal. —Jen Renzi
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Bridget Riley changed our perception of painting…