ingénu/e 36, Summer 2022

ingénu/e creative

talent revealed south downs and high weald : issue 36: summer 2022

Festival Fever

Loxwood Joust and a wealth of other festivals

Art Trails & Open Studios

meet artists in their natural habitat plus galleries & exhibitions

live music & theatre

creative courses & workshops

book reviews; poetry & flash fiction

shoreham wordfest

ingénu/e

creative talent revealed contents

Summer is... a wander in the cool woods, listening to the sound of birds and secret rustlings in the undergrowth, breathing in the fragrance of the trees... then coming to a clearing and stepping out of the shade into bright sunshine. The woodland trees give way to smaller stands of dainty birch, their delicate leaves fluttering in a gentle breeze. We're still for a moment, turning our faces to the sun, letting the warmth sink in. A path leads away from the clearing through waisthigh gorse, the sweet scent of coconut is intoxicating. Wait, was that a yellowhammer? We stroll on, the turf beneath our feet now close-cropped and springy and there's an unmistakable tang in the freshening air.

editor Gill Kaye editor@ingenuemagazine.co.uk for press releases pressdesk@ingenuemagazine.co.uk sales & marketing Roger Kaye sales@ingenuemagazine.co.uk 07583 944546 online www.ingenuemagazine.co.uk and big thanks to 2 Way Communcations for their invaluable help on the website www.2waycomm.uk

Photo from the 2021 Loxwood Joust (see pages 4 & 5)

This year the Loxwood Festival kicks off with a Jazz, Gin & Blues Festival on 31st July, and the Loxwood Joust takes place on 6th, 7th, 13th and 14th August. Both events at Loxwood Meadows, located just off the B2133 between Wisborough Green and Loxwood

We crest the brow of a gentle hill and there it is, horizon-vast and sparkling. The sea, the sea. Up ahead is a dip and the path, now no more than a slightly more worn trail across the rabbit-speckled grass, curves away and out of sight. It leads us to a gentle descent zigzagging down the cliff through clouds of pink valerian alive with bees. And then we are there, on the beach. Suddenly aware of being hot and sweaty we kick off our shoes and run, laughing, across the hot sand. Our feet luxuriating in the sun-warmed shallows we wiggle our toes in the sand while tiny fish dart about alarmed at our arrival. With trousers rolled up (a token gesture) we paddle deeper, shrieking as the cooler waves break gently over our knees, gulping great draughts of the ozone-laden air until we're giddy with oxygen and joy.

Memory or imagination? You decide, dear reader... Being creative must be one of the most therapeutic things to do. You are challenging your own limitations – real or perceived – and learning or exercising a skill intended to communicate ideas to others. Whether your art is visual, written, performance or musical, it inevitably involves observation of your environment, the people within it and/or the circumstances resulting from the interaction therewith. In this way it puts the artist in better communication with life, and that can only be a good thing!

"if it's not in ingénu/e ...it's not happening!"

Having threatened to do it for ages I finally went out sketching recently. More used to drawing people and animals, I find landscapes a challenge. But encouraged by local artist Gill Bustamante and spurred on by images on social media of artists out sketching in our beautiful countryside, I finally got out and, equipped with sketch book, pencil and a view, and buoyed up by the camaraderie of Gill, my sketching buddy for the day, spent a very enjoyable afternoon brushing the rust off my drawing skills. I still have a long way to go – I managed half a landscape to Gill's three very accomplished studies of our surroundings – but it's a start.

–Gill Kaye,

editor

festivals

Let's celebrate creativity in all its forms: classical music, early music, folk music, jazz, harp, opera, poetry, literature, plays, films, Shakespeare, jousting and even gin. There's something for all tastes this summer.

Two fabulous summer events...

Loxwood Meadow, West Sussex RH14 0AL

Jazz, Gin and Blues Festival

31st July 12 midday to 8pm

Celebrating its third year, this gloriously indulgent, boutique festival, held at the tranquil Loxwood Meadows, will once again be hosting an intimate crowd of just 500 people. A stellar line-up of jazz and blues artists will be performing live in the sheltered woodland glades. Curated by Simon Bates the founder and organiser of the legendary Loxwood Jazz Club, a marvellous day of great eclectic jazz and blues, with a little helping of gin, is promised! Heralding artists such as the Alexandra Ridout Band, The Simon Bates Organ Trio, the

Julian Burdock Trio and Spice Fusion, and with more special guests still to be announced, a spectacular show of energy and musical genius is guaranteed.

In addition, a drum workshop will be running for guests to learn, participate and enjoy the intricacies of percussion rhythms, and an exciting mix of local heritage food stalls to suit all palates will provide the ingredients for a perfect afternoon. And for the gin lovers, independent local gin producers will be on hand to help quench thirsts, along with award winning real ale.

Visit www.jazzginblues.co.uk for full details and to book tickets.

top: Knights prepare for jousting; below: A lazy afternnon at the Jazz, Gin and Blues Festival

The Loxwood Joust Announces the Quest for the Crown of Loxwood 6th, 7th, 13th and 14th August

Withfour days of action packed battles, breathtaking full-contact jousting, banquets, workshops and entertainment, the Loxwood Joust, the UK’s most spectacular immersive medieval and jousting festival, returns this summer.

Be transported back in time as you interact with townsfolk and peasants and rub shoulders with royalty. Witness daring displays of weaponry, archery and cannon fire, along with the impressive knight on knight combat that will be waged in the quest for Regent. Fast-paced battles and daring challenges create mediæval mayhem as visitors to the Joust are immersed in the plot to decide who should be their King or Queen.

The Living History Village plays out life in the Middle Ages, with falconry displays, torture with the executioner, the witches’ incantations and an insight into the ‘the nectar of the gods’, Loxwood Mead.

New for 2022 is the creation of Scribe School and the copper bangle making workshops along with other activities such as handfasting ceremonies, blacksmithing

workshops, sword school, copper bowl making, chain mail making, and singing workshops with the enchanting Mediæval Bæbes.

In the Children’s Kingdom, the young princes and princesses can use their mediæval groats to try have-ago-archery, pelt-the-peasant, non-contact sword fighting and circus school, in addition to court jester shows and face and wound painting.

The Loxwood Joust is located just off the B2133 between Wisborough Green and Loxwood and has ample free parking. A shuttle bus will be running to and from Horsham train station to The Loxwood Meadow throughout the four days.

Experiences and banqueting places must be booked in advance when booking tickets. For full information and tickets visit www.loxwoodjoust.co.uk.

left: Simon Bates; below: belly dancer at Loxwood Joust; bottom: a Mediæval Bæbe

spotlight on... festivals

49th Cornwall Folk Festival

26th to 29th August in Wadebridge

performers from Cornwall and the South-West performing, free live music and dance in town centre streets (over forty bands, acts, shanty singers, choirs, dance troupes, from traditional to alt-folk; Americana to rock) and a community folk orchestra workshop and a song writing seminar.

For more info visit www.CornwallFolkFestival.com.

left: Lizzie Freeborn one half of duo Isyla; below: Angeline Morrison; bottom: Fly Yeti Fly,

This August bank holiday, Cornwall Folk Festival brings back its ‘Betjeman Sessions’. A late opportunity to showcase America’s Gretchen Peters in 2018 forced the organisers to run two simultaneous main concerts, uncovering a bigger demand for folk music than the festival’s main Town Hall venue could accommodate.

The idea was born to run two evening concerts, using the 80-seater John Betjeman Centre, named after the Poet Laureate who is buried nearby. The John Betjeman Centre used to be the railway station in the town and Wadebridge and the station are mentioned in Betjeman's poem ‘Childhood in Cornwall’.

On Friday 26th August, Angeline Morrison explores stories of black lives in the UK through folk songs. Her album ‘The Brown Girl and Other Folk Songs’ just shot straight into the official folk album charts. The show opens with Steve Winchester, a painter of lyrical pictures of life in North Cornwall.

On Sunday 28th songwriter and early Elton John’s Rocket Label signing Mike Silver talks and sings about fifty years on the road in ‘Past Imperfect: The Journey Between the Songs’. He’s with Isyla, a young duo with a mission to respond musically to the climate crisis.

Meanwhile, the four main stage evening concerts in the Town Hall bring a wide spectrum of folk-related music to the festival, from traditional to contemporary and folk-rock. The town hall acts are: Dougie Maclean, O’Hooley and Tidow, Merry Hell, Granny’s Attic, Du Glas, Fly Yeti Fly, Winter Wilson and Handpicked. There is also the FAR stage, with over twenty-five

Broadstairs Folk Week

Folk Music by the Sea 5th to 12th August

Broadstairs

Folk Week is on track to return to a full-strength festival in 2022, after putting together in just four months a smaller event in 2021.

Folk Week is a hybrid of a green field festival in the middle of a town – with a beautiful beach too – making a great family holiday.

The festival headliners including Lindisfarne, Show of Hands, the Spooky Men’s Chorale, Spiers & Boden, Sharon Shannon, the Longest Johns, the Magpie Arc and Tim Edey who will all appear in the Concert Marquee at the Festival Arena, next to the town’s railway station.

After a drought of dance in 2021, festival goers are looking forward to a full programme of dances and ceilidhs at the new dedicated venue in the town’s popular Sarah Thorne Theatre, featuring dance workshops in English folk dance, Appalachian clogging, Cajun dance, and lunchtime and evening ceilidhs for all the family.

There are around 400 events crammed into one week – including workshops for all abilities in music

and song; African dance, drumming and guitar, flamenco guitar, fiddle, melodeon, spoons and ukulele are just some of the subjects on offer. Young people can join in with the Band in a Weekend project –bring along any instrument or just your voice and create a band.

There are singarounds, poetry shares and sea shanties on the Jetty. Morris sides dance around town and down the High Street in the annual festival parade. The ever-popular official free pub gig programme takes place in pubs around the town. At the bandstand, the free Hobby Horse Club attracts hundreds of families who participate in games, singing and dancing with Clarence the Dragon and the festival mascots, the Hooden Horses.

The festival campsite is within walking distance of the town and venues, although there is a free minibus service into town too. It’s a great way of having a holiday by the beach with all the entertainment thrown in!

New in 2022 is a Folk Week Lite week’s adult ticket which includes all events apart from the evening concerts in the Festival Arena.

There are more details and online booking on the website at www.broadstairsfolkweek.org.uk

Harp on Wight

International Festival

Ryde, Isle of Wight

28th October to 1st November

Harp on Wight International have announced a very impressive final line-up for their ninth annual festival. All concerts and teaching workshops are once again being held in Ryde Methodist Church in Garfield Road.

The festival are thrilled to confirm that the closing concert will feature the first appearance at the event by Catrin Finch from Wales, arguably the UK's best known harpist. Affectionately known as the 'Queen of Harps', Catrin previously held the post of the officially appointed harpist to HRH The Price of Wales. She tours widely as a solo artist, in an award-winning duo with Senegal kora player Seckou Keita, and with the world’s top orchestras. Catrin also works to promote the harp to young audiences through her Catrin Finch Academy.

Also performing and teaching workshops at the festival are Ireland's leading young harpist Aisling Lyons from County Clare, Tristan Le Govic from Brittany, Flamenco harpist Ana Crisman from Spain and Fran Barsby. Making a welcome return to the festival is Eira Lynn Jones who not only will be performing the opening concert with The Labyrinth Harp Ensemble, but who will also be running an ensemble workshop leading up to a Sunday afternoon concert for the participants.

Full details of how to book tickets and workshops at the festival can be found at www.harponwight.co.uk

top: Fran Barsby, photo by David Rann; below: Aisling Lyons

Magpie Arc

Intarsia

spotlight on... festivals

Tenterden Folk Festival

29th September to 2nd October.

The first of the fifty or so events will be the Thursday evening concert in The Tenterden Club which will feature Keith Kendrick and Sylvia Needham, plus Dick Miles and maybe another surprise guest. Unfortunately, Jeff Warner, from the USA, has had to postpone his UK tour yet again.

stages on the Recreation Ground.

For tickets and more details of the weekend’s events, the full list of guest artists, Morris sides, etc. go to www.tenterdenfolkfestival.org.uk.

This year’s other guests range from Jack Hogsden, a young folk degree student from Sussex, to four brothers who make up the Wilson Family, a cappella harmony group from Newcastle. Other guests include Jack Rutter, Si Barron, Paul Walker and Karen Pfeiffer and many more.

Nick Dow will be launching the second volume of his book Secret Stream and presenting a workshop on modern Gypsy Songs and Morrigan will present a show to commemorate the composer Ralph Vaughan Williams, who was born 150 years ago on 12th October 1872. He was an important figure in the English folk song revival of the early 20th century. Popular local band Foot Down will be playing for the English barn dance on Friday evening with caller John Sweeney.

Some of the other festival highlights will be the numerous free music sessions in some of the local pubs that performers come from all over the country to take part in, and of course the hundreds of Morris dancers, folk display dancers and street entertainers, who will perform around the town centre over the weekend and, on Saturday, process along the High Street. As well as all the music and song events in various venues around the town there will be a large marquee for the craft fair and stalls and free music and dance

Petworth Vision Lantern Art Trail

Aspart of Chichester District’s Culture Spark, Petworth will be hosting the trail from 1st July to 30th July. Celebrities and artists are busy decorating lanterns and six of Petworth’s independent galleries will be exhibiting the uniquely decorated lanterns.

Visitors will be given the opportunity to place a bid and display one in their own home. However, the celebrities and artists will remain anonymous until the end of the exhibition, and will only be revealed when the winners come to claim their prize. All funds raised will go towards supporting Petworth Vision CIC and its continuing work within the community and the surrounding areas.

The Lantern Art Trail Map will be available to download shortly at https://petworthvision.com.

below: Jack Hogsden; bottom left: Paul Walker and Karen Pfeiffer; bottom right: Petworth

Southdowns Music festival

22nd to 25th September

These four days will see the Town Centre and Seafront areas of Bognor Regis feasting on a superb array of great music, dance, and much more.

There will be a fantastic offering of free entertainment for locals and visitors to enjoy including the hugely popular Southdowns Ukulele Festival, the second scintillating ‘Shanty Showdown’, the Southdowns Dance Festival with nine colourful dance groups, the new Bognor Radio Respect Music Stage on the closed seafront, fascinating craft and market stalls, a Real Ale Festival, music sessions, choirs, workshops, great children`s entertainments and free events at eight different venues. What’s not to like!

The Festival will be centred on the Regis Centre and Alexandra Theatre with other venues including the William Hardwicke, the Hothampton Arms, the Dog & Duck, the RAFA Club, the London Road precinct, the newly refurbished Place St. Maur, Waterloo Square plus a closed off part of the seafront.

The ticketed headline concerts include the legendary Lindisfarne, the acclaimed Spiers & Boden – a double-header with the up and coming Wrest, the Leylines and The Men They Couldn’t Hang.

On Saturday afternoon in Studio 1 of the Regis Centre, there is a fascinating new ticketed production by London based choral group Broomdasher entitled The Country Diary of an Edwardian Lady, who have wowed audiences up and down the country.

On Saturday and Sunday afternoons, the RAFA Club in Waterloo Square will be hosting the Festival concerts from 1pm to 6pm with some real high quality performers. Tickets for each afternoon concert are just £10.50, with Four-Day Festival ticket holders having access to all ticketed events over all the Festival days.

Visit www.southdownsfolkfest.co.uk for more information and tickets.

above: The Men They Couldn't Hang, photo Max Ellis

The Petworth Festival

Two BIG Summer Nights in Midhurst, 27th & 28th July

Midhurst

Rother College’s fantastic theatre space is the setting for two high profile summer concerts just before the big August holiday getaway.

Promoted under the umbrella of the Petworth Festival which runs from Wednesday 13th to Saturday 30th July, the two headline events feature front rank comedian Milton Jones and two of the most successful and entertaining singer/songwriters of the 80s and 90s, Beverley Craven and Judie Tzuke.

Talking about the two shows, festival director Stewart Collins enthuses “Being able to put on shows in the Rother College theatre is such a bonus for the festival and gives us the opportunity to bring in performers of real stature and notoriety. Milton Jones, for example, is one of the straight-up-funniest comedians you will ever see, whilst the Beverley Craven/Judie Tzuke show is a very rare re-run of an amazing concert I saw a year or so back featuring two absolutely top artists who perform great repertoire and love working together – something that is so obvious to anyone in the audience.”

Craven and Tzuke’s show ‘Strings Attached’ has an additional layer of glamour in the shape of the Gabriella Swallow string quartet, who have played alongside Nigel Kennedy and his Jimi Hendrix project, as well as the Ronnie Scott’s All Stars. Expect an evening that includes Brit Award winner Beverley Craven’s biggest hits including Promise Me, and Judie Tzuke’s Stay with Me Till Dawn.

Visit www.petworthfestival.org.uk for tickets and all that is happening at the festival.

top: Gabriella Swallow, photo by Philip Gatward

spotlight on... festivals

Summer Trifle returns

Three days in August of art, craft and entertainment

It’smarvellous to see Summer Trifle mini arts festival & open gardens returning in all its glory this August, assisted by a grant from Chalk Cliff Trust. Teaming up with several local organisations, the festival comprises three days of art, craft and entertainment in the delightful gardens of Pickhams in Wilmington, East Sussex.

Exhibiting in the Meet the Makers marquee are professional artists and makers from Hailsham Artists Network and members of Compass Community, with some makers demonstrating their craft. Sussex Songwriter’s Festival takes place on Saturday afternoon, continuing with a ticketed gig in the evening featuring Robb Johnson and the Irregulars, Milton Hide, Dandelion Charm, The Cheer Up Mollys and Andy Melrose.

Bluebell Roots bring their monthly music night to the gardens on Sunday with guest performers Friction Farm who are on tour from South Carolina. On Monday, following a Spoken Word Open Mic in the secret walled garden, Slap & Tickle Theatre perform One Track Minds, their new Saveloy Opera.

Garden entrance is £5 (under 12’s free) which includes a tea, coffee or soft drink. Donations to Macmillan Cancer Support are invited for the afternoon Music and Spoken Word Open Mics.

Visit www.pickhams.com for further information and tickets for the evening events and meals.

Shipley Arts Festival 2022

Events throughout the year

Founded

by Andrew Bernardi in 2000, the annual Shipley Arts Festival brings world class music to communities in and around Shipley and the county of Sussex. Andrew has become established as one of the UK’s leading violinists, festival directors, string educationalists and music entrepreneurs. A champion of charitable causes and a dedicated ambassador of music’s power to change lives, he promotes the transformative nature of performance across the world working with consulates, businesses and charities.

Through a curated programme of concerts and events from April to November, the Shipley Arts Festival celebrates the connection between music and nature, wellbeing and heritage. And, whilst showcasing professional ensembles, the festival also champions young talent. As part of the festival, musicians from the String Academy are invited to perform alongside the professional musicians.

Established as one of the leading cultural events in Sussex, the festival also commissions and premieres new works by some of today’s leading composers.

Performances take place in different locations each year, ranging from beautiful small village churches through to larger estate residences. And, running throughout the year, music lovers can enjoy a unique programme of classical music excellence and innovative with performances from the Bernardi Music Group, their Stradivarius Trio, the String Academy youth orchestra and solo performances from internationally renowned violinist Andrew Bernardi.

Regular updates, priority booking and exclusive opportunities can be secured through membership to the ‘Friends of Shipley Arts Festival’.

The Shipley Arts Festival is delighted to be working closely with their sponsors Tooveys, Nyetimber, Kreston Reeves, Wakefields, NFU Mutual and YuYaun Arts. For more information on the 2022 programme and for details of membership packages please visit www.bernardimusicgroup.com.

Milton Hide, photo Alex Thomas

Andrew Bernardi

Shoreham Wordfest

3rd to 16th October

Wordfest has a rip-roaring programme for their 2022 festival. Headliners include Poet Laureate Simon Armitage, with his band LYR, BBC presenter Clive Myrie and a full cast production of Under Milk Wood performed by The Dylan Thomas Theatre.

For the first time Shoreham Wordfest features a fullday festival of crime writing: Fatal Shore, curated by Elly Griffiths and William Shaw. There are twelve other top writers appearing including Kate Mosse, Dorothy Koomson and Vaseem Kahn. Wordfest patron Simon Brett will be in conversation with Lynne Truss before performing his one-man play Lines of Enquiry.

Actresses Sally Lindsay and Sue Vincent will talk about co-writing their Channel 5 series: The Madame Blanc Mysteries. The former CEO of Sussex Hospitals Trust, Dame Marianne Griffiths and Jeremy Hunt MP will discuss their prescription for the NHS, and there will be a ‘State of the Nation’ discussion with journalist Rafael Behr and campaigner Yasmin Alibhai-Brown.

There is plenty of local talent featured including Attila the Stockbroker with comic poet Henry Normal, a whole day on environmental issues, a Ceilidh and a final party; something for everyone in the vibrant atmosphere of Shoreham-by-Sea.

Tickets and full information is available from www.shorehamwordfest.com

top: Elly Griffiths; above: Simon Armitage's band LYR

The Festival Theatre at Hever Castle

Forty shows to entertain us this summer and into September

Thisyear the theatre is continuing performances into September with Shakespeare’s Globe production of Julius Caesar on 21st and 22nd September.

The vibrant and varied programme this year includes opera, plays, films, jazz, classical music, speakers, comedy, family favourites and the best tribute artists.

The events take place in three spectacular locations in the award-winning gardens of Hever Castle, childhood home of Anne Boleyn, one of Kent’s top tourist attractions. The Loggia, the tranquil Italian Gardens with the magnificent lake view where this year you can enjoy Illyria’s production of A Midsummer Night’s Dream. Anne Boleyn’s Woodland Walk is the perfect setting to enjoy some family shows including David Walliam’s Awful Auntie, The Crow House and a retro caravan with a mind of its own in The Wagon of Dreams, and the Two Sisters Theatre (the original heart of the festival) where the outdoor seating is tiered and under cover or you can choose to sit where you like on the lawn and enjoy the vista from your own chairs or blanket, in the sunshine or under the stars.

It is 500 years since Anne Boleyn’s first appearance in English court and the Festival Theatre is celebrating with the critically acclaimed play Anne Boleyn by Howard Brenton. Hever Castle Historian Dr. Owen Emerson and Kate McCaffrey also discuss their new book, Becoming Anne, charting her formative years.

Other events include Musical Tribute nights, Grammy nominated vocalist Stacey Kent, The Music of James Bond introduced by former Bond Girl Madeleine Smith and The Four D’s singing West End favourites. There is also award-winning comedy and an evening Solve-Along-A-Murder-She-Wrote. Festival favourites Opera Brava perform Carmen, Charles Court Opera perform the Mikado and Ronnie Scott’s All Stars and The Last Night of the Hever Proms complete the programme.

Visit https://heverfestival.co.uk/ or call the box office 07379 488477.

The Four D’s

spotlight on... festivals

Brighton Early Music

Festival – 20th Anniversary Year

19th to 23rd October

Brighton Early Music Festival returns to Brighton this autumn with a five-day Festival of events celebrating some of the most exciting new talent on the early music scene.

The Festival has always been committed to developing young artists, with its BREMF Live! Young Artist programme first established in 2007. Artistic Director Deborah Roberts says “Many of the artists who now regularly perform at the Festival first came to us through the BREMF Live! Scheme and it’s hugely rewarding to see them go on to develop successful careers in the sector. Our audience also love the fact that they can build up a relationship with artists in the early stages of their careers, and follow them as they go on to enjoy great success.”

Seven events are on offer this October, ranging from Scottish baroque tunes from Ensemble Hesperi (19th Oct); grand scale music that inspired J S Bach with Spiritato and The Marian Consort (22nd Oct); and elegant French baroque with BBC New Generation Baroque Ensemble, Ensemble Molière (23rd Oct). There’s also a masterclass for young singers (20th Oct) given by visiting Italian medieval music experts Alena Dantcheva and Michele Pasotti, who will also give their own recital in Brighton (21st Oct). Saturday 22nd October is a celebration of the newest talent on the scene with this year’s new BREMF Live! ensembles performing an afternoon showcase and evening clubnight.

The Autumn Season will be followed by online events in November and more live events on 16th & 17th December. www.bremf.org.uk for info and tickets.

Hailsham Festival

3rd to 18th September

Acelebration

of talent, creativity and imagination!

“The arts represent a vital component of our culture, enriching our community and creating a vibrant landscape from which we all benefit.” An eloquent and relevant opening statement by Hailsham Festival Chair Mr Tony Biggin, who believes this will be the best ever festival, and it’s no wonder!

Highlights include a return visit by distinguished poet, broadcaster and presenter Roger McGough who will present his new show, Safety In Numbers at Hailsham Pavilion. Also at the Pavilion, acclaimed guitarist Richard Durrant will perform in concert.

This year's Festival caters for all ages and tastes –ranging from the Blues Brothers Party Night and the film Singalong – Mamma Mia!, the popular Nostalgia Fair, Afternoon Tea Quiz, Party In The Garden and a Murder Mystery evening. There's the Mayor's Concert, the Festival film Under The Volcano, Three Choirs In Concert and so much more.

Once again, members of the community have been invited to share and showcase their creative achievements in a Virtual Art Gallery, and the 2022 Poetry and Short Story Anthology will be available to buy as a printed or e-book from 1st September.

For all details visit www.hailshamfestival.co.uk.

Roger McGough, photo Nick Wright Photography

Richard Durrant

Ensemble Hesperi © Benjamin Ealovega

BREMF Live! Clubnight

Join Brighton Early Music Festival this autumn for an exciting season featuring rising stars. Highlights include Scottish baroque with Ensemble Hesperi; stellar performers from Italy; a showcase of the newest emerging talent; music that inspired Bach from Spiritato and The Marian Consort; and passionate French baroque from Ensemble Molière

Find out more and book tickets (from early Sept) at bremf.org.uk or call 01273 833746 to request a brochure.

https://heverfestival.co.uk/

Tenterden folk festival 2022

Free

Ticketed

Guests

http://www.tenterdenfolkfestival.com/

S

Wadebridge, North Cornwall Fri 26th-Mon 29th Aug

Dougie MACLEAN O’Hooley & Tidow

MERRY HELL GRANNY’S ATTIC Winter Wilson

Fly Yeti Fly Du Glas Handpicked Mike Silver Angeline Morrison Isyla Steve Winchester + more CORNWALLFOLKFESTIVAL.COM/TICKETS

https://cornwallfolkfestival.com/wp/

visual arts & contemporary crafts

Chalk Gallery

Take a short walk from the High Street in Lewes and you will find the tranquil space of Chalk Gallery, not far from the Needlemakers, on the ground floor of an elegant 19th century town house. Once inside, the clean white space of the gallery transports you quickly to the 21st century, with affordable artwork that is fresh, vibrant and relevant to today.

Established in 2005, Chalk Gallery is now a wellloved destination for art lovers and is renowned for nurturing local talent. Chalk is run by its members, and is a non-profit organisation. The artists gain the opportunity to learn about the business whilst having a democratic voice in the running of the gallery. It also means visitors are given a warm welcome by an artist on duty, and the chance to learn about the work from the experts themselves. The exhibitions are carefully curated and the high standard of artworks is often remarked on.

The gallery shows approximately seventy to ninety works by artists at any one time, with complete exhibition changes every nine weeks. Artists work in a wide range of media, including painting, print, ceramics and glassware, and each exhibition comprises a variety of styles and subjects. A programme of featured artists, as well as guest artists and special events,

particularly during the Artwave Festival, means there is always a new reason to visit. Chalk also has an online shop with exhibition artworks available to buy and convenient delivery options.

The membership of the group slowly changes over time as artists move on and new members join. Chalk is always interested to hear from new applicants, so if this is of interest to you do get in touch.

Chalk Gallery is open from 11am to 4pm, Thursday to Sunday and further information can be found on the website www.chalkgallerylewes.co.uk

above: Melissa Birch, Blackbird (linoprint)

left: Andrew Milne, Barns Farm Hill, (acrylic)

opposite

top: Ursula Stone, Silence of Thought (oil on canvas)

mid: Yolande Beer ceramic platter

mid right: Lucy Cooper, At the Corner of the Garden (screenprint)

right: Janice Thurston, Evening Sunlight (oil on canvas)

visual arts & contemporary crafts

"Fantastic artwork which is regularly refreshed – worth popping in every few weeks, there's always a warm welcome." –LC

"Beautiful little Gallery, always something for everyone and a constantly changing exhibition of work from local artists, ceramicists and jewellers. The window display is always expertly arranged and attractive. Always a warm welcome from whichever artist is on duty." –GM

"You actually get to meet the artists. Sometimes they're painting or drawing in the gallery." –TP

A vibrant contemporary gallery, home to an inspiring collection of beautiful artworks showcasing guest artists alongside the gallery’s regular artists

Open: Weds to Sat 11– 5; Sun 11– 4 7 Hyde Gardens, Eastbourne BN21 4PN T: 01323 406442 E: info@newart-gallery.co.uk

Anthony Ellis

The Coach House, High Street, Alfriston, East Sussex, BN26 5TD Tel: 01323 871402 Mob: 07970 549873 info@newart-gallery.co.uk www.newart-gallery.co.uk

www.newart-gallery.co.uk

Opening Times: Thursday, Friday, Saturday & Sunday 11 am – 5 pm

Suzanne Hennegrave

Leila Godden, Dancing Light

above: Amanda Palmer, The Rabbit and The Hat; above right: Gina Southgate, Matana Roberts

visual arts & contemporary crafts

TOWNER Eastbourne

until 25th September

A pair of major exhibitions

A major presentation to reveal the life and work of pioneering female gallerist Lucy Wertheim –A Life in Art: Lucy Wertheim - Patron, Collector, Gallerist, and Reuniting the Twenties Group: From Barbara Hepworth to Victor Pasmore.

Towner Eastbourne is pleased to announce a pair of major exhibitions opening in summer that shine a light on the pioneering female gallerist, Lucy Wertheim and the celebrated young artists she supported in her gallery from its opening in 1930 until its closure at the outbreak of World War II in September 1939. A Life in Art & Reuniting the Twenties Group – two complementary shows that will be presented simultaneously across Towner Eastbourne’s top floor galleries – will showcase Wertheim’s vast contribution to mid-20th century modern art, reuniting works from her collection and telling her own story and that of the artists whom she fervently championed. Over 150 works will be shown across both exhibitions.

It was whilst in Brighton in the 1960s that she cultivated her friendship with David Galer, the curator of Towner Art Gallery (as it was then known) and exhibited her works on several occasions at Towner. In her later life, Wertheim lived in Brighton and was cared for by one of her Twenties Group artists, Kathleen Walne.

'Reuniting the Twenties Group' will feature early works from artists including Barbara Hepworth, Roger Hilton, Victor Pasmore, Robert Medley, Nan Youngman, Mervyn Peake and Edna Ginesi alongside lesser known artists, all of whom were in their twenties when they first exhibited at the Wertheim Gallery in the 1930s. Frustrated that only established British artists were being shown in commercial galleries at the time, Wertheim created the Twenties Group as a forum for ‘painters of the future’. The group had several exhibitions before the gallery was requisitioned as an air raid shelter at the start of World War II.

The new 2022 edition of Adventure in Art, published by Unicorn Publishing to coincide with the exhibition, will include essays by art historians, Frances Spalding and Ariane Bankes, and exhibition curator, Karen Taylor, alongside unseen ephemera, letters and photographs. Wertheim bequeathed over fifty works to the Towner Collection following her association with the gallery and friendship with David Galer.

The exhibition marks fifty years since Wertheim’s gift to Towner, and therefore an opportune moment to celebrate this pioneering female gallerist. The exhibitions coincide with the summer opening of Towner’s newly developed ground floor foyer and studio spaces and a special curated programme of events that will take place alongside these exhibitions.

For full details visit www.townereastbourne. org.uk

top: Lucy Wertheim by Lafayette, c.1938. Photo The Lucy Wertheim Archive left: Robert Greenham, On the Beach, 1934. ©The Artist's Estate. Image courtesy The Ingram Collection

HASTINGS CONTEMPORARY

Lakwena Maciver: Jump

Ongoing exhibition until 25th September

Hastings Contemporary is proud to present an exhibition of Lakwena Maciver’s Jump Paintings, abstract portraits of some of the most inspiring basketball players, both past and present.

The show will be an immersive experience, as the entire floor Foreshore Gallery will feature a monumental 18 x 10 metre depiction of Sweetwater Clifton, one of the first ever African Americans to play in the NBA.

London based artist Lakwena is internationally renowned for her joy-inducing palette, dynamic designs and profound, succinct messages. Her public art commissions and installations include those at Tate, Somerset House, The Bowery (NYC) the Southbank Centre, Covent Garden, and other large scale architectural installations in Munich, Miami, New York, LA, Dubai and London. Most recently her acclaimed Back in the Air: A Meditation on Higher Ground has brought to life the half-acre roof terrace on top of Temple Underground Station.

For these new paintings, Lakwena took physical and biographical references as a starting point. Each is titled with the first name of the player and is the same height as the individual. They are painted on bespoke slim wooden panels and given a seductive, almost mirror-like gloss. This idea of reflection adds a personal interactive element to the viewing experience.

Lakwena says “I like the notion of the basketball court as a platform or a stage where the players become almost like superheroes… The heights that they soar to… it’s like they are flying, somehow able to rise above the limitations of this world. This is especially poignant for me given that basketball is indisputably dominated by African Americans, and their style of play has shaped the game.”

Hastings Contemporary Director Liz Gilmore says: “As part of the celebrations of our summer season and tenth anniversary year, we are thrilled to welcome back Lakwena to Hastings Contemporary, with a dynamic set of her Jump paintings. The exhibition includes the presentation of five new and unseen works. Visitors will be able share

Lakwena’s passion and admiration for some of the great basketball players of our time, with our large ground floor gallery having the look and feel of a basketball court.” Visit www.hastingscontemporary.org for further information about the exhibition.

Lakwena Maciver, Magic Johnson

SEAFARING

Explore life at sea through the eyes of artists. Follow the fortunes of mariners and travellers through war and peace, calm and storm.

Explore life at sea through the eyes of artists. Follow

Explore life at sea through the eyes of artists. Follow the fortunes of mariners and travellers through war and peace, calm and storm.

Saturday 30 April – Sunday 25 September

Saturday 30 April – Sunday 25 September

Explore life at sea through the eyes of artists. Follow the fortunes of mariners and travellers through war and peace, calm and storm.

Saturday 30 April – Sunday 25 September

Saturday 30 April – Sunday 25 September

Saturday 30 April – Sunday 25 September

Saturday 30 April – Sunday 25 September

@_art_on_sea

www.hastingscontemporary.org

www.gillbustamante.com www.facebook.com/GillBustamanteArtist www.etsy.com/uk/shop/SussexPaintings

visual arts & contemporary crafts

incraft focus

Contemporary Craft Fair returns to Hever Castle

Craft In Focus is delighted to be returning to Hever Castle from 8th to 11th September. The event offers a perfect opportunity to view and purchase work from professional, contemporary craftmakers and artists.

Craft In Focus has always been at the forefront of promoting the best of the UK’s designer makers and their high quality events have been placed above all other shows of their kind by The Independent. Organiser, Rob Chapman says, “We are delighted to be returning to Hever Castle, which makes an ideal backdrop for an event

of this calibre. Our event is a high quality contemporary craft fair and visitors appreciate the fact that we keep our standards high and have stuck with our principles of only allowing work made by the exhibitor to be presented, with no bought in, mass-produced or imported work. This has really set us apart from many other craft fairs.”

All exhibitors have designed and made the work that they display and have been selected for their individuality and innovation in contemporary design.

The event will be held within the award-winning Hever Castle Gardens set in 125 acres of glorious grounds.

Admission to the garden also gives admission to the craft fair. Reduced priced tickets can be purchased online in advance using discount code CRAFT2022. For further details call 01622 747325 or visit www.craftinfocus.com.

Discus Potters Wheels

An edited extract on Hints on Choosing a Kiln by Anton Page republished by Discus Potters Wheels

How to save money when using a kiln.

• Single firing? Instead of firing to biscuit-ware, glazing and firing again, apply glaze to raw, unfired pots and just fire once. Until the industrialisation of the pottery process in the eighteenth century most ceramics were only single fired. Raw glazing and then firing just once will cut carbon emissions (and energy bills) by around a third and can give some interesting results.

• Choose an energy efficient kiln. Front loaders are better than top loaders in this respect.

• Pack your kiln efficiently. Pots can be just 2 mm apart when they are packed (remember pots shrink as they fire).

• Take full advantage of off-peak electricity. It saves money and uses electricity when there is likely to be a surplus.

• Buying a used kiln avoids the embedded carbon (the CO2 emissions associated with their manufacture) and it seems that they perform just as well as new kilns. To confirm the integrity of the insulation and the efficiency of the heating elements ensure regular servicing of your kiln. A kiln should last many years without loss of performance. (E-bay often has several on offer but you will have to organise your own transport and installation).

Finally, do you really need a kiln at all? Can you negotiate

space in someone else’s kiln? We trust this is helpful. –Discus Potters Wheels www.potterswheels.co.uk

This is how you should pack your kiln!

© Florian Gadsby

Anthony Theakston, Sideways, bronze

new art gallery

I have collected artwork for many years and have quite a collection of eclectic work. The first piece I bought was in Sanary-sur-Mur in the south of France, over 40 years ago, and it is still hanging on my wall!

Greenfinch

Gorgeous goods from Sussex and Kent

Greenfinch is an informal gallery showcasing artists and makers from Sussex and Kent.

Opening at the end of 2019, my vision was – and remains – to have a relaxed, welcoming space, open and accessible for all to feel comfortable wandering in for a browse, or to pick up just a card or a candle. A miniature local Liberty's, if you like!

I'm also passionate about supporting local, and that’s what you’ll find in Greenfinch: a carefully chosen quirky mix of artwork, sculpture, ceramics, jewellery, garden items, homeware, cards, books, natural candles and bath & body products, as well as a small range of clothing and accessories. All from artists, makers and small independent companies across Sussex and Kent.

I've resumed our popular monthly Meet the Artist events this year. Informal Talks from local artists, makers and authors, lasting around thirty minutes with Q&A. Now held on a Thursday at 6.30pm with complimentary drinks from 6pm. Next up is Landscape Architect Marian Boswall on 21st July. Full

Since then, I have added to that and now have a collection of sixty pieces of all mediums. The joy of running a gallery is that I hang what I like and find that the artist is producing artwork with emotion and passion. I believe that my clients feel this when they look at the artwork hanging in my gallery, they may not always say what it is that attracts them to a certain piece, but the feeling comes through the artwork.

To me the artist that always shows this is Gina Southgate, she paints musicians as they play (see ad p.19), and I feel that she is painting the music. The same sense applies to all the artists that I represent, from seascapes and boats, landscapes and gardenscapes, abstracts, and imaginative pencil drawings. One can almost smell the sea, smell the gardens, imagine what was in the mind of the artist producing imaginative drawings, think about the abstracts, or just enjoy them. As I always say ‘Invest in Art that you Love’. –Peter H Patterson.

New Art Gallery

7 Hyde Gardens

Eastbourne BN21 4PN 01323 406442

www.newart-gallery.co.uk

details on www.greenfinchshop.co.uk/events where you can sign up to keep up to date. You can also find us on social media @greenfinchticehurst.

Greenfinch, Church Street, Ticehurst TN5 7AE.

far left: Polly Dutton, Looking At The Big Sky; left: Barry Wilson, Girl in Flower Dress

For just £12.95/year you can have your own copy delivered to your door each quarter. To subscribe just email subscribe@ingenuemagazine.co.uk

visual arts & contemporary crafts

Artgenu/e

by Lesley Samms

What’s the Story?

Artists talking about their unique journey

Mark Austin is a Pure artist and regularly exhibits his artwork with Pure at Pure Beauport House Gallery at Bannatyne Hotel and Spa Hastings.

Mark has recently been a Pure Artist in Residence at Bannatyne. The Pure residency commissioning programme offers artists, at any stage in their professional career journey, space and time to focus on developing both their emotional and business skills and art, to ensure they establish a strong and resilient professional art practice that will sustain them going forward.

“The Pure residency has encouraged me to embed some discipline into my art life – this discipline calms me down and it helps me see. From my practice perspective the regular drawing is having a positive impact, my understanding of which is still emerging and becoming clearer daily.”

Please can you tell us about your background and upbringing?

Born and raised in the High Weald in Hailsham, I spent a lot of time at my grandparents' farm near Heathfield. Mum and Dad were active members of the local church and we were encouraged to be creative and mix with people.

I have always had a passion for the outdoors and wanted to be a farmer but this changed when I did volunteer work with my dad at the Bluebell Railway, spending one month in the civil engineering department.

This experience got me my first job as a construction technician and led to me leaving home at sixteen and a thirty year career in the construction sector. I worked up from the shop floor and was fortunate enough to be given the opportunity to do lots of different roles eventually becoming Innovation Director of one of the UK’s largest construction companies.

Did you make art as a child?

I was actively encouraged to be creative as a child and was always making things / playing with Lego etc.

My grandpa was a model maker and my grandma was a watercolour artist. My grandma used to let me use the art studio when ever I stayed, which had a view up the valley from the family farm. My grandpa was always in the workshop, and I spent many hours in there with him learning different skills.

We had a dark room at home in the loft and I used to develop my own black and white photographs with my

mum, who still to this day has a better eye than me for a competition winning photograph.

What is your earliest memory associated with art?

Helping set up local art exhibitions and shows. Both my grandpa and grandma were members of the Sussex Guild and regularly used to hold exhibitions in the local area. I remember stewarding at the local flower show exhibition when I must have been around eight years old.

Please could you tell us who or what has had the most significant influence on you as an artist.

My grandma and grandpa, and my mum for her passion for photography.

Latterly my inspiration is with Gaudi, Kandinsky and Picasso, as well as David Nash for his wood sculpture.

What is your artist muse? Your inspiration.

The unique patterns and moments in nature which I capture in sculpture, art and photography. I love walking and sketching in the Sussex landscape.

What motivates you?

Nature and the world around me. The desire to make a positive difference and share my artistic journey and story.

Please can you talk to us in detail about one piece of artwork.

The piece of artwork is Bridge in the Woods.

I have walked that route for over forty years and playing Pooh Sticks on the bridge is somewhat of a family tradition going through the generations. Whenever we go to my parents we walk past and splash in the river.

There was, for about twenty years, a tree root which slowly moved down the river in storms until last year when it finally got stuck under the bridge and it was moved.

This year I decided to sketch the bridge on a Boxing Day walk, and the tree stump can be seen in the background. Something just came out in the piece as I drew by the fire and memories must have come out in the piece.

Please could you tell us about the piece of artwork you are most proud of, and why.

visual arts & contemporary crafts

The piece of artwork I am most proud of is the Flow series of abstract and surrealist works which are part of the artists residency. It is the first time I have been confident enough to show them professionally framed and in a professional exhibition.

What advice would you give to those aspiring to make a living out of art?

Be yourself. Make what means something to you and share your journey. People will always be supportive and provide advice and guidance. Be engaged in something bigger than yourself and collaborate.

Read the full interview on the Pure website: www.pureartsgroup.co.uk/interviews

Mark Austin with Lesley Samms at Bannatyne Hotel; this page, artwork by Mark Austin, above: Flow 3; inset: Flow 5; below: Bridge in the Woods

opposite:

original work by 25 local artists and makers fabulous coffee and cake unusual plant gifts life drawing classes

https://www.facebook.com/The-Lighthouse-Gallery-109961087991355 https://www.instagram.com/lighthousegalleryeastbourne/

The Lighthouse Gallery Eastbourne 19 Cornfield Terrace, BN21 4NS 07748354879. Open Tues-Sat 10am-5pm Find us on Facebook and Instagram

Do you love art created with natural materials?

This is made with natural clay pieces I find on the beach.

A unique art work like this would be a wonderful way to celebrate a special occasion.

The large one shown here took me seven months, so I can only accept a few orders each year.

“The commission went really smoothly and the end result is stunning - we’re delighted.” L&C

Price from £690 for 45cm disc to £2,900 for 90cm as shown.

For in situ photos and info visit: www.artistsathome.co.uk/ artist/86/hamish-pringle

hamish@pringle.co.uk

visual arts & contemporary crafts

Sussex Echoes

musings from landscape artist Gill Bustamante

As a Sussex based artist, I spend much of my time walking in Sussex and then painting my impressions of a place once I have returned home.

My fascination for the landscape is that, in spite of the tragedy of having been being cut into fragments by roads, it is green and ancient and still retains the marks of former generations all over it. Every time I go out, I find oddities which I look up on google when I come home. This includes mill ponds, Roman roads, clay pits, iron smelting works, pillow mounds (ancient rabbit warren farms), mysterious hidden architecture, hill forts, barrows and much more.

A place I particularly enjoyed was Brightling, where a character called Mad Jack Fuller once lived and is now buried in a large pyramid in the local churchyard. (This area is a treat to visit as he has left oddities all over it.)

I also like how different landscapes feel. Some places have a calm and welcoming atmosphere – East Chiltington is such a place – whilst other places feel less friendly and sometimes even sinister. All these impressions together with the wildlife I spot on my walks tend to appear in my paintings. My favourite place, so far, is around Bignor near the Chichester South Downs area. The love and respect for the landscape, by the residents and farmers, is palpable.

I am writing this because part of my purpose as an artist is to encourage people to walk and to look at their landscapes, and to want to help preserve them and the wildlife in them. I hope I succeeded a little and, to illustrate what I have described, here are a few of the paintings I made after some of my explorations.

Pictured from top: Queen of May – a landscape near Plumpton College, Ditchling. Made in response to the ‘donturbanisethedowns.com’ movement which is working hard to prevent a disaster in development. Coming Home – Eastbourne coastline, made in 2021 when I was thinking about a long trip abroad but did not really want to leave home!

Jewel of the River – Fordcombe near Chafford Bridge, a favourite place for river walking by the Medway where I saw my first kingfisher.

–Gill

For more about Gill and to see more of her work visit www.gillbustamante.com where you can also sign up for her monthly newsletter.

the little art gallery– scenes of a coastal nature

At the little art gallery in West Wittering we always have a selection of coastal works by some of our artists. Something to cover all tastes and budgets.

Passionate about coastal painting, Shazia Mahmood makes strong vibrant images of the local beaches and dunes. She works with oils and inks on canvas and handmade paper. (pictured right)

Frances Knight works en plein air at different times of the day, catching the light. Then taking the sketches back to her studio works them in to larger evocative paintings. (pictured right)

For details and to see more artists' work: www. thelittleartgallery.online

Sue Green is a very popular artist, her work often adds the perfect finishing touch to a modern designed space. (pictured above left)

Susie Monnington's work evolves from speedy responsive drawings, rapidly capturing the elements at a particular moment in time. (pictured above)

Paddy Martin works on recycled sailcloth. His images of surfers and backlit sails attract a lot of attention. (pictured left)

Further Reflections - recent oil paintings & work on paper

Further Reflections - recent oil paintings & work on paper

Further Reflections - recent oil paintings & work on paper

Further Reflections - recent oil paintings & work on paper

DAVID WEBB

DAVID WEBB

DAVID WEBB

DAVID WEBB

Proceeds from sales will be donated to the DEC Ukraine Humanitarian Appeal 7th May - 30th July

7th May - 30th July

7th May - 30th July

7th May - 30th July

Littlehampton Museum

Proceeds from sales will be donated to the DEC Ukraine Humanitarian Appeal

Proceeds from sales will be donated to the DEC Ukraine Humanitarian Appeal

Proceeds from sales will be donated to the DEC Ukraine Humanitarian Appeal

Littlehampton Museum

Littlehampton Museum

Littlehampton Museum

Manor House, Church Street, Littlehampton. West Sussex. BN17 5EW. 01903 738100

Manor House, Church Street, Littlehampton.

Manor House, Church Street, Littlehampton. West Sussex. BN17 5EW.

Manor House, Church Street, Littlehampton. West Sussex. BN17 5EW. 01903 738100

E: museum@littlehampton-tc.gov.uk W: littlehamptonmuseum.co.uk

West Sussex. BN17 5EW. 01903 738100

01903 738100

E: museum@littlehampton-tc.gov.uk W: littlehamptonmuseum.co.uk

www.littlehamptonmuseum.co.uk

E: museum@littlehampton-tc.gov.uk W: littlehamptonmuseum.co.uk

E: museum@littlehampton-tc.gov.uk W: littlehamptonmuseum.co.uk

Littlehampton

Littlehampton Museum OPEN 2022

Littlehampton Museum OPEN 2022

We are inviting amateur and professional artists from the Sussex area to submit work based on the theme of Hope

We are inviting amateur and professional artists from the Sussex area to submit work based on the theme of Hope

We are inviting amateur and professional artists from the Sussex area to submit work based on the theme of Hope

We are inviting amateur and professional artists from the Sussex area to submit work based on the theme of Hope

For terms & conditions, entry fees, important dates and entry forms please visit: littlehamptonmuseum.co.uk

For terms & conditions, entry fees, important dates and entry forms please visit: littlehamptonmuseum.co.uk Image: unsplash.com/@ronsmithphotos

For terms & conditions, entry fees, important dates and entry forms please

For terms & conditions, entry fees, important dates and entry forms please visit: littlehamptonmuseum.co.uk

Image: unsplash.com/@ronsmithphotos

Image: unsplash.com/@ronsmithphotos

LITTLEHAMPTON MUSEUM

Call for Submissions

Littlehampton Museum OPEN 2022 HOPE

Littlehampton Museum is thrilled to announce that the OPEN art exhibition is back for 2022! The hugely popular annual exhibition, which has been on hold for the past two years due to covid restrictions, is now returning for its 9th show.

Once again we invite amateur and professional artists, of all ages, from the Sussex area to create work on this year’s chosen topic: Hope. Artists can work in any medium they wish, so if you are a painter, photographer, sculptor, embroiderer, printmaker or something else entirely then we want to hear from you! Submission forms will be available for completion on the Museum website until the 20th of August. Up to three entries may be submitted by each person.

“It’s fantastic to have the OPEN back for 2022” said Councillor Billy Blanchard-Cooper, Chair of Littlehampton Town Council’s Community Resources Committee. “The theme is very fitting for the times we find ourselves living in, and I look forward to seeing what people create.”

Full details including terms and conditions, entry fees and important dates can be found online at www.littlehamptonmuseum.co.uk/open2022 or by visiting or contacting the Museum.

top: David Webb, Boats, Littlehampton Harbour no.2; below: David Webb, Coloured Shadows, Ilex Way, Ferring

Also

at the museum, a new exhibition running until 30th

July

Further Reflections by David Webb

Popular Rustington based artist David Webb is returning to Littlehampton Museum with a show of his latest work, an atmospheric collection of oil paintings based on Sussex scenes.

David has previously exhibited in various locations around the south of England, including Alton, Chichester, Worthing and Littlehampton.

All of the work on show is being offered for sale, with any proceeds being donated to the DEC Ukraine Humanitarian Appeal.

“Some stunning local scenes captured in David’s recognisable, expressive style,” said Councillor Billy Blanchard-Cooper. “It’s wonderful to be able to, once again, support the work of our local artists.”

visual arts & contemporary crafts

Make a memory into a piece of art! Portraits by Artist Amanda Ellis

Artist Amanda Ellis uses her creative talents to produce watercolour portraits.

“I believe it is important to paint from your heart and express your love through creativity. If you are hurt or angry, art can be a place of healing and assist in working out those feelings. We are surrounded by so many wonderful colours, animals, nature and environment –every colour creates different emotions and feelings.

Art should be bought based on loving the images –images you never tire of looking at!”

Amanda's watercolour portraits come in two sizes, A3 or A2, and are produced from high resolution photographs. Each portrait is a unique gift for any special occasion.

If you would like to commission Amanda to produce a beautiful watercolour portrait you can call her on 07519 504398 or order a commission by visiting her website www.aellisart.work.

You can view all her previous commissions on her website or at www.instagram.com/aellisartwork. pictured: Amanda Ellis, 'Iceburg'

Artists at Oakbank

24th & 25th September and 1st & 2nd October

Artists at Oakbank is an exhibition in a beautiful wooded setting overlooking the Downs. This light filled modernist space lends itself to displaying contemporary artwork.

Eleven Sussex artists who work largely in the abstract come together in this mid-century flavoured home to exhibit and sell their work. This group show includes painting, printmaking, ceramics, jewellery, assemblage and sculpture in the house and garden.

Come and see the work and meet the artists:

John Mulligan – assemblage

Kate Scott – painting

Julie Allan – painting

Jackie Gordon – printmaking

Christian Funnell – sculpture

Si Uwins – sculpture

Karin Hay-White – painting and collage

Rebecca Bergese – painting

Yvonne Kirk – ceramics

Raynor Faye – mixed media

Vee Pease – jewellery

Dates: 24th & 25th September and 1st & 2nd October from 11am to 6pm; At: Oakbank, Chantry Lane, Storrington, RH20 4BU. Ample free parking. Refreshments available. 10% of proceeds will be donated to St Barnabas. Contact: johnsmulligan@btinternet.com 07974 933282 Instagram: artists_at_oakbank

Rebecca Bergese, Hand of Fate

Oakbank

Si Uwins, Guiropods

visual arts & contemporary crafts

Summer Sensations!

It’s promising to be a sensational summer here at Shoreham Art Gallery with a wonderful selection of work by twenty gallery members and guest artists.

The garden is blooming profusely among stunning sculptures, pots and mosaics and the sun always seems to be shining in the Gallery!

In July mosaic artist and painter Christine Walker has a solo show in the Little BIG Gallery upstairs. “Reassembled” is a collection of work completed after 20 years of fun, experimentation, mistakes and successes. These include mosaics, patchwork, junk figures and a selection of bits and pieces from Christine’s studio in Brighton.

August Guest Artist is popular ceramicist Angela Evans with her beautifully crafted hand-made tiles. Angela takes inspiration from the garden: fruit, vegetables, flowers, butterflies and birds. To this domestic menagerie she adds more exotic fish, lizards and imagined creatures. She also draws on the landscapes and cityscapes of Sussex.

Also in August we have a joint exhibition with ceramics by Chris Hesketh and mixed media paintings and prints by Karolyn Mnich inspired by life on the coast. Chris is known for her raku and stoneware animals and birds but expect a few surprises. Karolyn has been developing her daily drawings into some exciting new work.

In September we are featuring well-known Shoreham painter Malcolm Hardy bringing his very own quirky personality to the Gallery walls.

Shoreham Gallery is open every day with a wide range of original work all very reasonably priced. Visit www.shorehamgallery.co.uk/news/ or subscribe to our monthly newsletter to find out more about what’s going on.

clockwise from top left: Ceramic tiles by Angela Evans; Chris Hesketh, 'Bathing Beauty'; Mosaic by Christine Walker; Malcolm Hardy, 'Lazy Days'; Karolyn Mnich, 'Kite Surfing'

visual arts & contemporary crafts

Way Out There and Back

street art specialist retailer & urban art gallery

Trading locally in Littlehampton for over 29 years, we stock a wide range of locally (UK) sourced or created and produced needful things. We are also stockists of local art and local handmade artisan crafts, housed in our art gallery.

In the shop you can find a wonderful range of specially selected high quality products that blend beautifully with works by artists such as Rob Bintley, Ginger Gilmour, Cassette Lord, Ben Cav, David Puttick, Mandy Hamson, Manic Minotaur, Staci3, DaveB, which are currently on exhibit.

We are the only dedicated ultraviolet viewing gallery along the beautiful South Coast of England, and we are licenced stockists for Nemesis Now Ltd, Kobra Spray Paints, and Posca Paints.

In store you will also find crystals, divination tools, clothing, jewellery and a large range of incense and smudge sticks.

Our other specialist area we focus on is our wide range of house plants and cacti, plus Sussex rare and endangered plants & herbs.

We are situated on the east side of Littlehampton in a peaceful ancient courtyard tucked away behind the Arcade Lounge on Arcade Road.

visual arts & contemporary

stories of the sea

Artists out sketching for Stories of the Sea: left: Veronica van Eijk (and Floss) drawing at Cuckmere Haven ; right: Lyndsey Smith's sketch at Birling Gap

South Hill Barn, Seaford 22nd to 29th August

Following the success of the popular Songs of the River exhibition, wellknown printmaker and art teacher Emma Taylor is curating another exhibition, Stories of the Sea, in this large ancient and beautiful barn.

Located on the East Sussex Coast, at the top of Seaford Head with a stunning view of the Seven Sisters, South Hill Barn boasts a free car park and a café in the courtyard. This year’s collaborative exhibition will feature a variety of mixed media creations some of which incorporate vintage maps. The artists are taking their inspiration from the sea, and the associated theme of journeys, both literal and symbolic. All are very busy creating work specifically for this exhibition. Expect a rich variety of sculptures, original prints, paintings, mixed media creations, jewellery and installations. A special feature wall will display exciting and unique small pieces of art created in vintage tins and boxes (see Simone Riley's, above right)

In addition to the week-long exhibition there will be a performance by Folkadelix, a gong bath and art workshops at specific times.

Twenty percent of the sales will be going to the Royal National Lifeboat Institution, whose amazingly dedicated volunteers make it possible for the RNLI rescue boats to be available 24 hours a day for its essential rescue work at sea.

After visiting the exhibition, you can enjoy a fabulous walk, taking the nearby path to the iconic Cuckmere Haven, making this visit a double delight.

South Hill Barn, Seaford BN25 4JQ 22nd to 29th August; 10.00am to 4.00pm. emma@emmataylorprint.co.uk @cuckmerestoriesofthesea

left: Sussex Boat Trips from Newhaven take a palette of artists out to see Cuckmere Haven and the Seven Sisters from the English Channel; inset: at Seaford Head, Lyndsey Smith's sketch on an old map

above: Catherine Greenwood, Constant Lovers, cyanotype

above: Simone Riley, the beginning of another little story; left: Emma Taylor, Siren of the Seas, collagraph

art trails & open studios

After the first flush of art trails and open studios events in spring, the celebration of artists and makers across the region continues into summer with more outstanding work on show for us all to enjoy.

Arundel Gallery Trail 20th to 29th August

While the practice of inviting hundreds of strangers into your home to view artistic endeavours is now well established, what makes the Arundel Trail unique is that it largely takes place on a few streets in the centre of town and is quite walkable.

The Gallery Trail is very much a part of the town and as Arundel's demographics change, so our trail has had to adapt to survive. Regular venues may have been lost as properties are changing from residencies to Airbnb holiday lets and weekend retreats, but all the time new ones emerge. Duff House is opening its doors for the first time, with an amazing selection of artists including Amy Fathers showing her extraordinary paper sculptures (see image right). Another new venue is Parkers Atelier showing the vibrant abstract paintings of Justin Robins (see image opposite top)

The Trail has also extended to Ford and Walberton this year, where you will find up to a dozen artists and makers. We very much hope that visitors will take the time to visit them even if they are a little off the beaten track.

The event is as popular as ever and it’s wonderful to

be able to pick up your free map and pass a pleasant afternoon wandering around the thirty plus venues and meeting the artists alongside their work.

The Trail runs concurrently with Arundel Festival of the Arts and is open from 20th to 29th August, from 12 to 5pm daily. Pick up a free guide from any of the venues, the Museum in Mill Road and several of the shops in town. All venues display red and grey numbered flags to help you locate them and entry is free. www.arundelgallerytrail.co.uk

above: Karin Moorhouse, Things are Looking Up; below: Amy Fathers, Octopus

Karin Moorhouse

In her home studio for Arundel Gallery Trail

This year Karin is exhibiting back at her home in School Lane rather than at the Mill Studio in Ford Lane. Karin's vivacious personality is matched by her garden, which I’m sure will be a joyful riot of colour and plants this summer.

She tells us she will be exhibiting new work, mainly oils on linen, showing paintings she has worked on during and after the Covid lockdowns. The influence of her garden features largely in her collection this year, as she feels its changing beauty and character supported her so well over the last two years.

Karin has had studios in Chelsea, Covent Garden, Battersea and Surrey, but has for some time now lived and worked in West Sussex. And although London specifically and urban scenes generally still hold a place in her heart, she remains continually inspired

art trails & open studios

by her surroundings here.

Arundel Gallery Trail runs between 20th and 29th August, 12.00 until 5.00 daily. For full details visit her website www.karinmoorhouseart.com, email karin@karinmoorhouse.co.uk or call 07801 613334.

Susie Olford

Taking part in two exhibitions this summer

Arundel Gallery Trail gets closer; the pinnacle of Summer Art Trails in the South. Arundel provides the wonderful opportunity to leave the car, walk around town taking in art, theatre, street entertainment and endless places to eat and drink.

My exhibits will be on the north aisle of Arundel Cathedral from Saturday 20th until Monday 29th August. Opening hours to match with Cathedral Services: Monday to Saturday 11.00am to 5.00pm, Sundays 1.00pm to 5.00pm. Colour brochures are available mid-August, artist and venue details can be found on www.arundelgallerytrail.co.uk. Don’t forget the Secret Artist Auction to mix Art with a Secret Bid!

The Cathedral Centre, also on London Road, will show the largest collection of the Gallery Trail, from Arundel Art Society.

Before the Gallery Trail I will be exhibiting with four other West Sussex artists in Arundel Museum from 14th to 18th July. If the weather is good, you’ll find me painting outside on the back step close to the river.

My world of colour in contemporary paintings displays soft blended work, or vibrant contrasts as shown above in Corn Shadow. For more information you can contact me by email at smoart@btinternet.com.

pictured above: Susie Olford, Corn Shadow left: Karin Moorhouse, The Year Turning

Justin Robins, Freedom #4. Arundel Gallery Trail

art trails & open studios

Open Art Event with Attitude

East Dean & Friston OpenArt

24th and 25th September

The East Dean and Friston Biennial OpenArt Exhibition is returning in September. In a temporary change from its usual format, of artists opening their houses for the weekend, they will be making good use of their magnificent (luxurious even) Village Hall. Not a problem as there’s plenty of space for showing off the work of local artists and crafters.

The OpenArt Society is very proud of its history of ‘punching above its weight’ at these events. Given the relatively small size of the two villages, there’s a lot of talent at work within the flint-dressed cottages and houses.

The society has a tradition of delivering a stand-out event at the hall on the Saturday evening. Besides an evening with Grayson Perry, no less – their patron and a local resident – their past guests have included the artist Harold Mockford, the award-winning West End stage designer John Napier and the Wu Quartet, who performed a new string quartet composed and conducted in the hall by Simon Rowland-Jones. The last event, before the dark curtain of covid came down, was an evening of contemporary dance created by choreographer Daniel Hay. A huge success with the audience.

This year the Society is presenting a concert by The Fretful Mandolin Orchestra, accompanied by members of The Sussex Folk Orchestra, who will present a mix of music ranging from folk to Beethoven – including a performance of Seafaring Folk, a recent work by composer Jonathan Brigg who will be taking the baton. Lots of fun. Tickets can be obtained from Sarah Drury on 01323 422250 or sarahjaynedrury@ hotmail.co.uk

Crowborough Arts

3rd and 4th September

Crowborough Arts have always prided themselves on offering their audiences something a little bit different and their summer programme for 2022 certainly follows that line of thinking. A glance at their website www.crowborough-arts.org.uk shows the breadth of their events – from music and performance to visual arts, exhibitions and workshops.

Early September sees CA’s flagship visual arts event, Open Studios, which celebrates its tenth anniversary this year. Over forty local artists will display and sell their work in around fifteen different studios in the Crowborough area.

One of the CA’s most loyal supporters, painter and illustrator Justin Todd, celebrates his 90th birthday this year. A retrospective of his work will be held during Open Studios, showing some of his earlier work for book illustrations. In addition to pictures for beautiful editions of Alice in Wonderland and Wind in the Willows, Justin designed the ‘Penny Lane’ artwork for The Beatles’ Illustrated Lyrics. His later paintings demonstrate the precision and playfulness promised by his earlier work.

CA formed a new choir early in 2022: ‘The Martlets’. Led by professional musicians Alessandra Testai and Robin Jeffrey, the core repertoire is English traditional songs, and performances so far have been supported by a full folk band. New singers of all abilities are warmly invited to join – please see details online for more information.

Life and portrait drawing mornings continue to be held around three times each month, and with a new, more spacious venue, more artists are now able to join the sessions. Full details of how to take part are on the Crowborough Arts website, as is a full listing of all events.

With membership starting at just £20 per year, CA is a wonderful organisation for anyone interested in the local arts scene! Why not join today?

top: Justin Todd pictured with his work at a previous Crowborough Arts Open Studios

pictured above: Grayson Perry (image courtesy of Grayson Perry) left: Paul Liddiard, Seven Stars

Artwave 2022:

Art Around Every Corner

3rd to 18th September

Around

900 local artists and makers will be exhibiting their very best at 158 venues across the Lewes district at this year’s Artwave festival, which runs from Saturday 3rd to Sunday 18th September.

Established in 1993 the event celebrates this creative community, and is as popular as ever. Artwave gives people the chance to see art and meet artists and makers, who are exhibiting in an array of charming venues from churches and barns to private homes, studios and glorious countryside settings. It is an inclusive un-curated festival which encourages creatives of all ages, any discipline and at all stages of their career, to take part.

A huge breadth of work will be on show, including jewellery, painting, sculpture, printmaking, textiles, ceramics, metalwork and photography. Visitors can explore venues around Newhaven, Peacehaven, Seaford, Lewes and many of the surrounding villages. Take an afternoon, a weekend or even three weeks to explore this vibrant part of Sussex.

All exhibitions are free. A full printed guide will be available from August at Lewes and Seaford Tourist Information Centres and at www.artwavefestival.org.

Mark Munroe-Preston exhibiting as part of Artwave

Mark will be bringing his atmospheric Treescapes to the stunning setting of Southover Grange Gardens during the first two weekends (September 3rd, 4th, 10th & 11th, open 10am to 5pm) of this year's Lewes Artwave Festival. They are presented as limited edition prints on sheets of brushed aluminium, which gives the work a unique dynamic appearance, depth of colour and a contemporary feel.

The gardens are wonderfully peaceful while being only a short walk from the train station and town centre in Lewes. Originally the private garden of the Grange, it has a magical secret garden feel about it, perfect for showing these ethereal artworks. Due to the robust nature of these works, being printed on rust proof aluminium with fade resistant inks, they can also be permanently displayed outside as garden art. www.mpillustration.co.uk c-wise from top: Christian Funnell, Bird Bath (Haven Trail); Mark Munroe-Preston, N51.0568 E0.0406; Mark Munroe-Preston's Treescape at Southover Grange Gardens; Carolyn Cox, Dandelion Hare (Lewes Trail)

art trails & open studios

Vee Pease

taking part in Hampshire Open Studios

WestSussex based jeweller Vee Pease walks daily on the Downs, observing, photographing and sketching new ideas for her designs. The surfaces and textures of natural forms inform the way she makes her jewellery which is predominantly in silver, but can be made in gold. Vee loves working with semi precious stones to inject splashes of colour into her pieces.

Vee will be taking part in Hampshire Open Studios which runs from Saturday 20th till Monday 29th August. She will be at North End Studios, Broughton, Stockbridge SO20 8AN, every day from 10am to 5pm for the duration of the show.

Vee will also be taking part in Artists at Oakbank, featuring eleven Sussex artists, working in many different media. The exhibition will be taking place the last weekend of September and the first weekend in October, 11am to 6pm Saturday and Sunday, at Oakbank, Chantry Lane, Storrington RH20 4BU. For more details see @artists_at_oakbank on Instagram; to see more of Vee's work visit www.vpjewellery.co.uk

Littlehampton Arts Trails

2nd to 31st July

25 locations throughout the town

Our Arts Trail has been supporting artists since 2012, it is unique and inclusive, as no charge is made to the exhibiting artist or hosting venue, thus not excluding artists or businesses from participating based on financial circumstances. Our Arts Trail plays host to developing, outsider and both locally known and internationally acclaimed artists of many genres.

LOCA 'Chalk Experience' July 9th 11am to 3pm

Littlehampton High Street

Come join the LOCA artists as they bring art to the High Street with chalk. An interactive chalk drawing event for all ages. Joined by Professor Glyn Edwards Traditional Punch & Judy, along with Seaside Post Card printing inspired by artist Donald McGill.

Littlehampton’s 'Walk and Shoot'

July 16th 11:30am to 3:30pm

A photographic walk facilitated by local professional photographers. This event is free to the public to take part in and will encompass a comfortable walk, north along the river Arun. The meeting point is the water fountain garden in front of Arun Civic Centre and opposite Creative Heart. To book please email loca@wotab.co.uk.

Littlehampton Sketch Crawl, July 30th 11am to 3pm

Hosted by Steve Carroll this event is free to the public to take part in. Children under sixteen years of age will need to be accompanied by an adult to take part. The walk will encompass beautiful parks within Littlehampton Town. Meeting point is the water fountain garden in front of Arun Civic Centre. Please email loca@wotab.co.uk to book.

For these and many more events please see our brochure, available from over 25 locations in Littlehampton or email loca@wotab.co.uk to request a digital copy.

a selection of work from artists taking part in the LOCA art trail

happy participants at previous year's Littlehampton Sketch Crawl

Vee Pease, sterling silver earrings with howlite

East Dean and Friston

OpenArt Patron: Grayson Perry

https://www.artwavefestival.org/ https://www.instagram.com/artwavefestival/

Mohamed Hamid Lewes Trail

theatres

Not

to be missed this September at

Capitol Theatre, Horsham

Motionhouse perform its critically acclaimed dance-circus production ‘Nobody’

Motionhouse arrive at the Capitol from 23rd to 24th September, the visit marks the company’s first return to Horsham since 2019. See below for an exclusive discount code for these performances.

Spectacular, fast-moving and highly physical, Nobody explores the tension between our inner lives and how we make sense of the world around us. Motionhouse’s renowned style combines with mesmerising choreography to tell this emotional and ultimately uplifting story, full of twists and turns. Kevin Finnan, Artistic Director of Motionhouse said: “We’re very pleased with Nobody and absolutely delighted by the response from our audiences and the critics. It’s quite different from our recent work and as a company we’re excited to be breaking new ground. We’re embracing the relationship between dance, digital and circus in a new way in this production; developing our movement language and expanding our use of on-stage digital technology. This has proven to be an exciting show for audiences – it’s a significant leap forward in the merging of our dance-circus language and the use of spectacle. Its messages are

pertinent to the time we live in and audiences have been relating to what they are experiencing and have certainly been moved by it.”

Nobody is packed with visual magic: the world on stage is transformed before our eyes, with the set seemingly moving by itself or being moved by the dancers. Digital projections and the shape-shifting set create a constantly changing environment where nothing is quite what it seems… We follow seven characters as they negotiate their ever-changing reality, the performers search for answers as the world unravels around them.

STOP PRESS! There is an exclusive 20% discount for ingénu/e readers, but book early using the promo code CIRCUS20 as there’s only a limited number up for grabs (offer closes 19th August).

www.thecapitolhorsham.com

top & below: Nobody by Motionhouse, photos: Dan Tucker

A sample of what’s arriving at Chichester Festival Theatre

Two plays, one politically incisive and one a black comedy

26th August to 24th September at the Minerva Theatre sees the world premiere of The Narcissist, a new play by Christopher Shinn.

You can't live your life thinking everything you text will become public knowledge. Censoring yourself is no way to live.

Everyone needs Jim.

His mother.

His best friend.

His brother.

His new lover.

A hopeful future President.

But can Jim really help anyone, when he isn’t sure who he is any more, or what he actually believes? An expert in electoral strategy, he’s forged a successful career by advising politicians how to communicate with voters. But following seismic shifts in the political landscape, he’s disillusioned. And his marriage is in crisis. As he juggles the demands on his life through his smartphone, will the lure of success and fame prove irresistible?

From 23rd September to 15th October Alan Ayckbourn’s dazzling black comedy Woman in Mind arrives at the Festival Theatre.

There are all sorts of games we can play, you see. With our minds.

A knock on the head from a garden rake splits Susan’s world in two.

Is she living happily with her devoted husband, charming brother and talented daughter, revelling in her rose-filled garden with its swimming pool and tennis court, and combining her blissful family life with a successful career?

Or is Susan trapped in a suburban existence with her pedantic husband, resentful sister-in-law and estranged son, wrestling with desperate frustration at her aimless life of routine domesticity? Which of these lives is real? Which one does she want? And is Susan in control of either of them?

Visit www.cft.org.uk for full details of these and further information about what’s on at the theatres.

pictured above: The Narcissist left: Woman in Mind

Devonshire Park Theatre, Eastbourne

Around The World In 80 Days

5th to 27th August

Come on a whistle-stop tour around the world, without even leaving your seat, in the imaginative and creative re-telling of the Jules Verne classic. There is no passport required for this whistle stop

tour, with riotous fun for everyone!

A talented team of actors will recreate a cast of a hundred and four characters in this rip-roaring adventure. A perfect summer treat for all ages, this theatrical event is not to be missed. Buckle up as six trains, six boats, four fights, two dances, one sleigh ride, a storm, a circus and an elephant will take to the Devonshire Park stage.

They said it was ridiculous, they said it couldn’t be done but Phileas Fogg is fabulously determined as he wagers his whole fortune on the seemingly impossible. Surely no one could circumnavigate the world in just 80 days?

Join Fogg and his loyal valet Passepartout as they journey from London to Brindisi, Bombay, Yokohama and even the Wild West as this beloved tale is hilariously brought to life as never before.

This production is being produced especially for Eastbourne from the team responsible for The 39 Steps, Return To The Forbidden Planet, One Man Two Guvnors and Eastbourne’s legendary pantomimes.

Theatre Director and show Director Chris Jordan says “We’re delighted to be presenting this feel-good adventure, it’s the perfect production for all ages. We wanted to fill the Devonshire Park with something really memorable this summer and this show is the perfect escape for a couple of hours!”

For full details and all on offer this summer visit www.eastbournetheatres.co.uk

left: the Devonshire Park Theatre, Eastbourne

Worthing Theatres

Spin Out Festival

Open air performances this summer

Set on the promenade against the stunning backdrop of the Pavilion Theatre, and at various locations throughout the town, Spin Out features a range of mesmerising open-air performances from the best and most exciting performers of theatre, circus, street arts, music and dance.

Spin Out offers residents and visitors of all ages and backgrounds the opportunity to engage with and enjoy thrilling, innovative outdoor performances throughout Worthing from the best, and most exciting performers of theatre, circus, music and dance. All shows are completely free, offering residents and visitors of all ages the opportunity to engage with and enjoy thrilling innovative outdoor performances. There will be free shows every Saturday from 9th July to Saturday 10th September, making this the biggest and best outdoor season yet!

Here is just a sample of the thrilling performances lined up: events range from classical Indian dance, Scratchworks Theatre Company’s

The Grimm Sisters, telling their twisted tales with a marvellous mix of live music, singing & comedy; Wild – a daring dance-circus production from Motionhouse; All or Nothing Aerial Dance Theatre who bring The Swings – both an aerial dance duet and an open invitation for you to swing high and free, and BrainFools’ Lucky Pigeons perform daring aerials and acrobatic feats.

Kudos to the Theatres, Worthing Borough Council, Town Centre Initiative and Time For Worthing for their support in bringing Spin Out to the town. Visit https://wtm.uk for everything on offer at the theatre and museum this summer.

top: Scratchworks Theatre Company – The Grimm Sisters; inset: Scratchworks Theatre Company; left: The Swings, photo by Suzanne Heffron

Saturday 30th July, 7.30pm to 9.25pm St Michael in Lewes

Leading actor of the stage and screen Suzanne Ahmet joins the critically acclaimed music and theatre company The Telling during their Empowered Women tour across England and Wales.

Music and theatre collide in Into the Melting Pot, a show written by The Telling’s Artistic Director and soprano, Clare Norburn and directed by BAFTAnominated Nicholas Renton.

Into the Melting Pot follows Blanca, a Jewish woman facing expulsion from Spain and setting sail for an uncertain future as ordered by the Spanish Catholic monarchs in 1492. At twilight on her final night in Seville, Blanca tunes into voices of a community of Jewish, Christian, and Muslim women from across the Spanish peninsula.

Her story echoes down the ages and to the personal stories of people affected by politics and war today. Down the centuries, women’s stories of integration, love, the rich cultural heritage of the Spanish peninsula and racial intolerance are played out to a soundtrack of plaintive Sephardic songs and lively medieval music, with full staging and stunning lighting.

The Telling’s show at Lewes is one of seventeen tour stops across England and Wales this summer. The company is proud to bring London-quality shows to local communities at an affordable cost.

Visit www.thetelling.co.uk for further info and tickets: https://itmp-lewes.eventbrite.co.uk

This Is My Theatre brings the classic story The Railway Children to The Hawth Amphitheatre Crawley,

21st August

On Sunday 21st August at 3pm, This Is My Theatre stages E. Nesbit's classic story The Railway Children, perfect for a summer day.

When their father has to leave their London home unexpectedly, Roberta, Phyllis and Peter leave London and travel with their mother to start a new life in rural Yorkshire. Their love of trains and the nearby railway line lead to new adventures but the mystery of why their father doesn’t return remains and they must find out and help him come home.

Whilst written more than a century ago, this charming children’s novel still inspires all ages and with live folk music throughout, everyone will have their hearts warmed by this captivating adaptation.

Bring a picnic and rugs and enjoy some great al fresco entertainment in this outdoor woodland amphitheatre. If you’d like to bring your own chair please arrive early. The shows will go on in all but the most extreme weather conditions.

This small theatre company punches above its weight, so this production will be a must-see! Go to www.thisismytheatre.com for more info and visit www.parkwoodtheatres.co.uk/The-Hawth for full information about what’s on at the theatre.

The Telling, Into the Melting Pot

Rainbow Shakespeare

At Highdown Gardens July 2022

Rainbow Shakespeare ‘The jewel in Worthing’s crown’ are back for their 21st season of presenting sparkling Shakespeare for all the family!

Highdown Gardens is one of Sussex’s most magical, beautiful gardens and best kept secrets. Now reopened after two years renovation and the creation of the new visitor’s centre they play host, once again, to Rainbow Shakespeare. Picnic under the stars and be part of what has become one of the great Sussex traditions.

This year, eleven professional actors will be performing alongside a small community cast ensemble, including local children, and bring alive two of Shakespeare’s greatest comedies – As You Like It and The Merry Wives of Windsor, in unforgettable productions of lively, spontaneous and non-stuffy Shakespeare that all ages can understand and enjoy. Directing both shows is the company’s Founder, Artistic Director and Ferring resident, Nicolas Young, who loves sharing his love of the Bard with Worthing audiences.

The first play of the season is As You Like It; 12th to 17th July. Rosalind, dressing herself as a man for protection, escapes with her cousin Celia from the anger of her uncle the Duke to the Forest of Arden (aka Highdown Gardens!). So begins Shakespeare’s best and most tender of comedies with lovelorn shepherds, cross-dressing confusions, cynical jesters living and loving their dramas under the greenwood trees, proving once again that ‘all the world’s a stage’.

The second play of the season is The Merry Wives

of Windsor; 19th to 24 July. Queen Elizabeth I, requested a play about ‘the fat Knight, Falstaff’ in love, and here it is, one of the most loveable and funny comedies!

Hard-up Sir John Falstaff attempts to restore his fortunes by wooing the goodly (cheeky) ‘merry wives’ of two wealthy citizens, but they are more than a match for him! When suspicious husband, Master Ford, hears of Falstaff’s plan he decides to test his wife’s fidelity by pretending to be someone else and paying Falstaff to seduce his own wife, twice nearly catching them together! Jealousy and confusions abound in a hilarious laughter-filled entertainment for all!

Tickets can be purchased in advance through Worthing Theatres box office on 01903 206206 or via www.wtm.uk, or on the gate 90 minutes before each show (cash only). For further information visit www.facebook.com/RainbowShakespeare.

Previous Rainbow Shakespeare at Highdown Gardens –top: Much Ado About Nothing, an actor in amongst the audience inset: As You Like It

performing arts

Melting

Vinyl brings us two fabulous gigs this summer

Melting Vinyl and Creative Folkestone collaborate to bring Martha Wainwright to Folkestone Quarterhouse on 29th July, while The Handsome Family will be performing at St Luke’s Church in Brighton on 26th August.

Martha Wainwright is of course daughter of Louden Wainwright and Kate McGarrigle and sister of Rufus Wainwright, but she has definitely ploughed her own furrow, being a sometime actress and more prominently a singer/songwriter with a wide vocal range that spills across her sometimes folky, sometimes rocky songs.

The Handsome Family have written some of the most haunting and beautiful songs in American music. During a 30-year career, Brett and Rennie Sparks have created songs that transform the mundane landscape of modern life into a place of mysterious portent. They sing about Custer’s last stand and automatic lawn sprinklers in the same song

and Rennie’s lyrics often focus on the myriad creatures that live at the edges of the man-made world.

Here’s an amazing anecdote; David Bowie wrote the words, “The Handsome Family” in a notebook right before his death. Is that true and who knows what it could have meant?

For further info visit www.meltingvinyl.co.uk

above: Martha Wainwright; left: The Handsome Family

Ropetackle Arts Centre, Shoreham

Marvellous

Americana music this

summer: Chapin Sisters – 24th July

New York’s Chapin Sisters’ music, to quote The New York Times, is “Compelling, lovely, stirring, and tantalisingly close to beauty”.

They are returning to the UK for the first time since 2015 for a series of tour dates and festival appearances to support their first new music since their ‘Dolphins’ album in 2018. Masters of so-called blood harmony, the Chapin Sisters move seamlessly between their own deftly crafted songs, familiar country classics, pop covers and traditional folk.

They carry on a proud musical legacy; father Tom Chapin is a Grammy-winning singer/songwriter, legendary late uncle Harry Chapin was a musical artist and activist, and grandfather Jim Chapin was an esteemed jazz drummer and author of seminal drum instructional books.

Dustbowl Revival – 2nd August

Dustbowl Revival has always been about pushing the boundaries of what American roots music can be. After spending years on the road, selling out hometown shows at

LA’s famed Troubadour, headlining festivals and wowing crowds from Denmark to China, Dustbowl Revival never stopped making their joyful, booty-shaking soul songs and cut-to-heart folk-rock ballads that lift up their transcendent live shows.

The latest album strikes a more personal note than ever before, representing the latest stage in a band that never stops exploring new sounds.

“Maybe we don’t know where this journey will take us or how long it will last,” acknowledges band member Zach Lupetin, “that’s my take on the importance of what we try to do. Music elevates us, lifts us up, makes us change our minds and takes us out of our comfort zones. If just one person can be moved by just one song, that’s enough.”

Visit https://ropetacklecentre.co.uk for all the information about what’s on.

Chapin Sisters; inset: Dustbowl Revival

Summer season of theatre highlights include: Beacons, 14 – 23 July

Gangsta Granny, 3 - 6 August

Around the World in 80 Days, 5 – 27 August

Dreamboats and Petticoats, 8 – 13 August

Beautiful: The Carole King Musical, 23 – 27 August

Agatha Christies The Mirror Crack’d, 8 - 17 September

Marcio da Silva

21 20.00

The HANOVER Band

at The Arundel Festival 2022

THE PARSONS TABLE Tarrant Street Arundel

THE SOUTH STOKE SERIES

NURTURINGTHE

Part of the Arundel Festival at St Leonard’s Church, South Stoke

An evening of authentic Spanish music with JORGE JIMENEZ violin

Saturday 27 August 19.30

NNG NURTURINGTHE

NOITARENEGTXEN

Wednesday 24 August

A SUMMER SERENADE KROMMER Partita in F op 57 MOZART Serenade in E flat K375

St Nicholas Church, Arundel

NNG

NOITARENEGTXEN

The Hanover Band Principal Players with students from the Royal College of Music, London

Colin Lawson director Hanover Harmonie

AUG 23 11.00

ST LEONARD’S CHURCH

South Stoke

Thursday 25 August

A CELEBRATION OF BACH

ST LEONARD’S CHURCH

J. S. BACH Trio Sonata in G major

FESTIVAL CONCERT

J. S. BACH Brandenburg Concerto No: 1

BERKELEY ENSEMBLE

Pip Eastop horn

HANDEL Fra tempeste funeste a quest’alma from Rodelinda

J. S. BACH

Violin Concerto in E major

ALKE QUARTET

24

South Stoke

J. S. BACH Cello Suite No.1 in G major

J. S. BACH Flute Sonata in E minor

Friday 26 August

ST LEONARD’S CHURCH

CLARINET QUINTETS

25

South Stoke

STANFORD Fantasy No. 2

HOWELLS Rhapsodic Quintet op. 31

COLERIDGE-TAYLOR Quintet op. 10

Colin Lawson clarinet Brompton Quartet (RCM students and alumni)

ST NICHOLAS CHURCH

London Road, Arundel

VIVALDI L’estro Armonico No.10 in B minor

ST LEONARD’S CHURCH

South Stoke

HANDEL Ombra mai fu from Xerxes

HANDEL Concerto for Due Cori - No.3

Colin Lawson clarinet ALKE QUARTET

Nathaniel Harrison bassoon SOUNDS OLD!

The Hanover Band

THE HANOVER BAND

Anthony Halstead conductor

THE HANOVER BAND CHAMBER ENSEMBLE

The Lights of Leicester Square author

Felicity Fair Thompson takes us behind

the scenes

This Platinum year is the perfect time to celebrate the Royal family and our Queen. The publishing of my book The Lights of Leicester Square, with over 150 fabulous photographs recording those golden years of cinema 1967 to 1976 at the premieres and annual Royal Film Performances fits in wonderfully.

Lucky enough to be the first woman working for the Rank Organisation in Front of House Management in London’s West End meant I was very involved with those royal occasions, often only a couple of feet away from Her Majesty and many other Royal family members.

One of my many duties on royal occasions was to guide the child or children forward to present the bouquet. That was always a special moment and all the Royals were particularly sweet to those lucky children.

Of course, sometimes it was an important moment for the film – at the premiere of Oliver the two young stars, Mark Lester who played Oliver and Jack Wilde were doing to the presentation of the bouquet to Princess Margaret which had been made to represent the bowl that Oliver holds out in the story when he asked for more!

At the premiere of Chitty Chitty Bang Bang the photographs include the young Princess Anne and Prince

Charles, and one of the Queen looking on delighted at the Duke of Edinburgh as he examines the toy car he had been given.

At the premiere of Battle of Britain there were plenty of Royals. The Queen was there of course, and Prince Charles and Princess Anne, and the Duchess of Gloucester, the Duke and Duchess of Kent, Princess Alexandra, and Prince Michael and Princess Michael of Kent. And they were all due to go round the line-up of stars. The Queen set off, with Prince Charles next, then Princess Anne. Next came the Duchess of Gloucester, but the others, including the Duchess of Kent and Princess Alexandra were renowned for their very long and friendly exchanges with guests.

The children presenting the bouquets were dressed in air force uniforms. My first youngster delivered the bouquet to the Queen, and then a few moments later, the second child was encouraged towards Princess Anne. The Queen glanced back along the line, then turned back to smile and watch her daughter receiving the flowers. Another glance back. Still not much progress. One of the Queen's staff leaned in to hear what she wanted. ‘Go and tell them to hurry up,’ she said, very firmly. The gentleman

disappeared down behind the line. Aware she’d been overheard, the Queen gave a quick high laugh and smiled all round. Things improved – a little. Very aware of the production timing, the Queen glanced across at the entrance door and back along the line. Her staff member drew close again. ‘Tell them I’m going in,’ she said. He set off. Seconds later she turned. The signal button was pressed. The Queen entered the auditorium, followed by Prince Charles, Princess Anne, and the Duchess of Gloucester. The fanfare began. In the foyer there was

poetry prose & illustration

"What is more glamorous than a movie premiere? If you love the movies, you will relish this book over and over again." MICHAEL GRADE

"What is more glamorous than a movie premiere? If you love the movies, you will relish this book over and over again." MICHAEL GRADE

IN THIS BEAUTIFUL HARDBACK EDITION

royal panic. The slow ones gathered quickly beside the entrance, but for them things were already out of hand. The National Anthem began. They had to stand to attention. Once that was over, they hurried inside, settling into their seats in the dark, and with the overture to the stage show already under way. I never saw that slowness happen again, but then of course there was never such a gathering of Royals at one premiere again either. Battle of Britain had brought them all together.

Because The Lights of Leicester Square contains so many wonderful photographs of the Royal Family taken by the late Harry Myers of PIC Photos, I sent a copy of the book to Her Majesty the Queen. Delightfully I had letter back from her Lady in Waiting saying she was to thank me for my letter, and that Her Majesty was touched I had sent the gift and she was pleased to be reminded of some of those memorable occasions.

The book has had some lovely reviews: “A tantalising peek into one of London's best loved cinemas!” says Daisy Coulham, creator of Deadwater Fell and Grantchester. TV Producer Dominic Minghella says: “A golden decade of film presentation in the cathedrals of film, the Odeon cinemas in Leicester Square. Not to be missed!” And Michael Grade, Lord Grade of Yarmouth says: "What is more glamorous than a movie premiere? If you love the movies, you will relish this book over and over again.”

–Felicity Fair Thompson

Includes more than 150 fabulous press photographs. International stars! Royalty! Celebrities! Rock stars! The secrets, the magic, the golden years of cinema!

Includes more than 150 fabulous press photographs. International stars! Royalty! Celebrities! Rock stars! The secrets, the magic, the golden years of cinema! or direct from www.wightdiamondpress.com

pictured opp: Her Majesty the Queen receiving a bouquet at the Battle of Britain premiere; above left: The Queen and Prince Philip at the premiere of Chitty Chitty Bang Bang; above: The Queen Mother receives a bouquet from five year old Rupert Adley - Glenda Jackson (far right) and Felicity Fair Thompson (2nd left) looking on. Photos by Harry Myers

book reviews

The Bluebird Brooch

by Rosemary Noble

The Bluebird Brooch is a captivating story of love, loss, risk-taking and discovery. A betrayed and lonely young woman. An old lady locked in silence and regret. Ghosts of mothers who made their own choices. The death of a mysterious relative, an antique brooch and a cache of notebooks bring Laura and Peggy together in search of a long-lost great grandmother.

The story opens in 1854, London, and a new mother faced with an impossible decision. With her choice a die is cast that will determine the fate of her descendents for generations to come.

Fast forward to 2019. Laura Gray is lonely. Her mother died when she was just a baby and she doesn't get on with her father. But she has her future all mapped out. A steady job, a nice flat in a seaside town and a handsome fiancée. Until he walks out and suddenly the future looks bleak. Then a letter arrives with news of an inheritance and Laura's world starts to open up as she discovers relatives she had no idea existed. Each new discovery throws up more questions, however, and soon Laura finds herself on a quest.

With a skilful combination of first hand and third hand narrative, flashback and letters, the story unfolds. A family tree gradually emerges and in each generation there are secrets untold and questions unanswered. Love and desire are counterpointed with death and heartbreak and the links that might bring

Holiday Shorts

by Garfield Collins

On the front cover of Garfield Collins’ book it says ‘bite-sized stories to amuse and intrigue’. And, to quote a long gone TV advert, the book 'does exactly what it says on the tin'.

Holiday Shorts is a collection of over a hundred short stories, most of which are, with the odd exception, no longer than two or three pages. It is an ideal ‘going on holiday’ book in that one can either pick and choose what to read, drawn in by certain titles, or just start at the beginning and go from there. The subjects covered are very diverse; for example in ‘Carol’ a failed love affair has an unusual but happy ending while the story ‘Above and Beyond’ is an amusing account by a dead person, hovering above his body, of the shenanigans going on at his funeral. One of my favourites is ‘The Colour of the Sky’. Two pages long and set in Northern Norway, the

peace of mind to an old lady are tenuous and fragile.

Laura, her loneliness shrugged off, discovers a bond with elderly Peggy. With new-found confidence and spurred on by Peggy's insistence she steps out of her comfort zone to travel halfway around the world to track down a relative thought long-lost. What she discovered was more than she anticipated and her courage and resolve are tested to their limits.

Rosemary Noble has done it again. With sensitively realised characters and the perfect balance of mystery and reveal she has created a story in which you can get totally immersed, weaving together a number of apparently disparate story lines spanning several generations and straddling the globe. It's like the best episode of 'Who Do You Think You Are' – only way, way better. It's hard to write this review without giving too much away, for it is in the mysteries, the searching for answers and the ultimate discoveries that this story revolves. I'm so tempted to share some of my personal highlights but... spoilers!

Heart-breaking and heart-warming all at once, The Bluebird Brooch took me through the emotional wringer... I may very well read it again!

Available from your local bookshop and Amazon.

Aurora appears to the delight of a young boy in the middle of the night; he just knew there must be some colours behind all that blackness.

In his preface the author mentions his chance meeting at a friend’s barbeque with Roddy Philips, who runs Bourne to Write creative writing workshops in Eastbourne, and who inspired him to write. And write he has; over 300 pages of tales, each with a desire to amuse or entertain, to shine a light on some aspect of life from an unusual angle or some with a very definite point to make.

It is a remarkably easy book to read, well written, with a pleasant absence of adjective-itis. Available online at various outlets or https://holidayshorts.shop

The Daisy Chain

by Al Campbell

It is 1771, a time of exploration and discovery. King George III is on the English throne and along with international expansion and trade there is social unrest at home.

The untimely death of young Daisy Salter's father forces her to move from rural Suffolk to fashionable Richmond, to live with her sister Fanny and her domineering husband, earning her keep as governess to their daughter.

But although she loves her sister and niece, Daisy's passion is painting. When Fanny asks Daisy to paint forget-me-nots on the invitations for their annual ball, Daisy's skill is recognised by one of the guests, Joseph Banks, the new director of the King's gardens at Kew. Needing a way to document accurately the thousands of plants at Kew, many of which are new specimens brought back from foreign parts by intrepid plant hunters, Banks offers Daisy employment.

So it is that this unassuming country girl starts to move in exalted, even royal, circles. Not only a skilful painter but also knowledgeable about plants she quickly catches the eye of young Kew botanist Rupert Fitzgerald and they strike up a friendship.

Starting Over

by Annette Keen

This book is like the Tardis – it's definitely bigger on the inside! A sudden tragic death; a girl sleeping rough; secrets and lies; dysfunctional families; selfless actions; political machinations; and a close-knit community – Starting Over has all this and more.

When kind-hearted Mavis befriends a homeless girl she little knows that her generous action will alter more than one life. When the girl suffers a senseless attack Mavis takes her in. But is the girl who she says she is, and what kind of a welcome will there be for her at the housing complex where Mavis lives?

In another part of the country a loyal friend instigates a missing persons search for her fellow university student; and thus wheels are set in motion that will blow the lid off nefarious dealings and ruin more than one career.

Back at the Close, Mavis's neighbours each have their own situations to deal with – will teenage Felix and his uptight mother resolve their differences, will Karen succeed in her quest to woo the recalcitrant Ed – but with the residents' mix of characters spanning four generations the support of this little community is equal to the range of challenges, both domestic and

poetry prose & illustration

There is, however, a dark side to the glamour of this new life. Daisy attracts the attention of handsome, enigmatic Dutchman Johannes Van der Humm, who comes with a gift of tulips from Holland for the King. But is he all he seems to be – charming, elegant, and smitten with Daisy – or does he have some ulterior motive? And what is his connection with Daisy's brutish brother-in-law?

A story of intrigue and adventure, smuggling and sabotage, with romance - and plants - at its heart, set amid the political machinations of the day, The Daisy Chain is a captivating read. You will look more closely at botanical illustrations and you most certainly will want to visit Kew! I thoroughly enjoyed it.

Available from Amazon; signed copies direct from the author at www.alcampbellauthor.com; and based upon research from Anglia Ruskin University he has launched a dyslexia-friendly version that is typeset in a different font with increased word and line spacing, available at https://amz.run/5bZW.

romantic, that are thrown up.

Being presented with this broad cast of characters, which wouldn't be out of place in a complicated crime drama was, at first, slightly bewildering, but as their personalities were fleshed out they started to pop off the page and I warmed to them and became invested in their various trials and tribulations.

The title 'Starting Over' touches many of the themes woven into the story, which is revealed page by page, scene by scene, with subtle hints to keep the reader guessing. The main plot line courses through the book like a river, starting as a small trickle then gaining momentum at it is fed by the tributaries of the sub-plots, until it swells into the swirling torrent of its denouement.

I was quickly drawn in, intrigued by the main story arc, entertained by the characters' exploits, drawn so vividly, and even found myself moved on more than one occasion. I wholeheartedly enjoyed it, I think you will too. Starting Over is available in paperback and Kindle via www.annettekeen.co.uk and can also be ordered from your local bookshop. Anyone wanting a signed copy can message the author via the website.

Forty Seven Tomatoes

–by Al Campbell

Lockdown came too early for spring. At least, too early for the vast majority of gardeners. I had already made several trips to the garden centre to stock up. As was my wont in the early months of the year, soil improver had been scattered across the sizeable expanse of seven raised beds that made up my vegetable plot and lightly forked in. Whilst at the age of 66 I was still going to the gym twice a week, I found digging brought an additional aerobic buzz to a crisp February morning. Not a bad workout regime for a man who had been drawing his state pension for 18 months.

flash

On inclement days I pottered in the greenhouse. The bloke next door, a recent neighbour, had announced over the fence that he was taking down the previous owner’s two storey ‘Wendy Mansion’ that robbed the greenhouse of light in the early low-sun months of the year. He was replacing it with a manshed. But that had yet to happen, so sorting and tidying potting paraphernalia, and conducting the annual seed audit, was reserved for the sort of days when the wind drummed the rain hard against the glass and even the dog stayed safely indoors.

I rejoiced in my weather-proof haven. An old stand-up chest of drawers, which I cut the legs off and wrestled to the far end, acted as my seed repository. I had built staging down both sides. There was only one cracked pane of glass – not bad for an inherited greenhouse. Late afternoons I would work slowly and methodically, a glass of beer by my elbow. I had discovered a particular favourite gardening beer, ‘Owd Roger’, in the local Londis. The label had an image of an old country gaffer sporting a smock, a neckerchief, and a straw hat. My late father-in-law had been called Roger, a keen gardener in his own right. At 8% proof it was a sipping beer which warmed you to the toes as the gloaming crept closer.

As ever this year the annual seed audit resulted in a cull of part-used packets well-past their sell by date. I threw most into the old compost bag I used as a bin, grieving for a hundred or more lives unlived. Some I kept. Things like Pak Choi seemed to germinate for ever. Yet experience had taught me that fresh seed germinated best, and I was keenly awaiting this year’s catalogues.

This summer I had determined to be patient. Last year enthusiasm had got the better of me and I had planted out too early. Even in sunny West Sussex, 60% of the veg crops were lost to a late May frost. Replanting proved that, even after a cold snap there was plenty of time to restart the process. This summer I determined to hold fire until the soil warmed up.

I had also made a promise to myself not to grow tomatoes from seed. I have an enormous penchant for this cultivar of the Nightshade family, whether grilled, roast or raw. If my dream to be invited onto Desert

Island Discs ever came true, albeit I wouldn’t recognise Lauren Laverne from a pot of lavender if I bumped into her in the perennial section of the garden centre, my Desert Island luxury would have to be an endless supply of what the French called ‘Pommes d’Amour’.

Last year’s early tomato crop had been nipped in the bud by frost. A later planting was decimated by blight. Following a major strategic re-think with the dog, I had decided to simply buy plants from the garden centre. Any replacements could easily be picked up at the garden gates of people around Sussex who grew too many and flogged them off for 50p – with a plastic flowerpot thrown into the bargain for good measure.

But lockdown struck, flattening hopes like a hailstorm in a wheat field. At the first mention of the impending induced coma the Government intended to enforce, horticulturists came down on garden centre veg like the wolf on the fold, hotly pursued by a brutal plague of locusts. Shelves were stripped and whatever there was, plant-wise, vanished.

So too the seeds. I got lucky on a trip to Lidl for the weekly shop, securing the final packet of pea seeds (of German pedigree). Luckily I dropped them as, lying on the floor behind the seed stand and overlooked by others, I saw a bumper pack of five tomato varietals of varying provenance ranging from large French Marmande, through Italian San Manzano plum style and yellow Sungold, to Sweet Cherry and striped Tigerella. Abandoning my vow, losing all sense of control, and urged on by a sense of panic, I scooped it up and popped it in the trolley.

Back home I showed them to the dog. ‘We’ll plant six of each in seed modules on the kitchen windowsill,’ I told her. The dog sat with her head on one side with a look that said: ‘you know that even if you’re lucky only half will germinate as normal, don’t you?’

‘Don’t worry, three of each should be enough,’ I told her. Looking unconvinced she went for a lie down.

I brought the compressed seed modules down from the greenhouse in a gravel tray, setting them to soak overnight. The next morning, when they were suitably engorged with water, I sat them on the kitchen table, found a toothpick with which to make a tiny seedsized hole, and carefully dropped one seed into each. As they had different growing habits, I lined them up and labelled them – gardeners need to be organised.

Later that day, as the dog and I were emptying the old compost bag into the wheelie bin, I spotted a packet of tomato seeds I had thrown away. The variety was ‘Tumbler’, a variety I hadn’t planted. Snatching it from the refuse I checked the sell-by date – July 2018.

‘What do you think dog?’ The dog wagged an affirmative tail. ‘Very well, we’ll give them a try – as my green-fingered grandmother used to say, they’ve got two chances.’

I repeated the planting process and counted – all in all there were forty-seven tomatoes waiting to germinate. The dog still looked dubious. ‘Cross your paws and

wait and see,’ I told her, scratching behind her ears.

I marched back up the garden in the spring sunlight, the dog trotting alongside unusually well behaved. I wondered if she’d been watching Monty Don’s dog on Gardeners’ World.

‘Better build another raised bed just in case don’t you think?’ I picked up some old decking board and carried it to the shed, setting about it with drill and screws whilst the dog looked mystified then scratched at a flea.

Mother Nature can be a contrary mistress. As Covid killed off the old and the weak, every single seed planted, not just the tomatoes, germinated and thrived. There had never been a spring like it in the garden. The plum and damson trees burst into flower, followed by the apple and the pear. Soon the kitchen windowsill was filled with foliage. In the greenhouse, seed trays were a variegated cornucopia of leaves demanding to be transplanted outside.

At the same time, Nature kicked spring up the backside and gloriously unseasonal weather meant the soil warmed up and the new normal for planting out arrived three weeks earlier than previous years. Having created smart rows of lettuce, French beans, runner beans, potatoes, leeks, onions, beetroot, chard, courgette and kale, and sown parsnip and carrot seeds, one question remained. What on earth (or, more exactly, where in earth), was I going to do with forty-seven seedlings?

The first fifteen, three of each of the bumper packet, went into two raised beds. Then I gathered together all the pots and troughs I had collected over the years and managed to install a further twelve Tumblers, knowing they were always the first to fruit. That meant twenty left that I planted in smaller pots. ‘Tell you what dog, I’ll sell them at the gate. As there’s a shortage they’re bound to be good for a pound apiece. What do you say?’

The dog sniffed her bottom in disdain, checking that the very non-community-like capitalist smell in the air wasn’t her.

On the way back from daily exercise on the golf course the dog jumped up at the next-door neighbour’s gate, where said neighbour was deadheading his roses. At a suitably social distance we exchanged gardening chit chat.

‘How are your veg this year?’ I enquired.

‘Rather sparse to be honest. Missed the break on seeds and all the plants had gone. You seem to be having a bumper year though.’

Suddenly I felt rather guilty at my first mover advantage on Nature’s largesse. ‘I could spare you a tomato plant or four if you’ve got space.’

The neighbour looked delighted. ‘That would be wonderful, nothing beats a home-grown tomato.’

‘Wait here a sec, I’ll go and fetch them and pass them over the fence in a suitable distanced box!’ I felt rather good about it.

Later that same day the dog started barking at the front door and wouldn’t stop. When I went to see what was up, standing by the gate was the nice lady from across the road.

She smiled at me. ‘Neighbour says you’ve got a tomato plant or two going spare,’ she said looking hopeful. I smiled back. ‘Four do you? I can give you a couple of Tumblers, a Marmande and a plum.’

‘That would be wonderful.’

The dog seemed extra-affectionate that evening, licking my face in a good night kiss. Walking on the empty golf course the next day I had a thought. ‘You know what dog, I’ve only got twelve tomatoes left now, doesn’t seem worth trying to flog them. No, we’re all in this together. I think I’ll put them by the gate with a sign telling people to help themselves.’ The dog jumped up and licked my hand.

I labelled them and put them in a box on top of a wheelie bin, along with a couple of leggy courgettes and a slightly dodgy cucumber plant. Standing at the kitchen window with a cup of fresh mint tea, I watched as neighbours from up and down the street saw the sign and smiled to themselves. The tomatoes were gone within the hour. But nobody took more than one.

As an experiment I had planted a few of my own stock in the front garden where there was more sun. For some reason they failed to thrive. But I enjoyed working in the front – as people passed by an exchange of extended pleasantries had become the new normal.

One afternoon, some weeks after lockdown had ended, and the front garden fruits were struggling on the vine, I was watering them to encourage growth when two dog-walkers stopped at the gate. The dog rushed over to greet them and share sniffs.

‘Excuse me,’ said a blonde woman with a black Labrador. ‘I can’t help noticing that your tomatoes look a bit sparse.’

I looked up, nodded agreement and shrugged. ‘Some years that’s the way it goes.’

‘We feel a bit guilty,’ her companion, walking a yappy Jack Russell, said. ‘We both took plants from here when you were giving them away, and we both have a bumper crop.’

I walked over towards them grinning from ear to ear. ‘Well that’s simply wonderful, I’m delighted they were so fruitful.’

‘If you need some,’ the first lady offered. ‘We’d be happy to share.’

‘That’s very kind.’ I moved as close as social distance would permit and said confidentially, ‘the thing is I’ve got another twenty-five plants in my back garden and they’re doing rather well. But, if you have too many, you’ll get a lot of pleasure from sharing them with others.’

© This story is the copyright of Al Campbell and is not for resale or publication in any other medium without the express permission of the author.

poetry prose & illustration

Poetry provides a glimpse into other people's worlds, both exterior and interior, tantalising our senses and tweaking our emotions. To read a collection of poetry is to see the best, and sometimes the worst, of the human experience. It allows us to share with the writer, unknown and yet so familiar, in their joy or grief. Their observations and sensibilities become ours, chiming with our own experiences.

Local artist and ingénu/e regular Cathy Bird swapped paintbrush for pen and wrote this...

Pie in the Sky

(When children die by the gun in Texas)

You serve up your children for slaughter

For the mythical ‘Right to bear arms’ You sacrifice sons and your daughters

For the mythical ‘Right to bear arms’

This is the school where we taught her

About the mythical ‘Right to bear arms’ From mothers in the kitchen I hear this cry, “There’s a rotten apple in my American Pie When my innocent children have to die.”

–Cathy Bird 2022

"Written in my complete fury and despair over the Texas Shooting. Poetry is kind of spilling out about this. As a Brit, I am so weary of Americans educating me about how I don't understand the 'Right to bear Arms'."

Tonbridge poetry group Roundel mark their tenth anniversary with an anthology of poetry, 'Catching the Shards'. The following poems are from that volume.

1960 Night Ride

We are hitching a ride my dad and I, boarding a wagon in Stoke at midnightthe moon shimmers, havering like a kite, as flotillas of cloud sweep the black sky.

We travel south, in no-motorway-times, along winding dark roads, mesmerised by the droning engine, the glint of cat's eyes, burrowing beams and skittering roadsides.

I walk and I wander, kick up the past of that nocturnal camaraderieother drivers were hailed, headlights were flashed, still catching the shards of my memory, which dissolves and reforms, plays hide and seek down hidden corridors and unknown streets.

–Danny Rivers from Catching the Shards

Coming Home

I thought it would be like love at first sight, as passionate and as sudden. I would crest a hill, lose my heart to a cottage on a quilted heath, its roof rising from the purple moor, or to a salt-rimed house at the world's edge, scarred by gales that yowl from the sea. Such a home would wear a lover's face, a wild affair in a mystic place.

But now I stroll with you through knotted woods in amber light beneath the leaves, where tracks are worn and paths are steep, to orchards set in ordered staves that sing their apples to the sun. Here, like twisted trees, our roots entwine, my home is revealed in your familiar face, in a long marriage, it unfolds with grace.

–Sara Davis, (first published in Dreich, 2021) from Catching the Shards

Icon

My parents nailed their religious beliefs to the bedroom wall with Dad's ebony crucifix and Mum's print of Our Lady of Perpetual Succour who surveys the marital bed from her chimney breast. A zealous convert Mum espoused Catholic doctrine and devotions with belated wedding vows.

Waking she begins her daily ritual relishes the thermometer in her mouth like Sunday's sacramental host and times the required wait with five Hail Mary's prayed to her Byzantine icon whose serenity confirms motherhood should be welcomed. Jesus rests passive in the Blessed Virgin's arms while we three girls rampage next door.

Mum takes the reading, places another cross on the chart maps her waxing and waning fertility to avoid another not-so-immaculate conception using the rhythm method Vatican-ordained by men.

–Clare Marsh, from Catching the Shards

'Catching the Shards, Celebrating 10 years of Roundel', is available to buy, email roundeltonbridge@gmail.com More information can be found at at www.roundelpoetrytonbridge.wordpress.com

The following poems are by writers from Bourne to Write, creative writing workshops led by Roddy Phillips – www.bournetowrite.co.uk

Hecuba

I love acting, it’s so much more real than life: our vision blurs with sorrow at a shadow queen’s fading: Hamlet, amazed, asks, what’s Hecuba to him?

but Hecuba’s agony is perfect, rehearsed, convincing us that life, our little life, could be spot-lit, chiaroscuro, a rich tableau, full of the meaning we scrabble to retrieve: the actor has it grasped in the momentary motion of a hand, a deep look in the eyes: always saying the right thing, to the right person

all ends well, or all die heroes: we, picking at our tangle of half-truths, our shuffle of dropped pages, dance blithe or stumble dimly to our mis-timed endings, with no encore

we, not being actors, don’t get to take a bow when the play is ended

–Francesca Duffield (Bourne To Write)

Being in love

Being in love you know

It’s like you’re having a beautiful dream.

You’re acting in drama you’re about to stream.

You smell an orange you’re trying to zest

You’re wishing and hoping. Already undressed?

Being in love you know

It’s like your body is burning in the sun.

You’re living, laughing, rediscovering fun.

You smell the blossom all around your head.

A carpet of flowers.

Maybe your bed?

Being in love you know

It’s like dancing all night till you drop.

You know the feelings you don’t want to stop. You smell the fresh rain all tingling and wet.

You’re a bit apprehensive. Is it time yet?

Being in love you know

It’s like singing at the top of your voice

You’re full of excitement, a time to rejoice.

You smell the fried onions all savoury and hot. You’ve made a decision.

To give it all you’ve got.

–Paul Hunter (Bourne to

Write)

Our Song

You took me by the hand holding me tight

Skin on my fingers feeling soft to your touch

Reflective gazing between your eyes and mine

Lyrics hung in the air in meaningful harmony

In that moment we heard our song

You often took me by the hand holding me tight

Skin on my fingers feeling the labour in yours

Gazing at each other over years of harsh realities

Life’s lighter sides hidden in depressive darkness

Then unexpectedly we’d hear our song

You took me by the hand struggling to hold me tight Skin on my fingers feeling bones of anxiousness Gazing at each other through old and tearful eyes I could feel our time together was running out

A joyous sound surrounded us, our song

You cannot take my hand anymore nor hold me tight Skin on my fingers feels your body’s surrender

Gazing without reflective eyes looking back at me

I’m playing it - can you hear our song?

I’m frightened. Of us. Of me. Of living without you

–Sho Botham (Bourne To Write)

Looking ahead to the next issue of ingénu/e, we will be reviewing 'Pelicans Can’t Read', a collection of comic verse and limericks by Patricia Feinberg Stoner, whose 'Pawprints in the Butter' was a great favourite of ours. Also 'Symbiosis' by Patricia M Osborne and Brian McManus. This is a poetry conversation, in which the poets respond to each other's work.

N.B. All poems shown are subject to copyright

Made and Making

Creative Workshops and Retreat Weekends

Step into our light filled studio and explore your creativity

Made and Making is a vibrant and welcoming sewing and craft centre in Hassocks, just north of Brighton. Founder and sewing guru Sarah Brangwyn, passionate about the sharing of skills in a warm and friendly environment, started Made and Making over ten years ago. They now host a wide variety of workshops and courses across

many disciplines, so there is always something to tempt you.

Running everything from sewing and patchwork through to felting, raffia and calligraphy there is ample opportunity to learn key skills or just play and explore your creative side. Based in the grounds of the South Downs Nurseries in Hassocks they have ample space, ample parking and are moments way from bus stops and Hassocks train station. They have established themselves as

the ‘go to’ creative venue in Mid Sussex. They take great pride in giving their customers a creative ‘treat day’… escapism and a little bit of ‘me time’, and take care to find great tutors who can share their skills and nurture and inspire others to be their best.

Made and Making is a place for all, no matter what your interest, age (workshops start from eight years) or experience you’ll be welcomed and inspired. Their friendly relaxed approach means that there are no daft questions and everyone can enjoy the most pleasurable day out. Private groups are welcome both on and off site and if you fancy indulging for a little longer check out their range of creative retreats.

For any enquiries email sarah@madeandmaking.co.uk, call them on 07967 819540 or check out the website at www.madeandmaking.co.uk where you will find all the information and links to their social media.

left: busy workshop in Garden Studio; below: raffia session

ART JUNCTION

Sculpture and Art Classes

Looking for a new activity to explore? Our studio in Billingshurst might just be the place you need. We are unique in providing both structured sculpture courses alongside space where artists can come to work on their own projects.

Life Drawing: We believe in the importance of drawing. It’s a fundamental tool to creative thinking, a way of making sense of the world, to communicate ideas and render expression. As well as running weekly life drawing courses during the year we have periodic drawing masterclasses scheduled, so do lookout for these on the website.

Other courses coming up in autumn:

Creating Large Abstract Shapes in Jesmonite – A quick and easy way to make impressive forms with Michael Joseph.

Following on from his very successful ‘Joy of Abstract' course last spring, sculptor Michael Joseph is offering another chance to explore making abstract sculpture. If you want to create a large but affordable centre piece for the home or garden, this is the course for you. Abstraction is achieved through process and with Michael’s tuition, inspiration and guidance, it can be made by everyone regardless of previous experience. Just bring an open mind and be prepared to have great fun in the process!

More great choices to be had include two five-day courses over five weeks with tuition from professional sculptors Mark Longworth for the Figurative Sculpture in Clay course and Hazel Reeves for the

in Clay course. Both will be working with live professional models to allow a perfect opportunity to hone your observational and interpretive skills. All levels of experience are most welcome.

As mentioned Free Form & Hot Benching space is available, along with Moulding and Resin Casting services. Sculpture commissions are taken by Marji Talbot for animal, figurative and portrait sculpture.

For more information, please keep an eye on our website: www.artjunction.uk and you can contact us at info@artjunction.uk.

Why not come and join us! Beginners welcome!

Portraiture

Life Drawing Class; left: Figurative Sculpture

Cutting metal shapes for the Abstract Sculpture course

Roz Nathan

Natural History Art / Art Classes

Roz is a Natural History specialist who has exhibited with the Society of Wildlife Artists at the Mall Galleries and regularly participates in Artists’ Open Houses.

A qualified and experienced tutor, she is again offering her popular summer schools in East Dean this August, based in a large marquee surrounded by a lovely garden, the Seven Sisters downland and coastline, and the beautiful Cuckmere valley.

From September, Roz will be running a combination of new face-to-face and online classes, offering a range of course subjects such as Mixed-Media Landscape, Monoprint, Personal Projects, Portrait, Botanical, Wildlife and Natural History Drawing.

Face-to-face classes will be a welcome return to East Dean Hall – a lovely location with free parking outside and great facilities.

Alongside, she’ll be continuing her enjoyable live Zoom courses which include demos and encouraging feedback. New online options of individual project working, mentoring and support sessions are also planned to begin this autumn, along with live monthly painting demos.

Roz is exhibiting with East Dean Open Art on September 24th and 25th and will be demonstrating at the East Dean Art Group meeting on September 6th.

It is hoped that painting holidays will resume in 2023, so keep an eye on the website! www.roznathanart.com

left: Zoom Wildlife session in progress below: Art class at East Dean Hall; bottom: Roz demonstrating in South Africa

LAWRENCE ART STUDIO

Lawrence Art Studio is a bright and spacious art studio in West Hove where a range of art classes take place, including ones in printmaking, life drawing, portraiture and oil painting.

As well as this great selection of art classes, we also hire our space out for those who want to run their own classes or workshops.

Our facilities include folding tables and chairs, which can easily be stacked into a corner if floor space is needed, a number of floor standing easels, a projector and screen and a large plan chest to store materials and artwork. It also has an art sink which is ideal for cleaning up messy paints, a small kitchen area with a fridge and two toilets. The studio is on the ground floor so has disabled access.

To see our full timetable of art classes please check out www. lawrence.co.uk/lawrence-artstudio-courses

If you’d like to find out more about our hire rates, availability or to arrange a viewing please email georgia@lawrence.co.uk.

Please give us a follow on Instagram at @lawrence_art_studio where we regularly post about all the great things that are going on in our space!

left: Workshop set up with projector screen; below: Wild Painting Workshop

Part-time professional and hobby courses starting in September

Animation

Dressmaking & Embroidery

Filmmaking

Graphic & Web Design

Jewellery Making

Pottery

Printmaking

Stained Glass

Drawing & Painting

Photography

https://www.gbmc.ac.uk/what-comes-next gbmc.ac.uk/what-comes-next

From September – new face-to-face weekly classes in East Dean and new live Zoom courses on a range of topics, details available soon. More online options coming, including live painting demos and personal project guidance.

Got a Story to Tell?

Bourne to Write Zoom Writing Workshops

“I love the Zoom workshop format, it's great fun and I now have a new group of friends with a common interest – all over the country. Plus I don’t have to arrange childcare or leave the house!”

–Bourne to Write Zoom Workshop Writer.

For more than twenty-five years Roddy Phillips has helped countless numbers of people express themselves through creative writing and if ever there was a time to tell your story it's right now.

“Globally we’re still going through a collective trauma of sorts,” says Roddy. “We’ve all experienced the effects of lockdown on the body, spirit and mind. And I think that’s why we have more writers coming to us to record their memories and their personal experiences. Creative writing is a wonderful way to express yourself and the workshops offer a safe place to share creativity.”

Learning creative writing and making like-minded friends is even easier with the workshops on Zoom. There are three every week and your first one will be free.

Bourne to Write also publishes its writers’ work in paperback and kindle. ‘Still Life’ is the next Bourne to Write Workshop anthology. The cover features a painting by the acclaimed figurative artist Catriona Millar and will be available soon on Amazon.

If you’d like to join a Bourne to Write Zoom workshop

The Secret Scavenger

I am Emily and I have been living the free life since March 2020 in my van conversion.

I’d always known I wasn’t cut out for a nine to five but the events that panned out that spring changed a lot for me. I am now a soulful surf lover enjoying the freedom and beauty of our glorious coastlines of the UK whilst scavenging with my little dog Missy.

and enjoy a fun creative outlet contact Roddy on bournetowrite1@gmail.com or text him on 07758 367479. For more info go to bournetowrite.co.uk.

I reuse coastal treasures from my adventures to produce Mindful Creations. I make many items from driftwood, shells, pebbles and sea fans. These combined with reused, recycled or pre-loved objects like mirrors, frames and jewellery or pendants are then turned into pretty mobiles, eye-catching signage and personal gifts.

I sometimes display my work at markets or sell online but I recently began taking my trade to your homes to offer you the chance of doing some DIY among the company of friends.

My craft parties are available for any age and occasion. I bring all the tools and products for you to create your own three little keepsakes. These events have proven to be great fun.

Head over to my social media @thesecretscavenger or website thesecretscavenger.co.uk for more information, reviews, enthusiasm and gallery.

Stay cool. –The Secret Scavenger

WEST DEAN COLLEGE of Arts

and Conservation

Make your summer count at West Dean College of Arts and Conservation

Rediscover the joy of learning a new skill, escape into the landscape, and boost your wellbeing. Choose from hundreds of short courses in painting, drawing, textiles, sculpture, woodworking and more.

Benefit from the beautiful South Downs location, the ideal place to spend a summers day, week or weekend, immersed in creativity.

“An amazing experience that will stay with me for a long time.” Penny, short course student.

Hot courses this summer include:

•Felt Making – exploring colour, subtle texture and surface with Jeanette Appleton, 14-17 July

•Drawing and Painting the West Dean Landscape with Robert A Newell, 14-17 July

•Painting Flowers with Oils with Natalie Toplass, 15-17 July

•The Blacksmith’s Craft with Andrew Smith, 17 July

•Reshaping Cloth – print and manipulation with Caroline Bartlett, 29 July-4 August

•Writing from Life – finding shape and form in your writing with Hannah Vincent, 5-11 August

•Stone Carving – animals with Patricia Barker, 21-25 August

See all courses and find out more at westdean.ac.uk

above: Stone Carving with Patricia Barker; below: Drawing and Painting the West Dean Landscape

Coda

A new beginning

In these relatively difficult times it’s uplifting to see, after three years of work, The Amelia, Tunbridge Wells’ new cultural centre is now up and running. The building is named after Amelia Scott, a dynamic campaigner for women’s suffrage and social reform. The impressive new building has many experiences to offer – the library, the new café, the historic collection (which reflects the many aspects of the story of Tunbridge Wells and the High Weald), varied exhibitions and a full programme of cultural events and activities. We’ll certainly have a good look-see when we are in the town with the summer issue in early July.

“You don’t have to burn books to destroy a culture. Just get people to stop reading them.” – Ray Bradbury

I once knew a woman who didn’t want a particular popular book to have any influence on her daughter. Her solution was to buy it for her to read to ensure ‘she realised how awful it was’. Amusing to me at the time, but in retrospect a very peculiar decision that might well have backfired on her.

Recently I came across an article about book burning in the USA, one example of which was J. K. Rowling’s Harry Potter series, which seems to have infuriated a certain type of American citizen. I started musing about this sort of thing and the banning of books. In the US there is also the concept of ‘challenging’, where a concerted effort is made by some people to bring about the banning of a particular book, which action is often successful.

I was reminded of becoming aware of this sort of thing quite a few years ago. I noticed there was a type of political correctness beginning to enter the field of literature when an apparent furore erupted over the name 'Big Ears', Noddy’s mentor, in Enid Blyton’s children’s books. I do believe his name survived this onslaught, but not necessarily in the USA, especially on the TV.

After some small amount of research, I now realise book banning is as old as the hills, not a modern phenomenon at all. I discovered the idea of banning books goes back to at least 1614, when Sir Walter Raleigh's book The History of the World was banned by King James I. Currently challenged or banned books in the USA include Tolkien’s The Lord of the Rings,

The Great Gatsby by F. Scott Fitzgerald, The Catcher in the Rye by JD Salinger, To Kill a Mockingbird by Harper Lee and The Adventures of Huckleberry Finn by Mark Twain. Incredible!

I cannot get my head around all this, it is just the tip of an iceberg of overall censorship. Don’t books open one’s mind? I cannot imagine what my personality would be like now if I had not read many of the books I have savoured during my lifetime. Do we want people to be robotic or do we want free minds? Do we want inflexible thinking or imaginations that can roam free? As Voltaire said “Let us read, and let us dance; these two amusements will never do any harm to the world.”

top left: The library at the Amelia; top: burning book, photo by Freddy Kearney on Unsplash; above: The History of the World by Sir Walter Raleigh

And then there is the ‘nanny’ concept of governments and institutions attempting to ‘protect’ us all from adverse reactions to any art. Witness the staff at the University of Northampton, while not banning George Orwell’s 1984, have decided it needs ‘trigger warnings’ as it contains ‘explicit material’ which some students may find ‘offensive and upsetting’. It’s a great irony that one of the main themes in the book is the danger of censorship and the control of our minds by the state.

Why these warnings? A very cynical view might be to suggest that it’s a way of influencing students not to read the book. Or might that actually be the intention? To curb free speech, to shackle writers’ (or any artists') imaginations is arguably one of the most dangerous and oppressive actions that can transpire in a society. There are plenty examples of this existing in various countries on the planet right now. Take a look at some of those. Would you want to live there?

Felicity Fair Thompson on the telly

How marvellous to see Isle of Wight-based author Felicity Fair Thompson interviewed on the BBC recently about her book ‘The Lights of Leicester Square: The Golden Years of Cinema 1967 to 1976’ which was reviewed in our winter issue. It’s a fabulous book; Felicity's first hand account of becoming the first woman in Rank's West End Cinema management, experiencing being surrounded by movie stars, the rich and famous, the Royal family, not to mention the press and film media buzz. All her personal memories are here in the book; glamorous international movie stars, royalty, celebrities and rock stars, along with fabulous photographs illustrating magical moments such as the Annual Royal Film Performances, World Premieres, Charity Performances, World Title Fights beamed in, award winning films, elegant events etc. For further info about Felicity and her books visit https://wightdiamondpress.com.

Another one bites the dust

It’s a sad farewell to one of my favourite shops in Brighton, Magazine Brighton, which was situated in Trafalgar Street in the bohemian North Laines. With all the closures we have come across due to

the pandemic and/or financial stresses, it appears this wonderful shop has also closed, simply due to ‘personal reasons’.

It’s such a loss; the shop was an absolute goldmine of magazines from all corners, many of which I had never heard of and covering an incredibly diverse range of subjects, from the mainstream to the obscure, offering esoteric takes on all the wonderful and varied aspects of life on Earth: Little White Lies, the world’s most beautiful film magazine; Milk, a pioneering magazine of family lifestyle, covering fashion, culture, travel, food, society and education; The AA magazine, covering architecture design, in French and English; Lemon, a magazine for mothers and children; Wonderland (great title for a magazine) offering a unique perspective on the best new and established talent across all popular culture; Like the Wind, a mind and body magazine for runners.

You get the idea. Other examples include Wallpaper, a publication committed to showcasing the exceptional and creating a space where creators and designers can come together to plan for a better tomorrow and Blume magazine, which focuses on the relationship between people, place and space to provide authentic visual storytelling through photography. There are hundreds of these types of magazines, original, innovative and all aesthetically created.

What a joy it was to visit the shop and peruse these publications and buy the ones that jumped out at you on the day. I’m sure most of these are available elsewhere, but Magazine Brighton was the place you KNEW you would find what you were looking for or be pleasantly surprised at a new find. RIP.

Science fiction or science fact?

I saw a Facebook post recently that made me laugh out loud and think, all at the same time. As an occasional science fiction fan it reminded me of all those stories I’d read or films I’d seen, some written many decades ago, about robots or machines rising up against humans. From Rossum’s Universal Robots,

Magazine Brighton

Felicity Fair Thompson

a 1921 play by Czech author Karel Capek (the work that introduced the word robot into the language), to modern renditions in films such as The Matrix or Ex Machina, there have been countless stories about man versus the machine. Anyhow, the Facebook post said roughly the following; “Has it struck anybody as strange that, when accessing certain websites, we are now being asked by a machine to verify we are not a robot?” Makes you think doesn’t it?

Over the hills and far away

We very much enjoyed our jaunts this spring distributing the magazine. The weather was good and we continue to find extra outlets who receive the magazine with enthusiasm (it’s a prerequisite). One example of a new spot is They Made This, a friendly family-run, contemporary modern art print shop in Brighton’s South Lanes. Another is Harris + Hoole café in Chichester, where a guitar is conveniently placed by the owner for anyone to play.

We also really enjoy meeting various people associated (or not) with the magazine. For example, we spent a very fun and constructive tea and cake meeting with artist Polly Hosp, one of the organisers of the South East Open Studios event, at Falconhurst Farm Shop café near Edenbridge, which also became a new outlet for the magazine. On another occasion,

out of the blue, we bumped into a vivacious fashion designer in Tunbridge Wells who was thrilled with seeing the magazine for the first time and we chatted for ages about art, opera and life, the universe and everything. I could go on.

Is it not true that artists, creatives and those associated with creativity in its various forms are the most interesting people on Earth? I really do think so.

left and above: 'They Made This' in Dukes Lane, Brighton, photo by Simon Callaghan Photography

top left: Ex_Machina British theatrical release poster

top: Distribution sojourn at Harris + Hoole in Chichester; left: Snack at Ginger and Dobbs in Shoreham; above: Snack at Trading Boundaries, Sheffield Park – yummy

INVISIBLE PEOPLE

Henny Beaumont

Worthing Theatres and Museum are thrilled to present artist, illustrator and political activist Henny Beaumont’s new exhibition Invisible People – Worthing.

Curated as a result of Henny’s work as the artist is residence with the British Institute of Learning Disabilities (BILD) and Respond UK. The exhibition looks at the trauma experienced by people with learning disabilities and at the same time hopes to address the lack of recognition given to these all too often “invisible people.”

The exhibition features printed ceramics specially created by artists from Worthing’s Superstar Arts and Rocket Artists Brighton in partnership with Henny Beaumont and ceramicist Brigit Conolly.

Worthing Museum and Gallery has an incredible year-round programme of dynamic family friendly exhibitions along with exciting events you can take part in. The museum and its exhibitions are free to attend offering you fantastic access to incredible and emotive art on the South Coast.

SAT 9TH JUL - SUN 30TH OCT