live music, theatre & dance book reviews, flash fiction & poetry
creative courses & workshops the Art of Giving a multitude of creative gift ideas for the festive season
creative talent revealed south downs and high weald : issue 49: autumn 2025
Senbla presents Ellen Kent’s Farewell Opera Tour featuring Opera International Kyiv, Ukraine, with Highly-Praised Soloists and Full Orchestra
With an exquisite Japanese Garden and spectacular costumes including antique wedding kimonos from Japan. Sung in Italian with English surtitles. An evening of passion, sexual jealousy, death and unforgettable arias. Sung in French with English surtitles. Cast subject to change.
THEATRE ROYAL BRIGHTON
THE ANVIL, BASINGSTOKE
Carmen: Tue 27 Jan / Madama Butterfly: Wed 28 Jan atgtickets.com/brighton*
Carmen: Sat 14 Feb anvilarts.org.uk NEW VICTORIA THEATRE, WOKING
Carmen: Fri 13 Mar/ Madama Butterfly: Sat 14 Mar atgtickets.com/woking* KINGS THEATRE, PORTSMOUTH
Carmen: Thu 19 Mar kingsportsmouth.co.uk THE HAWTH, CRAWLEY
Madama Butterfly: Wed 8 Apr hawth.co.uk DE LA WARR PAVILION, BEXHILL-ON-SEA
Carmen: Sat 11 Apr dlwp.com
ingénu/e
creative talent revealed
spotlight on: summer festivals art trails & open studios visual arts & contemporary crafts performing arts poetry, prose & illustration creative courses & workshops coda
Flower Totem and Fizzy Pop Flowers, glass art by Sussex-based artist Louise Durham; read more about her on page 4 and to see more of her work visit www.louisevdurham.com
Greetings dear readers and welcome to the Autumn issue of your favourite arts and culture magazine! As I write I am basking in hot sun, tempered with a gentle breeze and punctuated by puffy cumulous clouds sailing majestically across a perfect cerulean sky. It's the summer's last hurrah as it slips gracefully into autumn. And what a glorious summer it's been. The days have stretched out long and hot, perfect for the abundance of art trails, open air theatre and music events, as well as opportunities to go out painting 'en plein air'. But art is not the only abundance. This is apparently a mast year in which Nature collectively decides it's going to produce a bumper harvest. Garden birds are producing multiple broods (costing us a fortune in sunflower seeds and mealworms) and everywhere you look trees are laden with fruit and hedgerows are heavy with berries – more inspiration for nature-loving still life artists as well as jam-makers! What a difference creativity makes to our everyday lives. When no thought is given to the aesthetic value of our surroundings it can, at best, leave us dull and, at worst, be downright depressing. We recently had to stay out of town for a funeral and as it was only for one night and, being the height of holiday season, all the better hotels were booked up, we ended up in a small 'budget' hotel. To say not one ounce of aesthetic effort had been lavished on it would be a massive understatement. As we opened the door to our room we were hit by the cloying sweetness of a cheap air freshener barely masking the underlying whiff of stale vomit. By contrast, the funeral was a beautiful experience.
I'm currently doing some study of art in all its forms and the other day I read about the concept of audience contribution, i.e. the viewer/receiver's own response to the art viewed and how this completes the impact of the work. This could simply be the applause of an audience, the admiration of a painting by a viewer or a book review posted online by the reader. But it can be much more subtle than that. I recently came across a video of Romeo's balcony speech, given by the late octogenarian actor Joss Ackland, which was a perfect illustration of this. Some might just see an old actor giving a speech intended for a much younger man, while others might see beyond the obvious... For me it was beautiful. And, strangely, utterly believable that these words, meant to be spoken by a teenager of his first impetuous love, still made perfect sense spoken with such passion by a man in his twilight years – his Juliet might be the love of his life, maybe adored from afar, his love unrequited, or she might be his constant life partner, caught unawares gazing at the night sky...
Ah – the transcendent quality of art!
Alongside the many delights in this issue are several fascinating interviews, we anticipate the coming festive season, and poetry comes to the fore with a special production 'Rhyme and Reason' by Half Time Orange Theatre as part of Shoreham Wordfest, and an inaugural Poetry Bee in picturesque Alfriston.
–Gill Kaye, editor
Meet our cover star...
Louise Durham Glassworks that celebrate light in all its forms
spotlight on... the art of giving
We at ingénue/e are big fans of Louise’s glass art work, having admired it for many years. Hence we are thrilled to see her work on the front cover and give readers some insight into her work.
Louise is a Shoreham-based artist who, for two decades, has been creating vibrant sculptures that combine hand-crafted glass with reclaimed hardwood. Her sculptures are a celebration of light in all its forms and is inspired by the natural world, reflecting a reverence for its quiet miracles and enduring beauty.
Here is a little more about Louise and her work in her own words:
“Everything Is A Cycle
Following the seasons, following a life, following a creative thread. Sometimes I forget what my work is really about, as I am so close to it that I don’t always see. Then I receive emails from those who bought pieces many years ago, telling me how they continue to bring beauty and presence into their gardens. To know that they are still loved, year after year, is a joy beyond measure. There aren’t many things in life you buy and still love decades later, but these sculptures
seem to hold that kind of timelessness.
Perhaps it’s because they emphasise the natural quality of the materials themselves. The old sea defence timbers, once standing strong against the tides, were made to endure, to weather time and the elements. In their later years, they still hold a soft strength, blending seamlessly into nature, into your gardens, into our lives. And the glass, catching and shifting with the light, reminds us daily of the beauty of change.
I often work on commission, crafting bespoke pieces with loving intention to mark life’s most meaningful moments. Whether celebrating a transition, commemorating a loved one, or simply bringing
Louise Durham, handmade colour ray light for the home
Flower-themed totem in Louise's beloved allotment
more light into a space, each piece is a tribute to connection and presence, crafted to inspire and uplift.
You’ll also find a collection of unique, handmade lights for the home, designed to bring warmth, colour and soul into your everyday spaces.
You can either buy one of the sculptures or handmade lights I have available at the moment or commission your own piece, single, double or triptych, depending on the space and the significance you intend the piece to represent.”
You can see Louise's glass creations at her open studios event at West Street Studios, Shoreham, on 13th December, 11m to 5pm. Why not treat yourself or purchase one of Louise’s pieces as a wonderful, unique Christmas gift for a family member or friend.
Visit https://www.louisevdurham.com for more examples of Louise's beautiful work.
Design-Nation South: Materialised
15th to 26th October 2025
Acclaimed artists and designers to showcase their work in a unique Brighton venue.
Southern members of Design-Nation, the leading portfolio for designer-makers based in the UK, will exhibit their work at the Regency Town House this October, showcasing the best in contemporary design and art – in a beautiful Grade I listed period setting.
The exhibition will comprise a bold and striking collection of work by Design-Nation members from across the south of England, including ceramics, lighting, textiles, furniture, metalwork, enamel, jewellery, leather accessories and architectural drawings.
Functional pieces, furniture and wearable art will sit alongside two-dimensional, sculptural and abstract works, to create an intriguing presentation of exceptional contemporary art and making in 2025.
Innovation, bold ideas, material skills and passion will be at the forefront of this inspiring show, and the artists will be on hand throughout to chat to visitors about their work. The unique setting of the partially restored Regency Town House, built in the 1820s as part of Charles Busby’s Brunswick Estate, will provide a magnificent backdrop for the contemporary pieces.
All work will be for sale and visitors are welcome to discuss commission opportunities and bespoke projects, should they wish.
This not-to-be-missed exhibition opens on Wednesday 15th October until Sunday 26th October at The Regency Town House, 13 Brunswick Square, Brighton BN3 1EH, from 11am to 5pm every day except Sunday 26th, when the exhibition will close at 4pm.
Exhibiting artists include:
Rachel Barnard: rachelbarnardceramics.com
Samantha Boot: samanthaboot.com
Alma Boyes: almaboyes.co.uk
Belinda Coyne: belindacoyne.com
Carola van Dyke: carolavandykestudio.com
Fleur Grenier: fleurgrenier.co.uk
Sharon Kearley: sharonkearley.com
Elaine King: elainekingceramics.co.uk
Jane King: janekingceramics.com
Renush Leather Accessories: renush.com
Nicola Martin Ceramics: nicolamartinceramics.com
Julie Massie: juliemassie.co.uk
Hounddog Design: hounddogdesign.uk
Linescapes: linescapes.co.uk
Ksenia Semirova: semirova.com
Amy Frankie Smith: amyfrankiesmith.com
Emily Smith: the-metalsmith.co.uk
Anna Thomson: annathomson.co.uk
The Joy of Christmas at The Lighthouse Gallery, Eastbourne
Whenthe Ghost of Christmas Present takes Scrooge to visit the Lighthouse, it's to remind him that even in the remotest places the joy of the holiday spirit is found in communal celebration and shared experience. What would he make of so many shoppers today, miserably sitting at home in isolation tapping away at their computers, mindlessly ticking off their shopping lists and ordering mass-produced items from across the world? Doesn't it make you wonder, where is the joy in that? This Christmas, why not take time, or make time, to re-discover the pleasure of finding truly thoughtful gifts for the people that you love.
Occupying one of the most beautiful vintage retail spaces in town, The Lighthouse Gallery tops the list when it comes to Christmas shopping. A cornucopia of delights, it is home to twenty-five local artists and makers, and is a true one-stop shop with something for everyone, offering unique, handmade, affordable gifts. Here you will find just the community spirit Scrooge was encouraged to seek out, with everything handmade with love and care.
Linger over a cup of coffee, a mince pie or slice of cake, and take time to peruse the wonderful things on offer: a ceramic mug, a hand-turned wooden bowl,
a silver pendant, a painting of a favourite place... there's plenty to discover. Awash with festive spirit and a warm, friendly vibe, the Lighthouse Gallery captures the spirit of Christmasses past, and brings them firmly to the present.
The Lighthouse Gallery, 19 Cornfield Terrace, Eastbourne, BN21 4NS. Tuesday to Saturday 10am-4pm Sunday 1-4 pm. Find us on Facebook and Instagram.
Between Air & Earth
Star Brewery
Gallery,
Lewes 25th October to 2nd November
Between Air and Earth is an exhibition focusing on personal narratives formed around a sense of place. A fascination with the natural world, a passion for colour form and shape, and a poetic interpretation of the landscape is a common thread uniting the works on show.
From close-up details to larger more expansive perspectives, the artists each explore the notion of landscape in diverse and exciting ways. They use a variety of traditional and contemporary techniques such as: digital photo montage, painting, printmaking, ceramics and mixed media.
Participating artists: Philippa Futrell, Jade Taylor, Tessa Holmes, Lorraine Singer, Joanna Terry and Claire Gill. Between Air & Earth, Star Brewery Gallery, Castle Ditch Lane, Lewes, BN7 1YJ from 25th October to 2nd November, Tuesday to Sunday 11am to 4pm.
Hand-turned wooden bowl by Colin Dowle
Fused glass trees by Jazz Dixon
Horsham Artists Contemporary Art Fair
18th & 19th October | Christmas Markets: Nov & Dec
Praised each year for the professionalism with which it’s run, the Horsham Artists Contemporary Art Fair is a welcoming and relaxing environment in which to browse art.
This year’s Art Fair will include a wide variety of work on display ranging from watercolours, acrylics and oils, to ceramics, glass, jewellery, textiles and sculpture. Pieces for sale range in price from original works of art to many smaller items that make beautiful, individual gifts.
‘Giving back’ is an important part of Horsham Artists. As well as artists supporting one another, the group fundraises for Horsham & Crawley Samaritans at each event. 2025 saw a new event – Art for Wellbeing, giving members of the public inexpensive art workshops and as the event proved popular it will return in Spring 2026. At the October Art Fair the Samaritans Raffle has become a tradition – with many artists donating a prize and visitors picking which item they hope to win.
This year’s Horsham Artists Christmas Markets (23rd & 24th November and 6th & 7th December) will offer a further opportunity for gift buying and supporting local artists.
For more information, visit https://horshamartists.org/ or find Horsham Artists on Instagram and Facebook: @horshamartists.
from top right: Sandra Slinger, Monstera Unwatered; Deborah Crago, Dahlia Pompon; Karin Pfannenschmidt, Brave New World IV; Steve Lympany, Vase Still Life
Between Air and Earth, top & above: Philippa Futrell, landscape; Lorraine Singer, ceramic vessels; Jade Taylor, The Treasure Hunters (The Grey Heron part I)
Christmas at The Patterson Gallery, Eastbourne
Christmas is a time for giving. It is also a time to receive.
Both are moments of joy, to receive and to give.
The joy of choosing a gift, not knowing if the recipient will like it, but knowing yourself that you believe they will. The same applies to receiving a gift, that it is given with the utmost thought and care.
With art, or anything associated with it, is a choice made because you believe in what you have chosen, with thought and care.
And it can be changed.
I believe in the art that I have on display, as I take on work that I like and I believe that the people that visit my gallery sense that I have chosen well.
When you visit Patterson Gallery, at The Lansdowne Hotel, there is an eclectic collection of art by artists from Kent, Essex, Suffolk, Yorkshire and London.
You can also enjoy a coffee or wine in the bar, or a relaxing lunch or evening meal in the 1912 Restaurant, whilst admiring the artwork throughout the hotel.
And if you are staying at the hotel there is a 10% reduction on any purchase from the gallery.
c-w from top left: Andrew Murdoch, Oil on board; Leila Godden, Acrylic on board; Sam Peacock, Oil, mixed with Arabic coffee, painted on steel; Simon Desmond, Oil on handmade paper
Vee Pease
Jewellery Maker at Artists Open Houses
Vee has been making jewellery in her West Sussex studio for fifteen years, having completed a jewellery degree thirty-seven years ago. She is hugely influenced by the diverse and abundant flora on her doorstep, where she walks daily on the South Downs. Photographing and sketching wild flowers, leaves and seed-heads inspires much of Vee’s work.
Trying to re-create the delicacy of these plants in silver is a constant challenge. As is making them wearable and functional. She hammers and pierces the surface of the silver, not only to add texture, but also to add shape to each piece. Hammering makes the silver move in an organic way and can often have unexpected results.
Colour is an essential part of Vee’s jewellery and she incorporates semi-precious stones and beads in her work. Although she mainly works in sterling silver, all her pieces can be made in gold.
Vee has recently taken part in Artists at Oakbank, an exhibition in a beautiful wooded setting overlooking the Downs with eight other Sussex artists who came together to exhibit and sell their work.
You can see Vee’s jewellery at Milton House, 72 Clyde Road, Brighton BN1 4NP as part of Artists Open Houses. It’s on for the weekends of 29th & 30th November, 6th & 7th and 13th & 14th December from 11am to 5pm. Visit www.vpjewellery.co.uk
top: Vee Pease, Shoreline necklace in sterling silver with semi precious stones; right: Artists Open Houses, Ink Oil Mud-3; Discosphaera
Artists Open Houses Winter Festival 2025
weekends 29th November to 14th December
TheWinter Artists Open Houses are back for the festive season, with a treasure trove of houses to explore right across Brighton & Hove, along the coast and beyond. For three weekends, you will find every area of the city brimming with original arts and crafts displayed in an array of artists’ and makers’ homes and studios.
The focus of the Winter festival is Christmas, with venues selling a range of artworks and handmade crafts as unique gifts, as well as cards, baubles and festive delicacies – many houses also offer a glass of something mulled to sip as you view. The AOH Winter festival provides a great opportunity to discover new arts and crafts from Sussex makers, meet members of the local creative community and support a fantastic range of artists and makers across the city and beyond. All in all, a day visiting Open Houses is the perfect outing for a winter weekend.
This year's festival covers weekends 29th November to 14th December. Houses are also listed online, so you can choose an area of the city and region to explore by simply looking for your favourites on https://aoh.org.uk/ or follow along on social media.
spotlight on... the art of giving
Erika Sharp, artist complementing the festive spirit
Christmas is a season of giving, filled with warmth, love and thoughtfulness. While many people turn to traditional store-bought presents like perfumes, gadgets, or clothing, an original painting can be a truly unique and meaningful gift for a friend or family member. Unlike items that may fade in use or fashion, a painting carries lasting value, both emotionally and aesthetically.
A painting is more than just decoration; it is a piece of art that can bring calmness, beauty and inspiration into a home. Each brushstroke tells a story and, when given as a gift, it becomes a reflection of the giver’s thoughtfulness. Choosing or creating a painting for someone shows that you have considered their personality, taste and the atmosphere they cherish in their living space.
During the Christmas season, when homes are filled with lights, music and celebration, a painting can complement the festive spirit. It can become a lasting reminder of togetherness, reminding the receiver of that Christmas long after the holiday is over. Whether it is a landscape that brings peace, an abstract piece that sparks imagination, or a portrait that captures warmth, art has the power to connect hearts.
This Christmas, consider giving a painting, a symbol of appreciation and love — a timeless treasure that can brighten a room and a heart for years to come.
Discover more about Erika and see more examples of her work at www.artbyerikasharp.co.uk
Steyning Arts Annual Christmas
Gift Fair
Saturday 6th December, 10am to 4pm
ThisDecember, avoid the busy high streets and mass-produced goods, and join us for the muchloved Steyning Arts Annual Christmas Gift Fair—a friendly community event that has been running successfully for many years.
Browse and buy from over twenty-five talented local artists and makers, offering quality, affordable, handmade one-off gifts, perfect for everyone on your festive list. From jewellery, woodturning, ceramics, and prints to textiles, paper art, and paintings, you’ll find unique treasures that show thought and care.
Meet the artists and makers in person, hear about their inspirations, and discover the passion and craft behind every piece. By shopping here, you’ll be supporting multiple small businesses and keeping it local.
The event café, run by volunteers from a local charity Steyning Area First Responders, will be serving delicious homemade cakes and refreshments, with proceeds going directly to support their important work.
With plenty of parking, easy access, and a warm seasonal atmosphere, this is the perfect festive day out in the heart of Steyning’s medieval town.
The Steyning Centre, Fletcher’s Croft, Steyning, BN44 3XZ. More info at https://steyningarts.co.uk
top: Sarah Duffield, Understanding the meaning of Patience; opp top left: Katherine Lawrie, White Campion Necklace; opp mid left: Greta Meeten, a collection of vintage items upcycled into Christmas Decorations
above: Erika Sharp, Roots of Radiance
Cranbrook Art Show
6th to 8th November
TheCranbrook Art Show returns to the beautiful Vestry Hall this November to for our 30th show. Now that is something to celebrate, thirty years of giving Art lovers an exceptional event, brimming with local talent. The show’s reputation has grown year on year and if you have never visited before, then make 2025 the year you do, as we have a fabulous line-up for you to explore.
The show is selected and run by a team of professional artists who generously give up their time and expertise to put on a show of exceptional quality for visitors and to give artists an event to showcase new work and come together to celebrate the breadth of creativity and talent we have here in the South East. We are passionate about supporting established artists and also giving exciting emerging talent a chance to reach new audiences, and what is an art show without its visitors, after all Art is made to be seen. To keep the show accessible to all it is free entry and even parking
in Cranbrook is free too! The Art of Giving really is at the core of what we do, but we can’t promise you won't be tempted to give back and support our artists with a purchase, there will be a lot to tempt you!
From 6th to 8th November, Vestry Hall, Cranbrook, TN173HA. All details at www.cranbrookartshow.org.uk
Cranbrook Art Show from top: Judith Westrup, Ahead the Old Road lay Waiting; Philippa Futrell, Midwinter Blossoms Great Dixter; Melvyn Evans, The Rite of Spring
Artisan Gallery, Chichester
Artisan Gallery Chichester can be found in North Street, just beyond the pedestrianised quarter. It is home to twenty-four talented local artists. A friendly, creative community looking forward to welcoming you through our doors to discover the treasures within our vibrant space.
At Artisan Gallery, we celebrate original art and design, inspired by our beautiful surroundings, the historic city, the coast, the rolling Downs, and the wildlife that calls them home.
Each artisan has a bespoke display space where we showcase original work, all for sale. Ready to bring character to your home or make a unique, charming gift for someone special. With the festive season approaching, it’s the perfect time to find something beautifully different.
Our artists hail from West Sussex and Hampshire and create a rich variety of work, including paintings, collage, illustrations, sculpture, pottery, fine jewellery, textiles, glasswork, and contemporary decorative arts with distinctive themes and flair.
We have a dedicated guest space which has work from a different local artist each month, offering a short-term exhibition opportunity for those new to the area, starting their creative journey, or preferring not to commit long-term. This keeps our gallery experience fresh and ever-changing.
We look forward to welcoming you to our gallery. Pop in for a warm hello and discover what we’ve been creating. www.artisangallerychichester.com
In Darkness: Colour and Light
Colonnade House, Worthing
18th to 23rd November
This exhibition at Colonnade House brings together three artists whose work is created with an element of darkness, be it through colour or the darkness itself, to present their art joyfully as positive concept.
Not previously known to each other, Dianna Jazwinski, Novak James and Ian Paterson all met and connected at Brighton Open Houses in May, sharing the same venue at The Sussex Nightstop House.
Dianna Jazwinski, aka My Botanical Heart, from Worthing, is known for her beautifully arranged florals, photographed on a black background, to illuminate the intricate textures, details and colours of the botanical world. mybotanicalheart.com
Novak James, a Brighton-based artist, is an expressionist painter of portraits and figurative work. He emphasizes colour, shape and texture, exploring the inner self and relationships between individuals with a sense of calm, seeking to evoke empathy and warmth. novakjames.com
Ian Paterson, also Brighton-based, is a painter with a highly perfected airbrush quality, creating a sense of calm and space, focusing on beautiful birds, still life and highly evocative interpretations of street corners in Brighton, by lamplight. ianpatersonart.com
Open 18th to 22nd November 10am–5pm, Sunday 23rd 10am–3.30pm. Private view Thursday 20th Nov 6–8pm. Please email info@mybotanicalheart.com if you would like an invitation to the private view.
opp from top: Dianna Jazwinski, Zinnia Garden; Ian Paterson, Corner of Clifton Terrace; Novak James, Late Picnic
Artisan Gallery below left: Octopus print by Mark Maidment; Lamp by Marie Monro; Glass by Suzie Little; Vase by Heather Muir; Sculpture of woman by Claudi Barratt; above: Print by Bec Hopkins; Rings by Katherine Lawrie; Ceramics by Heather Muir
Gallery North 'Congregation'
8th November to 17th December
Fondly referred to as Hailsham’s ‘hidden gem’, Gallery North is a community-focused art gallery exhibiting an array of intriguing art in over six rooms from artists across Sussex and beyond.
Approximately eight to ten exhibitions run throughout the year displaying multi-disciplinary work from emerging and established artists and art groups, including sculpture, printmaking, painting, textiles, woodwork photography, installation and ceramics.
'Congregation', Gallery North’s final exhibition of the year, opens on 8th November and ends on 17th December. This Winter show includes a selection of figurative and still life work that explores people, place and the connection between the two.
During this exhibition, and with the festive season in mind, Gallery North will have a variety of smaller art items and artisan crafted works on display that will offer something truly special for visitors to buy for their loved ones this festive giving season. All are uniquely different and handcrafted by our exhibiting artists and craftspeople. There’s a lot to see, enjoy and gift at Gallery North this autumn and winter – so do make a visit. You’ll find us at 70 High Street, Hailsham, BN27 1AX. Open Tues & Weds 10am to 1pm and Thurs to Sat 10am to 4pm. More info at artgallerynorth.co.uk
Gallery North: David Armitage, Cinderella
spotlight on... the art of giving
Sussex Creatives
Christmas Sale in Hailsham
Saturday 13th December
Formerly known as Hailsham Art Network, Sussex Creatives changed the name last year with a view to widening its appeal to artists and makers beyond the confines of the Hailsham area.
Now we have members from all parts of Sussex and would welcome many more.
This year so far, we held a very successful show in the beautiful Hub at Hellingly and had a very busy weekend in the lovely village of Alfriston.
Many of our members have exhibited their work around Hailsham during the Hailsham Festival this September.
With The Art of Giving firmly in mind, Sussex Creatives are holding a Table Top Sale on 13th December at the Union Corner Hall, Hailsham, the perfect place to find original hand made presents for Christmas.
Also in the spirit of The Art of Giving, several of our artists are giving free demonstrations and talks in the coming months to fellow members and guests to share their knowledge and expertise. In addition, we will be having excursions around the county to enjoy the arts and crafts which abound. These will shortly be listed on our website http://sussexcreatives.co.uk
Sussex Creatives above: Jennifer Bisset, Sunset on Mantelpiece
West End House Gallery
Getting into the festive spirit
Set in the heart of beautiful historic Smarden, West End House is a contemporary gallery showing original artworks including paintings, prints, ceramics, sculpture, jewellery and glass. The gallery is warm and friendly, with inspiring work at all prices. Everyone is welcome and it is fully accessible to people with disabilities, including wheelchair users.
Please join owners Karen and Patricia for mulled wine and festive treats on the weekend of Saturday 15th and Sunday 16th November to celebrate the start of their Christmas show. With the wonderful eclectic mix of work on display you are sure to find the perfect gift. It is a great opportunity to shop local and support the art community and small businesses.
The show continues until Christmas Eve and the gallery is open every Thursday to Sunday from 10am until 4pm. Water Lane, Smarden, Kent TN27 8QB.
Visit www.westendhousegallery.co.uk and follow at www.instagram.com/westendhousegallery and www.facebook.com/2westendgirls
c-w from top: Jade Taylor Bullfinch; Jaeeun Kim, bud vases; Sarah Saunders, Bird Head 02; Tim Southall, Coming to Get You; Val George, Howling Wolf; Julian Warrender, hawthorn leaf & berry earrings; Midori Takaki, Mouseland Exhaustion
Polly Hosp Artist Printmaker Storyteller
Polly Hosp is an artist and printmaker deeply connected to the fragile natural world and passionate about the environment.
Building on memories from growing up in the Kent countryside, plus over a decade living in the heart of the African bush, her aim is to engage the viewer in big conservation issues through simple joyful imagery.
“Storytelling is central to my process,” explains Polly.
“I’m trying to capture the ebb and flow of a place and convey the feeling of heat, lack of water and taste of dust ... along with capturing unique animal behaviour”.
Drawing is at the heart of Polly’s practice, and printmaking is how she brings her artwork to life. Images emerge through the layering of process, where texture and tone transport the viewer. The line is integral, but the process is all about expression.
Polly says: “My works are a window on a world that is at peace with itself … where elephants roam freely, and birds dance to the rhythm of the wind”.
Now based in London, Polly has a selection of works available through Greenfinch in Ticehurst and at Greenwich Printmakers Gallery or via her own website: www.pollyhospworks.uk
below: Polly Hosp, ParkLife
Chalk Gallery, Lewes
There's always a real buzz in the air as Artwave arrives in Lewes and the surrounding areas. At Chalk Gallery Lewes it's a chance for all the artists that belong to this amazing collective to show their most recent work in the gallery.
For the first time the gallery is excited to have a photographer, Joanna Goodwin, as their latest member. Joanna has been a keen photographer from childhood. She finds joy in the simplicity of the ordinary and invites the viewer to look at things differently. Joanna's work focuses on small details that most would pass by without noticing and she works to turn them into something beautiful and new.
There are also two guest artists in the gallery: Lawrence Wallace with his surreal still life paintings
and ceramicist Nicky Bagge whose work is influenced by natural forms and patterns.
Chalk Gallery boasts a wide range of makers including painters, printmakers, ceramicists, glass artists and textile artists. Throughout the gallery there is a contemporary feel and many references to the local environment in which all the artists live but, at the same time, each artist brings a truly unique style to the gallery.
Chalk Gallery is open Tuesday to Sunday 11am to 4pm. Follow us at @chalkgallerylewes and for more information go to www.chalkgallerylewes.co.uk
Katherine Lawrie Jewellery Maker
Katherine Lawrie creates work inspired by her love of the natural surroundings found in West Sussex. The flora, fauna, and wildlife of the South Coast are a constant source for creativity. From ancient woodlands to the Sussex Downs, this region is home to an incredible diversity of species. Changing seasons bring colour and textures, making the area a truly special place to cherish.
She crafts her pieces in silver and gold, infusing each design with symbolism and meaning for the wearer. Her work is characterised by rich textures, gemstones and a rustic elegance, creating jewellery with depth, character, and a timeless feel. Every piece tells a story, blending artistry with personal significance.
As an established jeweller Katherine believes it is important to pass on craft skills. Through teaching, and sharing her knowledge, she hopes to inspire others to appreciate the artistry and craftsmanship behind handmade jewellery. Katherine offers jewellery making workshops at her studio near Arundel. West Sussex, held on Saturdays and Sundays throughout the year. Katherine’s studio is participating in Steyning Arts at Christmas (6th Dec) and Open Studio 13th & 14th December. Southdown Cottage, Yapton Lane, Walberton. More information at www.klawriejewellery.co.uk and follow @katherinelawriejewellery
Katherine Lawrie , Hellebore pendant with peridot
Chalk Gallery opp page top left: Joanna Goodwin, photograph; bottom left: Lawrence Wallace, Reasonable Doubt; this page top left: Irina Hoble, abstract painting; above: Linda Lethem, Harmony, lino cut.
Autumn Art at Sullington: The
Ceramics Edition
30th October to Sunday 9th November
We invite you to explore a creative space where the joy of working with clay comes to life. Each piece in this exhibition is a testament to the unique artistry and craftsmanship of our community, celebrating the enduring beauty of handmade ceramics.
Our carefully curated programme showcases a diverse range of contemporary ceramic works by both emerging and established artists. As you wander through the exhibition, you’ll encounter one-of-a-kind pieces that seamlessly blend traditional techniques with modern design.
From elegant functional ware that enhances daily rituals, to bold decorative pieces and abstract forms that spark the imagination, Autumn Art at Sullington: The Ceramics Edition is a vibrant celebration of local talent and creativity rooted in the South Downs.
Join us from Thursday 30th October to Sunday 9th November, open daily from 10am to 4pm. The on-site café will be serving a delicious selection of savoury dishes and homemade cakes – perfect for a relaxed visit with friends. You might just discover a piece to take home and treasure. Free entry and parking. Fully accessible. www.sullingtonmanorfarm.co.uk
Join Jess for a Festive Wreath-Making Workshop!
Let Jess from Jessica Lila Florist guide you stepby-step through creating your very own glorious Christmas wreath. With her expert eye, years of experience, and warm, friendly approach, you’ll craft a wreath full of festive flair – perfect for getting you, your friends, and family into the holiday spirit.
The workshop takes place in the beautiful 16th century Old Workshop at Sullington Manor Farm; a truly atmospheric setting to spark your creativity. To keep the inspiration flowing, you’ll be treated to delicious homemade cakes during the session.
Make a day of it by booking lunch at The Old Workshop Café – either before or after your wreathmaking experience – to enjoy more time together and indulge in the Christmas season.
Book directly with Jess: phone 01903 389014 or email hello@jessicalilaflorist.com; 27th November or 1st December, morning sessions, 10am to 12:30pm or afternoon sessions, 2pm to 4:30pm.
top: Jonathan Waights, Greeg fish pot; inset: Deborah Harwood, porcelain pot
Creative. Curated. Celebrated.
The Artists & Makers Fair
Lewes Town Hall: 14th & 15th November
More than eighty stalls will be selling gorgeous gifts and original wares hand-crafted by local artists and makers at this much-loved fair. Warming winter food and drinks will be available from the cafe, and kids will be entertained with a craft table on the saturday. It's the perfect inspiration to start your Christmas shopping!
14th November, opening night 6pm to 8.30pm
15th November, main fair 10am to 5pm
Visit www artistsandmakersfair.com for more information and to buy tickets for the opening night on Friday. Follow on Instagram for updates @artistsandmakers
Kate Scott Painting, for me,
is a conversation
Istudied fine art painting in University of East London then later completed a Masters in printmaking in Brighton. After living and working in London for almost twenty years I returned to Brighton with my family in 2000.
I use mark making and layers of colour to tap into the silent voice that only exists in my process, when the conversation ends the painting becomes something separate, appearing to be a window to another world.
It begins with intuitive marks on canvas or paper, seemingly random, but once I start it is as if I am processing so many things, walking home in the rain, looking out of my window, listening to an unexpectedly profound bit of music, recollecting a moment in me or watching the light/sky change suddenly.
Music is always on in the studio, it seems to help take my mind out of the literal, into the abstract language of paint.
Why not treat yourself or a friend to one of Kate’s works for Christmas. Visit https://katescottpaintings.com for further information and to see more of her work.
Kate Scott, Falling, 23 x 23cm acrylic on paper
Artists & Makers Fair opp page bottom: Raw Solace; this page from top left: Organik Mechanik; Corpo Sancto; Seven Sisters Spice; Om Pom Pom. Photography by Maxine Silver
spotlight on... the art of giving
Books as gifts
Mostbooksellers running independent bookshops are passionate about what they do, knowledgeable and, pitted against the online behemoths, bravely swimming against the tide.
We are so lucky here at ingénu/e to have the East Grinstead Bookshop on our doorstep, but for all you book lovers out there who don’t have a lovely local independent bookshop and would rather not give your hard earned cash to Amazon, there is a way you can buy books while still supporting independent bookshops. It’s called bookshop.org and is an online platform from which you can buy a huge range of books of all genres. Their mantra is ‘keep independent bookshops thriving’ with all sales supporting independent bookshops, not millionaires.
With the festive season just a few months away now is a good time to seek out your nearest indie bookshop, investigate bookshop.org, or invest in some of the following titles by local authors and bring them a little joy.
Just Giving with author Felicity Fair Thompson
It’s that time of year – a time of giving. Books to read are a perfect present for kids. But does giving always mean presents? Maybe it can show that giving time and effort makes everything work!
In Grandpa’s Dear Old Girl young Millie’s Grandpa Big Frank has been the lighthouse keeper all his life. When Jack-o-the-lamp comes to the island to automate the light, Millie is worried. What will her grandpa do without the lighthouse he calls his dear old girl? A big storm is brewing. Millie and Big Frank warn the fishermen, but the fishermen take no notice! But they need Big Frank’s help when the huge storm sweeps in, and Big Frank himself needs Millie’s help when the lighthouse lamp goes out. Now that’s giving!
Moving, but not just to another house. In Chrissy and the Sea Witch Chrissy doesn’t want to leave her school
“What
friends, and she knows her cat Moon won’t like an old river barge! But this natural river world is magical for her and her mother. The important thing is to help settle in, make new friends, and make this new life work. Now that’s giving your mother help! And the cat! (See page 70 for a review of Chrissy and the Sea Witch.)
What if Ben’s drawing Hugo the Hungry Pig starts eating all Ben’s other drawings? That’s not giving! And Ben has to find out how to stop Hugo!
In Daisy Works Wonders a little girl, Kate, is being bullied at school. Daisy wants to help, but Kate is even nervous of her! ‘Tell your pets’ says Daisy. It’s the last thing any of Daisy’s friends would think of. Will Daisy’s idea work for Kate? Helping someone who is feeling afraid is all about giving!
So Christmas is coming! Maybe it’s the moment to discover these books online, at your local bookshop or at www.wightdiamondpress.com
Make a present of poetry and prose with
The Frogmore Papers
Looking for an unusual Christmas gift for a friend or family member with a passion for literature?
Why not consider a gift subscription to The Frogmore Papers, an independent literary journal which has been publishing poetry and prose by established, emerging and neglected writers for more than four decades? A two-year subscription costs only £15.00 and will deliver four issues of the magazine to your friend or family member’s door. Email frogmorepress@gmail.com for details. More information can be found on page 65.
289 friends
Here’s a good book for a Christmas gift. What happens when you invite all your Facebook friends to a party?
Tilly Jenkins does just that at Christmas and discovers more about her friends than she could ever have imagined.
This debut novel by Sussex author Jo Clynes is available from www.joclynes.com and Amazon. (A review of 289 Friends will follow in a future issue of ingénu/e magazine.)
The Fun We Had
This memoir of teaching and travel by Carrie Evans is more than just a fascinating travelogue – it entertains, absorbs and amuses. A self-confessed hedonist, Carrie describes in upbeat terms her fun-loving approach to life and her quest for sun and happiness in a series of exotic locations, in a way that will transport you from the comfort of your sofa to far-flung places across the globe.
I was captivated by Carrie's recollection of the minutiae of the life she has led which brings this whistle-stop tour around the planet to life. She conjures up each country's particular flavour, its people and customs, so vividly and the anecdotes featuring the colleagues and friends she met along the way with such clarity that you almost feel you were there.
Described as 'A thoroughly enjoyable read that romps along from continent to continent... a tsunami of incident, gossip, and character vignettes, an exploration of other cultures sure to entertain anyone with a fascination for human quirks and foibles', The Fun We Had is a sure-fire antidote to grey English winter days and the ideal Christmas gift.
Available from East Grinstead Bookshop, online and via www.carrieevans.co.uk
The Pagalan Chronicles
ThePagalan world that author Andrew Houlston has created is one of mystery and warfare, where conflict ravages the land, gradually swallowing up peaceful societies. Morganuke and his friends are drawn into dangerous and radical life-changing quests to protect their way of life and those they love. They are taken far away from their homelands to find Morganuke’s mysterious origins in a bid to stop their world crumbling into chaos. The mysteries of a secret and strange civilisation unfold in their quest to right the world; the challenges faced in finding a successful outcome become more acute.
The mystery of what to get the fantasy lover in the family for Christmas – solved!
Read more on p. 64. Available from East Grinstead Bookshop and www.thepagalanchronicles.co.uk
More Books as Gifts
Turn to pages 68 to 71 for this season's book reviews, and here's a further selection of titles; some recently reviewed in previous issues of ingénu/e and some on our TBR list, awaiting their reviews! Among those recently reviewed is Anthony Mitchell's From Dust to Trust, the fascinating story of his 'unconventional safari' to a remote village in northern Kenya, and his subsequent establishing of a charity to help local youngsters' challenges in education and survival.
Staying with the African theme is Beautiful Beasts, Beautiful Lands, Mark Infield's account of managing Uganda's Lake Mburo National Park, the barriers he encountered and his journey from nature lover to conservationist. It poses the questions 'What really works?' and 'Why?'.
Staying with the conservation theme
The Volunteers is Carol Donaldson's engaging memoir of conservation, companionship and community. Set in England it is described as "a gentle, warm, vulnerable book that buzzes and sings and blossoms".
Staying with the memoir theme is Roddy Phillips' collection of newspaper columns, House Training, offering a gentle and humorous escape from the daily grind. Roddy says, "Happily I've never stopped doing stupid things so I've always had plenty of material to work with. No barrel was ever scraped during the writing of these columns".
Moving on to fiction, Patricia M Osborne returns to her favoured theme of family dynamics in the first of her latest trilogy, The Woodhaerst Triangle, a 1970's family drama centering around strong women, love and friendship.
Under the banner of historical fiction against a factual backdrop are Angela Petch's novels set in Italy during WWII. The latest reviewed by ingénu/e is The Girl Who Escaped, drawn from real-life events, a masterclass in dramatic tension, building steadily and inexorably to its emotive denouement. more this way _
Staying with historical fiction but adding a smattering of the mystical is The Wolf's Shadow, the second of G J Williams' Tudor Rose Murders series. Astronomer and conjurer John Dee is tasked with unravelling a mysterious murder that threatens to unravel the Tudor dynasty.
Staying with the historical fiction theme with yet more of the mystical, Rebecca Hardy's second novel, The Merchant's Daughter, combines a gripping storyline with the pressing social issues of early 19th century London and beautifully drawn romance, subtle and organic.
Taking the 'historical' out of fiction and adding a generous helping of fantasy, Twelve Bones is Rosie Talbot's second novel charting the danger-fuelled exploits of a group of contemporary teen misfits as they battle dark forces in the city of York. A spooky spine-chilling roller coaster of a story, with love and loyalty at its heart.
You can read our reviews of all the above books and many others in our online editions of ingénu/e, accessible via www.ingenuemagazine.com :
The Girl Who Escaped in issue 40; Twelve Bones and The Merchant's Daughter in issue 44; Wolf Shadow in issue 45; Volunteers and Beautiful Beasts, Beautiful Lands in issue 47; and The Woodhaerst Triangle, House Training, and From Dust to Trust in issue 48.
Titles on our 'to be read' stack that we are eagerly looking forward to reviewing in future issues of ingénu/e include: Correctional by N J Crosskey; Junction of Earth & Sky by Susan Buttenwieser; The Bulletproof Souls by Jon Neville; How I Long To Be With You by Bryony Hill; The Jabberwock Anomaly by Patrick J Stoner; and Rose's Odyssey by Sangita Swechcha.
V Pease Jewellery
Vee’s jewellery will be at 72 Clyde Road, Brighton BN1 4NP as part of Artists Open Houses, 29/30 Nov; 6/7 & 13/14 Dec
Meera Palia Fever Break 2025 Pastel on paper 42 x 30cm
Gallery
West End House Art
Contemporary gallery in beautiful Smarden. A glorious mix of artworks at all prices from artists near and far
www.westendhousegallery.co.uk
Water Lane, Smarden, TN27 8QB. 01233 770261 email: girls@westendhousegallery.co.uk Best Art Gallery Winner
CHRISTMAS GIFT FAIR
Saturday 6th December 2025
10am - 4pm FREE ENTRY
Enjoy Christmas shopping the fun way and meet your local:
Ceramicists • Glass artists
Metalworkers • Painters • Jewellers
Photographers • Printmakers
Textile Artists • Woodturners
The Steyning Centre, Fletchers Croft, Steyning BN44 3XZ Info: www.steyningarts.co.uk
Homemade refreshments served by:
Contemporary Art Fair 2025
45 ARTISTS, SCULPTORS, CREATORS AND MAKERS SHOWING AND SELLING THEIR WORK OVER ONE SPECIAL WEEKEND
October 18/19
Sat 10am-5pm / Sun 10am-4pm Parkside (County Hall North) Horsham RH12 1AB Parking on site
£3 entry fee on the door, under 18s free
Please visit our website for the brochure:
Echoes Across the Downs by Emma Stepney
King Edwards Parade, Eastbourne, BN21 4ER Open at weekends 10am to 5pm and by appointment during the week peter@pattersongallery.co.uk | 07970 549873 showing work by established & emerging artists
Andy Hill
Nova Cookson
Ben Ecclestone
SUSSEX CREATIVES
A
An inclusive club for creative people holding exhibitions, demonstrations, talks and outings.
Membership £15 per annum
Meetings to be held in The Union Corner Hall, Hailsham
http://sussexcreatives.co.uk
spotlight on... the art of giving Pennie’s
Portraits Commission Pennie for that special gift
‘Our pets mean so much to us and a portrait celebrates the unique bond between us’ –Pennie
Gallery@42, home of Pennie’s Pet Portraits 42 South Street, Eastbourne, BN21 4XB
ingénu/e in conversation with Pure Arts Group founder, Lesley Samms
Founded by Lesley Samms MSc ANLP FRSA, Pure Arts Group are award-winning contemporary art mentoring specialists.
They work with artists of all genres and have a regular residency at the Bannatyne Hotel & Spa in East Sussex. Pure Arts Group has been a constant presence in ingénu/e under their banner 'Artgenu/e' almost since the magazine started. In this issue we talk to Lesley and ask her how it all came about.
We're delighted to interview you after liaising with you over many years, thank you for agreeing to be quizzed! Firstly, tell us about your early life, did you grow up in a creative family, and what influenced you to become interested in the arts?
I grew up in quite a creative household. While no-one was a professional artist, creativity was always encouraged. My mother loved textiles and sewing, and my father had an eye for design and detail. I was always drawn to art, particularly drawing, which I did with my dad and won several competitions as a child. I suppose I was one of those children who could lose hours sewing, sketching or dreaming up ideas. It wasn't until later, though, that I realised I could build a life and a career around that passion.
What inspired you to create Pure Arts Group, and what were you involved with prior to this? Was there a sudden ‘light bulb’ moment or did the idea gradually evolve?
The idea evolved quite organically. Prior to founding Pure, I worked in marketing and branding, which gave me a solid grounding in how to communicate vision and value. The 'light bulb' moment came when I saw how many incredibly talented artists lacked business knowledge, support and visibility. I thought, “There has to be a better way to help these people thrive.” That’s how Pure was born – a bridge between creative excellence and professional success.
When did Pure Arts Group actually start? And was it immediately successful or did it grow organically?
Pure Arts Group officially launched in 2009. It definitely grew organically. We started with a single curated exhibition in Battle and built relationships slowly, focusing on quality over quantity. It took time to build trust within the artistic community, but I think that’s why we’ve lasted and grown. Every stage has been about laying strong foundations – ethically, artistically, and commercially.
We have seen your work to help artists expand dramatically over the years. Tell us about the stages of growth you have undertaken from the early years of Pure Arts Group to the tour de force it has now become.
Thank you, that's lovely to hear. The growth has come in stages. Initially, we focused on exhibitions – creating beautiful, professionally-run platforms for artists. Then we moved into mentoring, recognising that professional development was just as crucial. We expanded online with virtual exhibitions and resources, especially during the pandemic, which really tested our adaptability. More recently, we’ve moved into publishing, international opportunities, and strategic partnerships. It’s been about meeting artists where they are – and helping them grow from there.
visual arts & contemporary crafts
What do you feel is the most vital and important aspect of your work?
Empowerment. Everything we do is about helping artists see their worth – not just creatively, but personally and professionally. We equip them with tools, knowledge, and confidence to build sustainable careers. At the heart of it all is a deep respect for the creative process and the courage it takes to live a creative life.
What achievements are you most proud of, both personally and as regards Pure Arts Group?
Personally, I’m proud that I’ve built something from scratch that’s helped thousands of artists over the years. For Pure, I’m proud that we’ve stayed true to our values – quality, authenticity, and artist-centricity – while still innovating. Seeing artists we mentor go on to win major awards, sell internationally, or simply grow in confidence is incredibly rewarding.
How do you envision Pure Arts Group moving forward? Do you have any specific goals or ambitions for the future?
Absolutely. We’re working towards more international collaboration, greater digital innovation, and expanded education and mentoring programmes. We want to create a model that supports artists at every stage – emerging, mid-career, and established. We also have ambitions to influence policy and perception around the value of the arts in society. It’s about thinking big, but acting with heart.
And finally, do tell us your view of the overall situation as regards the art world as it is now in 2025. Economic fluctuations do have an impact, good and bad, upon the arts. How do you see the future for the average artist, and do you have any specific advice for creatives to navigate their careers?
The art world in 2025 is both exciting and challenging. There are more platforms and opportunities than ever, but also more noise. Economic uncertainty always affects the arts, yet creativity has proven time and again to be resilient and vital. My advice? Invest in your professional development. Learn the business side. Build community, stay visible, and don't underestimate your value. And importantly – stay adaptable. The world needs artists more than ever, not just to reflect reality, but to shape it.
Thank you Lesley, may Pure Arts Group continue to go from strength to strength.
Visit www.pureartsgroup.co.uk to find out more about Pure Arts Group or find them on social media. c/wise from opp bottom: Liliana Dobbs, Levada-II. Launched 2023, Liliana recently sold 18 pieces at the AAF & currently has a solo exhibition at the RSA; Lesley Samms; Louisa Crispin, Study of a Butterfly 002 Comma (detail). Louisa is a Fellow of the Royal Society of Botanical Artists; Vincent Matthews, Pigs Will Fly. Vincent is Vice President and Curator of the SGFA; Jonathan Hateley, All From One. Jonathan is collected internationally.
visual arts & contemporary crafts
Petworth’s Studio Gallery
Petworth’s Studio Gallery opens its doors every fourth Saturday, on Farmers Market Day, in support of Petworth's Community Gardens.
Easily accessible and specially tailored for the pictures on show, the Gallery, hosted by artist, author and educator Terence Kearey, is located at Corner Cottage, 2 The Mews, off Petworth's High Street, conveniently close to the car park, just three doors up on the left of Rosemary Lane footpath.
The watercolour pictures exhibited are painted on walls, doors, wood panels and paper; the subjects are colourful, various and conventional. Though not for sale, they form a remarkable showcase of the work of this talented artist and well worth a visit.
More of his work can be found on his online galley at www.pictureplace.co.uk – a collection of various subjects from a single flower to forest, waterfall to lake, family church to cathedral.
He has also produced a book of his watercolour paintings, 'Terence Kearey, Working in Colour' an extraordinary portfolio of his work, which also describes working methods and what is possible within the parameters of the medium.
Come and browse beautiful paintings
Studio Gallery open every 4th Saturday of the month, 9am to 1pm, in support of Petworth’s Community Gardens
Corner Cottage, 2 The Mews, High Street, Petworth, GU28 0AU
https://www.pictureplace.co.uk
pictured below: Terence Kearey, 'Rosalie Cottage, School Lane, Tatworth, South Chard'
Stress and Creativity musings from artist Gill Bustamante
As
We can all list things that cause us stress but for me, there are two massive common denominators in what causes me to feel stressed and they are simple ones which I see reflected in pretty much everyone else.
The first situation is that this millennia is bombarding us with demands, ads, advices, financial stress, asking for decisions, increasing reliance on electronic devices and apps, and being told that whatever you are doing you are doing it wrong etc. And this is happening every single second of the day, all the time, constantly and without ceasing. Ever.
The second situation is the more insidious longer term result of these continuous interruptions which is what happens to your plans, goals, good ideas and intentions. Quite simply, you forget what you were doing every time you were interrupted, or the barriers become insurmountable and you do something else instead and achieve less as a result.
And how does this relate to creativity?
Finding yourself an art form or craft is a way you can step out of the whirlpool of modern life. Preferably lock yourself in a shed, leave your phone behind and do things of your own origination and creation rather than looking at everyone else’s and regardless of whether anyone else approves of it or not.
Thank you for reading and Good Luck!
Gill Bustamante, Artist www.gillbustamante.com
pictured top: Gill Bustamante, 'Possibilities Unfolding' Made by totally ignoring everything else and painting in an attic for some hours with phone off.
Artists at Oakbank
Artists at Oakbank
Artists at Oakbank
Artists at Oakbank
Weekends 27th/28th September & 4th/5th October 2025 11am–5pm
27th/28th September & 4th/5th October 2025 11am–5pm
Weekends 27th/28th September & 4th/5th October 2025 11am–5pm
Weekends 27th/28th September & 4th/5th October 2025 11am–5pm
‘Oakbank’ Chantry Lane, Storrington West Sussex, RH20 4BU.
This autumn, accross two weekends, eleven artists will be showcasing their work in this distinctive modernist house and gardens, set within the striking backdrop of the South Downs. Please do join us in this unique location. Free parking on site and close by, refreshments available.
‘Oakbank’ Chantry Lane, Storrington West Sussex, RH20 4BU.
‘Oakbank’ Chantry Lane, Storrington West Sussex, RH20 4BU.
info@carolwagstaff.co.uk 07831670261
‘Oakbank’ Chantry Lane, Storrington West Sussex, RH20 4BU.
info@carolwagstaff.co.uk 07831670261
info@carolwagstaff.co.uk 07831670261
johnsmulligan@btinternet.com 07974933282
This autumn, across two weekends, nine artists will be showcasing their work in this distinctive modernist house and gardens, set within the striking backdrop of the South Downs. Please do join us in this unique location. Free parking on site and close by, refreshments available.
This autumn, accross two weekends, eleven artists will be showcasing their work in this distinctive modernist house and gardens, set within the striking backdrop of the South Downs. Please do join us in this unique location. Free parking on site and close by, refreshments available.
This autumn, accross two weekends, eleven artists will be showcasing their work in this distinctive modernist house and gardens, set within the striking backdrop of the South Downs. Please do join us in this unique location. Free parking on site and close by, refreshments available.
Participating artists:
This autumn, accross two weekends, eleven artists will be showcasing their work in this distinctive modernist house and gardens, set within the striking backdrop of the South Downs. Please do join us in this unique location. Free parking on site and close by, refreshments available.
Judy Bould – paintings and prints
Participating artists:
Participating artists:
Niall Clutton – wood sculpture
Judy Bould – paintings and prints
Judy Bould – paintings and prints
Participating artists:
Niall Clutton – wood sculpture
Judy Bould – paintings and prints
Niall Clutton – wood sculpture
Heather Curwen – mixed media artist
Heather Curwen – mixed media artist
Raynor Hadland – multi disciplinary artist
Niall Clutton – wood sculpture
Heather Curwen – mixed media artist
Raynor Hadland – multi disciplinary artist
Karin Hay White – drawings and paintings
Heather Curwen – mixed media artist
Raynor Hadland – multi disciplinary artist
Karin Hay White – drawings and paintings
Delia Lindon-Spence – paintings
Raynor Hadland – multi disciplinary artist
Karin Hay White – drawings and paintings
Delia Lindon-Spence – paintings
John Mulligan – sculpture, assemblage
Karin Hay White – drawings and paintings
Delia Lindon-Spence – paintings
Vee Pease – jewellery
Delia Lindon-Spence – paintings
John Mulligan – sculpture, assemblage
John Mulligan – sculpture, assemblage Vee Pease – jewellery
John Mulligan – sculpture, assemblage Vee Pease – jewellery
Kate Scott – paintings
Kate Scott – paintings
Vee Pease – jewellery
Kate Scott – paintings
Carol Wagstaff – interdisciplinary artist
Kate Scott – paintings
Carol Wagstaff – interdisciplinary artist
Cath Whiteoak – assemblage sculpture
Carol Wagstaff – interdisciplinary artist
Cath Whiteoak – assemblage sculpture
Carol Wagstaff – interdisciplinary artist Cath Whiteoak – assemblage sculpture
Cath Whiteoak – assemblage sculpture
johnsmulligan@btinternet.com 07974933282
johnsmulligan@btinternet.com 07974933282
info@katescottpaintings.com 07719337676
info@carolwagstaff.co.uk 07831670261
15% of all sales will be donated to St. Barnabas Hospice, Worthing.
johnsmulligan@btinternet.com 07974933282
info@katescottpaintings.com 07719337676
info@katescottpaintings.com 07719337676
info@katescottpaintings.com 07719337676
15% of all sales will be donated to St. Barnabas Hospice, Worthing.
15% of all sales will be donated to St. Barnabas Hospice, Worthing.
15% of all sales will be donated to St. Barnabas Hospice, Worthing.
visual arts & contemporary crafts
Eric Ravilious, Beachy Head, 1939, Towner Eastbourne.
This autumn at Towner Eastbourne, experience a new and expanded display of works by Eric Ravilious, alongside Impressions in Watercolour: J. M. W. Turner and his Contemporaries, a celebration of Turner at his most experimental and gestural.
Eric Ravilious has been a vital part of the Towner Collection for many years, and his varied works, from ceramics to print and watercolour, continue to inspire today. Building upon extensive research into his legacy, the new display, titled The
Ravilious Collection, features the celebrated war artist among his closest friends and peers. As well as Tirzah Garwood, who married Eric Ravilious in 1930, the display includes works by close friends Edward Bawden and Peggy Angus, whose wallpaper design adorns one of the gallery walls. This permanent display opens on 26th September 2025, and also incorporates a quiet study space and library – free for anyone to use. From 23rd October 2025 to 12th April 2026, Impressions in Watercolour will showcase a selection of J.M.W. Turner’s emotive landscape works and seascapes. Contextualising these pieces alongside those by other 19th century artists, including Thomas Girtin and John Sell Cotman, exposes the exciting developments taking place in the often overlooked medium of watercolour painting during this period. The exhibition has been organised by the Holburne Museum, Bath.
Eric Ravilious, Beachy Head, 1939. Towner Eastbourne
Tonbridge School’s OBS Gallery:
An understated beacon of contemporary art in Kent
Often described by those who know as the best kept secret in Kent’s art and cultural landscape, Tonbridge School’s Old Big School Gallery (OBS) is a vibrant, contemporary art space at the heart of a leading academic institution.
Open to all and entirely free of charge, OBS reflects Tonbridge School’s ethos: blending tradition and innovation, fostering creativity, and extending opportunity to all. This is embodied in the School’s Art Scholarships and wider community programmes, part of a wider mission to open access and nurture emerging talent.
Housed in one of the School’s most historic buildings, the space supports an exhibition programme, showcasing work from emerging talents to established names, alongside pieces by students and staff. It’s curatorial approach often challenges traditional definitions of art, featuring non-traditional media and unexpected objects, giving the local community access to thought-provoking work.
Two major exhibitions are held annually for 6-week periods in mid-January and mid-September, complemented by a rolling programme in the adjacent Tunnel Gallery, including the Artist in Residence scheme. Currently on view is a compelling survey of large-scale plein air paintings by acclaimed, though often under-recognised, British artist Ray Atkins (b.1937). Book a place to join him for a free public Artist Talk on Wednesday 15 October, or the family-friendly workshops on Sunday 19 October. Looking ahead to January 2026, OBS Gallery will be joined by the touring exhibition ‘Modern Relics’ exhibition featuring the award-winning artist Matthew Lintott who specialises in woodcut relief printmaking.
Free entry and open for everyone to enjoy, 12pm-4pm every weekend. OBS Gallery belongs to the whole community.
Visit and discover more at Tonbridge School or follow on Instagram @old_big_school_gallery
c-wise from top: Matthew Lintott Modern Relics Exhibition; Matthew Lintott, 'Onamazu'; Ray Atkins exhibition; Ray Atkins chatting with visitors
coming soon...
exclusive interview with opera impressario Ellen Kent
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Lead and Seasonal features across the year include Creative Courses & Workshops; Art Trails & Open Studios; Festivals; The Art of Giving; and with regular features Visual Arts & Contemporary Crafts; Performing Arts; Poetry Prose & Illustration there is plenty in which to immerse yourself and fill up your diary!
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ROPETACKLE ARTS CENTRE
Shoreham-by-Sea
Ropetackle Arts Centre is wonderfully welcoming and accessible, the best place to see award-winning productions in an intimate space this season. It is committed to bringing something a little bit different to its audiences, and this year is no exception.
Revenge: After the Levoyah (30th October) A chaotic, Jewish heist comedy, with biting political satire. Let’s set the scene: 2019. Jewish Essex. One funeral. Two twins. And an 80-year-old ex-gangster with a plan that’s absolutely meshugge. Malcolm Spivak’s had enough. He corners twins Dan and Lauren, fresh from their grandfather's funeral, with a proposition: help him kidnap Jeremy Corbyn. Yes, really.
When Vincent Met John (November 6th). Vincent Van Gogh died in 1890 and John Lennon died in 1980, both of gunshot wounds to the chest. This play imagines what might have happened, had the two greatest artists of their time met.
Van Gogh was the nineteenth-century Dutch PostImpressionist painter who is among the most famous and influential figures in the history of Western art, while Lennon was an English singer, songwriter, musician and peace activist who gained worldwide fame with The Beatles.
Around five years before their deaths both men went through profound change. Vincent van Gogh finally renounced his religious ambitions and began to paint in earnest, and despite great arguments with antagonist Paul Gaugin, created his life’s
great masterworks.
John Lennon renounced sex, drugs and rock & roll and began five years seclusion as a family unit, and despite great arguments with Paul McCartney created a son, and what would be his last album.
This play takes place at their exact moment of crisis and decision, exploring love, death, art and legacy.
Discovering Antarctica (15th November) is a play that takes you to the edge of your seat and beyond as it re-enacts the heroic endeavors and human fortitude of Shackleton, Crean and Scott against the relentless Antarctic elements.
Bark Bark (23rd November) is a howl of show and truly one of a kind – told from the perspective of a dog. When a young couple responds to a dog-sitting advert expecting a free holiday, they stumble into an unexpected tradition... Expect infectious songs, absurdist sketches and wild-eyed storytelling.
For the festive season, a fresh new take on Dicken’s A Christmas Carol (3rd December). You’ll leave with your blood chilled, but your heart warmed.
And of course, the much-loved Panto! This year it’s Dick Whittington, (19th to 31st December) so expect mayhem, mirth, and magic as we go off in search of adventure and treasure!
Discover more at https://ropetacklecentre.co.uk
performing arts
This Is My Theatre
Looking back at summer fun and anticipating festive treats this winter
We had the great pleasure of seeing local thesps This Is My Theatre perform their witty adaptation of Jane Austen’s Emma at Nymans, West Sussex, this summer.
We thoroughly enjoyed the performance, all the players were brilliant (I would expect nothing less); Leon as Mr Elton was hilarious and Lily as Harriet was perfect – that great mixture of sparky and gauche – and we particularly enjoyed Abigail as Emma, she had great presence and stagecraft which I'm sure is something of a challenge in the open air environment.
I was intrigued and impressed with the adaptation. I loved that some of the really familiar dialogue popped up, but not necessarily where you expect it... “Badly done Emma!” for instance! Absolutely fab!
The troupe is back on the road this winter with two Dickens productions: A Christmas Carol and Great Expectations
On Christmas Eve, Ebenezer Scrooge, a mean-spirited and miserly old man, is visited by the ghost of his business partner, Jacob Marley. Shown visions of Christmases Past, Present and Future he is offered one final chance of redemption… But will he take it? This Is My Theatre brings Charles Dickens’ classic tale A Christmas Carol to life in a stunning one-act adaptation.
Packed with charm, cheer and, of course, plenty of carols, this production is sure to spread joy and warm hearts this Christmas!
“Heaven knows we need never be ashamed of our
above: The company serenades the audience as they settle down for the evening's performance of Emma, against the stunning backdrop of Nymans; right: Mr Elton admires Emma's painting of Harriet; below: Tiny Tim, A Christmas Carol
tears, for they are rain upon the blinding dust of earth, overlying our hard hearts.” Great Expectations – a heart-warming, magical stage adaptation of this beloved classic. Follow young Pip on a journey from humble beginnings to high society, guided by strange fortunes and life-changing encounters. From mysterious benefactors to the eccentric Miss Havisham and icy Estella, this is a story filled with ambition, heartache, and hope.
With rich storytelling, live music and a touch of seasonal magic, this adaptation is perfect for audiences of all ages. A classic story of transformation and the true meaning of generosity – ideal for the holiday spirit.
www.thisismytheatre.com has all details of venues and dates.
AUTUMN HIGHLIGHTS
Heidi Talbot and Boo Hewerdine Wed 19th November, 8pm
Bark Bark – A dog with a bird-killing problem. Two people stitching their relationship together. A house filled with taxidermy animals. “Ingenious contemporary folk horror tale.” (****Scotsman) Sun 23rd November, 7.30pm Simon Evans and friends Tues 9th December, 7.30pm
performing arts
is delighted to return to the UK
With three ballet productions, accompanied by a large live orchestra playing the unforgettable music of Tchaikovsky, the Imperial Classical Ballet is once again touring the UK to over fifty cities this year.
Christmas wouldn’t be complete without a trip to the theatre to experience the magic of the world’s most beloved ballet – The Nutcracker. With snow flurries, sweets, princes, magic and love, this production captures the essence of the holiday season. It is the perfect introduction to the beauty of ballet while remaining a cherished classic for seasoned enthusiasts.
From the dazzling opulence of the palace ballroom to the hauntingly beautiful moonlit lake, Swan Lake is a feast for the eyes and soul. The ballet’s iconic scenes include the majestic ‘white swan’ dances and the electrifying ‘black swan’ pas de deux, showcasing some of the most memorable choreography and music ever created.
Sleeping Beauty is a magical tale of love, innocence, mystery, and enchantment. This masterpiece of classical ballet brings to life the battle between good and evil in a world of fantasy and wonder. The production features exquisite choreography, sumptuous costumes, and enchanting sets, creating an unforgettable experience for audiences of all ages.
Visit www.imperial-ballet.com for full details of the tour.
Imperial Classical Ballet®
UCKFIELD PICTURE HOUSE
and THE ATRIUM, East Grinstead deliver Tragedy and Drama this autumn!
World class ballet and opera come to Uckfield and East Grinstead this autumn. Forget soaps on the small screen, expand your horizons with a trip to the cinema!
As we go in to the darker months, at The Picture House Uckfield and The Atrium East Grinstead we have so much to look forward to, including the new season of opera and ballet from The Royal Opera House and opera from The Metroplitan Opera in New York.
And there's more great theatre on screen from The National Theatre with Emelda Staunton in Mrs Warren’s Profession and Martin Freeman in The Fifth Step, as well as musical theatre Bat Out of Hell The Musical.
Something for everyone on stage this autumn/winter. Visit www.picturehouseuckfield.com https://atriumeastgrinstead.com for more details about what's on.
above: Imelda Staunton in Mrs Warren’s Profession; left: MET La Boheme 2025
The Royal Opera House La Fille Mal Gardee
The Royal Opera House Cinderella
The Royal Opera House Nutcracker
Metropolitan Opera La Sonnambula
Metropolitan Opera La Boheme
Metropolitan Opera Arabella
Music and theatre collide
The Telling’s Breaking
the Rules
2nd November at All Saints Centre, Lewes 9th November at St Mary & St Eanswythe’s Church, Folkestone
“Daring and vivid psychodrama” – The Guardian
Award-winning writer Clare Norburn’s acclaimed play, Breaking the Rules, with visceral music explores the extraordinary life of 16th/17th century composer-prince Carlo Gesualdo.
The drama is directed by BAFTA-nominated director Nicholas Renton (Mrs Gaskell’s Wives and Daughters, Lewis, Musketeers) and features the extraordinary young vocal ensemble, The Mancunium Consort, “one of the rising stars of the choral music scene” as described by The Gesualdo Six.
After a childhood of privation with The Jesuits in preparation for a life in the priesthood, the unexpected death of Gesualdo’s brother leads to a sudden change of fate. Overnight, Gesualdo is now expected to produce an heir and is quickly married off to the world-wise Maria d’Avalos. Her cruel treatment of him leads inexorably to Gesualdo committing his infamous
The Mancunium Consort play Gesualdo’s consort of singers: they control the 'playlist', providing a soundtrack of Gesualdo’s deeply personal and unconventionally expressive music, including his madrigals and monumental Tenebrae Responsories. Their singing triggers memories of his past, as Gesualdo contemplates the tumultuous events that led to the murder. Now facing death and eternal damnation, the only thing that can save him is to face up to what happened that night twenty-three years before.
Further details and tickets at www.thetelling.co.uk
top: Gerald Kyd as Gesualdo with The Marian Consort.
Tunbridge Wells Operatic and Dramatic Society Musicals The Sound of Music
TWODS Musicals is delighted to present The Sound of Music live on stage at The Assembly Hall Theatre in Tunbridge Wells from 28th October to 1st November.
Join the spirited Maria as she brings the power of music to the von Trapp family through this enchanting story set in the Austrian Alps. Performances take place at 7.30pm every night with matinees at 2.30pm on the Wednesday and Saturday.
murder of Maria and her lover.
Photo Robin Mitchell for The Lammermuir Festival 2016
Celebrating sixty years since its movie premiere (and as Julie Andrews celebrates her ninetieth birthday!), The Sound of Music is a beloved musical classic that brings joy, inspiration and a touch of nostalgia to audiences of all ages. Featuring iconic songs like 'Do-Re-Mi,' 'My Favourite Things,' 'Edelweiss,' and the soaring title number 'The Sound of Music,' this production captures the heart and soul of the legendary movie masterpiece. With stunning sets, beautiful costumes, and a cast full of talent and passion, this is a theatrical experience that will stay with you long after the curtain falls. Book your tickets for The Sound of Music at www.twods.org or call the box office 01892 55444.
and the von Trapp family
Hamie Duo at
The International Interview Concerts
by Richard Amey
Sisters Riya and Berniya Hamie are the founding cellist and pianist members of latest BBC Radio 3 New Generation Artists, Astatine Trio.
flexible seating for the Interview Concerts’ own special intimate layouts for a concert experience in close-up.
Riya and Hamie say: “We’re so excited to be presenting two of the greatest works for cello and piano, both packed with drama and exquisite lyricism. We’ll find how Chopin's late Cello Sonata inspired this, the 27-year-old Rachmaninov's tribute, and explore these masterworks’ similarities and differences – both set in the minor key but ending triumphantly in the major. We can't wait to be bringing this programme to Worthing alongside three exciting secret pieces!”
Chopin and Rachmaninov guarantee virtuoso piano roles, but the cello is cast as equal. The Pole probes his own deep emotions amid ultimately terminal illness.
The Russian, post-depression, unleashes arguably a cello concerto, here between his glorious Piano Concertos Nos 2 (‘Brief Encounter’) and No 3.
Find concert details and ticket route via: facebook.com/events/746665421416175
And it’s in their parallel performing pairing, Hamie Duo, that Riya and Berniya bring the two towering, romantic Cello Sonatas of Chopin and Rachmaninov to Worthing’s International Interview Concerts at St Symphorian’s Durrington Hill on Sunday 2nd November (2.45pm to 5.15pm).
Of Lebanese and Taiwanese heritage (say it “Ree-er and Burn-eye-er Hay-mee”), they’ll play three other instrumental showcasing pieces, identities to be revealed on the day. The Interview Concert format is full concert performance, plus interspersed interviewing conversations, audience questions, and this time the musical features ‘Guess The Composer’ and ‘Give It A Title’. Parking everywhere is free.
St Symphorian’s Durrington Hill hosted its first Interview Concert in May, Yi-Yang Chen the solo piano guest, and for the classical fans packing it out, the curtain lifted on a jaw-dropping concert venue of great beauty. No audience sightlines pillar-obstructed, and
Maria
Hamie Duo: Riya (cello) and Berniya (piano) Hamie
Wild Arts present Handel's Messiah
Chichester Cathedral, 16th December
If your Christmas plans aren’t complete until you’ve got a performance of Handel's Messiah in the diary, then look no further than critically acclaimed opera company Wild Arts for this year’s festive fix.
Following a sell-out performances and standing ovations in 2023 and 2024, this December acclaimed opera company Wild Arts (***** Opera Now; **** The Guardian) brings its fresh, innovative staging of Handel's legendary oratorio to Chichester for a third year.
Performing the entire piece from memory, star singers bring music and story to life, with staging devised by theatre and opera director Tom Morris (Breaking the Waves, Dr Semmelweis, War Horse).
The musicians of the Wild Arts Ensemble, playing on period instruments similar to the ones that would have been around when Handel was composing his masterpiece, are directed by Wild Arts’ Artistic Director Orlando Jopling in this enthralling production. Visit wildarts.org.uk for further information.
CHICHESTER CATHEDRAL
Tuesday 16 December 2025, 7pm
Following sell-out performances and standing ovations in 2024 and 2024, Wild Arts returns for a third year with its fresh, innovative staging of Handel’s legendary oratorio.
Tickets from £15 Book at wildarts.org.uk
Wild Arts perform Messiah at Chichester Cathedral
G. F. HANDEL
LIVE MUSIC IN HORSHAM Autumn 2025 presented by Horsham Music Circle for the 84th Season
email: horshammusiccircle@gmail.com online from www.wegottickets.com/HorshamMusicCircle www.horsham-music-circle.org.uk
performing arts
Royal Tunbridge Wells Symphony Orchestra
2025 to 2026 season
The season is packed with energy, brilliance and imagination, led by new Music Director Peter Selwyn.
It opens in celebration with Wagner’s spirited Meistersinger Overture, Saint-Saëns’ lyrical Violin Concerto No.3 with acclaimed local soloist Callum Smart, and Berlioz’s revolutionary Symphonie Fantastique – a spectacular beginning to a new era for the orchestra.
Across the season, audiences can enjoy a rich variety of music which blends familiar masterpieces with inspired discoveries. Beethoven’s majestic ‘Emperor’ Concerto will shine in the hands of the brilliant Tom Poster, while Mendelssohn, Dvořák, Humperdinck and RimskyKorsakov conjure worlds of fairy-tale magic and legend. The warmth and character of Tchaikovsky’s Winter Daydreams symphony contrasts with the wit of Stravinsky and the tuneful charm of Kabalevsky, performed by distinguished cellist Richard Harwood.
Award-winning violinist Fenella Humphreys brings Coleridge-Taylor’s concerto to life in a programme that celebrates the brilliance of English music, from Vaughan Williams’ Tallis Fantasia to Walton’s blazing First Symphony. Finally, Jeneba Kanneh-Mason closes the season with Gershwin’s jazz-infused An American in Paris, Ravel’s dazzling Boléro and Mussorgsky’s Pictures at an Exhibition (in Ravel’s orchestration) a thrilling burst of energy.
This is a season of renewal, discovery and celebration –certainly not to be missed!
For further information please visit www.rtwso.org
The Hanover Band
The Hanover Band was formed by founder Caroline Brown in 1980 and has an international reputation for the excellence of its performances and recordings of 18th and 19th century music.
The Hanover Band performs, records and undertakes education work regularly in the UK and has toured throughout Europe, USA (East and West), Canada and Mexico, appearing in prestigious festivals and leading venues throughout the world. The orchestra’s list of directors over previous years reads like a Who’s Who of period instrument interpretation.
The Hanover Band Chorus who work with the Band regularly comprise leading choral specialists who are actively working in the early music world.
The orchestra’s impressive discography of 176 commercial CDs includes an award-winning Beethoven cycle (Nimbus Goodman), Donizetti’s Lucia di Lammermoor (Sony Mackerras), Handel’s Serse (BMG McGegan), Bach Brandenburg Concertos (EMI Halstead),Weber Horn Concertino (Halstead Nimbus) Bach Cantatas, Mozart Clarinet Concerto (Nimbus/Lawson), Handel Opera Arias with
The Hanover Band
from top: Peter Selwyn, photo Anna Shilonosova; Fenella Humphreys, photo Matt Smith; Richard Harwood, photo Martin Apps
Natalie Stutzmann (BMG), Beethoven and Mozart Violin Concertos with Stephanie Chase (Cala), Haydn Symphonies (Hyperion Goodman), Boyce’s Ode for St Cecilia’s Day, Secular Masque, David’s Lamentations over Saul and Jonathan and 18th century British symphonies (Lea Coz/ASV), Schumann Symphonies (BMG), the complete orchestral works of JC Bach, and Sullivan’s Rose of Persia and Overtures (Cpo), Mozart Arias, The Supreme Decorator (Opera Rara Mackerras) and their recently released Hyperion CD of Mozart’s Horn Concertos with Pip Eastop natural horn, conducted by Anthony Halstead. For more information visit thehanoverband.com
Adam Phillips a Violinist for
all Occasions
If you’ve been lucky enough to hear the renowned violinist Adam Phillips perform live at one of the summer music festivals, then you’ll know all about his exciting evocative sound.
Whether it's popular songs from the musicals or a traditional Scottish reel Adam brings the music to thrilling life with a verve and a depth of passion that is second to none.
Adam is certainly well placed to perform traditional fiddle; he is a direct descendant of the 18th century Scottish composer and fiddler William Marshall who is credited as creating ‘the first Strathspeys of the age’. On top of that Adam’s mixed Basque and Austro-Hungarian lineage has given him a natural affinity with both traditional and classical violin music.
After completing his music studies, Adam took masterclasses with international soloist and Menuhin student Leland Chen, who was to have a considerable influence on his own playing.
“I think that gave me the confidence and experience to help me achieve my performance goals,” said Adam. “I believe music has the ability to add that special touch to any occasion,” he continued, “it adds charm and magic and has the power to ignite emotions. I can add this sparkle to weddings, corporate functions, christening or bar mitzvah.”
Adam has years of experience playing in orchestras as well as leading traditional fiddle sessions. At your function, Adam will offer a solo violin experience that will not simply add memories but will make them as well. Adam can help you create the repertoire that suits your occasion. Whether it be Moon River, rock arrangements, Ave Maria or lilting Irish airs, your family and friends will not resist dancing. Later they will be serenaded by romantic themes from Italian opera and will keep asking for more.
Contact Adam at info@adamphillipsviolin.com or 07858 674781, and themusictutor.org for more info.
Horsham Music Circle
84th Season 2025/26 – Autumn Awaits!
The Music Circle’s spring 2025 concerts drew enthusiastic audiences with exhilarating performances from Sussex Chamber Players, Baroque Alchemy, and Onyx Brass. Now we head into our 84th Season – with autumn concerts to savour and share.
The series began on Saturday 20th September at in St Mary’s Church with a joyful evening of piano quintets. Ensemble 360, featuring pianist Tim Horton and rising star Will Duerden, performed Schubert’s sparkling ‘Trout’ and Vaughan Williams’s lyrical early work – music full of charm, warmth, and rich textures.
On Saturday 18th October in the Causeway Barn, renowned harpsichordist Steven Devine presents The Bach Circle – a stylish, intimate recital exploring works by J.S. Bach and his equally talented contemporaries. Devine’s virtuosity and insight promise a delightful evening of baroque brilliance.
Finally, on Saturday 29th November also at the Causeway Barn, the Aurora Trio (harp, flute, and viola) bring the season to a serene close. Their artistry and ensemble finesse will provide a memorable finale for a winter afternoon with works by Bax, Debussy and Ravel.
Come along and discover the joy of live music!
www.horsham-music-circle.org.uk
Adam Phillips
The Aurora Trio
Paul Gunn
The Stables Theatre & Arts Centre, The Bourne, Hastings TB34 3BD 7.30pm Friday 14th November
Pianist and Composer Paul Gunn returns to The Stables Theatre in Hastings Old Town to play his unique multi-genre music combining Baroque, Classical, Latin and Rock influences.
He is joined by Brazilian percussion wizard Jansen Santana and classical cellist Yvonne-Marie Parsons recently touring with Bournemouth Symphony Orchestra and playing in London’s West End show Moulin Rouge at The Piccadilly Theatre.
Critics say Paul’s music “transcends boundaries and styles” and is “A high quality, entirely unclassifiable musical performance”. So if you are looking for something fresh, unique and vital with strong melodic and rhythmic qualities, this is for you!
Tickets £13.50 from stablestheatre.co.uk and visit paulgunn.net for Paul’s music.
St Leonards Concerts
As 2025 draws to a close, St Leonards Concerts rounds off the year with two outstanding performances.
On 30th November at 5pm, Christ Church will provide a beautiful setting for an evening of Russian romanticism.
Violinist and founder of SLC, Max Baillie will be joined by internationally renowned cellist Guy Johnston and acclaimed pianist Katya Apekisheva for two of the greatest chamber works ever written: Rachmaninov’s richly expressive Cello Sonata and Tchaikovsky’s powerful, sweeping Piano Trio. With such a stellar line-up, this promises to be a memorable night of passionate and virtuosic music-making.
In early December the vibrant, genre-defying ensemble ZRI will appear in a special concert ahead of their performance at London’s Southbank Centre. Known for their imaginative programming and thrilling energy, ZRI bring a unique and fresh perspective to the chamber music stage.
This final concert of the year will also see the launch of the St Leonards Concerts Friends Scheme, designed to bring together the local concert-going community and offer supporters a chance to help shape plans for an ambitious 2026 season. For full details please visit https://stlconcerts.co.uk
Max Baillie
Guy Johnston
Katya Apekisheva
Yvonne-Marie Parsons Jansen Santana
Paul Gunn
Some highlights this autumn at The Old Market, Brighton
Fionn Regan + Sylvie Lewis | 28th October
The Mercury Prize–nominated singer-songwriter comes to TOM for an unforgettable night of lyrical beauty and emotional resonance.
With over 125 million streams worldwide and praise from critics, Regan’s music transcends genre, weaving intricate fingerpicked guitar with evocative, literary lyricism. A modern troubadour in the lineage of Nick Drake and Bob Dylan.
Support comes from Sylvie Lewis, a songwriter of rare grace, Sylvie’s music blends folk, pop, and chanson into something both timeless and contemporary.
An evening with John Illsley | 29th October
Step inside the extraordinary story of one of rock’s most legendary bands with John Illsley, founding member and long-time bass player of Dire Straits.
In this intimate and entertaining evening, John will reflect on his life in music – from the early days of the band, to global superstardom, to the wild ride that followed.
Bahamas + support | 11th November
An intimate night of music that blends understated soul, dry wit, and beautifully crafted songwriting. Bahamas is the moniker for singer/songwriter/ guitar virtuoso Afie Jurvanen. Afie isn’t from the Bahamas, he's Finnish-Canadian. But since 2009 he’s been making music under the name Bahamas –writing songs about sunsets, love affairs, and making out with crooked smiles.
Gift | From 3rd to 21st of December
Celebrating the season of good will with their very own gift, TOM and Mella Faye present 'Gift', an immersive, anarchic and joyful part gig, part theatre, part dining experience and is the perfect way to celebrate the end of the year with colleagues, friends and family. The Gift is a celebration of the absurdity and the wonder of being alive. It invites you to expect the unexpected and promises a night of unique and playful entertainment.
As Mella Faye explains: “It has been my dream to bring these bold, maverick artists together as they are all personal heroes of mine. They are going to lead us all on a choose-your-own-adventure of a night, where the whole room will co-conspire to create an evening of games, rituals and unexpected gift giving.”
Tickets for The Gift also include a winter feast of sharing platters provided by local suppliers, served to diners on cabaret style tables during the merriment. Leave with a full belly, a full heart and an entire village of new friends.
Visit www.theoldmarket.com for full information.
below: Bahamas (Afie Jurvanen) at 2010 Wolfe Island Music Festival
right: Fionn Regan
below: Sylvie Lewis, photo John Kell
below: John Illsley
below left: Mella Faye below: Julie Nesher, performing in Gift
performing arts
A sample of Melting Vinyl gigs this autumn/ winter
Kris Drever + Polly Paulusma
11th November at Komedia Brighton
Kris Drever is among Scotland’s most acclaimed and distinctive contemporary musicians, celebrated for his warm voice, virtuoso guitar playing and imaginative and evocative songwriting. Raised in the Orkney Islands, he has carved out a unique place at the intersection of traditional folk and modern acoustic music, as a solo artist and as one third of the award-winning trio Lau.
Over the course of his career, Kris has won a hatful of honours, including BBC Radio 2 Folk Awards for Best Singer, Best Original Song, and Best Group with Lau. His solo work combines lyrics of depth and authenticity with expertly pitched arrangements, exploring themes of place, identity, and social change, delivered with clarity, compassion, and poetic insight.
He will be supported by the wonderful singer songwriter Polly Paulusma. Between writing, recording and touring Polly Paulusma teaches songwriting and poetry for Cambridge University and songwriting for the Institute of Contemporary Music Performance, where she is Associate Professor of Song and Literature.
Midlake 'Climb Upon A Bridge To Far' Tour + The Bretheren
7th February at Brighton’s Chalk
For over two decades, Midlake have quietly built a world of their own, rooted in the college-town charm of Denton, Texas, but expansive in sound and spirit. With their sixth studio album, A Bridge To Far on Bella Union, the band returns with a record that feels both deeply personal and universally resonant. It’s an album about hope – not in some abstract sense, but as a human necessity.
“Hope is a need,” says frontman Eric Pulido. “To look beyond, above what is. We can all relate on many varying levels.”
Written and recorded in Denton with producer Sam Evian, the record explores themes of hope, humility and perseverance, blending the band’s cinematic folk-rock sound with renewed clarity and purpose.
After two decades, Midlake remains a band grounded in shared connection, always evolving while holding onto what matters most. A Bridge To Far is a testament to that bond, an album that dares to believe in something just beyond reach. Visit www.meltingvinyl.co.uk for all MV has to offer.
top: Kris Drever; left: Polly Paulusma
Midlake
Anna Howie
New album release
Surrey based country singer-songwriter Anna Howie has released her album ‘Good for Roses’ via the Absolute Label (Universal/Sony), recorded at Peter Gabriel’s Real World Studios, produced by Kris Wilkinson Hughes.
Anna says “This album is a personal one, songs about life-defining moments, good and bad. If there is one thing I am sure about now I am older, it is that out of hard times, good things come.
I wanted the title of this album to reflect the struggle and the joy. There is a pink rose outside my kitchen window and, as the rest of the garden dies away and there is frost on the ground, it blooms. I love its resilience.”
A veteran live performer, Anna has spent time in Nashville honing her craft and has just finished a UK tour. Good for Roses is the latest in a line of quality releases from Anna that blend her lyrical verve, innate musicality and a simple ability to connect with her listener.
Visit https://www.annahowiemusic.com for full information on Annie’s music.
‘Fractures Light in every direction like a laser-cut diamond’ –Midland Rocks ‘A creative delight’ –Rocking Magpie ‘True Storytelling. Every track is like picking up a new book.’ –Wall of Sound
Gather Together, For A Story Yet Untold... Mediæval Bæbes
to perform Twelfth Moon Concert
Friday 12th December, St Mary’s Church, Horsham
Song and dance, pomp and pageantry will joyfully announce the arrival of the Mediæval Bæbes, with a torchlit procession, heralding the start of their tantalising Twelfth Moon concert.
Embrace the magic, breathe in the atmosphere and join the parade as it makes it way to St Mary’s Church for an evening of musical stories, poetry and theatre.
Renowned for their soaring harmonies, stunning costumes, and performing with a plethora of exotic historical instruments; the Mediæval Bæbes will be exalting the twelfth month in all its finery, along with the beauty and passion of all things mydwynter.
The Christmas concert will see several tracks from their new upcoming album The Spinning Wheel being performed live. Written and composed by
Katharine Blake, the twelfth track December, perfectly sets the scene for the enchanted evening to come. Telling of persons ‘gathering together, to awake the flame of old, for a story yet untold,’ the uplifting melody and beautiful lyrics proclaim joy and wonder, voices singing, cups overflowing and laughter…
The Mediæval Bæbes are one of the most successful female-led, early music and folk ensembles in Europe. Over the years, they have released eleven studio albums and won an Ivor Novella Award for their performance on the BBC serialisation ‘The Virgin Queen.’ They have also received two Emmy nominations and a Royal Television Society award as the featured artist alongside composer Martin Phipps, for the TV theme tune of ITV’s hit show ‘Victoria.’
In 2023 The Mediæval Bæbes’ collaboration with Orbital’s ‘Ringa Ringa’ reached number six in the album charts, and they collaborated with The Wellermen, on their ‘Explorations’ remix album.
Come join the Mediæval Bæbes and be immersed in glorious merriment. Tickets are now on sale from www.mediaevalbaebes.com
COMPETITION!
Win two tickets to see the Mediæval Bæbes at Horsham in December.
To win just answer the following question and email the answer to roger.ingenue@gmail.com before November 30th.
What is the title of the Bæbes' upcoming album?
Please include your address and phone number when answering.
autumn festivals
Autumn conjures up images of walking or running through a vibrant spectrum of amber, tawny and russet leaves, kicking away at them as as we did as children... Here are a few autumn festivals in the region hopefully to raise your spirit and wash away those adult blues!
Brighton Early Music Festival
Love as described by the Ancient Greeks until 26th October
Audiences will be feeling the love at this year’s Brighton Early Music Festival which is programmed around some of the types of love described by the Ancient Greeks.
The first main Festival weekend, 10th to 12th October, takes the theme of Xenia – hosting and welcoming guests. Events include the UK premiere of a 1736 French baroque opera by Mademoiselle Duval, and a return to Brighton by vocal ensemble The Gesualdo Six.
Events between 16th and 19th October explore Agape – love of nature and the divine. Audiences can choose from a showcase of emerging artists, convent music performed by Musica Secreta, or a chance to walk and sing in nature with SongPath.
The final weekend of the Festival is all about Eros – romantic love, desire and loss. Concerts include words and music inspired by Oscar Wilde and romantic Lieder arranged for voice and string quartet.
Tickets for all BREMF 2025 events are available at www.bremf.org.uk
The Shipley Arts Festival proudly celebrated its twenty-fifth anniversary in 2025, marking a silver year filled with music, gratitude and joy. This milestone season weaved themes of celebration into every performance as it returned to cherished venues across the county, sharing unforgettable moments with loyal friends and supporters.
On Sunday 19th October the Festival returns to St Andrew’s Church, Nuthurst for a very special evening of music. This year’s concert not only marks the 25th Silver Festival but also celebrates the church’s recent redecoration – a fitting backdrop for a programme that combines elegance, community and world-class performance.
Celebrating both community spirit and outstanding music, the evening will feature a Jazz & Strings programme, bringing together much-loved melodies with fresh arrangements, performed by festival musicians and special guests. Among them is acclaimed saxophonist Julian Nicholas, an in-demand performer who has appeared at prestigious venues including Ronnie Scott’s, and leading jazz festivals across the UK. Twice his band supported the legendary Nina Simone at Brighton Festival, earning its coveted Festival Award both years!
And the festival welcomes back long-time friend and musical acolyte Mr. Arnon Bentovim, whose artistry and connection with our festival have made him a cherished presence in Nuthurst over the years.
The programme promises a rich variety of jazz and American Songbook favourites, including Summertime,
East of the Sun, Laura, I’m in the Mood for Love, The Best is Yet to Come, Call Me Irresponsible, Come Rain or Come Shine, and The Very Thought of You. To make the evening even more memorable, a sparkling Nyetimber reception is included in the ticket.
This is followed by the NFU Nyetimber 2025 Shipley Arts Festival Review at Nyetimber, West Chiltington, West Sussex, on 7th November and finally at the The National Liberal Club in London on 18th November there is From Bach to Elgar: A Stradivarius Celebration.
The annual festival is the brainchild of Andrew Bernardi, who has become established as one of the UK’s leading violinists, festival directors, string educationalists and music entrepreneurs.
Andrew performs on the 1696 Amici Bernardi Stradivarius and a Voirin bow formerly owned by the late Lord Menuhin. www.bmglive.com has full information.
top: Julian Nicholas; left: Andrew Bernardi and Bernardi Music Group
Petworth Literary Festival
29th October to 9th November
BookerPrize winner Samantha Harvey and astronaut
Tim Peake headline the this year’s festival. Samantha will regale us with a mouth-watering discussion around her Sunday Times best-selling novel Orbital. And who better than real-life International Space Station astronaut and local resident Tim Peake, to interrogate Samantha’s imaginative picture of life in orbit around the earth? Blastoff at Midhurst Rother College on Monday 3rd November.
Other big hitters joining the Petworth audience include acclaimed novelist Sebastian Faulks; Liberal Democrats leader Ed Davey; BBC Chief International Correspondent Lyse Doucet; broadcaster, humourist and former MP Gyles Brandreth; international star of stage and screen Dame Harriet Walter; and top international sportsmen Martin O’Neill and Graham Gooch.
In a broad programme offering something for everyone, the festival welcomes survival specialist Ray Mears, radio personality, pop star and retired Church of England vicar, the Revd. Richard Coles, former Chancellor of the Exchequer Jeremy Hunt, and Dame Prue Leith. Arguably Britain’s most respected historian, Antony Beevor leads a stellar list of authors marking the 80th anniversary of the ending of World War II with his magisterial The Second World War Max Hastings brings his study of the D-Day landings Sword to the festival and Iain MacGregor’s acclaimed deconstruction of the quest to build the atomic bomb The Hiroshima Men will be discussed on Remembrance Sunday.
Other books featured include Andrew Lownie’s much publicised biography of the Duke and Duchess of York, Entitled, and local author Lucy Foley’s The Midnight Feast,
one of the major popular hits of the summer. Petworth Festival’s Artistic Director Stewart Collins said: “An hour with every single one of our authors is never going to be wasted but quite often it will prove unforgettable. We just can’t wait to get going!”
For full information visit petworthfestival.org.uk
from top: Samantha Harvey; Gyles Brandreth; Tim Peake
Kidbrooke Park Music Festival
1st & 2nd November
Celebrate the joy of live music in a weekend of fabulous concerts at the KP Music Festival in Forest Row. Now in its seventh year, the Festival has established a reputation for high quality concerts, original programming and a great atmosphere!
Opening the Festival on Saturday 1st November will be accordionist Sofia Ros, winner of the Scottish BBC Young Musician of the Year. Originally from Spain, her virtuosic programme will have a southern flavour that will warm our hearts.
Don't miss the fabulous London Bridge Trio on Saturday evening! Their programme includes the famous Dumky Trio, as well as beautiful piano trios by Schubert and Bridge.
A festival highlight will be the performance of the famous Four Seasons by Vivaldi, played by the distinguished violinist Simon Blendis, on Sunday 2nd November. Following this much loved piece will be the world premiere of An Orkney Winter by Jeff Moore. It features local young talent in the KP Festival Youth Orchestra, who will join the professionals in the Festival's grand finale.
For full details and tickets visit kpmusicfestival.org
top: Kidbrooke Park Music Festival Youth Orchestra; above right: Kidbrooke Park Music Festival Chamber Orchestra; below: Sofía Ros
FRIDAY 10 – SUNDAY 26 OCTOBER
Join us this autumn for more than 20 events including the UK premiere of a 1736 French baroque opera by a female composer, Lieder with Consone Quartet and mezzosoprano Helen Charlston, and poetry and prose inspired by Oscar Wilde. Plus emerging artists, choral and instrumental workshops, family concerts and more. Tickets and full programme information at bremf.org.uk
poetry prose & illustration
The Pagalan Chronicles
Series One
In The Pagalan Chronicles, Morganuke Beldere, an orphan with silver hair, red eyes, and strange powers, sets out from the peaceful island of Banton in search of his origins.
In Searching for Morganuke’s Roots, he leaves behind the only family he’s ever known to face a growing war
on the mainland and the terrifying rise of the Cordinen tribes. As secrets unravel, Morganuke discovers a deeper legacy tied to an ancient civilization.
In Finding Denesthear, his journey leads to the hidden Patronese, his true kin, who reveal that Morganuke is heir to a forgotten high house. Torn between loyalty to his friends and the burden of destiny, he must navigate betrayal, strange technologies, and a world on the brink of collapse.
In The Final Quest, Morganuke races against time to recover the legendary emerald sword, key to an ancient portal and catastrophic power. As war consumes Pagalan, Morganuke must unite allies, confront the truth of his heritage, and ultimately face his darkest choices.
Sweeping in scope and rich in mystery, The Pagalan Chronicles blends epic fantasy with science fiction, exploring identity, destiny, and the cost of peace in a fractured world. A monumental adventure from first-time author Andrew Houlston, The Pagalan Chronicles is available online and from www.thepagalanchronicles.co.uk where you can find more details of Morganuke's world.
An Irishman's Home
The story of a young emigrant Irishman from Dublin in 1813 who dreamt of a new beginning.
Thomas Keary, born in Dublin in 1791, left home in 1813 as a young man of twenty-two trained as a smelter in gold and silver. He set out to seek his fortune in London, knowing he might never see his homeland or his family again. Thanks to his determination, charm and intelligence, he found success, security and love, and founded a dynasty. This is the true story of his life and times, researched, reconstructed and colourfully told two centuries later by his greatgreat-grandson Terence Kearey, a keen historian.
The story is told in three parts, each part is set in the early 1800s:
1) Thomas emigrates from Ireland to London;
2)Ester leaves home to become a seamstress;
3) the couple meet and get married.
The tale explains why they leave home, their journey, describes London's city life, how they both build a career, find love, plan a home, and start a family.
This is the start of a Kearey presence in London. Thomas follows a dream, visualised over many years. His dreams do not weaken but keep him steady – especially during the troubles in Ireland.
A fascinating account of the trials and tribulations, challenges and successes of life in nineteenth century England.
An Irishman's Home is available from Amazon and for more information about the author Terence Kearey and his other books visit www.openwindowslearning.co.uk
Looking for inspiration? How about a Poetry Bee?
Immerse yourself in the beautiful downland village of Alfriston, where poet Eleanor Farjeon, wrote the much-loved verses of 'Morning Has Broken'.
We are planning a special day to celebrate all things poetic, our very first ‘Poetry Bee'. This is an opportunity to submit a poem of your own, (deadline 15th October) and be shortlisted for the chance to win a prize.
Join us on Saturday 25th October and participate in a panel discussion on shortlisted poems selected by Jeremy Page, founder of the Frogmore Press.
The Frogmore Papers
published by The Frogmore Press
The 106th edition of the Lewes-based literary journal The Frogmore Papers is published this autumn and includes all the poems shortlisted for the 39th annual Frogmore Poetry Prize by adjudicator John Greening.
This year’s winner was Sharon Black, who was previously awarded the Prize in 2011 and also won the inaugural Poetry Society Tobias Hill Poetry Prize and this year’s Kent & Sussex Open Poetry Competition. Greening particularly admired her ‘Larkinesque shift from description to meditation’ in her Frogmore Prize winner, ‘Pont des Arts’, for which she received the sum of 250 guineas (£262.50). Runnersup were Manchester poet and teacher Michael Greavy and Welsh poet and teacher Jonathan Edwards, a previous winner of the Costa Book Award for Poetry. Shortlisted poets included Wendy Klein, an American now resident in Lindfield, West Sussex, and a frequent contributor to the Papers. Next year’s Frogmore Prize, the 40th, will be adjudicated by poet and publisher Mike Barlow.
The deadline for entries is 31 May 2026 and full details are available at www.frogmorepress.co.uk
The Frogmore Papers (number 106) are available from
This is followed by contributions from local poets; a poetry trail around the National Trust’s Clergy House; an innovative 'Poetry Throwdown'; and a haiku competition open to all on the day.
There are one-toone sessions with Julie Winters who then offers you an appropriate poem to help and heal. Refreshments are available throughout, plus a light lunch in the Old Chapel Centre where Phil Lane, a finalist from the recent TV series ‘The Piano’, entertains with his own words and music. For those who would like to stay on for the evening, there is an open mic session in the atmospheric Six Bells.
Full details of the competition and tickets for the event are available here: www.ticketsource.co.uk/old-chapel-centre
The Frogmore Press, 21 Mildmay Road, Lewes BN7 1PJ, price £5.00. Subscriptions are also available. Email frogmorepress@gmail.com
CHRISTMAS 1943 - DEVON
CHRISTMAS 1943 - DEVON
An Irishman’s Home by
Terence Kearey
A true story of hope and passion. Dublin-born
Thomas Keary left home to seek his fortune in London. He found success, security and love, and founded a dynasty. Available online and at all good bookstores
Open Windows Learning hosts a series of books by artist, author & historian Terence Kearey
also available in audio, for full details visit www.openwindowslearning.co.uk
CHRISTMAS 1943 - DEVON
War is hard when you have to leave everything you know and love.
War is hard when you have to leave everything you know and love.
War is hard when you have to leave everything you know and love.
The Secret Rehearsals for D-Day...
The Secret Rehearsals for D-Day...
“A wonderful book...”
The Secret Rehearsals for D-Day...
“A wonderful book...”
Michelle Magorian
Michelle Magorian
‘Goodnight Mr Tom’
“A wonderful book...”
‘Goodnight Mr Tom’
Michelle Magorian
“A jewel!...” Actress June BrownDot in EastEnders
“A jewel!...” Actress June BrownDot in EastEnders
‘Goodnight Mr Tom’
At your local book store now Paperback: £8.99
“A jewel!...” Actress June BrownDot in EastEnders
At your local book store now Paperback: £8.99
ISBN 978-0-9535123-2-4 www.wightdiamondpress.com
At your local book store now Paperback: £8.99
ISBN 978-0-9535123-2-4 www.wightdiamondpress.com
ISBN 978-0-9535123-2-4 www.wightdiamondpress.com
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Gill Bustamante, Beyond the Hedgerow
Carrie Evans
book reviews
The Land Of Might Have Been a
short story collection
by Jennifer Pulling
This collection of stories inhabits a hinterland between truth and imagination, dreams and reality. By turns nostalgic and wistful, humorous and wry, some with darker notes of pain and regret, all transport the reader to other times, other places, other possibilities.
Some of the stories feel drawn from experience, while others – like Caterpillar – are pure whimsical fantasy, or perhaps allegory...
The action takes place in a variety of times and locations, from unpredictable seas at an unnamed coast to Brighton's sunny Lanes, from rural France to 1930's Paris and from a bland British care home to the author's beloved Italy.
Among these captivating stories that transport us is the heart-rending tale of a Jewish community in 1930's Paris in The Children's Hour; the wistful longing for a child so potently imagined in The Swing. There
The Secret Photographs
by Jacquie Bloese
England. 1895: In the bustling seaside town of Brighton, photography is all the rage. Ellen Harper assists her twin brother running one of the city's seafront studios, but behind the facade of a respectable business, the siblings have something to hide.
After the day-trippers had left and the holidaymakers had gone back to their lodgings the town put on its nocturnal mask, swapping ice cream parlours for racy music hall acts and promenade walks for dark deeds in seedy shadowed streets.
Like the Victorian version of 'Only Fans', there was a market among the less morally upstanding for erotic photography, more appealing than traditional nude paintings to those of a lascivious nature. And with the music hall craze for 'living statues' – in which models wearing only a flesh-coloured body stocking would pose in tableaux emulating famous works of art –there was no shortage of girls eager to make a few bob
is also the delicious intensity of a holiday romance; inherent danger in illicit love affairs; a naughty escape from a rest home; and a day of hedonistic pleasure away from the constraints of 'normal' life...
All these stories live in the land of 'might have been', whose landscape is made up of regrets and lost opportunities, of choices made and their consequences. Or perhaps it is a land of dreamers and ditherers, never forced to face reality or make a final decision. For those procrastinators their story is one of adventure and impulse with, perhaps or perhaps not, a happy conclusion.
The Land of Might Have Been will chime differently with each reader depending on their own experience, for we all invest a little of ourselves in the stories we read. Some will pick it up and enjoy a story with a cup of coffee in their lunch break, while others might delve into it, even perhaps leading them to question their own life choices.
Available online, via your favourite bookshop, or from https://www.jenniferpulling.co.uk/ where you can read more about the author and her other books.
shedding their clothes for the camera.
With their regular models, three girls from the music hall, Ellen and Reynold Harper's 'after hours' photography business was ticking over but they were always on the look-out for new candidates.
One day Ellen chanced upon Lily, a seventeen-year-old laundry worker in an untenable domestic situation, desperate to get away from a lecherous uncle and grasping mother. With the words “How would you like to have your photograph taken”, Ellen altered the course not only of Lily's life, but her own.
At the same time newly married Clementine, recently arrived from New York, was getting involved in the National Vigilance Association. Cracking down on the illicit trade in lewd compromising photographs was part of their mission, and with prostitution rife and protection for vulnerable young girls negligible, the movement was going from strength to strength.
Rather than a sense of duty, however, Clem had joined simply to get away from the stultifying tedium of her rich husband's townhouse. With her much older husband desperate for an heir, Clem was under no illusions that her role in the marriage was that of brood mare. But like Lily, Clem's fate was also sealed when, having had a rotten tomato hurled at her face while protesting outside the theatre, she was handed a handkerchief by a kind stranger. The stranger was Ellen Harper.
Ellen was irresistibly drawn to Clem so when, aching to get out from under her brother's shadow, she accepts a position as Clem's paid companion, the plot lines that have been drawing together finally become inextricably tangled, with tragic consequences.
Written with an intimate familiarity of the town,
Calling Sergeant Crockford
by Ruth D'Alessandro
It's the dawn of the Swinging Sixties and the height of the Cold War. Detective Gwen Crockford is promoted to Woman Police Sergeant in Newbury – the town at the centre of Britain's atomic weapons programme.
Though elated to be promoted to Sergeant, Gwen had reservations about being posted to 'sleepy' Newbury, which, having been posted there briefly some years earlier, she had found boring and tedious, not the hotbed of interesting crime that she was hoping to get her teeth into. Her fears were unfounded, however, as Beryl, one of the station's WPCs with whom she'd worked previously, regaled her with accounts of bizarre and unusual crimes which made her goings-on in CID seem positively tame.
As Gwen settled into her new role in charge of her two WPCs, comprising a unit dedicated to cases centred around women and children that had to be approached with sensitivity – sexual assault, child abuse etc – she slipped easily back into her working relationship with Beryl. Along with the routine patrols of the town and surrounding countryside, they dealt with an attempted murder at Greenham Common US Air Force base; suicides, both attempted and successful; traffic fatalities; and with CND marches and Greenham Common and Aldermaston just up the road the ever-present spectre of the Cold War. When she encountered a vulnerable old lady with a mysterious past Gwen's initial doubts about the job being interesting were definitely disproved.
Gwen guided her WPCs with a skillful hand as she herself had been mentored by her fiercely dedicated senior officer Miss Robertshaw. The nature of the job drew people together, they looked out for each other,
The Secret Photographs scoops you up and deposits you firmly in Victorian Brighton, where fashionable pretension rubs shoulders with its seedy underbelly. The town is as much a key character as the humans who people the story. From buttoned-up, repressed Ellen and her feckless brother, the timid vulnerable Lily, to rebellious Clem and her boorish husband and the magnificent Harriet Smart, music hall star, and a host of minor figures, the cast of characters comes alive on the page.
A daring and compelling story of hopes and dreams, passion and tragedy, The Secret Photographs will keep you guessing until the end.
The Secret Photographs follows the author's debut novel, Richard & Judy pick 'The French House', both available from East Grinstead Bookshop and all good bookshops. More at https://www.jacquiebloese.com
and friendships were formed. Most of her male colleagues had her back, even police dog Paddy, and then there was war veteran PC Jack Hutson, reliable, empathetic, handsome... and married.
Her mettle was tested when a young woman turned up at the station one night, barefoot and frightened, saying she'd been raped. All Gwen's experience and compassion was needed to see the case through. When the perpetrator was finally caught she realised, with a chill, that she knew him.
Her limits were truly tested one day, however, with a gut-wrenching discovery in the local railway station toilet. But this was no Importance of Being Earnest, it had a profound impact on Gwen and made her question her resilience. Could she continue as the passionate, committed police officer she had become?
A trailblazer with a unique career, so successful that she had been encouraged to go for her Inspectors, and she had considered it. Or was it time to reconsider her career choice. At thirty-one and single could she afford to throw away all the years of training and valuable experience in favour of personal happiness?
The third book in the 'Crockford' series, Calling Sergeant Crockford is both entertaining and revelatory. For those readers who remember the early 60s it will be peppered with familiar societal references. For those for whom that period belongs in the history books it is an eye-opener. Written about a real-life person, the author's mother, the incidents and events are largely drawn from experience – either her mother's own or those of her contemporaries. It is a fascinating, page-turning read, unflinching yet tender, and should be required reading for anyone studying recent English history.
Available from East Grinstead Bookshop, Waterstones and Amazon.
poetry prose & illustration
Chrissy and the Sea Witch
by Felicity Fair Thompson
When young Chrissy's mother announced that they were moving to somewhere quite different; somewhere she could pursue her passion for photography, Chrissy had mixed feelings.
She was already feeling the pressure of trying to navigate the difficult social waters of school and friends. But, just as she was finding her feet, to be whisked away – to live on a river barge, no less? Well that was just too much. Besides, what would her beloved cat, Moon, think about living on a river? Her fears were realised when moving day came and she saw their new home, an old hulk of a barge resting in the mud at the river's edge. She was definitely underwhelmed. What was her mother thinking? Soon, however, with the calm optimism of her mum and the help of new friends and neighbours it was quickly on the way to becoming ship-shape and comfortable. Bo, a tousled-headed lad of about her own
Orange Lilies of Dallington Place
by Sophie Cloud
It is 1916 and in rural Sussex a young housemaid at the magnificent manor house, Dallington Place, reads a letter from her handsome fiance in the trenches of the Western Front.
Kathryn, pretty, petite and not yet seventeen years old, faces the challenges of wartime life with a determination and resourcefulness that belies her tender years and humble beginnings. As the regular rhythms of normal life at Dallington Place are upset she seizes the opportunity to get a job at a munitions factory, with better pay and more free time than she enjoyed as a housemaid.
Meanwhile Bertram, an aspiring journalist with a hankering to fly and desperate to escape the trauma of the trenches, lands himself a role as a spotter above the fields of France. He writes to Kathryn of his experiences with heartfelt verses and poems.
But the travails of war begin to unravel their bond. Kathryn starts to receive attentions from an older, more worldly man, while Bertram finds comfort away from the battlefield in the arms of a beautiful French woman. Is their love strong enough to survive these onslaughts, or will it also become a casualty of the war.
age, helped them settle in and soon became Chrissy's new best friend, and she started to actually enjoy the adventure.
Then one night a storm blew in, undoing some of their good work and scuppering their plans. Would this prove too daunting or will they bounce back...?
A delightfully charming tale that will enchant younger readers, Chrissy and the Sea Witch is a perfect bedtime read, written with simplicity and feeling. I really enjoyed it and I think Felicity Fair Thompson should write another version of the story for adult readers, from the viewpoint of Chrissy's mum – that would tie up some tantalising 'loose ends' that we grown-ups might be wondering about, and give an intriguing glimpse into their magical new world!
Available from your favourite bookshop, for more about the author and her other books please visit www.wightdiamondpress.com
Fast forward several years and a change of circumstances sees Kathryn now mistress of Dallington Place, while Bertram continues to battle his demons. In the years following the Great War a new generation rises up and old acquaintances re-enter the frame.
Loves are kindled and lives are lost; plans are made and realised while once again the country slides unwittingly toward the spectre of war.
An epic novel, Orange Lilies of Dallington Place plunges us into these turbulent times with barely a moment to catch our breath. The narrative reflects the upheaval, confusion and privations of the war years and the disturbing effect upon its protagonists as well as the opulence of the post war years with its attendant feeling of optimism. It weaves to and fro between the large cast of characters and their complicated relationships. But central to the story is Kathryn, an engaging combination of vulnerability and stoicism, and her beloved Dallington Place.
To say that the novel ends on a cliffhanger would be a major understatement. I am confident that anyone who has been engrossed in this story will be reaching immediately for its sequel.
Available from East Grinstead Bookshop and online.
Peter the Puffin
by Anthony Mitchell
illustrated by J Pritchard
Puffins are very funny little birds who enjoy life and have many adventures
From egg to adult, a puffin called Peter takes us on a journey through the ups and downs of life, learning the ways of puffin-kind, facing dangers, making friends, and eventually graduating to establishing his own family.
We warm to the hatchling as he tests his parents' boundaries; feel anxious as the young puffling ventures out of the burrow into the wide world; exult with him as he takes his first flight and discovers the joys of the sea; and root for him in the challenges he faces as a young adult puffin.
He meets friends, has adventures, encounters hazards, escapes death, helps others, experiences loss, is foiled by deception, falls in love, and generally discovers what it is to grow up.
A clever combination of anthropomorphism and
natural history, this charming tale tells with gentle humour of the pitfalls, pleasures, and puzzles of social interaction faced by a young creature venturing out into the world, set against the very real backdrop of a puffin colony.
As well as being an engaging children's story beautifully illustrated, Peter the Puffin is an accurate account of the life of this enchanting sea bird. Perfect for little ones' bedtime read, it may also sow the seed for a budding naturalist.
An ideal Christmas present for younger children and grandchildren, Peter the Puffin is available from the author. Anthony has also started a charity that raises funds for a school and the local community in a remote part of Northern Kenya, which he has written about in his book From Dust to Trust (reviewed in ingénu/e magazine, issue 48). Anthony is willing to come to schools to promote Peter the Puffin, and/or give an illustrated talk on life in Northern Kenya. He can be contacted at anthonyemitchell@btinternet.com.
flash fiction flash fiction
Liberation Day
–by Julia Lee Dean
Thecat’s stare was unwavering. She did not take her eyes off Claire’s face for a moment.
“It’s alright, darling.” She says in her calmest voice. The cat looks sceptical and keeps staring. The cat knows.
Nothing is “alright”. Not even remotely. She left for work at 8.20am and now here she is, back on her sofa at 10am, suddenly and unexpectedly unemployed.
From the moment the new company took over she had been sidelined. New to her role and keen to learn, she was disappointed to be moved away from her team into a tatty back room where she sat alone, invisible and increasingly resentful, her role reduced to a series of “odd jobs” while her colleagues underwent training in the new software systems. Demoralised, she began to give up and that was when she realised she hadn’t been invisible at all; they had been watching and waiting for this. They had known which buttons to push.
The cat is still there, her stomach still churns and the fear still hovers – in the days to come there will be bedtime bursts of panic – but there is another feeling, one that does not dissipate, that makes her wrest herself free from the numbing effect of shock and stand up.
I never have to go into that office again.
flash
As she heads into the kitchen to put the kettle on, a definite sense of relief rises up like firm ground beneath her feet.
Gill Longhurst, 'Tabby'
flash fiction flash fiction
The Bonnie Lass
–by Juliet Robinson
Iwentto the bathroom and threw some water on my face, combed my hair. If I could only comb that face, I thought. I snorted, better still comb the tangles from my life, but no, things don’t work like that do they, no easy fixes. I paused before opening the bathroom door, tried to give myself a pep talk, but it didn’t work. So instead, I just forged ahead.
There was more smoke in the corridor now. Not really a surprise. The sprinkler system was doing its best, but it was older than The Bonnie Lass, having been stripped from a drifting trawler twelve years hence. I held my hand out, let the smoke-stained water fall upon my palm. What does it taste like I wondered, sea water mixed with smoke, there had been whiskies like that. I licked my palm, the coarse skin tickled my tongue, but the water tasted nothing like my memories of whisky, it was bitter, with a hint of engine oil.
We had sealed the bulkheads. The fire should have been contained. The plan had been to let it burn itself out. The Bonnie Lass is a big ship, one of the largest still out on the waters, a fire in the crew quarters was manageable.
I climbed up to the bridge. William and Fritz were arguing in low voices but fell silent as I approached. William seldom lost his temper, and Fritz whilst impetuous didn’t often challenge the captain.
‘Elizabeth,’ William smiled. But I know the man well enough to see beyond the curve of his lips, ‘How fare the rest of the crew?’
How does he think they are doing? Does he imagine their making the best of the situation? Should I tell him that as I passed the crew galley I saw Francis and Juno twisted together in the pursuit of carnal needs they hadn’t explored before. What about poor Jenny who had hung herself. Could I explain Turk’s painting, how he was throwing colour as if to create a universe into which he could flee. Did I need to say that Jack was sitting out on the bow humming a piece of music I dimly recalled from my childhood, ‘My bonnie lies over the ocean, my bonnie lies over the sea, hmmm hmm, hmm hmm…’ What did William want me to say.
I crossed the boards and stood at the helm, took in the view from the bridge’s windows. Smoke billowed from the ship; the fire had not been contained. The Bonnie Lass shuddered as a blast rolled through her, the engine rooms had succumbed. The lights flickered, the engines stalled and just before the power went out, I set a course.
Twenty-eight years I had been aboard The Bonnie Lass, most of them hard, but we’d made a living. We’d trawled for salvage, we harvested drifting vessels, we’d once seen a floating house with a family of cats living aboard it. I patted the helm, the ship owed us nothing, we were good.
I passed Fritz as I climbed to Monkey Island, he was fishing, though no line fed his rod. I watched as he reeled in his imagined thread, checked a hook that didn’t exist, rebaited it, then cast for the horizon. I didn’t ask where William was.
I settled against the radar mast, which had been stripped of its paint by harsh winds, biting waves and time. The Bonnie Lass had navigated it all, but this was her final whorl. From up here the smoke that belched from her ravaged body seemed a shroud. The ocean was a stilled stage, not a wave washed its boards, no wind pulled at the smoke, even the cries and groans of the dying ship were muted.
It was slow. Drawn out. Deliberate. Water began to boil at the stern, the hungry bite of the ocean taking its due. The Bonnie Lass didn’t fight it; with the grace of a diving bird, she tucked her nose and began her descent. There was no crashing roar, just a deepening silence. It was harder now to lean against the radar, the inexorable pull of the ocean’s maw threatened to topple me from my perch. I wedged my foot against the rails and kept my seat. The grey of the ocean was rising to meet me. I thought of the cats on the floating house and wondered where the waves would take them.
Recipe Books
–by Ger White Friday 50 word fiction
flash
Fritz did the talking for me, with his fists. His huge right paw slammed into William’s face, swiftly followed by his left. William blinked, his face paled, and he crumpled to the floor. Fritz turned to me, waiting for my reaction, but I gave him none. I said nothing and I did nothing as he hoisted William’s feet and dragged the fallen captain from the wheelhouse.
It was time for Sadie to move house. Using Marie Kondo style, if it did not "spark joy", she tossed it. She finished up keeping only her recipe books. Recipe for love, recipe for joy, recipe for disaster. This latter she enjoyed posting, in gift wrap, to her ex.
Where the promise of a golden sea of bright yellow petals should be only burnt backs of The Sunflowers dwell they’ve somehow forsaken the sun shunned it perhaps. Let’s hope not but for now, that’s all we can tell
Perhaps they’re in hiding embarrassed by cruel shamea solemn eternal vow; ”never to face the sun a-gain”
For wherever the light shines their heads surely turn away ancient instincts discardedshadowed faces all day
The Sunflowers Song
The bees on the breeze somehow sense what the disturbance is surely about that The Sunflowers are grieving... but try as they might, to sing them back home be it by whisper, or chanting or shout; The Sunflow ers scream:
“Be gone bees. Not just you. Everything. Don’t you see? we’re done with this world. Can’t you tell? our backs are now turned to the sun & that’s that our pain comes straight out of hell” & with that truth now spoken, the sun surely did ri se but with it, the most spectacular shift for not just with light, warmth, life & the day it now brought the whole world it’s gift & that gift was a message, that comes with each ris ing but The Sunflowers had never connected that the sun was their god, protector & father until now, their faith had wavered - deflected
What they always had known way deep down in their stem in the roots of the ground this world’s sun... was for them
But not just that, so much more the leaves on the trees the birds & the bees the fish in the streams... the endless sun’s beams
Touched everything, just the same with love & with peace now it was The Sunflowers turn, to spread the word; North, South, West & East
“We thought ourselves separate forsaken, forlorn; left for dead our reality, now reversed... it was all in our head”
For you see, the sunflowers had lost faith & forgot how to care turning head, heart & soul away to Fire, Earth, Water & Air
But more than that, it was the fifth the fifth element at the heart of it all: S p i r i t - in the sky yet woven through everything, great & small The moment it clicked their souls came back home as did their heads... with fresh petals regrown
What they thought they had lost was there all along we’ve sealed it with words now in this… The Sunflowers Song
Edward David Fred Kilroy
poetry prose &
Consolation
Turning the key on remembered laughter, she steps out of her silent house, slides sadness into her purse between card and coins. November settles across her shoulders.
She passes blank-faced bungalows that recline in naked gardens, to the corner shop, where she folds the world into her shopping bag, muffles its clamour amongst apples and tins.
Her homeward path winds through dripping trees, their autumn glow softly lights her way. In wonder, she stops, looks up to see yellow leaves float against the sky.
She feels a touch of summer hoarded in this strange leaf-light. She smiles, reaches out to catch from the air, a gilded flake, a sycamore, candle-bright to guide her home.
–by Sara Davis first published in The Dawn Treader 50 Spring 2020
Cat Talk
Mouth frozen in a snarl grey striped fur wiry to touch protected him from elements of Southeast England noses pressed against the cabinet sticky sherbet hands splayed on glass gazed up at this beast cat of future nightmares.
The weather should not have worried him as much as Englishmen's eyes, his now glass, amber flecks of autumnal bracken from Ashdown Forest, dilated black pupils a hint of stormy moonlight as clouds passed over reflect the cornering of his death.
Mouth stuffed with another creature shouts of the same fate different death curated by a taxidermist, the moment of a twig cracking, a smoky lunge, predator and prey felled by a Victorian gun anonymous hunters and stuffers long gone Wild Cat, 1888, labelled 'Endangered' silently speaks volumes to generations.
–by Caroline Auckland
N.B. All poems shown are subject to copyright
I brace for feathers
A feather blew me over and that’s when I knew grief doesn’t crash in sometimes, it whispers
It finds you in soft things a smell a song the wrong kind of quiet in the middle of the day
I was fine until the wind lifted something small a thought a thread a breath and I came undone
You could’ve warned me that sorrow hides like that in dust motes in tea cups in ordinary light
You should’ve taught me how to stand when something weightless can knock me to the floor
But maybe you didn’t know or maybe you did and that’s why you held yourself so carefully
Now I do the same I brace for feathers but I keep getting blown over
–by Edward David Kilroy
Rhyme And Reason
A Celebration of Sussex Poetry
Half Time Orange Theatre has collaborated with ingénu/e magazine to source poems for their production of Rhyme and Reason, part of Shoreham Wordfest. We are delighted to report that Cat Talk, The Larch, and In Your Shoes have all been selected to appear in this exciting production along with a selection of poems from previous issues of ingénu/e. Rhyme and Reason, 3rd to 5th October, all details at www.halftimeorangetheatre.com
Anatomy of a Cellist's Hand
Before calling the music the hand must settle
at the end of the invisible dangles of shoulder to elbow to wrist
fingers hang down –flat phalanges alight the bow
pause, then thumb and little finger take root, pursued by index, middle and ring.
Relaxed, the fingers angle –knuckles raised and slanted left test a subtle pressure – giving time
to absorb skeletal evidence: skin pulled taut over white bone a rounded hold of tendon muscle hinge creating an arch articulate and tender
the lunate rises –the bow glides left –motion summons sound.
–by Rachel Gough
Note: The lunate is a crescent-shaped bone in the middle of the wrist, almost entirely covered in cartilage which allows for significant wrist motion.
The Larch
She emerges from a deep hole of troubled sleep to start her slow day. Through her bedroom window the distant larch – her faithful friend – is waiting. Its fills the panes with its greening as new life sprouts, last year’s cones still clinging.
She has witnessed its changes through many seasons, how its strong limbs flex under heavy snowfall, how it stands firm against stormy winds, how it stores food for winter, long-lived survivor.
There are secret cures and sweetness hidden beneath its bark. There is shelter in its branches –for birds, squirrels, sometimes an owl –silent wings haunting the darkness of evening.
–by Margaret Beston
Beatrice, the cello, the universe and me
Mellow vibrations excite the strings inside my head, energising unknown thought patterns, reaching down to my heart, resonating plaintive melodies.
Cello enticing a nightingale in duet in a Surrey wood –a soaring soulful siren, plaintive, melodic, spiritually healing, the ascending lark of the soul transcendent, lifting us into the sky.
–by Charlie Bell
On 19 May 1924, only two years after the dawn of BBC Radio, listeners nationwide heard Beatrice Harrison play for the first time an extraordinary duet live from her Surrey garden. She played to a nightingale in the woods around her home in Oxted, Surrey, and the bird - seemingly attracted to the sound of her cello - responded with its own song
In Your Shoes
If you lend me your shoes, I’ll see scuffed heels worn and split, leather stretched by bulbous joints, the small tide-mark of a blister, each step impressed upon the sole.
If I slide my feet into them, settle the buckle into an unused hole, I’ll feel the difference of fit and shape, tightness across the instep, rucked linings that will chafe.
I cannot walk in your shoes for our footsteps shape our feet as our feet shape our journeys, though I know how a callus pinches, how a stone bites beneath your heel.
But if I spread my feet, seeking the fit, I’ll find the indents of your toes with mine, sense the push and sway of your gait, begin to follow a step along your path, trace your footmarks in the dust.
–by Sara Davis first published in South 64 November 2021
creative courses & workshops
The Oast Studio
Make. Meet. Learn. Eat. Unwind.
Nestled in the heart of the beautiful Ashdown Forest, just twenty minutes from Tunbridge Wells, Edenbridge, Crowborough, Uckfield and East Grinstead
The Oast Studio is a warm, welcoming space to unwind, create, and connect with like-minded people.
Located in a beautifully converted Oast house with exposed beams and gentle views across peaceful farmland, it’s the perfect place to slow down and rediscover your creative side.
We now run over 100 different craft workshops, from needle felting and sewing to basket weaving, paper flower making and much more, so there’s something for everyone, whatever your skill level.
Once inside you’ll be greeted by the comforting aroma of home baking from The Oast Bakery, where Alison prepares delicious cakes, lunches and refreshments to enjoy as you work. Whether you come to learn a new skill, meet new people, or simply take time out from the pressures of daily life, The Oast Studio offers a relaxed and inspiring environment.
So come for the creativity and stay for the calm, the cake, and the company. www.oaststudio.co.uk
Roz Nathan
Natural History Artwork / Art Classes / Demos
Roz’s art practice has a Natural History focus, she participates regularly in local Artists’ Open Houses, charity exhibitions, and exhibits nationally when time allows, including with the Society of Wildlife Artists at the Mall Galleries.
This Autumn Roz is continuing to teach creative, enjoyable studio courses at Polegate Community
Centre, offering Mixed Media, Collage & Print on Mondays, and Personal Projects on Wednesdays. Roz also teaches in Langney at St Barnabas’ Church Hall, where she is running twice a month Watercolour & Mixed Media courses and a new weekly Wildlife Art. In the Spring, twice a month Watercolour beginners and a Mixed Media painting will also be offered.
Online, Roz runs live Zoom courses in small friendly groups, with demos and supportive individual and group feedback, currently Natural History Mixed Media and for Spring a new Creative Portrait Drawing course –all sessions are recorded for participants.
Roz works often with East Sussex art groups and societies, delivering demos, workshops or regular teaching.
Individual or small group lessons, mentoring or support sessions are available too – online or in person – Roz is happy to come to your home to teach you and a few friends!
Please email roz.nathan@hotmail.com to enquire, more information can be found at www.roznathanart.com and on social media
creative courses & workshops
Debbie Smith jewellery workshops
Three Mornings at the 'Jewellery' Bench!
If you’ve been along to one of my half-day workshops, or have some jewellery-making experience already, and you’re ready to spend more time at the bench and build on your craft skills, this new course is for you!
3 Mornings at the Bench offers a friendly, creative environment where you can explore new ideas, learn traditional techniques, and enjoy the satisfaction of making something by hand – all at your own pace.
Simply buy a Gift Voucher for £180 and then contact Debbie to book your bench in advance on any three mornings (Tuesday, Thursday, or Friday) that suit you – they can be consecutive or spread out.
You’ll be part of a small, friendly group, with plenty of guidance, support and inspiration. We always break for a coffee, a chat, and of course a slice of home-made cake – it’s relaxed, fun, and a lovely way to spend your morning with like-minded people. Project ideas include: A silver spinner ring;
Art Junction
Looking for a Gift Idea? How about a play in clay: Taster Sessions and Free Form Sculpture
A sea glass necklace; Cabochon stone earrings; or you can bring your own ideas and we’ll work them out together!
If you need to change a date after you’ve booked just contact me – I will always do my best to help you reschedule.
Please note the cost of the three mornings does not including materials.
Visit www.thejewellery-workshop.co.uk for full details, more information and testimonials.
Have you or someone you know ever had the urge to create something totally original but have no idea what? Sometimes the best ideas come when you really don't have anything particular in mind. Just starting a process such as working in clay can kick start the flow of ideas, and often something will start to emerge.
Here at the studio we can offer time, space, encouragement and guidance for anyone wanting to have a go at working creatively in clay. Whether it becomes a pot, a bird or a dragon on a surfboard, it's all good! It might be a handbuilt abstract piece inspired by nature or geometry, a fantasy piece from imagination, an animal or human shape inspired by photographs or other source material, or simply just the joy of having time to experiment with the clay, returning it to its bag at the end of the session. Anything goes! Just by giving yourself the time to have a play in clay with no pressure or preconception, the sky is the limit.
Interested? We offer individual affordable Taster Sessions of three hours that can be booked at a time convenient for you. If you discover that you enjoy working with clay, you can sign on to our Free Form courses to enjoy and develop your ideas.
Stuck for what to give someone for a birthday or Christmas present? These sessions can make the perfect gift. Looking for a hen-do or other event celebration activity? Small groups are welcome.
Email info@artjunction.uk for more info or to book.
Meads Village Hall Eastbourne , Tuesdays 11am -1pm
Meads Village Hall Eastbourne , Tuesdays 11am -1pm
Tutored by acclaimed figurative artist Catriona Millar. All media taught, beginners to advanced welcome.
Tutored by acclaimed figurative artist Catriona Millar. All media taught, beginners to advanced welcome.
To join the Art Class call 07758 367479 or email: catrionamillarpainter@gmail.com catrionamillar.com
To join the Art Class call 07758 367479 or email: catrionamillarpainter@gmail.com catrionamillar.com
We might just be the answer with our flexible gift cards. We strive to be inclusive so you can purchase any amount in gift vouchers from £35 upwards for a Taster Session in Clay to a six week course and beyond. Complete beginners to experienced sculptors welcome.
Coda
Destroying beauty
Inthe last few issues I’ve made mention of the deliberate felling of the beautiful Sycamore Gap tree in September 2023, which stood in a dip next to Hadrian's Wall. This year the two men who cut down the tree were jailed for four years and three months each.
While I’m not a fan of punishment or revenge, and one could argue that all they did was ‘cut down a tree’, I’m glad they were caught and ‘taught a lesson’ if only because they destroyed something beautiful.
I feel this act is sort of comparable to burning a famous painting or destroying a sublime sculpture. Destroying or suppressing an aesthetic creation, made by human hands or by nature, should be considered unlawful and the perpetrators brought to justice. We have to live on a higher plane if the civilisation is to prosper. The more beauty we see around us, the lighter our souls.
Music as healing 1
Kathryn Tickell is a renowned Northumbrian musician, noted for playing the Northumbrian smallpipes and fiddle. She has written a piece of music to honour the memory of this famous local landmark, simply called ‘Sycamore Gap’.
It’s a beautiful and poignant piece, aided by background sounds of birdsong, rustling leaves and noises of the wind. It touched me deeply, especially listening to it while watching images of the deceased tree as the music played.
To hear Sycamore Gap it is available on streaming platforms or visit https://www.youtube.com/ watch?v=pD9z7Qk-ESE.
Music as healing 2
Believe it or not, I went to the precursor of the Glastonbury festival in 1970, in the final days of
Flower Power. Entitled the Bath Festival of Blues and Progressive Music, performing were Led Zeppelin, Frank Zappa, Santana, Jefferson Airplane, The Byrds, Fairport Convention and many others. My friend and I arrived late into the evening hearing the amazing sounds of Pink Floyd debuting Atom Heart Mother drifting over the hills. In those bohemian days, albeit days of innocence and naivety, there was an omnipresent optimism and a caring and kind atmosphere.
Alas not so today.
Glastonbury 2025 was arguably the most controversial festival in many years with Irish band Kneecap and Punk Rap duo Bob Vylan stirring up things with overtly political chants, in some cases leading the crowd in chanting hate.
Whatever your politics, this is a far cry from the salad days of yore. It saddened me actually, and seemed to me another example (of many) that our society is losing its way and becoming much divided, potentially heading towards catastrophe.
It was interesting to me that Neil Young’s encore to his headlining turn was the song ‘Throw Your Hatred Down’. It’s a plea for non-violence, urging people to turn to understanding and empathy and calls for the cessation of all weapons and hatred. After the controversial performances before him, I think he was trying to say something, making a point by singing this as his final song. But then again, he, like me, is an old-timer, growing up during the peace and love attitudes of the sixties. As John Lennon said,
“If someone thinks that love and peace is a cliché that must have been left behind in the Sixties, that's his problem. Love and peace are eternal.”
“To live in hearts we leave behind is not to die.”
–Thomas Campbell, Scottish Poet (1777–1844)
The Parting Glass
(a verse)
Of all the comrades that e'er I had They're sorry for my going away
And all the sweethearts that e'er I had They'd wish me one more day to stay But since it falls unto my lot
That I should rise and you should not I gently rise and softly call Good night and joy be to you all
I read a part of this traditional Scottish song recently as part of my eulogy to my beautiful and talented sister at her memorial in early August this year. I choked up a few times but I made it through. It was a beautiful day and she had a very lovely send off.
To see or hear of someone’s passing – be it a family member, friend or someone you admire or has a special place in your memory – it cuts deep and perhaps also reminds one of one’s own mortality.
The Beach Boys founder and musical genius Brian Wilson passed away a few weeks prior to my sister in June this year, and the news sparked a memory within me which made me both sad and smile simultaneously.
It was the late sixties in Yorkshire, a sweltering summer’s day, and my girlfriend and I decided to take off to the Dales. After absorbing the experience, we slept that night in the open countryside. As night fell we watched the stars slowly circle overhead before heading off to the Land of Nod.
In those days one hitchhiked without any fear whatsoever, and so just after dawn we found ourselves on the back of a farmer’s trailer heading back to civilisation. There we lay among the hay bales with not a care in the world, the summer sun beating down upon us once again.
The famer’s boy in the tractor’s cab suddenly switched on the radio at full volume as if to entertain us, and suddenly the beautiful sounds of the Beach Boy’s ‘God Only Knows’ meandered through the summer breeze, the gorgeous multi-layered harmonies reminding us we actually were riding through Gods Own County.
That moment has stuck with me most all of my life, a halcyon time when the future seemed endlessly beautiful.
God speed to my beautiful sister and to Brian, their lives, although very different, brought much beauty and happiness to others.
“Beauty is truth, truth beauty, – that is all ye know on earth, and all ye need to know.”
–John Keats
from opp top: Kathryn Tickell & the Darkness; Brian Wilson of the Beach Boys in West Los Angeles 1990, photo Ithaka Darin Pappas; Neil Young, Desert Trip 2016, photo Raph_PH; Yorkshire Dales, photo Ian Cylkowski
John Keats
Daniel Day Lewis, Juliette Binoche and Lena Olin. The scene – Sabina (Lena Olin) in restaurant with piped music:
And perhaps for newer readers…
Why the name ‘ingénu/e’?
In modern parlance the word ingénue tends to have a feminine slant in its usage, referring usually to a young creative girl or woman who is endearingly innocent and wholesome or very new to an artistic genre. The masculine equivalent is ingénu, so for the sake of balance we have coined the name ingénu/e.
The word originates from ‘L’Ingénu’, a novella by the French writer Voltaire, published in 1767. The main character’s literal understanding of society and it values serves as both comic and satirical comment as the story unfolds. The female form of ingénue is first recorded in English in Thackeray’s ‘Vanity Fair’ in 1848.
Uglification? Is that even a word?
We have borrowed, for our mission statement, a phrase from the brilliant 1988 movie The Unbearable Lightness of Being, directed by Philip Kaufman and based on the novel of the same name by Milan Kundera, featuring
“Everywhere music’s turning into noise. Look. These plastic flowers… they even put them in water! And look out there, those buildings – the uglification of the world. The only place we can find beauty is if its persecutors have overlooked it. It’s a planetary process… and I can’t stand it.”
"Art is the language of the soul." –Pablo Picasso
And so in the name of aesthetics and just because it’s fun, we at ingenu/e are taking a stand against the uglification of the world!
Join in the fun by supporting, in whatever way you can, all up and coming artists of any genre. (It’s okay to support the more established ones too!).
P.S. Next issue is our golden anniversary! 50 issues!
Sycamore Gap Tree
Lena Olin as Sabine with her famous bowler hat in the Unbearable Lightness of Being
