Sustainable Humanitarian Development Md.Imrul Kayes (Organizer and Representative of Architecture for Humanity‐Dhaka, Bangladesh)
Every person who has been producing architecture for years has his own unique way of giving emphasis to certain features of a design, in terms of form, technique, material, time period, region etc. When this amalgamates with one’s personal will, state of mind, it leads to a simple or a complex synthesis, called the ‘Architectural Style’. In simple words, it can be said that style evolves from designer’s personal ethics or external influences. It purely relates with the architectural value that one has and without which ‘style will be some sort of a surface finish that can be applied to any building and even scraped off and changed if necessary’‐Hasan Fathy. Those values or intentions have differed (aesthetically, socially, environmentally, traditionally etc.) between “architectural movements” such as modernism, post modernism, deconstructivism, post structuralism, neo classicism, new expressism, super modernism etc. “Value” is everything to a creator. It is similar to the hand‐made and machine‐made product. A workman who controls a machine in a factory puts nothing of himself into the things he makes in the machine. The product is therefore, identical, impersonal and unrewarding. Hand‐made products appeal to us because they express the mood of the craftsmen. Each irregularity, oddity, difference is the result of the decision made at the moment of manufacture. The product is the witness of the constant interaction of the man, his thought, tradition, craftsmanship, material. Thus the person who uses the object understands this and the object in return adds more