Crown & Combat
Beauty in the ring; Power on stage
Letter From The Editor
WELCOME READERS
This issue highlights the power of creativity, culture, and inspiration across entertainment, fashion, and beyond. We begin with Crown & Combat, featuring Marie Dumadara, a rising singer, songwriter, actress, dancer, and boxer whose journey blends artistry with resilience and empowerment. We then celebrate the elegance of Miss Europe Switzerland, who uses her crown to champion sustainability and reimagine fashion through her visionary brand, Queenissima.
On the runway, Brooklyn-based menswear label SIVAN makes a dynamic solo debut at New York Fashion Week with SIVAN Boulevard, a collection inspired by the rhythm of New York streets. Actress Charlotte Kirk also shares her insights on her bold role in the erotic thriller Compulsion, diving into both creative challenges and inspirations.
We also shine a light on industry milestones, including The Lede Company’s expansion into Paris and the Television Academy Foundation’s announcement of the 45th College Television Awards, opening doors for the next generation of storytellers. Plus, Melanie Rembrandt explains why PR remains a secret weapon for cultivating authority, while festival news and funding opportunities provide valuable resources for filmmakers worldwide.
This issue closes with a showcase of luxury and lifestyle—from Stephen Silver Fine Jewelry’s breathtaking gemstone creations to a stunning $85M Palm Beach estate on Billionaires Row. From personal triumphs to global stages, October’s edition captures the pulse of Hollywood and the many ways artistry and ambition continue to inspire.
Prather
New Upcoming Releases
New Upcoming Releases
Deliver Me From Nowhere
October 24
Only in Theaters
October 29 Only in Amazon Prime
October 31 Only in Theaters Predator: BadLands
November 7
Only in Theaters
Now You See Me, Now You Don’t November 14 Only in Theaters The Running Man November 14 Only in Theaters
Crown & Combat
Beauty in the ring; Power on stage
Marie Dumadara is a singer, songwriter, actress, dancer, and a boxer all in one. As a natural multitalent, she is on a mission to resonate the significance of organic selfdiscovery and personal empowerment to people across the nation.
Born in Manila, Philippines, Marie describes herself as a “tropical baby,” as a result of being raised in the warmth and beauty of the islands while being surrounded by its vibrant energy. During her childhood, her life changed when she and her family moved to the United States, to the beautiful city of Santa Maria, California. The shift in environment— from the heat of Manila to the cooler California coast—was a major adjustment. “It was a big culture shock,” she says. “But I just kept thinking, ‘My parents brought me here for a reason. I want to make them proud.’”
As she settled into her new life in America, she grew to discover her passion for music and the arts. Inspired by the music of Michael Jackson, Rihanna, and Justin Bieber, Marie found herself drawn to their artistic performances. “Michael Jackson’s music made me want to dance. I fell in love with pop-locking and discovered that dance could speak for me when I didn’t have the words to express myself. I learned that I can communicate through the arts and through dance.”
Eventually, she discovered her own voice as a writer. It soon became her passion. She embraced writing as another way to express her thoughts and feelings on the road to finding her purpose. “When I have a good feeling about an idea, I have to write it down to let it out,” she explains. “It’s how I process my thoughts and turn them into something meaningful.” For her, lyrics are more than just lines—
they’re a way to transform personal experiences into art.
Marie is now living her dream as a singer, songwriter, actress, dancer, and boxer. She’s in a season of clarity and purpose driven goals. One thing is certain. Marie is determined to use her creative gifts to create positive projects that encourage and uplift others. Marie shared, “I’ve been through my own challenges in getting to this place. I’ve learned that everyone’s path is different, and it’s okay to take time to find yourself.”
One person who continues to inspire her is Dwayne “The Rock” Johnson. “His story helped me so much. He went through hard times too, but he stayed true to himself. I’d love to work with him one day—maybe in a fun action movie,” she says with a smile.
Another big influence in her journey is boxing legend Manny Pacquiao. “He came from humble beginnings in the Philippines, and he became a champion— but he still gives back to his community. That really speaks to me,” Marie shared.
Marie recently began professional training in the field of boxing, working with a local coach and embracing the discipline it requires. “It’s a lifestyle. It pushes me to stay focused, stay strong, and keep showing up.”
For Marie, music and boxing aren’t separate—they’re both parts of her identity. Whether she’s in the gym, in the studio, or writing lyrics in her notebook, her mission is consistent and authentically philanthropic: to connect with people, share her story, and remind others they’re not alone.
“I just want to inspire people with what I do,” she says. “Whether it’s through a song, a performance, or even
a conversation—I want it to mean something.”
Marie Dumadara has a heart of gold, and the passion to pay it forward through all that she does. With her drive, commitment and clear vision of her purpose, she is well on her way as a bright light in today’s entertainment and sports landscape. Marie is committed to voice that the key to happiness is staying true to who you are and living your dream that only you can share, embrace, and give to the world. Along the way, it is important to be patient with yourself for your own development to truly be rewarding. The reward comes with self-discovery and the courage to share it.
“I just want to inspire people with what I do.”
Miss Europe Switzerland Turns Heads and Hearts
Congratulations on being crowned Miss Europe Switzerland! How does it feel to be recognized as one of the most beautiful women in the world? Can you share what this achievement means to you?
Thank you so much! Being crowned Miss Europe Switzerland is an incredible honor. It represents not only a personal achievement but also the opportunity to represent Switzerland and its values on international stage. I’m committed to promoting the beauty of Switzerland and inspiring others through its rich culture and enduring spirit.
You’ve walked the world’s most iconic runways and appeared on the most prestigious red carpets. But beyond the glamour, you’ve become a passionate advocate for sustainability. Tell us—who are you beyond the crown?
I’ve always believed that beauty can be a bridge to something greater. Being crowned Miss Europe Switzerland and having the privilege of modeling in fashion capitals like New York, Paris, Milan, and London has been an incredible experience. But beyond the camera flashes and couture gowns, I’ve always carried a deeper purpose: to be a catalyst for change in an industry long overdue for transformation. With the heart of a humanitarian and the eye of an artist, my mission then and now is to infuse everything I do with soul, intention, and meaningful substance.
You’ve been a vocal advocate for sustainability. What inspired you to champion eco-conscious fashion?
The fashion industry has a significant environmental impact, and I felt compelled to use my art to promote change. Queenissima was born out of a desire to challenge fast fashion and encourage sustainable practices. By upcycling materials and eco-conscious fabrics, we aim to create fashion that doesn’t cost the earth.
The fashion industry is one of the most polluting on the planet. Why did this issue resonate so deeply with you?
Every single day, over 92 million tons of textile waste are thrown away globally. The production of fabrics—especially cotton and polyester—consumes enormous amounts of water, energy, and toxic chemicals. In fact, the fashion industry is responsible for up to 10% of global greenhouse gas emissions. But the damage doesn’t stop there, synthetic fabrics shed microplastics into our oceans, and forests are destroyed to make materials like viscose and rayon. This harms wildlife, disrupts ecosystems, and pushes the planet further toward crisis. Through my sustainable fashion art, I hope to stand against this destruction and spark change.
That vision has come to life through sustainable fashion art you create? Can you share how this all began?
My sustainable fashion art represents my dedication to combining creative expression with environmental responsibility. It’s where discarded fabrics are transformed into one-of-a-kind masterpieces fueled by soul. Every creation tells a story of renewal, strength, and purpose. It’s a fashion art that redefines elegance through ethical choices and a deep respect for the planet.
What do you hope women feel when they wear your sustainable fashion art?
Wearing Queenissima isn’t just about fashion-it’s about feeling your worth. You are Queenissima. Every woman holds that power within. You deserve to be seen, celebrated, and adored-to feel rare, radiant, and undeniably feminine. Life becomes truly bellissima when you step into your own power as Queenissima. I believe every woman deserves to embrace her own royalty and I invite every lady to step into her own grace.
The name is so unique. How did you come up with it?
The word Queenissima doesn’t exist in any dictionary. I first coined it over 13 years ago in London, it was my modeling alias and evolved into a signature that adorned global billboards and media. But it was never meant to be just a label. To me, Queenissima is a message. A declaration. A reminder that every woman deserves to feel unique, radiant, confident, and deeply respected. To me, it represents the most powerful, conscious version of a queen — one who leads with elegance, heart, and responsibility. It’s about celebrating feminine strength in its highest, most ethical form. It’s a conscious celebration of who you are, and who you can become.
Your designs speak through more than fabric. There’s storytelling, poetry, and slogans. Tell us about that creative element.
Yes, it’s one of my greatest passions. I love crafting slogans that uplift, inspire connection, and celebrate individuality. In a world where many struggle to express their true selves, I aim to create powerful messages that speak directly from the soul.
In your view, what defines true luxury today?
True luxury today is sustainability. It’s not about excess or ego, it’s about meaning, artistry, and reverence for the Earth. Queenissima is my love letter to the Earth and to the creative spirit. It’s about reshaping not just what we wear, but what we value.
Your initiative has garnered attention. Can you elaborate on its mission and goals?
The mission is to raise awareness about the environmental challenges posed by the fashion industry and to inspire consumers to make mindful choices. Through sustainable designs, I aim to set a new standard for beauty and responsibility in fashion.
What message would you like to convey to young women aspiring to make a difference?
Believe in your power to effect change. Your voice matters, and your actions can inspire others. Stay true to your values, seek out opportunities to learn and grow, and never underestimate the impact you can have on the world around you.
What has been the most meaningful or impactful part of support during Miss Europe journey?
The most meaningful aspect of support throughout my Miss Europe journey has been the unwavering commitment and passion shown by each member of my incredible team. I feel truly blessed to have such a talented and supportive group by my side, and I’m deeply grateful for all the effort they’ve put into helping me pursue this dream. I am immensely thankful for my amazing team who have been with me every step of the way. A heartfelt thank you to each and every one of them: Guzal @guzaljon, Reto Turotti @ reto.turotti, Sabina Alieva Markovic @sabonya82, @ sa_bridalstyle, Svitlana Zakrenychna @nailsandgo. zh, @xvsvetlana, Victoria Zinevych @dr.zinevych, Sunclinik, Zurich, Top PR Agency @toppragency, Liliya Muratova @liliya_fox_nails, and many others. I truly appreciate their dedication and support.
Looking ahead, what are your aspirations for the future?
My vision is to expand Queenissima and champion sustainable fashion on a global scale. I’m passionate about creating an ethical, environmentally conscious fashion art- one that celebrates beauty while honoring the well-being of our planet. Protecting our oceans, forests, and natural ecosystems isn’t optional; it’s essential for our shared future. I aim to raise awareness and support initiatives focused on sustainability, environmental conservation, and the responsible stewardship of Earth’s precious resources. Additionally, I’m deeply committed to humanitarian causes, particularly those impacting women and children. I believe beauty must always be paired with compassion and purpose—creating meaningful change where it’s needed most.
SIVAN Makes Solo NYFW Debut with “SIVAN Boulevard” for Spring/ Summer 2026
New York, NY, September 14th, 2025 –Brooklyn-based menswear label SIVAN made his official solo New York Fashion Week debut for the Spring/Summer 2026 season on Sunday, September 14th. The presentation titled SIVAN Boulevard brought to life the spirit of New York and the diversity of individuals regularly seen on its streets through an immersive presentation at The Ellery, with the property’s stunning terrace featuring quintessential views of Midtown Manhattan setting the tone for the season.
An homage to New York and its endlessly watchable streets, SIVAN Boulevard draws inspiration from mid-century street photography and the theater of daily life — commuters in motion, neighbors on errands, and the after-hours crowd slipping intonight.
The collection channels mod silhouettes softened with funk inflections, filtered through SIVAN’s signature tailoring, creating a wardrobe that feels both timeless and unmistakably of the present.
“For this collection I wanted to capture the rhythm of commuters moving down a New York block,” says designer Jack Sivan. “Our work begins with tailoring, but expands into pieces that live on the street; clothing
you can imagine being worn from day to night, office to bar, in step with the city.”
While Fall/Winter 2025’s Hotel SIVAN staged its characters in a luxe interior, this season’s runway transforms into a city boulevard, each look embodying a persona passing through the day.
SIVAN’s core of precise, soft tailoring is expanded with functional workwear in vintage cotton drill, airy casual suiting in linen and cotton, and sleek eveningwear in silk dupioni and tropical wools.
This season also embraces pattern and print with vintage-sourced fabrics, Japanese uneven-yarn cottons, tartans, and geometric silks, underscoring the collection’s narrative of eclectic urban life. The result: a full wardrobe of looks that balance craft and character, tradition and immediacy.
Every piece is made locally in New York, either in Jack Sivan’s Brooklyn atelier or through long-standing Garment District partners. With sustainability a constant in the brand’s ethos, garments are constructed in natural fibers and often incorporate deadstock fabrics, ensuring both rarity and responsibility. Show casting, too, reflects SIVAN’ bespoke philosophy: models are chosen months in
advance so that garments can be created for the individual, a gesture toward inclusivity that is as practical as it is principled. “If my job as a tailor is to make clothes that fit,” Sivan notes, “then it’s only right to show the wide range of people they’re meant to fit.” Models that walked in the show included Paralympic gold medalist Steve Serio, speaker/ actor / writer Aubrey Smalls, journalist & tv host Lauren Ezersky, actor Ato Essandoh, art & style personality Dayle Berke, alongside David Ross Lawn, Phillip Choma, David Hand, and Nikhil Kapoor, among others.
About SIVAN
Founded by designer Jack Sivan, SIVAN is a Brooklyn-based menswear label redefining modern tailoring through narrative-driven collections, artisanal construction, and a commitment to sustainability. Each season explores character and setting, merging heritage craft with a contemporary sensibility. For more information, please visit www.JackSivan.com or follow @SIVANapparel
Charlotte Kirk on the erotic thriller, Compulsion
By Alex A. Kecskes
Born in Kent, England, Charlotte Kirk’s passion for acting began at the age of 11 when she saw Gone with the Wind. She performed in Greek tragedies Agamemnon and Arturo Ui, along with plays such as A Christmas Carol, Oliver Twist, and Hairspray. Having attended the prestigious Italia Conti School of Acting in London, her skills were further refined working with Jigsaw Performing Arts in the UK and Susan Batson and Lee Strasberg in New York City.
In early 2015, Charlotte landed a starring role in the sci-fi thriller Vice. Since then, she has completed seven feature films, including the female lead in the film-noir comedy No Panic, With a Hint of Hysteria, and the female lead in the psychological drama The Depths, which garnered awards in seven film festivals. She also appeared in How To Be Single and Ocean’s 8. In 2018, Charlotte co-wrote The Reckoning with Neil Marshall. Shot in Budapest, Hungary, and released theatrically around the world, she won multiple awards for her dramatic performance in the film. Most recently, Charlotte completed the action horror feature The Lair, co-written and directed by Neil Marshall.
In the erotic thriller Compulsion, Charlotte is Diana, a charismatic and ruthless thief who becomes involved in a twisted relationship with another woman, played by Anna-Maria Sieklucka.
Thank you for taking the time for this interview. What attracted you to this erotic thriller?
Charlotte Kirk: Neil (Marshall) and I had done a few films before this—action, sci-fi, horror. We were talking about doing an erotic thriller. And after lots of research, Neil was inspired by the old Giallo movies with lots of twists and turns like Basic Instinct, Fatal Attraction—all those amazing classics—but adding that Giallo element to it. So I told myself, I have to do this.
The setting of the film—Malta—must have been inspiring.
Charlotte: A lot of films are actually set in Malta. It wasn’t Italy, but it definitely had that ItalianGiallo-European vibe. We went back recently for the Maltese-Mediterranean Film Festival. Compulsion competed there, and it was like going back to the film. It’s just an amazing place. Compulsion didn’t win, but it was an epic event.
As co-writer, what were some of the obstacles you faced in the story or character development?
Charlotte: The most challenging part was when Evie starts out as the protagonist, but turns out to be not who you think she is. Everyone’s kind of bad in this film, so walking that fine line to ensure your characters are likable was a challenge. We’re all kind of bad in a way. So we wanted to make sure that Evie and Diana
were not all going to be likeable characters that fit the idea of a conventional film. But I think the story required that. We always go back to story. And that’s the story we wanted to tell.
Where did the idea of the Maltese Phantom come from?
Charlotte: We were definitely inspired by the Giallo films--their famous black leather and gloves. And that slasher vibe. When I saw that costume, I said, “This is awesome.” And I like having that mask so you don’t know who the killer is.
The stabbing scene with Reese, Evie, and Diana was long, brutally violent, and powerful.
Charlotte: I know. I feel like with a lot of films, you stab someone once, they keel over, and they’re dead. But in reality, it’s not that easy to kill someone. And that’s the big lie in many films. So we decided to make it as realistic as possible. Maybe it was slightly overkill (laughs). It was one of my favorite scenes in the film and the most fun to film. But it was a challenge because Neil said, “We’re not going to cut, we’re going to get this in one take.” So the pressure was on because the cleanup with all the mess on the floor was a big deal. We had time to rehearse it. But it was very mechanical. Neil said, “Think of yourself as two hyenas.” The knives didn’t really have any blades, so there were so many things to be thinking about in terms of camera angles. There was also the dialogue and all the intricate moments that had to come together. I’ve never done a take like that without a cut to break things up.
What film or actor influenced you to become an actor?
Charlotte: The classics always inspired me— Marlon Brando, Vivian Leigh, Liz Taylor. That era and everything about those films and the actors in them. I love and admire Nicole Kidman. How all the roles she chooses are so different. She’s a chameleon and very inspiring.
Are you currently thinking of other film genres— like comedy?
Charlotte: I just finished a Christmas comedy film with Jason Isaacs. The entire film was improv. That was something. We were told: this is the story and this is your character. The director would say action, and we would just go off for like forty minutes. I’d never
done improv to this extent. It was fantastic. I felt like my comedic talents had just shone though in the film. It’s called Mistletoe and Wine.
You’ve played a wide range of roles in films and TV. What have you learned about working in this business that truly surprised you?
Charlotte: How tough it is. I moved to the States when I was 19. I knew I wanted to act. I packed up my bags, went to the US, and it was tough. Being on set is one thing, but the business side is brutal. So I guess underestimating how tough it is, how you need such a thick skin in this industry. Being so emotionally open and available when you need to on set for your character. But then, when you’re not on set, you need that thick skin. When films and reviews come out, you need that tough resilience to keep going.
Any advice for young actors trying to break into the business?
Charlotte: You just have to do it. The great thing about making films now is that you can practically shoot a movie on your phone. You can put it on YouTube, and it goes up. So just do it. If and when you’re offered work in the industry, take it—no matter what it is, especially when you’re starting out. If you connect with the role, do it. Because you never know what’s going to hit or where you’re going to shine.
What was it like seeing yourself on screen in your very first acting gig?
Charlotte: Ohhh, I never really like watching myself. You know you’ve made a good film when you can watch it with an audience and not be so objective (laughs). It’s tough, I feel like you have to let some time pass before you watch yourself on film. If you’re in the screening room, your recall moments—oh, that was tough to shoot, oh, I remember that. It’s difficult to watch it as an audience.
What were you like in high school? The girl most likely to…?
Charlotte: Most likely to say the wrong thing. I always said what was on my mind. I never really had a filter. I’d put my hand up in class, and my teacher would react, “Oh, it’s Charlotte again.” Another outburst. I was kind of a nerd who took extra classes because I really wanted to get good grades. I did go to drama class, and I even took weekend drama classes.
THE LEDE COMPANY EXPANDS TALENT DIVISION TO PARIS
Strengthening Support for Talent and Brands Across Europe
Paris, September, 19th, 2025 - The Lede Company proudly announces the launch of its Talent division in Paris, marking a key milestone in the agency’s European expansion. Following the creation of its Talent division earlier this year in London, Lede Paris now extends this expertise to continental Europe, reinforcing the agency’s commitment to shaping the future of talent strategy on a global scale.
Building on The Lede Company’s strong reputation in Los Angeles, New York, and London, the Paris office will serve as a strategic hub to:
• Support brands in developing impactful and culturally relevant talent strategies.
• Champion local talent, providing them with international visibility and opportunities.
• Accompany Lede-represented talent when activating projects, campaigns, and appearances across Europe.
Led by Olivier Bourgis (President) and Carlos Freixeda (who has just been appointed Senior Vice-President of Global Communications and Marketing for The Lede Company and Ritual Projects), Lede Paris will deliver a comprehensive 360° approach spanning brand partnerships, event opportunities, media relations, public image consulting, and representation during Europe’s most significant cultural and industry moments.
A Global Vision, Anchored in Europe
With this expansion, The Lede Company strengthens its position as a trusted partner at the intersection of talent, brands, and media. By blending international expertise with local insight, Lede Paris aims to craft innovative campaigns, build meaningful partnerships, and amplify voices that shape contemporary culture.
About The Lede Company
Founded in the United States, The Lede Company is an independent, full-service communications agency structured around two core divisions: Talent (PR and public image for personalities) and Brand (strategic PR, entertainment marketing, events, and influencer engagement). The agency represents some of the most influential voices across entertainment, fashion, film, music, and contemporary culture. With a growing presence in Europe through its Paris office, The Lede Company Europe is building an integrated, forward-thinking model for the next generation of cultural impact.
Press Contacts (Europe)
Olivier Bourgis (President) –olivier.bourgis@ledecompany.com
Carlos Freixeda (Senior Vice-President) –carlos.freixeda@ledecompany.com
Olivier Bourgis
Carlos Freixeda
Television Academy Foundation College Television Awards
(LOS ANGELES – Sept. 23, 2025) — The Television Academy Foundation today announced the opening of the submission period for the 45th College Television Awards, a spring 2026 ceremony that recognizes and rewards excellence in student-produced storytelling from colleges and universities nationwide, along with two significant additions to the program. The deadline for entries is Oct. 10, 2025, at 5 p.m. (PDT) through the TelevisionAcademy.com/CTA/submit portal.
“For 45 years, the College Television Awards has been a career launching pad for emerging storytellers and content creators. Widely regarded as the most prestigious honor a media arts student can receive in the U.S., it continues to spotlight the next generation of talent,” said Tina Perry, chair of the Television Academy Foundation. “We’re proud to offer this one-of-a-kind opportunity that celebrates talented media-arts students and helps provide access to the entertainment industry. We encourage students nationwide to submit their work for consideration.”
New for the 2026 awards program is the “The Chance Perdomo Legacy Scholarship,” a $10,000 scholarship awarded to the winning college team in the Comedy Series category. Sony Pictures Television and Amazon MGM Studios created the scholarship as a tribute to the late Gen V actor Chance Perdomo who passed away in a motorcycle accident in 2024.
In addition, the Foundation has also introduced a new Scripted Series category solely for graduate students, spotlighting creators whose specific screen credits are producer, writer and director and whose functions support those credits.
Emulating the Emmy® Awards selection process, College Television Awards entries are judged by Television Academy members. Awards and over $40,000 in cash prizes will be presented by television stars at a red carpet ceremony in Hollywood to winning teams in nine categories: Animation Series; Comedy Series (for undergraduate students); Commercial, PSA or Promo;
Drama Series (for undergraduate students); News; Nonfiction Series; Scripted Series (for graduate students); Sports; and the Loreen Arbus Focus on Disability Award.
Criteria for the awards reflect industry standards of excellence, imagination and innovation across categories. Nominations will be announced Nov. 19, 2025.
The program also includes exclusive opportunities to network and connect with industry executives over three days of professional-development events with top entertainment-industry talent and executives for all participating nominees prior to the awards ceremony held at the Television Academy’s Wolf Theatre in the Saban Media Center in North Hollywood, California. College Television Award winners may also have the opportunity to participate as collegiate fellows and screen their projects at SeriesFest, May 6-10, 2026, in Denver, Colorado.
The $10,000 Loreen Arbus Focus on Disability Award recognizes either a student-produced program focused on people with disabilities or emerging artists with disabilities and is underwritten by the Loreen Arbus Foundation. In addition, the Seymour Bricker Humanitarian Award, a $4,000 cash prize, is presented to each year’s College Television Award-winning project judged to best highlight ahumanitarian concern.
The Foundation has also announced the formation of a College Television Awards Honorary Committee comprised of industry talent who will serve as ambassadors for the program. Along with the Foundation’s board of directors, the Honorary Committee is invited to serve as jury members for the Seymour Bricker Humanitarian Award. Confirmed members for the 2026 ceremony include: Carlacia Grant (Outer Banks), Timothy Omundson (This Is Us), Chris Perfetti (Abbott Elementary), Melissa Peterman (Happy’s Place) and Rebecca Wisocky (Ghosts).
Nominees and winners of the 45th College Television Awards automatically become members of the Television Academy Foundation’s alumni family, gaining
access to year-round networking opportunities, events and professional- development resources.
Prominent College Television Awards alumni include CNN national correspondent Natasha Chen; Shrek 5 director Brad Ableson; Escape at Dannemora executive producer Brett Johnson; Dora and the Search for Sol Dorado director Alberto Belli; 60 Minutes producer Shachar Bar-On; Maya and the Three executive producer Jorge R. Gutierrez; Outlander orchestrator Benjamin Hoff; and CBS Mornings producer Catherine Cannon.
The deadline for entries is Oct. 10, 2025, at 5 p.m. (PDT) through the online portal at TelevisionAcademy. com/CTA/submit; application fee is $25. Detailed submission guidelines, rules, eligibility criteria and category descriptions are available online. For more information, applicants can also view the College Television Awards Information Session.
The 2026 College Television Awards is supported by philanthropists and corporate partners, including The Loreen Arbus Foundation, Sony Pictures Television and Amazon MGM Studios.
About the Television Academy Foundation
Established in 1959 as the charitable arm of the Television Academy, the Television Academy Foundation is dedicated to preserving the legacy of television while educating and inspiring those who will shape its future. Through renowned educational and outreach programs, such as The Interviews: An Oral History of Television Project, Access: Behind the Screens, College Television Awards, Student Internship Program and the Media Educators Conference, the Foundation seeks to widen the circle of voices our industry represents and to create more opportunity for television to reflect all of society. For more information on the Foundation, please visit TelevisionAcademy.com/Foundation.
Your Secret Weapon To Cultivate Authority Is… (This may surprise you…) By Melanie Rembrandt
You open your favorite newspaper, and your competitor’s face is smiling back at you helping a local charity. The feature article includes positive testimonials from community members, a full history on your competitor and contact information to obtain more information.
Guess who potential customers, patients and clients are going to call?
Hint – Not you! Ugh!
Don’t Let This Happen!
Instead of experiencing this negative surprise, be proactive and use the power of public relations, or PR, to your advantage. Why? Public relations refers to all the communications you have with your internal and external audiences. It’s about sending the right message to the right people at the right time, so that…
When reporters, producers, publishers, and other influential media members share your information, you get third-party credibility you can’t get any other way.
This is not paid advertising. Instead, someone else is talking about you, and it has credibility because you didn’t pay for it. In fact, one article like the one mentioned above can catapult your brand awareness and credibility (in front of your target market) within seconds. And the best part? It only costs you time and effort.
That’s why PR is your secret weapon when it comes to cultivating authority.
How PR Works.
If you want to take advantage of PR, there are several initial starting steps you can take:
• Research the media members who cater to your target market;
• Develop a story idea, introduction or pitch that relates specifically to each (yes, I said “each”) media member’s audience;
• Practice your pitch and contact each media member directly, one-on-one;
• Conduct appropriate and regular follow-up;
• Provide a sound bite, photos, videos, insights, and more at a moment’s notice; and
• Review activities and make changes to improve results.
Rinse. Repeat.
Yes, this takes A LOT of effort. That’s why most business owners outsource their PR to an expert. Sure. You can just send out a boring press release to hundreds of media members at one time or hire an inexpensive administrative assistant to help you.
But your phone won’t ring.
You get what you pay for. This is because PR is about targeted communications and actually having “relations” with your “public.” It’s about creating just the right message for just the right person at just the right time. Without doing the work necessary, you just waste resources – and you may even make a BAD, irreversible impression with the media that lives online forever!
PR can help you cultivate authority fast.
It just needs to be done correctly for the best results. The good news is that your competition is probably not using public relations right now. So, the question is, will you take advantage of this secret weapon before they do?
Author Melanie Rembrandt is an award-winning publicist, author, content strategist, and speaker who helps overwhelmed entrepreneurs have more time to thrive! If you want to boost sales, awareness and credibility fast with a unique combination of targeted SEO copywriting, ghostwriting and public relations, get more information at Rembrandt Communications®, https://www.rembrandtwrites.com.
FESTIVALS
Florida Film Festival – 35th Edition
Hosted at the historic Enzian Theater in Orlando, the Florida Film Festival is one of the U.S.’s top indie showcases, screening 160+ films across American independent, international, and shorts programs. It is Oscar®-qualifying in all short categories.
Key Details:
• Early Deadline: September 30, 2025
• Event Dates: April 10 – 19, 2026
• Location: Maitland (Orlando), Florida, US
ASVOFF – 17th Edition
Founded by Diane Pernet, ASVOFF is the world’s first film festival dedicated to fashion, style, and beauty. The Paris-based event screens shorts, features, and documentaries, and tours globally with showcases at institutions like the Centre Pompidou and Guggenheim.
Key Details:
• Deadline: September 30, 2025
• Event Dates: November 13 – 16, 2025
• Location: Paris, France
FUNDING & PROGRAMS
Deadline Reminder: Frameline Completion Fund
The Frameline Completion Fund offers grants up to $5,000 to support LGBTQ+ films nearing completion. Open to international applicants, the fund requires a full cut of the film and closes submissions soon.
Key Details:
• Deadline: September 26, 2025
• Support: $1,000 – $5,000 completion grants
• Eligibility: Filmmakers worldwide
Opening Soon: The Whickers Film & TV Funding Award
One of the world’s most significant documentary awards, The Whickers offers £100,000 for the best director-led documentary pitch, plus a £20,000 development award for the runner-up. Open internationally, the 2026 round kicks off this fall.
Key Details:
• Applications Open: November 19, 2025
• Support: £100,000 main award, £20,000 development award
• Eligibility: Filmmakers worldwide
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84 Manuscript Publishers with Geographic Limitations
United States
Red Adept Publishing
This multi-genre small press has managed to end up with a number of books on the New York Times Bestseller list. They are only open to submissions by US citizens.
Epicenter Press
Founded in Fairbanks, Alaska, in 1988, Epicenter Press, Inc. is a regional press publishing nonfiction books about Alaska and the Pacific Northwest.
Chesapeake Press
This small press publishes books and podcasts for kids focused on promoting American democracy.
Hub City Press
A respected press with great distribution. They publish books of literary fiction, poetry, creative nonfiction, regional nonfiction, nature, and art. They only publish work for adults. They accept non-agented submissions during 2-3 open reading periods a year. According to their website, “Hub City publishes writers living in or from the South. What’s the South? A complicated issue, to say the least, but the short answer for our purposes: Alabama, Arkansas, Florida, Georgia, Kentucky, Louisiana, Mississippi, North Carolina, Oklahoma, South Carolina, Tennessee, Texas, Virginia, West Virginia. At the same time, we’re interested in boundaries, borders, and in-betweens, so if you want to make a case for a state not listed here, we’ll take a look.”
Texas Review Press
They have a number of reading periods a year, some are paid contests, some are free, some are focused on nonfiction (regional and otherwise) and others on poetry. Each year they read for the TRP Southern Poetry Breakthrough Series which highlights a first full-length collection by emerging authors from each state in the southern United States. There is no reading fee. The state rotates every year. In 2025 it is Virginia.
University of Georgia Press
They do not have strict geographic guidelines, but
much of what they publish is about Georgia and the American South. Although they also publish on a number of other subjects.
Heyday Press
Heyday is an established independent and nonprofit publisher that focuses on California and the American West. They publish nonfiction books that explore history, celebrate Native cultural renewal, fight injustice, and honor nature.
NDSU Press
NDSU Press exists primarily to stimulate and coordinate interdisciplinary regional scholarship. These regions include the state of North Dakota, the Red River Valley, the plains of North America (comprising both the Great Plains of the United States and the prairies of Canada), and comparable regions of other continents.
Amble Press
This press which focuses on publishing work by queer writers from underrepresented backgrounds, doesn’t officially state on their website that they don’t accept international submissions but several of our international subscribers have been informed otherwise, so I’ve added them to this list.
Sasquatch Books
They publish “visual nonfiction by gifted writers, artists, chefs, naturalists, and thought leaders whose work reflects the adventurous, creative, DIY spirit of the PNW (the Pacific Northwest)”. The Pacific Northwest, unlike other regions, involves both the US and Canada. They don’t say anything about not allowing Canadians to submit as long as the work reflects the region. They have good distribution.
Gray and Company
They only publish nonfiction books about Clevaeland, Northeast Ohio, and Ohio.
Forest Avenue Press
This Portland based press publishes fiction and the occasional memoir. They only allow submissions from U.S. residents. They have one reading period per year.
The University of Arizona Press
The premier publisher of academic, regional, and literary works in the state of Arizona is open to direct submissions. They are open to international authors but much of what they publish is focused on the region.
Bottom Dog Press
A small press that mostly publishes working class literature and Appalachian Literature.
Ooligan Press
This student-run press publishes regionally significant works of literary, historical, and social value to the Pacific Northwest.
White Stag Publishing
White Stag Publishing accepts for full length manuscripts “Poetry, Prose / Fiction, Non-Fiction, Hybrid Work, & Ritual Projects in the scope of our thematic elements, which include alchemy & the occult with intersections of science & magick, witchcraft & activism, mysticism & spirituality, & / or the supranatural”. They are only open to submissions from US residents. They are closed to submissions at the time of this update, but plan to reopen in October 2025.
Cornerstone Press
Cornerstone Press is a traditional press in that it doesn’t charge its authors, but they are an unusual press in that it is run by students at the University of Wisconsin, Stevens Point. You can learn more about the press and how it is run, here. They generally focus on publishing emerging regional authors from the midwest, but they will consider all original, well-written, and polished submissions from authors, which is why we have reviewed the press.
Loblolly Press
Loblolly Press is seeking submissions that embody a profound sense of place, particularly focusing on the Southern and Appalachian regions. They say the work they publish “uplifts queer, BIPOC, elder, and rural voices from the American South.” They are based in Asheville, NC, and they prioritize writers and submissions from Asheville and the surrounding area, but are open to submissions from authors throughout the US. Their reading period is November 1st –December 31st.
Filter Press
A regional press that is focused on Colorado history, aimed at both the fiction and non-fiction market,
most of what they publish is for educational or museum sales. Work must fit within their existing catalogue.
Cave Hollow Press
They publish contemporary, literary, or mystery fiction from Missouri and Midwest based authors.
Torrey House Press
They are interested in well-crafted work with environmental, natural history, or natural landscape themes, and writing which explores the value of well-managed public lands and the transformative power of wilderness focusing on the American West.
Agate Publishing
They are open to proposals for nonfiction on Midwestern topics or by Midwestern authors, for their Midway imprint. They are open to submissions on other topics by authors based outside the Midwest for other imprints.
Two Dot
This imprint is named for the tiny Montana town of TwoDot.They are “dedicated to revealing the big stories that shaped the history of the West and sharing the smaller stories that provided its color and texture and have taken this vast region into the future.” You can see their submission information here.
The Globe Pequot
The Globe Pequot imprint of The Globe Pequot Publishing Group. The imprint focuses on publishing “New England history, cooking, traveling, architecture, gardening, entertainment, and anything that celebrates New England and travel.”
Canada
Anansi Press
A wonderful Canadian press focusing on publishing a wide range of literary works. They accept work by Canadian citizens or residents, or Indigenous Peoples from Turtle Island and around the world who are eligible to hold Canadian citizenship. If you are based in Toronto, they have a wonderful bookstore, that only sells the books they publish, which is a great way to get a feel for what they are interested in.
Groundwood Books
My favorite Canadian children’s book publisher, and an imprint of Anansi Press, they are open to children’s nonfiction, and novel-length fiction as
well as picture books. They have two open reading periods a year.
Red Deer Press
A respected and established publisher of children’s books. They used to be open to submissions from outside of Canada, but they’ve recently limited their perimeters to only “encourage” Canadian authors, and they are now only open to submissions via post.
The University of Calgary Press
They accept a wide range of nonfiction from Canadian and international authors. They also accept literary work from Canadian citizens and permanent residents. They have four main imprints.
Second Story Press
This Canadian feminist press considers submissions in a wide range of genres, from Canadian authors. They occasionally publish non-Canadians, but this is very much the exception.
Caitlin Press
Caitlin Press is a British Columbia based literary press. They only publish authors from Canada, the majority being BC-based.
Dagger Editions
Caitlin Press’s new imprint focuses on publishing literary fiction, nonfiction and poetry by and about queer women (those who identify as queer women, including trans women or trans men, or anyone who includes this in their personal history).
Brick Books
One of my favorite Canadian Poetry presses. They only publish full-length manuscripts by Canadian citizens or landed immigrants living in Canada. They also have a great yearly subscription.
Touchwood
They only publish Canadian writers, with a strong preference for writers based in western Canada. They publish a wide variety of nonfiction as well as literary fiction and memoir.
Invisible Publishing
Invisible Publishing publishes literary fiction, poetry, and creative nonfiction by Canadians.
Coach House Books
Coach House Books is one of the largest publishers in Canada. They are a wonderful press that primarily publishes Canadian authors. They publish poetry,
literary fiction, and select nonfiction; they’re not accepting drama currently.
Cormorant Books
Cormorant Books publishes literary fiction, literary nonfiction, and poetry. They are only open to Canadian authors. They are currently only open to submissions of adult fiction and nonfiction.
DCB Young Readers
The children’s and young adult imprint of Cormorant. They are only open to submissions of middle grade fiction and nonfiction, and young adult fiction and nonfiction currently. They are only open to Canadian authors.
Dundurn Press
One of the largest Canadian presses. They publish a variety of fiction and nonfiction.
ECW Press
They are only open to fiction and poetry books submitted by Canadians; there are no citizenship restrictions on writers submitting nonfiction.
Freehand Books
A Canadian press that started out as as an imprint but is now independent. They publish literary fiction, literary nonfiction, memoir and graphic literature. They have good distribution.
Ronsdale Press
A literary house that publishes a wide variety of work including children’s books. They accept work only from Canadian citizens or landed immigrants to Canada.
NeWest Press
NeWest publishes outstanding literary works by established and emerging Canadian authors at the rate of 10-12 books a year. They are especially interested in publishing books by Western Canadian authors or which explore Western Canadian themes. They have good distribution.
Talonbooks
They publish work of significant literary or cultural importance by Canadian authors. They are no longer accepting fiction submissions.
Wolsak and Wynn
At the very start of their guidelines they state: “We are a Canadian press dedicated to publishing clear, passionate Canadian voices. As such, we publish very
few non-Canadians. However, we encourage Canadian authors of diverse backgrounds and communities to submit.” Their books are well edited and beautifully printed. They accept mailed submissions only during open reading periods.
Turnstone Press
They are only open to specific fiction genres, nonfiction, and poetry. Please see their submission page for details. Authors must be based in Canada.
Baraka Books
Baraka Books is a Quebec-based English-language book publisher specializing in creative and political nonfiction, history and historical fiction, and fiction. They also have a translation imprint.
Véhicule Press
They primarily publish Canadian authors. At the time of this update they are only open to submissions of nonfiction.
At Bay Press
At Bay Press is a respected literary publisher of fiction and nonfiction, including poetry. They do publish “literary mysteries, thrillers, and noir and are interested in quality submissions in the science fiction, fantasy and graphic novel genres as well”. They publish very few books a year.
Nightwood Editions
Nightwood Editions publishes poetry and fiction by writers across Canada, as well as nonfiction about Canadian writing.
Random House Canada
The Canadian arm of Random House changed their submission policy have opened their policy exclusively to LGBTQIA2S+ and BIPOC writers, as well as those from other traditionally underrepresented communities. They are particularly looking for “High quality commercial fiction in the following genres: literary, romance, speculative fiction, historical fiction, and mystery. Please note that we do not currently accept screenplays, stage plays, young adult fiction, children’s fiction, or picture book queries. All non-fiction submissions must be submitted via a literary agent.” They are open to submissions internationally, but prioritize Canadian writers.
Tundra Books, Puffin Canada, Penguin
Teen Canada
These children and teen focused Canadian imprints are open to direct submissions by underrepresented
authors and illustrators only. Authors need not be Canadian.
Mythic Roads Press
They are currently only accepting Canadian-authored full-length novel submissions (unagented or agented) in the fantasy, science fiction, and romance genres. They are a small press and have only been actively publishing books for just over a year. They are sometimes open to international submissions. They are based in Alberta.
Orca Book Publishers
This respected small press publishes books for children. They now have two submission periods a year.
Lorimer
They publish a large range of nonfiction by and for Canadians, including, Canadian history, regional nature guides, biographies of Canadians.
Lorimer Children & Teens
This Canadian small press has very specific guidelines for the submissions they are accepting. They publish fiction and nonfiction aimed at younger readers.
Harbour Publishing
This respected BC based Canadian publisher mostly focuses on topics pertaining to the Pacific Northwest, including fiction and nonfiction.
Stephen Silver Fine Jewelry
Stephen Silver Fine Jewelry has long been Silicon Valley’s destination for elevated gifting. The house’s unrivaled expertise in rare and precious-colored gemstones is on full display in this inspired array of fine jewelry and high jewelry creations. Each remarkable piece is a celebration of nature’s most extraordinary gemstone treasures, brought to life through impeccable design and artisanal vision.
From vivid, one-of-a-kind gemstone pieces to refined silhouettes designed to elevate the everyday, these radiant creations exemplify the house’s signature aesthetic: timeless yet contemporary, rare, yet effortlessly wearable. These distinctive designs capture the spirit of holiday giving at its most elevated, available online at shsilver. com and at Stephen Silver’s new boutique at The Villa Menlo Park in Menlo Park, California.
Blue Sapphire & Diamond Pendant and Diamond Riviera Necklace
Stephen Silver presents a remarkable blue sapphire and diamond halo pendant, centered on a 61.62 carat blue sapphire.
The pendant hangs from an equally dazzling diamond riviera necklace, set with expertly graduated diamonds.
A stunning, heirloom-quality high jewelry piece that commands all attention, this necklace makes a dazzling gift of a lifetime, one to be worn and treasured for generations to come.
.42 Carat Sapphire and Diamond Ring
Effortlessly classic, this sapphire and diamond ring lets its magnificent 3.42 carat oval-cut blue sapphire do the talking. The exceptional unheated gem is flanked by two magnificent matched baguette-cut diamonds, making this iconic three-stone platinum ring an appealing and unforgettable holiday gift for gem lovers who appreciate the timeless allure of a world-class blue sapphire.
22.62 Carat Sapphire and Diamond Earrings
These alluring sapphire and diamond earrings from Stephen Silver feature a cascade of sapphires and colorless natural diamonds – an ideal holiday gift for the design-forward woman who loves to make a style statement. The earrings feature 22.62 total carats of rose-cut blue sapphires in various shapes, set amidst a further 1.39 carats of round brilliant-cut diamonds. The blue titanium coating applied to the 18-karat white gold settings only enhances their impactful chromatic effect.
.28 Carat Oval Diamond Link Necklace
Stephen Silver’s oval diamond link necklace lights up a room with its flashing scintillation and alluring, timeless design. The 16.5” necklace centers on a stunning 9.28 carat oval-cut diamond, set in a landscape format that sits gracefully, as if framed, by the clavicle. The 18-karat yellow gold adds yet more subtle allure with its links of mixed-cut diamonds, including carré cut (1.9 carats), round brilliant cut (0.42 carats), and oval cuts (3.15 carats). Altogether, this incredible necklace accounts for a total of 14.75 carats in natural diamonds.
13.66 Carat Emerald Cut Diamond Bypass Bangle Bracelet
This stunning diamond bypass bangle bracelet by Stephen Silver features 18 graduated emerald cut diamonds set in 18 karat white gold, 13.66 carats in total: a remarkable holiday gift of a lifetime.
An impressive feat of artistry and precision, this design testifies to the eternal allure of natural diamonds and Stephen Silver’s expert eye at curating and presenting this matched group in a timeless, elegant design. The 18-karat white gold bracelet flexes, allowing the owner to easily take it on and off, and enabling hours of effortless wear.
4.56 Carat Rose Cut Diamond Hoops
These unique inside-out hoops from Stephen Silver offer a whimsical update on the diamond hoop earring, making them a versatile, cherished gift that can be worn and enjoyed for years to come.
Each hoop is composed of several diamond clusters inside and out, each with a center rose-cut diamond and halo of round brilliant diamonds. Altogether, these dazzling hoops present 4.56 total carats of rose-cut diamonds and 3.17 total carats of round brilliant-cut diamonds, all of exceptional quality, presented within an 18-karat white gold setting.
$85M Oceanfront Estate with Private Beach, Secret Tunnel & Safe Room
Hits Palm Beach’s Billionaires Row!
When you think about celebrity homes, you probably imagine mansions in Hollywood and New York City, but big-time stars are increasingly moving to Florida. Escaping California’s high taxes and New York’s fast pace and frigid winters, some of the country’s biggest billionaires and brightest stars have found a haven in Florida’s Palm Beach County. North of Miami, the county is known for its sparkling beaches, bucolic countryside, and upscale communities, long a winter colony for New York’s old-money families. In recent years, they have drawn such luminaries as Bill Gates, Tom Brady, Sylvester Stallone, and Michael Jordan.
The gem of the county is Palm Beach Island itself, a 16-mile-long barrier island that is home to unspoiled beaches and world-class country clubs. Billionaire’s Row, along Ocean Blvd, is the island’s most exclusive address. A new oceanfront estate, listed for $84.95 million, offers the chance to join this prestigious community in grand style.
AFI FEST FILM FESTIVAL
OCTOBER
22-26
Global Cinema Spotlights Include Films by Paolo Sorrentino, Werner Herzog, Kaouther Ben-Hania, Ildikó Enyedi, and Charlie Kaufman, Plus World Premieres by William Means, Joan Bofill Amargós as Part of a Program of More Than 160 Films
AFI FEST is a world-class event, showcasing the best films from across the globe to captivated audiences in Los Angeles. With a diverse and innovative slate of programming, the film festival presents a robust lineup of fiction and nonfiction features and shorts presented in established AFI FEST sections, along with panels and conversations featuring both master filmmakers and new cinematic voices.
The Academy of Motion Picture Arts and Sciences recognizes AFI FEST as a qualifying festival for both Short Films categories of the annual Academy Awards®.
Through annual tributes and conversations, the festival has honored numerous influential artists and icons, including Halle Berry, Danny Boyle, Marion Cotillard, Catherine Deneuve, Isabelle Huppert, Barry Jenkins, Sophia Loren, Nicole Kidman, Mira Nair, Rita Moreno, Sofia Coppola, Steve McQueen, Natalie Portman, Christopher Plummer and Tilda Swinton. Past Guest Artistic Directors have included Pedro Almodóvar, Bernardo Bertolucci, Ava DuVernay, Greta Gerwig, David Lynch and Agnès Varda.
The American-Scottish Foundation’s Annual Dinner and Wallace Awards
6:30pm Reception & Whisky Tasting 8:00pm Dinner & Awards
Friday, November 7, 2025
The University Club
1 West 54th Street, New York City
The ASF Wallace Award Presentation to:
Dr. Joseph Morrow
Lord Lyon, King of Arms for his Leadership of the Lyon Court and his role in Scotland today
A. Wright Post Palmer of Beekman Estates for his outstanding contribution to the Preservation of History, Arts and Culture
The Wallace Award
The Young Scot Wallace Award to: Scott Gilmour and Claire McKenzie of Noisemaker
As we look to 2026, the 250th anniversary of America many Scots were among the first Europeans to settle in the New World.
In this the 400th year of the founding of New York - the evening will spotlight the leading role Scots have played in New York from its earliest days.
Dr Joseph John Morrow CVO CBE KC FRSE
The Rt Hon Lord Lyon King of Arms
As Lord Lyon, Dr Morrow is responsible for state ceremonial in Scotland and took part in the Coronation of King Charles III and Queen Camilla in 2023. He also designed and delivered the Service of Thanksgiving for the presentation of the Royal Honours of Scotland, at which the Crown, Sceptre and Sword of Scotland were presented to the King in St Giles’ Cathedral in Edinburgh.
Professionally, Dr Morrow is a member of the Faculty of Advocates and became a Queen’s Counsel (QC) in 2015 (now King’s Counsel (KC)). He held many judicial including as President of the Mental Health Tribunal for Scotland (2008–2019), as Her Majesty’s Commissioner for Mental Welfare for Scotland (1998–2006), and as President of the Additional Support Needs Tribunal for Scotland (2010–2014). In addition, he served as a Member of the Judicial Council for Scotland for a four year period and on numerous national boards within Scotland.
SUSPICIOUS MINDS
Directed and Created by: Sean King O’Grady
Executive Producers: Mandy Teefey, Selena Gomez, Jonathon Glucksman, Molly Borman, Jesse Ford, David Tuohy, Sean King O’Grady
Featuring: Writer and Psychiatrist Dr. Joel Gold, Writer and Philosopher Ian Gold, PhD, Filmmaker Sean King O’Grady, Activist Etienne Brisson, ChatGPT Delusion Experiencing Interviewees Ryan Turman (and his wife Lacey Turman) and Allan Brooks, AI Researcher and Stanford Professor Nick Haber, AI Ethicist Nate Sharadin, Co-Chair of the American Psychoanalytic Association’s Council on AI Dr. Amy Levy.
Suspicious Minds is a weekly video documentary series and podcast premiering October 17, 2025.
Platforms include YouTube, Spotify, Apple Podcasts, Substack, and more. Series One will be released weekly for a total of 8 video and podcast episodes.
