SEEN & UNSEEN
HKIPF.ORG.HK
SEEN & UNSEEN P.2
© Siu Wai Hang 蕭偉恆
DO NOT GO GENTLE INTO THAT GOOD NIGHT. RAGE, RAGE AGAINST THE DYING OF THE LIGHT. — DYLAN THOMAS
不要恭順地走入那冥寂， 怒吼，怒吼，抗拒天光沒滅。 — 狄倫．湯瑪斯
SEEN & UNSEEN
HKIPF.ORG.HK
SEEN & UNSEEN
FOREWORD 前言
Stepping into summer, the Hong Kong International Photo Festival set out to kick off this year’s edition with the exhibitions of two pivotal figures of contemporary photography: Robert Frank: Books and Films, 1947-2019 and Secrets of Steidl Photobooks. Making Multiples — a retrospective of the late maverick Robert Frank and a tribute to Frank’s close collaborator, visionary photobook printer, and publisher Gerhard Steidl. Then Covid-19 engulfed the world. We are now temporarily “distancing” ourselves from the Frank and Steidl exhibitions until next year, and when all this is over, we look forward to welcoming our communities, local and international, to come and experience their seminal works. In Frank’s words, “it’s not possible [to photograph] without feeling empathy, without having a feeling for these moments” (Robert Frank on Life & Art, 2001), and indeed, art does not stand apart from the messy life in which it is created. The Festival continues, with more than 30 Hong Kong photographers who have persevered, committing themselves to deliver diverse exhibitions and events across various districts. The Festival is a chance to re-examine our home communities and to stay connected (at a safe distance) despite the challenges that lie ahead. Ten young image makers have been working alongside forerunners of photography in our Photographer Incubator mentorship programme since September 2019, discussing contemporary photography and developing their artistic practice. Our mentors have offered generous amounts of guidance, inspiration and insights, and the ten emerging artists are pleased to present some of their extensive investigations and experimentations to the public.
P.4
Our Open Call for Satellite Exhibitions has brought a diverse range of 18 individuals and creative collectives who will partner with local businesses and venues – together, they link art with the everyday environment, and at the same time reclaim creative spaces in the city through unconventional presentations. SEEN & UNSEEN – the theme of the 2020 Festival. In this digital age, we have become so accustomed to constant imagery, but do we really see? Are we able to see images as reflections of the political thoughts and aesthetic judgements of their creators? Are we able to tell what is interpreted as “truth” and what is shaped into one? Of all the things we see, which do we notice, and which elude our attention and go unseen? Nurturing a broader and more holistic perspective, critical and free of presuppositions, requires a long process that demands continuous reflection and reference points, sometimes from our predecessors. Robert Frank said, “I always thought, the way you live, that’s already political.” Everyday life in Hong Kong has been exceptionally strenuous, with ongoing protests to achieve democracy and to protect the rule of law, state-sanctioned police brutality, socio-economic hardship, and a pandemic: for over a year, people have endured a “state of exception” as coined by philosopher Giorgio Agamben. Thanks to a group of photographers willing to maintain their reflective and critical spirit, images of those rendered as “bare life” shall exist and be “seen”. Their lenses bear witness to the faces and voices standing against the oppression of the status quo, defending the progress of our civil society. For this work, we are acutely grateful. Thank you, each and every one of you.
FOREWORD 在這又一個春夏之交，新一屆香港國際攝影節原定以當代攝影界中兩大舉足輕重 要名字揭開序幕：羅拔．法蘭首個「忠其一生」回顧展「羅拔．法蘭：書與電影 1947-2019」，以及向與法蘭相知相交策展人、攝影藝術書出版界獨家傳奇格赫． 書丹度致意之「Steidl 攝影書的秘密」。 無奈堅持至最後一刻，武漢肺炎已肆虐全球。「（攝影師）對當下瞬間時刻，沒移 情神入、沒同理感覺，是絕不可能。」（羅拔．法蘭談藝術與人生， 2001。）誠如 法蘭深信，藝術並不超然於生命與社會，我們最終亦只能回應現實，將展覽「隔 離」至明年，這個被驚呼「不得了」的展覽繼惟有讓觀眾繼續久等了。共渡難關 後再與全球攝影人觀眾聚首一堂，對展覽兩主角相知相交合作與創作，可有另一 番體會。 此時此刻，於全球大流行下，重新對焦 / 檢視香港自身當下：「隔離」大展之外， 堅持繼續的攝影節將以一連串散落社區的展覽活動形式發生，近 30 位本地影像 創作者，無畏無懼，相信影像的力量，為生命點激情感 / 情動 (affect)，於社會 擔當角色，期盼作為力量後盾的觀眾，持續關注。 我們會看見由攝影節策動「新一代影像創作者育成計劃」的 10 位參加者，以展覽、 攝影書、演出和講座等形式，分享他們自去年 9 月起，在各位攝影先行者啟發引 導下，通過各深度研討和探索實驗後所創作「結業作」。 我們也會看到 18 位 / 組以提案公開徵集方式所邀請得來、來自不同領域背景的 影像創作者，根據城中不同場域和空間所策劃的「衛星展覽」，以影像創生磁場， 觸發更多社區生活動力及生命力。
「我常以為，活著的方式已經是政治攸關的，」羅拔．法蘭如是說。回望過去幾 近一年激動光景，社會充斥緊繃不安與嚴峻存活，從催淚彈與警棍的腥風血雨， 到新型病毒的猖獗肆虐，香港別無選擇地直面一波未停一波又起的「例外狀態」 （參考阿甘本“The State of Exception ”）。幸而我們有一群攝影工作者，身體力 行站在不同位置，持續以柔韌堅毅的姿態抵擋權力的脅迫，用鏡頭作見證，發揮 反省與批判精神，讓影像必須存在、讓「赤祼生命」得以被「看見」，捍禦公民 社會艱澀前行，在此謹向每一位致意。
HKIPF.ORG.HK
今年攝影節主題為「SEEN & UNSEEN」。現今全球化網絡世代早已習慣過度「觀 看」，要建立一個兼具深度和寬度的批判性視野、開放不帶任何前設且多樣化的 觀察世界方式，是一段漫長和持續自我觀照的歷程。因此我們不時需要借前人睿 智為鑑，時刻提醒自己探討圖片背後的指涉，都在反映攝影師、策展人、編輯及 媒介載體等主體的政治理念、意識形態以至美學偏好。譬如，什麼被閱讀成「真實」， 什麼被加以投射？什麼東西會被看見，什麼會給視而不見？讓我們不斷鑽探觀看 影像的方法，進而建立批判性的詮釋和討論思維 / 考。
SEEN & UNSEEN
PHOTOGRAPHER INCUBATOR EXHIBITIONS 新一代影像創作者 育成計劃展覽
P.6
EXHIBITION 展覽
13.04 21.06.2020
「新一代影像創作者育成計劃」顧名思義以 培養香港影像創作新血為目的，以「前輩 帶領後輩」之模式進行。自去年九月開始， 10 位新晉創作者在導師高志強、劉清平、 梁家泰、夏永康和多位客席導師的引領下 學 習、 成 長， 發 展 個 人 風 格。 這 10 個 展 覽所展現的，是他們於過去半年努力的成 果，也代表著香港這一代對當下社會狀況， 對自身處境的思考和回應。我們希望這種 種難能可貴的經歷和亦師亦友的關係，可 陪伴他們於偶爾未必太順暢的創作路上走 下去，也可持續為他們打開更多的門。望 觀眾也可給予這一輩的創作者更多支持和 鼓勵。
HKIPF.ORG.HK
GERRY LI AU TZE LONG ANTHONY FAN KAR LONG FION HUNG CHING YAN RAÚL HERNÁNDEZ IRIS SHAM SIN HANG ALEX CHUNG PO LUN JIMI TSANG SHARON LEE CHEUK WUN CHUK YIN MAN
INCUBATOR EXHIBITIONS
This mentorship programme fosters new creative forces in photography by nurturing emerging artists. Under the tutelage of established photographers Leong Ka Tai, Alfred Ko Chi Keung, Lau Ching Ping, and Wing Shya and guest mentors from Hong Kong and abroad, ten young image makers have been developing their art practice and exploring creative possibilities. These ten exhibitions are a reflection of their growth over the past year, an especially turbulent time in Hong Kong history, and we invite you to experience their work.
SEEN & UNSEEN
08.04 09.05.2020
S507 PMQ 35 Aberdeen St., Central
11:00am - 8:00pm
元創方 S507 室 中環鴨巴甸街 35 號
1
ETERNAL LIGHT IN THE DARKNESS
P.8
黑暗中永恒的光
GERRY LI 李嘉睿
ig / gerrylifilm Website / gerryli.com
I often feel powerless in the darkness. Light, containing energy and vitality, lets me feel the meaning of life again and guides me to move on when I am surrounded by helplessness in dark times. It comes from nature or from my relationships with family, friends, or loved ones. It leads me to create rather than to destroy, to become rather than escape. Long after, colour will have faded, family will have gone, love will have vanished, friendship will have come apart, by the time my breath stops. Yet, there will still be light, shining till eternity. So, I make this record of light and present it in this exhibition. I hope it can provide light for others in the darkness.
身處於黑暗中，我時常感到無力。光，即能量、 生命力。當我被無力感包圍的時候，它讓我重 新感受到生命的意義，指引我不斷前行。光或 來自於自然，或來自於親情、友情或愛情。它 指引我去創造而不是去毀滅，去成為而不是去 逃避。當時間過了很久很久，顏色褪去了，親 人離去了，愛情消逝了，朋友走散了，呼吸停 止了；只剩下光，直至永恆。於是，我用攝影 的方式呈現光，只希望它能在這黑暗之中點亮 他人。
Negative Space RM 365, 12/F, Foo Tak Bldg, 365-367 Hennessy Rd., Wanchai
12:00pm - 8:00pm Fri - Sun 星期五至日
灣仔軒尼詩道 365-367 號 富德樓 12 樓 365 室
2
(STORIES OF) LITTLE BEASTS 小獸
ig / tze.long Website / www.crunchyexp.com
(Stories of) Little Beasts is a timeless photography project. Itʼs tailored, private and intimate for you. This is about your inner beast, combining your existing and unidentified characteristics, the ultimate form of realness and dreams. As someone who will finally become history, the only evidence that you leave to the offspring could be about: a witch, a killer, an anarchist, a genderfluid, a past-life drowning memory, or other forms that are not humanlike such as Venus, a black hole, a tree, or a card reading. We must become ourselves, and even create ourselves to refuse to be destroyed, also, to recognize our tribes, cults and histories.
《小獸》是一個沒有時限的攝影計劃，度身訂 做且非常私密。糅合你現有的特徵，真實而夢 幻的終極形態：女巫、殺手、無政府主義者、 性別流動者、一段前生溺水的記憶，又或金星、 黑洞、大樹、解讀一張牌卡的寓意。我們必須 成為自己，甚至創作自己來拒絕成為被滅族的 一群。
HKIPF.ORG.HK
AU TZE LONG 區子朗
INCUBATOR EXHIBITIONS
02.05 31.05.2020
SEEN & UNSEEN
13.04 09.06.2020
L7 Green Space JCCAC, 30 Pak Tin St., Shek Kip Mei
10:00am - 10:00pm
石硤尾白田街 30 號賽馬會創意藝術中心 L7 綠色空間
3
MY PORTRAIT DIARY: 18 CHILDREN
P.10
人像日記：十八港孩
ANTHONY FAN KAR LONG 范家朗
With millions of people participating in multiple protests in 2019, Fan attempted to explore the changes in social conditions of Hong Kong through portraits. On June 9th, one million people protested against the extradition bill. Fan invited children in Victoria Park for a portrait, with the consent of their parents. The candid faces present moments of compelling silence and reflect the pure emotions of an age group often not visible in society in Hong Kong. Half a year later, on December 8th, 800,000 people took to the streets. Fan continued this children’s portrait series and captured the changing atmosphere in Hong Kong.
2019 年，香港出現多次大規模示威。范家朗嘗 試透過人像攝影探討香港社會狀態的變化。 6 月 9 日，100 萬人遊行反對《逃犯條例修訂 草案》。范氏邀請一些在維多利亞公園現場的孩 子在父母的同意下拍攝人像。這些坦率的面孔 呈現一刻懾人的沉默，並反映了一些香港人的 情緒。 半年後，於 12 月 8 日，80 萬人上街。范氏延 續了這系列的人像拍攝，以描繪香港社會氣氛 的變化。
ig / Website /
fankarlong www.fankarlong.com
PHVLO HATCH 2/F, 9-13 Wong Chuk St., Sham Shui Po
10:30am - 7:00pm
深水埗黃竹街 9-13 號 2 樓
4
I WANTED TO BE A MOTHER 從前，我想做一位母親
ig / fotolotof Website / www.hungchingyan.com
This is a photographic series reflecting on the influence of family on the artist’s sense of self: Hung was born and raised in a conservative Chinese family that had full control of her early life with a series of ‘rules’ she had to follow. Many things she did seemed unpleasant to her family, as if she broke those rules. This lifestyle made Hung feel a sense of cold violence; she also felt the lack of love. As Hung grew up, she realized that many family rules and values were naturally applied on her daily practices, although she didn’t agree with many of them. For this series, Hung collected and photographed objects that hold family memories. She uses the forms and colours of the objects to refer to the familial pressure she has experienced, with the work also revealing a desire of freeing herself from the family rules.
這系列的作品是透過攝影去反思家庭如何塑造 了藝術家的自我：洪氏生長於一個極傳統的中 國家庭，成長過程中受到長輩的專制式管教。 家 人 對 她 日 常 生 活 種 種 事 情 也「 看 不 順 眼 」， 對她來說這是一種缺乏愛的無形暴力。長大後， 她才發現儘管當中很多思想她並不認同，無奈 家人對她的很多期望都自然地滲透到生活實踐 中。在本系列作品中，洪氏蒐集並拍攝了保留 着家族記憶的物品，透過展現物件的形態和顏 色來比喻家庭帶給她的壓力，並表達自己期求 擺 上一代規範的慾望。
HKIPF.ORG.HK
FION HUNG CHING YAN 洪澄欣
INCUBATOR EXHIBITIONS
01.05 21.06.2020
SEEN & UNSEEN
01.05 21.06.2020
PHVLO HATCH 2/F, 9-13 Wong Chuk St., Sham Shui Po
10:30am - 7:00pm
深水埗黃竹街 9-13 號 2 樓
5
LOSING FARTHER, LOSING FASTER
Living abroad involves a constant adaptation to the environment, requiring different ways to relate with it, striving to learn a language and, progressively, to assimilate the things one has left or lost on the road. Throughout this process one can reach some kind of truth or become disoriented.
丟得更遠，丟得更快
The genesis of this project does not coincide with my arrival in Hong Kong in 2014, but with my move into the neighborhood of Mong Kok, three years later. At that time, my intention was to reconcile a city from which I felt far away, unable to adapt to its fickle nature. I wasn’t yet aware that a large part of its essence is in the ephemeral, in what will eventually disappear, and that those who best capture that spirit are us – foreigners.
RAÚL HERNÁNDEZ P.12
在國外生活需要不斷適應當地環境，更要以不 同的方式融入當地，例如：努力學習當地語言， 並慢慢吸收別人的經驗。過程中，人們可能會 發掘出某種真理，又或者變得迷失。 本計劃的開展並非於 2014 年我剛來到香港時發 生，而是於三年後搬到旺角才得到啟發。我只 想拉近與香港的距離，因我當時無法適應香港 瞬息萬變的環境。然而我沒意識到，這城市的 主要精粹正正就在於其短暫性，在於那些最終 將消失的一切之中，而最能捕捉這神髓的就是 我們這些外國人。
ig / juan._.navidad Website / raulhernandezarchives.com
openground 198 Tai Nan St., Sham Shui Po
12:00nn - 8:00pm Tue - Sun 星期一休息
深水埗大南街 198 號
6
TIME IS ALWAYS ON OUR SIDE REMNANTS AND REQUIEM
餘燼與安魂曲— 時間站在誰的一邊？
The bloodshed of the 1989 Tiananmen Square massacre left an indelible mark on the hearts of many Chinese, including Hong Kong people who were reconciling the impact of the 1997 handover to China. For 30 years, we have commemorated the massacre every year in Victoria Park. We are once again at a historical turning point in 2019. Despite the tightening political grip of Mainland China and the ongoing violent suppression by the government, millions of residents show remarkable courage and continue to fight for freedom. Sham’s photographs and installations take viewers on an immersive cinematic journey through traces of these historical turning points. The June 4th candles collected from the past 30 years and the tear gas canisters fired by the police during the 2019 protests hold fragments of our struggle against amnesia, against oppression.
1989 之後，三十年來，燭光舉起，坐在香港 維園裏的人，在點點燭光裏牢牢銘記那年夏天 發生在天安門廣場上的遙遠事情。2019，香港 漫天烽火，催淚彈殼催生了新的悲痛記憶，而 可以肯定，2020 以及之後再之後，香港人依 然不會遺忘。岑氏透過攝影和裝置，從三十年 來六四的燭光和 2019 年抗爭期間警察大量發 射的催淚彈，審視記憶的物質傷痕，以及，傷 痕背後的身份認同和無畏付出，藉以抵抗遺忘， 對抗打壓。
ig /
irissham.photo
HKIPF.ORG.HK
IRIS SHAM SIN HANG 岑倩衡
INCUBATOR EXHIBITIONS
05.05 17.05.2020
SEEN & UNSEEN
02.05 17.05.2020
Parallel Space G/F, 202 Tai Nan St., Sham Shui Po
12:00nn - 8:00pm Tue - Sun 星期一休息
深水埗大南街 202 號地下
7
THE QUEST
P.14
追尋
ALEX CHUNG PO LUN 鍾寶倫
ig /
chungpolun
The dream of Hong Kong people during the colonial time was said to be to get rich, move up the social ladder and become a member of the middle class. Since the 1990s, such a dream is said to be increasingly more difficult to achieve with Hong Kong becoming a Chinese city. More than 20 years after 1997, new and non-material expectations are added to the old bottle with the emerging younger generation. In my work, I attempt to document and re-present the souls and the spirit of the Hong Kong people amidst the recent worsening social instability and mounting conflicts.
發達、向上流動、做個中產，是很多生活在殖 民地年代香港人的夢想。但自九十年代始，當 香港逐漸變成中國的一個城市，這個夢慢慢變 得遙不可及。1997 年至今政權轉移超過廿年， 隨着年輕新一代的成長，原有夢想增添了新的 非物質成分。在這輯作品中，我嘗試紀錄與重 現近年在社會不穩定及衝突加劇下香港人的靈 魂與精神面貌。
Parallel Space G/F, 202 Tai Nan St., Sham Shui Po
12:00nn - 8:00pm Tue - Sun 星期一休息
深水埗大南街 202 號地下
8
TEMPORAL BOUNDARY 臨時邊界
Concerned with documenting post-colonial Hong Kong as it transitions to China’s ‘New Era’, this is an ongoing project, capturing everyday moments of a Hong Kong in flux. Created over five years, since the onset of the Umbrella Movement, this collection of photographs represents Tsang’s unexpected personal mourning of the only place he has considered home. The idea of presenting hundreds of photos in this exhibition is a meditation on excessiveness and displays Tsang’s obsession with capturing the impermanence of a city that is deteriorating. It can also be interpreted as a quandary into how he processes the encroaching absorption of his home city: the disappearing boundary between one country two systems. Influenced by nostalgia and a desire for simplicity, Tsang has chosen to exclusively shoot with film.
本系列作品主要紀錄香港由英國殖民至回歸中 國的轉變。曾冠群至今繼續透過鏡頭捕捉香港 日常中的微妙變遷。 自 雨 傘 運 動 起， 本 攝 影 計 劃 歷 時 超 過 五 年， 曾冠群以照片哀悼他唯一的家 —— 香港。 展覽中展示數以百計照片的概念，透現了曾冠 群如何着迷於捕捉一個墮落中的城市之短暫無 常，帶 置身其中的困惑，呈現 正逐漸消失的 一國兩制，令原有邊界消亡。
ig / jimitsang Website / www.jimitsang.com
曾冠群喜歡簡潔懷舊的風格，因此作品均以底 片拍攝。
HKIPF.ORG.HK
JIMI TSANG 曾冠群
INCUBATOR EXHIBITIONS
02.05 17.05.2020
SEEN & UNSEEN
1
2
28.04 02.05.2020; 05.2020
① — 24 hours; 24 小時開放 ; ② — At variable times 不定時
① — PRÉCÉDÉE 304 Shanghai St, Yau Ma Tei; ② — Various spots on Nathan Rd.
① — PRÉCÉDÉE 油麻地上海街 304 號； ② — 彌敦道各處
9
THE CRACK OF DAWN
P.16
裂像的破⼝
SHARON LEE CHEUK WUN 李卓媛
Website / www.sharonleecw.com
I was away in 2014, I felt like an ‘outlander’ when I was home again. This loss became a crack between me and my peers. I tried to piece together the fainting landscape through our memories— a collective apparition image of the time past. I became a flaneur of time, treading on these satellite maps and photographing our Harcourt Road. Yet the fragmented street lamps only reminded me of the widening crack of our time and space. Today, this too should not matter: a more expansive Harcourt Road now resides in all of us. That which was touched by sunlight will only shine again. I ‘solarized’ the photographic prints to project a nocturnal cityscape. In darkness and gleam, I realise a window through which I mend the cracks in our memory, like a totem rooted in the present. In 2019, on the hundredth day of summer, many chance encounters brought us together.
2014 年， 我 居 異 鄉； 回 來 後， 我 找 不 到「 我 們」。 這缺席成了我跟同代人的缺口，只好在 各人印象中盲摸這絕美風景。我到衛星地圖重 遊那條夏愨道，以菲林拍攝「實景」，但那折開 的路燈總提示時空的破口。今天已延展出更廣 闊的「夏愨道」存活於各人的意志。 我把這記 憶的缺口修補成一扇「窗」，一道黑夜風景，一 個於日常中可反照的圖騰。於顯影中途再曝光， 剩下黑白之間的光暈。光凝住曾經，也照亮當 下。 2019 年，百日夏天，我們聚散於不同的大 街小巷。
Casphalt Ching Leung Nunnery, Tuen Fu Rd., Tuen Mun
1:00pm - 6:00pm Mon - Tue & public holidays 星期一至二及公眾假期
清山塾 屯門屯富路清涼法苑
11:00am - 6:00pm Sat - Sun 星期六至日
10
ROAD SIGNS, LAMP POSTS, TREES 路牌、電燈柱、樹
ig / chukyinman Website / edwinchukyinman.com
I find meanings in the meaningless when I wander around suburban areas. An individual rarely goes to the highway and looks explicitly for a traffic sign, lamp post, or even a particular turn. I once accidentally walked under a highway that stretched out above my head. The encounter changed my experience towards the space. I wander around overlooked places. Through photography, I intend to reconstruct the place and create a new experience.
在城市與郊野之間的遊蕩讓我找到城市中沒有 意義的意義。甚少人會故意走上公路觀賞路牌、 電 燈 柱 甚 至 那 個「 轉 彎 位 」。 在 一 次 遊 蕩 中， 我意外地走到一條公路的底下，高長的公路在 我頭頂延伸開去，改變了我對空間的經驗與閱 讀。我遊蕩於城市與郊野之間被忽視的地方。 透過攝影再次建構空間，嘗試在沒有意義的地 方重新獲得經驗。
HKIPF.ORG.HK
CHUK YIN MAN 竺諺民
INCUBATOR EXHIBITIONS
30.04 24.05.2020
SEEN & UNSEEN
SATELLITE EXHIBITIONS 衛星展覽
P.18
In its second edition, the Satellite Exhibition Project continues to foster interaction between different communities and to encourage people to appreciate art in their everyday world.
步 入 第 二 屆 的 衛 星 展 覽 計 劃， 將 繼 續 發 揮 以 藝 術 創 生 場 所， 影 像 連 結 社 區 的 精 神。 本 次 衛 星 展 覽 的 作 品 風 格 各 有 特 色， 你 可 在 這 個 城 市 的 不 同 角 落 裡， 尋 見 影 像 創 作 者 鏡 頭 下 的 日 常 觀 察、 家 庭 記 憶、 身 份 思 考， 政 治 運 動 和 城 市 記 憶。 我 們 期 待， 透 過 作 品 與 其 所 在 空 間 的 互 動， 藝 術、 人情和社區能產生更深厚的連結。
SATELLITE EXHIBITIONS
衛星展覽
HKIPF.ORG.HK
SATELLITE EXHIBITIONS
SEEN & UNSEEN
THE YELLOW BIKES 小黃車
01.05 12.06.2020
CHRIS WONG 黃海輝 8:30am - 6:30pm Mon - Fri 星期一至五 Appointment only on Saturdays, Sundays and Public Holidays 星期六至日及 公眾假期須預約
The Hive Kennedy Town 6/F, Cheung Hing Industrial Bldg, 12P Smithfield Rd., Kennedy Town
The Hive（堅尼地城） 堅尼地城士美菲路 12P 號 祥興工業大廈 6 樓
ig /
Website /
chris.wonghf
www.chriswonghoifai.com
WITH LIGHT— WE CAN CONQUER OUR FEAR
S1 05.04 10.05.2020
LAI SUET SUM 黎雪沁 11:00am - 8:00pm
S512, PMQ 35 Aberdeen St., Central
元創方 S512 室 中環鴨巴甸街 35 號
ig /
Website /
suetsum.l
www.suetsum.com
P.20
108 IMPRESSIONS ∞ HONG KONG 108 印象 ∞ 香港
S2 04.04 24.05.2020
ZERO LAI 黎芷筠 HAILEY CHEUNG 張珮君 9:30am - 10:00pm
glue Shop 1A, 1 Electric St., Wanchai
glue 咕嚕館 灣仔電氣街 1 號 1A 號舖
ig /
Website /
zerolai.ltk
zero-lai.format.com
S3
01.05 15.05.2020
KLAUS CAPRA 12:00nn - 7:30pm Tue - Sun 星期二至六 12:00nn - 7:00pm Sun 星期日 Close on Mondays 星期一休息
MOSSES 14 St. Francis St., Wanchai
MOSSES 灣仔聖法蘭士街 14 號
ig /
Website / cargocollective.com/klauscapra
franco_saudade
AGANTU-KLESA: THE FUTURE OF NOSTALGIA 客塵：鄉愁的未來
SATELLITE EXHIBITIONS
THE OTHER SKY 另一片天空
S4 15.04 28.05.2020
ONENESS ZENG 曾婉遒 11:00am - 6:00pm Mon - Sat 星期一至六
Our Gallery UG 10, C C Wu Bldg, 302-8 Hennessy Rd.
Our Gallery 灣仔軒尼詩道 302-8 號集成中心 UG 10
ig /
Website /
oneness_zeng
www.of-arts.com
S5 18.04 24.05.2020
MY CYCLE DIARY
12:00nn - 7:00pm Tue - Sun 星期二至日
Nose in the Books 3/F, 54 Yun Ping Rd., Causeway Bay
打書釘 銅鑼灣恩平道 54 號 3/F
ig /
Website /
garyngphoto
www.garyng.me
S6
HKIPF.ORG.HK
GARY NG 吳子樂
SEEN & UNSEEN
THE TURMOIL 動亂
13.04 30.04.2020
UNITED SOCIAL PRESS (USP) 社會聯合媒體（社媒） 8:30am - 7:00pm Sun-Thu 星期日至四 8:30am - 8:00pm Fri-Sat 星期五至六
Brew Note Coffee Roaster G/F, 19 Fort St., North Point
ig /
uspunitedsocialpress
Brew Note Coffee Roaster 北角堡壘街 19 號地下
Website /www.facebook.com/UnitedSocialPress
S7 01.05 24.05.2020
UNUSUAL USUALS 非常日常 UNITED SOCIAL PRESS (USP) 社會聯合媒體（社媒）
8:30am - 7:00pm Sun-Thu 星期日至四 8:30am - 8:00pm Fri-Sat 星期五至六
Brew Note Coffee Roaster G/F, 19 Fort St., North Point
ig /
uspunitedsocialpress
Brew Note Coffee Roaster 北角堡壘街 19 號地下
Website /www.facebook.com/UnitedSocialPress
17.04 03.05.2020
OVERWHELMED 不可抗力
P.22
S8
KHALIL KWOK 郭嘉樂 11:00am - 8:00pm Mon - Fri 星期一至五 12:00nn - 4:00pm Sat 星期六 Closed on public holidays 公眾假期休息
PHOTATO Shop 606, Mai Hing Industrial Bldg 18 Hing Yip St., Kwun Tong
PHOTATO 觀塘興業街 18 號美興工業大廈 A 座 606 室
ig /
Website /
kwokhalil
www.kwokhalil.com
S9
07.05 23.05.2020
LEAN LUI 雷安喬 2:00pm - 7:00pm Tue - Sat 星期二至六
L5-22 Gallery Z, JCCAC, 30 Pak Tin St., Shek Kip Mei, Kowloon
私畫廊 石硤尾白田街 30 號 賽馬會創意藝術中心 L5-22
ig /
Website /
leanlui
leanlui.com
SATELLITE EXHIBITIONS
TEENAGE PROBLEMS
S10 13.04 24.05.2020
FUSED 融合 CODY WONG 黃冠華
10:00am - 10:00pm
L6 Common Space, JCCAC 30 Pak Tin St., Shek Kip Mei
石硤尾白田街 30 號 賽馬會創意藝術中心 L6 共用空間
ig /
Website /
codywong
www.codywongphoto.com
S11 13.04 24.05.2020
DISAPPEARING 消逝
10:00am - 10:00pm
Blue Walls, JCCAC 30 Pak Tin St., Shek Kip Mei
石硤尾白田街 30 號 賽馬會創意藝術中心藍牆
S12
HKIPF.ORG.HK
KELVIN CHAN 陳國榮
SEEN & UNSEEN
THE ASHES OF TOMORROW 餘燼
26.03 17.04.2020
ELAINE WONG 黃淑賢 11:00am - 1:00pm; 2:00pm - 6:00pm Tue - Sun 星期二至日
Lumenvisum L2-10 JCCAC 30 Pak Tin St., Shek Kip Mei
光影作坊 石硤尾白田街 30 號 賽馬會創意藝術中心 L2-10
ig /
Website /
miss_elainewong
miss-wong.com
S13 15.04 23.05.2020
SPLITSECONDCITY 頃城 JEREMY CHEUNG 張俊謙
10:00am - 10:00pm
L5 Common Space, JCCAC 30 Pak Tin St., Shek Kip Mei
P.24
ig /
石硤尾白田街 30 號 賽馬會創意藝術中心 L5 共用空間
S14
rambler15
RE-IMAGINED COMMUNITIES OF HIKING HONG KONG 再想像香港爬山共同體
13.04 24.05.2020
LO KIN MAN 盧建民
10:00am - 10:00pm
L3 Common Space, JCCAC 30 Pak Tin St., Shek Kip Mei
石硤尾白田街 30 號 賽馬會創意藝術中心 L3 共用空間
fb / www.facebook.com/moviesfeeding www.facebook.com/TheHikingSupplements
S15
16.04 17.05.2020
JIMMY LAM 林健恆 1:00pm - 7:00pm Wed - Sun 星期三至日
MIDWAY Shop G/F, 132B Ki Lung St., Sham Shui Po
Website /
MIDWAY Shop 深水埗基隆街 132 號地下 B 舖
SATELLITE EXHIBITIONS
URBAN DISEASE 都市．病
S16
www.facebook.com/everydayaphoto
17.0424.05.2020
PROJECTIONS IN DIALOGUE 投影的對話 DAWN CHAN 陳岱昕
3:00pm - 2:00am Mon-Fri 星期一至五 1:00pm - 2:00am Sat-Sun 星期六至日
BOUND by Hillywood 32 Boundary St., Prince Edward
Website /
界限佳坊 太子界限街 32 號
S17
www.doiyanchan.com
03.04 25.04.2020
MESSAGE IN SILENCE 無言訊息
12:00nn - 12:00am
The Muse B/F, 1 Chi Wo St., Jordan
The Muse 佐敦志和街 1 號登臺酒店地庫
ig /
Website /
S18 hang_tam_photo
www.hangtamphoto.com/
HKIPF.ORG.HK
HANG TAM 譚昌恒
SEEN & UNSEEN P.26
REMINISCE. PRESENT. 回望。 當下。
29.04.2020
DAVID WONG 黄嘉輝
09.05.2020
8:00pm - 8:25pm (RCG)
7:00pm - 7:25pm (1983)
Rest Coffee Gin GF-04, West Kowloon Art Park
唞唞 西九文化區藝術公園 04 鋪
1983 G/F, Wing Lung Wai, Kam Tin (near Kam Tin Jockey Club)
一九八三 錦田 , 永隆圍底層 ( 鄰近錦田賽馬會）
ig /
Website /
DavidWongCello
DavidWongCello.com
S19
SATELLITE EXHIBITIONS
HKIPF.ORG.HK
SEEN & UNSEEN
BEYOND WINDOWS AND MIRRORS PICTURING MOVEMENTS OF SOCIAL CHANGES
穿越窗與鏡 —— 鏡頭中的 社會抗爭運動
AN EVENING OF SLIDE PROJECTION AND ROUNDTABLE DISCUSSION
照片投影及 圓桌討論之夜
P.28
© Roy Lee 李錦棠 Slide Projection Contributing Photographers 展出攝影師
Speakers
Chan Long Hei 陳朗熹 Michael, Chan Kai-Chun 陳啟駿 Ko Chung Ming 高仲明 Anthony Kwan 關學津 Billy HC Kwok 郭浩忠 Lam Chun Tung 林振東 Jimmy Lam 林健恆 Roy Lee 李錦棠 Elson Li 李澤彤 Siu Wai Hang 蕭偉恆 Pak Tsai 柏齊 Paul Yeung 楊德銘 Vincent Yu 余偉建 Eric Tsang 曾梓样
Paul Yeung 楊德銘 Facilitator 策劃
主講
Anthony Kwan 關學津 Getty Images Jimmy Lam 林健恆 United Social Press 社會聯合媒體 Elson Li 李澤彤 HK01 香港 01 Siu Wai Hang 蕭偉恆 Photo-Artist 攝影藝術家
The viewing of images is a part of our everyday life. Over the past year of upheavals and furore, a plethora of images has permeated our lives and minds, proliferating and diverging between extremes. How many of them are ‘records’ of objective evidence? Which images are stimuli to the ‘construction’ of ideologies? How should we read, examine and critique images? How should we explore the structural relationships between photography and society, between politics and aesthetics? What is the fundamental value of photography? Continuing the dialogues from the PROVOKE & BEYOND exhibition and the Workshop on Protest Photography of the HKIPF 2018, we seek to respond to what has transpired since June of 2019, and to revisit the relationship between photography and social movements. Before the roundtable discussion, there will be a slide projection of works by more than 10 image makers from different fields and positions. It casts a retrospective look at the most turbulent year in Hong Kong since the handover, and spotlights it as the starting point of the discussion.
PUBLIC PROGRAMME 公眾活動
22.05.2020 Friday 星期五
7:00pm - 9:30pm Registration starts at 開始登記入場 6:30pm
PUBLIC PROGRAMME
Since June last year, many photojournalists have been capturing the ‘Be water’ movement in Hong Kong through their lens. Some people say photography is a ‘mirror’ that reflects one’s feelings and views; others say photography is a ‘window’ through which we see the real world. In this light, photography is a dual existence that is at odds with itself. If we look at it in the context of this social movement, does photography create experiences that fulfil or transcend this framework? Beyond windows and mirrors, can photography reflect the world as ripples do?
JCCAC Rooftop 賽馬會創意藝術中心 天台
Language 語言 In Cantonese 粵語
自去年 6 月，不少新聞攝影工作者以鏡頭記錄香 港這次「如水」變動。有說攝影如「鏡」，它能反 映個人的感受和看法；也有云攝影如「窗」，讓人 看到外面的真實世界。這彷彿是矛盾的雙向存在， 放在今次的社會運動裏，有沒有符合或超越這框架 的經驗？如窗如鏡以外，攝影又能否如水般折射 萬象？
延續 2018 年香港國際攝影節「挑釁以外」展覽及 「抗爭攝影工作坊」的研討，我們嘗試回應從去年 6 月過後擾攘的一切，圍坐對話，檢視和分享攝影 與社會運動之間的種種。討論開始前將放映十多位 來自不同領域、站在不同崗位的影像工作者作品， 以此回顧香港主權移交後最動盪的一年，亦以此為 對話的起點。
HKIPF.ORG.HK
觀看影像構成我們生活的一部分，在過去這每天都 令人熱血沸騰的一年，更是鋪天蓋地無處不在，卻 又呈極端化分歧。當中多少是「記錄」了客觀存在 的佐證，哪些是「建構」意識形態的挑釁推手？我 們該如何閱讀、批判和探討影像，如何探尋攝影與 社會、政治與美學之間的結構性關係？當中攝影的 根本價值又是什麼？
SEEN & UNSEEN P.30
You stayed silent The song went on. A pool of water sits in the eyes Silently it sits (Silently, just there.)
PAST THE HORIZON 地平線上 © Jimi Tsang
The Photographer Incubator is financially supported by the Arts Capacity Development Funding Scheme of the Government of the Hong Kong Special Administrative Region 新一代影像創作者育成計劃獲香港特別行政區政府「藝能發展 資助計劃」的資助
PAST THE HORIZON
Main Artists 主創人員 Wang Yu-jun 王榆鈞 Steve Hui 許敖山 Lau Yee Ching 飲江
Organised by 主辦
UPCOMING
新一代影像創作者育成計劃 最終展演
COMING SOON 密切留意
你不發一語 歌未歇
眼睛住進一池水 讓它們靜靜停在那裡 （一直停在那裡。）
PHOTOGRAPHER INCUBATOR FINAL SHOWCASE
SEEN & UNSEEN
UNRULY VISIONS
FINAL SHOWCASE PHOTOGRAPHY AS WITNESS, MEMORY, ACTIVISM, AND RECOGNITION WORKSHOP FOR THE HONG KONG LGBTQ+ COMMUNITY
嘯傲之相 彩虹族之影像習作
見證、記憶、行動、認同 — 給香港彩虹族群之影像工作坊 總結展覽
P.32
© N Kwong 鄺念終
COMING SOON 密切留意
Organised by 主辦
Supported by 支持機構
UPCOMING
Curated by 策展人 Tse Ka-man 謝嘉敏
Hong Kong Photographic Culture Association Limited is financially supported by the Art Development Matching Grants Scheme of the Government of the Hong Kong Special Administrative Region 香港攝影文化協會有限公司獲香港特別行政區政府 「藝術發展配對資助計劃」的資助
UNRULY VISIONS
The Hong Kong International Photo Festival (HKIPF) was launched in 2010. In each edition, the Festival focuses on a different theme, introducing noteworthy photographers, trends, and movements and discussing manifold issues and perspectives. Through a wide range of public programmes, the Festival bridges Hong Kong and international visual practitioners, creating conversations between people and place, past and present, and oneself and the world. In 2018, we began our Satellite Exhibitions Project, calling for visual practitioners working across different forms of expression to create exhibitions that coincide with the main Festival. These exhibitions, held across a range of public venues, connect artists with various communities across Hong Kong. In 2019, we launched the inaugural Photography Is Life Festival, with three days of free events, with a camera fair, photobook showcase, live photo-shoot, workshops with families, artist presentations, concerts and exhibitions, and more. The Festival, both local and international, positions photography as an everyday response to life and aspires to develop platforms for a robust exchange of ideas. In the same year, the Festival initiated the Photographer Incubator Project to foster new creative forces in Hong Kong’s photographic circles by nurturing emerging image makers.
The Hong Kong International Photo Festival is organized by the Hong Kong Photographic Culture Association, founded in 2009 by 19 Hong Kong photographers and awarded the 2011 Hong Kong Arts Development Council Award for Arts Promotion. Since 2014, the Association has been financially supported by the Springboard Grant under the Arts Capacity Development Funding Scheme and since 2018 the Art Development Matching Grants Scheme of the Hong Kong Special Administrative Region Government.
香港國際攝影節始於 2010 年，每屆舉辦不同 主題展覽，將攝影世界具獨特性的名字，以 及值得關注的視覺文化思潮引入香港。同時， 透過不同公眾活動，搭建香港與世界攝影文 化的溝通平台，借影像呈現不同議題，審視 不同社會人文狀況，促進跨越地域的對話。 自 2018 年起新增「衛星展覽計劃」，以提案 公開徵集方式邀請來自不同領域背景的影像 創作者，根據城中不同場所和空間策劃展覽。 本計劃與攝影節同步舉行，期待讓藝術與大 眾產生更密切的連結。
2019 年首度策劃「攝影生活方式節」，創造 釋放思考的空間，邀請大眾感受攝影與生活 之間的關係。活動包括中古相機市集、攝影 書閱讀室、藝術家分享會、親子工作坊、現 場拍攝示範和音樂會，為觀眾展示多元攝影 文化與態度。同年亦首次舉行「新一代影像 創作者育成計劃」，為具有潛力，希望在藝術 上更進一步的影像新人而設，以「前輩帶領 後輩」之師徒模式，栽培攝影界新力量。 2020 年 香 港 國 際 攝 影 節 策 展 人 為 劉 清 平 先生。 香 港 國 際 攝 影 節 由 香 港 攝 影 文 化 協 會 主 辦。 協 會 由 19 位 香 港 攝 影 工 作 者 於 2009 年 創 立，於 2011 年榮獲香港藝術發展局頒發「藝 術 推 廣 獎 」，2014 年 至 2017 年 獲 香 港 特 別 行政區政府「藝能發展資助計劃」躍進資助， 自 2018 年轉獲「藝術發展配對資助計劃」的 資助。
HKIPF.ORG.HK
The Curator of the Hong Kong International Photo Festival 2020 is Mr Lau Ching Ping.
ABOUT HKIPF
ABOUT THE HONG KONG INTERNATIONAL PHOTO FESTIVAL 香港國際攝影節簡介
SEEN & UNSEEN
SUPPORT 支持 THANK YOU FOR YOUR SUPPORT!
感謝你的支持！
Organised by 主辦
Grant 撥款
Hong Kong Photographic Culture Association Limited is financially supported by the Art Development Matching Grants Scheme of the Government of the Hong Kong Special Administrative Region 香港攝影文化協會有限公司獲香港特別行政區政府 「藝術發展配對資助計劃」的資助
Key Sponsor 主要贊助
Photography Output Support 攝影打印支持
Framing Support 裝裱支持
P.36
Satellite Exhibitions Partners 衛星展覽伙伴
Photographer Incubator Exhibitions Partners 新一代影像創作者育成計劃展覽伙伴
Artist Residency Venue Partner 藝術家駐村計劃場地伙伴
Honorary Legal Consultant 名譽法律顧問
Curator 策展人 Lau Ching Ping 劉清平
Intern 實習生 Katerina Au 區靜琦
Director 總監 Kaya Lo 盧術賓
Chinese Translation 中文翻譯 Lo Yin Shan 盧燕珊 Tse Ngo Sheung 謝傲霜
Project Manager 項目經理 Stella Tsui 徐詠殷 Project Officer 主任 Kelvin Cheuk 卓冠耀 Curatorial Assistant 策展助理 Bess Chan 陳樂敏 Public Programme & Project Coordination 公眾活動與項目統籌 Ray Leung 梁瑋暘 Exhibition Design and Production Adviser Chen Mao-chang 陳懋璋 Exhibition Assistants 展覽助理 Hon Ka Wang 韓家宏 Eva Poon Lai Wa 潘麗華
SUPPORT
HONG KONG INTERNATIONAL PHOTO FESTIVAL 2019-2020 PROJECT TEAM 香港國際攝影節 2019-2020 策劃小組
English Translation 英文翻譯 Nicolette Wong 黃麒名 Chinese Editing 中文編輯 Lo Yin Shan 盧燕珊 Charlotte Mai 麥靖怡 Tse Ngo Sheung 謝傲霜 English Editing 英文編輯 Madeleine M. Slavick 思樂維 Festival Graphic & Identity Design 攝影節平面及視覺識別設計 STUDIOWMW Photographer (Activities) 攝影師（活動） Fung Wai Sun 馮偉新
PHOTOGRAPHER INCUBATOR 新一代影像創作者育成計劃 Main Mentors 主要導師 Alfred Ko Chi Keung 高志強 Lau Ching Ping 劉清平 Leong Ka Tai 梁家泰 Wing Shya 夏永康
Guest Mentors 客席導師 Chen Mao-chang 陳懋璋 Steve Hui 許敖山 Iizawa Kotaro 飯澤耕太郎 Lau Yee Ching 飲江 Lee Ka Sing 李家昇 Onishi Hiroshi 大西洋 Tsao Liang-pin 曹良賓 Wang Yu-jun 王榆鈞
Chak Wai Leung 翟偉良 Connie Chan 陳文慧 Sunnie Chan 陳朗晴 Cheung Tit Leung 張鐵樑 Axel Chow 周芷潼 John Choy 蔡旭威 Simon Goh 吳文正 Good Day Society 社區好日子 Philip Ar Nam Ho 何阿嵐 Ko Tim Keung 高添強 Kwang Hwa Information and Culture Center 光華新聞文化中心 Queer Reads Library 流動閱酷 Lai Kam Wah 黎錦華 Hanson Lau 劉衍生 Milan Lee 米蘭 Joanne Leung 梁詠恩
PILnet Pong Yat Ming 龐一鳴 Yorozuya Pun 潘琛荍 Shen Bo-yi 沈柏逸 Leon Suen 孫樹坤 Sze Ka Yan 史嘉茵 Transgender Resource Center 跨性別資源中心 Tse Ka-man 謝嘉敏 Very HK 非常香港 Ki Wong 黃淑琪 Wong Wai King 黃惠琼 WMA Jason Wong 黃子珏 Paul Yeung 楊德銘 Audrey Yip 葉韻琛 Yip Tsz Lam 葉芷霖
SPECIAL THANKS 特別鳴謝
HKIPF.ORG.HK
SHAM SHUI PO & SHEK KIP MEI P.38
SHAM SHUI PO & SHEK KIP MEI 深水埗 & 石硤尾 PHOTOGRAPHER INCUBATOR 新一代影像創作者育成計劃
A
Hipster Leather - Tai Nan Street 文青皮革街 - 大南街
PHVLO HATCH - 4&5 PARALLEL SPACE - 7&8 OPENGROUND - 6 JCCAC - 3
B
Fabrics and Textile Hotspot - Ki Lung Street 布藝喜好者朝聖地 - 基隆街
C
Beads and Buttons - Yu Chau Street 恆河沙數珠仔街 - 汝州街
D
‘Bank and Vault’ of Yesteryear - Nam Cheong Pawn 傳統「銀行」概念戰前建築 - 南昌大押
E
Hong Kong’s only Temple to Nezha Sam Tai Tze & Pak Tai Temple 全港獨一無二哪吒廟 - 三太子廟
F
Fashion Runway - Cheung Sha Wan Road 見證香港時裝跑道 - 長沙灣道
G
Toys-4-Us - Fuk Wing Street 玩具正斗城 - 玩具街（福榮街）
H
Under-the-stairs Shops - Disappearing Artisanry 集體回憶「樓梯舖」- 樓梯底舖
SATELLITE EXHIBITIONS 衛星展覽 MIDWAY - S16 JCCAC - S10,11,12,13,14,15
I
‘Big Sign’ Tai Pai Dong - Yiu Dong Street Food Stalls 「大牌」大排檔 - 耀東街大排檔
J
Hybrid-styled Church - Saint Francis of Assisi’ s Catholic Church 鴛鴦式教堂 - 天主教聖方濟各堂
K
Hidden Gym Park - Bishop Hill 隱世遊樂園 - 主教山
WAN CHAI & CAUSEWAY BAY
WAN CHAI & CAUSEWAY BAY 灣仔 & 銅鑼灣 A
Indie Lifestyle Shops - Sau Wah Fong 不拘一格文藝社區 - 秀華坊
NEGATIVE SPACE - 2
B
Witness of Urban History - Hung Shing Temple 古廟見證城市變遷 - 灣仔洪聖廟
C
Hidden & Private & Open - Woo Cheong Pawn Shop 隱藏私人公共空間 - 和昌大押
D
Rediscover Childhood Bliss - Tai Yuen Street (Toy Street) 找回兒時快樂 - 太源街（玩具街）
E
Oldest Post Office Building - Old Wan Chai Post Office 最古老郵政局建築 - 舊灣仔郵政局
SATELLITE EXHIBITIONS 衛星展覽 GLUE - S3 MOSSES - S4 OUR GALLERY - S5 NOSE IN THE BOOKS - S6
F
Highest UNESCO Honour - Viva Blue House 「留屋留人」活化樣板 - 藍屋建築群
G
Architecture - Old Wan Chai Market 摩登流線型建築 - 舊灣仔街市
H
Cantonese Barber - Oi Kwan Barber Shop 傳統廣東理髮店 - 愛群理髮店
I
Get to Know Sikhism - Khalsa Diwan Sikh Temple 認識扎根香港百多年錫克教 - 錫克廟
J
Custom of ‘Hitting Away Petty Little People’ Ngo Keng Kiu Flyover 驅除霉運打小人 - 鵝頸橋
K
Tracing the Old Vic City Boundary - Bowen Road Fitness Trail 尋找維城界石 - 寶雲道健身徑
HKIPF.ORG.HK
PHOTOGRAPHER INCUBATOR 新一代影像創作者育成計劃
SEEN & UNSEEN
NEW TERRORITIES 新界
KOWLOON 九龍
S19
KAM TIN 錦田
10
S19
TUEN MUN 屯門
HONG KONG ISLAND 香港島 S1 S2 1
KENNEDY TOWN 堅尼地城
CENTRAL 中環
S3
S4
WAN CHAI 灣仔
P.40
PHOTOGRAPHER INCUBATOR 新一代影像創作者育成計劃
1 ETERNAL LIGHT IN THE DARKNESS 黑暗中永恒的光 2 (STORIES OF) LITTLE BEASTS 小獸 3 MY PORTRAIT DIARY: 18 CHILDREN 人像日記：十八港孩 4 I WANTED TO BE A MOTHER 從前，我想做一位母親 5 LOSING FARTHER, LOSING FASTER 丟得更遠，丟得更快 6 TIME IS ALWAYS ON OUR SIDE REMNANTS AND REQUIEM 餘燼與安魂曲—時間站在誰的一邊？ 7 THE QUEST 追尋 8 TEMPORAL BOUNDARY 臨時邊界 9 THE CRACK OF DAWN 裂像的破⼝ 10 ROAD SIGNS, LAMP POSTS, TREES 路牌、電燈柱、樹
S10,11,12,13,14,15
4
5
S16
6
7
8
SHEK KIP MEI 石硤尾 SHAM SHUI PO 深水埗 S9
S17
9
YAU MA TEI 油麻地
KWUN TONG 觀塘
HKIPF EVENT MAP
3
S18
JORDAN 佐敦
S7
S8
NORTH POINT 北角 2 S5
S6 CAUSEWAY BAY 銅鑼灣
SATELLITE EXHIBITIONS 衛星展覽
S1 THE YELLOW BIKES 小黃車
S3 108 IMPRESSIONS ∞ HONG KONG 108 印象 ∞ 香港 S4 THE OTHER SKY 另一片天空 S5 AGANTU-KLESA: THE FUTURE OF NOSTALGIA 客塵：鄉愁的未來 S6 MY CYCLE DIARY S7 THE TURMOIL 動亂 S8 UNUSUAL USUALS 非常日常 S9 OVERWHELMED 不可抗力
S11 FUSED 融合 S12 DISAPPEARING 消逝 S13 THE ASHES OF TOMORROW 餘燼 S14 SPLITSECONDCITY 頃城 S15 RE-IMAGINED COMMUNITIES OF HIKING HONG KONG 再想像香港爬山共同體 S16 URBAN DISEASE 都市．病 S17 PROJECTIONS IN DIALOGUE 投影的對話 S18 MESSAGE IN SILENCE 無言訊息 S19 REMINISCE. PRESENT. 回望。 當下。
HKIPF.ORG.HK
S2 WITH LIGHT WE CAN CONQUER OUR FEAR
S10 TEENAGE PROBLEMS
ONG KONG INTERNATIONAL PHOTO FESTIVAL HONG KONG INTERNATIONAL PHOTO FESTIVAL HONG
Hong Kong International Photo Festival
香港國際攝影節
L07-20, Jockey Club Creative Arts Centre, 30 Pak Tin St, Shek Kip Mei, Kowloon, Hong Kong
香港九龍石硤尾白田街 30 號賽馬會創意藝術中心 L07-20 室
info@hkipf.org.hk Tel: +852 2777 0955
info@hkipf.org.hk 電話：+852 2777 0955
HKIPF.ORG.HK HKIPF.HKPCA HKIPF
Hong Kong International Photo Festival © 2019-2020
香港國際攝影節 © 2019-2020
Hong Kong International Photo Festival is a signature project of Hong Kong Photographic Culture Association Limited. The content of these activities does not reflect the views of the Government of the Hong Kong Special Administrative Region.
香港國際攝影節為香港攝影文化協會有限公司的重點 項目。活動內容並不反映香港特別行政區政府的意見。