香港藝術節匯聚全城文化精髓， 是享譽亞洲的文化盛事。藝術節 絢麗多姿的節目，每年吸引無數 海內外藝術愛好者熱烈捧場。觀
眾無論以香港為家，還是慕名而 來，都不難感受箇中都會魅力。
香港藝術節雲集本地以至全球名 家傾力演出，盡展藝術才華。精 選節目包羅萬象，古今俱備，觀 眾既可欣賞當代新銳創作，更可 回味大師經典作品。
欣逢香港藝術節四十周年，可喜 可賀。謹祝各位有一個愉快難忘 的晚上。
獻辭 message
The Hong Kong Arts Festival is a highlight of our city’s cultural calendar and a widely celebrated arts event in Asia. Each year it presents a feast of exciting programmes that draw arts lovers from near and far, adding to Hong Kong’s attractiveness both as a home and a tourist destination.
The Festival is an important platform for showcasing local talent alongside the best artists from around the world. With a judicious mix of programmes, it champions new and contemporary works while celebrating great masterpieces, giving audiences much to savour.
I congratulate the Hong Kong Arts Festival on its 40th Anniversary and wish you all a truly memorable evening.
香港特別行政區行政長官
Chief Executive Hong Kong Special Administrative Region
歡迎蒞臨第40 屆香港藝術節。
作為重要的國際
文化盛會，香港
藝術節每年呈獻 世界頂尖及多元 化的表演節目。
今年榮幸再邀請
到世界各地及本
港藝術精英，帶
來舞蹈、音樂、
歌劇及戲劇等精采表演，讓觀眾可欣 賞振奮心靈的繽紛藝饌。
我藉此感謝香港特區政府、香港賽馬
會、各贊助企業及個人的慷慨資助。
踏入第40周年，香港藝術節除了雲
集世界各地的藝術界翹楚，帶來精采
演出，亦透過學生票贊助計劃及「青
少年之友」計劃，培養年青人的藝術
體驗；此舉有賴一群熱愛藝術的有心 人慷慨資助，鼓勵年青人參與藝術節
的精采演出，提升日後觀賞藝術的興 趣。
各位觀眾的支持和參與，乃驅動藝術
節向前邁進的力量。感謝您前來欣賞 本節目，希望本屆藝術節為您帶來美 好的觀賞時光。
I warmly welcome you to the 40th Hong Kong Arts Festival.
Recognised for the quality and variety of its programming, the annual Hong Kong Arts Festival is keenly anticipated as the premier event in Hong Kong’s cultural calendar. This year we again welcome top international and local talent in dance, music, opera and theatre, whose artistry will delight and inspire us.
I wish to acknowledge strong support of the Government of Hong Kong SAR, the Hong Kong Jockey Club, and sponsors and donors who make this Festival possible. At this 40 year mark, I am particularly delighted that in addition to presenting wonderful artists to a discerning public, we can also nurture young audiences through our Student Ticket Scheme and Young Friends Scheme, thanks to the contributions of donors and supporters who generously share their own love for the arts with audiences of the future.
Thank you very much for coming to this performance. Your presence is paramount to the success of the Festival, and I wish you a very enjoyable experience.
歡迎閣下蒞臨第 40屆香港藝術 節。
今年香港藝術節 呈獻的藝術名家 及精采節目，就 如香港大都會一 樣多元化又璀璨 奪目。延續四十 年的優良傳統， 我們繼續邀請
本地及國際知名的星級藝術家點亮香 港大小舞台，呈現世界豐碩的文化傳 統，豐富未來的文化面貌。
衷心感謝多年來熱心支持香港藝術節 的各界人士及團體。我們過去的成 功源自他們對藝術的熱忱，他們亦深 信豐盛多元的文化藝術生活，是香港 作為名副其實的國際大都會之重要支 柱。
感謝您與我們一起慶祝香港藝術節的 四十年。藝術節團隊向每一位支持香 港藝術節的觀眾衷心致謝，期望您盡 享連串多姿多采的節目。
It is a pleasure and privilege to welcome you to the 40th Hong Kong Arts Festival.
The array of artistic talent and programmatic content presented at this year’s Festival is as diverse and multi-faceted as the city which has hosted this annual event in the course of four decades. As we add to the roll call of local and international luminaries who grace our stages, we continue to draw upon the impressive traditions available to us, and work to augment a heritage for the future.
I am deeply grateful to many individuals and institutions for their contributions to the Festival’s success over the years, informed by a love for the arts and an appreciation of how important it is for a major city worthy of that description to have a rich cultural life.
Thank you for being here to celebrate forty years of the Hong Kong Arts Festival. The Festival would not happen without its audience. The entire Festival team appreciates your contribution to the 40th Hong Kong Arts Festival and hopes that you enjoy many wonderful performances.
Charles Lee, Chairman
Tisa Ho, Executive Director
香港藝術節資助來自： The Hong Kong Arts Festival is made possible with the funding support of:
Presents
演出長約1小時30
Running time: approximately 1 hr and 30 mins with no interval
1-2.3.2012
香港文化中心音樂廳
Concert Hall, Hong Kong Cultural Centre
所有照片 All photographs © Marie Planeille
敬請關掉所有響鬧及發光裝置，請勿擅自攝影、錄音或錄影，多謝合作。
Please switch off all sound-making and light-emitting devices. Unauthorised photography or recording of any kind is strictly prohibited. Thank you for your co-operation.
演唱及樂手｜Singers and Musicians
主唱/結他/長笛/木結他
阿柏希姆．阿．阿爾哈比 Vocals/Guitar/Flute/Acoustic Guitar Ibrahim Ag Alhabib
主唱/木結他
阿達拉．阿．阿克山 Vocals/Acoustic Guitar Abdallah Ag Alhassane
主唱/低音結他/木結他
伊亞杜．阿．利慈 Vocals/Bass Guitar/Acoustic Guitar Eyadou Ag Leche
主唱/結他
伊利加．阿．哈米德、阿達拉．阿．拉米達 Vocals/Guitar Elaga Ag Hamid, Abdallah Ag Lamida
主唱/敲擊樂
錫．阿．艾特 Vocals/Percussion Said Ag Ayad
製作人員｜Production Team
巡演經理
巴斯田．基瑟爾
Tour Manager Bastien Gsell
音響工程師
傑維爾．梅耶、尚皮雅．韋拿倫
Sound Engineers Javier Maillet, Jean-Pierre Vigneron
Produced in association with Pablo Farba Programming and Production
軍罪處決了他，後來還去毀了他的駱 駝和牛羊。他四歲的兒子阿柏希姆 眼見這慘劇發生後，跟着他的家人帶 着僅餘的一頭牛向北逃到了阿爾及利 亞。到了1964年起義被完全鎮壓後， 阿德拉依弗拉成為了一個禁區，由軍 隊管轄。
阿柏希姆在波爾吉莫吉塔爾城附近的 難民營和阿爾及利亞南部城市塔曼 拉塞特的沙漠中長大，比起上學，他 更願意在荒野中自由奔跑。一天， 他在沙漠村莊簡陋的放映機上看到了 一部電影，那是一部西方電影，畫面 上有一個牛仔在彈結他。這個樂器讓 阿柏希姆魂牽夢縈，於是他用錫罐、 棍子和自行車剎車綫為自己做了一把 結他。他開始用它彈奏古老的圖瓦雷 克音樂，以及現代阿拉伯流行音樂， 不消多久技藝便進步神速。話又說回
來，當時他是個孤獨的孩子，不與他 人交流，被其他大人和小孩稱為「骯 髒小孩」。
九歲時阿柏希姆坐着拉水泥的卡車離 家出走尋找能賺錢的活計，也看看
At the age of nine Ibrahim ran away from home in a cement truck, to earn some money and see the world. He grew up wandering around Algeria and Libya doing odd jobs – carpenter, builder, tailor, gardener. It was a precarious existence; made bearable by the companionship of many other young Touareg men who were living the same marginal life in exile.
Towards the end of the 1970s, Ibrahim began to meet other Touareg of his age who shared his passion for all kinds of music, from traditional Touareg poetry and song to the radical chaabi protest music of Moroccan groups like Nass El Ghiwane and Jil Jilala, from Algerian pop rai to western rock and pop artists like Elvis Presley, Led Zeppelin, Carlos Santana, Dire Straits, Jimmy Hendrix, Boney M and Bob Marley. His most important early musical partners were Inteyeden Ag Ablil, his brother Liya, aka “Diarra”, Ag Ablil, and Hassan Ag Touhami aka “The Lion of the Desert”. This group of friends got together in Tamanrasset,
外面的世界。他在阿爾及利亞和利比 亞一帶做雜工，曾當過木工、地盤工 人、裁縫、園丁。當時的生活狀況非 常不穩定，但多得其他年輕流亡者圖
瓦雷克人的陪伴，這種邊緣化的生活 也變得不那麼難忍受了。
1970年代末，阿柏希姆開始接觸其他
同齡熱愛音樂的圖瓦雷克人。他們志 趣相投，從傳統圖瓦雷克詩歌到激進 的「查比」抗議音樂（來自摩洛哥組 合比如納斯．吉溫和吉．吉拉拉）， 從阿爾及利亞流行音樂形式「萊」 到西方搖滾比如貓王、齊柏林飛船、 卡洛斯．山塔那、險峻海峽、吉米． 亨德里克斯、波尼 M 合唱團和巴布． 馬利。他的早期音樂拍檔包括：因 特耶登．阿．阿必利、他的弟弟利 亞（別名「戴雅拿」）、阿．阿必利 及哈桑．阿．圖哈米（別名「沙漠 之獅」）。這群朋友聚首於塔曼拉塞 特市，開始到各派對和婚禮上演出。
1979年他們獲得第一把真正的民謠結 他，名氣也日漸增長。他們新潮又激 進，因為他們的詩歌都是自己新的創 作，不再關於傳統圖瓦雷克詩文的英 雄與美人，而是新式的抒情方向，關 乎思想、渴望、流亡及政治覺醒。為 了逃避法律紛爭，阿柏希姆、因特耶 登和其他朋友們常逃到沙漠中留宿一 至兩夜，大家聚在一起喝茶、寫歌、 睡在星空下。人們開始稱他們為塔里 溫，即直譯為「沙漠的人」，或者更 準確的意思是「沙漠的男孩們」。
1980年，卡達菲上校頒佈新法令，邀 請所有非法居住在利比亞的年輕圖瓦 雷克人到南部沙漠指定營地中參加全 面的軍事訓練。
and began to play at parties and weddings. They acquired their first real acoustic guitar in 1979, and their reputation grew. They were new and radical inasmuch as they wrote their own poems and songs – not the old Touareg verse of heroic deeds and fair maidens –but new lyrics about homesickness, longing, exile and political awakening. In order to keep out of trouble with the law, Ibrahim, Inteyeden and their friends would often just disappear off into the desert for a night or two, to drink tea, make music and sleep under the stars. People began to call them “Kel Tinariwen”, which translates literally as “The People of the Deserts” or roughly and more accurately as “The Desert Boys”.
In 1980, Colonel Ghadaffi put out a decree inviting all young Touareg men, who were living illegally in Libya, to come and receive a full military training at a designated camp in the southern desert.
Four years later, in 1985, they were invited back into a new camp near Tripoli. This time it was run by the leaders of the Touareg rebel movement, the MPA (Mouvement Populaire de l’Azawad). Ibrahim, Inteyeden, Diarra and Hassan were joined by a whole new group of aspiring musicians, including Keddou Ag Ossade aka “Hiwaj”, Mohammed Ag Itlale aka “Japonais”, Sweiloum, Abouhadid and the young Abdallah Ag Alhousseyni. They formed a collective and built their own make-shift rehearsal studio, equipping it with basic gear bought with the money from a communal chest into which all recruits paid contributions. Their mission was to write songs about the rebellion, about
四年後，即 1985 年，他們又被邀請
加入的黎波里附近的新訓練營。這次 訓練的組織者是圖瓦雷克抵抗MPA 運 動（即「阿扎瓦德人民運動」的法文
名稱首字母縮寫；阿扎瓦德指北非地
區說塔馬舍克語的族群聚集地）的領 袖。阿柏希姆、因特耶登、戴爾拉和 漢桑在那兒遇上了一大群胸懷抱負的 音樂家，包括科多．阿．奧薩德（別 名「Hiwaj」）、穆罕默德．阿．伊拉 里（別名「日本人」）、斯威隆、阿 布哈迪及年輕的阿達拉．阿．阿爾胡 希尼。他們組成了一隊音樂團體，建 立了簡陋的音樂排練室，從營地公款 中撥出一小部分添置了基本用具。他 們的使命就是創作有關抵抗運動的歌 曲，表達圖瓦雷克人對政治自由、教 育和發展的渴求，任何人拿着空磁帶 到他們門前都可以免費錄製歌曲。在 沒有其他任何媒體的情況下，他們的 音樂起到了宣傳作用。人們將磁帶帶 到撒哈拉不同的營地和村莊，翻錄再
the aspirations of the Touareg for political freedom, for education and development, and then to record these songs without payment for whoever turned up at their door with an empty cassette. It was a propaganda machine for a people without any other forms of media whatsoever. The cassettes were taken back to camps and villages throughout the Sahara, copied, and then copied again and again and again. It was a cassette-to-cassette grapevine and the sound quality was as atrocious as the message was powerful.
Ibrahim, Inteyeden, Japonais, Diarra, Hassan and their friends never saw themselves as one-dimensional propagandists however. They were musicians and poets. Their songs spoke of deep personal struggles and of their love of their desert home, as much as they raised the flag for the rebel movement.
In 1992 some of the members of Tinariwen went to Abidjan in the Ivory Coast to record
a cassette at the legendary JBZ studios. They played gigs for Touareg communities throughout North and West Africa, but not that often. They were nomads at heart, and the collective was often spread out over thousands of miles. But that was the group’s strength. Just two members could get together in a village with a guitar or two, a djembe or water can for percussion, and sing the songs of Tinariwen. It’s often said that every Touareg from Tamanrasset to Niamey and from Timbuktu to Ghat is a member of Tinariwen, so widely are their songs known and treasured. They are more of a social movement than a desert rock ‘n’ roll band.
翻錄，形成一個卡式磁帶情報網，最 後的音質有多粗糙，就意味着傳遞的 訊息有多強大。
然而阿柏希姆、因特耶登、「日本 人」、戴爾拉、漢桑和其他朋友們從 不認為自己是單方面的宣傳人，他們 是音樂家和世人，他們的歌曲唱出人 類內心最深處的掙扎、對沙漠家園的 愛戀，並幫助他們高高舉起了抗爭的 旗幟。
1992年部分樂團成員到位於象牙海岸 阿比讓省的傳奇性 JBZ 錄音室錄製卡 式磁帶，也偶爾在西北非的圖瓦雷克 社群展開小型公演。他們本質上還是 遊牧民族，所以團隊成員常分佈在相 隔千里的不同地方。然而這正是樂團 的強大之處。只要兩個成員帶着一兩 把結他，就可以到村莊裏，以非洲手 鼓或水罐為打擊樂器，演奏塔里溫的 歌曲。人們常說每一個從塔曼拉塞特 市來到尼亞美市或從廷巴克圖市來到 加特市的圖瓦雷克人都是塔里溫的成
In 1999 some of the members of Tinariwen did a few gigs in France under the name of AZAWAD. And then in January 2001, the first Festival in the Desert took place in Tin Essako, 60 km east of Kidal. About 1000 locals, and 80 Europeans gathered in that remote beautiful spot. Tinariwen were the stars of the show. A new international phase of their long hard journey was about to begin.
Success came swiftly. By the end of 2001, Tinariwen had performed at WOMAD, Roskilde and the South Bank in London. Their debut CD, The Radio Tisdas Sessions, recorded by Justin Adams and JeanPaul Romann in the studios of Kidal’s only Tamashek-speaking radio station, Radio Tisdas, was released on IRL / Wayward in October. Initially lauded by the world music scene and by African music aficionados, Tinariwen’s magic quickly began to work
on those with little previous interest in those areas. The guitar licks, the grungy grimy desert sound, the arcane yet effortless rhythms, the striking turbans and robes, the wild rebel iconography, the scintillating exoticism of Kalashnikovs and Stratocasters, the glimpsed power of their poetry, so strange and yet somehow so thrillingly familiar… it all synched in with a general fatigue amongst adventurous pop and rock fans, exasperated with endless young drumbass-and-two-guitars, indie-rock bands. Over the past seven years, the group have played over 700 concerts in Europe, North America, Japan and Australia. Their name has graced the bills of most of the world’s premier rock and world music festivals including Glastonbury, Coachella, Roskilde, Paleo, Les Vieilles Charrues, WOMAD and Printemps de Bourges. Their 2004 CD (The Traveller) and its followAman Iman (Water Is Life), have established them as one of the most popular and best selling African groups on the planet. Their ever expanding fan base includes a host of stars and legends: Carlos Santana, Robert Plant, Bono and the Edge, Thom Yorke, Chris Martin, Henry Rollins and Brian Eno. In 2005 they were awarded a BBC Award for World Music, and in 2008 they received Germany’s prestigious
Those are the outward stats of success. Deep inside, Ibrahim, Hassan, Japonais and Abdallah gently rejoice in their improbable victory against all the odds. When they were just youths sharing a cigarette under the shade of an acacia tree somewhere in the
加州柯契拉音樂節、丹麥羅斯基勒音 樂節、瑞士帕里奧搖滾音樂節、法 國「老犁」搖滾音樂節、WOMAD 音 樂節及法國布爾日春季音樂節。他們
2004年推出的專輯《旅人》及2007年 推出的專輯《水是生命》，讓他們成 為了這個星球上最受歡迎和銷量最佳 的非洲樂團之一。他們迅速增長的樂 迷團體包括一系列明星及其他知名樂 隊，如：卡洛斯．山塔那、羅拔．普 蘭特、U2樂隊成員博諾和The Edge、 湯．約克、基斯．馬田、亨利．羅林 斯、布萊恩．伊諾及電視電台樂團。
2005年，他們榮獲英國廣播公司世界
音樂大獎；並於2008年獲德國重要的 普拉特里斯音樂大獎。
以上只是成功的外在表徵而已。從內 部來看，阿柏希姆、漢桑、「日本 人」和阿達拉打從心底為他們原本看 似渺茫的勝利感到歡欣。當他們年輕
時，坐在南撒哈拉某處的洋槐樹下分 享一支香煙的一刻，就一直夢想環遊 世界。現在他們做到了。但他們最驕 傲的事情是能夠向世界展示他們的音 樂和文化，並向世人昭示，不管對立 的意見怎麼說，沙漠真的是地球上最 美、最和平、最能激發靈感的地方之 一。
自 2001 年起，塔里溫的元老們開始
支持和激勵樂團年輕一代的發展，包 括低音結他手伊亞杜．阿．利慈、敲 擊樂手錫．阿．艾特、節奏結他手伊 利加．阿．哈米德、結他手阿達拉． 阿．拉米達、歌手沃努．瓦雷特． 希達蒂和瓦雷特．烏瑪姊妹。在抵 抗運動席捲馬里和尼日爾北部時他 們都還只是孩子。他們在塔里溫的歌
southern Sahara, they always dreamed of travelling and seeing the world. Now they’ve done it. But their biggest source of pride has been representing their music and their culture to the world and spreading the message that despite all the twisted words and propaganda to the contrary, the desert really is one of the most beautiful, most peaceful and most inspirational places on earth.
Since 2001, the founders and elders of Tinariwen have been supported and energised by a new younger generation including bassist Eyadou Ag Leche, percussionist Said Ag Ayad, rhythm guitarist Elaga Ag Hamid, guitarist Abdallah Ag Lamida aka “Intidao”, vocalists Wonou Walet Sidati and the Walet Oumar sisters. They were just children when the rebellion ravaged the north of Mali and Niger. They grew up on Tinariwen’s songs. Their presence in the group brings Tinariwen in line with so many long-lasting music and theatre groups in Africa and elsewhere, who, by integrating successive generations of artists into their ranks, become selfperpetuating.
In December of 2008 the old and the young gathered in the sleepy desert village of Tessalit to record Tinariwen’s fourth album. It seemed like the ideal place; quiet, off the beaten track, home to Hassan and Ibrahim, blessed with a plentiful water supply and a friendly familiar populace. The group had expressed a strong desire to return to their roots and recapture the raw desert sound of their early recordings. Lo’Jo’s French sound
聲中長大，他們的加入令塔里溫和其
他持久的音樂和戲劇團體一樣，通過 吸納年輕一代的藝術家而令樂團的生 命得以延續。
2008 年 12 月，新舊成員聚首於沉睡 的沙漠村莊泰薩利特，錄製塔里溫的 第四張專輯。地點的選擇似乎十分理
想 寧靜、遠離喧囂，它是漢桑和阿 柏希姆的故鄉，享有充足的水源和友 善親切的人民。樂團一早表達過回歸 根本，重覓他們早年作品中最原始的 沙漠之聲的渴望。Lo ’ Jo 的法國錄音 工程師尚保羅．羅曼早在八年前與賈 斯丁．亞當斯合作錄製過The Radio Tisdas Sessions，此次再度跨刀參與 製作。他在村莊中央一個租來的土坯 房中搭起用手提箱帶來的錄音室，用 轟鳴的發電機供電。製作過程緩慢， 順應非洲最偏遠角落的生活節奏。在 村莊廣場上常有免費音樂會，有時錄
製過程也會在遙遠荒野中進行。荒涼 的夜晚，在火堆旁、星空下、或村莊 各處的派對中度過。一切是如此陌生 又如此熟悉，就像塔里溫本身一樣。
“Imidiwan ” 是塔馬舍克語中的重 要詞彙之一，很難簡單地用另一種語
言表達。就像 “ Assouf ” ， 圖瓦雷克 人經常用來描述塔里溫結他風格的一 個詞，意思是憂鬱、孤寂、心痛、渴 望、思想，以及營火之外的黑暗。而
“Imidiwan” 的意思是朋友、陪伴、 知己兄弟、旅伴。這兩個詞的對立意 思尤其震撼。也許來自寒冷的塔里溫 結識了所有這些活着和已逝的靈魂友 人，一起堅持熬過苦難，用營火溫暖 雙手時一起昂首看綴滿繁星的天空。
安迪．摩根 寫於2009年5月
中譯：葛欣
engineer, Jean-Paul Romann, who had worked with Justin Adams on The Radio Tisdas Sessions eight years previously, was recruited to produce the album. He arrived with a studio in a suitcase, which was set up in a rented adobe house in the middle of the village, and powered by a chugging generator. The sessions proceeded slowly, surely, in pace with the rhythm of life in that remote corner of Africa. There were free concerts for the local populace in the village square, and recording sessions far out in the bush. There were solitary nights around the fire, under the stars, and parties here and there in the village. It was all very strange, very familiar, just like Tinariwen themselves.
“Imidiwan” is one of those big Tamashek words, to which no single English word can ever do justice. Just like “Assouf”, the name which the Touareg themselves often give Tinariwen’s guitar style. “Assouf” means the blues, loneliness, heartache, longing, homesickness and the darkness beyond the campfire. “Imidiwan” means friends, companions, soul-brothers, fellow travellers. The juxtaposition of these two words is particularly striking. Maybe Tinariwen are coming in from the cold and recognising all those soul-friends, both living and departed, who have made their incredible journey bearable, whilst warming their hands over the camp fire and looking up at the night sky thick with stars.
Andy Morgan, May 2009
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贊助人 PATRON
曾蔭權先生
The Honourable Donald Tsang Yam-kuen
永遠名譽會長
HONORARY LIFE PRESIDENT
邵逸夫爵士 Sir Run Run Shaw
執行委員會 EXECUTIVE COMMITTEE
主席 Chairman
李業廣先生 Mr Charles Y K Lee, GBM GBS JP
副主席 Vice Chairman
許仕仁先生 Mr Rafael S Y Hui, GBM GBS JP
義務司庫 H onorary Treasurer
李思權先生 Mr Billy Li
委員 Members
夏佳理先生 The Hon Ronald Arculli, GBS JP
紀大衛教授 Professor David Gwilt, MBE
查懋成先生 Mr Victor Cha
周永健先生 Mr Anthony Chow SBS JP
黃敏華女士 Ms Nikki Ng
李 義法官 The Hon Mr Justice Ribeiro
詹偉理先生 Mr James Riley
黃鳳嫺女士 Ms Gilly Wong
任志剛先生 Mr Joseph Yam, GBM JP
節目委員會 PROGRAMME COMMITTEE
主席 Chairman
許仕仁先生 Mr Rafael S Y Hui, GBM GBS JP
副主席 Vice Chairman
紀大衛教授 Professor David Gwilt, MBE
委員 Members
盧景文教授 Professor Lo King-man, MBE JP
毛俊輝先生 Mr Fredric Mao, BBS
譚榮邦先生 Mr Tam Wing-pong, SBS JP
姚 珏 女士 Ms Jue Yao
伍日照先生 Mr Daniel Ng
羅志力先生 Mr Peter C L Lo
白諾信先生 Mr Giorgio Biancorosso
榮譽節目顧問 Honorary Programme Advisors
高德禮先生 Mr Douglas Gautier
Dr Peter Hagmann
約瑟．施力先生 Mr Joseph Seelig
財務及管理委員會 FINANCE AND MANAGEMENT COMMITTEE
主席 Chairman
李思權先生 Mr Billy Li
委員 Member
梁國輝先生 Mr Nelson Leong
發展委員會 DEVELOPMENT COMMITTEE
主席 Chairman
查懋成先生 Mr Victor Cha
副主席 Vice Chairman
梁靳羽珊女士 Mrs Leong Yu-san
委員 Members
杜安娜女士 Mrs Igna Dedeu
白碧儀女士 Ms Deborah Biber
廖碧欣女士 Ms Peggy Liao
黃慧玲女士 Ms Whang Hwee Leng
顧問 ADVISORS
鮑 磊先生 Mr Martin Barrow, GBS CBE JP
郭炳江先生 Mr Thomas Kwok, SBS JP
李國寶博士 Dr The Hon David K P Li, GBM GBS JP
梁紹榮夫人 Mrs Mona Leong, SBS BBS MBE JP
名譽法律顧問
HONORARY SOLICITOR
史蒂文生黃律師事務所 Stevenson, Wang & Co
核數師 AUDITOR
羅兵咸永道會計師樓 PricewaterhouseCoopers
香港藝術節基金會
HONG KONG ARTS FESTIVAL TRUST
主席 Chairman
霍 璽先生 Mr Angus H Forsyth
管理人 Trustees
陳達文先生 Mr Darwin Chen, SBS ISO
梁紹榮夫人 Mrs Mona Leong, SBS BBS MBE JP
陳祖澤博士 Dr John C C Chan, GBS JP
www.hk.artsfestival.org
網上追蹤香港藝術節 Follow the HKArtsFestival on
職員 Staff
行政總監 Executive Director
何嘉坤 Tisa Ho
節目 Programme
節目總監 Programme Director
梁掌瑋 Grace Lang
副節目總監 Associate Programme Director
蘇國雲 So Kwok-wan
節目經理 Programme Manager
葉健鈴 Linda Yip
外展經理 Outreach Manager
梁偉然 Ian Leung
助理節目經理 Assistant Programme Manager
汪文鈺 Joy Wang
助理製作經理 Assistant Production Manager
蘇雪凌 Shirley So
節目主任 Programme Officer
李家穎 Becky Lee
市場推廣 Marketing
市場總監 Marketing Director
鄭尚榮 Katy Cheng
市場經理 Marketing Managers
周 怡 Alexia Chow
梁頌怡 Kitty Leung
鍾穎茵 Wendy Chung
助理市場經理（票務）
Assistant Marketing Manager (Ticketing)
梁彩雲 Eppie Leung
發展 Development
發展總監 Development Director
余潔儀 Flora Yu
發展經理 Development Manager
嚴翠芳 Josephine Yim
助理發展經理 Assistant Development Manager
陳艷馨 Eunice Chan
會計 Accounts
會計經理 Accounting Manager
陳綺敏 Katharine Chan
助理會計經理 Assistant Accounting Manager
曾愛明 Ming Jung
會計文員 Accounts Clerk
黃國愛 Bonia Wong
行政 Administration
行政秘書 Executive Secretary
陳詠詩 Heidi Chan
地址 Address: 香港灣仔港灣道2號12樓1205室 Room 1205, 12th Floor, 2 Harbour Road, Wanchai, Hong Kong
電話Tel: 2824 3555 傳真Fax: 2824 3798, 2824 3722 電子郵箱Email: afgen@hkaf.org
節目查詢(辦公時間內) Programme Enquiries (during office hours): 2824 2430
接待員 / 初級秘書 Receptionist / Junior Secretary
李美娟 Virginia Li
辦公室助理 Office Assistant
鄭誠金 Tony Cheng
職員 Staff (合約 contract)
節目 Programme
物流及接待經理 Logistics Manager
金學忠 Elvis King
製作經理 Production Manager
廖卓良 Liu Cheuk-leung
節目經理 Programme Manager
何玉凝 Amy Ho
助理節目經理 Assistant Programme Manager
陳采琦 Kathy Chan
項目經理 Project Manager
林慧茵 Jess Lam
藝術家統籌及項目經理
Artist Coordination and Project Manager
陳韻妍 Vanessa Chan
外展統籌 Outreach Coordinator
陳韻婷 Alyson Chan
外展主任 Outreach Officer
蔡樂庭 Vanessa Tsoi
外展助理 Outreach Assistant
陳慧晶 Ainslee Chan
節目及出版主任 Programme & Publications Officer
曾逸林 Zeng Yilin
技術統籌 Technical Coordinators
黎春成 Anthony Lai
陳寶愉 Bobo Chan
鄭潔儀 Catherine Cheng
陳詠杰 Chan Wing-kit
陳佩儀 Claudia Chan
何美蓮 Meilin Ho
出版 Publication
編輯 Editor
鄺潔冰 Cabbie Kwong
英文編輯 English Editor
魏卓華 Mikel Echevarría
助理編輯 Assistant Editor
陳楚珊 Sharon Chan
市場推廣 Marketing
助理市場經理 Assistant Marketing Manager
陳燕 Lilian Chan
市場主任 Marketing Officer
梁愷樺 Anthea Leung
票務主任 Ticketing Officer
關穎思 Catherine Kwan
客戶服務主任 Customer Services Officers
劉寶軒 Xanthe Lau
楊蘊楹 Flora Yeung
姜嘉敏 Joyce Keung
發展 Development
發展經理 Development Manager
譚穎敏 Myra Tam
Concert Hall, HK Cultural Centre
Grand Theatre, HK Cultural Centre
漢堡芭蕾舞團
《馬勒第三交響曲》
The Hamburg BalletThird Symphony of Gustav Mahler
Studio Theatre, HK Cultural Centre
Concert Hall, HK City Hall
琶音古樂團 L'Arpeggiata / Christina Pluhar
漢堡芭蕾舞團 《 慾望號街車》
The Hamburg BalletA Streetcar Named Desire
奈吉爾．甘迺迪演奏會 Nigel Kennedy Plays Bach
白建宇 - 拉威爾鋼琴獨奏
全集音樂會
Kun Woo Paik Plays Ravel
鄭明勳與皇家阿姆斯特丹
音樂廳樂團
Myung-whun Chung and the Royal Concertgebouw Orchestra
卡麗塔．馬蒂娜女高音獨唱會
Karita Mattila in Recital
約翰博士與Lower 911樂隊
Dr John & The Lower 911
里昂歌劇院芭蕾舞團 Lyon Opera Ballet
《愛之初體驗》 Journey to Home
香港藝術節委約及製作 Commissioned and produced by the HKAF
京劇—馬連良紀念系列 Beijing OperaA Tribute to Laosheng Master Ma Lianliang
Theatre, HK City Hall
《六月戀人》
June Lovers
香港藝術節委約及製作 Commissioned and produced by the HKAF
《示範單位》
Shouson Theatre
Star Hall, KITEC
Auditorium, Kwai Tsing Theatre
《藝裳奇幻世界》 World of WearableArt
Drama Theatre, HKAPA
Black Box Theatre, Kwai Tsing Theatre
Auditorium, Yuen Long Theatre
《野豬》 The Wild Boar
《藝裳奇幻世界》 World of WearableArt
香港藝術節委約及製作 Commissioned and produced by the HKAF
《野豬》 The Wild Boar
京士頓玫瑰劇院 《不可兒戲》 Rose TheatreThe Importance of Being Earnest
琶音古樂團 L'Arpeggiata Christina Pluhar
新民謠．中國風 China Folk Rock
《野豬》 The Wild Boar
藝子與舞子 The Geisha of Gion
徹卡奧維《手塚》
Sidi Larbi Cherkaoui TeZukA
《蜂》 The Bee
粵劇《搜書院》 Cantonese OperaSearching the Academy
Show Flat
香港藝術節委約及製作 Commissioned and produced by the HKAF
香港賽馬會當代舞蹈平台系列 Hong Kong Jockey Club Contemporary Dance Series
十六合唱團及古樂團 — 基斯杜化士
The SixteenHarry Christophers
巴伐利亞國立歌劇院 《女人心》
Bavarian State Opera Così Fan Tutte
蒙地卡羅芭蕾舞團 《仲夏夜之夢》
Monte-Carlo BalletLe Songe
沙漠搖滾塔里溫
Tinariwen
巴伐利亞電台交響樂團
Bavarian Radio Symphony Orchestra
蒙地卡羅芭蕾舞團 《仲夏夜之夢》
Monte-Carlo BalletLe Songe
節目1 Programme 1
香港藝術節委約及製作 Commissioned and produced by the HKAF
香港小交響樂團
《如夢逝水年華》 Hong Kong SinfoniettaLa Valse Remembered
《示範單位》
Show Flat
粵劇 — 折子戲精選 Cantonese OperaExcerpts of selected repertoires 《機器人幻想曲》 Sans Objet by Aurelien Bory
《4.48精神崩潰》 TR Warszawa Theatre 4.48 Psychosis
《山海經傳》 Of Mountains and Seas
香港藝術節委約及製作 Commissioned and produced by the HKAF
瑞信新晉藝術家系列 CREDIT SUISSE EMERGING ARTISTS SERIES
馬丁．史岱費爾德 鋼琴獨奏會 Martin Stadtfeld Piano Recital
巴維．哈斯四重奏 Pavel Haas Quartet
石坂團十郎大提琴獨奏會 Danjulo Ishizaka Cello Recital
埃克森美孚新視野 EXXONMOBILE VISION
周樂娉與周樂婷鋼琴二重奏音樂會 Chau Lok-ping and Chau Lok-ting Piano Duo Recital
A Play Reading 座談會 Symposium 大師班 Masterclasses 17/2 卡麗塔．馬蒂娜歌唱大師班 Karita Mattila Voice Masterclass 23/2 巴維．哈斯四重奏大師班 Pavel Haas Quartet Masterclass 25/2 《彌賽亞》工作坊 Messiah — Workshop 2/3
香港賽馬會當代舞蹈平台系列 Hong Kong Jockey Club Contemporary Dance Series
節目2 Programme 2
香港藝術節委約及製作 Commissioned and produced by the HKAF
香港中樂團「樂旅中國VI」 Hong Kong Chinese OrchestraMusic About China VI
布利斯托爾老域劇團 《神醫》
Bristol Old Vic Faith Healer
亞太舞蹈平台 Asia Pacific Dance Platform
多米拿堤合唱團 Chamber Choir Dominante
法國北方布夫劇場彼得．布祿克的《魔笛》 Theatre des Bouffes du Nord - A Magic Flute
Chau Lok-ping and Chau Lok-ting Piano Duo Recital
布利斯托爾老域劇團 《神醫》
Bristol Old Vic Faith Healer
《香港式離婚》（重演） The Truth About Lying (Re-run)
邵俊傑與友人敲擊音樂會 Louis Siu and Friends Percussion Recital
多米拿堤合唱團 Dominante 《泰特斯》(2012) Titus Andronicus (2012)
香港藝術節委約 Commissioned by the Hong Kong Arts Festival