The Hamburg Ballet - John Neumeier : The World of John Neumeier - 47th Hong Kong Arts Festival

The Hamburg Ballet 漢 堡 芭 蕾 舞 團

John Neumeier 約翰・紐邁亞

The World of

JOHN NEUMEIER FESTIVAL FINALE 藝術節閉幕演出

約翰・紐邁亞的世界

藝術節閉幕演出贊助 Festival Finale sponsored by

衷心祝賀香港藝術節今年邁向第4 7屆。今屆藝 術節陣容鼎盛，共有超過1700名來自香港和世 界各地的藝術家傾力演出，為觀眾帶來近1 7 0 場精彩表演。 今年藝術節的節目多姿多彩，當代及古典音 樂、舞蹈、戲劇等不同形式的藝術表演共冶一 爐。每個節目從幕後製作到台前演出，均盡顯 精湛的藝術造詣和超凡的想像力。 我很高興知道最近完成活化的中區警署建築 群，即現在的大館古蹟及藝術館，會在兩個周 末呈獻約5 0場舞蹈表演，供公眾免費入場觀 賞。大家更有機會一起參與在大館的檢閱廣 場、監獄操場，甚至是監獄囚室進行的表演節 目。牛棚藝術村亦會打造為藝術共生創造社， 首度成為藝術節發展作品的平台，場內設有不 同創意領域的工作坊，觀眾並可以欣賞一些創 作中的作品，感受藝術家的多元創意。 除了精彩表演，藝術節亦一如以往，悉心籌備 各項教育和外展活動，致力培育本地藝術人 才。「香港藝術節青少年之友」計劃讓本地學 生有機會觀賞世界級的表演和參與各式各樣的 藝術活動。此外，藝術節亦透過後台參觀和大 師班等「加料節目」，讓觀眾與國際頂尖藝術 家互動接觸，了解節目的幕後製作過程。 衷心感謝香港藝術節團隊一直致力推動本港的 藝術發展，成績斐然。我亦感謝贊助商和捐款 者的大力支持，令每年的藝術節圓滿成功，大 獲好評。 謹祝二零一九年香港藝術節所有觀眾、參加者 和表演者可以盡情享受這次藝術之旅，留下愉 快難忘的回憶。

林鄭月娥 香港特別行政區行政長官

I am pleased to congratulate the Hong Kong Arts Festival, which turns 47 this year in grand fashion, with nearly 170 performances featuring more than 1,700 artists from Hong Kong and all over the world.

This year, the Festival showcases a dazzling range of classic and contemporary music, dance, theatre and more, each produced, staged and performed with consummate artistry and imagination.

I am also delighted to note that our newly revitalised Central Police Station Compound, now Tai Kwun, Centre for Heritage and Arts, is the venue for some 50 free dance performances over the course of two weekends. I am told that audiences will also have the opportunity to participate in the performances taking place at Tai Kwun’s Parade Ground, Prison Yard and even its prison cell blocks. For the first time, the Arts Festival will turn Cattle Depot Artist Village into a Creative Hub for showcasing workshops and works in progress from a variety of creative disciplines.

Beyond its captivating performances, the Festival remains committed to its educational activities, outreach and development of local artists. The Young Friends of the Hong Kong Arts Festival enables local students to enjoy world-class performances and participate in a range of arts activities, while PLUS programmes bring audiences behind the scenes with some of the world’s greatest artists through backstage tours, masterclasses and more.

I am grateful to the Hong Kong Arts Festival team for its continuing commitment and manifold contributions to the development of the arts in Hong Kong. I am grateful, too, to the many sponsors and donors who, each year, help make the Festival a resounding success.

I wish audiences, participants and performers alike a delightful and memorable 2019 Hong Kong Arts Festival experience.

Mrs Carrie Lam Chief Executive, Hong Kong Special Administrative Region

歡迎閣下蒞臨欣賞第4 7屆香港藝術節的這場 演出。感謝您與我們一起歌頌表演藝術在舞 台上的不同季節和階段。 我們要感謝香港特別行政區政府透過康樂及 文化事務署的年度恆常撥款。這項資助對香 港藝術節每年得以成功舉辦，至關重要。多 謝香港賽馬會慈善信託基金持續的支持，為 我們致力豐富城中文化生活，打下根基。另 外要感謝眾多企業贊助商、慈善基金會以至 個人捐助者。他們的慷慨捐助，讓我們能夠 呈獻世界各地的優秀藝術家、發展新作、培 育年青觀眾，並在國際舞台上引薦本地人 才。 最重要的是感謝您前來欣賞今天的表演。香 港藝術節的成功，正是有賴觀眾的熱情和參 與。謹祝您享受藝術節今天這場演出，渡過 難忘的時光。

查懋成 香港藝術節主席

I am delighted to welcome you to this performance at the 47th Hong Kong Arts Festival. Thank you for joining in our celebration of the seasons and stages of the performing arts.

I would like to extend my gratitude to the HKSAR Government, acting through the Leisure and Cultural Services Department, for its annual subvention, which is vital to the continued success of the Festival. I am also grateful to the Hong Kong Jockey Club Charities Trust, whose ongoing support is a cornerstone in our efforts to enrich the cultural calendar of the city. Thanks are also due to our many corporate sponsors, charitable foundations and individual donors, whose generous support enables us to host some of the world’s leading artists, develop new works, cultivate young audiences, and promote local talent on a world stage.

Above all, I offer my warm thanks to you for joining today’s performance. The enthusiasm and engagement of our audiences is the foundation of the Hong Kong Arts Festival’s success. I sincerely hope that you will find your time spent at the Festival today memorable and enjoyable.

Victor Cha Chairman, Hong Kong Arts Festival

衷心感謝閣下蒞臨欣賞第47屆香港藝術節的演 出。 今屆藝術節以「一步一舞台」為主題。舞台， 不僅是我們呈獻新穎及經典表演的地方，更是 藝術轉化向前的關鍵。頂尖藝術家及明日之星 於舞台相遇，各展姿彩；透過忠實致敬及大膽 改編，經典劇目得以重現觀眾眼前；嶄新作品 以原創設計、技術及敍事方法，挑戰傳統舞台 的極限。 無論於哪個舞台表演，我們會繼續想像藝術世 界的無限可能，亦期望今屆表演能為閣下帶來 啟發和歡愉。另外，誠邀您參加「加料節目」 的各項活動，深入了解重點表演，令藝術節體 驗更全面。 謹代表藝術節團隊，感謝您參與香港藝術節， 支持我們的使命，為香港締造一個世界級藝術 節。

It is a pleasure and a privilege to welcome you to this performance at the 47th Hong Kong Arts Festival.

This year, we celebrate artists and artworks “At Every Stage”. Not only do we spotlight exhilarating programmes at stages old and new across Hong Kong, but also reflect on the stage as a process of transformation. Leading artists at the peak of their careers perform alongside the next generation of rising stars. Classic repertoire is reinvented through brave homages and boldly experimental retellings, and the original designs, technologies and storytelling modes of new works crash through the boundaries of the traditional stage.

I hope that this and many other performances at the 47th HKAF will provoke, inspire and delight you, and that in the course of viewing works at every stage, we may continue to envision the myriad possibilities of the arts. As part of your Festival experience, I would also recommend you join the many PLUS performances, workshops and events that have been designed to bring insight into our core programmes.

Together with the entire team, I would like to thank you for your support of the Hong Kong Arts Festival, which sustains us in our mission to bring a world-class arts festival to Hong Kong.

何嘉坤 香港藝術節行政總監

Tisa Ho Executive Director, Hong Kong Arts Festival

香港藝術節 扎根香港的國際藝壇盛事 香港藝術節於 1973 年正式揭幕，是國際藝壇中重要的 文化盛事，於每年 2、3 月期間呈獻眾多優秀本地及國 際藝術家的演出，以及舉辦多元化的「加料」和教育 活動，致力豐富香港的文化生活。 香港藝術節是一所非牟利機構，2019 年第 47 屆藝術節 的年度預算約港幣一億三千六百萬，當中香港特區政 府的基本撥款佔總收入的近 13%，接近 6% 來自政府 新增加的五年限期額外撥款，另外約 28% 需來自票房 收入，逾 33% 則需依賴來自各大企業、熱心人士和慈 善基金會的贊助和捐款。預計餘下的大約 20% 則來自 其他收入，包括政府針對捐款和贊助收入而提供的配 對資助。 香港藝術節每年呈獻眾多國際演藝名家精采多元的演 出，例如 *： •歌劇：巴伐利亞國立歌劇院、萊比錫歌劇院、莫斯 科大劇院、聖彼得堡馬林斯基劇院 •中國戲曲：中國國家京劇院、河北梆子劇院、上海 張軍崑曲藝術中心、江蘇省蘇州崑劇院、浙江小百 花越劇團 •古典音樂：塞西莉亞．芭托莉、列卡杜．沙爾、趙 成珍、古斯塔沃．杜達美、菲力普．格拉斯、馬友友、 丹尼斯．馬祖耶夫、安娜．涅翠柯、詹安德列亞． 諾斯達、小澤征爾、甘拿迪．羅傑斯特汶斯基、克 里斯蒂安．泰利曼、倫敦交響樂團、NHK 交響樂團、 皇家阿姆斯特丹音樂廳樂團、柏林廣播電台合唱團、 萊比錫聖多馬合唱團、維也納愛樂樂團 •爵士樂及世界音樂：波比．麥非年、尤蘇．恩多爾、 艾斯佩蘭薩．斯伯丁、Orquesta Buena Vista Social Club、粉紅馬天尼 •舞蹈：米高．巴里殊尼哥夫、蕭菲．紀蓮、艾甘．漢、 美國芭蕾舞劇院、雲門舞集、漢堡芭蕾舞團 – 約翰． 紐邁亞、紐約市芭蕾舞團、巴黎歌劇院芭蕾舞團、翩 娜．包殊烏珀塔爾舞蹈劇場

2019 年藝術節預計收入來源 （約港幣一億三千六百萬） Estimated Income Sources for the 2019 HKAF (Approximately HK$136 Million)

贊助和捐款 Sponsorship & Donations

over 逾

•戲劇：彼得．布祿克、蜷川幸雄、羅柏特．威爾遜、 柏林劇團、中國國家話劇院、皇家莎士比亞劇團 •大型特備節目：《藝裳奇幻世界》、星躍馬術奇藝 坊 •戶外節目：《聲光園》、《幻光動感池》、《聲光頌》 香港藝術節積極與本地演藝人才合作，並致力為新晉 藝術家提供展示才華的平台。藝術節至今委約及製作 逾 2 0 0 套本地全新創作，包括戲劇、室內歌劇、音樂 和舞蹈作品，近年開始同步出版新作劇本，不少製作 更已在香港及海外多度重演。近年的藝術節新製作包 括粵劇《百花亭贈劍》、《香港家族》三部曲、《世紀． 香港》音樂會、《論語》、《炫舞場》、《大同》、《金 蘭姊妹》、《爆蛹》、《野豬》、《聖荷西謀殺案》等。 香港藝術節多年來與知名海外藝術家及團體聯合製作 不少優秀作品，當中包括由香港藝術節、香港歌德學 院及翩娜．包殊烏珀塔爾舞蹈劇場聯合製作的《抹窗 人》、由倫敦老域劇院、布魯克林音樂學院與尼爾街 製作公司製作、香港藝術節為聯合委約機構之一的「橫 貫計劃」之《暴風雨》及《李察三世》、由香港藝術 節及上海國際藝術節聯合委約的《青蛇》、三藩市歌 劇院與香港藝術節聯合製作的《紅樓夢》等。 香港藝術節大力投資下一代的藝術教育。「青少年之 友」成立 27 年來，已為逾 750,000 位本地中學生及大 專生提供藝術體驗活動。藝術節近年亦開展多項針對 大、中、小學生的藝術教育活動，包括由國際及本地 藝術家主持的示範講座及工作坊、學生展演、演前講 座、公開彩排、以及欣賞藝術節演出。同時，通過「學 生票捐助計劃」，藝術節每年提供約 1 0 , 0 0 0 張半價學 生票。 香港藝術節每年主辦一系列多元化並深入社區的「加 料節目」，例如電影放映、示範講座、大師班、工作坊、 座談會、後台參觀、展覽、藝人談、文化導賞團等， 鼓勵觀眾與藝術家互動接觸。

33% around 約

20% nearly 近 6% nearly 近 13%

around 約

28%

票房收入 Box Office （2019 年 1 月更新 Updated January 2019）

其他收入（包括按捐款和贊助 收入可望獲得的政府配對資助 ) Other Income (Including Possible Government Matching Grant for Sponsorship and Donation Income) 政府五年限期額外撥款 Government's Time-limited Addition Funding (for 5 years)

政府的基本撥款 Government Baseline Funding

Hong Kong Arts Festival A Major International Arts FestivaI ln, Of and For Hong Kong HKAF, launched in 1973, is a major international arts festival committed to enriching the cultural life of the city by presenting leading local and international artists in all genres of the performing arts as well as a diverse range of “PLUS” and educational events in February and March each year.

HKAF is a non-profit organisation. Secured government baseline funding represents about 13% of the 2019 Festival’s HK$136 million budget, with another nearly 6% specially provided by the Government as time-limited additional funding for five years. Around 28% of the Festival’s income needs to come from the box office, and over 33% from sponsorship and donations made by corporations, individuals, and charitable foundations. It is anticipated that the remaining 20% will come from other revenue sources including the Government’s matching scheme, which matches income generated through private sector sponsorship and donations.

HKAF has presented top international artists and ensembles across multiple genres, such as*: • Western Opera: Bavarian State Opera, Oper Leipzig, The Bolshoi Theatre, The Mariinsky Theatre • Chinese opera: China National Peking Opera Company, Hebei Clapper Opera Troupe, Shanghai Zhang Jun Kunqu Art Center, Suzhou Kunqu Opera Company of Jiangsu, Zhejiang Xiaobaihua Yue Opera Troupe • Classical music: Cecilia Bartoli, Riccardo Chailly, SeongJin Cho, Gustavo Dudamel, Philip Glass, Yo-Yo Ma, Denis Matsuev, Anna Netrebko, Gianandrea Noseda, Seiji Ozawa, Gennady Rozhdestvensky, Christian Thielemann, London Symphony Orchestra, NHK Symphony Orchestra, Royal Concertgebouw Orchestra, Rundfunkchor Berlin, Thomanerchor Leipzig, Vienna Philharmonic Orchestra • Jazz and world music: Bobby McFerrin, Youssou N'Dour, Esperanza Spalding, Orquesta Buena Vista Social Club, Pink Martini • Dance: Mikhail Baryshnikov, Sylvie Guillem, Akram Khan, American Ballet Theatre, Cloud Gate Dance Theatre, The Hamburg Ballet–John Neumeier, New York City Ballet, Paris Opera Ballet, Tanztheater Wuppertal Pina Bausch • Theatre: Peter Brook, Yukio Ninagawa, Robert Wilson, Berliner Ensemble, National Theatre of China, Royal Shakespeare Company

• Large-scale special events: World of WearableArt, Zingaro • Outdoor events: Power Plant, Super Pool, Chorus HKAF actively collaborates with Hong Kong’s own creative talent and showcases emerging local artists. Over the years, HKAF has commissioned and produced over 200 local productions across genres including theatre, chamber opera, music and contemporary dance, many with successful subsequent runs in Hong Kong and overseas. Recent HKAF productions include the Cantonese Opera - Pavilion of a Hundred Flowers, A Floating Family–A Trilogy, Hong Kong Odyssey, Chinese Lesson, Danz Up, Datong–The Chinese Utopia, The Amahs, Blast, Wild Boar and Murder in San Jose, to name a few.

HKAF frequently partners with renowned international artists and institutions to produce exceptional works, such as Der Fensterputzer (The Window Washer) co-produced by HKAF, Goethe-Institut Hong Kong and Tanztheater Wuppertal Pina Bausch, Richard III and The Tempest produced by The Old Vic, BAM and Neal Street under “The Bridge Project” with HKAF as a co-commissioning institution, Green Snake cocommissioned with Shanghai International Arts Festival, and Dream of the Red Chamber co-produced with San Francisco Opera.

HKAF invests heavily in arts education for young people.

Over the past 27 years, our “Young Friends” scheme has reached over 750,000 local secondary and tertiary school students. A variety of arts education projects serving primary, secondary, and tertiary school students have been launched in recent years, featuring activities such as student showcases, pre-performance talks, open rehearsals, opportunities to attend Festival performances, as well as in-school workshops and lecture demonstrations led by international and local artists. Donations to the “Student Ticket Scheme” also make available approximately 10,000 half-price student tickets each year.

HKAF organises a diverse range of “Festival PLUS” activities in community locations each year to enhance engagement between artists and audiences. These include films, lecture demonstrations, masterclasses, workshops, symposia, backstage visits, exhibitions, meet-the-artist sessions, and guided cultural tours.

誠邀贊助或捐助第 47 屆香港藝術節；詳情請與藝術節發展部聯絡。 To find out more about sponsorship opportunities and donation details for the 47th Hong Kong Arts Festival, please contact the HKAF Development Department. 電郵 Email: 直綫 Direct Lines: 網頁 Website:

dev@hkaf.org (852) 2828 4910/11/12 www.hk.artsfestival.org/en/support-us

* 有關香港藝術節的過往節目，可參考以下網頁 Details of past HKAF programmes can be found at www.hk.artsfestival.org/en/about-us/past-programmes/past-programmes-2018.html

Presents

漢堡芭蕾舞團—約翰．紐邁亞

《約翰．紐邁亞的世界》 The Hamburg Ballet John Neumeier

The World of John Neumeier 23-24 3月 MAR

香港文化中心大劇院 Grand Theatre, Hong Kong Cultural Centre 演出長約 2 小時 45 分鐘，包括一節中場休息 Approximately 2 hours and 45 minutes including one interval

封面照片 Cover Photograph: © Kiran West

敬請關掉所有響鬧及發光裝置。 Please switch off all sound-making and light-emitting devices. 網上追蹤香港藝術節 Follow the HKArtsFestival on

請勿擅自攝影、錄音或錄影。 Unauthorised photography or recording of any kind is strictly prohibited.

HKartsfestival

本場刊採用環保紙張印刷。This programme is printed on environmentally friendly paper.

www.hk.artsfestival.org

《約翰．紐邁亞的世界》

The World of John Neumeier 選段來自以下作品

With excerpts from

《伯恩斯坦之舞》

Bernstein Dances

《隨我婆娑》

Shall We Dance?

《胡桃夾子》

The Nutcracker

《魂斷威尼斯》

Death in Venice

間奏曲

Intermezzo

《皮爾金特》

Peer Gynt

《馬太受難曲》

St Matthew Passion

《聖誕神劇 I-IV》

Christmas Oratorio I-IV — 中場休息 Interval —

《尼金斯基》

Nijinsky

《哈姆雷特》

Hamlet

《茶花女》

Lady of the Camellias

《作品 100—給莫里斯》*

Opus 100 – for Maurice*

《馬勒第三交響曲》

Third Symphony of Gustav Mahler

編舞、導演及旁白： 約翰．紐邁亞

Choreography, Direction, Narration: John Neumeier

* 完整舞作 Performed in full length

13

《伯恩斯坦之舞》

Bernstein Dances

(1998)

音樂 伯恩斯坦 舞台設計 約翰．紐邁亞（採用雷恩赫特．沃夫的紐約照片） 服裝 喬治．阿瑪尼

Music Leonard Bernstein (1918–1990) Set Design John Neumeier, utilizing the New York photographs of Reinhart Wolf Costume Design Giorgio Armani 舞者 Dancers Lloyd Riggins, Xue Lin, Mayo Arii, Konstantin Tselikov, Emilie Mazoń, Aleix Martínez, Ensemble

《隨我婆娑》

Shall We Dance?

(1986)

音樂 歌舒詠 舞台及服裝設計 約翰．紐邁亞

Music George Gershwin (1898–1937) Set and Costume Design John Neumeier 舞者 Dancers Madoka Sugai, Alexandr Trusch, Ensemble

© Kiran West

14

《胡桃夾子》

The Nutcracker

(1974)

音樂 柴可夫斯基 舞台及服裝設計 尤爾根．羅斯

Music Piotr Ilyich Tchaikovsky (1840–1893) Set and Costume Design Jürgen Rose 舞者 Dancers Emilie Mazoń, Marc Jubete, Anna Laudere, Christopher Evans, Ensemble

《魂斷威尼斯》

Death in Venice

(2003)

音樂 巴赫 舞台設計 彼得．施米特 服裝設計 約翰．紐邁亞及彼得．施米特

Music Johann Sebastian Bach (1685–1750) Set Design Peter Schmidt Costume Design John Neumeier and Peter Schmidt 舞者 Dancers Lloyd Riggins, Silvia Azzoni, Karen Azatyan

15

《伯恩斯坦之舞》Bernstein Dances

《皮爾金特》Peer Gynt

© Kiran West

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間奏曲

Intermezzo 音樂 史達拉汶斯基 服裝設計 約翰．紐邁亞（奧爾菲斯）、雅尼士．可可士（希薇亞及奧德修斯）、 希薇亞．施特拉哈默（亞瑟王）

Music Igor Stravinsky (1882–1971) Costume Design John Neumeier (Orpheus), Yannis Kokkos (Sylvia and Odysseus),

Silvia Strahammer (King Arthur) 舞者 Dancers Alexandre Riabko (Orpheus), Yun-Su Park (Diana), Madoka Sugai (Sylvia),

Christopher Evans (Odysseus), Lloyd Riggins (King Arthur)

《皮爾金特》

Peer Gynt

(2015)

音樂 施尼特格 舞台及服裝設計 尤爾根．羅斯

Music Alfred Schnittke (1934–1998) Set and Costume Design Jürgen Rose 舞者 Dancers Alina Cojocaru, Edvin Revazov

《馬太受難曲》

St Matthew Passion

(1981)

音樂 巴赫 舞台及服裝設計 約翰．紐邁亞

Music Johann Sebastian Bach Set and Costume Design John Neumeier 舞者 Dancers Lloyd Riggins, Dario Franconi, Ensemble

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《聖誕神劇 I-VI》

Christmas Oratorio I-VI

(2013)

音樂 巴赫 舞台設計 費迪南．沃格鮑爾 服裝設計 約翰．紐邁亞

Music Johann Sebastian Bach Set Design Ferdinand Wögerbauer Costume Design John Neumeier 舞者 Dancers Lloyd Riggins, Lucia Ríos, Yun-Su Park, Christopher Evans,

Madoka Sugai, Jacopo Bellussi, Ensemble

《尼金斯基》

Nijinsky

(2000)

音樂 蕭邦及蕭斯達高維契 舞台及服裝設計 約翰．紐邁亞 （部份設計採用利昂．貝斯克及亞歷山大．伯努瓦的原創設計）

Music Frédéric Chopin (1810–1849) and Dmitri Shostakovich (1906–1975) Set and Costume Design John Neumeier, with partial use of the original designs by Léon Bakst and

Alexandre Benois 舞者 Dancers Alexandre Riabko, Carolina Agüero, Aleix Martínez, Lucia Ríos, Lloyd Riggins, Ensemble

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《哈姆雷特》

Hamlet

(1997)

音樂 狄伯特 服裝設計 克勞斯．哈林斯亭恩

Music Michael Tippett (1905-1998) Costume Design Klaus Hellenstein 舞者 Dancers Anna Laudere, Edvin Revazov

《尼金斯基》 Nijinsky

© Kiran West

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《茶花女》

Lady of the Camellias

(1978)

音樂 蕭邦 舞台及服裝設計 尤爾根．羅斯

Music Frédéric Chopin Set and Costume Design Jürgen Rose 舞者 Dancers Alina Cojocaru, Alexandr Trusch

《作品 100—給莫里斯》

Opus 100 – for Maurice

(1996)

音樂 西蒙與葛芬柯 文本 歐仁．尤內斯庫的《椅子》選段

Music Simon and Garfunkel Text Excerpt from Eugene Ionesco's Les Chaises 舞者 Dancers Alexandre Riabko, Ivan Urban

《馬勒第三交響曲》

Third Symphony of Gustav Mahler 音樂 馬勒 服裝設計 約翰．紐邁亞

Music Gustav Mahler (1860–1911) Costume Design John Neumeier 舞者 Dancers Silvia Azzoni, Edvin Revazov, Ensemble

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(1975)

《馬勒第三交響曲》 Third Symphony of Gustav Mahler

© Kiran West

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我的世界就是舞蹈

My World is Dance 以下文本為約翰．紐邁亞的讀白，他將伴隨舞蹈親自朗讀。 The below narration by John Neumeier accompanies his dance pieces. 約翰．紐邁亞的世界，我的世界就是舞蹈， 舞蹈……我的世界就是舞蹈。

The World of John Neumeier. My world is dance… Dance DANCE Dance DANCE… My world is dance.

自從有記憶以來，我已經想跳舞， 當時我甚至不知道舞蹈究竟是甚麼。孩童時期， 我的臥室就是巨大的舞台，按下唱片機的播放鍵， 一聽到伯恩斯坦的《康第德》序曲，我便起舞了。

As long as I can remember, I have always wanted to dance—even before I actually knew what it was. As a child, my own living room could become a big stage when I put on a record and heard the music of Leonard Bernstein’s Candide Overture—I just danced.

我出生在威斯康辛州中西部的城市密爾沃基， 對舞蹈的第一印象就是母親帶 我去看彩色美國歌舞片。

Born in the Mid-West city of Milwaukee, Wisconsin, my first impressions of dance came from the Technicolor American musical films my mother took me to see.

《隨我婆娑》Shall We Dance?

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音樂中天真的喜悅、真．基利舞蹈中的激情與活力， 至今仍是我的一部分。

The innocent joy of this music, the thrill and energy of Gene Kelly's dancing is still a part of me.

有很長的一段時間，我心裏一直想要學習舞蹈。 終於，父母讓我參加踢躂舞班，後來是體操班。 最後，我站在芭蕾舞室的扶杆前練習，當我第一次嘗試擺出 芭蕾舞姿勢和動作時，我笑了—不知為何我感覺找到了歸宿。 這正是我在《胡桃夾子》中想要復刻的感覺—當瑪麗在 十二歲生日時第一次穿上足尖鞋，就像兒時的我一樣， 幻想着古典芭蕾的世界，並期待成為其中的一部分。 從那以後，古典芭蕾的語言激發了我創作無數的芭蕾舞劇， 但《胡桃夾子》仍然是我對這偉大傳統的致敬。 受到芭蕾舞者安娜．帕芙洛娃和她的老師恩利可．切凱蒂的 照片所啟發，我在《胡桃夾子》中創作了一段雙人舞， 用來紀念我在追尋藝術的道路上遇到的老師們， 我非常感激和尊重他們給予我的訓練與鼓勵。

For a long time, I had secretly wanted to take dance lessons.

Eventually, my parents let me take tap dancing classes—later acrobatics—but then, at last standing at the barre in my first ballet class, attempting those first classical positions and exercises, trying my first ballet steps—I smiled—feeling somehow I had come home.

I think it was this feeling I tried to recreate in my version of The Nutcracker—as Marie tries on the pointe shoes given to her on her 12th birthday. And she dreams—as I did—of the world of classical ballet, to be a part of this magical world.

Since then, the language of classical ballet has inspired numerous ballets of mine, but The Nutcracker remains my homage to this great tradition.

Inspired by photographs of the famous ballerina Anna Pavlova and her teacher Enrico Cecchetti, I created a pas de deux in The Nutcracker, which remembers with great gratitude and respect the many teachers who trained, encouraged and inspired my own development as an artist. © Kiran West

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創作是舞蹈中令人最興奮的一部分。 幾乎從一開始，我就不只是想跳舞，我想要創造舞蹈，用動作來講述那些 精彩絕倫而又難以言表的故事。有時，創作的過程成為了我的芭蕾舞劇的主題。 在《魂斷威尼斯》中，湯瑪斯．曼小說中的男主角奧森巴哈是一位編舞， 他想要借助舞者勾勒自己的情感，同時在他們的演繹中尋求新的靈感。

Creation is the most exciting aspect of dance.

Almost from the beginning, I wanted not only to dance myself, but to create dances— to tell wonderful, wordless stories in movement. Sometimes, the very act of creation itself became the theme of a ballet. In Death in Venice, the main character, Thomas Mann’s Aschenbach, becomes a choreographer, giving shape to his emotions through his dancers— searching in his creation for inspiration.

舞蹈也是詮釋神話故事的最佳媒介。我創作的芭蕾舞劇靈感曾取材自希臘神話中的人物： 音樂家奧爾菲斯、女神黛安娜和她最喜歡的精靈希薇亞，以及長期流浪的奧德修斯 和神話般的英國亞瑟王—他們都在我的《亞瑟王傳說》中起舞。 我也很迷戀北歐的神話故事，因此賦予了挪威神話中 皮爾金特與他忠實的愛人索爾維格新的編舞生命。

Dance can be the perfect medium to give life to myths. I have created ballets inspired by figures from Greek Mythology—the musician Orpheus, the Goddess Diana and her favourite nymph Sylvia as well as the long-wandering Odysseus—and the mythical British King Arthur “danced” in my ballet Artus Sage.

My fascination with Scandinavian mythology gave new choreographic life to the Norwegian myth of Peer Gynt and his faithful love Solveig.

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我認為舞蹈是一種能夠反映人類方方面面的藝術。對我而言，舞蹈從來不是一種娛 樂、一項運動，或用來展示力量和精巧技藝的方法；舞蹈反映人的靈魂、精神深度以 及崇高追求—他揭示人類與上帝的關係，人類對於信仰的疑惑不安以及歡樂狂喜。

I believe that dance is an art which reflects the complete, the entire human being in all his attributes and aspects. For me, dance is never merely entertainment; it is not a sport nor simply a demonstration of physical strength or virtuosity. Dance is an art that reflects man's soul, his spiritual depth and highest aspirations—his relation to God— his doubts and insecurities but also the joy and ecstasy of his faith.

舞蹈的歷史於我而言是鮮活的，我一直對舞蹈界的前輩們充滿好奇：那些 舞者、編舞，正是他們傳奇般的舉動，塑造了當今的舞蹈世界。 在所有勇敢、獨特的前輩中，我最為景仰的是尼金斯基。他既是舞者、編舞，也是畫家 和人道主義者，從我幼時起，他就不斷激發我的想像力，感動了我並激勵我成為舞者。 尼金斯基於 1919 年 1 月 19 日在瑞士聖莫里的蘇維塔之家酒店上演 最後一次表演，這也是我的舞劇《尼金斯基》的創作緣起。 在最後一支舞中，影象不斷出現，展示出尼金斯基多彩、顛沛而又悲劇的一生：當中 夾雜着第一次世界大戰的恐慌、哥哥斯坦尼斯拉夫的精神錯亂及他破格的編舞事業。

The history of dance has always been alive for me—I have always been curious to know about those who shaped my world before me—the dancers, the choreographers whose legendary steps have carried me to where I stand today.

Of all the fascinating, courageous, unique personalities of our dance past, for me one stands out above all: Vaslav Nijinsky. Since I was a child, the dancer, choreographer, painter, humanist— the man Nijinsky—has fired my imagination, inspired and moved me to move dancers.

My ballet Nijinsky begins with Nijinsky's last performance at the Suvretta House Hotel in St. Moritz on 19 January 1919.

During that last dance, images appear to Nijinsky from his colourful but turbulent and tragic life, in which the horror of World War I, his brother Stanislav's insanity, and his own revolutionary choreography merge.

《胡桃夾子》The Nutcracker

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© Kiran West

作為一個編舞家，我一直希望能將人類最私密的經歷、追求以及最沉痛的悲傷， 轉化成充滿美感的動態。哈姆雷特在去維滕貝格之前， 曾與奧菲利亞有過一段親密的共處時光。偉大的莎士比亞 雖不曾落墨書寫這些時刻，但我透過舞蹈可以實現出來。

As a choreographer, it has been my wish to translate our most intimate experiences, our aspirations and deepest sorrows into moving images of beauty— to realise in dance scenes from Shakespeare that the great poet inspired but never wrote— such as the pure, secret moments of intimacy between Hamlet and Ophelia before the Danish Prince's departure for Wittenberg.

對我來說，舞蹈一直是表達愛情無盡變化的理想媒介， 例如亞芒和「茶花女」瑪格麗特的故事。

For me, dance was always the ideal medium to express endless variations on the theme of love, such as that of Armand and Marguerite—the "Lady of the Camellias".

在我追尋舞蹈的路上，我曾與很多一流的藝術家相識和合作， 也和其中一些成為了親密摯友。 我也不幸與其中一些人走散，但是關於他們的記憶和靈感， 卻成為了我作品的一部分。我為偉大的編舞和 好友莫里斯．貝撒的七十歲生日創作了一部芭蕾舞劇； 我將自己對他的感情傾注在其中。

《馬勒第三交響曲》Third Symphony of Gustav Mahler

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Along the way in my World of Dance, I have met and worked with many wonderful people, many great artists. Some became close and dear friends.

A few of them I have since lost. But their memory and inspiration remain a part of my work. My affection for the great choreographer and friend Maurice Béjart lives always in the ballet I created for his 70th birthday.

我的世界就是舞蹈，我時常為能身處其中而感到非常榮幸； 這是一個艱難的世界，總是充滿着勝利的希望和失落； 這也是一個充滿幻想、奉獻和無條件承擔的世界， 但這從來都不是我的負擔，我也不認為我的藝術需要犧牲。 舞蹈是愛的勞動。 在我的舞蹈世界裹，我每天都想起馬勒第三交響曲的最後一篇樂章， 它的標題是：「愛告訴我的事」。

My world is dance—and I have always felt very privileged to be a part of it—this world of very hard work—a world of possible triumph and sometimes disappointment—a world of fascination, dedication and always unconditional commitment—the world of dance was never a burden for me, nor do I feel that my art demanded sacrifice.

Dance is a labor of love.

Each day in my world, I am reminded of Gustav Mahler's title for the last movement of his Third Symphony: "What love tells me".

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© Kiran West

《約翰．紐邁亞的世界》

The World of John Neumeier 從巴赫到伯恩斯坦、尼金斯基到文學， 約翰．紐邁亞的編舞表現出 他對其他藝術和藝術家的深刻理解。

From Bach to Bernstein, Nijinsky to literature: John Neumeier’s choreographies are characterised by his deep understanding of other arts and other artists.

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他的第一部編舞作品名為《天國獵犬》，靈感 來自弗朗西斯．湯普森的一篇同名基督教詩歌。 這部作品於五十九年前面世，在紐邁亞的家鄉 威斯康辛州密爾沃基的馬凱特大學創作，音樂 選自普羅科菲耶夫的作品。當時，這位多才多 藝的年輕人學習過繪畫、素描以及舞蹈，擁有 文學和戲劇研究學位。現在，八十歲的紐邁亞 已經創作了一百六十部芭蕾舞作品，他不僅創 辦了一個世界知名芭蕾舞團，還在德國漢堡成 立了芭蕾舞學校、基金會和檔案館。他在漢堡 芭蕾舞團擔任藝術總監長達四十六年，比任何 一家大型舞團的編舞或芭蕾舞大師的任期也要 長，甚至超越了巴蘭奇和佩提帕。一個晚上似 乎不足以彰顯約翰．紐邁亞這位藝術家畢生的 成就。 《約翰．紐邁亞的世界》由約翰．紐邁亞親自 導演，作品順隨着他的事業歷程：從兒時在父 母的唱片機前隨意舞動，到在芭蕾舞課堂上踏 出的第一步，再到那些宏偉的主題性創作。這 並非是一部寫實的舞蹈傳記，而是對紐邁亞情 感世界的一瞥。呈現在眼前的，並不是由一支

His very first choreography was called The Hound of Heaven, inspired by the eponymous Christian poem

by Francis Thompson. It was created some 59 years ago to the music of Sergei Prokofiev, at Marquette University in Neumeier’s home town of Milwaukee, Wisconsin. This artistically versatile young man had studied painting, drawing and dance, earning degrees in literature and theatre studies. Now in his eighties, Neumeier has created 160 ballets and a comprehensive œuvre of full-length works, establishing not only a world-famous ballet company, but also a ballet school, a foundation and an archive in Hamburg, Germany. His 46year tenure as artistic director of the Hamburg Ballet is longer than any other choreographer or ballet master of a large company, surpassing even George Balanchine and Marius Petipa. A single evening seems too small to honour the lifetime achievement of an artist such as John Neumeier.

Moderated by the choreographer himself, The World of John Neumeier follows his career from the wild dances of his boyhood in front of his parents’ record player to his first steps in ballet class, and then to the grand themes that continue

《作品 100—給莫里斯》 Opus 100 – for Maurice

© Kiran West

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支雙人舞組成的常見盛會，而是一幕幕舞團場 景以及紐邁亞敘事式芭蕾中令人印象深刻的畫 面。我們還會看到他擔任法蘭克福芭蕾舞團的 芭蕾舞總監時的早期作品，及早年於漢堡國家 歌劇院時的經典之作。 上世紀四五十年代氣派十足的彩色荷里活音樂 劇影響了美國整代的年輕舞者。紐邁亞是密歇 根湖船長亞厘畢．紐邁亞的兒子，年輕的他十 分好動，於是被帶去學習踢躂舞。在父母的房 間裏，他最喜歡跟着伯恩斯坦節奏激烈的《康 第德》序曲舞動。這首音樂完美融合了歐洲輕 歌劇和美國爵士節奏，似乎注定這位編舞家會 追隨伯恩斯坦的步伐，將新舊世界聯繫起來。 隨着歌舒詠的音樂《我找到了節奏》響起，紐 邁亞回憶起百老匯，還有雅士堤、基利等踢躂 舞演員的優美舞姿，他們在舞台上優雅大方地 翩翩起舞……即使直至現在，紐邁亞仍然鍾情 於美國歌舞劇。 在紐邁亞的《胡桃夾子》中，瑪麗在生日會上 得到了人生第一對足尖鞋，由此可見他將對舞 蹈的熱愛轉化為對古典芭蕾舞劇的熱愛。在芭 蕾舞室，瑪麗看到了一位芭蕾舞女演員和芭蕾 舞大師在扶桿排練，這個場景表達了對古典芭 蕾舞傳統—所謂芭蕾舞的「聖杯」的敬意。在 內行人看來，紐邁亞是在向著名的聖彼得堡芭 蕾舞演員安娜．帕芙洛娃和她的老師恩利可． 切凱蒂致敬。紐邁亞還將《睡美人》的音樂用 在《胡桃夾子》中。柴可夫斯基的聖誕芭蕾舞 劇是紐邁亞改編的第一部古典作品。1971 年， 他改編的版本於法蘭克福上演，後來他在漢堡 芭蕾舞團擔任藝術總監，便將這部作品帶到漢 堡。在今晚這場匯演盛會上，將呈現他對多部 著名古典作品的現代改編：包括他依照孤獨的 路德維希二世而改編的《幻覺—如像天鵝湖》； 暗黑又令人難以忘懷的《吉賽爾》；王子穿着 藍色牛仔褲的《睡美人》；以及為巴黎歌劇院 芭蕾舞團創作的《希薇亞》。

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to permeate his œuvre. The programme is not a faithfully recounted biography in dance, but rather a glimpse into Neumeier's mind. We are not treated to the usual gala experience of one virtuoso pas de deux after another, but ensemble scenes and impressive pictures from Neumeier's narrative ballets. We also see many of his early works, created when he was still a ballet director at Ballet Frankfurt or during his first years at the Hamburg State Opera—ballets that have since become classics.

The grand Technicolor Hollywood musicals of the 1940s and 1950s inspired a whole generation of young American dancers. Young John, son of Lake Michigan Captain Albert Neumeier, loved to move and was permitted to take tap dancing lessons. His favourite record to play in his parents’ living room was the turbulent music of Leonard Bernstein’s Candide Overture. With its sophisticated fusion of European operetta and American jazz rhythms, the music may well have predestined the choreographer to connect the Old World and the New—following in Bernstein’s footsteps. With George Gershwin’s aptly named dance number I Got Rhythm, Neumeier then reminisces about Broadway and the elegance of hoofers like Fred Astaire and Gene Kelly, swaying across the dance floor with poise and grace…Even today, Neumeier still loves the American musical.

We see how this love of dance becomes the love of classical ballet in The Nutcracker, when Marie is given her very first pair of pointe shoes as a birthday present. In the ballet studio, Marie sees a ballerina and a ballet master rehearsing at the barre, in a tribute to the revered traditions of classical ballet—the “holy grail” of ballet, so to speak. For connoisseurs, Neumeier pays homage here to the famous St. Petersburg ballerina Anna Pavlova and her teacher Enrico Cecchetti. The music is from The Sleeping Beauty, which Neumeier integrated into his Nutcracker. Tchaikovsky’s Christmas ballet was the first classic Neumeier adapted; he staged his own version in Frankfurt in

《茶花女》 Lady of the Camellias © Kiran West

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說到紐邁亞最著名且最美麗的文學芭蕾舞劇， 當屬《茶花女》，改編自小仲馬的著名法國小 說。這是 1978 年他在史圖加芭蕾舞團為芭蕾舞 演員瑪茜亞．海蒂度身訂造的。此後，無論是 紐約還是莫斯科，幾乎所有知名的芭蕾舞團都 跳過紐邁亞這部作品。在第二幕柔和動人的雙 人舞中，瑪格麗特放下自己的浮華生活，向亞 芒表白，將自己的心全然奉上。 到目前為止，紐邁亞的大部分作品都是敘事式 芭蕾舞劇，有古老神話故事中的唐璜、亞瑟王、 水妖、帕西瓦爾、奧德修斯以及《聖經》約翰 等故事。在他多部莎士比亞芭蕾舞作品中，例 如《仲夏夜之夢》、《皆大歡喜》，紐邁亞已 經編制了兩套完整的匯演節目；在此，我們將 以《哈姆雷特》的雙人舞為代表。這位絕望的 丹麥王子變成了編舞家的老相識：1976 年於紐 約，他便讓巴里殊尼哥夫透過舞蹈提出「生存 還是毀滅」這道經典問題。 紐邁亞的敘事式芭蕾舞劇題材廣泛，既有俄羅 斯文學作品—普希金的《奧尼金》、契訶夫的 《海鷗》、又有歐洲話劇，例如莫納的《利力 姆》和安徒生的《小美人魚》童話故事，甚至 還取材自威廉斯的作品《慾望號街車》中布蘭 琪被強暴的事件。紐邁亞不僅鍾情於悲劇戀人， 也欣賞那些孤獨又充滿疑心的角色：例如易卜 生的《皮爾．金特》，湯瑪斯．曼著作《魂斷 威尼斯》中愛上美少年達秋的古斯塔夫．馮． 奧森巴哈。紐邁亞一次又一次將文學著作搬上 舞台，將故事帶到芭蕾舞世界，將作家奧森巴 哈幻化成芭蕾舞大師、契訶夫筆下的人物變為 舞者。 在學生時代，紐邁亞遇見了約翰．華爾世神父。 華爾世曾在密爾沃基的馬凱特大學指導戲劇， 這位耶穌會牧師成為了紐邁亞的一位重要導師 以及一生摯友。這位自稱「基督徒和舞者」的 編舞家早年以巴赫的音樂創作了多部芭蕾舞作 品，最初採用的是這位作曲家的協奏曲和組曲。

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1971 and transferred the production to Hamburg when he became director there. In this gala, it represents all the famous classics for which he developed modern adaptations: his Illusions – Like Swan Lake, for example, which revolves around a lonely King Ludwig II; his dark and haunting Giselle; his Sleeping Beauty, with a prince in blue jeans; and his Sylvia for the Paris Opera Ballet.

Surely the most famous of Neumeier’s works, and the most beautiful of his literature ballets, is Lady of the Camellias, created in 1978 at the Stuttgart Ballet for Marcia Haydée. Since then, nearly all the renowned companies from New York to Moscow have danced Neumeier’s adaptation of Alexandre Dumas’ famous French novel. In the tender, heartfelt pas de deux of Act II, Marguerite Gautier leaves her life as a courtesan behind to confess her love to Armand Duval and devote herself to him entirely.

1 9 8 1 年，他的作品《馬太受難曲》面世，其後 時常於漢堡的聖米迦勒教堂和大教堂廣場的薩 爾斯堡藝術節上演出，像以舞蹈進行崇拜。他的 其他宗教作品還包括韓德爾作曲的《彌賽亞》， 以及巴赫的《聖誕神劇》全部六節（該作品獻 給華爾世神父）。對於紐邁亞來說，舞蹈並不 只是抽象或感官動作，也是一面映照靈魂和人 類精神面貌的鏡子：他致力將「舞蹈和崇拜融 為一體」。 對於這位年輕的學生來說，他也早就着迷於尼 金斯基的故事：一位在達基列夫所創的俄派芭 蕾舞團中大放光彩的舞者，他的傳記是紐邁亞 從圖書館借閱的第一本芭蕾舞書籍。紐邁亞將 多部作品獻給這位俄羅斯芭蕾舞演員。尼金斯 基為數不多的現代編舞震撼了整個舞蹈界，而 他在事業的顛峰時期，卻不幸患上精神分裂症。 在《尼金斯基》這部作品中，紐邁亞借第一次世

By far, the greater part of Neumeier’s œuvre is dedicated to narrative ballets, starting with the very old myths and tales of Don Juan, King Arthur, Undine, Parsival, Odysseus and Joseph from the Bible. From his numerous Shakespeare ballets, like A Midsummer Night’s Dream or As You Like It, he has already compiled two complete gala programs; here they are represented by a pas de deux from Hamlet. The desperate Prince of Denmark was a very early acquaintance of the choreographer: in 1976 New York, he first had Mikhail Baryshnikov pose the question “To be or not to be” in dance.

The wide scope of Neumeier’s narrative ballets ranges from Russian literature—Pushkin’s Onegin, Chekhov’s The Seagull—to European plays like Franz Molnar’s Liliom, fairy tales like Hans Christian Andersen’s The Little Mermaid, and even the brutal rape of Blanche DuBois in Tennessee Williams’ A Streetcar Named Desire. He is taken not only with tragic lovers, but also lonely and doubting heroes: Henrik Ibsen’s Peer Gynt, for example, or Thomas Mann’s Gustav von Aschenbach in Death in Venice, falling in love with the beautiful Tadzio from afar.

Time and again, when adapting a book for the stage, Neumeier transports the story to the world of ballet, making the writer Aschenbach into a ballet master, or transforming Chekhov’s actors into dancers.

As a young student, John Neumeier met Father John J. Walsh, who directed the theatre program at Marquette University in Milwaukee. The Jesuit priest became an important mentor for Neumeier and a life-long friend. The choreographer, who calls himself “a Christian and a dancer”, created ballets to music by Johann Sebastian Bach at an early stage, at first to the composer’s concertos and suites.

In 1981, he created his St. Matthew Passion, which was shown very often at the St. Michael's Church in Hamburg and also in front of the Salzburg Cathedral, almost like a religious service in dance. Among his other religious works, we find Messiah by Handel and all six parts of Bach’s

《魂斷威尼斯》 Death in Venice

© Kiran West

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界大戰的背景來反襯殘酷的命運，透過尼金斯 基在舞台上演繹過的角色—被酷刑士兵摧殘的 悲慘小丑彼得魯斯卡，映襯這位才華橫溢的舞 者和他分裂的人格。紐邁亞在漢堡的住宅擁有 全球最多的尼金斯基紀念品，包括：畫作、圖片、 信件、文字及雕像。尼金斯基的舞姿被無數圖 片和熱情的描述記載，卻沒留下任何影片佐證。 對漢堡芭蕾舞藝術總監來說，這位傳奇人物可 能是他漫長的藝術生涯中最為重要的嚮導。 在今晚這場盛會中，紐邁亞還將透過作品《作 品 1 0 0 — 給莫里斯》紀念自己編舞生涯中所建 立的友誼。這部創作於 1996 年的雙人舞作品， 是紐邁亞送給莫里斯．貝撒的一份生日禮物。

《馬勒第三交響曲》 Third Symphony of Gustav Mahler

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Christmas Oratorio (dedicated to Father Walsh).

For Neumeier, dance is not only abstract or sensual movement, but a mirror of the soul and the human spirit: he is committed to “the original unity of dance and worship”.

Another devotion that started early in life for the young student was a fascination for Vaslav Nijinsky: a biography about the star of Sergei Diaghilev’s Ballets Russes was the very first ballet book that the boy borrowed from his local library. Several of Neumeier’s works are dedicated to this Russian ballet dancer, whose few modern choreographies shocked the dance world, until, at the height of his glory, Nijinsky slipped into schizophrenia. In Nijinsky, Neumeier reflects upon this cruel fate

莫里斯．貝撒於 2007 年逝世，他曾為瑪茜．海 蒂和紐邁亞改編了歐仁．尤內斯庫的劇本《椅 子》。紐邁亞的這部作品採用了西蒙和葛芬柯 的音樂，以全男子雙人舞的形式紀念兩位藝術 家的友誼，也同時提醒觀眾那些還在世、並曾 與他就舞蹈交流真知灼見的芭蕾舞界傳奇人物。 馬勒的第三交響曲是他多部交響樂中首部被紐 邁亞改編的作品，其中的男高音獨唱取材於尼 采的《查拉圖斯特拉如是說》。自 1975 年至今， 這位奧地利作曲家的十部管弦樂作品中，有八 部都被紐邁亞改編成芭蕾舞作品，他為紐邁亞 帶來與眾不同的啟發。紐邁亞曾表示：「馬勒 帶我們進入一個深入人心的領域。」一段深刻 的雙人舞開展交響樂的最後一個樂章，然後群 舞員加入其中。在最後，只有繆斯留在舞台上， 編舞向她致謝：「為舞蹈服務真是一項充滿愛 的勞動。在我的世界裏，每一天我都會想起馬 勒第三交響曲最後一個樂章的標題：『愛告訴 我的事』」。 安潔拉．萊因哈特

against the backdrop of World War I, mirroring the brilliant dancer and his split personalities in the figures he danced on stage—the sad clown Petruschka shatters amidst agonizing soldiers.

Neumeier’s house in Hamburg harbours the world’s largest collection of Nijinsky memorabilia: drawings, pictures, letters, writings, statues. The legendary dancer, whose art is captured in so many photos and enthusiastic accounts but not in a single frame of film, may be the most important guiding figure in the long artistic career of the Hamburg Ballet’s artistic director.

In the course of this gala program, Neumeier commemorates the friendships he has made as a choreographer with Opus 100 – for Maurice. The duet was created in 1996 as a birthday gift to Maurice Béjart, who passed away in 2007. Béjart had choreographed Les Chaises after Eugène Ionesco for Marcia Haydée and John Neumeier.

Using songs by Simon and Garfunkel, the all-male pas de deux in Neumeier’s Opus celebrates the friendship of two artists and reminds us of the many living ballet legends Neumeier has met in his lifetime, with whom he has exchanged thoughts and lessons about dance.

Gustav Mahler’s Third Symphony, with its alto solo of a setting from Friedrich Nietzsche’s Thus Spoke Zarathustra, was the first of Mahler’s symphonies that Neumeier translated into dance. Since 1975, he has created ballets to eight out of ten of the Austrian composer’s huge orchestral works, which have inspired him like no other musician’s: “Mahler leads us into realms that root deep in our hearts,” says Neumeier. A profound pas de deux opens the last movement of the symphony, and then the corps de ballet joins the couple. In the end, the muse is left alone, and the choreographer pays tribute to her: “Dance is a labor of love. Each day in my world, I am reminded of Gustav Mahler's title for the last movement of his Third Symphony: ‘What love tells me’.”

Angela Reinhardt

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《茶花女》 Lady of the Camellias

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約翰．紐邁亞

John Neumeier 編舞、導演及旁白 Choreography, Direction and Narration 約翰．紐邁亞在 1 9 3 9 年生於威斯康辛州的 密爾沃基，並在其家鄉，以及芝加哥、哥本 哈根和倫敦研習舞蹈。1963 年，他受約翰． 格蘭高的邀請加入史圖加芭蕾舞團，後來成 為舞團的獨舞者，並發展編舞作品；1969 年，他獲委任為法蘭克福芭蕾舞團總監，其 對家傳戶曉的芭蕾舞劇如《胡桃夾子》和 《羅密歐與茱麗葉》的詮釋引起了轟動；

1 9 7 3 年他出任漢堡芭蕾舞團總監和首席編 舞，在他的帶領下，漢堡芭蕾舞團在德國舞 蹈界鋒芒畢露，還是備受國際認可的頂級芭 蕾舞團之一。 作為編舞家，紐邁亞致力保存芭蕾舞的傳 統特色，並同時在作品中加入現代戲劇的 結構。他的舞劇題材廣泛，從新版的長篇 故事式芭蕾舞劇至音樂劇，交響芭蕾以至 莊嚴的聖樂編舞，皆有涉獵。《貝多芬計 劃》（ 2018 ）、《安娜．卡列妮娜》（ 2017 ） 及《圖蘭加里拉》（ 2 0 1 6 ）是他為漢堡芭 蕾舞團編製的最新作品。除了漢堡芭蕾舞 團，紐邁亞也經常為多個知名國際芭蕾舞 團擔任客席編舞。

1 9 7 5 年，紐邁亞想到以「漢堡芭蕾舞日」 作為每個舞季的高潮。三年後他創辦漢堡芭 蕾舞團的芭蕾舞學校，至今舞團超過百分之 七十的舞者都是該校畢業生。2011 年，他 成立德國國家青年芭蕾舞團，是一個充滿創 意的年輕舞團，並在學校、護老院和監獄演 出。 紐邁亞深受國際認可且屢獲殊榮，獲獎包括 美國「舞蹈」雜誌獎（1983）、德國聯邦 十字勳章、法國藝術與文學勳章及法國榮譽

Born in Milwaukee, Wisconsin in 1939, John Neumeier studied dance in his native city as well as in Chicago, Copenhagen and London. In 1963, John Cranko invited Neumeier to join the Stuttgart Ballet, where he progressed to soloist and continued his choreographic development. Appointed Director of the Ballet Frankfurt in 1969, Neumeier soon caused a sensation with his new interpretations of such well-known ballets as The Nutcracker and Romeo and Juliet. In 1973, he became Director and Chief Choreographer of the Hamburg Ballet. Under his direction, the Hamburg Ballet became one of the leading ballet companies on the German dance scene and soon received international recognition.

As a choreographer, Neumeier has continually focused on the preservation of ballet tradition, while giving his works a modern dramatic framework. His ballets range from new versions of full-length narrative ballets to musicals, symphonic ballets and choreographies to sacred music. His latest creations for the Hamburg Ballet include: Beethoven Project (2018), Anna Karenina (2017) and Turangalîla (2016). In addition to his greater commitment to the Hamburg Ballet, Neumeier regularly works as guest choreographer with some of the world’s most renowned international ballet companies.

In 1975, Neumeier conceived the festival Hamburg Ballet Days as a climax to each season. Three years later, he founded the School of the Hamburg Ballet.

Today, more than 70% of the company’s dancers are graduates from the school. In 2011, Neumeier founded Germany’s National Youth Ballet, a creative and young company that performs in schools, retirement homes and prisons.

Neumeier is the recipient of multiple prestigious international awards, including the Dance Magazine Award (1983), the Order of Merit of the Federal Republic of Germany, the French Order of Arts and Letters and

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軍團騎士團勳章。他亦是尼金斯基終身成就 獎（2 0 0 6）、赫伯特．馮．卡拉揚音樂獎 （2 0 0 7）、德國銀禧舞蹈獎（2008）、俄 羅斯聯邦友誼勳章（2 0 12）、稻盛財團基 金的日本京都藝術與哲學獎（2015）、貝 諾瓦芭蕾舞大獎的終身成就獎（2016）、 洛桑國際芭蕾舞大賽的終身成就獎（2017） 和埃里希．弗羅姆大獎（2017）。2007 年， 他更成為漢堡的榮譽市民。

2006 年紐邁亞創立了約翰．紐邁亞基金會， 希望保存及向大眾介紹他的舞作和與芭蕾相 關的收藏。

the Legion of Honour. He is also the recipient of the Nijinsky Award for Lifetime Achievement (2006), the Herbert von Karajan Musikpreis (2007), the Deutscher Jubiläums-Tanzpreis (2008), the Order of Friendship of the Russian Federation (2012), the Inamori Foundation’s Kyoto Prize in Arts and Philosophy (2015), the Lifetime Achievement Award of the Prix Benois de la Danse (2016), the Lifetime Achievement Award of the Prix de Lausanne (2017) and the Erich Fromm Prize (2017).

Neumeier was made an honorary citizen of Hamburg in 2007.

In 2006, Neumeier established the John Neumeier Foundation with the aim of preserving and eventually making available to the public his collection of dance and ballet-related objects.

© Kiran West

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卡洛琳娜．阿古艾洛 首席舞者

Carolina Agüero Principal Dancer 卡洛琳娜．阿古艾洛出生於阿根廷哥多華，畢業於阿根廷李維納因達特劇院芭蕾舞學 校。她曾是哥多華芭蕾舞團、阿根廷芭蕾舞團、聖地亞哥芭蕾舞團、史圖加芭蕾舞團、 德累斯頓芭蕾舞團以及芬蘭國家芭蕾舞團的成員。2 0 0 6 年，她加入漢堡芭蕾舞團成 為獨舞者，並在 2007 年成為首席舞者。阿古艾洛曾獲多個獎項，包括 1992 年烏魯瓜 亞納市芭蕾舞大賽金獎、2004 年愛德華法茲爾大獎及 2009 年科奈克斯文化基金大獎。 約翰．紐邁亞為她創造了在《阿爾米德的涼亭》的角色塔瑪拉．卡莎薇娜，以及《塔 堤安娜》的「塔堤亞娜愛讀的浪漫小說角色」，其他芭蕾劇目包括由多個紐邁亞及其 他編舞家創造的主角。她曾以客席嘉賓身分出席在阿根廷、西班牙、意大利、法魯、 不萊梅及夏灣拿的演出，也飾演過紐邁亞《尼金斯基》中的羅姆拉．尼金斯基，該製 作於 2018 年 4 月錄製成 DVD 並於美國發行。 Born in Córdoba, Argentina, Carolina Agüero completed her dance education at the Escuela de Ballet del Teatro Rivera Indarte. She was a member of the Córdoba Ballet, Ballet Argentino, Ballet de Santiago (Chile), Stuttgart Ballet, Dresden Ballet and Finnish National Ballet. In 2006, she joined the Hamburg Ballet as soloist and was promoted to principal dancer in 2007. She has won several awards, including the gold medal at the Uruguayana Ballet Competition 1992, Edvard Fazer Award 2004 and Konex Award 2009. John Neumeier created the roles of Tamara Karsavina in Le Pavillon d’Armide, and “a figure from the romantic novels Tatiana loves to read” in Tatiana for her. Her repertory includes numerous leading roles in ballets by Neumeier and other choreographers. She has made guest appearances in Argentina, Spain, Italy, Bremen and Havana.

Agüero stars as Romola Nijinska in Neumeier's Nijinsky, which was recently filmed and released on DVD in April 2018 in the US.

西爾維亞．阿佐妮 首席舞者

Silvia Azzoni Principal Dancer 西爾維亞．阿佐妮出生於意大利都靈市，並在漢堡芭蕾舞學校畢業。自 1 9 9 3 年她已 是漢堡芭蕾舞團的成員，並在 1996 年成為獨舞者及在 2001 年成為首席舞者。她曾在 慕尼黑、米蘭、莫斯科及維也納以客席身分演出，更是多個享負盛名的國際芭蕾舞慶 典常客。紐邁亞與她創作了《魂斷威尼斯》的「奧森巴哈主義」、《編舞家私人札記》 的角色西爾維雅、《聖誕神劇 I - V I》的天使、《杜絲》的對手（莎拉．伯恩哈特）。 阿佐妮在紐邁亞的芭蕾舞品作中亦擔任了不少主要角色，並出現在多個 D V D 製作之 中。她獲得的獎項包括憑《小美人魚》獲得 2 0 0 8 年貝諾瓦芭蕾舞大獎，以及獲頒意 大利功績勳章。 Born in Torino, Italy, Silvia Azzoni completed her dance education at the School of the Hamburg Ballet. A member of the Hamburg Ballet ensemble since 1993, she was appointed soloist in 1996 and principal dancer in 2001. She has made guest appearances in Munich, Milan, Moscow and Vienna and is a regular guest at prestigious international ballet galas. John Neumeier created with her, among others, Aschenbach’s Concepts in Death in Venice, Silvia in Préludes CV, an Angel in Christmas Oratorio I-VI and The Rival (Sarah Bernhardt) in Duse. Azzoni has danced many title roles in Neumeier’s ballets and was part of several DVD productions. Her awards include the Benois de la Danse 2008 for her performance in The Little Mermaid and the Order of Merit della Repubblica Italiana.

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海倫．布歇 首席舞者

Hélène Bouchet Principal Dancer 海倫．布歇在康城高等舞蹈學校及馬賽國家舞蹈學校畢業，曾是馬賽國家芭蕾舞團及 英國國家芭蕾舞團的成員。1998 年，她加入漢堡芭蕾舞舞團，在 2003 年成為獨舞者 並在 2005 年成為首席舞者。布歇曾獲得 2002 年保加利亞瓦爾納市第二十屆國際芭蕾 舞大賽銀獎、2004 年威廉．沃柏多夫博士藝術大獎及 2010 年貝諾瓦芭蕾舞大獎。紐 邁亞為她設計了不少角色，包括《塔堤亞娜》中的主要角色、《編舞家私人札記》中 的西爾維雅、《魂斷威尼斯》中的芭蕾舞者、《奧菲斯》中的尤麗黛絲及《煉獄》中 的靈魂。她更主演紐邁亞的《圖蘭加里拉》及《大地之歌》，兩齣舞劇均在德國首演。 她曾參與大阪、東京、盧森堡、侯斯頓、聖彼德堡等地的國際芭蕾匯演。 Hélène Bouchet completed her dance education at the Centre de Danse Rosella Hightower in Cannes and the École Nationale de Danse de Marseille. She was a member of the Ballet National de Marseille and the English National Ballet. In 1998, she joined the Hamburg Ballet.

In 2003, she was promoted to soloist and was promoted again to principal dancer in 2005.

She won the silver medal at the 20th International Ballet Competition – Varna in 2002, the Dr Wilhelm Oberdörffer Prize 2004 and Benois de la Danse 2010. John Neumeier created for her the title role in his ballet Tatiana, Silvia in Préludes CV, La Barbarina in Death in Venice, Eurydice in Orpheus and Alma in Purgatorio. Bouchet performed one of the leading roles in Neumeier’s Turangalîla and the leading female role at the German premiere of his The Song of the Earth. She has made guest appearances in Osaka, Tokyo, Luxemburg, Houston, Moscow, St Petersburg and several prestigious international ballet galas.

萊斯利．海里曼 首席舞者

Leslie Heylmann Principal Dancer 萊斯利．海里曼生於巴西聖利奧波爾杜，並在巴西 Sinos 芭蕾舞團、Concerto 芭蕾舞團， 以及德累斯頓舞蹈學院鑽研舞蹈。她曾是德累斯頓培森歌劇院芭蕾舞團成員，其後在 2008 年加入漢堡芭蕾舞團成為獨舞者，並在 2012 年升為首席舞者。海里曼是 2009 年 威廉．沃柏多夫博士藝術大獎及巴西利亞國際舞蹈大會一等獎的得主，曾出演約翰． 紐邁亞的《塔堤安娜》中的奧爾加．拉靈娜、《利里奧姆》中的瑪莉及《阿爾米德的 涼亭》中的亞歷山德拉．巴爾迪納，而她在漢堡芭蕾舞團的劇目則包括多個約翰．紐 邁亞舞作中創造的主要角色及獨舞者。她曾於羅馬及伯明翰作客席演出。 Born in São Leopoldo, Brazil, Leslie Heylmann completed her dance education at the Ballet Sinos and Ballet Concerto in Brazil and at the Palucca School for Dance in Dresden. After dancing at the Dresden Semperoper Ballet, she joined the Hamburg Ballet in 2008. She was promoted to principal dancer in 2012. Heylmann was awarded the Dr Wilhelm Oberdörffer Prize and the First Prize of the Seminário Internacional de Dança de Brasília in 2009. Together with John Neumeier, she created Olga Larina in his ballet Tatiana, Marie in Liliom and Alexandra Baldina in Le Pavillon d'Armide. Her repertory during her career with the Hamburg Ballet includes numerous leading roles and solos in ballets by John Neumeier. She has made guest appearances in Rome and Birmingham.

46

安娜．羅黛爾 首席舞者

Anna Laudere Principal Dancer 安娜．羅黛爾生於拉脫維亞的錫古爾達，並在拉脫維亞的里加芭蕾舞學校和漢堡芭蕾 舞學校完成她的舞蹈教育。她在 2001 年加入漢堡芭蕾舞團，並在 2008 年成為獨舞員 及在 2011 年成為首席舞蹈員。她在 2008 年獲得威廉．沃柏多夫博士藝術大獎。約翰． 紐邁亞為她創作的角色包括《珀西瓦里：插段與迴響》的「不笑的少女」、《奧菲斯》 的卡利俄珀、《杜絲》的朋友（伊莎朵拉．鄧肯）和《安娜．卡列妮娜》的安娜．卡 列妮娜。她的劇目包括飾演大量紐邁亞和其他編舞家芭蕾舞作品的主角。編舞家迪亞 格．博爾丁、埃德文．雷瓦佐夫及大石裕香也為她創作了芭蕾舞劇。她在拉脫維亞及 英國也當過客席演出，以及和埃德文．雷瓦佐夫為悼念菲利普．布倫瑞克出席 2 0 1 1 年洛桑國際舞蹈大賽的演出。 Born in Sigulda, Latvia, Anna Laudere completed her dance education at the Riga Ballet School and the School of the Hamburg Ballet. She joined the Hamburg Ballet in 2001 and was promoted to soloist in 2008 and principal dancer in 2011. She won the Dr Wilhelm Oberdörffer Prize in 2008. John Neumeier created for her the "maiden-who-never-laughs" in Parzival – Episodes and Echo, Calliope in Orpheus, The Friend (Isadora Duncan) in Duse and Anna Karenina in Anna Karenina. Her repertory includes numerous leading roles in ballets by Neumeier and other choreographers. The choreographers Thiago Bordin, Edvin Revazov and Yuka Oishi created ballets for her. She has made guest appearances in Latvia and England as well as at the Prix de Lausanne 2011 together with Edvin Revazov in memory of Philippe Braunschweig.

亞里娜．科作卡羅 客席首席舞者

Alina Cojocaru Guest Principal Dancer 亞里娜．科作卡羅生於羅馬尼亞的布加勒斯特，並在 1 9 9 7 年加入倫敦皇家芭蕾舞學 校。她返回基輔後成為基輔芭蕾舞團的首席舞者。一年後，科作卡羅加入皇家芭蕾舞 團，並在舞季結束時升為獨舞者，20 0 1 年成為首席舞者。2 0 1 3 年，她是英國國家芭 蕾舞團的首席舞者。她在漢堡芭蕾舞團主演過無數約翰．紐邁亞的芭蕾舞劇，並於漢 堡的尼金斯基慶典中演出，紐邁亞亦為她創造了《利里奧姆》中的茱莉一角。此外， 科作卡羅獲的獎項包括 2012 年及 2004 年的貝諾瓦芭蕾舞大獎、2004 年的尼金斯基 大獎、2014 年的塔里奧尼歐洲芭蕾舞大獎，也被德國《舞蹈》及《為你起舞》雜誌 選為年度舞蹈員。她經常於其他芭蕾舞團及知名芭蕾匯演作客席演出。 Born in Bucharest, Romania, Alina Cojocaru joined the Royal Ballet School in 1997. She returned to Kiev to join the company as a principal dancer. A year later, she joined the Royal Ballet Company and, at the end of the season, was promoted to soloist. In 2001, she was promoted to the rank of principal dancer. She joined the English National Ballet in 2013 as a leading principal dancer. Together with the Hamburg Ballet, she performed numerous leading roles in ballets by John Neumeier and appeared in Nijinsky Galas in Hamburg. Neumeier created Julie in Liliom for her. Cojocaru’s awards include Benois de la Danse 2012, Benois de la Danse 2004, Nijinsky Award 2004, Taglioni European Ballet Award 2014, Dancer of the Year by Tanz Magazine and Dancer of the Year by Dance for You Magazine. She is a regular guest with ballet companies and at prestigious ballet galas worldwide.

47

海倫．阿扎特揚 首席舞者

Karen Azatyan Principal Dancer 海倫．阿扎特揚生於亞美尼亞埃里溫，並在埃里溫舞蹈藝術學院及蘇黎世舞蹈學院畢 業。他曾是巴伐利亞國家劇院芭蕾舞團的成員，於 2 0 1 4 年加入漢堡芭蕾舞團成為獨 舞者，2016 年被委任成為首席舞者。阿扎特揚在 2005 年德國柏林國際舞蹈奧林匹克 比賽的古典獨舞組獲得亞軍，並在同年贏得洛桑國際芭蕾舞大賽。他是 2 0 0 6 年瓦爾 納國際芭蕾舞大賽的最有前途青年大獎得主。約翰．紐邁亞為他創造了《杜絲》中的 誘惑者（加布里埃爾．鄧南遮）及《安娜．卡列妮娜》中的農夫角色。2 0 1 6 年，阿 扎特揚主演紐邁亞在德國首演的芭蕾舞劇《大地之歌》。 Born in Yerevan, Armenia, Karen Azatyan completed his dance education at the Yerevan Dancing Art State College and the Zurich Dance Academy. He was a member of the Bavarian State Ballet and joined the Hamburg Ballet in 2014 as a soloist. He was appointed principal dancer in 2016.

Azatyan came second at the Tanzolymp Berlin 2005 in the classic variation category and won the Prix de Lausanne in the same year. In 2006, he won the Prize for Promising Young Dancer at the International Ballet Competition – Varna. Together with John Neumeier, he created The Seducer (Gabriele D’Annunzio) in Duse and a Muzhik in Anna Karenina. In 2016, he performed one of the leading roles at the German premiere of Neumeier’s ballet The Song of the Earth.

基斯杜化．伊凡斯 首席舞者

Christopher Evans Principal Dancer 基斯杜化．伊凡斯在 1994 年出生於美國科羅拉多州的拉夫蘭。他在 BalletMet 舞蹈學 院、加拿大國家芭蕾舞學校及漢堡芭蕾舞學校接受舞蹈訓練。伊凡斯 2 0 1 0 年成為洛 桑國際芭舞大賽得獎者；自 2012 年，他便是漢堡芭蕾舞團的成員；2015 年，獲頒威廉． 沃柏多夫博士藝術大獎並於同年升為獨舞者，2 0 1 8 年成為首席舞者。約翰．紐邁亞 在《圖蘭加里拉》為他創造了一個主要角色，而伊凡斯最近亦首次在紐邁亞的《茶花 女》芭蕾舞劇中飾演阿芒，與飾演主角的奧佳．斯莫諾娃同台演出；他也曾主演紐邁 亞 2018 年的《伯恩斯坦之舞》（重演）。伊凡斯加入了漢堡芭蕾舞團的青年編舞家 計劃，並為《宇宙一秒鐘》（2017）及《心靈素描》（2016）編舞。 Christopher Evans was born in 1994 in Loveland, Colorado. He received his training at the BalletMet Dance Academy, Canada's National Ballet School and the School of the Hamburg Ballet. In 2010, he was awarded the Prix de Lausanne. Since 2012, Evans has been a member of the ensemble of the Hamburg Ballet. In 2015, he won the Dr Wilhelm Oberdörffer Prize and was promoted to soloist. In 2018, he was appointed a principal dancer. John Neumeier created a leading role in Turangalîla for him. He recently made his debut as Armand in Neumeier's ballet Lady of the Camellias alongside Olga Smirnova in the title role. He performed the leading male role in the revival series of Neumeier’s Bernstein Dances (2018). Evans choreographed A Cosmic Second (2017) and Soul Sketch (2016) for the Young Choreographers programme.

48

卡斯騰．容 首席舞者

Carsten Jung Principal Dancer 卡斯騰．容在德累斯頓帕魯卡舞蹈學校及漢堡芭蕾舞學校畢業。他在 1 9 9 4 年加入漢 堡芭蕾舞團，1998 年升為獨舞者，2004 年被委任為首席舞者。1999 年他獲頒威廉． 沃柏多夫博士藝術大獎，以及在 201 2 年憑《利里奧姆》獲得貝諾瓦芭蕾舞大獎。容 曾飾演多個角色，包括《利里奧姆》中的主要角色、《尼金斯基》中的托馬斯．尼金 斯基、《聖誕神劇 I-VI》中的牧羊人、《塔堤安娜》中的熊 / 皇子、《杜絲》中的導師（阿 里格．博伊托）、《安娜．卡列妮娜》中的亞歷山大．卡列寧，以及約翰．紐邁亞《圖 蘭加里拉》中的主要角色之一。他也是紐邁亞其他芭蕾舞劇中的常見主角之一，同時 也參與了多部 D V D 製作。此外，容亦以客席舞者的身分在澳洲、史圖加、奧斯陸、 倫敦、布宜諾斯艾利斯及莫斯科演出。 Carsten Jung completed his dance education at the Palucca School for Dance in Dresden and the School of the Hamburg Ballet. He joined the Hamburg Ballet in 1994 and was promoted to soloist in 1998. In 2004, he was appointed principal dancer. Jung won the Dr Wilhelm Oberdörffer Prize in 1999 and Benois de la Danse in 2012 for his interpretation of the title role in Liliom. He has created several roles including the title role in Liliom, Thomas Nijinsky in Nijinsky, a Shepherd in Christmas Oratorio I-VI, The Bear/Prince N. in Tatiana, The Mentor (Arrigo Boito) in Duse, Alexei Karenin in Anna Karenina and one of the leading roles in John Neumeier’s Turangalîla. He has danced many title roles in Neumeier’s ballets and was part of several DVD productions. As a guest artist, he has performed in Australia, Stuttgart, Oslo, London, Buenos Aires and Moscow.

埃德文．雷瓦佐夫 首席舞者

Edvin Revazov Principal Dancer 埃德文．雷瓦佐夫生於克里米亞半島的塞瓦斯托波，畢業於莫斯科舞蹈學校和漢堡芭 蕾舞學校。2003 年，他加入漢堡芭蕾舞團，2007 年成為獨舞者，2010 年晉升為首席 舞者，2007 年，他獲頒威廉．沃柏多夫博士藝術大獎。雷瓦佐夫參演約翰．紐邁亞 多部作品，包括《安娜．卡列妮娜》中的佛倫斯基、《魂斷威尼斯》中的達秋、《帕 西瓦爾：插段與迴響》中的主角、《奧菲斯》中的阿波羅、《利里奧姆》中的當關、 《塔堤安娜》中的尤金．奧尼金及約翰．紐邁亞《貝多芬計劃》的其中一個主要角色。 他在漢堡芭蕾舞團的劇目還包括紐邁亞多部芭蕾舞劇中的主要角色及獨舞者。此外， 雷瓦佐夫亦是一個積極的編舞家，他曾以客席舞者身分在莫斯科和慕尼黑演出，並與 莫斯科大劇院芭蕾舞團一同演出紐邁亞的《安娜．卡列妮娜》。 Born in Sevastopol on the Crimean Peninsula, Edvin Revazov completed his dance education at Moscow School and the School of the Hamburg Ballet. He joined the Hamburg Ballet in 2003 and was promoted to soloist in 2007. In 2010, he was appointed principal dancer. He won the Dr Wilhelm Oberdörffer Prize in 2007. Together with John Neumeier, he created Count Alexei Vronsky in Anna Karenina, Tadzio in Death in Venice, the title role in Parzival – Episodes and Echo, Apollo in Orpheus, Gate Keeper in Liliom, Eugene Onegin in Tatiana and one of the leading roles in John Neumeier’s Beethoven Project. His repertory during his career with the Hamburg Ballet includes numerous leading roles and solos in ballets by Neumeier. Revazov is also an active choreographer. As a guest artist, he has performed in Moscow and Munich and has staged Neumeier’s Anna Karenina for the Bolshoi Ballet.

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亞歷山大．里亞比科 首席舞者

Alexandre Riabko Principal Dancer 亞歷山大．里亞比科畢業於基輔芭蕾舞學校和漢堡芭蕾舞學校。他在 1 9 9 6 年加入漢 堡芭蕾舞團；1999 年成為獨舞者；2001 年成為首席舞者。他經常亮相於多個國際舞台， 包括星光芭蕾慶典及東京世界芭蕾舞節。曾演出劇目角色曾演出劇目角色包括《尼金 斯基》的小丑及玫瑰之魂、《編舞家私人札記》的莎莎及《阿爾米德的涼亭》的瓦斯 拉夫．尼金斯基等；他在約翰．紐邁亞的《尼金斯基》中的主要角色演出更成為他的 成名作，他與加拿大國家芭蕾舞團飾演此角，也在漢堡芭蕾舞團 2018 年的 DVD 製作 中演出。里亞比科曾入圍洛桑國際芭蕾舞大賽決賽，也獲得不少獎項如威廉．沃柏多 夫博士藝術大獎及 2000 年法國芭蕾之星舞蹈大獎。2016 年，他因優秀的搭檔表現獲 頒貝諾瓦芭蕾舞大獎。 Alexandre Riabko completed his dance education at the Kiev Ballet School and the School of the Hamburg Ballet. He joined the Hamburg Ballet in 1996 and was promoted to soloist in 1999 and principal dancer in 2001. He regularly performs on international stages, including at the Etoile Gala and at the World Ballet Festival in Tokyo. He created Arlequin and the Spirit of the Rose in Nijinsky, Sascha in Préludes CV, and Vaslav Nijinsky in Le Pavillon d'Armide, among others. The title role of John Neumeier’s Nijinsky has become his signature role, which he's performed with the National Ballet of Canada and in the Hamburg Ballet’s 2018 DVD production. His awards include Finalist of the Prix de Lausanne, Dr Wilhelm Oberdörffer Prize and Les Étoiles du Ballet 2000 Dance Award. In 2016, he was awarded the Benois de la Danse for excellence in partnering.

勞埃德．里金斯 首席舞者

Lloyd Riggins Principal Dancer 勞埃德．里金斯在美國佛羅里達州的奧蘭多南方芭蕾舞劇院學校畢業，其後在南方芭 蕾舞劇院任職。1987 年他加入丹麥皇家芭蕾舞團。1 9 9 5 年以首席舞者身分加入漢堡 芭蕾舞團。由 2006 年至 2009 年，他擔任助理芭蕾舞導師，2009 年晉升為芭蕾舞導師。 里金斯在 2015/ 16 舞季擔任漢堡芭蕾舞團的副藝術總監。他獲得的獎項包括 2004 年 貝諾瓦芭蕾舞大獎和意大利舞蹈大獎。此外，他曾出演多部約翰．紐邁亞作品的角色， 例如《瓦爾第或你會甚麼》中的塞巴斯蒂安、《哈姆雷特》中的主要角色、《尼金斯基》 中的彼楚虛卡、《海鷗》中的彼得．尼古拉耶維奇．索林、《編舞家私人札記》中的 勞埃德、《魂斷威尼斯》中的古斯塔夫．馮．奧森巴哈及《聖誕神劇 I-VI》中的男人。 2014 年，他參與漢堡芭蕾舞團製作的《拿坡里》（奧古斯特．布農維爾）編舞和演出。 Lloyd Riggins completed his dance education at the School of Southern Ballet Theatre in Orlando, Florida. He received his first engagement with the Southern Ballet Theatre and joined the Royal Danish Ballet in 1987. In 1995, he joined the Hamburg Ballet as principal dancer.

From 2006 to 2009, he was assistant ballet master and has been ballet master since 2009.

Lloyd Riggins became deputy artistic director of the Hamburg Ballet in the 2015/16 season.

His awards include Benois de la Danse 2004 and Danza & Danza Prize 2004. Together with John Neumeier, he created Sebastian in VIVALDI or What You Will, the title role in Hamlet, Petrushka in Nijinsky, Piotr Nikolayevich Sorin in The Seagull, Lloyd in Préludes CV, Gustav von Aschenbach in Death in Venice, and A Man in Christmas Oratorio I-VI. He regularly stages Neumeier's ballets for international ballet companies. In 2014, he staged and choreographed August Bournonville’s Napoli for the Hamburg Ballet.

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亞歷山德．崔奇 首席舞者

Alexandr Trusch Principal Dancer 亞歷山德．崔奇在 1989 年生於烏克蘭聶伯城，並在漢堡芭蕾舞學校接受舞蹈訓練。 2007 年他加入漢堡芭蕾舞團；2010 年成為獨舞者並在 2014 年升為首席舞者。他出演 了多部約翰．紐邁亞作品的角色，包括《阿爾米德的涼亭》中的學生瓦斯拉夫．尼金 斯基、《塔堤安娜》中的連斯基、《聖誕神劇 I-VI》中的天使及《杜絲》中的士兵（盧 西亞諾．尼卡斯特羅）；他亦曾在紐邁亞 2 0 1 8 年的《伯恩斯坦之舞》（重演）中擔 任主要領舞者，以及在《大地之歌》德國首演中飾演男主角。其他劇目還包括《灰姑 娘》中的王子、《尼金斯基》和《羅密歐與茱麗葉》的主要角色及《胡桃夾子》的管 特和費立茲。此外，崔奇在 2010 年獲頒威廉．沃柏多夫博士藝術大獎。 Born in Dnipropetrowsk, Ukraine in 1989, Alexandr Trusch received his dance training at the School of the Hamburg Ballet and joined the Hamburg Ballet ensemble in 2007. He was promoted to soloist in 2010 and to principal dancer in 2014. Together with John Neumeier, he created the roles Vaslav Nijinsky as a Student in Le Pavillon d'Armide, Vladimir Lensky in Tatiana, an Angel in Christmas Oratorio I-VI and The Soldier (Luciano Nicastro) in Duse. Dancing the leading male role, he performed in the revival series of John Neumeier’s Bernstein Dances (2018) and the German premiere of John Neumeier’s The Song of the Earth (2016). His repertory includes The Prince in A Cinderella Story, the title roles in Nijinsky and Romeo and Juliet, and Günter and Fritz in The Nutcracker. In 2010, he was awarded the Dr Wilhelm Oberdörffer Prize.

伊凡．烏爾班 首席角色藝術家

Ivan Urban Principal Character Artist 伊凡．烏爾班生於白俄羅斯戈梅利市，畢業於明斯克芭蕾舞學校並在漢堡芭蕾舞學校 完成舞蹈訓練。他在 1994 年加入漢堡芭蕾舞團；1 9 9 7 年成為獨舞者及在 1 9 9 8 年升 為首席舞者。2016 年，他成為特別藝術家及助理芭蕾舞導師。1 9 9 2 年，伊凡曾晉身 洛桑國際舞蹈大賽的準決賽；1996 年獲頒威廉．沃柏多夫博士藝術大獎。他參演了 多個角色，包括《奧德賽》中的鐵拉馬庫斯、《哈姆雷特》中的國王凱爾 / 福丁布朗、 《瓦爾第或你會甚麼》中的安德魯爵士、《伯恩斯坦之舞》中的厄洛斯、《尼金斯基》 中的謝爾蓋．達基列夫、《魂斷威尼斯》中的偉大的弗雷德里克、《海鷗》中的康斯 坦丁．加夫里洛維奇．特里普夫及《阿爾米德的涼亭》中的醫生和謝爾蓋．達基列夫。 其編舞作品《瞬間》2006 年在莫斯科大劇院首演。 Born in Gomel, Belarus, Ivan Urban graduated from the Minsk Ballet School and completed his education at the School of the Hamburg Ballet. He joined the Hamburg Ballet in 1994 and was promoted to soloist in 1997 and to principal dancer in 1998. In 2016, he became special artist and assistant ballet master. In 1992, he was semi-finalist of the Prix de Lausanne and won the Dr Wilhelm Oberdörffer Prize in 1996. He has created several roles, including Telemachos in Odyssey, King Koll/Fortinbras in Hamlet, Sir Andrew in VIVALDI or What You Will, Eros in Bernstein Dances, Serge Diaghilev in Nijinsky, Frederick the Great in Death in Venice, Konstantin Gavrilovich Triplev in The Seagull, and The Doctor and Serge Diaghilev in Le Pavillon d'Armide. His choreography Instant premiered in 2006 at the Bolshoi Theatre.

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漢堡芭蕾舞團

Hamburg Ballet 漢堡芭蕾舞團榮獲全球最傑出舞蹈團之一 的美譽。他們的國際巡迴演出不但成為國 際芭蕾舞蹈界的焦點，更是德國其中一位 重要的文化大使。 藝術總監及首席編舞家約翰．紐邁亞是舞 團的核心人物，自 1973 年起便帶領舞團至 今；他擅長糅合現代舞蹈和古典芭蕾舞於 作品之中，並創立了獨特的個人舞蹈語言。 他的演講示範是漢堡芭蕾舞團的傳統特色； 自 1973 年起的每個舞季，多次在漢堡國家 歌劇院的舞台進行，紐邁亞與其團隊會在 演講中仔細講解芭蕾舞歷史，包括現時劇 目的主題，或傳統芭蕾舞的技巧及歷史背 景。 自 1975 年，「漢堡芭蕾舞日」都是每個舞 季的高潮及結尾。按照傳統，這舞蹈節會 以一齣新作的首演為開幕演出，然後以尼 金斯基節結束，多個國際知名的客席演出 嘉賓和整個漢堡芭蕾舞團都會參與演出。 舞團雖然於漢堡國家歌劇院演出，但它的 主要創作空間、排練場地和教育中心則位 處於另一棟大樓：1989 年開幕的漢堡芭蕾 舞中心；芭蕾舞學校則早於 1978 年成立， 透過寄宿設施、幼兒芭蕾部門、八個專業 舞蹈班和兩年制的「戲劇班」計劃來訓練 新一代舞者；2011 年紐邁亞成立的國家青 年芭蕾舞團也是處於芭蕾舞中心。 漢堡芭蕾舞團以往於香港藝術節的演出包 括：《伯恩斯坦之舞》及《仲夏夜之夢》 （1999）；《馬太受難曲》、《茶花女》、《尼 金斯基》（2003）及《馬勒第三交響曲》、 《慾望號街車》（2012）。

The Hamburg Ballet has achieved a phenomenal reputation as one of the world’s most outstanding dance companies. International tours have made it not only a highlight of the international ballet scene, but also one of Germany’s most important cultural ambassadors.

The heart of the company is Artistic Director and Chief Choreographer John Neumeier, who has directed the company since 1973. Neumeier is a master at combining classical ballet tradition with contemporary forms in his works, while developing a unique personal choreographic language.

His lecture demonstrations are a special feature of the Hamburg Ballet’s tradition. During these matinees, which have taken place on the stage of the Hamburg State Opera several times per season since 1973, Neumeier and his company explain specific aspects of ballet history: the themes of current repertoire, or the technical and historical background of traditional ballets.

Since 1975, the dance festival Hamburg Ballet Days has provided the high point and finale of every season.

The festival traditionally opens with a premiere of a new work and ends with the Nijinsky Gala, featuring international guest stars as well as the entire Hamburg Ballet ensemble.

Although the company performs at the Hamburg State Opera, its creative home, rehearsal venue, and educational centre is a separate building: the Hamburg Ballet Centre, opened in 1989. Its ballet school, originally founded in 1978, trains the next generation of dancers with its integrated boarding facilities, a pre-ballet department, eight professional classes, and a final two-year "Theatre Class" programme. The Ballet Centre is also home to the National Youth Ballet, founded by Neumeier in 2011.

Hamburg Ballet’s past performances at HKAF include Bernstein Dances and A Midsummer Night's Dream (1999); St Matthew Passion, Lady of the Camellias, Nijinsky (2003), Third Symphony of Gustav Mahler and A Streetcar Named Desire (2012).

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2019 年香港巡演成員 Touring Ensemble, Hong Kong 2019 約翰．紐邁亞 John Neumeier 藝術總監及首席編舞家 Artistic Director and Chief Choreographer

Managing Director and Deputy Director Ulrike Schmidt Deputy Artistic Director, Ballet Master and Principal Dancer Lloyd Riggins Conductor Simon Hewett Pianist (soloist) Michał Białk Artistic Production Coordinator and Ballet Master Eduardo Bertini First Ballet Master Kevin Haigen Ballet Masters and Mistresses Eduardo Bertini, Laura Cazzaniga, Leslie McBeth, Niurka Moredo, Lloyd Riggins, Radik Zaripov Assistant Ballet Master Ivan Urban Choreologist Sonja Tinnes Musical Coordinator Ondřej Rudčenko Pianist Mark Harjes Principals Carolina Agüero, Silvia Azzoni, Hélène Bouchet, Leslie Heylmann, Anna Laudere, Alina Cojocaru (Guest Principal Dancer), Karen Azatyan, Christopher Evans, Carsten Jung, Edvin Revazov, Alexandre Riabko, Lloyd Riggins, Alexandr Trusch, Ivan Urban (Special Principal Character) Soloists Mayo Arii, Patricia Friza, Xue Lin, Emilie Mazon, Yun-Su Park, Lucia Ríos, Madoka Sugai, Jacopo Bellussi, Dario Franconi, Marc Jubete, Aleix Martínez, Matias Oberlin, Konstantin Tselikov

Corps de ballet Olivia Betteridge, Kristína Borbélyová, Sara Coffield, Yaiza Coll, Sara Ezzell, Giorgia Giani, Georgina Hills, Nako Hiraki, Greta Jörgens, Charlotte Larzelere, Frederike Midderhoff, Hayley Page, Priscilla Tselikova, Mengting You, Borja Bermudez, Leeroy Boone, Graeme Fuhrman, Nicolas Gläsmann, Marià Huguet, Marcelino Libao, Pietro Pelleri, Florian Pohl, David Rodriguez, Mathieu Rouaux, Pascal Schmidt, Ricardo Urbina, Lizhong Wang, Eliot Worrell, Illia Zakrevskyi

Technical Director Frank Zöllner

Apprentices Viktoria Bodahl, Chiara Ruaro, Airi Suzuki, Louis Haslach, Diogo Maia, Roberto Pérez

Lighting Technicians Andreas Rudloff, Rene Condné, Frank Bayer, Thomas Becker, Jörn Dehmlow, Joshua Paul, Ueli Riegg, Tobias van Harten

Theatre Class (School of the Hamburg Ballet) Isabelle Greenwood, Francesca Harvey, Alice Mazzasette, Mirabelle Seymour, Ana Torrequebrada, Pepijn Gelderman, Lennard Giesenberg, Lasse Graubner-Caballero, Thomas Krähenbühl, Lucas Praetorius, Torben Seguin Tour Manager Rachel Nowak Head of Communications, PR and Dramaturgy Dr Jörn Rieckhoff Photographer & Graphic Designer Kiran West Assistant to Mr Neumeier Catherine Dumont Assistant to Ms Schmidt Nicolas Hartmann Physician Dr Sandra Kowalsky Physiotherapist Daan van den Akker

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Technical Production Coordinator Vladimir Kocić Stage Manager Ulrich Ruckdeschel Stage Technicians Corinna Korth, Andreas Weiland, Marcel Beck, Mathias Braun, Marco Eggers, Kim Förster, Hauke Gotsch, Jens Ludolphi, Florian Schnoor Head of Lighting Ralf Merkel

Properties Master Jürgen Tessmann Properties Technicians Sabine Frerichs, Julia Schmitz Head of Sound Frédéric Couson Sound Technician Jochen Schefe Wardrobe Mistress Barbara Huber Dressers Susann Hawel, Diana Räkers, Sandra Schmidt, Lysann Teucher, Undine Gabbert, Karina Rüprich, Grit Steffen, Piret Univer Make-up Artists Andrea Ellegast, Adnan Metin, Sina Hönicke, Birgit Müller, Hartmut Poppe, Werner-Albert Püthe

The World of John Neumeier Recording Credits Bernstein Dances Leonard Bernstein. Candide Overture. Performed by the Berlin Philharmonic with Simon Rattle (EMI Classics: 2004).

Shall We Dance?

George Gershwin arr. Alexis Weissenberg.

Variations on I Got Rhythm. Performed by the Berlin Philharmonic with Seiji Ozawa (Warner Classics: 2016).

The Nutcracker Pyotr llyich Tchaikovsky. “Scène No 6: Le départ des invites – La nuit” from The Nutcracker Ballet, Op 71. Performed by the National Philharmonic Orchestra with Richard Bonynge (Decca: 1984).

“Scène 18: Entr’acte symphonique” from The Sleeping Beauty, Op 66. Performed by the National Philharmonic Orchestra with Richard Bonynge (Decca: 1999).

Pyotr Ilyich Tchaikovsky. “Scène 8: Une forêt de sapins en hiver” from The Nutcracker Ballet, Op 71.

Performed by the Berlin Philharmonic with Semyon Bychkov (Philips: 1987).

Death in Venice Johann Sebastian Bach. Adagio from Sonata for Flute, Violin and Continuo, The Musical Offering, BWV 1079. Performed by the Academy of St Martin in the Fields with Sir Neville Marriner (Philips: 1995).

Intermezzo Igor Stravinsky. “Scene 1” from the Orpheus Ballet.

Performed by the London Symphony Orchestra with Richard Craft (Naxos: 2005).

Peer Gynt Alfred Schnittke. “Scene 11: Peer’s Solitude” and “Scene 12: Solveig Comes to Peer” from the Peer Gynt Ballet. Performed by the Royal Swedish Orchestra with Eri Klas (BIS: 1994).

St. Matthew Passion Johann Sebastian Bach. Excerpts from St. Matthew Passion, BWV 244. Performed by the Hannover Boys Choir, St Michael’s Boys Choir, St Michael’s Choir and St Michael’s Orchestra with Glinter Jena, Mitsuko Shirai (soprano), Marga Schiml (alto), Peter Schreier (tenor), Bernd Weikl and Franz Grundheber (bass) (Arthaus Musik: 2010).

Christmas Oratorio I-VI Johann Sebastian Bach. “Jauchzet, frohlocket, auf, preiset die Tage” from Christmas Oratorio, BWV 248. Performed by the Akademie für Alte Musik Berlin and RIAS Kammerchor with René Jacobs (Harmonia Mundi: 2014).

Nijinsky Frédéric Chopin. Prelude No 20 in C minor, Op 28.

Maurizio Pollini (Deutsche Grammophon: 1975).

Dmitri Shostakovich. Adagio and Allegro from Symphony No 11 in G minor, Op 103. Performed by the National Symphony Orchestra (US) with Mstislav Rostropovich (Teldec Classics: 1993).

Hamlet William Byrd arr. Michael Tippett. Allegro and Andante espressivo from Divertimento on Sellinger's Round. Performed by the City of London Sinfonia with Richard Hickox (Chandos: 1995).

Lady of the Camellias Frédéric Chopin. Largo from Piano Sonata No 3 in B minor, Op 58. Performed by Tamás Vásáry (Deutsche Grammophon: 1964).

Opus 100 – for Maurice Simon and Garfunkel. Old Friends and Bridge over Troubled Water (CBS: 1971).

Third Symphony of Gustav Mahler Gustav Mahler. Sixth Movement from Symphony No 3 in D minor. Performed by the New York Philharmonic with Leonard Bernstein (Sony Classical: 2012).

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藝術節加料節目

漢堡芭蕾舞團大師班

24.3（日 Sun）10:00–11:30am ( 高級程度 Advanced Level)

Hamburg Ballet Masterclass Rehearsal Room GR2, Hong Kong Cultural Centre

香港文化中心 GR2 排演室 漢堡芭蕾舞團在訪港期間舉辦兩場大師班，設有高級和 中級程度，適合不同經驗的芭蕾舞者參加

Two ballet masterclasses led by Hamburg Ballet masters and mistresses cater to intermediate and advanced levels.

英語主講

In English

港幣 $500

HK$500

約翰．紐邁亞及漢堡芭蕾舞團展覽

20.2-24.3（三 Wed- 日 Sun）9:00am–11:00pm

John Neumeier and Hamburg Ballet Photo Exhibition Foyer, Hong Kong Cultural Centre

香港文化中心大堂 漢堡芭蕾舞團攝影師基蘭．韋斯分享約翰．紐邁亞及其 他舞者彩排《約翰．紐邁亞的世界》及《貝多芬計劃》 的時刻

The Hamburg Ballet photographer, Kiran West, takes a closer look at John Neumeier and his dancers during rehearsals for The World of John Neumeier and Beethoven Project.

演前講座 Pre-Performance Talk

23.3（六 Sat）6:45–7:15pm Podium Workshop, Hong Kong Cultural Centre

香港文化中心平台工作室 英語主講

In English

藝術家沙龍︰約翰．紐邁亞

21.3（四 Thu）7:30–8:30pm（已舉行 Past Event）

Artist Salon: John Neumeier 《胡桃夾子》兒童工作坊

The Nutcracker Introductory Class for Kids

17.3（日 Sun）11:30am–12:45pm, 2:15–4:00pm （已舉行 Past Event）

漢堡芭蕾舞團大師班

16.3（六 Sat）10:00–11:30am ( 中級程度 Intermediate Level)

Hamburg Ballet Masterclass

（已舉行 Past Event）

《胡桃夾子》後台參觀

15.3（五 Fri）5:00–5:30pm（已舉行 Past Event）

Backstage at The Nutcracker 漢堡芭蕾舞團早課參觀

15.3（五 Fri）10:00–11:15am（已舉行 Past Event）

Company Class Observation

更多加料節目詳情 More Festival PLUS

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鳴謝 Acknowledgements 香港藝術節衷心感謝下列機構及人士的慷慨支持： The Hong Kong Arts Festival would like to thank the following for their generous support:

贊助舍計劃會員 Patron’s Club Members 鉑金會員 Platinum Members

嘉里控股有限公司 Kerry Holdings Limited 新鴻基有限公司 Sun Hung Kai & Co. Limited

黃金會員 Gold Member

怡和集團 The Jardine Matheson Group

純銀會員 Silver Members

銅鑼閣有限公司 Causeway Corner Limited 太古集團慈善信託基金 The Swire Group Charitable Trust

青銅會員 Bronze Members

鷹君集團有限公司 Great Eagle Holdings Limited 上海商業銀行 Shanghai Commercial Bank Limited

其他支持機構 Other Supporters •Agency for Cultural Affairs, Government of Japan •ANA Holdings Inc. •British Columbia Arts Council

•British Council •Canada Council for the Arts •HEED

實物支持機構 In-kind Supporters •帝盛酒店集團 Dorsett Hospitality International •嘉頓有限公司 The Garden Company Limited •鷹君集團有限公司 Great Eagle Holdings Limited •香港國際機場 Hong Kong International Airport •In Technical Productions Limited

•香港德迅貨運代理有限公司 Kuehne & Nagel Limited •立信專業顧問 Lap Shun Professional Consultant •奧海城 Olympian City •信和集團 Sino Group •崇光 ( 香港 ) 百貨 SOGO Hong Kong •屯門市廣場 TMT Plaza

藝術節捐助計劃 Festival Donation Scheme 鉑金捐款者 PlATINuM DONORS HK$140,000 或以上 AND ABOVE •Mrs Miriam Hwa •Lincoln & Yu-San Leong •Nine Queens Investment Limited •Yip Foundation Ltd 鑽石捐款者 DIAMOND DONORS HK$70,000 - HK$139,999 •林護紀念基金有限公司 Lam Woo Foundation Limited •Martin Rogers & Janet Cheng •Mr & Mrs Stephen Suen 翡翠捐款者 JADE DONORS HK$30,000 - HK$69,999 •無名氏 Anonymous •Jeffrey & Helen Chan •Mrs K L Chan •陳求德醫生 Dr Chan Kow Tak •Mrs Mona Leong •Ms Leung Wai Yee Candice •林聖竤 Chris Lin •Ms Sun Tien Chen •Mr & Mrs David S Y Wong 黃金捐款者 GOlD DONORS HK$12,000 - HK$29,999 •無名氏 (3) Anonymous (3) •Mr & Mrs S Cheng •Mr Edwin Choy •Consigliere Limited •Alex & Hanne Fung •Mr & Mrs Kenneth H C Fung •Richard & Ruth Herbst •Ms Jenny Hodgson •Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •Mrs A M Peyer

•Mr Stephen Tan •曹延洲醫生 Dr Tsao Yen Chow •Linda Wang •Samuel & Amy Wang •黃逸思先生夫人 Mr & Mrs Y S Wong •Mr Wong Yick Kam 純銀捐款者 SIlVER DONORS HK$6,000 - HK$11,999 •無名氏 (3) Anonymous (3) •Dr York YN Chow •Ms Ka Shi Lau •Ms Lee Lai-Kuen Shelley •Jonathan Leung •Mr & Mrs David S L Lin •Dr Michael Mak •Mr & Mrs Gilles Martin •Dr Poon Yee Ling Eligina •Ms Jacqueline Swain •Tsang Wing Fun •Ms Tse Chiu Ming •Ms Enoch Yiu •Ms Isabel Yiu 青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999 •無名氏 (4) Anonymous (4) •AIA AGAPE A&F •Atkinson Lambert Limited •Ms Alice Au •Mrs Anson Chan •Mr Edmund Cheung •Bethan and Tim Clark •Dr David Fang •HUI Silvia •Ms Khoo Li Lian

•Legrand Jewellery •Ms Lim Geck Chin Mavis •Gary & Flavia Ma •So Ching

•Leland & Helen Sun •Ms Christine Tong •Mr Christopher Wong & Dr Ivo Chen •殷和順劉善萍伉儷

學生票捐助計劃 Student Ticket Scheme 鉑金捐款者 PlATINuM DONORS HK$140,000 或以上 AND ABOVE •C H Mak •麥禮和醫生 Dr Mak Lai Wo •無名氏 (2) Anonymous (2) •Vernon & Karen Moore •Burger Collection •Mrs A M Peyer •馬振玉慈善基金會有限公司 CYMA Charity Fund Ltd •Dr Poon Yee Ling Eligina •恒生銀行 Hang Seng Bank •Mr & Mrs Kenneth Quinn 鑽石捐款者 DIAMOND DONORS HK$70,000 - HK$139,999 •Tsang Wing Fun •曹延洲醫生 Dr Tsao Yen Chow •法國巴黎銀行 BNP Paribas •Martin Rogers & Janet Cheng •Mrs Purviz R Shroff and the late Mr Rusy M Shroff, BBS, MBE •黃乃正教授及陳頴儀醫生 •田家炳基金會 Tin Ka Ping Foundation •Mr Wong Yick Kam •芝蘭基金會 Zhilan Foundation 翡翠捐款者 JADE DONORS HK$30,000 - HK$69,999

青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999

•林聖竤 Chris Lin •Roger & Lina Lui •Mr & Mrs Stephen Suen

•無名氏 (12) Anonymous (12) •Antonhill Company Limited •Biz Office Limited •Carthy Limited •Cynthia Cheng & Aaron Chan •Dr Chan Chun Yin •Dr Cindy Chan •Dr Chan Wan Tung •D Chang •Ms Cheung Kit Fung •張宏毅律師及江淑慧夫人 Mr & Mrs Joseph W N Cheung •Ms Grace Chiang •Mr & Mrs Norman Chui •Community Partner Foundation Limited •Mr & Mrs Kenneth H C Fung •giliproduction •HUI Silvia •Betty Hung •Dr Alfred Lau •Joanna Lau •Dr Nancy Leung •Savita Leung •Maya & Dirk 4ever •Ms Janice Ritchie •Susan Lim & Neil Roberts •Mr Siddique Salleh •Mr So Kin Man •William Stork & Jasmine Wong •Dr Tam Oi Wo Joyce •Ms Wong Siu Yee Amy •殷和順劉善萍伉儷 •Ms Yim Chui Chu •Mr Desmond Yu •野豬先生 •皮皮

黃金捐款者 GOlD DONORS HK$12,000 - HK$29,999 •無名氏 Anonymous •Mr & Mrs Herbert Au-Yeung •Ms Margaret Cheng •招國利先生 Mr Chiu Kwok Lee •Dr Chung See Yuen •馮兆林先生 Mr Fung Shiu Lam •Richard & Ruth Herbst •Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •Yvonne Cheng & Kelvin Koo •Caroline & Stefan Kracht •Mrs Carol Murray •Nathaniel Foundation Limited •Diana d'Arenberg & Jay Parmanand •孫永輝施熙德伉儷 Edith Shih & Stephen Sun •Mr Stephen Tan •Peter & Nancy Thompson •Mr William To •黃逸思先生夫人 Mr & Mrs Y S Wong •Ms Wong Yuen Mee Elsa •Mrs Wu Tseng Helen 純銀捐款者 SIlVER DONORS HK$6,000 - HK$11,999 •無名氏 (2) Anonymous (2) •區燊耀先生 Mr Au Son Yiu •Mr Iain Bruce •趙穎雅 Winnie W N Chiu •天智合規顧問有限公司 CompliancePlus Consulting Limited •Mr & Mrs A R Hamilton •Ms Winnie W Ho •羅偉騫先生及夫人 Andy Law & Wendy Chan •駱余劍清紀念基金 Lok Yu Kim Ching Memorial Fund

新作捐助計劃 New Works Scheme 翡翠捐款者 JADE DONORS HK$30,000 - HK$69,999 •Ms Sun Tien Chen 黃金捐款者 GOlD DONORS HK$12,000 - HK$29,999 •無名氏 Anonymous •劉仰澤先生 Mr Lau Yeung Chak •林聖竤 Chris Lin •孫永輝施熙德伉儷 Edith Shih & Stephen Sun 純銀捐款者 SIlVER DONORS HK$6,000 - HK$11,999 •Ms Winnie W Ho

•Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •駱余劍清紀念基金 Lok Yu Kim Ching Memorial Fund 青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999 •無名氏 (3) Anonymous (3) •Michael and Jennifer Barth •Star B Chan & MDB •Dr Xina Lo •Mrs A M Peyer •黃逸思先生夫人 Mr & Mrs Y S Wong

支持及協助 Support and Co-operation •Acorn Design •Alfie Leung Design •AMC Pacific Place •艺鵠 Arts and Culture Outreach •香港展能藝術會 Arts with the Disabled Association Hong Kong •教育局藝術教育組 Arts Education Section, Education Bureau •香港愉景灣酒店 Auberge Discovery Bay Hong Kong •樺利廣告有限公司 Avanny Advertising Co Ltd •庇理羅士女子中學 Belilios Public School •BRICK LANE •英國文化協會 British Council •Broadway Cinema •百老匯院線 Broadway Circuit •牛棚藝術村 Cattle Depot Artist Village •CCDC 舞蹈中心 CCDC Dance Centre •中國對外文化集團公司 China Arts and Entertainment Group (CAEG) •中華基督教會公理堂 China Congregational Church •周生生集團國際有限公司 Chow Sang Sang Jewellery Co. Ltd •中信國際電訊 ( 信息技術 ) 有限公司 CITIC Telecom International CPC Limited •城市當代舞蹈團 City Contemporary Dance Company •城巿花園酒店 City Garden Hotel •思聯設計有限公司 CL3 Architects Ltd •阿根廷駐港總領事館 Consulate General of Argentina in Hong Kong •比利時駐港澳總領事館 Consulate General of Belgium in Hong Kong and Macau •巴西駐港總領事館 Consulate General of Brazil in Hong Kong •加拿大駐香港總領事館 Consulate General of Canada in Hong Kong and Macao •法國駐港澳總領事館 Consulate General of France in Hong Kong and Macau •希臘駐港總領事館 Consulate General of Greece in Hong Kong •愛爾蘭駐港澳總領事館 Consulate General of Ireland in Hong Kong and Macau •意大利駐港總領事館 Consulate General of Italy in Hong Kong •日本國駐香港總領事館 Consulate General of Japan in Hong Kong •馬來西亞駐港澳總領事館 Consulate General of Malaysia in Hong Kong and Macau SAR •印尼駐港總領事館 Consulate General of the Republic of Indonesia in Hong Kong •大韓民國駐香港總領事館 Consulate General of the Republic of Korea in Hong Kong •俄羅斯駐香港總領事館 Consulate General of the Russian Federation in Hong Kong SAR, PRC •西班牙駐港澳總領事館 Consulate General of Spain in Hong Kong and Macao •瑞士駐香港總領事館 Consulate General of Switzerland in Hong Kong •英國駐港總領事館 Consulate General of United Kingdom in Hong Kong •澳門特別行政區政府文化局 Cultural Affairs Bureau of the Macao S.A.R. Government •Die Konzertisten •拔萃男書院 Diocesan Boys' School •拔萃女小學 Diocesan Girls' Junior School •拔萃女書院 Diocesan Girls' School •香港荃灣帝盛酒店 Dorsett Tsuen Wan •Edge 'n Pointe Dance Centre •港威酒店 Gateway Hotel •德國駐香港總領事館 German Consulate General Hong Kong •六國酒店 Gloucester Luk Kwok Hong Kong •香港歌德學院 Goethe-Institut Hong Kong •香港君悅酒店 Grand Hyatt Hong Kong •8 度海逸酒店 Harbour Plaza 8 Degrees •嘉湖海逸酒店 Harbour Plaza Resort City •快達票香港有限公司 HK Ticketing •香港聖公會聖保羅堂 HKSKH St. Paul's Church

•香港藝術行政人員協會 Hong Kong Arts Administrators Association •香港藝術中心 Hong Kong Arts Centre •香港藝術發展局 Hong Kong Arts Development Council •香港浸會大學 Hong Kong Baptist University 電影學院 Academy of Film 音樂系 Department of Music 拉闊文化 Cultural Literacy Programme 政治及國際關係學系 Department of Government and International Studies •美國管風琴家協會香港分會 Hong Kong Chapter of the American Guild of Organists •香港大會堂 Hong Kong City Hall •香港文化中心 Hong Kong Cultural Centre •香港經濟貿易辦事處 Hong Kong Economic and Trade Office •香港黃金海岸酒店 Hong Kong Gold Coast Hotel •香港文化博物館 Hong Kong Heritage Museum •香港管弦樂團 Hong Kong Philharmonic Orchestra •香港公共圖書館 Hong Kong Public Libraries •香港唱片 Hong Kong Records •香港樹仁大學 Hong Kong Shue Yan University 圖書館 Library •香港旅遊發展局 Hong Kong Tourism Board •香港童聲合唱團 Hong Kong Treble Choir •宜必思香港中上環 ibis Hong Kong Central and Sheung Wan •工銀亞洲 ICBC (Asia) •富薈馬頭圍酒店 iclub Ma Tau Wai Hotel •海景嘉福洲際酒店 InterContinental Grand Stanford Hong Kong •香港洲際酒店 InterContinental Hong Kong •益普索香港 Ipsos Hong Kong •港島太平洋酒店 Island Pacific Hotel Hong Kong •賽馬會創意藝術中心 Jockey Club Creative Arts Centre •賽馬會官立中學 Jockey Club Government Secondary School •高山劇場 Ko Shan Theatre •九龍木球會 Kowloon Cricket Club •Kubrick •葵青劇院 Kwai Tsing Theatre •光華新聞文化中心 Kwang Hwa Information & Culture Center •中央人民政府駐香港特別行政區聯絡辦公室 Liaison office of the Central People's Government in the HKSAR •嶺南大學 Lingnan University 文學院 Faculty of Arts 黃炳禮音樂及演藝部 Wong Bing Lai Music and Performing Arts Unit 學生服務中心 Student Service Centre •香港逸蘭精品酒店 Lanson Place Hotel, Hong Kong •La Rotisserie •馬哥孛羅香港酒店 Marco Polo Hongkong Hotel •Maxibit HK/China •中華人民共和國文化和旅遊部 Ministry of Culture and Tourism, PRC •Mission Production Company Ltd •音樂事務處 Music Office •One Minden Tapas Kitchen •PALACE ifc •柏斯琴行 Parsons Music Limited •卓滙達有限公司 Patsville Company Ltd •Pause Rewind n FastForward •電訊盈科 PCCW •犇華企業服務有限公司 Primasia Corporate Services Limited •香港太子酒店 Prince Hotel, Hong Kong •香港帝景酒店 Royal View Hotel •沙田大會堂 Sha Tin Town Hall •聖公會鄧肇堅中學 Sheng Kung Hui Tang Shiu Kin Secondary School •信興電器貿易有限公司 Shun Hing Electronic Trading Co., Ltd. •先鋒廣告製作有限公司 Sin Fung Advertising Production Co., Ltd. •Southgate Design •香港西班牙商會 Spanish Chamber of Commerce in Hong Kong

•事必達推廣有限公司 Speedy Promotion Limited •聖雅各福群會 St. James' Settlement •辰衝圖書有限公司 Swindon Book Co. Ltd. •大館 Tai Kwun •台灣蘇富比國際房地產 Taiwan Sotheby's International Realty •藝林文具印刷有限公司 The Artland Co Ltd •香港八和會館 The Chinese Artists Association of Hong Kong •香港中文大學 The Chinese University of Hong Kong 戲曲資料中心 Chinese Opera Information Centre 音樂系 Department of Music 文學院 Faculty of Arts 和聲書院 Lee Woo Sing College 聯合書院 United College •香港城市大學 The City University of Hong Kong 中文系 Department of Chinese and History 英文系 Department of English 城大創意媒體學院 School of Creative Media •城景國際 The Cityview •香港教育大學 The Education University of Hong Kong 文化與創意藝術學系 Department of Cultural and Creative Arts 圖書館 Library •梅夫人婦女會 The Helena May •香港演藝學院 The Hong Kong Academy for Performing Arts 中國戲曲學院 School of Chinese Opera 戲劇學院 School of Drama 音樂學院 School of Music •香港兒童合唱團 The Hong Kong Children’s Choir •香港理工大學 The Hong Kong Polytechnic University 圖書館 Library •香港科技大學 The Hong Kong University of Science and Technology 藝術中心 Center for the Arts 人文學部 Division of Humanities 學生住宿及舍堂生活事務處 Student Housing and Residential Life Office HKUST Music Alive!

•中環石板街酒店 The Pottinger Hong Kong •皇家太平洋酒店 The Royal Pacific Hotel and Towers •香港大學 The University of Hong Kong Cultural Management Office 音樂系 Department of Music 通識教育部 General Education Unit 國際事務處 International Affairs Office 圖書館 Library 現代語言及文化學院 School of Modern Languages and Cultures 香港大學博物館學會 The University of Hong Kong Museum Society 香港大學美術博物館 University Museum and Art Gallery •香港華美粵海酒店 The Wharney Guang Dong Hotel Hong Kong •通利琴行 Tom Lee Music Company Ltd •三角關係 Trinity Theatre •屯門大會堂 Tuen Mun Town Hall •UA CINEHUB •城市售票網 URBTIX •美國駐港澳總領事館 U.S. Consulate General in Hong Kong & Macau •進富印刷公司 Wealthy Step Printing Co. •wine etc •油麻地戲院 Yau Ma Tei Theatre •葉氏兒童合唱團 Yip's Children's Choir •香港基督教青年會（港青） YMCA of Hong Kong •青年學院 Youth College •青年廣場 Youth Square •元朗劇院 Yuen Long Theatre •赤豚事務所 Zhu Graphizs

節目時間表 Programme Calendar 歌劇 戲 音樂 /曲 OPERA / CHINESE OPERA MUSIC

萊比錫歌劇院 華格納《唐懷瑟》

CCGT

1/3 2/3

7pm 6pm

Madame White Snake

by Zhou Long and Cerise Lim Jacobs

APAL

8-9/3

7:30pm

粵劇《百花亭贈劍》 毛俊輝導演作品（更新版）

Cantonese Opera - Pavilion of a Hundred Flowers Directed by Fredric Mao (Reboot)

STTHAUD

1-2/3

8pm

粵劇越洋半世紀 -《紅了櫻桃碎了心》 - 白玉堂折子戲 -《胡不歸》 - 名伶花旦展演話當年

Cantonese Opera - Global Traces, Local Stages YMTT - Red Cherries and a Broken Heart - Vignettes of Pak Yuk-tong’s “Three Big Trials” - Why Don’t You Return?

- A Long Passion – Talk, Demonstration and Performance

9/3 10/3 11/3 15-17/3

7:30pm 2:30pm 7:30pm 7:30pm

香港小交響樂團 小號巨星納卡里亞科夫

Hong Kong Sinfonietta Sergei Nakariakov • The Art of the Trumpet

CHCH

16/2

8pm

瑪琳．艾爾梭與聖保羅交響樂團

Marin Alsop with the São Paulo Symphony Orchestra

CCCH

21-22/2

8pm

Hong Kong Chinese Orchestra Meeting Across Nine Millennia of Time

CHCH

22/2

8pm

鮮于睿權鋼琴獨奏會

Yekwon Sunwoo Piano Recital

CHCH

23/2

8pm

帕佛．約菲與 NHK 交響樂團

Paavo Järvi with the NHK Symphony Orchestra, Tokyo

CCCH

28/2

8pm

法國世紀樂團：白遼士 150 指揮：麥森．帕斯高

Les Siècles: BERLIOZ 150 Conductor: Maxime Pascal

CCCH

2/3 3/3

8pm 4:30pm

萊比錫歌劇院合唱團 《歌劇合唱盛會》

Chor der Oper Leipzig Opera Chorus Concert

CCCH

3/3

8:15pm

馬祖耶夫鋼琴獨奏會

Denis Matsuev Piano Recital

CHCH

7/3

8pm

馬祖耶夫與得獎新晉鋼琴家匯演

Matsuev and Young Laureates Piano Gala

CHCH

8/3

8pm

Quondam Spanish Renaissance Choral Masterpieces

CHCH

9/3 10/3

8pm 4pm

Li Biao Percussion Group - From Baroque to Tango

CCCH

15/3

8pm

P is for PERCUSSION! Family Concert

by Li Biao Percussion Group

CCCH

16/3

8pm

洪儷僖管風琴獨奏會

Riyehee Hong Organ Recital

CCCH

18/3

8pm

克雷莫納弦樂四重奏

Quartetto di Cremona

CHCH

21-22/3

8pm

爵士新潮 - 馬可．梅斯基達三重奏《拉威爾的夢》

Nouveau Jazz Weekend - Marco Mezquida Trio - Ravel's Dreams

APAD 22/2 23/2 23/2 23/2

8pm 7:30pm 4pm 9:30pm

2-3/3 2/3 3/3

4:30pm 8pm 8pm

《白蛇傳》 作曲：周龍 | 編劇：林曉英

香港中樂團 《九千年的邂逅》

時光之音 《西班牙文藝復興合唱代表作》 李飈打擊樂團《巴羅克．探戈》 《好！擊！動！》親子音樂會 李飈打擊樂團

爵士樂 世 / 界音樂 JAzz / WOrLD MUSIC

- 馬可．梅斯基達鋼琴獨奏會 - 佐治．達洛查低音大提琴獨奏獨唱會

Oper Leipzig Wagner’s Tannhäuser

- Marco Mezquida Piano Solo - Jorge da Rocha Solo

世界音樂週末營 - Criatures 二人組及 Belda & Sanjosex - 易莎．拉娜三重奏《路》 - 佐治．達洛查三重奏《放下．放開》

World Music Weekend - Criatures and Belda & Sanjosex - Yexza Lara - Camino - Jorge da Rocha - To Drop and Let Go

HKAC-ST

馬祖耶夫爵士樂隊

DANCE

舞蹈

Matsuev and Friends Play Jazz

CCCH

9/3

8pm

湯瑪士．夸斯托夫四重奏 《Nice 'N' Easy》

Thomas Quasthoff Quartet Nice 'N' Easy

CCCH

14/3

8pm

希薇雅．佩瑞茲．克露絲 《夜妝》

Sílvia Pérez Cruz Dressed by the Night (Vestida de Nit)

CCCH

22/3

8pm

香港藝術節 @ 大館

HKartsFestival@TaiKwun

TK

2-3/3 9-10/3

雲門舞集 45 週年 林懷民舞作精選

Cloud Gate Dance Theatre of Taiwan The 45th Anniversary Gala Programme Retrospectives of Lin Hwai-min's Works

CCGT

21-23/2 24/2

8:15pm 2pm

Euripides Laskaridis / Osmosis TITANS

APAD

26-27/2

8:15pm

歐里庇德斯．拉斯卡里迪斯及遊離表演工作坊 《泰坦 – 諸神之舞》

CCGT CCCH CCST CHCH

香港文化中心大劇院 Grand Theatre, HK Cultural Centre 香港文化中心音樂廳 Concert Hall, HK Cultural Centre 香港文化中心劇場 Studio Theatre, HK Cultural Centre 香港大會堂音樂廳 Concert Hall, HK City Hall

CHT APAL APADT HKAC-ST

香港大會堂劇院 Theatre, HK City Hall 香港演藝學院歌劇院 Lyric Theatre, HKAPA 香港演藝學院戲劇院 Drama Theatre, HKAPA 香港藝術中心壽臣劇院 Shouson Theatre, Hong Kong Arts Centre

DANCE

舞蹈

香港賽馬會當代舞蹈平台 -《舞鬥》 -《雙篇雙人舞》 -「兩地書」-《沒有大象》 亞太舞蹈平台 -《由削木開始》 -《黃翊與庫卡》

The Hong Kong Jockey Club Contemporary Dance Series - Dance Off

CCST

- Double Bubble

CCST

- Dance Exchange - Elephant in the Room Asia Pacific Dance Platform - From starting to cut the wood - HUANG YI & KUKA

CCST

28/2, 1/3 2/3 15/3 16/3 20-21/3

8:15pm 3pm 8:15pm 2:45pm 8:15pm

KTT-BBT APA-DT

12-13/3 1-2/3

8pm 8:15pm

THEATrE

戲劇

漢堡芭蕾舞團 – 約翰．紐邁亞 《胡桃夾子》

The Hamburg Ballet - John Neumeier The Nutcracker

CCGT

13-15/3

7:30pm

漢堡芭蕾舞團 – 約翰．紐邁亞 《貝多芬計劃》

The Hamburg Ballet - John Neumeier Beethoven Project

CCGT

19-20/3

7:30pm

漢堡芭蕾舞團 – 約翰．紐邁亞 《約翰．紐邁亞的世界》

The Hamburg Ballet - John Neumeier The World of John Neumeier

CCGT

23/3 24/3

7:30pm 2:30pm

重新劇團 《追憶消逝的人生》

Theatre Re The Nature of Forgetting

CCST

21-24/2 23-24/2

8:30pm 4:30pm

瑞士默劇團 《百變樂園》

Mummenschanz Reloaded

APAL YLT-AUD

21-22/2 24/2 24/2

7:30pm 1pm 5pm

倫敦燃料劇團、布里斯托爾老域劇團、 愛丁堡皇家蘭心劇院與北安普敦皇家及 德蓋特劇院聯合製作 《攀越冰峰》

A Fuel, Bristol Old Vic, Royal Lyceum Theatre Edinburgh, and Royal & Derngate Northampton co-production Touching the Void

CHT

21-24, 8pm 26-28/2, 1-2/3 23-24/2, 2/3 3pm

機器神製作 羅伯特．利柏殊創作及演出 《887》

Ex Machina Created and performed by Robert Lepage 887

APAL

27-28/2, 1-2/3 8pm 2/3 3pm

賽馬會本地菁英創作系列 《陪着你走》

Jockey Club Local Creative Talents Series Always by Your Side

KTT-AUD

2,6-9/3 3,9-10/3

8pm 3pm

正點劇團 《哈姆尼特─莎士比亞之子》

Dead Centre Hamnet

CCST

4-5/3

8:15pm

正點劇團 《契訶夫處女作》

Dead Centre Chekhov's First Play

CCST

8-9/3 9-10/3

8:15pm 3pm

北京李六乙戲劇工作室 《哈姆雷特》

Beijing LiLiuyi Theatre Studio The Tragedy of Hamlet, Prince of Denmark

CCGT

7-8/3 9/3

7:30pm 2:30pm

《九江》

Gangsters of Hong Kong

CHTH

8-9,13-16, 20-23/3 10, 17, 24/3

8pm

Ontroerend Goed 《金錢世界》( 英語版 )

Ontroerend Goed - £¥€$ (LIES) (English Version)

TK-F Hall

《金錢世界》( 粵語版 )

- £¥€$ (LIES) (Cantonese Version)

12-17/3 12-15/3 16-17/3 20-24/3 20-22/3 23-24/3

6pm 9pm 3pm 6pm 9pm 3pm

離奇作業劇團 《蛙人》

curious directive Frogman

CDAV

12-15/3 12-15/3 16-17/3 16-17/3

7pm 9pm 3pm 5pm

傑夫．索貝爾 《家》

Geoff Sobelle Home

APAL

14-16/3 16/3

8pm 3pm

皮普．德爾邦諾劇團 《快樂大本營》

Compagnia Pippo Delbono La Gioia (Joy)

APAL

22-23/3

8pm

馬里安諾．潘恩索廸及瑪利亞劇團 《三個女人搞革命》

Mariano Pensotti / Grupo Marea Burning Bright in the Forest of the Night

CCST

23/3 24/3

8:15pm 5pm

3pm

資料截至 Information as of: Jan 2019

KTT-BBT KTT-AUD YLT-AUD STTH-AUD

葵青劇院黑盒劇場 Black Box Theatre, Kwai Tsing Theatre 葵青劇院演藝廳 Auditorium, Kwai Tsing Theatre 元朗劇院演藝廳 Auditorium, Yuen Long Theatre 沙田大會堂演奏廳 Auditorium, Sha Tin Town Hall

YMTT TK CDAV

油麻地戲院 Yau Ma Tei Theatre 大館 Tai Kwun 牛棚藝術村 Cattle Depot Artist Village

藝術絕不止於劇場或舞台，而是能延伸至生活的每個小節。無論您是藝術節的忠實擁躉、藝術 愛好者或年輕藝術家，PLUS誠邀您透過一系列老少咸宜的節目與特備活動，一起探索與體驗 香港藝術節「演出之外，更多精采！」 PLUS extends your festival experience to more than what you see on stage. Experienced festivalgoers, newcomers, budding artists, and the young and old alike will be delighted that there are "More than Great Performances" at the Hong Kong Arts Festival!

漢堡芭蕾舞團的世界

The World of Hamburg Ballet

漢堡芭蕾舞團 — 舞蹈電影系列 Hamburg Ballet at the Cinema ������Nijinsky 2/3 六 Sat ���������J.S. Bach: Christmas Oratorio 24/3 日 Sun ������Tatiana 30/3 六 Sat 購票詳情 Ticketing details: uacinemas.com.hk

������������ Artist Salon: John Neumeier 21/3 四 Thu 7:30 - 8:30pm 香港逸蘭精品酒店 Lanson Place Hotel, HK

漢堡芭蕾舞團大師班 Hamburg Ballet Masterclass

h ,JSBO 8FTU

16/3 六 Sat 10:00 -11:30am (中級 Intermediate) 24/3 日 Sun 10:00 -11:30am (高級 Advanced) 香港文化中心 GR2 排演室 Rehearsal Room GR2, HK Cultural Centre

漢堡芭蕾舞團����������� Hamburg Ballet The Nutcracker Introductory Class for Kids 17/3 日 Sun 11:30am - 12:45pm | 2:15 - 3:30pm 香港文化中心 GR2 排演室 Rehearsal Room GR2, HK Cultural Centre h ,JSBO 8FTU

報名及更多加料節目詳情請瀏覽 To learn more about PLUS events, please visit: www.hkartsfestivalplus.org

藝術節加料節目 節目詳情及網上報名 For more details and online registration: www.hk.artsfestivalplus.org 音樂 MUSic

特備節目 SpecialS 25/1/2019

26/1/2019

樂與畫音樂會：《哥雅之畫》- 葛拉納多斯的音樂意境 Music and Art Concert: Goya’s World through Granados’s Goyescas 《風琴遊蹤》導賞遊與風琴獨奏會 Pipe Organ Walk & Organ Recital

20/2/2019

聖保羅交響樂團四重奏 SPSO String Quartet

22/2/2019

香港藝術節傑出文化領袖講座系列 講者︰葉 芠芠（雲門文化藝術基金會執行總監） HKAF Distinguished Cultural Leader Series (VI) Speaker: Yeh Wen-wen (Executive Director of Cloud Gate Cultural and Arts Foundation)

20/2/2019

公開彩排︰瑪琳．艾爾梭、聖保羅交響樂團 與本地學生樂團 Open Rehearsal: Marin Alsop, São Paulo Symphony Orchestra and Local Student Orchestras

22/2/2019

聖保羅交響樂團演前導賞講座 : 瑪琳．艾爾梭 細說伯恩斯坦與她的指揮生涯 Sao Paulo Symphony Orchestra Pre-performance Talk: Marin Alsop on Bernstein and Her Conducting Career

22/2/2019

馬可．梅斯基達爵士樂工作坊 Marco Mezquida Jazz Improvisation Workshop

28/2/2019

NHK 交響樂團演前導賞講座︰細聽二十世紀改革之風 NHK Symphony Orchestra Pre-performance Talk: Listen to the Winds of Changes PLUS 兒童合唱團大堂音樂會 Festival PLUS Children's Choir Foyer Performance

22/2/2019 24/2/2019

《舞城遊蹤》 Choreography Walk

26/2/2019 3/3/2019

《家常便飯》 Family Dinner

2/3/2019

2/3/2019

《歌劇探秘同樂日》Opera Adventure Day

2/3/2019

28/2 - 3/3/ 2019

「萊比錫樂韻之路」展覽 Leipzig Music Trail (Leipziger Notenspur) Exhibition

《萊比錫樂韻之路》室樂音樂會 Leipzig Music Trail Chamber Concert

2/3/2019

《一齊玩》戲劇工作坊 We PLAY Theatre Workshop

16/3/2019

《好！擊！動！》同樂日 P is for Percussion! Family Day

2/3/2019

法國世紀樂團演前導賞講座︰幻想交響曲 Les Siècles Pre-performance Talk: Symphonie Fantastique

3/3/2019

萊比錫布業大廳樂團雙簧管、圓號、長號大師班 Oboe, Horn & Trombone Masterclass by Gewandhausorchester Leipzig

3/3/2019

法國世紀樂團演前導賞講座︰白遼士的一生 Les Siècles Pre-performance Talk: The Life of Berlioz

3/3/2019

萊比錫歌劇院演前導賞講座︰《歌劇合唱盛會》 Oper Leipzig Pre-performance Talk: Opera Chorus Concert

21/3/2019

藝術家沙龍︰約翰．紐邁亞 Artist Salon: John Neumeier

舞蹈 DaNce 19, 23/2/2019

雲門舞集工作坊 Cloud Gate Dance Theatre of Taiwan Workshop

1/3/2019

公開彩排︰香港賽馬會當代舞蹈平台《雙篇雙人舞》 Open Rehearsal: The Hong Kong Jockey Club Contemporary Dance Series Double Bubble

11/3/2019

藝術家對談︰從工藝到舞蹈 Arts Chat: From Crafting to Dancing

13/3/2019

漢堡芭蕾舞團演前導賞講座 : 交流網絡的藝術 The Hamburg Ballet Pre-Performance Talk: The Art of Networking

15/3/2019

漢堡芭蕾舞團早課參觀 Observing Company Class

15/3/2019

《胡桃夾子》後台參觀 Backstage at The Nutcracker

4/3/2019

《白蛇傳》歌劇創作講座 Madame White Snake Reimagined

9, 11/3/2019

時光之音合唱指揮工作坊 Choral Conducting and Choral Singing Workshop with Rupert Damerell

9/3/2019

馬祖耶夫爵士樂隊演前導賞講座︰ 古典音樂與爵士音樂的交匯 Matsuev and Friends Play Jazz Pre-performance Talk: Harmony between Classical and Jazz

16, 24/3/2019

漢堡芭蕾舞團大師班 Hamburg Ballet Masterclass

17/3/2019

漢堡芭蕾舞團《胡桃夾子》兒童工作坊 Hamburg Ballet The Nutcracker Ballet Introductory Class for Kids

13/3/2019

湯瑪士．夸斯托夫聲樂大師班 Thomas Quasthoff Vocal Masterclass

19/3/2019

漢堡芭蕾舞團《貝多芬計劃》演前導賞講座 The Hamburg Ballet Pre-Performance Talk: Beethoven Project

14/3/2019

23/3/2019

漢堡芭蕾舞團《約翰．紐邁亞的世界》演前導賞講座 The Hamburg Ballet Pre-Performance Talk: The World of John Neumeier

湯瑪士．夸斯托夫四重奏演前導賞講座 : 古典音樂與爵士音樂的交匯（二） Thomas Quasthoff Quartet Pre-Performance Talk: Harmony between Classical and Jazz II

13, 14/3/2019

李飈打擊樂團敲擊樂大師班 Percussion Ensemble Masterclass by Li Biao Percussion Group

15/3/2019

李飈打擊樂團演前導賞講座︰《巴羅克．探戈》 Li Biao Percussion Group Pre-Performance Talk : From Baroque to Tango

16, 17/3/2019

洪儷僖管風琴大師班 Riyeehee Hong Organ Masterclass

歌劇／戲曲 OpeRa 1, 2/3/2019

萊比錫歌劇院演前導賞講座︰《唐懷瑟》 Oper Leipzig Pre-performance Talk: Tannhäuser

2/3/2019

萊比錫歌劇院《唐懷瑟》後台參觀 Oper Leipzig's Tannhäuser Backstage Tour

12/3/2019

蔡艷香粵劇南派工作坊 Southern School of Cantonese Opera Workshop with Choy Him-heong

戲劇 THeaTRe

16/3/2019

《好！擊！動！》互動敲擊展覽 P is for Percussion Interactive Percussion Exhibition

16/3/2019

拇指琴 及「升」樂樽工作坊 Thumbiano and Musical Bottle Workshop 《律！動！啦！》大堂音樂會 Feel the Pulse NOW!!! Foyer Performance

28/2/2019

藝術家對談︰與劇場大師羅伯特．利柏殊對話 Arts Chat: In Conversation with Robert Lepage

16/3/2019

9/3/2019

藝術家對談︰導演李六乙的莎士比亞 Arts Chat: Director Li Liuyi's Interpretation of Shakespeare

20/3/2019

克雷莫納弦樂四重奏示範講座 Quartetto di Cremona Lecture Demonstration

22/3/2019

希薇雅．佩瑞茲．克露絲 演前導賞講座︰皆有可能 Sílvia Pérez Cruz Pre-Performance Talk: Everything Possible

電影 FilM 27/2/2019 2, 24, 30/3/ 2019

《攀越冰峰》電影放映與影後分享會 Touching the Void: Screening and Post-screening Talk 漢堡芭蕾舞團 - 舞蹈電影系列 Hamburg Ballet at the Cinema

贊助人

林鄭月娥女士

PATrON

永遠名譽會長 執行委員會 主席 副主席 義務司庫 委員

邵逸夫爵士

HONOrArY LIFE PrESIDENT EXECUTIVE COMMITTEE Chairman Vice Chairman Honorary Treasurer Members

節目委員會 主席 委員

財務委員會 主席 委員 發展委員會 主席 副主席 委員

顧問

名譽法律顧問 核數師

查懋成先生 盧景文教授 李錦榮先生 鄭維新先生 鄭惠貞女士 劉鎮漢先生 梁靳羽珊女士 梁卓偉教授 姚潔莉女士 楊 光先生 盧景文教授 白諾信先生 紀大衛教授 羅志力先生 毛俊輝先生 李 義法官 約瑟．施力先生 + 譚榮邦先生 姚 珏女士 李錦榮先生 鄭惠貞女士 梁國輝先生 梁靳羽珊女士 雍景欣女士 鄭阮培恩女士 邱詠筠女士 龐建貽先生 孫林宣雅女士 姚祖輝先生 夏佳理先生 鮑 磊先生 李業廣先生 梁紹榮夫人 李國寶博士 孖士打律師行 羅兵咸永道 會計師事務所

香港藝術節基金會 主席 霍 璽先生 管理人 陳祖澤博士 陳達文先生 梁紹榮夫人 +

PrOGrAMME COMMITTEE Chairman Members

FINANCE COMMITTEE Chairman Members

HONOrArY SOLICITOr AUDITOr

Mr Victor Cha Prof. Lo King-man, MBE, JP, SBS Mr William Li Mr Edward Cheng, SBS JP Ms Margaret Cheng Mr Anthony Lau Mrs Yu-san Leong Prof. Gabriel Leung, GBS JP Ms Miriam Yao Mr Sunny Yeung Prof. Lo King-man, MBE, JP, SBS Mr Giorgio Biancorosso Prof. David Gwilt, MBE Mr Peter C L Lo Mr Fredric Mao, BBS The Hon Mr Justice Ribeiro Mr Joseph Seelig + Mr Wing-pong Tam, SBS JP Ms Jue Yao, JP Mr William Li Ms Margaret Cheng Mr Nelson Leong

DEVELOPMENT COMMITTEE Chairman Vice Chairman Members

ADVISOrS

The Hon Mrs Carrie Lam Cheng Yuet-ngor, GBM GBS Sir Run Run Shaw, CBE (1907-2014)

Mrs Yu-san Leong Ms Jane Yong Mrs Betty Yuen Cheng Ms Winnie Chiu Mr Paulo Kin-yee Pong Mrs Helen Lin Sun Mr Andrew Yao The Hon Ronald Arculli, GBM CVO GBS OBE JP Mr Martin Barrow, GBS CBE JP Mr Charles Y K Lee, GBM GBS JP Mrs Mona Leong, SBS BBS MBE JP Dr The Hon David K P Li, GBM GBS JP Mayer Brown PricewaterhouseCoopers

HONG KONG ArTS FESTIVAL TrUST Chairman Mr Angus H Forsyth Trustees Dr John C C Chan, GBS JP Mr Darwin Chen, SBS ISO Mrs Mona Leong, SBS BBS MBE JP

榮譽節目顧問 Honorary Programme Advisor

地址 : 香港灣仔港灣道 2 號 12 樓 1205 室 電話 : 2824 3555 傳真 : 2824 3798, 2824 3722 節目查詢熱線 : 2824 2430

電子郵箱 : afgen@hkaf.org

Address: Room 1205, 12th Floor, 2 Harbour Road,Wanchai, Hong Kong Tel: 2824 3555 Fax: 2824 3798, 2824 3722 Email: afgen@hkaf.org Programme Enquiry Hotline: 2824 2430

職員 行政總監 行政總監助理 節目 節目總監 副節目總監 節目經理 節目經理（行政） 助理節目經理 節目統籌 節目主任（行政） 物流及接待經理 •技術 製作經理 助理製作經理 •出版 英文編輯 中文編輯 助理編輯 •外展 高級外展經理 助理外展經理 外展統籌 外展助理 藝術行政見習員 市場推廣 市場總監 副市場總監 市場經理 副市場經理 助理市場經理 數碼營銷專員 市場主任 藝術行政見習員 市場經理（票務） 客戶服務主任 發展 發展總監 發展經理 副發展經理 助理發展經理 發展統籌 發展助理 會計 會計主管 助理會計經理 會計主任 人力資源及行政 人力資源及行政經理 人力資源及行政主任 接待員 / 初級秘書 助理 無限亮 高級項目經理 助理節目及製作經理 助理外展經理 助理技術經理 市場統籌 高級會計主任 項目主任 香港藝術節 @ 大館 製作人 技術統籌

STAFF Executive Director Assistant to Executive Director Programme Programme Director Associate Programme Director Programme Managers

何嘉坤 何丹蓉 梁掌瑋 蘇國雲 葉健鈴 余瑞婷 * 蘇雪凌 黃傲軒 * 譚小敏 * 張翠騫 * 金學忠 *

陳韻妍 林淦鈞 * 胡鎮華 *

梁雅芝 * 莫賦斌 * 林秋美 * 廖健邦 * 林惠賢 * 李冠輝 張鼎丞 * 譚曉峯 * 李玨熙 * 李萬祺 * 鄭尚榮 胡銘堯 周 怡 楊 璞* 許慧儀 * 陳閏霖 * 鄭佩欣 * 鄭鈞澤 * 梁彩雲 黃煒城 * 余潔儀 張慧芝 * 譚樂瑤 蘇寶蓮 * 莫穎哲 * 袁愷晴 *

黎家欣 *

林嘉敏 *

鍾玉如 *

張嘉麟 *

楊恆怡 *

麥紫琴 *

鄺敬婷 杜詩麗 * 蘇永恆 * 馮紹昌 簡凱彤 * 李美娟 黃國愛 楊文秀 * 陳慧晶 * 鄧冠恒 * 鄺嘉欣 * 蔡珮珊 * 彭健欣 * 雲希朗 * 羅雪芬 * 梁嘉倩 * 李菁菁 * 周 怡 *

陳穎業 *

Tisa Ho Connie Ho

Grace Lang So Kwok-wan Linda Yip Vanessa Chan Susanna Yu* Lam Kam-kwan* Programme Manager (Administration) Shirley So Assistant Programme Manager Joseph Wong* Programme Coordinators Tracy Tam* Angus Wu* Programme Officer (Administration) Tracy Cheung* Logistic Manager Elvis King* • Technical Production Manager Shirley Leung* Assistant Production Manager Benny Mok* • Publications English Editor Gloria Furness* Chinese Editor James Liu* Assistant Editors Grace Lam* Melody Lai* • Outreach Senior Outreach Manager Kenneth Lee Assistant Outreach Manager Bell Cheung* Outreach Coordinators Mitch Tam* Carmen Lam* Joey Chung* Outreach Assistant Michael Lee* Arts Administrator Trainee Kelvin Li* MArKETING Marketing Director Katy Cheng Associate Marketing Director Dennis Wu Marketing Managers Alexia Chow Louis Cheung* Deputy Marketing Manager Michelle Yeung* Assistant Marketing Manager Surina Hui* Digital Marketing Specialist Ben Chan* Marketing Officer Bonnie Cheng* Arts Administrator Trainee Jeff Cheng* Marketing Manager (Ticketing) Eppie Leung Customer Service Officers Benny Wong* Hayley Yeung* DEVELOPMENT Development Director Flora Yu Development Managers Anna Cheung* Mak Tsz-kam* Deputy Development Manager Lorna Tam Assistant Development Manager Conny Souw* Development Coordinator Esther Mok* Development Assistant Antonia Yuen* ACCOUNTS Head of Accounts Department Teresa Kwong Assistant Accounting Manager Connie To* Accounting Officer Peter So* Hr & ADMINISTrATION HR & Administration Manager Calvin Fung HR & Administration Officer Vivian Kan* Receptionist/Junior Secretary Virginia Li General Assistant Bonia Wong NO LIMITS Senior Project Manager Camelia Yeung* Assistant Programme Ainslee Chan* and Production Manager Assistant Outreach Manager Joe Tang* Assistant Technical Manager Karen Kwong* Marketing Coordinator Silvia Choy* Senior Accounting Officer Janice Pang* Project Officer Alana Wan* HKAF@TAIKWUN Producers Georgina Lo* Leung Ka Sin* Chan Wing Yip* Cheryl Li* Eva Chau* Technicial Coordinators

技術統籌 * Technical Coordinators*

歐慧瑜 Rachel Au、陳佩儀 Claudia Chan、陳詠杰 Chan Wing Kit、陳家彤 Doris Chen、范文恩 Fan Man Yan、 許肇麟 Boolu Hui 、黎智勇 Martin Lai、李浩賢 Lawrence Lee、羅瑞麟 Wheel Lo、蕭健邦 Leo Siu

藝術家統籌 * Artist Coordinators*

鄭瑋菁 Virginia Cheng 、竺諺民 Edwin Chuk、張素真 Susan Hayden、向怡君 Cassandra Heung 、 何嘉露 Carrol Ho、洪飛鳴 Fei Hung、李仲文 Conan Lee、李海盈 Jane Li、彭慧雯 Jan Pang、 樊明媚 Tess Pham、潘頴詩 Renee Poon、譚善渝 Sally Tam * 合約職員 Contract Staff