香港藝術節 Hong Kong Arts Festival
由觀眾與社會各界支持的國際藝壇盛事
1973 年，首屆香港藝術節正式揭幕，至今已成 為地區內舉足輕重的表演藝術節，以及亞洲區 首屈一指的文化盛事。香港藝術節每年邀請享 譽國際的藝術家聚首一堂，演出的節目色色俱 備。在 2013 年，藝術節共邀請了 32 個海外及 17 個本地優秀藝術家及團體參與，為觀眾帶來逾 145 場精采演出，當中包括 13 場世界首演及 17 場 亞洲首演。
過去曾登上藝術節舞台的知名國際藝人及藝團包 括塞西莉亞．芭托莉、馬友友、小澤征爾、庫 特．馬素爾、列卡杜．沙爾、茱麗葉．庇洛仙、 奇雲．史柏西、皇家阿姆斯特丹音樂廳樂團、聖 彼得堡馬林斯基劇院基洛夫樂團及合唱團、維也 納管弦樂團、巴伐利亞國立歌劇院、紐約市芭蕾 舞團、巴黎歌劇院芭蕾舞團、漢堡芭蕾舞團、翩 娜．包殊烏珀塔爾舞蹈劇場、皇家莎士比亞劇團 及北京人民藝術劇院等。
除了多次與國際藝術團體攜手委約全新作品外， 藝術節亦積極委約本地藝術家創作戲劇、室內歌 劇和當代舞蹈等新作品。不少作品在藝術節首演 成功後，已在本港及海外多度重演。
藝術節銳意讓觀眾超越舞台界限，與藝術家近距 離接觸，每年策劃近百項加料節目。透過示範講 座、大師班、工作坊、座談會、後台參觀、導賞 團及電影展映等活動，提高大眾對藝術的興趣及 認識。加料節目經常跳出表演場地的框框，深入 不同社區，於書店、公園、教堂、商場以至大街 小巷裡舉行，當中更包括不少免費節目。
香港藝術節致力培養年輕一代對藝術的興趣，多 年來推行眾多的外展教育計劃，當中青少年之友 自1992年成立以來，曾參與活動的學生人數累計 近650,000人，會員累計約120,000人。青少年之 友會員除了有機會欣賞藝術節節目外，更可參加 全年各式的活動，提高其欣賞藝術的能力。
香港藝術節是一所非牟利機構，年度預算中的約 三成經費來自香港政府的撥款，約四成來自票房 收入，而餘下的約三成則有賴各大企業、熱心人 士和慈善基金會的贊助和捐款。
An International Arts Festival Truly Supported by its Audiences and the Community
Launched in 1973, the Hong Kong Arts Festival is a major annual festival in the region and one of Asia’s premier cultural events. Each year the Festival offers a broad spectrum of programmes, ranging from classical fare to cutting-edge productions. In 2013, the Festival presents over 145 performances, including 13 world premieres and 17 Asian premieres, featuring 32 ensembles or soloists from overseas and 17 from Hong Kong.
International artists and ensembles presented by the Festival in the past include Cecilia Bartoli, Yo-Yo Ma, Seiji Ozawa, Kurt Masur, Riccardo Chailly, Juliette Binoche, Kevin Spacey, the Royal Concertgebouw Orchestra, the Mariinsky Theatre and Valery Gergiev, the Vienna Philharmonic Orchestra, Bavarian State Opera, New York City Ballet, Paris Opera Ballet, Hamburg Ballet, Pina Bausch Tanztheater Wuppertal, Royal Shakespeare Company, and the People’s Art Theatre of Beijing, to name a few.
In addition to an active programme of international cocommissions, the Festival also commissions and produces work in theatre, chamber opera and contemporary dance by Hong Kong’s own creative talent . These productions have had successful subsequent runs both in and outside Hong Kong after the premiere season in the Festival.
Close to 100 Festival PLUS programmes are organised each year offering a diverse range of activities to enhance the engagement between artists and audiences: masterclasses, workshops, symposia, backstage visits, film screenings and other events. These PLUS programmes take place in performance venues and in community locations such as bookstores, parks, churches, malls and even along the streets and alleys of Hong Kong. Many are offered completely free of charge.
The Festival is also committed to promoting young people’s interest in the arts. Launched in 1992, its Young Friends (YFS) has in the past two decades reached out to nearly 650,000 students and about 120,000 members. YFS members enjoy special access to Festival events and performances, together with year round activities.
The Festival is a non-profit organisation. About 30% of its annual income is covered by government funding, about 40% by box office revenue , and the remaining 30% comes from sponsorships and donations from corporations, individuals, and charitable foundations
如欲贊助或捐助香港藝術節， 請與藝術節發展部聯絡
電郵: dev@hkaf.org
直綫: (852) 2828 4911/12/13
網頁: www.hk.artsfestival.org/
Please contact the HKAF Development Dept for sponsorship opportunities and donation details.
Email: dev@hkaf.org
Direct Lines: (852) 2828 4911/12/13
Website: www.hk.artsfestival.org
本場刊採用環保紙張印刷。This programme is printed on environmentally friendly paper
網上追蹤香港藝術節 Follow the HKArtsFestival on
Presents
創作 / 設計 / 操偶：楊輝
Design / Creation / Performance: Yeung Faï
12-15.3.2013
油麻地戲院
Yau Ma Tei Theatre
演出長約 1 小時 10 分鐘，不設中場休息
Running time: approximately 1 hour and 10 minutes with no interval
所有照片 All photographs © Mario Del Curto
敬請關掉所有響鬧及發光裝置，請勿擅自攝影、錄音或錄影，多謝合作。
Please switch off all sound-making and light-emitting devices. Unauthorised photography or recording of any kind is strictly prohibited. Thank you for your co-operation.
操偶
楊輝
彭可雷
佈景設計 / 木偶設計
楊輝
音樂
克林．歐佛
錄像設計
葉怡蘭
助手
彭可雷
燈光設計
克里斯托弗．蓋利
顧問
寶琳．狄莫涅
藝術顧問
蒂埃利．道治曼
巡演燈光監督
阿德里安．加戴勒
巡演音響及錄像監督
哲羅姆．維賀內
巡演經理
蕭文．迪德里
製作
洛桑劇院
聯合製作
法國阿爾薩斯國家戲劇中心
斯特拉斯堡青年劇場
瑞士日內瓦木偶劇院
獲以下機構支持
法國沙勒維爾-梅濟耶爾
國際木偶學校
世界首演：2011 年 1 月 12 日，洛桑劇院
Puppet Manipulators
Yeung Faï
Yoann Pencolé
Set Designer / Puppet Designer
Yeung Faï
Music
Colin Offord
Video Designer
Yilan Yeh
Assistant
Yoann Pencolé
Lighting Designer
Christophe Kehrli
External Consultant
Pauline Thimonnier
Artistic Advisor
Thierry Tordjman
Touring Lighting Manager
Adrien Gardel
Touring Sound & Video Manager
Jérôme Vernez
Tour Manager
Sylvain Didry
Producer
Théâtre Vidy-Lausanne
Co-producers
Théâtre Jeune Public of Strasbourg of CDN d’Alsace, France
Theatre des marionnettes of Geneva, Switzerland
With the support of Institut International de la Marionnette de Charleville-Mezieres, France
Premiere: 12 January 2011, Théâtre Vidy-Lausanne
藝術節加料節目 Festival PLUS 《戲偶人生》演後談 Behind the Hand Stories (Meet-the-Artist)
14.3.2013（四）晚上 9:10-9:40 歡迎觀眾演出後留步，與操偶師楊輝及彭可雷會面。
更多加料節目信息請參閱藝術節加料節目指南， 或瀏覽網站：www.hk.artsfestivalplus.org
14.3.2013 (Thu) 9:10-9:40pm
If you would like to meet Yeung Faï and Yoann Pencolé, please remain in the auditorium after the performance.
Find out more about Festival PLUS in the Festival PLUS Booklet or at www.hk.artsfestivalplus.org
好戲即將登場！在憑獨腳布袋戲《京劇縮影》巡迴南歐及世界 25 載後，掌中戲大師楊輝 將與我們分享他不尋常的一生 一位掌中戲大師的傳奇人生。
這是關於手的故事。自己的、父親的、兄弟的手；
關於無限小與無限大；
關於圖像與色彩；
關於不尋常之聲；
關於天使與魔鬼；
關於政治詩化的操弄；
關於傳承；
關於記憶與世代； 關於生存與命運。
配合台灣視覺藝術家葉怡蘭富有衝擊力的影像，以及澳洲作曲家克林．歐佛民族韻味濃 郁的樂聲，楊輝以出神入化的操偶技術，向我們講述一段跨越幾代人的故事，細說這藝 術家族的命運沉浮，展開一個亦真亦幻的想像世界。
一段段沒有對白的表演、詩意的視覺效果以及活靈活現的音效，構成了一個個「手的故 事」。它們既獨特又發人深省，從個人故事出發，卻有着普世價值。
It’s about time! After 25 years of treading the globe and Navarre with his one-man show Scenes of Peking Opera, Yeung Faï, master puppeteer of the Chinese tradition invites us to discover the extraordinary story of his life – that of an artist of puppeteers.
It’s about hands. His own. Those of his father. Those of his brothers.
It’s about the infinitely small and the infinitely vast.
It’s about images and colours.
It’s about unusual sounds.
It’s about angels and demons.
It’s about political-poetic manipulation.
It’s about passing something on.
It’s about memory and generations.
It’s about life and fate.
The intense images of Yilan Yeh (Taiwan), coupled with the ethnic sounds of Colin Offord (Australia), join the virtuosity of Yeung Faï’s glove puppetry in an epic tale that spans generations.
Hand Stories invites us to dive into the world of an extraordinary family, to get to the heart of an imaginary realism.
Made up of a series of wordless sketches, visual poems and living sounds, these “hand stories” are unique and complex, intimate and universal.
創作者的話
Creator’s Notes
文：楊輝
Text: Yeung Faï
我開始構思《戲偶人生》是幾年前的 事，那時我正帶着家傳的《京劇縮 影》在各地巡演。作為一個中國布袋 戲世家的第五代傳人，同時身為家族
中子承父業的最後一人，我花了些時 間才決定要不要做這齣新戲，要講什 麼樣的故事，以及如何來講。
我知道自己想以傳承為主題，而這齣 戲要講述的不光是我們楊家的故事， 還有更為廣義的中國布袋戲歷史發 展。布袋戲技藝的傳承，大多是靠父 教子、師授徒，一脈單傳，很容易就 會斷了線。以我的家族來說，這技藝 就像一束微弱的火光，好幾次差點熄 滅。在我看來，即便在今日，布袋戲 的絕技依舊瀕臨失傳的危險，急需想 辦法讓它流傳下去，因為這文化遺產 不只屬於中國人，更屬於全人類。
雖然布袋戲技藝的傳統特點從未改 變，但由於每位操偶師性格各異，大 時代背景也不盡相同，每一代表演者 都有着自己的風格。傳統布袋戲常常 和現代偶戲脫節，而《戲偶人生》則 表達了這古老技藝不斷演變的過程。
這就是我如何學習、領悟布袋戲，以 及希望它能不斷傳承下去的想法。
Hand Stories first came to me years ago. At the time I was touring a show called Scenes of Peking Opera, a piece that had been handed down to me by my family. I am heir to five generations of Chinese glove puppeteers, and the last in a direct line of father-son puppeteers. It took me time to make up my mind to create this piece, to decide what stories I wanted to tell and how to tell them.
I knew I wanted to talk about passing on the legacy, and that this piece would be both the story of my family, the Yeung family, and the more universal and atemporal story of Chinese puppetry. This handing down of skills from father to son, from teacher to pupil, is an extremely fragile link, and in the case of my family it is a light that has often been in danger of being extinguished. Even today this body of knowledge is under threat and there is, in my mind, an urgent need to pass on this cultural heritage that is not specifically Chinese, but belongs to everyone.
The traditional features of glove puppetry have remained unchanged, but each puppeteer adds his own touches to the art, influenced by his character and the particularities of his time. Traditional puppetry is too often disassociated from contemporary puppetry, and Hand Stories shows how this ancient craft is constantly changing. That’s how I learnt and experienced the art, and how I hope it will be passed on to future generations.
中國傳統布袋戲一窺
布袋戲是一種用布偶表演的中國地方戲 劇，大約起源於十七世紀明末清初的福建 一帶，流行於閩南語系地區，包括泉州、 漳州、廣東潮汕地區及中國南方其他地區， 後隨泉州、漳州等地的居民傳入台灣。
傳統布袋戲就像中國戲曲的縮影，許多劇 目、人物及服飾都直接取自傳統戲曲的大 舞台。布袋戲偶也分為生、旦、淨、末、 醜、雜等角色，而正如戲曲演員，許多戲 偶也畫有臉譜，臉譜顏色依角色性格而定：
黑臉代表剛直，青臉代表妖邪，紅臉代表 忠誠。戲偶的服飾同樣有特定含意，象徵 角色所屬社會階層，比如王公貴族的錦袍 繡有飛禽走獸、奇花異卉，而平民的衣裝 則粗簡樸素。與戲曲不同的是，大部分布 袋戲只說不唱，全靠唸白來進行對話及表 現人物心理。
傳統布袋戲通常在木製戲台表演，戲台裝 飾精美但空間狹窄，多數只在廟會、慶典 等特定場合演出。現代布袋戲則在發展中
演變出很多新表演形式，如上世紀五十至 七十年代盛行於台灣的金光布袋戲，以連 續劇形式播出的電視布袋戲，以及在劇院 演出的、有特製佈景及聲光效果的內台戲。
布袋戲的後場配樂在過去的幾十年間也有 很大轉變，現在的音樂除了傳統的南管和 潮調，還經常加入京劇、東瀛及西洋元素。
然而，操偶師始終是布袋戲的靈魂。每場 演出中，操偶師不單要操縱主要戲偶，還 要包攬所有口白。其助手則負責操縱其他 戲偶，在幕後給戲偶換裝，以及處理舞台 相關事宜。操偶師要操控戲偶表現複雜精 細的動作，如械鬥、肉搏、飲酒、寫字等， 而且要使每個角色的動作各有特色。技藝 精湛的操偶師，還能操縱戲偶做出喘息、 跳舞、甩髮辮等五花八門的動作，讓沒有 表情變化的戲偶能以肢體語言生動地表達 情感。
由黃進之輯錄
A Look at Traditional Chinese Glove Puppetry
A type of Chinese opera using cloth puppets, glove puppetry ( budaixi ) is believed to have originated in Fujian Province in China in the 17th century; it was transported to Taiwan by immigrants from the Quanzhou and Zhangzhou areas of Fujian Province. It has been traditionally practiced in the Min Nan-speaking areas including Quanzhou, Zhangzhou, the Guangdong region of Chaoshan and other parts of southern China.
Traditional glove puppetry can be seen as “Chinese opera in miniature”, since many of its themes, characters and costumes are taken directly from the big stage. The main characters consist of the male leads ( sheng and mo ), female lead ( dan ), supporting male role ( jing ), clown (chou), and miscellaneous other roles (za). As with operatic characters, the face of each puppet is coloured according to its personality, with black indicating a rough and uncultured character, green signifying a sinister and diabolical character, and red representing a loyal and honest soul. The costumes worn by puppets are symbolic and they indicate the traditional social class a character belongs to. For instance, the aristocrats dress in garments embroidered with animals, birds and flowers, while the commoners wear plain and simple attire. Glove puppetry differs from opera in that there is no singing in most glove puppet shows, in which the characters’ motives and emotions are conveyed through monologue and dialogue.
Traditional glove puppet shows are staged on narrow and highly ornamented wooden platforms, and they are often performed on special occasions such as temple openings and festivals. As a contemporary art form, glove puppetry has evolved into such new forms as “golden light” puppetry (a popular form of glove puppet shows from the 1950s through the 1970s in Taiwan), televised puppetry, and commercial theatre with special stage settings, sound and lighting effects. The music used in glove puppetry has also changed considerably in the past decades. Beyond traditional nanguan music and Chaozhou-styled ballads, a wide range of musical genres from Beijing opera to Japanese and Western pop are featured in glove puppet shows today.
The magic of the puppeteer, however, remains the key element of any glove puppet performance. During each show, the puppet master handles all voices and the main puppets, while an assistant handles the secondary puppets, behindthe-scene costume changes and stage related matters. The puppeteer must learn how to manipulate puppets to perform complex actions such as fighting with weapons, hand-to-hand combat, drinking and writing, and ensure that each puppet does so in its distinctive style. A skilled puppeteer makes use of an assortment of postures, gestures and actions, like puffing and blowing, dancing, and swinging the pigtail to convey the characters’ feelings.
Compiled by Nicolette Wong
楊輝
Yeung Faï
佈景設計 / 木偶設計/ 操偶
Set
Designer / Puppet Designer / Puppet Manipulator
1964 年生於中國，布袋戲世家第五 代傳人。布袋戲是中國最古老的傳統 民間藝術之一。其父是布袋戲大師， 在文革期間遭迫害。
楊輝現定居巴黎，是當地知名布袋戲 表演家及製偶大師。逾 20 年來攜獨 腳偶戲《京劇縮影》巡演世界各大偶 戲藝術節，足跡遍及亞洲、南北美 洲和歐洲。曾參與眾多電影和電視節 目，並於漳州木偶藝術學校任教多
年，現於法國沙勒維爾-梅濟耶爾的 國家木偶學校培訓年輕操偶師。
2004 年，楊輝參與格萊高利．卡依
的《六月雪》（改編自關漢卿《感天 動地竇娥冤》），指導 20 多隻戲偶 的操縱及監督戲偶製作，該劇假法國 斯特拉斯堡青年劇場演出。次年，他 再度與卡依合作，與一眾藝術家聯合 製作《唐吉訶德》中的戲偶。該劇於 斯特拉斯堡青年劇場首演，使用的戲 偶（布袋戲偶及日本木偶「文樂」） 全部於中國設計及製造。2006 至 2009 年間，楊輝參與了卡依導演的 《奧德賽》三部曲。
Born in China in 1964, Yeung is the fifth generation of a family of Chinese puppeteers. The art of puppetry is one of the oldest traditional Chinese folkloric arts. Yeung was trained by his father, grand master of Chinese Puppetry who was persecuted during the Cultural Revolution.
Today Yeung lives in Paris, where he is an established master of puppetry and maker of puppets. He has toured his one-man show Scenes of Peking Opera in major puppetry festivals worldwide for over 20 years, taking it to Asia, North and South America and Europe. He has taken part in numerous films and television shows, and has spent many years teaching at the Zhangzhou School of Puppetry. He now teaches young puppeteers in the National School of Puppetry Arts in CharlevilleMézières, France.
In 2004 he participated in Grégoire Callies’s stage adaptation of Guan Hanqing's Snow in Midsummer for the Théâtre Jeune Public at Strasbourg, directing the manipulation of over 20 puppets whose creation he also oversaw. In 2005 he and a team of artists made the puppets for Don Quixote, a Théâtre Jeune Public premiere directed by Grégoire Callies. All the puppets – both glove puppets and held puppets (bunraku) – were designed and made in China. Between 2006 and 2009 he participated in three plays, Odyssey 1-2-3 directed by Grégoire Callies.
Colin Offord
音樂
Music
歐佛身兼歌手、作曲家、多種樂器演 奏者、樂器發明者、劇場音樂設計師 及視覺藝術家。自 1976 年在悉尼沃 特斯畫廊的首次亮相以來曾巡演澳洲 及其他國家。曾代表澳洲參加各種文 化交流活動，包括：奧克蘭和愛丁堡 舉行的英聯邦藝術節，澳洲和西班牙 的世界博覽會，於摩納哥舉行的申奧 活動及歐洲、東南亞等地的文化交流 訪問。
歐佛合作過的藝術家及藝術團體包 括：澳洲原住民藝術家馬修．杜爾、 澳洲藍調傳奇克里斯．芬尼、台灣原 住民歌手胡德夫、澳洲音樂家卡爾 文．韋爾奇、嗩吶演奏家郭進財、葡 萄牙法朵歌手盧拉．佩納、比利時小 提琴家伯特．范拉西姆、土著樂團 「鴨嘴獸」、編舞家阿庫．卡多戈、 潔德．杜威及台北舞蹈空間舞團等。
歐佛的音樂作品涵蓋劇場、電影、數 字媒體、舞蹈、馬戲、視覺藝術展覽 等多種領域，其中包括：《山水》、
《世上不可能存在的真相》及《雨中 的舞者》。
Offord is a singer, composer, multi-instrumentalist, inventor of original instruments, designer of musical theatre pieces and visual artist. Since his first public performance at Watters Gallery, Sydney in 1976, Offord has performed his music throughout Australia and worldwide. Offord has represented Australia at Commonwealth Arts Festivals in Auckland and Edinburgh, World Expo in Australia and Spain and for the Sydney 2000 Olympic bid in Monaco and on many cultural exchange tours throughout Europe and Southeast Asia.
Offord has collaborated with a wide range of international artists including Tharawal Aboriginal Matthew Doyle, Australian Blues legend Chris Finnen, Taiwanese Aboriginal singer Kimbo Hu Te Fu, Australian musician Calvin Welch, Suona virtuoso Guo Jin Chai, Portughese Fado singer Lula Pena, Flemish violinist Bert van Lathem, and Platypus, Paul Jarman’s indigenous fusion group. His dance collaborations include Aku Kadogo, Jade Dewi and Taipei Dance Forum.
Offord has composed works for theatre, film, digital media, dance, circus and visual art exhibitions. Among them are Dancing Brush , L’improbable Verite du Monde and Danseurs de la Pluie . He has also written music for short features and documentary films. 克林·歐佛
葉怡蘭
Yilan Yeh
錄像設計
Video Designer
1969 年生於台灣，現定居澳洲昆士 蘭省麥克利島，媒體藝術家及策展 人，曾於台灣數間大學任教。葉怡蘭 的創作焦點之一是以傳統道家視角重 新審視現代藝術、媒體和文化活動。
她的影像裝置作品《山水》融合了道 家思想、傳統中國山水畫、中國書法 及西方美學。
2004 年，她開始與音樂家兼視覺藝 術家克林．歐佛合作，獲法國斯特拉
斯堡紐帶劇場委約創作了電影音樂會 《距離的暴政》。該作品結合歐佛和 葉怡蘭的影像及 1923 年電影《無期 徒刑》，獲澳洲影音館支持。2005 年為歐佛在台北皇冠藝術節參節作品 《島到島》任助理製作及視覺設計。
葉怡蘭最新作品《無常》是一系列為 特定場地打造的環境作品，把建築和 自然環境轉化成由影像和聲音構成的 世界，已在澳洲多處展出。
Born in Taiwan in 1969, Yeh now lives in Macleay Island, Queensland, Australia. Yeh is a media artist and curator and she has taught in universities in Taiwan. A key focus of Yeh’s work is the re-evaluation of contemporary artistic, media, and cultural practices perceived through the Taoist traditions. Her video installation Dancing Brush presents a fusion of the principles of Taoism, traditional Chinese landscape paintings and calligraphy with Western aesthetics.
In 2004 she began collaborating with musician and visual artist Colin Offord, and the partnership culminated in a film-concert Tyranny of Distance commissioned by the Théâtre du Maillon at Strasbourg. With the support of Screen-sound Australia, the work combines Offord’s and Yeh’s videography with the images of the 1923 film For the Term of His Natural Life She also worked as production assistant and visual designer on Offord’s project Island to Island for the Crown Theatre Festival of Taiwan in 2005.
Her ongoing project Transience is a series of immersive, site specific performance events which transform the architectural and natural environment into transitory worlds of images and moving sounds.
彭可雷
Yoann Pencolé
助手 / 操偶
Assistant / Puppet Manipulator
彭可雷於 1997 至 2005 年間致力學 習多種技藝，包括：表演、形體表演、 小丑戲、滑稽戲及傀儡戲。2005 年 進入法國沙勒維爾-梅濟耶爾國際木 偶學校，修業三年，鑽研偶戲藝術。
合作過的藝術家有：布魯諾．里昂奈、 圓頂劇團的馬西穆．舒斯特、光學故 障劇團的加文．格洛佛及法國戲劇導 演、喜劇演員亞蘭．高特雷。
彭可雷是萊斯圖埃勒劇團和祖斯維克
斯劇團的演員和操偶師，並參與過法 國街頭木偶劇團皇家豪華劇團的演 出。2006 年，他自導自演了單人傀 儡劇《一切都好》（改編自葛利斯蘭 著作）。
彭可雷曾在格萊高利．卡依導演的
《奧德賽 2》中擔任手偶師，還參演 過亞蘭．高特雷指導的傀儡/物件劇 場《迦百農》。現與楊輝一起任教於 沙勒維爾-梅濟耶爾國家木偶學校。
Between 1997 and 2005, Pencolé dedicated himself to training in a wide range of disciplines from acting, movement (with Catherine Dubois at the Samovar), clown (with Ma-rie Bout and Lory Leshin), jesting (with Marie Bout) to puppetry at the Théâtre d’Objet (with Arnaud Louski-Pane and Marie Bout). In 2005 he entered the Ecole National Supérieure des Arts de la Marionnette de Charleville-Mézières (ESNAM) and studied the art of puppetry for three years. He has worked with artists such as Bruno Leone, Massimo Schuster (Théâtre de l’Arc en Terre), Gavin Glover (Faulty Optic), and Alain Gautré.
Pencolé works with the companies Restouelle and Zusvex as an actor and puppeteer. He has also worked in the latest Royal de Luxe show. In 2006 he directed and acted in the one-man puppet show Tout va très bien (Everything’s Fine) based on the text by Perrine Griselin.
Pencolé worked as a glove puppeteer on Odyssey 2 directed by Grégoire Callies. He also acts in a devised piece using clown work and theatre of found objects, Capharnaüm, directed by Alain Gautré. He is now teaching with Yeung Faï in the National School of Puppetry Arts.
場刊中譯：林青睿
精彩展覽
陸續有來
• 泛聯展覽物流香港有限公司
Agility Fair & Events Logistics Ltd
• 香港法國文化協會
Alliance Française de Hong Kong
• 美國商會 American Chamber of Commerce
• 「安迪．華荷︰十五分鐘的永恆」展覽 Andy Warhol: 15 Minutes Eternal Exhibition
• Art Futures Group
• 亞洲協會香港中心
Asia Society Hong Kong Center
• 澳洲駐香港總領事館
Australian Consulate-General Hong Kong
• 樺利廣告有限公司 Avanny Advertising Co Ltd
• Mr Thomas Beales
• Bite Communications
• 心創作劇場 Bravotheatre
• 法國巴黎銀行 BNP Paribas
• 英國駐香港總領事館
British Consulate General Hong Kong
• 英國文化協會 British Council
• 明愛白英奇賓館 Caritas Bianchi Lodge
• 陳永華教授 Prof Wing-wah Chan
• 香港嘉昱有限公司
Cheer Shine Enterprise Co Ltd
• Cherrypicks Ltd
• 周生生 Chow Sang Sang
• 毛妹芭蕾舞學校 Christine Liao School of Ballet
• 中華書局 Chung Hwa Book Co
• 城市當代舞蹈團
City Contemporary Dance Company
• 購票通（香港）有限公司
Cityline (Hong Kong) Ltd
• Classical in Cinema
• 香港作曲家及作詞家協會
Composers and Authors Society of Hong Kong Ltd
• 法國駐香港及澳門總領事館
Consulate General of France in Hong Kong and Macau
• 愛爾蘭共和國駐香港領事館
Consulate of Ireland in Hong Kong
• 以色列駐香港及澳門領事館
Consulate General of Israel in Hong Kong and Macau
• 意大利駐香港總領事館
Consulate General of Italy in Hong Kong
• 荷蘭駐香港及澳門總領事館
Consulate General of Netherlands in Hong Kong and Macau
• 德國駐香港總領事館
Consulate General of the Federal Republic of Germany in Hong Kong
• 波蘭駐香港總領事館
Consulate General of the Republic of Poland
• 俄羅斯駐港領事館
Consulate General of Russia Federation in the Hong Kong SAR, PRC
• 西班牙駐香港領事館
Consulate of Spain in Hong Kong
• 瑞典駐港領事館
Consulate General of Sweden in Hong Kong
• 瑞士駐香港總領事館
Consulate General of Switzerland
• 美國駐港澳總領事館 Consulate General of the
United States Hong Kong & Macau
• 瑞信 Credit Suisse
• 牛奶公司 The Dairy Farm Group
• 大日子 Darizi
• DynaMicS
• 風采中學 Elegantia College
• 點睛品 Emphasis Jewellery
• 誠品香港 eslite@HK
• 斟・酌 etc wine shops
• 金融時報 The Financial Times
• The Friends of Cambridge University in Hong Kong
• 鳳溪廖萬石堂中學
Fung Kai Liu Man Shek Tong Secondary School
• 運通製作印刷（國際）有限公司
G.L. Graphic & Printing Limited
• 六國酒店 Gloucester Luk Kwok Hong Kong
• 香港歌德學院 Goethe-Institut Hong Kong
• The Grand Cinema
• 香港君悅酒店 Grand Hyatt Hong Kong
• 鷹君集團有限公司 Great Eagle Holdings Ltd
• 嘉湖海逸酒店 Harbour Plaza Resort City
• 灣景國際 The Harbourview
• 快達票香港有限公司 HK Ticketing
• 香港興業國際集團 HKR International
• 香港大學附屬學院
HKU SPACE Community College
• 漢設計 Hon Design & Associates
• 香港演藝學院
The Hong Kong Academy for Performing Arts
• 音樂學院 School of Music
• 香港藝術行政人員協會
Hong Kong Arts Administrators Association
• 香港藝術中心 Hong Kong Arts Centre
• 香港芭蕾舞團 Hong Kong Ballet
• 香港浸會大學 Hong Kong Baptist University
• 香港大會堂 Hong Kong City Hall
• 商業電台 Hong Kong Commercial Broadcasting Co Ltd
• 香港文化中心 Hong Kong Cultural Centre
• 香港舞蹈團 Hong Kong Dance Company
• 香港知專設計學院 Hong Kong Design Institute
• 香港專業教育學院（李惠利） Hong Kong Institute of Vocational Education (Lee Wai Lee)
• 香港話劇團 Hong Kong Repertory Theatre
• 香港小交響樂團Hong Kong Sinfonietta
• The Hong Kong Symphonic Winds
• 香港旅遊發展局 Hong Kong Tourism Board
• 文化葫蘆 Hulu Culture
• 香港州際酒店 Intercontinental Hong Kong
• iProspect
• 港島太平洋酒店 Island Pacific Hotel
• Italian Trade Commission
• 王仁曼芭蕾舞學校 Jean M Wong School of Ballet
• 賽馬會創意藝術中心
Jockey Club Creative Arts Centre
• 九龍巴士（一九三三）有限公司
The Kowloon Motor Bus Co (1933) Ltd
• 光華新聞文化中心
Kwang Hwa Information & Cultural Centre
• 李可興先生 Mr Jonathan Ho-hing Lee
• 朗豪坊 Langham Place
• 康樂及文化事務署
Leisure and Cultural Services Department
• 梁國權先生 Mr Frankie Kwok-kuen Leung
• 李鏡輝先生 Mr Alpha Li
• 中央人民政府駐香港特別行政區聯絡辦公室 Liaison Office of the Central People's Government in the Hong Kong S.A.R.
• Marketing Magazine
• 美心食品集團 Maxim's Caterers Ltd
• 中華人民共和國外交部
The Ministry of Foreign Affairs of the People's Republic of China
• Moët Hennessey Diageo Hong Kong Ltd
• 萬寶龍 Montblanc
• 柏斯琴行 Parsons Music
• 新約舞流 Passover Dance
• 香港半島酒店 The Peninsula Hong Kong
• 稜創意有限公司 Prism Creation Ltd.
• 香港電台 Radio Television Hong Kong
• 香港華美達酒店 Ramada Hong Kong
• 赤豚事務所 Red Zhu Design Co Ltd
• Ren Publishing Ltd
• Righ Eyeball Studio
• ROLEX
• 皇家太平洋酒店 The Royal Pacific Hotel and Towers
• Mr Jay A Sala
• SDM爵士芭蕾舞學院 SDM Jazz & Ballet Academic
• 信永中和（香港）會計師事務所有限公司 SHINEWING (HK) CPA Limited
• Ms Charlotte Simkins
• 信和集團 Sino Group
• 聯合出版（集團）有限公司
Sino United Publishing (Holdings) Ltd
• 藍天製作室有限公司 Sky Studio Ltd
• 事必達推廣有限公司 Speedy Promotion Ltd
• 蘇仲豪先生 Mr Eddie So
• Stanford Club of Hong Kong
• 聖文德書院 St Bonaventure College & High School
• 聖公會聖瑪利亞堂 St Mary's Church
• 舞館 Studiodanz
• 台北經濟文化辦事處
Taipei Economic & Cultural Office
• 天邊外劇場 Theatre Horizon
• 時代廣場 Times Square
• 通利琴行 Tom Lee Music Company Ltd
• TomSenga Design
• 東華三院李嘉誠中學 TWHGs Li Ka Shing College
• 東華三院羅裕積小學 TWHGs Lo Yu Chik Primary School
• 東華三院黃笏南中學
TWGHs Wong Fut Nam College
• Unitel Classica
• 市區重建局 Urban Renewal Authority
• 城市電腦售票網 URBTIX
• White Complex International Co Ltd
• William's Studio
• 風車草劇團 Windmill Grass Theatre
• 香港基督教青年會（港青）YMCA of Hong Kong
• Zenith Designing & Printing Services Ltd
贊助人 PATRON
梁振英先生
The Honourable C Y Leung, GBM, GBS, JP
永遠名譽會長
HONORARY LIFE PRESIDENT
邵逸夫爵士 Sir Run Run Shaw, CBE
執行委員會 EXECUTIVE COMMITTEE
主席 Chairman
夏佳理先生
The Hon Ronald Arculli, GBM CVO GBS OBE JP
副主席 Vice Chairman
查懋成先生 Mr Victor Cha
義務司庫 Honorary Treasurer
李思權先生 Mr Billy Li
委員 Members
紀大衛教授 Professor David Gwilt, MBE
周永健先生 Mr Anthony W K Chow, SBS JP
劉鎮漢先生 Mr Anthony Lau
梁靳羽珊女士 Mrs Yu-san Leong
李錦榮先生 Mr William Li
黃敏華女士 Ms Nikki Ng
李 義法官 The Hon Mr Justice Ribeiro
詹偉理先生 Mr James Riley
任志剛先生 Mr Joseph Yam, GBM JP
節目委員會 PROGRAMME COMMITTEE
主席 Chairman
紀大衛教授 Professor David Gwilt, MBE
委員 Members
盧景文教授 Professor King- man Lo, MBE JP
毛俊輝先生 Mr Fredric Mao, BBS
譚榮邦先生 Mr Wing- pong Tam, SBS JP
姚 珏女士 Ms Jue Yao
伍日照先生 Mr Daniel Ng
羅志力先生 Mr Peter C L Lo
白諾信先生 Mr Giorgio Biancorosso
榮譽節目顧問 Honorary Programme Advisors
高德禮先生 Mr Douglas Gautier
Dr Peter Hagmann
約瑟．施力先生
Mr Joseph Seelig
地址 Address: 香港灣仔港灣道2號12樓1205室 Room 1205, 12th Floor, 2 Harbour Road, Wanchai, Hong Kong
電話 Tel: 傳真 Fax: 電子郵箱 Email: 2824 3555 2824 3798, 2824 3722 afgen@hkaf.org
節目查詢 Programme Enquiries: 2824 2430
(辦公時間內during office hours)
財務及管理委員會 FINANCE AND MANAGEMENT COMMITTEE
主席 Chairman
李思權先生 Mr Billy Li
委員 Member
梁國輝先生 Mr Nelson Leong
發展委員會 DEVELOPMENT COMMITTEE
主席 Chairman
查懋成先生 Mr Victor Cha
副主席 Vice Chairman
梁靳羽珊女士 Mrs Yu- san Leong
委員 Members
杜安娜女士 Mrs Igna Dedeu
白碧儀女士 Ms Deborah Biber
廖碧欣女士 Ms Peggy Liao
黃慧玲女士 Ms Hwee- leng Whang
龐建貽先生 Mr Paulo Kin- yee Pong
顧問 ADVISORS
鮑 磊先生 Mr Martin Barrow, GBS CBE JP
李國寶博士 Dr The Hon David K P Li, GBM GBS JP
梁紹榮夫人 Mrs Mona Leong, SBS BBS MBE JP
李業廣先生 Mr Charles Y K Lee, GBM GBS JP
陳國威先生 Mr Patrick K W Chan
名譽法律顧問 HONORARY SOLICITOR
史蒂文生黃律師事務所 Stevenson, Wang & Co
核數師 AUDITOR
羅兵咸永道會計師事務所 PricewaterhouseCoopers
香港藝術節基金會
HONG KONG ARTS FESTIVAL TRUST
主席 Chairman
霍 璽先生 Mr Angus H Forsyth
管理人 Trustees
陳達文先生 Mr Darwin Chen, SBS ISO
梁紹榮夫人 Mrs Mona Leong, SBS BBS MBE JP
陳祖澤博士 Dr John C C Chan, GBS JP
出版：香港藝術節協會有限公司 承印：香港嘉昱有限公司 本刊內容，未經許可，不得轉載。
Published by: Hong Kong Arts Festival Society Limited Printed by Cheer Shine Enterprise Co., Ltd Reproduction in whole or in part without written permission is strictly prohibited.
職員 Staff
行政總監 Executive Director
何嘉坤 Tisa Ho
節目 Programme
節目總監 Programme Director
梁掌瑋 Grace Lang
副節目總監 Associate Programme Director
蘇國雲 So Kwok- wan
節目經理 Programme Manager
葉健鈴 Linda Yip
外展經理 Outreach Manager
梁偉然 Ian Leung
助理製作經理 Assistant Production Manager
蘇雪凌 Shirley So
節目主任 Programme Officer
李家穎 Becky Lee
市場推廣 Marketing
市場總監 Marketing Director
鄭尚榮 Katy Cheng
市場經理 Marketing Managers
周 怡 Alexia Chow
鍾穎茵 Wendy Chung
葉愛莉 Elly Yip
助理市場經理（票務）
Assistant Marketing Manager ( Ticketing)
梁彩雲 Eppie Leung
發展 Development
發展總監 Development Director
余潔儀 Flora Yu
發展經理 Development Manager
嚴翠芳 Josephine Yim
助理發展經理 Assistant Development Manager
陳艷馨 Eunice Chan
會計 Accounts
會計經理 Accounting Manager
陳綺敏 Katharine Chan
助理會計經理 Assistant Accounting Manager
鄒智峯 Andy Chau
會計文員 Accounts Clerk
黃國愛 Bonia Wong
行政 Administration
行政秘書 Executive Secretary
陳詠詩 Heidi Chan
接待員 / 初級秘書 Receptionist / Junior Secretary
李美娟 Virginia Li
職員 Staff 合約 contract
節目 Programme
物流及接待經理 Logistics Manager
金學忠 Elvis King
製作經理 Production Manager
廖卓良 Liu Cheuk- leung
節目經理 Programme Manager
梁頌怡 Kitty Leung
助理節目經理 Assistant Programme Managers
邱慧芝 Janel Yau
余瑞婷 Susanna Yu
助理監製 Assistant Producer
李宛虹 Lei Yuen- hung
外展統籌 Outreach Coordinator
陳韻婷 Alyson Chan
外展助理 Outreach Assistants
陳慧晶 Ainslee Chan
陳瑞堃 Chan Sui Kwan
項目經理 Project Manager
林淦鈞 Lam Kam Kwan
項目助理 Project Assistants
鄧詠文 Carmina Tang
林 晨 Mimi Lam
特別項目統籌 Special Project Coordinator
巫敏星 Maria Mo
藝術家統籌經理 Head Artist Coordinator
陳韻妍 Vanessa Chan
技術統籌 Technical Coordinators
黎春成 Anthony Lai
陳寶愉 Bobo Chan
陳曉楓 Chan Hiu Fung
陳詠杰 Chan Wing- kit
陳佩儀 Claudia Chan
蕭健邦 Leo Siu
何美蓮 Meilin Ho
出版 Publication
編輯 Editor
鄺潔冰 Cabbie Kwong
英文編輯 English Editor
黃進之 Nicolette Wong
助理編輯 Assistant Editor
曾逸林 Zeng Yilin
編輯助理 Editorial Assistant
伍穎姸 Winnie Ng
市場推廣 Marketing
助理市場經理 Assistant Marketing Manager
梁愷樺 Anthea Leung
市場主任 Marketing Officer
張凱璇 Carla Cheung
票務主任 Ticketing Officer
葉晉菁 Ip Chun-ching
票務助理 Ticketing Assistant
關愷霖 Kwan Hoi- lam
客戶服務主任 Customer Services Officers
陳昕穎 Chan Yan-wing
馮敏怡 Merrie Fung
楊妙思 Iris Yeung
容巧欣 Rachel Yung
發展 Development
發展經理 Development Manager
蘇啟泰 Alex So
發展助理 Development Assistant
黃苡姍 Iris Wong
行政 Administration
辦公室助理 Office Assistant
江宇麒 Kong Yu-ki
《蕭紅》三幕室內歌劇
Heart of Coral - A chamber opera after the life of Xiao Hong
中國國家京劇院 老旦名劇選演
作曲：陳慶恩 文本：意珩 導演：黎海寧 Music by Chan Hing-yan Libretto by Yan Yu Directed by Helen Lai
China National Peking Opera Company - The Artistry of Lao Dan
《粵歷油麻地 三代同台做大戲》
In Yau Ma Tei - A Legacy of Cantonese Opera
《沙灘上的愛恩斯坦》 Einstein on the Beach
中國國家京劇院《慈禧與德齡》
China National Peking Opera Company - Empress Dowager Cixi and Princess Deling
拿波里聖卡洛歌劇院《呷醋丈夫》
San Carlo Theatre, Naples - Il Marito Disperato
拿波里聖卡洛歌劇院《茶花女》
San Carlo Theatre, Naples - La Traviata
芝加哥交響樂團
Chicago Symphony Orchestra
幻想古提琴室樂團 Phantasm viol consort
香港中樂團「樂旅中國 VII」
Hong Kong Chinese OrchestraMusic about China VII
布列頓百歲誕辰紀念音樂會
Die Konzertisten - The Britten 100 Project
羅浮宮音樂家古樂團
Les Musiciens du Louvre Grenoble
荷迪．薩巴爾《人的聲音》
Jordi Savall - Les Voix Humaines
艾班另一面
The Other Ebène
艾班四重奏
Quatuor Ebène
拉爾夫．拉特鋼琴獨奏會
Ralph van Raat Piano Recital
馬田．霍羅斯特單簧管獨奏會
Martin Fröst Clarinet Recital
朴星吉鋼琴獨奏會
Piao Xingji Piano Recital
吳懷世與黃家正長笛鋼琴音樂會
龍貫天、阮兆輝、新劍郎、李奇峰與眾新晉演員
羅伯特．威爾遜與菲力普．格拉斯四幕歌劇 An opera in four acts by Robert Wilson and Philip Glass
編劇：何冀平 導演：毛俊輝 By He Jiping Directed by Fredric Mao
音樂：占瑪勞莎 Music: Domenico Cimarosa
音樂：威爾第
Music: Giuseppe Verdi
指揮：馬捷爾
Conductor: Lorin Maazel
高音古提琴 / 總監：羅倫斯．德雷福斯
Treble viol / Director: Laurence Dreyfus
指揮：閻惠昌
Conductor: Yan Huichang
演出 Featuring: Die Konzertisten 合唱團
指揮：米高．賴恩 Conductor: Michael Ryan
指揮：馬克．明柯夫斯基 Conductor: Marc Minkowski
古大提琴獨奏會 Viola da gamba recital
艾班另一面爵士六人組
The Other Ebène six-piece Jazz band
鋼琴：約翰．霍羅斯特 with Johan Fröst, piano
Wilson Ng and KaJeng Wong Flute and Piano Recital
7/3 ◤ 8:15pm 米凱．路迪《圖畫展覽會》
Mikhail Rudy - Pictures at an Exhibition
雅絲敏．利維 Yasmin Levy
澳洲室樂團
Australian Chamber Orchestra
艾斯佩蘭薩．斯伯丁
Esperanza Spalding - Radio Music Society
澳洲室樂團《珊瑚礁》
Australian Chamber Orchestra - The Reef
多媒體鋼琴獨奏會 Piano recital with animations STA 9/3 8pm
世界音樂演唱會 World music concert
9/3 ◤ 8:30pm
藝術總監：李察．托尼提 Artistic Director: Richard Tognetti CHCH 14, 15/3 8:15pm
爵士音樂會 Jazz music concert CCCH 15, 16/3 ◤ 8pm
多媒體音樂會 Chamber concert with film CHCH 16/3 4:30pm 8:15pm
香港小交響樂團．笙弦
Hong Kong Sinfonietta
《我的第一個四季》
My First Four Seasons
魯杜斯華夫斯基四重奏
Lutosławski Quartet
拿波里聖卡洛歌劇院《非凡威爾第》
San Carlo Theatre, Naples - Viva Verdi
音樂總監/指揮：葉詠詩
Music Director / Conductor: Yip Wing-sie
17/3 8pm
親子音樂會 A narrated concert NDA 20/3 8pm
21/3 8:15pm
指揮：羅拔圖．阿巴度 Conductor: Roberto Abbado
22/3 8pm 戈蘭．布列葛維奇與婚喪喜慶樂隊《吉卜賽香檳派對》
Goran Bregovic Wedding and Funeral Orchestra - Champagne for Gypsies
英國國家劇團《一僕二主》
編劇：李察．賓
National Theatre of Great Britain - One Man, Two Guvnors By Richard Bean
1927 劇團《怪誕城的動物與孩子》
15-17, 19-
多媒體動畫音樂劇
1927 - The Animals and Children Took to the Streets A cinematic musical
11 圈《反斗先生》
Circle of Eleven - LEO
《中式英語》
Chinglish
The TEAM《美國夢險號》
雜技獨腳戲 A one-man show combining circus and theatre
編劇：黃哲倫 導演：雷．西爾弗曼
By David Henry Hwang Directed by Leigh Silverman
The TEAM - Mission Drift 音樂劇場 Musical
《爆．蛹》
Blast
洛桑劇院《戲偶人生》
Théâtre Vidy-Lausanne - Hand Stories
《屠龍記》
Smear
中國國家話劇院《青蛇》
National Theatre of China - Green Snake
美國芭蕾舞劇院
American Ballet Theatre
藝術總監：凱文．麥肯齊
Artistic Director: Kevin McKenzie
神氣舞團《信靠》
Compagnie La Baraka - NyA
優獸舞團《足跡》
Fabulous Beast - Rian
編劇：王昊然 導演：陳曙曦
By Wang Haoran Directed by Chan Chu-hei
創作 / 設計 / 操偶：楊輝
Designed, created and performed by Yeung Faï
編劇：黃詠詩 導演：李鎮洲
By Wong Wing-sze Directed by Lee Chun-chow
改編/導演：田沁鑫
Adapted and directed by Tian Qinxin
精選舞薈 Dance Gala
《羅密歐與茱麗葉》
Romeo and Juliet
莫米克斯舞蹈奇藝坊《四季狂想曲》
MOMIX Dance Theater - Bothanica
亞太舞蹈平台 V
Asia Pacific Dance Platform V
香港賽馬會當代舞蹈平台系列
編舞：麥克美倫
Choreographer: Sir Kenneth MacMillan
編舞 / 藝術總監：阿布．拉格
Choreographer / Artistic Director: Abou Lagraa
導演/編舞：Michael Keegan-Dolan
Director / Choreographer: Michael Keegan-Dolan
藝術總監：摩斯．潘德頓
Artistic Director: Moses Pendleton
The Hong Kong Jockey Club Contemporary Dance Series
◤
香港賽馬會藝粹系列 The Hong Kong Jockey Club Series
◤ 信和集團藝萃系列 Sino Group Arts Celebration Series
APAA 香港演藝學院香港賽馬會演藝劇院
The Hong Kong Jockey Club Amphitheatre, HKAPA
APAC 香港演藝學院音樂廳 Concert Hall, HKAPA
APAL 香港演藝學院歌劇院 Lyric Theatre, HKAPA
APAD 香港演藝學院戲劇院 Drama Theatre, HKAPA
CCCH 香港文化中心音樂廳 Concert Hall, HK Cultural Centre
CCGT 香港文化中心大劇院 Grand Theatre, HK Cultural Centre
CCST 香港文化中心劇場 Studio Theatre, HK Cultural Centre
CHCH 香港大會堂音樂廳 Concert Hall, HK City Hall
◤
瑞信新晉藝術家系列 Credit Suisse Emerging Artists Series
◤ 埃克森美孚新視野 ExxonMobil Vision
CHT
KTTA
香港大會堂劇院 Theatre, HK City Hall
葵青劇院演藝廳 Auditorium, Kwai Tsing Theatre
KTTB 葵青劇院黑盒劇場 Black Box Theatre, Kwai Tsing Theatre
NDA 北區大會堂演奏廳 Auditorium, North District Town Hall
NLG
南蓮園池 Nan Lian Garden
STA 沙田大會堂演奏廳 Auditorium, Sha Tin Town Hall
YLTA
YMT
元朗劇院演藝廳 Auditorium, Yuen Long Theatre
油麻地戲院 Yau Ma Tei Theatre
資料截至
節目詳情及網上報名 For more details and online registration: www.hk.artsfestivalplus.org
特別節目 Special
「與頂尖文化領袖對談」香檳午餐會 Champagne Luncheons with Leading International Arts CEOs
29/ 1 領導者的影響力 Leadership and Leverage 20/ 3 傳統與革新 Tradition and Transformation
歌劇/戲曲 Opera / chineSe Opera 粵歷油麻地 Opera Treasures of Yau Ma Tei
12/ 20123/ 2013
粵劇教育計劃 Cantonese Opera Education Project 3, 9, 10/ 3 「薪火代代傳」講座 Talks: Passing the Torch 8- 10/ 3, 15- 17/ 3 「藝遊油麻地」導賞團
Yau Ma Tei Cultural Walk 10/ 3 粵劇髮飾工作坊
Accessorising Cantonese Opera 威爾第歌劇全方位 All About Verdi’s Operas
1- 3/ 2013 威爾第介紹講座及工作坊
Verdi Introductory Talk & Workshop 13/ 3 石倚潔美聲大師班 Bel Canto with Yijie Shi
完全威爾第歌劇電影系列 Tutto Verdi Film Series
12/ 1 《奧貝爾托》 Oberto, Conte di San Bonifacio
13/ 1 《阿依達》 Aida
19/ 1 《一日國王》 Un giorno di regno
20/ 1 《遊吟詩人》 Il trovatore
26/ 1 《弄臣》 Rigoletto
27/ 1 《倫巴第人在第一次十字軍中》
I lombardi alla prima crociata
2/ 2 《假面舞會》 Un ballo in maschera
3/ 2 《法斯塔夫》 Falstaff
解構愛恩斯坦 Decoding Einstein
28/ 2 電影《菲力普．格拉斯 鏡中遊》
6/ 3
Film: Philip Glass: Looking Glass
電影《絕對威爾遜》 Film: Absolute Wilson
9/ 3 「藝術與技術的完美結合」講座
Restaging Einstein on the Beach: Artistic and Technical Theatre in Collaboration
其他 Others
23/ 2 蕭紅：她的人生與作品
Xiao Hong: Her Life and Her Work
2/ 3 《蕭紅》創作分享 Heart of the Matter
10/ 3 京劇演前講座
Beijing Opera: a Pre- performance Talk
10/ 3 京劇製作後台之旅
Backstage of a Beijing Opera
音樂 MuSic
大師的藝術 Maestro's Art
20/ 2
芭蕾舞指揮之道 Conducting for Dance
13/ 3 Rousset 的巴羅克風格
13/ 3
Interpretation of Baroque
托尼提小提琴大師班
Violin Masterclass by Richard Tognetti
其他 Others
27/ 1
21/ 2
2/ 3
銅管樂大師班 Mastering Brass
幻想古提琴室樂團古提琴大師班
Viol Masterclass with Phantasm
艾班四重奏弦樂大師班
Quatuor Ebène Masterclass for Strings 5/ 3
拉爾夫．拉特鋼琴大師班
Piano Masterclass by Ralph van Raat 7/ 3
電影《被遺忘的天籟》
Film: Ladino - 500 Years Young
戲劇 TheaTre
世界劇場面面觀 Global Theatre
17/ 2
《一僕二主》演後談 Two Guvnors First Hand 22/ 2 與 1927 劇團演後對談
Post- performance Dialogue with 1927 23/ 2
《一僕二主》後台解碼
Behind the Scenes of a Smash Hit Comedy 24/ 2 後台參觀怪誕城
The Animals and Children Backstage 1/ 3
《反斗先生》幻像的藝術 The Art of Illusion 3/ 3 中式英語交流會 Exchanging the Chinglish 7/ 3
《美國夢險號》演後談
Staging the American Dream 10/ 3 《爆．蛹》演後談 Behind the Blast 16/ 3 《屠龍記》演後談 The Might of the Pen 23/ 2
劇場與動畫工作坊
Integrating Performance and Animation Workshop
舞蹈 Dance
舞蹈點滴 About Dance
22/ 2, 1/ 3
與凱文．麥肯齊對談 Meet Kevin McKenzie 23, 24/ 2
美國芭蕾舞劇院大師班
American Ballet Theatre Masterclass 2/ 3 《羅密歐與茱麗葉》後台之旅 Behind the Scenes at Romeo & Juliet 16/ 3 舞蹈奇藝後台之旅 MOMIX Revealed 16/ 3 亞太舞蹈平台演後藝人談
Meet the Artists of the Asia Pacific Dance Platform 17/ 3 「舞動的表象與空間」工作坊 Surface and Space of Movements Workshop 23, 24/ 3
與本地當代舞蹈家對談
The Hong Kong Jockey Club Contemporary Dance Series Post- performance Dialogue
駐節藝術家計劃 The Artists-in-Residence Project 10/ 20123/ 2013
舞入校園 Dance into Schools 23/ 2
現代舞 x Hip Hop 示範講座 Contemporary Dance x Hip Hop Lecture Demonstration
電視特備節目 FeSTival On Tv
13, 20, 27, 28/ 1; 3, 4, 10/ 2
藝術節節目精選 Festival Programme Highlights
