香港藝術節
Hong Kong ArTS Fe STivAL ( HKAF)
香港藝術節 於 1973 年正式揭幕，是國 際藝壇中重要的文化盛事，於每年 2 、 3 月期間呈獻約 150 場演出及約 250 項「加料」和教育節目，致力豐富香港 的文化生活。
香港藝術節 是一所 非牟利機構，約三成 經費來自香港特區政府的撥款，約四成 來自票房收入，而餘下約三成則有賴各 大企業、熱心人士和慈善基金會的贊助 和捐款。
香港藝術節 每年呈獻眾多 國際演藝名 家 的演出，例如：芭托莉、卡里拉斯、 馬友友、格拉斯、馬素爾、沙爾、巴里 殊尼哥夫、紀蓮、史柏西、皇家阿姆斯 特丹音樂廳樂團、聖彼得堡馬林斯基劇 院基洛夫樂團及合唱團、巴伐利亞國立 歌劇院、紐約市芭蕾舞團、巴黎歌劇院 芭蕾舞團、翩娜．包殊烏珀塔爾舞蹈劇 場、雲門舞集、星躍馬術奇藝坊、皇家 莎士比亞劇團、莫斯科藝術劇院及北京 人民藝術劇院等。
香港藝術節 積極推介 本地演藝人才和 新晉藝術家 ，並 委約及製作 多套全新 戲劇、室內歌劇和當代舞蹈作品，甚 或出版新作劇本，不少作品已在香港 及海外多度重演。
香港藝術節 大力投資下一代的藝術教 育。 「青少年之友」 外展計劃成立 23 年來，已為約 700,000 位本地中學生 及大專生提供藝術體驗活動。藝術節每 年亦通過 「學生票捐助計劃」 提供近 9,000 張半價學生票。
HKAF, launched in 1973, is a major international arts festival committed to enriching the life of the city by presenting about 150 performances and 250 PLUS and educational events in February and March every year.
HKAF is a non-profit organisation, with about 30% of annual revenue from government funding, around 40% from the box office, and the remaining 30% from sponsorships and donations from corporations, individuals, and charitable foundations.
HKAF presents top international artists and ensembles, such as Bartoli, Carreras, Yo-Yo Ma, Glass, Masur, Chailly, Baryshnikov, Guillem, Spacey, the Royal Concertgebouw Orchestra, the Mariinsky Theatre and Valery Gergiev, Bavarian State Opera, New York City Ballet, Paris Opera Ballet, Tanztheater Wuppertal Pina Bausch, Cloud Gate Dance Theatre, Zingaro, Royal Shakespeare Company, Moscow Art Theatre, and the People’s Art Theatre of Beijing.
HKAF actively promotes Hong Kong’s own creative talents and emerging artists , and commissions , produces and publishes new works in theatre, chamber opera and contemporary dance, many with successful subsequent runs in Hong Kong and overseas.
HKAF invests in arts education for young people. In the past 23 years, our Young Friends has reached about 700,000 secondary and tertiary school students in Hong Kong. Donations to the Student Ticket Scheme make available close to 9,000 half-price student tickets each year.
香港藝術節 每年主辦逾百項深入社區的 「加料節目」，例如示範講座、大師班、 工作坊、座談會、後台參觀、展覽、藝 人談、導賞團等，鼓勵觀眾與藝術家互 動接觸。
HKAF organises over 100 Festival PLUS activities in community locations each year to enhance the engagement between artists and audiences. These include lecture demonstrations, masterclasses, workshops, symposia, backstage visits, exhibitions, meetthe-artist sessions, and guided tours.
Please contact the HKAF Development Dept for sponsorship opportunities and donation details.
電郵 Email 直綫 Direct Lines 網頁 Website dev@hkaf.org ( 852 ) 2828 4910 / 11 / 12 www.hk.artsfestival.org / en / partner
14-15.3.2014
《穿金寶扇》
The Gilded Fan
油麻地戲院劇院
Theatre, Yau Ma Tei Theatre
16.3.2014
《武松》
Wu Song the Tiger Killer
沙田大會堂演奏廳 Auditorium, Sha Tin Town Hall
演出長約 3 小時 30 分鐘，包括一節中場休息
Running time: approximately 3 hours 30 minutes including one interval 粵語演出，附中文字幕及英文故事大綱
Performed in Cantonese with Chinese surtitles and English scene synopses
封面照片 Cover photograph © Leo Yu (The Blue Hydrant)
敬請關掉所有響鬧及發光裝置，請勿擅自攝影、錄音或錄影，多謝合作。
Please switch off all sound-making and light-emitting devices. Unauthorised photography or recording of any kind is strictly prohibited. Thank you for your co-operation.
www.hk.artsfestival.org
網上追蹤香港藝術節 Follow the HKArtsFestival on
劉勤銳 字幕控制
陳思敏
Honorary Artistic Advisors*
Lam Kar-sing, Yam Bing-yee
Coordinator
Marilyn To
Artistic Director
Lee Lung
Artistic Advisor
Wong Chiu-kwan
Manager
Wong Siu-sang
Stage Manager
Zeng Sui-wah
Percussion Leader
Chan Siu-lung
Music Leader
Lau Gwok-jing
Martial Arts Instructor
Hon Yin-ming
Lighting Design
To Wing-sum
English Synopses
Elbe Lau
Surtitles Operator
Yuki Chan
特邀 Guest
14-15.3.2014
《穿金寶扇》
The Gilded Fan
Playwright Tong Tik-sang
本事 Synopsis
郭呂兩家交情甚篤，獲皇上御賜金扇，以撮合郭家之子炎章與呂家之女昭華的婚事。郭 家家道中落，炎章到呂府拜訪，遭昭華之父呂剛阻撓。
呂剛之舅李班侯，有女桂英，生性貪玩，假扮炎章夜訪昭華。呂剛、昭華皆以為炎章行 為不端，產生誤會。炎章忿然離去，昭華亦被逐出家門。
昭華得悉真相，雪夜追尋炎章欲坦告實情，卻令誤會更深，自己也被誤認為殺人兇手， 充軍塞外。炎章官場得意，奉命出塞，與昭華重會。經桂英解釋，炎章、昭華終冰釋前嫌。
演員 Cast
郭炎章 藍天佑
呂昭華 鄭雅琪
呂 剛 阮德鏘 *
李班侯 郭啟輝 *
李桂英 黃寶萱
黃麟書 裴駿軒 *
耀 全 譚穎倫 *
如 煙 梁心怡 *
老解差 王四郎 *
Kwok Yim-cheung Lan Tin-yau
Lui Chiu-wah Cheng Nga-ki
Lui Kong Johnson Yuen*
Lee Ban-hou Gregory Kwok*
Lee Kwai-ying Janet Wong
Wong Lun-shu Pui Jun-hin*
Lui Yiu-chuen Alan Tam*
Yu-yin Angel Leung*
Old Guard Wong Sze-long*
With the emperor as the matchmaker, Lui Chiu-wah, the daughter of the minister Lui, is engaged to Kwok Yim-cheung, a friend of the family. After suffering a decline in family fortunes, Yim-cheung’s visits to his fiancée are often denied by the minister. One night, to test her love for Yim-cheung, Chiu-wah’s cousin, the mischievous Kwai-ying, pretends to be Yim-cheung and sneaks into Chiu-wah’s boudoir. Unfortunately, Kwai-ying runs into the elder Lui, who uses the incident as an excuse to expel Yim-cheung and break off the engagement. Feeling wronged, Kwok leaves and travels to the capital to take the imperial examination, while Chiu-wah is expelled from the household.
Discovering the truth, Chiu-wah follows Yim-cheung on a snowy night in an attempt to explain. She is about to tell him the truth when Yiu-chuen, a distant relative of Lui, arrives and claims that it was him who sneaked into her boudoir. Showing the gilded fan that he stole, Yiu-chuen claims that Chiu-wah gave it to him as a token of love. Outraged, Yim-cheung leaves, and Chiu-wah faints. Yiu-chuen is about to take advantage of the unconscious Chiu-wah when the maid Yu-yin arrives. Yu-yin, who is in love with Yiu-chuen, flies into a jealous rage and kills Yiu-chuen.
Accused of her cousin’s murder, Chiu-wah is sentenced to hard labour beyond the Great Wall. Three years later, Yim-cheung is promoted to the rank of prefect. One day, Yim-cheung meets Chiu-wah in the barracks where she is serving her time. After much explanation from Kwai-ying, the couple forgives each other.
Source from: Cantonese Opera Research Programme, The Chinese University of Hong Kong
義務藝術顧問
演員 Cast
Wu Song the Tiger Killer
Playwright Lee Siu-wan
Honorary Artistic Advisor Lam Kar-sing*
潘金蓮
何九叔
Wu Song Lan Tin-yau
Pan JinLian Lam Tsz-ching
Wang Po Johnson Yuen*
County Magistrate Gregory Kwok*
Wu Da Ponny Ma*
Ximen Qing Keith Lai
Uncle He Wong Sze-long*
Magistracy Guard Alan Tam*
本事
Synopsis
潘金蓮美而巧，卻嫁給了醜而拙的武大。巧婦拙夫，且家境貧寒，不免生出怨懟。武大 郎的弟弟武松，在景陽崗打死猛虎，獲得捕頭一職，回家拜見兄長。金蓮見武松樣貌英 俊，心中喜愛，以情挑逗。武松不為所動，嚴詞相勸，金蓮只好作罷。武松奉命出外當差， 臨行前叮囑兄長小心防範。
武松走後，潘金蓮巧遇西門慶，二人一見鍾情，淫媒王婆乘機撮合。一日，西門慶偷偷 來到金蓮房中幽會，被歸來的武大撞破。西門慶擔心事發，與王婆合謀，迫金蓮毒死武 大，並命何九叔殮葬，贈以金錢，交代不可洩露真實死因，只說武大死於心病。
武松歸來，只見兄長的靈牌，潘金蓮卻濃妝豔服，心下生疑，夜間更夢見武大訴說冤仇。
武松決定查明真相，遣手下找來何九叔和王婆。追查之下，何九叔說出真相。王婆與金 蓮心驚膽戰，向西門慶求助。
武松將潘金蓮、王婆、西門慶告上衙門，不想西門慶早已將縣令收買，反遭重打四十大 板，遂決定親手懲奸。獅子樓上，西門慶正飲酒作樂，被武松找到，奪去性命。躲在家 中的王婆和潘金蓮也不能倖免，先後被武松殺死。報仇之後，武松用金蓮的血在牆上寫 下「殺人者武松」，去公堂自首。
Pan Jinlian is as beautiful as she is clever. She marries the ugly and dim-witted Wu Da. A clever wife and a slow husband, living in poverty, easily end up in complaints and conflicts. Wu Da's younger brother Wu Song kills a tiger in Jingyanggang and is appointed Inspector General of the local police force. He returns home to see his brother, when Pan Jinlian falls for the young and handsome Wu Song. She flirts with him, but Wu Song stands firm and sternly reminds his sister-in-law of propriety. Pan Jinlian can do nothing but give up. Wu Song is sent away on an assignment, and warns his brother to be careful before he leaves.
Not long after, Pan meets Ximen Qing. It's love at the first sight and matchmaker Wang Po pairs them up. One day, Wu Da goes out and Ximen Qing sneaks into Pan's room to be with her, but they are caught by Wu Da when he returns. Ximen Qing is worried about what Wu Da would do, so he conspires with Wang Po to pressure Pan Jinlian to poison her husband. They order Uncle He to hide Wu Da's body and bribe him with money to keep the cause of his death secret. They instruct him to tell people that Wu Da died of heart disease.
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All levels of ballet of
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Wu Song comes home only to see his brother's cenotaph. Suspicion grows when he sees Pan Jinlian heavily made up and colourfully dressed. He dreams of Wu Da, who tells him he was murdered. Wu Song decides to get to the bottom of this, and orders his men to bring him Uncle He and Wang Po. Upon further investigation, Uncle He spits out the truth. Wang Po and Pan Jinlian are terrified, so they seek help from Ximen Qing.
Wu Song decides to sue Pan, Wang Po and Ximen Qing. What he doesn’t realise is Ximen Qing has already bribed the local governor, who orders Wu Song to be beaten 40 times with a wooden board. After this, Wu Song decides to take matters into his own hands. He finds Ximen Qing in the Lion Tower drinking and making merry, and kills him. Wang Po and Pan Jinlian are hiding at home, but they can't escape their fate either and are killed by Wu Song. After taking his revenge, Wu Song uses Pan's blood to write on the wall, "Wu Song is the killer", before he turns himself in at the public law court.
Translated
by DT
林家聲談《武松》
林家聲博士與武松戲的淵源，兒時已經 開始，「少時我在廣州看過全本《武松》， 是由陳錦棠演武松，關影憐演潘金蓮， 廖俠懷演武大郎，留下了深刻印象。我 九歲學古老排場亦是首學〈金蓮戲叔〉。
所以這齣戲對我來說很有意義。」由聲
哥提議，在 1977 年，編劇家李少芸寫成 《武松》中篇劇，該劇包含〈歸家〉、〈告 狀〉、〈誅姦〉、〈殺嫂〉四場，林家聲、
李香琴分別任文武生與花旦；演出受到
觀眾歡迎，於是在 1978 年由李少芸編寫
全本《武松》，以中篇戲為基礎，增加〈戲 叔〉、〈毒夫〉兩場戲。
林氏版本與舊有全本《武松》相比，「版 本、大綱大同小異」，沿用耳熟能詳的 劇情，表演方式、人物詮釋則充滿特色。 「舊有全本《武松》是講中州話，但我在 演出中盡量用白話來表達；全個戲很樸 素，沒有靚佈景、靚戲服；但是劇情有 矛盾衝突，注重描寫人物性格。」青年 演員藍天佑剖析：「聲哥的劇本，加重 武松與哥哥手足情的描述，加重對潘金 蓮長幼之別的觀念。雖然不喜歡潘金蓮， 但武松始終在意嫂嫂的身份，不可以斥 責她，只可以旁敲側擊，或者暗中警示。
這個程度不可以過火，也不可以不到， 因為武松始終是烈性的人。」劇中的武 松性情豪邁卻不魯莽，得知兄長被害， 心中氣憤難當的時候，仍然想到去告官。
對於另一個主人公潘金蓮，聲哥也抱有
同情的態度，「她是當時社會的可憐人， 受害者，人物性格是正面一點。」
將人物性格準確表現出來，須要在唱白、 關目、身段、做手、裝扮等等每個細節 下功夫。在語氣、口白方面，「武松是 大方的，語氣斬釘截鐵、決斷，用詞明 明確確，不是隱晦的。說出的字眼有時 語帶雙關，突出戲的張力。」武松身段 硬朗，裝扮豪邁，其軟硬得當的帽子， 大碼的扇子，處處都襯托著性格與形象。
武松的重頭戲「哭靈」中，「武松出場 時，心裏已經有不祥的預感。返到家門 口，見門前掛帛，好急入去，看到阿哥 的靈位，好傷心，傷心之餘問自己『點 解會咁？』。剛好潘金蓮著紅衫走出來， 武松問：點解阿哥死咗？答：心病而死。 問：點解你著紅衫？答：武大吩咐要著 紅衫服侍，因此著紅衫上香。武松知道 事有蹺蹊，讓潘金蓮返去自己守靈。守 靈時，武松大哭，唱南音由二更唱到天 光，講細個時父母死咗，由大佬養大自 己，加插武大報夢，說潘金蓮毒死自己。 武松非常生氣，天光叫衙差請到王婆、九 叔來查問。他心中有懷疑，就透過敬酒 的假動作，想知道真相。敬三杯酒，第 一敬嫂嫂，第二敬王婆，第三敬何九叔， 一個比一個加重語氣。老實人九叔最坦 白，講出實情。當時衙差在場，殺人要 償命，武松就決定告官。臨出門口，回
率先披露 Programme Highlights
Dutch National Ballet Cinderella
Los Angeles Philharmonic / Gustavo Dudamel
The Bolshoi Opera and Bolshoi Ballet
莫斯科大劇院歌劇團及芭蕾舞團 Staatskapelle Dresden / Christian Thielemann
德累斯頓國家管弦樂團／泰利曼 《金蘭姊妹》 The Amahs
電影《桃姐》編劇李恩霖打造香港原創戲劇
Cassandra Wilson celebrates Billie Holliday’s centenary Barefoot Divas Indigenous voices from Australia, NZ & Papua New Guinea
頭望見門口掛帛，原本十分生氣，回頭 一望，加重傷心之情。」這場戲中，藍 天佑認為最難是唱南音，「不可以好像 小生一樣，武松始終不是文人；又不可 以硬梆梆，因為他好傷心，要想像一個 好剛強的人，傷心時會怎樣；又不可以 大哭，雖然兄弟情很悲，但始終是英雄 人物；又要表現喪兄的悲慟、無奈、蒼 涼。這個寸度最難。」敬三杯酒的演繹， 其實是「語帶雙關的，對潘金蓮說『多 謝你對亡兄常能存婦道』；對王婆說『多 謝王婆你好照顧』；對九叔是最客氣的， 因知其為人正直，多謝其幫忙斂葬阿哥。
怎樣語帶雙關，又一個比一個強烈？這些 細微之處最難把握。」演繹的難度，亦 在乎原版人物的氣質，武松是習武之人， 聲哥的演出版本卻因為個人氣質，為人 物注入儒雅風度。
武戲是林家聲版《武松》另一個特色， 「當年演『大鬧獅子樓』這場武場戲是 『打真軍』（所用單刀、纓槍皆以鐵打 造）。我習慣用鐵造的武器來演出，但 是現在不主張『打真軍』，因為演員們 不習慣用鐵造的武器，不習慣用的話是 很容易受傷的。」
聲哥喜歡《武松》，因為「這個戲不是 鴛鴦蝴蝶派，而我又喜歡武松這個人物， 他正義、硬朗、剛直、顧念手足情。這齣 戲各方面的難度處理是對我的一個考驗。 我希望後輩要注重古老傳統戲。」
本文根據香港藝術節訪問 , 及藝術節加料節目 講座「林家聲談《武松》」內容編寫，講座由 陳婉紅女士主持，林家聲博士、藍天佑先生任 嘉賓，於 2014 年 3 月 1 日舉辦。
林家聲
Lam Kar-sing
義務藝術顧問
Honorary Artistic Adviser
林家聲博士，原名林曼純，1933 年
生於香港。11 歲時投鄧肖蘭芳門下學
習粵劇，半年後粉墨登台。1949 年 拜入薛覺先門下。先後追隨十數位名
師習北派、國術、掌板、曲藝、京腔
等藝術。
林氏曾參與逾 30 個粵劇團的演出，
於 1962 年升任文武生，領導慶新聲
劇團演出，1966 年另組頌新聲劇團。
林氏開山劇目達 45 齣，包括《雷鳴
金鼓戰笳聲》、《無情寶劍有情天》、
《碧血寫春秋》、《林沖》、《武松》、 《周瑜》等，並灌錄 32 張粵曲唱片。
林氏是伶影雙棲的表演藝術家。1975
年曾拍攝粵劇特輯，借助電視媒介推 廣粵劇。1993 年宣佈退出職業舞台， 此後仍鑽研唱腔、提點後輩演出，並
成立「林家聲慈善基金」以弘揚粵 劇，獲得香港演藝學院頒授「榮譽院 士」榮銜、香港特別行政區政府頒授
銀紫荊星章（SBS）等多項榮譽。
Born Lam Man-shun in Hong Kong in 1933, Lam began studying Cantonese opera at 11 under master Tang Chiu Lanfong, and made his debut performance six months later. In 1949, Lam was accepted by renowned Cantonese opera actor Sit Koksin as a disciple, and went on to practice Beijing Opera, Chinese martial arts, Chinese percussion, Cantonese opera, and other crafts under the tutelage of a dozen masters.
Lam has appeared in numerous stage performances of over 30 Cantonese opera troupes. In 1962, he was promoted to the leading civil and martial role of the Hing Sun Sing Opera Troupe. In 1966, Lam founded Chung Sun Sing Opera Troupe and presided over 45 repertoires, including The Sounds of Battle, Merciless Sword under Merciful Heaven, Death of a Loyal Warrior, Lin Chong, Wu Song, and Zhou Yu. Besides, Lam has produced 32 Cantonese Operatic Songs albums.
Also a skilled film actor, Lam filmed a television series about Cantonese opera in 1975 to promote the traditional Cantonese opera. In 1993, Lam retired from the stage. Since then he has remained active in researching the Cantonese opera singing methodology and nurturing young artists. He established the Lam Kar Sing Foundation to promote Cantonese opera. In recognition of his contributions and achievements, Lam was coffered the Honorary Fellowship by the Hong Kong Academy for Performing Arts (HKAPA) and awarded the Silver Bauhinia Star (SBS) by the HKSAR Government.
任冰兒
Yam Bing-yee
義務藝術顧問
Honorary Artistic Adviser
任冰兒，乳名細女，1931 年生於廣 州。11 歲初踏台板，從梅香做起， 按步就班升至二幫花旦，演出至今從 未間斷。她未正式拜師，除得其姐任 劍輝偶爾指導，多是偷師自學演戲。
任氏四十年代中期於澳門加入「新聲 粵劇團」，抗戰勝利後隨劇團來到香 港。1956 年起於仙鳳鳴劇團任二幫 花旦，直至 1968 年劇團解散，其間 參演名劇《九天玄女》、《三年一哭 二郎橋》、《帝女花》、《紫釵記》、 《牡丹亭驚夢》等。七十年代成為戲 行中的「二幫王」，參加過慶紅佳、 龍鳳、頌新聲、雛鳳鳴等劇團。任氏 亦曾在 1952 年與黃超武於東南亞演 出《斬龍遇仙》及 1971 年與鄧碧雲 於美洲登台時任正印花旦。
任氏演出的古裝歌唱及戲曲片有 《十三妹大鬧能仁寺》、《九天玄女》 《紫釵記》、《無情寶劍有情天》等， 1968 年演出《李後主》後未再參演 電影。
Yam was born in 1931 in Guangzhou and made her stage debut at 11. She began playing bit parts in the early days and worked her way up the opera ranks to become second lead actress. She has remained an active performer in the business. She is largely self-taught in the art with occasional mentoring given by her sister Yam Kim-fai in the past.
In the mid-1940s, Yam joined the Sun Sing Cantonese Opera Troupe in Macau and moved to Hong Kong with the troupe after the war. In 1956, she joined Sin Fung Ming Opera Troupe as their second lead actress until the disbandment of the troupe in 1968. During her time there, she starred in classics such as Fairy from the Highest Heavens, Younger Brother Bridge, Princess Changping, The Purple Hairpin, and An interrupted Dream in the Peony Pavilion . In the 1970s she earned the name “King of Second Lead Actress” in the business, having worked with Hing Hung Kai Opera Troupe, Dragon and Phoenix Opera Troupe, Chung Sun Sing Opera Troupe, and Chor Fung Ming Cantonese Opera Troupe. Throughout her career, she has only played the lead actress role on two occasions, starring opposite Wong Chiu-mo in Meeting the Fairy While Slaying the Dragon on a Southeast Asia tour in 1952, and starring alongside Tang Pik-wan on a tour to the US in 1971.
Yam has played in a number of opera films including Riot in the Temple , Fairy from the Highest Heavens , The Purple Hairpin , and Merciless Sword under Merciful Heaven The Last Emperor of Southern Tang in 1968 was her last on-screen appearance.
藍天佑 Lam Tin-yau
畢業於香港演藝學院，師承劉洵、許堅信等老 師，曾參與《乾坤鏡》、《盜御馬》等大型製 作演出，並多次隨團外訪演出。
A HKAPA graduate, Lam studied under Liu Xun, Hui Kin-shun and others. He has performed in large scale productions such as Mirror of the Universe and Stealing the Imperial Horse , and in many of the Academy’s performances and tours.
鄭雅琪 Cheng Nga-ki
林子青
Lam Tsz-ching
九歲初踏台板，曾跟隨裴艷玲、關世振、劉洵、 王芝泉前輩學藝。 2008 年畢業於香港演藝學 院，獲中國戲曲深造證書（粵劇），期間代表 學校到柏林、布魯賽爾及巴黎作文化大使交流 活動，飾演粵劇《穆柯寨》之穆桂英。
Cheng has studied under masters such as Pei Yanling, Guan Shizhen, Liu Xun and Wang Zhiquan. In 2008 she graduated with an Advanced Diploma in Performing Arts (Cantonese opera) from HKAPA. While studying, she represented the Academy in Berlin, Brussels and Paris, for a cultural exchange programme.
習旦腳，獲香港演藝學院中國戲曲深造證書 （粵劇），師承劉洵、許堅信、鄭文瑛，曾演出 《呂布與貂嬋》、《打神》、《震天弓》及《桃 花扇》等，並隨學院赴德國演出。現經常參與 龍嘉鳳劇團及各大劇團之演出。
Lam graduated from HKAPA with an Advanced Diploma in Performing Arts (Cantonese opera), playing dan role (leading female). She has studied under masters such as Liu Xun, Hui Kin-shun, and Zheng Wenying. She joined the Academy’s tour to Germany. Lam now regularly performs with Dragon and Phoenix Cantonese Opera Troupe and other opera troupes.
阮德鏘
Johnson Yuen
生於梨園世家，曾隨胡學禮習長靠武生、花臉 及鬚生行當，隨蔣世平及高潤權學習粵劇唱腔 及鑼鼓運用。自幼參與演出，參與的大型粵劇 包括《陰陽判》、《虎符》等，亦擔任幕後的 策劃及製作工作。
Yuen was born into a Cantonese opera family, making his stage debut at seven. In his early teens he studied various male roles under master Hu Xueli. Subsequently he studied Cantonese opera singing and percussion under masters Chiang Saiping and Ko Yun-kuen. As a child, he performed with his mother in full-length operas such as Judgement of Good and Evil , The Tiger Tally , and others. Yuen has also planned and produced a number of operas. 黎耀威
Keith Lai
為文千歲入室弟子，並跟隨文禮鳳、潘細倫、
韓燕明習藝。 2010 年獲香港八和會館與香港 電台第五台合辦粵劇青年演員飛躍進步獎金獎 （生角）， 2011 年獲香港藝術發展局頒發藝術 新秀獎（戲曲）。
Lai is a disciple of Cantonese opera master Man Chin-sui. He has also studied under opera greats such as Man Lai-Fung, Poon Sai-lun and Hon Yinming. In 2010, Lai won the Most Promising Actor Award for his young male opera roles, awarded by Radio Television Hong Kong and The Chinese Artists Association of Hong Kong. In 2011, he was awarded the HKADC’s Young Artist Award in the Xiqu category.
黃寶萱
Janet Wong
師承吳聿光，父為黃金堂，亦曾跟隨多位名師 學藝。獲香港演藝學院中國戲曲演藝證書（粵 劇）及深造證書（粵劇），主修花旦。經常參 與演出，積極推廣兒童及青少年粵劇。近年參 與劇本、音樂及幕後工作，亦為《現代戲曲》 撰寫專欄。
Wong has studied under master Ng Lut-kwong and her father, Wong Kam-tong, is a renowned actor of Cantonese opera. Wong completed her studies at HKAPA, with a Certificate in Performing Arts (Cantonese opera) and an Advanced Certificate in Performing Arts (Cantonese opera), majoring in huadan (young leading female). She has frequently performed with various opera troupes, and taken an active part in promoting Cantonese opera and offering training to children and teenagers. In recent years, she has been involved in scriptwriting, music composition and different aspects of Cantonese opera production. She is also a contributing columnist to Modern Plays, a magazine dedicated to Cantonese opera.
馬卓麟
Ponny Ma
原名馬德明，曾加入漢風粵劇研究院、清輝粵 劇學院，隨多位名師學藝。經常參加演出，曾 赴美加澳等地。現亦於中小學擔任粵劇導師、 折子戲排練班導師，為翹輝粵劇團和駿藝兒童 粵劇團團長。
Originally named Ma Tak-ming, Ma was a member of Hon Fung Cantonese Opera Institute and Ching Fai Cantonese Opera College where he studied under several maestros. He is an active performer who often tours to the US, Canada, Australia and other countries. Ma is currently a Cantonese opera instructor at primary and secondary schools, and he also teaches excerpts training courses. Ma serves as the Director of Kiu Fai Canton Opera Group and Chun Ngai Children Cantonese Opera Troupe.
裴駿軒 Pui Jun-hin
原名胡可志，為首屆香港八和粵劇學院畢業 生，師承任大勳、王粵生，畢業後加入雛鳳鳴 劇團任基本演員，曾於美、加、澳洲、新加坡 等地演出。
Originally named Wu Ho-chi, Pui was among the first group of graduates of the Cantonese Opera Academy of Hong Kong, where he studied with such masters as Yam Tai-fan and Wong Yuetsang. After graduation, he joined Chor Fung Ming Cantonese Opera Troupe as an actor, and he toured the US, Canada, Australia and Singapore.
郭啟輝
Gregory Kwok
為陳劍烽入室弟子，獲 2004 年香港學校粵曲 歌唱比賽中學初級組季軍及公開對唱組亞軍、 侯寶林獎中華青少年曲藝大賽金獎。近年任丑 生及武生，演出《梟雄虎將美人威》、《劍底 娥媚是我妻》、《連城璧》等劇目。
Kwok is a disciple of opera star Chan Kim-fung. In 2004, he took part in the secondary school junior and open duet categories of the Hong Kong Schools Cantonese Opera Contest, coming in third and second respectively. Also in 2004, he won the gold award in the Beijing Youth Chinese Opera Competition. In recent years, he has played chousheng (male clown) and wusheng (military male) roles in The General and the Beauty, Killing My Wife, Jade Disk, and Death of a Loyal Warrior, and others.
Biographies translated by Colin Wong
香港青苗粵劇團
Hong Kong Young Talent Cantonese
Opera Troupe
香港青苗粵劇團為非牟利粵劇團體，並獲選為民政事務局局長法團粵劇發展基金第二屆 「香港梨園新秀粵劇團」計劃三年資助團體，藝術總監為李龍。劇團旨在透過有系統的 培訓演出，提升本地年青演員的藝術水平，培育他們成為粵劇界接班人，使粵劇得以薪 火相傳。
Hong Kong Young Talent Cantonese Opera Troupe is a non-profit-making Cantonese opera troupe, with Lee Lung being its artistic director. It received a three-year grant from the second Hong Kong Cantonese Opera Troupe for New Talent Scheme under the Secretary for Home Affairs Incorporated Cantonese Opera Development Fund (CODF). The opera troupe aims to raise the artistic standard of local young actors through provision of systematic training and performance opportunities, so as to nurture the next generation of Cantonese opera talents and to pass on the legacy of Cantonese opera.
Translated by Colin Wong
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李美娟 Virginia Li
香港青苗粵劇團 文武新一代
Hong Kong Young Talent Cantonese Opera Troupe Romance and Martial Arts
《穿金寶扇》 The Gilded Fan YMTT 14, 15/3 15/3 7:30pm 2:15pm
《武松》 Wu Song the Tiger Killer STA 16/3 2:30pm 《天鵝武士前傳》音樂會
Before Brabant
薩翁林納歌劇節 華格納《羅恩格林》
Savonlinna Opera FestivalLohengrin by Richard Wagner
科隆愛樂樂團
Guerzenich Orchestra Cologne
瑪利亞芝傲．皮莉斯與蘇格蘭室樂團
Maria João Pires with the Scottish Chamber Orchestra
約翰．歐康納鋼琴獨奏會
John O'Conor Piano Recital
香港中樂團「樂旅中國 VIII」 Hong Kong Chinese OrchestraMusic about China VIII
亞夫迪娃鋼琴獨奏會
音樂與文本：莊祖欣 指揮：廖國敏 Music & Libretto: Jeffrey Ching Conductor: Lio Kuokman APAA 18/3 8:15pm
音樂與文本：華格納 Music & Libretto: Richard Wagner CCGT 21/3 ◤ 23/3 7pm 3pm
指揮：馬庫斯．史坦茲 Conductor: Markus Stenz CCCH 18/2 8pm
首席指揮：羅賓．提賽弟 Principal Conductor: Robin Ticciati CCCH
指揮：閻惠昌 Conductor: Yan Huichang CHCH 22/2 8pm
Yulianna Avdeeva Piano Recital APAA
朴惠允與科利安．奧歷小提琴鋼琴音樂會
Hyeyoon Park and Florian Uhlig Violin and Piano Recital
香港小交響樂團與葛羅夫納
Hong Kong Sinfonietta & Benjamin Grosvenor
格里哥利．波特
28/2 ◤ 8:15pm
音樂總監 / 指揮：葉詠詩 Music Director/ Conductor: Yip Wing-sie CHCH 28/2 8pm
Gregory Porter CCCH 28/2, 1/3 ◤ 8pm
柯迪凡托合奏團
Ensemble Cordevento
森姆．李與好友音樂會
十七世紀的流行音樂 Popular Music from the 17th Century APAA 1/3 ◤ 8:15pm
Sam Lee & Friends APAA 3, 4/3 8:15pm
費沙爾與布達佩斯節日樂團
Iván Fischer & the Budapest Festival Orchestra
魔法鋼琴與蕭邦短篇 Magic Piano & The Chopin Shorts
倫敦交響樂團
London Symphony Orchestra
匿名四人組 Anonymous 4
瑪德琳．碧露 Madeleine Peyroux
卡華高斯、佩斯與貝多芬 Kavakos, Pace & Beethoven
麥克勞克林與第四空間樂隊 John McLaughlin & The 4th Dimension
赫克托．奧利維拉管風琴獨奏會
Hector Olivera Organ Recital
和諧花園古樂團 Il Giardino Armonico
琉森節日弦樂團 Lucerne Festival Strings
羅伯特．豐塞卡 YO 音樂會
Roberto Fonseca 'YO'
《形象香港》
Images of Hong Kong
薩翁林納歌劇節
米蘭史卡拉歌劇院芭蕾舞團《吉賽爾》
Teatro alla Scala Ballet Company (La Scala Ballet) Giselle
崔莎．布朗舞蹈團
Choreographer: Jean Coralli - Jules Perrot
Trisha Brown Dance Company 編舞：崔莎 •布朗 Choreographer: Trisha Brown
蘇格蘭芭蕾舞團《仙凡之戀 搖滾激情篇》
Scottish Ballet - Highland Fling
季利安作品 Kylworks
俄羅斯莫伊謝耶夫舞團
導演/編舞：馬修•伯恩
Director and Choreographer: Matthew Bourne
編舞：尤里•季利安、米高•舒馬卡
Choreographer: Ji í Kylián, Michael Schumacher
Igor Moiseyev State Academic Ensemble of Popular Dance (Russia)
艾甘．漢舞蹈團《思想伊戈：百年春之祭》
Akram Khan Company - iTMOi (in the mind of igor)
翩娜．包殊烏珀塔爾舞蹈劇場 《死而復生的伊菲格尼》
Tanztheater Wuppertal Pina Bausch Iphigenia in Tauris
香港賽馬會當代舞蹈平台系列
The Hong Kong Jockey Club Contemporary Dance Series
亞太舞蹈平台（第六屆）
Asia Pacific Dance Platform VI
北歐舞新風 Nordic Waves
《茱莉小姐》
Mies Julie
布利斯托爾老域劇團暨
南非木偶劇團《仲夏夜之夢》
Bristol Old Vic in association with Handspring Puppet Company - A Midsummer Night's Dream
《森林海中的紅樓》
Red Chamber in the Concrete Forest
藝術總監及編舞：艾甘•漢
Artistic Director and Choreographer: Akram Khan
導演/編舞：翩娜•包殊
Director and Choreographer: Pina Bausch
節目一編舞：邢亮、黃靜婷、楊浩
Programme 1 by Xing Liang, Chole Huang, Yang Hao 節目二編舞：黃磊、楊浩、林俊浩 Programme 2 by Huang Lei, Yang Hao, Ivanhoe Lam
編舞：李仁秀、蘇亞塔•戈爾、謝欣 by Insoo Lee, Sujata Goel, Xie Xin
編舞：古尼拉．海爾布隆、伊蓮娜．皮里恩 by Gunilla Heilborn, Elina Pirinen
編劇/導演 : 艾瑤•花柏
Written and Directed by Yaël Farber
原著：威廉•莎士比亞 導演：湯•莫里斯 by William Shakespeare Directed by Tom Morris CHT 21-23, 25-28/2 22, 23/2 8pm 3pm
編劇：王昊然 導演：陳曙曦
Written by Wang Haoran Directed by Chan Chu-hei CCST 28/2, 1-3/3 1 2/3 8:15pm 3:15pm 中國國家話劇院《羅密歐與朱麗葉》
National Theatre of China - Romeo and Juliet
梅爾劇團 《亂世浮雲》（伊朗篇）
導演 : 田沁鑫 編劇：雷婷
Directed by Tian Qinxin Adapted by Lei Ting APAL 1 2/3 1/3 8pm 3pm
文本/導演：庫埃斯塔
小提琴：雷諾德．卡普森 with Renaud Capuçon, violin CCCH 6, 7/3 ◤ 8pm
鋼琴：李嘉齡、黃蔚園 with Colleen Lee & Wong Wai-yuen, piano
指揮：丹尼爾．哈丁
Conductor: Daniel Harding CCCH 8/3 ◤ 8pm
恩典與榮耀 Grace & Glory CHCH 11/3 8pm
CCCH 12/3 ◤ 8pm
小提琴：卡華高斯 鋼琴：佩斯 Leonidas Kavakos, violin; Enrico Pace, piano
CCCH 13/3 8pm
CCCH 14/3 8pm
CCCH 15/3 3pm
音樂總監、笛及蕭姆管：喬凡尼．安東尼尼 Music Director, Flute and Chalumeau: Giovanni Antonini CHCH 14, 15/3 8:15pm
藝術總監：丹尼爾．多特思
Artistic Director: Daniel Dodds CHCH 20, 21/3 8:15pm
CCCH 21/3 8pm
也斯詩作命題音樂會 A concert of new works inspired by Ya Si's Poetry CHT 21, 22/3 ◤ 8pm
Savonlinna Opera Festival - Gala Concert 指揮：亞理．海邁萊伊寧 Conductor: Jari Hämäläinen
22/3 8pm
Mehr Theatre Group - Amid the Clouds
《子彈捕手》 Bullet Catch
女戲 1+1 Girl Talk
《水滸 108 之終極英雄 蕩寇誌》 108 Heroes III
《末族》 FILTH
華沙新劇團《莎士比亞 非洲故事》
Nowy Theatre - African Tales by Shakespeare
《鐵馬》
Iron Horse
Text/ Stage: Amir Reza Koohestani APAD 1 2/3 7:45pm
導演/演出：羅布•德拉蒙德
Directed & performed by Rob Drummond
編劇：韋羅莎、李穎蕾 導演：李鎮洲
Written & performed by Rosa Maria Velasco and Santayana Li Directed by Lee Chun-chow
改編：張大春 導演/主演：吳興國
Adapted by Chang Ta-chuan
Directed & performed by Wu Hsing-kuo
編劇：楊靜安 導演：莊培德
Written by Young Jingan Directed by Peter Jordan
藝術總監及導演：瓦里科夫斯基
Artistic Director/ Director: Krzystof Warlikowski
導演：田戈兵 戲劇文本：馮程程
3pm
Director: Tian Gebing Dramaturg: Vee Leong CCST 22, 23/3 23/3 8:15pm 3:15pm
◤ 香港賽馬會藝粹系列 The Hong Kong Jockey Club Series
◤ 信和集團藝萃系列 Sino Group Arts Celebration Series
CCGT 香港文化中心大劇院 Grand Theatre, HK Cultural Centre
CCCH 香港文化中心音樂廳 Concert Hall, HK Cultural Centre
CCST 香港文化中心劇場 Studio Theatre, HK Cultural Centre
CHCH 香港大會堂音樂廳 Concert Hall, HK City Hall
CHT 香港大會堂劇院 Theatre, HK City Hall
APAL 香港演藝學院歌劇院 Lyric Theatre, HKAPA
APAA 香港演藝學院香港賽馬會演藝劇院
The Hong Kong Jockey Club Amphitheatre, HKAPA
APAD
Drama Theatre, HKAPA
◤ 埃克森美孚新視野 ExxonMobil Vision
◤ 瑞信新晉藝術家系列 Credit Suisse Emerging Artists Series
YMTT 油麻地劇院 Yau Ma Tei Theatre
STA 沙田大會堂演奏廳 Auditorium, Sha Tin Town Hall
KTTA 葵青劇院演藝廳 Auditorium, Kwai Tsing Theatre
KTTB 葵青劇院黑盒劇場 Black Box Theatre, Kwai Tsing Theatre
CWDP 中西區海濱長廊（近金鐘添馬公園）
Central and Western District Promenade, Tamar Park, Admiralty
TWTA 荃灣大會堂演奏廳 Auditorium, Tsuen Wan Town Hall
TMTA 屯門大會堂演奏廳 Auditorium, Tuen Mun Town Hall
資料截至 Information
節目詳情及網上報名 For more details and online registration: www.hk.artsfestivalplus.org
展覽 EXHIBITION
18/2-23/3 與藝術共成長
Grow with the Arts
電影 FILMS
26/10; 3, 10, 24/11/2013, 22/3/2014
7/12
18/1
1/3
《3D Matthew Bourne 新天鵝湖》
Matthew Bourne’s Swan Lake 3D
《紐倫堡的名歌手》
Die Meistersinger von Nürnberg
《唐懷瑟》Tannhäuser
歌劇/戲曲 OPERA / CHINESE OPERA
林家聲談《武松》Lam Kar-sing Talks Wu Song
9/3 「技巧與挑戰」聲樂工作坊
Contemporary Vocal Singing: Techniques and Challenges 音樂 MuSIC
16/2 與蕭邦有個約會 A Date With Chopin
18/2 齊來認識《阿爾卑斯交響曲》
Ohren-auf! An Alpine Symphony for Kids
23/2 約翰．歐康納鋼琴大師營
John O’Conor’s Piano Boot Camp
28/2 亞夫迪娃鋼琴大師班
Yulianna Avdeeva Piano Masterclass
2/3 牧童笛大師班
Reinventing the Humble Recorder
5/3 大號大師班
Tuba Masterclass with Jósef Bazsinka
8, 9/3 魔法鋼琴演前講座
Making of Magic Piano
10/3 無伴奏合唱大師班 Coaching A Cappella
11/3 當代舞指揮之道 Conducting for Dance II
14/3 管風琴大師班 The Art of Organ Playing
19/3 室樂團大師班
Coaching Chamber Orcheatra
舞蹈 DANCE
24/2 舞台外的崔莎．布朗 早期作品演出
Alternative Spaces of Trisha Brown – Early Works
26/2 《最後的第一次觸動》中的悖論
The Paradox of Last Touch First
27/2 米高．舒馬卡舞蹈大師班
Dance Masterclass by Michael Schumacher
1/3 莫伊謝耶夫民族服飾
Moiseyev’s Ethnic Costumes
6/3 《思想伊戈：百年春之祭》演後談
iTMOi Post-performance Dialogue
11/3 身「心」舞動工作坊
Movement Workshop with Xie Xin
12/3 「表演與互動」工作坊 Acting and Interacting 12/3 異域風情舞蹈工作坊
Exotica by Sujata Goel 14/3 從葛路克到舞蹈歌劇
From Gluck to Dance-opera 14/3 邂逅舞者：亞太舞蹈平台（第六屆）
Encountering Choreographers of APDP VI 15/3 與魯茲．佛斯特對話
Conversations with Lutz Förster 15, 16/3 與本地當代舞蹈家對談
The Hong Kong Jockey Club Contemporary Dance Series Post-performance Dialogue 17/3 國際當代舞蹈論壇 從北歐到香港
International Contemporary Dance Forum (ICDF) –from Nordic Countries to Hong Kong 23/3 《羅恩格林》後台解碼 Behind Lohengrin
戲劇 THEATRE
21/2 《茱莉小姐》演後談 Adapting Mies Julie
22, 23/2 《仲夏夜之夢》後台解碼 Puppets Backstage 27/2 改編莎士比亞 Adapting Shakespeare 1/3 《森林海中的紅樓》演後談
Return of the Dynamic Duo 2/3 《羅密歐與朱麗葉》座談
Talking About Romeo & Juliet 7/3 《子彈捕手》互動演後談 Speeding Bullet
7/3 《女戲 1+1》演後談 About the Girls
8/3 《鐵馬》編作劇場工作坊
Iron Horse: Devising Theatre Workshop
11/3 華麗與悲壯的戰爭 傳奇水滸 108 講座
Rockin' Chinese Opera
15/3 《末族》: 漂泊香港
After FILTH: Rootless in Hong Kong
16/3 《水滸 108》後台參觀
Backstage Pass to 108 Heroes III
23/3 解構《鐵馬》
Deconstructing the Iron Horse
特備節目 SPECIALS
8, 15/3 「香港 動態的詩歌」漫步遊（中上環街道）
Hong Kong – Poetry in Motion
(Streets of Central & Sheung Wan)
8, 15/3 「香港 動態的詩歌」漫步遊（九龍城街道）
Hong Kong – Poetry in Motion
(Streets of Kowloon City)
19/3 藝術節座談會：組織架構與成功
HKAF Symposium: Structure and Success
電視特備節目 FESTIVAL ON TV
12,19,26/1; 2,9/2/2014
藝術節節目精選 Festival Programme Highlights
