Asia Pacific Dance Platform
亞太舞蹈平台集合了六位亞太區現代 舞蹈家，交流舞藝之餘，再透過工 作坊、教育計劃及座談會，尋找舞蹈
定義，推廣舞蹈欣賞，掀動舞蹈新 思潮。
編舞家：
北京：生活舞蹈工作室/文慧
Featuring signature pieces from six choreographers/ dancers from the Asia Pacific region, the Asia Pacific Dance Platform aims to promote the creativity and dynamism of contemporary dance in the Asia Pacific region through a series of workshops with university students and discussions with presenters, dance professionals and dance critics.
Choreographers:
Beijing: Living Dance Studio/Wen Hui 印尼：積高．斯以普
Indonesia: Jecko Siompo 韓國：金南振
日本：鈴木幸夫
新西蘭：姚蕙蕓
香港：黃大徽
二月Feb 黃大徽 Dick Wong:
14/2
六Sat
27/2
五Fri
28/2
六 Sat
Korea: Namjin Kim
Japan: Yukio Suzuki
New Zealand: Raewyn Hill
Hong Kong: Dick Wong
全方位舞蹈體驗 * All-Dimensional Dance Experience *
香港大學、科技大學及城市大學
The University of Hong Kong, The University of Science & Technology and City University of Hong Kong
上午10:00am中午12:00noon
下午3:00-6:00pm
演出 Performance
晚上6:00-7:30pm
姚蕙蕓工作坊 * Raewyn Hill Workshop: *
發掘圖像的身體藝術 Developing Movement Material from Visual Images
香港演藝學院排舞室（一）HKAPA Dance Studio 1
藝穗會劇院 Fringe Theatre
座談會 Dialogue: 編舞歷程 Choreographic Journeys
主持：曹誠淵（香港城市當代舞蹈團藝術總監）
Moderator: Willy Tsao (Artistic Director, Hong Kong City Contemporary Dance Company)
（英語主講 in English）
藝穗會劇院 Fringe Theatre
上午11:00am- 下午1:00pm
黃大徽：全方位舞蹈體驗 *
Dick Wong: All-Dimensional Dance Experience *
B.O.B.* The Rough Cut（粵語版 Cantonese version）
憑柬入場 By invitation
下午2:00-3:30pm
生活舞蹈工作室／文慧錄像放映分享會 *
Living Dance Studio/Wen Hui Video Screening *
下午6:00-9:00pm
演出 Performance
晚上9:00-11:00pm
座談會 Dialogue: 亞太區舞蹈藍圖 Asia Pacific Dance Scene
主持：曹誠淵（香港城市當代舞蹈團藝術總監）
藝穗會小劇場 Fringe Studio
上午10:00am- 中午12:00noon
鈴木幸夫舞踏工作坊 *
Yukio Suzuki Butoh Workshop *
下午2:00-4:00pm
積高．斯以普舞蹈工作坊 * Jecko Siompo Dance Workshop *
Moderator: Willy Tsao (Artistic Director, Hong Kong City Contemporary Dance Company)
（英語主講 in English）
鳴謝香港藝穗會 With support of Hong Kong Fringe Club
Festival Plus Programme
北京
生活舞蹈工作室／文慧
《回憶》
印尼
積高．斯以普
《束縛》、《存在》、《背後在前》
韓國
金南振
《B的故事》
中場休息
日本
鈴木幸夫
《面對沉默》
新西蘭
姚蕙蕓
《停下，我的靈魂》
香港
黃大徽
《B.O.B.* — The Rough Cut》
Beijing
Living Dance Studio/Wen Hui
Memory
Indonesia
Jecko Siompo
Tikus-Tikus, What Existed and Behind is in Front
Korea
Namjin Kim
Story of B
Interval
Japan
Yukio Suzuki
Confronting Silence
New Zealand
Raewyn Hill
Be Still, My Soul
Hong Kong
Dick Wong
B.O.B.* — The Rough Cut
《束縛》、《存在》、《背後在前》 Tikus-Tikus, What Existed and Behind is in Front
古爾尼阿溫．斯以普（積高）於印尼巴布亞省出生。1994年考入雅加達藝術學院 習舞，主修爪哇、蘇門答臘及米南加保民族舞，稍後更醉心及投身街頭舞蹈。他 曾隨印尼著名舞蹈家沙多諾．庫斯摩及博伊．G．索蒂在印尼及海外表演。
2002年他獲歌德學院頒發獎學金往德國進修舞蹈。1999年，他到美國緬因州波 特蘭學習嘻哈舞。編舞作品共15部。
Kurniawan Siompo (Jecko) was born in Papua, Indonesia. He studied dance at Jakarta Institute of the Arts in 1994, mastering Javanese, Sumatran and Minang ethnic dance and later immersing himself in street dance. He has danced for well-known Indonesian artists Sardono W Kusumo and Boi G Sakti in Indonesia and abroad. In 2002 he received a Goethe-Institut scholarship to study dance theatre in Germany and in 1999 he was learning hip-hop in Portland, Maine, US. He has created nearly 15 works since he began to choreograph. 積高．斯以普
加料節目 FESTIVAL PLuS
舞蹈工作坊
積高．斯以普帶領參加者體驗富節奏感的印尼巴布 亞民俗舞及像動物姿態的原始Kanggaru舞步動作， 並探索其與當代嘻哈舞的關係。
Dance Workshop
Siompo guides participants through the rhythmic steps of Papua folk and organic Kangguru movements and helps explore connections to contemporary hip hop.
編舞的話
我為這次表演選擇的三部作品都根據
同一個主題：「城市森林」。它們關 於城市人，也關於在森林居住的人。
我曾在城市和森林居住，所以兩種生 活方式我都經歷過。我希望能把城市 文化及森林氛圍糅合到這些舞蹈作品 之中。
《束縛》
經過往歐洲、美洲及亞洲漫長的旅 程，我希望做一些回應我國政治處境 的東西。精英政客們那些總是荒謬可 笑和情緒化的舉止，令我想起人們的 束縛，令我想起巴布亞人的行為。因 此，在我心底我總夢想着一個和平的 國家。
《存在》
我們擁有過，我們失落過，現在我們
卻在尋找……
《背後在前》
你來到城市……
演出及製作
編舞
積高．斯以普
《束縛》
舞者
積高．斯以普、阿簡．蘇拉曼
音樂編排
摩根．柏沙里布
《存在》
舞者
布吉．塞拉、努爾．哈辛娜
《背後在前》
舞者
積高．斯以普、阿簡．蘇拉曼 音樂編排
積高．斯以普
Choreographer’s Notes
All three pieces I chose for this performance are based on the same theme: “The Urban Jungle”. It is about people who live in the city and people who live in the jungle. I have experienced both ways of living and hope to bring the city culture and the jungle atmosphere together in these dances.
Tikus-Tikus
A long journey to the US and several countries in Europe and Asia made me want to do something, something to address the political situation in my country. The elite politicians always act absurd and emotional which reminds me of people cramping, reminding me of the behaviour of people in Papua. For this reason I dream of a peaceful country in my mind.
What Existed
We had, we lost, and now we search ...
Behind is in Front
Before the City you came …
Credits
Choreographer
Jecko Siompo
Tikus-Tikus
Dancers
Jecko Siompo and Ajeng Soelaeman
Music Arrangement
Mogan Pasaribu
What Existed Dancers
Bugi Sera and Nur Hasanah
Behind is in Front Dancers
Jecko Siompo and Ajeng Soelaeman
Music Arrangement
Jecko Siompo
韓國 Korea
金南振 Namjin Kim
《B的故事》
Story of B
金南振 1968年於釜山出生，投身舞蹈之前是一名演員，1995年移居法國前他已 參與過韓國不少舞團的演出。他是首位參與法國國家舞團C.C.N.R.B.（1998-2002） 的韓籍男舞者，之後又與比利時當代舞蹈團芭蕾B之C／希迪．拉比．徹卡奧維合 作。深受溫．凡德吉帕斯、勒赫林、瑞．何塔、史都亞德，尤其是希迪．拉比． 徹卡奧維的影響。2006年他回到韓國，創辦了Chang舞蹈劇場，旨在創作更真 實及符合事實，而非抽象的舞蹈作品，作品包括《哈姆雷特》(2007)、《兄弟》 (2008)。
Chang舞蹈劇場創作的獨特韓國當代舞蹈劇場作品，充份表現了金南振強而有力 又不失冷靜的形體，為他在韓國贏取了不少獎項。
Namjin Kim was born in Pusan, South Korea in 1968. He was an actor before he was introduced to dance. He worked with various dance companies in Korea before he moved to France to dance in 1995. He was the first Korean male dancer to work with France National Dance Company (C. C. N. R. B. / Catherine Diverres, 1998-2002). Then he worked with Les Ballets C de le B / Sidi Larbi Cherkaoui. He was influenced by Wim Vandekeybus, Ohad Naharin, Rui Horta, Meg Stuart and especially Sidi Larbi Cherkaoui. He returned to Korea in 2006 and Dance Theater Chang was born. Kim aims to make dance works that are more realistic and factual, rather than abstract, by adding theatrical aspects. Dance Theater Chang creates unique Korean contemporary dance theatre works which show Kim’s powerful, yet calm movements. Kim has won several awards in Korean for his dance work. Recent works include Hamlet (2007) and Brothers (2008).
編舞的話
根據我的記憶，那是倫敦的一個冬 天。倫敦跟所有大城市一樣，承載着 悲傷，來自街頭繁囂人群彼此漠不關 心的悲傷。列車不斷傳來叫化行乞的 聲音，沒有人願意伸出援手，也沒人 理睬他，令我倍感神傷。
究竟他乞求的是什麼呢？ 我感到的悲傷並非來自冬天的寒風， 也不是體內的肌餓，而是來自那些根 本不會望向我的眼神。
我乞求……
我望向你。
演出及製作
編舞
金南振
舞者
金南振、Baek Ho-wool
首演
2006年2月，首爾
Choreographer’s Notes
According to my memory, it was during winter in the city of London. Like all the other big cities, London carries the sadness that comes from the cold indifference of the busy people on the streets … The constant sound of a beggar pleading spread throughout the train and the fact that no one tried to help or cared about the beggar made me sad.
What was the homeless man begging for?
My sadness does not come from the winter’s cold, nor the hunger inside of me. But it comes from the eyes that do not even glance at me.
I beg …
I look to you.
Credits
Choreographer
Namjin Kim
Dancers
Namjin Kim and Baek Ho-wool
Premiere February 2006, Seoul
日本 Japan
Confronting Silence
鈴木幸夫 1997年在石棉館修習舞踏，並曾於室伏鴻等人的作品中演出。2000年創辦 金魚當代舞 團 ，自此作品一直糅合舞踏、芭蕾和戲劇各種風格，在傳統表演場地及視覺藝術空間演出，包括 橫濱國際當代藝術三年展會場及神奈川文化歷史博物館。
鈴木幸夫曾獲東京市立芭蕾舞團邀請擔任編舞，並曾參加亞洲舞蹈會議，主持不少舞踏工作坊。
其獲頒榮譽包括：2008年豐田編舞獎大獎及提名2007年京都藝術中心舞台藝術獎。2009年，他獲 邀參加東京表演藝術市場，將在第三輪美日編舞家交換駐場計劃中亮相。
Yukio Suzuki began training in butoh in Asbestos House in 1997 and has performed in works by artists such as Ko Murobushi. Suzuki founded the contemporary dance company Kingyo (Goldfish) in 2000. Since then, Kingo has created works influenced by butoh, ballet and theatre that have been presented in conventional performance venues and visual art spaces, including the International Triennale of Contemporary Art in Yokohama and the Kanagawa Prefectural Museum of Cultural History.
As a choreographer, he has been invited to choreograph for the Tokyo City Ballet, has participated in the Asia Dance Conference and has led many butoh workshops. He has received numerous honours, including the Grand Prix at the Toyota Choreography Award 2008, and he was nominated for the Kyoto Art Center Theater Award 2007. He has been invited to the Tokyo Performing Arts Market 2009 and will participate in Round 3 of the US-Japan Choreographers Exchange Residency. http://www.suzu3.com
Butoh Workshop
provides practices to hone internal sensibilities and physical expression.
Raewyn Hill
《停下，我的靈魂》
Be Still, My Soul
新西蘭出生的姚蕙蕓，是經常獲國際委約創作的編舞家、舞蹈教育家及當代舞蹈 劇場工作者。曾登上2002年新西蘭傑出榮譽榜，以及擔任法國文化協會巴黎國際 藝術村駐場藝術家。
姚蕙蕓現為香港演藝學院舞蹈學院駐院藝術家，先後為學院創作了兩齣作品， 並為香港欖球總會舉辦了攝影展覽和舞蹈演出，以響應一年一度的本地體壇盛 事「香港國際七人欖球賽」。
澳洲塔斯舞團現正演出她的獨舞作品《先苦》，新西蘭駐腳舞團則在2008-09舞季 演出《巢》。發展中的作品包括：將於2009年在新西蘭首演及巡迴演出的《地上 執到寶》，以及跟國際知名芭蕾舞星露絲妲．阿爾杜絲合作，2010/11舞季首演的《三種恩慈》。
New Zealand-born Raewyn Hill is an internationally commissioned choreographer, dance educator, and contemporary dance-theatre practitioner. Her numerous accolades include listing on the New Zealand Distinguished Honours Board 2002 and the prestigious Cité des Arts Internationale Artist Residency from Culturesfrance.
Living in Hong Kong as Artist-in-Residence at the School of Dance at The Hong Kong Academy for Performing Arts, Hill has created two works for the Academy as well as presented a photographic exhibition and dance performance for the Hong Kong Rugby Union; this work will be part of the stadium entertainment for the Hong Kong Sevens 2009.
Currently, Tasdance (Australia) are performing one of her solo works, One for Sorrow, and Footnote Dance Company (New Zealand) are performing Nest in their 2008/09 repertoire. She has two projects in development: Finders Keepers, which premieres and tours throughout New Zealand in 2009, and The Three Graces, with internationally renowned ballerina Lucette Aldous, which will premiere in 2010/11.
加料節目 FESTIVAL PLuS
姚蕙蕓工作坊──發掘圖像的身體藝術 姚蕙蕓指導參加者模仿不同藝術作品的姿態，再 分成小組創作舞蹈素材，並在工作坊演出其小組 作品。
Raewyn Hill Workshop — Developing Movement Material from Visual Images
This workshop involves participants by first replicating gestures found in a number of art works, and then, using small groups, guiding the participants to form dance material. A demonstration/performance of each small group’s work concludes the workshop.
編舞的話
《停下，我的靈魂》參考天主教的聖 母「七苦」觀念，探索人文經驗中愛 與失落的位置。簡言之，「七苦」涵 蓋了祈求、出走、尋找、受苦、死 亡、領受遺體與埋葬的主題，讓《停 下，我的靈魂》得以提供獨特而靜謐 的觀賞經驗。
演出選用了約第．沙瓦爾《宇宙和諧 II》專輯裏的無名氏作品《Homentage al Misteri D’Elx La Vespra》，加上委 約新西蘭第一流舞樂作曲家大衛，朗 格全新創作的音樂，令《停下，我的 靈魂》更能把舞台上和半空的舞蹈動 作別具創意地結合起來。
我們希望《停下，我的靈魂》能帶領 觀眾，經歷一個個充滿美，充滿精進 和忍辱意象的場景，進入令人深有共 鳴的故事，完成一次感性的旅程。
這次演出的材料是新發展的部份，主 要是姚蕙蕓於2008年在香港演藝學院 駐校期間所編作，並由該校舞蹈學院 的畢業生擔綱演出。
《停下，我的靈魂》的創作及發展， 乃得到香港演藝學院、新西蘭國際藝 術節、安德莉安．史釗活夫人、「創 意新西蘭」及香港藝術節的支持。
演出及製作
編舞
姚蕙蕓
舞者*
馬師雅、曹德寶（27.2）、呂威錦（28.2） 廖雅兒、傅仰立、文慧琪、陳慶翀
服裝設計
Q Q Chan
Lighting Designer
Rexi Kwok
Choreographer’s Notes
Using the Seven Sorrows as a reference point, Be Still, My Soul explores the place of love and loss in the human experience. Briefly, the Seven Sorrows incorporates the themes of Prayer, Flight, Searching, Suffering, Death, Receiving and Burial, and Be Still, My Soul stands to be a unique and mesmerising experience.
Set to Jordi Savall’s realisation of the anonymous score of Homentage al Misteri D’Elx La Vespra, alongside a newly commissioned score from New Zealand’s foremost dance composer, David Long, the full-length version of Be Still, My Soul inventively combines floorbased and bungy-assisted dance movement.
Be Still, My Soul, it is hoped, will carry audiences on an emotional journey through scenes of beauty and images of strength and perseverance, which together symbolically depict a story common to human experience.
Material for this presentation is focused on non-bungy sections of the work. This section of the work was created while Hill was Artist-in-Residence at The Hong Kong Academy for Performing Arts, and is performed by graduating students from the School of Dance at The Hong Kong Academy for Performing Arts.
Hill has received welcome support from The Hong Kong Academy for Performing Arts, New Zealand International Arts Festival, Lady Adrienne Stewart, Creative New Zealand and Hong Kong Arts Festival for the continuing development of Be Still, My Soul.
Credits
Choreographer
Raewyn Hill
Dancers*
Alice Ma, Hugh Cho (27.2), Lu Wei-chin (28.2)
Yoppy Liu, Eric Po, Man Wai-kei and Dever Chan
Costume Designer Q Q Chan
Lighting Designer
Rexi Kwok
* 承蒙香港演藝學院舞蹈學院批准參與演出 With kind permission of the School of Dance, The Hong Kong Academy for Performing Arts.