Vixen- 51st Hong Kong Arts Festival

第五十一屆香港藝術節隆重舉行，可 喜可賀。

逾半個世紀以來，藝術節每年均呈獻 多姿多彩的文藝節目，由古典音樂、 歌劇、戲劇，以至舞蹈、多媒體項 目等，包羅萬有，令觀眾大飽眼福。

今屆藝術節以《收音機與茱麗葉》及 《春之祭》芭蕾舞表演揭開序幕，兩 齣經典作品經由著名編舞家愛德華· 克魯格重新編排，加上斯洛文尼亞 國家歌劇院馬里博爾芭蕾舞團傾力演 出，萬眾矚目；約五星期後，歐洲頂 尖交響樂團—德國班貝格交響樂團將 登台獻技，為今年藝術節畫上圓滿句 號。其間上演的焦點節目還有： 國 際星級女高音安娜·涅翠柯與丈夫男 高音尤西夫·伊瓦佐夫聯袂表演的音 樂會；由藝術家威廉·肯特里奇精心 製作、南非木偶劇團和比利時里切卡 爾古樂團奇妙演繹的蒙特威爾第歌劇 《尤利西斯歸鄉記》；由芭蕾天后娜塔 麗亞·奧斯波娃領銜主演的芭蕾巨 星之《「世」不可擋》及傳奇舞姬之 《趾尖》；以及國際鋼琴大賽冠軍劉曉 禹的演奏會。

藝術節向來十分重視本地演藝人才， 致力讓他們一展才華。今屆藝術節亦 會上演多個粵劇節目，包括《竹林愛 傳奇》、「毛俊輝．粵劇情」、《畫皮》 (精新版)，以及「短篇粵劇—戲說 八德」； 並帶來其他本地作品，包括 《飯戲攻心》踏台版、《末戀．無愛合 約》、舞蹈歌劇《兩生花》等等，定 必精彩萬分，不容錯過。

大眾還可通過藝術節，體驗繽紛的藝 術魅力。法國食蟻獸沉浸式藝術工作 室創作的《第一步》，會邀請觀眾互 動共舞；在大館舉行的一系列免費藝 術科技節目，以及「無限亮」計劃， 亦會讓公眾參與其中。「無限亮」計 劃由本地和海外不同能力的藝術家擔 綱演出，鼓勵青少年衝破界限，探索

行政長官的話 MESSAGE FROM THE CHIEF EXECUTIVE

I would like to congratulate the Hong Kong Arts Festival on the organisation of its 51st edition.

For more than half a century now, the Arts Festival has enthralled audiences with a superb annual programme of arts and culture performances embracing classical music and opera, theatre, dance, multimedia and a great deal more.

This year’s Arts Festival programme opens with the Slovene National Theatre Maribor’s ballet performances of Radio and Juliet and Le Sacre du Printemps, two classics re-imagined by celebrated choreographer Edward Clug. It closes, nearly five weeks later, with a concert by Germany’s Bamberg Symphony, one of Europe’s greatest orchestras. Other highlights include Anna Netrebko, one of the world’s great sopranos, performing with her husband, tenor Yusif Eyvazov; artist William Kentridge’s remarkable production of Monteverdi’s opera, Il Ritorno d’Ulisse, brought to life by South Africa’s Handspring Puppet Company and Belgium’s Ricercar Consort periodinstrument ensemble; Ballet Superstars’ Force of Nature and Legendary Ballerina

新知。「香港藝術節青少年之友」計 劃同樣以豐富年輕人的體驗為目標， 籌備了多場學校巡演、演前工作坊和 特備節目。「加料節目」的創意活動 則把全港觀眾與藝術家連繫起來，讓 藝術文化遍及社區。

我感謝香港藝術節盡心竭力推廣藝術 文化，協助推動香港發展為中外文 化藝術交流中心。我亦感謝一眾贊 助商和捐款人慷慨襄助，令藝術節精 彩紛呈。

今年的藝術盛宴每場表演均可貴可 喜，大家定能盡情享受，樂在其中。

in Two Feet featuring supreme ballerina Natalia Osipova; and concerts by the international award-winning piano virtuoso Bruce Liu.

As always, the Festival shines a spotlight on standout artists from Hong Kong. This year’s Cantonese opera offerings include Love in the Bamboo Grove, Cantonese Opera Classics Circa 2023, The Painted Skin (Refined Edition) and Virtues and Morality—Four Cantonese Operas. Local productions including Table For Six on Stage, Loveless Romance and Love Streams are sure to be among this year’s Festival highlights.

Several programmes invite public participation as well, including the First Steps participatory dance performances staged by France’s Tamanoir Immersive Studio, as well as Tai Kwun’s free series of arts tech productions and the Festival’s No Limits programme, led by local and international artists of varying abilities. No Limits’ offerings emphasise youth exploration, as does the Young Friends of the Hong Kong Arts Festival with its school tours, preperformance workshops and special programming. And then there is the Festival PLUS creative activities that bring artists and audiences together in communities throughout Hong Kong.

I am grateful to the Hong Kong Arts Festival for its inspired commitment to the arts and to Hong Kong’s continuing rise as an East-meets-West centre for international cultural exchange. My thanks, as well, to the Festival’s many generous sponsors and donors.

I know you will treasure every performance, every moment, of this year’s Hong Kong Arts Festival.

John KC Lee Chief Executive Hong Kong Special Administrative Region

歡迎閣下蒞臨第 51 屆香港藝術 節。隨着香港走出疫情的陰霾，藝 術節再度匯聚本地及世界各地的頂 尖藝術家，呈獻一連串精采的現場 表演。儘管網絡世界無遠弗屆， 親身觀賞演出的體驗依然是無可取 替。今日，我很高興能夠與大家 聚首一堂，共同體驗現場表演的 震撼力。

藝術節得以順利舉辦，有賴社會各 界的慷慨支持。我在此感謝香港 特別行政區政府透過康樂及文化事 務署的年度恆常撥款，為藝術節的 長遠工作奠下根基。我亦非常感 激香港賽馬會慈善信託基金的持續 支持，以及一眾企業贊助、慈善基 金會和個人捐助者的貢獻。我更要 向參與藝術節的藝術家表達由衷謝 意，尤其是早前因疫情而無奈取消 演出、但於今屆願意再度與我們合 作的藝術家。

另外，過去三年，藝術節團隊在充 滿不確定因素的環境下努力不懈， 克服種種難關，繼續為觀眾送上線 上線下的精采節目。我在此向團隊 的每一位成員致謝。

觀眾的支持及參與對藝術節至關重 要。感謝您前來欣賞今日的演出， 希望藝術節的節目能夠為您帶來喜 悅與希望。

主席的話 MESSAGE FROM THE CHAIRMAN

I am delighted to welcome you to the 51st edition of the Hong Kong Arts Festival. As the city recovers from the disruption of the pandemic, the Festival is returning with an array of live performances featuring top-notch artists from Hong Kong and across the world. Despite the boundless possibilities offered by the internet, attending performances in person remains an irreplaceable experience. It gives me great pleasure to share this collective experience with you today.

The Festival is made possible by the generosity of our supporters.

I wish to thank the HKSAR Government, via the Leisure and Cultural Services Department, for the annual subvention which underpins our long-standing work. I am also grateful for the ongoing contributions from The Hong Kong Jockey Club Charities Trust, as well as corporate sponsors, charitable foundations and individual donors. My sincere thanks go

to the participating artists for their dedication to bringing the best to our audiences, especially those returning after previous cancellations due to the pandemic.

I also want to thank the dedicated staff of the Festival who have worked extremely hard to overcome numerous challenges during the uncertainties of the past three years. Last but not least, the Festival counts on the support and participation of each member of the audience. Thank you for joining us at today’s performance. I hope that our programmes will bring you much joy and hope for the future.

Victor Cha Chairman Hong Kong Arts Festival

香港藝術節主席 查懋成

行政總監的話

我謹代表藝術節團隊，歡迎閣下蒞 臨第 51 屆香港藝術節。

經歷了過去幾年疫情的影響，今年 藝術節以「回賞．前行」為題，表 達了我們隆重回歸舞台的決心。憑 着五十年來的努力，香港藝術節成 為了地區首屈一指的文化盛事，確 立了在國際間的重要地位。我們很 榮幸能夠繼往開來，並繼續在多方 面力求進步，與時俱進。在第 51 屆藝術節中，我們全新演繹大師傑 作、建立跨界合作、委約原創作 品，進一步發掘新的創作視野。這 些嘗試都展現了表演藝術的維度和 無限可能性，讓我們在探索的旅途 中向前邁進。

除了出色的表演，藝術節亦舉辦 了一系列「加料節目」，令觀眾對 演出作品有更深入的認識，豐富觀 賞體驗。我們亦繼續大力投資於 藝術教育，希望透過多元的外展活 動，以高質素的表演啟發香港的年 輕一代。

藝術節正式踏入第二個五十年，我 們將抱持樂觀的態度和更大的勇氣 面對未來的各種挑戰。希望您能夠 與我們同行，並喜歡藝術節為您準 備的節目。

On behalf of the Festival team, I would like to extend to you a heartfelt welcome to the 51st Hong Kong Arts Festival.

Our theme this year, “Coming Back, Moving Forward”, represents our determination to come back in full force after several years of uncertainties caused by the pandemic. After five decades of hard work and dedication, the Festival has established itself as a premier arts event in the region and an important international arts festival. We are honoured to carry this legacy forward, while advancing our multifaceted work to stay relevant in the present. In the 51st edition, we discover creative voices through new renditions of masterpieces, cross-disciplinary collaborations and commissioned productions— all of which showcase the breadth and endless possibilities of the performing arts, taking us one step

forward in this journey of exploration. Beyond exceptional performances, we are also offering a series of auxiliary PLUS programmes to enhance audience engagement and provide deeper insights into our programmes. Our strong commitment to arts education is seen in the extensive outreach activities aimed at inspiring the younger generation of Hong Kong through promoting quality arts.

The Festival steps into the second half of its first centenary with both optimism and renewed courage to bravely face the great challenges ahead. I hope you will stay close with us and be inspired by what the Festival has to offer.

香港藝術節資助來自：

The Hong Kong Arts Festival is made possible with the funding support of:

Flora Yu

Executive Director

Hong Kong Arts Festival

MESSAGE FROM THE EXECUTIVE DIRECTOR

香港藝術節 HONG KONG ARTS FESTIVAL

扎根香港的國際藝壇盛事 聯繫中國與世界

An International Arts Festival in Hong Kong Connecting China and the World

香港藝術節於 1973 年正式揭幕，是國際藝壇中重要的文化 盛事，於每年 2、 3 月期間呈獻眾多優秀本地及國際藝術家 的演出，以及舉辦多元化的「加料」和教育活動，致力豐 富香港的文化生活。

香港藝術節 是一所非牟利機構，2022/ 23 財政年度預計收

入（包括第 51 屆香港藝術節及 2023 年「無限亮」）約港 幣一億五千萬，當中香港特區政府的年度撥款佔總收入約 18%，另外約 24%需來自票房收入，約 43%則需依賴來自 各大企業、熱心人士和慈善基金會的贊助和捐款。預計餘 下的約 15%則來自其他收入，包括政府針對捐款和贊助收 入而提供的配對資助。

香港藝術節每年呈獻眾多國際演藝名家精采多元的演出，

例如* ：

• 歌劇：巴伐利亞國立歌劇院、萊比錫歌劇院、莫斯科大 劇院、聖彼得堡馬林斯基劇院

• 中國戲曲：中國國家京劇院、河北梆子劇院、上海張軍 崑曲藝術中心、江蘇省蘇州崑劇院、浙江小百花越劇團

• 古典音樂：塞西莉亞 • 芭托莉、列卡杜 • 沙爾、趙成 珍、古斯塔沃 • 杜達美、菲力普 • 格拉斯、馬友友、 丹尼斯 • 馬祖耶夫、安娜 • 涅翠柯、詹安德列亞 • 諾 斯達、小澤征爾、湯瑪士．夸斯托夫、甘拿迪 • 羅傑 斯特汶斯基、譚盾、湯沐海、克里斯蒂安 泰利曼、倫 敦交響樂團、NHK交響樂團、皇家阿姆斯特丹音樂廳樂 團、柏林廣播電台合唱團、萊比錫聖多馬合唱團、維也

• 爵士樂及世界音樂：波比 麥非年、尤蘇 恩多爾、 艾斯佩蘭薩 • 斯伯丁、Orquesta Buena Vista Social Club、粉紅馬天尼

• 舞蹈：米高 巴里殊尼哥夫、蕭菲 紀蓮、艾甘 漢、美國芭蕾舞劇院、雲門舞集、漢堡芭蕾舞團—約 翰．紐邁亞、紐約市芭蕾舞團、巴黎歌劇院芭蕾舞團、 翩娜 包殊烏珀塔爾舞蹈劇場

• 戲劇：彼得 • 布祿克、羅伯特．利柏殊、蜷川幸雄、羅 柏特 • 威爾遜、柏林劇團、中國國家話劇院、皇家莎士 比亞劇團

• 大型特備節目：《藝裳奇幻世界》、星躍馬術奇藝坊

• 戶外節目：《聲光園》、《幻光動感池》、《聲光頌》

香港藝術節積極與本地演藝人才合作，並致力為新進藝術 家提供展示才華的平台。藝術節至今委約及製作逾 250 套 本地全新創作，包括粵劇、戲劇、室內歌劇、音樂和舞蹈 作品，不少製作更已在香港及海外多度重演。近年的藝術 節新製作包括《鼠疫》、《陪着你走》、《百花亭贈劍》、《香 港家族》三部曲、《世紀

The HKAF, launched in 1973, is a major international arts festival committed to enriching the cultural life of the city by presenting leading local and international artists in all genres of the performing arts as well as a diverse range of “PLUS” and educational events in February and March each year.

The HKAF is a non-profit organisation. The total estimated income for FY2022/23 (including the 51st Hong Kong Arts Festival and 2023 “No Limits”) is approximately HK$150 million. Current Government annual funding accounts for around 18% of the Festival's total income. Around 24% of the Festival’s income needs to come from the box office, and around 43% from sponsorship and donations made by corporations, individuals and charitable foundations. The remaining 15% is expected to come from other revenue sources including the Government’s matching scheme, which matches income generated through private sector sponsorship and donations. The HKAF has presented top international artists and ensembles across multiple genres, such as*:

• Western opera: Bavarian State Opera, Oper Leipzig, The Bolshoi Theatre, The Mariinsky Theatre

• Chinese opera: China National Peking Opera Company, Hebei Clapper Opera Troupe, Shanghai Zhang Jun Kunqu Art Center, Suzhou Kunqu Opera Company of Jiangsu, Zhejiang Xiaobaihua Yue Opera Troupe

Classical music: Cecilia Bartoli, Riccardo Chailly, Seong-Jin Cho, Gustavo Dudamel, Philip Glass, Yo-Yo Ma, Denis Matsuev, Anna Netrebko, Gianandrea Noseda, Seiji Ozawa, Thomas Quasthoff, Gennady Rozhdestvensky, Tan Dun, Muhai Tang, Christian Thielemann, London Symphony Orchestra, NHK Symphony Orchestra, Royal Concertgebouw Orchestra, Rundfunkchor Berlin, Thomanerchor Leipzig, Vienna Philharmonic Orchestra

• Jazz and world music: Bobby McFerrin, Youssou N'Dour, Esperanza Spalding, Orquesta Buena Vista Social Club, Pink Martini

Dance: Mikhail Baryshnikov, Sylvie Guillem, Akram Khan, American Ballet Theatre, Cloud Gate Dance Theatre, The Hamburg Ballet – John Neumeier, New York City Ballet, Paris Opera Ballet, Tanztheater Wuppertal Pina Bausch

• Theatre: Peter Brook, Robert Lepage, Yukio Ninagawa, Robert Wilson, Berliner Ensemble, National Theatre of China, Royal Shakespeare Company

• Large-scale special events: World of Wearable Art, Zingaro

• Outdoor events: Power Plant, Super Pool, Chorus

The HKAF actively collaborates with Hong Kong’s own creative talent and showcases emerging local artists. Over the years, HKAF has commissioned and produced over 250 local productions across genres including Cantonese opera, theatre, chamber opera, music and contemporary dance, many with successful subsequent runs in Hong Kong and overseas. Recent HKAF productions include The Plague, Always by Your Side, Pavilion of a Hundred Flowers, A Floating Family – A Trilogy, Hong Kong Odyssey, Danz Up, Datong – The Chinese Utopia, The Amahs and Murder in San Jose, to name a few.

The HKAF frequently partners with renowned international artists and institutions to produce exceptional works, such as Der Fensterputzer (The Window Washer) co-produced by HKAF, Goethe-Institut Hong Kong and Tanztheater Wuppertal Pina

香港》、《炫舞場》、《大同》、 《金蘭姊妹》、《聖荷西謀殺案》等。

香港藝術節多年來與知名海外藝術家及團體聯合製作不少 優秀作品，當中包括由香港藝術節、香港歌德學院及翩 娜．包殊烏珀塔爾舞蹈劇場聯合製作的《抹窗人》、由倫 敦老域劇院、布魯克林音樂學院與尼爾街製作公司製作、 香港藝術節為聯合委約機構之一的「橫貫計劃」之《暴風 雨》及《李察三世》、由香港藝術節及上海國際藝術節聯 合委約的《青蛇》、三藩市歌劇院與香港藝術節聯合製作 的《紅樓夢》等。

香港藝術節 大力投資下一代的藝術教育。「青少年之友」

成立 30 年來，已為逾 810, 000 位本地中學生及大專生提供 藝術體驗活動。藝術節近年亦開展多項針對大、中、小學 生的藝術教育活動，包括由國際及本地藝術家主持的示範 講座及工作坊、學生展演、演前講座、公開彩排、以及欣 賞藝術節演出。同時，通過「學生票捐助計劃」，藝術節 每年提供約 10, 000 張半價學生票。

香港藝術節每年主辦一系列多元化並深入社區的「加料節 目」，例如電影放映、示範講座、大師班、工作坊、座談 會、後台參觀、展覽、藝人談、文化導賞團等，鼓勵觀眾 與藝術家互動接觸。

香港藝術節亦銳意將共融藝術理念拓展到社區每一角落。 由藝術節與香港賽馬會慈善信託基金聯合呈獻的「無限

2019 年正式開展，透過一系列的演出及多元的 教育及社區外展節目，「無限亮」致力創造共融空間，讓不 同能力人士均可以一同欣賞、參與、擁抱藝術。

Bausch, Richard III and The Tempest produced by The Old Vic, BAM and Neal Street under “The Bridge Project” with HKAF as a co-commissioning institution, Green Snake co-commissioned with Shanghai International Arts Festival, and Dream of the Red Chamber co-produced with San Francisco Opera.

The HKAF invests heavily in arts education for young people. Over the past 30 years, our “Young Friends” scheme has reached over 810,000 local secondary and tertiary school students. A variety of arts education projects serving primary, secondary, and tertiary school students have been launched in recent years, featuring activities such as student showcases, pre-performance talks, open rehearsals, opportunities to attend Festival performances, as well as in-school workshops and lecture demonstrations led by international and local artists. Donations to the “Student Ticket Scheme” also make available approximately 10,000 half-price student tickets each year.

The HKAF organises a diverse range of “Festival PLUS” activities in community locations each year to enhance engagement between artists and audiences. These include films, lecture demonstrations, masterclasses, workshops, symposia, backstage visits, exhibitions, meet-the-artist sessions, and guided cultural tours.

The HKAF actively promotes inclusiveness and understanding via the arts to every corner of the community. The “No Limits” project, co-presented with The Hong Kong Jockey Club Charities Trust, was launched in 2019. Through a series of performances and diverse arts experiences for students and the community, “No Limits” strives to create an inclusive space for people with different abilities to share the joy of the arts together.

The HKAF officially launched the Hong Kong Arts Festival Foundation in 2022 to provide greater financial security and longterm sustainability for the Festival. Donations to the Foundation will help the Festival to present large-scale projects which its annual budget cannot cater for. (2023

香港藝術節為創造更穩健的財政環境以及確保藝術節的長期 可持續性，於 2022 年成立香港藝術節基金會，旨在讓藝術 節得以在未來進行年度預算以外的大型特別項目。

*有關香港藝術節的過往節目，可參考以下網頁 Details of past HKAF programmes can be found at https://w2.hk.artsfestival.org/en/about-us/past-programmes/past-programmes-2021.html

誠邀贊助或捐助香港藝術節；詳情請與藝術節發展部聯絡。

To find out more about sponsorship opportunities and donation details for the Hong Kong Arts Festival, please contact the HKAF Development Department.

香港藝術節協會 2022 ／ 23 年度預計收入來源（約港幣一億五千萬）

電郵 Email: dev@hkaf.org

直綫 Direct Lines: (852) 2828 4910/11/12

網頁 Website: www.hk.artsfestival.org/en/support-us

Estimated Income Sources for Hong Kong Arts Festival Society in FY 2022/ 23 (Approximately HK$150 Million)

香港藝術節

感謝 would like to thank

獨家贊助 for being the Sole Sponsor of

HONG KONG ARTS FESTIVAL 「賽馬會本地菁英創作系列」

沉浸式歌劇《小狐狸》

Jockey Club Local Creative Talents Series

Vixen

賽馬會本地菁英創作系列

Jockey Club Local Creative Talents Series

沉浸式歌劇

VIXEN 11.03.2023 - 18.03.2023

11, 12, 18.03.2023 6:30pm

15-17.03.2023 8pm

11,18.03.2023 9pm

大館監獄操場及洗衣場石階

Prison Yard and Laundry Steps, Tai Kwun

演出長約 1 小時 10 分鐘，不設中場休息

Approximately one hour and 10 minutes with no interval

英語演出，附中、英文字幕

Performed in English with Chinese and English surtitles

* 此節目含粗俗語言

This production contains strong language

場地夥伴：大館

Venue Partner: Tai Kwun

封面照片 Cover Photograph

© Alex Malikov

敬請關掉所有響鬧及發光裝置

Please switch off all sound-making and light-emitting devices

本場刊採用環保紙張印刷

This programme is printed on environmentally friendly paper

請勿擅自攝影、錄音或錄影 Unauthorised photography or recording of any kind is strictly prohibited

如不欲保留本場刊，請於完場後放入場地的回收箱

If you don't wish to keep this booklet, please return it at the admission point

所有作品內容均由創作團隊獨立製作，並不代表「賽馬會本地菁英創作系列」及贊助機構之立場或意見。

The entire content of the work is independently produced by the creative team, and does not reflect the views or opinions of the Jockey Club Local Creative Talents Series nor the Sponsor.

沉浸式歌劇《小狐狸》 Vixen

編創人員 Creative Team

導演及文本 Director and Librettist

黛思．伊凡*

Daisy Evans*

音樂總監 Music Director

史提芬．希金斯*

Stephen Higgins*

佈景及服裝設計

Set and Costume Designer

吉蒂．卡利斯特*

Kitty Callister*

音響設計 Sound Designer

麥士．帕本海姆*

Max Pappenheim *

燈光設計 Lighting Designer

傑克．威爾薛*

Jake Wiltshire*

聲樂指導 Répétiteur

張頌欣

Ronald Cheung

復排導演 Revival Director

馬克‧賓斯 * Mark Burns*

副音樂總監

Associate Music Director

葉詠媛

Vivian Ip

副佈景設計

Associate Set Designer

勞正然 Ryan Lo

副音響設計 Associate Sound Designer

夏恩蓓

Candog Ha

副燈光設計

Associate Lighting Designer

陳鈞至

Samuel Chan

動作指導 Movement Coach

陳庭軒

Chan Ting Hin

副導演 Associate Director

鄧灝威

Sam Tang

副服裝設計 Associate Costume Designer

程凱雯

Cheryl Ching

音響控制 Sound Operator

基斯杜化．里德*

Christopher Reid*

* Silent Opera Team

*英國寂靜歌劇團團員

藝術節以錄像記錄這次製作的創作過程及幕後花絮，紀錄片將在 2023 年 5 月上載至 HKAF Digital 供大眾觀賞。

The Hong Kong Arts Festival is preparing a short documentary on the creative process with behindthe-scenes footage from this production The documentary will be uploaded to HKAF Digital for public viewing in May 2023

演員 Cast

邱芷芊 Vivian Yau 飾–小狐狸 as Vixen

關樂曦 Aaron Kwan 飾–狐狸 as Fox

吳詩琪 Amanda Ng 飾–妻子/侍應 as Wife / Waitress

樂手 Musicians

小提琴 Violin Ruda Lee

雙簧管 Oboe

林嘉奇 Lam Ka-ki

製作人員 Production Team

副監製 Associate Producer

李玨熙 Michael Lee

執行舞台監督 Deputy Stage Manager

曾鎧礽

Herriet Tsang

服裝主任 Wardrobe Supervisor

林䁱燕 Lam Hiu Yin

字幕格式及控制 Surtitles Formatter and Operator

孫禮賢 Larry Shuen

林俊廷 Michael Lam 飾–霍羅斯特 as Forester

袁浩宏 Michael Yuen 飾–皮柏克 / 地產經紀 as Pepik / Real Estate Man

馮日曦 Frankie Fung Yat-hei 飾–伯格/ 速遞員 as Badger/ Delivery Man

長笛 Flute

許榮鏗 Bob Hui Wing-hang

色士風 Saxophone

梁國章 Jacky Leung

製作經理 Production Manager

魏婉意 Gloria Ngai

助理舞台監督 Assistant Stage Manager

杜玲鋒 Hermia To

藝術家統籌 Artist Coordinator

羅善而 Natalie Law

胡永正 Caleb Woo

飾–夏拉斯特 as Harasta

徐曉晴 Ashley Chui

飾–狗/ 塔燕克 as Dog / Terynka

單簧管 Clarinet 何晉業 Ho Chun-yip

舞台監督 Stage Manager

馮舒凝 Fung Shu Ying

助理舞台監督 Assistant Stage Manager

黃可童 Wong Ho Tung

中文字幕翻譯

Chinese Surtitles Translator

廖建邦 James Liu

逃家少女小狐狸正在酒吧中乞討 錢財，好為當晚尋個棲身之所。

一位名叫霍羅斯特的男人出現， 說只要跟他走，就可以帶她回到 自己安全、溫暖的家。

小狐狸跟着霍羅斯特回到家， 但他的兒子和養女卻對小狐狸 很不友善，極盡羞辱捉弄之能 事。大打一架後，小狐狸決定

回到街頭碰碰運氣，偷了些錢便 逃走了。

流浪街頭的小狐狸慢慢適應了無 家可歸的生活，並結識了一眾街 友。她自由奔放，想永遠如此無 拘無束。不久，一位帥氣的年 輕人出現，小狐狸淪陷了……

數月後，小狐狸發現自己懷孕 了。她以為年輕的戀人會將她 拋棄，然而對方卻向她求了婚。

於是，這對小情侶着手迎接新生 命的到來。

與此同時，霍羅斯特忘不了那位 充滿野性的小姑娘。他向警察 朋友夏拉斯特傾訴，說他很擔心 小狐狸孤身一人在街頭的安危。 這位不可靠的警察叫他大可放 心，他定會把小狐狸帶回來。

夏拉斯特上街巡邏，發現了肚子 已高高隆起的小狐狸，正蝸居在 一個臨時搭建的板房。他立刻 追了上去，一場追逐後，小狐 狸眼看就要逃脫，夏拉斯特卻拔 出了槍。在最後的掙扎中，小 狐狸中槍身亡，夏拉斯特慌忙處 理了屍體。

小狐狸讓霍羅斯特記起了年輕、 自由該有的樣子，然而他永遠也 不會知道小狐狸的下落。霍羅

斯特回到家，生活仍然繼續。

A young runaway who goes by the name Vixen finds herself in a bar begging for money so she can get a bed for the night. She meets a man who offers to take her home—it's safe and warm, he promises.

The man, named Forester, takes Vixen to his house, where his son and his foster daughter tease and torment her. After a vicious fight, she decides she'd prefer to try her luck on the streets, so she steals some money and runs away.

Out in the wild, Vixen finds a life for herself among the down and out. She's free and she wants to keep it that way. Then a handsome young man crosses her path, and she falls for him…

Several months pass and Vixen finds out she is pregnant. Although she expects her young lover to abandon her, instead he

proposes and the couple start planning to bring their baby into the world.

In the meantime, Forester can't get the fierce young girl out of his mind. He tells his friend, a dodgy policeman named Harasta, that he is worried about Vixen all alone on the streets. Harasta tells Forester he can find Vixen and bring her home.

Harasta heads out onto the streets and discovers the now heavily pregnant Vixen living in a makeshift hut. A chase ensues and Vixen almost gets away, but Harasta pulls a gun on her. During a final struggle, Vixen is shot and Harasta hurriedly removes her body.

Forester is left never knowing what happened to Vixen, the girl who made his heart remember what it was like to be young and free. He returns home and life goes on.

© Darwin Ng

楊納傑克《狡猾的小狐狸》想要 表達的中心思想，就是生命的循 環；隨着年齡增長，一切反而變 得簡單，而我們也逐漸意識到， 隨死亡到來的，還有新生。在 今次的《小狐狸》製作中，我們 強調敘事中與人相關的元素，也 讓故事中的角色變身成真正的人 類，而非原本的動物形象。這 讓觀眾對「生命循環」有了更深 刻的感受。而當我們跟着小狐 狸——一位逃家少女——四處流 浪時，一些每天在身邊上演的殘 酷現實接連躍入眼簾。作為「偷 窺者」，觀眾很難對在身旁進行 的演出置若罔聞，或會在演出後 反思自己對生命的想法與感受。

在英國，街頭巷尾都能看到無家 者的身影，但我們卻常常視而不 見。我們並不了解每一位街友 背後的故事，也很難看到表象下 那個真正存在的人。這個被遺 忘的群體在全世界廣泛存在，只 是各國程度有所不同。因此， 本作可以輕而易舉地在不同國家 搬演。我們把無家者的部分生 活擺在故事中心，希望他們的聲 音被聽見，希望他們能真正被看 到、被了解。

除此之外，本劇觀眾也置身故事 之內，且往往就是場景的一部 分。他們佩戴的耳機不僅能傳 送音樂，還能隔絕部分干擾， 讓他們在整場演出中，心無旁騖 地與劇中角色同悲歡，共離合。

這些元素結合在一起，造就了一

種獨特的歌劇體驗：這裏沒有紅 色絲絨幕布，也沒有鏡框一樣的 舞台。觀眾和演員之間的第四 面牆完全打破，讓二者合為一 體，分享體驗。

「親民」是如今歌劇界的當紅命 題。各劇團都在尋求創新，嘗 試打破屏障，擴大受眾，讓更 多人更容易地接觸到歌劇。我 們也在盡自己的一分力，通過科 技將角色人性化，且讓觀眾參與 其中，讓人們不再在傳統正規的 表演場地接觸歌劇、欣賞歌劇。

easily across borders. By putting some of these experiences at the centre of our story. we are able to give the forgotten a voice. Make them truly seen and also heard.

最後，我只說一句話

：跟着那個 女孩走！

The core theme at the centre of Janácek‘s The Cunning Little Vixen is the cycle of life; the growing simplicity as we age and the realisation that with death, there is also new life. In this production of Vixen, we focus on the human elements of the narrative and have made the characters real people, not animals. This brings the cycle of life into sharp focus and, as we follow the Vixen, now a young homeless girl on the run, we are confronted with some of the harsh realities of life as they play out around us. As a voyeur, the audience members become almost complicit in the goingson around them and are left to question their own thoughts and feelings about life.

In the United Kingdom, we see homelessness almost every time we go out, but rarely become more than passersby. We don’t often get to know the real people behind what we see and don’t learn of their reallife experiences. Homelessness exists in varying degrees around the world and there are forgotten people in every society, so our story translates

In addition to this, the audience is also at the heart of the action and often becomes a part of the scenes. Compounded with the use of headphones to deliver the music, there are few distractions for the audience, so it is really living alongside the characters during the show. Together, this all adds up to create a unique operatic experience that does away with the red velvet curtains and the proscenium arch. We have removed the degree of separation between audience and stage, making the two become one on a shared journey.

Accessibility is a big buzz word in opera and companies are always looking for innovative ways to break down barriers for the audience in order to diversify the reach of the art form. By bringing in technology, humanising the characters and including the audience, we help connect the opera and the audience in a way that wouldn’t normally be experienced in a formal setting. And with all of that said, all that remains for me to say is: Follow the girl.

Mark Burns

復排導演的話 Revival Director’s Note

佈景及服裝設計的話 Set and Costume Designer's Note

想要講好小狐狸的故事， 我們就得跟着她一起潛入地 下世界。

透過《小狐狸》的佈景設計， 我們想帶你來到一個你可能不 熟悉的領域。除了耳機傳來 的音樂是沉浸式的，我們也希 望你能體驗小狐狸的世界，感 受其中的活力與危險，並在小 狐狸奮力求生時，跟隨她的腳 步，成為她旅途中的一分子。

本製作最初版本的設定，是在 倫敦骯髒昏暗的荒街野巷。我

們從一間酒吧啟程，跟隨女孩 來到霍羅斯特家塞滿梳化的客 廳，然後穿過佈滿塗鴉的牆， 鐵網圍住的城中村，以及衰敗 的都市景象。這時，你已進 入陽光照射不到的倫敦地下世 界。在這裏，小狐狸會利用她 找得到的一切資源，來築起自 己的小家。

自 2017 年倫敦首演後，我們 每到一座城市，就會根據當地

情況對《小狐狸》的佈景做出 調整。儘管每個城市都很不一 樣，我們總會就地取材，讓舞 台設計盡可能貼近當地現實。 本地文化標誌和當地人熟悉的 元素也能幫助我們更好地佈 置場景。

我們的倫敦演出是在滑鐵盧地 鐵站地下的地窖劇院進行，引 向霍羅斯特家的走廊上則貼滿 了尋人啟事，上面都是真實的 倫敦失蹤人口信息。我們希望 通過這種形式，提醒人們關注 現實世界中的眾多「小狐狸」。

在北京演出時，我們把場地選 在三里屯購物區的紅館，並在 附近搜羅了一些路牌、標語和 街頭海報，好讓觀眾既能沉浸 於小狐狸的故事，又能對故事 中的世界感到熟悉。

這一次，我們來到了香港，這 個有着壯麗天幕和無數摩天大 樓的城市。我走上街頭，想要 從城市的脈絡中汲取靈感，卻

在廟街夜市裏轉錯了一個彎。 一剎那，我被拉入了香港的後 街小巷。四面八方的電線、橫 生的晾衫架、錯落的冷氣機、 滴水的管道，還有香港獨有的 竹棚，充斥着一條條橫街窄 巷。這就是小狐狸的世界，一 個存在於城市夾縫中的世界。

當你進入大館操場空間，就會 瞬間來到小狐狸的領地。這次 的故事從大樹下講起，很快， 我們就會跟隨女孩來到霍羅斯 特在香港的家。從他的公寓 穿出後，我們撥開晾曬中的衣 服，便來到後門。眼前，一條 小巷彷如這座充滿活力的都市 中千百條小巷，帶着我們一路 向下，來到洗衣場石階，見證 接下來故事的展開。

吉蒂．卡利斯特

©Darwin Ng

To tell the story of our Vixen, we need to follow her into her underground world.

Through the design for Vixen, we want to draw you into a world you may not be familiar with. Alongside the musical immersion you will hear in your headphones, we want you to feel a part of the vibrant but perilous world she must survive in, to actually walk alongside her and play a role in her journey. Our original production was set on the gritty and dark backstreets of London. We start our journey at a bar and follow the girl to the sofa-filled living room of the Forester House. Finally, upon seeing the graffiti-covered walls and fenced shantytowns and urban decay, you have entered the underground world and follow her onto London’s backstreets, where Vixen uses whatever she can find to make a home.

The overall look of Vixen has been adapted according to each location we have used since our first show in London in the summer of 2017. The design always depends on what we can find to recreate the production as realistically as possible despite the very different locations. Using local cultural references and familiarities helps set the scene.

In our London production set in the arches of the Vaults Theatre beneath Waterloo Station, the corridor up to the Forester House was filled with

the real life-faces and details of missing people from London and surrounding areas. We hoped to raise awareness of real-life runaways such as our young Vixen.

For our Beijing production, we set up in a building near the Sanlitun shopping plaza complex in Chaoyang District. We used local street signs, banners and even street posters to make the audience feel they were somewhere familiar, but also truly immersed in Vixen’s world.

Now we find ourselves in Hong Kong, with its magnificent skyline and high-rise buildings. Having walked around to gain inspiration from the city’s landscape, after taking a wrong turn from the Temple Street night market, I was immediately drawn in by the back alleys and lanes. In every direction, the narrow corridors were filled with overhead wires, hanging drying racks, air conditioning units, dripping water pipes and Hong Kong’s distinct bamboo

scaffolding. This is Vixen’s world. The “in-between” parts of a city.

After arriving at the beautiful space at Tai Kwun, you are transported to Vixen’s world. From underneath the canopy of trees, soon we are following the girl on her journey. We find ourselves watching Vixen and Forester in his Hong Kong apartment. From the back of his house, pushing past his washing, we head through the back gate. We are then led down one of the familiar alleyways that run through this dynamic city…. and down to the Laundry Steps you go, to watch the story unfold.

Kitty Callister

©Darwin Ng

無聲勝有聲 寂靜歌劇革命

How Silent Opera Pumps Up the Volume on the Classics

「歌劇」一詞讓你想起甚麼？假如你對歌劇的印象是衣香鬢影的觀眾加上華麗得嚇人、放滿紅絨椅的 歌劇院，那麼來自英國的寂靜歌劇團或會改變你對歌劇的固有印象。

What do you think of when someone says “opera”? If it’s an ornate, intimidating opera house full of red velvet seats and people in posh evening wear, then the Silent Opera company from the UK wants you to forget everything you’ve learned so far.

©Darwin Ng

寂靜歌劇團由導演黛思‧伊凡 於約十年前創立，借用隨着「無 聲的士高」熱潮而普及的技術， 專注為新一代製作歌劇表演。參 加者在體驗這些沉浸式演出時， 可以選擇聆聽歌手及伴奏樂手現 場奏唱，或戴上無線耳機，收聽 預先錄製的管弦樂版歌劇演出。

2022 年底，伊凡與歌劇團的音

樂總監史提芬‧希金斯來港籌 備 2023 年香港藝術節演出—— 賽馬會本地菁英創作系列： 沉 浸式歌劇《小狐狸》，並與《閱 藝》進行訪談，她說歌劇團成立 的契機其實並非近年流行的無聲 的士高。

伊凡說：「我在倫敦成長，當地 戲劇界有很多新奇事。非主流劇 場的發展蓬勃，孕育大批實驗性 或沉浸式劇作。我有音樂背景， 對歌劇情有獨鍾，便想：『怎樣 能仿效這些劇團，讓歌劇邁向新 發展呢？』」

「我只看過英國皇家歌劇院和英 國國家歌劇團的演出，那時的 我，面對這些票價昂貴、不太 親民的大型表演藝術機構，有種 被拒於門外的感覺。我想正視 這個情況，於是投身創作。」

尋找新聲

伊凡說她在大學時開始思索如何 籌劃場域特定的歌劇，工具只有 一部鋼琴。後來發現缺少了管弦 樂團，整個構思有欠全面；加入 管弦樂團的元素後，她又發現要 在表演場地移動樂器或容許樂手 自由走動，在安排上並不容易。 後來，伊凡在倫敦乘搭地鐵時靈 機一觸，想到新的方法。「我在

地鐵上看見大家都戴着耳機，沉 醉在自己的小宇宙。如果觀眾 可以置身於歌劇的聲境之中，同 時聽到管弦樂團及歌手的演出， 然後在到處遊走時，身邊人突然 開口高歌，那一定非常有趣。 最後決定採用無線技術的無聲的 士高耳機，是因爲它最方便。」

技術革新

希金斯解釋單用預先錄製的管弦 樂音軌並不理想，因為這會令歌 手失去現場伴奏時的發揮空間。

他說：「我們希望改善技術，演 出時保留音樂的感性。我與黛 思最初合作時運用了 Qlab（用 作調控背景音效、影片、燈光 及其他舞台指令的程式）播放音 樂片段，相比起電腦程式，那 更像是有生命力、其他會呼吸的 樂器。」

「我想，既然我們會使用各種錄 音片段和信號，還會把六十位演 出者的聲音收錄入電腦，那麼何 不善用電腦本身的功能，更深入 利用軟件創作呢？」

希金斯意識到 Qlab 軟件可透過

無線耳機偵測到歌手在演唱前急 速吸氣的聲音，並啓動播放錄音 片段的指令。隨後，現場樂手 與演出班底不斷磨合並熟習錄音 片段，寂靜歌劇團的構思亦大 功告成。

讓樂手走出樂池

伊凡說雖然演出依賴電子儀器進 行，但寂靜歌劇團同樣會起用樂 手現場奏樂。「一般歌劇演出的 樂手都有種疏離感，他們一概穿 黑衣，好像隱沒在樂池裏，也沒 人會鼓勵觀眾多留意他們。我 的想法是，樂手身處「舞台」， 配合現場演出奏樂，我們要怎樣 才能讓他們在戲劇世界裏感到輕 鬆自在？」

「舉例說，樂手在《小狐狸》化 身街頭樂團在路邊賣藝賺錢，所 奏樂曲的來源正是原著歌劇，所 以歌手可以自然融入演唱，成為 劇場空間裏的一份子，而觀眾不 會有距離感。」

遊走歷史建築

《小狐狸》香港版本將於大館建 築群的監獄操場及洗衣場石階進

©Darwin Ng

行演出，並將原劇本的背景設定 從倫敦改為香港，加入本土風 味，例如劇中的狐狸便說要請母 狐喝一杯珍珠奶茶。為了讓本 地觀眾對配樂更感親切，錄音團 隊亦下了不少苦功，例如收錄香 港行人過路處的聲音地景。

不難想像，寂靜歌劇團在成立之 初曾面對主流歌劇界不少質疑， 但他們迎難而上，最終贏得很多 歌劇界資深前輩的讚賞。希金斯 說：「我們的演出不是上流社會 的聚會，它緊貼城市脈搏，觀 眾毋須盛裝出席，不受任何規條 約束。我們是不會害怕那些『歌 劇特警』的。」

撰文：Adam Wright 原文刊登於香港藝術節 2023 年之 《 閱藝》雜誌

Founded by director Daisy Evans in London just more than a decade ago, Silent Opera proudly produces opera performances “for the next generation” using technology popularised by the silent disco movement. During these immersive performances, participants can either listen to the opera singers live, backed by performers on live instruments, or put on wireless headsets to hear a pre-recorded full orchestral performance of the opera they are experiencing.

But the popular silent discos that have emerged in recent years weren’t the original inspiration for the company, Evans told FestMag in Hong Kong late last year while she was preparing for their 2023 HKAF show Vixen alongside company music director Stephen Higgins.

“When I was growing up in London, there was a lot of really cool theatre stuff happening. There was a big fringe scene and there’s a lot of experimental and immersive theatre,” she says. “I came from a musical background, I really liked opera, and I thought, ‘How can I get opera to do what these other theatre companies are doing?’

“The only opera I could see was the Royal Opera House and the English National Opera and these big, kind of scary, expensive institutions. And a lot of those doors were barred to me at that age. But I wanted to get straight in there and start creating.”

Finding a new voice

Evans said she started to formulate plans for site-specific operas while at university, just using piano, but found the concept lacking without an orchestra. And then after adding an orchestra she encountered logistical problems in trying to enable musicians and their instruments to remain mobile around the performance venues. And then, while travelling on London’s Underground trains, Evans had a lightbulb moment. “On the Tube, I was starting to see that everyone was wearing headphones and were in their own little world. I thought it would be so interesting if you could put people into the sonic world of the opera as they were walking around a performance, so the person next to you could start singing and you’d hear the whole of the orchestra as well as the singer. The silent disco headphones use wireless technology, so that seemed to be the easiest way to do it.”

A technological revolution

Higgins explains that simply using a pre-recorded orchestral track wouldn’t work because it robbed the singers of the freedom they had when performing over live music. “We thought we’d try and develop a way of working that still used this technology but retained a musical sensibility,” he says. “So for our first shows together, the music clips were triggered by QLab [a macOS program for playing back sound, video,

light, and show control cues], but as a sort of living, breathing instrument rather than as a computer program.

“Eventually, I thought, well, you’re getting all this information [such as musical cues and audio clips] and you’re putting 60 performers into a computer. Why don’t you just use what the computer has in the first place and make something a bit more electronic based?”

Ingeniously, Higgins realised that audio clips could be launched by the software when it detected—via wireless microphones—the sound of a singer taking in a sharp breath before singing. And then, after working out how live musicians could integrate with the cast and the audio clips being triggered on the software, the Silent Opera concept was complete.

Musicians dragged out of the pit

Evans said that despite their reliance on electronics, it was vital that Silent Opera shows also made use of live musicians. “When you go to the opera, the musicians are very separate. They’re all wearing black, they’re in a pit and you’re either not encouraged to look at them at all or they’re kind of hidden. I just thought, ‘They’re there and they’re making the sound that goes along with this, so how do we make sure that they feel at home in this dramatic world?

“In Vixen, for example, they

are a band of street buskers trying to earn money. The tunes they’re playing are inspired by material from the original opera, which then our singers can join in with. So it all fits together, but it’s all part of the same dramatic world and you can imagine yourself being there.”

Vixen is Silent Opera’s version of The Cunning Little Vixen, composed by Leoš Janácek, and is the latest in a long line of opera classics to receive an immersive overhaul by the British company—others that have received the Silent Opera treatment include La Boheme, L’Orfeo, Carmen and Don Giovanni.

Roaming the relics of history

The Hong Kong version of Vixen takes place at several locations around the Tai Kwun complex— the Prison Yard and Laundry Steps—and it’s taken on a local

flavour: the references in the original text to life in London have all been changed to Hong Kong, the Fox offers to buy the Vixen a bubble tea, and the audio team worked hard to make the soundtrack familiar to a local audience, such as by sampling the sound of Hong Kong pedestrian crossings. Perhaps unsurprisingly, the Silent Opera team initially faced scepticism from the establishment, but it eventually won praise from many opera veterans—although sometimes through gritted teeth. “What we do is urban, it’s not at all posh, you don’t have to dress up, and there are no rules,” says Higgins. “We’re not scared of the opera police.”

Text: Adam Wright

Originally published in the HKAF's 2023 FestMag

©Darwin Ng

SILENT OPERA

寂靜歌劇團旨在為觀眾帶來前 所未有的歌劇體驗，這是為下 一代創作的歌劇。

寂靜歌劇團旨在展現一流的音 樂創作和充滿激情的創造力， 作品是為新的觀眾重新構想歌 劇的面目，將令人驚嘆的音樂 劇帶入觀眾的耳朵和靈魂。劇 團運用各種新技術、電子設備 和特別場地，以獨特的表演和 創作手法，創造出這種強烈感 人、訴諸情緒的藝術形式。劇 團有一半觀眾的年齡在 30 歲 以下，有六成從未看過歌劇， 劇團正在開闢一條道路，帶領 觀衆走向一個令人興奮、充滿 活力和想像的未來。

寂靜歌劇團由導演黛思．伊 凡於 2011 年創立，曾製作多

個獲獎作品，包括《韓賽爾與 葛麗特》（荷蘭公園歌劇院、 英國青年歌劇院）、《小狐狸》

（倫敦地窖劇院、英國國家歌 劇院、北京音樂節、海頓基金 會、赫爾辛基國際藝術節）、 《唐璜》（北京國際音樂節、倫 敦地窖劇院）、《 Live/ Revive/ Lament 》（奧德堡音樂節、 薩奇畫廊）、《奧菲歐》（天空 藝術電視台）、《波希米亞人》 （倫敦地窖劇院）和《狄多與伊 尼阿斯》（英國老維克新聲）。

Silent Opera’s aim is to create opera like the audience has never seen before, presenting the highest-quality music making alongside passionate creativity. Its productions reimagine opera for a new audience, bringing stunning musical drama into the audience’s ears and souls. The company uses a variety of new technologies, electronics and venues to devise unique ways of performance and creation for this intense, emotional and

moving art form. With 50 per cent of its audience aged under 30, and 60 per cent having never seen an opera before, Silent Opera is forging a path to an exciting, invigorating and imaginative future.

Founded by director Daisy Evans in 2011, Silent Opera has produced award-winning productions of Hansel and Gretel (Opera Holland Park, British Youth Opera), Vixen (The Vaults, ENO, the Beijing Music Festival, Fondazione Haydn, the Helsinki International Arts Festival), Giovanni (the Beijing Music Festival, The Vaults), Live/Revive/Lament (the Aldeburgh Festival, Saachi Gallery), l’Orfeo (Sky Arts), La bohème (The Vaults) and Dido and Aeneas (Old Vic New Voices).

寂靜歌劇團

©Yoan Boselli

黛思．伊凡 DAISY EVANS

導演及文本 Director and Librettist

黛思．伊凡製作的《藍鬍子城 堡》獲得 2022 年南岸獎的歌劇 類提名。她獲 Sky Arts Futures Fund 資助，成立了銳意創新 的寂靜歌劇團。她為歌劇團 導演了新版的洪佩爾丁克作品 《韓賽爾與葛麗特》、莫扎特的 《唐璜》、普契尼的《波希米亞 人》、珀塞爾的《狄多與伊尼 阿斯》等。 寂靜歌劇團曾在國 際巡迴演出。伊凡曾獲得國際 歌劇獎青年導演獎提名，並以 其《女人皆如此》獲得外西區 戲劇獎之最佳歌劇製作獎。

她的著名作品包括為愛丁堡國 際藝術節拍攝的歌劇電影《電 話》、蘇格蘭歌劇院的《韓賽 爾與葛蕾特》、威爾士國家歌 劇院的《唐·帕斯夸雷》和 《櫻桃城》、為巴比肯藝術中心 和皇家歌劇院改編的《卡門》 以及為格林德伯恩歌劇節改 編的《覺醒之影》。身為歌劇 作詞人，她撰寫了《魔笛》、 《藍鬍子城堡》、《韓賽爾與葛 麗特》、《唐·帕斯夸雷》、《潑 婦》、《唐璜》、《奧菲歐》和 《波希米亞人》的英文唱詞。

Daisy Evans’ production of Bluebeard’s Castle was nominated in the opera category at the 2022 South Bank Awards. She was a recipient of the Sky Arts Futures Fund for founding and creating the innovative Silent Opera company. With the company she has directed a new version of Humperdinck’s Hansel and Gretel, Mozart’s Don Giovanni, Puccini’s La bohème, Purcell’s Dido and Aeneas, and more. Silent Opera has toured internationally. Evans has been nominated for the award for Young Director at the International Opera Awards and won the award for Best Opera Production for her production of Cosi fan tutte at the Off West End Theatre Awards.

Her notable productions include films of The Telephone for the Edinburgh International Festival, Hansel and Gretel for the Scottish Opera, Don Pasquale and Cherry Town for the Welsh National Opera, Carmen remastered for the Barbican and Royal Opera House, and Wakening Shadow for the Glyndebourne Festival Opera. As a librettist she has written English versions of The Magic Flute, Bluebeard’s Castle, Hansel and Gretel, Don Pasquale, Vixen, Don Giovanni, L’orfeo and La bohème.

STEPHEN HIGGINS

音樂總監

Music Director

史提芬．希金斯指揮過許多作 品的世界首演，如凱蒂·米切 爾執導的《回家的路》（在新 維克劇院和巴黎歌劇院上演）； 由魯弗斯·諾里斯執導、達蒙· 奧爾巴恩作曲的《迪伊博士》

（在曼徹斯特音樂節和英國國 家歌劇院上演）； 還有與英國國 家歌劇院和 punchdrunk 劇團合 作的《馬爾菲公爵夫人》。

他指揮的其他作品包括英國 國家歌劇院的《魔笛》、巴士 底歌劇院的《歐文．溫格烈 夫》、切爾西歌劇團的《泰伊 思》、荷蘭公園歌劇院的《愛 的長生不老藥》和《韓賽爾與 葛麗特》，以及華盛頓國家歌 劇院的《唐·帕斯夸雷》和 《榮耀烈火》。

希金斯與美國作曲家史蒂芬． 桑坦合作，在巴黎的夏特雷劇 院重現了百老匯音樂劇《小夜 曲》和《在公園與喬治共度星

期天》； 在巴斯皇家劇院指揮指 揮音樂劇《拜訪森林》，在哥 德堡格指揮歌舒詠的《為你瘋 狂》； 在卑爾根指揮卑爾根愛樂 樂團演出《瘋狂理髮師》； 並 在倫敦西區指揮《歌劇魅影》。

他新組成的多媒體劇團「聲音 劇場」推出了《藍鬍子城堡》， 獲得了國內外媒體的五星級 評價，以及南岸獎的提名。 現在準備到美國和加拿大巡 迴演出。

Stephen Higgins has conducted many world premieres such as The Way Back Home, directed by Katie Mitchell, at the Young Vic and Opera de Paris; Dr Dee by Damon Albarn, directed by Rufus Norris, at the Manchester Festival and at ENO; and The Duchess of Malfi, a collaboration with ENO and punchdrunk.

His other conducting credits include Magic Flute for ENO, Owen Wingrave for the Bastille, Thais for Chelsea Opera Group, L'Elisir d'amore and Hansel and Gretel for Opera Holland Park, and Don Pasquale and Blaze of Glory for WNO.

Higgins worked with Stephen  Sondheim on revivals of A Little Night Music and Sunday in the Park with George at the Châtelet theatre in Paris, conducted Into the Woods at the Theatre Royal Bath and Gershwin’s Crazy for You in Gothenburg, Sweeney Todd in Bergen with the Bergen Philharmonic Orchestra and Phantom of the Opera in London's West End.

His new company, Theatre of Sound, launched with a production of Bluebeard’s Castle with five-star reviews from across the national and international press, and a nomination for the South Bank awards. It is now set to tour the US and Canada.

史提芬．希金斯

馬克‧賓斯 MARK BURNS

復排導演 Revival Director

馬克‧賓斯在英國長大，曾 就讀於皇家北方音樂學院。他 經常與英國各大歌劇團合作， 例如皇家歌劇團、蘇格蘭歌劇 團和威爾士國家歌劇團。他 還與巴克斯頓國際音樂節緊密 合作，執導了許多作品，包括 《緹絲貝》、《獨裁者盧西奧· 帕皮里奧》，以及由女高音費 莉西提‧洛特主演的《人間之 聲》。他也當過巴克斯頓藝術 節的委員會附屬成員數年，直 至 2021 年爲止。

賓斯熱衷於與新進藝術家合 作，曾在皇家音樂學院和皇家 北方音樂學院導演歌劇，並在 蘇格蘭歌劇團指導初露頭角的 藝術家。此前，他曾協助托馬 斯·艾倫爵士為蘇格蘭歌劇團 製作《唐璜》，並將於今年秋 天再次協助艾倫爵士執導《西 維爾理髮師》。

Mark Burns grew up in England and studied at the Royal Northern College of Music. He regularly works with many of the UK’s major opera companies such as the Royal Opera, the Scottish Opera and the Welsh National Opera. He also has a close association with the Buxton International Festival, directing numerous productions including Tisbe, Lucio Papirio Dittatore and La Voix Humaine, the latter starring Dame Felicity Lott. He was also an Associate Board Member of the Buxton Festival for several years until 2021.

Burns has a passion for working with emerging artists and has directed at the Royal Academy of Music and the Royal Northern College of Music, as well as working with emerging artists at the Scottish Opera. Previously, he assisted Sir Thomas Allen on his production of Don Giovanni for the Scottish Opera and will be joining him again to assist Il Barbiere di Siviglia for the company this autumn.

VIVIAN IP

副音樂總監

Associate Music Director

香港近年炙手可熱的青年指揮家 葉詠媛，曾獲格林美最佳指揮獎 得主尼爾遜稱讚：「指揮對你來 說就像呼吸一樣自然，音樂天賦 不可多得！」現為候任香港小 交響樂團副指揮。她曾任香港 藝術節、非凡美樂、香港大歌 劇院等客席指揮，亦曾於 201618 樂季出任香港管弦樂團助理 指揮，期間除了協助音樂總監梵 志登及首席客席指揮余隆，亦曾 與艾遜巴赫、杜托爾、辛奈斯 基、霍斯特等大師合作。

葉詠媛畢業於香港中文大學音樂 系，獲一級榮譽。後獲尤德爵 士紀念基金全費獎學金，遠赴美 國印第安納大學修讀合唱指揮音 樂碩士，修業期間為系內副導 師之一。後再於維也納音樂與 表演藝術大學深造管弦樂指揮，

師隨拉祖域及韋德拿，畢業時獲 當屆唯一的最高榮譽獎。她同 時展開了歌劇指揮和合唱指揮的 生涯，曾經指揮的歌劇作品包括 《卡門》、《魔笛》、《漂泊的荷蘭 人》、《諾瑪》等，亦曾任維也納 合唱團 Chorus Delicti 音樂總監 七年，指揮不少海外及本地的 合唱團。

A rising young conductor in Hong Kong, Vivian Ip has received praise from the winner of the Grammy award for Best Conductor, John Nelson: “Conducting is like breathing for you. Bright talent you have!” She has recently been appointed Associate Conductor Designate of the Hong Kong Sinfonietta, Ip has guest conducted at the Hong Kong Arts Festival, Musica Viva Hong Kong and the Hong Kong Grand Opera, and served as Assistant Conductor of the Hong Kong Philharmonic Orchestra from 2016-18, where she assisted Music Director Jaap van Zweden and Principal Guest Conductor Yu Long, as well as overseas conductors such as Christoph Eschenbach, Charles Dutoit, Vassily Sinaisky and Lawrence Foster.

Ip received her Bachelor of Arts degree in Music (First Class Honours) at the Chinese University of Hong Kong. With an Associate Instructorship and the Sir Edward Youde Memorial Fellowship for Overseas Studies, she received her Master of Music degree in Choral Conducting at the Indiana University Bloomington. Ip graduated in Orchestral Conducting at the University of Music and Performing Arts in Vienna, receiving the highest award of the year, under the supervision of Uroš Lajovic and

Johannes Wildner. As an opera conductor, Ip has conducted operas such as Carmen, Die Zauberflöte, Der Fliegende Holländer and Norma. As a choral conductor, she served as the Music Director of Chorus Delicti Wien for seven years and worked with numerous local and international choirs.

演員簡介

Cast Profiles

被譽為「輕盈、閃亮、銀鈴般 的女高音，並擁有令人讚嘆的 花腔」（《美國阿斯彭時報》）， 香港女高音邱芷芊剛於 2021 年 香港藝術節，在意大利作曲家 華田朗尼的《愛麗絲夢遊仙境》

世界首演中主演愛麗絲一角， 大獲好評。近期重要演出包括 在阿斯彭歌劇院的地中海藝術 節節目《塞維爾理髮師》中擔任 羅西娜，還有以獨唱身份首度 亮相於紐約卡奈基音樂廳，與 塞西莉亞合唱團合作演出巴赫 《聖誕神劇》。

邱芷芊先後畢業於紐約茱莉亞 學院及三藩市音樂學院，分別 獲音樂學士及音樂碩士學位，

2011 年獲選為香港電台「我最 喜愛的樂壇新秀」。

Hailed as “a light, silvery, bright soprano with impressive coloratura” (The Aspen Times), Hong Kong soprano Vivian Yau’s collaborations include performances with the Hong Kong Philharmonic Orchestra, the Hong Kong Sinfonietta, the

Macao Orchestra, and West Edge Opera. Her highlights include performing the role of Rosina in The Barber of Seville with both the Aspen Opera Center and the Mediterranean Opera Festival, the title role in the world premiere of Pierangelo Valtinoni’s Alice in Wonderland at the 2021 Hong Kong Arts Festival, and her Carnegie Hall debut in Bach’s Christmas Oratorio with the Cecilia Chorus of New York. Yau was named “My Favourite Young Music Maker” on Radio Television Hong Kong in a public vote. She holds a Bachelor of Music degree from The Juilliard School, and a Master of Music degree from the San Francisco Conservatory of Music.

獎學金，以表揚他為該樂季的 傑出貢獻。林俊廷畢業於香港 演藝學院、英國皇家伯明翰音 樂學院及匈牙利李斯特音樂學 院。除香港外，他曾在英國、 意大利、法國、德國及其他歐 洲地方演出，演出的歌劇角色 超過三十個，包括《馬克白》、 《唐．帕斯夸雷》、《凱撒大 帝》及《塞維爾理髮師》中的 主角。2022 年，他與匈牙利國 家鐵路交響樂團合作，於維也 納金色大廳演唱麥家樂的歌劇 《孔子傳》的孔子。

Praised for his “deliciously deep and rich” voice (The Birmingham Post), Michael C.T. Lam was awarded the Gil Rodriguez Scholarship by Opéra de Baugé for his outstanding contributions to its operatic season in 2019. He studied music and was trained at The Hong Kong Academy for Performing Arts, the Royal Birmingham Conservatoire and the Liszt Ferenc Academy of Music in Hungary. He has regularly performed in Hong Kong, the United Kingdom, Italy, France, Germany and other European countries. Passionate about opera, he has sung more than 30 operatic roles including the title roles of Macbeth, Don Pasquale, Giulio Cesare and Il barbiere di Siviglia. He also sang the role of Konfuzius in Gustav Mak’s Die Legende von Konfuzius with the Budapest MÁV Symphony Orchestra in the Golden Hall of the Musikverein in 2022.

廷，於 2019 年獲法國博熱歌

劇節頒發吉爾．羅德．里格斯

獲《伯明翰郵報》讚揚擁有一 把「沉穩而飽滿」聲音的林俊

邱芷芊 Vivian Yau

飾 小狐狸 as Vixen 林俊廷 Michael Lam

飾 霍羅斯特 as Forester

©David Noles

抒情男中音胡永正畢業於紐約 伊士曼音樂學院（聲樂及文獻 研究碩士）、香港中文大學崇基 學院神學院（基督敎研究文學 碩士），以及香港浸會大學（學 士）。現任香港大學、香港中 文大學、香港浸會大學、香港 嶺南大學、香港教育大學的導 師、兼職講師、助理教授及駐 校藝術家。

Lyric baritone Caleb Woo graduated from the Eastman School of Music in New York (Master of Music degree), Chung Chi Divinity School (Master's degree) and Baptist University (Bachelor’s degree). He is now serving at the University of Hong Kong, the Chinese University of Hong Kong, Hong Kong Baptist University, Lingan University and the Education University of Hong Kong as an instructor, adjunct lecturer, assistant professor and artist in residence.

關樂曦以男中音身份畢業於香 港演藝學院，師隨林俊。現 以男高音身份隨柯大衛繼續深 造聲樂。在學期間，他考獲 多項獎學金，包括梁思豪獎學 金、香港兒童合唱團音樂獎學 金、威爾士男聲合唱獎學金及 Music Connect 獎學金。2018 年，關樂曦於第 19 屆大阪國 際音樂比賽（歌曲組）中獲得 「埃斯波爾獎」。

Aaron Kwan recently graduated from The Hong Kong Academy for Performing Arts as a baritone under the teaching of Albert Lim. He is currently studying with David Quah as a tenor. During his studies at the HKAPA, Kwan received a number of scholarships including the Cecil Leong Scholarship, the Hong Kong Children’s Choir Scholarship, the Hong Kong Welsh Male Voice Choir Scholarship and the Music Connect Scholarship. In 2018, Kwan won the Espoir Prize in the Lieder Group at the 19th Osaka International Music Competition.

男中音袁浩宏畢業於香港演藝 學院，及後在英國皇家伯明翰 音樂學院以優異成績完成聲樂 碩士。袁浩宏在威爾斯國立青 年歌劇院《莫斯科——櫻桃鎮》 裏出演 Sasha 一角大獲好評， 令他在英國年青歌手中嶄露頭 角。袁宏浩最近亦獲皇家威爾 斯音樂及戲劇學院取錄，將於 2023 年秋季開展為期兩年的歌 劇深造訓練。

Born and raised in Hong Kong, baritone HoWang Michael Yuen has been a musician all his life. He obtained his Bachelor of Music from The Hong Kong Academy for Performing Arts and then studied his Master of Music in Vocal Performance at the Royal Birmingham Conservatoire, graduating with distinction. HoWang’s recent performance in the role of Sasha in Cherry Town, Moscow by the Welsh National Youth Opera marked his emergence as a successful young baritone. He was recently admitted to the David Seligman Opera School at the Royal Welsh College of Music and Drama and will start intensive opera training in autumn 2023.

胡永正 Caleb Woo

飾 夏拉斯特 as Harasta

關樂曦 Aaron Kwan 飾 狐狸 as Fox

袁浩宏 Michael Yuen

飾 皮柏克 / 地產經紀 as Pepik / Real Estate Man

女中音徐曉晴曾參演多個歌劇 角色，包括《卡門》的卡門和 梅塞德斯。除了歌劇演出，徐 曉晴亦多次接受獨唱演出的邀 請，曾與美國國際室內交響樂 團、意大利 Oberlin 等合作。她 於 2013 年在橫濱國際比賽中獲 得亞軍，並於 2022 年在伊勢志 摩國際歌唱比賽中獲特別獎。

徐曉晴於紐約曼哈頓音樂學院 完成音樂學士課程。

Ashley Chui is a mezzosoprano based in Hong Kong. She has portrayed opera roles including Carmen and Mercedes in Carmen. Besides opera performances, Chui has collaborated as a soloist with the International Chamber Orchestra of America, the Oberlin in Italy, and more. She won the second prize at the 2013 Yokohama International Music Competition and the special prize at the 2022 IseShima International Singing Competition. Chiu earned her Bachelor of Music in Classical Voice from the Manhattan School of Music.

吳詩琪於香港中文大學修讀音 樂學士，師隨陳少君，隨後前 赴倫敦皇家音樂學院，跟隨韋 羅妮卡．坎貝爾修讀聲樂表演 碩士課程。2019 年，她獲香 港電台選為樂壇新秀，並奪得 「評判之選」。她亦在第 20 屆 大阪國際音樂比賽的高級聲樂 組獲得季軍，並曾多次獲香港 經濟貿易辦事處邀請到歐洲各 地演唱。

Amanda Ng studied at the Royal College of Music, London (Master of Music in Vocal Performance) with Veronica Campbell; and at the Chinese University of Hong Kong (Bachelor of Arts in Music) with Chan Siu-kwan. In 2019, she was selected as one of the city’s Young Music Makers by RTHK Radio 4 with the title of “Adjudicators’ Choice”. She also won the third prize in the senior vocal category at the 20th Osaka International Music Competition. She has been repeatedly invited by the Hong Kong Economic Trade Office to give performances with her trio around Europe.

馮日曦師隨着名意大利女高音 易曼君及男中音艾邦德札學習 聲樂。在香港取得學士學位 後，他到意大利特爾尼音樂學 院修讀碩士課程，並繼續跟隨 艾邦德札修讀室內聲樂演唱。 在意大利留學期間，馮日曦曾 在維斯卡爾多堡、波拉諾及佩 魯賈等地演出。

Frankie Fung Yat-hei has been studying with renowned Italian soprano Isabel Gentile and baritone Roberto Abbondanza. After obtaining a Bachelor’s degree in Hong Kong, Fung pursued a Master’s degree in Chamber Vocal Music at the G. Briccialdi High Institute of Musical Study in Terni, Italy, under the tutorship of Abbondanza. During his studies in Italy, Fung performed in different cities such as Castel Viscardo, Porano and Perugia.

徐曉晴 Ashley Chui

飾 狗/ 塔燕克 as Dog/ Terynka

吳詩琪 Amanda Ng 飾 妻子/侍應 as Wife / Waitress

Frankie Fung Yat-hei

飾 伯格/ 速遞員 as Badger/ Delivery Man

李娜黛生於韓國首爾，六歲便 首次登台演奏小提琴協奏曲， 並憑此成為世界交響樂團比賽 的最年輕獲獎者。12 歲時，其 創作的第一首樂曲獲得了首爾 總統獎。2015 年，她亮相華

盛頓甘迺迪表演藝術中心榮譽 獎盛典晚會，與馬友友及帕梅 拉．法蘭克同台演出，向時任 美國總統奧巴馬獻藝。

Internationally acclaimed violinist Ruda Lee made her concerto debut when, at the age of six, she became the youngest winner of the World Symphony Orchestra Competition. Born in Seoul, South Korea, her music career started with great success at many local and international competitions, and her first composition won the Seoul President’s Award at the age of 12. Lee has appeared at prestigious occasions such as the 2015 Kennedy Center Honors gala in Washington D.C., where she performed with Yo Yo Ma and Pamela Frank in front of US President Barack Obama.

許榮鏗九歲起學習長笛，其後 以一級榮譽成績獲頒香港演藝 學院音樂學士(榮譽)學位。許 氏曾擔任亞洲青年管弦樂團的 長笛首席，並經常獲邀於各大 樂團同台演出，包括： 貴陽交 響樂團、香港歌劇院、非凡美 樂等。他現為香港管弦樂團、 香港小交響樂團之特約長笛和 短笛演奏家。

Bob Hui Wing-hang began learning the flute when he was 9. He was awarded the Bachelor of Music (Honours) with First Class Honour from The Hong Kong Academy for Performing Arts. As an orchestral player, Bob performed as Principal Flute with the Asian Youth Orchestra. He was also invited to perform with the Guiyang Symphony Orchestra, Opera Hong Kong Orchestra and Musica Viva. Currently he is a regular guest flautist with the Hong Kong Philharmonic Orchestra and the Hong Kong Sinfonietta.

林嘉奇從七歲開始學習雙簧 管。林 氏 於香港演藝學院主修 雙簧管，師承姚桑琳教授，並 於 2014 年畢業，獲得雙簧管演 奏高級文憑及音樂學士（榮譽） 學位。2017 年和 2018 年，林氏 受到管樂雅集邀請到法國五 月 藝術節演出。林嘉奇現為香港 城市室樂團合奏雙簧管及英國 管首席。

Lam Ka Ki began oboe lessons from the age of seven. He majored in oboe performance at The Hong Kong Academy for Performing Arts (HKAPA) and graduated in 2014 with an Advanced Diploma and a Bachelor of Music (Honours) Degree. At the HKAPA he studied oboe under Professor Yiu Song-lam and performed in masterclasses led by Christian Schmitt, Gordon Hunt, and Maurice Bourgue. In 2017 and 2018, he performed with the Hong Kong Wind Kamerata at the Le French May Festival. Kelvin Lam is currently the Tutti Oboist and Principal English Horn player of City Chamber Orchestra of Hong Kong.

Ruda Lee

樂手簡介 Musicians’ Profiles

何晉業，本地年青單簧管演奏 家。於香港演藝學院完成學 士學位，其後獲獎學金前赴曼 哈頓音樂學院完成碩士學位課 程。何晉業活躍於表演舞台， 現為香港交響管樂團之首席單 簧管。他亦受邀於廣州交響樂 團、香港歌劇院樂團、香港 管弦樂團擔任合約樂手，並曾 為 Hong Kong Quintessence 成 員之一。

Ho Chun-yip, an active young professional clarinetist from Hong Kong, recently finished his Master’s degree of Music at the Manhattan School of Music under a scholarship and earned his undergraduate degree from The Hong Kong Academy for Performing Arts. As an active performer, Ho now plays principal clarinet in the Hong Kong Symphonic Winds. He has also performed with various orchestras and ensembles such as the Guangzhou Symphony Orchestra, the Opera Hong Kong Orchestra, the Hong Kong String Orchestra and the Hong Kong Quintessence Quintet.

梁國章分別在德國、美國、加 拿大及日本國際音樂比賽獲得 一等獎的殊榮。他亦常在不同 的大學及薩克管活動作演出或 大師班。梁氏是音樂兒童基金 會音樂總監、香港國際單簧管 及薩克斯管協會副會長，以及 香港管弦樂團和香港小交響樂 團的特約樂師。

Jacky Leung has won first prizes in various international music competitions in Germany, USA, Canada and Japan. He was also invited to perform and conduct masterclasses in different universities. Jacky is the Music Director of the Music Children Foundation, Vice Chairman of the Hong Kong International Single Reed Association, freelance saxophonist of the Hong Kong Philharmonic Orchestra and the Hong Kong Sinfonietta.

鄧灝威於香港土生土長，畢業 於香港浸會大學中文系，以及 香港演藝學院戲劇學院導演系 （一級榮譽）。曾為中英劇團駐 團導演，現為自由身劇場工作 者。熱愛音樂，喜愛電影，鍾 情閱讀，近來迷戀攝影。

Born and raised in Hong Kong, Tang Ho-wai studied Chinese Language and Literature at the Hong Kong Baptist University. He then further studied Directing at The Hong Kong Academy for Performing Arts. He was an resident director of Chung Ying Theatre and currently a freelance theatre worker. He loves music, movies and reading, and has recently become obsessed with photography.

Ig: samtanghowai

吉蒂．卡利斯特 Kitty Callister

吉蒂．卡利斯特最初在布萊頓 大學修讀服裝及紡織品設計， 並在格林德伯恩歌劇節的男裝 裁縫部工作了六年。 2011 年， 她在皇家威爾士音樂與戲劇 學院完成了戲劇設計的碩士學 位。她參與過佈景和服裝設計 的製作有：《艾根鍾斯的審判》 （ Theatr na nÓg 劇團）。

Kitty Callister originally studied Fashion Textile Design at the University of Brighton and spent six years working in the men's tailoring department at Glyndebourne Festival Opera. In 2011, she finished studying an MA in Theatre Design at the Royal Welsh College of Music and Drama. Her previous engagements include set and costume design for The Trial of Elgan Jones (Theatr na nÓg).

Ryan Lo

勞正然現為香港演藝學院駐院 藝術家（設計）。2017 年畢業 於香港演藝學院，主修佈景及 服裝設計，除表演設計外，對 展覽、主題公園、戶外節日裝 飾等設計亦有涉獵。近期參 與的舞台製作包括： 香港話劇 團《夜鶯玫瑰》（佈景及服裝設 計）、艾菲斯劇團《斑馬》（佈 景設計）。

Ryan Lo is a design artist in residence at The Hong Kong Academy for Performing Arts. He graduated from the HKAPA in 2017, majoring in Set and Costume Design, and has since done design work in various areas including performances, exhibitions, theme park events and festive outdoor installations. Lo’s recent performance design work includes Rose of Nightingale by the Hong Kong Repertory Theatre (set and costume design), To Dye or Not to Dye by Fiesta Space (set design).

勞正然

副佈景設計 Associate Set Designer

編創及製作人員簡介 Creative and Production Team Profiles

程凱雯

Cheryl Ching

程凱雯畢業於香港城市大學並 取得創意媒體學院理學士學 位，並於 2016 年畢業於香港演 藝學院，主修舞台佈景及服裝 設計。現為自由身舞台工作者。

近期服裝設計作品包括： 中英 劇團《金龍》、風車草劇團《騙 局喜劇》、香港演藝學院舞蹈學 院夏季演出《 COVEN 》。

Cheryl Ching Hoi-man originally received a Bachelor of Science in Creative Media from the City University of Hong Kong. In 2016 she graduated from The Hong Kong Academy for Performing Arts, majoring in Set and Costume Design. She is currently a freelance stage worker. Her set and costume design work includes Der goldene Drache (Chung Ying Theatre), The Comedy of Terrors! (Windmill Grass Theatre), COVEN (HKAPA School of Dance).

傑克‧威爾薛

傑克‧威爾薛在祖家英國和 世界各地擔任過燈光設計，經 驗豐富。他曾與各大歌劇團和 音樂節合作，包括威爾士國家 歌劇團、英國國家歌劇團和加 辛頓歌劇院，以及幾乎所有英 國一流的音樂學院。國際上， 他曾在北京、北美和歐洲參與 各項製作。他今年獲聘參與在 瑞士聖加侖音樂節上演的歌劇 《安德烈．舍尼埃》。

Jake Wiltshire has extensive experience as a lighting designer in his native UK and worldwide. He has worked with major opera companies and festivals including the Welsh National Opera, the English National Opera and the Garsington Opera, as well as nearly all of the UK’s leading music conservatoires. Internationally, he’s worked on a variety of productions in Beijing, throughout North America and across Europe. His engagements this year include Andre Chenier for the St. Galler Festspiele, Switzerland.

陳鈞至，耶魯戲劇學院藝術 碩士，主修設計。留美期間 憑《第十二夜》獲康乃狄克 州評論人獎傑出燈光設計提 名。他憑《審美與人的自由》 入圍第二十六屆 ifva 媒體藝 術組，亦於德國多蒙特劇院 附設之 Academy for Theater and Digitality 研究人工智能於劇場設 計之應用。

Samuel Chan received his MFA from the Yale School of Drama, where he majored in Design. His work on Twelfth Night was nominated in the category of Outstanding Lighting Design at the Connecticut Critics Circle Awards. His installation Aesthetics and Freedom of Human Beings was a finalist in the Media Art Category in the ifva Awards in 2020. Chan is a fellow of the Academy for Theatre and Digitality of Theatre Dortmund, where he is researching the application of artificial intelligence in theatrical design.

副服裝設計 Associate Costume Designer

Jake Wiltshire 燈光設計 Lighting Designer

陳鈞至 Samuel Chan

副燈光設計 Associate Lighting Designer

麥士‧帕本海姆

Max Pappenheim

音響設計 Sound Designer

麥士‧帕本海姆立足於倫敦南 部，是音響設計師和作曲家， 也是派別劇團和寂靜歌劇團的 特邀藝術家。他的歌劇作品包 括《藍鬍子城堡》（聲音劇場）、 《唐璜》（寂靜歌劇團）、《米蘭 達》（巴黎喜歌劇院和歐洲巡 演）；《韓賽爾與葛麗特》（英 國青年歌劇團 / 荷蘭公園歌 劇院）。

Max Pappenheim is a sound designer and composer based in south London who is an associate artist of The Faction and Silent Opera. His work in the opera includes Bluebeard's Castle (Theatre of Sound),  Giovanni (Silent Opera), Miranda (Opéra Comique, Paris and European tour); Hansel and Gretel (BYO/Opera HollandPark).

夏恩蓓

夏恩蓓畢業於香港演藝學院舞 台音響及音樂錄音系。現時為 多個本地及海外舞台製作擔任 音響設計師及工程師，並獲邀 請擔任音樂節的音響顧問。近 期作品包括： 自由空間 X 香港 話劇團《大狀王》、香港中樂團 《極》和中英劇團《穿 Kenzo 的 女人》（獲第 30 屆香港舞台劇獎 最佳音響設計獎）。

Ha Yan-pui graduated from the Theatre, Sound and Music Recording Department at The Hong Kong Academy for Performing Arts. She has worked as a sound designer and engineer for many local and overseas productions, and as a sound consultant for various musical festivals. Her recent design work includes The Impossible Trial for Freespace x Hong Kong Repertory Theatre; Ji for the Hong Kong Chinese Orchestra; The Woman In Kenzo for Chung Ying Theatre (winner of Best Sound Design at The 30th Hong Kong Drama Awards).

基斯杜化．里德是倫敦一位獲 獎的音響設計師。他在西區、 百老匯和世界各地參與過各式 各樣的劇場製作，有二十多年 的經驗。他負責音響設計的劇 場作品包括《遺產》（新維克劇 院、西區和百老匯）、堅尼夫 班納劇團的《哈姆雷特》（皇 家戲劇藝術學院）和《木偶奇 遇記》。

Christopher Reid is an awardwinning sound designer based in London. He has more than 20 years’ experience working on a variety of theatrical productions in the West End, on Broadway and around the world. His work as a sound designer in the theatre includes The Inheritance at the Young Vic, West End and Broadway, the Kenneth Branagh Theatre Company's Hamlet at RADA, and Pinocchio.

基斯杜化．里德

Christopher Reid

音響控制 Sound Operator

李玨熙

李玨熙現為獨立製作人，涉足 音樂、劇場、舞蹈、多媒體 創作及展覽。近期項目策劃及 製作合作單位包括： 香港藝術 節、西九文化區管理局表演藝 術（音樂與戶外）、香港演藝 學院戲劇學院、大館（表演藝 術）、東九文化中心、香港展能 藝術會、港大繆思樂季及太古 坊等。他畢業於香港浸會大學 音樂系，及後取得英國皇家音 樂學院演奏科學碩士學位。

Michael Lee is currently an independent producer, involved in projects covering music, theatre, dance, multimedia and exhibitions. He has collaborated with organisations including the Hong Kong Arts Festival, West Kowloon Cultural District (music and outdoors), the Drama School of The Hong Kong Academy for Performing Arts, Tai Kwun (performing arts).

Lee graduated with a Bachelor’s degree in Music Studies from the Hong Kong Baptist University and later obtained a Master’s degree in Performance Science from the Royal College of Music in London.

魏婉意畢業於香港演藝學院，

主修舞台及技術管理，並於 中央聖馬丁藝術與設計學院取 得碩士學位。她以擔當歌劇 和國際巡演項目的製作經理 着稱，曾與倫敦莎士比亞環球 劇場、英國 Sell a Door Theatre Company、Tall Stories、倫敦利 瑞克漢默史密斯劇院、蒙地卡 羅歌劇院等國際團體合作。

Gloria Ngai received her degree from The Hong Kong Academy for Performing Arts and her Master’s degree from Central Saint Martins. Ngai is a widely recognised production manager in opera and international touring productions. She has collaborated with different companies including The Globe, Sell A Door (UK), Tall Stories Company, Lyric Hammersmith (UK) and Opera Monte Carlo.

鋼琴合作藝術家張頌欣於加拿 大讀書及工作。他是一名排 練指導、聲樂指導、室內樂 音樂家和指揮。2016 年 3 月， 他與香港藝術節合作，擔任安 娜．涅翠柯亞洲巡迴演出的排 練指導。近年，張頌欣成立 DictionLab 語中作樂，在社區 教授不同語言的發音學，推動 並分享藝術歌曲與詩詞的關係 和重要性。

Collaborative pianist Ronald  Cheung studied and worked in Canada, and enjoys a versatile career as répétiteur, vocal coach, chamber musician and conductor. In March 2016, he served as répétiteur for Anna Netrebko’s Asia tour in collaboration with the Hong Kong Arts Festival.

Michael Lee 副監製 Associate Producer

Gloria Ngai

Production Manager

張頌欣 Ronald Cheung 聲樂指導 Répétiteur

馮舒凝

Fung Shu Ying

舞台監督 Stage Manager

曾參與多個表演團體的制作， 包括： 任白慈善基金、雛鳳鳴 劇團、劇場空間、劇場工作 室、香港戲劇協會、劇場工作 室、劇場空間、I stage、荃灣 有爵樂、樂．誼國際音樂節等。

Fung’s works of theater production include: Yam Pak Charitable Foundation, Chorfung, Theatre Space, Drama Gallery, Hong Kong Federation of Drama Societies, Drama Gallery, Theatre Space, I stage., jazz in the neighborhood , MusicusFest, among others.

曾鎧礽

Herriet Tsang

執行舞台監督

Deputy Stage Manager

自由身舞台工作者。

Herriet Tsang is a freelance theatre worker.

杜玲鋒

Hermia To

現為自由身舞台工作者。

先後畢業於香港演藝學院舞台 及製作藝術（榮譽）學士課程 （主修舞台及項目管理）及香港 中文大學文學碩士課程（主修 文化管理）。

Hermia To is a theatre freelancer.

She graduated from The Hong Kong Academy for Performing Arts with a Bachelor of Fine Arts (Honours) Degree in Theatre and Entertainment Arts (majoring in Stage and Event Management), and The Chinese University of Hong Kong with a Master of Arts (majoring in Cultural Management).

現為自由身舞台工作者。畢業 於香港演藝學院，獲得舞台及 製作藝術學士（榮譽）學位， 專修舞台及項目管理。

鳴謝

ACKNOWLEDGEMENTS

香港藝術節衷心感謝下列機構及人士的慷慨支持：

The Hong Kong Arts Festival would like to thank the following for their generous support:

香港藝術節基金會贊助人

Hong Kong Arts Festival Foundation Patrons

首席創始贊助人 Lead Founding Patrons

陳俊豪先生 Mr Thomas Chan

黃廷方慈善基金 Ng Teng Fong Charitable Foundation

電訊盈科 PCCW

九龍倉集團 The Wharf Group

主要創始贊助人 Major Founding Patrons

萬通保險國際有限公司 YF Life Insurance International Ltd

眾安銀行 ZA BANK

創始贊助人 Founding Patrons

陳煒文博士, JP Dr Raymond Chan, JP

丹斯里拿督邱達昌 Tan Sri Dato’ David Chiu

曹其鋒先生 Mr Silas Chou

霍建寧先生及霍何綺華女士 Mr and Mrs Canning and Eliza Fok

馮氏基金有限公司 E.M. Fung Foundation Limited

何超瓊女士, SBS , JP Ms Pansy Ho, SBS, JP

科勁國際（控股）有限公司 King’s Flair International (Holdings) Limited

梁婉玲博士 Dr Elina Leung

孫漢明博士 Dr Stephen Suen

包陪麗女士, BBS 及渡伸一郎先生 Ms Cissy Pao, BBS and Mr Shinichiro Watari

其他贊助人 Other Patrons

羅嘉瑞基金 KS & Feili Lo Foundation

孫大倫博士, BBS , JP Dr Dennis T L Sun, BBS, JP

慶祝香港藝術節五十周年晚宴之贊助人

Sponsors of the Hong Kong Arts Festival 50th Anniversary Gala Dinner

鑽石席 – 宴桌 Diamond Table Sponsors 香港上海匯豐銀行有限公司 上海商業銀行

洪祖杭博士, GBM , GBS , JP

鄭慕智博士, GBM , GBS , JP James Houghton 先生, 黃穎灝先生及梅慶堯先生 雍景欣女士

The Hongkong and Shanghai Banking Corporation Limited

Shanghai Commercial Bank

Dr the Hon Albert Hung Chao-hong, GBM, GBS, JP

Dr the Hon Moses Mo-chi Cheng, GBM, GBS, JP

Mr James Houghton, Mr Isaac Wong & Mr Arthur Mui

Ms Jingxin Yong

鑽石席 – 宴位 Diamond Seat Sponsors 呂元祥博士及夫人

譚允芝女士, SBS , SC , JP 龐維新先生及夫人 崇光(香港)百貨有限公司

黃金席 – 宴桌 Gold Table Sponsors 鄭阮培恩女士, 吳來盛先生及夫人 中美國際集團有限公司

華國強先生夫人 太古地產有限公司 卡地亞

黃金席 – 宴位 Gold Seat Sponsors 何苗春暉女士

林梅若梅女士

鄭馮亮琪女士

Janana Suleymanli Pasha 女士 鄭惠貞女士

張利平先生

Dr and Mrs Ronald Lu

Ms Winnie Tam Wan-chi, SBS, SC, JP

Mr and Mrs Wilson Pong

Sogo Hong Kong Company Limited

Mrs Betty Cheng, Mr and Mrs Emil Ng

Chung Mei International Holdings Limited

Mr Granger and Mrs Miriam Hwa

Swire Properties Limited

Cartier

Ms Joanna Hotung

Mrs Lavina Lim

Mrs Fina Cheng

Ms Janana Suleymanli Pasha

Ms Margaret Cheng

Mr Zhang Liping

鳴謝 ACKNOWLEDGEMENTS (續 con' t)

香港藝術節衷心感謝下列機構及人士的慷慨支持：

The Hong Kong Arts Festival would like to thank the following for their generous support:

贊助舍計劃會員 Patron’s Club Members

鉑金會員 Platinum Member

嘉里控股有限公司

Kerry Holdings Limited

黃金會員 Gold Member 怡和集團

The Jardine Matheson Group

其他支持機構 Other Supporters

加拿大駐香港及澳門總領事館

Consulate General of Canada in Hong Kong and Macao

實物支持機構 In - kind Supporters

大亞國際集團 Altaya Group

香港愉景灣酒店 Auberge Discovery Bay Hong Kong

香港君悦酒店 Grand Hyatt Hong Kong

虎豹樂圃 Haw Par Music

藝術節捐助計劃 Festival Donation Scheme

鉑金捐款者 PLATINUM DONOR

HK$140,000 或以上 OR ABOVE

孫大倫博士, BBS , JP Dr Dennis T L Sun , BBS , JP

鑽石捐款者 DIAMOND DONORS

HK$70,000 – HK$139,999

瑞安集團 Shui On Group

Dr Patrick Tong

文藝女士 Ms Wen Yi

翡翠捐款者 JADE DONORS

HK$30,000 – HK$69,999

無名氏 Anonymous

陳求德醫生及夫人 Dr & Mrs KT Chan

Ms Leung Wai Yee Candice

馬美域女士 Ms Yvette Therese Ma

Dr Stephen Suen

楊傳亮先生, BBS , JP Mr Charles Yang , BBS , JP

黃金捐款者 GOLD DONORS

HK$12,000 – HK$29,999

無名氏 ( 2 ) Anonymous ( 2 )

Mr & Mrs Jeffrey & Helen Chan

Mr Edmond Huang

Dr Peter and Nancy Thompson

Dr Sabrina Tsao

曹延洲醫生夫人 Dr & Mrs Tsao Yen - Chow

Mrs Linda Wang

Mr & Mrs YS Wong

純銀會員 Silver Members 太古集團慈善信託基金

The Swire Group Charitable Trust

上海商業銀行有限公司

Shanghai Commercial Bank Limited

荷蘭駐港總領事館

Consulate of the Kingdom of the Netherlands in Hong Kong and Macau

香港故宮文化博物館 Hong Kong Palace Museum

文陳妙蘭女士 Mrs Christina Man

信興集團 Shun Hing Group

純銀捐款者 SILVER DONORS

HK$6,000 – HK$11,999

無名氏( 3 ) Anonymous ( 3 )

Dr Gillian Choa

Ms Ho Man Fung Edith

Mrs Schmitt Ling Jane

文娛慈善基金 The Elementary Charitable Foundation

Ms Isabel Yiu

Mr Vernon Zhang

青銅捐款者 BRONZE DONORS

HK$3,000 – HK$5,999

無名氏( 2 ) Anonymous ( 2 )

AWORKS DESIGN

Jose Manuel Sevilla and Julie Bisaillon

Mrs Anson Chan

鍾雅妍博士 Dr Fiona Chung

Ms Zoe Ho

Ms Li Lian Khoo

Dr Alfred Lau

Apple Lee

李芸輝博士 Dr Lee Wan Fai Walter

Savita Leung

Mr Gary Ma

Mrs Lily Ma

Dr Michael Mak

Dr & Mrs Joseph Pang

San Miguel Brewery Hong Kong Ltd .

Mr A . Smith

The Brandon Centre Limited

Mr Wong Yick Kam

姚曼儀女士 Ms Enoch Yiu

朱玉迎女士 Ms Zhu Yuying

學生票捐助計劃

Student Ticket Scheme

鉑金捐款者 PLATINUM DONORS

HK$140,000 或以上 OR ABOVE

無名氏( 2 ) Anonymous ( 2 )

馬振玉慈善基金會有限公司

CYMA Charity Fund Ltd

鑽石捐款者 DIAMOND DONORS

HK$70,000 – HK$139,999

Mrs Purviz R Shroff , MH and

Late Mr Rusy M Shroff , BBS , MBE

田家炳基金會 Tin Ka Ping Foundation

芝蘭基金會 Zhilan Foundation

翡翠捐款者 JADE DONORS

HK$30,000 – HK$69,999

Mr Roger and Mrs Lina Lui

Dr Stephen Suen

黃金捐款者 GOLD DONORS

HK$12,000 – HK$29,999

Ms Cheng Wai Ching Margaret

Dr Chung See Yuen

天智合規顧問 CompliancePlus Consulting

Mr & Mrs Kenneth & Nelly Fung

C H Mak

Mr & Mrs Kenneth Quinn

曹延洲醫生夫人 Dr & Mrs Tsao Yen - Chow

純銀捐款者 SILVER DONORS

HK$6,000 – HK$11,999

無名氏 ( 2 ) Anonymous ( 2 )

新作捐助計劃 New Works Scheme

黃金捐款者 GOLD DONORS

HK$12,000 – HK$29,999

無名氏 Anonymous

劉仰澤先生 Mr Lau Yeung Chak

純銀捐款者 SILVER DONORS

HK$6,000 – HK$11,999

凌霄志醫生 Dr Tony Ling

區燊耀先生 Mr Au Son Yiu

Mr & Mrs Jeffrey & Helen Chan

Dr Chan Wan Tung

Mr & Mrs Norman Chui

Mrs Margaret Hamilton

Miss Jenny Hodgson

Mr Iain Bruce

麥禮和醫生 Dr Mak Lai Wo

Mr Vernon Zhang

陳穎儀與黃乃正

青銅捐款者 BRONZE DONORS

HK$3,000 – HK$5,999

無名氏 ( 3 ) Anonymous ( 3 )

Mr & Mrs Herbert Au - Yeung

Cynthia Cheng & Aaron Chan

Ms Kit Fung Cheung

Dr Alan Chiang

馮兆林先生太太 Mr & Mrs Fung Shiu Lam

Ms Maureen Leung

Ms Regina Lo

Ms Janice Ritchie

Mrs Anna Chan Sheh

Mr So Kin Man

文娛慈善基金 The Elementary Charitable Foundation

余德銘先生 Mr Desmond Yu

殷和順先生劉善萍夫人

Mr Vernon Zhang

青銅捐款者 BRONZE DONORS

HK$3,000 – HK$5,999

無名氏 Anonymous

Ms Judith Ling

Ms So Wing Yin

網上藝術教育捐助計劃 Digital Arts Education Scheme

青銅捐款者 BRONZE DONORS

HK$3,000 – HK$5,999

無名氏 Anonymous

HK CT Alumni Association

支持及協助 SUPPORT AND COOPERATION

教育局藝術教育組

Arts Education Section, Education Bureau

香港展能藝術會

Arts with the Disabled Association Hong Kong

香港愉景灣酒店

Auberge Discovery Bay Hong Kong

澳洲駐香港及澳門總領事館 Australian Consulate-General Hong Kong and Macau

奧地利駐香港總領事館 Austrian Consulate General

Hong Kong

樺利廣告有限公司 Avanny Advertising Co Ltd

宏基國際賓館 Bishop Lei International House

BRICK LANE

英國文化協會 British Council

英國駐香港總領事館 British Consulate General Hong Kong

百老匯院線 Broadway Circuit burgundy etc

CAMPSITE

粵劇發展基金 Cantonese Opera Development Fund

牛棚藝術村 Cattle Depot Artist Village

周生生集團國際有限公司

Chow Sang Sang Jewellery Co. Ltd

中信國際電訊(信息技術)有限公司

CITIC Telecom International CPC Limited

城市當代舞蹈團 City Contemporary Dance Company

城巿花園酒店 City Garden Hotel

思聯設計有限公司 CL3 Architects Ltd

比利時駐港澳總領事館

Consulate General of Belgium in Hong Kong and Macau 加拿大駐香港及澳門總領事館

Consulate General of Canada in Hong Kong and Macao

法國駐港澳總領事館

Consulate General of France in Hong Kong and Macau

西班牙駐香港總領事館

Consulate General of Spain in Hong Kong 瑞士駐香港總領事館

Consulate General of Switzerland in Hong Kong

荷蘭駐港總領事館

Consulate General of the Kingdom of Netherlands in Hong Kong and Macau

大韓民國駐香港總領事館

Consulate General of the Republic of Korea in Hong Kong

俄羅斯駐香港總領事館

Consulate General of the Russian Federation in the Hong Kong SAR, PRC

Die Konzertisten

拔萃女書院 Diocesan Girls' School

愛普生香港有限公司 Epson Hong Kong Limited

香港港威酒店 Gateway Hotel, Hong Kong

德國駐香港總領事館

German Consulate General Hong Kong

六國酒店 Gloucester Luk Kwok Hong Kong

香港歌德學院 Goethe-Institut Hong Kong

香港君悅酒店 Grand Hyatt Hong Kong

青苗琴行 Greenery Music

香港恒生大學

Hang Seng University of Hong Kong

學生事務處 Student Affairs Office

8 度海逸酒店 Harbour Plaza 8 Degrees

快達票香港有限公司 HK Ticketing

香港文聯 HKL&A

香港藝術行政人員協會 Hong Kong Arts Administrators Association

香港藝術中心 Hong Kong Arts Centre

香港浸會大學 Hong Kong Baptist University

音樂學院 Academy of Music

拉闊文化 Cultural Literacy Programme

英國語言文學系 Department of English Language and Literature

香港大會堂 Hong Kong City Hall

香港文化中心 Hong Kong Cultural Centre

香港電影資料館 Hong Kong Film Archive

香港黃金海岸酒店 Hong Kong Gold Coast Hotel

香港管弦樂團 Hong Kong Philharmonic Orchestra

香港公共圖書館 Hong Kong Public Libraries

香港旅遊發展局 Hong Kong Tourism Board

斯洛文尼亞駐港總領事館 Honorary Consulate of Slovenia in Hong Kong

香港都會大學

Hong Kong Metropolitan University

學生事務處 Student Affairs Office

登臺 Hotel Stage

宜必思香港中上環

ibis Hong Kong Central and Sheung Wan

工銀亞洲 ICBC (Asia)

入境事務處 Immigration Department

香港以外地區經濟事務辦事處新聞及公共關係組

Information and Public Relations Units in Offices

Outside Hong Kong

海景嘉福洲際酒店

InterContinental Grand Stanford Hong Kong

高山劇場 Ko Shan Theatre

九龍木球會 Kowloon Cricket Club

Kubrick

葵青劇院 Kwai Tsing Theatre

駐香港韓國文化院

Korean Cultural Center in Hong Kong

康樂及文化事務署

Leisure and Cultural Services Department

牧羊少年與他的浮萍 Lemna of the alchemist

中央人民政府駐香港特別行政區聯絡辦公室 Liaison Office of the Central People's Government in the HKSAR

嶺南大學 Lingnan University

黃炳禮音樂及演藝部

Wong Bing Lai Music and Performing Arts Unit

馬哥孛羅香港酒店 Marco Polo Hongkong Hotel

Maxibit HK/China

MCL K11 Art House

中華人民共和國文化和旅遊部

Ministry of Culture and Tourism, PRC 循道衛理聯合教會國際禮拜堂

Methodist International Church Hong Kong Mission Production Company Ltd

李鏡輝先生 Mr Alpha Li

黃月妙小姐 Ms Kitty Wong

黃宇軒先生 Mr Sampson Wong

音樂事務處 Music Office

北區大會堂 North District Town Hall

One Minden Tapas Kitchen

橙天嘉禾娛樂集團 Orange Sky Golden Harvest

Entertainment Group

柏斯琴行 Parsons Music Limited

奧華酒店 中環 Ovolo Central

卓滙達有限公司 Patsville Company Ltd

Performing Arts Fund NL

電訊盈科 PCCW Pixellent

犇華企業服務有限公司 Primasia Corporate Services Limited

鄭新文教授 Prof Tseng Sun-man

富豪酒店國際 Regal Hotels International

香港瑰麗酒店 Rosewood Hong Kong

皇家太平洋酒店 Royal Pacific Hotel

Russian Club in Hong Kong

沙田大會堂 Sha Tin Town Hall

上環文娛中心 Sheung Wan Civic Centre

聖公會鄧肇堅中學 Sheng Kung Hui Tang Shiu Kin

Secondary School

南非駐香港總領事館

South African Consulate General Hong Kong SAR & Macao SAR, PRC

Southgate Design

香港西班牙商會

Spanish Chamber of Commerce in Hong Kong

事必達推廣有限公司 Speedy Promotion Limited

春天舞台劇製作有限公司 Spring-Time Stage Productions Limited

辰衝圖書有限公司 Swindon Book Co. Ltd.

香港瑞士商會有限公司 Swiss Chamber of Commerce in Hong Kong Limited

大館 Tai Kwun

台灣蘇富比國際房地產

Taiwan Sotheby's International Realty

藝林文具印刷有限公司 The Artland Co Ltd

香港八和會館 The Chinese Artists Association of Hong Kong

香港中文大學 The Chinese University of Hong Kong

聯合書院 United College

藝術行政主任辦公室 The Office of the Arts Administrator

文化及宗教研究系 Department of Cultural and Religious Studies

香港城市大學 The City University of Hong Kong

文化薈 Cultural Exchange Oasis

商務印書館（香港）有限公司 The Commercial Press (Hong Kong) Limited

香港教育大學 The Education University of Hong Kong

文化與創意藝術學系 Department of Cultural and Creative Arts

灣景國際 The Harbourview

梅夫人婦女會 The Helena May

香港演藝學院 The Hong Kong Academy for Performing Arts

戲曲學院 School of Chinese Opera 戲劇學院 School of Drama

音樂學院 School of Music

舞蹈學院 School of Dance

電影電視學院 School of Film and Television

學生事務處 Student Affairs Office

表演場地管理部 Venue Performance Unit

場地技術部 Venue Technical Unit

香港兒童合唱團 The Hong Kong Children’s Choir

香港理工大學 The Hong Kong Polytechnic Universit

文化及設施推廣處 Culture Promotion and Events Office

香港科技大學 The Hong Kong University of Science and Technology

藝術中心 Center for the Arts

The Swiss Chamber of Commerce in Hong Kong Limited

香港大學 The University of Hong Kong

音樂系 Department of Music

香港大學美術博物館 University Museum and Art Gallery Cultural Management Office

學生發展及資源中心 Centre of Development and Resources for Students

港青 - 香港基督教青年會

The Salisbury – YMCA of Hong Kong

通利琴行 Tom Lee Music Company Ltd

三角關係 Trinity Theatre

荃灣大會堂 Tsuen Wan Town Hall

屯門大會堂 Tuen Mun Town Hall

城市售票網 URBTIX

市區重建局 Urban Renewal Authority

同流黑盒劇場 WeDraman Black Box Theatre

進富印刷公司 Wealthy Step Printing Co.

西九文化區管理局

West Kowloon Cultural District Authority

粵海華美灣際酒店 Wharney Hotel

艾希妮網絡公關有限公司 X Social Group Limited

油麻地戲院 Yau Ma Tei Theatre

元朗劇院 Yuen Long Theatre

赤豚事務所 Zhu Graphizs

More than Great Performances!

2023 FESTIVAL PLUS PROGRAMME 藝術節加料節目

3/2

五 Fri

5/2

日 Sun

12/2

日 Sun

13/2 Mon

18/2 六 Sat

19/2 日 Sun

跨越界限——陳詠燊談劇本創作

Sunny Chan on Screenwriting and Playwriting

說說管風琴•說說巴赫

Tracing the Organ Music of Bach

廣陵情長——粵劇編寫竹林七賢傳奇

Writing Cantonese Opera for the Legendary Seven Sages of the Bamboo Grove

「禹•見」鋼琴大師

Masterclasses and Meet Bruce Liu

「短篇粵劇──戲說八德」演後藝人談

Virtues and Morality—Four Cantonese Operas

Post-Performance Meet-the-Artist

杜國威經典作品選映——《虎度門》

Hu Du Men

Collection of Raymond To’s Classics 杜國威經典作品選映——《劍雪浮生》

A Sentimental Journey Collection of Raymond To’s Classics

22/2 三 Wed 杜國威經典作品選映——《南海十三郎》

The Mad Phoenix Collection of Raymond To’s Classics

24/2 五 Fri 米歇爾．梵德阿《水之書》演後藝人談

The Book of Water Post-Performance Meet-the-Artist

香港藝術節加料節目 X 大館對談：

古董鋼琴與現代鋼琴

長笛的進化史──從巴羅克到現代時期 Evolution of Flute from the Baroque to Modern Periods 8/3

Wed 古鋼琴大師班

Fortepiano Masterclass 10/3 五 Fri

沉浸式歌劇《小狐狸》舞台參觀及公開彩排 Into the World of Silent Opera - Vixen Stage Tour & Open Rehearsal 「毛俊輝•粵劇情」演後藝人談

Cantonese Opera Classics Circa 2023

Post-Performance Meet-the-Artist

「長笛三次方——曾逸豪在繆思的庭院」 演後藝人談 Triptych for Flute—Tsang Yat-ho in Le jardin des muses

Post-Performance Meet-the-Artist

演唱蒙特威爾第 About Singing Monteverdi 「毛俊輝•粵劇情」演後藝人談 Cantonese Opera Classics Circa 2023

Post-Performance Meet-the-Artist

呼吸，讓木偶栩栩如生 Breathing brings Puppet to Life 「毛俊輝•粵劇情」演後藝人談 Cantonese Opera Classics Circa 2023

Post-Performance Meet-the-Artist

巴赫與我 All I Need is Bach

27/2 Mon

28/2

二 Tue

1 - 19/3

三 - 日 Wed - Sun

3/3

五 Fri

5/3

日 Sun

HKAF PLUS x Tai Kwun Conversations: Early Piano Vs. Modern Piano 盛原——古董鋼琴獨奏會

Antique Piano Recital by Yuan Sheng 韓德兩地的音樂旅途

A Music Journey between Two Cultures –Esme Quartet in Korea and in Germany

《名畫詐騙師》演後藝人談

True Copy Post-Performance Meet-the-Artist

歌劇《尤利西斯歸鄉記》製作解碼展覽

The Making before The Return Exhibition

《超真實》裝置音樂會演後藝人談 Hyperreality—an installation concert

Post-Performance Meet-the-Artist

《名畫詐騙師》演後藝人談

True Copy Post-Performance Meet-the-Artist

「笙世界 音樂會」演後藝人談

Sheng World Music— Kevin Cheng & Friends

Post-Performance Meet-the-Artist

《末戀•無愛合約》演後藝人談 Loveless Romance Post-Performance Meet-the-Artist

以樂器之王為經典默片配樂 Writing Music for Silent Film – Tips from the Organist

傑出文化領袖講座系列（10） 與班貝格交響樂團行政總裁暨 藝術總監馬庫斯•魯道夫•阿克斯對談 Distinguished Cultural Leadership Series (10)

In Conversation with Marcus Rudolf Axt Chief Executive and Artistic Director, Bamberg Symphony 《狂人派對》演後藝人談 Dance Me to the End of Night Post-Performance Meet-the-Artist

傑出文化領袖講座系列（10） 與金像獎最佳編劇杜國威對談—戲畫人生 Distinguished Cultural Leadership Series (10)

From Stage to Ink: In Conversation with Award-winning Playwright and Screenwriter Raymond To Kwok-wai

贊助人 李家超先生, GBM SBS PDSM PMSM

永遠名譽會長 邵逸夫爵士 (1907-2014)

執行委員會

主席 查懋成先生

副主席 盧景文教授

義務司庫 范高廉先生

委員 鄭阮培恩女士 鄭惠貞女士 馮愉敏先生 何苗春暉女士 文肇偉先生 孫大倫博士 姚潔莉女士 楊　光先生

節目委員會

主席 盧景文教授

委員 白諾信教授 紀大衛教授 羅志力先生 毛俊輝教授 約瑟．施力先生+ 譚榮邦先生 姚　珏女士

財務委員會

主席 范高廉先生 委員 鄭惠貞女士 梁國輝先生 發展委員會

主席 鄭阮培恩女士

副主席 雍景欣女士 委員 馮愉敏先生 龐心怡女士 孫林宣雅女士 文藝女士 姚祖輝先生

顧問 夏佳理先生 鮑　磊先生 陳祖澤博士 陳達文博士 霍　璽先生 李業廣先生 梁紹榮夫人 李國寶博士 名譽法律顧問 甘乃迪女士（孖士打）

核數師 羅兵咸永道 會計師事務所

PATRON

HONORARY LIFE PRESIDENT

EXECUTIVE COMMITTEE

Chairman

Vice-Chairman

Honorary Treasurer

Members

電話 TEL 2824 3555

傳真 FAX 2824 3798 / 2824 3722

電子郵箱 Email afgen@hkaf.org

節目查詢熱線 2824 2430

Programme

Enquiry Hotline

地址 ADDRESS 香港灣仔港灣道 2 號 12 樓 1205 室 Room 1205, 12th Floor, 2 Harbour Road, Wanchai, Hong Kong

The Hon. John KC Lee, GBM SBS PDSM PMSM

The Hon. Sir Run Run Shaw, GBM CBE (1907-2014)

Mr Victor Cha

Prof. Lo King-man, SBS MBE JP

Mr Colin Farrell

Mrs Betty Yuen Cheng

Ms Margaret Cheng

Mr Michael Fung

Ms Joanna Hotung

Mr Sebastian Shiu-wai Man

Dr Dennis T L Sun, BBS JP

Ms Miriam Yao

Mr Sunny Yeung

PROGRAMME COMMITTEE

Chairman

Members

Prof. Lo King-man, SBS MBE JP

Prof. Giorgio Biancorosso

Prof. David Gwilt, MBE

Mr Peter C L Lo

Prof. Fredric Mao, BBS

Mr Joseph Seelig +

Mr Wing-pong Tam, SBS JP

Ms Jue Yao, JP

FINANCE COMMITTEE

Chairman

Members

DEVELOPMENT COMMITTEE

Chairperson

Vice-Chairperson

Members

Mr Colin Farrell

Ms Margaret Cheng

Mr Nelson Leong

Mrs Betty Yuen Cheng

Ms Jane Yong

Mr Michael Fung

Ms Samanta Sum-yee Pong

Mrs Helen Lin Sun

Ms Yi Wen

Mr Andrew Yao

ADVISORS

The Hon. Ronald Arculli, GBM GBS

Mr Martin Barrow, GBS CBE JP

Dr John C C Chan, GBS CBE LVO JP

Dr Darwin Chen, SBS ISO

Mr Angus H Forsyth

The Hon. Charles YK Lee, GBM GBS OBE JP

Mrs Mona Leong, SBS BBS MBE JP

Dr The Hon Sir David KP Li, GBM GBS OBE JP

HONORARY SOLICITOR

AUDITOR

Ms Gabriela Kennedy, Mayer Brown

PricewaterhouseCoopers

職員

行政總監 余潔儀

行政總監助理 何丹蓉

節目

節目總監 梁掌瑋 蘇國雲

高級節目經理 梁偉然

節目經理 陳曉彤 * 鄭佩群 * 廖國穎 * 馬筠婷 * 司徒頌欣 * 短期節目經理 游慧姿 *

副節目經理 杜以樂 *

節目統籌 林穎茵 *

藝術行政見習員 容諾行 *

行政

節目經理 (行政) 蘇雪凌

節目主任 (行政) 林穎妍 *

物流

物流及接待經理 金學忠 *

技術

製作經理 梁雅芝 *

助理製作經理 陳梓衡 *

出版

編輯 陳詠恩 * Adam Wright*

助理編輯 陳劭儀 * 李芷晴 *

外展

外展經理 林嘉敏 *

助理外展經理 李萬祺 * 潘穎詩 *

外展主任 張凱柔 *

外展助理 馬曉瑩 *

藝術行政見習員 馮樂程 *

市場推廣

市場總監 鄭尚榮

副市場總監 盧伯全

副市場經理 陳靄婷 * 張予心 * 黃頴儀 *

助理項目經理 李穎軒 * 譚懿諾 *

助理市場經理 許樂欣 * 曾諾怡 *

市場主任 林培生 *

票務

市場經理(票務) 梁彩雲

票務主任 殷嘉駿 *

發展

發展總監 黃美儀

特別發展協理 蘇啟泰 *

發展經理 林思穎 * 吳綺菁 * 譚樂瑤

發展主任 鄒穎妮 * 譚尹晴 *

藝術行政見習員 梁詠熙 *

短期發展助理 潘藹怡 *

行政事務

財務總監 鄺敬婷

會計

會計經理 杜詩麗 *

會計主任 顏悅恩 *

人力資源及行政

人力資源及行政經理 楊美君 *

接待員/初級秘書 李美娟

助理 黃國愛

資訊科技

資訊科技經理 陳啟明 *

無限亮

項目總監 錢 佑 *

節目及外展經理 鍾美琼 * 何敏凝 * 節目及外展統籌 何敬堯 * 潘詠汶 *

市場經理 黃嘉欣 *

副市場經理 廖愷瀅 *

助理製作經理 張詠宜 *

高級會計主任 鍾巧明 * 香港藝術節@大館

項目經理 鄺為立 * 公關及宣傳統籌 楊佩雯 *

STAFF

Executive Director

Assistant to Executive Director

PROGRAMME

Programme Directors

Senior Programme Manager

Programme Managers

Temporary Programme Manager

Deputy Programme Manager

Programme Coordinator

Arts Administrator Trainee

ADMINISTRATION

Programme Manager (Admin)

Flora Yu

Connie Ho

Grace Lang So Kwok-wan

Ian Leung

Kristen Chan* Cathy Cheng*

Sophie Liao* Katie Ma*

Samantha Szeto*

Janet Yau*

Tobe To*

Lilian Lam*

Ryan Yung*

Shirley So

Programme Officer (Admin) Michelle Lam*

LOGISTICS

Logistics Manager

TECHNICAL

Production Manager

Elvis King*

Shirley Leung*

Assistant Production Manager Jacob Chan*

PUBLICATIONS

Editors

Assistant Editors

OUTREACH

Outreach Manager

Assistant Outreach Managers

Outreach Officer

Outreach Assistant

Arts Administrator Trainee

MARKETING

Marketing Director

Associate Marketing Director

Deputy Marketing Managers

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Marketing Officer

TICKETING

Marketing Manager (Ticketing)

Ticketing Officer

DEVELOPMENT

Development Director

Special Development Associate

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CORPORATE SERVICES

Finance Director

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Account Manager

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HR & ADMINISTRATION

HR and Admin Manager

Receptionist/Junior Secretary

General Assistant

INFORMATION TECHNOLOGY

Information Technology Manager

NO LIMITS

Project Director

Programme and Outreach Manager

Programme and Outreach Coordinators

Marketing Manager

Deputy Marketing Manager

Assistant Production Manager

Senior Accounting Officer

HKARTSFESTIVAL@TAIKWUN

Project Manager

Eugene Chan* Adam Wright*

Shao yi Chan* Rebecca Lee*

Carman Lam*

Kelvin Li* Renee Poon*

Hazel Cheung*

Queena Ma*

Crystal Fung*

Katy Cheng

Eugene Lo

Tobie Chan* Stephanie Cheung*

Joey Wong*

Hill Li* Hades Tam*

Sally Hui* Margaret Tsang*

Billy Lin*

Eppie Leung

Cyrus Yan*

Angela Wong

Alex So*

Sharon Lam* Joey Ng*

Lorna Tam

Chau Wing-ni* Linda Tam*

Kirstie Leung*

Carol Pun*

Teresa Kwong

Connie To*

Stephany Ngan*

Janet Yeung*

Virginia Li

Bonia Wong

Derek Chan*

Eddy Zee*

Becky Chung* Christy Ho*

Kelvin Ho* Jasmine Poon*

Carly Wong*

Kaitlyn Liu*

Jess Cheung*

Catherine Chung*

Kwong Wai Lap*

PR and Marketing Coordinator Wind Yeung*

Coordinators

Production Officer Pang Ka Tat*

Technical Coordinators Rachel Au*, Tony Choi*, Cherry Fung*, Mandy Lai*, Martin Lai*, Lawrence Lee*, Joyi Tsang*