Cantonese Opera Classics Circa 2023 - 51st Hong Kong Arts Festival

第五十一屆香港藝術節隆重舉行，可 喜可賀。

逾半個世紀以來，藝術節每年均呈獻 多姿多彩的文藝節目，由古典音樂、 歌劇、戲劇，以至舞蹈、多媒體項 目等，包羅萬有，令觀眾大飽眼福。

今屆藝術節以《收音機與茱麗葉》及 《春之祭》芭蕾舞表演揭開序幕，兩 齣經典作品經由著名編舞家愛德華· 克魯格重新編排，加上斯洛文尼亞 國家歌劇院馬里博爾芭蕾舞團傾力演 出，萬眾矚目；約五星期後，歐洲頂 尖交響樂團—德國班貝格交響樂團將 登台獻技，為今年藝術節畫上圓滿句 號。其間上演的焦點節目還有： 國 際星級女高音安娜·涅翠柯與丈夫男 高音尤西夫·伊瓦佐夫聯袂表演的音 樂會；由藝術家威廉·肯特里奇精心 製作、南非木偶劇團和比利時里切卡 爾古樂團奇妙演繹的蒙特威爾第歌劇 《尤利西斯歸鄉記》；由芭蕾天后娜塔 麗亞·奧斯波娃領銜主演的芭蕾巨 星之《「世」不可擋》及傳奇舞姬之 《趾尖》；以及國際鋼琴大賽冠軍劉曉 禹的演奏會。

藝術節向來十分重視本地演藝人才， 致力讓他們一展才華。今屆藝術節亦 會上演多個粵劇節目，包括《竹林愛 傳奇》、「毛俊輝．粵劇情」、《畫皮》 (精新版)，以及「短篇粵劇—戲說 八德」； 並帶來其他本地作品，包括 《飯戲攻心》踏台版、《末戀．無愛合 約》、舞蹈歌劇《兩生花》等等，定 必精彩萬分，不容錯過。

大眾還可通過藝術節，體驗繽紛的藝 術魅力。法國食蟻獸沉浸式藝術工作 室創作的《第一步》，會邀請觀眾互 動共舞；在大館舉行的一系列免費藝 術科技節目，以及「無限亮」計劃， 亦會讓公眾參與其中。「無限亮」計 劃由本地和海外不同能力的藝術家擔 綱演出，鼓勵青少年衝破界限，探索

行政長官的話 MESSAGE FROM THE CHIEF EXECUTIVE

I would like to congratulate the Hong Kong Arts Festival on the organisation of its 51st edition.

For more than half a century now, the Arts Festival has enthralled audiences with a superb annual programme of arts and culture performances embracing classical music and opera, theatre, dance, multimedia and a great deal more.

This year’s Arts Festival programme opens with the Slovene National Theatre Maribor’s ballet performances of Radio and Juliet and Le Sacre du Printemps, two classics re-imagined by celebrated choreographer Edward Clug. It closes, nearly five weeks later, with a concert by Germany’s Bamberg Symphony, one of Europe’s greatest orchestras. Other highlights include Anna Netrebko, one of the world’s great sopranos, performing with her husband, tenor Yusif Eyvazov; artist William Kentridge’s remarkable production of Monteverdi’s opera, Il Ritorno d’Ulisse, brought to life by South Africa’s Handspring Puppet Company and Belgium’s Ricercar Consort periodinstrument ensemble; Ballet Superstars’ Force of Nature and Legendary Ballerina

新知。「香港藝術節青少年之友」計 劃同樣以豐富年輕人的體驗為目標， 籌備了多場學校巡演、演前工作坊和 特備節目。「加料節目」的創意活動 則把全港觀眾與藝術家連繫起來，讓 藝術文化遍及社區。

我感謝香港藝術節盡心竭力推廣藝術 文化，協助推動香港發展為中外文 化藝術交流中心。我亦感謝一眾贊 助商和捐款人慷慨襄助，令藝術節精 彩紛呈。

今年的藝術盛宴每場表演均可貴可 喜，大家定能盡情享受，樂在其中。

in Two Feet featuring supreme ballerina Natalia Osipova; and concerts by the international award-winning piano virtuoso Bruce Liu.

As always, the Festival shines a spotlight on standout artists from Hong Kong. This year’s Cantonese opera offerings include Love in the Bamboo Grove, Cantonese Opera Classics Circa 2023, The Painted Skin (Refined Edition) and Virtues and Morality—Four Cantonese Operas. Local productions including Table For Six on Stage, Loveless Romance and Love Streams are sure to be among this year’s Festival highlights.

Several programmes invite public participation as well, including the First Steps participatory dance performances staged by France’s Tamanoir Immersive Studio, as well as Tai Kwun’s free series of arts tech productions and the Festival’s No Limits programme, led by local and international artists of varying abilities. No Limits’ offerings emphasise youth exploration, as does the Young Friends of the Hong Kong Arts Festival with its school tours, preperformance workshops and special programming. And then there is the Festival PLUS creative activities that bring artists and audiences together in communities throughout Hong Kong.

I am grateful to the Hong Kong Arts Festival for its inspired commitment to the arts and to Hong Kong’s continuing rise as an East-meets-West centre for international cultural exchange. My thanks, as well, to the Festival’s many generous sponsors and donors.

I know you will treasure every performance, every moment, of this year’s Hong Kong Arts Festival.

John KC Lee Chief Executive Hong Kong Special Administrative Region

歡迎閣下蒞臨第 51 屆香港藝術 節。隨着香港走出疫情的陰霾，藝 術節再度匯聚本地及世界各地的頂 尖藝術家，呈獻一連串精采的現場 表演。儘管網絡世界無遠弗屆， 親身觀賞演出的體驗依然是無可取 替。今日，我很高興能夠與大家 聚首一堂，共同體驗現場表演的 震撼力。

藝術節得以順利舉辦，有賴社會各 界的慷慨支持。我在此感謝香港 特別行政區政府透過康樂及文化事 務署的年度恆常撥款，為藝術節的 長遠工作奠下根基。我亦非常感 激香港賽馬會慈善信託基金的持續 支持，以及一眾企業贊助、慈善基 金會和個人捐助者的貢獻。我更要 向參與藝術節的藝術家表達由衷謝 意，尤其是早前因疫情而無奈取消 演出、但於今屆願意再度與我們合 作的藝術家。

另外，過去三年，藝術節團隊在充 滿不確定因素的環境下努力不懈， 克服種種難關，繼續為觀眾送上線 上線下的精采節目。我在此向團隊 的每一位成員致謝。

觀眾的支持及參與對藝術節至關重 要。感謝您前來欣賞今日的演出， 希望藝術節的節目能夠為您帶來喜 悅與希望。

主席的話 MESSAGE FROM THE CHAIRMAN

I am delighted to welcome you to the 51st edition of the Hong Kong Arts Festival. As the city recovers from the disruption of the pandemic, the Festival is returning with an array of live performances featuring top-notch artists from Hong Kong and across the world. Despite the boundless possibilities offered by the internet, attending performances in person remains an irreplaceable experience. It gives me great pleasure to share this collective experience with you today.

The Festival is made possible by the generosity of our supporters.

I wish to thank the HKSAR Government, via the Leisure and Cultural Services Department, for the annual subvention which underpins our long-standing work. I am also grateful for the ongoing contributions from The Hong Kong Jockey Club Charities Trust, as well as corporate sponsors, charitable foundations and individual donors. My sincere thanks go

to the participating artists for their dedication to bringing the best to our audiences, especially those returning after previous cancellations due to the pandemic.

I also want to thank the dedicated staff of the Festival who have worked extremely hard to overcome numerous challenges during the uncertainties of the past three years. Last but not least, the Festival counts on the support and participation of each member of the audience. Thank you for joining us at today’s performance. I hope that our programmes will bring you much joy and hope for the future.

Victor Cha Chairman Hong Kong Arts Festival

香港藝術節主席 查懋成

行政總監的話

我謹代表藝術節團隊，歡迎閣下蒞 臨第 51 屆香港藝術節。

經歷了過去幾年疫情的影響，今年 藝術節以「回賞．前行」為題，表 達了我們隆重回歸舞台的決心。憑 着五十年來的努力，香港藝術節成 為了地區首屈一指的文化盛事，確 立了在國際間的重要地位。我們很 榮幸能夠繼往開來，並繼續在多方 面力求進步，與時俱進。在第 51 屆藝術節中，我們全新演繹大師傑 作、建立跨界合作、委約原創作 品，進一步發掘新的創作視野。這 些嘗試都展現了表演藝術的維度和 無限可能性，讓我們在探索的旅途 中向前邁進。

除了出色的表演，藝術節亦舉辦 了一系列「加料節目」，令觀眾對 演出作品有更深入的認識，豐富觀 賞體驗。我們亦繼續大力投資於 藝術教育，希望透過多元的外展活 動，以高質素的表演啟發香港的年 輕一代。

藝術節正式踏入第二個五十年，我 們將抱持樂觀的態度和更大的勇氣 面對未來的各種挑戰。希望您能夠 與我們同行，並喜歡藝術節為您準 備的節目。

On behalf of the Festival team, I would like to extend to you a heartfelt welcome to the 51st Hong Kong Arts Festival.

Our theme this year, “Coming Back, Moving Forward”, represents our determination to come back in full force after several years of uncertainties caused by the pandemic. After five decades of hard work and dedication, the Festival has established itself as a premier arts event in the region and an important international arts festival. We are honoured to carry this legacy forward, while advancing our multifaceted work to stay relevant in the present. In the 51st edition, we discover creative voices through new renditions of masterpieces, cross-disciplinary collaborations and commissioned productions— all of which showcase the breadth and endless possibilities of the performing arts, taking us one step

forward in this journey of exploration. Beyond exceptional performances, we are also offering a series of auxiliary PLUS programmes to enhance audience engagement and provide deeper insights into our programmes. Our strong commitment to arts education is seen in the extensive outreach activities aimed at inspiring the younger generation of Hong Kong through promoting quality arts.

The Festival steps into the second half of its first centenary with both optimism and renewed courage to bravely face the great challenges ahead. I hope you will stay close with us and be inspired by what the Festival has to offer.

香港藝術節資助來自：

The Hong Kong Arts Festival is made possible with the funding support of:

Flora Yu

Executive Director

Hong Kong Arts Festival

MESSAGE FROM THE EXECUTIVE DIRECTOR

香港藝術節 HONG KONG ARTS FESTIVAL

扎根香港的國際藝壇盛事 聯繫中國與世界

An International Arts Festival in Hong Kong Connecting China and the World

香港藝術節於 1973 年正式揭幕，是國際藝壇中重要的文化 盛事，於每年 2、 3 月期間呈獻眾多優秀本地及國際藝術家 的演出，以及舉辦多元化的「加料」和教育活動，致力豐 富香港的文化生活。

香港藝術節 是一所非牟利機構，2022/ 23 財政年度預計收

入（包括第 51 屆香港藝術節及 2023 年「無限亮」）約港 幣一億五千萬，當中香港特區政府的年度撥款佔總收入約 18%，另外約 24%需來自票房收入，約 43%則需依賴來自 各大企業、熱心人士和慈善基金會的贊助和捐款。預計餘 下的約 15%則來自其他收入，包括政府針對捐款和贊助收 入而提供的配對資助。

香港藝術節每年呈獻眾多國際演藝名家精采多元的演出，

例如* ：

• 歌劇：巴伐利亞國立歌劇院、萊比錫歌劇院、莫斯科大 劇院、聖彼得堡馬林斯基劇院

• 中國戲曲：中國國家京劇院、河北梆子劇院、上海張軍 崑曲藝術中心、江蘇省蘇州崑劇院、浙江小百花越劇團

• 古典音樂：塞西莉亞 • 芭托莉、列卡杜 • 沙爾、趙成 珍、古斯塔沃 • 杜達美、菲力普 • 格拉斯、馬友友、 丹尼斯 • 馬祖耶夫、安娜 • 涅翠柯、詹安德列亞 • 諾 斯達、小澤征爾、湯瑪士．夸斯托夫、甘拿迪 • 羅傑 斯特汶斯基、譚盾、湯沐海、克里斯蒂安 泰利曼、倫 敦交響樂團、NHK交響樂團、皇家阿姆斯特丹音樂廳樂 團、柏林廣播電台合唱團、萊比錫聖多馬合唱團、維也

• 爵士樂及世界音樂：波比 麥非年、尤蘇 恩多爾、 艾斯佩蘭薩 • 斯伯丁、Orquesta Buena Vista Social Club、粉紅馬天尼

• 舞蹈：米高 巴里殊尼哥夫、蕭菲 紀蓮、艾甘 漢、美國芭蕾舞劇院、雲門舞集、漢堡芭蕾舞團—約 翰．紐邁亞、紐約市芭蕾舞團、巴黎歌劇院芭蕾舞團、 翩娜 包殊烏珀塔爾舞蹈劇場

• 戲劇：彼得 • 布祿克、羅伯特．利柏殊、蜷川幸雄、羅 柏特 • 威爾遜、柏林劇團、中國國家話劇院、皇家莎士 比亞劇團

• 大型特備節目：《藝裳奇幻世界》、星躍馬術奇藝坊

• 戶外節目：《聲光園》、《幻光動感池》、《聲光頌》

香港藝術節積極與本地演藝人才合作，並致力為新進藝術 家提供展示才華的平台。藝術節至今委約及製作逾 250 套 本地全新創作，包括粵劇、戲劇、室內歌劇、音樂和舞蹈 作品，不少製作更已在香港及海外多度重演。近年的藝術 節新製作包括《鼠疫》、《陪着你走》、《百花亭贈劍》、《香 港家族》三部曲、《世紀

The HKAF, launched in 1973, is a major international arts festival committed to enriching the cultural life of the city by presenting leading local and international artists in all genres of the performing arts as well as a diverse range of “PLUS” and educational events in February and March each year.

The HKAF is a non-profit organisation. The total estimated income for FY2022/23 (including the 51st Hong Kong Arts Festival and 2023 “No Limits”) is approximately HK$150 million. Current Government annual funding accounts for around 18% of the Festival's total income. Around 24% of the Festival’s income needs to come from the box office, and around 43% from sponsorship and donations made by corporations, individuals and charitable foundations. The remaining 15% is expected to come from other revenue sources including the Government’s matching scheme, which matches income generated through private sector sponsorship and donations. The HKAF has presented top international artists and ensembles across multiple genres, such as*:

• Western opera: Bavarian State Opera, Oper Leipzig, The Bolshoi Theatre, The Mariinsky Theatre

• Chinese opera: China National Peking Opera Company, Hebei Clapper Opera Troupe, Shanghai Zhang Jun Kunqu Art Center, Suzhou Kunqu Opera Company of Jiangsu, Zhejiang Xiaobaihua Yue Opera Troupe

Classical music: Cecilia Bartoli, Riccardo Chailly, Seong-Jin Cho, Gustavo Dudamel, Philip Glass, Yo-Yo Ma, Denis Matsuev, Anna Netrebko, Gianandrea Noseda, Seiji Ozawa, Thomas Quasthoff, Gennady Rozhdestvensky, Tan Dun, Muhai Tang, Christian Thielemann, London Symphony Orchestra, NHK Symphony Orchestra, Royal Concertgebouw Orchestra, Rundfunkchor Berlin, Thomanerchor Leipzig, Vienna Philharmonic Orchestra

• Jazz and world music: Bobby McFerrin, Youssou N'Dour, Esperanza Spalding, Orquesta Buena Vista Social Club, Pink Martini

Dance: Mikhail Baryshnikov, Sylvie Guillem, Akram Khan, American Ballet Theatre, Cloud Gate Dance Theatre, The Hamburg Ballet – John Neumeier, New York City Ballet, Paris Opera Ballet, Tanztheater Wuppertal Pina Bausch

• Theatre: Peter Brook, Robert Lepage, Yukio Ninagawa, Robert Wilson, Berliner Ensemble, National Theatre of China, Royal Shakespeare Company

• Large-scale special events: World of Wearable Art, Zingaro

• Outdoor events: Power Plant, Super Pool, Chorus

The HKAF actively collaborates with Hong Kong’s own creative talent and showcases emerging local artists. Over the years, HKAF has commissioned and produced over 250 local productions across genres including Cantonese opera, theatre, chamber opera, music and contemporary dance, many with successful subsequent runs in Hong Kong and overseas. Recent HKAF productions include The Plague, Always by Your Side, Pavilion of a Hundred Flowers, A Floating Family – A Trilogy, Hong Kong Odyssey, Danz Up, Datong – The Chinese Utopia, The Amahs and Murder in San Jose, to name a few.

The HKAF frequently partners with renowned international artists and institutions to produce exceptional works, such as Der Fensterputzer (The Window Washer) co-produced by HKAF, Goethe-Institut Hong Kong and Tanztheater Wuppertal Pina

香港》、《炫舞場》、《大同》、 《金蘭姊妹》、《聖荷西謀殺案》等。

香港藝術節多年來與知名海外藝術家及團體聯合製作不少 優秀作品，當中包括由香港藝術節、香港歌德學院及翩 娜．包殊烏珀塔爾舞蹈劇場聯合製作的《抹窗人》、由倫 敦老域劇院、布魯克林音樂學院與尼爾街製作公司製作、 香港藝術節為聯合委約機構之一的「橫貫計劃」之《暴風 雨》及《李察三世》、由香港藝術節及上海國際藝術節聯 合委約的《青蛇》、三藩市歌劇院與香港藝術節聯合製作 的《紅樓夢》等。

香港藝術節 大力投資下一代的藝術教育。「青少年之友」

成立 30 年來，已為逾 810, 000 位本地中學生及大專生提供 藝術體驗活動。藝術節近年亦開展多項針對大、中、小學 生的藝術教育活動，包括由國際及本地藝術家主持的示範 講座及工作坊、學生展演、演前講座、公開彩排、以及欣 賞藝術節演出。同時，通過「學生票捐助計劃」，藝術節 每年提供約 10, 000 張半價學生票。

香港藝術節每年主辦一系列多元化並深入社區的「加料節 目」，例如電影放映、示範講座、大師班、工作坊、座談 會、後台參觀、展覽、藝人談、文化導賞團等，鼓勵觀眾 與藝術家互動接觸。

香港藝術節亦銳意將共融藝術理念拓展到社區每一角落。 由藝術節與香港賽馬會慈善信託基金聯合呈獻的「無限

2019 年正式開展，透過一系列的演出及多元的 教育及社區外展節目，「無限亮」致力創造共融空間，讓不 同能力人士均可以一同欣賞、參與、擁抱藝術。

Bausch, Richard III and The Tempest produced by The Old Vic, BAM and Neal Street under “The Bridge Project” with HKAF as a co-commissioning institution, Green Snake co-commissioned with Shanghai International Arts Festival, and Dream of the Red Chamber co-produced with San Francisco Opera.

The HKAF invests heavily in arts education for young people. Over the past 30 years, our “Young Friends” scheme has reached over 810,000 local secondary and tertiary school students. A variety of arts education projects serving primary, secondary, and tertiary school students have been launched in recent years, featuring activities such as student showcases, pre-performance talks, open rehearsals, opportunities to attend Festival performances, as well as in-school workshops and lecture demonstrations led by international and local artists. Donations to the “Student Ticket Scheme” also make available approximately 10,000 half-price student tickets each year.

The HKAF organises a diverse range of “Festival PLUS” activities in community locations each year to enhance engagement between artists and audiences. These include films, lecture demonstrations, masterclasses, workshops, symposia, backstage visits, exhibitions, meet-the-artist sessions, and guided cultural tours.

The HKAF actively promotes inclusiveness and understanding via the arts to every corner of the community. The “No Limits” project, co-presented with The Hong Kong Jockey Club Charities Trust, was launched in 2019. Through a series of performances and diverse arts experiences for students and the community, “No Limits” strives to create an inclusive space for people with different abilities to share the joy of the arts together.

The HKAF officially launched the Hong Kong Arts Festival Foundation in 2022 to provide greater financial security and longterm sustainability for the Festival. Donations to the Foundation will help the Festival to present large-scale projects which its annual budget cannot cater for. (2023

香港藝術節為創造更穩健的財政環境以及確保藝術節的長期 可持續性，於 2022 年成立香港藝術節基金會，旨在讓藝術 節得以在未來進行年度預算以外的大型特別項目。

*有關香港藝術節的過往節目，可參考以下網頁 Details of past HKAF programmes can be found at https://w2.hk.artsfestival.org/en/about-us/past-programmes/past-programmes-2021.html

誠邀贊助或捐助香港藝術節；詳情請與藝術節發展部聯絡。

To find out more about sponsorship opportunities and donation details for the Hong Kong Arts Festival, please contact the HKAF Development Department.

香港藝術節協會 2022 ／ 23 年度預計收入來源（約港幣一億五千萬）

電郵 Email: dev@hkaf.org

直綫 Direct Lines: (852) 2828 4910/11/12

網頁 Website: www.hk.artsfestival.org/en/support-us

Estimated Income Sources for Hong Kong Arts Festival Society in FY 2022/ 23 (Approximately HK$150 Million)

More than Great Performances!

2023 FESTIVAL PLUS PROGRAMME 藝術節加料節目

3/2

五 Fri

5/2

日 Sun

12/2

日 Sun

13/2 Mon

18/2 六 Sat

19/2 日 Sun

跨越界限——陳詠燊談劇本創作

Sunny Chan on Screenwriting and Playwriting

說說管風琴•說說巴赫

Tracing the Organ Music of Bach

廣陵情長——粵劇編寫竹林七賢傳奇

Writing Cantonese Opera for the Legendary Seven Sages of the Bamboo Grove

「禹•見」鋼琴大師

Masterclasses and Meet Bruce Liu

「短篇粵劇──戲說八德」演後藝人談

Virtues and Morality—Four Cantonese Operas

Post-Performance Meet-the-Artist

杜國威經典作品選映——《虎度門》

Hu Du Men

Collection of Raymond To’s Classics 杜國威經典作品選映——《劍雪浮生》

A Sentimental Journey Collection of Raymond To’s Classics

22/2 三 Wed 杜國威經典作品選映——《南海十三郎》

The Mad Phoenix Collection of Raymond To’s Classics

24/2 五 Fri 米歇爾．梵德阿《水之書》演後藝人談

The Book of Water Post-Performance Meet-the-Artist

香港藝術節加料節目 X 大館對談：

古董鋼琴與現代鋼琴

長笛的進化史──從巴羅克到現代時期 Evolution of Flute from the Baroque to Modern Periods 8/3

Wed 古鋼琴大師班

Fortepiano Masterclass 10/3 五 Fri

沉浸式歌劇《小狐狸》舞台參觀及公開彩排 Into the World of Silent Opera - Vixen Stage Tour & Open Rehearsal 「毛俊輝•粵劇情」演後藝人談

Cantonese Opera Classics Circa 2023

Post-Performance Meet-the-Artist

「長笛三次方——曾逸豪在繆思的庭院」 演後藝人談 Triptych for Flute—Tsang Yat-ho in Le jardin des muses

Post-Performance Meet-the-Artist

演唱蒙特威爾第 About Singing Monteverdi 「毛俊輝•粵劇情」演後藝人談 Cantonese Opera Classics Circa 2023

Post-Performance Meet-the-Artist

呼吸，讓木偶栩栩如生 Breathing brings Puppet to Life 「毛俊輝•粵劇情」演後藝人談 Cantonese Opera Classics Circa 2023

Post-Performance Meet-the-Artist

巴赫與我 All I Need is Bach

27/2 Mon

28/2

二 Tue

1 - 19/3

三 - 日 Wed - Sun

3/3

五 Fri

5/3

日 Sun

HKAF PLUS x Tai Kwun Conversations: Early Piano Vs. Modern Piano 盛原——古董鋼琴獨奏會

Antique Piano Recital by Yuan Sheng 韓德兩地的音樂旅途

A Music Journey between Two Cultures –Esme Quartet in Korea and in Germany

《名畫詐騙師》演後藝人談

True Copy Post-Performance Meet-the-Artist

歌劇《尤利西斯歸鄉記》製作解碼展覽

The Making before The Return Exhibition

《超真實》裝置音樂會演後藝人談 Hyperreality—an installation concert

Post-Performance Meet-the-Artist

《名畫詐騙師》演後藝人談

True Copy Post-Performance Meet-the-Artist

「笙世界 音樂會」演後藝人談

Sheng World Music— Kevin Cheng & Friends

Post-Performance Meet-the-Artist

《末戀•無愛合約》演後藝人談 Loveless Romance Post-Performance Meet-the-Artist

以樂器之王為經典默片配樂 Writing Music for Silent Film – Tips from the Organist

傑出文化領袖講座系列（10） 與班貝格交響樂團行政總裁暨 藝術總監馬庫斯•魯道夫•阿克斯對談 Distinguished Cultural Leadership Series (10)

In Conversation with Marcus Rudolf Axt Chief Executive and Artistic Director, Bamberg Symphony 《狂人派對》演後藝人談 Dance Me to the End of Night Post-Performance Meet-the-Artist

傑出文化領袖講座系列（10） 與金像獎最佳編劇杜國威對談—戲畫人生 Distinguished Cultural Leadership Series (10)

From Stage to Ink: In Conversation with Award-winning Playwright and Screenwriter Raymond To Kwok-wai

毛俊輝 • 粵劇情

CANTONESE OPERA CLASSICS CIRCA 2023

10 - 12.03.2023

10.03.2023 / 7:45pm

11.03.2023 / 7:45pm

12.03.2023 / 3pm

高山劇場新翼演藝廳

New Wing Auditorium, Ko Shan Theatre

演出長約 2 小時，包括一節中場休息

Approximately two hours including one interval

粵語演出，附中、英文字幕

Performed in Cantonese with Chinese and English surtitles

adapted from Empress Dowager

封面照片 Cover Photograph ©Lawrence Ng @ Workhouse

藝術節加料節目

演後導演分享 Post-Performance Director's Sharing Session

10-12.03.2023

高山劇場新翼演藝廳

New Wing Auditorium, Ko Shan Theatre

敬請關掉所有響鬧及發光裝置

Please switch off all sound-making and light-emitting devices

本場刊採用環保紙張印刷

This programme is printed on environmentally friendly paper

所有作品內容均由主辦單位 / 創作團隊獨立製作，並不代表贊助機構之立場或意見。

photography or recording of any kind is strictly prohibited

如不欲保留本場刊，請於完場後放入場地的回收箱

If you don't wish to keep this booklet, please return it at the admission point

The content of all works is independently produced by the organiser/creative team, and does not reflect the views or opinions of the Sponsor.

毛俊輝 • 粵劇情 Cantonese Opera Classics Circa 2023

委約及製作 Commissioned and Produced by 香港藝術節 Hong Kong Arts Festival

舞台設計 Set Designer

陳志權 Ricky Chan

音響設計 Sound Designer

郭宇傑 Jaycee Kwok

助理舞台設計 Assistant Set Designer

勞正然 Ryan Lo

製作經理 Production Manager

陳寶愉 Bobo Chan

助理舞台監督 Assistant Stage Manager

楊淑雯 Yeung Shuk-man

服裝主管（前期製作） Wardrobe Supervisor (Pre-production)

林曉燕 Lam Hiu-yin

化妝及髮飾 Makeup and Headdress Team

陳素瑩 Chan So-ying

馮玉清 Fung Yuk-ching

趙美霞 Francis Chiu Mei-ha

燈光編程及控制員 Lighting Programmer and Operator

張詠彤 Cheung Wing-tung

現場混音師 Sound Mixing Engineer

周卓餘 Chow Cheuk-yu

藝術總監、導演及戲劇改編 Artistic Director, Director and Adaptor

毛俊輝 Fredric Mao

燈光設計 Lighting Designer

陳焯華* Billy Chan*

數碼影像設計 Digital Image Designer

成博民 Oliver Shing

助理燈光設計 Assistant Lighting Designer

蕭健邦 Leo Siu

舞台監督 Stage Manager

陳緻諾 Chan Chi-nok

排練助理 Rehearsal Assistant

余慧琳 Yu Wai-lam

服裝主管 Wardrobe Supervisor

張黛儀 Cheung Doi-yee

總舞台技師 Stage Chief

陳耀輝 Chan Yiu-fai

總電機師 Production Electrician

李嘉雯 Lee Ka-man

音樂總監、編曲及頭架 Music Director, Arranger and Music Leader

李章明 Sunny Li Cheung-ming

服裝設計 Costume Designer

譚嘉儀 Mandy Tam

導演及音樂總監助理

Assistant to Director and Music Director

徐智麟 Chui Chi-lun

執行舞台監督 Deputy Stage Manager

麥凱欣 Mandy Mak

服裝設計助理

Assistant to Costume Designer

邱文達 Yau Man-tat

化妝及髮飾主管 Makeup and Headdress Supervisors

李永雄 Lee Wing-hung

李淑明 Lee Shuk-ming

舞台技師 Stage Crew

李國威 Lee Kwok-wai

張凱泓 Cheung Hoi-wang

余龍生 Yu Lung-sang

燈光技師 Lighting Crew

李天立 Lee Tin-Lap

楊尚真 Yeung Sheung-chun

* By kind permission of the Hong Kong Academy for Performing Arts

承蒙香港演藝學院允准參與是次演出

演員 Cast

洪海* Hong Hai*

林芯菱 Shirley Lin

黃子澄 Wong Tsz-ching

陳玬橦 Chan Tan-tung

樂師 Musicians

掌板 Percussion Leader

戴日輝 Dai Rihui

笛子 Dizi

宋益民 Song Yimin

色士風 Saxophone

方化 Fang Hua

音響技師 Sound Crew

朱偉豪 Chu Wai-ho

任碧琪 Yam Pik-ki

中文字幕 Chinese Surtitles

徐智麟 Chui Chi-lun

燈光器材提供 Lighting Equipment

盛邦興業有限公司

C'est Bon Projects Corporation Limited

曉瑜 Xiaoyu

王志良 Wang Zhiliang

黎晞朗 Marcus Lai Hei-long

何卓盈 Ho Cheuk-ying

衛駿輝 Wai Chun-fai

林穎施 Lin Yingshi

梁嘉進 Eric Leung

鳴謝 Acknowledgements

江駿傑 Kong Chun-kit

揚琴 Yangqin

關芷琪 Kwan Tsz-ki

古箏 Guzheng

何綺雯 Yimen Ho

鑼鼓下手 Luogu

廖植球 Liu Chik-kau

張 驥 Cheung Kei

錄影控制員 Video Operator

李子軒 Elvis Lee

攝影 Photography Keith Hiro

音響器材提供 | Audio Equipment

J'reamy Sound

中胡 Zhonghu

阮靖强 Yuen Ching-keung

大提琴 Cello

黃婉苓 Wong Yuen-ling

英文字幕翻譯 English Surtitles Translation

李正欣 Joanna C. Lee

佈景製作 Set Production

迪高美術製作公司

Dick Ko Arts Production Company

字幕控制 Surtitles Operator

陳思敏 Chan Sze-man

毛俊輝 FREDRIC MAO

毛俊輝是資深戲劇藝術家及著 名舞台導演，早年赴美進修 戲劇並長期在當地從事專業演 與導工作，回港後出任香港演 藝學院戲劇學院表演系主任， 為本地演藝界培育眾多出色的 接班人。

他於 2001 年至 2008 年擔任公司 化後的香港話劇團的首任藝術 總監，卸任時獲頒「桂冠導演」 名銜。多年來執導不少具香港 文化色彩、叫好叫座的劇目， 其中包括《酸酸甜甜香港地》、 《還魂香 / 梨花夢》、《新傾城之 戀》、《情話紫釵》、《杜老誌》 等等。曾為中國國家京劇院執 導改編自《德齡與慈禧》的京 劇《曙色紫禁城》，又為康文 署主辦的中國戲曲節導演粵劇 《李後主》新譯本。

2014 年至 2016 年獲邀出任香港 演藝學院戲曲學院創院院長。

2018 年為香港藝術節改編及 導演的粵劇《百花亭贈劍》創 新版本深受歡迎，促成藝術節

四十七年來首次連續兩季重演 同一劇目，更於 2019 年先後赴 深圳、上海及廣州巡演，獲得 熱烈迴響。

Renowned theatre practitioner and stage director Fredric Mao studied theatre and practiced professionally in the US, later returning to Hong Kong as the Head of Acting at the School of Drama of the Hong Kong Academy for Performing Arts (HKAPA), where he developed generations of local young talent. He became the first Artistic Director of the incorporated Hong Kong Repertory Theatre (HKRT) in 2001 and was bestowed the honourific title of HKRT’s “Director Laureate” upon his departure in 2008. Mao has directed many distinguished stage productions with a Hong Kong cultural flair, such as Sweet & Sour Hong Kong, Secret of Resurrection, Love in a Fallen City, The Liaisons and Tonnochy. Mao directed Forbidden City at

Dawn, an adaptation of De Ling and Empress Dowager Cixi, for the China National Peking Opera Company. He also adapted and directed a new Cantonese opera production of The Last Emperor of Tang at the Leisure and Cultural Services Department’s Chinese Opera Festival.

At the invitation of the HKAPA, Mao became the Founding Chair of its newly established School of Chinese Opera from 2014 to 2016. In 2018, Mao adapted and directed a reboot version of Pavilion of a Hundred Flowers, a classic Cantonese opera, at the 46th Hong Kong Arts Festival, the success of which prompted the Festival to restage the same programme the following year— the first time in the history of the Festival. The play was performed in Shenzhen, Shanghai and Guangzhou to widespread acclaim.

© Carol Lau

藝術總監及導演

Artistic Director and Director

導演的話 Director’s Note

原定於 2022 年香港藝術節演出 的《粵劇新姿創作坊》因疫情 之故被迫取消，但當藝術節邀 請我們在 2023 年重新推出這個 節目時，我便進一步在這幾個 劇目上作出新的探索，找出符 合各劇目特色的演繹，而打造 了今年這個《毛俊輝•粵劇情》 的演出。

我的選材包括《蝴蝶杯》的 〈藏舟〉、《孝莊皇后與多爾袞》 的〈密誓〉，以及《蝶影紅梨 記》的〈窺醉／亭會〉，雖然這 三齣折子戲都是描寫两性之間 的感情世界，但差別很大，可 以從不同的切入點去品嘗幾個 不同調子的演繹。例如〈藏舟 一夜〉，就是通過演員的唱做唸 圢的基本功將經典再現，但加 上舞台的調度，投影與燈光的 設計，希望營造出一種純屬戲 曲的寫意情懷。〈密誓背後〉則

強調人物角色的描繪，一對曾 經相愛的男女如何因權力、地 位、私慾而帶出真真假假的面 貌，展現出粵劇舞台較少見的 人物個性化的演繹。至於〈我 的窺醉〉則嘗試透過一個現代 女子的視角，與觀眾一起重新 體驗這經典的愛情故事，或許 帶來另一番滋味。

作為一個戲曲導演，我不僅關 注怎樣指導演員演繹好故事和 角色，還需要是對不同的劇目 有其獨立的構思和處理手法， 希望為粵劇做到一種「創造 性的傳承」。對於戲的主旨精 神、說故事的方式、表演的探 索，以至製作上的美學都是身 為導演值得探研的課題。由於 香港粵劇長久以來沒有推行導 演制，所以不但表演者對導演 的工作陌生，甚至傳統的粵劇 觀眾對此也不甚理解，所以有

個像香港藝術節這樣的平台， 能夠讓人認識導演的創作尤其 寶貴，而 2018、2019 年兩度 公演的《百花亭贈劍》就正正 是我們在這方面成功合作的最 佳例子。

《毛俊輝•粵劇情》可以說是我 繼續為粵劇探索前路的一個實 踐過程。希望我和我的團隊所 付出的努力最終能得到觀眾的 積極回應，包括不同角度的意 見，這樣必然有助啟發我們， 讓我們共同為香港的粵劇創作 打開更廣闊的天空。

毛俊輝

© Dicky Wong

Originally scheduled for the Hong Kong Arts Festival 2022, the performance titled Cantonese Opera Creative Studio was cancelled due to the pandemic. However, after the Hong Kong Arts Festival invited us to perform the three excerpts in 2023, I explored them further to find new interpretations and finally created Cantonese Opera Classics Circa 2023 for the Festival this year.

I have chosen to perform Hiding in the Boat adapted from The Butterfly Cup, Secret Vow adapted from Empress Dowager Xiaozhuang and Dorgon, and Peeking at the Drunk adapted from The Butterfly and Red Pear Blossoms. Although these three excerpts are all about the relationship between the two sexes, they are very different and can be interpreted and appreciated from different perspectives. For example, in Hiding in the Boat, the basic stage skills of Cantonese opera are demonstrated through the recital, the acting and the stage movements by the actor and actress. Through the stage modulation, projection and lighting design, we want to create a purely theatrical mood. Secret Vow emphasises the portrayal of the characters: how a man and woman who once loved each other are brought to life by power, status and personal desires, showing a threedimensional interpretation of the characters that is rarely seen on the Cantonese opera stage. As for Peeking at the Drunk, it

is an attempt to re-experience the classic love story from the perspective of a modern young woman, with some surprising choices, which may allow the audience to appreciate it from a new angle and with affection.

As a Cantonese opera director, I am not only concerned with directing the actors and actresses to perform their roles and the story as best as possible, but I also need to have my own ideas and approaches to different plays because I aspire to achieve a "creative heritage" for Cantonese opera. The theme of the play, the method of storytelling, the exploration of acting, and the aesthetics of the production are all worthy subjects for a director to explore. As the director system is largely absent in Hong Kong's Cantonese opera scene, not only are the performers unfamiliar with the duties of a director, but even traditional Cantonese opera audiences do not understand it very well. This is why it is particularly valuable to have a platform like the Hong Kong Arts Festival where people can get to know more about the director's work. The production of Pavilion of a Hundred Flowers at the Hong Kong Arts Festival in 2018 and 2019 is a perfect example of our successful collaboration in this regard.

Cantonese Opera Classics Circa 2023 can be seen as part of my empirical process for exploring the future of Cantonese opera. I hope that my efforts and those of my team will be well

received by the audience, and that the different perspectives will help inspire us so we can work together to open up a wider horizon for the creation of Cantonese opera in Hong Kong.

Fredric Mao

Hiding the Boat adapted from The Butterfly Cup

演員及角色 Cast and Characters

洪海

本事 Synopsis

田玉川偶遊龜山，恰逢盧總督之子盧世寬打死漁 夫胡彥，玉川不平，將盧世寬打死，遭盧府追 緝。玉川被胡彦之女胡鳳蓮相救，並在舟中訂下 婚約而暫時分別。鳳蓮持玉川所贈的蝴蝶杯往田 家求助，為父鳴冤。

As Tian Yuchuan wanders on Turtle Mountain, he witnesses General Lu’s son, Lu Shikuan, killing a fisherman named Hu Yan. Tian avenges the fisherman by killing Lu Shikuan and is sought for prosecution by the Lu family, but is rescued by Hu Yan’s daughter, Hu Fenglian. They briefly part ways after their engagement on a boat. Fenglian seeks help from the Tian family, showing them the butterfly cup Yuchuan gifted her, and decides to seek justice for her deceased father.

飾–田玉川

Hong Hai as Tian Yuchuan

曉瑜 飾–胡鳳蓮 Xiaoyu as Hu Fenglian

〈密誓背後〉改編自《孝莊皇后與多爾袞》

Secret Vow adapted from Empress Dowager Xiaozhuang and Dorgon

演員及角色 Cast and Characters

衛駿輝 飾–多爾袞

Wai Chun-fai as Dorgon

林芯菱 飾–孝莊皇后

Shirley Lin as Empress Dowager Xiaozhuang

黃子澄 飾–大太監

Wong Tsz-ching as Eunuch

黎晞朗 飾–福臨

Marcus Lai Hei-long as Fulin

陳玬橦 飾–宮女

Chan Tan-tung as Palace Maid

何卓盈 飾–宮女

Ho Cheuk-ying as Palace Maid

本事 Synopsis

孝莊皇后初為清太宗皇太極之莊妃，皇太極駕崩 後，她與皇太極十四弟多爾袞聯手擁立幼兒福 臨為帝，是為順治帝。孝莊與多爾袞早年曾相 戀，福臨登基後，多爾袞以攝政王身份迫孝莊再 續前緣。

The Empress Dowager was the consort of Emperor Taizong of the Qing dynasty, Hong Taiji. After his death, she joins hands with his brother, Dorgon, in enthroning her young son, Fulin, who later becomes the Shunzhi Emperor. Since they used to be in love, Dorgon, serving as Prince Regent, forces the Empress Dowager back into a relationship.

〈我的窺醉〉改編自《蝶影紅梨記》

Peeking at the Drunk adapted from The Butterfly and Red Pear Blossoms

演員及角色 Cast and Characters

王志良 飾–趙汝州

Wang Zhiliang as Zhao Ruzhou

林穎施 飾–謝素秋

Lin Yingshi as Xie Suqiu

梁嘉進 飾–男子

Eric Leung as Man

加插樂曲

《紅蓮夢》（原曲：風流韻事

Huang's Love Song

Lyrics by Chung Chi-wing

本事 Synopsis

山東才子趙汝州和汴京名妓謝素秋三載神交，恨 未謀面。素秋因逃避王丞相的迫害而匿藏於汝州 故友家中，適逢汝州到訪，為免走漏風聲，素 秋被阻向汝州透露身份，只好假冒己故王太守之 女玉蓮。

Zhao Ruzhou, a talented scholar from Shandong, and Xie Suqiu, a famous courtesan from Bianjing, have been soulmates for three years and are eager to see each other. To flee from the persecution of Prime Minister Wang, Suqiu hides in the house of Ruzhou’s friend. In an attempt to keep her identity a secret, Suqiu decides to pass herself off as the late Mayor Wang’s daughter, Yulian.

Additional Song

） 填詞：鍾志榮

無懼與現代碰撞 毛俊輝重構粵劇

Theatre Veteran Reimagines a Traditional Art Form

近年來，粵劇似乎正努力走進公眾視線，吸引年輕觀眾以及創作革新成了粵劇界的一大命題。但如何 拿捏？如何在創新之餘保留傳統？中間可能有千百個答案，而毛俊輝「毛 sir 」便是其中一個身體力 行的深耕者。這次由他一手打造的《毛俊輝·粵劇情》，就以三段戲，三種實踐，力求為粵劇發展闖出 一片天。

Extensive efforts have been made to revive Cantonese opera in recent years, including new banknote designs featuring Cantonese opera stars and the construction of the landmark Xiqu Centre. Yet the traditional art form’s future remains uncertain, as senior citizens continue to make up most of the audience. Practitioners have been tasked with bringing forth reforms of the sector and promoting the traditional art among young people. But how should this be done? How do we strike a balance between the old and the new? For years, theatre veteran Fredric Mao has attempted to answer these important questions. And his most recent creation, Cantonese Opera Classics Circa 2023, which comprises three excerpts, is an attempt to open up new possibilities for the genre.

© Carol Lau

具有開放靈魂的粵劇 在人文薈萃的上海成長的毛俊 輝，自小跟隨父母接觸中國各 大地方戲，由此孕育出一套海 納百川的戲劇哲學。他形容， 自己一直在尋找自己的根； 而 在尋找過程中，漸漸發現自己 最感興趣的還是粵劇。到底粵 劇有何魅力？他解釋：「比之 發展工整成熟的京劇，大雜燴 式融合了南、北精粹的粵劇反 而更靈活，更具開放性。」

想當然爾，《毛俊輝·粵劇情》 也活用了這種靈活性進行了大 幅度的實驗。但毛俊輝強調， 自己做的始終是粵劇，不是甚 麼實驗劇場：「以前的人看戲 是種消閒，動輒就看上三個鐘 頭以上，現在的人哪有這種時 間？所以我們的製作更要物 有所值，一部戲頂多兩小時多 一點。」

豐富粵劇角色個性

愛之深，自然責之切，毛俊輝 亦不諱言粵劇有其局限性：「傳 統粵劇講的是行當： 生、旦、 淨、丑，一看便知忠奸； 但現 代觀眾想看的是有層次、有邏 輯的故事，黑白分明、面譜化 的表演已難以再滿足他們。」

於是他索性變換思維，從現代 劇場的角度出發，重新審視何 謂「粵劇」。

在鋪排上，三齣折子戲由古入 今，層層遞進：〈藏舟一夜〉回 溯根本，僅在燈光、畫面等舞 台效果上追求新觀感，意在襯 托出演員的傳統身段；〈密誓背 後〉原本是講述孝莊皇后與多

爾袞的一段愛情故事，毛俊輝 決定揮慧劍，斬迷思，展現人 物心理的暗湧；〈我的窺醉〉則 更進一步，從一個現代女子的 眼光來解讀唐滌生名作《蝶影 紅梨記》，帶領觀眾由框框外的 全新角度「窺探」戲曲。

即便在製作中大玩不同敘事和 視覺元素，毛俊輝認為粵劇說 到底還是一個「人」字：「以前 的戲固然好看，但既定一套的 格式在這瞬息萬變的時代是不 夠用的，所以我們要發掘人物 的複雜性還有他們背後帶出來 的視角。雖然孝莊皇后和多爾 袞是真心相愛，但他們同時也 愛自己的權力，不可能為愛情 犧牲一切； 汝州的痴心，現代 的素秋又會怎樣接收？我們又 會怎樣去看經典呢？——這樣 的人物塑造和戲劇張力是以往 粵劇不曾有的。」

儘管不斷以不同方式解構傳統 粵劇，其作品、語氣中卻難掩 毛俊輝對粵劇滿滿的愛。「所 謂創新不是要丟棄舊的東西， 而是要在舊的東西裏尋找新的 出路。」

撰文：陳劭儀，香港藝術節助理編輯 原文刊登於香港藝術節 2023 年之 《閲藝》雜誌

此節目有裸露、粗俗語言、吸煙場面、性愛場面及成人內容

Openness is of the essence

While growing up in Shanghai, China’s cultural hub and a city where different cultures converge, Mao was exposed to different forms of Chinese opera from various parts of the country, an experience which greatly informed his own philosophy of theatre. He speaks of a restless search for his roots, a process which uncovered his ultimate passion for Cantonese opera. “Compared with Beijing opera, which embodies creative sophistication and maturity, Cantonese opera has proven to be more flexible,” says Mao. “As a blend of the South and the North, it has a natural openness to it.”

This flexibility assisted the drastic experiments involved in the production of Cantonese Opera Classics Circa 2023, although Mao stresses that he is ultimately committed to Cantonese opera, not experimental theatre. A lot of thought went into deciding what elements were included in the experiments. “In the past, going to operas was a common pastime,” Mao says. “People were used to spending three hours or more in the theatre. But no one has that much time to spare these days, not to mention audiences now have very different viewing habits and tastes. So our productions have to be worth people’s time and shouldn’t go on for more than around two hours.”

Building complexity

Despite his strong passion for Cantonese opera, Mao is also quick to admit its limits. “Traditional Cantonese opera is all about the hangdang system, meaning the characters do not vary beyond the set roles of sheng, dan, jing and chou. The hero and the villain are obvious from the start. But audiences today look for more nuanced stories; the dichotomous and stereotyped performances are hardly convincing anymore.” Amid these changing times, Mao did not hesitate to explore new perspectives when reviewing the meaning of Cantonese opera, particularly from a contemporary theatre perspective.

The three opera excerpts in Cantonese Opera Classics

Circa 2023 are presented in a linear manner, from the most traditional to the most modern, taking the audience on a

journey through Mao’s unique creative mind. Adapted from the classic The Butterfly Cup, “Hiding the Boat” preserves the original story but takes on a new look and feel in terms of stage effects, such as the lighting and mise-en-scène, to amplify the actors’ movements and artistry. In “Secret Vow”, Mao probes deeper into the psychology of the characters, revisiting the originally rosy love story between Empress Dowager Xiaozhuang and Dorgon from the Qing Dynasty, bringing to light the turbulence that lay beneath the surface. And “Peeking at the Drunk”, Mao’s reinterpretation of Tong Tik-sang’s The Butterfly and Red Pear Blossoms, reimagines the classic tale from the perspective of a modern woman.

To Mao, the heavy reworking of narratives and visual elements has all been done in service of the characters, who remain the heart and soul of Cantonese

opera. “Classics will stay classics, but they might not offer the best storytelling in such fast-changing times. We must endeavour to cultivate complexity in the characters and mature the perspectives they embody. Such as with the story of Empress Dowager Xiaozhuang and Dorgon—it wouldn’t make any sense for them to give up their power and authority for love. In another case, Peeking at the Drunk, how should a modern woman deal with being courted by a feudal man? This unprecedented effort in character building and creating dramatic tension challenges the way we reimagine the classics.”

Despite having been in constant search for new ways to reinterpret the classics, Mao has always loved Cantonese opera in its entirety, old or new. “To be innovative doesn’t mean you discard what’s old,” he emphasises. “It is a way to unearth new angles and reflect on the value of traditions from there.”

Text: Shao yi Chan, HKAF Assistant Editor Originally published in the HKAF’s 2023 FestMag

© Carol Lau

洪海生於廣州，畢業於廣東粵劇學校及香港演藝學院戲曲學院。他 曾為紅豆粵劇團主要演員，主攻文武小生，師承粵劇表演藝術家羅 品超，深得劉洵、許堅信、鄺宏基、胡芝風、麥惠文等名師指導， 其代表劇目有《三打白骨精》、《拜將台》、《馬上良緣》、《五郎救 弟》、《武松》等。2017 年創辦碧海粵劇團，致力保存與宏揚中國 傳統文化。

Hong Hai was born in Guangzhou and graduated from the Guangdong Cantonese Opera School and the Hong Kong Academy for Performing Arts' School of Chinese Opera. Hong was a leading actor in the Guangzhou Hongdou Cantonese Opera Troupe, and mainly plays wenwusheng (male civil and military) and xiaosheng (young leading male) roles. He studied under Cantonese opera performer Lo Pan-chiu, and was mentored by veterans such as Liu Xun, Hui Kin-shun, Kuang Hongji, Hu Zhifeng and Mak Waiman. His notable repertoire includes The Monkey King Thrice Beats the Bony Ghost, Arena, Warriors' Romance, Yang Wulang Saving His Younger Brother and Wu Song. He founded the Azure Seas Cantonese Traditional Theatre in 2017 with a vision to preserve and promote traditional Chinese culture.

曉瑜，畢業於香港演藝學院中國戲曲首屆學士學位課程，以及香港 中文大學文化及宗教文化碩士學位課程。主攻閨門旦、青衣、刀馬 旦。其扮相端莊大方，聲線甜美，戲路廣闊。現於香港各個劇團擔 任長劇及折子戲的主要角色。

Xiaoyu is one of the first students to receive a Bachelor of Fine Arts (Honours) Degree in Chinese Opera at the Hong Kong Academy for Performing Arts. She also obtained a Master of Arts Degree in Religious Studies at the Chinese University of Hong Kong. She mainly plays the roles of guimen dan (maiden), qingyi (young to middleaged female), and daoma dan (young female warrior). Known for her mellow voice, she now plays main roles in full-length plays and Cantonese opera excerpts with different troupes in Hong Kong.

洪海 飾　田玉川

Hong Hai As Tian Yuchuan

Hiding the Boat

衛駿輝女士從事演藝事業逾卅五年，畢業於香港八和粵劇學院。近 年積極參與幕後工作，其中以《花木蘭》及《木蘭傳說》最令人津 津樂道。其戲曲風格創新大膽，又不失傳統韻味，獲各方讚賞，口 碑載道。

2021 年她得到青年同行基金及其創辦人吳仕福先生，GBS，太平紳 士的支持及鼓勵，創作一套以抗疫為主題的民初戲曲舞台劇《香江 號》，結合梨園子弟的團結精神，藉此為香港社會打氣。

A graduate of the Cantonese Opera Academy of Hong Kong, Wai Chun-fai has been performing Cantonese opera for more than 35 years. In recent years, she has also started working behind the scenes and her works such as Mulan and The Legend of Mulan are much loved by fans of Cantonese opera. Her bold yet traditional Cantonese opera singing style has received wide acclaim.

In 2021, Wai received financial support from the Youth Connect Foundation and its founder, George Ng Sze-fuk, GBS, JP, and produced Spirit of Hong Kong. The Cantonese opera-style musical was set in the early Republic period, with a theme of fighting the COVID-19 pandemic, and aimed to inspire Hong Kong by demonstrating the solidarity among Cantonese opera performers.

林芯菱畢業於湛江市藝術學校，後應聘於佛山粵劇團。其後來港， 在香港演藝學院進修戲曲課程，並獲得多項獎學金。畢業後任職 「演藝青年粵劇團」花旦。

「十年磨一劍」，林芯菱感到藝術造詣漸漸成熟，遂成立「紅菱艷粵 劇團」，希望能演出心儀的劇目。

After graduating from the Zhanjiang Art School, Shirley Lin honed her skills in the Foshan Cantonese Opera Troupe. Later, she pursued further studies at the Hong Kong Academy for Performing Arts (HKAPA), and was awarded various scholarships for her outstanding performances. After graduation, she joined the Young Academy Cantonese Opera Troupe as a huadan (young female lead).

Lin has mastered a wide range of skills and has now founded the Magnificent Red Cantonese Opera Group, hoping to perform the Cantonese operas she enjoys.

衛駿輝 飾　多爾袞

Peeking at the Drunk

王志良畢業於廣東粵劇學校，並以滙豐銀行獎學金修畢香港演藝學 院課程，2011 年加入香港演藝青年粵劇團，由創團起擔綱文武生 至 2018 年。在職期間，他擔任演藝學院粵劇應用學習課程導師。 王氏唱做俱佳，尤以腰腿功及長靠戲見長。2014 年榮獲西九戲曲 中心粵劇新星展演「優秀表演獎」；2016 年獲香港電台第五台戲 曲天地梨園之最頒發梨園新輝，同年代表演藝學院參加台灣「香港 週」演出。

Wang Zhiliang graduated from the Guangdong Cantonese Opera School and the Hong Kong Academy for Performing Arts (HKAPA) on an HSBC Scholarship. He joined the Hong Kong Young Academy Cantonese Opera Troupe in 2011, and has played a wenwusheng role since the troupe’s foundation in 2018. He has been an instructor for HKAPA’s Applied Learning Courses for Cantonese Opera. Wang excels in singing and acting, and specializes in yaotuigong (waist and leg technique) and changkaoxi (high-ranking military male operas). In 2014, he won the Outstanding Performance Award at the Rising Stars in Cantonese Opera Showcase organised by the West Kowloon Cultural District. In 2016, he won the RTHK 5 Best of Chinese Opera’s Rising Star Award and represented HKAPA to participate in the “Hong Kong Week” performance in Taiwan.

林穎施獲全免獎學金畢業於香港演藝學院，自香港演藝青年粵劇團 創團即擔綱正印花旦，並擔任學院應用學習課程以及全球首個全網 上粵劇課程主講導師。

她擔演多套大型古裝粵劇，參演 2018 及 2019 年香港藝術節《百花 亭贈劍》女主角。她熱心公益活動及跨界演出，曾灌錄多張唱片， 與香港乳癌基金會、東華三院、唐氏基金會等機構舉辦多個大型慈 善演出，現為穎施藝術中心主席。

Lin Yingshi graduated from the Hong Kong Academy for Performing Arts (HKAPA) after being awarded a full scholarship. She has been working with the Young Academy Cantonese Opera Troupe as a zhengyin huadan (female lead) since its foundation. She also teaches at the HKAPA in Applied Learning courses and in the world’s first online Cantonese opera programme.

Lin has performed in numerous grand, costumed Cantonese operas. In 2018 and 2019, she performed in Pavilion of a Hundred Flowers at the Hong Kong Arts Festival as the female protagonist. Lin is active in community activities and interdisciplinary performances, having recorded several albums and co-organised charity performances with groups such as the Hong Kong Breast Cancer Foundation, the Tung Wah Group of Hospitals, and Hong Kong Down Syndrome Association. She is currently Chairperson of the Alis Arts Centre.

王志良 飾　趙汝州 Wang Zhiliang

飾　謝素秋

2017 年畢業於香港演藝學院，主修表演。2018 年期間任職 atelier theatre hong kong 全職演員；現為自由身工作者。

參與製作包括《杏仁豆腐心》、香港話劇團《往大馬士革之路》、法 國外亞維儂藝術節 2019《猩猩人》、聲蜚合唱節《布偶劇場─巴赫 遊學團》以及香港話劇團《傾城無方》等。《猩猩人》更獲法國外亞 維農當地媒體四星評價。

Wong Tsz-ching graduated from the Hong Kong Academy for Performing Arts in Acting in 2017.In 2018, he was a full-time actor at atelier theatre hong kong. He is now working freelance.

His works include Heart of Almond Tofu, To Damascus, Part One of the Hong Kong Repertory Theatre, L’humanzee at the Festival d’Avignon OFF 2019, Puppet Theatre – Walking Bach to School at SingFest, Castle of Glass of the Hong Kong Repertory Theatre, with L’humanzee earning a four-star rating from local journalists at Avignon OFF.

香港演藝學院戲劇學院（榮譽）學士畢業，以畢業作《人間煙 火》獲頒校內傑出演員獎。 2020 年憑《有料呻吟》獲頒香港小劇 場獎-優秀男演員。曾於 Viu TV 參演《脫獨工程》、《二月廿九》、 《 I Swim 》。

Eric Leung graduated from the School of Drama of the Hong Kong Academy for Performing Arts with a Bachelor of Fine Arts (Honours) Degree. He received the Outstanding Actor Award at the Academy for his thesis project, The Happiest Day I Lost. In 2020, he was the winner of the Outstanding Actor Award at the Hong Kong Theatre Libre for his performance in Listener. He has gained recognition for his performance in Love Avatars, Leap Day, and I Swim at Viu TV.

黎晞朗，五歲。曾參與香港話劇團劇季節目《曖昧》的演出。現為 香港話劇團戲劇學校幼兒/兒童戲劇課程學員。

Lai Hei-long is five years old. He performed in the season programme, Ambiguous, of the Hong Kong Repertory Theatre. He is currently taking the toddlers’ and children’s drama courses offered by the Hong Kong Repertory Theatre.

編創及製作團隊簡介

Creative and Production Team Profiles

Sunny Li Cheung-ming

Director, Arranger and Music Leader

李章明是深圳市粵劇團始創人之一，是該團音樂首席、編曲和指 揮，也是香港作曲家及作詞家協會會員。2010 年代表香港參加中國 上海世博會演出，負責由毛俊輝導演的舞台劇《情話紫釵》之粵樂 設計和統籌。他還參與了 2018 年第 46 屆及 2019 年第 47 屆香港藝術 節粵劇製作，為《百花亭贈劍》進行編曲和音樂統籌，並到上海、 廣州、珠海巡迴演出。李章明現為恆青曲藝社社長。

Li Cheung-ming co-founded the Shenzhen Cantonese Opera Troupe, where he now serves as troupe master, arranger and conductor. Li is also member of the Composers and Authors Society of Hong Kong. In 2010, Li was music designer and coordinator for Fredric Mao’s The Liaisons, a production featured on the HKSAR programme for the Shanghai World Expo 2010. In 2018 and 2019, he was the composer and music director of the Cantonese opera, Pavilion of a Hundred Flowers, performed at the 46th and 47th HKAF. The play was subsequently toured in Shanghai, Guangzhou and Zhuhai. He chairs the Evergreen Chinese Opera Musical Club.

Music

陳志權，香港具代表性舞台佈景及服裝設計師。 他於 2016 至 2022 年擔任香港後台技術人員協會主席，並於香港演藝學院擔任舞台設 計系主任直至 2022 年。

最具代表性作品包括香港話劇團《浮士德》——這作品使他第三度獲 得劇協最佳佈景設計。其他作品包括大型廣東粵劇《蝶影紅梨記》 以及香港芭蕾舞團《羅密歐與朱麗葉》。

One of the most prominent set and costume designers in Hong Kong, Ricky Chan was the chairman of Hong Kong Association of Theatre Technicians and Scenographers from 2008 to 2012, and head of Theatre Design Department of the Hong Kong Academy for Performing Arts from 2016 to 2022.

His most representative works include the award-winning Dr Faustus by Hong Kong Repertory Theatre, the large-scale Cantonese opera production Shade of Butterfly and Red Pear Blossom and Romeo + Juliet by Hong Kong Ballet.

陳焯華畢業於香港演藝學院科藝學系，主修劇場燈光設計。他從 1997 年開始與著名劇團「非常林奕華」的長期合作關係。2019 年， 他憑《羅生門 》一劇獲得第二十八屆香港舞台劇獎最佳燈光設計， 又憑《紫玉成煙》贏得香港舞蹈年獎 2019 年的傑出燈光設計獎。

Billy Chan graduated from the Hong Kong Academy for Performing Arts, majoring in Theatre Lighting Design. His long-term collaboration with Edward Lam Dance Theatre began in 1997. In 2019, he received the award for Best Lighting Design at the Hong Kong Drama Awards for Rashomon (Chung Ying Theatre), and the award for Outstanding Lighting Design at the Hong Kong Dance Awards for Waiting Heart (Hong Kong Dance Company).

陳志權 舞台設計 Ricky Chan Set Designer

陳焯華 燈光設計 Billy Chan Lighting Designer

譚嘉儀是⾹港演藝學院學士 ，主修舞台及服裝設計，同時亦是香港 中文大學文化研究碩士 。她參與的舞台服裝設計製作超過九十個， 於⾹港、台灣、北京、上海、廣州、德國、加拿大 、英國、澳門 、 紐約和新加坡等地演出。

參與作品包括意大利歌劇、中國戲曲、舞蹈劇、話劇、音樂劇和形 體劇場。她分別於 2004 及 2015 年獲⾹港戲劇協會頒發最佳舞台服 裝設計，又於 2008 年獲亞洲文化協會利希慎獎助學金 。

Mandy Tam holds a Bachelor of Fine Arts degree in Set and Costume Design from the HKAPA, and a Master's degree of Intercultural Studies from the Chinese University of Hong Kong. She has since worked in more than 90 productions in Hong Kong, Taiwan, Beijing, Shanghai, Guangzhou, Berlin, Canada, British, Macau, New York and Singapore.

Her experience in costume design encompasses Chinese and Western opera, dance, drama, musical and physical theatre. In 2004 and 2015, she won the “Best Costume Award” from the Hong Kong Federation of Drama Societies. In 2008, she was awarded a scholarship from the Lee Hysan Foundation Fellowship of the Asian Cultural Council.

郭宇傑畢業於香港演藝學院舞台及製作藝術學院，主修音響設計。 2020 年憑藉香港話劇團《如夢之夢》，榮獲香港戲劇協會第二十九 屆香港舞台劇獎 - 最佳音響設計。

畢業後曾與多個藝術團體合作，包括 Kearen Pang Production、中英 劇團、風車草劇團、香港話劇團及香港藝術節等。

郭宇傑在 2020 年憑藉香港話劇團《如夢之夢》，榮獲香港戲劇協會 第二十九屆香港舞台劇獎最佳音響設計。

Jaycee Kwok graduated from the Hong Kong Academy for Performing Arts' College of Theatre and Entertainment Arts in 2011, majoring in Sound Design.

Since 2011, Kwok has cooperated with numerous theatre companies and cultural organisations, including Kearen Pang Production, Chung Ying Theatre Company, Windmill Grass Theatre, The Hong Kong Repertory Theatre and Hong Kong Art Festival.

In 2020, He was awarded Best Sound Designer at the 29th Hong Kong Drama Awards for his design work in A Dream Like a Dream.

郭宇傑 音響設計

Jaycee Kwok

Sound Designer

譚嘉儀 服裝設計

Mandy Ka-yee Tam

Costume Designer

成博民畢業於香港中文大學新聞與傳播學院。現為影像設計師、影 像導演及視覺總監。眾聲喧嘩創團成員之一。

成博民為多媒體工作室「春秋大夢」創辦人及藝術總監，以動態影 像及投影為主要創作媒介。

他曾策劃及創作大型建築投影計劃《光築城市》。近期建築投影作 品有大館《 innerglow 2023 》（聯合視覺總監）。

Oliver Shing graduated from the School of Journalism and Communication of the Chinese University of Hong Kong. He is currently a digital image designer, digital image director and visual director. He is one of the co-founders of the Heteroglossia Theatre. Shing is the Founder and Visual Director of the multimedia studio, DAAIMUNG, which creates projects with motion graphics and projection mapping.

Shing organised and created Lights Up, a large-scale architectural projection mapping project. One of his recent architectural projection mapping projects is InnerGlow 2023 at Tai Kwun (in which he also served as Creative and Visual Director).

畢業於香港演藝學院，主修舞台及技術管理。

畢業後以自由工作者身份參與不同劇團和文化機構的舞台演出，擔 任製作及技術管理工作。近年亦為多個本地作品的國內及外地巡演 出任製作總監一職。

近期參與的舞台製作包括《短暫的婚姻》、《我們最快樂》、《最後禮 物》、《求證》、《大初戀日》。

Bobo Chan is a graduate of the HKAPA, majoring in Stage and Technical Management.

She worked as a freelancer in production management and technical supervision after graduating. She has also served as a production supervisor for numerous foreign and domestic performances in recent years.

Recent stage productions with Chan’s participation include My Very Short Marriage, We Are Gay, One Last Gift, Proof and Big First Love Day.

成博民 數碼影像設計

Oliver Shing

Digital Image Designer

陳寶愉 製作經理

Bobo Chan

Production Manager

畢業於香港演藝學院，主修藝術、項目及舞台管理系。

曾參與多個本港，外國藝術表演團體之製作，擔任舞台管理及統籌 工作。於 2014 年獲頒發「第二十三屆香港舞台劇獎」傑出執行舞 台監督獎。

近期工作包括 Such/《 短暫的婚姻》、英皇娛樂《最後禮物》、香港 青年藝術協會《 I'mperfect 》及同窗文化《久天長地》。

Chan Chi-nok graduated from the HKAPA with majors in Arts, Event and Stage Management.

She has worked on stage management and co-ordination for a number of productions involving Hong Kong and foreign performing arts groups. In 2014, she won the award for Outstanding Deputy Stage Manager at the 23rd Hong Kong Drama Awards.

Her recent works include My Very Short Marriage by Such/, One Last Gift by Emperor Entertainment Group, I'mperfect by the Hong Kong Youth Arts Foundation and A Kind of Eternity by Schoolmates Theatre.

畢業於香港演藝學院舞台及製作藝術學院，獲舞台及製作藝術學士 （榮譽）學位。近年參與製作包括：《我們的音樂劇》、《聖荷西謀殺 案》、《久天長地》、《求證》、《 2 呃 22ART 》、《短暫的婚姻》、《飯戲 攻心》等。

Mandy Mak graduated from the HKAPA School of Theatre and Entertainment Arts with a Bachelor of Fine Arts (Honours) in Theatre and Entertainment Arts. She recently participated in the production of The Originals– Hong Kong Musicals in Concert, Murder in San Jose, A Kind of Eternity, Proof, 2022 ART, My Very Short Marriage and Table for Six, among others.

A Hong Kong theatre freelancer.

執行舞台監督

Mandy Mak

Deputy Stage Manager

楊淑雯 助理舞台監督

Yeung Shuk-man

Assistant Stage Manager

現為自由身舞台工作者。

鳴謝

ACKNOWLEDGEMENTS

香港藝術節衷心感謝下列機構及人士的慷慨支持：

The Hong Kong Arts Festival would like to thank the following for their generous support:

香港藝術節基金會贊助人

Hong Kong Arts Festival Foundation Patrons

首席創始贊助人 Lead Founding Patrons

陳俊豪先生 Mr Thomas Chan

黃廷方慈善基金 Ng Teng Fong Charitable Foundation

電訊盈科 PCCW

九龍倉集團 The Wharf Group

主要創始贊助人 Major Founding Patrons

萬通保險國際有限公司 YF Life Insurance International Ltd

眾安銀行 ZA BANK

創始贊助人 Founding Patrons

陳煒文博士, JP Dr Raymond Chan, JP

丹斯里拿督邱達昌 Tan Sri Dato’ David Chiu

曹其鋒先生 Mr Silas Chou

霍建寧先生及霍何綺華女士 Mr and Mrs Canning and Eliza Fok

馮氏基金有限公司 E.M. Fung Foundation Limited

何超瓊女士, SBS , JP Ms Pansy Ho, SBS, JP

科勁國際（控股）有限公司 King’s Flair International (Holdings) Limited

梁婉玲博士 Dr Elina Leung

孫漢明博士 Dr Stephen Suen

包陪麗女士, BBS 及渡伸一郎先生 Ms Cissy Pao, BBS and Mr Shinichiro Watari

其他贊助人 Other Patrons

羅嘉瑞基金 KS & Feili Lo Foundation

孫大倫博士, BBS , JP Dr Dennis T L Sun, BBS, JP

慶祝香港藝術節五十周年晚宴之贊助人

Sponsors of the Hong Kong Arts Festival 50th Anniversary Gala Dinner

鑽石席 – 宴桌 Diamond Table Sponsors 香港上海匯豐銀行有限公司 上海商業銀行

洪祖杭博士, GBM , GBS , JP

鄭慕智博士, GBM , GBS , JP James Houghton 先生, 黃穎灝先生及梅慶堯先生 雍景欣女士

The Hongkong and Shanghai Banking Corporation Limited

Shanghai Commercial Bank

Dr the Hon Albert Hung Chao-hong, GBM, GBS, JP

Dr the Hon Moses Mo-chi Cheng, GBM, GBS, JP

Mr James Houghton, Mr Isaac Wong & Mr Arthur Mui

Ms Jingxin Yong

鑽石席 – 宴位 Diamond Seat Sponsors 呂元祥博士及夫人

譚允芝女士, SBS , SC , JP 龐維新先生及夫人 崇光(香港)百貨有限公司

黃金席 – 宴桌 Gold Table Sponsors 鄭阮培恩女士, 吳來盛先生及夫人 中美國際集團有限公司

華國強先生夫人 太古地產有限公司 卡地亞

黃金席 – 宴位 Gold Seat Sponsors 何苗春暉女士

林梅若梅女士

鄭馮亮琪女士

Janana Suleymanli Pasha 女士 鄭惠貞女士

張利平先生

Dr and Mrs Ronald Lu

Ms Winnie Tam Wan-chi, SBS, SC, JP

Mr and Mrs Wilson Pong

Sogo Hong Kong Company Limited

Mrs Betty Cheng, Mr and Mrs Emil Ng

Chung Mei International Holdings Limited

Mr Granger and Mrs Miriam Hwa

Swire Properties Limited

Cartier

Ms Joanna Hotung

Mrs Lavina Lim

Mrs Fina Cheng

Ms Janana Suleymanli Pasha

Ms Margaret Cheng

Mr Zhang Liping

鳴謝 ACKNOWLEDGEMENTS (續 con' t)

香港藝術節衷心感謝下列機構及人士的慷慨支持：

The Hong Kong Arts Festival would like to thank the following for their generous support:

贊助舍計劃會員 Patron’s Club Members

鉑金會員 Platinum Member

嘉里控股有限公司

Kerry Holdings Limited

黃金會員 Gold Member 怡和集團

The Jardine Matheson Group

其他支持機構 Other Supporters

加拿大駐香港及澳門總領事館

Consulate General of Canada in Hong Kong and Macao

實物支持機構 In - kind Supporters

大亞國際集團 Altaya Group

香港愉景灣酒店 Auberge Discovery Bay Hong Kong

香港君悦酒店 Grand Hyatt Hong Kong

虎豹樂圃 Haw Par Music

藝術節捐助計劃 Festival Donation Scheme

鉑金捐款者 PLATINUM DONOR

HK$140,000 或以上 OR ABOVE

孫大倫博士, BBS , JP Dr Dennis T L Sun , BBS , JP

鑽石捐款者 DIAMOND DONORS

HK$70,000 – HK$139,999

瑞安集團 Shui On Group

Dr Patrick Tong

文藝女士 Ms Wen Yi

翡翠捐款者 JADE DONORS

HK$30,000 – HK$69,999

無名氏 Anonymous

陳求德醫生及夫人 Dr & Mrs KT Chan

Ms Leung Wai Yee Candice

馬美域女士 Ms Yvette Therese Ma

Dr Stephen Suen

楊傳亮先生, BBS , JP Mr Charles Yang , BBS , JP

黃金捐款者 GOLD DONORS

HK$12,000 – HK$29,999

無名氏 ( 2 ) Anonymous ( 2 )

Mr & Mrs Jeffrey & Helen Chan

Mr Edmond Huang

Dr Peter and Nancy Thompson

Dr Sabrina Tsao

曹延洲醫生夫人 Dr & Mrs Tsao Yen - Chow

Mrs Linda Wang

Mr & Mrs YS Wong

純銀會員 Silver Members 太古集團慈善信託基金

The Swire Group Charitable Trust

上海商業銀行有限公司

Shanghai Commercial Bank Limited

荷蘭駐港總領事館

Consulate of the Kingdom of the Netherlands in Hong Kong and Macau

香港故宮文化博物館 Hong Kong Palace Museum

文陳妙蘭女士 Mrs Christina Man

信興集團 Shun Hing Group

純銀捐款者 SILVER DONORS

HK$6,000 – HK$11,999

無名氏( 3 ) Anonymous ( 3 )

Dr Gillian Choa

Ms Ho Man Fung Edith

Mrs Schmitt Ling Jane

文娛慈善基金 The Elementary Charitable Foundation

Ms Isabel Yiu

Mr Vernon Zhang

青銅捐款者 BRONZE DONORS

HK$3,000 – HK$5,999

無名氏( 2 ) Anonymous ( 2 )

AWORKS DESIGN

Jose Manuel Sevilla and Julie Bisaillon

Mrs Anson Chan

鍾雅妍博士 Dr Fiona Chung

Ms Zoe Ho

Ms Li Lian Khoo

Dr Alfred Lau

Apple Lee

李芸輝博士 Dr Lee Wan Fai Walter

Savita Leung

Mr Gary Ma

Mrs Lily Ma

Dr Michael Mak

Dr & Mrs Joseph Pang

San Miguel Brewery Hong Kong Ltd .

Mr A . Smith

The Brandon Centre Limited

Mr Wong Yick Kam

姚曼儀女士 Ms Enoch Yiu

朱玉迎女士 Ms Zhu Yuying

學生票捐助計劃 Student Ticket Scheme

鉑金捐款者 PLATINUM DONORS

HK$140,000 或以上 OR ABOVE

無名氏( 2 ) Anonymous ( 2 )

馬振玉慈善基金會有限公司

CYMA Charity Fund Ltd

鑽石捐款者 DIAMOND DONORS

HK$70,000 – HK$139,999

Mrs Purviz R Shroff , MH and

Late Mr Rusy M Shroff , BBS , MBE

田家炳基金會 Tin Ka Ping Foundation

芝蘭基金會 Zhilan Foundation

翡翠捐款者 JADE DONORS

HK$30,000 – HK$69,999

Mr Roger and Mrs Lina Lui

Dr Stephen Suen

黃金捐款者 GOLD DONORS

HK$12,000 – HK$29,999

Ms Cheng Wai Ching Margaret

Dr Chung See Yuen

天智合規顧問 CompliancePlus Consulting

Mr & Mrs Kenneth & Nelly Fung

C H Mak

Mr & Mrs Kenneth Quinn

曹延洲醫生夫人 Dr & Mrs Tsao Yen - Chow

純銀捐款者 SILVER DONORS

HK$6,000 – HK$11,999

新作捐助計劃 New Works Scheme

黃金捐款者 GOLD DONORS

HK$12,000 – HK$29,999

無名氏 Anonymous

劉仰澤先生 Mr Lau Yeung Chak

純銀捐款者 SILVER DONORS

HK$6,000 – HK$11,999

凌霄志醫生 Dr Tony Ling

無名氏 ( 2 ) Anonymous ( 2 )

區燊耀先生 Mr Au Son Yiu

Mr & Mrs Jeffrey & Helen Chan

Dr Chan Wan Tung

Mr & Mrs Norman Chui

Mrs Margaret Hamilton

Miss Jenny Hodgson

Mr Iain Bruce

麥禮和醫生 Dr Mak Lai Wo

Mr Vernon Zhang

陳穎儀與黃乃正

青銅捐款者 BRONZE DONORS

HK$3,000 – HK$5,999

無名氏 ( 3 ) Anonymous ( 3 )

Mr & Mrs Herbert Au - Yeung

Cynthia Cheng & Aaron Chan

Ms Kit Fung Cheung

Dr Alan Chiang

馮兆林先生太太 Mr & Mrs Fung Shiu Lam

Ms Maureen Leung

Ms Regina Lo

Ms Janice Ritchie

Mrs Anna Chan Sheh

Mr So Kin Man

文娛慈善基金 The Elementary Charitable Foundation

余德銘先生 Mr Desmond Yu

殷和順先生劉善萍夫人

Mr Vernon Zhang

青銅捐款者 BRONZE DONORS

HK$3,000 – HK$5,999

無名氏 Anonymous

Ms Judith Ling

Ms So Wing Yin

網上藝術教育捐助計劃 Digital Arts Education Scheme

青銅捐款者 BRONZE DONORS

HK$3,000 – HK$5,999

無名氏 Anonymous

HK CT Alumni Association

支持及協助 SUPPORT AND COOPERATION

教育局藝術教育組

Arts Education Section, Education Bureau

香港展能藝術會

Arts with the Disabled Association Hong Kong

香港愉景灣酒店

Auberge Discovery Bay Hong Kong

澳洲駐香港及澳門總領事館 Australian Consulate-General Hong Kong and Macau

奧地利駐香港總領事館 Austrian Consulate General

Hong Kong

樺利廣告有限公司 Avanny Advertising Co Ltd

宏基國際賓館 Bishop Lei International House

BRICK LANE

英國文化協會 British Council

英國駐香港總領事館 British Consulate General Hong Kong

百老匯院線 Broadway Circuit burgundy etc

CAMPSITE

粵劇發展基金 Cantonese Opera Development Fund

牛棚藝術村 Cattle Depot Artist Village

周生生集團國際有限公司

Chow Sang Sang Jewellery Co. Ltd

中信國際電訊(信息技術)有限公司

CITIC Telecom International CPC Limited

城市當代舞蹈團 City Contemporary Dance Company

城巿花園酒店 City Garden Hotel

思聯設計有限公司 CL3 Architects Ltd

比利時駐港澳總領事館

Consulate General of Belgium in Hong Kong and Macau 加拿大駐香港及澳門總領事館

Consulate General of Canada in Hong Kong and Macao

法國駐港澳總領事館

Consulate General of France in Hong Kong and Macau

西班牙駐香港總領事館

Consulate General of Spain in Hong Kong 瑞士駐香港總領事館

Consulate General of Switzerland in Hong Kong

荷蘭駐港總領事館

Consulate General of the Kingdom of Netherlands in Hong Kong and Macau

大韓民國駐香港總領事館

Consulate General of the Republic of Korea in Hong Kong

俄羅斯駐香港總領事館

Consulate General of the Russian Federation in the Hong Kong SAR, PRC

Die Konzertisten

拔萃女書院 Diocesan Girls' School

愛普生香港有限公司 Epson Hong Kong Limited

香港港威酒店 Gateway Hotel, Hong Kong

德國駐香港總領事館

German Consulate General Hong Kong

六國酒店 Gloucester Luk Kwok Hong Kong

香港歌德學院 Goethe-Institut Hong Kong

香港君悅酒店 Grand Hyatt Hong Kong

青苗琴行 Greenery Music

香港恒生大學

Hang Seng University of Hong Kong

學生事務處 Student Affairs Office

8 度海逸酒店 Harbour Plaza 8 Degrees

快達票香港有限公司 HK Ticketing

香港文聯 HKL&A

香港藝術行政人員協會 Hong Kong Arts Administrators Association

香港藝術中心 Hong Kong Arts Centre

香港浸會大學 Hong Kong Baptist University

音樂學院 Academy of Music

拉闊文化 Cultural Literacy Programme

英國語言文學系 Department of English Language and Literature

香港大會堂 Hong Kong City Hall

香港文化中心 Hong Kong Cultural Centre

香港電影資料館 Hong Kong Film Archive

香港黃金海岸酒店 Hong Kong Gold Coast Hotel

香港管弦樂團 Hong Kong Philharmonic Orchestra

香港公共圖書館 Hong Kong Public Libraries

香港旅遊發展局 Hong Kong Tourism Board

斯洛文尼亞駐港總領事館 Honorary Consulate of Slovenia in Hong Kong

香港都會大學

Hong Kong Metropolitan University

學生事務處 Student Affairs Office

登臺 Hotel Stage

宜必思香港中上環

ibis Hong Kong Central and Sheung Wan

工銀亞洲 ICBC (Asia)

入境事務處 Immigration Department

香港以外地區經濟事務辦事處新聞及公共關係組

Information and Public Relations Units in Offices

Outside Hong Kong

海景嘉福洲際酒店

InterContinental Grand Stanford Hong Kong

高山劇場 Ko Shan Theatre

九龍木球會 Kowloon Cricket Club

Kubrick

葵青劇院 Kwai Tsing Theatre

駐香港韓國文化院

Korean Cultural Center in Hong Kong

康樂及文化事務署

Leisure and Cultural Services Department

牧羊少年與他的浮萍 Lemna of the alchemist

中央人民政府駐香港特別行政區聯絡辦公室 Liaison Office of the Central People's Government in the HKSAR

嶺南大學 Lingnan University

黃炳禮音樂及演藝部

Wong Bing Lai Music and Performing Arts Unit

馬哥孛羅香港酒店 Marco Polo Hongkong Hotel

Maxibit HK/China

MCL K11 Art House

中華人民共和國文化和旅遊部

Ministry of Culture and Tourism, PRC 循道衛理聯合教會國際禮拜堂

Methodist International Church Hong Kong Mission Production Company Ltd

李鏡輝先生 Mr Alpha Li

黃月妙小姐 Ms Kitty Wong

黃宇軒先生 Mr Sampson Wong

音樂事務處 Music Office

北區大會堂 North District Town Hall

One Minden Tapas Kitchen

橙天嘉禾娛樂集團 Orange Sky Golden Harvest

Entertainment Group

柏斯琴行 Parsons Music Limited

奧華酒店 中環 Ovolo Central

卓滙達有限公司 Patsville Company Ltd

Performing Arts Fund NL

電訊盈科 PCCW Pixellent

犇華企業服務有限公司 Primasia Corporate Services Limited

鄭新文教授 Prof Tseng Sun-man

富豪酒店國際 Regal Hotels International

香港瑰麗酒店 Rosewood Hong Kong

皇家太平洋酒店 Royal Pacific Hotel

Russian Club in Hong Kong

沙田大會堂 Sha Tin Town Hall

上環文娛中心 Sheung Wan Civic Centre

聖公會鄧肇堅中學 Sheng Kung Hui Tang Shiu Kin

Secondary School

南非駐香港總領事館

South African Consulate General Hong Kong SAR & Macao SAR, PRC

Southgate Design

香港西班牙商會

Spanish Chamber of Commerce in Hong Kong

事必達推廣有限公司 Speedy Promotion Limited

春天舞台劇製作有限公司 Spring-Time Stage Productions Limited

辰衝圖書有限公司 Swindon Book Co. Ltd.

香港瑞士商會有限公司 Swiss Chamber of Commerce in Hong Kong Limited

大館 Tai Kwun

台灣蘇富比國際房地產

Taiwan Sotheby's International Realty

藝林文具印刷有限公司 The Artland Co Ltd

香港八和會館 The Chinese Artists Association of Hong Kong

香港中文大學 The Chinese University of Hong Kong

聯合書院 United College

藝術行政主任辦公室 The Office of the Arts Administrator

文化及宗教研究系 Department of Cultural and Religious Studies

香港城市大學 The City University of Hong Kong

文化薈 Cultural Exchange Oasis

商務印書館（香港）有限公司 The Commercial Press (Hong Kong) Limited

香港教育大學 The Education University of Hong Kong

文化與創意藝術學系 Department of Cultural and Creative Arts

灣景國際 The Harbourview

梅夫人婦女會 The Helena May

香港演藝學院 The Hong Kong Academy for Performing Arts

戲曲學院 School of Chinese Opera 戲劇學院 School of Drama

音樂學院 School of Music

舞蹈學院 School of Dance

電影電視學院 School of Film and Television

學生事務處 Student Affairs Office

表演場地管理部 Venue Performance Unit

場地技術部 Venue Technical Unit

香港兒童合唱團 The Hong Kong Children’s Choir

香港理工大學 The Hong Kong Polytechnic Universit

文化及設施推廣處 Culture Promotion and Events Office

香港科技大學 The Hong Kong University of Science and Technology

藝術中心 Center for the Arts

The Swiss Chamber of Commerce in Hong Kong Limited

香港大學 The University of Hong Kong

音樂系 Department of Music

香港大學美術博物館 University Museum and Art Gallery Cultural Management Office

學生發展及資源中心 Centre of Development and Resources for Students

港青 - 香港基督教青年會

The Salisbury – YMCA of Hong Kong

通利琴行 Tom Lee Music Company Ltd

三角關係 Trinity Theatre

荃灣大會堂 Tsuen Wan Town Hall

屯門大會堂 Tuen Mun Town Hall

城市售票網 URBTIX

市區重建局 Urban Renewal Authority

同流黑盒劇場 WeDraman Black Box Theatre

進富印刷公司 Wealthy Step Printing Co.

西九文化區管理局

West Kowloon Cultural District Authority

粵海華美灣際酒店 Wharney Hotel

艾希妮網絡公關有限公司 X Social Group Limited

油麻地戲院 Yau Ma Tei Theatre

元朗劇院 Yuen Long Theatre

赤豚事務所 Zhu Graphizs

贊助人 李家超先生, GBM SBS PDSM PMSM

永遠名譽會長 邵逸夫爵士 (1907-2014)

執行委員會

主席 查懋成先生

副主席 盧景文教授

義務司庫 范高廉先生

委員 鄭阮培恩女士 鄭惠貞女士 馮愉敏先生 何苗春暉女士 文肇偉先生 孫大倫博士 姚潔莉女士 楊　光先生

節目委員會

主席 盧景文教授

委員 白諾信教授 紀大衛教授 羅志力先生 毛俊輝教授 約瑟．施力先生+ 譚榮邦先生 姚　珏女士

財務委員會

主席 范高廉先生 委員 鄭惠貞女士 梁國輝先生 發展委員會

主席 鄭阮培恩女士

副主席 雍景欣女士 委員 馮愉敏先生 龐心怡女士 孫林宣雅女士 文藝女士 姚祖輝先生

顧問 夏佳理先生 鮑　磊先生 陳祖澤博士 陳達文博士 霍　璽先生 李業廣先生 梁紹榮夫人 李國寶博士 名譽法律顧問 甘乃迪女士（孖士打）

核數師 羅兵咸永道 會計師事務所

PATRON

HONORARY LIFE PRESIDENT

EXECUTIVE COMMITTEE

Chairman

Vice-Chairman

Honorary Treasurer

Members

電話 TEL 2824 3555

傳真 FAX 2824 3798 / 2824 3722

電子郵箱 Email afgen@hkaf.org

節目查詢熱線 2824 2430

Programme

Enquiry Hotline

地址 ADDRESS 香港灣仔港灣道 2 號 12 樓 1205 室 Room 1205, 12th Floor, 2 Harbour Road, Wanchai, Hong Kong

The Hon. John KC Lee, GBM SBS PDSM PMSM

The Hon. Sir Run Run Shaw, GBM CBE (1907-2014)

Mr Victor Cha

Prof. Lo King-man, SBS MBE JP

Mr Colin Farrell

Mrs Betty Yuen Cheng

Ms Margaret Cheng

Mr Michael Fung

Ms Joanna Hotung

Mr Sebastian Shiu-wai Man

Dr Dennis T L Sun, BBS JP

Ms Miriam Yao

Mr Sunny Yeung

PROGRAMME COMMITTEE

Chairman

Members

Prof. Lo King-man, SBS MBE JP

Prof. Giorgio Biancorosso

Prof. David Gwilt, MBE

Mr Peter C L Lo

Prof. Fredric Mao, BBS

Mr Joseph Seelig +

Mr Wing-pong Tam, SBS JP

Ms Jue Yao, JP

FINANCE COMMITTEE

Chairman

Members

DEVELOPMENT COMMITTEE

Chairperson

Vice-Chairperson

Members

Mr Colin Farrell

Ms Margaret Cheng

Mr Nelson Leong

Mrs Betty Yuen Cheng

Ms Jane Yong

Mr Michael Fung

Ms Samanta Sum-yee Pong

Mrs Helen Lin Sun

Ms Yi Wen

Mr Andrew Yao

ADVISORS

The Hon. Ronald Arculli, GBM GBS

Mr Martin Barrow, GBS CBE JP

Dr John C C Chan, GBS CBE LVO JP

Dr Darwin Chen, SBS ISO

Mr Angus H Forsyth

The Hon. Charles YK Lee, GBM GBS OBE JP

Mrs Mona Leong, SBS BBS MBE JP

Dr The Hon Sir David KP Li, GBM GBS OBE JP

HONORARY SOLICITOR

AUDITOR

Ms Gabriela Kennedy, Mayer Brown

PricewaterhouseCoopers

職員

行政總監 余潔儀

行政總監助理 何丹蓉

節目

節目總監 梁掌瑋 蘇國雲

高級節目經理 梁偉然

節目經理 陳曉彤 * 鄭佩群 * 廖國穎 * 馬筠婷 * 司徒頌欣 * 短期節目經理 游慧姿 *

副節目經理 杜以樂 *

節目統籌 林穎茵 *

藝術行政見習員 容諾行 *

行政

節目經理 (行政) 蘇雪凌

節目主任 (行政) 林穎妍 *

物流

物流及接待經理 金學忠 *

技術

製作經理 梁雅芝 *

助理製作經理 陳梓衡 *

出版

編輯 陳詠恩 * Adam Wright*

助理編輯 陳劭儀 * 李芷晴 *

外展

外展經理 林嘉敏 *

助理外展經理 李萬祺 * 潘穎詩 *

外展主任 張凱柔 *

外展助理 馬曉瑩 *

藝術行政見習員 馮樂程 *

市場推廣

市場總監 鄭尚榮

副市場總監 盧伯全

副市場經理 陳靄婷 * 張予心 * 黃頴儀 *

助理項目經理 李穎軒 * 譚懿諾 *

助理市場經理 許樂欣 * 曾諾怡 *

市場主任 林培生 *

票務

市場經理(票務) 梁彩雲

票務主任 殷嘉駿 *

發展

發展總監 黃美儀

特別發展協理 蘇啟泰 *

發展經理 林思穎 * 吳綺菁 * 譚樂瑤

發展主任 鄒穎妮 * 譚尹晴 *

藝術行政見習員 梁詠熙 *

短期發展助理 潘藹怡 *

行政事務

財務總監 鄺敬婷

會計

會計經理 杜詩麗 *

會計主任 顏悅恩 *

人力資源及行政

人力資源及行政經理 楊美君 *

接待員/初級秘書 李美娟

助理 黃國愛

資訊科技

資訊科技經理 陳啟明 *

無限亮

項目總監 錢 佑 *

節目及外展經理 鍾美琼 * 何敏凝 * 節目及外展統籌 何敬堯 * 潘詠汶 *

市場經理 黃嘉欣 *

副市場經理 廖愷瀅 *

助理製作經理 張詠宜 *

高級會計主任 鍾巧明 * 香港藝術節@大館

項目經理 鄺為立 * 公關及宣傳統籌 楊佩雯 *

STAFF

Executive Director

Assistant to Executive Director

PROGRAMME

Programme Directors

Senior Programme Manager

Programme Managers

Temporary Programme Manager

Deputy Programme Manager

Programme Coordinator

Arts Administrator Trainee

ADMINISTRATION

Programme Manager (Admin)

Flora Yu

Connie Ho

Grace Lang So Kwok-wan

Ian Leung

Kristen Chan* Cathy Cheng*

Sophie Liao* Katie Ma*

Samantha Szeto*

Janet Yau*

Tobe To*

Lilian Lam*

Ryan Yung*

Shirley So

Programme Officer (Admin) Michelle Lam*

LOGISTICS

Logistics Manager

TECHNICAL

Production Manager

Elvis King*

Shirley Leung*

Assistant Production Manager Jacob Chan*

PUBLICATIONS

Editors

Assistant Editors

OUTREACH

Outreach Manager

Assistant Outreach Managers

Outreach Officer

Outreach Assistant

Arts Administrator Trainee

MARKETING

Marketing Director

Associate Marketing Director

Deputy Marketing Managers

Assistant Project Managers

Assistant Marketing Managers

Marketing Officer

TICKETING

Marketing Manager (Ticketing)

Ticketing Officer

DEVELOPMENT

Development Director

Special Development Associate

Development Managers

Development Officers

Arts Administrator Trainee

Temporary Development Assistant

CORPORATE SERVICES

Finance Director

ACCOUNTS

Account Manager

Accounting Officer

HR & ADMINISTRATION

HR and Admin Manager

Receptionist/Junior Secretary

General Assistant

INFORMATION TECHNOLOGY

Information Technology Manager

NO LIMITS

Project Director

Programme and Outreach Manager

Programme and Outreach Coordinators

Marketing Manager

Deputy Marketing Manager

Assistant Production Manager

Senior Accounting Officer

HKARTSFESTIVAL@TAIKWUN

Project Manager

Eugene Chan* Adam Wright*

Shao yi Chan* Rebecca Lee*

Carman Lam*

Kelvin Li* Renee Poon*

Hazel Cheung*

Queena Ma*

Crystal Fung*

Katy Cheng

Eugene Lo

Tobie Chan* Stephanie Cheung*

Joey Wong*

Hill Li* Hades Tam*

Sally Hui* Margaret Tsang*

Billy Lin*

Eppie Leung

Cyrus Yan*

Angela Wong

Alex So*

Sharon Lam* Joey Ng*

Lorna Tam

Chau Wing-ni* Linda Tam*

Kirstie Leung*

Carol Pun*

Teresa Kwong

Connie To*

Stephany Ngan*

Janet Yeung*

Virginia Li

Bonia Wong

Derek Chan*

Eddy Zee*

Becky Chung* Christy Ho*

Kelvin Ho* Jasmine Poon*

Carly Wong*

Kaitlyn Liu*

Jess Cheung*

Catherine Chung*

Kwong Wai Lap*

PR and Marketing Coordinator Wind Yeung*

Coordinators

Production Officer Pang Ka Tat*

Technical Coordinators Rachel Au*, Tony Choi*, Cherry Fung*, Mandy Lai*, Martin Lai*, Lawrence Lee*, Joyi Tsang*