Sheng World Music— Kevin Cheng & Friends - 51st Hong Kong Arts Festival

第五十一屆香港藝術節隆重舉行，可 喜可賀。

逾半個世紀以來，藝術節每年均呈獻 多姿多彩的文藝節目，由古典音樂、 歌劇、戲劇，以至舞蹈、多媒體項 目等，包羅萬有，令觀眾大飽眼福。

今屆藝術節以《收音機與茱麗葉》及 《春之祭》芭蕾舞表演揭開序幕，兩 齣經典作品經由著名編舞家愛德華· 克魯格重新編排，加上斯洛文尼亞 國家歌劇院馬里博爾芭蕾舞團傾力演 出，萬眾矚目；約五星期後，歐洲頂 尖交響樂團—德國班貝格交響樂團將 登台獻技，為今年藝術節畫上圓滿句 號。其間上演的焦點節目還有： 國 際星級女高音安娜·涅翠柯與丈夫男 高音尤西夫·伊瓦佐夫聯袂表演的音 樂會；由藝術家威廉·肯特里奇精心 製作、南非木偶劇團和比利時里切卡 爾古樂團奇妙演繹的蒙特威爾第歌劇 《尤利西斯歸鄉記》；由芭蕾天后娜塔 麗亞·奧斯波娃領銜主演的芭蕾巨 星之《「世」不可擋》及傳奇舞姬之 《趾尖》；以及國際鋼琴大賽冠軍劉曉 禹的演奏會。

藝術節向來十分重視本地演藝人才， 致力讓他們一展才華。今屆藝術節亦 會上演多個粵劇節目，包括《竹林愛 傳奇》、「毛俊輝．粵劇情」、《畫皮》 (精新版)，以及「短篇粵劇—戲說 八德」； 並帶來其他本地作品，包括 《飯戲攻心》踏台版、《末戀．無愛合 約》、舞蹈歌劇《兩生花》等等，定 必精彩萬分，不容錯過。

大眾還可通過藝術節，體驗繽紛的藝 術魅力。法國食蟻獸沉浸式藝術工作 室創作的《第一步》，會邀請觀眾互 動共舞；在大館舉行的一系列免費藝 術科技節目，以及「無限亮」計劃， 亦會讓公眾參與其中。「無限亮」計 劃由本地和海外不同能力的藝術家擔 綱演出，鼓勵青少年衝破界限，探索

行政長官的話 MESSAGE FROM THE CHIEF EXECUTIVE

I would like to congratulate the Hong Kong Arts Festival on the organisation of its 51st edition.

For more than half a century now, the Arts Festival has enthralled audiences with a superb annual programme of arts and culture performances embracing classical music and opera, theatre, dance, multimedia and a great deal more.

This year’s Arts Festival programme opens with the Slovene National Theatre Maribor’s ballet performances of Radio and Juliet and Le Sacre du Printemps, two classics re-imagined by celebrated choreographer Edward Clug. It closes, nearly five weeks later, with a concert by Germany’s Bamberg Symphony, one of Europe’s greatest orchestras. Other highlights include Anna Netrebko, one of the world’s great sopranos, performing with her husband, tenor Yusif Eyvazov; artist William Kentridge’s remarkable production of Monteverdi’s opera, Il Ritorno d’Ulisse, brought to life by South Africa’s Handspring Puppet Company and Belgium’s Ricercar Consort periodinstrument ensemble; Ballet Superstars’ Force of Nature and Legendary Ballerina

新知。「香港藝術節青少年之友」計 劃同樣以豐富年輕人的體驗為目標， 籌備了多場學校巡演、演前工作坊和 特備節目。「加料節目」的創意活動 則把全港觀眾與藝術家連繫起來，讓 藝術文化遍及社區。

我感謝香港藝術節盡心竭力推廣藝術 文化，協助推動香港發展為中外文 化藝術交流中心。我亦感謝一眾贊 助商和捐款人慷慨襄助，令藝術節精 彩紛呈。

今年的藝術盛宴每場表演均可貴可 喜，大家定能盡情享受，樂在其中。

in Two Feet featuring supreme ballerina Natalia Osipova; and concerts by the international award-winning piano virtuoso Bruce Liu.

As always, the Festival shines a spotlight on standout artists from Hong Kong. This year’s Cantonese opera offerings include Love in the Bamboo Grove, Cantonese Opera Classics Circa 2023, The Painted Skin (Refined Edition) and Virtues and Morality—Four Cantonese Operas. Local productions including Table For Six on Stage, Loveless Romance and Love Streams are sure to be among this year’s Festival highlights.

Several programmes invite public participation as well, including the First Steps participatory dance performances staged by France’s Tamanoir Immersive Studio, as well as Tai Kwun’s free series of arts tech productions and the Festival’s No Limits programme, led by local and international artists of varying abilities. No Limits’ offerings emphasise youth exploration, as does the Young Friends of the Hong Kong Arts Festival with its school tours, preperformance workshops and special programming. And then there is the Festival PLUS creative activities that bring artists and audiences together in communities throughout Hong Kong.

I am grateful to the Hong Kong Arts Festival for its inspired commitment to the arts and to Hong Kong’s continuing rise as an East-meets-West centre for international cultural exchange. My thanks, as well, to the Festival’s many generous sponsors and donors.

I know you will treasure every performance, every moment, of this year’s Hong Kong Arts Festival.

John KC Lee Chief Executive Hong Kong Special Administrative Region

歡迎閣下蒞臨第 51 屆香港藝術 節。隨着香港走出疫情的陰霾，藝 術節再度匯聚本地及世界各地的頂 尖藝術家，呈獻一連串精采的現場 表演。儘管網絡世界無遠弗屆， 親身觀賞演出的體驗依然是無可取 替。今日，我很高興能夠與大家 聚首一堂，共同體驗現場表演的 震撼力。

藝術節得以順利舉辦，有賴社會各 界的慷慨支持。我在此感謝香港 特別行政區政府透過康樂及文化事 務署的年度恆常撥款，為藝術節的 長遠工作奠下根基。我亦非常感 激香港賽馬會慈善信託基金的持續 支持，以及一眾企業贊助、慈善基 金會和個人捐助者的貢獻。我更要 向參與藝術節的藝術家表達由衷謝 意，尤其是早前因疫情而無奈取消 演出、但於今屆願意再度與我們合 作的藝術家。

另外，過去三年，藝術節團隊在充 滿不確定因素的環境下努力不懈， 克服種種難關，繼續為觀眾送上線 上線下的精采節目。我在此向團隊 的每一位成員致謝。

觀眾的支持及參與對藝術節至關重 要。感謝您前來欣賞今日的演出， 希望藝術節的節目能夠為您帶來喜 悅與希望。

主席的話 MESSAGE FROM THE CHAIRMAN

I am delighted to welcome you to the 51st edition of the Hong Kong Arts Festival. As the city recovers from the disruption of the pandemic, the Festival is returning with an array of live performances featuring top-notch artists from Hong Kong and across the world. Despite the boundless possibilities offered by the internet, attending performances in person remains an irreplaceable experience. It gives me great pleasure to share this collective experience with you today.

The Festival is made possible by the generosity of our supporters.

I wish to thank the HKSAR Government, via the Leisure and Cultural Services Department, for the annual subvention which underpins our long-standing work. I am also grateful for the ongoing contributions from The Hong Kong Jockey Club Charities Trust, as well as corporate sponsors, charitable foundations and individual donors. My sincere thanks go

to the participating artists for their dedication to bringing the best to our audiences, especially those returning after previous cancellations due to the pandemic.

I also want to thank the dedicated staff of the Festival who have worked extremely hard to overcome numerous challenges during the uncertainties of the past three years. Last but not least, the Festival counts on the support and participation of each member of the audience. Thank you for joining us at today’s performance. I hope that our programmes will bring you much joy and hope for the future.

Victor Cha Chairman Hong Kong Arts Festival

香港藝術節主席 查懋成

行政總監的話

我謹代表藝術節團隊，歡迎閣下蒞 臨第 51 屆香港藝術節。

經歷了過去幾年疫情的影響，今年 藝術節以「回賞．前行」為題，表 達了我們隆重回歸舞台的決心。憑 着五十年來的努力，香港藝術節成 為了地區首屈一指的文化盛事，確 立了在國際間的重要地位。我們很 榮幸能夠繼往開來，並繼續在多方 面力求進步，與時俱進。在第 51 屆藝術節中，我們全新演繹大師傑 作、建立跨界合作、委約原創作 品，進一步發掘新的創作視野。這 些嘗試都展現了表演藝術的維度和 無限可能性，讓我們在探索的旅途 中向前邁進。

除了出色的表演，藝術節亦舉辦 了一系列「加料節目」，令觀眾對 演出作品有更深入的認識，豐富觀 賞體驗。我們亦繼續大力投資於 藝術教育，希望透過多元的外展活 動，以高質素的表演啟發香港的年 輕一代。

藝術節正式踏入第二個五十年，我 們將抱持樂觀的態度和更大的勇氣 面對未來的各種挑戰。希望您能夠 與我們同行，並喜歡藝術節為您準 備的節目。

On behalf of the Festival team, I would like to extend to you a heartfelt welcome to the 51st Hong Kong Arts Festival.

Our theme this year, “Coming Back, Moving Forward”, represents our determination to come back in full force after several years of uncertainties caused by the pandemic. After five decades of hard work and dedication, the Festival has established itself as a premier arts event in the region and an important international arts festival. We are honoured to carry this legacy forward, while advancing our multifaceted work to stay relevant in the present. In the 51st edition, we discover creative voices through new renditions of masterpieces, cross-disciplinary collaborations and commissioned productions— all of which showcase the breadth and endless possibilities of the performing arts, taking us one step

forward in this journey of exploration. Beyond exceptional performances, we are also offering a series of auxiliary PLUS programmes to enhance audience engagement and provide deeper insights into our programmes. Our strong commitment to arts education is seen in the extensive outreach activities aimed at inspiring the younger generation of Hong Kong through promoting quality arts.

The Festival steps into the second half of its first centenary with both optimism and renewed courage to bravely face the great challenges ahead. I hope you will stay close with us and be inspired by what the Festival has to offer.

香港藝術節資助來自：

The Hong Kong Arts Festival is made possible with the funding support of:

Flora Yu

Executive Director

Hong Kong Arts Festival

MESSAGE FROM THE EXECUTIVE DIRECTOR

香港藝術節 HONG KONG ARTS FESTIVAL

扎根香港的國際藝壇盛事 聯繫中國與世界

An International Arts Festival in Hong Kong Connecting China and the World

香港藝術節於 1973 年正式揭幕，是國際藝壇中重要的文化 盛事，於每年 2、 3 月期間呈獻眾多優秀本地及國際藝術家 的演出，以及舉辦多元化的「加料」和教育活動，致力豐 富香港的文化生活。

香港藝術節 是一所非牟利機構，2022/ 23 財政年度預計收

入（包括第 51 屆香港藝術節及 2023 年「無限亮」）約港 幣一億五千萬，當中香港特區政府的年度撥款佔總收入約 18%，另外約 24%需來自票房收入，約 43%則需依賴來自 各大企業、熱心人士和慈善基金會的贊助和捐款。預計餘 下的約 15%則來自其他收入，包括政府針對捐款和贊助收 入而提供的配對資助。

香港藝術節每年呈獻眾多國際演藝名家精采多元的演出，

例如* ：

• 歌劇：巴伐利亞國立歌劇院、萊比錫歌劇院、莫斯科大 劇院、聖彼得堡馬林斯基劇院

• 中國戲曲：中國國家京劇院、河北梆子劇院、上海張軍 崑曲藝術中心、江蘇省蘇州崑劇院、浙江小百花越劇團

• 古典音樂：塞西莉亞 • 芭托莉、列卡杜 • 沙爾、趙成 珍、古斯塔沃 • 杜達美、菲力普 • 格拉斯、馬友友、 丹尼斯 • 馬祖耶夫、安娜 • 涅翠柯、詹安德列亞 • 諾 斯達、小澤征爾、湯瑪士．夸斯托夫、甘拿迪 • 羅傑 斯特汶斯基、譚盾、湯沐海、克里斯蒂安 泰利曼、倫 敦交響樂團、NHK交響樂團、皇家阿姆斯特丹音樂廳樂 團、柏林廣播電台合唱團、萊比錫聖多馬合唱團、維也

• 爵士樂及世界音樂：波比 麥非年、尤蘇 恩多爾、 艾斯佩蘭薩 • 斯伯丁、Orquesta Buena Vista Social Club、粉紅馬天尼

• 舞蹈：米高 巴里殊尼哥夫、蕭菲 紀蓮、艾甘 漢、美國芭蕾舞劇院、雲門舞集、漢堡芭蕾舞團—約 翰．紐邁亞、紐約市芭蕾舞團、巴黎歌劇院芭蕾舞團、 翩娜 包殊烏珀塔爾舞蹈劇場

• 戲劇：彼得 • 布祿克、羅伯特．利柏殊、蜷川幸雄、羅 柏特 • 威爾遜、柏林劇團、中國國家話劇院、皇家莎士 比亞劇團

• 大型特備節目：《藝裳奇幻世界》、星躍馬術奇藝坊

• 戶外節目：《聲光園》、《幻光動感池》、《聲光頌》

香港藝術節積極與本地演藝人才合作，並致力為新進藝術 家提供展示才華的平台。藝術節至今委約及製作逾 250 套 本地全新創作，包括粵劇、戲劇、室內歌劇、音樂和舞蹈 作品，不少製作更已在香港及海外多度重演。近年的藝術 節新製作包括《鼠疫》、《陪着你走》、《百花亭贈劍》、《香 港家族》三部曲、《世紀

The HKAF, launched in 1973, is a major international arts festival committed to enriching the cultural life of the city by presenting leading local and international artists in all genres of the performing arts as well as a diverse range of “PLUS” and educational events in February and March each year.

The HKAF is a non-profit organisation. The total estimated income for FY2022/23 (including the 51st Hong Kong Arts Festival and 2023 “No Limits”) is approximately HK$150 million. Current Government annual funding accounts for around 18% of the Festival's total income. Around 24% of the Festival’s income needs to come from the box office, and around 43% from sponsorship and donations made by corporations, individuals and charitable foundations. The remaining 15% is expected to come from other revenue sources including the Government’s matching scheme, which matches income generated through private sector sponsorship and donations. The HKAF has presented top international artists and ensembles across multiple genres, such as*:

• Western opera: Bavarian State Opera, Oper Leipzig, The Bolshoi Theatre, The Mariinsky Theatre

• Chinese opera: China National Peking Opera Company, Hebei Clapper Opera Troupe, Shanghai Zhang Jun Kunqu Art Center, Suzhou Kunqu Opera Company of Jiangsu, Zhejiang Xiaobaihua Yue Opera Troupe

Classical music: Cecilia Bartoli, Riccardo Chailly, Seong-Jin Cho, Gustavo Dudamel, Philip Glass, Yo-Yo Ma, Denis Matsuev, Anna Netrebko, Gianandrea Noseda, Seiji Ozawa, Thomas Quasthoff, Gennady Rozhdestvensky, Tan Dun, Muhai Tang, Christian Thielemann, London Symphony Orchestra, NHK Symphony Orchestra, Royal Concertgebouw Orchestra, Rundfunkchor Berlin, Thomanerchor Leipzig, Vienna Philharmonic Orchestra

• Jazz and world music: Bobby McFerrin, Youssou N'Dour, Esperanza Spalding, Orquesta Buena Vista Social Club, Pink Martini

Dance: Mikhail Baryshnikov, Sylvie Guillem, Akram Khan, American Ballet Theatre, Cloud Gate Dance Theatre, The Hamburg Ballet – John Neumeier, New York City Ballet, Paris Opera Ballet, Tanztheater Wuppertal Pina Bausch

• Theatre: Peter Brook, Robert Lepage, Yukio Ninagawa, Robert Wilson, Berliner Ensemble, National Theatre of China, Royal Shakespeare Company

• Large-scale special events: World of Wearable Art, Zingaro

• Outdoor events: Power Plant, Super Pool, Chorus

The HKAF actively collaborates with Hong Kong’s own creative talent and showcases emerging local artists. Over the years, HKAF has commissioned and produced over 250 local productions across genres including Cantonese opera, theatre, chamber opera, music and contemporary dance, many with successful subsequent runs in Hong Kong and overseas. Recent HKAF productions include The Plague, Always by Your Side, Pavilion of a Hundred Flowers, A Floating Family – A Trilogy, Hong Kong Odyssey, Danz Up, Datong – The Chinese Utopia, The Amahs and Murder in San Jose, to name a few.

The HKAF frequently partners with renowned international artists and institutions to produce exceptional works, such as Der Fensterputzer (The Window Washer) co-produced by HKAF, Goethe-Institut Hong Kong and Tanztheater Wuppertal Pina

香港》、《炫舞場》、《大同》、 《金蘭姊妹》、《聖荷西謀殺案》等。

香港藝術節多年來與知名海外藝術家及團體聯合製作不少 優秀作品，當中包括由香港藝術節、香港歌德學院及翩 娜．包殊烏珀塔爾舞蹈劇場聯合製作的《抹窗人》、由倫 敦老域劇院、布魯克林音樂學院與尼爾街製作公司製作、 香港藝術節為聯合委約機構之一的「橫貫計劃」之《暴風 雨》及《李察三世》、由香港藝術節及上海國際藝術節聯 合委約的《青蛇》、三藩市歌劇院與香港藝術節聯合製作 的《紅樓夢》等。

香港藝術節 大力投資下一代的藝術教育。「青少年之友」

成立 30 年來，已為逾 810, 000 位本地中學生及大專生提供 藝術體驗活動。藝術節近年亦開展多項針對大、中、小學 生的藝術教育活動，包括由國際及本地藝術家主持的示範 講座及工作坊、學生展演、演前講座、公開彩排、以及欣 賞藝術節演出。同時，通過「學生票捐助計劃」，藝術節 每年提供約 10, 000 張半價學生票。

香港藝術節每年主辦一系列多元化並深入社區的「加料節 目」，例如電影放映、示範講座、大師班、工作坊、座談 會、後台參觀、展覽、藝人談、文化導賞團等，鼓勵觀眾 與藝術家互動接觸。

香港藝術節亦銳意將共融藝術理念拓展到社區每一角落。 由藝術節與香港賽馬會慈善信託基金聯合呈獻的「無限

2019 年正式開展，透過一系列的演出及多元的 教育及社區外展節目，「無限亮」致力創造共融空間，讓不 同能力人士均可以一同欣賞、參與、擁抱藝術。

Bausch, Richard III and The Tempest produced by The Old Vic, BAM and Neal Street under “The Bridge Project” with HKAF as a co-commissioning institution, Green Snake co-commissioned with Shanghai International Arts Festival, and Dream of the Red Chamber co-produced with San Francisco Opera.

The HKAF invests heavily in arts education for young people. Over the past 30 years, our “Young Friends” scheme has reached over 810,000 local secondary and tertiary school students. A variety of arts education projects serving primary, secondary, and tertiary school students have been launched in recent years, featuring activities such as student showcases, pre-performance talks, open rehearsals, opportunities to attend Festival performances, as well as in-school workshops and lecture demonstrations led by international and local artists. Donations to the “Student Ticket Scheme” also make available approximately 10,000 half-price student tickets each year.

The HKAF organises a diverse range of “Festival PLUS” activities in community locations each year to enhance engagement between artists and audiences. These include films, lecture demonstrations, masterclasses, workshops, symposia, backstage visits, exhibitions, meet-the-artist sessions, and guided cultural tours.

The HKAF actively promotes inclusiveness and understanding via the arts to every corner of the community. The “No Limits” project, co-presented with The Hong Kong Jockey Club Charities Trust, was launched in 2019. Through a series of performances and diverse arts experiences for students and the community, “No Limits” strives to create an inclusive space for people with different abilities to share the joy of the arts together.

The HKAF officially launched the Hong Kong Arts Festival Foundation in 2022 to provide greater financial security and longterm sustainability for the Festival. Donations to the Foundation will help the Festival to present large-scale projects which its annual budget cannot cater for. (2023

香港藝術節為創造更穩健的財政環境以及確保藝術節的長期 可持續性，於 2022 年成立香港藝術節基金會，旨在讓藝術 節得以在未來進行年度預算以外的大型特別項目。

*有關香港藝術節的過往節目，可參考以下網頁 Details of past HKAF programmes can be found at https://w2.hk.artsfestival.org/en/about-us/past-programmes/past-programmes-2021.html

誠邀贊助或捐助香港藝術節；詳情請與藝術節發展部聯絡。

To find out more about sponsorship opportunities and donation details for the Hong Kong Arts Festival, please contact the HKAF Development Department.

香港藝術節協會 2022 ／ 23 年度預計收入來源（約港幣一億五千萬）

電郵 Email: dev@hkaf.org

直綫 Direct Lines: (852) 2828 4910/11/12

網頁 Website: www.hk.artsfestival.org/en/support-us

Estimated Income Sources for Hong Kong Arts Festival Society in FY 2022/ 23 (Approximately HK$150 Million)

笙世界 音樂會 SHENG WORLD MUSIC— KEVIN CHENG & FRIENDS

05.03.2023 / 3pm

香港大會堂音樂廳

Concert Hall, Hong Kong City Hall

演出長約 1 小時 10 分鐘，不設中場休息

Approximately one hour and 10 minutes with no interval

封面照片 Cover Photograph

藝術節加料節目

演後藝人談 Post-Performance Meet-the-Artist

05.03.2023 / 4:10 - 4:40pm

香港大會堂音樂廳

Concert Hall, Hong Kong City Hall

持「笙世界音樂會」門票觀眾免費入場

Free and open to Sheng World Music’s ticket holders

敬請關掉所有響鬧及發光裝置

Please switch off all sound-making and light-emitting devices

本場刊採用環保紙張印刷

請勿擅自攝影、錄音或錄影 Unauthorised photography or recording of any kind is strictly prohibited

如不欲保留本場刊，請於完場後放入場地的回收箱

If you don't wish to keep this booklet, please return it at the admission point 所有作品內容均由主辦單位/創作團隊獨立製作，並不代表贊助機構之立場或意見。

This programme is printed on environmentally friendly paper

The content of all works is independently produced by the organiser/creative team, and does not reflect the views or opinions of the Sponsor.

© Gary Fu

© Gary Fu

笙世界 音樂會 Sheng World Music—Kevin Cheng & Friends

趙俊毅 《映月》

羅偉倫、陳家榮（鄭浩筠編曲） 《草原狂想》

馮國峻 《 Dondang Sayang and Joget 》*

趙俊毅 《放克梭羅》

克勞德·波林（鄭浩筠編曲） 《西班牙舞曲》

阿斯托爾‧皮亞蘇拉（鄭浩筠移植） 《 1930 年代的咖啡館》

李迪文（鄭浩筠編曲） 《花戀》

馮國峻 《粵謠》

馮國峻 《 5D!》*

羅健邦 《俠舞》*

Chow Jun Yi

Moon Reflections

Law Wai Lun, Tan Kah Yong (arr. Kevin Cheng Ho-kwan) Grasslands Fantasia

Phang Kok Jun

Dondang Sayang and Joget *

Chow Jun Yi Funky Solo

Claude Bolling (arr. Kevin Cheng Ho-kwan)

Hispanic Dance

Astor Piazzolla (adapted by Kevin Cheng Ho-kwan)

Café 1930

Dick Lee (arr. Kevin Cheng Ho-kwan) Bunga Sayang

Phang Kok Jun Canton Ballad

Phang Kok Jun 5D! *

Pong Law A Martial Dance *

*香港藝術節委約

* Commissioned by Hong Kong Arts Festival

鄭浩筠的笙世界

Kevin Cheng's World of the Sheng

畢竟不同形制的出現便是為了 迎合各地區的音樂素材及演奏 習慣，就好像同一語言中會有 不同口音或發音。從另一角度 看，不同形制和音位指法甚至 可為作品帶來新的可能性。 這次音樂會中，我將會使用 二十六簧傳統笙和三十八簧鍵 笙為大家演奏。簧，即簧片， 一簧一音。傳統笙的音色古 樸純淨，音位排列看似無甚規 律，實則是方便傳統和聲組合 的運指，秩序井然 ； 鍵笙音域 廣闊，半音齊全，其音位排列 雖然看似複雜困難，卻可以在 運指上輕鬆奏出一些特別的音 程或和聲組合。

清代《古今圖書集成》中所描繪的笙

笙的歷史可追溯至中國三千多 年前的殷商時期，甲骨文中的 「龢」即現今的笙，但說到這件 樂器於近代登上獨奏舞台的時 間點，距今其實只有短短六十 多年。 1956 年，山西籍笙演奏 家胡天泉與作曲家董洪德，合 作譜寫出當代第一首笙獨奏曲 《鳳凰展翅》。該曲由二人就地 取材，以當地戲曲素材譜曲， 加入笙的獨特演奏技巧（如呼 舌、瀝音等），及後成為學笙 之人必學的經典樂曲。

隨後數十年，笙獨奏樂曲不

斷面世，各地區的笙演奏家 為自身常用的指法及調式， 度「笙」訂造獨奏曲，大多以 中國各地方音樂為音樂素材， 配以具華族色彩的標題，例如 《晉調》、《掛紅燈》、《微山湖 船歌》、《海南春曉》等，當中 不少更加入西洋音樂元素，洋 為中用。

同時，近代華族樂器改革風潮 令林林總總、形制不一的笙陸 續出現。其實這些形制之間 不存在任何可比性，多一音或 少一音也不帶有優劣之別。

移居新加坡八年，我曾參與不 同形式的融合演出。新加坡文 化的獨特性在於其多元種族文 化，而跨民族的藝術融合亦逐 漸成為新加坡的本土特色。我 認爲當中最重要的是在糅合不 同文化及樂種的同時，保留華 族樂器自身的獨特語言，展現 各樂器無可替代的魅力。

今天的「笙世界音樂會」透過重 新編寫各國家、地區及民族曲 調，加上與西方樂器的碰撞， 展現笙的魅力及繽紛色彩。音 樂會的十首樂曲取材自廣東、 蒙古、東南亞和南美等經典民 族曲調，曲風涵蓋爵士、搖 擺、流行、巴薩諾瓦等風格。

An illustration of sheng in the Imperial Encyclopaedia from the Qing Dynasty

過去一年間，我與作曲家們多 次討論及修改作品細節，務求

讓各樂器獨特的音色與技巧在 每一首樂曲都能充分發揮。

香港藝術節特意為今天的音 樂會委約創作了三首樂曲。

《 Dondang Sayang and Joget 》 及《 5D!》由新加坡新晉作曲 家馮國峻創作。他活躍於當地

中西樂壇，創作範圍甚廣，作 品意境唯美又不失浪漫激情。

去年他為我創作《指尖舞》一 曲，挑戰傳統笙的極限，曲風 獨樹一幟，深得觀眾喜愛。另 一委約作品《俠舞》由香港作 曲家羅健邦創作，糅合了中樂 傳統韻味與流行音樂元素。羅 健邦畢業於香港演藝學院作曲 系，經常為本地演奏家及藝團 編寫音樂，除深諳古典音樂及 流行音樂之外，亦對華族樂器 的運用拿捏到位。

今天我們笙聲入耳，體驗傳統 與現代的文化互動，一同感受 鄭浩筠的笙世界。

鄭浩筠

The history of the sheng can be traced back more than 3,000 years to the Shang dynasty, when the instrument first appeared in the ancient Chinese characters known as the oracle bone script. But the sheng’s debut as a solo instrument in the modern era only took place around 60 years ago. In 1956, Shanxiborn sheng player Hu Tianquan and composer Dong Hongde collaborated on the first modern solo sheng piece, The Phoenix Unfolds Its Wings. Drawing on local opera traditions and adding unique techniques for playing the sheng such as tremolotonguing and glissando, the tune has become a must-learn classic for sheng players.

The following decades marked the birth of many solo pieces for the sheng, with many of them inspired by regional music and created by practitioners based on their own original techniques, often with distinctly Chinese titles such as Jin Tune, Raise the Red Lantern, Weishan Lake Boat Song and Spring Morning on Hainan, to name but a few. Many of these even added Western musical elements, blending the West into the East.

At the same time, the contemporary reformation of Chinese musical instruments has led to the sheng being used in a wide variety of different musical forms. In fact, there should be no comparison between these types; adding or removing a note does not make it better or worse. After all, the different types

emerged mainly to cater to the musical traditions and playing habits of different regions, just as there are different accents or pronunciations within the same language. On the other hand, different types of fingering can add new dimensions to a piece of work. In this concert, I will play the traditional 26-reed sheng and a 38-reed keyed sheng. A reed is a mouthpiece and each reed carries a tone. The reed arrangement of the traditional sheng may seem random, but it facilitates the fingering of traditional harmonic combinations in a well-ordered way, producing a simple and pure sound. The pitch range of the keyed sheng is extensive, including all semitones. Its reed arrangement may appear complicated and difficult, but it makes fingering easy for some special intervals or harmonic combinations.

I have participated in various types of fusion performances since I moved to Singapore eight years ago. The uniqueness of Singapore's culture lies in its multi-ethnic makeup, and cross-ethnic artistic fusion has gradually evolved into a distinctive Singaporean style. I believe it is important to preserve the unique language of Chinese instruments while blending different cultures and musical genres to bring to light the irreplaceable charm of each instrument.

Today's concert showcases the charm and colour of the sheng through rearranging the regional

and ethnic tunes of various countries, and the collision with Western instruments. The ten pieces are based on classical folk tunes from Guangdong, Mongolia, Southeast Asia and South America, covering the genres of jazz, swing, pop and bossa nova. I spent the past year discussing and revising the works with the composers in order to make the most of the distinct sounds and techniques of each instrument in every single piece.

The Hong Kong Arts Festival has commissioned three pieces of music for today's concert. Dondang Sayang and Joget and 5D! were composed by aspiring Singaporean composer Phang Kok Jun. He is active in the Chinese and Western music scene in Singapore, and has written a variety of compositions that are euphonious yet with a tinge of passion and romance. Last year, he wrote Finger Dance for me in a unique genre that pushed the boundaries of the

traditional sheng and was warmly embraced by the audience. Another commissioned work, A Martial Dance, composed by Hong Kong composer Pong Law, combines traditional Chinese music with pop elements. Pong graduated from the Hong Kong Academy for Performing Arts with a degree in Composition, and frequently composes for local performers and performing arts groups. In addition to his expertise in classical and pop music, he is also a master of Chinese instrumentation.

Bringing the sheng into the hall, today we enter Kevin Cheng's world and experience how tradition meets modernity.

Kevin Cheng Ho-kwan

© Gary Fu

樂曲介紹 Programme Notes

《映月》

《映月》受華彥鈞（阿炳）的 二胡名作《二泉映月》啟發， 樂曲以其旋律材料為基礎創 作，結合爵士流行音樂素材及 和聲結構，以尋找一種穿越時 空、傳統與摩登之間的對話。 在富有藍調色彩的前奏後，大 提琴、笙和鋼琴輪流演奏《二 泉映月》的主題，彷彿回望着 過去的記憶。隨著音樂起伏抒 發出來的情緒五味雜陳，夾雜 著愉快、懊惱、遺憾等不同情 感。作品尾聲由各樂器重複呼 應旋律，恰似在整理情緒，準 備重新出發。最後，再以笙 演奏開首時的主題來為樂曲畫

顧名思義，《 Dondang Sayang and Joget 》這首笙獨奏曲便 是糅合了 Dondang Sayang 和 Joget 兩種流行馬來曲風而成。 在 Dondang Sayang 的部分當 中，笙同時扮演了兩個歌手的 角色，模仿旋律華麗的花腔， 保留了此曲種的特色 ； 和聲進 行忠於原著，但笙獨奏在和聲 結構中盤旋進出，在即興演奏 中製造一個個意外驚喜。

Joget 的主題以 Dondang Sayang 旋律為基礎，最後以生動的全 體奏作結。三對二節奏和移動 的樂句，在歡快的舞曲中帶出 靈動活潑的音樂。

《放克梭羅》

作品取材自內蒙古民歌《牧 歌》，採用爵士樂曲風創作而 成。原版本為華樂合奏曲， 由新加坡華樂團於 2006 年首 演。是次演出版本由鄭浩筠重 新編曲。

引子深厚豪放，由大提琴模仿 蒙古族特色樂器——馬頭琴， 訴說草原的故事。《牧歌》的主 題由各樂器陸續奏出，時而抒 情時而奔放，描繪出大草原的 壯麗風光。樂曲結尾猶如遠去 的歌聲，令人回味。

《 Dondang Sayang and Joget 》

Dondang Sayang 是情歌，由兩 位歌者以流暢的敘事曲風格唱 出詩意的句子 ； 而 Joget 則是一 種歡慶場合所用的、快節奏的 三拍舞曲。

《放克梭羅》改編自印尼國民 歌手葛桑的名作《美麗梭羅 河畔》，樂曲結合放克音樂 （ Funk ）及藍調音樂（ Blues ） 的素材及節奏，帶來輕鬆及幽 默之感。樂曲中段穿插大樂隊 風格，為樸素的民歌旋律賦予 另一番風味。高音笙、豎琴、 大提琴及低音大提琴的領奏樂

段充分展現各樂器的獨特音色 和技巧，同時帶有即興元素， 給予演奏者發揮自身音樂感 的空間。

《西班牙舞曲》

克勞德．波林的《西班牙舞 曲》是 1976 年為結他手拉哥雅 所寫之《古典結他與爵士鋼琴 協奏曲》的第一樂章。今晚演 出的版本由鄭浩筠改編，並由 笙擔當獨奏結他的部分。

波林（ 1930- 2020 ）是一位法

國爵士樂手、作曲家和編曲 家。早慧的他在 14 歲時已經 參與專業爵士鋼琴演奏，和萊 諾．漢普頓、羅伊．艾德理 奇和肯尼．奇勒克等名家合 作。他是 1960 年代後期傳統爵 士樂復興的重要推手，並與著 名爵士樂手奧斯卡．彼得森交 好。從 1975 年的《長笛和爵士 鋼琴三重奏組曲》開始，波林 創作了一系列「跨界」作品。 他會找一位精通某種古典樂器 的樂師，替該樂師創作樂曲， 並加上爵士鋼琴三重奏伴奏。 這些作品融合古典風格和現代 搖擺，廣受大眾喜愛，當中的 《長笛組曲》就佔據了 Billboard 古典音樂排行榜前 40 名逾十 年之久。

《 1930 年代的咖啡館》 皮亞蘇拉（ 1921- 1992 ）創作的 《 1930 年代的咖啡館》是組曲 《探戈的歷史》的第二樂章。

作曲家用四段音樂，以三十年

阿斯托爾‧皮亞蘇拉 Astor Piazzolla

為單位講述探戈的歷史。皮 亞蘇拉為每段樂章提供了獨立

的註解 ：

「《 1930 年代的咖啡館》： 這 是探戈的全新時代，人們不再 如 1900 年時隨樂起舞，而是把 它當成純粹的音樂來欣賞，而 這個樂種也變得更浪漫、音樂 性更強 ； 探戈自此徹底轉變 ：

律動更慢，並加入偏憂鬱的新 和聲。樂團則更趨制式化，變 成兩個小提琴、兩把六角手風 琴、一部鋼琴和一個低音大提 琴，也有些探戈屬於唱曲。」

《花戀》

《花戀》是音樂劇《甘榜琥珀》 的主題曲，由新加坡音樂人李 迪文於 1994 年創作。曲調雖屬 當代，卻是取材自新加坡土生 華人文化，其音樂特色是在馬 來風格的曲調中融合英語—— 因為土生華人往往精通這兩種 語言。《花戀》常在新加坡國慶 巡遊中演唱，樂曲充分體現了 新加坡的故事——一個位處赤 道帶、充滿愛和希望的居所。

今晚演出的版本由鄭浩筠編 曲，配器包括笙、大提琴、豎 琴和敲擊樂。

《粵謠》

樂曲將著名的廣東音樂《平湖 秋月》化身為爵士謠歌。笙獨 奏由爵士三重奏伴奏，營造出 寧靜而繽紛的氣氛。部分原 曲旋律保留，但和音卻是新寫 的 ； 在中間部分，出現一段笙 的即興樂段，同時穿插其他以 月亮為主題的廣東音樂。

《 5D!》

《 5D!》是一個豐富的音樂雜 薈，當中最突出的是卡那提克 （南印度古典音樂）和爵士樂。 調皮的標題《 5D!》，聽起來像 粵語「快啲」，帶出樂曲利用 節拍轉調而步步加快的特點， 但其意思並不止於此。

「 5 」也指五聲音階 ； 樂曲多處 引用了中樂五聲音階和印度的 摩哈南拉格的曲調。

「 5 」亦指五音符樂句 ； 曲中 的五音樂句併上常見的三或四 拍，產生不規則性和切分音， 挑戰着演奏者之餘，亦營造出 刺激和驚喜連連的氛圍。

「 5 」又指樂曲的五個部分，由 即興的「阿拉譜」開始——這 是印度音樂中一段不拘速度的 獨奏，之後的樂章則會越來越 快，突顯自由流暢的爵士式即 興音樂。

「 D 」指的則是樂曲的中心音 符，並作爲持續低音貫穿整首 樂曲。這也是參考了印度卡那 提克音樂當中常以塔姆布拉琴 奏出持續低音的做法。

《俠舞》

《闖將令》、《將軍令》和《小刀 會序曲》是許多香港人耳熟能 詳的武俠片配樂。不少人可能 都會即時將這些樂曲與《如來 神掌》、《男兒當自強》等武俠 片，以至電影當中的武功招式 聯想起來。

《俠舞》是由以上三曲的音樂 素材構成的輕鬆小品，呈現

爵士、流行樂及融合（ fusion ） 的創作風格。

作曲家以獨奏笙為主軸，嘗試 透過常用於爵士或流行音樂中 的節奏聲部，並配合豎琴、大 提琴來展現一種帶有流行感， 同時亦保留中樂傳統韻味、別 樹一格的音調。

撰文: 鄭浩筠、趙俊毅、馮國峻及羅健邦

Moon Reflections

Moon Reflections is inspired by the well-known erhu work by Hua Yanjun (Ah Bing), Reflection of the Moon on Lake Erquan. The piece uses melodies from Erquan as a base, topped with the material and harmonic structure of popular jazz music, creating a dialogue between tradition and modernity that breaks through time and space. After the prelude in blues, the cello, sheng and piano take turns to play the theme of Reflection of the Moon on Lake Erquan. The flow of the music inspires flashbacks of memories, evoking a complex mixture of emotions: pain, joy, sorrow, pleasure, frustration, regret and more. At the close, each instrument echoes the melody, as if they are organising their emotions and preparing for the next journey. Finally, the sheng concludes the piece with the opening theme.

Grasslands Fantasia

The work is based on the Inner Mongolian folk song Mu Ge (The Song of the Herders), with a presentation in the style of jazz. It was first written for Chinese orchestra, premiered by Singapore Chinese Orchestra in 2006. The version for this performance is a re-arrangement by Kevin

Cheng Ho-kwan.

The introduction, rich and fearless, is played by cello

which imitates the Mongolian folk instrument, the matouqin; it narrates the story of the grasslands. Different instruments follow successively to play the theme of Mu Ge, some of them lyrical and others exuberant, depicting the magnificent scenery of the grasslands. The ending depicts a gradually receding melody, leaving an air of reminiscence.

Dondang Sayang and Joget

Two popular Malay music genres are featured in this piece. The Dondang Sayang is a love song, featuring poetic lines sung by two singers in a flowing, ballade style. A Joget, on the other hand, is a fast-paced, triple-meter dance, meant for joyous occasions.

This piece rewrites these two genres as a sheng solo. In Dondang Sayang, the sheng takes on the role of two singers, playing melismatic lines filled with ornaments that are characteristic of this style. While the harmonic progression is faithful to the original, the sheng solo veers in and out of the harmonic structure, occasionally injecting a few surprises in an improvisatory performance.

The Joget’s theme is based on the Dondang Sayang melody and brings the ensemble together in a lively tutti. Hemiolas and shifting phrases allow the music to come to life in a joyous dance.

Funky Solo

Funky Solo is adapted from the Indonesian folk song Bengawan Solo created by legendary singer-songwriter Gesang Martohartono. The music combines funk and blues materials and rhythms, creating a sense of relaxation and humor. The middle part is interspersed with the big band style, putting a new spin on the unsophisticated folk melody. The lead passages of soprano sheng, harp, cello and double bass demonstrate the unique timbre and skills of each instrument, and at the same time feature improvisations, giving players the freedom to express their own musical feelings.

2020 年印尼郵票上的葛桑 Martohartono on a 2020 stamp of Indonesia

Hispanic Dance

Hispanic Dance by Claude Bolling is the first movement of the Concerto for Classic Guitar and Jazz Piano, written for guitarist Alexandre Lagoya in 1976. Tonight’s version is rearranged by Kevin Cheng Hokwan, adapting the solo guitar part for sheng.

Bolling (1930-2020) was a French jazz musician, composer and arranger. He was also a child prodigy; by the age of 14 he was playing jazz piano professionally with the likes of Lionel Hampton, Roy Eldridge and Kenny Clarke. He was a major part of the traditional jazz revival in the late 1960s, and he became friends with Oscar Peterson. Starting with his Suite for Flute and Jazz Piano Trio in 1975, Bolling wrote a series of “crossover" compositions. He would find a classical musician, proficient in any instrument, and compose a piece for them accompanied by a jazz piano trio. These pieces blended classical styles with modern swing. They were wildly popular, with his Suite for Flute appearing on the Billboard top 40 classical charts for more than 10 years.

Café 1930

Café 1930 by Astor Piazzolla (1921-1992) is the second movement of the Histoire du Tango suite, where the composer tells the history of tango in four parts styled at 30-year intervals. Piazzolla provided programme notes that expanded on the

individual movements: “Café 1930: This is another age of the tango. People stopped dancing it as they did in 1900, preferring instead simply to listen to it. It became more musical and more romantic. This tango has undergone total transformation: the movements are slower, with new and often melancholy harmonies. The tango orchestra came to consist of two violins, two concertinas, a piano and a bass. The tango is sometimes sung as well.”

Bunga Sayang

Composed by Singaporean artist Dick Lee in 1994, Bunga Sayang is the theme song of his musical Kampong Amber. This piece is a contemporary tune based on the Peranakan culture in Singapore. Peranakan folk music is noted for its fusion of English in Malay-inspired tunes, largely because the Peranakans themselves are often conversant in both languages. The piece has regularly been used in the Singapore National Day Parade. It captures the narrative of an equatorial Singapore, a home with love and hope for all.

Tonight’s version is arranged by Kevin Cheng Ho-kwan for sheng, cello, harp and percussion.

Canton Ballad

This piece features the wellknown Cantonese piece Autumn Moon Over the Calm Lake rewritten as a jazz ballad. A solo sheng will be accompanied by a jazz trio, combining to create a tranquil but colourful

atmosphere. Parts of the original melody will be retained, but with re-harmonisation. In the middle segment, the sheng plays an improvisatory passage, during which other moon-themed Cantonese pieces will appear as cameos.

5D!

5D! fuses many elements: most recognisably Indian Carnatic music and jazz. The tongue-incheek title is meant to sound like the Cantonese phrase “faai di” (“hurry up”), referring to the piece growing faster and faster through metric modulation, but it means more than that.

“Five” also refers to a five-note pentatonic scale. The piece takes numerous references from the

《 5D!》一曲從印度卡那提克音樂取得靈 感。圖爲卡那提克音樂中常用的塔姆布 拉琴 (tambura)

An illustration of a lady playing the tambura, an instrument often used in Indian Carnatic music , which is part of the inspiration for 5D!

Chinese pentatonic scale as well as the Indian mohanam raga.

“Five” also refers to five-note phrases. The piece features many of those, which, when played against the common threeor four-beat patterns, create irregularity and syncopation. It challenges the performers while creating an exciting and unpredictable musical atmosphere.

“Five” also refers to the sections of the piece, starting with an improvisatory Alap, a free-tempo solo found in Indian music, followed by sections that get faster and faster, featuring freeflowing jazz-like improvisations.

“D” refers to the centric note of the piece and appears as a drone throughout. This again is a reference to Indian Carnatic music, in which a tambura constantly plays a drone.

A Martial Dance

In Hong Kong, Theme of Pioneers, General’s March and Prelude to the Dagger Society are widely known tunes heard in numerous martial arts films and TV dramas. Many people will immediately associate them with the film The Young Swordsman Lung Kimfei from the 1960s, the 1990s film Once Upon a Time in China, and even the martial art moves popularised by these films.

A Martial Dance is a short, light-hearted piece that takes elements from these three pieces, exemplifying the styles of jazz, pop and fusion.

With a solo sheng as the core, the composer uses the rhythm section commonly used in jazz or pop to go along with the harp and cello. It presents a unique style, carrying a pop flavour while preserving the charm of traditional Chinese music.

Text:

Kevin Cheng Ho-kwan, Chow Jun Yi, Phang Kok Jun and Pong Law

笙生不息——鄭浩筠的多元新世界 Tradition Meets Modernity

in Kevin Cheng’s Brave New World

中國笙擁有悠久歷史，到了廿一世紀的今天，這種傳統樂器又會如何與「現代」開展對話？在香港 土生土長的笙演奏家鄭浩筠將於今晚的演出中，憑藉他構思的節目為觀眾解答這個難題。

The Chinese sheng has a long history, so how can it be used to interpret the meaning of “tradition” in modern times? At the upcoming Hong Kong Arts Festival, Hong Kong-born sheng musician Kevin Cheng will bring us a programme that attempt to answer this question.

但鄭浩筠認為 ：「中國進入現代 化歷程，開始各家爭鳴、百花 齊放的時代，故笙亦需要有自 己的『傳統』獨奏曲目。胡天 泉及董洪德二人便在 1956 年合 力創作了笙曲《鳳凰展翅》， 採用山西梆子戲曲風格，因為 胡是山西人，故以當地曲調 撰曲。」

度身訂造的演出

笙（左二）在中國歷史當中大部分時間 都是齊奏樂器。

圖為唐代敦煌榆林窟中的佛像畫。

Sheng (second from left), as seen in this Tang-dynasty Buddhist art from the Yulin Caves, has mostly been an ensemble instrument throughout Chinese history.

為笙尋根究底

《大英百科全書》告訴我們，最 早的笙繪圖早至公元前 1100 年 左右，而源自漢朝的笙是現存 發現最早的實物。這個擁有近 三千年歷史的樂器，在歷史當 中大部分時間都是齊奏樂器，

鄭浩筠和笙之間的緣分也委實 奇妙 ： 中一時學校的中樂團招 募新生，老師便推薦他學笙， 一來因爲笙的聲音悠揚好聽， 二來卻是因爲這種樂器較冷 門、較少人學——不想一學之 下，竟一拍即合，中二時更憑 着笙的演奏贏得校際冠軍，自 此便再也離不開笙了。

鄭浩筠回想中學時期的一件軼 事 ：「我就讀的教會學校，使用 的詩集都是用簡譜，而當時學 習中樂同樣是用簡譜的。有一 位同學看到詩集的樂譜，便拿 起笙吹奏聖詩曲調。音樂與樂 器看來不協調，但聲音卻是何 等動聽！我在新加坡工作這幾

年，同樣看到華樂發展的多元 可能。新加坡的多元文化，華 樂發展亦沒有中國內地要『繼 承傳統』的包袱。」他認為正 由於笙本身沒有獨奏或領奏的 傳統，從而造就無限可塑性。 這次鄭浩筠將使用傳統笙及鍵 笙帶給觀眾耳目一新的節目， 糅合傳統中國、南洋、印度 及西方音樂的不同元素。鄭浩 筠特別喜愛其中一首委約作品 《俠舞》，這首曲子由本地作曲 家羅健邦創作，其中引用了經 典武俠片中的曲調，充滿了老 香港情懷。鄭浩筠亦有參與創 作，使樂曲盡顯笙的可能性。 在這場音樂會中，鄭浩筠通過 匠心獨運的改編，讓「傳統」 和「現代」共聚一堂，在笙曲 中展開一場逾越文化、時空的 綿綿對話。讓我們以笙會友， 在音樂會內一同見證這珍貴的 文化互動。

撰文:楊欣諾 原文刊登於香港藝術節 2023 年之《閱藝》 雜誌，經改寫後重新刊載

© Gary Fu

Searching for the roots of the sheng

Encyclopedia Britannica tells us that the earliest image of the sheng dates back to around 1100 BC, and the earliest surviving instrument can be traced to the Han dynasty. It has mainly been an ensemble instrument throughout its 3,000 years of history.  Hong Kong-born sheng musician Kevin Cheng says: “Since the founding of Modern China, all disciplines have been flourishing, and the sheng needed its own traditional repertoire. Therefore, Shanxiborn composer Hu Tianchuan wrote The Phoenix Unfolds its Wings in 1956 and established the sheng solo tradition. It was convenient that Hu based it on Shanxi traditional bangzi tunes.”

A custom-made performance

Cheng’s fateful encounter with the musical instrument goes back to his first year in secondary school, when he joined the Chinese orchestra and picked up the sheng on his teacher’s recommendation, both because it sounded good and no-one else was playing it. The next year, Cheng won an inter-school music competition with his sheng, and the rest is history. Cheng recalls a memory from his school days: “I studied in a church school, and the hymnbook used numbered musical notation, which was also used in Chinese musical scores when we learned them. A fellow sheng player at school picked up the hymnbook and started playing hymn tunes with the sheng. It was unexpectedly beautiful! While I worked in Singapore during the past few years, I also saw the development of diverse possibilities in Chinese music.  Singapore, being so multicultural, does not share the burden of ‘inheriting tradition’ as in mainland China.” Cheng believes that as the sheng does not have an historical soloistic tradition, there are infinite possibilities when it comes to writing new music or arrangements for the instrument.  Cheng will present a diverse programme for traditional sheng and keyed sheng with traditional Chinese, Nanyang (Southeast Asian), Indian and Western elements.  Cheng particularly likes one of the commissioned

works, A Martial Dance, by Hong Kong composer Pong Law, in which popular Chinese tunes from martial arts films are quoted. The sheng player also participated in the creative process, making the piece an idiomatic and virtuosic display of the instrument.

In Cheng's ingeniously arranged programme, tradition and modernity collide and intermingle with each other, materialising an intercultural dialogue that transcends time and space through music.

Text: Felix Yeung Originally publishevd in the HKAF's 2023 FestMag and modified for the house programme

鄭浩筠

KEVIN CHENG HO-KWAN

笙演奏家

Sheng Musician

青年笙演奏家鄭浩筠現任職於 新加坡華樂團，並擔任新加坡 國家青年華樂團導師、新加坡 華樂總會青年部委員及新加坡 合笙樂團藝術指導。

他畢業於香港演藝學院，獲 頒授音樂學士（一級榮譽）學 位，師承鄭德惠（主修笙）及 閻學敏（副修中國敲擊樂），亦 曾獲胡天泉、翁鎮發及盧思泓 等笙名家指導。多年來獲獎無 數，曾獲頒授「醉人音樂獎學 金」、「葛量洪獎學金」、「香港 特別行政區政府獎學金」、「星 展亞洲創意獎學金」等。

2009 至 2014 年間，鄭浩筠擔 任香港青年中樂團的笙首席， 多次代表樂團作獨奏、領奏及 重奏演出。他亦曾隨團進行外 訪演出，當中包括 2011 年出訪 台灣彰化，參演「 2011 當代國 樂節」。

他於 2010 年應邀前往日本「瀨 户內國際藝術節」作獨奏及小 組演出；2012 年獲香港電台第 四台評選為「樂壇新秀」；2010 至 2014 年間更先後四次於香港 演藝學院協奏曲比賽中獲勝， 與學院交響樂團演出多首笙 協奏曲。

2014 年畢業後隨即考入新加坡 華樂團；2015 年於香港大會 堂舉辦「繾綣一笙」演奏會； 2017 年獲邀於耶魯-新加坡國 立大學學院舉辦笙樂演奏會； 2018 年獲香港演藝學院邀請擔 任到訪藝術家，與學院中樂團 演出笙協奏曲《七月》；2022 年 與新加坡華樂團演出笙協奏曲 《粵語殘片》。

© Gary Fu

移居新加坡後，師承羅偉倫學 習作曲及音樂理論，曾獲新加 坡華樂團、鼎藝團、紫色交響 樂團等團體委約創作。當中作 品《屋檐下的孩子》更於 2020 年入選新加坡華樂團作曲工作 坊，深得觀眾喜愛。

自 2003 年開始，他已聯同不同 樂團及音樂團體合作演出，亦 曾亮相於多個國際藝術節，足 跡遍及北京、上海、香港、台 灣、日本、韓國、新加坡、馬 來西亞及歐洲等多個地區。

Kevin Cheng Ho-kwan is currently a sheng musician with the Singapore Chinese Orchestra, a Teacher Artist with the Singapore National Youth Chinese Orchestra and a council member of the Singapore Chinese Music Federation Youth Chapter. He is also Instructor of Resonance – Sheng Ensemble.

Cheng graduated from the Hong Kong Academy for Performing Arts with First Class Honours. He had studied music under the tutelage of Cheng Tak-wai and Yim Hok-man (for Chinese percussion), and received instruction from sheng virtuosos such as Hu Tianquan, Weng Zhenfa and Loo Sze-wang. Cheng has won numerous awards and scholarships over the years, including the Enchanting Music Scholarship, the Grantham Scholarships Fund, the HKSAR Government Scholarship Fund and the DBS Asian Innovative Awards.

Cheng was the Principal sheng

player with the Hong Kong Youth Chinese Orchestra from 2009-14, and has represented the orchestra on numerous occasions as a solo, leading and ensemble musician. He has also toured with the orchestra, including a performance at the 2011 Contemporary Chinese Orchestra Festival in Changhua, Taiwan.

In 2010, he was invited to perform at the Setouchi Triennale in Japan. He was chosen as one of 2012’s Young Music Makers by RTHK Radio 4. He won the HKAPA’s Concerto Trial four times from 2010-14, and has performed several sheng concertos with the academy’s orchestra.

Cheng joined the Singapore Chinese Orchestra in 2014 after graduating from HKAPA. In 2015, he held his solo concert, In Love with Sheng, at Hong Kong City Hall. In 2017, he performed in a sheng concert at the invitation of Yale-NUS College. In 2018, he performed the sheng concerto The Seventh Month with HKAPA Chinese Orchestra as a visiting artist. And in 2022, he performed the sheng concerto Old Drama with the Singapore Chinese Orchestra.

Since relocating to Singapore, Cheng has been studying composition and music theory under the tutelage of Law Wai-lun. He has received commissions from the Singapore Chinese Orchestra, Dingyi Music Company and the Purple

Symphony, among others. In particular, his work Children under the Roof has been wellreceived by audiences and was selected for the 2020 Singapore Chinese Orchestra Composer Workshop 2020.

Since 2003, he has worked with various orchestras and musical ensembles, and appeared in several major arts festivals, performing in Beijing, Shanghai, Hong Kong, Taiwan, Japan, South Korea, Singapore, Malaysia and Europe.

作曲家簡介 Composer Profiles

在 2021 年，趙俊毅獲得亞洲文 化協會撥款，開設工作坊和網 上百科全書，供世界各地的作 曲家學習為東亞和南亞各種傳 統樂器作曲。先導計劃以中國 笙和日本笙開始，在 2021 年 4 月到 8 月舉行的工作坊吸引了 來自四大洲的 200 名作曲家報 名參加。

concerts at New York City's Merkin Concert Hall featuring American Banjo with Chinese Orchestra.

趙俊毅是一名獲獎無數的作曲 家，並致力令亞洲傳統音樂成 為國際通用的音樂語言。他的 作品糅合民歌和當代古典音樂 等元素，並從古今音樂獲取靈 感，為聽眾製造豔麗、豐富的 聽覺體驗。《金融時報》就他的 音樂作品評論道：「在音量和質 感方面皆營造出出色的對比」。

趙俊毅是「鼟樂團」的駐團作 曲家。他為「鼟樂團」製作的 音樂很多都使用了中國、馬來 西亞以及印度的樂器和曲調， 亦有用電音潤色。

趙俊毅在國際中樂樂壇是一名 舉足輕重的作曲家和總監。他 不時受香港中樂團和新加坡華 樂團等主要音樂機構委託，為 其世界巡迴演出譜寫作品。趙 俊毅曾經是紐約中國民族樂團 的音樂總監，並於紐約市莫肯 音樂廳以班祖琴和中樂團的組 合舉行音樂會，大獲好評。

Chow Jun Yi is an award-winning music composer devoted to making traditional Asian music a musical language of the world. His works interweave elements from folksongs and contemporary Classical music, drawing inspiration from the past and present to create a sensational experience for listeners. The Financial Times said his music contained "skilful contrasts in both volume and texture."

Chow is the composer in residence with Singapore's TENG Ensemble. His music with TENG is made with Chinese, Malay, Indian traditional instruments and tunes, and touched up with electronic sounds.

Chow is a leading composer and director for Chinese orchestras internationally. He is regularly commissioned by major music institutions such as the Hong Kong Chinese Orchestra and the Singapore Chinese Orchestra to create works that tour internationally. He served as Music Director for The Chinese Music Ensemble of New York and staged successful

In 2021 Chow received an Asian Cultural Council grant to create workshops and an online encyclopaedia to help music composers worldwide learn to compose for traditional instruments from East and South Asia. The pilot programme started with Chinese sheng and the Japanese sho, and its 2021 workshops attracted 200 composers from four continents.

趙俊毅 Chow Jun Yi

馮國峻，出生於新加坡的音樂 人，作曲人。作品融會中西， 創作素材多樣。他近年來不 斷嘗試跨領域合作及發展，為 音樂、劇場及媒體等多種不同 藝術形式進行創作。馮國峻對 音樂和故事之間的關係深感興 趣，並致力與不同領域的藝術 家合作，以開拓音樂創作的新 視野。他曾在數個機構獲得駐 館機會，其中更於 2011 至 2021 年在鼎藝團擔任駐團音樂家達 十年之久。馮國峻歷年來參與 了不少世界級演出，並與世界 各地著名交響樂團、劇場、室 內樂團、導演、指揮、設計師 及獨奏家合作。

馮國峻分別曾於新加坡國立大 學楊秀桃音樂學院以及美國約 翰霍普金斯大學皮博迪音樂學 院修讀作曲，兩者皆獲得母校 楊秀桃的全額獎學金贊助。曾 師從埃里克‧華森、何志光、 奧斯卡·貝蒂森以及奇文‧帕 特學習作曲。

Known for the sheer variety of his work, Singapore-born composer Phang Kok Jun’s music transcends the concert hall, with a repertoire that also includes theatre, film and other forms of media. An awardwinning composer both locally and internationally, Phang is influenced by a wide range of musical styles, and has been described as a composer who “comfortably melds Chinese, Western and popular idioms to excellent effect”. Interested in the unique relationship between music and storytelling, Phang is constantly working with artists of various disciplines to discover new possibilities in musicmaking. He has held several residencies, most notably with Ding Yi Music Company from 2011-21, and has had the privilege of being featured in major productions around the world, working with orchestras, theatre companies, chamber groups, directors, conductors, designers, and soloists.

Phang studied music composition at the Yong Siew Toh Conservatory of Music, the National University of Singapore as well as the Peabody Institute of Johns Hopkins University, both under full scholarship from YSTCM. His principal composition teachers include Eric Watson, Ho Chee Kong, Oscar Bettison and Kevin Puts.

馮國峻 Phang Kok Jun

畢業於香港演藝學院音樂碩士 課程，主修作曲及電子音樂。

現為自由音樂人，主要擔任作 曲、編曲及樂手工作。

曾為不同樂團作曲及編曲，包 括： 香港中樂團、香港小交響 樂團、香港城市室樂團、台北 柳琴室樂團、新加坡鼎藝團及 德國巴登符騰堡青年管樂團等。

近年活躍於不同劇場製作，包 括： 香港音樂劇藝術學院《下 一站…正常》（音樂總監）、香 港話劇團《大狀王》（編曲）、 法國五月《星光之城》（樂隊領 班及編曲）、演戲家族《路比和 嫲嫲的鐵路 5 號》（編曲）、康 樂及文化事務署《我們的音樂 劇》（編曲）等。

除了音樂劇外，亦為多套電影 擔任管弦樂編譜，包括：《媽 媽的神奇小子》、《花椒之味》 等。其中參與編曲的電影《金 都》更榮獲第 39 屆香港電影金 像獎之最佳原創電影音樂。

A graduate of The Hong Kong Academy for Performing Arts with a Master's degree in Music Composition and Electronic Music, Pong Law is a versatile composer/arranger/keyboardist.

Law has been commissioned to compose and arrange music for different ensembles and orchestras, including the Hong Kong Chinese Orchestra, the Hong Kong Sinfonietta, the Hong Kong City Chamber Orchestra, the Taipei Liuqin Ensemble and the BadenWurttemberg Youth Wind Ensemble.

Recently Law has been active in different musical theatre productions such as 3AMI's Next to Normal (as music director), the Hong Kong Repertory Theatre's The Impossible Trial (as arranger), Le French May's Cities of Light (as band leader and arranger), Actors' Family's Cinematic Memories on Train No. 5 (as arranger), and the Hong Kong Sinfonietta's The Originals (as arranger).

Apart from musical theatre, Law has also served as orchestrator for different movies, including Zero to Hero and Fagara. His arrangement work for the movie Prince Edward won the award for Best Original Film Score at the 39th Hong Kong Film Awards.

羅健邦 Pong Law

演奏家簡介 Performer Profiles

何靜文於倫敦著名音樂學院市 政廳音樂及戲劇學院以一級榮 譽修畢音樂碩士，並獲頒為該 校的藝術院士。修讀碩士之 前，曾就讀於香港中文大學及 香港演藝學院。

何靜文的演出的項目十分多元 化，包括獨奏、室樂、樂團演 出以及多媒體創作等。她曾擔 任多個著名藝術節和樂團學院 的豎琴首席，其中包括奧地利 薩爾斯堡藝術節、德國史尼斯荷爾斯泰因省藝術節、亞洲青 年管弦樂團、挪威奧斯陸室樂 節、英國倫敦藝術節、香港藝 術節等。 回港後她參與過不同 的室樂演出，包括大館、香港 藝術館、藝穗會、樂心、法國 五月等。何氏亦經常與香港管

弦樂團、澳門交響樂團和廣州 交響樂團合作。

Judy Ho was awarded an Artist Fellowship at the Guildhall School of Music and Drama in London after gaining her Master's degree with distinction. Before her master's studies, she studied at the Chinese University of Hong Kong and the HKAPA.

Ho currently enjoys a diverse career as a soloist, chamber, orchestral player and crossarts collaborator. She has served as a principal harpist with distinguished orchestral academies and international festivals such as the Salzburg Festival and the Schleswig Holstein Orchestral Academy, Asian Youth Orchestra, Oslo Chamber Music Festival, City of London Festival and the Hong Kong Arts Festival. She has been involved in numerous chamber music projects with organisations including Tai Kwun, The Fringe Club, Hong Kong Art Museum, Le French May and Musica Del Cuore. She works regularly with orchestras such as the Hong Kong Philharmonic Orchestra, Macao Orchestra and Guangzhou Symphony Orchestra.

何靜文 Judy Ho Ching-man

左啟希在香港中文大學完成學 士訓練，再獲賽馬會音樂及舞 蹈獎學金以及裘槎基金會全額 資助負笈英國市政廳音樂及戲 劇學院修讀碩士課程； 並於倫 敦皇家音樂學院獲全額資助修 畢藝術家文憑課程。

他曾與多位音樂名家同台演 出，包括指揮家西蒙．歷圖爵 士、伯納德．海汀克、弗拉地 米爾．尤洛維斯基，以及作曲 家陳銀淑、詹姆斯．麥美倫等。

現時，左啟希是香港中文大學 駐校音樂家以及香港創樂團大 提琴手。他同時亦擔任香港教

One of the most active cellists of his generation, Chor Kai-hei graduated from the Royal College of Music, Guildhall School of Music and The Chinese University of Hong Kong. He was awarded full scholarship by the Hong Kong Jockey Club Music and Dance Fund and Croucher Foundation for his studies.

Musicians he has worked with include conductors Sir Simon Rattle, Bernard Haitink, Vladimir Jurowski; composers Unsuk Chin and Sir James Macmillan.

He is currently serving in the staff Ensemble-in-Residence at The Chinese University of Hong Kong, as a cellist in the Hong Kong New Music Ensemble; and an instrumental tutor at the Education University of Hong Kong.

香港土生土長的吳展滔 13 歲時 於巴黎舉辦的法國低音提琴協 會大賽中獲得第二名。他畢業 於美國伊士曼音樂學院，榮獲 校內低音大提琴比賽第一名， 其後獲得香港賽馬會音樂及舞 蹈基金的全額獎學金資助，於 耶魯大學取得碩士學位。

他曾於國際著名指揮家維萊 里．格杰夫和克里斯托弗．埃 申巴赫等指揮下演出，也曾與 柏林愛樂及維也納愛樂的音樂 家同台表演，並代表香港參與 太平洋音樂節和薩拉索塔音樂 節等國際音樂節。

Kelvin Ng’s international solo competition began at the age of 13, when he was awarded First Runner-Up in the 2008 Association des Bassistes et Contrebassistes de France. He received the First Prize at the Eastman School Double Bass Competition. He was awarded the George Wellington Miles Fellowship and a full scholarship from Hong Kong Jockey Club Music and Dance Fund in support of his education, and pursued his Master's degree at Yale School of Music.

Ng has worked under the batons of renowned conductors including Valery Gergiev and Christoph Eschenbach, among others. He has also performed with Berlin Philharmonic Orchestra and Vienna Philharmonic Orchestra, and joined the Pacific Music Festival and Sarasota Music Festival as a representative of Hong Kong.

自學爵士鋼琴、編曲及作曲， 中學時期開始為學校作曲、編 曲及做電影配樂。及後深研爵 士樂，力求將之與前衛金屬、 後搖滾、古典樂等不同樂種融 會貫通。2012 年與友人 Marcus Ho, Anna Fan and Kenny KC Lin 組成樂團「岩藝雅奇 maRK 」， 於 2013 年發表首張迷你專輯 《 Jump Start 》，融合現代爵士 樂與西非敲擊樂，隨即於北 山、北京、香港等爵士和世界 音樂節演出。2017 發表了第二 張迷你專輯《 White F-Lies 》， 加入各種節奏結構和故事元素。

黃樂其同時亦積極教學、編曲 和演出，並活躍於香港的流行

Ricky Wong is a self-taught composer-pianist. In December 2012, Ricky formed the band maRK with fellow musicians Marcus Ho, Anna Fan and Kenny KC Lin. With the band, Wong composed six songs with a modern jazz twist and the EP Jump Start debuted at the Beishan World Music Festival 2013. The group has since performed at the Beijing Jazz Music Week, Beishan Jazz Festival, Hong Kong International Jazz Festival and the International Jazz Day concerts. maRK’s second EP, White F-lies features a twisted swing jazz feel, four short-(and no)-hair metal heads.

He is also actively teaching, and arranging and performing in Hong Kong's pop and jazz scenes.

樂及爵士樂樂壇。

黃樂其 Ricky Wong

鋼琴 / 鍵盤 Piano/Keyboard

樊麗華從美國波士頓回港後， 即在香港樂壇嶄露頭角。不 但登上世界各大音樂節，更與 不少知名樂團和歌手合作，包 括羅拉．費琪、張敬軒、陳 奕迅、鄭秀文和李克勤等人合 作。2012 年起獲邀為著名劇場 導演鄧樹榮的動作喜劇《打轉 教室》擔任敲擊樂及主題曲創 作和指導，更兩度於英國愛丁 堡藝穗節公演，受到高度評價。

除了擔任 maRK 岩藝雅奇的鼓 手外，樊麗華更踏足幕前，擔 任港視 31《硬地音樂》主持， 連十集探討香港的獨立音樂。

她致力推動敲擊樂的傳承， 成立了融合現代流行樂、爵 士樂和百老匯音樂劇元素的 PE LAB ( Percussion Ensemble LAB)。她更是多元化組合「打 尖」及「 FANtastic Line 」的 創作總監、領班及主唱，積極 探索敲擊樂及爵士樂文化的 可能性。

Since Anna Fan's return from Boston in 2010, she has been widely accepted in the Hong Kong music scene. She has played at music festivals all over the world, and she’s also active in the local music industry, having performed with Laura Fygi, Hins Cheung, Eason Chan, Sammi Cheng, Hacken Lee, among others. Since 2012, Fan has served as composer and percussion adviser for the acclaimed Detention by Tang Shu-Wing Theatre Studio. It has been shown twice at the Edinburgh Festival Fringe to critical acclaim.

Apart from being the drummer of maRK, Fan is also a TV show host for RTHK Channel 31's Indie Music, a 10-episode series on Hong Kong’s indie music scene.

Fan founded PE LAB (Percussion Ensemble (LAB), which fuses pop music, jazz and the Broadway musical style, exploring various possibilities and passing down the percussion art form. Fan is also creative director, leader and lead singer of [da jian] and FANtastic Line, pushing the boundaries of percussion music and jazz culture.

鳴謝

ACKNOWLEDGEMENTS

香港藝術節衷心感謝下列機構及人士的慷慨支持：

The Hong Kong Arts Festival would like to thank the following for their generous support:

香港藝術節基金會贊助人

Hong Kong Arts Festival Foundation Patrons

首席創始贊助人 Lead Founding Patrons

陳俊豪先生 Mr Thomas Chan

黃廷方慈善基金 Ng Teng Fong Charitable Foundation

電訊盈科 PCCW

九龍倉集團 The Wharf Group

主要創始贊助人 Major Founding Patrons

萬通保險國際有限公司 YF Life Insurance International Ltd

眾安銀行 ZA BANK

創始贊助人 Founding Patrons

陳煒文博士, JP Dr Raymond Chan, JP

丹斯里拿督邱達昌 Tan Sri Dato’ David Chiu

曹其鋒先生 Mr Silas Chou

霍建寧先生及霍何綺華女士 Mr and Mrs Canning and Eliza Fok

馮氏基金有限公司 E.M. Fung Foundation Limited

何超瓊女士, SBS , JP Ms Pansy Ho, SBS, JP

科勁國際（控股）有限公司 King’s Flair International (Holdings) Limited

梁婉玲博士 Dr Elina Leung

孫漢明博士 Dr Stephen Suen

包陪麗女士, BBS 及渡伸一郎先生 Ms Cissy Pao, BBS and Mr Shinichiro Watari

其他贊助人 Other Patrons

羅嘉瑞基金 KS & Feili Lo Foundation

孫大倫博士, BBS , JP Dr Dennis T L Sun, BBS, JP

慶祝香港藝術節五十周年晚宴之贊助人

Sponsors of the Hong Kong Arts Festival 50th Anniversary Gala Dinner

鑽石席 – 宴桌 Diamond Table Sponsors 香港上海匯豐銀行有限公司 上海商業銀行

洪祖杭博士, GBM , GBS , JP

鄭慕智博士, GBM , GBS , JP James Houghton 先生, 黃穎灝先生及梅慶堯先生 雍景欣女士

The Hongkong and Shanghai Banking Corporation Limited

Shanghai Commercial Bank

Dr the Hon Albert Hung Chao-hong, GBM, GBS, JP

Dr the Hon Moses Mo-chi Cheng, GBM, GBS, JP

Mr James Houghton, Mr Isaac Wong & Mr Arthur Mui

Ms Jingxin Yong

鑽石席 – 宴位 Diamond Seat Sponsors 呂元祥博士及夫人

譚允芝女士, SBS , SC , JP 龐維新先生及夫人 崇光(香港)百貨有限公司

黃金席 – 宴桌 Gold Table Sponsors 鄭阮培恩女士, 吳來盛先生及夫人 中美國際集團有限公司

華國強先生夫人 太古地產有限公司 卡地亞

黃金席 – 宴位 Gold Seat Sponsors 何苗春暉女士

林梅若梅女士

鄭馮亮琪女士

Janana Suleymanli Pasha 女士 鄭惠貞女士

張利平先生

Dr and Mrs Ronald Lu

Ms Winnie Tam Wan-chi, SBS, SC, JP

Mr and Mrs Wilson Pong

Sogo Hong Kong Company Limited

Mrs Betty Cheng, Mr and Mrs Emil Ng

Chung Mei International Holdings Limited

Mr Granger and Mrs Miriam Hwa

Swire Properties Limited

Cartier

Ms Joanna Hotung

Mrs Lavina Lim

Mrs Fina Cheng

Ms Janana Suleymanli Pasha

Ms Margaret Cheng

Mr Zhang Liping

鳴謝 ACKNOWLEDGEMENTS (續 con' t)

香港藝術節衷心感謝下列機構及人士的慷慨支持：

The Hong Kong Arts Festival would like to thank the following for their generous support:

贊助舍計劃會員 Patron’s Club Members

鉑金會員 Platinum Member

嘉里控股有限公司

Kerry Holdings Limited

黃金會員 Gold Member 怡和集團

The Jardine Matheson Group

其他支持機構 Other Supporters

加拿大駐香港及澳門總領事館

Consulate General of Canada in Hong Kong and Macao

實物支持機構 In - kind Supporters

大亞國際集團 Altaya Group

香港愉景灣酒店 Auberge Discovery Bay Hong Kong

香港君悦酒店 Grand Hyatt Hong Kong

虎豹樂圃 Haw Par Music

藝術節捐助計劃 Festival Donation Scheme

鉑金捐款者 PLATINUM DONOR

HK$140,000 或以上 OR ABOVE

孫大倫博士, BBS , JP Dr Dennis T L Sun , BBS , JP

鑽石捐款者 DIAMOND DONORS

HK$70,000 – HK$139,999

瑞安集團 Shui On Group

Dr Patrick Tong

文藝女士 Ms Wen Yi

翡翠捐款者 JADE DONORS

HK$30,000 – HK$69,999

無名氏 Anonymous

陳求德醫生及夫人 Dr & Mrs KT Chan

Ms Leung Wai Yee Candice

馬美域女士 Ms Yvette Therese Ma

Dr Stephen Suen

楊傳亮先生, BBS , JP Mr Charles Yang , BBS , JP

黃金捐款者 GOLD DONORS

HK$12,000 – HK$29,999

無名氏 ( 2 ) Anonymous ( 2 )

Mr & Mrs Jeffrey & Helen Chan

Mr Edmond Huang

Dr Peter and Nancy Thompson

Dr Sabrina Tsao

曹延洲醫生夫人 Dr & Mrs Tsao Yen - Chow

Mrs Linda Wang

Mr & Mrs YS Wong

純銀會員 Silver Members 太古集團慈善信託基金

The Swire Group Charitable Trust

上海商業銀行有限公司

Shanghai Commercial Bank Limited

荷蘭駐港總領事館

Consulate of the Kingdom of the Netherlands in Hong Kong and Macau

香港故宮文化博物館 Hong Kong Palace Museum

文陳妙蘭女士 Mrs Christina Man

信興集團 Shun Hing Group

純銀捐款者 SILVER DONORS

HK$6,000 – HK$11,999

無名氏( 3 ) Anonymous ( 3 )

Dr Gillian Choa

Ms Ho Man Fung Edith

Mrs Schmitt Ling Jane

文娛慈善基金 The Elementary Charitable Foundation

Ms Isabel Yiu

Mr Vernon Zhang

青銅捐款者 BRONZE DONORS

HK$3,000 – HK$5,999

無名氏( 2 ) Anonymous ( 2 )

AWORKS DESIGN

Jose Manuel Sevilla and Julie Bisaillon

Mrs Anson Chan

鍾雅妍博士 Dr Fiona Chung

Ms Zoe Ho

Ms Li Lian Khoo

Dr Alfred Lau

Apple Lee

李芸輝博士 Dr Lee Wan Fai Walter

Savita Leung

Mr Gary Ma

Mrs Lily Ma

Dr Michael Mak

Dr & Mrs Joseph Pang

San Miguel Brewery Hong Kong Ltd .

Mr A . Smith

The Brandon Centre Limited

Mr Wong Yick Kam

姚曼儀女士 Ms Enoch Yiu

朱玉迎女士 Ms Zhu Yuying

學生票捐助計劃 Student Ticket Scheme

鉑金捐款者 PLATINUM DONORS

HK$140,000 或以上 OR ABOVE

無名氏( 2 ) Anonymous ( 2 )

馬振玉慈善基金會有限公司

CYMA Charity Fund Ltd

鑽石捐款者 DIAMOND DONORS

HK$70,000 – HK$139,999

Mrs Purviz R Shroff , MH and

Late Mr Rusy M Shroff , BBS , MBE

田家炳基金會 Tin Ka Ping Foundation

芝蘭基金會 Zhilan Foundation

翡翠捐款者 JADE DONORS

HK$30,000 – HK$69,999

Mr Roger and Mrs Lina Lui

Dr Stephen Suen

黃金捐款者 GOLD DONORS

HK$12,000 – HK$29,999

Ms Cheng Wai Ching Margaret

Dr Chung See Yuen

天智合規顧問 CompliancePlus Consulting

Mr & Mrs Kenneth & Nelly Fung

C H Mak

Mr & Mrs Kenneth Quinn

曹延洲醫生夫人 Dr & Mrs Tsao Yen - Chow

純銀捐款者 SILVER DONORS

HK$6,000 – HK$11,999

新作捐助計劃 New Works Scheme

黃金捐款者 GOLD DONORS

HK$12,000 – HK$29,999

無名氏 Anonymous

劉仰澤先生 Mr Lau Yeung Chak

純銀捐款者 SILVER DONORS

HK$6,000 – HK$11,999

凌霄志醫生 Dr Tony Ling

無名氏 ( 2 ) Anonymous ( 2 )

區燊耀先生 Mr Au Son Yiu

Mr & Mrs Jeffrey & Helen Chan

Dr Chan Wan Tung

Mr & Mrs Norman Chui

Mrs Margaret Hamilton

Miss Jenny Hodgson

Mr Iain Bruce

麥禮和醫生 Dr Mak Lai Wo

Mr Vernon Zhang

陳穎儀與黃乃正

青銅捐款者 BRONZE DONORS

HK$3,000 – HK$5,999

無名氏 ( 3 ) Anonymous ( 3 )

Mr & Mrs Herbert Au - Yeung

Cynthia Cheng & Aaron Chan

Ms Kit Fung Cheung

Dr Alan Chiang

馮兆林先生太太 Mr & Mrs Fung Shiu Lam

Ms Maureen Leung

Ms Regina Lo

Ms Janice Ritchie

Mrs Anna Chan Sheh

Mr So Kin Man

文娛慈善基金 The Elementary Charitable Foundation

余德銘先生 Mr Desmond Yu

殷和順先生劉善萍夫人

Mr Vernon Zhang

青銅捐款者 BRONZE DONORS

HK$3,000 – HK$5,999

無名氏 Anonymous

Ms Judith Ling

Ms So Wing Yin

網上藝術教育捐助計劃 Digital Arts Education Scheme

青銅捐款者 BRONZE DONORS

HK$3,000 – HK$5,999

無名氏 Anonymous

HK CT Alumni Association

支持及協助 SUPPORT AND COOPERATION

教育局藝術教育組

Arts Education Section, Education Bureau

香港展能藝術會

Arts with the Disabled Association Hong Kong

香港愉景灣酒店

Auberge Discovery Bay Hong Kong

澳洲駐香港及澳門總領事館 Australian Consulate-General Hong Kong and Macau

奧地利駐香港總領事館 Austrian Consulate General

Hong Kong

樺利廣告有限公司 Avanny Advertising Co Ltd

宏基國際賓館 Bishop Lei International House

BRICK LANE

英國文化協會 British Council

英國駐香港總領事館 British Consulate General Hong Kong

百老匯院線 Broadway Circuit burgundy etc

CAMPSITE

粵劇發展基金 Cantonese Opera Development Fund

牛棚藝術村 Cattle Depot Artist Village

周生生集團國際有限公司

Chow Sang Sang Jewellery Co. Ltd

中信國際電訊(信息技術)有限公司

CITIC Telecom International CPC Limited

城市當代舞蹈團 City Contemporary Dance Company

城巿花園酒店 City Garden Hotel

思聯設計有限公司 CL3 Architects Ltd

比利時駐港澳總領事館

Consulate General of Belgium in Hong Kong and Macau 加拿大駐香港及澳門總領事館

Consulate General of Canada in Hong Kong and Macao

法國駐港澳總領事館

Consulate General of France in Hong Kong and Macau

西班牙駐香港總領事館

Consulate General of Spain in Hong Kong 瑞士駐香港總領事館

Consulate General of Switzerland in Hong Kong

荷蘭駐港總領事館

Consulate General of the Kingdom of Netherlands in Hong Kong and Macau

大韓民國駐香港總領事館

Consulate General of the Republic of Korea in Hong Kong

俄羅斯駐香港總領事館

Consulate General of the Russian Federation in the Hong Kong SAR, PRC

Die Konzertisten

拔萃女書院 Diocesan Girls' School

愛普生香港有限公司 Epson Hong Kong Limited

香港港威酒店 Gateway Hotel, Hong Kong

德國駐香港總領事館

German Consulate General Hong Kong

六國酒店 Gloucester Luk Kwok Hong Kong

香港歌德學院 Goethe-Institut Hong Kong

香港君悅酒店 Grand Hyatt Hong Kong

青苗琴行 Greenery Music

香港恒生大學

Hang Seng University of Hong Kong

學生事務處 Student Affairs Office

8 度海逸酒店 Harbour Plaza 8 Degrees

快達票香港有限公司 HK Ticketing

香港文聯 HKL&A

香港藝術行政人員協會 Hong Kong Arts Administrators Association

香港藝術中心 Hong Kong Arts Centre

香港浸會大學 Hong Kong Baptist University

音樂學院 Academy of Music

拉闊文化 Cultural Literacy Programme

英國語言文學系 Department of English Language and Literature

香港大會堂 Hong Kong City Hall

香港文化中心 Hong Kong Cultural Centre

香港電影資料館 Hong Kong Film Archive

香港黃金海岸酒店 Hong Kong Gold Coast Hotel

香港管弦樂團 Hong Kong Philharmonic Orchestra

香港公共圖書館 Hong Kong Public Libraries

香港旅遊發展局 Hong Kong Tourism Board

斯洛文尼亞駐港總領事館 Honorary Consulate of Slovenia in Hong Kong

香港都會大學

Hong Kong Metropolitan University

學生事務處 Student Affairs Office

登臺 Hotel Stage

宜必思香港中上環

ibis Hong Kong Central and Sheung Wan

工銀亞洲 ICBC (Asia)

入境事務處 Immigration Department

香港以外地區經濟事務辦事處新聞及公共關係組

Information and Public Relations Units in Offices

Outside Hong Kong

海景嘉福洲際酒店

InterContinental Grand Stanford Hong Kong

高山劇場 Ko Shan Theatre

九龍木球會 Kowloon Cricket Club

Kubrick

葵青劇院 Kwai Tsing Theatre

駐香港韓國文化院

Korean Cultural Center in Hong Kong

康樂及文化事務署

Leisure and Cultural Services Department

牧羊少年與他的浮萍 Lemna of the alchemist

中央人民政府駐香港特別行政區聯絡辦公室 Liaison Office of the Central People's Government in the HKSAR

嶺南大學 Lingnan University

黃炳禮音樂及演藝部

Wong Bing Lai Music and Performing Arts Unit

馬哥孛羅香港酒店 Marco Polo Hongkong Hotel

Maxibit HK/China

MCL K11 Art House

中華人民共和國文化和旅遊部

Ministry of Culture and Tourism, PRC 循道衛理聯合教會國際禮拜堂

Methodist International Church Hong Kong Mission Production Company Ltd

李鏡輝先生 Mr Alpha Li

黃月妙小姐 Ms Kitty Wong

黃宇軒先生 Mr Sampson Wong

音樂事務處 Music Office

北區大會堂 North District Town Hall

One Minden Tapas Kitchen

橙天嘉禾娛樂集團 Orange Sky Golden Harvest

Entertainment Group

柏斯琴行 Parsons Music Limited

奧華酒店 中環 Ovolo Central

卓滙達有限公司 Patsville Company Ltd

Performing Arts Fund NL

電訊盈科 PCCW Pixellent

犇華企業服務有限公司 Primasia Corporate Services Limited

鄭新文教授 Prof Tseng Sun-man

富豪酒店國際 Regal Hotels International

香港瑰麗酒店 Rosewood Hong Kong

皇家太平洋酒店 Royal Pacific Hotel

Russian Club in Hong Kong

沙田大會堂 Sha Tin Town Hall

上環文娛中心 Sheung Wan Civic Centre

聖公會鄧肇堅中學 Sheng Kung Hui Tang Shiu Kin

Secondary School

南非駐香港總領事館

South African Consulate General Hong Kong SAR & Macao SAR, PRC

Southgate Design

香港西班牙商會

Spanish Chamber of Commerce in Hong Kong

事必達推廣有限公司 Speedy Promotion Limited

春天舞台劇製作有限公司 Spring-Time Stage Productions Limited

辰衝圖書有限公司 Swindon Book Co. Ltd.

香港瑞士商會有限公司 Swiss Chamber of Commerce in Hong Kong Limited

大館 Tai Kwun

台灣蘇富比國際房地產

Taiwan Sotheby's International Realty

藝林文具印刷有限公司 The Artland Co Ltd

香港八和會館 The Chinese Artists Association of Hong Kong

香港中文大學 The Chinese University of Hong Kong

聯合書院 United College

藝術行政主任辦公室 The Office of the Arts Administrator

文化及宗教研究系 Department of Cultural and Religious Studies

香港城市大學 The City University of Hong Kong

文化薈 Cultural Exchange Oasis

商務印書館（香港）有限公司 The Commercial Press (Hong Kong) Limited

香港教育大學 The Education University of Hong Kong

文化與創意藝術學系 Department of Cultural and Creative Arts

灣景國際 The Harbourview

梅夫人婦女會 The Helena May

香港演藝學院 The Hong Kong Academy for Performing Arts

戲曲學院 School of Chinese Opera 戲劇學院 School of Drama

音樂學院 School of Music

舞蹈學院 School of Dance

電影電視學院 School of Film and Television

學生事務處 Student Affairs Office

表演場地管理部 Venue Performance Unit

場地技術部 Venue Technical Unit

香港兒童合唱團 The Hong Kong Children’s Choir

香港理工大學 The Hong Kong Polytechnic Universit

文化及設施推廣處 Culture Promotion and Events Office

香港科技大學 The Hong Kong University of Science and Technology

藝術中心 Center for the Arts

The Swiss Chamber of Commerce in Hong Kong Limited

香港大學 The University of Hong Kong

音樂系 Department of Music

香港大學美術博物館 University Museum and Art Gallery Cultural Management Office

學生發展及資源中心 Centre of Development and Resources for Students

港青 - 香港基督教青年會

The Salisbury – YMCA of Hong Kong

通利琴行 Tom Lee Music Company Ltd

三角關係 Trinity Theatre

荃灣大會堂 Tsuen Wan Town Hall

屯門大會堂 Tuen Mun Town Hall

城市售票網 URBTIX

市區重建局 Urban Renewal Authority

同流黑盒劇場 WeDraman Black Box Theatre

進富印刷公司 Wealthy Step Printing Co.

西九文化區管理局

West Kowloon Cultural District Authority

粵海華美灣際酒店 Wharney Hotel

艾希妮網絡公關有限公司 X Social Group Limited

油麻地戲院 Yau Ma Tei Theatre

元朗劇院 Yuen Long Theatre

赤豚事務所 Zhu Graphizs

More than Great Performances!

2023 FESTIVAL PLUS PROGRAMME 藝術節加料節目

3/2

五 Fri

5/2

日 Sun

12/2

日 Sun

13/2 Mon

18/2 六 Sat

19/2 日 Sun

跨越界限——陳詠燊談劇本創作

Sunny Chan on Screenwriting and Playwriting

說說管風琴•說說巴赫

Tracing the Organ Music of Bach

廣陵情長——粵劇編寫竹林七賢傳奇

Writing Cantonese Opera for the Legendary Seven Sages of the Bamboo Grove

「禹•見」鋼琴大師

Masterclasses and Meet Bruce Liu

「短篇粵劇──戲說八德」演後藝人談

Virtues and Morality—Four Cantonese Operas

Post-Performance Meet-the-Artist

杜國威經典作品選映——《虎度門》

Hu Du Men

Collection of Raymond To’s Classics

杜國威經典作品選映——《劍雪浮生》

A Sentimental Journey Collection of Raymond To’s Classics

22/2 三 Wed 杜國威經典作品選映——《南海十三郎》

24/2 五 Fri

The Mad Phoenix Collection of Raymond To’s Classics

米歇爾．梵德阿《水之書》演後藝人談

The Book of Water Post-Performance Meet-the-Artist

香港藝術節加料節目 X 大館對談：

古董鋼琴與現代鋼琴

27/2 Mon

28/2

二 Tue

1 - 19/3

三 - 日 Wed - Sun

3/3

五 Fri

5/3

日 Sun

HKAF PLUS x Tai Kwun Conversations: Early Piano Vs. Modern Piano 盛原——古董鋼琴獨奏會

Antique Piano Recital by Yuan Sheng 韓德兩地的音樂旅途

A Music Journey between Two Cultures –Esme Quartet in Korea and in Germany

《名畫詐騙師》演後藝人談

True Copy Post-Performance Meet-the-Artist

歌劇《尤利西斯歸鄉記》製作解碼展覽

The Making before The Return Exhibition

《超真實》裝置音樂會演後藝人談 Hyperreality—an installation concert

Post-Performance Meet-the-Artist

《名畫詐騙師》演後藝人談

True Copy Post-Performance Meet-the-Artist

「笙世界 音樂會」演後藝人談

Sheng World Music— Kevin Cheng & Friends

Post-Performance Meet-the-Artist

長笛的進化史──從巴羅克到現代時期 Evolution of Flute from the Baroque to Modern Periods

8/3 三 Wed 古鋼琴大師班

Fortepiano Masterclass 10/3 五 Fri

沉浸式歌劇《小狐狸》舞台參觀及公開彩排 Into the World of Silent Opera - Vixen Stage Tour & Open Rehearsal 「毛俊輝•粵劇情」演後藝人談

Cantonese Opera Classics Circa 2023

Post-Performance Meet-the-Artist

「長笛三次方——曾逸豪在繆思的庭院」 演後藝人談 Triptych for Flute—Tsang Yat-ho in Le jardin des muses

Post-Performance Meet-the-Artist

演唱蒙特威爾第 About Singing Monteverdi 「毛俊輝•粵劇情」演後藝人談 Cantonese Opera Classics Circa 2023

Post-Performance Meet-the-Artist

呼吸，讓木偶栩栩如生 Breathing brings Puppet to Life 「毛俊輝•粵劇情」演後藝人談 Cantonese Opera Classics Circa 2023

Post-Performance Meet-the-Artist

巴赫與我 All I Need is Bach

《末戀•無愛合約》演後藝人談 Loveless Romance Post-Performance Meet-the-Artist

以樂器之王為經典默片配樂 Writing Music for Silent Film – Tips from the Organist

傑出文化領袖講座系列（10） 與班貝格交響樂團行政總裁暨 藝術總監馬庫斯•魯道夫•阿克斯對談 Distinguished Cultural Leadership Series (10)

In Conversation with Marcus Rudolf Axt Chief Executive and Artistic Director, Bamberg Symphony 《狂人派對》演後藝人談 Dance Me to the End of Night Post-Performance Meet-the-Artist

傑出文化領袖講座系列（10） 與金像獎最佳編劇杜國威對談—戲畫人生 Distinguished Cultural Leadership Series (10)

From Stage to Ink: In Conversation with Award-winning Playwright and Screenwriter Raymond To Kwok-wai

贊助人 李家超先生, GBM SBS PDSM PMSM

永遠名譽會長 邵逸夫爵士 (1907-2014)

執行委員會

主席 查懋成先生

副主席 盧景文教授

義務司庫 范高廉先生

委員 鄭阮培恩女士 鄭惠貞女士 馮愉敏先生 何苗春暉女士 文肇偉先生 孫大倫博士 姚潔莉女士 楊　光先生

節目委員會

主席 盧景文教授

委員 白諾信教授 紀大衛教授 羅志力先生 毛俊輝教授 約瑟．施力先生+ 譚榮邦先生 姚　珏女士

財務委員會

主席 范高廉先生 委員 鄭惠貞女士 梁國輝先生 發展委員會

主席 鄭阮培恩女士

副主席 雍景欣女士 委員 馮愉敏先生 龐心怡女士 孫林宣雅女士 文藝女士 姚祖輝先生

顧問 夏佳理先生 鮑　磊先生 陳祖澤博士 陳達文博士 霍　璽先生 李業廣先生 梁紹榮夫人 李國寶博士 名譽法律顧問 甘乃迪女士（孖士打）

核數師 羅兵咸永道 會計師事務所

PATRON

HONORARY LIFE PRESIDENT

EXECUTIVE COMMITTEE

Chairman

Vice-Chairman

Honorary Treasurer

Members

電話 TEL 2824 3555

傳真 FAX 2824 3798 / 2824 3722

電子郵箱 Email afgen@hkaf.org

節目查詢熱線 2824 2430

Programme

Enquiry Hotline

地址 ADDRESS 香港灣仔港灣道 2 號 12 樓 1205 室 Room 1205, 12th Floor, 2 Harbour Road, Wanchai, Hong Kong

The Hon. John KC Lee, GBM SBS PDSM PMSM

The Hon. Sir Run Run Shaw, GBM CBE (1907-2014)

Mr Victor Cha

Prof. Lo King-man, SBS MBE JP

Mr Colin Farrell

Mrs Betty Yuen Cheng

Ms Margaret Cheng

Mr Michael Fung

Ms Joanna Hotung

Mr Sebastian Shiu-wai Man

Dr Dennis T L Sun, BBS JP

Ms Miriam Yao

Mr Sunny Yeung

PROGRAMME COMMITTEE

Chairman

Members

Prof. Lo King-man, SBS MBE JP

Prof. Giorgio Biancorosso

Prof. David Gwilt, MBE

Mr Peter C L Lo

Prof. Fredric Mao, BBS

Mr Joseph Seelig +

Mr Wing-pong Tam, SBS JP

Ms Jue Yao, JP

FINANCE COMMITTEE

Chairman

Members

DEVELOPMENT COMMITTEE

Chairperson

Vice-Chairperson

Members

Mr Colin Farrell

Ms Margaret Cheng

Mr Nelson Leong

Mrs Betty Yuen Cheng

Ms Jane Yong

Mr Michael Fung

Ms Samanta Sum-yee Pong

Mrs Helen Lin Sun

Ms Yi Wen

Mr Andrew Yao

ADVISORS

The Hon. Ronald Arculli, GBM GBS

Mr Martin Barrow, GBS CBE JP

Dr John C C Chan, GBS CBE LVO JP

Dr Darwin Chen, SBS ISO

Mr Angus H Forsyth

The Hon. Charles YK Lee, GBM GBS OBE JP

Mrs Mona Leong, SBS BBS MBE JP

Dr The Hon Sir David KP Li, GBM GBS OBE JP

HONORARY SOLICITOR

AUDITOR

Ms Gabriela Kennedy, Mayer Brown

PricewaterhouseCoopers

職員

行政總監 余潔儀

行政總監助理 何丹蓉

節目

節目總監 梁掌瑋 蘇國雲

高級節目經理 梁偉然

節目經理 陳曉彤 * 鄭佩群 * 廖國穎 * 馬筠婷 * 司徒頌欣 * 短期節目經理 游慧姿 *

副節目經理 杜以樂 *

節目統籌 林穎茵 *

藝術行政見習員 容諾行 *

行政

節目經理 (行政) 蘇雪凌

節目主任 (行政) 林穎妍 *

物流

物流及接待經理 金學忠 *

技術

製作經理 梁雅芝 *

助理製作經理 陳梓衡 *

出版

編輯 陳詠恩 * Adam Wright*

助理編輯 陳劭儀 * 李芷晴 *

外展

外展經理 林嘉敏 *

助理外展經理 李萬祺 * 潘穎詩 *

外展主任 張凱柔 *

外展助理 馬曉瑩 *

藝術行政見習員 馮樂程 *

市場推廣

市場總監 鄭尚榮

副市場總監 盧伯全

副市場經理 陳靄婷 * 張予心 * 黃頴儀 *

助理項目經理 李穎軒 * 譚懿諾 *

助理市場經理 許樂欣 * 曾諾怡 *

市場主任 林培生 *

票務

市場經理(票務) 梁彩雲

票務主任 殷嘉駿 *

發展

發展總監 黃美儀

特別發展協理 蘇啟泰 *

發展經理 林思穎 * 吳綺菁 * 譚樂瑤

發展主任 鄒穎妮 * 譚尹晴 *

藝術行政見習員 梁詠熙 *

短期發展助理 潘藹怡 *

行政事務

財務總監 鄺敬婷

會計

會計經理 杜詩麗 *

會計主任 顏悅恩 *

人力資源及行政

人力資源及行政經理 楊美君 *

接待員/初級秘書 李美娟

助理 黃國愛

資訊科技

資訊科技經理 陳啟明 *

無限亮

項目總監 錢 佑 *

節目及外展經理 鍾美琼 * 何敏凝 * 節目及外展統籌 何敬堯 * 潘詠汶 *

市場經理 黃嘉欣 *

副市場經理 廖愷瀅 *

助理製作經理 張詠宜 *

高級會計主任 鍾巧明 * 香港藝術節@大館

項目經理 鄺為立 * 公關及宣傳統籌 楊佩雯 *

STAFF

Executive Director

Assistant to Executive Director

PROGRAMME

Programme Directors

Senior Programme Manager

Programme Managers

Temporary Programme Manager

Deputy Programme Manager

Programme Coordinator

Arts Administrator Trainee

ADMINISTRATION

Programme Manager (Admin)

Flora Yu

Connie Ho

Grace Lang So Kwok-wan

Ian Leung

Kristen Chan* Cathy Cheng*

Sophie Liao* Katie Ma*

Samantha Szeto*

Janet Yau*

Tobe To*

Lilian Lam*

Ryan Yung*

Shirley So

Programme Officer (Admin) Michelle Lam*

LOGISTICS

Logistics Manager

TECHNICAL

Production Manager

Elvis King*

Shirley Leung*

Assistant Production Manager Jacob Chan*

PUBLICATIONS

Editors

Assistant Editors

OUTREACH

Outreach Manager

Assistant Outreach Managers

Outreach Officer

Outreach Assistant

Arts Administrator Trainee

MARKETING

Marketing Director

Associate Marketing Director

Deputy Marketing Managers

Assistant Project Managers

Assistant Marketing Managers

Marketing Officer

TICKETING

Marketing Manager (Ticketing)

Ticketing Officer

DEVELOPMENT

Development Director

Special Development Associate

Development Managers

Development Officers

Arts Administrator Trainee

Temporary Development Assistant

CORPORATE SERVICES

Finance Director

ACCOUNTS

Account Manager

Accounting Officer

HR & ADMINISTRATION

HR and Admin Manager

Receptionist/Junior Secretary

General Assistant

INFORMATION TECHNOLOGY

Information Technology Manager

NO LIMITS

Project Director

Programme and Outreach Manager

Programme and Outreach Coordinators

Marketing Manager

Deputy Marketing Manager

Assistant Production Manager

Senior Accounting Officer

HKARTSFESTIVAL@TAIKWUN

Project Manager

Eugene Chan* Adam Wright*

Shao yi Chan* Rebecca Lee*

Carman Lam*

Kelvin Li* Renee Poon*

Hazel Cheung*

Queena Ma*

Crystal Fung*

Katy Cheng

Eugene Lo

Tobie Chan* Stephanie Cheung*

Joey Wong*

Hill Li* Hades Tam*

Sally Hui* Margaret Tsang*

Billy Lin*

Eppie Leung

Cyrus Yan*

Angela Wong

Alex So*

Sharon Lam* Joey Ng*

Lorna Tam

Chau Wing-ni* Linda Tam*

Kirstie Leung*

Carol Pun*

Teresa Kwong

Connie To*

Stephany Ngan*

Janet Yeung*

Virginia Li

Bonia Wong

Derek Chan*

Eddy Zee*

Becky Chung* Christy Ho*

Kelvin Ho* Jasmine Poon*

Carly Wong*

Kaitlyn Liu*

Jess Cheung*

Catherine Chung*

Kwong Wai Lap*

PR and Marketing Coordinator Wind Yeung*

Coordinators

Production Officer Pang Ka Tat*

Technical Coordinators Rachel Au*, Tony Choi*, Cherry Fung*, Mandy Lai*, Martin Lai*, Lawrence Lee*, Joyi Tsang*