Cantonese Opera—Love in the Bamboo Grove - 51st Hong Kong Arts Festival

第五十一屆香港藝術節隆重舉行，可 喜可賀。

逾半個世紀以來，藝術節每年均呈獻 多姿多彩的文藝節目，由古典音樂、 歌劇、戲劇，以至舞蹈、多媒體項 目等，包羅萬有，令觀眾大飽眼福。

今屆藝術節以《收音機與茱麗葉》及 《春之祭》芭蕾舞表演揭開序幕，兩 齣經典作品經由著名編舞家愛德華· 克魯格重新編排，加上斯洛文尼亞 國家歌劇院馬里博爾芭蕾舞團傾力演 出，萬眾矚目；約五星期後，歐洲頂 尖交響樂團—德國班貝格交響樂團將 登台獻技，為今年藝術節畫上圓滿句 號。其間上演的焦點節目還有： 國 際星級女高音安娜·涅翠柯與丈夫男 高音尤西夫·伊瓦佐夫聯袂表演的音 樂會；由藝術家威廉·肯特里奇精心 製作、南非木偶劇團和比利時里切卡 爾古樂團奇妙演繹的蒙特威爾第歌劇 《尤利西斯歸鄉記》；由芭蕾天后娜塔 麗亞·奧斯波娃領銜主演的芭蕾巨 星之《「世」不可擋》及傳奇舞姬之 《趾尖》；以及國際鋼琴大賽冠軍劉曉 禹的演奏會。

藝術節向來十分重視本地演藝人才， 致力讓他們一展才華。今屆藝術節亦 會上演多個粵劇節目，包括《竹林愛 傳奇》、「毛俊輝．粵劇情」、《畫皮》 (精新版)，以及「短篇粵劇—戲說 八德」； 並帶來其他本地作品，包括 《飯戲攻心》踏台版、《末戀．無愛合 約》、舞蹈歌劇《兩生花》等等，定 必精彩萬分，不容錯過。

大眾還可通過藝術節，體驗繽紛的藝 術魅力。法國食蟻獸沉浸式藝術工作 室創作的《第一步》，會邀請觀眾互 動共舞；在大館舉行的一系列免費藝 術科技節目，以及「無限亮」計劃， 亦會讓公眾參與其中。「無限亮」計 劃由本地和海外不同能力的藝術家擔 綱演出，鼓勵青少年衝破界限，探索

行政長官的話 MESSAGE FROM THE CHIEF EXECUTIVE

I would like to congratulate the Hong Kong Arts Festival on the organisation of its 51st edition.

For more than half a century now, the Arts Festival has enthralled audiences with a superb annual programme of arts and culture performances embracing classical music and opera, theatre, dance, multimedia and a great deal more.

This year’s Arts Festival programme opens with the Slovene National Theatre Maribor’s ballet performances of Radio and Juliet and Le Sacre du Printemps, two classics re-imagined by celebrated choreographer Edward Clug. It closes, nearly five weeks later, with a concert by Germany’s Bamberg Symphony, one of Europe’s greatest orchestras. Other highlights include Anna Netrebko, one of the world’s great sopranos, performing with her husband, tenor Yusif Eyvazov; artist William Kentridge’s remarkable production of Monteverdi’s opera, Il Ritorno d’Ulisse, brought to life by South Africa’s Handspring Puppet Company and Belgium’s Ricercar Consort periodinstrument ensemble; Ballet Superstars’ Force of Nature and Legendary Ballerina

新知。「香港藝術節青少年之友」計 劃同樣以豐富年輕人的體驗為目標， 籌備了多場學校巡演、演前工作坊和 特備節目。「加料節目」的創意活動 則把全港觀眾與藝術家連繫起來，讓 藝術文化遍及社區。

我感謝香港藝術節盡心竭力推廣藝術 文化，協助推動香港發展為中外文 化藝術交流中心。我亦感謝一眾贊 助商和捐款人慷慨襄助，令藝術節精 彩紛呈。

今年的藝術盛宴每場表演均可貴可 喜，大家定能盡情享受，樂在其中。

in Two Feet featuring supreme ballerina Natalia Osipova; and concerts by the international award-winning piano virtuoso Bruce Liu.

As always, the Festival shines a spotlight on standout artists from Hong Kong. This year’s Cantonese opera offerings include Love in the Bamboo Grove, Cantonese Opera Classics Circa 2023, The Painted Skin (Refined Edition) and Virtues and Morality—Four Cantonese Operas. Local productions including Table For Six on Stage, Loveless Romance and Love Streams are sure to be among this year’s Festival highlights.

Several programmes invite public participation as well, including the First Steps participatory dance performances staged by France’s Tamanoir Immersive Studio, as well as Tai Kwun’s free series of arts tech productions and the Festival’s No Limits programme, led by local and international artists of varying abilities. No Limits’ offerings emphasise youth exploration, as does the Young Friends of the Hong Kong Arts Festival with its school tours, preperformance workshops and special programming. And then there is the Festival PLUS creative activities that bring artists and audiences together in communities throughout Hong Kong.

I am grateful to the Hong Kong Arts Festival for its inspired commitment to the arts and to Hong Kong’s continuing rise as an East-meets-West centre for international cultural exchange. My thanks, as well, to the Festival’s many generous sponsors and donors.

I know you will treasure every performance, every moment, of this year’s Hong Kong Arts Festival.

John KC Lee Chief Executive Hong Kong Special Administrative Region

歡迎閣下蒞臨第 51 屆香港藝術 節。隨着香港走出疫情的陰霾，藝 術節再度匯聚本地及世界各地的頂 尖藝術家，呈獻一連串精采的現場 表演。儘管網絡世界無遠弗屆， 親身觀賞演出的體驗依然是無可取 替。今日，我很高興能夠與大家 聚首一堂，共同體驗現場表演的 震撼力。

藝術節得以順利舉辦，有賴社會各 界的慷慨支持。我在此感謝香港 特別行政區政府透過康樂及文化事 務署的年度恆常撥款，為藝術節的 長遠工作奠下根基。我亦非常感 激香港賽馬會慈善信託基金的持續 支持，以及一眾企業贊助、慈善基 金會和個人捐助者的貢獻。我更要 向參與藝術節的藝術家表達由衷謝 意，尤其是早前因疫情而無奈取消 演出、但於今屆願意再度與我們合 作的藝術家。

另外，過去三年，藝術節團隊在充 滿不確定因素的環境下努力不懈， 克服種種難關，繼續為觀眾送上線 上線下的精采節目。我在此向團隊 的每一位成員致謝。

觀眾的支持及參與對藝術節至關重 要。感謝您前來欣賞今日的演出， 希望藝術節的節目能夠為您帶來喜 悅與希望。

主席的話 MESSAGE FROM THE CHAIRMAN

I am delighted to welcome you to the 51st edition of the Hong Kong Arts Festival. As the city recovers from the disruption of the pandemic, the Festival is returning with an array of live performances featuring top-notch artists from Hong Kong and across the world. Despite the boundless possibilities offered by the internet, attending performances in person remains an irreplaceable experience. It gives me great pleasure to share this collective experience with you today.

The Festival is made possible by the generosity of our supporters.

I wish to thank the HKSAR Government, via the Leisure and Cultural Services Department, for the annual subvention which underpins our long-standing work. I am also grateful for the ongoing contributions from The Hong Kong Jockey Club Charities Trust, as well as corporate sponsors, charitable foundations and individual donors. My sincere thanks go

to the participating artists for their dedication to bringing the best to our audiences, especially those returning after previous cancellations due to the pandemic.

I also want to thank the dedicated staff of the Festival who have worked extremely hard to overcome numerous challenges during the uncertainties of the past three years. Last but not least, the Festival counts on the support and participation of each member of the audience. Thank you for joining us at today’s performance. I hope that our programmes will bring you much joy and hope for the future.

Victor Cha Chairman Hong Kong Arts Festival

香港藝術節主席 查懋成

行政總監的話

我謹代表藝術節團隊，歡迎閣下蒞 臨第 51 屆香港藝術節。

經歷了過去幾年疫情的影響，今年 藝術節以「回賞．前行」為題，表 達了我們隆重回歸舞台的決心。憑 着五十年來的努力，香港藝術節成 為了地區首屈一指的文化盛事，確 立了在國際間的重要地位。我們很 榮幸能夠繼往開來，並繼續在多方 面力求進步，與時俱進。在第 51 屆藝術節中，我們全新演繹大師傑 作、建立跨界合作、委約原創作 品，進一步發掘新的創作視野。這 些嘗試都展現了表演藝術的維度和 無限可能性，讓我們在探索的旅途 中向前邁進。

除了出色的表演，藝術節亦舉辦 了一系列「加料節目」，令觀眾對 演出作品有更深入的認識，豐富觀 賞體驗。我們亦繼續大力投資於 藝術教育，希望透過多元的外展活 動，以高質素的表演啟發香港的年 輕一代。

藝術節正式踏入第二個五十年，我 們將抱持樂觀的態度和更大的勇氣 面對未來的各種挑戰。希望您能夠 與我們同行，並喜歡藝術節為您準 備的節目。

On behalf of the Festival team, I would like to extend to you a heartfelt welcome to the 51st Hong Kong Arts Festival.

Our theme this year, “Coming Back, Moving Forward”, represents our determination to come back in full force after several years of uncertainties caused by the pandemic. After five decades of hard work and dedication, the Festival has established itself as a premier arts event in the region and an important international arts festival. We are honoured to carry this legacy forward, while advancing our multifaceted work to stay relevant in the present. In the 51st edition, we discover creative voices through new renditions of masterpieces, cross-disciplinary collaborations and commissioned productions— all of which showcase the breadth and endless possibilities of the performing arts, taking us one step

forward in this journey of exploration. Beyond exceptional performances, we are also offering a series of auxiliary PLUS programmes to enhance audience engagement and provide deeper insights into our programmes. Our strong commitment to arts education is seen in the extensive outreach activities aimed at inspiring the younger generation of Hong Kong through promoting quality arts.

The Festival steps into the second half of its first centenary with both optimism and renewed courage to bravely face the great challenges ahead. I hope you will stay close with us and be inspired by what the Festival has to offer.

香港藝術節資助來自：

The Hong Kong Arts Festival is made possible with the funding support of:

Flora Yu

Executive Director

Hong Kong Arts Festival

MESSAGE FROM THE EXECUTIVE DIRECTOR

香港藝術節 HONG KONG ARTS FESTIVAL

扎根香港的國際藝壇盛事 聯繫中國與世界

An International Arts Festival in Hong Kong Connecting China and the World

香港藝術節於 1973 年正式揭幕，是國際藝壇中重要的文化 盛事，於每年 2、 3 月期間呈獻眾多優秀本地及國際藝術家 的演出，以及舉辦多元化的「加料」和教育活動，致力豐 富香港的文化生活。

香港藝術節 是一所非牟利機構，2022/ 23 財政年度預計收

入（包括第 51 屆香港藝術節及 2023 年「無限亮」）約港 幣一億五千萬，當中香港特區政府的年度撥款佔總收入約 18%，另外約 24%需來自票房收入，約 43%則需依賴來自 各大企業、熱心人士和慈善基金會的贊助和捐款。預計餘 下的約 15%則來自其他收入，包括政府針對捐款和贊助收 入而提供的配對資助。

香港藝術節每年呈獻眾多國際演藝名家精采多元的演出，

例如* ：

• 歌劇：巴伐利亞國立歌劇院、萊比錫歌劇院、莫斯科大 劇院、聖彼得堡馬林斯基劇院

• 中國戲曲：中國國家京劇院、河北梆子劇院、上海張軍 崑曲藝術中心、江蘇省蘇州崑劇院、浙江小百花越劇團

• 古典音樂：塞西莉亞 • 芭托莉、列卡杜 • 沙爾、趙成 珍、古斯塔沃 • 杜達美、菲力普 • 格拉斯、馬友友、 丹尼斯 • 馬祖耶夫、安娜 • 涅翠柯、詹安德列亞 • 諾 斯達、小澤征爾、湯瑪士．夸斯托夫、甘拿迪 • 羅傑 斯特汶斯基、譚盾、湯沐海、克里斯蒂安 泰利曼、倫 敦交響樂團、NHK交響樂團、皇家阿姆斯特丹音樂廳樂 團、柏林廣播電台合唱團、萊比錫聖多馬合唱團、維也

• 爵士樂及世界音樂：波比 麥非年、尤蘇 恩多爾、 艾斯佩蘭薩 • 斯伯丁、Orquesta Buena Vista Social Club、粉紅馬天尼

• 舞蹈：米高 巴里殊尼哥夫、蕭菲 紀蓮、艾甘 漢、美國芭蕾舞劇院、雲門舞集、漢堡芭蕾舞團—約 翰．紐邁亞、紐約市芭蕾舞團、巴黎歌劇院芭蕾舞團、 翩娜 包殊烏珀塔爾舞蹈劇場

• 戲劇：彼得 • 布祿克、羅伯特．利柏殊、蜷川幸雄、羅 柏特 • 威爾遜、柏林劇團、中國國家話劇院、皇家莎士 比亞劇團

• 大型特備節目：《藝裳奇幻世界》、星躍馬術奇藝坊

• 戶外節目：《聲光園》、《幻光動感池》、《聲光頌》

香港藝術節積極與本地演藝人才合作，並致力為新進藝術 家提供展示才華的平台。藝術節至今委約及製作逾 250 套 本地全新創作，包括粵劇、戲劇、室內歌劇、音樂和舞蹈 作品，不少製作更已在香港及海外多度重演。近年的藝術 節新製作包括《鼠疫》、《陪着你走》、《百花亭贈劍》、《香 港家族》三部曲、《世紀

The HKAF, launched in 1973, is a major international arts festival committed to enriching the cultural life of the city by presenting leading local and international artists in all genres of the performing arts as well as a diverse range of “PLUS” and educational events in February and March each year.

The HKAF is a non-profit organisation. The total estimated income for FY2022/23 (including the 51st Hong Kong Arts Festival and 2023 “No Limits”) is approximately HK$150 million. Current Government annual funding accounts for around 18% of the Festival's total income. Around 24% of the Festival’s income needs to come from the box office, and around 43% from sponsorship and donations made by corporations, individuals and charitable foundations. The remaining 15% is expected to come from other revenue sources including the Government’s matching scheme, which matches income generated through private sector sponsorship and donations. The HKAF has presented top international artists and ensembles across multiple genres, such as*:

• Western opera: Bavarian State Opera, Oper Leipzig, The Bolshoi Theatre, The Mariinsky Theatre

• Chinese opera: China National Peking Opera Company, Hebei Clapper Opera Troupe, Shanghai Zhang Jun Kunqu Art Center, Suzhou Kunqu Opera Company of Jiangsu, Zhejiang Xiaobaihua Yue Opera Troupe

Classical music: Cecilia Bartoli, Riccardo Chailly, Seong-Jin Cho, Gustavo Dudamel, Philip Glass, Yo-Yo Ma, Denis Matsuev, Anna Netrebko, Gianandrea Noseda, Seiji Ozawa, Thomas Quasthoff, Gennady Rozhdestvensky, Tan Dun, Muhai Tang, Christian Thielemann, London Symphony Orchestra, NHK Symphony Orchestra, Royal Concertgebouw Orchestra, Rundfunkchor Berlin, Thomanerchor Leipzig, Vienna Philharmonic Orchestra

• Jazz and world music: Bobby McFerrin, Youssou N'Dour, Esperanza Spalding, Orquesta Buena Vista Social Club, Pink Martini

Dance: Mikhail Baryshnikov, Sylvie Guillem, Akram Khan, American Ballet Theatre, Cloud Gate Dance Theatre, The Hamburg Ballet – John Neumeier, New York City Ballet, Paris Opera Ballet, Tanztheater Wuppertal Pina Bausch

• Theatre: Peter Brook, Robert Lepage, Yukio Ninagawa, Robert Wilson, Berliner Ensemble, National Theatre of China, Royal Shakespeare Company

• Large-scale special events: World of Wearable Art, Zingaro

• Outdoor events: Power Plant, Super Pool, Chorus

The HKAF actively collaborates with Hong Kong’s own creative talent and showcases emerging local artists. Over the years, HKAF has commissioned and produced over 250 local productions across genres including Cantonese opera, theatre, chamber opera, music and contemporary dance, many with successful subsequent runs in Hong Kong and overseas. Recent HKAF productions include The Plague, Always by Your Side, Pavilion of a Hundred Flowers, A Floating Family – A Trilogy, Hong Kong Odyssey, Danz Up, Datong – The Chinese Utopia, The Amahs and Murder in San Jose, to name a few.

The HKAF frequently partners with renowned international artists and institutions to produce exceptional works, such as Der Fensterputzer (The Window Washer) co-produced by HKAF, Goethe-Institut Hong Kong and Tanztheater Wuppertal Pina

香港》、《炫舞場》、《大同》、 《金蘭姊妹》、《聖荷西謀殺案》等。

香港藝術節多年來與知名海外藝術家及團體聯合製作不少 優秀作品，當中包括由香港藝術節、香港歌德學院及翩 娜．包殊烏珀塔爾舞蹈劇場聯合製作的《抹窗人》、由倫 敦老域劇院、布魯克林音樂學院與尼爾街製作公司製作、 香港藝術節為聯合委約機構之一的「橫貫計劃」之《暴風 雨》及《李察三世》、由香港藝術節及上海國際藝術節聯 合委約的《青蛇》、三藩市歌劇院與香港藝術節聯合製作 的《紅樓夢》等。

香港藝術節 大力投資下一代的藝術教育。「青少年之友」

成立 30 年來，已為逾 810, 000 位本地中學生及大專生提供 藝術體驗活動。藝術節近年亦開展多項針對大、中、小學 生的藝術教育活動，包括由國際及本地藝術家主持的示範 講座及工作坊、學生展演、演前講座、公開彩排、以及欣 賞藝術節演出。同時，通過「學生票捐助計劃」，藝術節 每年提供約 10, 000 張半價學生票。

香港藝術節每年主辦一系列多元化並深入社區的「加料節 目」，例如電影放映、示範講座、大師班、工作坊、座談 會、後台參觀、展覽、藝人談、文化導賞團等，鼓勵觀眾 與藝術家互動接觸。

香港藝術節亦銳意將共融藝術理念拓展到社區每一角落。 由藝術節與香港賽馬會慈善信託基金聯合呈獻的「無限

2019 年正式開展，透過一系列的演出及多元的 教育及社區外展節目，「無限亮」致力創造共融空間，讓不 同能力人士均可以一同欣賞、參與、擁抱藝術。

Bausch, Richard III and The Tempest produced by The Old Vic, BAM and Neal Street under “The Bridge Project” with HKAF as a co-commissioning institution, Green Snake co-commissioned with Shanghai International Arts Festival, and Dream of the Red Chamber co-produced with San Francisco Opera.

The HKAF invests heavily in arts education for young people. Over the past 30 years, our “Young Friends” scheme has reached over 810,000 local secondary and tertiary school students. A variety of arts education projects serving primary, secondary, and tertiary school students have been launched in recent years, featuring activities such as student showcases, pre-performance talks, open rehearsals, opportunities to attend Festival performances, as well as in-school workshops and lecture demonstrations led by international and local artists. Donations to the “Student Ticket Scheme” also make available approximately 10,000 half-price student tickets each year.

The HKAF organises a diverse range of “Festival PLUS” activities in community locations each year to enhance engagement between artists and audiences. These include films, lecture demonstrations, masterclasses, workshops, symposia, backstage visits, exhibitions, meet-the-artist sessions, and guided cultural tours.

The HKAF actively promotes inclusiveness and understanding via the arts to every corner of the community. The “No Limits” project, co-presented with The Hong Kong Jockey Club Charities Trust, was launched in 2019. Through a series of performances and diverse arts experiences for students and the community, “No Limits” strives to create an inclusive space for people with different abilities to share the joy of the arts together.

The HKAF officially launched the Hong Kong Arts Festival Foundation in 2022 to provide greater financial security and longterm sustainability for the Festival. Donations to the Foundation will help the Festival to present large-scale projects which its annual budget cannot cater for. (2023

香港藝術節為創造更穩健的財政環境以及確保藝術節的長期 可持續性，於 2022 年成立香港藝術節基金會，旨在讓藝術 節得以在未來進行年度預算以外的大型特別項目。

*有關香港藝術節的過往節目，可參考以下網頁 Details of past HKAF programmes can be found at https://w2.hk.artsfestival.org/en/about-us/past-programmes/past-programmes-2021.html

誠邀贊助或捐助香港藝術節；詳情請與藝術節發展部聯絡。

To find out more about sponsorship opportunities and donation details for the Hong Kong Arts Festival, please contact the HKAF Development Department.

香港藝術節協會 2022 ／ 23 年度預計收入來源（約港幣一億五千萬）

電郵 Email: dev@hkaf.org

直綫 Direct Lines: (852) 2828 4910/11/12

網頁 Website: www.hk.artsfestival.org/en/support-us

Estimated Income Sources for Hong Kong Arts Festival Society in FY 2022/ 23 (Approximately HK$150 Million)

HONG KONG ARTS FESTIVAL

感謝 would like to thank

贊助 for sponsoring

新編粵劇

Cantonese OperaLove in the Bamboo Grove

新編粵劇《竹林愛傳奇》

CANTONESE OPERA—

LOVE IN THE BAMBOO GROVE

03–04.03.2023 / 7:30pm

香港文化中心大劇院

Grand Theatre, Hong Kong Cultural Centre

演出長約 3 小時 30 分鐘，包括一節中場休息

Approximately three hours and 30 minutes including one interval

粵語演出，附中、英文字幕

Performed in Cantonese with Chinese and English surtitles

The Seven Sages of the Bamboo Grove and The Song of Guangling

敬請關掉所有響鬧及發光裝置

Please switch off all sound-making and light-emitting devices

本場刊採用環保紙張印刷

This programme is printed on environmentally friendly paper

請勿擅自攝影、錄音或錄影

Unauthorised photography or recording of any kind is strictly prohibited

如不欲保留本場刊，請於完場後放入場地的回收箱

If you don't wish to keep this booklet, please return it at the admission point

所有作品內容均由創作團隊獨立製作，並不代表犇亞慈善基金有限公司及贊助機構之立場或意見。

The content of all works is independently produced by the creative team, and does not reflect the views or opinions of the Primasia Foundation Limited nor the Sponsor.

© Lawrence Ng @ Workhouse

封面照片 Cover Photograph

© Lawrence Ng @ Workhouse

新編粵劇《竹林愛傳奇》 Cantonese Opera—Love in the Bamboo Grove

編劇 Playwright

杜國威 Raymond To

導演 Director

新劍郎 Sun Kim-long

統籌 Coordinator

藍天佑 Lam Tin-yau

音樂設計 Music Arrangement

江駿傑 Jason Kong

燈光設計 Lighting Designer

梁煒康 Wyborn Leung Wai-hong

舞台設計 Set Designer

張正和 Cheung Ching-wo

服裝設計 Costume Designer

梁月慧 Leung Yuet-wai

武術指導 Martial Arts Instructor

韓燕明 Han Yanming

舞蹈設計 Choreographer

曾浩姿 Vanessa Tsang

擊樂領導 Percussion Leader

高永熙 Ko Wing-hei

音樂領導 Music Leader

佘嘉樂 Share Ka-lok

舞台監督 Stage Manager

高文謙 Ko Man-him

助理舞台監督

Assistant Stage Manager

張慧婷 Crystal Cheung

燈光助理 Lighting Assistant

文華 Man Wah

舞台助理 Stage Assistant

陳健一 Chan Kin-yat

字幕控制 Surtitles Operator

柳生 Lau Seng

行政秘書

Administrative Secretary

周嘉儀 Annie Chow

經理 Manager

鄭蘭芬 Euphemia Cheng

佈景道具 Set and Props

廣興舞台佈景製作公司 Kwong Hing Stage Scene Production

服裝 Costume

金儀戲劇服裝有限公司 Kam Yee Drama Dress Company Limited

英文字幕翻譯

English Surtitles Translation

楊為信 Harold Yeo

演員及角色 Cast and Characters

藍天佑 Lam Tin-yau

飾–向沖 as Xiang Chong

鄭雅琪 Cheng Nga-ki

飾–嵇旦 as Ji Dan

新劍郎 Sun Kim-long

飾–司馬炎（晉帝） as Sima Yan (Emperor of Jin)

梁煒康 Wyborn Leung Wai-hong

飾–山濤 as Shan Tao

阮德鏘 Johnson Yuen

飾–鍾會 as Zhong Hui

王潔清 Wang Kit-ching

飾–阮月清 as Ruan Yueqing

詹浩鋒 Jim Ho-fung

飾–阮孚 as Ruan Fu

盧麗斯 Lo Lai-see

飾–皇太后 as Empress Dowager

蘇鈺橋 Premium Jiny So

飾–陳三 as Chen San

內唱合唱 Chorus 盧銘章、余仲欣

Kenji Lo and Chung Helli Yemina

著名編劇，作品膾炙人口，更 獲獎無數，包括兩屆香港電影金 像獎、台灣金馬獎和三屆香港舞 台劇獎等。2022 年，香港電影 編劇家協會頒發「榮譽大獎」表 揚其電影成就及貢獻。

杜國威自六歲起參與香港電台及 麗的呼聲廣播劇，1950-60 年代

活躍播音界，更獲譽爲「播音 神童」。1960 年獲華僑日報譽為

「天才兒童廣播員」，載入《兒 童報》封面人物； 同年拍攝電 影《飄萍恨》，與前輩名伶鄧碧 雲、羅劍郎、鳳凰女、梁醒波 等合演。

杜氏作品過百部，舞台劇有： 《我和春天有個約會》、《人間有 情》、《愛情觀自在》等，以粵劇 爲題材的亦佔不少，例如《虎度 門》、《南海十三郎》、《劍雪浮 生》、《寒江釣雪》等。音樂劇 及舞劇先後有《城寨風情》、《歷 奇》及《夢傳說》； 電影劇本有 《上海之夜》、《刀馬旦》、《三個 相愛的少年》、《如果愛》，及由

戲曲音樂劇作品有：《珍珠衫》 及《好姐賣粉果》等。

Raymond To is a renowned playwright and the creator of many popular works. He has won numerous accolades, including two Hong Kong Film Awards, Golden Horse Awards in Taiwan, and three Hong Kong Drama Awards. In 2022, he received the Honourary Award from the Hong Kong Screenwriters’ Guild for his achievements and contributions to the film industry.

To has been participating in the Rediffusion radio dramas since the age of six. From the 1950s to the 1960s, he was active in the broadcasting industry, and was even given the title of “Child Prodigy of Broadcasting”. In 1960, Overseas Chinese Daily News praised him as a “Child Genius Broadcaster” and he was featured on the cover of

Children’s Weekly. In the same year, he joined the production of The Affairs of Miss Ping and worked with senior artists including Tang Pik-wan, Law Kim-long, Fung Wong-nui and Leung Sing-poh.

He has created more than 100 works. Theatre productions he has worked in include I Have a Date with Spring, The Umbrella Story and Love à la Zen. Many have been influenced by Cantonese opera, including Hu Du Men, The Mad Phoenix, A Sentimental Journey and The Serenade. His musicals and dance dramas include Tales of the Walled City, Ricky and Angel Falls. His film scripts include Shanghai Blues, Peking Opera Blues, Oh! My Three Guys, and Perhaps Love. He has also adapted films from plays, such as I Have a Date with Spring and The Mad Phoenix. His Cantonese opera theatre works include The Pearl Shirt and I Love Steam Dumpling.

舞台劇改編成電影的《我和春天 有個約會》和《南海十三郎》。

杜國威 RAYMOND TO

編劇 Playwright

© Boney Luk

導演的話 Director ’ s Note 一齣戲的成敗，編、導、演一 環扣一環，缺一不可。新編 粵劇《竹林愛傳奇》由獲獎無 數之編劇家杜國威執筆——杜 sir 成名於舞台劇界，今次編 寫粤劇倒算是一突破（雖非首 次，亦屬偶一為之）。就是這 原因，令我毅然接受作為導演 之邀約。

與杜 Sir 相識已有一段時間，但 彼此合作則結緣於他的經典名 作《南海十三郎》，有幸在劇 中飾演薛覺先一角，自此大家 比較熟落。今次是我倆首次以 編與導模式合作，期待！ 接過了《竹林愛傳奇》劇本之 後，細閱一遍，第一感覺是此 為一齣可塑性高的戲 ： 故事意 境清新，笑看風雲，唱、唸、 做、打，大有發揮空間，當 中有舞蹈，亦有武打，內容充 實，全新佈景設計配合燈光效 果亦豐富了舞台上的畫面，配 合鑼鼓及音樂，足令觀眾享受 視聽之娛。今次演出我坐擁優 秀之團隊，年青的演員及樂隊 皆朝氣勃勃，期望這團隊能為 此戲帶來清新氣息。

新劍郎

The success of an opera is intrinsically linked to its script, the director and the performances of the actors. Each component is indispensable. Cantonese Opera—Love in the Bamboo Grove was written by Raymond To, a contemporary dramatist, screenwriter and film director with numerous accolades. After being celebrated in the theatrical field, To challenged his limits by writing a Cantonese opera (even though this is not his first time, he seldom writes Cantonese operas). It is for this reason that I decided to accept the invitation to serve as director.

We have known each other for quite some time and first worked together during the production of one of his classics, The Mad Phoenix. I was honoured to play the role of Sit Kok-sin in that play, and we got to know each other better. This is our first time working together as playwright and director, so I was eagerly awaiting the experience.

After receiving the script of Love in the Bamboo Grove, I read it in detail. My first impression was that it is a highly malleable opera with a fresh setting, encouraging people to smile through the storm. There remains room for creativity in the parts for singing and spoken dialogue, in the expression through body movements, and in the fighting scenes, and the opera also includes dancing and acrobatic fighting. There is much to offer

in terms of content, and the new set design, accompanied by lighting design, enriches the performance on stage. Along with the percussion and music-playing, the audience can expect much visual and audio entertainment. For this performance, I worked with an outstanding team, including young actors and a band full of vigour and vitality. I believe all these factors make our opera a breath of fresh air.

Sun Kim-long

新劍郎 SUN KIM-LONG

新劍郎是香港資深粤劇演員、 製作人及編劇，舞台經驗豐 富。除演出外，亦參與幕後製 作，包括《七賢眷》、《元世祖 忽必烈》、《蝴蝶夫人》、《妻 嬌妾更嬌》及《十八羅漢伏金 鵬》等。2001 年他初次編寫粤 劇劇本《荷池影美》；2004 年編 寫《碧玉簪》，近期作品有《搜 證雪冤》、《情夢蘇堤》、《媚香 留情》及《鳳釵情》等。現為 香港八和會館副主席及油麻地 戲院場地夥伴計劃之「粤劇新 秀演出系列」的藝術總監，指 導粵劇新秀演員。曾任粵劇發 展基金顧問委員會及粵劇發展 諮詢委員會委員，2018 年獲香 港藝術發展局藝術家年獎（戲 曲）、2019 年獲香港特別行政區 政府頒授榮譽勳章。

Sun Kim-long is a veteran performer, producer and playwright dedicated to acting, promotion and production of Cantonese opera. He has contributed to works including Seven Filial Kin, The Emperor of Yuen--Kublai Khan Khan, Madame Butterfly, The Wife and the Concubine and Eighteen Arhats Taming the Golden Condor. He wrote his first play, Reflection of Beauties in Lotus Pond, in 2001, with many more following in subsequent years, including Jade Hairpin in 2004. His recent works include Investigation to Redress a Wrong, Romantic Dreams of Sudi, A Love Poem Stained with Blood and The Phoenix Hairpin. Sun currently serves as Vice-Chairman of the Chinese Artists Association of Hong Kong and Artistic Director of the association's Cantonese Opera Young Talent Showcase held in Yau Ma Tei Theatre. He

was a member of the Cantonese Opera Advisory Committee and Cantonese Opera Development Fund. In 2018, he was awarded Artist of the Year Award (Xiqu) by the Hong Kong Arts Development Council, and in 2019, he received the Medal of Honour from the HKSAR Government.

導演及演員 Director and Performer

飾　司馬炎（晉帝） as Sima Yan (Emperor of Jin)

統籌的話 Coordinator ’ s Note

首先感謝「香港藝術節」！不 是客套說話，是由衷感謝。雖 然我和雅琪自成立「藍天藝術 工作室」，至今已製作數十場 演出，但統籌「香港藝術節」 旗下這樣一個超大型的節目， 還真是頭一回。要協調跨界別 多部門的人員，過程中所遇到 的，所學到的，都是非常難得 的經驗。感謝主辦方的信任， 讓我獲得這個寶貴的機會。

第二感恩！感恩得到杜國威先 生（杜 sir ）的賞識提攜。登門 想請杜 sir 寫劇本的人多不勝 數，他卻抽出寶貴時間，幫我 們「度身打造」這個劇本。還 常常為我們分析劇中人性格， 而且講解細微之至。對整齣戲 來說，杜 sir 是絕對的「靈魂人 物」。除此劇外，早前他還無 私義務指導我們另一套新編粵 劇《血海迷航》，為我們提供 大量寶貴意見，可說是我和雅 琪藝術路途上的良師。感恩！

第三感謝！感謝此劇導演新 劍郎先生（田哥）。田哥為此 劇付出大量時間和心血，排練 過程一絲不苟，盡心盡力， 作為一個大老倌為我們後輩樹 立榜樣。

感謝音樂設計江駿傑先生（傑 仔）： 我和傑仔相識於微時，記 得當年大家在「跑龍套」時， 趁不用出場的空檔，躲在一旁 「度戲」構思劇本 自此我 們創作和製作了《暗箭記》、 《女兒國 · 無明愛》、《英雄 罪》、《血海迷航》。傑仔對音 樂和藝術的追求，一直不變。

感謝韓燕明老師、梁煒康 先生、張正和先生、曾浩姿 小姐、梁月慧小姐、 高永熙 先生、佘嘉樂先生、 鄭雅琪 小姐、阮德鏘先生、王潔清 小姐、詹浩鋒先生、盧麗斯 小姐、鄭蘭芬小姐、周嘉儀 小姐。我認為以上都是現時香 港首屈一指的藝術工作者，有 他/她們的努力和付出，才能 成就精采的演出。

最後感謝每一位入場支持粵劇 的觀眾，有大家的支持，粵劇 才能繼往開來，傳承下去。

藍天佑

First of all, many thanks go to the Hong Kong Arts Festival. I am not just being polite, but am genuinely grateful. Although Nga-ki and I formed the Nan Art Workshop and have produced numerous performances, this is my first time co-ordinating a performance under a large organisation like the Hong Kong Arts Festival. While co-ordinating with people across various disciplines, I encountered many things and learned a lot during the process, making this an invaluable experience. I would like to express my gratitude to the Festival for trusting me and offering me this precious opportunity.

Second of all, I am grateful to Raymond To for his recognition and guidance. Many people would like to receive a script from To, but he was willing to put his precious time into writing a tailored script for us. He analyses and shares with us the personality of the characters in detail all the time. He was

definitely an essential character in the opera! To also coached us with great generosity during the production of another new Cantonese opera, Surfing the Sea of Blood, giving us much useful feedback. For Nga-ki and I, To is our mentor on the road of artistic creation. I am deeply thankful!

Thirdly, I would like to thank our director, Sun Kim-long. He has devoted much time and effort to this opera, paying meticulous attention to every detail during rehearsals . He is truly a role model for the young generation as a veteran in the field of Cantonese opera.

Thanks also go to Jason Kong, our music arranger. We have been friends since before we found fame. I remember that when we were still working as extras in operas, we always analysed the scenes and came up with new ideas for scripts in our free time. That is how we created and produced A Hidden Arrow, The Women’s Kingdom and the Delusive Love, The Sin of Hero and Surfing the Sea of Blood. Kong’s aspirations in music and art have never changed.

I would also like thank Han Yanming, Wyborn Leung, Cheung Ching-wo, Vanessa Tsang, Leung Yuet-wai, Ko Wing-hei, Share Kalok, Cheng Nga-ki, Johnson Yuen, Wang Kit-ching, Jim Ho-fung, Lo Lai-see, Cheng Lan-fen and Annie Chow. They are all distinguished artists in Hong Kong, and I believe it is only with their efforts and contributions that a brilliant performance can be delivered.

Lastly, I would like to thank every audience of Cantonese opera. It is only with their support that Cantonese opera can continue to be performed and passed on.

Lam Tin-yau

藍天佑 LAM TIN-YAU

統籌及演員

Coordinator and Performer

藍天佑，粵劇文武生。畢業於 廣東粵劇學校和香港演藝學院。 2010 年至 2015 年間，有幸得已 故粵劇一代宗師林家聲博士親傳 林派表演藝術精髓，使得藝術 水平得以進一步飛躍。於 2014 年第 42 屆香港藝術節中，擔演 《武松》和《穿金寶扇》，被譽為 文武新一代。2011 年成立藍天 藝術工作室。先後組建頌先聲 粵劇團、天藝宏粵劇團和喜天成 粵劇團，已製作數十場傳統劇目

演出，同時也製作了多齣大型 新編粵劇，如《女兒國•無明 愛》、《暗箭記》、《血海迷航》、 《繁華三夢》等劇目。2022 年在 第 50 屆香港藝術節「新馬師曾 名劇展」中演出《一把存忠劍》 和《金釧龍鳳配》。以傳承和推 廣粵劇藝術為使命，默默耕耘， 努力不懈。

Lam Tin-yau is a Cantonese opera artist, specialising in the role of wenwusheng (male scholar and warrior). He graduated from the Guangdong Yueju School and The Hong Kong Academy for Performing Arts. From 2010 to 2015, he was under the tutelage of famous Cantonese opera artist Lam Kar-sing to learn the “Lam School” of Cantonese opera, which allowed him to considerably improve his performing skills. In 2014, with his performances in Wu Song the Tiger Killer and The Gilded Fan at the 42nd Hong Kong Arts Festival, he was acclaimed as a star of the new generation of wenwusheng performers. In 2011, he established the Nan Art Workshop, and later formed the Chung Sin Sing Cantonese Opera Troupe, the Tin Ngai Wang Cantonese Opera Troupe and the Hei Tin Sing Cantonese Opera Troupe. He

was subsequently involved in a variety of major new Cantonese opera productions, including The Women’s Kingdom and the Delusive Love, A Hidden Arrow, Surfing the Sea of Blood and Three Dreams to Prosperity. In 2022, he performed in the selected Cantonese opera pieces The Sword of Loyalty and The Golden Bracelet for A Tribute to Cantonese Opera Legend Sun Ma Sze Tsang at the 50th Hong Kong Arts Festival. He has worked hard to pass on and promote the art of Cantonese opera.

飾　向沖 as Xiang Chong

竹林七賢與《廣陵散》

The Seven Sages of the Bamboo Grove and The Song of Guangling

魏晉時期，政局動盪，司馬昭 謀朝篡魏，改國號為晉。當 時有七位名士不滿時局，憤而 隱居，常常聚集在山陽縣（河 南）的竹林，飲酒撫琴，大談 老莊玄學，行為放任不羈，後 世稱為「竹林七賢」。直至七 賢的嵇康被司馬昭所殺，他們 才各奔前程。相傳嵇康死前曾 彈奏《廣陵散》一曲，描述聶 政刺韓王的故事。古琴追求中 正平和，這首琴曲曲調慷慨激 昂，實屬罕見。

Political instability erupted in the late Wei era when Sima Zhao plotted against the House of Wei and sought to replace it with the House of Jin. At that time, seven scholars became disillusioned with the political situation and chose to live as recluses. They often gathered in a bamboo grove in Shanyang county (now in Henan province), where they drank, played music and indulged in discussions about xuanxue (mystic learning) and the philosophies of Laozi and Zhuangzi. Later, people referred to them as the Seven Sages of the Bamboo Grove. It was only when Sima Zhao executed one of the Seven, Ji Kang, when the remaining members parted ways. The legend goes that before Ji Kang died, he played the piece The Song of Guangling, which tells the historical story of Nie Zheng assassinating the King of Han. While a musician would normally seek to be neutral and calm when playing the qin, this tune has a fervent, impassioned melody, which is a rarity for such pieces.

《廣陵散》——杜國威作畫

The Song of Guangling: painting by Raymond To

General Zhong Hui

司馬師

監斬官 Execution supervisor

（弟）司馬昭

（子）向沖（女）

盟誓早訂 Lovers

本事 Synopsis

（妻）太后

兄終弟及 Passed the throne to 下令處斬 Ordered the execution

Ordered the execution

Empress Dowager 表姐弟 Cousins

（子）阮孚（女）月清

（子） 司馬炎

Empress Dowager 表姐弟 Cousins

司馬昭多番提親

被父阮籍拒絶 Sima Zhao proposed marriage for his son, Sima Yan, but was turned down by Yueqing's father, Ruan Ji

Sima Zhao proposed marriage for his son, Sima Yan, but was turned down by Yueqing's father, Ruan Ji

竹林七賢 Seven Sages of the Bamboo Grove 七賢後人 Descendants of the Seven Sages 本劇出場人物 Characters of this Production

竹林七賢 Seven Sages of the 七賢後人 Descendants of

本劇出場人物 Characters of this

這是西晉「竹林七賢」後代的故事。向秀之子向沖學武有成，到竹林找青梅竹馬的嵇康之女嵇旦，遵 守諾言結為夫妻。都統鍾會視七賢為對頭，慫恿炎帝微服出遊，實為查探竹林，誅除七賢餘黨。炎 帝遇上出來迎敵的嵇旦，驚為天人，一見傾心，更宣召她進宮，要為其父平反追封。入宮前，嵇旦 對向沖表明，此行冀能取回其父遭斬後流落皇宮的古玉寶琴。

This is a story about the descendants of the Seven Sages of the Bamboo Grove in the Western Jin dynasty. Xiang Chong, son of Xiang Xiu, has mastered the swordplay. He finds childhood friend Ji Dan, the daughter of Ji Kang, in the Bamboo Grove, in the hope of marrying and protecting her, fulfilling his promise. Commander-in-chief Zhong Hui, who sees the Seven Sages as enemies, persuades the Emperor of Jin to wear a disguise and visit the bamboo grove, so as to spy on the sages in the Bamboo Grove and kill any remaining members. The emperor meets Ji Dan, and becomes fascinated with her, falling in love at first sight. He even issues an imperial decree summoning her to the palace, hoping to redress her father’s grievances and grant him a posthumous title. Before she enters the palace, Ji Dan tells Xiang Chong of her wish to retrieve her father’s jade guqin, left behind when he was executed.

監斬官 Execution supervisor

Sima Shi (Younger brother) Sima Zhao

Wang Rong Xiang Xiu Liu Ling Ji Kang Ruan Xian Ruan Ji Shan Tao

(Son) Sima Yan

(Son) Xiang Chong (Daughter) Ji Dan (Son) Ruan Fu (Daughter) Ruan Yueqing

康 （子）阮孚（女）月清

Sima Shi (Younger brother) Sima Zhao

Wang Rong Xiang Xiu Liu Ling Ji Kang Ruan Xian Ruan Ji Shan Tao

(Son) Sima Yan

General Zhong Hui

分場 Scenes

幕一 Act 1

序場 Prelude

場一 Scene 1

場二 Scene 2

場三 Scene 3

場四 Scene 4

場五 Scene 5

幕二 Act 2

場一 Scene 1

場二 Scene 2

場三 Scene 3

場四 Scene 4

竹林鬧鬼、同道齊聚 回巢舊燕、錯失良機 十載重逢、感懷遭遇

明爭暗鬥、滿朝是非 為愛而生、盟心取義 驚為天人、風波又起

At the Haunted Bamboo Grove, Like-minded Heroes Gather

The Sparrow Returns Home, Yet the Boat is Missed

Reunion after Ten Years, Awakening Emotions

Scandals Arise, Unsettling the Court

Living for Love, United for Righteousness

Stunning Heaven and Earth, Trouble Stirs Again

禍福不知、那懼生死 虎口逃生、隨機智取 引狼入洞、因果毋欺

天涯海角、重會何期

With an Unknown Fate, No Fear of Life or Death

Fleeing the Tiger’s Jaws, Taking a Chance to Outwit

Luring the Wolf in, No Escape from Karma

At the Ends of the Earth, When Will We Meet Again

道可道，非常杜——

杜國威和粵劇有個約會

A Taoist world in the Bamboo Grove

Raymond To and his Cantonese Opera Dream

甫踏入杜國威的家門，便看到滿滿當當的一排金馬、電影金像獎獎座 ； 僅五步之遙的轉角處卻是一 處幽靜的書畫角落，透露着其多棲身份 ： 電影/舞台劇編劇、畫家，不過其最新粵劇劇本《竹林愛傳 奇》還展現出他另一個不常見的身份——粵劇編劇。而他亦愛另闢蹊徑，走不尋常的道路，要藉一個 熱血愛情故事，塑造道家思想世界。

The first sight you see when walking into Raymond To’s humble home is a shelf full of trophies he received at the Golden Horse Awards and Hong Kong Film Awards. Just a few steps away, there’s a small, quaint enclave full of Chinese paintings and calligraphy. The multifaceted space reveals the many hats that To has been wearing over the years—playwright, screenwriter, painter and now, with his latest work, Love in the Bamboo Grove, the newly added role of Cantonese opera librettist. To enjoys walking the roads less travelled, and this time he’s been on a romantic journey of blood and tears to the abstruse cosmos of Taoism.

杜國威的寫作生涯從離不開粵 劇，早在廿年前，他便憑多部 粵劇題材的電影及舞台劇本打 響名堂，例如《虎度門》就是 講一名女文武生的故事；《南 海十三郎》更直接把傳奇粵劇 作家南海十三郎的故事搬上舞 台。但他卻始終心繫「真正」 的粵劇，皆因自己打小就和

年紀小小

的杜國威已在「麗的呼聲」電 視台以童星播音員身份與冼劍 麗、鄧寄塵等名伶搭檔演出， 到劇院看大戲更是家常便飯： 「我們那一代的人，看大戲就如

一樣稀鬆

平常，加上當時小童進場往往 不用付費，坐在母親膝上就是

彈指間，他經歷了四十年寫作 生涯，期間也曾着手嘗試不 同形式的粵劇創作，如上一 部《珍珠衫》，便謂之「戲曲 音樂劇」（後來亦有改編成粵 劇版），力求跳出粵劇固有的 框框 ； 但兜兜轉轉之下，杜國 威此刻最大的心願，仍是譜寫 一齣「貨真價實」傳統粵劇劇 本，要鑼鼓、板腔、做手等 樣樣有齊，最後寫成《竹林愛 傳奇》這部令人耳目一新的傳 統粵劇。

紛亂中建構道家世界

既云傳統，又何新之有？《竹 林愛傳奇》背後的歷史考證殊 不簡單： 劇本系以晉初為背 景，講述竹林七賢的兩位後 人，如何在動蕩時局及兩代人

的恩怨情仇下，勇敢追求愛情 和自我。故事雖以典型的才子 佳人戲碼為藍本，但他選取了 西晉這個較冷門的歷史背景， 同時也將竹林七賢這一極其獨 特的時代風貌以粵劇形式展 現人前。

七賢何許人也？魏晉時期一群 崇尚自然無為的名士，因爲不 滿朝政而選擇隱身自晦。他們 在竹林結伴暢飲，以老莊學說 為宗。杜國威說 ：「《竹林愛傳 奇》背後還有另一動機，就是 讓大家知道，我們的文化基因 裏除了儒、佛之外，還流有道 家的血液。自晉以來，中國的 哲學傳統其實一直是儒釋道合 一，如今卻很少人了解道家在 思想史上的重要性，所以我希 望藉這部劇創造一個純粹的道 教世界。」

老莊思想予人虛無縹緲之感， 而杜國威卻以一個簡單的愛情 故事來構築一個深遠的命題 ： 「道家思想並不拘泥於單一價 值觀，而是講『齊一』： 即使 世局恆變、大家見解不同，還 是可以找到相通的地方。」故 事描繪了形形色色、立場不一 的人物，有的堅守原則、隱 遁避世 ； 有的如七賢之一的山 濤般選擇入仕，但劇本不予批 判，給每個角色留白，「做戲 最重要的還是娛樂，想得太深 就不好看了。看完戲後，你覺 得最喜歡哪個角色、最能代入 哪個角色，那就是你在尋找的 答案了。」

撰文：陳劭儀，香港藝術節助理編輯 原文刊登於香港藝術節 2023 年之 《閲藝》雜誌

© Boney Luk

A film and TV virtuoso returns to his Cantonese opera origin

To’s writing career has always been connected to Cantonese opera. As a rising playwright 20 years ago, To’s popularity was built on his fine scripts for films and stage plays based on Cantonese opera. His notable Hu Du Men tells the story of a woman who professionally plays the female version of the “civil and martial” male leading role in Cantonese opera. Blockbuster The Mad Phoenix chronicles the epic life of legendary Cantonese opera playwright Kong YuKau (often referred to by the stage name “the 13th son of Nanhai”). Cantonese opera has been To’s calling, not just as a source of inspiration but an art form he ultimately yearns for, all dating back to his childhood years. While working as a junior broadcaster for Rediffusion Television, To sat alongside Cantonese opera celebrities

Sin Kim-lai, Tang Kee-chan and other big names in the radio station. Frequenting Cantonese opera theatre as a little boy, To recounts: “For my generation, going to the theatre was as common as kids listening to rap music nowadays. Kids often got free entry. They simply sat on their mothers' laps during the night-long play.”

Four decades of writing have passed at the click of a finger. Over the course of a vast but focused career, To did attempt to create Cantonese opera using a different approach, such as what

was described as the “Chinese opera-musical” The Pearl Shirt (a Cantonese opera version was made afterwards), in which To sought to defy the conventions of the traditional performing art. And after flirting with experimentation, To’s greatest wish now is to write a “genuine” Cantonese opera script. Faithfully equipped with gongs and drums, a prescriptive singing system, hand movements and everything else inherited from tradition, Love in the Bamboo Grove is a fresh take on the classic art form.

From ruins and debris to Taoist utopia

How does tradition coexist with innovation? Backed by an indepth historical analysis, the early Jin dynasty-set Love in the Bamboo Grove quest for love and selfhood by two descendants of the Seven Sages of the Bamboo Grove against social unrest and a feud between warring families. Although the subject of romantic love between a handsome scholar and a pretty girl is regularly seen in classical Chinese literature, the work is not a plain ode to the stereotype. Set in the lesserknown context of the Western Jin dynasty and using the form of Cantonese opera to retell the unique tale of the Seven Sages, the work has a lot to offer modern audiences.

So who were the titular Seven Sages? They were a group of idiosyncratic intellectuals devoted to nature and leisure.

Rejecting urban life and politics, the group indulged in play and alcohol, and were influenced by the Taoist philosophies of Laozi and Zhuangzi. To elaborates: “The hidden motive behind the play is to raise people’s awareness of Taoism, a fundamental discipline embedded in our cultural DNA that’s been overshadowed by mainstream Confucianism and Buddhism. The Three Teachings of Confucianism, Buddhism and Taoism have been a harmonious aggregate in Chinese philosophy since the Jin dynasty, but most of us have neglected the importance of Taoism in the history of thought. I hope to construct a world that is pure and true to Taoism through this play.”

While the teachings of Laozi and Zhuangzi are often seen as vague and difficult to grasp, To decided to deal with this enormously complicated topic using a simple love story. “Taoism is not a monotonous set of values; it is about adjusting controversies and finding ‘oneness’ across heterogeneous matters. The social-political world is everchanging, people’s conflicts are never-ending, but there is always a universal substance that connects everything.” The story depicts an array of characters with divergent standpoints; some are loyal to their vow of living as a recluse and some—such as Shan Tao—decide to resume political duties. The script makes no judgement and is completely neutral on each character. “What matters the most in a play is still the entertainment aspect. When an audience is asked to think continually, there is no room to enjoy the art. After the show, if there is a particular role that intrigues you, or even represents you, that will be your personal answer to all the questions.”

© Lawrence Ng @ Workhouse

Text: Shao yi Chan, HKAF Assistant Editor Originally published in the HKAF’s 2023

鄭雅琪自小醉心粵劇，十四歲 跟隨國寶級藝術家裴艷玲老師學 藝，習旦角。2008 年畢業於香 港演藝學院中國戲曲粵劇課程。 曾於 2013 年香港藝術節中夥拍 前輩阮兆輝先生演出《雙仙拜 月亭》，2014 年再次參與香港藝 術節，與藍天佑合演《穿金寶 扇》。更有幸於 2014 年夥拍殿堂 級前輩龍劍笙女士，演出 25 場 《任藝笙輝念濃情》，之後五度合 演《紫釵記》、《牡丹亭驚夢》、 《蝶影紅梨記》及《帝女花》。

2011 年成立藍天藝術工作室及 頌先聲粵劇團，作傳承及創作等 多方面的演出，創作多齣大型新 編粵劇《女兒國•無明愛》、《暗 箭記》、《血海迷航》及《繁華 三夢》。2020 年成立「藍天直播 室」，在疫情期間努力不懈，堅 持推廣粵劇藝術，致力推動粵劇 藝術的發展。

Cheng Nga-ki has had a passion for Cantonese opera since she was a child. At the age of 14, she learned opera skills from veteran artist Pei Yanling, specialising in the role of dan (female). In 2008, she graduated from the Hong Kong Academy for Performing Arts' Cantonese Opera programme. In 2013 and 2014, she costarred with her seniors Yuen Siu-fai and Lam Tin-yau in performances of The Moon Pavilion and The Gilded Fan at the Hong Kong Arts Festival. In 2014, she was honoured to perform with her distinguished senior Lung Kim-sang for 25 shows of Excerpts of Cantonese Operas by Lung Kim-sang, and later five performances of The Legend of the Purple Hairpin, The Peony Pavilion, The Butterfly and Red Pear Blossom and Floral Princess. In 2011, she established the Nan Art Workshop and the Chung Sin Sing Cantonese Opera Troupe to create more opera productions and pass on Cantonese opera. She has created several large-scale new Cantonese opera productions including The Women’s Kingdom and the Delusive Love, A Hidden Arrow, Surfing the Sea of Blood and Three Dreams to Prosperity. In 2020, she founded the Lan Livestream Studio, promoting the art of Cantonese opera and stimulating development in the field during the pandemic.

鄭雅琪 飾 嵇旦 Cheng Nga-ki as Ji Dan

梁煒康 飾 山濤

Wyborn Leung Wai-hong as Shan Tao 燈光設計及演員

Lighting Designer and Performer 梁煒康少年時於父親梁漢威之漢 風粵劇研究院學藝；蒙郭錦華老 師教授基本功、賈君祥老師教授 淨角身段，及拜高潤權師父門下 學習鑼鼓，更隨阮兆輝學習粵劇 傳統排場精髓，近年則專注向丑 生行當發展。梁氏兼擅台前幕 後的工作，經常為各項大型或新 編粵劇製作擔任舞台監督及燈光 設計。2011 年，他與黎耀威、 龍玉聲及劉芷恩成立「吾識大 戲」，製作《三姑六婆》喜劇系 列、《王子復仇記》及《忽必烈 大帝》等不同風格的粵劇，以及 在《蘇秦-合縱金印記千秋》集 編、導、演之三職。曾於香港 演藝學院戲曲課程擔任客席講 師，現任西九文化區管理局諮詢 委員會委員。

Since his youth, Leung Waihong has been a student at his father Leung Hon-wai’s Hon Fung Cantonese Opera Institute. Leung Wai-hong has established himself as a performer under the tutelage of Guo Jinhua for the basics, Jia Junxiang for movement and posture of jing roles (a role known for painted faces such as heroes, generals, villains, gods or demons), Ko Yun-kuen for gongs and drums and Yuen Siu-fai for grasping the essence of traditional formulaic plays. He is now extending his range by specialising in chousheng (comic male) roles. In 2011, Leung Wai-hong, Lai Yiu-wai, Thomas Law and Lau Tsz-yan established Canto Op and staged a significant number of shows, including Cantonese operas Lunar New Year’s Chatty Women, The Arrant Revenge and Kublai the Great. He wrote, directed and starred in The Historical Prime Minister – Su Qin. Having worked previously as a guest lecturer at the Hong Kong Academy for Performing Arts’ Chinese Opera programme, he is now a member of the Consultation Panel of the West Kowloon Cultural District Authority.

阮德鏘生於梨園世家，七歲時應 香港電台之邀首踏台板，演出粵 劇《夜戰馬超》，飾演「馬超」 一角。十餘歲於北京隨胡學禮 習長靠武生、花臉及鬚生行當， 返港後分別隨蔣世平及高潤權學 習粵劇唱腔及鑼鼓運用。2014 年榮獲西九戲曲中心粵劇新星 展演最佳表演獎。2015 年中國 戲曲節劇目《武皇陛下》執行導 演。現為香港電台第五台《戲 曲天地》節目主持之一。

Johnson Yuen comes from a family of Cantonese opera veterans. At the age of seven, he accepted an invitation from RTHK to perform on stage for the first time in the Cantonese opera Battle with Ma Chao at Night, playing Ma Chao. During his adolescence, he apprenticed

阮德鏘 飾 鍾會 Johnson Yuen as Zhong Hui

under Hu Xueli, learning to play the roles of changkao wusheng (male warrior wearing long armour), hualian (painted face) and xusheng (older male). Upon returning to Hong Kong, he also studied under Cheung Saiping and Ko Yun-kuen for vocal and percussion techniques respectively. In 2014, he received the Best Performance Award at the Rising Stars of Cantonese Opera presented by the West Kowloon Cultural District Authority. In 2015, he served as executive director of the production of Her Majesty Wu Zetian at the Chinese Opera Festival. He is now one of the programme hosts of The World of Chinese Opera on RTHK Radio 5.

王潔清從中學開始隨梁森兒學 藝，習花旦。2008 年修畢香港 演藝學院粵劇演藝深造文憑， 2010 年獲香港電台與八和會館 頒發粵劇青年演員（旦角）飛 躍進步獎，並為 2011 年度藝術 新秀獎（戲曲）得主。現活躍 於香港各大劇團擔任正印及二 幫花旦。

Wang Kit-ching studied under Leung Sum-yee since her secondary school days, specialising in the huadan (female) role. In 2008, she graduated from the Hong Kong Academy for Performing Arts with an Advanced Diploma in Cantonese Opera, and received the Young Cantonese Opera Outstanding Artist Award (for the role of dan) co-presented by RTHK and the Chinese Artists Association of Hong Kong in 2010. In 2011, she also received the Award for Young Artist in Xiqu. She is now actively performing in many theatres in Hong Kong as a zhengyin huadan (female lead) and erbang huadan (second female lead).

詹浩鋒，工武生、小生。畢業 於湛江小孔雀粵劇學校，師承於 已故藝術家孔雀屏。2010 年獲 得香港演藝學院錄取，來港深 造，畢業後獲阮兆輝伉儷賞識， 收為入室義子。2021 年度獲第 二屆香港粵劇金紫荊優秀年青演 員獎。曾擔演《紅樓夢》、《販 馬記》及《哪吒》等劇。

Jim Ho-fung specialises in wusheng (male warrior) and xiaosheng (young male) roles. He graduated from the Zhanjiang Xiao Kong Que Cantonese Opera School and was an apprentice of the late artist Kong Queping. In 2010, he was admitted into the Hong Kong Academy for Performing Arts for further studies. After graduation, his talent was recognised by Yuen Siu-fai and his wife, and they took him on as an apprentice and godson. In 2021, he was named Best Young Artist at the second Cantonese Opera Golden Bauhinia Awards. He has performed in productions including Dream of the Red Chamber, The Story of Horse Selling and Nezha.

詹浩鋒 飾 阮孚 Jim Ho-fung as Ruan Fu

王潔清 飾 阮月清 Wang Kit-ching as Ruan Yueqing

盧麗斯，習旦角，是香港八和 粵劇學院第二屆學員，曾隨任大 勳及陳敏老師學藝。現為香港 八和會館油麻地戲院場地伙伴 計劃之「粵劇新秀演出系列」成 員。曾擔演《雙仙拜月亭》、《六 月雪》、《征袍還金粉》、《雙珠 鳳》等劇目。

Lo Lai-see specialises in dan (female) roles. She was a member of the second batch of students who graduated from the Cantonese Opera Academy of Hong Kong and has apprenticed under Yam Taifan and Chan Min. She is now performing in the Cantonese Opera Young Talent Showcase under the Yau Ma Tei Theatre Venue Partnership Scheme, presented by the Chinese Artists Association of Hong Kong. She has performed in productions including The Moon Pavilion, The Summer Snow, The Returned Armour and The Double-pearl Phoenix.

蘇鈺橋，工武丑，兼習生角。 畢業於香港八和粵劇學院。自幼 跟資深雜技及粤劇演員父親蘇永 池，學習雜技，基本功及毯子 功，後師從關世振及隨黃滬醒、 韓燕明等老師學藝。曾演粵劇 《擋馬》、《寶蓮燈》、《鬧龍宮》； 京劇《猴王借扇》、《武松打店》 等劇目。

Premium Jiny So specialises in wuchou (military comedian male) and sheng (male) roles. He graduated from the Cantonese Opera Academy of Hong Kong and has, since a young age, received training in acrobatic skills, basic techniques and somersaults from his father, veteran acrobatic Cantonese opera artist So Wingci. He later apprenticed under Guan Shizhen and was coached by Huang Huxing and Han Yanming. He has participated in Cantonese opera productions including Stop the Horse, The Lotus Lamp and Uproar in Dragon Palace. He has also

performed in Peking operas such as Monkey King Borrows the Magic Fan and Wu Song Fighting in the Tavern.

盧麗斯 飾 皇太后 Lo Lai-see as Empress Dowager

蘇鈺橋 飾 陳三 Premium Jiny So as Chen San

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Jason Kong

音樂設計 Music Arrangement

江駿傑，自小喜愛戲曲，九歲 起接受全面傳統戲曲訓練，現 專注劇本及音樂創作，兼涉表 演及多種樂器演奏。2021 年建 立 YouTube 頻道「水馬人會館 Aphros 」推廣粵劇。師承蔣艷 紅習古腔，隨韓燕明習北派， 後於八和粵劇學院進修。劇場 方面，師承杜國威習編劇，並 隨毛俊輝、榮念曾學習中西戲 劇創作。2018 年畢業於香港演 藝學院戲曲學院。2012 年獲香 港藝術發展獎「藝術新秀獎(戲 曲)」，2014 年赴上海戲劇學院 進修音樂課程。回港後專注劇 本創作，作品包括《搬家》、《百 花亭贈劍》(聯合改編)、《後話 西遊》、《無明愛》等。近年熱衷 新創南音說唱，創作《太陽城的 故事》、《長平。彌敦道 2021 》、 《原來村校，仲有呢支歌仔唱》、 《帶走三嚿朱古力的婆婆》、《塑 像譜•秋別》。

Jason Kong has loved Chinese opera since a young age. He started receiving comprehensive training in Chinese opera at the age of nine, and is now devoted to scriptwriting and music creation, while also delivering performances through acting and playing different instruments. In 2021, he created his YouTube channel Aphros to promote Cantonese opera. He apprenticed under Jiang Yanhong to learn guqiang tune and under Han Yanming to learn the Northern School of martial arts. He later pursued further studies at the Cantonese Opera Acedemy of Hong Kong. In terms of theatrical production, he studied playwriting under Raymond To, and later received training under Fredric Mao and Danny Yung in Chinese and western theatre production. He graduated from the School of Chinese Opera at the Hong Kong Academy for Performing Arts in 2018. In 2012, he won the award for Young Artist (Xiqu) at the Hong Kong Arts Development Awards and in 2014 went on to study music at the Shanghai Theatre Academy. After returning to Hong Kong, he focused on scriptwriting. His works include Moving House, the reboot of Pavilion of a Hundred Flowers, Journey to the West Rewind and The Delusive Love. In recent years, he has become passionate about the new Cantonese narrative singing style of nanyin. This led to creating works including The Story of Sun City, Changping.

Nathan Road 2021, Still Possible in Rural Schools, Gone with the Chocolate and ZoetropeFarewell, Autumn.

張正和

Cheung Ching-wo

舞台設計 Set Designer

張正和，畢業於香港演藝學院， 獲藝術學士學位，主修舞台及服 裝設計。舞台作品包括香港藝 術節《挪亞方舟》（粵劇）；任白 慈善基金《蝶影紅梨記》助理舞 台設計；桃花源粵劇工作舍《帝 女花》、《拜將臺》； 香港話劇團 《大狀王》；香港中樂團 x 香港話 劇團《封神外傳》； 香港舞蹈團 x 結界達人《 Electric Girl 》； 澳 門舞蹈學院《海上花》; 澳門藝 術節《例外與常規》等。

Cheung Ching-wo graduated from the Hong Kong Academy for Performing Arts with a Bachelor of Fine Arts Degree, majoring in Set and Costume Design. His theatrical works include Cantonese Opera— Noah’s Ark by the Hong Kong Arts Festival, The Butterfly and Red Pear Blossoms by the Yam Pak Charitable Foundation (in which he served as Assistant Set Designer), Floral Princess and Arena by the Utopia Cantonese Opera Workshop, The Impossible Trial by the Hong Kong Repertory Theatre, Fantastic Gods and Spirits of China by the Hong Kong Chinese Orchestra and the Hong Kong Repertory Theatre, Electric Girl of the Hong Kong Dance Company and The Autistic Genius, Flor do Mar by the Macao Conservatory Dance School, and The Exception and the Rule by the Macao Arts Festival.

高永熙

Ko Wing-hei

擊樂領導 Percussion Leader

高永熙出身粵劇擊樂世家，師承 父親高潤權，以及廣東粵劇學校 粵劇科科長蘇學成。畢業於廣 東粵劇學校（現廣東舞蹈戲曲藝 術職業學院）。2005 年赴廣東粵 劇學校學習粵劇，2010 年回港接 受父親的教導，曾在藍天藝術工 作室、頌先聲粵劇團、天宏藝 粵劇團、御玲瓏粵劇團、劍麟 粵劇團、天馬菁莪粵劇團、艷 陽天粵劇坊、紫迎楓粵劇團、 東昇劇團及香港八和會館油麻地 戲院場地伙伴計劃之「粵劇新秀 演出系列」等擔任掌板，並曾為

Ko Wing-hei comes from a family of Cantonese opera percussionists and received training from his father, Ko Yun-kuen, and Su Xuecheng, Head of Cantonese Opera at the Guangdong Cantonese Opera School. He graduated from the former Guangdong Cantonese Opera School (now the Guangdong Dance and Drama College). After studying Cantonese opera at the school in 2005, he returned to Hong Kong in 2010 to receive further training under his father. He has served as percussion leader at the Nan Art Workshop, the Chung Sin Sing Cantonese Opera Troupe, the Tin Ngai Wang Cantonese Opera Troupe, the Yue Ling Loong Cantonese Opera, the Kim Lun Opera, the Sensational Sprouts Cantonese Opera Association, the Sunny Cantonese Opera Troupe, the Purple Maple Chinese Opera, the Tung Sing Cantonese Opera Troupe, and the Cantonese Opera Young Talent Showcase under the Yau Ma Tei Theatre Venue Partnership Scheme, presented by the Chinese Artists Association of Hong Kong. He also served as percussion leader for performances of Her Majesty Wu Zetian at the Chinese Opera Festival 2015 and large-scale Cantonese opera Revisiting a Fine Selection of Cantonese Opera: The Cosmic Mirror (Five Generations on Stage) in 2021.

中國戲曲節 2015《武皇陛下》及 2021 年之大型粵劇「重演優秀 粤劇作品 -《乾坤鏡》(五代同 台版)」擔任擊樂領導。

佘嘉樂是土生土長的年輕粵樂音 樂家，在香港演藝學院修讀中國 戲曲課程，學習高胡技巧、戲 曲知識、伴奏理論及音樂設計， 並習鑼鼓。2013 年 12 月在吳聿 光老師的引導下參與了《西遊記 之三打白骨精》的音樂設計，並 以音樂領導的身分，在香港， 澳門，內地及加拿大演出，大 獲好評。2017 年，獲聘為演藝 青年粵劇團的音樂領導，並為全 港各大劇團擔任音樂設計和音樂 領導。2020 年成立「樂孜聲工 作室」，寓意孜孜不倦地傳承粵

劇藝術，除了傳統粵劇藝術之 外，也學習西方樂理，望納百 家之善，融匯貫通。

Share Ka-lok is a young Hong Kong-born Cantonese opera musician. He studied for a Bachelor of Fine Arts Degree in Cantonese Opera at the Hong Kong Academy for Performing Arts, learning gaohu, theories of accompaniment and music design, and playing the gong and drum. In December 2013, under the coaching of Ng Lutkwong, he participated in the music arrangement of The Monkey King Thrice Beats the Bony Ghost. He also performed in Hong Kong, Macau, mainland China and Canada as music designer to critical acclaim. In 2017, he was recruited as a guest musician at the Young Academy Cantonese Opera Troupe, and served as Music Designer and Music Leader at many theatres in Hong Kong. In 2020, he founded the Diligent Voices Workshop to celebrate and preserve Cantonese opera. Apart from traditional Cantonese opera, he has also studied Western music theories, hoping to leverage the best of Chinese and Western music in his playing.

鳴謝

ACKNOWLEDGEMENTS

香港藝術節衷心感謝下列機構及人士的慷慨支持：

The Hong Kong Arts Festival would like to thank the following for their generous support:

香港藝術節基金會贊助人

Hong Kong Arts Festival Foundation Patrons

首席創始贊助人 Lead Founding Patrons

陳俊豪先生 Mr Thomas Chan

黃廷方慈善基金 Ng Teng Fong Charitable Foundation

電訊盈科 PCCW

九龍倉集團 The Wharf Group

主要創始贊助人 Major Founding Patrons

萬通保險國際有限公司 YF Life Insurance International Ltd

眾安銀行 ZA BANK

創始贊助人 Founding Patrons

陳煒文博士, JP Dr Raymond Chan, JP

丹斯里拿督邱達昌 Tan Sri Dato’ David Chiu

曹其鋒先生 Mr Silas Chou

霍建寧先生及霍何綺華女士 Mr and Mrs Canning and Eliza Fok

馮氏基金有限公司 E.M. Fung Foundation Limited

何超瓊女士, SBS , JP Ms Pansy Ho, SBS, JP

科勁國際（控股）有限公司 King’s Flair International (Holdings) Limited

梁婉玲博士 Dr Elina Leung

孫漢明博士 Dr Stephen Suen

包陪麗女士, BBS 及渡伸一郎先生 Ms Cissy Pao, BBS and Mr Shinichiro Watari

其他贊助人 Other Patrons

羅嘉瑞基金 KS & Feili Lo Foundation

孫大倫博士, BBS , JP Dr Dennis T L Sun, BBS, JP

慶祝香港藝術節五十周年晚宴之贊助人

Sponsors of the Hong Kong Arts Festival 50th Anniversary Gala Dinner

鑽石席 – 宴桌 Diamond Table Sponsors 香港上海匯豐銀行有限公司 上海商業銀行

洪祖杭博士, GBM , GBS , JP

鄭慕智博士, GBM , GBS , JP James Houghton 先生, 黃穎灝先生及梅慶堯先生 雍景欣女士

The Hongkong and Shanghai Banking Corporation Limited

Shanghai Commercial Bank

Dr the Hon Albert Hung Chao-hong, GBM, GBS, JP

Dr the Hon Moses Mo-chi Cheng, GBM, GBS, JP

Mr James Houghton, Mr Isaac Wong & Mr Arthur Mui

Ms Jingxin Yong

鑽石席 – 宴位 Diamond Seat Sponsors 呂元祥博士及夫人

譚允芝女士, SBS , SC , JP 龐維新先生及夫人 崇光(香港)百貨有限公司

黃金席 – 宴桌 Gold Table Sponsors 鄭阮培恩女士, 吳來盛先生及夫人 中美國際集團有限公司

華國強先生夫人 太古地產有限公司 卡地亞

黃金席 – 宴位 Gold Seat Sponsors 何苗春暉女士

林梅若梅女士

鄭馮亮琪女士

Janana Suleymanli Pasha 女士 鄭惠貞女士

張利平先生

Dr and Mrs Ronald Lu

Ms Winnie Tam Wan-chi, SBS, SC, JP

Mr and Mrs Wilson Pong

Sogo Hong Kong Company Limited

Mrs Betty Cheng, Mr and Mrs Emil Ng

Chung Mei International Holdings Limited

Mr Granger and Mrs Miriam Hwa

Swire Properties Limited

Cartier

Ms Joanna Hotung

Mrs Lavina Lim

Mrs Fina Cheng

Ms Janana Suleymanli Pasha

Ms Margaret Cheng

Mr Zhang Liping

鳴謝 ACKNOWLEDGEMENTS (續 con' t)

香港藝術節衷心感謝下列機構及人士的慷慨支持：

The Hong Kong Arts Festival would like to thank the following for their generous support:

贊助舍計劃會員 Patron’s Club Members

鉑金會員 Platinum Member

嘉里控股有限公司

Kerry Holdings Limited

黃金會員 Gold Member 怡和集團

The Jardine Matheson Group

其他支持機構 Other Supporters

加拿大駐香港及澳門總領事館

Consulate General of Canada in Hong Kong and Macao

實物支持機構 In - kind Supporters

大亞國際集團 Altaya Group

香港愉景灣酒店 Auberge Discovery Bay Hong Kong

香港君悦酒店 Grand Hyatt Hong Kong

虎豹樂圃 Haw Par Music

藝術節捐助計劃 Festival Donation Scheme

鉑金捐款者 PLATINUM DONOR

HK$140,000 或以上 OR ABOVE

孫大倫博士, BBS , JP Dr Dennis T L Sun , BBS , JP

鑽石捐款者 DIAMOND DONORS

HK$70,000 – HK$139,999

瑞安集團 Shui On Group

Dr Patrick Tong

文藝女士 Ms Wen Yi

翡翠捐款者 JADE DONORS

HK$30,000 – HK$69,999

無名氏 Anonymous

陳求德醫生及夫人 Dr & Mrs KT Chan

Ms Leung Wai Yee Candice

馬美域女士 Ms Yvette Therese Ma

Dr Stephen Suen

楊傳亮先生, BBS , JP Mr Charles Yang , BBS , JP

黃金捐款者 GOLD DONORS

HK$12,000 – HK$29,999

無名氏 ( 2 ) Anonymous ( 2 )

Mr & Mrs Jeffrey & Helen Chan

Mr Edmond Huang

Dr Peter and Nancy Thompson

Dr Sabrina Tsao

曹延洲醫生夫人 Dr & Mrs Tsao Yen - Chow

Mrs Linda Wang

Mr & Mrs YS Wong

純銀會員 Silver Members 太古集團慈善信託基金

The Swire Group Charitable Trust

上海商業銀行有限公司

Shanghai Commercial Bank Limited

荷蘭駐港總領事館

Consulate of the Kingdom of the Netherlands in Hong Kong and Macau

香港故宮文化博物館 Hong Kong Palace Museum

文陳妙蘭女士 Mrs Christina Man

信興集團 Shun Hing Group

純銀捐款者 SILVER DONORS

HK$6,000 – HK$11,999

無名氏( 3 ) Anonymous ( 3 )

Dr Gillian Choa

Ms Ho Man Fung Edith

Mrs Schmitt Ling Jane

文娛慈善基金 The Elementary Charitable Foundation

Ms Isabel Yiu

Mr Vernon Zhang

青銅捐款者 BRONZE DONORS

HK$3,000 – HK$5,999

無名氏( 2 ) Anonymous ( 2 )

AWORKS DESIGN

Jose Manuel Sevilla and Julie Bisaillon

Mrs Anson Chan

鍾雅妍博士 Dr Fiona Chung

Ms Zoe Ho

Ms Li Lian Khoo

Dr Alfred Lau

Apple Lee

李芸輝博士 Dr Lee Wan Fai Walter

Savita Leung

Mr Gary Ma

Mrs Lily Ma

Dr Michael Mak

Dr & Mrs Joseph Pang

San Miguel Brewery Hong Kong Ltd .

Mr A . Smith

The Brandon Centre Limited

Mr Wong Yick Kam

姚曼儀女士 Ms Enoch Yiu

朱玉迎女士 Ms Zhu Yuying

學生票捐助計劃 Student Ticket Scheme

鉑金捐款者 PLATINUM DONORS

HK$140,000 或以上 OR ABOVE

無名氏( 2 ) Anonymous ( 2 )

馬振玉慈善基金會有限公司

CYMA Charity Fund Ltd

鑽石捐款者 DIAMOND DONORS

HK$70,000 – HK$139,999

Mrs Purviz R Shroff , MH and

Late Mr Rusy M Shroff , BBS , MBE

田家炳基金會 Tin Ka Ping Foundation

芝蘭基金會 Zhilan Foundation

翡翠捐款者 JADE DONORS

HK$30,000 – HK$69,999

Mr Roger and Mrs Lina Lui

Dr Stephen Suen

黃金捐款者 GOLD DONORS

HK$12,000 – HK$29,999

Dr Chung See Yuen

天智合規顧問 CompliancePlus Consulting

Mr & Mrs Kenneth & Nelly Fung

C H Mak

Mr & Mrs Kenneth Quinn

曹延洲醫生夫人 Dr & Mrs Tsao Yen - Chow

純銀捐款者 SILVER DONORS

HK$6,000 – HK$11,999

無名氏 ( 2 ) Anonymous ( 2 )

新作捐助計劃 New Works Scheme

黃金捐款者 GOLD DONORS

HK$12,000 – HK$29,999

無名氏 Anonymous

劉仰澤先生 Mr Lau Yeung Chak

純銀捐款者 SILVER DONORS

HK$6,000 – HK$11,999

凌霄志醫生 Dr Tony Ling

區燊耀先生 Mr Au Son Yiu

Mr & Mrs Jeffrey & Helen Chan

Dr Chan Wan Tung

Mr & Mrs Norman Chui

Mrs Margaret Hamilton

Miss Jenny Hodgson

Mr Iain Bruce

麥禮和醫生 Dr Mak Lai Wo

Mr Vernon Zhang

陳穎儀與黃乃正

青銅捐款者 BRONZE DONORS

HK$3,000 – HK$5,999

無名氏 ( 3 ) Anonymous ( 3 )

Mr & Mrs Herbert Au - Yeung

Cynthia Cheng & Aaron Chan

Ms Kit Fung Cheung

Dr Alan Chiang

馮兆林先生太太 Mr & Mrs Fung Shiu Lam

Ms Maureen Leung

Ms Regina Lo

Ms Janice Ritchie

Mrs Anna Chan Sheh

Mr So Kin Man

文娛慈善基金 The Elementary Charitable Foundation

余德銘先生 Mr Desmond Yu

殷和順先生劉善萍夫人

Mr Vernon Zhang

青銅捐款者 BRONZE DONORS

HK$3,000 – HK$5,999

無名氏 Anonymous

Ms Judith Ling

Ms So Wing Yin

網上藝術教育捐助計劃 Digital Arts Education Scheme

青銅捐款者 BRONZE DONORS

HK$3,000 – HK$5,999

無名氏 Anonymous

HK CT Alumni Association

支持及協助 SUPPORT AND COOPERATION

教育局藝術教育組

Arts Education Section, Education Bureau

香港展能藝術會

Arts with the Disabled Association Hong Kong

香港愉景灣酒店

Auberge Discovery Bay Hong Kong

澳洲駐香港及澳門總領事館 Australian Consulate-General Hong Kong and Macau

奧地利駐香港總領事館 Austrian Consulate General

Hong Kong

樺利廣告有限公司 Avanny Advertising Co Ltd

宏基國際賓館 Bishop Lei International House

BRICK LANE

英國文化協會 British Council

英國駐香港總領事館 British Consulate General Hong Kong

百老匯院線 Broadway Circuit burgundy etc

CAMPSITE

粵劇發展基金 Cantonese Opera Development Fund

牛棚藝術村 Cattle Depot Artist Village

周生生集團國際有限公司

Chow Sang Sang Jewellery Co. Ltd

中信國際電訊(信息技術)有限公司

CITIC Telecom International CPC Limited

城市當代舞蹈團 City Contemporary Dance Company

城巿花園酒店 City Garden Hotel

思聯設計有限公司 CL3 Architects Ltd

比利時駐港澳總領事館

Consulate General of Belgium in Hong Kong and Macau 加拿大駐香港及澳門總領事館

Consulate General of Canada in Hong Kong and Macao

法國駐港澳總領事館

Consulate General of France in Hong Kong and Macau

西班牙駐香港總領事館

Consulate General of Spain in Hong Kong 瑞士駐香港總領事館

Consulate General of Switzerland in Hong Kong

荷蘭駐港總領事館

Consulate General of the Kingdom of Netherlands in Hong Kong and Macau

大韓民國駐香港總領事館

Consulate General of the Republic of Korea in Hong Kong

俄羅斯駐香港總領事館

Consulate General of the Russian Federation in the Hong Kong SAR, PRC

Die Konzertisten

拔萃女書院 Diocesan Girls' School

愛普生香港有限公司 Epson Hong Kong Limited

香港港威酒店 Gateway Hotel, Hong Kong

德國駐香港總領事館

German Consulate General Hong Kong

六國酒店 Gloucester Luk Kwok Hong Kong

香港歌德學院 Goethe-Institut Hong Kong

香港君悅酒店 Grand Hyatt Hong Kong

青苗琴行 Greenery Music

香港恒生大學

Hang Seng University of Hong Kong

學生事務處 Student Affairs Office

8 度海逸酒店 Harbour Plaza 8 Degrees

快達票香港有限公司 HK Ticketing

香港文聯 HKL&A

香港藝術行政人員協會 Hong Kong Arts Administrators Association

香港藝術中心 Hong Kong Arts Centre

香港浸會大學 Hong Kong Baptist University

音樂學院 Academy of Music

拉闊文化 Cultural Literacy Programme

英國語言文學系 Department of English Language and Literature

香港大會堂 Hong Kong City Hall

香港文化中心 Hong Kong Cultural Centre

香港電影資料館 Hong Kong Film Archive

香港黃金海岸酒店 Hong Kong Gold Coast Hotel

香港管弦樂團 Hong Kong Philharmonic Orchestra

香港公共圖書館 Hong Kong Public Libraries

香港旅遊發展局 Hong Kong Tourism Board

斯洛文尼亞駐港總領事館 Honorary Consulate of Slovenia in Hong Kong

香港都會大學

Hong Kong Metropolitan University

學生事務處 Student Affairs Office

登臺 Hotel Stage

宜必思香港中上環

ibis Hong Kong Central and Sheung Wan

工銀亞洲 ICBC (Asia)

入境事務處 Immigration Department

香港以外地區經濟事務辦事處新聞及公共關係組

Information and Public Relations Units in Offices

Outside Hong Kong

海景嘉福洲際酒店

InterContinental Grand Stanford Hong Kong

高山劇場 Ko Shan Theatre

九龍木球會 Kowloon Cricket Club

Kubrick

葵青劇院 Kwai Tsing Theatre

駐香港韓國文化院

Korean Cultural Center in Hong Kong

康樂及文化事務署

Leisure and Cultural Services Department

牧羊少年與他的浮萍 Lemna of the alchemist

中央人民政府駐香港特別行政區聯絡辦公室 Liaison Office of the Central People's Government in the HKSAR

嶺南大學 Lingnan University

黃炳禮音樂及演藝部

Wong Bing Lai Music and Performing Arts Unit

馬哥孛羅香港酒店 Marco Polo Hongkong Hotel

Maxibit HK/China

MCL K11 Art House

中華人民共和國文化和旅遊部

Ministry of Culture and Tourism, PRC 循道衛理聯合教會國際禮拜堂

Methodist International Church Hong Kong Mission Production Company Ltd

李鏡輝先生 Mr Alpha Li

黃月妙小姐 Ms Kitty Wong

黃宇軒先生 Mr Sampson Wong

音樂事務處 Music Office

北區大會堂 North District Town Hall

One Minden Tapas Kitchen

橙天嘉禾娛樂集團 Orange Sky Golden Harvest

Entertainment Group

柏斯琴行 Parsons Music Limited

奧華酒店 中環 Ovolo Central

卓滙達有限公司 Patsville Company Ltd

Performing Arts Fund NL

電訊盈科 PCCW Pixellent

犇華企業服務有限公司 Primasia Corporate Services Limited

鄭新文教授 Prof Tseng Sun-man

富豪酒店國際 Regal Hotels International

香港瑰麗酒店 Rosewood Hong Kong

皇家太平洋酒店 Royal Pacific Hotel

Russian Club in Hong Kong

沙田大會堂 Sha Tin Town Hall

上環文娛中心 Sheung Wan Civic Centre

聖公會鄧肇堅中學 Sheng Kung Hui Tang Shiu Kin

Secondary School

南非駐香港總領事館

South African Consulate General Hong Kong SAR & Macao SAR, PRC

Southgate Design

香港西班牙商會

Spanish Chamber of Commerce in Hong Kong

事必達推廣有限公司 Speedy Promotion Limited

春天舞台劇製作有限公司 Spring-Time Stage Productions Limited

辰衝圖書有限公司 Swindon Book Co. Ltd.

香港瑞士商會有限公司 Swiss Chamber of Commerce in Hong Kong Limited

大館 Tai Kwun

台灣蘇富比國際房地產

Taiwan Sotheby's International Realty

藝林文具印刷有限公司 The Artland Co Ltd

香港八和會館 The Chinese Artists Association of Hong Kong

香港中文大學 The Chinese University of Hong Kong

聯合書院 United College

藝術行政主任辦公室 The Office of the Arts Administrator

文化及宗教研究系 Department of Cultural and Religious Studies

香港城市大學 The City University of Hong Kong

文化薈 Cultural Exchange Oasis

商務印書館（香港）有限公司 The Commercial Press (Hong Kong) Limited

香港教育大學 The Education University of Hong Kong

文化與創意藝術學系 Department of Cultural and Creative Arts

灣景國際 The Harbourview

梅夫人婦女會 The Helena May

香港演藝學院 The Hong Kong Academy for Performing Arts

戲曲學院 School of Chinese Opera 戲劇學院 School of Drama

音樂學院 School of Music

舞蹈學院 School of Dance

電影電視學院 School of Film and Television

學生事務處 Student Affairs Office

表演場地管理部 Venue Performance Unit

場地技術部 Venue Technical Unit

香港兒童合唱團 The Hong Kong Children’s Choir

香港理工大學 The Hong Kong Polytechnic Universit

文化及設施推廣處 Culture Promotion and Events Office

香港科技大學 The Hong Kong University of Science and Technology

藝術中心 Center for the Arts

The Swiss Chamber of Commerce in Hong Kong Limited

香港大學 The University of Hong Kong

音樂系 Department of Music

香港大學美術博物館 University Museum and Art Gallery Cultural Management Office

學生發展及資源中心 Centre of Development and Resources for Students

港青 - 香港基督教青年會

The Salisbury – YMCA of Hong Kong

通利琴行 Tom Lee Music Company Ltd

三角關係 Trinity Theatre

荃灣大會堂 Tsuen Wan Town Hall

屯門大會堂 Tuen Mun Town Hall

城市售票網 URBTIX

市區重建局 Urban Renewal Authority

同流黑盒劇場 WeDraman Black Box Theatre

進富印刷公司 Wealthy Step Printing Co.

西九文化區管理局

West Kowloon Cultural District Authority

粵海華美灣際酒店 Wharney Hotel

艾希妮網絡公關有限公司 X Social Group Limited

油麻地戲院 Yau Ma Tei Theatre

元朗劇院 Yuen Long Theatre

赤豚事務所 Zhu Graphizs

More than Great Performances!

2023 FESTIVAL PLUS PROGRAMME 藝術節加料節目

3/2

五 Fri

5/2

日 Sun

12/2

日 Sun

13/2 Mon

18/2 六 Sat

19/2 日 Sun

跨越界限——陳詠燊談劇本創作

Sunny Chan on Screenwriting and Playwriting

說說管風琴•說說巴赫

Tracing the Organ Music of Bach

廣陵情長——粵劇編寫竹林七賢傳奇

Writing Cantonese Opera for the Legendary Seven Sages of the Bamboo Grove

「禹•見」鋼琴大師

Masterclasses and Meet Bruce Liu

「短篇粵劇──戲說八德」演後藝人談

Virtues and Morality—Four Cantonese Operas

Post-Performance Meet-the-Artist

杜國威經典作品選映——《虎度門》

Hu Du Men

Collection of Raymond To’s Classics

杜國威經典作品選映——《劍雪浮生》

A Sentimental Journey Collection of Raymond To’s Classics

22/2 三 Wed 杜國威經典作品選映——《南海十三郎》

24/2 五 Fri

The Mad Phoenix Collection of Raymond To’s Classics

米歇爾．梵德阿《水之書》演後藝人談

The Book of Water Post-Performance Meet-the-Artist

香港藝術節加料節目 X 大館對談：

古董鋼琴與現代鋼琴

27/2 Mon

28/2

二 Tue

1 - 19/3

三 - 日 Wed - Sun

3/3

五 Fri

5/3

日 Sun

HKAF PLUS x Tai Kwun Conversations: Early Piano Vs. Modern Piano 盛原——古董鋼琴獨奏會

Antique Piano Recital by Yuan Sheng 韓德兩地的音樂旅途

A Music Journey between Two Cultures –Esme Quartet in Korea and in Germany

《名畫詐騙師》演後藝人談

True Copy Post-Performance Meet-the-Artist

歌劇《尤利西斯歸鄉記》製作解碼展覽

The Making before The Return Exhibition

《超真實》裝置音樂會演後藝人談 Hyperreality—an installation concert

Post-Performance Meet-the-Artist

《名畫詐騙師》演後藝人談

True Copy Post-Performance Meet-the-Artist

「笙世界 音樂會」演後藝人談

Sheng World Music— Kevin Cheng & Friends

Post-Performance Meet-the-Artist

長笛的進化史──從巴羅克到現代時期 Evolution of Flute from the Baroque to Modern Periods

8/3 三 Wed 古鋼琴大師班

Fortepiano Masterclass 10/3 五 Fri

沉浸式歌劇《小狐狸》舞台參觀及公開彩排 Into the World of Silent Opera - Vixen Stage Tour & Open Rehearsal 「毛俊輝•粵劇情」演後藝人談

Cantonese Opera Classics Circa 2023

Post-Performance Meet-the-Artist

「長笛三次方——曾逸豪在繆思的庭院」 演後藝人談 Triptych for Flute—Tsang Yat-ho in Le jardin des muses

Post-Performance Meet-the-Artist

演唱蒙特威爾第 About Singing Monteverdi 「毛俊輝•粵劇情」演後藝人談 Cantonese Opera Classics Circa 2023

Post-Performance Meet-the-Artist

呼吸，讓木偶栩栩如生 Breathing brings Puppet to Life 「毛俊輝•粵劇情」演後藝人談 Cantonese Opera Classics Circa 2023

Post-Performance Meet-the-Artist

巴赫與我 All I Need is Bach

《末戀•無愛合約》演後藝人談 Loveless Romance Post-Performance Meet-the-Artist

以樂器之王為經典默片配樂 Writing Music for Silent Film – Tips from the Organist

傑出文化領袖講座系列（10） 與班貝格交響樂團行政總裁暨 藝術總監馬庫斯•魯道夫•阿克斯對談 Distinguished Cultural Leadership Series (10)

In Conversation with Marcus Rudolf Axt Chief Executive and Artistic Director, Bamberg Symphony 《狂人派對》演後藝人談 Dance Me to the End of Night Post-Performance Meet-the-Artist

傑出文化領袖講座系列（10） 與金像獎最佳編劇杜國威對談—戲畫人生 Distinguished Cultural Leadership Series (10)

From Stage to Ink: In Conversation with Award-winning Playwright and Screenwriter Raymond To Kwok-wai

贊助人 李家超先生, GBM SBS PDSM PMSM

永遠名譽會長 邵逸夫爵士 (1907-2014)

執行委員會

主席 查懋成先生

副主席 盧景文教授

義務司庫 范高廉先生

委員 鄭阮培恩女士 鄭惠貞女士 馮愉敏先生 何苗春暉女士 文肇偉先生 孫大倫博士 姚潔莉女士 楊　光先生

節目委員會

主席 盧景文教授

委員 白諾信教授 紀大衛教授 羅志力先生 毛俊輝教授 約瑟．施力先生+ 譚榮邦先生 姚　珏女士

財務委員會

主席 范高廉先生 委員 鄭惠貞女士 梁國輝先生 發展委員會

主席 鄭阮培恩女士

副主席 雍景欣女士 委員 馮愉敏先生 龐心怡女士 孫林宣雅女士 文藝女士 姚祖輝先生

顧問 夏佳理先生 鮑　磊先生 陳祖澤博士 陳達文博士 霍　璽先生 李業廣先生 梁紹榮夫人 李國寶博士 名譽法律顧問 甘乃迪女士（孖士打）

核數師 羅兵咸永道 會計師事務所

PATRON

HONORARY LIFE PRESIDENT

EXECUTIVE COMMITTEE

Chairman

Vice-Chairman

Honorary Treasurer

Members

電話 TEL 2824 3555

傳真 FAX 2824 3798 / 2824 3722

電子郵箱 Email afgen@hkaf.org

節目查詢熱線 2824 2430

Programme

Enquiry Hotline

地址 ADDRESS 香港灣仔港灣道 2 號 12 樓 1205 室 Room 1205, 12th Floor, 2 Harbour Road, Wanchai, Hong Kong

The Hon. John KC Lee, GBM SBS PDSM PMSM

The Hon. Sir Run Run Shaw, GBM CBE (1907-2014)

Mr Victor Cha

Prof. Lo King-man, SBS MBE JP

Mr Colin Farrell

Mrs Betty Yuen Cheng

Ms Margaret Cheng

Mr Michael Fung

Ms Joanna Hotung

Mr Sebastian Shiu-wai Man

Dr Dennis T L Sun, BBS JP

Ms Miriam Yao

Mr Sunny Yeung

PROGRAMME COMMITTEE

Chairman

Members

Prof. Lo King-man, SBS MBE JP

Prof. Giorgio Biancorosso

Prof. David Gwilt, MBE

Mr Peter C L Lo

Prof. Fredric Mao, BBS

Mr Joseph Seelig +

Mr Wing-pong Tam, SBS JP

Ms Jue Yao, JP

FINANCE COMMITTEE

Chairman

Members

DEVELOPMENT COMMITTEE

Chairperson

Vice-Chairperson

Members

Mr Colin Farrell

Ms Margaret Cheng

Mr Nelson Leong

Mrs Betty Yuen Cheng

Ms Jane Yong

Mr Michael Fung

Ms Samanta Sum-yee Pong

Mrs Helen Lin Sun

Ms Yi Wen

Mr Andrew Yao

ADVISORS

The Hon. Ronald Arculli, GBM GBS

Mr Martin Barrow, GBS CBE JP

Dr John C C Chan, GBS CBE LVO JP

Dr Darwin Chen, SBS ISO

Mr Angus H Forsyth

The Hon. Charles YK Lee, GBM GBS OBE JP

Mrs Mona Leong, SBS BBS MBE JP

Dr The Hon Sir David KP Li, GBM GBS OBE JP

HONORARY SOLICITOR

AUDITOR

Ms Gabriela Kennedy, Mayer Brown

PricewaterhouseCoopers

職員

行政總監 余潔儀

行政總監助理 何丹蓉

節目

節目總監 梁掌瑋 蘇國雲

高級節目經理 梁偉然

節目經理 陳曉彤 * 鄭佩群 * 廖國穎 * 馬筠婷 * 司徒頌欣 * 短期節目經理 游慧姿 *

副節目經理 杜以樂 *

節目統籌 林穎茵 *

藝術行政見習員 容諾行 *

行政

節目經理 (行政) 蘇雪凌

節目主任 (行政) 林穎妍 *

物流

物流及接待經理 金學忠 *

技術

製作經理 梁雅芝 *

助理製作經理 陳梓衡 *

出版

編輯 陳詠恩 * Adam Wright*

助理編輯 陳劭儀 * 李芷晴 *

外展

外展經理 林嘉敏 *

助理外展經理 李萬祺 * 潘穎詩 *

外展主任 張凱柔 *

外展助理 馬曉瑩 *

藝術行政見習員 馮樂程 *

市場推廣

市場總監 鄭尚榮

副市場總監 盧伯全

副市場經理 陳靄婷 * 張予心 * 黃頴儀 *

助理項目經理 李穎軒 * 譚懿諾 *

助理市場經理 許樂欣 * 曾諾怡 *

市場主任 林培生 *

票務

市場經理(票務) 梁彩雲

票務主任 殷嘉駿 *

發展

發展總監 黃美儀

特別發展協理 蘇啟泰 *

發展經理 林思穎 * 吳綺菁 * 譚樂瑤

發展主任 鄒穎妮 * 譚尹晴 *

藝術行政見習員 梁詠熙 *

短期發展助理 潘藹怡 *

行政事務

財務總監 鄺敬婷

會計

會計經理 杜詩麗 *

會計主任 顏悅恩 *

人力資源及行政

人力資源及行政經理 楊美君 *

接待員/初級秘書 李美娟

助理 黃國愛

資訊科技

資訊科技經理 陳啟明 *

無限亮

項目總監 錢 佑 *

節目及外展經理 鍾美琼 * 何敏凝 * 節目及外展統籌 何敬堯 * 潘詠汶 *

市場經理 黃嘉欣 *

副市場經理 廖愷瀅 *

助理製作經理 張詠宜 *

高級會計主任 鍾巧明 * 香港藝術節@大館

項目經理 鄺為立 * 公關及宣傳統籌 楊佩雯 *

STAFF

Executive Director

Assistant to Executive Director

PROGRAMME

Programme Directors

Senior Programme Manager

Programme Managers

Temporary Programme Manager

Deputy Programme Manager

Programme Coordinator

Arts Administrator Trainee

ADMINISTRATION

Programme Manager (Admin)

Flora Yu

Connie Ho

Grace Lang So Kwok-wan

Ian Leung

Kristen Chan* Cathy Cheng*

Sophie Liao* Katie Ma*

Samantha Szeto*

Janet Yau*

Tobe To*

Lilian Lam*

Ryan Yung*

Shirley So

Programme Officer (Admin) Michelle Lam*

LOGISTICS

Logistics Manager

TECHNICAL

Production Manager

Elvis King*

Shirley Leung*

Assistant Production Manager Jacob Chan*

PUBLICATIONS

Editors

Assistant Editors

OUTREACH

Outreach Manager

Assistant Outreach Managers

Outreach Officer

Outreach Assistant

Arts Administrator Trainee

MARKETING

Marketing Director

Associate Marketing Director

Deputy Marketing Managers

Assistant Project Managers

Assistant Marketing Managers

Marketing Officer

TICKETING

Marketing Manager (Ticketing)

Ticketing Officer

DEVELOPMENT

Development Director

Special Development Associate

Development Managers

Development Officers

Arts Administrator Trainee

Temporary Development Assistant

CORPORATE SERVICES

Finance Director

ACCOUNTS

Account Manager

Accounting Officer

HR & ADMINISTRATION

HR and Admin Manager

Receptionist/Junior Secretary

General Assistant

INFORMATION TECHNOLOGY

Information Technology Manager

NO LIMITS

Project Director

Programme and Outreach Manager

Programme and Outreach Coordinators

Marketing Manager

Deputy Marketing Manager

Assistant Production Manager

Senior Accounting Officer

HKARTSFESTIVAL@TAIKWUN

Project Manager

Eugene Chan* Adam Wright*

Shao yi Chan* Rebecca Lee*

Carman Lam*

Kelvin Li* Renee Poon*

Hazel Cheung*

Queena Ma*

Crystal Fung*

Katy Cheng

Eugene Lo

Tobie Chan* Stephanie Cheung*

Joey Wong*

Hill Li* Hades Tam*

Sally Hui* Margaret Tsang*

Billy Lin*

Eppie Leung

Cyrus Yan*

Angela Wong

Alex So*

Sharon Lam* Joey Ng*

Lorna Tam

Chau Wing-ni* Linda Tam*

Kirstie Leung*

Carol Pun*

Teresa Kwong

Connie To*

Stephany Ngan*

Janet Yeung*

Virginia Li

Bonia Wong

Derek Chan*

Eddy Zee*

Becky Chung* Christy Ho*

Kelvin Ho* Jasmine Poon*

Carly Wong*

Kaitlyn Liu*

Jess Cheung*

Catherine Chung*

Kwong Wai Lap*

PR and Marketing Coordinator Wind Yeung*

Coordinators

Production Officer Pang Ka Tat*

Technical Coordinators Rachel Au*, Tony Choi*, Cherry Fung*, Mandy Lai*, Martin Lai*, Lawrence Lee*, Joyi Tsang*