High Tide: Dec 14, 2017

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HT

Redondo Union High School Redondo Beach, CA October 20, 2017 Vol. XCIII Edition 6

High Tide

How repealing net neutrality will pose a huge setback by giving unrestricted power to big coorporations

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Letters

to Sala

Students offer a new side of the Holocaust through the eyes of survivor Sala Garncarz by Grace McGonigle

Reenacting History. 1. Sophmore Liana Moore and senior Sterling Goddard play Sala Garncarz and her friend, Ala Gertner in Letters to Sala, a play about a young Jewish woman and her time spent in labor camps during the Holocaust. PHOTO BY MIA WICKS 2. Moore kept the letters in hope of perserving the memories of the people she met. PHOTO BY LILY LOPEZ

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The RUHS theater arts department took on the true story of a Holocaust survivor in their fall play Letters to Sala. The play, which showed on Dec. 7, 8 and 9, is the story of Holocaust survivor Sala Garncarz and the letters she was able to save throughout her five years captive in seven different labor camps. “The fact that she saved almost 400 letters is what is so amazing. In a time where she wasn’t allowed to keep any mail, she managed to move from Germany to Poland to the Czech Republic and keep all these letters intact. She survived because of these letters,” director and drama teacher Melissa Staab said. Garncarz, played by senior Danielle Silkes as an old woman and sophomore Liana Moore as a teenager, was a determined girl who took her sister’s place when she was called to work in a labor camp. “She was in this place with people she had never met before, with these terrible life or death conditions and never knowing when someone was going to be selected to be killed, so I think the fact that she was able to stay so strong is what I admire most,” Silkes said. Staab chose this particular play partially because of the different perspective it provides on the Holocaust. “I feel that most people just think about Anne Frank and Schindler’s List when it comes to stories having to do with the Holocaust,” Staab said. “I really enjoyed ‘Letters to Sala’ because it focuses on a different story, the fact that she was in a labor camp and she had differ-

ent privileges.” For her first time tackling a true story, Staab decided to appoint senior Lisa Diethelm as dramaturg, or the member of the crew in charge of the research behind the show. Diethelm read Sala’s Gift by Ann Kirschner, the book the play was based off, and used the information to help out set, props and the actors. Diethelm was also able to learn about another side of the Holocaust in her research of the reality of labor camps. “Labor camps were very different from concentration camps,” Diethelm said. “They weren’t in death camps; they were there to work. The Nazis did not just try to kill everyone — they exploited them by using them as resources.” For the actors, connecting with their characters was what they struggled with most, according to Staab, so the cast was able to set up a Skype call with author Ann Kirschner. “I think everyone came out of it with a whole new level of positivity and connection to the show and their characters,” Staab said. “She gave us some unique perspectives on these people you might not have gotten from the play.” Staab believes that the show helped the cast not only recognize the importance of hope, but also realize that “life is precious.” “I think that everyone’s outcome on life has really shifted and they have learned to perceive the world and the people around us in a different way,” Staab said. “The family and friends and connections we make are really what get us through the day and the little trivial things do not matter.”


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High Tide: Dec 14, 2017 by High Tide - Issuu