architecture portfolio

a r c h i t e c t u r e

POR TFO LIO

hazel nansubuga

The following is a collection of my work from the past three years at Oklahoma State University. It is the result of much persistence, grace, growth, and plenty of failure. With each project, my understanding of the design process, as well as the utilization of graphic skills, expanded and matured. These explorations have guided me to understand that architecture is much more than the outcome or a winesome presentation, rather the experiences or lessons one gains from the successes and failures of the process. This is what creates change and leaves an impression on a designer. As a pursuing architecture student, I aspire to create moments that linger beyond the space itself and leave impressionable experiences for those who dwell within.

01.

Composition: Notan

02.

Graphic Communication: Mapping

03.

Representation: Greenwood Pavilion

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Phenomenology: Multicultural Center

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Analysis: Scaled Representation

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Procedure: City Hall

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Integration: Interpretive Center

08.

Sustainability: Plant Stand

Studio I| Spring 2021

Studio III| Spring 2022 Studio III| Spring 2022 Studio III| Spring 2022 Studio IV| Fall 2022

Studio IV| Fall 2022 Studio IV| Fall 2022 Studio V| Fall 2023

CV

01

+ THE HARMONY BETWEEN LIGHT & DARKNESS. Transformed Beauty.

The essential fact of color theory is that color is a property of light, not an object itself. With color being a critical aspect of human experience, the final notan composition was restudied as a color composition. This implemented four tones of a primary color to enhance the understanding of basic color relationships.

Inspiration: Three Beauties of the Present Day by Kitagawa Utamaro

NOTAN

3 WEEKS / SPRING 2021

Notan derives from the Japanese concept of harmony between light and dark, between positive and negative space. This project was intended to explore basic design principles through an interaction between the essence of light and darkness. With provided Japanese prints, the notan is to manipulate the image into an abstract composition that utilizes basic design principles, concepts of visual perception, and graphic communication techniques to create rhythm and repetition. The product of this project embodies the foundations of Eastern philosophy, through a personalized interpretation of the Yin and Yang symbol.

Black & White

Using the concept of harmony, this composition was to reflect the aspects of harmony with movement. It is intended to illustrate a flow of motion throughout the image that helps enhances the harmony of the colors.

With the use of fluid forms and the restudied color composition, this enhances the movement aspect while creating depth and brings attention to the flowers.

Primary Color

Sectional Alto Relief

The handmade alto relief was created from the top of section of the composition to illustrate the depth and fluidity within the design. This was highlighted by the complementary color of green.

Former Greenwood District

WHO WERE THEY?

The former Greenwood side reflects the unspoken but not forgotten figures that truly impacted the change in the community of Tulsa today. The illustration was designed to be an informal introduction to the history.

Name: O. W. Gurley Race: African American Age: 53 years old Occupation: Businessman, Principal/Public School Teacher In 1905, Gurley purchased 40 acres of land in North Tulsa and established his first business on Greenwood Avenue. He subdivided the plot into residential and commercial lots which eventually started what is known as the Black Wall Street.

Name: Mabel B. Little Race: African-American Age: 56 years old Occupation: Hair stylist

Mabel owned Little Rose Beauty Salon as well as Little Cafe on Greenwood Avenue. Being a survivor of the massacre, she dedicated her time to rebuilding her business.

Name: Dick Rowland Accused of assaulting a 17 year old Race: African American white girl in an open wire-caged Age: 19 years old elevator in Drexel Building Occupation: Shoe shiner, student at Booker T. Washington High School

W

W hy i s t h i s h fo r t h e G re e n As a survivor of the Race Name: John Hope Franklin Riot, John H. Franklin Race: African-American utilized his resources to Age: 32 years old Occupation: Writer/American assist other African Americans in rebuilding historian Greenwood, after the events of the massacre and its aftermath. He was then later commemorated with the John Hope Franklin Reconciliation Park in Tulsa, Oklahoma.

“I am deeply committed to making this city one that I can be proud of, that my family can be proud of, that our little brothers and sisters of all races and ages and backgrounds can be proud of, that our ancestors can be proud of and that those who come after us can be proud of. ” - Greg Robinson II

Name: J.B. Stratford Race: African-American Age: 59 years old Occupation: Black businessman and community activist

Name: Viola Fletcher Race: African-American Age: 107 years old Occupation: Community Activist

Stradford had become the richest black man in Tulsa, owning over fifteen rental properties, including the luxurious fifty-four room Stradford Hotel at 301 N. Greenwood Avenue.

As a survivor of the Race Name: John Hope Franklin Riot, John H. Franklin Race: African-American utilized his resources to Age: 32 years old Occupation: Writer/American assist other African Americans in rebuilding historian Greenwood, after the events of the massacre and its aftermath. He was then later commemorated with the John Hope Franklin Reconciliation Park in Tulsa, Oklahoma.

Name: Mabel B. Little Race: African-American Age: 56 years old Occupation: Hair stylist

Name: Greg Robinson II Race: African-American Age: 30 Occupation: Candidate for Tulsa Mayor in 2020 and Activist

W H AT D O P E O P L E LO S E F RO M L E T T I N G T H E B L AC K CO M M U N I T Y T H R I V E ?

“It’s a process, not an arrival.”

- Vanessa Adams-Harris “I am deeply committed to making this city one that I can be proud of, that my family can be proud of, that our little brothers and sisters of all races and ages and backgrounds can be proud of, that our ancestors can be proud of and that those who come after us can be proud of. ” - Greg Robinson II

WHY IS THIS R E L E VA N T ?

Name: J.B. Stratford Race: African-American Age: 59 years old Occupation: Black businessman and community activist Stradford had become the richest black man in Tulsa, owning over fifteen rental properties, including the luxurious fifty-four room Stradford Hotel at 301 N. Greenwood Avenue.

Mabel owned Little Rose Beauty Salon as well as Little Cafe on Greenwood Avenue. Being a survivor of the massacre, she dedicated her time to rebuilding her business.

HUM Joh

Racism has af w h i c h i s ev i d re s e a rc h a p p r brutality and fo r a c t i v i s m .

WHO WERE THEY?

Name: Dick Rowland Accused of assaulting a 17 year old Race: African American white girl in an open wire-caged Age: 19 years old elevator in Drexel Building Name: O. W. Gurley Occupation: Shoe shiner, Race: African American student at Booker T. Washington High School Age: 53 years old Occupation: Businessman, Principal/Public School Teacher In 1905, Gurley purchased 40 acres of land in North Tulsa and established his first business on Greenwood Avenue. He subdivided the plot into residential and commercial lots which eventually started what is known as the Black Wall Street.

W

Name: Greg Robinson II Race: African-American Age: 30 Occupation: Candidate for Tulsa Mayor in 2020 and Activist

W H AT D O P E O P L E LO S E F RO M L E T T I N G T H E B L AC K CO M M U N I T Y T H R I V E ?

Name: Viola Fletcher Race: African-American Age: 107 years old Occupation: Community Activist “It’s a process, not an arrival.”

- Vanessa Adams-Harris

To u n d e r s t a n scious hunger b r i n g i n g a wa r and peace wh Hannah Hembree,

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Name: Reverand Robert Turner s c i oAmerican us hunger Race: African Occupation: b r i nPastor g i n atg Vernan a wa Cr

a n d ofpVernon e a c eDr.w h i As the pastor Turner help lead the fight for justice for H athe n n victims a h H eofm the bree, 1921 Race Massacre, getting burial sites excavated, and seeking reparations.

WHY DI CHOO ERASE F RO H I S TO

Name: Reverand Robert Turner Race: African American Occupation: Pastor at Vernan Ch

Current Greenwood District

The current Greenwood side illustrates the figures that are HY IS THIS continuing the change and healing of the TulsaWcommunity.

R E L E VA N T ?

This portion is meant to question the history that the community was taught to push for answers, create activism, and truly give these figures the recognition they deserve for the work they are doing. The group had the opportunity to meet and hear some of the stories from a few of these figures which influenced our research.

As the pastor of Vernon Dr. Turner help lead the fight for justice for the victims of the 1921 Race Massacre, getting burial sites excavated, and seeking reparations.

+

THE UNISION OF THE PAST TO THE PRESENT .

WHO ARE THEY B E CO M I N G ?

Silenced Heros.

Racism has affected human interactions between diverse groups which is evident in the Tulsa Race Massacre of 1921. The research approach was to divide the understanding of the brutality and willful destruction of life and property into a drive for activism. Why is this historical event relevant? When will there be change for the Greenwood community and our society as a whole?

To understand the tragedies of Greenwood, we must have a conscious hunger in revealing the unjustified acts of hatred and bringing awareness to the African American community by honor and peace while confronting the lack of equality in our nation.

MILIATION n Hope Franklin Reconciliation Park

f fe c t e d h u m a n i nt e ra c t i o n s b e t we e n d i ve r s e g ro u p s e nt i n t h e Tu l s a R a c e M a s s a c re o f 1 9 2 1 . T h e ro a c h wa s t o d i v i d e t h e u n d e r s t a n d i n g o f t h e w i l l f u l d e s t r u c t i o n o f l i fe a n d p ro p e r t y i nt o a d r i ve

i s t o r i c a l eve nt re l ev a nt ? W h e n w i l l t h e re b e c h a n g e wo o d c o m m u n i t y a n d o u r s o c i e t y a s a w h o l e ?

d t h e t ra g e d i e s o f G re e n wo o d , we m u s t h a ve a c o n r i n reve a l i n g t h e u n j u s t i fi e d a c t s o f h at re d a n d re n e s s t o t h e Af r i c a n A m e r i c a n c o m m u n i t y b y h o n o r i l e c o n f ro nt i n g t h e l a c k o f e q u a l i t y i n o u r n at i o n .

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Name: Vanessa Adams-Harris Race: African-American/ Native American Occupation: Community Activist

Two of the oldest survivors from the Tulsa Race Massacre testified before Congress on May 19 on the push reparation for the community.

1 WEEK / SPRING 2022

Hazel Nansubuga, Ryan Thompson

D THEY S E TO E THIS OM O RY ?

02

This visual map was to demonstrate graphic communication of the figures who influenced change for the community of Tulsa throughout the Tulsa Race Massacre and those how are still creating change today.

The composition was based off of a investigation or crime scene formate to informally interview figures through research we gathered.

Inspiration: 1921 Tulsa Race Massacre - Tulsa, Oklahoma Collaboration with Hannah Hembree & Ryan Thompson

VISUAL MAPPING

03

+ THE RESTORATION OF HEALING PAINS .

R o o t e d

G r o w t h .

The Greenwood community has portrayed an evident unity throughout the traumatic events of the Tulsa Race Massacre leading towards the reconciliation of the district. This unspoken but noticeable strength can be represented by the underlining function of a human hand. A human hand has the ability to converge, mold, create, collect, grasp, and support depending on the necessary actions needed within a situation. These motions portray the resilience and adaptapility of the Greenwood community after what is known as one of the most unjustifiable acts of racism in history.

Inspiration: 1921 Tulsa Race Massacre - Black Wallstreet Tulsa, Oklahoma.

GREENWOOD PAVILION

4 WEEKS / SPRING 2022

Community is known as a group of people living in the same environment, fellowshipping with one another with common interests, and coexisting in an interdependent habitat.

SOUTH EAST ENTRY

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Legend:

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Site Plan 1/16” =1’-0”

1. Main Assembly 2. Reception 3. Office 4. Bathrooms 5. Alcoves 6. Stage 7. Storage

Section 1/16” =1’-0”

Interior gathering space facing stage.

Shaded alcove view towards the center point.

East stage view towards n elgin avenue.

This strength is depicted through the structure of a hand by the fingers representing each member of the community being supported by the palm of a hand, which is the center point or safe space for the community. This depicts how each individual creates what remains of the Greenwood district and the effectiveness of continual support from one another. The form of the gathering space and alcoves relate to the individuality each member brings into the community through a radial ordering system that promotes interaction, intimacy, and intent. This allows the community to gather in an environment that encourages a window into the culture of Greenwood’s history, music, and businesses.

Circle divided into two semi circles to represent the past and present aspects of Greenwood.

Smaller dividion into semi circle to represent individuality of community.

Rotational ordering systems to represent on going change within the Greenwood community.

EXTERIOR ALCOVES

ENTRANCE LOBBY

+ THE REPRESENTATION OF CULTURAL ENGAGEMENT.

04

5 WEEKS / SPRING 2022

Intertwining Paths.

With the vast amount of cultures that form the heart of Chicago, this multicultural community center would promote a supportive environment for all communities to come together and unite as one. This transforms a simple space into a non judgmental, open minded environment for societies to enjoy reading in the library, admiring local art, and engaging in community events. The multicultural community center would create moments where each individual who experiences the environment feels seen, heard, and supported regardless of their realities outside of the center. This unity is encouraged by the fluidity that forms throughout the simple winding of walls that lead you into each space. These transitions of curvilinear spaces mold moments of intimacy, intent, and interaction within each culture to create a better and more unprejudiced world.

Inspiration: Atmosphere and Environment by Louise Nevelson Chicago, Illinois.

MULTICULTURAL CENTER

PRIVATE

offices

meeting room

Third Floor 1/16” =1’- 0”

SEMI PUBLIC

gallery transitional space reading room

cafe

Second Floor 1/16” =1’- 0”

PUBLIC

lobby

library community room

First Floor 1/16” =1’- 0”

Public childrens library

Cafe & reading room

Form diagram

CULTURAL GALLERY

05

THE PERSPECTIVE OF PLACEMENT .

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Elevated Perception.

Space, in relation to architecture, creates various types of environments for human interaction.

These spaces naturally evolve from their context to functionality in response to human needs. This project challenged the design process strategies of embarking a volumetric study of space. With boundaries and context, the three architectural moments within the Ascend and Descend, must collectively create a space of entry, transition, and gathering. The final product accommodates a level change which explores spatial sequencing, circulation, and problem solving techniques.

NE window in OSU School of Architecture

SCALED REPRESENTATION

2 WEEKS / FALL 2022

Inspiration: Sunset Timelapse Slice Photography

Phase One: Space Scale: 1/8” = 1’ Measurement: 156” = 13’

Metal Decking 30’-0”

Metal Decking Metal Decking 30’-0” 30’-0”

Second Floor 14’-0”

Second Floor Second Floor 14’-0” 14’-0”

Mid Floor Landing 8’-0”

Mid Floor Landing Mid Floor Landing 8’-0” 8’-0”

First Floor 0”

First Floor 0” First Floor 0”

First Floor 10:00 am 0’-0” Scale: 1/8” = 1’ Measurement: 156” = 13’ Hazel Nansubuga Hazel Nansubuga ARCH 3116ARCH 3116 Project 1 - SPACE Project 1 - SPACE

Mid Floor Landing 12:00pm 8’-0”

Hazel Nansubuga ARCH 3116 Project 1 - SPACE

Second Floor 2:00pm 14’-0”

East Bridge 4:00pm 14’-0”

Phase Two: Body

Hazel Nansubuga ARCH 3116 Project 1 - BODY Scale: 1/8” = 1’-0”

Phase Three: Representation

NORTH EXTERIOR FACADE

+ THE REDIRECTION OF GROWTH SPURTS.

06

Intentional Encounters.

5 WEEKS / FALL 2022

With the expansion of Edmond, Oklahoma, the city council is looking to condense the council buildings into a single occupiable space. After exploring the town and its history, there was a noticable lack of welcoming spaces. In a town that is expanding in size, there is also an expansion of cultures. This city hall proposition was to create a space for all cultures to engage and feel comfortable around government building. Often times there is a negative connotation towards such buildings, especially as a minority; so to create a space where everyone feels welcome and able to receive support is the overall concept.

This city hall encompasses the need for community interaction in both public and government positions by opening the center of the building to be multi-functional.

This overlapping of space enforces opportunities of networking, support, collaboration, and engagement.

Inspiration: The Yarram Integrated Healthcare by McBride Ryan Edmond, Oklahoma

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PARKING GARAGE

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Form Diagram

Public Function Diagram

The form illustrates the subtraction of elements from a mass. This respresents the value of indiduality within community to create a whole or mass. Four elements are subracted from the original square form to create levels, opening, and direction.

The function demonstrates the public use of the building to enhance interaction within the space. Being a government space, open the exterior spaces to the public allows more engagement within the overall community.

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CITY MEETING

CITY PLANNING

CITY COUNCIL

CITY MANAGER

CITY OFFICES

RESTAURANT & BAR

MONOLITHIC CONCRETE

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Program Diagram

Material Diagram

The program illustrates the organization of departments within the building form. It separates each space into the most public spaces to the most private or hybrid spaces. The engagements of the floors also allows frequent interaction between departments for collaborating.

The material highlights each space to create a welcoming environment for the user. It engages with its site while intentionally guiding the public within the spaces. It allows a form of movements that counteracts the solid massing of the overall form.

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CITY MEETING & MUNICIPAL COURT FIRST FLOOR 1” = 40’

CITY MANAGER OFFICE SECOND FLOOR 1” = 40’

Design Goals: - Organzing the departments to create a shift between public to private to a combination in the additional public space.

- Utilizing the curve from the centralized space to create a curves circulation from floor to floor with an exterior view.

- Implimenting reflective glass around the centralized space to engage the private departments with exterior events.

- Contrasting the simple square form with a waved strcture to enclose the space and further create connection with the environment, community, and departments.

- Using hierarchy to emphazise the boost of privacy from the police department while enphasizing engagement within the central exterior space.

- Emphasizing connections within the form through the subtraction of a circle from a square and other geometric shapes.

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CITY COUNCIL OFFICE FOURTH FLOOR 1” = 40’

RESTAURANT & BAR SIXTH FLOOR 1” = 40’

07

+ THE SYMBOLISM OF MUSIC & COMMUNITY. The Lakeside Coterie.

The Lakeside Coterie establishes spaces for gathering for people to enjoy the many benfits of folk music, whether in a large communal group or a intimate moment with loved ones. With the use of a centralized plan, it generates movement within the space that encourage interaction at any point. The folk music interpretive center focuses on the unintentional or intentional moments of life. From the simplicities of sitting by a campfire roasting marshmallows to tuning into a live folk music performance, this space allows the community of Edmond to embrace any present moment of life.

Inspiration: Sports Hall in La Baule by Barre Lambit Architects Edmond, Oklahoma

INTERPRETIVE CENTER

5 WEEKS / FALL 2022

Folk music is a special genre that allows one to fully be themselves while indulging in it’s histrorical roots. For years it has had a positive impact on the community, not only by creating pathways of expression but ultimately calming the human body by creating moments of contentment and reminense. With the impact folk music has, it creates spaces of gathering or interaction when being performed, appreciated, or instructed.

ENTRY LOBBY

Form

The form was developed from twho whole circles that represent the combination of individuals and a community.

Original - Individuality

Spacial

Additive - Community

Private

Hybrid

Public

The spacial organization of the plan was to divide the building into three different but collaborative parts of private, hybrid, and public.

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Sunlight

The sunlight supports the placement of the windows and how they encourage circulationa and engagement within the building.

June Solstice

Circulation

December Solstice

Transition

Indirect

Gathering

Direct

Amphitherater - Communal Campfire Patio - Intimate

The circulation demonstrates the fluidity within the form that allows users to flow naturally within the building depending on the activity.

The gathering enhances the activity within the building by separating the communcal space to the intimate exterior spaces.

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Floor Plan

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Legend: 1. Entry Lobby 2. Reception 3. Offices 4. Breakroom

5. Museum 6. Museum Storage 7. Instruction Rooms 8. Sales Storage

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9. Gift/Sales Shop 10. Transition vestibule 11. Restrooms 12. Mechanical

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Section

Site Plan

North Elevation

Gift Shop & Main Hall

Amphitheater

framedflora

Frames

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Followers

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Flowers

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hazel nansubuga & abigail richardson your new favorite sustainable plant stand, designed by studio ZAHG.

@westwinghall

@jesusfuentes

@soawoodshop

@stillvillestudio @goodwillstilly

+ THE UPCYCLING & REUSE OF NATURES IMAGE.

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Framed Flora.

2 WEEKS / SPRING 2023

Framed Flora was designed to create an adaptive and sustainable environment for plants to grow out of upcycled material. This plant stand is intended to house three NASA verified plants and create an aesthetically pleasing plant stand that would be placed in someone home or studio. Our concept revolved around plants that trailed or grew in various directions to create engagement within the environment. It is designed to be environmentally adaptive plants that also cycle out natural resources to their environments.

As a collective, our concept was to frame nature in the same way it would be illustrated in a photo. The final product demonstrates the ‘live action’ image of a photo but in a more engaging way. This allows all plant parents to interact with their plants while displaying the plant stand as a picture frame.

Inspiration: Picture Frames & Social Media Frames Collaboration with Abigail Richardson

PLANT STAND

HAZEL NANSUBUGA ARCHITECTURE STUDENT Cell: 719.493.4636 Email: hazel.nansubuga@okstate.edu LinkedIn: www.linkedin.com/in/hazelnank

scholarships & awards:

Bachelor of Architecture

Minor in Entreprenuership & Architecture Expected graduation in May 2025

Associate in General Studies

Dual enrollment with a focus on science and engineering.

August 2018 - May 2020

Oklahoma State University Stillwater, OK

Pikes Peak Community College Colorado Springs, CO

work experience:

Teson Scholarship CEAT, Spring 2022 Endowment for Excellence Scholarship Diversity & Inlusion, Spring 2021 Alumni Book Award 2nd Design Studio Excellence, Spring 2022 Alumni Book Award 1st Design Studio Excellence, Spring 2021

proficiencies & soft skills: Rhinocerous Revit SketchUp ArchiCad Enscape Photoshop Illustrator InDesign Sketching

education:

Detail Oriented Team Building Communication Strong Work Ethic Adaptability Creativity Organization Problem Solving Analytical

design competitions: Barbara G. Laurie Design Competition NOMA Bridge & Cultural Center, Fall 2022 Barbara G. Laurie Design Competition NOMA Legacy Headquater, Fall 2021 Barbara G. Laurie Design Competition NOMA Black Cultural Zone , Fall 2020

Inventure

Design Intern Assisted with local ongoing projects by producing drawings, preparing presentations, and evaluating project site construction.

RTA Architects

Student Intern Composed a proposal for an Extreme Sports Center for the new Olympic Training site in Downtown Colorado Springs.

Teaching Assistant

Special Projects Assistant Assisting the development of a detailed fictional plan of Boley, Oklahoma for the elective class Western Towns by Dr. Macken.

Success Coach

Small Group Leader Guided a small group of Introduction to Architecture students with weekly assignments and activities.

Student Mentor

Lowerclassman Mentor Encouraged CEAT lowerclassman students with adjusting to the transitions of college & a rigourous academic program.

Starbucks

Barista & Trainer Crafted handmade beverages while collaborating with a team to ensure customer satisfaction.

Tulsa, Oklahoma May 2022 - August 2022

Colorado Springs, Colorado February 2018 - April 2018

Oklahoma State University January 2023 - Present

Oklahoma State University August 2022 - December 2022

Oklahoma State University August 2021 - May 2022

Colorado & Oklahoma August 2018 - October 2022

leadership & community service: National Organization of Minority Architecture Students

President Manage all Okstate Chapter events, executive board members, national competitions, student led articles, and fundraisers/community service.

American Institute of Architecture Students

DEI Chair Assist with the expansion of Diversity, Equity, and Inclusion within the School of Architecture and communicating with the DEI Department of OSU.

Architecture Students Teaching Elementary Students

5th Grade Group Leader Supervised and assisted with designing a buildable town for the fifth grade students at Will Rogers Elementary School.

Oklahoma State University August 2018 - December 2022

Oklahoma State University January 2022 - December 2022

references: Moh’d Bilbeisi, RA OSU School of Architecture mohd.bilbeisi@okstate.edu, 405.744.6043 Sarah Ra, NCIDQ, RA OSU School of Architecture sarah.ra@okstate.edu, 405.744.6043 Yokolanda Speight Diversity, Equity, & Inclusion Coordinator yokolan@okstate.edu, 405.744.9102

Will Rogers Elementary School August 2022 - December 2022

personal: HRNK Styles

Colorado & Oklahoma December 2020 - Present

Braids & Natural Hair Stylist Manage various clients with hair needs ranging from natural care to extensions of all forms.

“Embrace the unknown or the ambiguity of life. Ambiguity does not mean something is unclear, rather full of opportunity.”

- Seung Ra,

Professor at OSU School of Architecture

Hazel Nansubuga

719.493.4636 hazel.nansubuga@okstate.edu