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Editor’s Note
Dear Reader,
Welcome to the July-August 2025 issue of Television Asia Plus!
The industry as we know it is rapidly changing. Trends come and go but sustainability and greener productions are on the rise and are looking to stay. As studios look to find ways to offset production costs, sustainable production practices are on the rise as the solution. Using solar and other green energy options built into studios and soundstages are investments companies are making hoping to see returns on years to come.
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It’s an exciting time to see such substantial changes though it make take a while for broader implantation, it only takes a few to start and set a precedent.
In line with that for this issue’s cover story, we have a piece about RD Studios, one of the UK’s most sustainable film and television facilities, and their latest children’s series Treehouse which is a glimpse of what’s possible when inclusivity, sustainability, and creativity collide.
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For our first feature story, we have piece about the team up of Friend MTS and MNC team up to tackle piracy in Indonesian.
And our final feature story comes from Lelde Ardava the COO of Veset as she disucsses the bridging the gap between linear TV and streaming.
Mathew Chan Editor
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Midsomer Murders celebrates landmark production on series 25 commissioned by ITV
All3Media International and originating commissioner and UK broadcaster ITV can confirm production has commenced on series 25 of Midsomer Murders, the detective drama favourite that continues to be a primetime ratings hit around the world.
Produced by Bentley Productions and commissioned by ITV’s Drama Commissioner Huw Kennair Jones, with All3Media International series 25 will invite viewers back to the picturesque yet surprisingly lethal English county of Midsomer for four new feature-length mysteries. Starring Neil Dudgeon as DCI Barnaby and Nick Hendrix as his trusted sidekick DS Winter, the series will also see the return of Annette Badland as pathologist Dr Fleur Perkins and Fiona Dolman as Barnaby’s wife Sarah.
Series 25 will take the total number of Midsomer Murders episodes available to 144. In the UK, all episodes
of Midsomer Murders are available for streaming on a dedicated FAST channel on ITVX, which is part of ITV’s online service, and ensures the popular series can be viewed by anyone wishing to enjoy the back catalogue.
Cited as the biggest UK detective drama export for many years, Midsomer Murders continues to be a ratings winner around the world. A top three show in many territories including Germany, Scandinavia and
the Baltics it is still active in nearly 200 territories, from Perth to Paris and Lyon to Los Angeles. The show continues to run regular press trips to heartland fan bases – this year a tour of the Baltic states led to over 10 prime-time news appearances across the region.
Produced by Bentley Productions for ITV, UK, and All3Media International, Midsomer Murders is based on Caroline Graham’s Chief Inspector Barnaby book series.
New Entertainment Show SONG vs DANCE Shines On TV Asahi
The groundbreaking new talent competition show SONG vs DANCE which premiered last March 2025 on TV Asahi’s, Channel 5 has taken Japan by storm, garnering excellent ratings and tremendous social media engagement.
A co-production between TV Asahi and Smart Dog Media, this thrilling one-hour variety show special which pushes the boundaries of entertainment, has
captivated audiences nationwide with its action-packed highenergy competition format.
SONG vs DANCE which gained a 3.5% rating and a 15.9% share achieved remarkable success securing the second most watched program during its time slot amongst the six terrestrial channels in Japan. The show also delivered the highest share among artist performance music shows aired in 2025 underscoring its dominance in the genre. SONG vs DANCE also claimed the No. 1 spot for key demographics including teens, young men and men & women aged 50+ showcasing its broad appeal to multiple age groups.
In addition to these impressive ratings SONG vs DANCE sparked exceptional reactions during its
Sphere Abacus acquires supernatural thriller Safehaven
(10 x 1 hour) filmed in Canada, is directed by Kaare Andrews and James Seale, produced by Kevin V. Duncan, Stan Spry and Anthony Fankhauser and written by Sarah Larsen, Tamara Moulin, Charlotte Corbeil-Coleman, Adriana Capozzi and Seale.
In the tradition of Black Swan and Jacob’s Ladder, Safehaven is a high-concept, mind-bending series where dreams merge with reality to bring audiences a fastpaced, addictive mystery. The series stars Georgie Murphy (Gen V, Small Achievable Goals, Murdoch Mysteries), Bob Frazer (Supergirl, Motherland) and Gino Anania (Skymed, The Porter)
Created by James Seale, based on his graphic novel from Michael Bay’s 451 Media Group, Safehaven
A rebellious teen with a troubled past, Jenna Frost was headed down a destructive path until
a passion from her childhood reemerged: a love of art. Drawing was an outlet where she could channel her darkness and exorcise her internal demons. Her latest creation is Safehaven, a comic book about a dystopian high school world. But after a car accident leaves her in a coma, Jenna is unknowingly trapped in her subconscious. Inside the world of Safehaven. Like Dorothy in Oz, she must find a way out of a place where paranoia runs rampant and demons lurk around every corner. Her only ally is John Rayburn, the mysterious new school counselor who may be Jenna’s only hope to uncover the truth and stay alive. In the real world, Rayburn is a cognitive therapist with a unique ability to tap into the unconscious mind. Together, he and Jenna form an unlikely dual-world partnership in a race to uncover the truth and bring Jenna back to the living world.
Paramount Pictures To Release The Angry Birds Movie 3 In Theaters Worldwide On January 2027
broadcast on social media. Clips from the show went viral on TikTok amassing over 136 million impressions, gaining 10,000+ followers and garnering a massive 7.2+ million views on a single video. The show also ranked 5th in Yahoo’s SNS trends and 3rd in the Android search apps, underscoring its widereaching and diverse audience.
With its mix of talent, electrifying performances and an innovative competition structure SONG vs DANCE is poised to become the next international variety hit. The show features outstanding performers competing in thrilling head-to-head battles set in a video game-inspired format and delivers exciting and dynamic performances, all while answering the ultimate question: Which is better, song or dance?
Paramount Pictures will theatrically distribute The Angry Birds Movie 3 with Jason Sudeikis, Josh Gad, Rachel Bloom, and Danny McBride reprising their roles as Red, Chuck, Silver, and Bomb. Rovio and SEGA will produce alongside Namit Malhotra and his production company Prime Focus Studios, in partnership with Flywheel Media, One Cool Group, and dentsu. Paramount Pictures will release the film in theatres worldwide on January 29, 2027.
New cast members will include Emma Myers, Keke Palmer, Tim Robinson, Lily James, Marcello Hernandez, Walker Scobell, Sam Richardson, Anna Cathcart, Maitreyi Ramakrishnan, Nikki Glaser, James Austin Johnson, and Psalm West.
The Angry Birds Movie 3 is directed by John Rice (The Angry Birds Movie,
Beavis & Butt-Head Do the Universe) with a screenplay by Thurop Van Orman (The Angry Birds Movie 2, The Marvellous Misadventures of Flapjack), who is also executive producing alongside Toru Nakahara (Sonic the Hedgehog). The film is produced by John Cohen (Despicable Me, The Garfield Movie), Dan Chuba (The Mitchells vs. the Machines), and Carla Connor (The Willoughbys).
The Angry Birds Movie 3 follows the success of the first two Angry Birds movies, which have grossed more than $500m at the worldwide box office and have seen outstanding results on streaming platforms around the world, signalling strong demand for the third theatrical instalment.
Grammy Award-winning musician and composer Heitor Pereira (Despicable Me, The Minions Movie,
Puss in Boots: The Last Wish), who has scored all of the previous Angry Birds films, is returning to score The Angry Birds Movie 3. Storyboards, art development, and animation are being handled by DNEG Animation. Jeanie Chang is the production designer, and Francesca Natale is the character designer. The head of story is Vadim Bazhanov, and the lead editor is Sarah K. Reimers.
Sphere Abacus (SA) has acquired Ravenwood Productions’ supernatural thriller Safehaven for worldwide distribution, excluding US.
New partners hookup with The Ex-Wife as appeal grows in Asia, Latin America, and Europe Banijay Rights Cooks Up MasterChef Pakistan Revival
All3Media International has announced a slate of new deals for both series of Clapperboard Studios, BlackBox MultiMedia and Night Train Media‘s The Ex-Wife, following its recent premiere on Paramount+ in the UK, series 2 has been described as “a compelling potboiler” (The Guardian). The first series currently holds a score of 80% on Rotten Tomatoes and secured impressive ratings on 5 where it outperformed the slot average by 46%*, after its launch on Paramount+. With these global deals, All3Media International will have secured broadcast partners across more than 80 territories in North America, Latin America, Europe, the Middle East and across Asia Pacific. Multi-territory deals for both series will see The Ex-Wife travelling to new partners in Asia and Latin America. In
Asia both series will be available across the region on BBC Studios’ premium SVOD drama channel BBC First, as well as its multi-genre SVOD service BBC Player in Singapore, Malaysia and Taiwan. Additionally, NBCUniversal International Networks and DTC Latin America has also acquired two series of the gripping psychological thriller for Latin American audiences.
Recent acquisitions in Europe include DR (Denmark), NRK (Norway), Eesti (Estonia) and MTV Networks (France and French speaking territories). In Asia, series one has been licensed by Pumpkin Film in China and premiered in India on VR Films.
THE EX-WIFE Part 2 was commissioned by Sebastian Cardwell, Deputy Chief Content Officer, UK, and Paul Testar,
Commissioning Editor for Paramount+. The series will be exclusively available on Paramount+ UK & Ireland later this year. All3Media International is the global partner on the series outside of the UK and Ireland.
The series is a co-production between Clapperboard Studios, BlackBox MultiMedia and Night Train Media, who provided international financing and controls worldwide distribution rights with All3Media International.
Eccho Rights announces string of new deals for Turkish drama series I Am Mother
Eccho Rights has sealed a string of new sales deals for the Turkish drama series I Am Mother (Sandık Kokusu), produced by O3 Medya and originally commissioned by Show TV in Türkiye. The emotional, character-driven series, which has struck a chord with audiences domestically, now
continues its global expansion with several new international partners.
The latest broadcasters to acquire the rights to I Am Mother include Univision for the U.S. Hispanic market, Teleamazonas in Ecuador, Kanal D in Romania, TV3 in Lithuania, TV Klan in Albania and Jibek Joly in Kazakhstan.
These new deals further cement the series’ status as one of the most compelling Turkish dramas of the past two years, exploring the complex emotional terrain of motherhood, loss, and healing.
“I Am Mother offers a rich, multilayered story of a woman rebuilding her life after trauma, and the ways in which our past continues to shape our future — a theme that has proved universally relatable,” said Handan
Özkubat, Director of Turkish Drama at Eccho Rights. “We’re delighted to see so many international partners connecting with this powerful and authentic narrative.”
The title has previously sold to broadcasters in Spain, Chile, Colombia, Panama, Israel, North Macedonia, and to MBC in the MENA region, where the series aired day-in-date with its Turkish release each week. The series concluded in March 2025, after two hugely successful seasons on Show TV.
I Am Mother follows Karsu, a woman in an unhappy marriage. Her husband Reha, is an abusive man and useless father, so when Karsu gives birth to their third child, she realizes that she can’t take care of all the children on her own.
Banijay Rights, the global distribution arm of content powerhouse Banijay Entertainment, has announced a landmark deal that secures the return of global cookery hit MasterChef to Pakistan following an 11-year hiatus. Under the agreement, Karachi-based Pixel Entertainment will produce a new version of MasterChef Pakistan after being handed the rights to secure its own broadcast partner –with its appointed channel set to be announced over the coming months.
The deal was brokered by Rashmi Bajpai, EVP Asia, Banijay Rights, who said, “More than ten years have passed since a Pakistani version of MasterChef captured the hearts and minds of this nation’s viewers. To secure this world-famous format’s
comeback is an exciting prospect for us and we can’t wait to use MasterChef as a platform to celebrate Pakistan’s rich culinary heritage.”
Rizwan Siddiqui, Co-founder, Pixel Entertainment, Pakistan, added, “MasterChef Pakistan presents an amazing opportunity to explore and unearth the rich culinary traditions of the country and offers a tremendous forum for all
participants to showcase their talent. The format is set to inspire aspiring chefs and nurture exceptional talent for many years ahead.”
Represented internationally by Banijay Entertainment, MasterChef is the world’s most successful cookery television format (Guinness World Records). Commissioned across 70 markets, the life-changing show has aired over 700 seasons and more than 16,000 episodes to-date. Created by Franc Roddam and first launched in 1990, the superbrand is known and enjoyed across the globe.
Headquartered in Karachi, Pakistan, Pixel Entertainment is involved in the local adaptation and production of international formats for the country’s market.
Passion Distribution unveils raft of Blue Light sales
Passion Distribution has announced a surge in global sales of its high-octane Blue Light and Search and Rescue slate, cementing its reputation as a goto destination for gripping, reallife unscripted programming Spanning 330 hours, the recent sales showcase sustained global demand for returnable, high-volume factual content that puts everyday heroes in extraordinary situations.
MTV OY in Finland and TV4 in Sweden have acquired six seasons of the long-running hit ‘All New Traffic Cops’ produced by Mentorn Media. The series continues to strike a chord with audiences, offering
gripping insight into the work of traffic enforcement officers tackling criminals on the move and high-speed chases.
In the UK, Traffic Cops’ commissioning broadcaster 5 have also relicensed episodes, whilst Warner Bros. Discovery Netherlands, BBC Studios and Foxtel in Australia have all bolstered their schedules with new seasons of the same series, reinforcing the show’s international appeal and windowing flexibility.
Also in Passion’s Blue Light portfolio is ‘Call The Bailiffs’ produced by Middlechild Productions, which has been picked up by RTL in the Netherlands (3 seasons), Discovery in Germany (2 seasons), DPG Media
in Belgium (2 seasons) and BBC Studios Australia (2 seasons). The series provides unprecedented access to the challenging world of debt recovery, resonating with broadcasters seeking compelling social reality content.
In Search and Rescue programming, ‘Coastguard: Search & Rescue SOS’ also from Middlechild Productions, has found a home with Creo Contents for Pay TV in Korea (2 seasons), Foxtel Australia (1 season), Sky New Zealand (2 seasons) and Warner Bros.Discovery (2 seasons) in Benelux, highlighting the global appetite for real-life heroism and emotional storytelling in the toughest of conditions.
Rounding out the slate, recently acquired series ‘Yorkshire Air 999’, produced by Air TV, has just been acquired by NPO in the Netherlands, bringing viewers closer than ever to the dramatic work of air ambulance crews across the UK.
Just For Entertainment Distribution Acquires Season 4 of sketch comedy series ABROAD NBA on Prime Tips-Off in India Later this Year
Alex Avon, Chief Revenue & Strategy Officer, Just For Entertainment Distribution, along with Longhope Media Inc. and OMNI Television announced that Just For Entertainment Distribution acquired Season 4 of hit satirical sketch comedy series ABROAD for international distribution. The series will premiere in Canada on Sunday, May 18 at 8:30pm on OMNI 2, OMNI BC and OMNI Alberta. Co-created by and starring Filipina comedian Isabel Kanaan, ABROAD is a multi-Canadian Screen Award nominated series with
6 x 30 minute episodes in English and Tagalog in Season 4 based on the immigrant experience in Canada. All 4 seasons of ABROAD are available to international audiences through Just For Entertainment Distribution.
Loosely based on Isabel’s experience immigrating to Canada as a teenager and recently becoming a new mother, ABROAD Season 4 presents a humorous look at how immigrants think, perceive and deal with living in Canada. ABROAD features hilarious sketches about preparing your third-generation child for the future,
sibling dynamics, Filipino diaspora, and family-run small businesses with Pinoy pop culture impressions and over the top characters. Since ABROAD premiered in 2022, sketches have gone viral around the world with over 35 million views on Instagram and over 6.2 million views on TikTok.
ABROAD is produced by Longhope Media Inc., in association with OMNI Television, a division of Rogers Sports & Media. ABROAD is co-created and written by Isabel Kanaan, Kevin Wallis and Wayne Testori. Executive producers are Lucy Stewart and Kevin Wallis, with Kevin Wallis also acting as showrunner, directors Kara Harun and Carly Heffernan, director of photography Vanesa Millado, and writer Byron Abalos. T he series is supported by the financial participation of the Rogers Series Fund, the Canadian Media Fund, Ontario Creates and CAVCO.
OneGate Media secures global rights to ARD historical docudrama, NUREMBERG 45
OneGate Media has picked up the global distribution rights to the upcoming ARD historical docudrama, NUREMBERG 45 (90’) is based around the groundbreaking events of the Nuremberg Trials of 1945. The docudrama will premiere later this year.
Prime Video has revealed the official logo for its coverage of the NBA on Prime, which begins in October 2025 as part of a landmark 11-year global media rights agreement. This deal marks a significant expansion of Prime Video’s live sports offering, with NBA joining New Zealand Cricket in India at no additional cost to Prime members.
As part of this global deal, Prime members in India will receive coverage of 67 regular-season NBA games, including all seven games from the Knockout Rounds of the Emirates NBA Cup, every game of the postseason SoFi NBA Play-In Tournament, first and second round games of the NBA Playoffs, and Conference Finals in six of the 11 years of the deal.
Earlier this year, Prime Video announced that acclaimed sports journalist Taylor Rooks will host its new NBA studio show, with NBA legends & Naismith Memorial Basketball Hall-ofFamers including Steve Nash, Dwyane Wade, Blake Griffin, Dirk Nowitzki and Udonis Haslem serving as studio analysts, bringing their expertise and insider perspectives to the inaugural
season of Prime Video’s NBA coverage. WNBA Legend Candace Parker will also join the NBA on Prime studio team as an in-game and studio analyst beginning this fall and will lead Prime Video’s WNBA coverage beginning in 2026. More information on the full broadcast offering for NBA fans in India will be revealed ahead of launch.
Coming in 2026, Prime members in India will be able to exclusively stream 30 regular-season WNBA games each season, including the Championship game of the WNBA Commissioner’s Cup presented by Coinbase. Prime Video will also have exclusive WNBA postseason games, including one firstround series each year, seven SemiFinal series and three WNBA Finals over the course of the 11-year deal.
5 and Acorn TV confirm second series of ratings hit Ellis from
Company Pictures
The hybrid narrative brings to life the world’s first international tribunal – a trial that not only held Nazi leaders accountable, but also laid the foundation for modern human rights and international law. The documentary will mark 80 years since the tribunals began, making history as the first time a universal concept of justice was defined. The tribunals laid the foundation for today’s global justice system and the International Criminal Court.
NUREMBERG 45 is an emotionally layered narrative, featuring colorized
Combining fictional scenes, original archival footage, and contemporary interviews, NUREMBERG 45 tells the story of the groundbreaking trials through the eyes of two young Holocaust survivors; Ernst Michel, who is driven by the loss of his parents and friends and returns alone to witness justice as a court reporter and Seweryna Szmaglewska, who testified as one of the very first survivors.
original material and in-depth interviews that create a powerful, visually immersive, historically grounded, and deeply human story.
Following the success of the first series, 5 and Acorn TV has announced the recommission of ground-breaking detective drama Ellis from Company Pictures, in association with All3Media International and Northern Ireland Screen.
Having launched with over 2.4million viewers on 5 in October 2024, Ellis garnered critical acclaim for being the first black solo female-led detective series in the UK, with Sharon D Clarke (Mr Loverman, Showtrial, Lost Boys & Fairies, Rocketman), receiving praise for her portrayal of DCI Ellis – a detective fighting a system rife with flaws.
Mackin, Managing Director of Acorn Media Enterprises (AME), commissioned the series for Acorn TV and executive produces alongside Bea Tammer, AME’s Director of Development.
OneGate Media will handle worldwide distribution of the docu, making the film available to broadcasters and streaming platforms around the globe. and German speaking territories on ZDF, Flemish Belgium on VRT, Sweden on SVT and the Netherlands on NPO, whilst BBC Studios has licensed the series in the Balkans and Central Eastern Europe. Throughout the rest of the world Ellis S1 will air in Australia on Nine Network, in a second window deal after Acorn’s premiere in the region, in addition to the show launching this month on Mystery Channel in Japan.
The second series of Ellis was ordered for 5 by Sebastian Cardwell, Head of Drama, Deputy Chief Content Officer, Paramount UK and Paul Testar, Commissioning Editor, Scripted, 5. Both also serve as executive producers for the series. Catherine
All3Media International, coproducer and global partner on Ellis, has also revealed four continents have acquired the first series of Ellis, with partners in Europe, Australia and Asia joining 5 in the UK and Acorn TV in North America, Australia and New Zealand. In Europe, the series will air on Germany
Ellis series two is set to begin filming this month and will air on 5 and Acorn TV in 2026.
Vegesaurs Global Growth Continues
The CGI-animated action-comedy series Vegesaurs is expanding its impressive international journey. Co-invested and globally distributed by Studio 100 International, the preschool series produced by Cheeky Little Media has already won the hearts of young audiences in more than 70 territories, including Australia, Canada, France, and the UK, and
is now captivating viewers across the U.S. with its unique blend of fun and educational storytelling. The show’s U.S. presence is growing rapidly. Distributed by American Public Television, Vegesaurs airs on PBS member stations in key metropolitan areas, including New York City, Los Angeles, Chicago, and Washington D.C. and reaches more than 40 million U.S. TV households. It is also available nationwide via PBS Passport, the public broadcaster’s premium streaming service. With over 126 million minutes watched on ABC iview in 2024 in Australia, Vegesaurs ranks among the platform’s top 10 mostviewed shows – and is the No. 2 ABCcommissioned animated series after Bluey. On the BBC iPlayer in the UK, the series has achieved over 60 million views. Ginger, a young Tricarrotops (carrot-themed) and her friends, the three Pea-Rexes, are now preparing
for their German TV debut in 2025 on a major kid’s broadcaster, details of which will be announced soon.
Another highlight was the recent opening of the Vegesaurs Immersive Experience in Sydney, Australia – a family-friendly attraction that brings Ginger and her friends to life. The immersive multi-media experience invites children to run, swim, and fly with their favorite characters and discover a world full of imagination and adventure. Additional locations to expand into the U.S., Europe, and the Middle East are currently in the works.
After three successful seasons exploring themes like friendship, sharing, and play, the brand continues to evolve. Seasons 4 and 5 are currently in production, bringing the total episode count to 100 by 2026.
Bundesliga International signs four-year deal with Belgian
broadcaster Telenet
The Bundesliga has a new home in Belgium with Telenet having secured the exclusive broadcast rights for the next four seasons. From the start of the 2025-26 campaign, the leading telecommunications and media company in Belgium will be showing the best of Bundesliga matches across its Play Sports channels and platforms, as well as key games in Bundesliga 2.
The Bundesliga is returning to Telenet, who had previously held the broadcast rights for the German league in Belgium up until 2018, and has played a crucial role in bringing the best football action from Germany to Belgian audiences. Telenet plans to host regular Bundesliga
studio shows with experienced pundits and commentators to highlight key moments throughout the coming season.
“The demand for Bundesliga has gone far beyond the traditional TV viewer. Fans are watching on the go – the way they want, when they want it,” said Peer Naubert, Managing Director and Chief Marketing Officer of Bundesliga International. “That’s why Telenet, one of Belgium’s biggest telecommunications
WTFN partners with Nine to launch REAL EMERGENCY a new blue light FAST and VOD channel
WTFN has agreed a deal with long-term partner Nine to drive new revenue streams from global FAST and VOD platforms, starting with the creation of a new channel called Real Emergency.
WTFN’s broadcast distribution arm, Fred Media, will launch the Real Emergency FAST channel, which will prominently feature two of the 9Network’s long-running returning
Just
series Paramedics (7 seasons, 75 eps) and Emergency (5 seasons, 50 eps), both of which are produced by WTFN. Real Emergency will launch on 9Now in Australia in Q2 and will also be distributed to major FAST platforms worldwide. Meanwhile, Radar, WTFN’s digital distribution arm, will roll out Real Emergency VOD channels across YouTube, Facebook and other social video platforms.
Kieren Pittard, Nine’s Head of Acquisitions and Distribution, said the decision to partner with WTFN achieved Nine’s business goals of diversifying revenue streams and maximising opportunities from existing rights “This partnership allows us to unlock the full value of these quality productions and to extend their reach – finding new audiences across
new platforms both here and overseas” he said. “Continuing to diversify and maximise revenue streams for content where we have existing rights is important to Nine, and working with a partner so well-versed in the global FAST space made complete sense –especially when it produces both shows for us too,” he added.
providers, is the perfect partner for the Bundesliga. “With our mix of top Belgian players, not to mention a title-winning coach in Vincent Kompany, we are delighted to be using Telenet’s innovative approach to reach football fans throughout Belgium.”
Telenet made a convincing case through the quality of their production and studio coverage, as well as their premium rights portfolio, Naubert added.
For Entertainment Distribution and Pluto TV Announce Just for Laughs FAST channel is now available on Pluto TV in Canada, LatAm, Brazil, France, Italy and the Nordics
Pluto TV, global leader and Canada’s most popular* free, adsupported streaming television (FAST) service, and Just For Entertainment Distribution has announced a deal between the two companies to bring the Just For Laughs FAST Channel to Canada, LatAm, Brazil, France, Italy, and the Nordic countries. The channel is now live in all markets.
Viewers can tun in to the Just for Laughs GAGS channel to enjoy hilarious pranks, timeless humor, and laugh-out-loud moments that appeal to all ages. No dialogue, just universal comedy guaranteed to brighten viewers day anytime they tune in!
Alex Avon (Chief Revenue & Strategy Officer, Just For Entertainment Distribution)
stated, “JFE Distribution is thrilled to announce our continuing expansion, now with our FAST deal with Pluto TV in several territories. Placing our award-winning content on new channels helps with our mission of “Keeping the world feeling good” with the best programming around.”
Kat Kowalski, SVP Content Strategy & Acquisitions, Pluto TV International noted “Canadian content travels the globe so well. Pluto TV viewers love a good laugh, and through Canada’s JFE Distribution we are so happy to bring the Just For Laughs Channel to the FAST world through our platform.”
In Canada the new FAST Channel called Just For Laughs GAGS joins Pluto TV, which prides itself in offering a human-led curation
Meanwhile, Radar also announced the launch of a new partnership with independent Canadian producer Omnifilm Entertainment. Radar has launched a dedicated YouTube Channel for Jade Fever, its popular factual series that follows a long-established jade mining family in the wilds of Canada. Jade Fever has run for seven seasons and was first broadcast on Discovery Channel Canada. of programming based on what resonates most. In Canada Pluto TV’s wide variety of genres and content categories include but are limited to; Crime Drama, True Crime, Classic TV, Classic TV Comedy, Sci-Fi and Supernatural, Comedy, Drama, Movies, Game Shows, Reality, Competition Reality, News and Opinion, Local News (which includes 15 local Canadian news channels live), Home and Food, Kids, French, Sports, Anime, and Music.
CJ ENM Amasses Consecutive Drama Hits With Achievements on Global Streamers
CJ ENM’s dramas this year are amassing consecutive hits on global streamers. The K-content powerhouse is exploring different content formulas from classic romantic comedies to raw webtoon adaptations and scoring accomplishments, with its latest romantic comedy My Dearest Nemesis ranking at the top in 101 regions on Rakuten Viki, and also reaching heights on Vidio.
My Dearest Nemesis, produced by Korea’s Leading Scripted TV Studio, Studio Dragon, wrapped up with solid achievements on Rakuten Viki, Vidio, and more. The quirky romcom piece quickly positioned as a fan favorite immediately following its release, sweeping the top spots in 101 regions for 6 consecutive weeks on the global OTT platform Rakuten Viki including the United
States, Brazil, Mexico, France, Australia, and India. With the show also marking the biggest Indonesian streamer Vidio’s first time acquiring an exclusive first run from CJ ENM, My Dearest Nemesis became the platform’s top-performing K-drama since it launched, reaching the peak of its K-drama category throughout the show’s broadcasting period.
Previously in January, the company signaled a strong start of its 2025 drama lineup with the TVING original Study Group produced by Studio Dragon. An adaptation of the original webtoon based on a high school action story, this fresh take was praised for its acting and visual elements that felt like coming right out of a comic book page. The show also led the number of weekly paid subscribers on the No.1 K-content
streaming platform TVING since its release and ranked in the top five in 147 regions on Rakuten Viki.
Jaehee Hong, SVP of Content Business at Rakuten Viki, addressed CJ ENM’s achievements on the platform. Having acclaimed Study Group as the “funniest underdog action show you’ll ever watch,” Hong recognized My Dearest Nemesis for “delivering a well-thought-out narrative that resonated globally, adding unexpected twists to what may seem as rom-com clichés.”
Prime Video launches Apple TV+ as an add-on subscription in India;
Apple TV+ will now be available via Prime Video in India as an addon subscription. Available in India, Prime members who subscribe to Apple TV+ via Prime Video can stream exclusive shows and movies with new releases weekly. They can enjoy heartwarming comedies like Ted Lasso and Shrinking, thrilling dramas—from Severance and The Morning Show to Slow Horses and Disclaimer—as well as epic sci-fi like Silo, hit movies like Wolfs and The
Gorge and much more. Apple TV+ is now also available via Prime Video as an add-on subscription in the US, Australia, New Zealand, Canada, and other territories in Europe and Latin America.
“Over the years, we’ve built Prime Video India as a first-stop entertainment destination offering a wide selection of premium programming including Indian and international Originals, movies and series on our service, and over 75,000 hours of additional content selection across genres through 25+ Indian and international add-on subscription partners,” said Gaurav Bhasin, head of marketplace (add-on subscriptions and movie rentals), Prime Video, India. “We are now thrilled to welcome Apple TV+ and its stellar content to Prime Video’s extensive library in India. We are certain that Prime members in India will enjoy the easy access to Apple Originals with a simple add-on subscription, along
with all the features of Prime Video, like convenient and streamlined content discovery, unified watchlists, and centralized billing.”
“Viewers have been loving the ability to subscribe to Apple TV+ on Prime Video and we’re pleased to now launch this offering in India,” said Eddy Cue, Apple’s SVP of Services. “We want to make Apple TV+ and its award-winning library of series and films from the world’s greatest storytellers available to audiences around the world.”
Apple TV+ joins Prime Video India’s extensive collection of addon subscription options such as Lionsgate Play, Discovery+, BBC Player, MGM+, Sony Pictures –Stream, Anime Times, Crunchyroll, Animax+GEM, CN Rewind, FanCode, Channel K, Chaupal, Hoichoi, Manorama Max, among others.
All3Media International builds on FAST Channel success with launch of its new Demand Drama digital brand
All3Media International has expanded its portfolio of FAST channels with the launch of original new FAST channel Demand Drama, which will be available in the UK.
Answering the continued demand for free-to-watch premium drama content, Demand Drama brings audiences a diverse variety of acclaimed titles from All3Media International’s extensive scripted catalogue. The schedule mixes ‘cosy crime’ dramas and gripping crime thrillers with beloved family-friendly favourites, landmark dramas and addictive soaps. The channel will also offer regular themed days, with the launch month schedule featuring a weekly ‘Crime Sundays’.
Featuring on the launch line-up are ‘cosy crime’ series Rose and
Maloney starring Sarah Lancashire (Happy Valley) and acclaimed, awardwinning crime thriller such as Jimmy McGovern’s anthology series Accused, led by a star-studded cast including Sean Bean, Christopher Eccleston, Olivia Colman, Juliet Stevenson, Sheridan Smith and Anne-Marie Duff. Also featuring on the crime drama slate is crime doyen Lynda La Plante’s Above Suspicion, led by Ciarán Hinds and Kelly Reilly and the Royal Television Society and BAFTA award-winning Trial & Retribution, starring David Hayman, Iain Glen, Kate Buffery and Simon Callow will be available. Cult favourite SAS action-drama Ultimate Force led by Ross Kemp adds some muscle to the schedule and for those looking for more heart-warming fare, Wild at Heart brings some family charm to the schedule as Amanda Holden and Stephen Tomkinson begin a new life in the African bush. Hayley Mills
and Nomsa Xaba, Thapelo Mokoena and Deon Stewardson guest star.
Demand Drama will also showcase the best of global English-speaking drama – with the long -running, multi-award-winning, amusing dysfunctional family drama, Outrageous Fortune, featuring New Zealand’s acclaimed actress Robyn Malcolm (After the Party).
Paramount+ Expands Distribution Footprint in Japan Through Partnership with Lemino
Paramount+, the global streaming service from Paramount, has announced a new deal in Japan with a leading over-the-top streaming service, Lemino, operated by Japan’s top telco, NTT Docomo. Through the deal, viewers in the market will be able to enjoy Paramount+ via Lemino Channel, which is available as an à la carte subscription on the platform.
This is the latest in a series of strategic partnerships that Paramount+ has established in the market. These include deals with J:COM and WOWOW INC., as well as with Amazon Prime Video Channels as an à la carte subscription. More recently, Paramount secured a licensing deal with Japan Airlines (JAL), to offer a selection of titles
from Paramount+ as part of the airline’s in-flight entertainment.
Paramount+ delivers entertainment for the whole family, with hit movies, exclusive originals and iconic series across every genre from Paramount’s world-renowned brands and production studios, including CBS, Comedy Central, MTV, Nickelodeon, Paramount Pictures and SHOWTIME®.
The Paramount+ line-up includes blockbuster hits and popular movies such as A QUIET PLACE: DAY ONE, original Paramount+ series TULSA KING starring Sylvester Stallone, and THE AGENCY starring Michael Fassbender, Richard Gere, and Jeffrey Wright, among others; CBS drama series MATLOCK, starring Emmy and Academy Award winner Kathy
Bates; premium content spanning kids’ and family favorites like PAW PATROL, and much-loved local music event shows such as MTV VMAJ.
In Japan, Paramount+ is available on J:COM Stream, WOWOW On Demand, Prime Video, and now Lemino Channel.
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Our digital platforms comprising tva onscreenasia com an @TVAsiaPlus on FB, Twitter and LinkedIn cover the latest industry news and movements Meanwhile our print version is available as bonus distribution at all major trade events including HK Filmart, APOS, Mipcom Cannes and ATF.
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CARMA Opens Tokyo Office Delivering Global Insights to Japanese Organisations
CARMA, the world leader in media intelligence and research solutions, has expanded operations to Japan. This marks the 23rd global office for CARMA. This move emphasises CARMA’s commitment to providing tailored support to Japanese MNC’s and Government departments, as well as international organisations operating in Japan.
CARMA already serves several Fortune 500 Japanese clients across banking, automotive, FMCG, and technology sectors, helping them transform media data into business insights that drive measurable results. The Tokyo office opening means Japanese clients will further benefit from CARMA’s AI capabilities, and award-winning insight consulting solutions. CARMA’s solutions empower decision-makers in areas such as brand reputation,
crisis measurement, competitor positioning, and landscape analysis.
CARMA Japan is spearheaded by Kenichiro Watai-san, a media professional with over 30 years’ experience. Watai-san was most recently Group Account Director at BBDO Worldwide, and prior to that, Deputy General Manager at Hakuhodo. Watai-san said, “I am truly honoured to be joining CARMA at such an exciting time. It is deeply meaningful to be able to introduce the world’s most advanced PR measurement methodologies to clients in Japan. In today’s rapidly evolving media and social landscape, CARMA’s insights and data hold unlimited potential for organisations that must respond to complex challenges and make swift, informed decisions. Moving forward, I am committed to helping organisations
in Japan achieve greater growth and strengthen their competitiveness through CARMA’s solutions.”
CARMA’s proprietary technology analyses social, digital, print, and broadcast data in over 100 languages. With operations across 23 offices in five continents, CARMA combines global best practice in PR measurement and evaluation, while remaining sensitive to local needs.
Winsing Strengthens GG Bond’s Global Presence, GG Bond Marks its 20th Anniversary This Year
Since Winsing Animation partnered with Boomerang Thailand last year to bring the GG Bond animated TV series to local audiences, the brand has experienced remarkable growth in the Thai market. A series of engaging promotional activities— including TikTok challenges, food program collaborations, Children’s
Day mall events, and school tours— have successfully captivated local fans.
Currently, GG Bond Dino Diary S1 and GG Bond Dodgeball Legend S1 are airing on Boomerang Channel and the official Thai GG Bond YouTube channel, with plans to introduce the Racing series soon. Additionally, with Boomerang’s support, GG Bond has gained extensive exposure through VDO screens across 17 SF Cinema locations, gaining millions of monthly eyeballs.
Beyond Thailand, the GG Bond Racing series has successfully launched in the CIS and is now available on major platforms such as Beeline, Ivi, Kino, Okko, and Rutube, further expanding the IP’s international footprint. The GG Bond Racing series follows GG
OOONA Introduces Multilingual QC Tool for Subtitling Workflows
OOONA, a leading provider of professional management and production tools for the media localization industry, announced the launch of its Multilingual QC tool, a powerful addition to the company’s comprehensive toolkit. Designed for media localization professionals, the Multilingual QC tool streamlines the quality contrxol process for timed text assets by enabling the validation and editing of subtitles across multiple language streams simultaneously.
As content distribution continues to expand across international
markets and time-to-market windows shrink, ensuring subtitle accuracy, consistency and compliance with industry standards in a timely and efficient manner has become more important than ever. OOONA’s Multilingual QC tool empowers users to manage and refine subtitle files easily within a single project, optimizing workflows and ensuring high-quality localized content.
“With the Multilingual QC tool, we are addressing a core need in the media localization industry – ensuring that subtitles are accurate and properly formatted across different languages in a timely and cost-effective manner,” says Alex Yoffe, OOONA
Tools Product Manager. “This tool is another step in our ongoing mission to provide best-in-class solutions for subtitling professionals.”
Key features of the tool include the simultaneous preview and editing of multiple subtitle files for the same video asset plus the ability to apply bulk modifications across languages to maintain consistency. The tool ensures proper synchronization with the original audio and visual elements, allowing users to detect and correct formatting and styling inconsistencies across different language files, while streamlining import/export processes for improved productivity. Additionally, quality control checks can be tailored to specific project needs with customizable validation tools.
The Multilingual QC tool is part of OOONA’s widely adopted suite of tools designed to optimize media localization workflows.
Nest Productions and ATS announce transatlantic development and production partnership
Bond and his team as they journey through Racing Planet, competing in thrilling races across diverse terrains while building friendships and embracing adventure. This year, Winsing is set to launch Racing S9 and S10, continuing the exciting stories of racers as they explore new challenges on Racing Planet.
As GG Bond marks its 20th anniversary this year, Winsing is actively collaborating with global partners, aiming to launch localized branding activities and enhance its worldwide visibility. Winsing continues to seek international brand partnerships to further expand the GG Bond IP and bring its captivating stories and products to more audiences worldwide.
US and UK based production company ATS and UK-based Nest Productions have announced that they are joining forces for a new transatlantic development and production partnership.
The partnership will foster collaboration and boost entertainment production partnerships between the US and UK. The initiative will see the legacy companies bringing together their decades of experience in US and UK on unscripted co-productions and their international network, to support and enhance major US entertainment formats and productions in the UK.
The partnership will also develop and facilitate UK productions in and for a US market, with production taking place in both territories. The new partnership will aim to leverage both company’s expertise in navigating international productions,
and foster creative collaborations with US producers looking to bring projects to the UK for production.
ATS is known as the go-to production company, challenge and set-builders for adventure and challenge formats, including some of the world’s leading unscripted entertainment titles including the global Ninja Warrior franchise, Ultimate Beastmaster (Netflix), The Titan Games with Dwayne Johnson USA (NBC), Holey Moley (ABC) and Celebrity Bear Hunt (Netflix). ATS brings its expertise in line producing adventure and challenge formats to international productions including The Bridge, El Puente, and SAS: Who Dares Win.
Nest Productions is built around providing a strong infrastructure and production support to help its partners to produce content of the highest standards. Nest provides
local infrastructure through its senior management, in-house production teams, and key support services—legal, finance, HR, The initiative will aim to leverage both company’s expertise in navigating international productions, and foster creative collaborations with US producers looking to bring projects to the UK for production.
UpStream Media launches UpStream Studios
Passion Distribution’s UpStream Media has announced the launch of UpStream Studios, a digital-first production company focused on delivering highquality, scalable content that resonates with online audiences.
Nick Rees, Chief Operating Officer of UpStream Media, commented, “UpStream has built a network of channels generating more than 30 million views a month, so creating content to serve those audiences was the natural next step. With a background borne out of production and distribution, we’re excited to leverage our expertise to work with producers, creators and brands to craft impactful content that resonates with our global audiences”
UpStream Studios has already begun making waves with its first original show, a new robot
combat series called MechMania which was commissioned for its own SVOD platform Mech+. Whilst it has captivated digital audiences it has also garnered interest from both traditional and FAST platforms.
In addition to original series’, UpStream Studios also produces digital content to support existing shows and IP. With existing TV shows like Worst Driver and The Football’s On, this content serves to develop a deeper engagement with fans and discover new audiences wherever they consume content.
The studio has big plans for the next twelve months with three new original web series already greenlit, including Dirtiest Home SOS, which follows the intense and transformative process of cleaning extreme hoarder homes; OMG Stories, a raw and unfiltered look at shocking, unbelievable real-
life experiences; and Cops React, a series that breaks down intense police footage with commentary from real police officers. All are due to be made available on UpStream Media’s channels later in the year.
Joe Elliott, Head of UpStream Media, stated, “Creating content was always the ultimate goal— building our network was just the foundation. UpStream Studios is about taking that next step, not just for us, but for the brands and partners who want to tap into our expertise and social network.”
DOGTV Networks launches Unleashed by DOGTV
DOGTV Networks, the recently rebranded company behind the successful app and subscription service DOGTV, has announced its latest venture, Unleashed by DOGTV, a new FAST and YouTube channel streaming a wide variety of free content for dog lovers and pet parents.
Launching initially on Amazon’s Fire TV in the US and Tugo TV in the US and Canada, plus streaming live
around the world on DOGTV’s YouTube channel, Unleashed by DOGTV signals a major demand-driven initiative from the business and the start of a planned widespread international rollout. Unleashed by DOGTV will also soon be available on TCL International and Anoki AI’s LiveTVx (for GoogleTV devices), with several other FAST and AVOD services to follow shortly.
Unlike DOGTV, which has primarily focused on providing science-backed on-demand content for dogs to watch to help relieve boredom, stress and separation anxiety, Unleashed by DOGTV is a 24/7 streaming channel for dog lovers and owners. It is packed with expert-led, fun educational shows, as well as exclusive lifestyle and adoption programs, heartwarming stories, dogumentaries and movies. There are already more than 250 hours of programming for the launch period,
Eccho Rights and Amazon MX Player continue strategic partnership
Amazon MX Player, Amazon’s free streaming service has extended its partnership with leading independent distributor Eccho Rights to bring two of Türkiye’s most iconic drama series— Golden Boy (Yalı Çapkını) and Chrysalis (Camdaki Kız) —to viewers across India. The collaboration builds on the streaming service’s growing library of globally acclaimed content
and marks a significant milestone in the ongoing partnership between Amazon MX Player and Eccho Rights.
Golden Boy (original title Yalı Çapkını), produced by OGM Pictures, stands as one of the most successful Turkish dramas of all time. Since its premiere on Star TV in 2022, the series has become a cultural phenomenon, smashing domestic ratings records and captivating audiences in over 130
international territories. Currently in its third season, the show follows the explosive family saga of sisters Seyran and Suna, whose lives are turned upside down when the titular ‘golden boy’ Ferit chooses one over the other for marriage, setting off a storm of secrets, betrayals, and revenge. Starring Afra Saraoğlu, Mert Ramazan Demir, and Çetin Tekindor, the show is a masterclass in storytelling and emotional depth.
Amazon MX Player and Eccho’s earlier deals included Turkish titles such as My Home My Destiny (OGM Pictures), The Promise (Karamel Yapim), New Bride, Cennet, Hear Me, Dreaming of You (all by Sürec Film), and Love Puzzle (Gold Film). The Turkish dramas are now streaming for free exclusively on Amazon MX Player, available through its apps on mobile, Amazon’s shopping app, Prime Video, Fire TV, Airtel Xtreme and Connected TVs.
LiveU IQ Technology Delivers Breakthrough Network Performance for Broadcasters
with new titles created by DOGTV Networks added every week. Movies are regularly acquired through an ongoing relationship with Filmhub.
Entertaining, family-focused and feel-good, the channel’s core content covers everything passionate pet parents need, from expert training tips and dietary advice to information about adopting a dog and the latest products to keep dogs happy and healthy. Unleashed by DOGTV talent includes highprofile celebrity trainers Victoria Stilwell and Chrissy Joy, veterinarians Dr Courtney Campbell, DVM and Dr. Ross Henderson, DVM as well as Kevyn Matthews, AKA The Dog Chef. Celebrity dog enthusiasts also put in an appearance from time to time, e.g. Landman star Billy Bob Thornton, who takes a lead in the musical show One Night Only.
A world renowned broadcaster and long-standing LiveU customer has successfully completed a series of live connectivity tests using LiveU’s revolutionary, awardwinning solution, LiveU IQ (LIQ™). Harnessing AI-powered intelligent decision-making, LIQ switches modems, seamlessly and dynamically, from one carrier to another, based on highest performing networks available at a specific location and time.
The broadcaster tested the resilience and performance of LIQ at several live sports (including international rugby and top tier soccer matches) and news events in Europe from locations with congested or limited cellular coverage. Using its fleet of LiveU LU800 videoover-bonded-IP encoder units, the broadcaster was able to rely on LIQ to intelligently select the highest performing cellular network operators in every location, keeping a consistent stream throughout each session.
The comprehensive tests found that LIQ provided high quality, low latency broadcast transmissions over bonded cellular networks in challenging scenarios that would previously have required the use of traditional connectivity options that are generally more expensive and complex in nature.
As demonstrated by these tests, LIQ not only lets broadcasters break free of pre-allocated network constraints, but also provides them with predictable data analytics that allow them to overcome previous difficulties in known challenging environments. In moments that typically see peak public network usage, such as a goal score or half time, when fans reach for their phones, LIQ was proven to overcome network challenges, significantly outperforming conventional bonded connections.
Recognized by Future, publisher of TV Technology, with a NAB 2025 Best of Show Award for
innovation, LIQ helps storytellers to go live better by combining a trio of powerful and innovative decision-making solutions – historical transmission data, AI and dynamically switchable eSIMs. It amplifies the resilience of LiveU’s wireless IP-video protocol, LiveU Reliable Transport (LRT™) playing to the strengths of LiveU’s network operator partners so video crews can be sure they will experience the best available cellular connectivity profile whenever and wherever they seek to transmit from.
One Life Studios Appoints Govind Shahi as Strategic Advisor to Accelerate Global Growth
One Life Studios, India’s premier content licensing and syndication company, appoints Govind Shahi as Strategic Advisor. Shahi was the erstwhile International Business Head of Viacom18’s content syndication arm, IndiaCast. This strategic move marks a significant step forward in One Life Studios’ mission to expand its global footprint and strengthen partnerships across international markets.
Since its inception in 2017, One Life Studios has built a robust content library featuring short films, infotainment, movies, digital and television shows from across the world. The company’s standout achievement includes the global distribution of its epic series Porus, which was successfully syndicated in over 28 countries, setting a new benchmark for Indian content exports.
With Govind Shahi’s expertise, One Life Studios aims to unlock new opportunities in emerging markets and deepen its reach across established territories. Shahi’s extensive experience in driving content syndication and global partnerships will be instrumental in scaling the company’s international licensing ambitions.
Speaking on the development, Siddharth Kumar Tewary, CEO and Founder, One Life Studios expressed, “At One Life Studios, our mission has always been to take powerful Indian stories to the world while curating exceptional global content for Indian audiences. Govind’s deep understanding of international markets and his strategic expertise make him the perfect partner to help us accelerate this vision. We are excited to have him join us as we continue to push boundaries and bring great stories to viewers everywhere.”
Speaking on getting associated with One Life Studio, Govind Shahi stated, “I am excited to collaborate with the team at One Life Studios. As the company expands its boundaries and enters a further growth phase, my focus will be on leveraging my experience to elevate its global presence and accelerate expansion into emerging markets, forging key partnerships. I look forward to bringing the studio’s creative vision to international audiences and pioneering new standards in the industry.”
With Govind Shahi’s appointment, One Life Studios is set to amplify its efforts in acquiring, licensing, and distributing world-class content, solidifying its position as a leading player in the global content landscape.
Seven.One Studios International appoints Fleur Wheatley VP Sales for English-speaking markets
Seven.One Studios International has appointed international media and sales executive Fleur Wheatley to the role of VP Sales for the UK, US, Canada, Australia and New Zealand. Based in London, Wheatley will spearhead Seven.One’s sales activities in the English-speaking territories while working closely with Seven.One’s scripted and unscripted acquisitions teams to drive international growth.
Wheatley joins the company from Serial Maven Studios where she led sales initiatives across the UK, Nordics, and Benelux. Prior to this she held the position of Vice President of Sales at Keshet International overseeing the UK, US, Canada, Nordics and Digital and positions at Blue Ant Media, DRG and FremantleMedia. Wheatley will commence her role at Seven.One Studios International on Tuesday, April 1 and reports into Managing Director, Tim Gerhartz.
Tim Gerhartz said, “Fleur brings an impressive breadth of experience across both formats and finished programming, spanning scripted and unscripted content. Her strong background in international distribution as well as development and co-productions, makes her a fantastic addition to our sales team. I’m excited to closely collaborate with Fleur as we continue to deliver a premium, diverse slate of international titles to our partners around the world.”
Fleur Wheatley added, “I’m thrilled to be joining Seven.One Studios International at such a pivotal time, as the company further cements its position as a major player in the global content market. With a rich catalog spanning tentpole brands and premium content from across the globe, there’s so much potential to drive new partnerships across key English-speaking territories. I’m especially excited to work with the talented team on hits like Married at First Sight and Stranded on Honeymoon Island, alongside upcoming highlights such as Channel 4’s The Hunt. There’s so much momentum and I can’t wait to dive in.”
Govind Shahi, Strategic Advisor at One Life Studios
Fleur Wheatley, VP Sales at Seven.One Studios International
Gordon Tubbs Joins Ikegami USA as Northern Regional Sales Manager
Ikegami USA has announcds a new addition to its sales team with the appointment of Gordon Tubbs to head Northern Region sales. Based in New York, he brings decades of experience to the role and will be active across the entire Ikegami portfolio of image and display equipment for broadcast applications.
Gordon Tubbs commenced his broadcast industry career at Canon, advancing to become Director of Broadcast & Communications before progressing to senior management roles at Autoscript, Fujifilm and ES Broadcast. He joins Ikegami from Grass Valley where he was Account Manager – Sports and Entertainment.
“We are excited to welcome Gordon to the Ikegami team!” says Teri Zastrow, Ikegami USA Director of Sales & Marketing. “His combination of technical knowledge, business development skills and dedication to customers will be great assets to our team.”
“I am very pleased to be joining Ikegami USA as the company’s Northern Regional Sales Manager to work with existing and potential clients throughout the area,” Gordon Tubbs comments. “Ikegami is a globally acknowledged leader in UHD and HD cameras, IP interfaces and monitors, based on seven decades of technical innovation. I look forward to hitting the ground running on Booth N1539 in the NAB 2025 North Hall where we will be demonstrating a full suite of products designed to maximize production efficiency and creativity. Particularly exciting is Ikegami’s latest-generation UHL-X40 ultra-compact 3-CMOS 4K-UHD HDR camera which is ideal for capturing close-up video from locations where a traditional manned camera would be operationally impractical. Ikegami’s new IPX-100 IP Extension Unit also has great creative capabilities, replacing the traditional base station or camera control unit with a dedicated interface to the SMPTE ST 2110 media transport environment.”
NBCUniversal Promotes Caroline Cleland to VP, Asia Pacific, International Networks & Direct-to-Consumer
NBCUniversal International Networks & DTC (NBCUIN & DTC) has announced that Caroline Cleland has been promoted to VP, APAC, for the division. In this newly created role, Cleland will lead the strategic and operational direction of NBCUIN & DTC’s linear channels and direct-to-consumer businesses across Asia Pacific, overseeing Programming, Acquisitions, Commercial, Marketing, Creative and Production, continuing to drive the growth and performance of the portfolio.
Cleland takes on this position following Chris Taylor’s expanded leadership appointment to MD, APAC, TV
Distribution and International Networks & DTC. Reporting to Taylor, Cleland will be responsible for driving audience engagement and brand awareness, revenue growth and new business, while managing relationships with key stakeholders, advertisers and affiliate operators. Cleland remains based in the company’s Sydney office.
Having joined the company in 2008, Cleland has held a variety of roles most recently leading the group’s regional programming and acquisition team, creating and implementing content strategy across linear and non-linear platforms – across APAC – for the group’s portfolio of channel brands including Bravo, Universal TV, Oxygen True Crime, DreamWorks, Peacock-branded Hub and Studio Universal.
During her tenure, Cleland was instrumental in the channel launches of 13TH STREET (2009), SYFY and Universal TV (2014), free-to-air channel Bravo in New Zealand (2016), BSVOD channel Oxygen (2019), DreamWorks in Australia (2021), free-to-air channel 7Bravo in Australia (2023) and Peacock-branded Hub on JioStar India (2023). Most recently, Cleland launched linear and SVOD offering, Studio Universal, a curated cinematic experience showcasing movies from all genres, in 2023 in the Philippines followed by launches in Taiwan and Indonesia in 2024.
Prior to joining NBCUniversal, Cleland held programing roles with Optus Television, Movie Network and Crown Media.
In addition to Cleland’s appointment, Taylor has rounded out his International Networks and DTC leadership team with Simon Hebblewhite, who has been promoted to Senior Director, Finance – where he will continue to drive revenue performance and strategic financial growth for the business – and Jane McLaren, who has been promoted to Director, PR and Communications to drive the corporate and consumer communications strategy across APAC.
Gordon Tubbs, Northern Regional Sales Manager at Ikegami USA
Carolina Cleland, VP Asia Pacific at NBCUniversal
Treehouse and RD Studios: Building a Future For Children’s Television
In a bustling corner of West London, a curious squirrel named Squiggle is helping to change the future of children’s television. He doesn’t say a word. Instead, through a mix of puppetry, play, and exploration, he and his friends Fluff, Magnus, Dotty, Badger, Scratch and Nok Nok are showing how stories told with love and care can reach far beyond the treetops.
This is Treehouse, a new preschool series created by Ryan Dean and Lowri Williams, produced at RD Studios, one of the UK’s most sustainable film and television facilities. If Treehouse is a glimpse of what’s possible when inclusivity, sustainability, and creativity collide, then RD Studios is the engine room making it all happen.
With global interest building around the show and increasing demand from international producers for greener, highspec UK production facilities, Treehouse Productions and RD Studios are stepping into the spotlight together.
A different kind
of studio
Launched in 2022, RD Studios sits on a 75,000 square foot campus in Park Royal, one of London’s fastest-growing creative districts. RD’s roots go back further. The studio is the physical manifestation of RD Content, a full-service production company founded in 2009 with a mission to bring together storytelling, technology, and sustainability.
Unlike other film studios that have adapted existing warehouses or industrial sites, RD Studios was designed from scratch with the climate in mind. It’s powered by renewable energy, thanks in large part to the massive solar array that covers the roof and is completely fossil-fuel free. Rainwater is harvested and reused throughout the site. EV chargers are plentiful.
The gardens surrounding the facility are intentionally biodiverse, supporting birds, bees, butterflies, and the occasional curious fox. Most importantly, the studio is fully albert certified, meaning it meets the UK screen industry’s highest standards for sustainable production.
“We didn’t want to build just another studio,” says Ryan Dean, founder of RD. “We wanted to build the studio of the future. One that’s flexible, beautiful, and operates in a way that’s genuinely responsible.”
Inside the stages
RD Studios features three large, sound-proofed sound stages, each designed to accommodate everything from major commercial shoots to long-form drama and VFXheavy series. The largest stage measures 15,000 square feet with a 45-foot height clearance, more than enough for multi-set builds or elaborate rigging. The stages are
connected to modern production offices, green rooms, dressing rooms and edit suites, with on-site catering and equipment rental available through RD Rentals. The design of the campus supports a frictionless experience for clients: secure, comfortable, and highly adaptable. For international producers, it offers a one-stop-shop that combines cutting-edge infrastructure with the creative muscle of a full inhouse team of writers, directors, composers, gaffers, editors and VFX artists all under the one RD umbrella.
“We’re able to scale up or down depending on the project,” Dean explains. “A global brand doing a high-concept campaign. A game studio producing cinematic trailers. A preschool show like Treehouse. We’ve built a studio that makes room for all of it.”
Treehouse: a new standard in preschool programming
Of all the productions to emerge from RD Studios in the last year, Treehouse is perhaps the most emblematic of its mission. The live-action preschool series, developed independently by Ryan Dean and Lowri Williams, was picked up by Channel 5’s Milkshake!
and is being distributed worldwide by Serious Kids. Narrated by Milkshake! presenter Olivia Birchenough and directed by Jamie Langton (Twirlywoos), Treehouse follows Squiggle, a wide-eyed squirrel who lives in a magical treehouse nestled in a lush forest. His best friends join him on daily adventures, all rooted in gentle themes of curiosity, creativity, and empathy. Episodes range from the whimsical to the wonderfully relatable. One day, Squiggle might be trying to master ballet; the next, Badger and Scratch are exploring nature and learning how to care for the garden together. The show strikes a careful balance: joyful and imaginative without being overstimulating, meaningful without being moralising.
There’s also a gentle nostalgia that runs through Treehouse in its look and feel. The use of live-action
puppetry, soft woodland textures, and thoughtfully crafted costumes evokes the golden age of British children’s television. There are clear echoes of classic live action puppet kids IP The Wombles (BBC, 1973) and Teletubbies (Ragdoll Productions/BBC, 1997) - shows that balanced whimsy with warmth, and placed oddball characters in tactile, nature-filled worlds. Lowri, the cocreator, grew up watching late 90s and early 2000s shows of this kind like Tweenies (Tell-Tale Productions/BBC, 1999) and The Fimbles (Novel Entertainment/BBC, 2002) and always cherished the wonder of live-action storytelling.
In an age dominated by TikTok hooks, digital animation and fast-paced edits, Treehouse offers a slower, more sensory-rich experience, inviting children (and their parents) to slow down, tune in, and enjoy the magic of characters who feel hand-built, huggable, and unmistakably real.
Inclusivity in action
At the heart of Treehouse is a powerful belief: that every child deserves to feel seen. The show’s commitment to inclusivity isn’t tacked on but rather baked into its DNA, guiding everything from world design to story arcs. In the first series, one standout example is the Diwalithemed episode (Episode 29), where Squiggle and his friends discover the joy of light, colour, and celebration as they explore the traditions of Diwali, dance together, and watch fireworks. It’s not about ticking a box or creating a ‘special’ episode, it’s about reflecting the world our audience already lives in. Celebrations like Diwali are part of many children’s everyday lives and should feel that way on screen, too.
The show avoids stereotype or simplification by focusing on emotional beats and sensory play: watching Squiggle and friends perform a dance choreography together and learn about Diwali, while full of joy. It’s accessible for children who may never have heard of Diwali, whilst offering warm recognition for those who celebrate it.
A universal language
Beyond cultural representation, Treehouse also addresses inclusivity through its non-verbal storytelling.
The characters communicate through gestures, expressions, and physicality, making the show welcoming to children with speech delays, neurodivergent conditions, or those learning English. It naturally appeals to international audiences, where dubbing or language barriers might otherwise limit accessibility.
As a child, Lowri Williams, the co-creator, moved to
France and didn’t speak the language, but she learned it through songs, play, and movement. That formative experience inspired how she writes the scripts for Treehouse, leaning into physicality and music as powerful tools for connection beyond words. Crucially, as well as being accessible for children in its country of first broadcast, the UK, these elements and move away from dialogue mean that this show can truly travel. All it needs is a different narrator and the entire show can be repackaged for children anywhere in the world.
Inclusivity extends through the creative team. From the very first development stages, Treehouse Productions consulted with early years specialists, speech and language therapists, and neurodiversity advisors to ensure that every decision - from colour palettes to pacing - was made with the widest range of children in mind.
The result is a show that is universal, but never generic. It recognises that representation doesn’t just mean who’s on screen, it means that everyone is invited to and can participate, without exception.
Behind the (fully sustainable) Treehouse walls
What makes Treehouse so remarkable is not just the story unfolding, but how it was made. Every set used in the series was built using fully recyclable Vectar materials - lightweight, paper-based panels that slot together like flat-pack furniture. No MDF, no polystyrene, no foam. After filming wrapped, the sets were pulped and reused. As Ryan Dean states, “This wasn’t just a show about nature; it was made with nature in mind.”
The costumes, designed by Plunge Creations (The Masked Singer), were similarly considered. Built to be durable but lightweight enough for performers to move freely, they brought the characters to life without relying on CGI or post-heavy work. Animations by Beakus blended seamlessly with the live action, enhancing rather than overwhelming the natural textures of the world.
Even the production practices were meticulously planned: including car shares, public transport incentives, compostable catering, zero single-use plastics on set.
An international model of production
As studios and commissioners worldwide race to meet ESG targets, RD’s model offers a compelling case study. The combination of creative control, sustainability, and global readiness makes Treehouse a blueprint for how modern kids’ IP should be developed.
Unlike many shows, Treehouse was fully financed prior to broadcaster acquisition. That independence gave the creators full control over everything, from the eco-friendly set builds to the inclusive storytelling to the merchandising roadmap.
Because yes, Treehouse is more than a TV show. It’s an IP built for global expansion, with books, toys, licensing, and live experiences in development. But unlike many preschool properties, the team is determined to extend their values into the merchandise.
“We don’t want to make plastic tat,” says Dean. “If we’re selling a Squiggle toy, we want it to be made responsibly. If we’re printing a picture book, we want it on FSC paper. It’s about integrity across every touchpoint.”
For international buyers, this approach is a breath of fresh air - especially in markets where sustainability and educational quality are key concerns for parents.
Why the UK leads for international studio space hire
There’s a reason the UK remains a powerhouse for international TV production, particularly in the kids’ space. British preschool content has long set the global standard, from Peppa Pig (Astley Baker Davies, 2004) to Bluey (BBC Studios Australia, 2018), Hey Duggee (Studio AKA, 2014) to What’s in Your Bag? (Gold Wala, 2023).
The UK’s talent pool is unmatched: writers, puppeteers, costume designers, directors and animators who understand how to make content that travels.
Combined with tax reliefs – 34-53% through AVEC and a production culture that prioritises both quality and ethics, it’s a natural home for series like Treehouse.
Dean sees RD as part of this next chapter. “The world is shifting,” he says. “Parents are asking tougher questions. Distributors want shows that feel fresh but familiar. And producers need places that can deliver on all fronts; creative, commercial and ethical. That’s what we’re building here.”
What’s next?
As Treehouse celebrates its 2025 premiere on Milkshake! and its first round of international deals, both RD Studios and Treehouse Productions are looking ahead.
A new slate of children’s content is already in early development. The team is also ramping up their work in motion capture and virtual production, applying those techniques across everything from sports campaigns to architectural walk-throughs.
The focus, as always, is on meaningful innovation. Not flashy gimmicks or trend-chasing, but tools and stories that last. In Treehouse, that next generation is invited to explore, discover, and care.
In RD Studios, the industry has a space where big ideas and bold values can thrive - quietly, thoughtfully, and with real impact. The next step is international productions finding a home in the UK and knowing there are commercial, ethically driven studios like RD’s that will not just compete, but collaborate, with partners anywhere in the world.
Friend MTS and MNC team up to tackle AP piracy in Indonesian first
In 2025, piracy remains a big issue in the entertainment industry. And in the era of streaming, it has only gotten easier to copy materials and disseminate them only which affects the industry costing companies millions in profits. Platforms are doing their best to implement anti-piracy methods such as disabling screenshots, screen recordings, and more.
Friend MTS, the number one anti-piracy provider in media, sports, and entertainment, have announced it is partnering with MNC Media &
Entertainment, Southeast Asia’s largest integrated media group, to implement anti-piracy strategies and services for its video streaming platform, VISION+.
FMTS’ watermarking and monitoring solutions will protect high value live sports, including Indonesia national football team matches, and safeguard the significant ongoing investments VISION+ is making in premium sports and entertainment.
VISION+ is Indonesia’s most popular streaming service, featuring over 35,000 hours of entertainment
including live sports, original content, micro-series, movies & series, and the most complete array of premium local and international channels. Within five years of its inception, VISION+ has become Indonesia’s fastest-growing streaming service, now serving around 3.7 million subscribers nationwide. The platform offers a rich mix of both Video-On-
Demand (VOD) content and live TV channels with catch-up features, serving a wide range audiences including exclusive Indonesian drama series and a variety of TV shows from MNC Media & Entertainment
Free-To-Air channels (RCTI, MNCTV, GTV and iNews)
- with popular broadcast titles like “Indonesian Idol” and “Masterchef Indonesia”. Also, first-run to the platform is a variety of original content titles under the brand, “VISION+ Originals” with nationwide favourites such as “Pay Later”, “Kartu Keluarga”, “Dendam”, and “Culture Shock”, and more recently, exclusive original micro-series titles spanning
drama, romance, comedy, thriller, horror and fantasy genres in both horizontal and vertical formats.
VISION+ is also the ultimate hub for live sports, holding exclusive rights to highly anticipated football tournaments including the AFC U-17, AFC U-20, AFC U-23, AFC Asian Qualifiers, and AFF 2026, which showcased Indonesian National Football Team’s matches. Its comprehensive soccer programming line-up extends to the Asian Cup 2027, UEFA Champions League, Europa League, LaLiga, Bundesliga, FA Cup, Copa Del Ray, and Euro 2028. Beyond football, subscribers gain access to premier motorsports (F1, MotoGP, Formula E, and WorldSBK) and other top-tier events like FIBA (Basketball), ATP (Tennis), and Sea Games 2025.
According to Asia Video Industry Association’s (AVIA) Coalition Against Piracy (CAP), piracy consumption across Asia Pacific is rising to 59%
in 2024 due to more piracy on social media and messaging platforms. This collaboration between MNC Media & Entertainment and Friend MTS is the first of its kind in Indonesia to address illegal content redistribution and persistent streaming piracy.
By choosing Friend MTS’s watermarking, VISION+ will benefit from the industry’s fastest real-time detection of illegal streams, which is critical during live sports events when every second counts. This laser focus on speed and accuracy is also a crucial aspect of FMTS’ monitoring and detection
services which complement watermarking to enable the effective disruption of illegal streaming networks and platforms locally and internationally.
Clarissa Tanoesoedibjo, Deputy CEO of MNC VISION+ said, “To continuously improve and deliver highquality viewing experiences for our subscribers, the urgency to provide a secure and trusted streaming platform is critical to protect and safeguard our rapidly growing content investments for both live sports and originals. VISION+’s partnership with Friend MTS is one of our notable commitments as the leading player in Indonesian broadcast and media to continue our longstanding efforts in combatting piracy. We hope to send a clear message to right holders and our viewers that our stance against anti-piracy remains
strong and hope this will raise the anti-piracy bar for the industry in Indonesia as well as the wider region.”
Shane McCarthy, CEO, Friend MTS, added, “Indonesia is one of the fastest-growing video streaming markets, but also one of the hardest hit by piracy. MNC’s commitment to tackling piracy is a significant milestone not just for Indonesia but the entire Asia-Pacific region.
Together, we’re going beyond protecting content by shifting the conversation from just anti-piracy to broader cybersecurity risks — including exposure to other illegal activities that put end users’ data and safety at risk.”
Bridging the Gap Between Linear TV and Streaming
By Lelde Ardava, COO, Veset
Traditional TV viewing over cable, satellite and terrestrial digital has been declining for a number of years as viewers spend more time on streaming services watching content on-demand. Yet, there’s still remains a significant proportion of viewers who prefer the traditional linear (or live as it is also known) experience where content follows a predetermined schedule. In recognition of this, an increasing number of broadcasters and streamers are making their content available through linear TV
streaming channels. However, when using internet delivered TV services, it’s difficult for broadcasters to create a viewing experience that matches that of TV distributed via traditional methods.
A key element of traditional TV viewing is being able to flick through the channels to find something that appeals. This same experience has been difficult to replicate when watching TV channels over the internet because channels may be provided by different
providers and broadcasters. As a result, viewers need to navigate between multiple apps and services to change channels. Needless to say, this does not make for a seamless viewing experience. As broadcasters seek to address this challenge by providing internet TV users with an experience that mirrors traditional TV viewing, we’re starting to see innovative services being launched that promise to do exactly that. Might these types of services be exactly what’s needed to attract the viewers that remain hesitant to make the move from traditional TV to streaming TV?
Unifying Internet TV Channels
IPTV (Internet Protocol Television) services consolidate channels from different providers all under one single unified EPG (Electronic Programme Guide). One such example is Freely in the UK, which was launched last year to bring together channels from the UK’s free-to-air broadcasters all under one platform.
Using the free service, viewers can access a unified program guide to view all channels, even when provided by different broadcasters. This enables viewers to easily switch between channels, just as they do when watching traditional TV, without the need to switch between multiple services and apps.
These types of unified services are set to redefine how audiences interact with streaming services by
allowing viewers to seamlessly switch channels across broadcasters and providers. This innovation may well bridge the gap between linear TV and streaming, offering a familiar viewing linear experience along with the flexibility of on-demand services. Essentially, these types of services offer viewers the best of both worlds, because they can still enjoy the traditional scheduled programming experience but can also enjoy watching content on-demand when it suits them.
A number of other IPTV services exist that consolidate a wide range of channels alongside on-demand content. These tend to be subscription based and include Sync IPTV, which is popular in both Asia and Europe,
EVESTV, which is well-liked in the USA and Canada, and XCODES IPTV, which is used by viewers globally.
Creating a Seamless Viewing Experience
Although bringing channels from different providers together under one unified EPG is a big step forward, broadcasters must also work to overcome the technical challenges that arise when a viewer switches through channels quickly. Each time the viewer changes channel, a new stream needs to load, which can cause a delay. Any noticeable delay will be annoying
for the viewer and will likely ruin the smooth viewing experience that broadcasters are trying to replicate by bringing channels all under one viewing platform. While the majority of the paid IPTV services are marketed as having advanced technology to prevent freezing and buffering for a smooth streaming experience, this is actually quite difficult to achieve for various reasons.
A number of technical processes have to take place behind the scenes each time a new video stream can play. These include player reinitialisation as the player prepares the right settings to play the new stream,
Digital Rights Management (DRM) validation to ensure the viewer has correct authorisation to watch content, and buffering to pre-load data to help prevent playback disruptions. Network conditions and latency can also create a delay as data must be sent back and forth when the viewer switches channels on internet TV. Although overcoming these issues is challenging, advancements in video streaming playback technology and network optimisation are helping broadcasters to create a more seamless linear streaming viewing experience.
Linear TVs Evolution
There’s little doubt that eventually, most consumers will use internet delivered TV services, and so to ensure that linear format TV remains relevant, broadcasters need to focus attention on making the viewing experience feel effortless and familiar. Services like Freely are helping to blur the lines between live scheduled TV and streaming and may well attract viewers that remain hesitant to switch to internet TV.
As broadcasters and streaming providers continue to refine these services, they’re doing more than just replicating the traditional TV experience, they’re creating something even better, where viewers can easily move between linear TV and on-demand content. And in my opinion, this will be the future of TV viewing.
