Television Asia Plus | December 2020

Page 24

IN-FOCUS A User-centric experience for OTT platforms By JosĂŠ Somolinos

T

his year we have seen unprecedented video viewer numbers across the globe, far exceeding what was anticipated at the start of the period. That is not surprising given the sudden social isolation enforced on people around the world, which has led to a huge increase in time spent at home. According to Nielsen, TV audiences in Taiwan have grown by as much as 1 million viewers and we can see similar trends in other parts of the Asia Pacific region, including mainland China and Hong Kong. This should be good news for subscriber figures; however, a rise in content consumption invariably comes with a rise in competition, given that consumers have more choices than ever before. The pandemic has also impacted income for many people, leading to a careful review of spending where video subscriptions could suffer as a result. This is especially true where consumers have been using multiple services and decide to cut down on costs by keeping only the ones they deem most valuable. Amidst this increased competition, video providers need to deliver compelling services to differentiate and keep consumers engaged. There are a number of innovations that we think will be particularly important as we go through this new entertainment paradigm shift. Seamless AR Augmented Reality (AR) is already available across more than 1 billion consumer devices. It is being used by a mass audience, embedded in shopping apps and games, and consumed on mobile and tablet devices. It can literally be integrated into any app and any platform. 22

December 2020 television asia plus

The key to adding value with AR is not about creating new long-form content. Rather, its most compelling use case is to seamlessly complement existing videos to make your app look better and to increase user engagement. This could, for example, mean using AR to promote an upcoming film release or to create a small experience with cartoon characters for kids. Equally, the technology can be leveraged to add value to sponsors by enabling highly engaging and interactive ads. Amidst the COVID-19 pandemic, it has become more important than ever for video services to deliver increased value to advertisers. For sports sponsors, this could to some extent replace the normal interaction they can expect with customers during live sports matches. Watch together Certain video content lends itself to being watched together with family and friends. Whether it is the latest movie release or a sporting match, people are missing that social interaction they would normally get before COVID. While the world struggles to get back to a level of normality, social watching can recreate some of that atmosphere even if we can’t be together in person. It also makes it possible to watch content together with friends and family that live far away. We have already seen some interesting examples of social watching. Disney has launched GroupWatch, allowing up to seven people to sync the streaming of any title on the platform in a virtual setting through the app. BT Sport has also launched its own Watch Together function, allowing viewers to consume live sports

content together with their friends. Whatever the use case, it is important to ensure that videos automatically sync so that everyone within the group is watching the exact same thing at the exact same time. Imagine your friend commenting on a goal seconds before you see it! Portrait video At the start of 2020, Accedo put together video-related predictions for 2020. Among the predictions is that portrait video is expected to become increasingly important. Noticeably, the industry is moving in that direction, with the launch of a rotating TV, Sero, for Samsung, and a number of Chinese dramas being filmed in vertical orientation. With more consumers viewing video on mobile devices and the rising popularity of platforms such as Snapchat and TikTok, it made sense to predict that portrait video was to become increasingly attractive. To some extent, the trend has not evolved as expected primarily due to a stop to travel and the fact that most viewing is now taking place at home. However, once travel bans are lifted and things return to normal, portrait video is likely to once again become an interesting proposition. Future While the pandemic-induced surge in video viewing might not last in a world postCOVID, the media industry has a unique opportunity to tap into new innovation to take an enhanced user-centric approach. It is the video providers that take advantage of these opportunities that will ultimately win the hearts of consumers in the long run.


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Articles inside

Finding the perfect balance of service offerings

7min
pages 25-26

A User-centric experience for OTT platforms

3min
pages 24-26

AXN celebrates the spirit of togetherness with AXN All-Stars

1min
page 23

MIPCOM Online+ a success with over 6,000 delegates present at the inaugural all-digital market

1min
page 23

The Asia TV Forum & Market 2020 looks forward to a better 2021

6min
pages 21-22

Managing the shift to cloud media workflow

3min
page 20

Nippon TV: Bringing Japan’s beloved anime titles to a global audience

4min
page 19

Astro presents compelling vernacular content for December

3min
pages 18-19

What’s next for content in 2021?

11min
pages 14-17

Viddsee is empowering Asian storytellers through meaningful content

6min
pages 12-13

Talpa Entertainment Productions appoints Sebastian van Barneveld as director of international distribution

1min
page 11

Australian Directors’ Guild announces two new appointments

1min
page 11

Firstlight Media beefs up sales and biz dev to support booming OTT market

1min
page 11

Intinor further boosts the power of internet streaming

1min
page 10

New English language channel launches in India with Cinegy Air PRO

1min
page 10

Sony Pictures blockbusters make its way to FOX Movies

1min
page 9

medici.tv now available on SK Broadband in South Korea

1min
page 9

Arirang TV expands relationship with Globecast for the launch of HD channel across Western Europe

1min
page 9

Celestial Tiger Entertainment broadcasts first original production on Thrill

1min
page 8

Cignal TV and Radius Telecoms launch new fiber broadband and pay-TV service

1min
page 8

Scam 1992: The Harshad Mehta Story among top five OTT shows with 6.6 million hits

1min
page 7

Viu partners with Smart Communications to launch GIGA K-Video

1min
page 7

Viddsee rallies support for Community Chest through StoriesTogether original shows

1min
page 6

eGG Network, Axle Sports team up in the launch of the E1 Championship

1min
page 5

Nippon TV hit drama series I’m Mita, Your Housekeeper. to air in Turkey

1min
page 5

Funimation streams first-ever Chinese anime co-produced by Bilibili

1min
page 5

Sony Music Video contents streaming across the globe on Funimation

1min
page 7

TV Asahi launches two new game show formats for Fall-Winter

1min
page 6

Netflix, Ubisoft team up for a live-action series adaptation of Assassin’s Creed

1min
pages 6-7

Message from the Editor

1min
page 3
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