Hannah Oppelt Portfolio 2022

H A N N A H O P P E L T

2 | INTRODUCTION

B A C K G R O U N D Hannah Oppelt is a creative and enthusiastic environmental designer exhibiting exceptional resourcefulness and flexibility in a wide variety of fields. Her background in sculpture and textile design influence her current work as a Master of Interior Design fellow at the University of Texas at Austin.

While working in the Materials Lab as a graduate researcher, she continued her experiments in craft, material development and surface design.

Hannah believes in accessible design informed by tradition, rooted in beauty, and driven by the progrsseive. Influenced by travel, historical architecture, agriculture , and fine art, Hannah practices her skills in multimedia illustration, model-making, drawing, and printmaking, informing and enriching her interior design practice aimed at the commercial sphere of modern industry.

HOPPELT@UTEXAS.EDU

210.846.0839

EDUCATION The University of Texas, Austin Master of Interior Design Expected May 2022 Savannah College of Art and Design Bachelor of Fine Art, Fibers March 2017

ISSUU.COM/HANNAHOPPELT

LINKEDIN.COM/IN/HANNAHOPPELT

O P P E LT | 3

T A B L E PEDOGENESIS

.......................................................................................................4-14

LAURANCE S. ROCKEFELLER PRESERVE REIMAGINED AS A SOIL LIBRARY | UTSOA

THE WELL

.................................................................................................................15-26

O F

VILLA LA ROCHE

.............................................................................................43-44

LE CORBUSIER CASE STUDY | UTSOA

DESERT RANGES

...............................................................................................45-46

ADAPTIVE RE-USE TRANSPORTATION AND PUBLIC SANITATION HUB | UTSOA

SPATIAL COLOR STUDY | UTSOA

JOHN S. CHASE MIDDLE SCHOOL

SQUIGGLE TILE

................................................27-30

POST-PANDEMIC MIDDLE SCHOOL IN COLLABORATION WITH JIM OPPELT

C O N T E N T S

.................................................................................................47-48

CUSTOM TILE DESIGN AND MILLWORK ASSEMBLY FOR CO-WORKING SPACE | UTSOA

AIA AUSTIN FORCE MAJEURE 2020 COMPETITION | BEST IN CATEGORY

ARCHITECTURAL DRAWING COMMUNALIS

.......................................................................................................31-38

................................................................49-52

SELECTED WORKS | UTSOA

PUBLIC BATH HOUSE FOR THE NORTH AUSTIN COMMUNITY | UTSOA

TEXITLE DESIGN INSTITUTE OF COLOR

................................................................................39-42

...............................................................................................53-66

SELECTED WORKS | SCAD

URBAN INFILL PROJECT DEDICATED TO COLOR RESEARCH IN NYC | UTSOA

PORTFOLIO OF SELECTED WORKS 2021

4 | PEDOGENESIS : LAURANCE S. ROCKEFELLER SOIL SCIENCE CENTER

RHINO | REVIT | ENSCAPE | ADOBE ILLUSTRATOR | ADOBE PHOTOSHOP

O P P E LT | 5

P E D O G E N E S I S UTSOA | FALL 2021 | ADVANCED STUDIO | 8 WEEKS | PROFESSOR LYSA JANSSEN

After taveling to our site in Grand Tetons National Park, Wyoming, our studio was tasked with reimagining the Laurance S. Rockefeller preserve into a rock and minerals exhibit and visitor center with a hospitality component and an auditorium.

Laurance S. Rockefeller introduced a visionary plan to balance land protection and public access in a way that emphasized environmental stewardship through immersion in the natural landscape. A choreographed entry, trail network and modest interpretive center engage visitors in an experience unique among national park settings through its light touch, extractive approach, and transformative qualities. The project was gifted to the American public becoming the first within all National Parks to achieve LEED Platinum standard.

The strategy for Pedogenesis was to enhance the original architecture’s connectionfrom inside to outside through the application of highly abstracted regional materials, emphasis on interior openness, and increased permeability of the built environment’s membrane. The result is a highly dynamic interior environment of operable divisions crafted of cloth and cabinetry. Art and science blur with the creative adaption of soil and and natural pigmentation.

The new Laurance S. Rockefeller Pedology Discovery Center (PDC) is a place for play, creativity, and and exploration. The PDC strives to unite all kinds of people through the mystery of soil science and the allure of natural pigmentation. The center holds a series of ineractive exhibits of varied soil specimens, a rotating fine arts exhibit, workshop facilities, an Auditorium and S.T.E.A.M. Library, Reception and Retail, as well as a Refreshment Bar serving tinctures of local herbs and aromatics.

1

Rotating Exhibit

4

Refreshment Bar

2

Flex Workshop Space

5

Auditorium S.T.E.A.M. Library

3

Interactive Specimen Exhibit

6

Reception and Retail

GRAND TETONS NATIONAL PARK, WYOMING

5

7

1

2

3

4

ADAPTIVE RE-USE

6 | PEDOGENESIS : LAURANCE S. ROCKEFELLER SOIL SCIENCE CENTER

TETONS (BEYOND)

PINE FORREST

SAGE PRAIRIE

1 2 3 ASPEN GROVE

RHINO | REVIT | ENSCAPE | ADOBE ILLUSTRATOR | ADOBE PHOTOSHOP

LSR SITE PLAN | ORIGINAL ARCHITECTURE | PROSPECT STUDIO

1

Limited Parking (Up to 50 cars)

2

LSR Pedology Discovery Center

3

Restrooms (4 Stalls)

GRAND TETONS NATIONAL PARK, WYOMING

O P P E LT | 7

ADAPTIVE RE-USE

7 | PEDOGENESIS : LAURANCE S. ROCKEFELLER SOIL SCIENCE CENTER

1

A 1

B

2

2 A

B

Original Plan | Prospect Studio

LSR PLAN AND EXTERIOR ELEVATIONS | ORIGINAL ARCHITECTURE | PROSPECT STUDIO

Original Elevations | Prospect Studio

O P P E LT | 8

Revised Plan and Finishes

GRAND TETONS NATIONAL PARK, WYOMING

ADAPTIVE RE-USE

9 | PEDOGENESIS : LAURANCE S. ROCKEFELLER SOIL SCIENCE CENTER

ITERATIVE MULTIMEDIA COLLAGE PERSPECTIVE | RHINO 3D | HAND-SKETCHING | WATERCOLOR PHOTOSHOP

O P P E LT | 1 0

1 2

1

Terrazo Bar

2

Wyoming Soil Acoustic Paneling

3

Soil Wall, painted white

4

Mineral Curtain

1 GRAND TETONS NATIONAL PARK, WYOMING

2

3

4

3

4 ADAPTIVE RE-USE

11 | P E D O G E N E S I S : L A U R A N C E S . R O C K E F E L L E R S O I L S C I E N C E C E N T E R

GRAND TETONS NATIONAL PARK, WYOMING

O P P E LT | 1 2

Interactive Curio Cabinet

SOIL MONOLITHS INSPIRED BY POLLEN ARCHITECTURE

SOIL-FILLED POLYGAL

ENALRGED PLAN

CUSTOM DISPLAY TABLE

OCCUPIABLE ARCHIVAL CABINET CONCEALING WORKSHOP MESS AREA | RHINO 3D| ENCAPE | PHOTOSHOP

ISOLATED ISOMETRIC

ADAPTIVE RE-USE

13 | P E D O G E N E S I S : L A U R A N C E S . R O C K E F E L L E R S O I L S C I E N C E C E N T E R

RHINO | REVIT | ENSCAPE | ADOBE ILLUSTRATOR | ADOBE PHOTOSHOP

O P P E LT | 1 4 SHEER MINERAL PRINTED CURTAIN TO DIVIDE SPACE

USING NATURAL PIGMENTATION FOR ARCHITECTURAL FUNCTION

ADAPTIVE RE-USE

15 | T H E W E L L : L I D T R A N S P O R T A T I O N H U B + G E N E R O U S P U B L I C S A N I T A T I O N

RHINO | REVIT | ENSCAPE | ADOBE ILLUSTRATOR | ADOBE PHOTOSHOP

AUSTIN, TEXAS 79703

O P P E LT | 1 6

T H E

W E L L SITE SECTION

UTSOA | SPRING 2021 | ID TECH STUDIO | BEST IN CATEGORY | 16 WEEKS | PROFESSOR ALLISON GASKINS | IN COLLABORATION WITH HANNAH SMITH BRAND DEVELOPMENT AND PROGRAMMING

For this studio, we were given an existing 120-year-old building once used for steel fabrication and its multi-acre site along the train tracks in downtown Austin to convert into a transportation hub. The location of this site, saddled between dense downtown and the shores of the Colorado River, presented a unique opportunity to play a quiet role in water stewardship. Using the sloping grade of the site, we integrated various filtration strategies to capture runoff from downtown before re-entering the river. The result is a highly transparent and radically accessible civic center which provides transportation services, generous public sanitation, water sustainability offices, and public communal gathering spaces that engage the health of the community and protect Austin’s waterways through low impact development (LID) strategies.

5/6/2021

PHILOSOPHY

grandhall.JPG

Service through water/In service to water.

DESIGN GOALS

Create a transit station that connects the visitor to the value of Austin’s waterways as a vital cultural, functional, and ecological resource.

STATEMENT OF INTENT

Design a radically accessible and highly transparent civic center to house transportation services, generous public sanitation, water sustainability offices, and public communal grathering spaces that engage the health of the community and protect Austin’s waterways through low impact development strategies.

SUSTAINABILITY

Integrate systems for responsible water use and filtration/bioretention as the dominant themes of the proj ect. Intent is to restore the building to last another 100 years, respect its history, and maintain its identity without imposing false history.

CLIENT OUTCOME

Provide a point of community and visitor outreach for vital water organizations like the Lower Colorado River Authority. Fill the need for widely accessible public sanitation services. To hold an investment that benefits the community and reflects positively on the client.

https://drive.google.com/drive/u/0/folders/1F18TY_uwen11AnmhrBgW9Ot1DhqqWPEB

1/1

SITE PHOTOS

RO SE

W. 5T

STR EET

H

BAY LOR STR EET

Our water is central to the quality of life here in Austin. The Colorado river, which fills with kayaks, paddle boards and rowing crews everyday, defines our orientation in the city. Our many creeks form a network of swimming holes that delight Austinites and shelter and sustain our wildlife. Our waterways have also been focal points for Austin’s growing pains and injustices as we see in current times with the homeless camps along the river and historically with the civil rights swim ins that occurred in our public springs and pools during the 1960s.

Our water is important as a natural and cultural resource that brings together folk of every walk of life.

W. 3

RD

ST R

EE T

LOCATION DIAGRAM: 300 BAYLOR ST. IN CONTEXT

ADAPTIVE RE-USE

300 BAYLOR ST, AUSTIN, TX 78751 TIMBER AS WAYFINDING + ELEVATED BOARDWALKS

17 | T H E W E L L : L I D T R A N S P O R T A T I O N H U B + G E N E R O U S P U B L I C S A N I T A T I O N

22

1

2

3

4

1

2

3

4

-

5

6

5

6

I15

7

8

9

10

11

12

13

7

8

9

10

11

12

13

1

1

21

1

6

-

TRANSPORTATION HUB + GENEROUS PUBLIC SANITATION 300 BAYLOR STREET

1

8

7

8

I15 3

2 I15

I15

20 A

7

I15

20

2

I15

5

AUSTIN, TEXAS 79703

3

21 20

4

THE WELL: A LOW IMPACT DEVELOPMENT

12

I15

I15

3

22

3

22 21

2

A

2 I15

I14

I14

A 2

2

I14

Floor Plan Upper Level - Final

1/16" = 1'-0" UPPER LEVEL FLOOR PLAN

22

1

3

2

4

3

4

5

6

5

7

6

I15

8

7

8

9

10

9

10

3

22 21

1

I15

1

2. I12

8

3

4 -

1

I15 8. PRIVATE WATER SUSTAINABILITY CONFERENCE AREA

BRAND DEVELOPMENT AND PROGRAMMING

9. PUBLIC PARLOR

A

-

10. COFFEE SHOP

5

I17

2

I14

2

I14

C D

6 -

1 I17

11. GREAT Service through water/In HALL service to water.

DESIGN GOALS

Create a transit station thatSHOWERS connects the visitor to the value of Austin’s waterways as a vital cult 13. PUBLIC

-

SUSTAINABILITY

D

10

3

B

2

I13

STATEMENT OF INTENT

1

-

4

PHILOSOPHY 1

9

12. RAINWATER STORAGE AND MECHANICAL ROOM 14.

C

TRAIN TRACKS

Design a radically accessible and highly transparent civic center to house transportation services offices, and public communal grathering spaces that engage the health of the community and pro development strategies.

D Integrate systems for responsible water use and filtration/bioretention as the dominant themes o last another 100 years, respect its history, and maintain its identity without imposing false histor 1. I12

CLIENT OUTCOME

Provide a point of community and visitor outreach for vital water organizations like the Lower Col accessible public sanitation services. To hold an investment that benefits the community and refl

1. I12

1

1

Floor Plan Main Level (final) 1/16" = 1'-0"

1

Floor Plan Main Level (final) 1/16" = 1'-0"

Floor Plan Main Level (final)

1/16" = 1'-0" MAIN LEVEL FLOOR PLAN

RHINO | REVIT | ENSCAPE | ADOBE ILLUSTRATOR | ADOBE PHOTOSHOP

I15

7. PRIVATE WATER SUSTAINABILITY OFFICES2

I14

11 1. I12

3

5. PUBLIC LOUNGE

20

-

1

7

I15

4. PUBLIC STUDY 6. TICKET BOOTH

3

2 I13

-

6

3. PUBLIC LOUNGE

-

-

-

2. I12

B C

22

SITE SECTION

5

2. PUBLIC TOILETS AND CIRCULATION

21

-

4

13

2

4

3

I14

12

-

I15

A B 2

12

2

I14

I13

2 I15

20 A

1 2 3 4 1. LID EDUCATION GARDEN

13

46' - 2 3/4"

1

11

-

3

21 20

12

-

I15

I15

11

PROGRAM KEY

2. I12

Floor Plan Upper Level - Final 1/16" = 1'-0"1 2

46' - 2 3/4"

2

Floor Plan Upper Level - Final 1/16" = 1'-0"

10’

20’

40’

80’

O P P E LT | 1 8

SERVICE ORIENTED ROOFS ACCOUSTIC / STRUCTURAL INTEGRATED CABLE LIGHTS STEEL FRAMED GLAZING MASONRY

ELEVATED CONCRETE BOARDWALKS NORTH EAST AXONOMETRC

1

{3D - hoppelt}

300 BAYLOR ST, AUSTIN, TX 78751

ADAPTIVE RE-USE

2

PERMEABLE PAVING

19 | T H E W E L L : L I D T R A N S P O R T A T I O N H U B + G E N E R O U S P U B L I C S A N I T A T I O N RAIN WATER COLLECTION PREFILTRATION

5’ EXTERIOR BIORETENTION TANK "THE WELL"

BIORETENTION TANK WITH VEGETATION

ENGINEERED SOILS

22 22

21 21

20 20

A A

B B

C C

D D

20 20

A A

B B

C C

D D

Bioretention Well Diagram 3/16" = 1'-0"

EW BUILDING SECTION: STRUCTURAL AND ACOUSTIC BOUNDING EW Section 1 EW Section 1 3/16" = 1'-0" 3/16" = 1'-0"

22 22

21 21

PERMEABLE PAVING PERMEABLE PAVING

RAIN WATER COLLECTION RAIN WATER COLLECTION

PREFILTRATION PREFILTRATION

EXTERIOR BIORETENTION TANK "THE WELL"

BIORETENTION TANK WITH VEGETATION

EXTERIOR BIORETENTION TANK "THE WELL"

BIORETENTION TANK WITH VEGETATION ENGINEERED SOILS ENGINEERED SOILS

WATER SYSTEMS DIAGRAM - 3 TIER BIORETENTION TANK Bioretention Well Diagram 2 Bioretention Well Diagram 2 3/16" = 1'-0" 3/16" = 1'-0"

RHINO | REVIT | ENSCAPE | ADOBE ILLUSTRATOR | ADOBE PHOTOSHOP

10’

20’

Custom Powder Coated Steel Frame doors with Glass Insert

O P P E LT | 2 0 2 7 I13 4

Elevated Low Carbon Concrete Boardwalk

Rainwater Storage/Mechanical HVAC/Mechanical

1

4

NS Section 1/8" = 1'-0"

Rainwater Storage/Mechanical

Inside Lounge Area 1/4" = 1'-0"

Elevated Low Carbon Concrete Boardwalk

HVAC/Mechanical

2

22

21

NS Section 13 1 1/8" = 1'-0"

22

12

20

11

21

20

10

3

A

9

8

A

7

B

C

6

B

5

D

4

C 5 I13

13

12

1

3

11

10

9

8

1' - 11 3/4"

Ceiling 17' - 0"

7

6

Acoustic veneer over box beam

Textured glass 1

0' - 8"

3' - 2 1/4"

16' - 10"

EW Section 3/16" = 1'-0"

0' - 11 153/256" Textured glass 3

Textured glass 4

3' - 3"

Green powder-coated steel mullions

Textured glass 1

Train Platform Height 4' - 0"

Brick Veneer Access Floor

Linear Carrier HD 12'

3' - 9 1/4"

3/4" MDF core material

HVAC SUPPLY

Textured glass 3

Wood Veneer

1" Steel US Socket Flat Head with 7/8"- 9 Course Tread

32' - 5"

15' - 1"

HVAC RETURN

WW Linear Plank

Textured glass 2

1' - 8 1/2" TYP

EW Section 3/16" = 1'-0"

Hannah O

Acoustic veneer

Hepa Filter

EW BUILDING SECTION

3

Textured glass 2

12' - 10 1/4"

9' - 7 1/4"

Hanger Wire to Truss

Section EW Main 1" = 10'-0"

2

4

Cu ed acoust c pa el ce l g

Ceiling 17' - 0"

3' - 2 1/4"

NS BUILDING SECTION

5

5 I16

5 I13

3' - 2 1/2"

Section EW Main 2 1" = 10'-0"

1

2

2

5 I16

1

3

D

Acoustic cloth

NORTH

Glass 1 (conventional)

Elevation 1 - d 2 3/8" = 1'-0"

Elevation 1 - a 1 3/8" = 1'-0"

Custom Glazing 1/4" = 1'-0" Orignal Truss

Drip Pan

21

21 Suspended Ceiling Detail Acoustic 3" = 1'-0" UP

SHEET NOTES:

20

10

11

12

13

1

Cu ed acoust c pa el ce l g

9

10

11

12

13

7

Acoustic veneer over box beam

Plenum HVAC Diagram 3/4" = 1'-0"

Textured glass 1

1

22

3

21

1

DN

20

A

6 DN

C

D

7 9

8 Ceiling 17' - 0"

1" Steel U Course Tr

HVAC SUPPLY

Textured glass 2

NORTH

(1) All work shall be done in accordance with applicable codes and standards. See I1 sheet for code reference. (2) Verify existing conditions prior to commencing

Textured glass 3

TYP

7

work.PLENUM (3) Do not scale theseDIAGRAM drawings. (4) Except where otherwise noted, dimensions are to the face of studs, centerline of structure, and centerline of openings.

Plenum HVAC Diagram HVAC 3/4" 1'-0"verify dimensions and report any discrepancies immediately. (6) Dimensions are provided for design intent. (7) Installer shall field verify all openings DATE (5) = Field 3' - 5"

15' - 1 1/2"

49' - 5 3/4"

5/

PRIVATE ELEVATION

DN Acoustic Suspended Ceiling Detail 3" = 1'-0"

3/64" = 1'-0"

SHEET NOTES:

4

Final Upper Level Mechanical Diagram 3/64" = 1'-0"

High/cool Southern winds

GENERAL NOTES: (1) All work shall be done in accordance with applicable codes and standards. See I1 sheet for code reference. (2) Verify existing conditions prior to commencing work. (3) Do not scale these drawings. (4) Except where otherwise noted, dimensions are to the face of studs, centerline of structure, and centerline of openings.

(5) Field verify dimensions and report any discrepancies immediately. (6) Dimensions are provided for design intent. (7) Installer shall field verify all openings prior to fabrication of assemblies and shall allow for shim spaces, joints, sealant, etc. as required. (8) Any substitutions must be approved prior to procurement.

(9) Any substitutions must be of equal or better performance to material, finishing, or feature specified. (10) Contractor is responsible for cleaning all areas after construction.

Positive GENERAL pressure

17' - 0"

NORTH 3' - 5"

2

2

Final Plenum HVAC Diagram 3/4" = 1'-0"

DATE 5/ Final Plenum HVAC Diagram 3/4" = 1'-0"

Elevation 4 - c 3/8" = 1'-0"

1

Section 9 1/16" = 1'-0"

Negative

pressure NOTES:

I1

5

I1

Acoustic A 3/4" = 1'-

Buildi Sectio

Inter Eleva

(1) All work shall be done in accordance with applicable codes and standards. See I1 shee work. (3) Do not scale these drawings. (4) Except where otherwise noted, dimensions are (5) Field verify dimensions and report any discrepancies immediately. (6) Dimensions are prior to fabrication of assemblies and shall allow for shim spaces, joints, sealant, etc. as r (9) Any substitutions must be of equal or better performance to material, finishing, or fea construction.

AIR CIRCULATION DIAGRAM

SCALE SHEET NOTES:

300 BAYLOR ST, AUSTIN, TX 78751

5/6

DATE Wood Veneer with nano perforation

SCALE

Glass 1 (conventional)

49' - 5 3/4"

3

13

prior to fabrication of assemblies and shall allow for shim spaces, joints, sealant, etc. as required. (8) Any substitutions must be approved prior to procurement.

Elevation 4 - c (9) Any substitutions must be of 3 equal or better performance to material, finishing, or feature specified. (10) Contractor is responsible for cleaning all areas after 3/8" = 1'-0" Final Upper Level Mechanical Diagram construction.

SCALE 4

Ceiling 17' - 0"

Elevation 4 - b 3/8" = 1'-0"

12

Elevation 4 - b 4 3/8" = 1'-0"

Final Main Level Mechanical Diagram Dependent 1 1' - 8" 3 3/64" = 1'-0" TYP 15' - 1 1/2" Final Main Level Mechanical Diagram Dependent 1 3/64" = 1'-0" 4

11 13

Drip Pan

Custom Glazing 1/4" = 1'-0"

DN

MAIN LEVEL HVAC DIAGRAM

10 12

HVAC RETURN

SHEET NOTES:

D

9

Hepa Filter 10 11

GENERAL NOTES:

1' - 8"

A

Elevation 1 - a 3/8" = 1'-0"

DN

PUBLIC ELEVATION C

6 8

Acoustic Arch Motif Detail 5 3/4" = 1'-0"

Textured glass 1

1' - 8 1/2"

1' - 11 3/4"

B

DN

Elevation 1 - d 3/8" = 1'-0"

5 7

20

Green powder-coated steel mullions

UP

32' - 5"

B

4 6

Textured glass 4

15' - 1"

2

5

Linear Carrier HD 12'

TYP

A

3

4

21Linear Plank WW

Textured glass 3

Brick Veneer Access Floor

UP

3' - 9 1/4"

2 22

Textured glass 2

Train Platform Height 4' - 0"

A

2

Hannah O Hanger Wire to Truss

1' - 11 3/4"

9

Acoustic veneer

8

3' - 3"

20

UP

1' - 11 3/4"

7

8

17' - 0"

6

7

Ceiling 17' - 0"

3' - 2 1/2"

5

6

3' - 2 1/4"

4

5

3' - 2 1/4"

6

3

4

9' - 7 1/4"

22

2 22

3

16' - 10"

1

2

12' - 10 1/4"

1

Ceiling 17' - 0"

GENERAL NOTES: (1) All work shall be done in accordance with applicable codes and standards. See I1 sheet for code reference. (2) Verify existing conditions prior to commencing work. (3) Do not scale these drawings. (4) Except where otherwise noted, dimensions are to the face of studs, centerline of structure, and centerline of openings.

(5) Field verify dimensions and report any discrepancies immediately. (6) Dimensions are provided for design intent. (7) Installer shall field verify all openings prior to fabrication of assemblies and shall allow for shim spaces, joints, sealant, etc. as required. (8) Any substitutions must be approved prior to procurement.

(9) Any substitutions must be of equal or better performance to material, finishing, or feature specified. (10) Contractor is responsible for cleaning all areas after construction.

I1

Inter

ADAPTIVE RE-USE

21 | T H E W E L L : L I D T R A N S P O R T A T I O N H U B + G E N E R O U S P U B L I C S A N I T A T I O N

RHINO | REVIT | ENSCAPE | ADOBE ILLUSTRATOR | ADOBE PHOTOSHOP

O P P E LT | 2 2

Original Steel Truss Observation Tower/Windcatcher

22

21

20

A

B

C

D Acoustic Wood Veneer Motif

Veneer Acoustic Baffel

Rain Water Collection

Operable Aperture

Powder Coated Steel Trim

Standing Seam Metal Roof

Standing Seam Metal Roof Solar Panels

Solar Panels

5 I16

Glulam

Glass

Glulam

Custom Powder Coated Steel Frame doors with Glass Insert

GLULAM

POWDER-COATED STEEL

TEXTURED GLASS

ORIGINAL BRICK

NATHAN CRAVEN EXTRUDED CERAMICS

NS Section 3001 BAYLOR ST, AUSTIN, TX 78751 1/8" = 1'-0"

ORIGINAL BOARD-FORMED CONCRETE CEILINGS

Elevated Low Carbon Concrete Boardwalk

Rainwater Storage/Mechanical

MATERIAL PALETTE

BLACK STEEL (NEW & ORIGINAL)

HVAC/Mechanical

4

Inside Lounge Area 1/4" = 1'-0"

ADAPTIVE RE-USE

THE WE

23 | T H E W E L L : L I D T R A N S P O R T A T I O N H U B + G E N E R O U S P U B L I C S A N I T A T I O N

Elevated Low Carbon Concrete Boardwalk

Rainwater Storage/Mechanical HVAC/Mechanical

Original Steel Truss

0' - 8" 0' - 11 153/256" 6 I13

NS Section 1 1/8" = 1'-0"

4 Hannah Oppelt & Hannah Smith

Insid 1/4"

Acoustic Wood Veneer Motif

Powder Coated Steel Trim

Hepa Filter

2 3

Standing Seam Metal Roof Glass

Solar Panels

13

HVAC RETURN

Glulam

12

11

HVAC SUPPLY

10

1" Steel US Socket Flat Head with 7/8"- 9 Course Tread

9

7 2 I13 4

5

BARREL VAULT INTERIORSInside Lounge Area 4

3

5

4

3

2

NORTH

1/4" = 1'-0"

GENERAL NOTES:

DATE

5/6/2021 1:29:17 AM

Wood Veneer with nano perforation

Acoustic Arch Motif Detail 3/4" = 1'-0"

ACOUSTIC ARCH MOTIFS

AS INDICATED

SCALE CABLE VIEW NIGHTIME

(1) All work shall be done in accordance with applicable codes and standards. See I1 sheet for code reference. (2) Verify existing conditions prior to commencing work. (3) Do not scale these drawings. (4) Except where otherwise noted, dimensions are to the face of studs, centerline of structure, and centerline of openings.

2(5) Field verify dimensions 1 and report any discrepancies immediately. (6) Dimensions are provided for design intent. (7) Installer shall field verify all openings prior to fabrication of assemblies and shall allow for shim spaces, joints, sealant, etc. as required. (8) Any substitutions must be approved prior to procurement.

(9) Any substitutions must be of equal or better performance to material, finishing, or feature specified. (10) Contractor is responsible for cleaning all areas after construction.

Hanger Wire to Truss 300 Baylor Street Austin, Texas 78703

4

6

CABLE VIEW DAYTIME

Acoustic cloth

5 I13

Elevated Low Carbon Concrete Boardwalk

Section EW Main 1" = 10'-0"

7

Wood Veneer

Orignal Truss

Custom Powder Coated Steel Frame doors with Glass Insert

2

3/4" MDF core material

8

Drip Pan

THE WELL: LOW IMPACT PUBLIC TRANSIT HUB

5

Custom Powder Coated Steel Frame doors with Glass Insert

2

I13

Assembly Interior Axonometric

Hepa Filter

HVAC RETURN

A

1" Steel US Socket Flat Head wi Course Tread

HVAC SUPPLY

Drip Pan

7

Plenum HVAC Diagram 3/4" = 1'-0" 5

Acoustic Suspended Ceiling Detail

6 SUSPENDED 3" = 1'-0" ACOUSTIC CEILING

0' - 8"

2

0' - 11 153/256"

SHEET NOTES:

Assembly Interior Axonometric

ASSEMBLY AXONOMETRIC 4

SHEET NOTES:

3/4" MDF core material Wood Veneer Acoustic cloth

Orignal Truss

RHINO | REVIT | ENSCAPE | ADOBE ILLUSTRATOR | ADOBE PHOTOSHOP

NORTH

Acoustic Arch Motif D 3/4" = 1'-0"

Assembly Interior Wormseye Axonometric 3 Assembly Exterior Wormseye Axonometric

GENERAL NOTES:

1" Steel US Socket Flat Head with 7/8"- 9 Course Tread

Assembly Interior W

Building Sections

Linear Carrier HD 12' WW Linear Plank

3

A

1

B

C

5

Assembl Wooden 3/16" =

D

19' - 7 19/256"and standards. See 14' - 10 249/256" (1) All work shall be done in accordance with applicable codes I1 sheet for code r (1) Coordination with manufacturer required to determine ceiling arch baffle spacing and installation methods. (2) All work shall be done in accordance work. (3) Do not scale these drawings. (4) Except where otherwise noted, dimensions are to the face with applicable codes and standards. See I0 sheet for code reference. (4) Verify existing conditions prior to commencing work. (5) Do not scale these drawings. (6) Exc otherwise noted, dimensions are to the face of studs, centerline of structure, and centerline of openings. (7) Field verify dimensions and report any discrepancies imm (5) FieldDimensions verifyaredimensions and report any discrepancies immediately. (6) Dimensions are provided f provided for design intent. (9) Installer shall field verify all openings prior to fabrication of assemblies and shall allow for shim spaces, joints, sealant (10) Any substitutions must be approved prior to procurement.

Any shim substitutions must be ofjoints, equal or better performance to material, finishing, or featur prior to required. fabrication of assemblies and shall allow(11)for spaces, sealant, etc. as required.

(8 (11) Contractor is responsible for cleaning all areas after construction.

(9) Any substitutions must be of equal or better performance to material, finishing, or feature specif construction.

O P P E LT | 2 4

300 BAYLOR ST, AUSTIN, TX 78751

ADAPTIVE RE-USE

25 | T H E W E L L : L I D T R A N S P O R T A T I O N H U B + G E N E R O U S P U B L I C S A N I T A T I O N

Hannah Oppe

21

Nathan Craven Extruded Ceramics

Textured Semi Opaque Glass

Elgin Butler Structural Terracotta Block

3

Upper Level Facing North Toward Shower Stalls 1/4" = 1'-0"

5

1

6

7

8

9

Entrance Into Shower Stalls 1/4" = 1'-0"

10

11

Birch Hand Rail Cable Guardrails Powder coated Aluminum Balasters

Low Carbon Concrete and Steel Assembled Stair

Low Carbon Concrete Walls

2

Low Carbon Concrete Boardwalk continued from Outdoors

North Elevation Toward Showers 1/4" = 1'-0"

NORTH

ELEVATIONS: SHOWERS

DATE

5/11/

SCALE SHEET NOTES:

(1) All M.E.P. and I.T. systems are to be concealed within the wall or ceiling cavity. (2) Coordinate mechanical requirements with plumbing, electrical, architectural, and fire protection drawings. (3) All diffusers are to be floor supplied and partially concealed under contour wall assembly. (4) Low water-usage toilets and faucets are specified and to be installed by the contractor. (5) Minimum fall required for the gravity sanitary sewer is 1/4 inch per foot. (6) Exterior venting piping must be rigid metal. (7) Plumbing clean out shall be concealed under the cabinet/millwork.

RHINO | REVIT | ENSCAPE | ADOBE ILLUSTRATOR | ADOBE PHOTOSHOP

GENERAL NOTES: (1) All work shall be done in accordance with applicable codes and standards. See I1 sheet for code reference. (2) Verify existing conditions prior to commencing work. (3) Do not scale these drawings. (4) Except where otherwise noted, dimensions are to the face of studs, centerline of structure, and centerline of openings.

(5) Field verify dimensions and report any discrepancies immediately. (6) Dimensions are provided for design intent. (7) Installer shall field verify all openings prior to fabrication of assemblies and shall allow for shim spaces, joints, sealant, etc. as required. (8) Any substitutions must be approved prior to procurement.

(9) Any substitutions must be of equal or better performance to material, finishing, or feature specified. (10) Contractor is responsible for cleaning all areas after construction.

I1

Interio Elevati

O P P E LT | 2 6

UBLIC SHOWERS FROM EAST ELEVATOR

300 BAYLOR ST, AUSTIN, TX 78751

ADAPTIVE RE-USE

27 | J O H N S . C H A S E M I D D L E S C H O O L

SKETCH UP | ENSCAPE | ADOBE ILLUSTRATOR | ADOBE PHOTOSHOP

J O H N S . C H A S E M I D D L E S C H O O L

O P P E LT | 2 8

AIA AUSTIN FORCE-MAJEURE COMPETITION | SUMMER 2020 | BEST IN CATEGORY 6 WEEKS | TEAM PARTNER: JAMES OPPELT, AIA | LPA SATX (BROTHER)

AIA Austin’s 2020 Force Majeure Design Competition organized by AIA Austin’s Design Voice, Women in Architecture, and Latinos in Architecture asked participants to respond to 1 of 3 prompts. We chose to design a hypothetical “post-pandemic” middle school on a natural site in East Austin. There were nearly 50 team entries from all over the world across all categories. View a two minute video promoting our design here.

PROCESS | PLACE | CONCEPT

John S. Chase Middle School protects the wellbeing of a community physically, socially, and environmentally. The design approach for this small middle school in historically Black East Austin is centered on several distinct goals. Our first and most important goal is to create a highly transparent public space which promotes inclusivity, encourages openness and integrates nature. Second, the educational facility operates optimally during a viral pandemic and adapts seamlessly to contemporary educational environments. And third, the simple modular structure maximizes flexibility and allows expansion.

Preservation of access and views to the natural site promotes public health and equity in the densifying neighborhood. Elevated wooden walkways connect the school to the street and develop urban links to the landscape. The boardwalks encourage student engagement and provide the necessary space for social distancing.

The central strategy of the building’s design is to reduce risk of viral spread through natural ventilation. Classroom square footage is duplicated to outdoor capacity, creating hybrid learning environments. Shade, HVLS fans, operable apertures, and ideal site orientation make outdoor learning possible. When students are confined to indoor learning, distributed HVAC systems place the interior spaces under positive pressure and bring fresh air in.

TILLERY FIELDS | 1148 TILLERY ST, AUSTIN, TX 78702

P OST - PA N D E M I C E D U C AT I O N S C E N A R I O | A I A AU ST I N F O RC E - M A J E U R E

29 | J O H N S . C H A S E M I D D L E S C H O O L

SKETCH UP | ENSCAPE | ADOBE ILLUSTRATOR | ADOBE PHOTOSHOP

4

O P P E LT | 3 0

AUDITORIUM

WETLAND OUTDOOR LEARNING BOARDWALK

MATERIAL LEGEND

PROGRAM | ATTRIBUTION

EAST ELEVATION

9

Six classrooms accommodate 20 students each using traditional school scheduling. Modular, moveable desks facilitate students indoors or out. Students 9 9 stay at personal stations while instructors rotate teaching spaces. Hallways and lockers are externally located.

10 External trough sinks encourage hand-washing. The administrative program is enlarged for health services to include isolation rooms for students. An acoustical installation dampens sound and houses virucidal UV lighting. A dotted floor pattern at six foot spacing ensures occupants to maintain healthy distance and provides easy reference when arranging mobile furniture.

John S. Chase Middle School is named after a prominent black modernist 3 architect. Chase was the first black student to attend The University of Texas 1 School of 2Architecture. Many cherished public buildings were designed by Chase and define the Black East Austin community today.

TILLERY FIELDS | 1148 TILLERY ST, FLOOR AUSTIN, PLANTX 78702

1

3

2

4

5

6

7

8

9

1. Straight Stack Brick Veneer Naturally antimicrobial Interior & exterior application 2. Cold-Rolled Bronze Naturally virucidal Plumbing fixtures, high touch surfaces, trough sinks 3. Terrazzo Marmoleum Hospital-grade, copper-coated flooring Integrated social distancing dot pattern 4. Indoor Foliage Potted plants for fresh air 5. Integrated Light and Acoustical Baffles Virucidal UV bulbs Library, auditorium, cafeteria, and gymnasium 6. Cork Naturally antimicrobial ceiling acoustic panels and learning stools 7. Mobile Furniture Hospital-grade copper-coated laminate 8. Terrazzo Marmoleum Hospital-grade, copper-coated flooring 9. Light-controlled curtain Hospital-grade, silver-woven

P OST - PA N D E M I C E D U C AT I O N S C E N A R I O | A I A AU ST I N F O RC E - M A J E U R E

31 | C O M M U N A L I S

RHINO 3D | ADOBE ILLUSTRATOR | ENSCAPE | ADOBE PHOTOSHOP

O P P E LT | 3 2

C O M M U N A L I S UTSOA | FALL 2019 | CORE STUDIO I | 16 WEEKS | PROFESSOR NEREA FELIZ

The ARI 693 Design Studio was asked to design an interior space for collective bathing-- a multisensory design approach sought to expand our understanding of the body’s physiological engagement with space.

PROCESS | PLACE | PROGRAM

Communalis is a communal bath house for north Austin, Texas residents. More than public bathing, the design necessitated a flexible social space for the changing Austin demographic. The primary program consists of temperature regulated pools, showers and changing rooms, treatment rooms, massage rooms, one sauna, one steam room, retail space, a service bar, and flex spaces for gathering. Bathrooms, reception, back-of-house offices, laundry, storage, and a mechanical room were also essential.

Communalis’ foremost desired attributes came from the need to reconcile pragmatic and traditional material application with a sense of accessible luxury.

The aim was to create comfort in service to people of all ages, abilities and backgrounds. Paramount to the project was the goal of creating a safe place capable of cultivating trust, community, and receptiveness amongst strangers, families, and employees-- one which rewards the senses with lush tactility, visuals of rich, meditative depth and cultural anonymity. An open concept with shared facilities became the backbone of the design.

RANCH 99 BUILDING B

The site is located within approximately 8,000 square feet of existing space within a strip mall in north Austin, Texas.

RANCH 99 BUILDING B

LAMAR BLVD NORTH LAMAR BLVD.

I

H

G

4

32'-6"

A

A

BUILDING B

2

B

AIR

PO

RT

BLV

D

1

ST. JOHN'S AVE.

F

B

1 2 BUILDING D

C

C

4 3 3 4 1

SECTION C

BUILDING C

1

D

RT

AIRPO

BLVD.

2 D 3

BUILDING E

4

1

3

3 2

2

4 F

I 5 E

E

BUILDING A

G

OVERALL SITE PLAN

SECTION 3

H

SITE PLAN

SCALE: 1/64” = 1’

BUILDING B DETAIL SECTIONS

SCALE: 1/16” = 1’

SITE PHOTOS

1/32" = 1'-0" 1/64”

TOP OF PARAPET 33'-4 3/4"

TOP OF PARAPET 23'-4 3/4"

TOP OF PARAPET 21'-4 7/8" TOP OF PARAPET 19'-5 5/8"

HIGHLAND VILLAGE SHOPPING MALL | 6929 AIRPORT BLVD, AUSTIN, TX

TOP OF WINDOW 8'-9" TOP OF WINDOW 8'-9"

1

BUILDING B ELEVATION 1

2

BUILDING B ELEVATION 2

TOP OF PARAPET 16'-11"

TOP OF PARAPET 19'-5 5/8"

A VA U LT E D G AT H E R I N G S PA C E F O R C O L L E C T I V E B AT H I N G

33 | C O M M U N A L I S

RHINO 3D | ADOBE ILLUSTRATOR | ENSCAPE | ADOBE PHOTOSHOP

O P P E LT | 3 4

MATERIALITY + SCOPE

CREATING PARTITIONS WITHIN AN EXISTING GRID OF COLUMNS

Material selection came first. Expanding on the familiar use of 4x4” tile in public restrooms and transit stations, hyper-pigmented, glossy terracotta zellige is employed in its place. Applied liberally, zellige is selected for its evident quality of the human-hand, intrinsic to its ancient production practice. Tonal variation keeps the field qualities of application variable and dynamic, as well as the selection of two scales, 4x4” and 6x6”, to reflect the various programs.

The principle of dense field application carries over into the design of the ornamental vaulted ceiling. Made of more than a hundred glass-reinforced concrete barrels, the performative properties of this resolution is twofold: acoustic control and sculptural ornamentation. The numerous vaults in the larger spaces act as a coffered ceiling, deflecting sound and dampening cacophonous auditory effects, reflecting occupancy.

The wool curtain does four things: it manipulates light, controls humidity, acts as a threshold between public and private spaces, and introduces softness to an otherwise dense interior.

The two courtyards flood light into the larger pool hall which can be manipulated by curtain. Various bronze fixtures are scattered throughout the design, adding adaptability and creating opportunities for retail display and personal storage.

The use of durable, natural materials establishes permanence.

This allows bathers to experience an otherwise transitory building with dignity; to provide a place for people to have equal access to surfaces that please the senses. By cultivating bespoke design in the spheres of public space, it insists that all who come are worthy of an equal experience.

INITIAL PROTOTYPING AND DAYLIGHTING STUDIES

HAND-MADE MODEL | LASERCUT CHIPBOARD | 3D PRINTED POLYMER

A VA U LT E D G AT H E R I N G S PA C E F O R C O L L E C T I V E B AT H I N G

35 | C O M M U N A L I S

RHINO 3D | ADOBE ILLUSTRATOR | ENSCAPE | ADOBE PHOTOSHOP

OPPELT | 36 AMPLE DAYLIGHTING + SOUND RETENTION THROUGH GRC VAULTED CEILING

RHINO 3D | ADOBE ILLUSTRATOR | ENSCAPE | ADOBE PHOTOSHOP

A VA U LT E D G AT H E R I N G S PA C E F O R C O L L E C T I V E B AT H I N G

39 4 ||CIONM SM T IUTN UA TL EIO SF COLOR

1 2

3

3 4

5

8

4 5

4 9

8

6

6

6 9

7 7

10

RHINO | ADOBE PHOTOSHOP RHINO 3D 3D || ENSCAPE ADOBE ILLUSTRATOR | ENSCAPE| |ADOBE ADOBEILLUSTRATOR PHOTOSHOP

11 10

I N S T I T U T E O F C O L O R

O P P E LT | 4 0 GENERATIVE PROCESS RENDERINGS OF THE PHENOMEN OLOGICAL POTENTIAL OF COLOR

UTSOA | SPRING 2020 | CORE STUDIO I | 6 WEEKS | PROFESSOR IGOR SIDDIQUI

The ARI 694 Integrated Design Studio asked architecture and interior design students to conceptualize an urban in-fill building in New York City for the Insitute of Color - a fictionalized non-profit dedicated to the advancement of color research. The objective of this project is to initiate an active use of color within the building interior. Rather than “applying” color to a project that is already fully resolved based on other criteria, the aim is to engage with color as a generative consideration – to see how color can drive certain aspects of the project and serve as a tool for its development.

PROCESS | PLACE | CONCEPT

Prioritized in this concept is dedicated space of privatized terraces that duplicate indoor occupany to the outdoors, creating ample access to natural light-- essential to the study and analysis of color. The channel glass defining every exterior wall also allows total infultration of natural light. The narrow site allows for the suspension of “platforms” which divide the building into 5 floors with a roof terrace. Applied yellow activates circulation and indicates general public accessibility. The vertical circulation core provides an opportunity for an external, expressive mural in digitally printed woven silk. Above grade, aluminum clads the interior of the shared walls and bounce the tonality of the circulatory mural outside. The auditorium and lower exhibit are explosions of color. They celebrate the splashiest and the most fund-generating programs within the building. The generative studies (right) are expanded and applied onto felted wool carpet which line the auditorium and lower exhibit floors.

PROGRAM KEY

SITE

1. Circulation Shaft

7. Outdoor Entry Corridor at grade

2. Rooftop Terrace

8. Large Back Terrace

3. Upper Exhibit and Upper Exhibit Terrace

9. Lower Exhibit below grade

4. Classroom Terrace

10. Auditorium below grade

5. Classroom

11. Storage/Mechanical below grade

6. Studios/Labs INSTITUTE FOR THE ADVANCEMENT OF COLOR | 19 EAST 3RD ST, NEW YORK CITY, NY

U R BA N I N F I L L P ROJ E C T D E D I C AT E D TO CO LO R R E S EA RC H

41 | I N S T I T U T E O F C O L O R

RHINO 3D | ENSCAPE | ADOBE PHOTOSHOP | ADOBE ILLUSTRATOR

O P P E LT | 4 2

MATERIAL FEATURE WALL DIGITALLY PRINTED SILK CHARMEUSE

PRIVATE CIRCULATION

INSTITUTE FOR THE ADVANCEMENT OF COLOR | 19 EAST 3RD ST, NEW YORK CITY, NY

PUBLIC CIRCULATION

U R BA N I N F I L L P ROJ E C T D E D I C AT E D TO CO LO R R E S EA RC H

43 | VILLA LA ROCHE

R H I N O 3 D | A D O B E I L LU ST R ATO R

O P P E LT | 4 4

R O C H E

UP

L A

UP

V I L L A

UTSOA | SPRING 2021 | CORE STUDIO II | 2 WEEKS | PROFESSOR IGOR SIDDIQUI

Model-making and documentation exercise observing applied color and form in master works of residential architecture. Peer project in collaboration with Emily Yoon. Personal responsibilities included: research, digital modeling, drawing production, model material selection procurement and fabrication, model format, and shared model assembly. Handcut with the exception of lasercut mullions.

First Floor Plan

B'

Model is scaled 3/16”=1’.

DN

UP

Materials: 3/16” foam core, 1/16” museum board, plotted color on heavy weight paper, black laser etched, museum board, balsa wood, and bristol.

A

A'

UP

B Second Floor Plan

C

UP

DN

C'

RHINO 3D | ADOBE ILLUSTRATOR EF COLLAGE | RHINO 3D

Third Floor Plan SCALE : 3/16" = 1'-0"

LE CORBUSIER CASE STUDY

45 | DESERT RANGES

RHINO 3D | ADOBE ILLUSTRATOR | 1” x 1” PINE DOWELS | CHOP SAW | ACRYLIC PAINT | GESSO

O P P E LT | 4 6

D E S E R T

R A N G E S

UTSOA | SPRING 2021 | CORE STUDIO II | 4 WEEKS | PROFESSOR IGOR SIDDIQUI

A three-dimensional compositional color study of Lafayette Maynard Dixon’s Desert Ranges, 1940 (above) translated into a painted, wooden block model.

Limited to formal expression within a 1”x1” square grid system, the model is scaled 1”=1’ and representes a 10’x10’ abstracted “wall”.

Composition and form is influenced by Hopi Indian Tapestry weaving from the reservation where Dixon’s landscape was located.

CASE STUDY Three-dimensional compositional color study of Lafayette Maynard Dixon’s Desert Ranges, 1940 (above) translated into a painted, wooden block model. Limited to formal expression within a 1”x1” square grid system, The model is scaled 1”=1’ and represents a proposed 10’X10’ abstracted “wall”.

Composition and tapestry weaving.

form

is

influenced

by

Hopi

RHINO 3D | ADOBE ILLUSTRATOR | 1” x 1” PINE DOWELS | ACRYLIC PAINT | GESSOEF COLLAGE | RHINO 3D

Indian

A S PAT I A L CO LO R ST U DY

47 | SQUIGGLE TILE

S Q U I G G L E T I L E HAND-MADE TILE | UTSOA | CONSTRUCTION II | PROF ALLISON GASKINS | SPRING 2020

Original tile made via hand carving, slip-casting, and press production.

4.5”

SQUIGGLE

IT ’ S S AG E

SQUIGGLE

PROCESS AND PROTOTYPING

SS QQ UU IG GG LE IG LE PROCESS PH ARNON C S PS P E L T A HE O HANNAH OPPELT

IT’S SAGE HANNAH OPPELT

RHINO | SKETCH UP | ENSCAPE | ADOBE ILLUSTRATOR | ADOBE PHOTOSHOP | CLAY | CERAMIC GLAZE

CO N C E PT G A R M E N T | E X P E R I M E N TA L

SCREEN-PRINTING

O P P E LT | 4 8

MARKETING CONSULTANCY CO-WORKING SPACE

CONTRAST APPLIANCE CARAGE SLIDING CABNIETRY WITH CUTOUT HANDLES

I N N O V A T I V E A S S E M B L Y

MILLWORK BUILT-IN ASSEMBLY

INTEGRATIED OPEN SHELVING

FLOATING SHELVES

COUNTER HEIGHT BUTCHER BLOCK WORK STATIONS

HAND MADE TILE | UTSOA | CONSTRUCTION II | PROF ALLISON GASKINS | SPRING 2020

MARKETING CONSULTANCY CO-WORKING SPACE MILLWORK BUILT-IN ASSEMBLY

WORKSTATIONS MIRRORED WITH OPEN SPACE FOR FUTURE LOCKER INTEGRATION OR KITCHENETTE

2 PERSON WORK POD FOR PRIVACY/ PHONE CALLS

SCHEMATIC AXON

MARKETING CONSULTANCY CO-WORKING SPACE

MARKETING CONSULTANCY CO-WORKING SPACE

MILLWORK BUILT-IN ASSEMBLY

MILLWORK BUILT-IN ASSEMBLY

18"

12 PERSON WORKSTATION CAPACITY

HANDCRAFTED CERAMIC TILE

WARM OAK COUNTERTOP AND SHELVING

36"

20'

CONTRAST YELLOW POWDER- TERRACOTTA LIGHTING COATED WOOD COMPOSITE

SAFETY YELLOW CONTRASTS HUMAN "ACTIVATED" MILLWORK

18"

36"

MARKETING CONSULTANCY CO-WORKING SPACE IVORY PLASTER

TERRAZO FLOOR

RENDERED AXONOMETRIC

FELT UPHOLSTERY

MILLWORK BUILT-IN ASSEMBLY

40'

FLOORPLAN SCALE - 1/4" + 1'

MARKETING CONSULTANCY CO-WORKING SPACE MILLWORK BUILT-IN ASSEMBLY

24"

3'

HANDCRAFTED CERAMIC TILE

WARM OAK COUNTERTOP AND SHELVING

CONTRAST YELLOW POWDER- TERRACOTTA LIGHTING COATED WOOD COMPOSITE

6’

6” 3'

12”

30”

18"

6’ 12'

24' 40'

IVORY PLASTER

TERRAZO FLOOR

FELT UPHOLSTERY

RAILS - 2.75" THICK STILES AND COUNTER THICKNESS - 1.25"

EAST ELEVATION SCALE 1/4" = 1'

CUSTOM TILE DESIGN AND MILLWORK ASSEMBLY FOR CO-WORKING SPACE CO N C E PT G A R M E N T | E X P E R I M E N TA L S C R E E N - P R I N T I N G

49 | ARCHITECTURAL DRAWING

A R C H I T E C T U R A L D R A W I N G UTSOA | 2019-2020 | SELECTED WORKS | PROFESSOR BRISCOE, SIDDIQUI, AND BLOOD

A variety of drawings utilizing numerous methods, materials, and softwares resulting in various forms of manual and digital fabrication.

(Right: “Generation Assembly” and Above [process]: preceding forms generated in Rhino and Grasshopper) GENERATION ASSEMBLY | RHINO 3D | GRASSHOPPER | ADOBE ILLUSTRATOR

O P P E LT | 5 0

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

2-point perspective observational sketch

SCALE : 1/8” = 1’

PRODUCED BY AN AUTODESK STUDENT VERSION

HAND-DRAFTING | REVIT | ADOBE ILLUSTRATOR | AUTOCAD

ARCHITECTURAL DRAWING

51 | ARCHITECTURAL DRAWING

Stereotomic formal exercise and sectional studies

ORTHOGRAPHIC PROJECTION | RHINO 3D | ADOBE ILLUSTRATOR

O P P E LT | 5 2

EXPLODED COLOR STORIES | HAND-DRAFTING | ADOBE PHOTOSHOP

ARCHITECTURAL DRAWING

53 | TEXTILE DESIGN

R A S P A D A S DIGITAL PRINTING | ADOBE ILLUSTRATOR | SPRING 2015 | SCAD

Rasapadas is a collection of repeat patterns inspired by the work of Matisse.

Through paper cutouts, color, form, and rhythm are balanced in a series of explosive abstract illustrations.

PROCESS

TEXTILE DESIGN

CO N C E PT G A R M E N T | E X P E R I M E N TA L

SCREEN-PRINTING

O P P E LT | 5 4

T

A

T

T

E

R

REPEAT PATTERN | UTSOA | CONSTRUCTION II | PROF ALLISON GASKINS | SPRING 2020

Digital repeat concepted for dival jacquard wovens production. Based initially off of natural dye samples and then abstracted through a series of photoshop commands.

EDEN COLORWAY 1

PROCESS SAMPLES AND SKETCHES

CO N C E PT G A R M E N T | E X P E R I M E N TA L

S C R ETEXTILE E N - P RDESIGN INTING

55 | TEXTILE DESIGN

O P P E LT | 5 6

V U L T U R E SCREEN PRINTING | HAND SKETCHING | COLLAGE | SPRING 2017 | SCAD

Using paper collage methods of screen printing, Vulture is a series of four improvised compositions. American black vultures are known to lay their eggs on concrete slabs in vacant barns and seldom used structures.

PROCESS SKETCHES

TEXTILE DESIGN

SCREEN PRINTED COLLAGE

57 | TEXTILE DESIGN

O P P E LT | 5 8

A

L

A

M

O

SCREEN PRINTING | HAND SKETCHING | COLLAGE | SUMMER 2016 | SCAD

The Texicana series pays homage to my San Antonio roots and explores the possibilities of contemporary surface design within the context of Spanish colonial crafts and iconography.

This screen printed design contains elements of all five of the missions; featuring most prominently the Alamo. Eight yards of two toned, hand-printed fabric on linen in two color way sand one length of experimental open-screen yardage.

PROCESS

TEXTILE DESIGN

S C R E E N P R I N T E D YA R DA G E

59 | TEXTILE DESIGN

O P P E LT | 6 0

P

U

F

F

SCREEN PRINTING | FALL 2015 | GUADALUPE HAND-PRINT FABRICS

A duo of two-toned patterns created for screen printing in two colorways.

Designed while interning underneath the direction of Eron Howell of Guadalupe Hand-Print Fabrics in Boerne, TX.

CONCEPT REPEAT

TEXTILE DESIGN

S C R E E N P R I N T E D YA R DA G E

61 | TEXTILE DESIGN

O P P E LT | 6 2

P

O

K

E

SCREEN PRINTING | SEWING | SENIOR THESIS | FALL 2016 | SCAD

Screen printed motifs of prickly pear cactus adorn this sheer robe in quilted silk accessorized with a hand-crafted, leather harness.

PROCESS SAMPLES AND SKETCHES

TEXTILE DESIGN

CO N C E PT G A R M E N T | E X P E R I M E N TA L

SCREEN-PRINTING

63 | TEXTILE DESIGN

O P P E LT | 6 4

C E R E M O N Y COMPUTER-AIDED WOVENS | SPRING 2017 | SCAD

The Mythic Series explores the connection between the sublime and the supernatural. Studying elements of ceremony, ritual and costume, the following works are an emotional response to the magical properties of primitive discovery. Derived from illustrated studies of yarn sewn onto rabbit pelts, Ceremony is a jaquard woven reflection on sacrifice and forgiveness.

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TEXTILE DESIGN

FINE ART | JACQUARD WOVENS

65 | TEXTILE DESIGN

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T H E

M E D I N A

COMPUTER-AIDED WOVENS | SPRING 2017 | SCAD

Hand-woven jute, cotton, wool, rafia, and horsehair pay homage to the history of the Medina river in South San Antonio. A topographical map of Land Heritage Institute-- an organization dedicated to the preservation of the Medina River and the surrounding natural area-- is laser-engraved onto panels of acrylic that secure the weaving to the wall.

PROCESS | SITE

TEXTILE DESIGN

FINE ART | JACQUARD WOVENS

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