(outdated) Hamza Adenali 2018 Architecture Portfolio McEwen School of Architecture

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Hamza Adenali BAS. M.Arch (Candidate) 2018 Portfolio

Hamza Adenali Curriculum Vitae

(647) 929-7290 hamza.adenali@gmail.com

804 - 1900 North Sheridan Way Mississauga, ON L5K 2R3

Profile My name is Hamza Adenali and I am a candidate for the Masters of Architectural Studies at the McEwen School of Architecture. I am a charismatic person that is technically capable, resolute and proactive in my desire to continuously learn. Since becoming an architecture student, I have worked on theoretical and built projects within Toronto ON, Sudbury ON, Sault Ste. Marie ON, and DinkelsbĂźhl Germany. I completed these all while learning architectural and visual programs such as Photoshop, After Effects, Revit, Rhino and V-Ray. With my growing passion for design in not only architecture, but the wide spectrum it covers, I hope to work on projects that involve and move people, with a synthesis of functionality and beauty.

Work Experience Architectural Assistant Kirkor Architect and Planners Assisted with architectural design packages for client meetings, design drawing sets for review as well as establishing 3D printer standards.

Feb 2018 - Aug 2018

Parametric/Design Consultant Danielson Associates Office Inc. Assisted with the design of digitally fabricated portions of architectural projects as well as assisting with urban design projects.

Feb 2018 - Aug 2018

Contracted Design & Labor The University of Cambridge, Living With Lakes Sudbury Design and construction of 9 docks for water research aid.

Feb 2018 - Aug 2018

International Student Study Laurentian University Abroad Study Program Site analysis and design for a 600 year old house in DinkelsbĂźhl, Germany.

Feb 2018 - Aug 2018

Marketing Graphics MIRARCO Graphic design for all visuals related to the 2015 ICSMRI convention.

Feb 2018 - Aug 2018

Education Master of Architectural Studies (M.Arch) Candidate Bachelor of Architectural Studies (B.A.S) honours Erindale Secondary School honours

Skills

Photoshop

Illustrator

V-Ray

Rhinoceros

InDesign

Revit

GrassHopper

AutoCAD

3Ds Max

Achievements 5th Annual IIDEX Woodshop Winner

2017

Laurentian Nuit Blanche: Juror’s Choice Award Nomination for the 2015 Wood Works! AwardsMedia

2017 2015

Activities Laurentian Architecture Student Association: Vice President Laurentian Architecture Student Association: First Year Student Rep

2014 - 2015 2013 - 2014

Muslim Youth of North America: Media Coordinator

2013 - 2014

References Marco Vandermaas Project Design Architect at Kirkor Architects and Planners Patrick Danielson Principle at Danielson Associates Office Inc. Thomas Strickland Assistant Professor at McEwen School of Architecture Randall Kober Professor at McEwen School of Architecture

mvandermaas@kirkorarchitects.com patrick@p-dao.com tstrickland@laurentian.ca rkober@laurentian.ca

You can’t really say what is beautiful about a place, but the image of the place will remain vividly with you.

- Tadao Ando

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Table of Contents

01 02 03 04 05

Lost and Found

Pg 06

Competition entry for ‘Lost & Found 2017’. Completed individually.

Mokomoko Vase

Pg 14

Winning Design Build IIDEX Woodshop 2017 competition entry. Completed with one other person.

Garden Pavilion

Pg 18

Competition entry for the Aga Khan Community Garden Pavilion in 2017.

Completed with one other.

Timber in the City

Pg 20

Independent Study/Competition entry for the 2016 ACSA timber in the city competition.

Completed with 4 others.

Screen Wall

Pg 24

Design build screen wall for Float Spa sudbury. Completed with principal at DAO.

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Lost and Found

Exterior north facade render

The project was developed for the ‘Lost & Found’ competition that asked participants to find an underused space and re-purpose it. I found it fitting to have the project based in the city that I was well accustomed to, Sudbury Ontario.

The project proposes the re-location of the existing farmers market to a more centralized location. Moving away from the mono-functional approach that Sudbury is so fond of, the project acts as a centralized showcasing of what proper multi-functional spaces can add to the city.

The design houses a farmers market, art gallery, community garden, and performance space.

Completed: Dec 2017 Participants Hamza Adenali

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North-west lifestyle axonometric drawing

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Residential Buildings

Commercial Buildings

Public Transit Routes

Existing Farmers Market Location

Proposed Farmers Market Location

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Roof Top

performance area social seating community graden bed community garden bed

Second floor farmers market

Second Floor market stalls

bike rack

Ground Level washrooms

Underground art gallery

garden

Basement Level

mechanical art gallery wall

Axonometric floor plan of the building

Central garden by art galleries

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50mm steel frame centre hung joist

Front door section detail

25mm/127mm steel door frame glass barrier, 5mm toughned glass in 15mm aluminum frame

19mm/89mm wooden slat screen

Community Garden

Second Floor Market

Ground Level Market

Gallery Space

Re-purposed Ramp

Re-purposed Ramp

Re-purposed Ramp

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Window screen/seat section detail

25mm steel frame 5mm double glazzed window, tempered glass, 3mm cavity in 23mm aluminum frame

9.5mm/24mm steel rod bracket 19mm/89mm bent wood screen

Community Garden

Second Floor Market

Ground Level Market

Gallery Space

Market Section showing old car ramps re-purposed as pedestrian paths

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Grasshopper definition used to create undulating timber screen walls throughout the project

Sample of wall portion (left) and window portion (right) of screen wall

Screens placed along the perimeter of the building as a continual guide to users moving through the space

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Farmers market lifestyle render

Arial Render of the community garden on top the roof of the building

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Mokomoko Vase

Planed lumber

Lumber ripped into strips

Developmental Concept Sketches

The proposed object begins with using dead ash wood; while thinking about how design could be used to enhance a vases functional and aesthetic properties in a modern household setting.

Amalgamating two slightly different lumbers; the larger of the two house the actual flowers (ash), while the smaller ones act as spacers (cherry). It is then, in a poetic manner, that the ash wood houses the life that it no longer can.

Assembling of mokomoko vases

Completed: Dec 2017 Participants Hamza Adenali, Edward Woo-Hyun Chung Role Design, Build

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Winning IIDEX WOODSHOP 2017 mokomoko vase

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Close up shot of a single vase

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Action shot with all 24 vases assembled

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Garden Pavillion

2x4 back wall

structural steel column

curved 2x4 inner wall

concrete planter box

concrete seating

Labeled Axonometric

The pavilion focuses on addressing the growing discord between diversity and community. 2”x4” wood members are arrayed atop each other, with each member progressively bending more than the previous. 2”x2” steel columns are secured below grade with concrete cast for seating and planters adjacent to them.

Lastly, modular seedling pots are placed in the planters; meant for community members to take home, plant, and return as an homage to the role communities play in sustaining ecological stability.

Completed: Dec 2017 Participants Hamza Adenali, Dhroov Patel Role Design, 3D modeling, , Parametric patterns, Graphics, Rendering, Post production

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Perspective rendering discord

stability

inclusion

diversity

Parti diagram Garden Pavilion

Just Eat Farms

Site plan

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Timber Canyon

Interior Museum Render

Located in Manhattan’s lower east side, The project was a design based competition for a mid-rise that would contain the mixed use of affordable housing, a new home for the historic Essex street market, and a NYC outpost for the Andy Warhol Museum.

The design strives to celebrate as well as innovate the use of timber building technologies.

Pushing the CLT to their limit, the majority of the structure is made possible with the use of 8 story CLT walls, and HSK timber systems.

The program of the building is then; a central courtyard connecting the soon to be developed Lowline and existing subway; the semi-submerged farmers market; the residential building cascading around the center; and the museum encased underneath the residence.

Completed: May 2016

Participants Hamza Adenali, Matwij Ferczak, Tony Mai, Suvik Patel, Theodore Wong Role Design, 3D modeling, Graphics, Sections, Render Post-Production

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Site plan

Programmatic parti showing the Lowline, central courtyard/farmers market, residence and museum space.

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CONCRETE ELEVATOR SHAFT

HSK CANTELLEVER SHEAR WALL SYSTEM

CONCRETE ELEVATOR SHAFT

RECRIPRICOL TIMBER TRUSSES

8 STORY CLT WALLS

Structural timber diagram

Exterior render along south facade ROOF FLOOR 80’ - 0” EIGHT FLOOR 70’ - 0” SEVENTH FLOOR 60’ - 0” SIXTH FLOOR 50’ - 0” FIFTH FLOOR 40’ - 0” FOURTH FLOOR 30’ - 0” THIRD FLOOR 20’ - 0” SECOND FLOOR 10’ - 0” GROUND FLOOR 0’ - 0” UPPER BASEMENT -10’ - 0” LOWER BASEMENT/LOWLINE -20’ - 0”

SOUTH SECTION

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Aerial render along south facade The construction method of the building consisted of two innovative uses of cross laminated timber. Within the canyon portion of the residence, the construction of the CLT utilizes the vertical strength but as well the shear strength. Using an HSK timber system, a timber connection using thin perforated metal sheets connects the large wall CLT panels that make up the canyon construction. These CLT walls that make up the canyon area, represent a shear condition as they rigidly connect and tether to the ground. This ultimately allows for the loads to be carried down from the top floors through the vertical CLT panels up to the ground. The rest of the structure is carried through CLT bracing and a reciprocal timber truss system, these loads are as well picked up and redistributed through the timber panels.

The vertical strength of CLT was the structural feature that we as a team designed around. Prefabricated 80 story CLT are manufactured and developed. They then are assembled vertically to maximize structural efficiency. As well utilizing CLT bracing in between these walls allows resistance on shear loads, but create floors and ceilings of the structure. The flooring system is thus utilized as there is no flooring brace longer then 36’.

Exterior render along north facade ROOF FLOOR 80’ - 0”

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EIGHT FLOOR 70’ - 0”

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SEVENTH FLOOR 60’ - 0”

C

SIXTH FLOOR 50’ - 0”

D

FIFTH FLOOR 40’ - 0”

E

FOURTH FLOOR 30’ - 0”

F

THIRD FLOOR 20’ - 0”

G

SECOND FLOOR 10’ - 0”

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GROUND FLOOR 0’ - 0”

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UPPER BASEMENT -10’ - 0”

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LOWER BASEMENT/LOWLINE -20’ - 0”

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EAST SECTION

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Float Spa Screen-Wall

Interior corridor photo

The design of the project aims to service two different spaces, the lounge and hallway, with a partitioning screen wall.

The perforated screen blends in with the white walls, creating a simple yet alluring pattern for all who enter to see. Within the hallway, the lights are dimmed, reflecting the soon to be experienced darkness within the float pods. The holes within the screen wall then allow light to penetrate into the dim lit space, and due to the offset between the screens, animate the hallway space with shimmering lights.

Completed: June 2017 Participants Hamza Adenali, Patrick Danielson Role Design, 3D modeling, Parametric, Graphics, Model Making, Build

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acrylic acoustic/dust barrier

white interior screen wall

black interior screen wall

Floor plans highlighting screen location

Exploded screen axonometric

Grasshopper definition managing hole size and distribution based on curve

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Disassembled joint study

Assembled joint study

Acrylic sound barrier installation

Wall sections pre-assembly

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Lounge area photo

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Explorations

Manifesto displaying architectures role in balancing nature, space, design and technology: 4’x4’ ink drawing

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Artistic concept representation of Tadao Ando’s Azuma/Row house: 11”x17” ink drawing

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+1 (647) 929 - 7290 hamza.adenali@gmail.com @artdenali